April 4, 2025 • 26 mins
Nashville Recording Artist Tayla Lynn, granddaughter of the late great Country Music Hall of Famer Loretta Lynn, joined us on the show to chat about her new album coming our May 30th and lots more! Tune in to hear more!
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Speaker 1 (00:00):
Hey, y'all, this is Taylor Lenn and you're listening to
the award nominated Backstage Pass podcast on KKTC.
Speaker 2 (00:07):
True Country ninety nine point nine.
Speaker 1 (00:10):
And KYBN ninety eight point one and on KISW Country
and Tarhillworldnetwork Dot org.
Speaker 3 (00:19):
Ed Welcome inside the backstage past. The month of April
is upon us two and that's more shows and staying
busy here on the backstage past KISW Country and tar
Hill World Network dot org out there to catch show
streaming at Oklahoma. And of course they're friends KYB A
ninety eight point one in the Bay Area and out
there KKTC True Country ninety nine point nine, iHeartRadio. We're
(00:41):
everywhere you can now find podcasts out there, and of
course some great guests coming up over the next few weeks,
the Cadi Bass, Ray Filcher, and a whole host of others.
Speaker 4 (00:49):
As we count down.
Speaker 3 (00:50):
Here and almost crazy to say we're first the first
quarter is now over for the year twenty twenty five.
Brandon Merl here and please to welcome in Country Music Royalty.
Like to say that here on the show because we've
had a few of them here, the great Taylor Linn
to the broadcast. Here we're talking about some music and
paying tribute to our grandmother, Luretta Lynn Taylor.
Speaker 2 (01:09):
How you doing, I'm good, how are you?
Speaker 4 (01:11):
It's good to have you and you're right. That is
a mouthful when you do all those stations.
Speaker 2 (01:15):
Well, I was like, is that K I sw Is
that an L?
Speaker 1 (01:19):
You know, because the uppercase I also looks like it
could be a lowercase L.
Speaker 2 (01:24):
And then tar Hill Country saying tar Heel World, Gus
Hard World, Network Hill Phillies. You can't hardly do it.
Speaker 3 (01:33):
Hey, let's talk about this a great song and of
course your career. I mean again, no strangers to music
mentioned there again. Grandmother, the great Loretta Lynn to one
of the greatest female country singers of all time. So
for you, let's start here before we get into the
songs and everything, and that the album coming out in
May thirtieth called Singing Loretta. Uh, it just seems like
this came natural. There was really no plan B to
have this career.
Speaker 2 (01:52):
Right, absolutely, yeah.
Speaker 1 (01:54):
I Mean my grandmother always let me come out on
stage with her, and she was so sweet about it,
and I always loved it and just wanted to be
just like her. So I was all in from like three.
Speaker 3 (02:09):
Let's talk about what just she embodied for country music too,
because not just the songs of the presence on stage,
but just one of those recognizable voices that you heard
on radio and of course attached to the Grand Ol Library,
but just what she meant in her spirits to country music,
which continues to live on today with so many of
these young artists.
Speaker 1 (02:27):
Yeah, I mean, I think she was the first, the
first truth teller, really, you know. I think that's she
always said, you got to be first, better, or different,
and I feel like she was all three of those things.
But from a branding standpoint, you know, I think that
she was the first one to just come out there
and tell it like it was. And she wasn't trying
to do anything different. She was just talking about what
was happening at home, or she'd say, you know, she
(02:49):
was playing those little honky tonks and the girls would
talk about, you know, other women trying to get their man,
and she was just saying it like it was. And
she had that voice that just cut the the radio,
and she was undeniable.
Speaker 3 (03:03):
You know, you mentioned that first song, I'll never forget,
Like I said, she told that story like it was yesterday,
and of course her story coal Miner's Daughter, and I
know that's one that you guys have loved to sing
ever since that came out in her career began, and
just talk about what that song, you know, really has
meant to so many ladies in country music today because
a lot of people can can resonate with that, you know,
growing up in certain areas and rural areas and things
(03:24):
like that, but also being from small towns and just
knowing that hard work and grinding and growing up and
you can pursue your dreams, and that song personified that.
Speaker 5 (03:33):
Yeah.
Speaker 1 (03:33):
Absolutely, I mean, I think the story Coal Miner's Daughter,
you know, it's a rags to richest story in a way,
you know, where she the movie is what comes to
mind when you say coal Miner's Daughter.
Speaker 2 (03:46):
The song.
Speaker 1 (03:46):
I know you're talking about the song, but I think
it's it's definitely talking about hard work and how if
you keep going you can have not things that are
better necessarily because she never left her roots, right, So
it'sn't really the movie was sort of rags to riches,
but she never left that upbringing.
Speaker 2 (04:05):
And you know, even even as she was like towards
the end of her life. That's what she would talk about.
She would talk her.
Speaker 1 (04:12):
Brother, Daddy and her mommy and being back home and
being with them, and.
Speaker 2 (04:18):
She never stopped working hard.
Speaker 1 (04:20):
And I think when I listen to a song, if
I can relate to it in my life, that's what
makes a big difference.
Speaker 2 (04:28):
So that's not an eloquent answer to what you're.
Speaker 1 (04:30):
Saying, but I'm reminded of a story where she was
sitting not long ago with Hank Williams Junior, and they
were sitting in the living room and it was just
the three of us, and they were talking about being
on tour Jerr Lee Lewis and Johnny Cash, and it
was back in the sixties, and jer Y Lewis was
setting the piano on fire and climbing the rafters and
(04:51):
Johnny Cash was shooting the walls out and they were
worried the police were coming, so they all left and
they were running, and I was like, is this for real?
My grandmother that's doing the things from Grain Balls of
Fire and you know, Walk the Line like all these
incredible movies.
Speaker 2 (05:06):
And I asked her, I said.
Speaker 1 (05:08):
How have you stayed so humble being such a rock
and roller like that, Like for some reason I saw
her differently in that moment. I hadn't seen her that way.
You know, I've always seen her as a star. But
she's just my grandmother too. And she said, baby, once
you have hunger pains, you're never this.
Speaker 2 (05:26):
You never forget that.
Speaker 1 (05:27):
And so I think she just always remembered where she
came from, and she wasn't any better than anybody else.
So I know, I said, you can have something better.
What I meant was you just you stay the same.
You work hard, you can provide for your family, really,
but never forgetting where you came from. I mean, she
always says if they didn't have it at the Walmarts,
she didn't need it. So she was never she was
(05:48):
never fancy. We went one time to get out. I
know I'm talking too long, but we went. I was
living with her after my grandfather passed, and she was
never wanted to, like go to the mall and swipe
her credit card. She didn't even really know how to
use the credit card, but I did, so I took
her to the mall and we got a full length
mink coat, and she said that was the ugliest thing
she ever had.
Speaker 2 (06:09):
She never wore it, but she wanted to know that
she could do it.
Speaker 1 (06:12):
Like that was big spending for her. And it's just
still sitting over there in the museum. She hated that thing.
Speaker 3 (06:19):
Hey, shopping with her granddaughter. Nothing like that. Creating memories too,
whether you know how to use a credit card. And
I love the fact that she said they don't have
it at Walmart.
Speaker 4 (06:27):
You don't need it.
Speaker 1 (06:27):
That was I mean, that's what she always said. I
mean she was not about tim. Her dressmaker would make
those beautiful gowns, but otherwise she was in like a
flannel shirt and a little beady baby blaze jeans and
just you know, living it.
Speaker 2 (06:41):
She didn't care about it.
Speaker 3 (06:43):
Hey, let's talk about it. When we played the single
coming out here April fourth, the Taylor Lynn Sings Loretta
Lynn with so many great tribute songs on there too.
I love it with black eyed Peas and blue eyed Babies,
you ain't woman enough and so many great songs there.
It was twenty at twenty one sweet thing with featuring
that Tony Booth was all this.
Speaker 2 (07:02):
Is the best. I just have to say that.
Speaker 1 (07:04):
I don't know if if if you know who that
is or not, but he is incredible. You have got
to hear his voice. He is a silver dad gum fox.
He's amazing. You got to listen to that one.
Speaker 3 (07:18):
That's gonna be well. You know, talk about just the
embodiment of that album. Man, what you remember best from
putting out that body of work.
Speaker 1 (07:24):
Well, we started working on that when me Ma was
still with us, and so she helped me pick out
every song for that album. And she said, Tracy, who
is the who owns the record label? You know, she said, honey, Tracy,
I'll do a good record for you, and you trust Tracy.
So me and my two kids, and I think my
(07:48):
girl Barb was with me. I can't remember, but we
went to Brady, Texas, which is, you know, in the
heart of Texas, and it was during COVID maybe maybe
it was maybe we recorded it in twenty twenty because
everybody else in the world had on masks except the
middle of Texas.
Speaker 2 (08:05):
Honey.
Speaker 1 (08:06):
They was like, we ain't gonna catch nothing. And we
went down there and it was so much fun. What
I loved about it is that they didn't try to
change just the way that the music felt to begin with.
Speaker 2 (08:19):
You know, they didn't.
Speaker 1 (08:20):
We didn't try to like make it cool or whatever,
like we just did. We tried to do what they
did and it's just an amazing experience. And I have, you know,
people like Tony Booth and my aunt Patsy singing on
that record was really just meant everything to me. I
love the people in Texas. I just love Texas. Mem
always said. I think this was after she had already retired,
(08:43):
but she used to call in to the audiences when
I would do a show, and I'd put her the
speaker up to the microphone, and she said something in
Texas one time, like, you know, something like I ain't
done yet.
Speaker 2 (08:56):
I'm gonna come over there and put a quarter and
every jukebox and every honky talk there is.
Speaker 1 (09:00):
And I mean she was eighty nine, I think, during
that time, and she was just still ready to go
back to work.
Speaker 3 (09:08):
She didn't know what it was like not to work.
That's the side of a legend that has carried on
and loves the word. She had tremendous And I talked
to Nancy Jones here on the show about Yeah Loved
Well back last week, and she said that man just
new country music.
Speaker 4 (09:21):
He lived and breathed, that he didn't know the meaning
of not working. He worked till his last day.
Speaker 2 (09:26):
And that's yeah, that's what it was like with them, right.
Speaker 1 (09:30):
I mean, I think it was one of Meml's documentaries
where he was talking about he said, you know, today
artists don't know what it's like because they just climb
on a bus as soon as they get a record deal,
and they they hit the road and they've got tractor
trailer trucks and lights and everything. He said, people don't
understand that back in the day, like we had a base,
(09:50):
an upright base sticking out the window, and you rode
in the back of a car with six people in it,
like she did that for years before she got a bus.
Speaker 4 (10:00):
I love it too, great stories. I tell you what.
Speaker 3 (10:02):
I gotta play this one ticket. It's the first single
off the record, Don't Come Home and Drinking with Loving
on your Mind. It's the tribute album coming out there
Singing Loretta that's going to be released to May thirty.
Gether with some great songs on there too as well.
It's tantle Land. It is the backstage passing empowered by
the Sports Guys podcast dot com out there wherever you
find podcasts. iHeart Radio kyb In ninety eight point one,
in Our Friends kk t C, True Country ninety nine
(10:23):
point nine, and Tarhell World Network dot org k I
s W Country. Here it is Crank, Get up.
Speaker 6 (10:37):
You drop it at bewin up when you came home
last night. You've been out with all the bud and
ended up pant well, look away, love, Just tell Max
leave the ballor me behind.
Speaker 7 (10:54):
Ben.
Speaker 6 (10:55):
Don't come home and drinking. I love it on your man. No,
don't come home and drinking. We loving on your mind.
Just down there on the town, Nancy. What you come
back cause? If you will, thank kind love. Wait, don't
(11:16):
be done, man, can't. Don't come home but drinking.
Speaker 7 (11:21):
We love it on your man.
Speaker 6 (11:37):
You never take me anywhere because you're always gone, vinny,
and that I've been away a grid you all a long?
Then you call me kissing out me you have? Won't
you return and don't come home drinking? We love it
(11:58):
on your man, dood. Don't come drinking. We love it
your man. Just stay up there on the tale, Nancy.
Speaker 7 (12:10):
What you mad? How's it you that Canada? Wait? Don't
name man, Jim.
Speaker 2 (12:19):
Don't come drinking.
Speaker 7 (12:21):
We love it own your man, Dood.
Speaker 6 (12:26):
Don't comelon drinking.
Speaker 7 (12:28):
We love it own your man.
Speaker 5 (12:36):
Hey, yoll, this is Texas country artist Free Bagwell and
you're listening to Brandon on the backstage pass exclusively on
KKTC True Country ninety nine point nine in Tolls, New Mexico.
Speaker 8 (12:48):
The Caiden Gordon Show is a two hour show playing
the best in country music. So check it out at
the Caiden Gordon Show dot Com. Again, that is the
Caden Gordon Show dot Com.
Speaker 9 (13:02):
Heys Ian Flannagan, Nashville recording artists, and now back to
the show with Brandon on the backstage pass exclusively on
KKTC True Country ninety nine point nine.
Speaker 3 (13:13):
And of course more great artists coming up back here
on our great stations out there too KISW Country Tarhell
Worldnetwork dot Org, KKTC True Country ninety nine point nine
and the friends to out there KYBN ninety eight point
one in the Bay Area. Of course, iHeartRadio and wherever
you find podcast. Kicking off this week, Taylor Lane joining
us here at the grand daughter of the late great
Loretta Lynn singing. Loretta comes out our brand new tribute
(13:35):
album May thirtieth, and hey, that single is out across
everything now. I love it because don't don't come Home
and drinking with loving on your mind, and just what
a way to kind of kick off a record that's
going to have a feel another feel, kind of like
the other album you did back there twenty twenty one
we talked about.
Speaker 1 (13:50):
It was the first number one when so I do
a show what my main job is with Conway Tweety's
grands Trey Twitty, and we travel around. We do about
one hundred concerts a year and we sing the hits
of Loretta and the hits of.
Speaker 2 (14:10):
Conway, and then we do some of their duets.
Speaker 1 (14:12):
And when we were putting it together, mem and I
would go over the set list and I'd say, like,
what order do I do all your songs in? There's
just so much to pick from, and she said, oh, honey,
on their honey, you got to just kick it off
if you ain't woman enough to take my man and
roll right into don't come Home and drinking, So you
ain't woman enough as on the last album, Don't Come
(14:33):
Home with drinkings on this one, so it had to
be first and doing that song live, that's the one.
You ain't woman enough, Don't come Home and Drinking and
cole Miner's daughter. That's the one that I see them
singing every word too, So it was just, you know,
it was an easy choice to pick that one.
Speaker 4 (14:49):
I know it was.
Speaker 3 (14:50):
You know, collaborations are becoming more part of the industry now.
You know, for everything Taylor that people are doing. What's
it been like for you? Because I always still pay
a tribute not just the artist here on the show,
but the songwriters too. At the same time, you collaborate
with a bunch of the best, such as Gary Burr
and James House, Leslie Satcher, John Red let me the
list goes on and on. Talk about just what that's
been like to collaborate with some of the greatest of
(15:11):
all time.
Speaker 1 (15:12):
Well, you know, I knew what it was like to
be in the show business part. You know, I started
out on big stages with Memo, so I knew what
that felt like, but I didn't know what songwriting in
Nashville looked like. So you get hooked up with these
writers and if you have a project coming out, and
thank god, you know, for me, moll that got me
(15:33):
in a lot of doors.
Speaker 2 (15:34):
She always says, I can open the doors, but I
can't keep you there.
Speaker 1 (15:36):
So I would get, you know, pretty easily booked with
some of the bigger songwriters, and then when you get
in there, you're in this room and it's like ten
to three or whatever, Okay, write a song.
Speaker 2 (15:48):
And that was like so nerve wracking.
Speaker 1 (15:51):
But when you get in a room with somebody like
Gary Burr or Leslie Satcher or Jeffrey Steele, you know,
these ones that that just built country music songs from you.
Speaker 2 (16:04):
Know, kind of the nineties on.
Speaker 1 (16:07):
They are such artists and so incredible that it really
became one of my favorite things to do, was sit
on music row or at Gary Burr's house or whatever
and just write song after song.
Speaker 2 (16:20):
For years we did it.
Speaker 1 (16:22):
And for the album that Trey and I released this year,
Cooking Up Loving, we were able to write with Mark
Normour and Jeffrey Steel and Scott Baggett, and we wrote
seven of those songs.
Speaker 2 (16:34):
So it was good to get back into the.
Speaker 1 (16:36):
Writing thing while I'm also doing the Llaretta Linns songs,
like to just get back and be able to write
my heart.
Speaker 3 (16:45):
Yeah, I love that too. And I love the fact,
you know, I love to pay tribute to a lot
of our troops here on the show. Because the sacrifices
that men and women make here in this country is
just one of those things can't be explained. You can't
put words too too. You can only thank them for
the sacrifice they've mate. You guys got to tour Kuwait
and of course Iraq and from I think O seven
to twelve I recall correctly, and just performing for those
(17:07):
troops too. Talk about that project. And also I think
it was Paul Whorley who said, Grammy winning producer you
got to work with.
Speaker 1 (17:14):
Oh yeah, okay, So just because the veterans are going
to be the most important part are the troops all
of that, I'll just start with Paul Worley and end
with the big thing. But Paul Worley, who you know,
Martina McBride, Sarah Evans, Lady Annabella and Dixie Chicks.
Speaker 2 (17:30):
I mean, you name it, Paul Worley is all over it.
Speaker 1 (17:33):
And so when we got that record deal with Paul
Worley with Stealing Angels, which is John Wayne's granddaughter Caroline
Hobby and myself, we were like, I mean.
Speaker 2 (17:44):
We couldn't even believe it, Like we were just so shocked.
Speaker 1 (17:46):
And so that was probably my favorite time in all
my life just being with those girls traveling around, and
so they asked us if we wanted to sing for
the troops for I think it was fifteen days, and
we were like, of course.
Speaker 2 (18:04):
We got there.
Speaker 1 (18:06):
We landed in Kuwait and we were supposed to not
They kept going, well, we can't fly to Baghdad because
they're bombing over in Baghdad.
Speaker 2 (18:14):
There was a sandstorm. We had to land in Bagdad.
Speaker 1 (18:17):
And so there was bombing going on, like they had
just hit right where the place was that we were staying,
and the girls were so scared.
Speaker 2 (18:25):
I thought it was so exciting. It was. I was like,
oh my god, I hope something happens while we're here.
The other girls were hiding under the mattress. It was incredible.
But that part was fine.
Speaker 1 (18:35):
But once we got there, it was so eye opening
to see what these.
Speaker 2 (18:40):
Men and women do.
Speaker 1 (18:42):
I mean, they're living like away from everything they know
and love. It's brown everywhere, just you know, sand and
dirt all over, and they literally like back then, you know,
I think they were talking on the computer, but I
mean there wasn't a.
Speaker 2 (18:59):
Lot of like face on face stuff going on. And
we were there.
Speaker 1 (19:01):
I think it was twenty ten, and it was just
you know, I have family members that are in the
military and that serve overseas, and it was I mean,
it just gave such a great appreciation for what not
only the men and women over there give up, but
what their families give up for our country. And it's
just it was I'll never forget that experience. I mean,
just and the people there were so wonderful to us,
(19:25):
and I still have lifelong friends from them. We felt
so protected and grateful and so honored that we were
able to go do that great.
Speaker 3 (19:35):
Feet, no doubt too, and a great tribute to those troops.
I'm glad you got to do that too as well. Hey,
talk to me about just the connection and that grand
ol Opry. I mean, obviously you mentioned Memo had it
there for a long time. There the connection with it
performing in that center circle. We've had so many of
these great artists, these younger artists today make their debut
and stand there and they say it's so surreal and
they're just locked in, you know, amongst the crowd out
there too, and they realize looking backstage, looking at all
(19:57):
the dressing rooms, and of course the difference artifacts that
are around there too. In the history that's there. You've
had a lot of connection with that too, and knowing that,
you know, Grandma was there for so many different performances
and working with so many legends, just a connection to
what the grand Ole Lobrary means.
Speaker 1 (20:11):
To you everything. The grand Ole Otpry is everything to
country music. It is the cornerstone I think of everything
we do in country music. And you know, when I
was younger, and we would go to the Grando Lobry
with me while that was the place where if we
went out on the road and acted crazy, you know
(20:31):
as kids, fine, but if we went to the Grand
Ol Lobrary, we were to not talk, we were to behave.
Speaker 2 (20:40):
We had to treat that place like we were in church.
Speaker 1 (20:43):
And as I got older, I understood why. But on
her ninetieth birthday, I was asked to sing for her
ninetieth birthday there and it was absolutely a shock, and
I cried and I just, you know, laid in bed
with her and just talked about it, and I said,
you know me and while I don't even know what
(21:04):
to say, I don't know what to do.
Speaker 2 (21:06):
And she said, you just tell.
Speaker 1 (21:07):
Them that the grand Old Lopry was the greatest thing
that ever happened to me, and you stand in that
circle and you just soak it up. And then she said,
make sure nobody knows how old I am when you
go for my birthday. That was her main concern was
people not knowing how old she was. And you know,
we lost her that year in October. And so it
(21:29):
was so funny because I was like, yeah, mean weill
no nobody knew it was your ninetieth birthday. It was everywhere,
you know, the red Lands nineteth birthday. I was like, totally,
nobody knows. Don't worry about it. So it was just
I mean, we're going back May thirteenth, and we got
asked to May thirteenth, so we're May thirteenth.
Speaker 2 (21:49):
They're doing.
Speaker 1 (21:51):
So they're celebrating one hundred years this year, which I'm
sure you know, and they're doing mem on May thirteenth,
So going to do that. We're so excited.
Speaker 3 (22:01):
That's gonna be fun. Wish I could be there for
that too. If I was in town, I would definitely
be coming to cover.
Speaker 4 (22:06):
That, no doubt.
Speaker 3 (22:06):
When it comes down to it, Like I said, May thirteenth,
but all these exciting times, hey want to ask you
for we get out of here too as well, fun
things in hobbies and music because music can be so
demanding for artists out there too during the downtime. Obviously
you've got two kids, no doubt. What's it like hobbies
and things like that for fun time went away from music?
Speaker 4 (22:25):
What do you like to do?
Speaker 2 (22:26):
Maybe I ain't got no hobbies. We have a farm.
Speaker 1 (22:30):
We live out on the Loreeland ranch, and like today,
in between interviews, I'm cleaning the house and had to
get a new oven because my cat crashed my oven,
So I'll be doing that, and then I'm going to
make sure that these goats are not pooping all over
the debt, which they are because I'm hosting about sixty
people for Easter, so basically it's go poop and ovens
(22:53):
are my hobbies.
Speaker 4 (22:55):
But we've never had that here on the backstage paths so.
Speaker 1 (23:00):
Country. But if you ain't had you a hell billy
out here before, and I want you to know I'm
professional up Tom. I got my tennis shoes and everything,
and I got two of my girlfriends watching me on
FaceTime so that they can tell me later if I
said anything that I need to delete, because sometimes I
can get a little bit crazy.
Speaker 4 (23:23):
I'm right there as far as cooking goes.
Speaker 3 (23:26):
Uh, what meals do you like to kind of prepare
for holidays and things like that?
Speaker 7 (23:30):
Oh?
Speaker 1 (23:31):
I mean, like you know, it's kind of the same
for Easter and Thanksgiving. I mean we do ham and
fried chicken, and you know, just kind of the mashed potatoes,
green bean casseroles, stuff like that. I mean, I like
to get up and make breakfast. By the time dinner comes,
I'm tired.
Speaker 2 (23:46):
I just want to go to bed. But these kids
be eating all the time, and they're up.
Speaker 1 (23:49):
I hear them.
Speaker 2 (23:51):
I got a boxer walking in kids.
Speaker 3 (23:53):
Let's talk about those? Are the kids there? Still on
the same subject, the nine year old, twelve year old,
both boys. Any musical talents surfacing right now?
Speaker 1 (24:00):
Out of the boys, sure, yeah, they are really musically inclined.
They you know what, somebody talked to me about that
yesterday and an interview. I don't think that I will
get them inside long enough for them to want to
ride on a bus and do music or come.
Speaker 2 (24:22):
In and learn something. They are balls to the wall
outside all the time.
Speaker 3 (24:28):
Well, I'm trying to get mine too, to be outside.
Compared to screen time, because that's just oh, screen time is.
Speaker 1 (24:34):
But listen to I love screen time as well, because
I'm also like, why don't we just go get on
your iPad and watch something inappropriate so that I can
take a nap.
Speaker 2 (24:47):
I'm kidding them, of.
Speaker 4 (24:47):
Course, wholeheartedly agree.
Speaker 3 (24:49):
When it's time to take a nap, you put them
on the iPad and everything too, and it does. I
went to the ball game last night, took her to
an Astros game too for a birthday, and I said,
you know what, you can watch a little bit of it,
so you'd watch like an ing or two? Dad, Can
I have my Yeah, okay, well you watch it inning
or two. I'll give in. Yeah, you can have the
little tablet, which is fine there too, So watch another
inning tablet again, cut it off, cut it back on.
So she got to watch a little bit of both
(25:11):
with the baseball game and the tablet at the same time.
Speaker 2 (25:13):
So she got it. She was outside. Yeah, that's awesome.
Speaker 4 (25:20):
Well I love this.
Speaker 3 (25:20):
The album comes out May thirtieth, Singing Loretta Tribute to
the late great Loretta Lynn and of course out There,
Don't come Home and drinking with Loving on your Mind,
which was the first number one out there too for
the great Loretta Lymb comes out April fourth, and you
can visit more and find out tour dates and all
that good stuff out there.
Speaker 4 (25:36):
Taylor Lynn dot com.
Speaker 3 (25:38):
Hey, I appreciate you being with us and so much
continued success going forward for the Limb family and anything
I can do here on the program to keep pushing
out the music. I would love to thank you so
much for the time and.
Speaker 4 (25:48):
We appreciate you.
Speaker 2 (25:50):
Thank you. Have a great day.
Speaker 4 (25:52):
The great tailor li in here.
Speaker 3 (25:53):
More great music coming up, KISW Country here, Tarheel Worldnetwork
dot org, True Country not nine point nine and our
friends out there to KYBN ninety eight point one. We'll
see you on the flip side. More great episodes coming up.
Keep it tune here to the Backstage Pass. We'll see
you soon. Take care godless.
Speaker 1 (26:10):
Hey all, this is Nashville recording artist Taylor Austin Dye
and you're listening to the Backstage Pass on KKTC True
Country ninety nine point nine. Hey guys, this is Jane
Denham coming to you from Australia and you're listening to
the award nominated Backstage Past podcast exclusively on KKTC True
(26:30):
country ninety nine point nine
Hey, y'all, this is Taylor Lenn and you're listening to
the award nominated Backstage Pass podcast on KKTC.
Speaker 2 (00:07):
True Country ninety nine point nine.
Speaker 1 (00:10):
And KYBN ninety eight point one and on KISW Country
and Tarhillworldnetwork Dot org.
Speaker 3 (00:19):
Ed Welcome inside the backstage past. The month of April
is upon us two and that's more shows and staying
busy here on the backstage past KISW Country and tar
Hill World Network dot org out there to catch show
streaming at Oklahoma. And of course they're friends KYB A
ninety eight point one in the Bay Area and out
there KKTC True Country ninety nine point nine, iHeartRadio. We're
(00:41):
everywhere you can now find podcasts out there, and of
course some great guests coming up over the next few weeks,
the Cadi Bass, Ray Filcher, and a whole host of others.
Speaker 4 (00:49):
As we count down.
Speaker 3 (00:50):
Here and almost crazy to say we're first the first
quarter is now over for the year twenty twenty five.
Brandon Merl here and please to welcome in Country Music Royalty.
Like to say that here on the show because we've
had a few of them here, the great Taylor Linn
to the broadcast. Here we're talking about some music and
paying tribute to our grandmother, Luretta Lynn Taylor.
Speaker 2 (01:09):
How you doing, I'm good, how are you?
Speaker 4 (01:11):
It's good to have you and you're right. That is
a mouthful when you do all those stations.
Speaker 2 (01:15):
Well, I was like, is that K I sw Is
that an L?
Speaker 1 (01:19):
You know, because the uppercase I also looks like it
could be a lowercase L.
Speaker 2 (01:24):
And then tar Hill Country saying tar Heel World, Gus
Hard World, Network Hill Phillies. You can't hardly do it.
Speaker 3 (01:33):
Hey, let's talk about this a great song and of
course your career. I mean again, no strangers to music
mentioned there again. Grandmother, the great Loretta Lynn to one
of the greatest female country singers of all time. So
for you, let's start here before we get into the
songs and everything, and that the album coming out in
May thirtieth called Singing Loretta. Uh, it just seems like
this came natural. There was really no plan B to
have this career.
Speaker 2 (01:52):
Right, absolutely, yeah.
Speaker 1 (01:54):
I Mean my grandmother always let me come out on
stage with her, and she was so sweet about it,
and I always loved it and just wanted to be
just like her. So I was all in from like three.
Speaker 3 (02:09):
Let's talk about what just she embodied for country music too,
because not just the songs of the presence on stage,
but just one of those recognizable voices that you heard
on radio and of course attached to the Grand Ol Library,
but just what she meant in her spirits to country music,
which continues to live on today with so many of
these young artists.
Speaker 1 (02:27):
Yeah, I mean, I think she was the first, the
first truth teller, really, you know. I think that's she
always said, you got to be first, better, or different,
and I feel like she was all three of those things.
But from a branding standpoint, you know, I think that
she was the first one to just come out there
and tell it like it was. And she wasn't trying
to do anything different. She was just talking about what
was happening at home, or she'd say, you know, she
(02:49):
was playing those little honky tonks and the girls would
talk about, you know, other women trying to get their man,
and she was just saying it like it was. And
she had that voice that just cut the the radio,
and she was undeniable.
Speaker 3 (03:03):
You know, you mentioned that first song, I'll never forget,
Like I said, she told that story like it was yesterday,
and of course her story coal Miner's Daughter, and I
know that's one that you guys have loved to sing
ever since that came out in her career began, and
just talk about what that song, you know, really has
meant to so many ladies in country music today because
a lot of people can can resonate with that, you know,
growing up in certain areas and rural areas and things
(03:24):
like that, but also being from small towns and just
knowing that hard work and grinding and growing up and
you can pursue your dreams, and that song personified that.
Speaker 5 (03:33):
Yeah.
Speaker 1 (03:33):
Absolutely, I mean, I think the story Coal Miner's Daughter,
you know, it's a rags to richest story in a way,
you know, where she the movie is what comes to
mind when you say coal Miner's Daughter.
Speaker 2 (03:46):
The song.
Speaker 1 (03:46):
I know you're talking about the song, but I think
it's it's definitely talking about hard work and how if
you keep going you can have not things that are
better necessarily because she never left her roots, right, So
it'sn't really the movie was sort of rags to riches,
but she never left that upbringing.
Speaker 2 (04:05):
And you know, even even as she was like towards
the end of her life. That's what she would talk about.
She would talk her.
Speaker 1 (04:12):
Brother, Daddy and her mommy and being back home and
being with them, and.
Speaker 2 (04:18):
She never stopped working hard.
Speaker 1 (04:20):
And I think when I listen to a song, if
I can relate to it in my life, that's what
makes a big difference.
Speaker 2 (04:28):
So that's not an eloquent answer to what you're.
Speaker 1 (04:30):
Saying, but I'm reminded of a story where she was
sitting not long ago with Hank Williams Junior, and they
were sitting in the living room and it was just
the three of us, and they were talking about being
on tour Jerr Lee Lewis and Johnny Cash, and it
was back in the sixties, and jer Y Lewis was
setting the piano on fire and climbing the rafters and
(04:51):
Johnny Cash was shooting the walls out and they were
worried the police were coming, so they all left and
they were running, and I was like, is this for real?
My grandmother that's doing the things from Grain Balls of
Fire and you know, Walk the Line like all these
incredible movies.
Speaker 2 (05:06):
And I asked her, I said.
Speaker 1 (05:08):
How have you stayed so humble being such a rock
and roller like that, Like for some reason I saw
her differently in that moment. I hadn't seen her that way.
You know, I've always seen her as a star. But
she's just my grandmother too. And she said, baby, once
you have hunger pains, you're never this.
Speaker 2 (05:26):
You never forget that.
Speaker 1 (05:27):
And so I think she just always remembered where she
came from, and she wasn't any better than anybody else.
So I know, I said, you can have something better.
What I meant was you just you stay the same.
You work hard, you can provide for your family, really,
but never forgetting where you came from. I mean, she
always says if they didn't have it at the Walmarts,
she didn't need it. So she was never she was
(05:48):
never fancy. We went one time to get out. I
know I'm talking too long, but we went. I was
living with her after my grandfather passed, and she was
never wanted to, like go to the mall and swipe
her credit card. She didn't even really know how to
use the credit card, but I did, so I took
her to the mall and we got a full length
mink coat, and she said that was the ugliest thing
she ever had.
Speaker 2 (06:09):
She never wore it, but she wanted to know that
she could do it.
Speaker 1 (06:12):
Like that was big spending for her. And it's just
still sitting over there in the museum. She hated that thing.
Speaker 3 (06:19):
Hey, shopping with her granddaughter. Nothing like that. Creating memories too,
whether you know how to use a credit card. And
I love the fact that she said they don't have
it at Walmart.
Speaker 4 (06:27):
You don't need it.
Speaker 1 (06:27):
That was I mean, that's what she always said. I
mean she was not about tim. Her dressmaker would make
those beautiful gowns, but otherwise she was in like a
flannel shirt and a little beady baby blaze jeans and
just you know, living it.
Speaker 2 (06:41):
She didn't care about it.
Speaker 3 (06:43):
Hey, let's talk about it. When we played the single
coming out here April fourth, the Taylor Lynn Sings Loretta
Lynn with so many great tribute songs on there too.
I love it with black eyed Peas and blue eyed Babies,
you ain't woman enough and so many great songs there.
It was twenty at twenty one sweet thing with featuring
that Tony Booth was all this.
Speaker 2 (07:02):
Is the best. I just have to say that.
Speaker 1 (07:04):
I don't know if if if you know who that
is or not, but he is incredible. You have got
to hear his voice. He is a silver dad gum fox.
He's amazing. You got to listen to that one.
Speaker 3 (07:18):
That's gonna be well. You know, talk about just the
embodiment of that album. Man, what you remember best from
putting out that body of work.
Speaker 1 (07:24):
Well, we started working on that when me Ma was
still with us, and so she helped me pick out
every song for that album. And she said, Tracy, who
is the who owns the record label? You know, she said, honey, Tracy,
I'll do a good record for you, and you trust Tracy.
So me and my two kids, and I think my
(07:48):
girl Barb was with me. I can't remember, but we
went to Brady, Texas, which is, you know, in the
heart of Texas, and it was during COVID maybe maybe
it was maybe we recorded it in twenty twenty because
everybody else in the world had on masks except the
middle of Texas.
Speaker 2 (08:05):
Honey.
Speaker 1 (08:06):
They was like, we ain't gonna catch nothing. And we
went down there and it was so much fun. What
I loved about it is that they didn't try to
change just the way that the music felt to begin with.
Speaker 2 (08:19):
You know, they didn't.
Speaker 1 (08:20):
We didn't try to like make it cool or whatever,
like we just did. We tried to do what they
did and it's just an amazing experience. And I have, you know,
people like Tony Booth and my aunt Patsy singing on
that record was really just meant everything to me. I
love the people in Texas. I just love Texas. Mem
always said. I think this was after she had already retired,
(08:43):
but she used to call in to the audiences when
I would do a show, and I'd put her the
speaker up to the microphone, and she said something in
Texas one time, like, you know, something like I ain't
done yet.
Speaker 2 (08:56):
I'm gonna come over there and put a quarter and
every jukebox and every honky talk there is.
Speaker 1 (09:00):
And I mean she was eighty nine, I think, during
that time, and she was just still ready to go
back to work.
Speaker 3 (09:08):
She didn't know what it was like not to work.
That's the side of a legend that has carried on
and loves the word. She had tremendous And I talked
to Nancy Jones here on the show about Yeah Loved
Well back last week, and she said that man just
new country music.
Speaker 4 (09:21):
He lived and breathed, that he didn't know the meaning
of not working. He worked till his last day.
Speaker 2 (09:26):
And that's yeah, that's what it was like with them, right.
Speaker 1 (09:30):
I mean, I think it was one of Meml's documentaries
where he was talking about he said, you know, today
artists don't know what it's like because they just climb
on a bus as soon as they get a record deal,
and they they hit the road and they've got tractor
trailer trucks and lights and everything. He said, people don't
understand that back in the day, like we had a base,
(09:50):
an upright base sticking out the window, and you rode
in the back of a car with six people in it,
like she did that for years before she got a bus.
Speaker 4 (10:00):
I love it too, great stories. I tell you what.
Speaker 3 (10:02):
I gotta play this one ticket. It's the first single
off the record, Don't Come Home and Drinking with Loving
on your Mind. It's the tribute album coming out there
Singing Loretta that's going to be released to May thirty.
Gether with some great songs on there too as well.
It's tantle Land. It is the backstage passing empowered by
the Sports Guys podcast dot com out there wherever you
find podcasts. iHeart Radio kyb In ninety eight point one,
in Our Friends kk t C, True Country ninety nine
(10:23):
point nine, and Tarhell World Network dot org k I
s W Country. Here it is Crank, Get up.
Speaker 6 (10:37):
You drop it at bewin up when you came home
last night. You've been out with all the bud and
ended up pant well, look away, love, Just tell Max
leave the ballor me behind.
Speaker 7 (10:54):
Ben.
Speaker 6 (10:55):
Don't come home and drinking. I love it on your man. No,
don't come home and drinking. We loving on your mind.
Just down there on the town, Nancy. What you come
back cause? If you will, thank kind love. Wait, don't
(11:16):
be done, man, can't. Don't come home but drinking.
Speaker 7 (11:21):
We love it on your man.
Speaker 6 (11:37):
You never take me anywhere because you're always gone, vinny,
and that I've been away a grid you all a long?
Then you call me kissing out me you have? Won't
you return and don't come home drinking? We love it
(11:58):
on your man, dood. Don't come drinking. We love it
your man. Just stay up there on the tale, Nancy.
Speaker 7 (12:10):
What you mad? How's it you that Canada? Wait? Don't
name man, Jim.
Speaker 2 (12:19):
Don't come drinking.
Speaker 7 (12:21):
We love it own your man, Dood.
Speaker 6 (12:26):
Don't comelon drinking.
Speaker 7 (12:28):
We love it own your man.
Speaker 5 (12:36):
Hey, yoll, this is Texas country artist Free Bagwell and
you're listening to Brandon on the backstage pass exclusively on
KKTC True Country ninety nine point nine in Tolls, New Mexico.
Speaker 8 (12:48):
The Caiden Gordon Show is a two hour show playing
the best in country music. So check it out at
the Caiden Gordon Show dot Com. Again, that is the
Caden Gordon Show dot Com.
Speaker 9 (13:02):
Heys Ian Flannagan, Nashville recording artists, and now back to
the show with Brandon on the backstage pass exclusively on
KKTC True Country ninety nine point nine.
Speaker 3 (13:13):
And of course more great artists coming up back here
on our great stations out there too KISW Country Tarhell
Worldnetwork dot Org, KKTC True Country ninety nine point nine
and the friends to out there KYBN ninety eight point
one in the Bay Area. Of course, iHeartRadio and wherever
you find podcast. Kicking off this week, Taylor Lane joining
us here at the grand daughter of the late great
Loretta Lynn singing. Loretta comes out our brand new tribute
(13:35):
album May thirtieth, and hey, that single is out across
everything now. I love it because don't don't come Home
and drinking with loving on your mind, and just what
a way to kind of kick off a record that's
going to have a feel another feel, kind of like
the other album you did back there twenty twenty one
we talked about.
Speaker 1 (13:50):
It was the first number one when so I do
a show what my main job is with Conway Tweety's
grands Trey Twitty, and we travel around. We do about
one hundred concerts a year and we sing the hits
of Loretta and the hits of.
Speaker 2 (14:10):
Conway, and then we do some of their duets.
Speaker 1 (14:12):
And when we were putting it together, mem and I
would go over the set list and I'd say, like,
what order do I do all your songs in? There's
just so much to pick from, and she said, oh, honey,
on their honey, you got to just kick it off
if you ain't woman enough to take my man and
roll right into don't come Home and drinking, So you
ain't woman enough as on the last album, Don't Come
(14:33):
Home with drinkings on this one, so it had to
be first and doing that song live, that's the one.
You ain't woman enough, Don't come Home and Drinking and
cole Miner's daughter. That's the one that I see them
singing every word too, So it was just, you know,
it was an easy choice to pick that one.
Speaker 4 (14:49):
I know it was.
Speaker 3 (14:50):
You know, collaborations are becoming more part of the industry now.
You know, for everything Taylor that people are doing. What's
it been like for you? Because I always still pay
a tribute not just the artist here on the show,
but the songwriters too. At the same time, you collaborate
with a bunch of the best, such as Gary Burr
and James House, Leslie Satcher, John Red let me the
list goes on and on. Talk about just what that's
been like to collaborate with some of the greatest of
(15:11):
all time.
Speaker 1 (15:12):
Well, you know, I knew what it was like to
be in the show business part. You know, I started
out on big stages with Memo, so I knew what
that felt like, but I didn't know what songwriting in
Nashville looked like. So you get hooked up with these
writers and if you have a project coming out, and
thank god, you know, for me, moll that got me
(15:33):
in a lot of doors.
Speaker 2 (15:34):
She always says, I can open the doors, but I
can't keep you there.
Speaker 1 (15:36):
So I would get, you know, pretty easily booked with
some of the bigger songwriters, and then when you get
in there, you're in this room and it's like ten
to three or whatever, Okay, write a song.
Speaker 2 (15:48):
And that was like so nerve wracking.
Speaker 1 (15:51):
But when you get in a room with somebody like
Gary Burr or Leslie Satcher or Jeffrey Steele, you know,
these ones that that just built country music songs from you.
Speaker 2 (16:04):
Know, kind of the nineties on.
Speaker 1 (16:07):
They are such artists and so incredible that it really
became one of my favorite things to do, was sit
on music row or at Gary Burr's house or whatever
and just write song after song.
Speaker 2 (16:20):
For years we did it.
Speaker 1 (16:22):
And for the album that Trey and I released this year,
Cooking Up Loving, we were able to write with Mark
Normour and Jeffrey Steel and Scott Baggett, and we wrote
seven of those songs.
Speaker 2 (16:34):
So it was good to get back into the.
Speaker 1 (16:36):
Writing thing while I'm also doing the Llaretta Linns songs,
like to just get back and be able to write
my heart.
Speaker 3 (16:45):
Yeah, I love that too. And I love the fact,
you know, I love to pay tribute to a lot
of our troops here on the show. Because the sacrifices
that men and women make here in this country is
just one of those things can't be explained. You can't
put words too too. You can only thank them for
the sacrifice they've mate. You guys got to tour Kuwait
and of course Iraq and from I think O seven
to twelve I recall correctly, and just performing for those
(17:07):
troops too. Talk about that project. And also I think
it was Paul Whorley who said, Grammy winning producer you
got to work with.
Speaker 1 (17:14):
Oh yeah, okay, So just because the veterans are going
to be the most important part are the troops all
of that, I'll just start with Paul Worley and end
with the big thing. But Paul Worley, who you know,
Martina McBride, Sarah Evans, Lady Annabella and Dixie Chicks.
Speaker 2 (17:30):
I mean, you name it, Paul Worley is all over it.
Speaker 1 (17:33):
And so when we got that record deal with Paul
Worley with Stealing Angels, which is John Wayne's granddaughter Caroline
Hobby and myself, we were like, I mean.
Speaker 2 (17:44):
We couldn't even believe it, Like we were just so shocked.
Speaker 1 (17:46):
And so that was probably my favorite time in all
my life just being with those girls traveling around, and
so they asked us if we wanted to sing for
the troops for I think it was fifteen days, and
we were like, of course.
Speaker 2 (18:04):
We got there.
Speaker 1 (18:06):
We landed in Kuwait and we were supposed to not
They kept going, well, we can't fly to Baghdad because
they're bombing over in Baghdad.
Speaker 2 (18:14):
There was a sandstorm. We had to land in Bagdad.
Speaker 1 (18:17):
And so there was bombing going on, like they had
just hit right where the place was that we were staying,
and the girls were so scared.
Speaker 2 (18:25):
I thought it was so exciting. It was. I was like,
oh my god, I hope something happens while we're here.
The other girls were hiding under the mattress. It was incredible.
But that part was fine.
Speaker 1 (18:35):
But once we got there, it was so eye opening
to see what these.
Speaker 2 (18:40):
Men and women do.
Speaker 1 (18:42):
I mean, they're living like away from everything they know
and love. It's brown everywhere, just you know, sand and
dirt all over, and they literally like back then, you know,
I think they were talking on the computer, but I
mean there wasn't a.
Speaker 2 (18:59):
Lot of like face on face stuff going on. And
we were there.
Speaker 1 (19:01):
I think it was twenty ten, and it was just
you know, I have family members that are in the
military and that serve overseas, and it was I mean,
it just gave such a great appreciation for what not
only the men and women over there give up, but
what their families give up for our country. And it's
just it was I'll never forget that experience. I mean,
just and the people there were so wonderful to us,
(19:25):
and I still have lifelong friends from them. We felt
so protected and grateful and so honored that we were
able to go do that great.
Speaker 3 (19:35):
Feet, no doubt too, and a great tribute to those troops.
I'm glad you got to do that too as well. Hey,
talk to me about just the connection and that grand
ol Opry. I mean, obviously you mentioned Memo had it
there for a long time. There the connection with it
performing in that center circle. We've had so many of
these great artists, these younger artists today make their debut
and stand there and they say it's so surreal and
they're just locked in, you know, amongst the crowd out
there too, and they realize looking backstage, looking at all
(19:57):
the dressing rooms, and of course the difference artifacts that
are around there too. In the history that's there. You've
had a lot of connection with that too, and knowing that,
you know, Grandma was there for so many different performances
and working with so many legends, just a connection to
what the grand Ole Lobrary means.
Speaker 1 (20:11):
To you everything. The grand Ole Otpry is everything to
country music. It is the cornerstone I think of everything
we do in country music. And you know, when I
was younger, and we would go to the Grando Lobry
with me while that was the place where if we
went out on the road and acted crazy, you know
(20:31):
as kids, fine, but if we went to the Grand
Ol Lobrary, we were to not talk, we were to behave.
Speaker 2 (20:40):
We had to treat that place like we were in church.
Speaker 1 (20:43):
And as I got older, I understood why. But on
her ninetieth birthday, I was asked to sing for her
ninetieth birthday there and it was absolutely a shock, and
I cried and I just, you know, laid in bed
with her and just talked about it, and I said,
you know me and while I don't even know what
(21:04):
to say, I don't know what to do.
Speaker 2 (21:06):
And she said, you just tell.
Speaker 1 (21:07):
Them that the grand Old Lopry was the greatest thing
that ever happened to me, and you stand in that
circle and you just soak it up. And then she said,
make sure nobody knows how old I am when you
go for my birthday. That was her main concern was
people not knowing how old she was. And you know,
we lost her that year in October. And so it
(21:29):
was so funny because I was like, yeah, mean weill
no nobody knew it was your ninetieth birthday. It was everywhere,
you know, the red Lands nineteth birthday. I was like, totally,
nobody knows. Don't worry about it. So it was just
I mean, we're going back May thirteenth, and we got
asked to May thirteenth, so we're May thirteenth.
Speaker 2 (21:49):
They're doing.
Speaker 1 (21:51):
So they're celebrating one hundred years this year, which I'm
sure you know, and they're doing mem on May thirteenth,
So going to do that. We're so excited.
Speaker 3 (22:01):
That's gonna be fun. Wish I could be there for
that too. If I was in town, I would definitely
be coming to cover.
Speaker 4 (22:06):
That, no doubt.
Speaker 3 (22:06):
When it comes down to it, Like I said, May thirteenth,
but all these exciting times, hey want to ask you
for we get out of here too as well, fun
things in hobbies and music because music can be so
demanding for artists out there too during the downtime. Obviously
you've got two kids, no doubt. What's it like hobbies
and things like that for fun time went away from music?
Speaker 4 (22:25):
What do you like to do?
Speaker 2 (22:26):
Maybe I ain't got no hobbies. We have a farm.
Speaker 1 (22:30):
We live out on the Loreeland ranch, and like today,
in between interviews, I'm cleaning the house and had to
get a new oven because my cat crashed my oven,
So I'll be doing that, and then I'm going to
make sure that these goats are not pooping all over
the debt, which they are because I'm hosting about sixty
people for Easter, so basically it's go poop and ovens
(22:53):
are my hobbies.
Speaker 4 (22:55):
But we've never had that here on the backstage paths so.
Speaker 1 (23:00):
Country. But if you ain't had you a hell billy
out here before, and I want you to know I'm
professional up Tom. I got my tennis shoes and everything,
and I got two of my girlfriends watching me on
FaceTime so that they can tell me later if I
said anything that I need to delete, because sometimes I
can get a little bit crazy.
Speaker 4 (23:23):
I'm right there as far as cooking goes.
Speaker 3 (23:26):
Uh, what meals do you like to kind of prepare
for holidays and things like that?
Speaker 7 (23:30):
Oh?
Speaker 1 (23:31):
I mean, like you know, it's kind of the same
for Easter and Thanksgiving. I mean we do ham and
fried chicken, and you know, just kind of the mashed potatoes,
green bean casseroles, stuff like that. I mean, I like
to get up and make breakfast. By the time dinner comes,
I'm tired.
Speaker 2 (23:46):
I just want to go to bed. But these kids
be eating all the time, and they're up.
Speaker 1 (23:49):
I hear them.
Speaker 2 (23:51):
I got a boxer walking in kids.
Speaker 3 (23:53):
Let's talk about those? Are the kids there? Still on
the same subject, the nine year old, twelve year old,
both boys. Any musical talents surfacing right now?
Speaker 1 (24:00):
Out of the boys, sure, yeah, they are really musically inclined.
They you know what, somebody talked to me about that
yesterday and an interview. I don't think that I will
get them inside long enough for them to want to
ride on a bus and do music or come.
Speaker 2 (24:22):
In and learn something. They are balls to the wall
outside all the time.
Speaker 3 (24:28):
Well, I'm trying to get mine too, to be outside.
Compared to screen time, because that's just oh, screen time is.
Speaker 1 (24:34):
But listen to I love screen time as well, because
I'm also like, why don't we just go get on
your iPad and watch something inappropriate so that I can
take a nap.
Speaker 2 (24:47):
I'm kidding them, of.
Speaker 4 (24:47):
Course, wholeheartedly agree.
Speaker 3 (24:49):
When it's time to take a nap, you put them
on the iPad and everything too, and it does. I
went to the ball game last night, took her to
an Astros game too for a birthday, and I said,
you know what, you can watch a little bit of it,
so you'd watch like an ing or two? Dad, Can
I have my Yeah, okay, well you watch it inning
or two. I'll give in. Yeah, you can have the
little tablet, which is fine there too, So watch another
inning tablet again, cut it off, cut it back on.
So she got to watch a little bit of both
(25:11):
with the baseball game and the tablet at the same time.
Speaker 2 (25:13):
So she got it. She was outside. Yeah, that's awesome.
Speaker 4 (25:20):
Well I love this.
Speaker 3 (25:20):
The album comes out May thirtieth, Singing Loretta Tribute to
the late great Loretta Lynn and of course out There,
Don't come Home and drinking with Loving on your Mind,
which was the first number one out there too for
the great Loretta Lymb comes out April fourth, and you
can visit more and find out tour dates and all
that good stuff out there.
Speaker 4 (25:36):
Taylor Lynn dot com.
Speaker 3 (25:38):
Hey, I appreciate you being with us and so much
continued success going forward for the Limb family and anything
I can do here on the program to keep pushing
out the music. I would love to thank you so
much for the time and.
Speaker 4 (25:48):
We appreciate you.
Speaker 2 (25:50):
Thank you. Have a great day.
Speaker 4 (25:52):
The great tailor li in here.
Speaker 3 (25:53):
More great music coming up, KISW Country here, Tarheel Worldnetwork
dot org, True Country not nine point nine and our
friends out there to KYBN ninety eight point one. We'll
see you on the flip side. More great episodes coming up.
Keep it tune here to the Backstage Pass. We'll see
you soon. Take care godless.
Speaker 1 (26:10):
Hey all, this is Nashville recording artist Taylor Austin Dye
and you're listening to the Backstage Pass on KKTC True
Country ninety nine point nine. Hey guys, this is Jane
Denham coming to you from Australia and you're listening to
the award nominated Backstage Past podcast exclusively on KKTC True
(26:30):
country ninety nine point nine
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