Episode 218:Keep it Down

In this episode, the team talks about home ownership, Sneakerheads, Gay Sons and much more!!!!

Episode Transcript

Speaker 1 (00:00):
This is all of that.

Speaker 2 (00:01):
That's that's it is that gonna be your whole personality
for the next two years. You're like, you're the I'm
getting married girl, because.

Speaker 3 (00:07):
It's not annoying, it's not gonna take two years.

Speaker 2 (00:10):
I hate when a girl gets a new, like fancy
thing in her life and that becomes her whole identity.

Speaker 1 (00:16):
Annoying. That's the whole topic of you start doing. Every
time she talked, she's just got the rag out.

Speaker 3 (00:23):
No, you know what, you know what their fingers.

Speaker 4 (00:29):
I feel like I'm super cognizant of that now because
I don't want people to think that I'm just trying
to show off the ring.

Speaker 3 (00:34):
But like normally I really would.

Speaker 1 (00:35):
Just you should. It's an accomplishment.

Speaker 5 (00:38):
It's a black woman, anybody Mary fan at, nobody marrying
no black women out there.

Speaker 1 (00:43):
Yeah, it's especially that black men. Yeah, diamond in the
rough baby, light skinned black girls with light eyes is
definitely getting wide and far. Yeah, you're you're not You're
not special. Definitely got special. I am very red bone

(01:08):
out ya. Yeah, big facts. If it wasn't gonna be him,
it was gonna be me, So you were it was
good word, all right, let's get into y'all.

Speaker 5 (01:18):
Welcome back to episode two hundred and eighteen of the
Old Jokes Side Podcast. I am your host, Will Mills
a k A King dirt Bag. And also welcome back
to my beautiful co host Ray a k A Honey
j A k A Fiance a k A. Marquis cut
a k A degree our band can't stand it a

(01:40):
k A po chicken sound wage right now for a
limit time, I gotta come up with different floor jump.

Speaker 1 (01:46):
Yeah, that got we got that. We got that. We
got that, got that got that gator? Got that in
your phone? Bread, We got that, We got we got
that gum ball?

Speaker 3 (01:58):
Why do you sound like such a k agent?

Speaker 5 (02:01):
That's how nigga's talk. I watched a lot of X
Men growing up. Oh yeah, damn yeah, that's my guy
right there?

Speaker 3 (02:07):
Are y'all excited about the dead pulling roof Wolverine?

Speaker 1 (02:10):
No, I got my ticket already. I'm gonna buy it,
but I mean I got my ticket for Friday. I
need to know the angle. I need the angle.

Speaker 5 (02:18):
And also welcome back to my illustrious co host, Kevin
Dean aka Mister four O seven Kevin a k A.
Winnie the pool A k A, I'm doing just fine,
getting alan very well without you in my life.

Speaker 1 (02:34):
At the end of the road, how do I say
good about it? A ka? Bowtown Phillies back again? He yo,
Michael Biffin's bell, start playing with my money, Nigga, Big
Facts aka motherfucking Orlando Calris.

Speaker 5 (02:51):
I mean the man, the myth allegend, Kevin Dean. What's good,
my brother good man. Happy to be alive, happy to
be back. And y'all, I'm gonna need you to take
that winny to boost it out of my fuck uh intro.
I've been working out. I've been doing two days. I'm
losing the weight.

Speaker 1 (03:08):
Yes, yesterday you was yesterday. You was out there to
fit it out for it on. I saw it. I
liked that. I complimented you. I looked at I said,
I gotta get that.

Speaker 5 (03:16):
Let me tell you something, if I ever commit compliant
your outfit, you might see me with it.

Speaker 1 (03:21):
Ship. No, I really like that, ship, bro, that's low key,
I said, Zara. I like Zara. Get that. I like that.
I like that. I like that. I meant in a
different color. Nigga, I rocked the green for sure, and
I'm going to get the green joint, green joint, the
white joint cream and text.

Speaker 2 (03:36):
Me where you're gonna wear it, because the last thing
that we need is to be on a podcast together
coming out matching. But you know what, though, I'm making
my business to watch like five episodes back to make
sure I don't repeat the same hat.

Speaker 5 (03:47):
Oh yeah, yeah, I always do that. You can't see
my snakers. My sneaker is always frustraty. I never see
my sinker is never sure. I need to sometimes move
the desk because my footwear is always crazy. On the podcast,
talk about it. I see you good the good those
are we the best? That's a good I got. I
went vintage, I got the good good A six These
is back out. I forgot what number these are, but

(04:09):
sh it's it's fire.

Speaker 1 (04:10):
Y'all know, y'all know.

Speaker 5 (04:11):
I got the Fresh the platform vance at the fresh
A six. I love that these are back these its
is light comfortable. I like that walking sneakers our thing again.
They're like bro I was been waiting for.

Speaker 1 (04:24):
I got. That's New York, right, New York's bringing up
New York, bringing up that all the new balance that
A six.

Speaker 5 (04:29):
The hookahs are in over the clouds. Like all of
the walking sneakers is dope. You know what I'm saying.

Speaker 1 (04:34):
I like the hot sock love the good good shorts
dies out? Is it just me? Or I feel like
Jordan's are out? Now? Jordan's are done? Bro? You know
what killed the sneak a game? Right?

Speaker 5 (04:43):
What dependence? That was a pandemic they killed. Listen, let
me tell you something. This is when you know the
sneaker game was over with me? Yeah, the Nike dunk,
the black and white pans. Everybody got kill it, all right?
You know what, everybody, Let's call our producer because he
has been dying to talk about this.

Speaker 1 (05:02):
Oh shit, he fucking hates panda. I hate a panda ware.
I bought my son a pade was they were Yo, Jay,
guess what we're talking about. Bro.

Speaker 5 (05:13):
By the way, this is the producer to show everybody. Uh,
Jay Schluggy, he's on He's on the line right now.
We're talking about the pandas.

Speaker 1 (05:22):
Bro.

Speaker 5 (05:26):
He this is a this is a conversation we want, so,
Ray asked me. I said the pandas because we were
talking about all our sneakers. But we were in till
I got the A six on keV got the we
the Best fives on and Ray got on the pair
of Vans and we're talking about you know, I was
telling him, like, Yo, the Pandas destroyed the sneaker game.
So Ray said, how do the pandas destroy the sneaker game?

(05:46):
So I said, let me call out our our living
expert on this ordeal, because you've been called he's been
calling this ship for years. He been saying the Pandas
because I remember when they first came out. I paid
four hundred and five fifty dollars for them.

Speaker 2 (06:00):
Bro, that's crazy. They're like a ninety dollars shoot. Yeah,
but you know, Jay explain to them.

Speaker 6 (06:07):
It's it's really like it's the saturation of it, you
know what I mean. It's just it is it's a wow,
easy to get. They never sold out and all of
a sudden, every literally this used to be a phrase
everybody in their grandmother, but nah, this shit is literally
everybody in their grandmother has a pad of pandas And

(06:28):
there's no distinction between what's cool and what's not because
everybody got you know what I'm saying.

Speaker 1 (06:33):
So that's if it's for everybody, it's for nobody, right,
right right exactly. It lost its luster. It's nothing now,
see is zero distinction. What keeps sniggers flies their rarity
and the scarcity. Yeah.

Speaker 5 (06:47):
So what happened with the pandas was everybody wanted them,
then the fakes came out like crazy. Everybody had the
fake ones, and then Nike said, we're losing money on
these fakes. Let's we produce these forgetting that people like
me paid four to fifty dollars for them. So when
you set it's kind of like golden diamonds is not rare.
To keep it cheap, to keep it expensive, you have

(07:09):
to release a certain amount to the market.

Speaker 1 (07:12):
When you release all of them, it lowers the value
of it.

Speaker 2 (07:14):
And what else happened is when people started realizing how
attainable it was and how easy it was to get them,
they dropped down the price of all sneakers.

Speaker 1 (07:22):
Yeah.

Speaker 2 (07:23):
So now Niggas is like, oh, well, if I could
get the pandas, I could get the brazils, and I
could get the range in bull fives, and I could
get and I could get these ones, and now I
got a closet of five or six shoes.

Speaker 1 (07:32):
All you need. All you need is six or seven
pairs of sneakers to look versatile, and then you had
people calling themselves sneakerheads. Yes, fucking up the culture. Bro.
It's like, how many pair of sneakers you got? I have?
I have almost two hundred pairs, right, yeah, that's crazy.
I'm not a sneakerhead, Bro, It's not what a sneakerhead is.

Speaker 5 (07:52):
I just like sneakers. Sneakerheads is a culture. Like they collect,
they buy it, they sell, they know real.

Speaker 1 (08:00):
Man. I'm more like a hype beast like you know.
And I'm not a hype beast either, Like I don't
run and.

Speaker 5 (08:04):
Go get something because if I see, like when everybody
ran to go get the like the uh, the red,
the white and red cherry elevens.

Speaker 1 (08:13):
I said, feel the cherry elevens came out and then
they dropped the cherry twelves right after, right, and everybody
everybody was rocking, not the cherry elevens, the all red elevens.
Which ones were those all red? No, I don't remember
remember those went crazy like every little nigga to pay them.
It was just last year that the cherry elevens was

(08:34):
all over though.

Speaker 5 (08:35):
You were right about and Bro, when I when I started.
I remember Jay was the ones that just came out there.
Matter of fact, I called Jay that morning the con
they re released the Concords with the gold Jordan on it.
I went early in the morning. There was nobody out there, bro,
Like nobody literally only one. I lived right in front

(08:55):
of the trophy room. Nigga, the raffles niggas used to
be around the corner with up for them.

Speaker 1 (08:59):
Nobody can.

Speaker 3 (09:00):
It just came out like a month or two ago.
It's been in the last few months.

Speaker 4 (09:04):
I was on my way to work and I didn't
even know there was a trophy room right there, and
I saw a bunch of people like wrapped around the corner.

Speaker 5 (09:11):
It's the original one because Marcus owns it. Jordan's son,
So Marcus has the original ones here. And then I
think he opened up a couple of more that downtown.

Speaker 1 (09:18):
Is that they used to be in.

Speaker 3 (09:19):
Yeah, the one that's downtown, I didn't even know that was.

Speaker 1 (09:22):
It's straight. Yeah. I've caught a couple of pasts from Man.
If it's not an original color, I don't want to talk.
Yeah right now, got to be an og.

Speaker 5 (09:31):
Colorway, bro, Like I'm not getting nothing. I'm not and
the only Jordan's I would buy ones are definitely over with.
They killed the game.

Speaker 2 (09:39):
Too many people got mids out here and acting like
Med's is nasty and acting like they something with me.

Speaker 1 (09:45):
I'm a funk with with with a good three. Absolutely. Yeah,
I put a pair of mids on.

Speaker 2 (09:49):
No, actually you won't see me in mid but I'm
walking around though.

Speaker 1 (09:53):
Mid ones. Oh, mid Ones is nasty. I'm walking like
I'm playing ball in those. I'm like going crazy.

Speaker 5 (10:00):
Those are the Puerto Rican niggas, the Puerto Rican back
to school specials, my niggas.

Speaker 2 (10:05):
I got a couple of mid ones that from back
in the day. They will get it done because I
like I like the way that they fit on certain shoots.

Speaker 1 (10:11):
Okay, make sure you put make sure you put your
pant leg over there.

Speaker 5 (10:15):
It's kind of like wearing a chucker, tim and I
got a double soul and walk fast because your pant
leg come up. Niggas, see what's going on under there?
You lose, you lose extreme amount of cool points. You
got anything else you want to touch on those sneakers?

Speaker 6 (10:29):
Yeah, yeah, I just it's only like four sneakers everybody
with you know what I now it's it's Jordan's, were Ones,
Dunk Clowse, New Balance, and I don't even know what else.
And bro, you know, bro, a couple of months ago,
I went out and started buying other sneakers.

Speaker 5 (10:49):
Like yeah, I'm like, he put me onto the Over
the Clouds. Those are dope. Those are dope. I thought
they was I thought they was rejects. He talking about
the hooker's h o K. You know, no, they're walking niggers.
So I've seen a bunch of I'm like, know what
the fucking those are rejates? Like no, there's a white
white people rocking old. So when I go to New York,
I see a bunch of people wearing them. You go
in the store, up any store, Bro, They two hundred dollars.

Speaker 1 (11:09):
Bro, they're not no cheap? Too sure, and he gotta
he gotta pay. And Over the Clouds are really dope.
Is it over for Yeasis? Yeah? Easy?

Speaker 5 (11:19):
Well well well, I mean well it's over. It gotta
be over because Yay's not with Adidas anymore. But you
still could throw on a pier three fifties or a
pair of seven hundreds and kill them like oh yeah,
you those are like wave Runners is never going anywhere, Bro,
seven hundreds and the three fifties, they they'll always be hard.

Speaker 2 (11:36):
I don't want to say they never go nowhere. Remember
the Prestos were their biggest competition. I haven't seen a
pair of Prestos in the ages.

Speaker 5 (11:42):
Well, well, remember Yeezy's are so the ultra exclusive now
because Yeezy don't make them no more. Like if you
go get a pair of red Octobers, Yeah, bro, a
paer of red Octoba's. It's like, what jay about twenty thousand?

Speaker 1 (11:52):
Goddamn? Yeah, there are twenty bands.

Speaker 5 (11:54):
Bro, that's not even my age. Yeah, Bro, yeah, my
bracket he's not with them no more. So that's all yeezys.
Jeezus are always going to be fly.

Speaker 1 (12:03):
I said, I said Prestos, but I meant the Roachies,
my bad, the row.

Speaker 5 (12:07):
No, they tried to make the Roachies the new yeasy
Is and they failed miserably. That's when Nike was going
down at night. Listen, Nike is almost over with bro, Yeah,
because I don't even buy Night I'm the only Nikes
I buy now. Air Force ones, broeh, white air Force Ones.

Speaker 1 (12:23):
And that's it, bro, They're that's it now.

Speaker 5 (12:25):
Fucking with New Balance, a sick and foreigns Pradas and
Guccies and Louise and shit like that.

Speaker 1 (12:31):
That's what I'm doing, Bro, I gotta work to get
my paper up. These acix right here. Ninety dollars, bro,
nice good shootough right yeah, hell y ninety dollars.

Speaker 6 (12:41):
One other thing that the internet killed the speaking game also,
oh for sure, among other things, the internet killed.

Speaker 1 (12:48):
A lot of shitro expand on that though, what you
mean by that? So?

Speaker 6 (12:52):
When when when you can get a window into every
If I live in a small town in Minnesota, I
could just see what's cool over here in Brooklyn and
everybody start doing it.

Speaker 1 (13:03):
There's no there's no reason to do it no more.
It's corny now. And you know what when people who
don't look like us get a hold of they, yeah,
oh it gets nasty. It gets nasty.

Speaker 5 (13:13):
When them little white boys got this nigga games, like Bro,
y'all don't even know what cool. Little so I see
little twelve year old white boys. Yeah, I got these
new Yeezy's for thousand min Shut up. They sha robbed
them niggas like.

Speaker 1 (13:25):
They be talking to me, like they know me, like
they've grown, Like, oh you have the calid fives on.

Speaker 5 (13:29):
I have those in the different You little niggas show
listen back in the days, they couldn't even let me
tell you something. Little niggas show up to the them
niggas show up to the sneaker store if they want
nigga niggas is taking your sneakers, Bro, respectfully.

Speaker 1 (13:42):
Little nigga comes through with the Encores overweight. He walked
around with a pick Nigga white. How you even made
it in here? That's crazy. That's when sniggers was really fire.
When you couldn't get them? When when when when they
When Nike had to literally stop the release in twenty
twelve for the fuck and the Galaxy phone posits because

(14:02):
the because the All Star Game was here and the
only place they was being released was in the Florida Mall,
they went crazy. They Nike, Nike said don't release them.

Speaker 5 (14:12):
When Nike called the Florida More said don't release that shoe,
and then the Galaxy went up to like ten thousand dollars.
That's when the sneaker game was crazy, Bro, not this bullshit.
Now with all of these Jordan Ones and all that
sover with.

Speaker 1 (14:24):
Bro, you could go into any finish line or foot
locker right now and walk out with a parents.

Speaker 5 (14:28):
It should a point now where my brother or my
little nephews come to my house, I give them Jordan
Ones as a parting gift. I'm talking about I just gave.
I just gave my little cousin, my little nephew. I
gave him the Turbo green ones.

Speaker 1 (14:41):
Bro. Oh. I gave my other cousin there was the
Japanese one, Jade, the multicolored ones. Yeah, I remember.

Speaker 5 (14:50):
I gave him the multi it was like blue and pink.
And I gave my little nephew brand or I wore
like twice in game. Now, Bro, that's how whack they
are now, so fuck them. But yeah, Jay, we're gonna
move on to another subject.

Speaker 1 (15:04):
Bro.

Speaker 5 (15:05):
I love all right, I got it all right, love bro. Yeah, ohway, listen,
I talked about that.

Speaker 1 (15:14):
I did it. I put out a video about that
the other day. Uh. I tell all my boys I
love them. At the end of the conversation, I say
to you, I say love I always, I always, I
always say that. Ship.

Speaker 5 (15:25):
I had one friend shout out to my boy looks
he got me into that. I actually think that shit
was weird. That's that that's that's that's that's a form
of toxic masculinity. By the way, too okay to think
that there's something wrong with that, because here's the thing.
I understand that most black men get no love, not
even from your own children. Like it's always a gimme, gimme, gimme,

(15:46):
gimme and then I love you. Black men aren't loved
une conditionally. We'll loved according to what we can provide
for the most part. Like you got a few people,
your your mother, your father, But the world embraces women
just to be insad. Don't like give funk about our feelings.
So if you can't do that with your boys, you

(16:06):
know what I mean, because I did you see the
I put up. I posted the card that mocks at me. Yeah,
I posted, he said, he just mox just did. Like
he just he's just sending all of us out a
random card. It's a random He's like this.

Speaker 1 (16:20):
I opened it up.

Speaker 5 (16:21):
I'm a little down that day and I just opened
up my mail and it was a card from him,
and it just said, thank you for being my brother.

Speaker 1 (16:27):
I love you.

Speaker 5 (16:28):
That's it, bro, Like I'm proud of your compliments as
a black man, keep keep doing it.

Speaker 1 (16:32):
You inspire me. Like, bro, he sends us things like that,
like me and my friends do ship like that for
each other. Oh, that's real, decent, that's real. But back,
But when you're younger and immature, niggas, how you thinking
that's some homo ship. Bro? It's like, Bro, I don't
give a fuck what you think about that. Oh no,
I never been on that. I'm just saying, but Black
supported me friend.

Speaker 5 (16:54):
I always say this, bro, like, like if you can't right,
if you got your different stages with your friends, right,
showing your twenties, early twenties, you you you going out
to the club, you being irresponsible together, and then you
stay friends with the same person. And in your thirties
you start having a couple of kids, and you still
running around fucking bitches together, taking trips together.

Speaker 1 (17:17):
Boom. That's that stage. And then when you get to
the thirty or late thirties and forties, that's when you
start doing business together.

Speaker 5 (17:23):
You start literally making money together. While your children are
growing up. Now you spend the holidays together, meaningful shit
and these so they become family right at that. When
you get a little older, that's when that start to
happen if you're not, if you're still in your forties
and your friends only exist to go out and have
a good time, get rid of them, niggas fifty cent
said it best, Bro, You all your day and your

(17:44):
life will only go as far as the people you
talk to for no reason, think about it. Us three
have no reason to be talking outside of this podcast, right,
So if I'm talking to you, you're consuming a portion
of my day. What's happening throughout?

Speaker 1 (17:58):
What? What am I getting out of this conversation? What
value is it? Right? And either of us? For either
of us.

Speaker 5 (18:02):
But as your value increases in life, and as you
know what you're doing with your life, your.

Speaker 1 (18:07):
Friendless becomes short. Bro.

Speaker 5 (18:09):
And that phone stopped ringing tone when you got into
comedy and started moving on.

Speaker 1 (18:13):
How many friends you lost? Bro? A lot?

Speaker 5 (18:15):
Actually, let me rephrase how many friends lost you? Because
I don't ever good people don't lose friends. Friends lose you.

Speaker 1 (18:21):
So a couple of things happened to me.

Speaker 2 (18:24):
One like you said, when people enter like older phases
of their lives, they start having kids and wives and shit,
that's not the type of time that I'm on. And
I knew that from a young age, like, I'm not
trying to be settled down. I'm not trying to be
anybody's baby daddy. So I was on like some very
ambitious comedy shit, and all of my boys around me
all started having babies at the same time, and so

(18:44):
they're on like dad mode right now and like trying
to get the house in order. You can talk to friends.
I'm not to talk to friend. I'm a type of friend,
Like I'm the friend that's like, Yo, my dreams matter
more than me. I care about my passions. I'm going
to figure out this thing that I'm passionate about first,
and then I'm gonna build my fan around that.

Speaker 1 (19:01):
If I decide to build a family, but I don't.

Speaker 2 (19:03):
Want to fucking have a kid and then try to
figure out how to feed it and not know I'll
be honest enough to admit I'm mad insecure about my finances.

Speaker 1 (19:12):
I don't know where my checks are coming from. For
the next I think you're spoiled, bro, maybe I think
I'll be cucking bro. This niggould be talking to black
broke shit. This nigga lived.

Speaker 5 (19:21):
Listen, listen, ladies, motherfucker live in fifty five West and
a skyloft.

Speaker 1 (19:25):
I'm doing all right. Oh you're I'm very frugal with
my money. By Orlando's standards, you're in the top one percent. Bro,
I'm respectfully, I'm managing it well. I think anybody could
do what I do. You sound like, yo, Bro.

Speaker 5 (19:38):
I was watching this fucking viral video on Instagram the
other day and I should have put it in the totes.
I commented on it. I usually don't get triggered in
common Oni. Shit, I used to say something funny. I
usually don't say nothing slick. So is a lady who
is a nurse, by the way, which is one of
the most highest paying jobs in the country, and her
husband is also a nurse. Okay, they're both are ends. Okay,
do you know how much money they make?

Speaker 1 (19:58):
Bro?

Speaker 5 (19:59):
Probably like eighty kp. They both make good money. She
is crying online talking about how they're struggling.

Speaker 1 (20:06):
To live in check the check.

Speaker 5 (20:07):
Oh that's crazy, I commented, and I said, your husband
must have a drug or gambling habit that he's not
telling you about, because the ain't no fucking way, lady,
and you're white, you're living outside of your meanings.

Speaker 1 (20:18):
That's the problem. You ain't no way nurse. Now listen,
I know nurses. How many black nurses? You know? That's
taking care of a nigga right now? That's the number.
Is it a nurse like a subjective thing? Because are
there like entry level NA?

Speaker 5 (20:33):
You have LPN, you have your CNA, LPN, you have
r N, then you got the PA, then you have
a doctor.

Speaker 1 (20:39):
But they're not all getting to the bad though.

Speaker 5 (20:41):
LPNs, well LPNs are they still make it's a licensed practitioners.

Speaker 1 (20:45):
They still make great money on are doing the ID
and just CNA's and MS the entry level. So that's
a six week that's a full week programm in school.
Not even that's like a week you be coming to
see you wipe an ass. You have to ask why
YAGU changes level. I always date teachers and nurses for
some reason.

Speaker 5 (21:04):
A girls get to it. Every orange chick I know
is doing very well, you know what I mean. But
to tell me you were married and you and your
husband is struggling is insanity.

Speaker 1 (21:18):
That as a registered nurse.

Speaker 2 (21:19):
That means y'all going out to restaurants like Cress every
night of the week. Facts, every night of the week.

Speaker 1 (21:24):
Even you still do it, bro Bro and then they're hours.

Speaker 5 (21:27):
They have a lot of quote when they work their
work a lot, but most nurses they were like a
four day shift, three day shift, twelve hours and then
they all four days.

Speaker 2 (21:37):
My last girlfriend was a nurse and she would do
like four days on, three days off in like twelve
hour days.

Speaker 5 (21:42):
And then traveling nurses forget about it. They really get
to the bag. How does that make me spoil?

Speaker 1 (21:47):
Though? What do you mean by that?

Speaker 5 (21:48):
Because you sound like a person who's privileged. You don't
know what struggling really is. Oh, I never say I'm struggling.
I'm just there's a difference between being poor and struggling.
Could you say, tax bracket shit? A lot is if
you're not doing well.

Speaker 1 (22:01):
I'm not doing that well. I'm like, I'm clean, I'm
doing okay, what's well?

Speaker 3 (22:06):
But you so like you're not.

Speaker 1 (22:08):
I'm drinking bottle water in my crib, like I'm not
drinking drinking out the sick right if it ain't come over,
I offer a bottle water? What kind of all? Right way?
What kind of what kind of detergent do you use?
I used tied. That's that's some bull of shit. Nigga
ain't know it.

Speaker 3 (22:25):
Ain't it ain't no brands that you purchased for your home.

Speaker 1 (22:28):
It matters what kind of soap do you use? No, no, no,
what kind of lotion do you use? So I use
some generic Amazon lotion. But okay, that's nasty. But my
mom actually.

Speaker 2 (22:38):
Gets a disability check from my grandma, and she'd just
be buying all the nice stuff like band aids and things.

Speaker 5 (22:43):
So she just bought me something really ignored lotion. And
your type of what type of lotion do you use?
I use us see she on my level, that's different.
That ain't in the lotion. But that's not in the
lotion section.

Speaker 2 (22:56):
I don't even know that much about that ship twenty
hours a bottle, nigga, I don't even jerk off a
little sit.

Speaker 1 (23:00):
I like to do. What kind of toothbrushure you have?
I got electric? Job? Which one you got the orb? Yeah?
Yeah yeah yeah.

Speaker 2 (23:08):
Shout out to I don't like to bring her off
a love A shout out to ash Cash. She actually
upgraded me when we were dating. She put me onto
the electric.

Speaker 5 (23:15):
Somebody put me onto that like the Actually to know
Jason did because he brags about it. Okay, he brags
about it. We're both big Signfeld fans. Okay, and on Seinfeld,
he had a girl that was like bugging him to
get this toothbrush that was so out of this world.
So it's kind of like he did that for me.

Speaker 1 (23:33):
Okay, that sounded wild.

Speaker 3 (23:34):
Kind of paper towel brand.

Speaker 1 (23:38):
I don't know, bounty, bounty of my men, paper towels.
Men really don't care about.

Speaker 3 (23:45):
No paper towel. The brand it does matter. I only
like the Viva Nice.

Speaker 1 (23:54):
I don't know.

Speaker 3 (23:58):
When I'm cleaning eye Maria's like pets.

Speaker 5 (24:00):
Those are joints you go wetting and throw a glass
on it at I don't use paper toll for that.

Speaker 1 (24:05):
Those good for clean up. Those good for clean up
after you you know.

Speaker 3 (24:08):
Nig the same rag.

Speaker 5 (24:11):
Okay, I used the kitchen for it's I put it
in Another question, guys, wet or dry tissue for wiping ass?

Speaker 1 (24:20):
What do you your? Grass? Oh?

Speaker 2 (24:22):
I do the dry tissue. And then I got wet
wipes like like baby wipes. I got them behind the
toilet and I just I'm I'm a bo day guy. However,
wet you see him in there like I always you can't, nig,
I do I get.

Speaker 1 (24:38):
Busy like your bottom. You definitely have to have wet, yeah,
dry wet, as long as you got the wet on
that I do.

Speaker 3 (24:46):
The cotton, well, it's cotton.

Speaker 1 (24:51):
My dude dude wipes. I need a big one, go.

Speaker 3 (24:55):
Crazy, I have you it'll be because the dude has
dude wipes.

Speaker 1 (25:00):
It just seems like you ever heard of honey pot? Yes,
oh you know about honey pot? Two yo? I think yo.
Women are getting very slick about how they jamming niggas up. Now.

Speaker 4 (25:11):
It's about no, no, no, about you're talking about the
y you're talking about now they talk about the honeypot.

Speaker 3 (25:19):
Honeypot is like women they have whites, they have.

Speaker 2 (25:25):
So there's a new thing that's happening to me. And
maybe this has been happening since the Land before time,
But I just got my own place. Girls will strategically
leave ship at my house. Then I feel like they're
doing to let another bitch.

Speaker 3 (25:37):
Know that there's nobody their honey pot behind.

Speaker 2 (25:40):
No, it started off with a broken accident. It started
off with a broken nail on my coffee. It's a
broken nail. But I'm the only one who lives there,
so I'm picking up.

Speaker 1 (25:48):
As soon as you leave it.

Speaker 2 (25:49):
Then it was a ring. Then it was an ear ring.
There's an ear ring on my nightstand. I'm like, yo,
Then there's a fucking blonde hair, just.

Speaker 1 (25:56):
Like on a amateur ast that. Oh no. But now
the honey pop pack is in packet, is in my
trash can in my bathroom. Oh that's nasty. And then
they no condom wrapping there because they ain't using that. No, no,
I used the condom wrapper. And then I put I
go to the kitchen. I'm not put it on my back.

Speaker 5 (26:15):
But you can't throw the condom in the troiler either,
cause that's it's likely to come up. Oh no, no, no,
I throw it in the garbage in the kitchen, in
the bottom. In the bottom, I lift up the little
the little.

Speaker 1 (26:25):
Chicken that I used earlier and tell my first rodeo
game jamming me put it can or something. Yeah, I
put it under the watermelon rind. You have never seen
that condom kick it under the bed. One day like no, no,
back here, come back here. Now, she put the honey
pot pack in the trash kit and I didn't say

(26:45):
nothing because she was still chilling there all day. But
then I was like, hey, my my partners are coming
over and a little bit we're all gonna be drinking together.

Speaker 2 (26:51):
She was like, Okay, let me go use your bathroom
real quick. And I seen her take the honey pop
pack out of it, and she was like, Oh, I
don't want to. I don't want your friends to see that.
I was cleaning my koochie up and we were fucking
before he got here.

Speaker 1 (27:03):
I was like, so you was gonna leave that there
for a bitch, But now that you know niggas are
coming over, now you want to move it. Nasty work. Yeah,
you ain't sleep you.

Speaker 5 (27:11):
You touched on something earlier while we were off camera,
shout out to the Unko, gas barstro.

Speaker 1 (27:19):
Bar, whatever, tacos and lapt It's like, I'm not I'm
I'm there every week. You know what I mean.

Speaker 2 (27:24):
It's kept showing and Yo, before you go any further,
can I just say I appreciate you being there?

Speaker 1 (27:28):
Oh for sure. Yo.

Speaker 2 (27:29):
There's something about having camaraderie and brotherhood in comedy. I
see somebody that I'm like, Yo, I fuck with this nigga,
and I know he's not here for a bag, he's
not here to use, He's just here to fucking support.

Speaker 1 (27:40):
Buy my own drinks. I spent one hundred dollars a
week on personal drinks. Bro.

Speaker 5 (27:45):
I'm not asking for no free drinks. I'm just there
to support my brother and and let niggas know I'm
in the building. One time somebody came into beefing, I'm like,
y okay with a nigga, Yeah, immediately, Yo, it could
go down Outside of that, I'm like, let's were at,
let's appreciate you popping.

Speaker 2 (28:01):
I appreciate you having that backup because sometimes you never
know if a nigga can't show up.

Speaker 1 (28:05):
If you and I'm like, yo, I got a nigga
on deck ready to go. So I love to fight
for one Oh, I was talking comedy, but and please
play with my niggas right like me.

Speaker 5 (28:15):
We joke the glow Gajo's but I will pop that.
If I call you my friend, you're not fighting by yourself,
even if it's a one on one.

Speaker 1 (28:23):
I'm a Brooklyn. I wanna let you know I'm a
vegeta nigga. I always want to fight by myself. I
grew up on something. We don't fight together.

Speaker 5 (28:30):
Some niggas got slick with him and it happened like
a love pussy comedian. Hey Will this guy was, I'm like,
oh we at we're at Cad was like, yo, na,
I'm good, I'm chilling. Some dude got mad about some
joke about his girls.

Speaker 1 (28:43):
Somebody. I don't know what happened.

Speaker 2 (28:44):
Niggas was salty the whole time. We're all having a
good time. Everybody's laughing at a Nika. I'm doing crowd
work with that room, because you can't do material going
by one person at the time. Hey, you're having a
good time. Oh shit, you like Mosha from ups oh ship.
You look like fucking Bob Berger. And I'm talking to
people one at a time and I'm like, I get
to the couple over there, and he got a stink

(29:04):
face and she got all the food in front of her.
I'm like, oh, yo, showty out here, deviling out your portions. Nigga,
you cant even get your own French fries. And he's like, Yo,
not too much on me, nigga. I'm not from around here, bro,
I don't play that shit.

Speaker 1 (29:17):
Oh. I was like, nigga, you look hungry. Bro, I
don't know where you're from. But they don't. They don't
fix That's the thing. I doubled that.

Speaker 2 (29:24):
He was like, Yo, you mad funny, but let's see
if you're gonna be funny in the parking lot. Afterwards,
I beat niggas up weekly like you, and I was.

Speaker 1 (29:31):
Like, Wow, let me tell y'all. I was like, this
is my show, nigga, I can't wait for this shit.

Speaker 5 (29:37):
God God kept me in the house five five minutes
too long. I swear to God, if I would have
heard that, I would have drug him outside. I swear
to God, thank God I wasn't there, bro. I hate
shit like that.

Speaker 1 (29:52):
I was doing much. First of all, I love this
comedy shit.

Speaker 4 (29:55):
Bro.

Speaker 1 (29:55):
This is my life, this is my livelihood. And for
people to do shit like that at the comedy show,
it takes me right back, right back to the street.
I'm not a fighter by any means, and I'm never
trying to play tough guys, but one, and this is
gonna sound like exaggeration of y'all, I'll die over this
comedy shit. You are not about to punk me over comedy.

(30:18):
Like in a real conversation, I'll be like, hey, Yo,
my bad. If I was out of pocket, you know
I didn't work, bro. I'm like, yo, I didn't mean
to disrespect you. I'm just like, it's an act. We
could talk about that off stage, but on stage. Never, Nigga,
you will have to come up and fight me. Nigga,
I will have to fight you over this shit. Bro.

Speaker 5 (30:34):
Speaking of that, Bro, you wanted to touch on something
that actually happened last night.

Speaker 1 (30:39):
Yo.

Speaker 2 (30:40):
Shout out to Nico, Gastro bar Bro. That's the most
fun to have on a Tuesday night. Shout out to
the owners. They cool. They became the Cool Jay and
Pedro Caesar all them. You know, everybody is cool out
on Nico. The show is fire and I don't know
anywhere else that you could go and watch a comedy show, drink, eat,
have hookah, and then shake ass afterwards with bad bitches,
facts batty all night.

Speaker 1 (31:02):
The problem I have with that, the only problem I
have with that.

Speaker 2 (31:06):
Bad bitches attractive women are the worst comedy audience members
that have BRO. I would rather have a racist white
man at my show that have a bad bitch sit
through my comedy. They cannot handle the spotlight not being
on them for ninety minutes.

Speaker 1 (31:28):
They have to talk during the show, either talk to
them amongst themselves. They got to talk to the comedian,
they got to shout out, Oh my god, you're so funny. Yo,
this is good God. I'm from Miami, bitch, the show
is not about you for ninety minutes. I just need
you to just hush. Just look good. You're looking good.
You're already doing the best job you can. You're letting

(31:51):
other people know, Hey, this is a cool place to be.
If she thinks it's a good idea, then we think
it's a good idea.

Speaker 2 (31:57):
But you know what, you lose your collateral the more
you start talking, because niggas start getting annoyed with you,
and then niggas start realizing, Oh, that's what it's like
to have a bad bitch. Oh that shit is gross,
and you know, it's so dope.

Speaker 1 (32:09):
I could completely have it. I headlined at Unico Gest,
so first I'm headlining there, packed out the entire club.

Speaker 5 (32:17):
It was fully backed, so as I'm on stage performing,
they actually had to put guests on stage.

Speaker 1 (32:24):
It was staying in room. There was no room for
anybody else.

Speaker 2 (32:27):
But the stage is set up like a section VI
section VIP section, so there's chairs and shit up there.

Speaker 5 (32:32):
The two girls were sitting behind me, and the worst
thing in the world for a comedian it's not booing,
it's not heckling. It's sidebar conversation while you're working. These bitches,
first of all, respected them, both of them, gorgeous batties.

Speaker 1 (32:51):
Batties sitting directly behind me on the phone having a
conversation during a comedy show. Listen, let me tell you something.
When I'm doing my joke, especially when I'm doing new material,
this nigga was doing all new materials. I'm doing new material.
These bitches are talking in my ear and I'm feel

(33:14):
like I'm bombing. I'm like, shit, ain't hitting right. And
on their defense, he was bombing. Yeah, because of that
with the interference, was like, so I went and sat
down next to them.

Speaker 5 (33:24):
I'm like, you know what, fuck that now. Now let's
go left. So, y'all, I asked some one say, could
y'all TV down a bit?

Speaker 1 (33:30):
They kept going. I said, hey, can y'all shut the
fuck up?

Speaker 2 (33:34):
The whole crowd chairs, everybody starts claying, and then I
went the audience is just as annoyed as you are.

Speaker 1 (33:39):
And then I went to that.

Speaker 5 (33:39):
I said, you know what, y'all can keep talking if
you suck my dick right now. And then the girls
in the audience go suck his dick, Suck his dick, shout.
The tats had it up because she started the chance.
And then after all of that ended, then I picked
up and got the crowd back.

Speaker 1 (33:58):
My problem with Will is that when he doubles down.

Speaker 2 (34:01):
I don't have a problem doubling down tell these bitches
to shut up, But then he gets disrespectful, y'all. To
tell the shorty to suck your dick is one thing,
But then Yo, he was so flustered he kept bringing
it up. It was like fifteen minutes and he was like, yo, Yo, Honestly,
I'm having a bad fucking second. Of these dumb ass
bitches behind it like yo, but today, well here their patriots.

Speaker 1 (34:21):
But they never shut up. They know.

Speaker 5 (34:24):
They wound up getting up and walking off to another
section to talk. They never stopped talking. They were on
the phony entire time.

Speaker 1 (34:32):
Bro. I think at that point it became like, Yo,
I don't like this nigga, and he wants me to
be quiet, so I'm gonna keep talking.

Speaker 5 (34:37):
Yeah, and after I asked, Because nobody nobody sees the
the uh, the the direct approach. They see the they
only want to talk about the build up you got
me here there.

Speaker 1 (34:50):
The tree didn't grow without a root, bitch. There's certain
ways to handle a heckler or a loud allowed mouth
at the show, and that's why I appreciate our styles.

Speaker 2 (35:02):
I think that we got different styles. You will go
at anybody, and I don't know if it's a fearless
aspect or like, uh, I don't want to call it entitlement.
It's not entitlement, but it's like, I deserve to be
up here and you should respect me.

Speaker 1 (35:17):
Me.

Speaker 2 (35:17):
When I'm on stage and somebody is talking, I don't
look at it from a perspective of your interrupting me.
I'm like, yo, you're interrupting the show for other people,
and that's why I'm gonna get at you, because you're
knowing other people and that's my thing.

Speaker 1 (35:29):
So I handle it with like Katy, you handle it different.

Speaker 5 (35:31):
Do you remember a couple of times in the Night Shade, say,
if keV performs right and somebody's talking during his set,
when his set is over and I'm hosting, when I
get back on stage, I'm cursing that personnel because I'm
mad that you did that. Till my comedian will not
my comedian, but the guy who's who's who's working as
the nigga I brought and not for nothing. As a comedian,

(35:53):
some comedians are bitches. Yeah, they will give your shit
about Oh yeah, you know, you know he's a good host,
but he doesn't know how to troll his room and
his audience, and then you got a bad review all
of a sudden, Now the name is out about your spot.
That you That's why keV is here talking about that
now because Donald Evans, who performed and who celt it last.

Speaker 1 (36:12):
Night by shout out to my boy what he could.
It was. It was technical difficulties, but he worked through
it and he handled it like a class act.

Speaker 5 (36:19):
Yeah, after this that was over, he storm right the
fuck up the that's how flustered he was. He walked
right the fuck out, and keV had to get up
there and tell him about themself.

Speaker 2 (36:28):
Yeah, as a host, and I'm not just the host
of the show, I'm the producer of the show. I
run on Ico, so I feel very like it's my baby.
So I got up afterwards and I still joked with them.
I was like, hey, y'all had a good time, it
was fun. How could y'all had a good time y'all
talked during the entire fucking show. I can't stand.

Speaker 1 (36:45):
Bad bitches, and I went in on them. I was like, Yo,
you're so beautiful, You're so fine.

Speaker 2 (36:49):
I would wipe you up if you would just shut
the fuck up, like you gotta learn how to be
quiet for ninety minutes at a time. And then you know,
I talked to everybody else real quick, thank everybody else
for being there, went back to them one more time.

Speaker 1 (37:00):
I was like, hey, shut up. He's like, Yo, thank you,
that's my time. I have a good night. But nah,
I was embarrassed for a little while.

Speaker 2 (37:08):
I was like, yo, I brought you. I brought Donald out.
He's a funny comedian and every single person in the
it's also what you allowed during your set. He allowed
people to talk to him, so then everybody felt like
they could talk to him.

Speaker 1 (37:22):
Right. He started off his set like that, yeah you
got and and he wanted that he kind of wanted
And it's.

Speaker 5 (37:27):
Kind of hard because the way it was set up,
the mic core was kind of short, and so he
had to perform, which is I hate, Yeah, performing.

Speaker 1 (37:36):
Ground level on the same level as the audience. Yeah,
that you automatically put yourself in one of these, in
one of these conundrums. Spoken word, you know much. I
hate I hate son spoken word. I hate that shre's
the psychology to being on this.

Speaker 5 (37:52):
I hate spoken word. I hate the basis of it.
It's very depressing. It's like, Yo, you're doing this because
you're it's always angry.

Speaker 1 (38:00):
I like that. I like them. Sometimes it's joyful. I
like that ship depressed.

Speaker 3 (38:08):
Angry. It's always like it's a couple of hell inspiration.

Speaker 1 (38:14):
There's always one leg who has to tell her cringe.

Speaker 4 (38:19):
She was able to up this morning and the sun
beamed on my face and he told me, don't spray.

Speaker 1 (38:26):
Him with respect, the respect of mine.

Speaker 3 (38:32):
If you don't get your ass up. Yeah, it's very
it's very sometimes.

Speaker 1 (38:38):
What I used to Oh my gosh, it's so crazy.

Speaker 2 (38:46):
I used I used to do the comedy at the
Poetry open mic, and you have to sit through like five,
which is the let me tell you something that's shouting
my niggas Mox and you know, because Mox and Ron
used to own Loud Gallery, Loud hook A Lounge, and
that's actually where I got my start, me and Preacher,

(39:07):
because I took Preacher over there and everybody was like, Yo,
that guy's next stuff.

Speaker 1 (39:12):
That nigga sucks. He's too fucking jolly.

Speaker 5 (39:14):
But I took Preacher there, so just how the preacher
loss and y'all know one of the biggest commedities in
the country right now, that's my guy. And I used
to bring him over there, and that's how I knew
he was gonna be something special, bro, Because Bro, it's.

Speaker 1 (39:27):
Hard to follow spoken word. Bro, you filed nigga, you
got fire spoken word artists. They go up there. People
are now in that zone.

Speaker 5 (39:36):
You've done, picked up on those vibes whatever it was,
and now you got to convert them over the laughter.
That shit is hard to do, bro, in the beginning
stages when you first start.

Speaker 1 (39:45):
But him did. Bro, he was able to transform all
his meat. I would.

Speaker 5 (39:51):
I'm an EmPATH. I'm an EmPATH. So nigga, I'm coming
up there. I'm cursing bitches out like.

Speaker 1 (39:59):
Cereal. No. No, here's what he's what I hate. Bro.
I'm I'm not a country I'm not a contrarian. However,
I'm incapable of seeing something obvious and not saying something
about it.

Speaker 5 (40:12):
Because I like to play the hero a lot right.
So a lot of times people think I'm there, I'm
their opposition. It's like, yo, I'm really protecting you from
what this person just did. They just broke your heart
like a person to get up there and start talking
about their woes.

Speaker 1 (40:26):
Now this bitch mad, this nigga did that. Like, I
won't say poetry audiences are some of the most supportive audience.
You could be bombing and.

Speaker 5 (40:38):
They know you could fuck it that and me and me,
I'm coming up like, no, that nigga suck. I don't
like that pandering ship.

Speaker 1 (40:47):
They don't like you because you're you're a masculine, toxic nigga.

Speaker 3 (40:51):
No ergy of what poetry with like open mics and
stuff like that.

Speaker 4 (40:57):
It's a very like respect the arts because because it
doesn't like it on vibe with you doesn't mean that
this person isn't talented.

Speaker 1 (41:04):
So I.

Speaker 4 (41:07):
I used to have to do that a lot, like
because you know, I used to hosting and I would
do it every goddamn We can have to sit there
for several hours and enjoy, yeah, and make sure that
you're not making a face because you don't want them.

Speaker 2 (41:23):
Like they don't do that in comedy. They don't coddle
or hold your hand. If Will didn't like your set
when you got out that you was like, Yo, nigga,
that's fucking garbage, bro.

Speaker 5 (41:31):
And let me tell you, I also got to understand something.
I'm a little older than you, guys. I'm from New York.
I'm from the Apollo Amateur Hour. They boo children, you
get Lauren Hill. We judge, We judge, and we judge immediately.
But we judge based off of what you put in

(41:51):
front of me. I don't give a funk how good
you sing?

Speaker 1 (41:54):
Right? If you suck tonight, I'm booming you tonight. You gog.
I boo at nigga, I boo at kids recitals. Bro,
I'm not playing with you. Nigga. You get up there
singing Rudel threats, Rudolph threatdo's were in there and you
can't sing. I'm booing. Don't forget the words, neither nigga.

Speaker 5 (42:16):
No security in there. What these white people a gonna
do with me? And I'm like, what they suck trash nigga.
Let that nigga be a stage hand. I comforts and
that ever I come from.

Speaker 1 (42:28):
Bro.

Speaker 5 (42:29):
We had at the end of the school year in
the yearbook, there was best stress, worst dress, what most
likely least nigga.

Speaker 1 (42:41):
There was a section is it worst dress, that's the
poorest kid. No, this is not south Folk nigga. There
was there was least likely to succeed. That was something
we voted on.

Speaker 2 (42:52):
This is middle schooling on this is yes, okay, like
that's crazy elementary school.

Speaker 1 (42:57):
No, no, no, we imagine telling that third grader like, hey, nigga.

Speaker 5 (43:00):
But the thing about it is because that existed, there
was no bullying. There was no Mitchell health because people
was honest. There was no kids committing suicide. There wasn't
none of that because we was honest from jump. Now,
this fucking new era is everybody gets a participation trophy. No, nigga,
if you suck, you suck.

Speaker 1 (43:19):
Bro. I don't lie to my children. Son, Brooklyn eight
years old. I love my baby, Bro. I was taking
to the ballet every week, playing paying for ballet. I
got a video of it.

Speaker 5 (43:28):
You seen if it at me doing ballety with my daughter.
I did ballet, bro. I'm a flesh room dancer.

Speaker 1 (43:33):
My daughter is trash. She can't get better. She can't dance.

Speaker 5 (43:38):
You can teach dance, you can't teach rhythm. The opposition
is left right, left right beat. You can't catch that beat.
You can't teach a person that, what the fuck are
you listening to my nigga? You had a three second
delay in your head.

Speaker 1 (43:51):
I can't teach you that, yo.

Speaker 2 (43:53):
There's left freight and right right yo. I also struggle
with that. I'm a lyric listener. I don't not a dancer.
Yeah no, I mean I do be dancing, But you're
good at other things, That's what I'm saying.

Speaker 1 (44:02):
But I be dancing. She's an incredible tumble. I'll be
pop locking and no Kevin dance. I could dance, but
my rhythm was off. Like, but I put a song
on right now, you're gonna move your add to the beat.
But if you learn, because I was the resident that
that is.

Speaker 4 (44:22):
One time I was out one time and I was
high as hell, and I was just watching all the
white people dance, and I was like, I don't really
think that it's that they don't have rhythm.

Speaker 3 (44:33):
They just danced to the offbeat of the song, like
they just dance.

Speaker 4 (44:37):
They let me say something they we listen to like
we dance as black people. I feel like we dance
to the like the obvious parts of it. I feel
like white people dance to the parts that we're not
listening to and it just looks crazy to us.

Speaker 5 (44:51):
Raised and engaged now, but she wasn't before one night
at loud Uh when they had the club and it
was you with what you're about to say about me?

Speaker 1 (45:03):
No, it was, and reggae was on and I was
dancing because I don't even know if I did. You
was duty waning?

Speaker 3 (45:11):
Remember I remember one time I tried to dance with
Will and he was like, you don't want I.

Speaker 1 (45:15):
Said, you don't want to? Ray got it popping?

Speaker 5 (45:17):
I was like, oh, sp oh, y'all was duty one, nigga,
We got it going. Respect bro, you gotta you gotta.

Speaker 3 (45:25):
They were like ten years ago, No, we got it
popping like it.

Speaker 1 (45:30):
Was it listen would I'll be telling me these pod
secrets on to listen? It was? It was.

Speaker 5 (45:35):
It was to a point to where everybody had to
stop and just watch us. Was like, oh, y'all had
to step up three moments.

Speaker 1 (45:41):
No, was it a battle, nigga. We was just double.
It was saved the last day.

Speaker 5 (45:46):
No, nigga, it was motherfucking this is Julian. This was
this was this was rick, this was a this was
dirty dancing nigga was this was don't put baby to
call it nigga.

Speaker 1 (45:55):
No, this is honey right here, this is honey, it
is this is honey. J Oh. That's funny. Yeah, honey,
that's funny. My eyes locked in. You're trying to get
the civic center fight.

Speaker 3 (46:12):
Speaking, but you're not. The crazy thing about that is
what I feel like a lot of people don't understand
the culture of sir.

Speaker 4 (46:19):
Yeah, reggae like soco, but all of that, it's it
is like sensual or sex.

Speaker 3 (46:25):
Sex, it's sexual, but it's not. Yeah, it's like, ain't nobody.

Speaker 4 (46:28):
Trying to well Caribbean because even when I mean, they
would have a fit today. But when I lived in Louisiana,
one of my best friends summer, she's what is it
called when they're from because it's not triny, is it
coyll from? She was from Trinidad, So she's the Indian
looking No, she's she's from But I thought I thought

(46:50):
I got corrected by that one time.

Speaker 3 (46:52):
But we used to know, we used to go to
the West Indies parties all the time.

Speaker 4 (46:55):
We were like twelve thirteen and it would be the
grown that we would be dancing with whomever, and it
wasn't like a And I used to be like, that's
so wild. Yeah they yeah, but we like it's not
like it. But it's not like just because you'll are dancing,
dancing is sexual.

Speaker 5 (47:13):
However, the people are also sexual. You can't you can't
if your a relationship, you can't dance with a person.
The only the only dance where you can dance with
another person that's respectful.

Speaker 1 (47:24):
But I don't think you do.

Speaker 3 (47:28):
I don't think. I don't think. I don't think you
can do.

Speaker 1 (47:31):
You can't do company. That ship is sexual. Don't put
your ass No, no, no, it's not as it's like,
it's very slow. The grind is so slow and so tight.

Speaker 5 (47:48):
I make fun of my boys because they be doing
with their wives and I told them they're doing the
Manicure Challenge.

Speaker 4 (47:54):
This ship is bro but they them hips be wining boy,
but they would have a feel like today in today's society,
if there was twelve thirteen year olds at a West
Indies party and midnight drinking wine coolers.

Speaker 3 (48:07):
It would be crazy. And I used to be in
my home. We used to be like, damn, we really
used to feel the man the men's.

Speaker 1 (48:15):
That's crazy. But you know what I enjoy about.

Speaker 5 (48:21):
Non American cultures, whether it be Jamaican, Tierney, Guyanese, whatever
it is.

Speaker 1 (48:27):
They don't get caught up in the PC. They keep
their traditions. Oh that's a very americanized I love that.
I love that.

Speaker 5 (48:34):
And and American doesn't doesn't have any traditions, right, so
these are old. Like you're not gonna tell a Jamaican
you can't fucking grind. You can't fucking if you go
to a carnival.

Speaker 1 (48:48):
Bro.

Speaker 5 (48:49):
Like, listen, I told I learned something at a young age.
I don't know if I told that story on here.

Speaker 1 (48:54):
Maybe I did. I told my Labor Day parade story.

Speaker 5 (48:58):
No, so they have the Laby They parade every year
in New York City, the Crown Heights Easton Parkway, Big
Laby Day Parade every year. If you ever been to carnival,
I don't know if you've been a carnival, for you've
been a carnival. Carnival was lit right, this was back
when it was with the floats whatever, whatever flag you
rep if you ain't, if you're American, nigga. Put a

(49:20):
flag on, so and they don't care. Like they don't care.
You put on the Grenada flag, nigga, whatever flag you see, cellar,
you're American.

Speaker 1 (49:26):
Buy a flag, nigga.

Speaker 5 (49:27):
You actually absolutely absolutely so, me and my boy we
went out there like, yeah, we're gonna back. Bic is
half dress. Were coming out there on that type of time.
That's not what it is, bro at all.

Speaker 1 (49:40):
So I got on a motherfucking Masachi shirt. I got
on the Asachi hat. Good jeans.

Speaker 5 (49:47):
Bring this one the Jordan playoffs was this when he
was in the playoff. I had him the original ninety six,
the Black and White Jordan playoff twelves. I had those on.
We walking around, Bro. So these the Beijings, Uh, the
Crusians from Barbados. Beijing is Barbados. So the Beijings is

(50:12):
out there, the Beijings. Everybody is known for one thing.
Like the Haitians in New York. They walked around. They
walked around with plunges down because back in the nineties
it was as a guy named Abner Louima abnal Luima
was arrested part of the police and they raped him
with plunges and that year, Haitian showed up the carnival
with plunges Bro and it was a symbolism like, yo,

(50:32):
you're not about to play with us out here. So
every culture has their thing, like Jamaica's got the air horns.
Every culture has their thing. Beijings is pink.

Speaker 1 (50:42):
Some motherfuckers out there with super soakas on with fucking
they had super soakas full of pink, blue pink. They
looked at me and my boy. They was like, boy,
you're too clean, sprayed me with blue paint on the
Sachi lom green and white Versachi Bro.

Speaker 5 (51:00):
I'm like, oh no, I'm fucking these niggas up. So
they knew what type of time I was on. I
ran over there to fight the fuck I ran over there.
They're not fighting you back. They're so strong and there's
so many of them. They started ragged alling me.

Speaker 1 (51:15):
Like boy Dan's Boy. They started to push me, humiliated me.
They do it so much to the point where either
you're gonna fall and get trampled or you're gonna have fun.
And I'm like, after a while, I'm gonna fuck now.
I'm with these niggas now like a relaxed boy. I

(51:38):
have a good time, Like, fuck it, they gotta take
my shirt off. I'm like, oh, that's what this is.

Speaker 5 (51:43):
Don't come out here looking cute, nigga, put a thirty
T shirt on, some flip flops and have a good time.
And that's what I And I was like, oh, well
I didn't. But this wasn't this wasn't Carnival, this was morning.

Speaker 1 (51:56):
With. It was Juve.

Speaker 5 (51:59):
I came out there for juve with that shit. So
Juve started like ten at night and never stopped. It
goes all the way into the parade. You ever been
so tired to where you got delusional and got scared.
It was ten o'clock at night, the parade started at noon.
The next day, I'll be ready to go bro by
like nine in the morning. I'm delusional, Like what the fuck?

(52:21):
I don't know where I'm at. Where I'm at, Yeah,
and I'm young. I'm like seventeen. But back then on
the Eastern Parkway, they allowed you to drink outside, so
they got coolers with Haini cans and Hennessy, And I'm
out there getting drunk at seventeen. I don't drink, nigga,
I'm out there wild and son, so I went back home,
got put on a white feet up, their dirty shorts,

(52:42):
came back. And even the women, as proocative as they
are dressed, they're not out there the fuck. First of all,
they pussy stink nigga. They out there, pussy's stinking out there,
nigga's hot, They out there shaking ass, that pussy stink.
I don't care how good street.

Speaker 4 (52:56):
Every time I see a video with somebody at carnival
and they're shaking ass like I I know, and I
feel like everybody around just probably smells, and it's just
like you just kind of know, you just know that's
just what it's gonna be.

Speaker 1 (53:09):
Who cares?

Speaker 2 (53:10):
We all think it always be like my aunties and sisters,
and that was in those costumes. So I never even
looked at it like a sexual.

Speaker 1 (53:17):
Smell like crotch when but I never looked at them
and was like, oh, yeah, this is like a sexualized
it's not bro. It's amazing.

Speaker 4 (53:26):
Even even back home in New Orleans they call it
bounce me. I mean they call it twerking here, but
back home it's like it's pounched, like like when they
throwing ass. And but that was like if they see
young girls now doing it to look at her fast ass,
and it's like, that's not that's not what it was.

Speaker 1 (53:44):
In New Orleans. They danced when people died.

Speaker 3 (53:47):
They second line.

Speaker 1 (53:49):
Yeah, I just heard Donald Jones.

Speaker 4 (53:50):
I want that type of funeral to Yeah, I want
I want to do a second line that ship fire.
Y'all was ragging on me about wedding talk, but I'm
going to do a second line at my wedding to
because they don't just do it for funerals.

Speaker 3 (54:01):
Oh yeah, second line is a celebration period. Second line.

Speaker 4 (54:06):
It's it's called second line because there's like the if
I'm not mistaken, the first line is like the musicians,
like the brass band, and then the second line are
the people that's like following behind the line for celebrations though,
so it's not just for funerals.

Speaker 3 (54:24):
So like people do it at that. Yeah, people do
it at their wedding And.

Speaker 1 (54:28):
I love that it's actually celebration, Like, yeah, you just
do that.

Speaker 4 (54:32):
But have you seen when they're not like when the
second line start for funerals, have you have you seen
it before it gets like amped up. It's so somber
and sad, but it's the most beautiful thing ever, because
the brass band is like playing like a a really
like slow somber tune. But it's so beautiful in the
way that they carry the casket and they just kind

(54:52):
of sway with it like they don't it is it's fire.
And then once you get to the wherever the bear
real site or whatever, then you you walk back in
the second line and they do the little thing, but
it's it's fire.

Speaker 1 (55:06):
I was just saying, I just heard Donald Jones where
I want to be the bounce version of it. Oh
really yeah yea New Orleans. Nah. They was playing podcast,
but they got a bounced version of Eddie R Eddie
R and B song that you could think of.

Speaker 4 (55:20):
You you know, the some of the Anita Baker songs
that I know. I only know because I heard it
behind the bounce beat.

Speaker 1 (55:28):
That's crazy.

Speaker 4 (55:28):
It's it'd be fire though, Anita. So just search Anita
Baker bounce and the no one in the world is
gonna pop up.

Speaker 1 (55:42):
So what do they call? They said, you call that
pounce when they like it's like it's p o.

Speaker 3 (55:46):
U n c H pounch. But honestly I didn't really.

Speaker 1 (56:01):
Oh shit, have vib this shiit a vibe.

Speaker 3 (56:07):
Wait till they wait till the ship dropped for real too.
The beat, No, it's the beat, but it it wrapped
up after a while.

Speaker 1 (56:16):
Now Orleans they gotta they they got their own culture.
So I told you New Orleans when we got their
sex loosy, when we got the sexty's action in America,
all you know, all the shorties was wiped up. When
I was about said that wasn't just something onna bitch
on Bourbon Street? How beautiful were the women on the
black women? Wasn't for me? Was there wasn't a lot
of ladies out there in.

Speaker 3 (56:35):
My opinion, But I was a very probably not where
these were at either.

Speaker 4 (56:41):
Don't like we won't do Bourbon and yeah, like people
ask me where to go when they visit New Orleans,
I say, go to Bourbon for the experience. But if
you want to have like a local lot, like we'll
do like ship like Frenchmen Frenchman Street, that's it's like
a row of clubs. But they did they have the
brass bands playing there.

Speaker 3 (56:58):
You'll see the little like the Indians. The you have
like Marti Gras. When you see people in the Indian
costumes and stuff, they just be out there, turn it
right now the street.

Speaker 4 (57:09):
The little people that just be playing on the little
pots and pants and ship or they'll have a brass
band on the corner and everybody.

Speaker 3 (57:14):
It's like super.

Speaker 1 (57:15):
There was way too many kids about playing drums with
the drumsticks and ship on the on the pots. Also yeah, yeah,
yeah they have kids. I want to take this in
a different direction. I love the conversation we haveing, so
let's keep it going. Talk to me. I want to
play a song for you guys, all right. And I

(57:37):
heard it and I was like, oh, this is okay.

Speaker 3 (57:41):
I'm gonna send you some I'm gonna text you some
more abound songs to listen to.

Speaker 5 (57:45):
This guy's name is Infinite Cools. I heard this song
and I said, this is the gayest song I ever
heard about life. Unless you hear it.

Speaker 1 (57:58):
Hey, yo, Will is an asshole too. Can text me
first thing in the morning and send me like, yo,
you might be gay on his way to do rag
to the side. That's hard, but it's really this song
is the gayest.

Speaker 5 (58:13):
Song'riding around life. And I was like, wow, maybe it's
just beautiful, Okay, I don't know.

Speaker 3 (58:18):
Is it a step up?

Speaker 5 (58:20):
So I look at his face. I'm like, he looks
very familiar. He looks like somebody. He looks like somebody.
He can sing really good, but his face, I'm looking
at him like this motherfucker looked like somebody.

Speaker 1 (58:32):
Bro.

Speaker 5 (58:33):
I'm gonna make my point in a second, but I
want you to hit this. Look good face. You don't
look at nobody else.

Speaker 3 (58:39):
Is it gay because he looks gay?

Speaker 1 (58:41):
Oh, he's definitely gay. He does look like he's wearing
a Sarowsky crystal choker. He has no eyebrows. Watch this
sor thinking this his ass off. But this song gets
league game really fast. Is this the song?

Speaker 5 (59:04):
Oh no, it's not the song. To say, it's not,
I'm sorry, I'm sorry, it's not the song. It's not
the it's not the song.

Speaker 1 (59:12):
It's I was. I was expecting him to come my uncle.
Oh so.

Speaker 3 (59:18):
Yeah, I'm crazy.

Speaker 6 (59:21):
I want ball.

Speaker 1 (59:25):
He didn't do none of that. He looked like doja cat. No,
he looks like a rapper ghost face. I wish you
would let me pronounce pronounce it so that ghost face
kill his son.

Speaker 3 (59:36):
Oh yeah, okay, I'll be everything.

Speaker 1 (59:44):
Was I was a look because I wasn't.

Speaker 3 (59:46):
I can't help it. I'm right here at the damn screen.
I better move.

Speaker 2 (59:50):
Oh well, I'm not cute. You can't look at me
for thirty seconds. Don't look at this talk talk to
me talking.

Speaker 3 (59:56):
I'll be looking at you.

Speaker 1 (59:57):
Talk to me. I'll be playing p Yeah, I need
to find this song. Okay, so the song is called Boots.
That wasn't the song? Okay? That's that was That wasn't
that song? Sounded pretty good.

Speaker 3 (01:00:10):
Arm for a while?

Speaker 1 (01:00:12):
Can His name is infinite Cales? Infinite cales? All right?

Speaker 3 (01:00:21):
So wait, is it the song that's gay or is
it the video?

Speaker 1 (01:00:24):
Because there's nobody I want tuy I to hear a song,
and then I got them. I simp them up those strings.
But I want to get down Pam and I'll make
it like a bit in late text to Crown. I'm
feeling wow, this is.

Speaker 5 (01:00:39):
The games overhead of my life and I'm gonna make
my point my thumb. I's gonna gig nigga, it's your
bitch hard No, it's not. It gets games out like
they not here go. They're not trembles. Niggas are not timilus.

Speaker 1 (01:01:04):
What's what's about? Bat? Where's not?

Speaker 3 (01:01:14):
So I can eat it?

Speaker 1 (01:01:17):
I think you and admitted it or not. Gay niggas
moved the culture forward. That's fine. Gay niggas moved the
culture that that's fine. Okay, Okay, I'm a slang without
I'm a father. Gay niggas invented slang.

Speaker 5 (01:01:34):
But we don't use that slang. Women use this slang,
and then against cool and the nigga started using it.
That's fine, Okay, I'm gonna make my point. Let me
make my point right now, all right, And and and
and I think I devised a way to speak on
this subject without being homophobic, because I'm not homophobic. I

(01:01:56):
have a gay daughter who's married to a woman, and
the supporter, I'm glad you said that. I have four daughters,
two sons. My oldest son twenty three, gangster Levet pussy Cole,
he ain't gay. My six year old is sneaking off
watching YouTube videos with ash shaken, and I watched him
from the corner to make sure he's watching that, and

(01:02:18):
I gotta correct him because it's inappropriate right now.

Speaker 1 (01:02:23):
But while I'm watching it, I'm like, yes, I'm like.

Speaker 5 (01:02:28):
Because as a heterosexual man, I don't want my son
to be gay, and it's not because I care about
his sexual exploits.

Speaker 1 (01:02:36):
It's because I want him to be like me.

Speaker 5 (01:02:38):
I want him to play football. I wanted to pro
create he could play football and be gay.

Speaker 1 (01:02:42):
Stop.

Speaker 5 (01:02:43):
Okay, you're you're gonna make my point for me without
making it. Fathers don't have a problem with their sons
being gay because gay just means you date people of
the same sex.

Speaker 1 (01:02:56):
We got a problem with you being loud, bro, Like
this is goldt Face's sun. Bro. It's like, you're gay,
but keep it down, saying hey, chilling all that. Hey,
don't be talented, yo, don't be don't celebrate your don't
celebrate your ship.

Speaker 5 (01:03:17):
Winded wind died win did When did enjoying a penis
in your ass or mouth.

Speaker 1 (01:03:25):
Become synonymous with being loud? That's my problem. And that's
the thing. What they do with a talented family, That's fine.
Here's the thing. Why why are we homophobic if we're
cringed out by gay people being loud? You just don't
like flamboyant. That's the word.

Speaker 5 (01:03:46):
And that's the thing. It's like, right, because there's a
lot of respectable right.

Speaker 1 (01:03:51):
So I'm just sitting here just chopping it up with y'all,
But you're not gonna trip the same as that.

Speaker 5 (01:03:58):
I come here, like yeah right. What they'll do is
like I can't. He's gay as ship bro, but he's
not loud with it, like he's not. He's loud on Facebook,
he says. But we don't want to hear that ship either.

Speaker 1 (01:04:10):
You don't even want to hear a flamboyant straight nigga
talk too much.

Speaker 5 (01:04:13):
No, no, it's not the talking, no antics. It's like,
all right, here's something.

Speaker 1 (01:04:19):
Oh I was.

Speaker 3 (01:04:20):
I was like, did he put the sign on the door?

Speaker 1 (01:04:22):
No, that's just outside.

Speaker 5 (01:04:23):
You don't want to hear the antics. I mean, you
don't want to see the antics, like all right, boom.
So you want them to be closeted gay.

Speaker 1 (01:04:33):
It's not closeted gay. Get all right? Do I ray?

Speaker 5 (01:04:39):
Do you fuck in your car with the door open?
What's already I can see you? Or people say you
got a man and we assume she's sucking them.

Speaker 1 (01:04:47):
If you're a listen, listen, if you're If you're a
gay guy, I assume you sleep with men. That's your business.
I don't have to publicly. You don't got to publicly
flawn it to me.

Speaker 2 (01:04:58):
Sure, do you have a problem if you're watching movie
and two gay niggas start going at it and start
making out on screen, do you have a problem with it?

Speaker 1 (01:05:04):
It makes me uncomfortable, it makes you I don't want
to see it. What you prefer not to be in
the film. Okay. So my argument to what you're saying
is that we've been watching heterosexual couples make out kids
have sex scenes for the last two hundred years the
film and nobody bats an eye about that. But when
it's gay people, now, I can no, no, no.

Speaker 5 (01:05:22):
What I'm saying is I can even deal with that.
That's acting. It's an aspect of the movie, right. So
if there's a sex scene and the wire happy to
be gay, we're gonna have to see that. Okay, that's
a part of the movie. I have listen if my
kids are watching. If there's a heterosexual couple, I couple
my kids eyes if it's a man and a woman,
the same way I would if it was a gay couple, you.

Speaker 1 (01:05:44):
Know what I mean. So I'm grown, I'll be like, ah,
but I won't cut the movie off.

Speaker 5 (01:05:48):
I'll just like this until that shit is over with
And no, because there's no way for me to insert myself.
When we watch porn with a man and a woman,
we're not watching porn to watch the man watching the
porn or watch we're imagining that we're that guy.

Speaker 1 (01:06:08):
I'm not trying to insert myself in every narrative that
I watch. Sometimes I just watched you. Well, if you're
watching porn, I hope you're just not watching it, nigga.
I'm watching it the jerk off watching it. I'm just
talking about movies, alright. So with movies, I can't insert
myself there. I think it's absolutely gross for two men
to kiss, but that doesn't make me homophobic. I'm not
watching a scary movie like yo, I wish I was
in this shit. No no, no. Also, I'm a heterosexual male, right,

(01:06:34):
I don't walk around like you.

Speaker 5 (01:06:35):
I'm straight, nigga. I don't like when a nigga act
two gangster nigga. Keep that ship down, bro. Yeah, gay
guys got this tendency of being loud with it. It's like,
it's like, I don't give a fuck that you gay.

Speaker 1 (01:06:48):
Bro.

Speaker 5 (01:06:50):
What they do is we don't like the loud and
the flamboyancy. But what they say is we're homophobic because
we don't like that. It's like, that's not what makes
you gay, though. What makes you gay is the fact
that you fuck men. And we don't have a problem
with that.

Speaker 1 (01:07:04):
No, we have a problem. You're being flamboyant. No, we
have a problem.

Speaker 5 (01:07:07):
That's the problem, flamboyanc. So my thing home, I'm I finished,
let me bring it home.

Speaker 1 (01:07:13):
I'm sorry.

Speaker 3 (01:07:14):
No, no, no, no, no, he checked me.

Speaker 4 (01:07:16):
Okay, go ahead, because I do have a tendency to
cut people off when they're talking apologies, and.

Speaker 1 (01:07:20):
I do too. I gotta get that together. And my
biggest thing is like, like E. J. Johnson is the
biggest disappointment. He's the biggest disappint Johnson. Oh, that nigga
is super game. This nigga's six eight. So okay, my nigga,
just be a bitch, just be transgendered, my nigga, don't

(01:07:42):
be gay and wear shoes. Why why y'all have a ry? No,
I don't bro, y'all don't be fucking men. Bro, when
niggas are transitioning to be like yo, no gay man,
that's a different thing. I would bro.

Speaker 5 (01:07:56):
You have never said anything about that, Like, if you're transgender,
you have gender dysphoria.

Speaker 1 (01:08:01):
So in your brain you are a woman.

Speaker 5 (01:08:04):
But what happens is gay men have like that Atlanta culture,
have inserted themselves into there. Oh yeah, I'm gonna wear
shoes and a purse like a woman. You're not a woman,
You're still a man.

Speaker 1 (01:08:13):
Bro.

Speaker 5 (01:08:14):
I know a lot of gay dudes in my gym
that are couples and they're respectable guys.

Speaker 1 (01:08:19):
Be like fucking Frank Ocean Nigga. Don't you notice a
loud like the saucy Santandas and ship. Fuck them niggas.
Ain't It's like human races, not a monolith. No, it's
I hate that gay people don't have to subscribe.

Speaker 5 (01:08:33):
To what I'm saying. I need you, I need you,
I need you to understand what I'm saying. And I'm
gonna go back to my original point. Fathers who have
sons or straight men that see gay men is not
homophobic because they're fucked men. Because anything you fence, this,

(01:08:53):
what you do in the bedroom is what defines your sexuality, right,
and all of that ship, all all of that ship,
it's private.

Speaker 1 (01:09:04):
Right.

Speaker 5 (01:09:05):
You're not homophobic because you're not homeie with homophobic because
a motherfucker is loud and embarrassing. We don't like flamboyant
men for the same reason that women like Ray. If
she don't don't like sexy Red, be a whole, but
be quiet, bitch, Why are you talking so much? Ray

(01:09:26):
is a classy woman.

Speaker 1 (01:09:27):
Ray don't talk about Oh I sucked dick and I
like my ass ate I eat ass like like like
like that.

Speaker 5 (01:09:33):
Bitch, Sukiana. Like people don't hate Sukiana because because you
could be.

Speaker 4 (01:09:38):
A hole to be quiet, yeah, like because you can
even like I would listen to uh sexy Red if
like me and the girls getting ready and we're trying
to turn up. But I don't necessary particularly like how
she acts as a person. I think the the interesting
thing is because I don't like flamboyancy in a number

(01:09:58):
of ways, Like I don't like to see loud ghetto
chicks on my timeline all the time. I don't like
to see bitches begging for money all the timeline. Like,
but we're not called ghetto phobic.

Speaker 1 (01:10:15):
You don't have a problem with gay people, you'll have
a problem with.

Speaker 3 (01:10:20):
Personally.

Speaker 1 (01:10:20):
I don't like women. I don't like a bitch. I
just came on the pot and talked about birches who
come to but this is but this is what gay
people do. They've made their flamboyancy a part of the homosexuality,
and it actually has nothing to do with it.

Speaker 2 (01:10:37):
It has nothing to do with it. The part that
I don't like about you is not the part that
you suck. The part that I don't like about you
is that you face.

Speaker 4 (01:10:44):
That's it, got it, and then saying because I just
generated people that are like that, I don't like. Yeah,
it's a lot of stuff that I just don't particularly
care to see. And I would turning my face up.
I would be turning my face up if I was
in the club full of sexy reds like I was, like,

(01:11:05):
what am I doing?

Speaker 1 (01:11:07):
Just think about like like I'm from I'm from from
New York City. Bro, what if you know seeing no
shun no shing, You'll fuck these niggas.

Speaker 5 (01:11:14):
Nigga, I'm embarrassed niggas you act like that, bro, like
against this, don't wear they're.

Speaker 3 (01:11:20):
Even being from Louisiana.

Speaker 1 (01:11:23):
Like that.

Speaker 4 (01:11:23):
It's like, okay, you're bro, are you somebody that's like
too posh?

Speaker 5 (01:11:29):
Like like it's like relax it just like black guys
who date white women, but shipped on black women. Just
date your white women, bro. Nobody cares, my nigga. Even
black women don't have a.

Speaker 1 (01:11:41):
Problem with that.

Speaker 5 (01:11:42):
It's the fact that you shoot them like that. That's
my problem with the black wife effect. You don't listen,
date white men, We don't care. But why you gotta
talk bad about black men?

Speaker 1 (01:11:51):
Speaking of that, Let's move on. It sounds like you're
being problematic, but I feel like you're being very progressive.

Speaker 5 (01:11:56):
It's very but I feel like it's all always been
that people like to rewrite your narrative, and that's the
thing when communicating with a person. The way to communicate
effectively is protect your narrative. Don't let people make you
go left. It's like, no, no, no, that's not what
I said. Stay there, stay right there, bro, Like, no,
I didn't say I was homophobic. I just stated that

(01:12:19):
I have a gay child and I'm extremely supportive of
a lifestyle.

Speaker 1 (01:12:23):
But if I gave y'all was like, yeah, I love
I love eating pussy. Pussy tastes so good, I'll be like,
shut the fuck up.

Speaker 3 (01:12:30):
She was walking around with the strap on. Bitches love to.

Speaker 1 (01:12:35):
Look at it. It's like, it's like, what it's like
Butcher's right, Like Butcher's like, it's like y'all always want
to be against the dude, but never want to be
a handsome gentleman.

Speaker 5 (01:12:48):
Why put on the wife beat up and the baggy
and shreads and I never want to I want to
look like a like a stud.

Speaker 1 (01:12:59):
Was never wanted. Why she always got at the gangstuff.
It's like this over.

Speaker 4 (01:13:04):
Acting of a man, like we don't the over acting
of female women because the majority of women don't act.

Speaker 3 (01:13:09):
Like what I do.

Speaker 1 (01:13:10):
See right, women don't even there are parody of it.

Speaker 4 (01:13:14):
And I think it's it confuses me, honestly, like the
like some things in that culture, if you will, confuses
me in general, like the saucy Santana Like it's like
confusing because it's like keV, I could never see you
coming in here with a full beat face with your
beard and then you would you would you a dude

(01:13:36):
And you're saying that you're a dude, but you gotta
b b l you wearing brawls and ship It's it's confusing,
that's the first. But I don't that's your thing ever
in my life?

Speaker 5 (01:13:45):
Understood academics, Bro, do you remember when Tenna said, he'll academics.

Speaker 1 (01:13:51):
Literally was crying on his platform's first of all, he's
at your making son.

Speaker 3 (01:13:58):
He was crying.

Speaker 5 (01:13:59):
He was that because because he knew if he said
something about him, he'd be labeled as homophobic. And it's like, Bro,
I put up a video today on my page and
it was, Oh, no, I gotta play for y'all. I
commented on this. I said, Yo, the rest of this
nigga's teeth would have been gone.

Speaker 1 (01:14:17):
Bro.

Speaker 5 (01:14:18):
It was a transgendered man trying to fight a woman
because he got bumped. He got bumped. He took his
wig off and all that bucking up on a woman.
I said, he said, I said. The minute that wig
came off, that's when the teeth for the flew out.

Speaker 1 (01:14:31):
Show me, nigga. Yeah, bow, now you're swallowing teeth.

Speaker 5 (01:14:36):
Nigga being extremely disrespectful and gaslighting her using his his uh,
his gender dysphoria as a weapon.

Speaker 1 (01:14:46):
They weaponized that ship, bro, and I.

Speaker 3 (01:14:49):
I saw a woman do that too.

Speaker 1 (01:14:51):
I'm gonna play for I'm play the video for y'all.
Go here you go.

Speaker 3 (01:14:56):
You ain't about to have us watch all your damn No.

Speaker 1 (01:14:58):
I'm gonna play it.

Speaker 3 (01:15:00):
Go ahead, bitch, I know my right. You're ugly and
you you called Okay, I have this all in the corning.
Haven't called talk, I don't haven't told you any ill words.
I haven't offended on the sign you hit me, Kenny,
it's not honey anymore, Bitch, it's not honey.

Speaker 1 (01:15:19):
It's not honey. Bitch.

Speaker 3 (01:15:22):
We're just gonna patiently wait for the cops. Yes we are.
This is getting You're a hypocrite, is you're a liberal democrat?

Speaker 6 (01:15:29):
Aggression bitch, Yeah, I have aggressed PTSD.

Speaker 1 (01:15:32):
Bitch.

Speaker 4 (01:15:32):
Okay today, bitch, I apologize.

Speaker 1 (01:15:36):
I'm that's what you lady.

Speaker 3 (01:15:39):
That fucking video. I will not because I feel I.

Speaker 1 (01:15:42):
Have a lawyer. I have two and three lawyers. Honey,
I will sue your parents.

Speaker 3 (01:15:46):
I'm not gonna speak anymore.

Speaker 1 (01:15:47):
I will sue your pants off.

Speaker 3 (01:15:49):
I'm not speaking anymore.

Speaker 1 (01:15:50):
Good, You're gonna patiently win the cops say something.

Speaker 5 (01:15:56):
Buffalo Bill from the Lambs would have lost all them
gibs that day. Niggatta knocked that nigga the fuck out, bro,
And see you see how he was acting, right, you
see how calm. And I love the way the girl
handle herself, very calm very respectful, just to show you
have a mental problem. Yo, you have a severe mental disorder.

(01:16:17):
And that's the thing. I'm not saying they all have
mental disorders. But you being loud and rambunctious, and you're
doing this for attention. You're wearing your dick, sucking and
as fucking on your sleeve. When actuality, that's the part
of it that makes you gay. That's the part that
you do in your bedroom. You are attracted to men,
You love men, and that's what you do. We don't

(01:16:39):
have a problem with that because you do that in
the privacy, but when you come outside with it, now
you're attaching. If I was gay, I would hate those motherfuckers.
Bro A Keen who was sitting on his couch. You
don't see him acting like that.

Speaker 1 (01:16:53):
Bro.

Speaker 5 (01:16:54):
Frank Ocean ain't like that. Ricky Martin ain't like that.
I can naven a lot of gay guys.

Speaker 1 (01:16:57):
It's not like that.

Speaker 2 (01:16:58):
That's just regular guys just happened to like, there's a
lot of different types of gays. Why does it have
to be though, And you don't like one specific type
of game, that's.

Speaker 1 (01:17:07):
Okay, no, no, no.

Speaker 5 (01:17:08):
What I'm saying is, why does that have no, no, no, no.
Even the flamboyant ones. I'm friends with some of them.
It's not the flamboyancy. It's weaponizing the flamboyance. Separate the
two separated. That's not what makes you gay. Like why
that's flamboyant straight men.

Speaker 3 (01:17:29):
No, that's true. Flamboyant people in general. They just don't
act if you don't like flamboy.

Speaker 5 (01:17:37):
Also, femin and men don't act like women. They have
their own language, they have their own way of speaking.
It's like a parody of a woman, just like it's
like drag queens. It's a parody of a woman.

Speaker 1 (01:17:49):
They're not trying to be a woman transgendered aren't actually
trying to but flamm u uh, they're not trying to
look like a drag queens are not trying to. Now
you know what's funny. I talked about this and Charleston
White stole my shit, bitch ass nigga.

Speaker 5 (01:18:06):
Drag queens, Black women have stolen the swag of a
drag queen stolen.

Speaker 1 (01:18:15):
Okay, watch this. In the eighties and the early nineties,
this huge RuPaul.

Speaker 5 (01:18:21):
What made you a drag queen was drag queens never
tried to be women they moonlighted and they were a
parody and they were acting like a form of a woman,
but it wasn't a woman. It's a performance. So everything
is exaggerated, big lace front wigs, long eyelashes, extensive makeups,
lip fillers, huge tits, huge butt, all in costume. Black

(01:18:47):
women nowadays, that's their regular look. So I'm just saying
that's what it is to be a bad bitch. A
bad bitch amongst the bad bitch community is lace front wigs,
fake eyelashes, excessive makeup, lip fillers, fake titties, fake ass drag.

(01:19:08):
Queens did that as a joke, and Black women wear
that shit for real. This is what makes them look good.

Speaker 1 (01:19:15):
Now when the female correspondent, do you think that.

Speaker 3 (01:19:18):
Because I feel like and and speak, can y'all hear
me good?

Speaker 4 (01:19:22):
Because my headphones are hella fucking loud, that's why, and
I don't want to put them back on my head hurt.

Speaker 3 (01:19:29):
So you mentioned the lace front things, right, I think
that when.

Speaker 4 (01:19:32):
It comes to hair and weaves in general, it has
just been a evolution, if you will, Because there there
were wigs and it was just the regular shit that
you can go get at the beauty them yeah, young
girls weren't wearing them because they weren't as accessible like

(01:19:53):
beyond say, celebrities have been wearing lace fronts for we
don't know how long.

Speaker 3 (01:19:57):
I didn't learn of lace fronts because of a you
know what, drag queen.

Speaker 4 (01:20:05):
I think lace friends became the majority of us are
seeing celebrities that are doing this, and then that that
tends to be the trend.

Speaker 3 (01:20:15):
Okay, cool.

Speaker 4 (01:20:16):
And then black women naturally a lot of us had
big asses in big titties, and we're shapely, so I
don't that's not something that we can hijack from a
drag queen.

Speaker 1 (01:20:28):
Well nowadays even if.

Speaker 4 (01:20:34):
Yeah, but I feel like that is just where society
is now, not necessarily saying it came from because because
mind you, Yeah, I was about to say that, because
mind you, in the nineties, early two thousands, it was
very normal, like natural, natural bodies were a thing. It
was in small petite was a thing. But no matter what,

(01:20:58):
they would have had to see see the thing. Here's
what I feel like with drag queens that they they
are looking trying to be or look a certain way,
had to have. They're trying to emulate a woman, regardless
if it's a parody and not. But because they have
such masculine features, you gotta do a lot more to
chisel the face into whatever whatever. And so then, just

(01:21:20):
in even in makeup progression, I feel like women at
a certain there's always been some type of contouring that
was even nowadays, why is it black women because white
women are doing the same.

Speaker 1 (01:21:32):
Ship they are. White women are ripping off black women
style like they have always done.

Speaker 3 (01:21:37):
But Donna Summers looks that she looked like Donna Summers
right now.

Speaker 1 (01:21:41):
So wearing.

Speaker 4 (01:21:43):
The heavy makeup, the heavy makeup is because that's what
they kind of gotta do that.

Speaker 3 (01:21:48):
And then and then what I'm.

Speaker 1 (01:21:50):
Saying is it's a collect This is the nineties, by
the way, because she.

Speaker 3 (01:21:56):
Looked like she looked like a dream girl right now.
She looked like a dream girl right now.

Speaker 1 (01:21:59):
It's a it's a collection of everything. It's not just
the week.

Speaker 3 (01:22:03):
We couldn't have been biting off of drag queens. If she.

Speaker 4 (01:22:07):
You're right, he in this photo is looking like someone
that was a supreme in whenever the Supremes was popping,
you know what I mean, Just like the first picture
you showed, give it down a Summers Okay.

Speaker 1 (01:22:19):
Who's the who's the who's the biggest supporters of gay men?

Speaker 3 (01:22:23):
Black women, black women, who's the biggest supporters of white
I think women generally, I think generally speak.

Speaker 5 (01:22:31):
Black women support nowadays gay men more than straight men.

Speaker 1 (01:22:37):
Big facts.

Speaker 5 (01:22:38):
I don't see tons of black women running to the
to the rescue of straight men, but I think a
lot of it. They call them, they call them a pickmy,
they label them well, they call them when they when
they when they do it for gay men, they called progressive.

Speaker 4 (01:22:53):
But I think a lot of gay men would also
say that it's not that when I want a lot.
There's only one gay person that I like listen to
on the podcast consistently, and that's Funky Dyiniva and Funkydniva
states a lot of times that he feels like women
are black women in supportive gay men. It's not really support,

(01:23:16):
it's more so like I want to pull you in
because gay men are good at doing hair, they are
good at doing makeup, they're good at styling, they're good
at all of these things.

Speaker 1 (01:23:25):
And sure they're using them for their skills. Yeah, but
I think it's the I think it's the I personally think.

Speaker 3 (01:23:32):
It's look like Pamela Anderson that hell.

Speaker 5 (01:23:34):
Right now, she, I mean he and so do and
and so do a lot of black women who call
himself badbitious. What I'm saying is this look was popularized
by drag queen culture, and black women have that look
as put like this, when you look at it, when

(01:23:54):
you look at it, when you look at it, how
often do you hear? How often do like Meg the
Stallion what get called a man?

Speaker 1 (01:24:05):
Why she's masculine?

Speaker 5 (01:24:09):
But that's not the but she doesn't and I'm speaking
speaking because she's I'm gonna speak on me personally.

Speaker 1 (01:24:15):
Right.

Speaker 5 (01:24:16):
When I see a woman with excessive makeup, excessive fake eyelashes,
fake here, I will go check her page.

Speaker 1 (01:24:23):
Yeah, but that is a poor example, because no, it's not.
I'm doing it because I know what dragquings look like.
But that's not across the border of all female rappers.
Like no, no, I'm not saying rappers rappers. You're talking
about black women women period, and most of them don't
get that. Meg the Stallion is a specific exception.

Speaker 5 (01:24:39):
When she's tall and right, okay, so so so so
all right, I'm gonna say some real ship, bro, fuck it,
let me just say what I'm trying to say it,
bro Ugly bitches have found a way to make themselves
look good, just like a man can make himself look
like a pretty woman.

Speaker 1 (01:24:57):
All ugly bitches Like, bro, you ugly bitch man, that's
the same ship to me, right, Okay, Okay, you know
what you just did, right, what you just proved my point.
I'm agreeing with this point you're making. Okay, so you're
making a drag quick. So if a drag queen can

(01:25:17):
take make up, fake hair, eyelashes to make herself look
like a pretty woman, why can't an ugly black woman
emulate the same thing. But that's where the culture comes from,
specified R.

Speaker 3 (01:25:32):
You were saying black women.

Speaker 5 (01:25:33):
Ugly black women, because first of all, I don't listen.
I don't know any pretty women who do all that.

Speaker 3 (01:25:42):
I don't.

Speaker 1 (01:25:43):
But I don't think that they're trying. The disconnect is
that I don't think that they're trying to imitate drag queen.
I don't think they know where it came from. I
just think that there's two paths that just happened to
go down, And I think so so funny. I think
so did it first?

Speaker 3 (01:26:00):
Someone maybe?

Speaker 4 (01:26:03):
And to my point about what Funky Diniva says about
gay men being able to do make up, hair and
all of that, Well, so they may have come across
that from a gay person that does that. I don't
think it was an EMU Like, I don't think somebody
woke up and was like, I want to look like
a fucking drag queen. I think that they just got
into spaces where either a gay person was doing the

(01:26:26):
makeup or someone picked up new makeup s dials from together.
Because even even that heavy contouring is like new, Like
within the last maybe ten years, if you will.

Speaker 3 (01:26:38):
We weren't doing that.

Speaker 4 (01:26:39):
We weren't doing that before, and now I'm seeing that
people are trying to like do more natural and that.

Speaker 5 (01:26:45):
But what I'm saying is, but you are right, the
bad bitches being able it came from drag. I'm like, Yo,
that's drag queen. Shit, bro, I plenty don't see a chicken.
I'm like, like, I don't know. That might be a
man right there, and.

Speaker 1 (01:26:57):
I'm thinking that, oh ship. But because I ain't know
where it came from, which stemmed from either she's a
man or she's an extremely ugly black woe, I won't
even talk to a bitch if she's too bad at
the club, because I can't know for sure. I'm like,
if she's a man or that right, what I'm talking about.

Speaker 4 (01:27:13):
And the craziest thing to me about that is because
there was an era where I was in my makeup
era and I was doing I was trying to consolet
a fuck, I a want a little And so it's
not that all women that are doing that are ugly
bitches some but some may just not be confident and
makeup can do that to you. Because there was a
phase where I did not feel like I could leave

(01:27:34):
the house without putting foundation on and doing a little beat.

Speaker 3 (01:27:38):
And blush and the crazy ass brows I had.

Speaker 1 (01:27:41):
In Georgia crazy because you're very naturally it's pretty girl.

Speaker 5 (01:27:45):
Thank you, all right, moving along forget myself in trouble already.

Speaker 3 (01:27:50):
About to say, we looked at this stuff already.

Speaker 2 (01:27:53):
If niggas was a loud to war and makeup, it'd
be over for y'all. We'd be a lot better looking.
Then we have better, better, better skins, clear up the little.

Speaker 1 (01:28:03):
Bags in our eyes because I know like a lot
of them. Be like, yo, what is your skin regimen?

Speaker 3 (01:28:06):
I'm like not water water, so annoying water, A little.

Speaker 5 (01:28:11):
Hot water every now and again. I don't get a period.
I'm stress free. You know what I'm saying.

Speaker 3 (01:28:17):
I'm hating.

Speaker 1 (01:28:17):
I work out a little bit. I'm regularly.

Speaker 4 (01:28:21):
Was able to get my skin regimen under wraps within
the last four years.

Speaker 1 (01:28:27):
Yeah, y'all have it hard. If only your shut the
fuck up our comedy shows. I can really feel for y'all. Okay,
let's let's let's let's let's talk about it. About that.

Speaker 5 (01:28:39):
Damn well, we look the shout out to us. No,
we be potting potting without like we pott without potty. No,
that's just the dynamic, because that's what a true podcast is.
It's not deliberately look for this fighting room moment or
we saw this on now. We're just out here shooting
the ship and it's working.

Speaker 1 (01:29:00):
I like that. I like this. It's goodbout what you
got for us. Okay.

Speaker 5 (01:29:04):
I touched on this by myself and went viral off
of it on an episode before. I you know, because
I did the pot myself for two years, so before
you guys came out to you, it was here for
five years. But I fired everybody when solo and now
I got a new and better crew, thinking, Joe Budden
out here, you got rid of Rory r mall. Now

(01:29:26):
now you brought icen ish your icing ish dah.

Speaker 1 (01:29:30):
That's crazy. Joe couldn't followed me too, by the way,
shout out to him, Joe, I watched his podcast. Just
watched you just starting to follow me. I'm telling calv
I'll announce it with that. But cam Cam's followed me.
But Newton cam Ron, So yeah, that that might that

(01:29:53):
that's gonna.

Speaker 3 (01:29:55):
Be this murder ink. When I was growing up, I
don't know why.

Speaker 1 (01:30:00):
Did you were attracted the more you wanted to sing
for them?

Speaker 4 (01:30:02):
Well, first of all, no, I wanted to sing for them,
but I really was like in a New York bag
when I was younger, Like I just wanted to live
in New York.

Speaker 3 (01:30:09):
I wanted to go to Juliard. I want to do
all that ship yo.

Speaker 1 (01:30:12):
Speaking of murder inc have you seen a shanty.

Speaker 3 (01:30:18):
That she is pregnant. She is creignant it might be over.
So it ain't gonna be over. I don't think it's so.

Speaker 5 (01:30:25):
No, No, she's having a baby's a beautiful thing, but
she Yeah, it is Ozmpic out there.

Speaker 1 (01:30:33):
Yea album. Sorry, I know we're moving on. I didn't
hear it, and I'm positive it's trash. It's really good.
I doubt it. It's so much like the old school
Marshall Matters, LP and Slim. Yes. I haven't liked the
eminem album in years. I really I.

Speaker 5 (01:30:50):
Really enjoyed this album. So we're gonna touch on this
really fast. And then I got some rap ship that
that we can talk about that that kind of went
kind of viral.

Speaker 1 (01:31:00):
This is stupid. This is so stupidit this this.

Speaker 5 (01:31:05):
A fake battle of the sexes that's been spewing when
there's obvious the gender world, when there's obvious reasons for
this that I'll touch on, but let's read this. Single
women own more homes in the United States than single men,
and the United States single women are leading the way
in the home ownership, surpassing their male counterparts. According to
a Pew Research Center survey that utilized SA Census data,

(01:31:28):
single women owed fifty eight percent of the nearly thirty
five zero point two million homes owned by unmarried Americans,
whereas single men owned forty two percent. With single women
now dominant force and home ownership. We can expect to
see their priorities and prefaces reflected and the types of
housing options available in the coming years. I'm gonna set

(01:31:49):
this so off.

Speaker 1 (01:31:51):
So what all right?

Speaker 5 (01:31:54):
You gotta be a little more specific because a lot
of these single women are divorce women who got them
houses in a settlement. A lot of them are single
moms that kids, that have kids so they want to
leave their kids a house, and a lot of them
are somebody that somebody just don't fucking want.

Speaker 1 (01:32:14):
Men are minimal less.

Speaker 5 (01:32:15):
We ain't buying no fucking house if we don't got
no family. So who cares if women own more houses
than men? So what, we don't want one.

Speaker 1 (01:32:24):
We only buying the house. We buy them when we
get married. When I get married the house. Yeah, so
why is this even a story? Like but but this,
but this is off because these single women, they come
up with these bullshit buzz ship that that we're supposed

(01:32:44):
to be like, I'm sposed to be impressed.

Speaker 3 (01:32:46):
It's just like sing.

Speaker 1 (01:32:51):
A single woman with a skinny bitch. She's not even
in front of a house.

Speaker 5 (01:32:54):
She in front of a fucking apartment, the hotel, especially
especially for the house.

Speaker 1 (01:33:03):
So she's hungry. Look at a stomach. She got no
meat back then. So my thing is this right? If
you know we we buy a house, keV. You live
with a motherfucking you live in a skylaw. You have
no children.

Speaker 5 (01:33:21):
Do you want to cut grass, nigga? Do you want
to fix plumbing or do you want to call the maintenance?

Speaker 1 (01:33:26):
Many? I want to call you? Feel me. I don't
want to.

Speaker 3 (01:33:28):
I don't want to do that.

Speaker 1 (01:33:30):
You like your valet track. I like my valet track. Yeah,
you put your.

Speaker 5 (01:33:33):
Trash in front of your fucking doing it, gonna pick
it up. We don't give a fuck about a house, nigga.
We are minimalists. I hate what I have to agree
with you, but I have to agree with you on this.
This is bullshit.

Speaker 1 (01:33:45):
All of my female friends who are homeowners are women
who have a kid or two. They're single moms, right,
And they're like, oh, well, I can't just be out
here in the club every night like you, keV. I
can't be outside all the time. I have responsibility and
their miserable, miserable.

Speaker 3 (01:34:04):
Like grass.

Speaker 1 (01:34:04):
I gotta my garage won't open, you idiot, I can't.
I can't keep fucking you ket because you don't have
You don't have a plans for a future of me.
I need to be with the nigga who wants.

Speaker 5 (01:34:15):
You know what's happened when you got an eight year
old son, a single lady. You know what's gonna happen
with you in that house. All you're doing is setting
up for that single man and moving with you.

Speaker 1 (01:34:25):
You idiot. You used to have the power to check
him out. That's it. Yoh all, listen, I'm not impressed, son.
They give us these stats like it's impressive. You know
what's impressive getting the man and keeping them? How about that?

Speaker 5 (01:34:38):
I'm not impressed because you I did it by myself.
I got my own house, I got my own car, everything.
I did it on my own.

Speaker 1 (01:34:45):
Yeah, bitch, it's called beating an adult. We've been doing
it for years. Catch up, nigga. I blame Destiny's Child
ever since they came out, and when they came out
with independent bills, bills bills and then person active a.

Speaker 5 (01:35:00):
You know, you know, first of all, let me tell
you some First of all, that song is incredibly bad
English bills bill bill. Yeah, she said, can you pay
my bills? Can you pay my telephone bills? Could you
pay my auto mobills and then and then maybe we
can chill. I don't think you do, so, so you
and me are through first of all, I don't think

(01:35:20):
you do. You switched up the sentence. It should be
I don't think you can, so you can't be my man.
That's what it should have been, Beyonce. Salute the whole
swooping in to fix your motherfucking OCAs that to the structure.

Speaker 1 (01:35:38):
Yeah, and then you got the nerve to come out
with Soldier a few years later talking about you need
a rough neck nigga. Do you want a nigga to
take care of you or do you want to rag?
They bagged their whole career in hiccer. You drop listen.

Speaker 5 (01:35:50):
We ain't forget about House of darry On. That ship
was nasty, Beyonce, I don't think can you pay? Can
you pay my auto mobiles? And then maybe we can chill.
I don't think you do.

Speaker 1 (01:36:02):
No, no, no, I don't think you can, you fucking dummy.
And he was in the club jumping, jumping. What do
you want to do? Wonder? The nigga won't say your name,
So she was.

Speaker 5 (01:36:13):
Talking about that dude, the dude that was high school sweetheart.
That's the most down bad that the nigga. That's the
most fumbling.

Speaker 1 (01:36:25):
In history, that nigga every night crying. See. But the
thing about it is jay Z didn't. Okay, they just
stop buying houses.

Speaker 5 (01:36:38):
I'm gonna say this, jay Z was in love with Beyonce.
Jay Z could have done that with any woman that
can sing and that's beautiful like her. Because jay Z
also discovered Rihanna the second. Beyonce needed jay Z more
than she knew it because that them songs beyond I say,

(01:37:00):
skyrocketed after she got with him. A lot of people
say that, a lot of people don't acknowledge that, oh,
ja Z got Beyonce. Beyonce wasn't Beyonce. When jay Z
got with jay Z was.

Speaker 1 (01:37:09):
Already jay Z.

Speaker 5 (01:37:10):
He was already reverted to go. He was already revealed
that she was in a fucking group. So yeah, let's
let's pay some homage to whole.

Speaker 3 (01:37:19):
Anyways, I'm not a press either, honestly, thank you, I
don't I don't like.

Speaker 1 (01:37:26):
That you.

Speaker 5 (01:37:31):
Listen, listen, listen, listen. I'm sorry. Ray Let me let
me just touch on this real quick. If single women
are flourishing and getting things. That's a beautiful thing. Stop
comparing it to men.

Speaker 1 (01:37:44):
Just saying more. I had to arguing on TikTok, just
say single women are doing well, oh yeah, but also
we're doing better than you don't right now, you're just
got You're showing you how you need to compare it
to something in order for it to be for you
to be happy. Why even bring men up? Men would
never do that, Like, you're single, so happy. People would

(01:38:07):
never do that.

Speaker 2 (01:38:08):
I would be more impressed by the statistic if they
if they showed single women versus uh motherless like people
people who are not single mother very impressive.

Speaker 1 (01:38:19):
If you're like, if you're a single woman, like you're
fresh out of college or whatever and you have a career.

Speaker 5 (01:38:23):
Now, also add in there, how many single women got
divorced and got alimony? Yeah, how many of those women
got kids?

Speaker 4 (01:38:29):
Because single is essential and then the single means you're
not legal leader what it means, so these single women
could also be in partnership.

Speaker 3 (01:38:39):
Yeah, they're just considered singles. They're not married.

Speaker 1 (01:38:42):
They also gonna have a fucking sugar daddy. You can
also have a trash ass house. They're not saying which houses.

Speaker 4 (01:38:48):
Yeah, you can live on everybody and everybody living in
Lariate Park.

Speaker 1 (01:38:57):
And that's the thing, Like you got a nice house maybe,
but is it a.

Speaker 3 (01:39:01):
Two point five million dollars.

Speaker 1 (01:39:05):
Houses? Did you?

Speaker 3 (01:39:06):
Did you win it on the auctionnted bands?

Speaker 1 (01:39:09):
And that ain't ship?

Speaker 3 (01:39:10):
Bitch? Is it haunted.

Speaker 1 (01:39:14):
Right now? Talking about talking about the house or I
like the the the antique feeling that my floors are creaky. No,
your foundation is crumbling.

Speaker 3 (01:39:26):
That ship on the auctions, I don't like. I don't
like that. And I agree with y'all.

Speaker 1 (01:39:33):
I don't as a that's steak water be brown.

Speaker 3 (01:39:37):
I don't turn it on that steak water.

Speaker 1 (01:39:39):
If they gotta let it run a little bit. You
don't live it, don't live in You don't live in
fucking Flint, Michigan. Why your water brown? That ship looked
like Casper at the beginning where they was trying to
use the water when Christy Richie was it was brown.
That's nasty water, yo, that's I'm not impressed by.

Speaker 3 (01:39:58):
None of this ship is termites.

Speaker 1 (01:40:01):
Yeah, yeah, everything, And it's gonna happen when some ship
breaking the crib. Yeah, you watch you don't got no man,
you still need a man to cut that grass.

Speaker 3 (01:40:10):
And I'm a I'm a woman of convenient convenience. So
I like, like you said, I want to call the landlord.
I want my valet, my trash to be picked the
fuck up.

Speaker 1 (01:40:20):
I straight, Nigga, I called a landlord.

Speaker 4 (01:40:24):
I caught even to change out a light bulb. I'm
paying rent. Hey, I put in the service request.

Speaker 3 (01:40:29):
My light is out.

Speaker 1 (01:40:30):
Yeah, a filter. Yeah. But even for men, you know,
at a certain age, being single as cool. But it's
not a flex bro, Like it gets real boring and loans.
I'm in such fear of my life when I get older.
I don't know who's gonna take care of me when
I'm like seventy eighty years old. I don't have no kids.

(01:40:50):
I don't like Yo, They're gonna have to put me somewhere. Nigga,
you're gonna get old.

Speaker 3 (01:40:54):
Bro, maybe one of your sisters.

Speaker 1 (01:40:56):
That's nasty, hopefully, I mean, but you wouldn't want it
to be that there older than me.

Speaker 2 (01:41:01):
So it's a wrap for me. I got I have
to go out in like a wild death. That's the
only way I gotta become a celebrity.

Speaker 1 (01:41:10):
And I gotta die at like forty or fifteen.

Speaker 3 (01:41:13):
We're not calling that, we're not speaking at I can't
live forever.

Speaker 1 (01:41:17):
Ma, what if I'm one hundred and twenty. I'm a burden.
I'm an inconvenience to niggas.

Speaker 4 (01:41:23):
Damn I a how to say? I rebuke that in
the name of Jesus, And I felt like it was
too soon to say that.

Speaker 1 (01:41:28):
No, no, don't rebuke it.

Speaker 2 (01:41:29):
No, I want to crash out of the show. I
want a nigga who's mad at me. I want a
nigga who's mad at me.

Speaker 1 (01:41:35):
French fries to take it all down, shut up, and
I want to go out before they're like, I want
to go out before they were like, Yo, this nigga
has so much potential. He was the next one like,
I want to hear that from heaven, Like, Yo, this
nigga was gonna be somebody. I'm like, yeah, I know,
I don't want that for you. Don't tell me what
you want for me. Let me tell you what I want.

Speaker 3 (01:41:54):
I don't want that for you. That sounds so sad.

Speaker 4 (01:41:57):
I would cry being old sounds Wait, that's that's saying eighties.

Speaker 3 (01:42:02):
You said forty niggas.

Speaker 1 (01:42:05):
Yeah, but I mean like, forty is crazy, forty is
too much. That's soon, fifth, nigga, because you're what I'm
thirty two?

Speaker 3 (01:42:11):
Yeah, that's in eight years.

Speaker 1 (01:42:13):
All right, all right, okay, sixty five. No, seventy seventy eight, nigga,
I want to I want a hundred and twenty niggas.

Speaker 3 (01:42:20):
I don't want seventy eight.

Speaker 2 (01:42:21):
Oh that sounds miserable. You wake up every day sore.
You're a burden of people. You just be knocking people's ear.

Speaker 3 (01:42:28):
Stay active and can get your life.

Speaker 1 (01:42:30):
Oh my god.

Speaker 5 (01:42:30):
I never the nigga said the Funnies shit. The nigga said,
why do you want to live that long? Nobody knows?
Nobody knows you, bro. That's true as hell.

Speaker 1 (01:42:39):
Everybody that you've ever known is dead. Everybody, everything that.

Speaker 3 (01:42:43):
You've loved, heartbreak that you've endured.

Speaker 2 (01:42:45):
That's oh my god, your parents, your kids, your sisters.
And then the PlayStation five is obsolete. That shit is
corny and old.

Speaker 1 (01:42:52):
Nigga. You playing video game with your hand, Your hand
is the motherfucker. You can't even play video games. You
got up. You over here telling stories that nobody related
to you.

Speaker 2 (01:43:03):
Like yo, Back in my day, we used to FaceTime benches,
and they would show show us their pussy like Grandpa.

Speaker 1 (01:43:08):
Everybody walks around naked all the time. Now, that's not
impressing nobody, kids, damn.

Speaker 3 (01:43:14):
And you still don't got a house. The single woman
is still kicking.

Speaker 1 (01:43:20):
Okay, it says sent now, so I.

Speaker 3 (01:43:22):
Think you're living in a home. That's crazy.

Speaker 5 (01:43:27):
Wild, Yeah, I want to This was this shows how
disconnected these shows are.

Speaker 1 (01:43:33):
Bro, I don't know nothing about this. Okay, good. So
this was something that happened on Family Feud. Steve Harkins
still hot.

Speaker 3 (01:43:39):
Yeah, and even he was like.

Speaker 1 (01:43:41):
What the fuck?

Speaker 5 (01:43:43):
So they had all y'all, let you hear that's not
the clip. That's not the first clip. You got to
go for the first one.

Speaker 1 (01:43:51):
So it was who's the greatest rap ball time? That's
not that's not it. That's not it, trainer. Yeah, this
whole ship was nuts, Bro, this was nuts. I was like, wow,
I like her answer is she Canadian? This was nuts, Brom.
I need to see what's going on. And you can
tell white people was at the forefront of all this.

Speaker 4 (01:44:14):
Bro, I'm like, what the And even the white people
that was playing the game was like, what the fuck
are y'all talking.

Speaker 1 (01:44:19):
About then, that's not it, funk. I need the first
clip and he saw it from the beginning.

Speaker 3 (01:44:26):
It's not with Megan.

Speaker 1 (01:44:33):
No, where's the first one at though? Hold on, let
me fine.

Speaker 5 (01:44:37):
I need to find the first one and that we
can go from there because that's where it starts at yo.
These niggas be so unprofessional on the pod. They don't
got nothing going I did. I had to just download
it now.

Speaker 2 (01:44:46):
The fact that on her phone she out here vaping
and ship she refilled her jewels six times on here, yo,
I can't work with under these unprofessional conditions. This nigga
don't got a wife beater on under as White team always.

Speaker 1 (01:44:59):
You watch my nigga always, Nigga. That's law, that's law.

Speaker 3 (01:45:03):
But you did just get that out the dryer, niggy.

Speaker 1 (01:45:07):
No, I just got this out the pack. Yeah, and
that's that's a rinko pack. Yeah, this is polo. This
is a sixty dollars pack of Wife of White Tea's
damn brand new. I can get them same ship's at
Ross off season. These get warn these get worn once
Ross dressed for less. My wife beaters get wont the packs.
I buy a pack once a month. I don't. I

(01:45:28):
don't keep white beatings. Oh yeah, see that's a different
tax pack. Yeah, I'm a different I'm a different type
of nigga. That's luxury.

Speaker 5 (01:45:33):
All right, fuck it, we're gonna go. We just we
don't gotta watch the Steve Harber ship. Let'st I have
the list here, so on family feel guys. Steve Harvey
had a Meghan Trainer and company up there. That's Maggie
Trainer's family, and they talked about the top rappers of
all time. Family few went here. Okay, this was crazy,
crazy working. This is their list. This is their list

(01:45:56):
of the top five, the top eight, A little sound.
At the number eight spot, they got jay Z Sure
insane yea seventh spot, fifty cent they put fifty cent
over jay Z over jay Z over fifty cent they

(01:46:16):
got no, they got Biggie Nasty. At the number A
six spot, sorry sorry, a five spot, they have L
L Cool J.

Speaker 1 (01:46:28):
Yeah. Dan is the number four spot, they got Doctor Dre.
This is they put Doctor Dre as a rapper over
l L. Fifty makes sense to me. At the number
three spot, eminem two spot pac. You know what this
sounds like a white list all that so family feud.

(01:46:51):
All they do is just survey one hundred America. This
is not the best rappers of all time. This is
who is the most popular and recognizable to white people.
And I tell people all the time, Snoop Dogg is
the most famous rapper all of all time. Nobody like
everybody in the nineties, everybody in the two thousand, everybody
knows Snoop dog.

Speaker 2 (01:47:10):
I always ask people this, who is the most famous
person of all time? I would say, either Jesus or
Michael Jackson.

Speaker 1 (01:47:16):
Bro, I love you, Bro, I do.

Speaker 5 (01:47:19):
Michael Jackson is the most famous person of all time,
of all time.

Speaker 1 (01:47:23):
I think people put no no, I put him over Jesus.
I don't know. I don't know. I put him over Jesus.

Speaker 3 (01:47:29):
And a lot of people don't even believe in Jesus.
With everybody.

Speaker 1 (01:47:32):
Right, because some people have never heard of that nigga. Yeah,
but everybody but everybody know Mike.

Speaker 5 (01:47:36):
I don't give fuck where you go. Michael Jackson is
the most famous person in history of the world.

Speaker 1 (01:47:42):
That's why the nigga went crazy. I'm a huge Michael fan. Bros. Bigure.
It's never been a person in human existence where people
had that reaction.

Speaker 2 (01:47:52):
Bro hysteria. That's why I hate when people try to
compare Prince to Mike. You out of your fucking mind.
You cannot even on the same level. There's nobody.

Speaker 1 (01:48:01):
They just needed some talent, you know, he plays all
the instrument mad talented. But they needed a rival for Mike,
and he was the closest thing. But that's like putting
an NBA team against a high school basketball team. No,
there was, but there was one person that was comparable
to Prince who Prince actually ripped off his style, Hendricks,

(01:48:22):
Jimmy Hendricks, Rick James, Rick James.

Speaker 5 (01:48:26):
I can see that Prince stolle Rick James style and
Rick James and Prince knew it. But Rick James was controversial.
He was like me in comedy, a wild boy. He's
a wild boy, you know, Princes, Prince, Prince playball and
he kept quiet. Rick James didn't give a fuck, and
he was a drug addict, you know. So look, but
but but it was known that Prince took a lot

(01:48:47):
of Rick James' his swag.

Speaker 1 (01:48:50):
Yeah, Mike is definitely the most famous nigga.

Speaker 5 (01:48:52):
Michael Jackson is bro. I was watching the other day
a compilation of him dancing. Bro, I was like, I
watched Chris Brown nowadays and I'm in awe of the
way this motherfucker could dance.

Speaker 2 (01:49:06):
That ship is crazy, Bro, I think that Chris Brown
is a better dancer than Michael. Yeah, for sure, Okay,
I thought that was at No, that's not it's not
an argument.

Speaker 4 (01:49:13):
Because if you athletic, when I see Michael, like now,
when I see Michael Jackson dance, and I'm just like,
I think.

Speaker 1 (01:49:21):
Michael Jackson was more effortless than Chris. He's still incredible.

Speaker 3 (01:49:24):
Yeah, no, incredible.

Speaker 2 (01:49:25):
Have you ever seen them tap dance? This nigga before
he was like doing solo ship, he used to do variety.

Speaker 5 (01:49:32):
Now you know what, No, no, no, no, no, no, no,
Chris Brown is more athletic than Michael Jackson. Michael Jackson
definitely a better dancing I think.

Speaker 3 (01:49:39):
That dancing is a little more intricate Michael than it
was before.

Speaker 1 (01:49:45):
He could do the fred astare he could do. He
can do all the music.

Speaker 5 (01:49:48):
You gotta go, and you gotta also think about this
motherfucker was doing this ship forty years. Like, Chris Brown
is a beast. Yeah, Chris Brown is the closest thing
we've ever had, the most talented. They want to give
it to Usher in the versus Chris Brown is definitely
I mean, Ussia is washing Chris Brow.

Speaker 1 (01:50:09):
Usher is beating Chris Brown, and versus days out Chris Brow.

Speaker 5 (01:50:14):
His argument I always give between Chris Brown. Chris Brown
makes hits, Usher makes classics. Huge difference. Sure, there's no
there's there's a lot of Chris Brown makes a lot
of amazing music, but Chris b sides a lot of
getting ushers. Besides the fuck out of yea yea. Usher's
got times And since you can't play with nice and slow,
you can't play with confessions confessions. Yeah, yeah, but no,

(01:50:39):
But Chris Brown, first of all, he got way more
songs than Usher, which is crazy because he came out
like fifteen years after question how would you do you
think Chris Brown's career would have feared any different if
you didn't have the Rihanna thing.

Speaker 1 (01:50:50):
I don't think so. I think the Rihanna thing actually
helped him. No, Bro, he was on trajectory to be
America's golden boy. Bro, he would have been the biggest
artist in the world. I think he still was. But
what what made what made the but what made him
still reach the trajectory that he did that there was
nobody else. Yeah, we.

Speaker 2 (01:51:14):
Bro, you're gonna name all the people improved my point.
We came in an eraror with Neo was coming up
with Chris Brown. Trey Songs was in the mix with
Chris Brown. He got omari on the fuck out of here.
Omarion was big when Chris Brown. Watch this what what
made Chris Brown stand out from the others. He was
like skinned no, no, Chris Brown, and and also Usher

(01:51:36):
and Mike. The thing that all three of them did
very well was transitioned from boy to a.

Speaker 1 (01:51:42):
Man because you de Brown, Yeah you don't see it. Yeah,
he did it very well. A lot of guys didn't
do that well. The controversy is what helped. Marion didn't
do it well. Bow Wow did it terribly. Romeo did
it terribly. Like they couldn't convert.

Speaker 5 (01:51:59):
Like for instance, like some of these guys come out
a little younger and then they have the little girls
running behind them, and then when they get older, those
little girls stick with them.

Speaker 1 (01:52:07):
Well, then you get the grown women running with you.
Chris Brown did that, Usher did that, Mike did that.

Speaker 5 (01:52:12):
Mike Michael was nigga was six years old, and now
he's a grown man doing the same thing, but with
an older audience.

Speaker 1 (01:52:19):
These niggas couldn't do that.

Speaker 2 (01:52:20):
But also we have revisionist history because we weren't necessarily there.
For there was a long period of time enough video footage,
I know, but there's a long period of time where
Mike wasn't doing anything.

Speaker 1 (01:52:30):
So between the.

Speaker 2 (01:52:32):
Jackson's to the Jackson five to his Off the Wall,
there's a huge but long period two years, like I
would say, like seventy five to like seventy eight, it's.

Speaker 1 (01:52:43):
Like a three year run where he's like, well, also
then he's trying to do a lot of solo music
shifted because then you got the disco out.

Speaker 2 (01:52:51):
He came into disco and he was still trying to
find his way off. He made an album with his brothers,
the Victory Tour on the Jackson's and it wasn't popular. Well,
but also this is before Michael Jackson went solo, so
you're still talking about the Jackson five. So Jackson five
is there with the Temptations, and they're there with not
to Say I'm Sorry, del Phoonix and shit like that.

Speaker 1 (01:53:11):
They're there with groups. This is before Mike went solo.
Mike transitioned from a group kid to a solo man.
So when he the solo off the wall, shit had
nothing to.

Speaker 5 (01:53:22):
Do with the Jackson five. It was a completely different sound.
This is a grown man now and he transitioned very well.
And Mike, Chris and Ussher all have three dings in common.
And what they have in common is I don't give
a fuck how much time they take off any great,
whether it be Mike, Christ's getting to rap, J Cole,
the Kendrick jay Z. They're always relevant, Lil Wayne. Always

(01:53:47):
when you're a great, you're always relevant. I don't give
a fuck how much time you take off. You can chill,
kick your feet up. Even Drake right now, Drake, and
is you know he just went through the little Kendrick incident.
Drake is dropped right now Number one. Again, it don't matter.
His fans ain't going nowhere.

Speaker 1 (01:54:00):
Bro.

Speaker 2 (01:54:01):
So yeah, man, but that I don't think that's necessarily
the case for Chris Brown. When Chris Brown had the controversy,
he was canceled for a minute, but I think but
his fan base held him up during a time.

Speaker 1 (01:54:11):
Yeah, also was but what what what? What?

Speaker 5 (01:54:15):
What me and Chris Brown controversy so bad? Is that
there was a picture the picture killed him.

Speaker 1 (01:54:21):
Rihanna looked crazy. There was no picture and it's also
Rihanna bro if it was it was Caruci, if it
was a random it was a goat too.

Speaker 3 (01:54:31):
Do y'all think that when?

Speaker 4 (01:54:34):
Because I remember I distinctly remember Chris Brown's like comeback
like and I remember I forgot what something it was
like it was yes.

Speaker 1 (01:54:45):
But also singing in the mirror by the way.

Speaker 4 (01:54:47):
No, but was that before or because there was one
that was yeah, it was after the Rihanna situation. But
I distinctly remember this one Chris Brown performance. I think
it was at the BT Awards too, But he did
like he.

Speaker 3 (01:55:01):
Performed some song and I just remember like all of
the like artists like embracing him and like.

Speaker 1 (01:55:07):
Like that was the man in the mirror ship but
he was man in the mirror and cried a year
or two right after the incident.

Speaker 3 (01:55:15):
Was no, it was it was something else.

Speaker 4 (01:55:17):
It was like, what's the song he came He came
out with a song shortly after that the right time. No, no, no,
no no, because it was a height like maybe it
was like, yeah, no, it was that. It was that
won't grow you serious and I've been watching you.

Speaker 1 (01:55:36):
That's give me that.

Speaker 3 (01:55:40):
It was give me that.

Speaker 1 (01:55:40):
That's all before the Rihanna incident. Give me that happens before.

Speaker 3 (01:55:44):
But he performed give Me That at a show.

Speaker 5 (01:55:47):
His his his comeback performance was the was the Man
in the Mirror Michael Jackson performance. A lot of people said,
we read him as Mike. He's already coined as the
next mic.

Speaker 1 (01:56:02):
Man in the Mirror is a song pretty presumably taken accountability.

Speaker 5 (01:56:08):
He's transitioning from a boy to a man. Chris Brown
came out at sixteen. What saved Chris Brown's career One,
he's extremely talented. Two when he did what he did,
and the eyes of a black person, Now, he was
a child that did that.

Speaker 1 (01:56:24):
He was a kid.

Speaker 5 (01:56:25):
That's why we gave him a past. It also helps
that he like skin. You want to down that bridge,
don't you.

Speaker 1 (01:56:32):
Yeah? No, he's a light skinned nigga. He's gonna get
a pass it.

Speaker 5 (01:56:35):
But my thing is, if there was a Chris Brown replacement,
the would have got Chris Brown out of here.

Speaker 2 (01:56:40):
It never was nobody. That's what that's really what you know,
people ain't letting him rock out. But because you had
Trey songs, that was kind of like, he can't dance,
he can't do shit. He can't sing, and he's a
creep and he can't he's rushed in Chris Brown.

Speaker 1 (01:56:55):
But the thing that I respect about Chris Brown, even
to this day, he has a mad account ability bro.
I mean, I don't know if it's genuine, authentic, and
I don't know him personally, but he does speak about
it publicly, out loud, and how he feels about it.
He owns it.

Speaker 2 (01:57:08):
He can't run from it because every time he tries
to do something, somebody's in his comments or making comments.

Speaker 1 (01:57:12):
Like yo, you're a woman. Beat there your piece of ship.
So I feel like he has to address.

Speaker 5 (01:57:16):
Well, if it was just Rihanna, that'd have been one thing.
Then the Carochie ship, he was doing the Caroucie creeper ship.

Speaker 1 (01:57:21):
Yeah. Then he was on drugs and he's crashing out.
He hit with a bottle a bottle at Drake's Crew.

Speaker 3 (01:57:29):
Uh.

Speaker 5 (01:57:29):
He want to fight Quavo every time you see him,
like the nigga. Oh yeah, by the way, he bodied
Quavo too. By the way, but can wrap That's another thing.

Speaker 1 (01:57:37):
He got crashing out over bitches all the time. Bro
like skin ship. Yeah, I'm like, yo, famous and too
popular to be.

Speaker 5 (01:57:45):
Light skin nigga shit. Bro like skin nigga shit. Entitlement
entitlement ship. But yeah, listen, we gonna yeah, We're gonna
wrap up. This is a great show. I really have
fun with this one. We got a lot of clippable moments. YEA,
gonna see a lot of clips I didn't drop last week.

Speaker 3 (01:58:00):
Notice, yeah, I just be trying to.

Speaker 1 (01:58:03):
I have some things going on.

Speaker 5 (01:58:04):
But we're gonna We're gonna drop a double episode this week. Yeah,
I want to see technical difficulties. I want to see
the ray clip get clipped because she was she was
dropping funny.

Speaker 1 (01:58:14):
Bars on this episode.

Speaker 5 (01:58:15):
I'm gonna put it in the program. I'm gonna see
what it do, and we're gonna throw them out there.
But we gotta just know we got a lot of
you gotta can.

Speaker 1 (01:58:22):
We get that single Mom House edition clipped up? I
want to the house.

Speaker 5 (01:58:27):
We're going up on that because yeah, they need to
hear that ship. Yeah, y'all got anything anything coming up
you'll want to talk about?

Speaker 4 (01:58:34):
So we have our I don't even know what annual,
but our yearly back to school dry August third.

Speaker 3 (01:58:42):
I sent you the thing, so maybe you can drop
it on.

Speaker 1 (01:58:44):
It'll be a both episode, but it'll.

Speaker 4 (01:58:45):
Be August third, eleven to three pm. So if you
guys are in the Orlando area, come check it out.
We're gonna have free school supplies, free food. We have
two DJs, bounce houses, prize giveaways hosted by yours truly,
so we'll have TV giveaways, laptop giveaways, give cards, et cetera.

(01:59:08):
Just come out and have a good time. If you
need school supplies for.

Speaker 3 (01:59:10):
Your kids, come check us out.

Speaker 5 (01:59:12):
Dope Dope, Dope back to probably the best back to
school driving on Lando area. I was pleasant enough to
host one, and it's always good. They give away so
much for the kids. The kids have a great time.
The food is good no matter how hot it is
day out there, and they got burgers and dogs and
burgers and dogs. But with the kids, it ain't no bullshit.
The kids is getting real. It's like damn bikes and

(01:59:36):
big screen TVs and it's amazing. It's amazing, bro, They
well love the kids.

Speaker 2 (01:59:41):
Shout out to Bonkers finally giving me my time to shine.
Oh you getting your first headline Headlight in Bonkers August second.
If y'all know my story at all, they would not
book me the host, feature guests, spot nothing out Bonkers
for years. I had to advocate for myself and I
finally got my first headline position. So I'm gonna be

(02:00:01):
there Friday. Please come out and support live comedy. It's
at the corner downtown. That's where Ibar used to be.
It's gonna be a really great show. And then you know,
of course Oniico Gastra Bar every Tuesday, Dirty Bingo at
the bow Spot Wednesday.

Speaker 1 (02:00:14):
I'm all the way booked and busy.

Speaker 2 (02:00:15):
Lake Eola Lounge just got got me headlined the show
out there August tenth, So come.

Speaker 1 (02:00:21):
Out to any show.

Speaker 3 (02:00:22):
Fire ass next to the abbey, right.

Speaker 1 (02:00:24):
Yeah lovely. So look y'all.

Speaker 5 (02:00:28):
I just converted my other YouTube channel into my personal ones.
So the Instagram is up at will Mills at AULDI
side podcasts also my TikTok king their back seven one
to eight, all extremely viral platforms.

Speaker 3 (02:00:42):
So I moved all.

Speaker 1 (02:00:43):
So I know you guys want to see my top
five list.

Speaker 5 (02:00:46):
My top five lists are all gonna now be also
posted on my YouTube channel at will Mills, so make
sure you guys go check that out. I also will
be headlining Bonkers. It was not my first time though
Onlike keV shots Fire, I'll be there at the end
of August. I'll be posting up those dates. Nasty Work
Tour starting the fall starring myself and Kevin Dean will

(02:01:09):
be going. We got the Four Horsemen tour coming up, myself,
Kevin Dean, Jarrey Right, and Sean Madden. So it's a
lot of things going on in this comedy world. It's
podcast and shit, we got some big announcements coming up
for the podcast, collaborating with huge, huge podcasters and X rappers.
Wink wink, that's gonna be doing some things with us.

(02:01:31):
But that's been the episode two hundred and eighteen in
the books. Sorry, guys, Episode two seventeen will be right along.
Go click your back button because episode two seventeen will
be right behind this one, but two episodes will be
giving y'all two for one this week.

Speaker 1 (02:01:47):
Trying not to let it happen again. Instagram click the
link in bio stop working up funded. It's a link
in my bio on my page. The link about a
page linking to bio page. It's up, it's gonna be
on my pad. Put it on there, and they're all.
Their names are in the.

Speaker 5 (02:02:04):
Bias, so you want to follow them and their personal
handles their links are.

Speaker 2 (02:02:09):
If you want to tell me how gay you think
I am, nigga, come to my sex facts, come to
my comments.

Speaker 5 (02:02:14):
If you want to tell them how gay years, sit
your bitch next to him and see what happens.

Speaker 1 (02:02:18):
Hey, I'm closing see class aka to closing on sleep.

Speaker 5 (02:02:23):
These feminine niggas out here fucking ambitions, man respectfully and
just give it.

Speaker 1 (02:02:30):
Listen y'all that episode to eighteen in the books. We
will see y'all next week, same time, same blood, clod place,