Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
M flamer. This video, like all videos seature on the channel,
is definitely intended for a turel auience. This videos least
sample fling language contain is appropriate for video.
Speaker 2 (00:06):
It's not for kids.
Speaker 3 (00:25):
Again again, I'm sorry, we're off the chain already.
Speaker 1 (01:12):
You don't ship happen with.
Speaker 3 (01:14):
The Doctor Green Dumb Show Live on Twitch, Discord, YouTube
x and the home site www dot real dot tv.
Speaker 1 (01:21):
What it be like to my right, I got mister
Goodlight d J C minus up in here. Happiest Friday
to you all.
Speaker 3 (01:28):
Yeah, man, we have the iconic one Eric Big Drum
Bobo in the buildings. We have the Treehouse Crew up
in here, both in Blombo Brah Bron the Dominator. We
have the concentrate Kick Cali Bla, and we also have
our very.
Speaker 4 (01:48):
Special guest, the legendary Rapping Bote up in here.
Speaker 3 (01:52):
Yeah, as y'all say, up there, Ye, how you been man, blessed?
It's good. It's good to see you up in here.
Speaker 1 (02:03):
Man.
Speaker 3 (02:03):
We've been hoping to get you up in here for
a long time now. And we you know, we've gone
back and forth on you know, the Twitter and and
and uh and I G for songs and stuff like that,
So it was just a matter of time before you
came up in here.
Speaker 5 (02:18):
Man.
Speaker 3 (02:18):
It's good to have you up in here, right o.
Man uh, I want to stay off top. Thank you
for the invitation for being on that joint.
Speaker 1 (02:30):
That you sent.
Speaker 3 (02:32):
It was pretty tight and I don't know if you're
ever gonna use it, but if you do, it's banging
like there's a there's a track that he said over
that had Talib Kali on it. I don't know if
you remember that, and Talib spit a hot one on there,
and I was like, okay, I got to hear him
go first. So I was like, yeah, I'll squeeze off
(02:57):
on this one, as Psycho Les would say.
Speaker 1 (03:00):
And it's a dope joint. Man.
Speaker 3 (03:02):
Hopefully one day y'all get to hear it. But you've
been doing a lot of work as of late, right.
Speaker 5 (03:06):
Yeah, I've been working on you know, working on a
documentary right now, How the Life is a player It's playstone,
you know, coming up in the Bay Area and from
down to then and to now, you know what I mean?
Speaker 1 (03:18):
How long you've been working on the dock now, I've.
Speaker 5 (03:20):
Been working on the floor. Me and Lisa list A
year now.
Speaker 1 (03:25):
Yeah, long overdue, right.
Speaker 3 (03:27):
I think it's it's great that you see a lot
of these hip hop docs coming out about artists and
their movement and how it sparked and and all the
others it influenced, right, you know what I mean, Because
that's important because these days, you know, you've got all
these youngsters that don't necessarily do their student of the
game type of shit the way our generation did exactly.
(03:49):
We had a homie up here yesterday that is totally
about that, you know what I mean. But like it's
far and few between seeing these young cats. So when
documentaries like yours comes through, it helps, you know, young
artists with the understanding of how your spark started exactly,
you know what I mean.
Speaker 1 (04:07):
And I think that's everything.
Speaker 5 (04:08):
Yeah, that's everything. That's what it's all about, you know,
you know the trials and tribulations, dot in the eyes
and crossing the t's and just you know learning the game. Basically,
you know, technology done took over so much.
Speaker 3 (04:18):
Is like wow, yeah, I'll say this though, it makes
it easier for us now to like actually tell those
stories because like even if we wanted to do it independently,
like let's just say you don't have a film company
like investing and telling the story.
Speaker 1 (04:34):
You could utilize resources.
Speaker 3 (04:36):
Right now as it stands with all this technology where
you can get it off and then like sell it
to somebody later or put it put it out independently,
right And I think that's the great part of it.
Who were some of your influences coming up like that?
Like that sparked you into like getting into the into
the rap shit.
Speaker 5 (04:56):
One of my main influences my brother too Short No
Todd Shaw. Yeah, he put me on with the Dangerous crew.
Just old school individuals, like I want to say, Teddy
Pendergrass Stylistics and all the smooth mother all the smooth motherfuckers,
(05:21):
you know what I'm saying. In the game.
Speaker 3 (05:22):
Yeah, I could see that because it's crazy because like
if you if you listen to to the rap shit
at that time, coming from the band, coming from La
it was two different sort of vibes. Obviously, one was
more hardcore, aggressive and one was more smooth and laid back,
you know what I mean. And I could I could
(05:43):
totally see that in terms of the in terms of
the influences and ship exactly.
Speaker 6 (05:48):
Yeah, why why do you think that was that it
was like the smooth route you know that that was
coming up from the Bay.
Speaker 7 (05:56):
Well, I don't know.
Speaker 5 (05:58):
I guess it was just being you know, lay back,
old school me and myself speaking for myself, you know,
listening to old school you know music and et cetera.
You know, it's a line I shows laid back, kickback
playeristic type instead of you know, shooting up bang bang,
which is part of the game, but no more kickback,
smooth type.
Speaker 1 (06:17):
Of you know.
Speaker 6 (06:19):
Yeah, if you're listening to the stylistics and Blue Magic
and all the moji's like you.
Speaker 3 (06:24):
Know, well, he definitely made a point in the sense
that like here in the South, we were like doing
a lot of the gangster rap shit right with n
w A Conks, Most Wanted and everything that came you
know down that line, iced team being one of the
pioneers and all that. But in the Bay it was
(06:46):
more like pimpish Yeah, you know what I'm saying. It
was more like the pimpish hustler type ship as opposed
to the gang bang right type of ship. And that
I thought to me, that's what made California get so unique,
that you had like both sides of it. That do
you know this hip hop shit, but like do it
in its different form. Yeah, and it's appreciated on both sides.
(07:08):
Like there's motherfuckers that were in the Bay that appreciated this,
this hardcore gangster ship that LA was putting down, and
there was cats out here like us that were fucking
with what was going on in the Bay.
Speaker 1 (07:21):
Yeah, you know what I mean, It's just that that
California vibration.
Speaker 5 (07:26):
But that gangster gumbo, La, That's what I mean.
Speaker 8 (07:29):
Yeah, because when you first when we first heard like
Players Club and I'll be around like you, it was
at that time the Bay was having an explosion of
like cats coming out because it was yourself, it was uh,
it was the Loonies, it was e forty and the
Click you know Paris.
Speaker 1 (07:45):
You know, like it was drew down downs on them,
I fair back of the year.
Speaker 2 (07:50):
Uh.
Speaker 8 (07:51):
And so like it was really dope because at that time,
you know, we had, like you said, you know, more
of the gangster ship, but like California as a whole
had two of the dope and like hip hop scenes
from the north to the south right, you know, and
that was it was always dope, you know what I mean.
Speaker 5 (08:07):
At NW A two's dope too, as well as well
as Cyprus, what I mean, all of it.
Speaker 3 (08:13):
Yeah, I remember when your joint came out. Man, that
ship was one of the most ice cold you know
what I'm saying. It's just it had that funk, It
had that smoothness and then this you know, the story
in itself, you know what I'm saying. It was like
true Bay Area ship, I mean, and you could tell
when shit came out, like kind of where it was from.
(08:35):
Like you know, it had a California thing, but you
could tell which where it was coming from when it
came out. You can, in other words, you could tell
the LA group from a Bay Area group all day.
You could say, here's here's this group from California and
you might have a perception of what it might sound like,
but it will surprise you that it's completely different.
Speaker 2 (08:57):
Yeah.
Speaker 1 (08:58):
And the lingo and the whole thing. Yeah, the lingo.
Speaker 7 (09:02):
Yeah, well we've talked about this before though. Cypress was
a West Coast but they had a very East Coast sound,
so like to the East Coast. We had no fucking
clue they were from the West Coast until months after,
you know, especially with the videos everything, like we just
thought there was New York for real.
Speaker 1 (09:19):
It was a little bit different, I could say this though.
Speaker 3 (09:22):
You know, we got to film a video in the
Bay at the DNA DNA Lounge that was insane in
the Brain video, which is you know, arguably our biggest joint.
And you know, we got to touch toes in the
Bay area with the video, so we always got a
connection to the Bay based off of that song, you
(09:43):
know what I'm saying. And in New York it's kill
a Man Times Square, Harlem, And and where's the Cube
at the Black Cube Aster? Is it Astor's place? Somewhere
around the Astor place? Yeah, around there, and obviously here
at home and in Mexico City. Ship Mexico City, we
(10:07):
got you know, we got to do videos and places
that we were very much connected to, which was cool. Well,
we filmed the Sunrise. I don't know where the fun
we were at. We're in somewhere.
Speaker 6 (10:19):
Between tour and then we did some stuff. I think
it was in Griffith Park or something like that. Was
it Griffith Park, Yeah, I think it was hard. I
think it was Griffith Park. Bobo. I think we was
on the road somewhere. No, No, we did the road stuff,
but then there was a scene that we were in
the forest kind of thing.
Speaker 1 (10:36):
It's possible. I don't know.
Speaker 3 (10:37):
Yeah, speaking of shows, you're you're performing summer nights in
La Plaza, that.
Speaker 1 (10:46):
The culture's culture and arts.
Speaker 5 (10:48):
That it's gonna be nice tomorrow, matter of.
Speaker 1 (10:52):
Fact, Saturday night tomorrow. Oh man, it's gonna be dope.
Speaker 3 (10:55):
Yeah, man, I know motherfuckers are excited to see play right,
right right, Come come get down with the sound, Come get.
Speaker 5 (11:04):
Down with you know, get dubbed dub Come on over
to the Playoffs club. We're gonna do our thing.
Speaker 1 (11:10):
How much? How much?
Speaker 3 (11:12):
How much do you like touring and doing shows in
comparison to like doing the studio work, because some some
some like recording in the studio and they kind of
dig doing the tour, but they're more comfortable in the studio.
And then some love the love the touring a little
bit more than the studio.
Speaker 5 (11:32):
Well, I like the touring. I would probably say it's
fifty to fifty. I like bouncing around like a frog
and Lily Pat breading of love. You know, that's right, Clinton,
the seas Washington Blossom, That's what it's all about.
Speaker 3 (11:44):
Yeah, I think you have to have it balanced out
like that, That's right, because I mean, if if you
don't like touring, then you should just be a studio musician, right.
Speaker 6 (11:53):
Period, Just get work in the studios and do that. Yeah,
it cuts into the bag though, you know, because you're
not getting that you know, on the road money, you
know what I mean.
Speaker 1 (12:05):
Toure money is different than studio money depending on who
you work for. Yeah, exactly, you know what I mean.
Speaker 3 (12:11):
But but let's just say this, if you're one of those,
I would wonder what what hourly rate for the top
studio players are as opposed to like mid level and
and guys that like you could just call in you
know that they're okay, they're affordable, but they're not those guys, right,
(12:31):
you know, there's a difference between what you're paying those guys.
And I think it's the same thing you know, with
with with going out there and playing, you know, when
you've got some real players up.
Speaker 5 (12:42):
There, that's true, you know, it's.
Speaker 3 (12:47):
It's it's a different world playing live than it is
playing in the studio. It's a it's a controlled environment
in the studio. They don't have to move around and
go crazier sell the show as they're playing. They just
got to play tight. So and with Fiel where on
the show. They gotta not only play tight with Fiel,
(13:08):
they got to be able to sell that playing exactly.
Speaker 5 (13:11):
Yeah, participation in the whole Wow, you know what I mean?
Speaker 1 (13:15):
Yeah, you ain't got that, then it's gonna be a
boring show.
Speaker 3 (13:19):
How hard is it to see, you know, when someone
is completely shredding but they're not selling the show?
Speaker 1 (13:25):
I mean yeah, Like I'll give you a great example.
Speaker 3 (13:29):
And I know Black Sabbath fans are probably gonna shit
on me, but remember that I am a Black Sabbath
fan from fifth grade to dow Yes, right, so I
feel like I could say this, right Tony, iomi great
guitar player, Yes, riff King, Yes, never sold the show.
Speaker 1 (13:48):
Now you're just like you go to the show to
see him play. He's not gonna do some He's not doing.
Speaker 3 (13:54):
The ship that you might see Eddie van Halen doing,
Randy Rhodes. You might not see him doing this shit
Jimmy Page was doing, or Jeff Beck. Yeah, he might
just be into his guitar playing, not giving you no emotion,
no musicality, movement with the ship he's doing.
Speaker 1 (14:17):
He's just gonna play tight. He's not selling you the show.
He's playing tight.
Speaker 3 (14:25):
Now, when you want to see something, you're up there
trying to see someone shred. Today, they gotta be giving
you the show. Back then, they would, they would, they
would take that right like, oh my God, told me,
I hear what.
Speaker 1 (14:39):
He's fucking did. That shit was awesome. But in today
they'd be like, damn, he's stiff. He ain't moving.
Speaker 3 (14:44):
Like when Mariah was doing her VMA performance, she looked
like she could barely move. She was not selling it,
but she sounded great, but she sounded great. These days,
you kind of got to sell it.
Speaker 1 (14:59):
Yeah.
Speaker 8 (14:59):
I mean when you see, like, you know, if you
go see a band like Turnstile and see how wild
they get on stage and they're rocking, playing their instruments
and rocking, and then there's stage diving and all that
shit going on, you know, like you're like, oh shit,
that show is out of this world. And then you
go see someone that just plays the tunes and doesn't
sell the show, you're gonna be like, you're gonna feel
a certain way, like, yeah, I feel like I.
Speaker 3 (15:21):
Just watched them rehearse yeah, you know what I'm saying,
Who is your favorite group to see live?
Speaker 2 (15:26):
Like that?
Speaker 1 (15:26):
Inspired you?
Speaker 5 (15:28):
War?
Speaker 1 (15:29):
War always like great group. Yeah, inspired me.
Speaker 5 (15:33):
How they got down and you know, maybe it was
just from listening to music coming up and you know,
at the house and et cetera. But live and direct
and a nice bomb show as well too.
Speaker 3 (15:42):
Oh yeah, if you if you look at some of
War's footage on here on YouTube, like their live show ship,
they were so goddamn tight. Yeah, and their vibe was crazy, dude.
What's crazy is that all of them have passed. The
only living member still live is Lonnie, right. Lonnie is
the only member that's in the War band. There's a
(16:05):
couple of people that were members. They have like their
little offshoot war band. Yeah, but all the originals except
for him. Yeah, but he's keeping it alive. And that's
what's dope, you know. Yeah, it's like the Temptations, right,
the Temptations still tour it as a whole new run
of I think there's only like one person, yes, which
(16:27):
is the founder. Yeah, he's still doing it, still alive.
He really didn't sing lead ever, so he said he
had a couple of lines through the big songs, but
he never sung lead.
Speaker 1 (16:39):
But he was the leader of the group. And he's
the only one. Yes, otis Williams right here, and dude
was the trip.
Speaker 8 (16:48):
Can you I mean imagine all the how he saw
the industry change from the moment he got signed the
town like and just you know, you're looking at sixty years,
you know what I mean.
Speaker 4 (17:00):
Years of evolution, evolution, and he's still seen a lot.
He's seen a lot, seen a lot.
Speaker 1 (17:07):
Yeah.
Speaker 6 (17:07):
Man, it's the four Tops to day, they've all passed.
So if you see them, oh, they're all yeah.
Speaker 1 (17:13):
Yeah.
Speaker 7 (17:13):
So if you see the four Times performing as in
the whole New Crew.
Speaker 1 (17:18):
But when you think about it, those guys are in
their seventies and eighties.
Speaker 8 (17:21):
Now, isn't there the same thing happening with like sugar
Hill Gang, Like there's I don't think there's the sugar
Hill there's a sugar Hill Get there's a sugar Hill
Gang brought in their songs.
Speaker 2 (17:32):
Yeah.
Speaker 1 (17:32):
I don't think it's any of the original members.
Speaker 5 (17:34):
None of them, I don't think.
Speaker 1 (17:36):
So that's crazy. I think two of them have passed,
and I think one of the son of one of them.
Speaker 3 (17:40):
Okay, in that case, I could see when when a
relative brother, like a sibling or a or you know,
offspring or naked old friend or something.
Speaker 1 (17:55):
I could see that.
Speaker 3 (17:56):
Yeah, but like for some strangers just to come and say, hey,
can we licensed to sugar Hill names y'all? Nah be,
it's gonna happen, though, I think I think it will happen. Yeah,
Kiss could totally do that.
Speaker 8 (18:09):
I was just gonna say, I think they, I mean,
someone might license to Kiss, you know everything, to go
do a tour, because you could.
Speaker 3 (18:16):
You could do that if Jeene Simmons wanted to keep
it going, he could totally pick four guys like they
did the Monkeys.
Speaker 4 (18:24):
You know what I'm saying. You know what I'm saying.
It totally fabricate this new group. Yeah, they just can't
unmasked though.
Speaker 1 (18:33):
They have to keep in.
Speaker 3 (18:34):
They have to keep that ship on. Yeah, they can't
do like original Kiss and get all right, we're bored
of this. We gotta take this makeup off. Nah be,
you gotta keep that ship on. Oh Man, that that
broke everybody's heart when Kiss took their makeup off. Man,
if you were a Kiss, if you were a Kiss fat,
if you didn't give a shit about Kiss then it
(18:54):
was like, who the fuck are these guys?
Speaker 1 (18:56):
Even more so, like who the fuck are they?
Speaker 8 (18:59):
Yeah, because it was like, especially because they had had
one of the best looking album covers called Creatures of.
Speaker 1 (19:04):
The Night, and it was this badass album cover. You're like, oh, man,
Kiss is still doing it.
Speaker 8 (19:09):
And then the next you hear is like, Kiss is
gonna unmask themselves on MTV at midnight on Sunday.
Speaker 1 (19:15):
And so you stood up and you watched it and
you were.
Speaker 6 (19:18):
Like, yeah, oh, mothers mother right there, yep, all of
the jeans.
Speaker 1 (19:26):
Look at that post. I mean that's eighty that's like
eighty five, that's eighty four. That's a crazy pose Jane
got with the blush going on? Is that right there?
That's Bennie Vincent And that's Eric Carr on the right word.
They weren't famous. Which one of these guys got shot
in the leg at the Rainbow?
Speaker 5 (19:46):
Was it?
Speaker 4 (19:47):
Was it one of these guys of Kiss. I don't
think it was one of their drummers. I think it
was got shot?
Speaker 2 (19:53):
Was Eric?
Speaker 1 (19:54):
There was a shooting at the Rainbow? Was Eric? Eric singer? Yeah, yeah,
he's not in that pair. And one of the Kiss
guy's caught astray.
Speaker 9 (20:01):
Yeah, that's I'm seeing Bruce Kolick.
Speaker 8 (20:05):
Bro Bruce Coolick. Yeah, so he's like, uh, he was
the guitarist. Two guitarists after Vinnie Vincent, so it's a
three le Vinnie Vincent, then it was Mark Saint John,
then Bruce Coolick.
Speaker 3 (20:16):
That's the that's you know, that's the genius of paid
take their faces. They could change any one of them
motherfuckers whenever they want. Yeah, even themselves. Hey, I'm taking
a break for this show. I'm gonna call it mini
jene and crazy.
Speaker 8 (20:30):
But Bruce Kolick, I think he played some stuff on
earlier records when Ace is still in it, and.
Speaker 1 (20:38):
Basically Ace took credit. Well there you go. Hey, so
you got Sway to narrate the the documentary.
Speaker 5 (20:47):
Yeah, and that was good looking. Shout out to Sway.
Speaker 1 (20:49):
Good look at I mean, he's another Bay Area legend.
It makes sense.
Speaker 5 (20:54):
And we went and met it years ago in the
western addition of San Francisco, not profit the radio station
kpo O out there.
Speaker 3 (21:03):
Yes, yeah, I remember when he was he at Cameo
for a time, the wake Up Show, right, Yeah, yeah,
he was who say yeah him in techt Well, that
it started there. Yeah, I came out yeah yeah with
Joe Quicks. Yeah, Prince Ice sways all over the Oh yeah,
(21:24):
don't swear a long time man. That's my dude right there,
good person guy.
Speaker 1 (21:29):
Yeah. Yeah.
Speaker 3 (21:29):
It was good to see him be able to like
jump on a huge platform the way he did and
holds his and like make other ship come out of it.
Speaker 1 (21:41):
Yeah, he made it respectable, you know what I mean.
Speaker 6 (21:43):
He was knowledgeable by all his hip hop facts and
he knew you know, what he was talking about all
the time, so he couldn't really catch him even when Kanye.
Speaker 1 (21:52):
Tried to catch Sometimes he doesn't have the answer.
Speaker 6 (21:55):
Sometimes heardswer I heard got the answers sway.
Speaker 1 (22:04):
I was like, dude, calm down, bro.
Speaker 3 (22:09):
That was one of the most bugged out things I
think I see, Oh yeah in hip hop in a
hip hop interview, because.
Speaker 1 (22:17):
He just bugged out everything interview. Yeah, he's not right,
like because he was.
Speaker 8 (22:21):
They were having a conversation, and they were in conversing,
you know, and then it was going and then all
of a sudden he was like, but you ain't got
all the answers sway, And it was just like and
and props the Sway he kept his CONTs like collective.
Speaker 3 (22:35):
Yeah, you know, and that's true journalism, right, there's pro
do you ever get the answers?
Speaker 1 (22:40):
No, I'll dig dig Yeah, he's ever going to get
the answers. Yeah, he just goes. That was the other part.
I've been doing this more than you. I was like,
hold on, homie, you don't know Sway. Yeah, that that
was miss That was the misspeak.
Speaker 8 (22:55):
Right, Yeah, that's when that's when we were all like,
hold on, Homie, No, Sway, he's been been here.
Speaker 3 (22:59):
Well, well, look, if he's talking about, like in terms
of the fashion ship that he was into, yeah, maybe
Sway doesn't know about that. But if we're talking about
hip hop, Way, he's been here. He's been here before you. Yeah,
longre you know what I'm saying. So I could see,
(23:21):
you know, if we're talking to the context of like
maybe the other ship that's outside of music, okay, yeah,
maybe you ain't got the answers to that, But in
terms of hip hop, you know, any conversation Sway can
have with anyone because he's educated on what this is
very familiar.
Speaker 1 (23:39):
He's He's i.
Speaker 3 (23:40):
Mean been here. We all know this, we all know this.
We can go sign that all day. Definitely, Yeah, says
Sways he's one thousand men and it's dope that he's
narrating your joint like that, because I mean, you know,
who else could it be unless it's too short, right,
(24:00):
you know?
Speaker 5 (24:01):
But it was love. That's a beautiful thing. Shout out
this way for that? Too bad?
Speaker 1 (24:05):
That's right?
Speaker 2 (24:05):
Yeah.
Speaker 3 (24:07):
How did it feel in terms of like the vulnerable
parts of the documentary, like telling your story, Like did
you ever feel like you'd be in a position like that?
Or did writing the songs get you ready for that?
Speaker 5 (24:20):
Writing the songs got me ready for it? And I'm
just I felt like it needed to be something that
needed to be heard. Some of you don't step on
out the boss, kick on back and get a people
what they want.
Speaker 3 (24:31):
Yeah, Because I feel like when we get into the
ship and we do interviews and stuff like that, sometimes
we don't.
Speaker 1 (24:41):
I mean, we're not trained for that. So when they're
asking us what does this song mean?
Speaker 2 (24:46):
What is what?
Speaker 3 (24:47):
What's what's your song about? You actually have to learn
what your song's about and then break it down to
these folks exactly right. And once you get in the
rhythm of that, right, from album to song to song,
album to album, it becomes a thing where you can
become more vulnerable when you're doing interviews or when you're
(25:08):
telling stories, or if you should get into a documentary situation.
I do think it gets you ready because if if
you're talking about your life or things inspired by your
life or others that are around you, that's a form
of vulnerability, or if I can tell in the story there,
and I do feel like it gets you ready for
that if you eventually want to tell some sort of story.
Speaker 7 (25:32):
Is it safe to say that some songs were written
with no inspiration off the dome? Yea, what inspire this?
Maybe nothing at that time, that's just what came to mind.
Speaker 1 (25:44):
Yeah, for sure.
Speaker 3 (25:45):
I mean that's I think all of us that that
write songs get it like that. Like sometimes we'll have
a specific idea and then sometimes we'll have a random
idea and somehow we'll make that work. Some of us
will have ideas for songs before we have the beat,
and some of us need the beat to come up
(26:06):
with the idea for the song. And sometimes you know,
you don't need the beat, you know, like you'll have
an idea of the concept I should say, maybe not
the flow, but the concept of what the song is.
And then you know, you might bank it until you
find the right beat that sort of matches that concept.
Like for example, like Rock Superstar, I had in my
(26:28):
head the chorus for it, at least the chorus for it,
for about two years before I actually heard the right
music for the song. Then when Muggs came up with
that led Zeppelin style you know, bassline or whatever you
want to call it, or riff or whatever, that's when
I was like, that goes over this, and it happened
(26:52):
to work. And I had that shit in my head
for two years like that. Many beats came and went,
didn't fit on any of them. That one just happened
to fit perfection, perfection, and uh you know, so sometimes
it happens like that.
Speaker 1 (27:05):
Dope. Yeah, you can't just throw any idea on any beat.
Speaker 8 (27:10):
No, no, no, it doesn't work, just because it's sometimes
with you know, DJ and two. Some people think that
if two songs are the same you know bpms, they
can go together, and that's not true. It doesn't always work.
They might be in different keys, yeah right, yeah, they
it just might just be an ill match. And you know,
but no, but it's ninety five bpm. So I'm gonna
(27:31):
put it with this other night.
Speaker 1 (27:32):
I don't care. It's gonna sound great like.
Speaker 6 (27:35):
Land might be fucked up. Yeah yeah, man, yeah, forth.
What was your first hip hop name with your rap
name MC name is it always been?
Speaker 5 (27:45):
It's always been rapping folks.
Speaker 1 (27:48):
That's a good that's a good, strong start.
Speaker 5 (27:51):
I got that handle from two Short as a matter
of fact, back in the day where it's in the
Dangerous Crew Medium Spice one j J Hard a compilation,
and I would always wrap when you come around at
the studio just rapping and rapping. He said, you know
what call you rapping folks? I ran with it.
Speaker 1 (28:09):
Hell yeah, See, that's that's a gem right there.
Speaker 3 (28:13):
Yeah, got named by by too Short, kind of like
how Chuck D named Busta rhyme, right, that's who gave.
Speaker 1 (28:21):
Bus to rhyme his name, yep.
Speaker 3 (28:25):
And leaders of the New School, and leaders of the
New School name them, and many legend named another legend.
Speaker 1 (28:33):
So what year did you join with the Dangerous Crew?
Speaker 5 (28:36):
That was someone that said that was eighty eight.
Speaker 1 (28:39):
Eighty eight. That's so dope.
Speaker 8 (28:44):
So you would see you back then, you know, Short
was I think was he signed yet to jive or
was I think he was still was he was selling
the tapes out of his trunk right.
Speaker 1 (28:54):
Seventeen? Was it seventy five girls?
Speaker 5 (28:55):
Seventy five girls?
Speaker 1 (28:56):
Yep, Yeah, I have one of those tapes classics. Yeah, man,
you still get down with Spice?
Speaker 5 (29:03):
Yeah, that's my guy.
Speaker 1 (29:04):
Yeah, Man, that's my bro right there. I haven't seen
him in a long time.
Speaker 7 (29:07):
Man.
Speaker 1 (29:07):
We got to get him down here too. He's dope.
That's my bro right there.
Speaker 3 (29:11):
Yeah, very outspoken dude, definitely. And it's and it's it's
it's a trip that you come from that crew man,
dangerous crew. Yeah, Yeah, that's that's some solid ship man.
Lesson Are you gonna be touring off of? Are you gonna?
Are you gonna make an album to follow this this documentary?
Speaker 5 (29:33):
Yeah, I'm working on one right now. I'm just stacking
them like pancakes. I haven't gave it a title or
anything yet, but working on it.
Speaker 1 (29:40):
Yeah.
Speaker 3 (29:41):
Did you did you do any special songs for like
the soundtrack of the documentary?
Speaker 2 (29:46):
Oh?
Speaker 5 (29:46):
Yeah, I got some. I got a few nice joints
on there. Got a collaboration with fab or collaboration with l.
Russell collaboration with your name it few individuals in the
Bay Area.
Speaker 3 (30:00):
I know people are gonna get excited the fact that
you got a documentary out. They're gonna want to see
if there's new music attached to it, because usually there
always is, and those are the little jams right there exactly.
Speaker 1 (30:12):
So you got what like three four for for the Doctor.
Speaker 3 (30:17):
And then uh, and then the album flipping after that
exactly in that order. Oh, you're going to be busy man, Yes, sir,
you're planning on flipping out a tour with this.
Speaker 5 (30:28):
Yeah, it's you know how it goes? Yea, how it goes?
Speaker 1 (30:33):
That would be that'd be dope if when hip hop
groups put their documentaries out, and we should have thought
about this when we did ours, like going on tour
with that documentary, show it before and then the show,
show it before.
Speaker 3 (30:46):
And then the show after. You know what, You know
what we gotta do ship like that, celebrate ourselves.
Speaker 5 (30:53):
That, you know, the hook up collab and do it.
Speaker 1 (30:56):
I'll do it all right.
Speaker 4 (30:57):
Let's we got you got boom boom sad. It's never
too late, never, yep, it's as you can do it. Yeah,
as long as you could do it right. You know,
it just depends how long the documentary is. Though, if
you've got a three hour documentary, fucking bitch, fucking wait.
Speaker 1 (31:17):
But yeah, I think ours was like what ninety minutes?
It was ninety minutes. They kept the ninety minutes to
the t to tell a thirty year story. That's kind
of if we that's difficult.
Speaker 10 (31:28):
It is.
Speaker 6 (31:28):
There are some spots that squeeze it, got squeeze it,
that get left out. You know, there's things that you know,
just pick and choose. Yeah, you gotta pick and choose,
and it doesn't tell the whole story all the way
like not like those A docu series would be like
six episodes, seven episode way to do.
Speaker 2 (31:46):
It, you know.
Speaker 7 (31:46):
I think it is because everybody could sit for thirty
minutes to an hour, right, If you have four or
five episodes, you can finish one and be alight, I'm good,
I got the whole bit of that.
Speaker 1 (31:55):
You move on.
Speaker 7 (31:56):
If it's one and a half hour doc the whole
story is getting told. Two hour doc you gotta sit
for two hours, right, But if it's an hour at
a time, you can take a balls after the first
one sit down or just but everything so quick.
Speaker 10 (32:09):
You know, it goes by so quickly, so it's almost
like you got to watch the whole dock again to
get spots that you.
Speaker 1 (32:16):
Know, you have to find the little gems you might
make exactly because everything's running running.
Speaker 5 (32:21):
So quickly, or come out with a part two, you
know what I mean.
Speaker 6 (32:24):
Yeah, but you have you have those you know, little
doc series that be like six episodes. You can kind
of expand a little bit more and then you know,
you go on to the next one, go on to
the next one, get a full story.
Speaker 2 (32:37):
You know.
Speaker 3 (32:37):
And and here's the thing, right, doing it like that,
you will expose your dock to people that they necessarily
linked onto those streaming services.
Speaker 7 (32:47):
But are your fucking absolute fans.
Speaker 3 (32:51):
You know what I mean, They will totally absorb that
and take it home with them, you know what I'm saying,
because they're seeing it right there in real time. It's
just strategically, you have to figure out how you play
this whole fucking thing along with your show, you know
what I'm saying.
Speaker 4 (33:08):
But there is to totally ways to accomplish this many right,
But we gotta get it done, though.
Speaker 3 (33:16):
We gotta get it done because people be listening to
this show and then be repeating what we be saying,
or not repeating doing what we say here as ideas,
I saw this on another show the other day, you
know how we were talking about.
Speaker 1 (33:35):
So we were talking about like.
Speaker 3 (33:38):
Several years back, I'm gonna say probably about twelve thirteen
years back, we would on tour we would carry these
yellow flags like football, right, and if anybody caused an error,
if there anybody fucked up for any reason, we drop
a yellow flag on the play and we all knew
(33:59):
what that meant. It's like, you are in violation. You
just violated right now to be taken up later. But
we're letting you know that we recognize, right. And just
recently we saw that on someone's show. We're like, we
know where they got that from. So we know that
(34:19):
people listen to the show. So in terms of ideas,
you know, when we flip them out like this, we
got to get on it fast because they'll hold you
to it.
Speaker 1 (34:28):
No, not hold you to it. People that be ear hustling.
It's just like my man sugar Free was in here.
Be careful the ideas you spew out because someone's.
Speaker 7 (34:38):
Always ready to catch it.
Speaker 2 (34:41):
Right.
Speaker 5 (34:41):
You know what I'm saying, have you ever worked with
sugar free? Sugar Free, that's my cousin, that's my blood cousin.
Speaker 1 (34:46):
Really, I did not know this.
Speaker 5 (34:49):
Shout out to shive Free, Shout out to deed one.
Speaker 3 (34:51):
Did he did he mention that last time? Damn, that's
your like blood cousin.
Speaker 7 (35:00):
Shout out to him.
Speaker 5 (35:02):
Yeah, we got a few songs stacked up too as well.
I forgot to mention that too as well.
Speaker 3 (35:06):
Far as the sun for the new for the new ship, yeah,
oh man, because I think we even asked him that
last time.
Speaker 1 (35:14):
You know, not not that y'all were related.
Speaker 3 (35:17):
I think about collaborating like others that he's collaborated with
or wants to collaborate with, the ship like that.
Speaker 7 (35:26):
Two pims, one family.
Speaker 3 (35:27):
Yeah, pivot times pimping equals pippot hustling, play as ship,
you know. Yeah, man, that's wow. I did not know
that his family right there. Well, you know, so we
(35:49):
got a representative here on the east, I mean in
the South at North. You know what I'm saying, playlistic vibrations. Yeah,
that that's gonna be dope. So y'all got y'all got
something for this particular documentary that in the worst got
Some songs are stacked up period and just period. You know.
Speaker 1 (36:11):
Yeah, that's dope, man. That would be crazy to hear
a whole.
Speaker 5 (36:14):
Album on y'all right, right, an old nice cot.
Speaker 1 (36:17):
Real real player ship the whole way.
Speaker 3 (36:21):
Oh man, I meagine if it was if it was
faute short and sugar free, you need a fourth?
Speaker 1 (36:30):
Who would be the fourth? Who could be the fourth?
To rent forty.
Speaker 5 (36:37):
That'd be remarkable.
Speaker 1 (36:39):
Wow, that'd be great, man, would be great?
Speaker 3 (36:42):
Ye baby, ye as y'all say out there? Ye you know,
we tried to ask Trace where the yak comes from?
Did he ever answered?
Speaker 1 (36:53):
He never answered? Now do you know where the eat
comes from? Ye? For the bay?
Speaker 5 (36:59):
Damn? So he used to saying it. I'm telling him
which huddle that came from.
Speaker 7 (37:03):
But it's it's hard to know and it's gotta come,
you know with the info. Man, Where is that from? Man?
Speaker 1 (37:12):
Yeah?
Speaker 3 (37:13):
You remember Trace, right? He used to He used to
do the show with the d J Frandy up in
the bay. Trace Dog Yeah, Tracey Dog Yeah, yeah, shout
out to Chase.
Speaker 1 (37:22):
Yeah.
Speaker 5 (37:22):
He'd it was either forty yards or mac dre one
of them. I want to say, I want to say make.
Speaker 1 (37:31):
Yeah, rest of peace, Madre. That's Darry you know what
I'm saying.
Speaker 5 (37:37):
That's the first feature, as a matter of fact, that
me and sugar Free ever did together was to meet
him and mac dree on a song called a b CP.
Macan ain't nothing but a thing to me because I'm
a double load g P I M P. A lot
of game in that one too as well.
Speaker 3 (37:54):
You know classic Yep, you got to go look for
that ship if y'all got it, you know what I'm saying.
And uh, the Fedoras you're you're slanging them for dooras.
Speaker 5 (38:07):
Yeah, I got some coming up real soon, real soon.
You know, it would be one of the first to get,
you know, going on.
Speaker 3 (38:14):
I like that bottom red rim splash, like the two
tone ship that's happened in there. That's fly ship right there. Yeah,
you know that that's the cool ship about hip hop
these days. Bell, you could like venture off and and
and extend the branches and do different ship you know,
(38:38):
like in terms of the style of merch that you
put out. I mean that's different because usually most people
are putting out T shirts and you know, baseball hats
and beanies and ship like this hoodies. But the Fedora.
That's a nice that's a nice touch, right there. Yeah,
Grade Mark, that's right right. And you got a book
(39:01):
coming out.
Speaker 5 (39:02):
To your book and title, I'll be around. Wow, Yeah,
I'll be a matter of fact, it's out now all
the major platforms and Barns and Nobles and what have
we rap Anthony Fote wrapping Folksay, I'll be around y'all.
Go check that out when you have the chance.
Speaker 3 (39:18):
Yes, So did you you did a did you do
a hard cover release and digital or just digital?
Speaker 5 (39:25):
I did a hardcover release?
Speaker 1 (39:27):
Dope? How long did it take you to get that
whole book thing together?
Speaker 5 (39:33):
Wow? I want to say, man, been in a couple
of years.
Speaker 6 (39:37):
Basically, you have to take a little time and kick
on back and you know back and everything like that. Yeah,
there it is there, cold ice cold. That's dope, ie cold.
Speaker 5 (39:49):
I'll be around checking out.
Speaker 1 (39:51):
Okay, hmm, came back around, you know what I'm saying. Yes, yeah,
I'm still here. That's right.
Speaker 3 (40:03):
Longevity is a motherfucker man. If you could, you know,
make it happen for yourself. That's the best thing any
artists can do, man, Because there's so many artists that
hit a lick and then just kind of let it go.
It could not rebuild momentum and get back in the game,
and that's always tough. But like if you keep pushing,
(40:26):
then you keep building off that momentum.
Speaker 2 (40:28):
Man.
Speaker 1 (40:28):
Shit, Yeah, you could have longevity.
Speaker 5 (40:30):
For sure, exactly congraduate to the game.
Speaker 3 (40:33):
Yeah, it's just about how much you want to put
into it. We say it all the time. It's the
amount of work you want to put into it. Yes,
you could do this as long as you feel you
want to if you know what I'm saying, and that
if is if you want to put the work in,
you want to show up, especially if you got something
like if you got to hit song of some sort,
(40:55):
you know what I mean, some kind of successful joint.
Speaker 1 (40:58):
I mean, that's it's I mean, you're ahead of the
game with that, you know what I mean.
Speaker 3 (41:05):
Like some people got good songs and shit, and they
could build a career just off good songs. But if
you got a hit song, you could really build it
off that. And it all depends on the work you're
willing to do.
Speaker 5 (41:16):
Right, to put in the groundwork. Yeah, really, Like some.
Speaker 3 (41:19):
People will get that hit song and then not want
to work and then wonder why like shit went away
exactly right, and others they might have just that hit song,
but yet they're still working like years later because they're
willing to go out there and play that fucking song
and then you know, try to win people over with
everything else. And versatility, Yeah, you know, versatility and willing
(41:45):
to be out there playing in front of people, like
showing up doing the work. That's the main part really,
because I mean, you know, you could have a great record,
but if you ain't showing up.
Speaker 5 (41:56):
Nobody don't know anything about it yet, are you You
know what I mean?
Speaker 3 (42:00):
Well, I mean, if you ain't showing up, watch your day, right, right,
that's true. So for all y'all young artists, show the
funk up, if you want to blow the fuck up,
just saying you got to put that work in.
Speaker 1 (42:13):
Hey, you got to show up.
Speaker 3 (42:15):
We say it all the time, That's right, We said
all the time. Man, Are there any artists out here
right now that, like, you know, you're looking at, like
to inspire you, any of these young artists.
Speaker 5 (42:26):
Yeah, some a few young artists out there. It's doing
their thing, and you know, like what they're doing out there,
liking it in the Bay Area, we got Larry June
out there, Dope Boy Ronsky out there too as well
as there's a lot of them. Keep doing what you're doing.
(42:49):
Shout out all the up and coming artists, you know,
the oh geez passed baton. Just you know, do the
best you can with the twos you got.
Speaker 3 (42:58):
Man, That's right, and that's really all you can do,
especially if the ogs are willing to pass that baton
at some point.
Speaker 6 (43:07):
Ogs. You know, God does like pass it, you know
what I mean, they keep it, keep the doing, think going. Yeah,
you can't gate keep you know, it does nobody any good,
you know what I mean. You need to look toward
the future and you have to hand it down Aston
there you.
Speaker 3 (43:23):
Go, Yeah, because I mean, what's it like when they
passed the baton to you and then you don't want
to pass it to the next month.
Speaker 1 (43:32):
What does that say about you? You know what I mean.
Speaker 5 (43:34):
Let's say you don't want to finish the race. You know,
you don't want to win.
Speaker 3 (43:38):
Yeah, you don't want to win, and you don't want
others to win. That's bad and that's a problem because
if others wanted you to win, but you don't want
others to win, That's that's shitty character ship right there.
That's why you know, I always like felt like guys
in our in our generation needed to be more open
(44:00):
to some of these young artists. Some of it is shit, yeah,
but I mean there was shit in our time. There
was great music in our time, and there was some
shit or the stuff we looked at as shit in
that time, and we may like it now. We might
might have flipped and been like, you know what, I
didn't like that back then, but I kind of dig
it now. But either way, at one point we were
(44:21):
the guys that received the baton, yeah, and we got
to be willing to pass that shit right because no
one can can hold on to it forever, and if
you do, you're a fool, I mean, because you could
still be relevant even though the new generation is the
hot shit.
Speaker 1 (44:38):
This is a fact, you know what I mean?
Speaker 3 (44:41):
Like how many rock groups like Ero Smith were past
their peaking, past their time, yet they were out there
still doing it big when other hotter groups like Metallica
were out there like making their bones and killing shit
and becoming superstars themselves. Maybe different genre of rock obviously,
(45:01):
you know, this is more traditional rock and this is
metal but I'm just saying that while this new shit
was bubbling and popping, these guys still remained relevant in
spite of having like twenty thirty some odd years in
the game already.
Speaker 1 (45:16):
And that is totally possible. You just have to be
willing to, like, do the work, do the right moves.
Speaker 3 (45:21):
Don't take just any move or any look, because some
of them are bad for you in spite of what
the bag might be.
Speaker 5 (45:28):
True all money and good money, yeah, and some.
Speaker 3 (45:32):
Bags might not be enough for what you may like.
But the look is important, yep. And those are the
things that you know, an artist is gonna have to
face it at some point on all levels, you know
what I mean. So let's do what's right for you obviously,
but yeah, be open minded and be willing to pass
(45:55):
it when it's that time. When as far as fashion,
what what did you you know, what did you go to?
As far as your look, you know, with the you
know what was you looking to? As far as influence,
I was.
Speaker 5 (46:11):
Looking like I wanted to say, old school groups like
like my uncles and them. They would come dressed up
like suited and booted to the majority of events and etcetera.
Some people to come sagging and etcetera. I'll just I
looked up to them, you know, far as fashion was concerned.
Speaker 7 (46:36):
Be able to go into the closet. Yeah, yeah, exactly.
Speaker 3 (46:44):
It's cool when you got an older sibling or somebody
who got like some style and ship, you could just
go take from their ship.
Speaker 5 (46:51):
Exactly.
Speaker 3 (46:52):
They'd be pissed off and all that, but you know, hey,
least looking good. So you started a mentorship program too, right, right.
Speaker 5 (47:01):
Only God can judge be mentorship program and roots of
change where you know, we feed you know, individuals and
help them out resources and et cetera, and get them
off the streets and things and such.
Speaker 3 (47:16):
That's dope that you're putting time into all these things
like your book and documentary and recording and doing shows,
but yet still have time like to go give back
to those younger heads that need like that guidance.
Speaker 5 (47:33):
Right, that's what it's all about, you know, you know,
learn learn, tell them to learn from my mistakes and
you know, follow the right footsteps. I mean of guide
them as much as possible. It's a faster generation, you.
Speaker 1 (47:45):
Know, oh man man, yeah, you ain't wrong about that.
Speaker 3 (47:50):
I mean much faster because the information that they have that,
you know that they have access to in comparison to
what we had growing up. Man, oh man, our parents
and older you know, authoritive figures could still lie to
us back in the day because we couldn't research any
(48:10):
of the bullshit.
Speaker 5 (48:12):
Google pull it up.
Speaker 3 (48:13):
But these days, you bullshit a kid and they're researching
that ship like right there in front of you. Oh
it's this is that? But no, that's right here. You
know what I'm saying, It's way faster. This is a
wild ship. It is great today's generation. You bring up
something they don't know about, boom, immediately they're on that
(48:35):
phone searching it.
Speaker 1 (48:36):
You know what I mean. It tells somebody something and
then they're like what they have any doubts?
Speaker 4 (48:43):
They yeah to take people's words for it. Now, it's like,
wait a minute, they're fact checking you in this in
that minute. Sure, wait, let's just see like Bolta does
it to me all the time on this show. Then
he's fast most times right to be like wait a minute,
(49:03):
wait a minute, I can't believe that day. We got
to have a skeptic somewhere that way, when he questions
and he finds out what we are saying is true.
He could fucking testify, said, you do that on a
date bulletin yea all the time?
Speaker 3 (49:24):
Oh no, ship, I would imagine that happens on a
new millennial date. Does that hold up?
Speaker 11 (49:31):
Let me bring up your Instagram real quick? You said
he don't hang out with who?
Speaker 1 (49:38):
What's this?
Speaker 7 (49:39):
That's my homie?
Speaker 9 (49:43):
Do you follow my homie too? What's up with the.
Speaker 1 (49:47):
Yeah? New world problems? Oh my god? Imagine he's like,
why are you following my friends? Are you? I want
to see you and follow him right now though, right
now in front of me?
Speaker 2 (49:57):
Do it? Do it?
Speaker 1 (49:59):
What do you guys like right now? Right now? First of.
Speaker 3 (50:05):
Hey, let me ask you this. When you do shows
and you see the phones come up, does that bother you?
Does it distract you? Would you rather them put the
phones away and absorb the experience?
Speaker 1 (50:19):
Or does it like not affect you?
Speaker 5 (50:23):
It used to affect me. I wanted them to more
or less absorb the experience. That's what I'm so used to,
And sometimes it does distract me. Yeah, so I'm just
look in another direction and just keep on rocking, you
know what I mean?
Speaker 1 (50:37):
Yeah? You know I used to not be affected by
him so much, and I still am not.
Speaker 3 (50:41):
But I realized that what it is doing is taking
away the energy from how they would react if they
weren't trying to film it or record it or stream
it exactly like I tend to wonder like if that
shit was in your pocket or in your car, would
you be engaged in the mosh pits or stage diving
(51:03):
a crowdsurfing it and really feeling the energy of the music,
or would you just be standing there right which now,
But with the phone, you are a subject to just
stand there because you're trying to get a clean shot,
and some people move a little bit, but.
Speaker 7 (51:19):
You don't be singing the song because you don't want
to sound like an idiot on your recording, or that
too long.
Speaker 3 (51:25):
But my thing is like you're all getting the same shot,
and it's all going to the same places. Why not
pocket the phone and just yes, like feel that show?
Like more and more, I see why the comedians bagged
the phones. I don't mind it, it doesn't doesn't fuck
(51:49):
with me like that, but I realized that it does
take from the energy because one person. It's like the
way that if you went somewhere and no one was
like seeing you eye to eye, like looking into your
eye and saying, oh shit, that's wrapping phote.
Speaker 2 (52:04):
Right.
Speaker 3 (52:05):
You could just go through anywhere and no one's gonna
as long as you don't catch eye contact, and no
one says, hey, it's hey, can we take one photo?
Speaker 2 (52:13):
Right?
Speaker 1 (52:14):
Because that one photo turns in two fifty? You know
what I'm saying.
Speaker 3 (52:19):
I've seen it, and it's it's sort of straying principle,
you know what I'm saying. Yeah, man, one person pulls
out a phone. Oh shit, yeah, let's pull out her
phote and get this, And then before you know it,
there's like a hundred motherfuckers pulling off her phone because
they don't want to miss that moment, right, And so
like yeah, you know, sometimes while we're up there and
(52:42):
I'm not psychoanalyzing the songs, I'm like looking at the
crowd and saying.
Speaker 1 (52:48):
Should they really have their phones out? Should they be?
Speaker 6 (52:52):
I see it, Like when they're doing it and they're
looking right at the screen. Everything is happening, yeah, right
there in front of them, but they're looking.
Speaker 1 (53:01):
Looking at that. They have to see it in the screen.
Speaker 7 (53:04):
The screen, I'm saying, man, what are you doing? I'm
thinking in my head, like I would never get that.
Speaker 3 (53:08):
You know, it's like, you know, you can put it
up there and then just like does it feel realer
that you're looking at at the screed rather than like
look at it.
Speaker 1 (53:16):
That that's right there.
Speaker 7 (53:18):
They just want to make sure they get in the
right shot. Well that too, but I mean like not good.
Speaker 6 (53:24):
I mean, do you think that they do that if
they're watching a live stream on a big screen TV
and they're taking out their phones and they're recording that,
because it's almost like the same thing.
Speaker 3 (53:35):
Well, you know, you can't please them because like you know,
if you said, we'll take the photos and then we'll
we'll air drop them to your phones at the end
of the show. Now I want my own ship because
I want to do my own selfie. I want to
get my own shot. Yeah, it is a shot, So
in that sense, you cannot win.
Speaker 6 (53:53):
I've noticed also, like there have been a few fans
that will pass you their phone skew to go ahead
and you know, film yourself. You know, I've done it
a couple of times.
Speaker 4 (54:06):
It's distracted, but you know, I always worry that I'm
gonna give the phone to the wrong person.
Speaker 7 (54:11):
You know, I've seen people take those phones, go to
the bathroom and show them some terrible stuff.
Speaker 1 (54:16):
Man, then bring it back.
Speaker 3 (54:17):
Yeah, it's like one of the stage I don't know
where you're getting your phone Instagram.
Speaker 7 (54:21):
Bro Instagram watching hilarious. Like one of the people will
do the cameras will take one of the girl's phones.
They get their scream and he goes backstage, does some
diabolical shit, gives it back to them.
Speaker 3 (54:31):
Well, no, they're not throwing it to us for that.
They you know, they want to get us doing the
selfie with their phone and the crowd hopefully they're in it,
you know what I'm saying, and then throw the phone back.
How fucked up would it be? As if you took
someone in the front their phone and you throw it
all the way to the back.
Speaker 1 (54:48):
Go find it. I could see Bobo doing that. Bully
Bobo would do that.
Speaker 7 (54:54):
You think I would do that.
Speaker 1 (54:55):
You're a bully dog. I know you would do that. Man,
Oh man, I wouldn't do something like that. I don't know.
I wouldn't put it past you to do something like that.
Speaker 10 (55:03):
Maybe pass it to like the person like three people
on to the left, see that there's three people.
Speaker 3 (55:09):
No, I would now I don't see Bully Bobo doing
anything halfway.
Speaker 9 (55:17):
Would pull the bad Bunny takes the phone and throws it.
Speaker 1 (55:21):
That's what I was just saying.
Speaker 3 (55:23):
I mean, that's that's what I'm saying, both to like
he got he grabs it from someone who's in the
pit area and throws it way into the crowd beyond
the pit. That's that's what I was saying. Bobo's crazy.
I'm not saying that he's done it, but I could
see him doing it. That was ice cold by Bad Bunny.
Speaker 7 (55:44):
I don't call him.
Speaker 1 (55:46):
Well, you know, she.
Speaker 3 (55:47):
Didn't ask, couldn't she didn't ask, you know what I'm saying,
Like she just rolled up on him, and you gotta ask,
especially at star like my dude right there, you got
to ask. Yeah, I remember when that shit first happened
to us.
Speaker 1 (56:06):
It was in Europe. Didn't And I said this story
not too long ago.
Speaker 3 (56:10):
But we were in Europe doing the Anger Management Tour
with Eminem fifty cent exhibit G Unit all them D
twelve and Bobo and I were walking through this plaza
area as some dude was standing off to our right
doing the selfie post. But we didn't know what that
was yet. You know what I mean, And I'd like
(56:33):
hit Boba. I'm like, hey, look at this motherfucker. Man,
what's he doing? And he's got his phone and he's
looking at back at us like that, trying to get
the angle, and we roll up on him. I'm like, hey,
what are you doing? Oh I am just taking a
picture with my phone, Baba. We're like taking a picture
with your phone. And then he shows us this is
not like the smartphone that we eventually come into, but
(56:56):
it's like the first generation of take pictures with your phone.
Shit it right, and we're like, oh, ship, it is
a camera. And right then and there, I knew our privacy,
you know, the little bit of privacy we have as
artist gone because anytime someone sees it they got one
of those things, they're gonna be oh shit, it's so.
Speaker 1 (57:18):
And uh that's exactly what happened.
Speaker 3 (57:20):
But we see that that that selfie pose way back
before anybody was doing it, and you know, it's it's
it's just a trip to see where it's at now,
like all the features of phone has now in comparison
to that bullshit.
Speaker 6 (57:35):
Yeah, I mean it was a song like pixelated a
little bit, but you had a picture you're able to do.
Speaker 1 (57:40):
You got to start somewhere. You know, he didn't ask,
you know what I mean, I s where he messed
up back from.
Speaker 5 (57:48):
He didn't ask.
Speaker 3 (57:49):
Yeah, so we rolled up on him. But I didn't
know what he was doing. But I know that what
he was doing was facing us.
Speaker 1 (57:54):
So I rolled up. I'm like, what the fuck are
you doing? Man? Oh, I've just tried to take a
picture of him with a phone.
Speaker 7 (58:02):
Like.
Speaker 3 (58:02):
I was very skeptical on his answer. You only got
a phone, there's no camera, what are you doing? I
was very angry for no reason.
Speaker 6 (58:10):
We were just in Europe, right, We were just in Europe,
and we were at a layover and stuff, and there
was this guy that he was kind of up above us,
and you just saw him just like filming us, filming us,
filming us, and eventually BE saw him. Right, so B
takes out his phone, oh yeah, and starts filming the
dude filming us and everything. And that's what chilled the
(58:34):
dude out. Yeah, you know what I mean.
Speaker 7 (58:37):
But the thing is like, you're just sneaking in a
little film thing.
Speaker 2 (58:39):
See.
Speaker 1 (58:39):
That's what I cannot stand.
Speaker 3 (58:41):
Yeah, you're sneaking that you know, when you sneaking it,
if you come ask me, I'm cool. I'm cool with
that because that's etiquette, you know what I mean. But
when like I remember the ship that used to really
piss me off as we were at dinner and someone
was filming from another table, like oh shit, and they're
filming from another table but not asking you and just
(59:03):
catching you like with no regard. Right, that's the irritating shit,
you know what I'm saying. But I see people doing
that less now, so I think people have learned the etiquette.
But back when it started, oh no, one had etiquette
like very little. But still you know, motherfuckers will film
(59:27):
you doing some ill shit if you ain't paying attention.
Speaker 1 (59:29):
For sure.
Speaker 3 (59:30):
You got to watch what you do these days, man,
just because all these phones are built to catch you
out there.
Speaker 5 (59:38):
The whole world is under surveillance, y yeah.
Speaker 1 (59:41):
I mean they could track any of our phones. I mean,
we already know our phones listened to us.
Speaker 3 (59:45):
We could talk about products or subjects, and they'll come
up on our feeds somewhere within our phone on one
of the fucking apps.
Speaker 1 (59:54):
Yeah, you know what I mean. So it's like it's
like if you're worried about it. If you're going to
be track now, I mean they already got your in full,
got all the in. You got a phone, yeah, and
if you got that smartphone, they got that.
Speaker 3 (01:00:09):
I mean, if you want to go back to like
the cave man days, this little flip phone, go ahead, but.
Speaker 5 (01:00:18):
I mean right, it's analog star tach.
Speaker 1 (01:00:21):
Yeah, bring towns. The chirp phones text tells those can't mind.
Speaker 3 (01:00:28):
Those phones were very rude, I gotta say, especially if
you had a.
Speaker 1 (01:00:33):
Homie who likes to prank you.
Speaker 2 (01:00:34):
You know what I mean.
Speaker 1 (01:00:35):
Oh, yeah, you're in the bank of somewhere.
Speaker 7 (01:00:38):
It's quiet and I see you all, bro, Yeah, I
say some terrible A.
Speaker 10 (01:00:43):
Couple of times, yeah, oh yeah, I was. Yeah, people
being meetings and stuff. I'll say something yelling and ship
where you at your fucking cocksucker?
Speaker 1 (01:00:54):
Excuse me? What who the hell is? And there's no
way to turn that ship down? Now you know what
I mean? Well, there wasn't, you know.
Speaker 3 (01:01:03):
I mean, you could turn down the ring tone and
you could turn down the phone part, but you could
not turn down the chirp.
Speaker 1 (01:01:10):
And how loud it was. It was rudely quasi.
Speaker 6 (01:01:14):
A couple of times he was up and having his
meetings over He was a producer on the sol Assessin
show that we did, and he would be in a
meeting and then I just like yell out from one
of the characters.
Speaker 7 (01:01:26):
What oh.
Speaker 3 (01:01:29):
We used to get each other left and right. I
remember getting somebody, get off that chick. You're boning right
now and answer like old ship talk up with my girlfriend?
Speaker 1 (01:01:41):
What are you doing? Yeah, yeah, exactly. You can't do that, man, Yeah,
it was very rude. Yeah, all right.
Speaker 3 (01:01:52):
Today's National Video Game Day. Hell yeah, games, plural games.
Speaker 1 (01:01:58):
Games.
Speaker 3 (01:01:59):
So if you're in the video games, it's you know
your day. I guess, yeah, play one play you know what,
Go play your video games.
Speaker 1 (01:02:07):
Man, what's your favorite video game? That's a good question.
Speaker 3 (01:02:15):
Well, if we're talking about old school arcade games, right,
it would probably be Galago, right, but we're not talking
about video arcade games.
Speaker 1 (01:02:23):
We talk about just video games.
Speaker 12 (01:02:25):
Right.
Speaker 1 (01:02:25):
Yeah, it could be both. Oh, it could be both. Okay.
So well so Calm, as we all know, was one
of my favorites. That's one. But I tell you, as
of late that fucking Star Wars Battlefront is the shit.
Just say it. I don't play it.
Speaker 3 (01:02:42):
Much, because if I do, I'll get stuck, and I
don't want to be stuck. I need to be productive.
If I was getting money, you don't play in the
Star Wars game like these little young bucks man. If
I was good enough that I'd put up the mic
and go make some money. But you know I'm not
that good because I don't play. I don't play.
Speaker 1 (01:03:05):
Now. If I had stood playing Madden in NBA Live or.
Speaker 3 (01:03:10):
Whatever those games like, if I had stood playing like
keeping up with with all the new versions of it,
I'd be making money right now for sure.
Speaker 1 (01:03:19):
On the fucking NBA Live Madden. There's a lot of
tough players.
Speaker 3 (01:03:23):
It's it's hard to say, yeah, I was once upon time,
I was really good with that ship Madden.
Speaker 2 (01:03:30):
I was.
Speaker 3 (01:03:30):
I was good up until a point. But we all
say we're good till we go up against the motherfucker
that shuts us down.
Speaker 5 (01:03:37):
Right like my nephews, they shut me down. I'm no good.
I can't play.
Speaker 1 (01:03:43):
Yeah I was.
Speaker 3 (01:03:44):
If I had stuck stuck playing the NBA Live, yeah,
I'd be making money off that game right now. With
these gaming fucking things, for sure, I might get back
into it. We'll see, all right, let's see.
Speaker 6 (01:03:57):
Uh.
Speaker 4 (01:03:57):
It is also National Hug and High Five Day. Wow,
what I'm saying? So oh hug hug?
Speaker 1 (01:04:05):
Okay, what'd you think that's that? I said?
Speaker 5 (01:04:09):
Hog?
Speaker 3 (01:04:10):
Yeah, hog and high five? All right, corelation. Yeah, that's
a weird connection. But I get how you might have
thought I said that good. Good for clarification. Sometimes I'd
be saying ship fast like Bolton, like baggles like baggles,
and uh, well that's Bolton.
Speaker 1 (01:04:27):
That's not me. I don't say baggles for bagels.
Speaker 9 (01:04:30):
I'm a rapper. I make words.
Speaker 1 (01:04:32):
Oh do you know? All right? All right, that's a
good answer. All right.
Speaker 3 (01:04:37):
It's also National Day of Encouragement, So I encourage y'all
to think positive today. You know what I'm saying, don't
get caught up in that negative ship and stress the
funk out stress kills.
Speaker 1 (01:04:50):
Yeah, you know what I'm saying, Like that on Bobo's
pretty good good p s A, yeah s A b
s A to BSA all right? Cool?
Speaker 3 (01:05:04):
Did you know it is the birthday of the legendary
Verry White born on this day in nineteen forty fold.
Speaker 5 (01:05:12):
What a g oh yeah he is.
Speaker 3 (01:05:15):
He looked like he'd be a part of the Coco family, right, Bobo. Yeah,
like your uncle yeah goo goo Uncle Coco, you had
hair like that. Yeah, y'all, y'all Bobo's don't have it,
but like the Coco's got it.
Speaker 7 (01:05:28):
The boys gang.
Speaker 6 (01:05:30):
Our hair is kind of like, you know, so nappy
that the water doesn't penetrate.
Speaker 3 (01:05:36):
Oh shit, all right, I saw you had to had
to fro at one time. Yeah, but not no wavy
ship like this right here. I can't imagine you with
some wavy ship like that. Your cousin all day, you don't.
Speaker 1 (01:05:51):
Can't. I talk about him and.
Speaker 3 (01:05:53):
I'm not talking about but that's like his hand right there.
But he got that very white ship.
Speaker 5 (01:05:59):
Yeah, I was all the way down.
Speaker 1 (01:06:04):
Yeah, had a ship un lock.
Speaker 8 (01:06:09):
And you know he had the Love and Limited Orchestra
that was his band, you know, but that that played
all that lush.
Speaker 1 (01:06:15):
Music he made. May you never saw Barry come out
and not be fly. No, look at that.
Speaker 10 (01:06:22):
He was always fly. He maintained flyingness. I mean even
the bed everything probably shrimmed. Yea, yeah, laid back.
Speaker 2 (01:06:34):
Indeed.
Speaker 3 (01:06:35):
Salute to the legend Salute O G And did you
know it is the birthday of the legendary drummer Neil
Perked born on this dead nineteen fitty five. Rest in
peace to one of the baddest drummers of all time.
Speaker 8 (01:06:49):
Yeah, if you ever go to the whereas it the
Rock and Roll Hall of Fame in Cincinnati, right, oh yeah,
or the Cleveland Cleveland there you go. Okay, So they
have he has this drum set that's a three sixty
degree drum set, so meaning there's drums in a full
circle around him.
Speaker 1 (01:07:05):
And he actually played it on a tour once like
this dude is like.
Speaker 3 (01:07:09):
He played every drum on that, yeah, dude, And there
was no way he was not going to play every
drum on the Man, I'd.
Speaker 6 (01:07:14):
Be mad as a drum tech if I hadn't set
all that up and he only played half to set.
Speaker 3 (01:07:21):
Right, Yeah, Because how much work is that for you
not to use any of the ship use it all?
Speaker 1 (01:07:26):
Got to use it all.
Speaker 5 (01:07:27):
Yeah.
Speaker 1 (01:07:28):
Yeah. And drummers that carry that kind of kit they
usually use it, use it all. Yeah.
Speaker 3 (01:07:34):
I think I've never seen a kit that they put
together for Bobo that he didn't use everything on it.
You have to you gotta find ways to use it, Yeah,
even if it's one hit, But you don't come.
Speaker 1 (01:07:46):
Out with get break. Look at that.
Speaker 10 (01:07:49):
I think that if you put me set up that
I have now in a circle, it would be full
three sixty.
Speaker 3 (01:07:56):
Hey, look, I gotta say, it looks like he's built
into the guy damn thing robo drummer over here. Shit exactly.
But he played that fucking way though. Hell yeah, yeah yeah.
If you don't know about the band called Rush, yeah,
educate yourself and listen to the drumming that my man
Neil Pert was doing. And he wrote lyrics too, and
(01:08:18):
he wrote Yeah, he wrote the lyrics. He wrote all
their ship. Yeah, yeah, yes, he is multi fast. He
was multifaceted. Indeed, people thought it was geddy Lee.
Speaker 8 (01:08:27):
He was.
Speaker 3 (01:08:28):
He was the voice and the bassis dope basis no less.
But the words came from the drummer rest of peace.
Speaker 1 (01:08:37):
Did you know Lewis c K was born on this
day in nineteen sixty seven. Yeah, one of my favorites.
He's been snapping lately. Oh he's the best dard.
Speaker 8 (01:08:51):
Yeah he talks the mother and also fun fact, as
I've brought up before, like he directed Pooty Tank.
Speaker 3 (01:08:57):
He did, Yeah, yeah, I got it. Yeah, he directed
Pooty Tank. Oh that ship is hilarious.
Speaker 1 (01:09:02):
Yeah, he's a movie.
Speaker 3 (01:09:04):
Yeah, that's a Bee movie for sure. Indeed, right yeah, Man,
I would show it for Pooty Tank. Oh yeah, I
would be there for more than two minutes.
Speaker 1 (01:09:15):
Tank.
Speaker 3 (01:09:15):
I'll probably be there for like ten because I've seen it.
I've seen it several times. But I would watch it
on your ship fifteen minutes. Yea, you know what I'm saying. Man,
I had a doozy played pop by the Slayer. Man,
Oh you played that?
Speaker 1 (01:09:33):
How was it? Why you do that to people? Then?
Speaker 10 (01:09:35):
And then it was another one called Shiver Me Timbers.
No ship, it was another one.
Speaker 2 (01:09:42):
That one was bad?
Speaker 9 (01:09:43):
Was it a newer film?
Speaker 1 (01:09:44):
Yeah, that's another pop idea. Why are you infatuated with?
I don't know, but you know, Oh my god, that
was horrible. Olive Oil and their brother.
Speaker 3 (01:09:57):
Eighty six in Northern California, Olive Oil her brother castor
Ed France.
Speaker 1 (01:10:03):
Yeah that just sounds fun.
Speaker 7 (01:10:04):
Yo.
Speaker 6 (01:10:04):
The first scene when the dude kind of looks like
Popeye and he says, oh, blow me down. I said,
oh man, this is done. I'm already done.
Speaker 10 (01:10:11):
That's a C movie right there. No, oh my god,
would not recommend it. Any Oh, yeah, no, his pipe
was kind of crazy though, Like what kind of pipe.
I mean, he don't got no fucking got no fucking eye. Man,
he gets got his eye taken out. Hopeye, I get it. Spinach, Yeah,
but spinach, m yeah like that, like what not? Hell,
(01:10:37):
they said, it's gotta be the spinach. Don't eat the
spin it just gotta be the spinach.
Speaker 3 (01:10:43):
Oh man, all right, Well that being said, did you
know in nineteen seventy five, on this day, Pink Floyd
released Wish You Were Here, their ninth album. Yeah, yeah,
number nine. That's a hell of an album cover though
they're on the universal lot here. Yeah, oh boy, it
(01:11:03):
looks like Bruno Mars right there on the left. Oh
damn that fire you know that? That that little uh
perm that Bruno Mars be having every now and there
looks like it right there and on the right could
be like Ted Burgundy, Ted Burgundy, Ron Burgundy. Yeah, Ted's cousin.
(01:11:26):
Ted's cousin Ron. And did you know it is the
birthday of the legendary Busy Bone of Bone thoughts and harmonies.
He's busy, happy birthday, born on this d nineteen seventy six, Right,
He's still forty nine, youngstare almost there. I gotta tell you, man,
this is one of my favorite bitterers right here.
Speaker 1 (01:11:47):
He's dope.
Speaker 3 (01:11:47):
When he ramps up on his style, it is crazy.
And to see him do it live dope, you know
what I'm saying. And when you see my man get
down live, yeah, no, no tracks on the bottom, it's
him delivering like a goddamn fire breathing dragon son Salute
(01:12:12):
to busy bone.
Speaker 5 (01:12:13):
Salute, salute.
Speaker 4 (01:12:15):
Did you know it is also the birthday of Two Chains,
born on this day in nineteen seventy six.
Speaker 1 (01:12:23):
He's just forty eight. Yeah, two Chan, I don't know
if I believe that. I think my dude is fifty.
It's like some steak. I'm sorry, Two Chans. I'll probably
all right, I'll believe it. Hey.
Speaker 8 (01:12:36):
One of my favorite mixed stapes he ever put out
was where he covered the entire first fud Tang Clan
album and two Chain wraps over all those instrumentals, but
just to Chains it out like it's really dope.
Speaker 3 (01:12:47):
He's dope. He got bars, he show, Yeah, he does.
I like Two Chants always. His videos are dope Toog's dope.
Speaker 1 (01:12:57):
Yeah, did you know?
Speaker 4 (01:13:00):
In nineteen eighty nine, Naro Smith released Pumped, their tenth album.
Speaker 1 (01:13:04):
Oh yeah, this is the dude looks like Lady record,
I think. Yeah. See look ten albums. Oh Loving an Elevator.
Speaker 2 (01:13:13):
There you go.
Speaker 1 (01:13:14):
That was a big song right there too.
Speaker 7 (01:13:16):
That was one of the video I remember the video
for that.
Speaker 1 (01:13:19):
And Jamie's Got a Gun too. Oh wow, this was
the MTV album Jamie Got a Pistol. Yeah, yeah, yeah,
this is.
Speaker 8 (01:13:26):
Like all the videos from this album made them, like
visually more famous than they'd ever been.
Speaker 10 (01:13:31):
Yeah.
Speaker 3 (01:13:32):
That brought them all the way back and they should
thank run DMC every day, every day, every day. Did
you know on this day, two thousand and three, we
lost the legendary Johnny Cash rest in piece, the og,
the man in Black, the og word up salute. We
(01:13:54):
encourage you to smash that like right now. If you haven't,
tell your friends to sign in and join us. We
got wrapping foete up and here. Subscribe to the channel.
Crack the all notification bell, Get down with the real TV.
You know what I'm saying, Real by show, become chazy,
a part of the family, you know what I'm saying.
Speaker 1 (01:14:14):
And we're about to open up the doors to the
insane Asylum.
Speaker 3 (01:14:17):
That means y'all in the live chats, if you got
a comic question, shout out suggestion.
Speaker 1 (01:14:22):
We are here for it. Let's go. Welcome to the
insane Messiah.
Speaker 11 (01:14:33):
Right Amanda phone here saying, Yo, Forte, you need to
help be real out and get him a forty nine
Ers jersey.
Speaker 3 (01:14:39):
Oh okay, wow, wow wow sports. You know, hey, it's
not like I haven't worn a forty nine er jersey
I have. You know what I'm saying. When I was
into my like sports jerseys, I had like a gang
of them, So it's not like I never had one.
I think I had a fucking Ronnie Lot jersey when
(01:15:01):
he was on the forty nine Ers. Yeah, but I
lost that in a move somewhere many years back. What
I'm saying, it's California. I don't mind rapping California team,
but don't ask me. Don't ask me to represent the
Angels who are in Anaheim. They call themselves LA. Don't
(01:15:26):
ask me to to represent Ray's team who is in
LA County. That's they're fine over there. Yeah, that's pretty good,
says you, and I won't wear a Clippers deal, you know,
said but I'll represent them, you know what I'm saying,
(01:15:47):
because I'm team LA. But you ain't gonna see me
like wearing their ship, you know what I'm saying. But
I have one forty nine ers gear for sure. I
mean shit, it's California baby. And in the way that
we have that tie in, like I said, you know,
with with doing the insane in the Brave video a
(01:16:07):
DNA lounge. So that's always like the connection connect people
with fashion don't give a ship. I know my friends
who follows zero sports, it's just about the look.
Speaker 7 (01:16:19):
Can match it.
Speaker 1 (01:16:20):
Yet oh if I had it, I would match it
for sure.
Speaker 7 (01:16:23):
I don't give a fuck. You know, they don't care
about the team. They just like the splash.
Speaker 3 (01:16:26):
Listen when it comes to the sport. I don't discriminate
like that in terms of the fashion part. It's just
when we get regional, when we're talking about LA, that's
when it gets a little the rules get strict for me,
like I'll find something else to match.
Speaker 1 (01:16:42):
I cannot wear the Rivals uniform like that. I agree,
you know what I'm saying.
Speaker 3 (01:16:46):
Like I'm a Dodgers fan, I cannot be rocking l
A the Angel Shit I'm a Lakers fan. I cannot
be fucking with the Clippers merch. I can represent them
in spirit, but I cannot put this ship on.
Speaker 1 (01:17:00):
Said that with the Rams.
Speaker 3 (01:17:02):
I mean, you ain't gonna see me with no Chargers ship, right,
just saying like when it's like that, that's that's how
I look at it.
Speaker 1 (01:17:10):
But like I wear other jerseys, I don't care.
Speaker 5 (01:17:13):
You know its California, like to say, California.
Speaker 7 (01:17:15):
Yeah, I got ship.
Speaker 1 (01:17:16):
I got raided jerseys in my closet. Still, come on,
come on now?
Speaker 9 (01:17:21):
And the O G tone is asking a tell you
what a niner jersey are you rocking?
Speaker 2 (01:17:26):
Uh?
Speaker 5 (01:17:26):
This is a wrapping foe that's right, got his own
jersey phone.
Speaker 1 (01:17:32):
And phone right bo and bo.
Speaker 11 (01:17:34):
We got twag like and you're saying show it to
the legend Forte for blessing us with your presence on
the highest show in the world.
Speaker 9 (01:17:40):
Hope to hope you come again in the many blessings.
Speaker 5 (01:17:43):
Yeah, most definitely, I got contact. I really gonna be
blowing less at the hospital real good, right now.
Speaker 2 (01:17:48):
You know.
Speaker 13 (01:17:50):
The grain sometimes that hot that you know, the contacts
are key. You know what I'm saying, mister in here
is saying yo forte and be real. The movie called
Winner Takes All.
Speaker 1 (01:18:03):
Oh you forgot to be real? Yeah, yeah, you never
told us this be real.
Speaker 3 (01:18:09):
I think maybe that's the movie that I snatched that
check up.
Speaker 1 (01:18:13):
Yeah, yeah, I snatched her up.
Speaker 3 (01:18:17):
That was they wanted me to snatch her by the
hair and drag her out of the room, and I
guess I did that.
Speaker 5 (01:18:23):
Yeah, you did that. That one scene put some raight
gu on the pasta you know what I mean?
Speaker 1 (01:18:28):
What you say?
Speaker 7 (01:18:30):
That was the one that you played the hit man? Yeah,
I think I played that in B Movie Night.
Speaker 1 (01:18:34):
Yeah, I was.
Speaker 3 (01:18:36):
We were out of town for that one where we
had to fly somewhere. I can't forget some other Busville. Yeah, yeah, yeah,
I got to play that guy that was big.
Speaker 1 (01:18:49):
Yeah.
Speaker 3 (01:18:50):
Yeah, you played it on B Movie Night, right, I did? Yeah,
all right to see that. That's right. The fleshbone was
fleshing bone.
Speaker 5 (01:18:58):
Yeah, shide the flesh alright.
Speaker 9 (01:19:02):
Seventies asking it'd be great to hear what taste? First
car was.
Speaker 5 (01:19:07):
My first car wash six six Skylark. Oh wow, California
Special Skylark. It looks like one of these, yeah, exactly,
whole school mm hmmm.
Speaker 1 (01:19:29):
Those are so dope. Those cars are worth money right
now too.
Speaker 5 (01:19:32):
They are. Oh that buick and they clean?
Speaker 1 (01:19:37):
Yep, what color was it?
Speaker 5 (01:19:41):
Black?
Speaker 1 (01:19:42):
You thought red? Bolted thought he was going to say red.
Speaker 9 (01:19:47):
This one is my car right here.
Speaker 1 (01:19:48):
That's the ideal. What Yeah, you know what I'm saying.
Speaker 5 (01:19:51):
Clean.
Speaker 3 (01:19:55):
I might have to change the wheels on it, but
you don't mm hmm. The car itself. It's a bad,
bad machine.
Speaker 1 (01:20:04):
Oh yeah, that's a that definitely can eat it. I
like gas.
Speaker 5 (01:20:09):
I like the car right out right there.
Speaker 14 (01:20:11):
Oh the glasshouse, Yeah, glasshouse is clean. Yeah, yeah, hello,
it's been there for a minute. So yeah, yeah, that's
the one we do the smoke box with. Well one
of them. There's a caddy too, but that one's in
the shop.
Speaker 9 (01:20:26):
Mar bell And here's asking what was it like working
with RBL and Drew down.
Speaker 5 (01:20:31):
Oh it's a family affair, basically, that's what that is.
Family affair. Are well, we go back and Drew we
go back as well, Beard than my neighbors, you know,
loved ones.
Speaker 11 (01:20:42):
Marbelle's also saying, imagine be real, ninety six, be real
in a Xbox three sixty lobby, probably talking some smack.
Speaker 1 (01:20:50):
Talking a whole lot of shit.
Speaker 3 (01:20:53):
Oh man, yeah, yeah, I probably would have got set
off so quick and those lobby lobbies was too angry
back then, Xbox wasn't.
Speaker 10 (01:21:03):
That was the time when you go on tour that
the tour had to be loaded up with like Sega
Genesis or yeah, you know Xbox ps.
Speaker 1 (01:21:10):
You know, yeah, that was the thing.
Speaker 3 (01:21:12):
People were finding ways to rig their system and get
it up. And then when online gaming came on, we
were like trying to figure out how do we get
online on the buses.
Speaker 1 (01:21:22):
You could never do it, no, but you had to
figure it out at the hotels.
Speaker 11 (01:21:29):
Yeah, right, Marbels. And here's saying you guys were talking
about Barry White earlier. He's saying Barry White was an
avalon Gangster Trip.
Speaker 1 (01:21:38):
I believe it was. Yea, yeah, yep, it's pretty crazy. Yeah,
he was a gangster.
Speaker 5 (01:21:43):
He was a g on that mic too.
Speaker 1 (01:21:46):
Yes, he was tried.
Speaker 5 (01:21:47):
Ladies.
Speaker 11 (01:21:48):
Christ Tony's asking Forte, were you in the Too Legit
to Quit World Tour?
Speaker 5 (01:21:55):
No, I wasn't that. I didn't have the pleasure of
being in that tour. But I've got some stops with Hammer,
but uh, not to be not too Legit.
Speaker 1 (01:22:03):
To Quit.
Speaker 11 (01:22:06):
The dad is saying, Yo, Sway got that hip hop
documentary voice. He's gonna be a great communicator for your documentary.
Speaker 5 (01:22:11):
Most definitely, most definitely shout out to Sway again for that.
Speaker 1 (01:22:15):
You know, have you ever been up in here, b Sway?
Not yet, but you know, we hope to land him
when he when he gets to LA at some point.
Speaker 5 (01:22:25):
Most definitely, I think he slid lives out there now.
Speaker 1 (01:22:28):
He doesn't move out here. I think he moved out ship.
Speaker 3 (01:22:30):
I got to you, Yeah, he's been doing out here actually, yeah,
because they got studios here that they could easily do
you know the Sway's universe.
Speaker 1 (01:22:39):
Yeah, mister Chuck was just a guest on his show.
Oh I got to reach out to him.
Speaker 7 (01:22:43):
Yeah, y'all.
Speaker 11 (01:22:45):
Sway Burns thirty two is saying, Yo, Bobo, your dad
did a redid Love's theme by Love Unlimited.
Speaker 1 (01:22:53):
Yeah he he We did that song.
Speaker 6 (01:22:55):
Uh didn't record on an official album, but it's it's
out on Spotify and Apple Music right now.
Speaker 1 (01:23:02):
He did it live on this show called a Black Omnibus.
Speaker 3 (01:23:06):
Your dad did a lot of covers, right yeah, yeah,
he wrote his own ship, but he also did a
lot of covers, right, his father's name, Willie.
Speaker 1 (01:23:15):
Willie Bobo is a jazz Latin jazz artist. Yeah. Uh,
he did.
Speaker 6 (01:23:21):
I mean covers from the Beatles, He did big covers
Verry White all. I mean, he was just into his ear,
was into what the young peoples were doing. He was
just trying to let this sound sound in it.
Speaker 3 (01:23:33):
That's what That's what he sure was that. Hey, look,
I'll tell you what I was telling Bobo. I was
listening to his to his father's catalog not long ago,
and there was a song where he does this breathing
ship where it's like some ship like I can't I
can't really do it how he was doing it, but
(01:23:54):
you could totally see how it influenced, you know, certain
ship and like the eat boxing thing, Like there's a
certain like breath pattern he was doing on this one
song and you could see how it influenced certain aspects
of that ship. Like I think I think there was
even somebody who sampled that that breath part, right.
Speaker 1 (01:24:15):
I think so, yeah, yeah, yeah, I don't remember who
that was. What song was that again? Oh man, it
could have been even like Q tip or something like that.
I don't know.
Speaker 3 (01:24:25):
No, No, I meant the song that that your father did.
Oh ging, Yeah, he does this breathing thing like it's
a rhythm, like it's like a shaker, but he's doing
it with his breath. And this is before any Bobby
McFerrin or beat box shit happening.
Speaker 1 (01:24:44):
This guy's father was doing that ship that's dope. Yeah.
Speaker 3 (01:24:47):
I just thought I'd give him the flowers for that,
because yeah, yeah, he did his thing. Man, it was
before Atomic Dog.
Speaker 1 (01:24:57):
All that.
Speaker 6 (01:24:58):
I mean when he would do that song live and
then he was really playing it up to the ladies.
Speaker 1 (01:25:05):
He really did so oh yeah, it's played up. Oh
my god, just played it out. He played it up. Man.
Speaker 10 (01:25:12):
That version became like a fifteen twenty minute version because
he's out there breathing.
Speaker 1 (01:25:19):
Oh yeah, he's women's Yeah, yeah, I heard it.
Speaker 3 (01:25:23):
I heard it. That shit is crazy. I was like,
that's where they got this shit from. They got it
from him. Cool pops, yep, all right with you.
Speaker 9 (01:25:33):
Fernanda's asking Forte, do you have any mac dre stories.
Speaker 5 (01:25:38):
There Back in the day, mic Drey popped up right
in the gutter of the ghetto and picked me up.
We went to the studio and I mean we had
a ball. It was real big matter of fact, sugar
Free popped up too as well. We was doing our thing.
(01:26:00):
Was like, uh was we was this and you know
it was it was a nice experience. I appreciated it.
It was like, Uh, in my neighborhood, you can just
pop up at this certain individual place like this. And
he just popped up like a pop tart folk thee
what's going on? Man jumped in and so he was
on the road for a few days, just getting money
(01:26:20):
and doing our thing. Man resting peace. Mc troya missing.
Speaker 11 (01:26:26):
And I kind of like that missile was saying my
alphabets on the Genie of the Lamp album. Yes, you're saying,
this is my jam right here.
Speaker 5 (01:26:34):
That's the one me and him and sugar Free abcpuh medicine.
Speaker 9 (01:26:41):
And here's asking him. Have you ever experienced anything paranormal?
Speaker 1 (01:26:47):
Any spirits at the UFOs?
Speaker 5 (01:26:50):
I'm not smoking on some real good wed one time
and I thought I saw UFO pretty much.
Speaker 3 (01:26:57):
Well ship up, dorth y'all probably see them up in
the forest area, you know what I'm saying, because there's
not so much light.
Speaker 1 (01:27:06):
But yeah, yeah you might. You might have saw one,
or it could have been the weed could have been
a weed.
Speaker 9 (01:27:16):
It's gotta be up there, right.
Speaker 11 (01:27:17):
There's a lot of forests up there, right, a lot
of nature, and you could see a lot of ship
up there compared to like l A.
Speaker 9 (01:27:23):
I would assume exactly.
Speaker 3 (01:27:25):
There's not a lot of light pollution out there, m
And I would imagine that people see a lot of
orbs up over around there, like that ship we were
talking about the other day, that that they launched a
missile at the orb and the fucking minsil missile bounced
off the orb and broke into pieces and the orb
(01:27:46):
just kept flying. It was off the coast of Yemen.
It just happened like a few days ago. This is
it right here. See look at that boom. The missile
just bounces off, breaks up a little bit, and the
thing just keeps going.
Speaker 1 (01:28:02):
You know.
Speaker 6 (01:28:02):
The thing is that it didn't explode, right, It isn't
broken to pieces. They didn't even activate it.
Speaker 5 (01:28:08):
It's crazy.
Speaker 3 (01:28:09):
Well, I would imagine that or probably got something that
deactivated the ordinance that's in there so that it wouldn't explode,
and it just bounced the fuck off.
Speaker 1 (01:28:21):
And that's crazy.
Speaker 3 (01:28:22):
That is they actually it's crazy that they actually tried
to shoot it out of the sky because they've been
trying to shoot none of these things out of the sky.
Speaker 5 (01:28:32):
Right, just let them land.
Speaker 11 (01:28:35):
M Does that kind of scare you a little bit
that they're taking shots at UFOs, that they have no
idea what it is like it's going to come after us.
Speaker 3 (01:28:46):
This meant this is meant for you to ask that
question and then answer back to say, this is why
we need to develop weapons to protect ourselves against whatever
this is.
Speaker 1 (01:28:58):
And guess what they are got those weapons.
Speaker 3 (01:29:01):
This is just now their chance to start introducing those
weapons to us. It ain't really for them either, it's
just for them to have new weaponry that's.
Speaker 1 (01:29:11):
Like advanced, super advanced.
Speaker 3 (01:29:14):
Yeah, well let us show you how we could shoot
these things out of the sky now, yeah, because they've
already had the ship reverse engineer to be able to
do that. But you know, questions were like, well when
did you do that? And where was the money for that?
And exactly where'd you like how did you figure this out?
(01:29:35):
And it's questions they don't want to answer ever.
Speaker 5 (01:29:37):
So I'll never answer.
Speaker 6 (01:29:39):
Well, they need to work take them to the ground
to keep on working on those missles because this shit
is bouncing.
Speaker 3 (01:29:45):
Off well, that's what I'm saying to you, Mobo. They
did that on that shit on purpose to show people
that what we have now doesn't work. This is an
excuse for them to break out that new technology that
they got, but we ain't seen it.
Speaker 7 (01:29:59):
And you notice every video they ever released were we
live in an eight K world? But it's always some
black and white, nineteen twelve looking fucking video that they
give us.
Speaker 3 (01:30:08):
Come on, well, well there, I think I think their
cameras are like they're they're not nineteen twelve, they're not black.
I mean, they're black and white, they're you know, so
funny crazy.
Speaker 7 (01:30:20):
I'm just saying, bro, give me something high deaf.
Speaker 1 (01:30:23):
I might four K or not.
Speaker 6 (01:30:25):
You know, you get TVs and now eight K and
all this kind of stuff, and then you're giving me
some nineteen forties shit.
Speaker 3 (01:30:31):
Yep, Well they didn't have that in the nineteen forties, Bro,
that's bit eggs right there. Well maybe nineteen sixties, yeah,
nineteen sixties they might have had something, might have, but
probably not even then yet.
Speaker 1 (01:30:46):
Yeah, Yeah, settled doubt.
Speaker 11 (01:30:50):
Oh I loved him kills us saying, Yo, your second album,
don't fight the feeling. That's one of my favorites and
it's no skips at all.
Speaker 5 (01:30:57):
Right, at all, no skip, you sketched just all the
way through.
Speaker 1 (01:31:02):
He said that we conviction, no ski that's right.
Speaker 5 (01:31:06):
Yeah, one, I love telling him shout out one love
to him.
Speaker 1 (01:31:09):
That's like, I appreciate that. That's classic material.
Speaker 11 (01:31:12):
Right there, drums are saying, Yo, I was listening to
Forte's Players Club in nineteen ninety from ninety four. He's saying,
I've been down for over thirty years.
Speaker 9 (01:31:22):
That's what's up.
Speaker 5 (01:31:23):
Oh, and I appreciate that man's I love him speaking.
Speaker 1 (01:31:25):
Of that's right.
Speaker 5 (01:31:28):
Uh.
Speaker 11 (01:31:28):
Flex Luthor's saying, Yo, slup to the Bay legend Forte
and my favorite stash. My weed is saying, Forte, have
you ever worked with Desi hollow Dy hollow.
Speaker 1 (01:31:38):
No.
Speaker 9 (01:31:39):
They're saying he's been working with a sugar Free saying,
you guys would have a dope collab together.
Speaker 5 (01:31:44):
Dazy hallo, dassy hollo. I know you're talking about we haven't.
We haven't recorded anything. We should. It'd be a beautiful thing.
It'll be a nice collab.
Speaker 2 (01:31:55):
Yo.
Speaker 11 (01:31:55):
C Minus your mom is in here saying War was
the group that put my son C minus on stage
age at the age of three.
Speaker 15 (01:32:01):
Wow.
Speaker 9 (01:32:02):
Yeah, the War started it all.
Speaker 1 (01:32:04):
Yeah, that was the first whole story. Your musical journey
starts with war.
Speaker 7 (01:32:09):
You leave that shit out?
Speaker 1 (01:32:10):
Yeah yeah yeah. When did she tell you that story
for the first time. I think it was because at
three you didn't remember.
Speaker 2 (01:32:20):
No, no, no.
Speaker 8 (01:32:20):
I think it was like when I was a teenager, probably,
you know, you know, I think when I was I
think it was when I tripped out that Mellownce used
Galaxy right in ryin Fider right and I was like, oh,
I love this, like and I was like I remember
this song. And then my mom was like, yeah, you know,
(01:32:42):
well I took you to see him at three years
old and you got on stage and like danced.
Speaker 1 (01:32:46):
I was like, what that's all. That's big and so yeah,
I've always liked so you've always had a connection to War.
I love it man.
Speaker 2 (01:32:54):
Yeah.
Speaker 1 (01:32:55):
Wow, that's awesome. Yeah, great story, loot mom love you.
Speaker 9 (01:33:03):
And the last one so far, Jason is saying, yo,
b I saw you guys.
Speaker 11 (01:33:06):
I was there in nineteen ninety three at the MTV
Daytona Spring Break concerts ain't been a fan for life?
Speaker 1 (01:33:12):
Oh oh I got oh yeah yeah that concert. The
Dayton of the MTV Raps.
Speaker 8 (01:33:18):
Daytona dude lives in infamy for like me chock, you know,
like it was one of those because I was such
a hardcore your MTV rap fan and you guys were
all in one place together, every one of our favorite
artists is one place forever, and.
Speaker 3 (01:33:33):
We all hit the stage together like we all supported
each other's sets, like they all came out for our set,
we came out for Naughty's set.
Speaker 1 (01:33:43):
Because everybody was playing. Those spring breaks were the shit.
Speaker 3 (01:33:46):
That was the first time I broke out the little
baby fro, you know what I'm saying. I was wearing
hats and hoodies and beanies all up until that point
when I thought it was like, you know enough, and
then I busted out for the first time.
Speaker 1 (01:33:59):
There, yeah, he went.
Speaker 3 (01:34:03):
And that's when we used to take our bucket hats
and and and get and get them custom on there,
like we'd have the Cypress Hill ship here and then
something on the bill like I can't remember what send
Dog had. But I stopped wearing the hats at that
point because I was growing the hair and I could
not wear the hats anymore.
Speaker 4 (01:34:22):
Oh manet it said Cypress Hill and buddhas something right there,
and we were wearing car heart jackets Daytona spring break
at the beach.
Speaker 3 (01:34:35):
We're timbos. The other day we got Timbo's car heart jackets.
Well everybody out there got beach gear on his ship.
But all the hip hop groups, you know, we all
we all were in heavy ship because we weren't like
thinking spring break, you know what I mean, no one
was thinking that. We were all thinking, you know, hip
(01:34:57):
hop style, We're like going into baggy clothes. And the
Timbo in the big jackets, like we weren't the only ones.
I mean, look at uh.
Speaker 4 (01:35:07):
Ed Lover and and uh Dre are wearing having New
York ship because that was the look.
Speaker 7 (01:35:14):
That was was the look like that was the best
clothes was winter clothes. Yeah, the jackets, the hats, everything.
Speaker 3 (01:35:21):
And that was the original cypresshilled tomato face shirt that
I'm wearing right there and had the white outline with
the green leaf red face rocking and frow too little
baby fro And there goes FM.
Speaker 1 (01:35:34):
Look without the mask to my right, FM right there,
Damn you mask your frank Frankie young masks.
Speaker 3 (01:35:46):
You know what I'm saying. In case you ever needed
to know. He's right there. You want to cover his
face right now? Go ahead, you know what I'm saying.
Speaker 9 (01:35:56):
All right, and that seems to be it so far.
Speaker 3 (01:36:00):
Thank you for thank you for your super chats. We
know more come as we go, so when we see them,
we'll take them. Salute to all y'all. Sale, we're about
to get into submissions.
Speaker 1 (01:36:09):
Let's go what subpicious subpicious slash supicious suici you can't
help it?
Speaker 11 (01:36:37):
Yeah, yeah, shout to the brisket King. The Dominator was
actually visiting the briskt King yesterday. Show to Bart's barbecue.
Speaker 7 (01:36:47):
There.
Speaker 1 (01:36:48):
Shout to the Barts and your two late Cholestril. You
gave brisk it a bad name.
Speaker 2 (01:36:57):
Let me know what you think of it.
Speaker 1 (01:37:04):
What do you mean to the great show?
Speaker 5 (01:37:07):
Well, thanks for coming light, dom I don't know if
you want me to.
Speaker 1 (01:37:10):
Say, he's the brisket King. That's that's something right there.
Speaker 3 (01:37:16):
Here.
Speaker 9 (01:37:16):
Let me show you the let me show you the
French dip over here, my.
Speaker 3 (01:37:19):
Man, right there is the brisket King. You know what
I'm saying, Oh my god, get bad. Next time you
in town Fote and you come through this show. We're
gonna have him here with some of this ship so
that you could, like, you know, witness the greatness of
(01:37:39):
the brisket king.
Speaker 5 (01:37:41):
He is.
Speaker 1 (01:37:41):
He is the king of the hate brisket. You know
what I'm saying.
Speaker 3 (01:37:46):
He hates doing this, but because he hates it, there's
a little bit of extra salt and everything he does,
and you know, it just tastes terrific.
Speaker 1 (01:37:56):
Okay, some people make it love. He makes it with hate.
Speaker 5 (01:38:01):
Ye hate, WHOA put some love on it?
Speaker 1 (01:38:04):
Yeah, word, It's it's more that he hates to do
it good. Like fuck, this is a lot of work.
God damn. I hate this ship, but I'm so good
at it.
Speaker 3 (01:38:16):
Goddam that would be You know, that's the gift in
the curse, that you're great at something, but you hate
what you're great at, right, curse, Man, I hate that.
I wrap so goddamn good son of a bit, but
I gotta do it. I can't, God damn it, I
can't stand myself. Goddamn it.
Speaker 1 (01:38:37):
Brown on him.
Speaker 11 (01:38:42):
Right, and he's gonna be having an album release party
on the September twenty fifth in downtown l a open bar, food, smoke,
Good Vibes, have one hundred spots open for fans go support.
Speaker 15 (01:38:54):
Oh yeah, a real one, yep, and he drops them
bars a good one. Yeah all right.
Speaker 11 (01:39:08):
We got our boy mb in here saying, thank god
it's Friday, y'all chilling out after work. I got me
the chocolate and strawberry swirl from Wendy's.
Speaker 7 (01:39:15):
Okay, Yeah, they got crazy flavors now, yeah, bro, like
a crazy amount.
Speaker 1 (01:39:22):
Weddy's trying to compete with McDonald's.
Speaker 7 (01:39:24):
Man, they got these combos, some crazy ones.
Speaker 1 (01:39:27):
Their Frosty's are slicious. Yeah, Wendy's Frosty is still Grade
eight to me.
Speaker 9 (01:39:31):
Shaking ship NBA, and you got those new Ports right there.
Speaker 1 (01:39:35):
He got you got them new pimps jumping off no
way right after the shake. It's a fucking menthol man.
Speaker 9 (01:39:45):
God, a little stig and some ice cream.
Speaker 3 (01:39:48):
I had older homies that would smoke the new pimps. Man,
that ship smelled horrible, old my al out of the men,
but y'all do it.
Speaker 7 (01:39:55):
You put one green one started with so it's Newport one.
Really Wow, everybody smoked Newports?
Speaker 1 (01:40:03):
Any Oh my god? That god bless y'all.
Speaker 11 (01:40:08):
Most of your guys is like friends or like parents
and everything. That they smoke like we're growing up.
Speaker 7 (01:40:13):
Absolutely in my name. But everybody smoked.
Speaker 3 (01:40:15):
Ye see that ship that See my mother was a
heavy smoker. That's what turned me off from it, because
she was like a fucking chimney rest in piece. She
quit smoking in her forties.
Speaker 12 (01:40:25):
But either my mom would be going at it. It
was all all red filtered. Oh wow, yeah, yeah, I
hear you.
Speaker 7 (01:40:42):
My grandfather smoked Chesterfield no filter.
Speaker 1 (01:40:46):
On some exotic ship.
Speaker 7 (01:40:48):
Yeah no, it's trash.
Speaker 1 (01:40:51):
Yeah, it's cheap. They're not good.
Speaker 7 (01:40:54):
They're not good at all.
Speaker 6 (01:40:56):
No.
Speaker 9 (01:40:57):
Wait, so these were like hardcore cigarettes.
Speaker 1 (01:40:59):
But yeah, yeah, you just brought me back.
Speaker 3 (01:41:06):
It says where particular people congregate, that's.
Speaker 1 (01:41:10):
Man, that's in peace.
Speaker 2 (01:41:13):
Mom.
Speaker 10 (01:41:13):
But man, he was smoking a heavy duty and you
know what, she would take that cigarette. He said, let
me try your weed.
Speaker 6 (01:41:21):
And then she take out a little tobacco from the
tip weed and says, if I can.
Speaker 7 (01:41:27):
Feel that weed through all this tobacco, you got some
good ship.
Speaker 1 (01:41:32):
Oh wow, And that's real.
Speaker 4 (01:41:35):
It's the way of sneaking in a high right there
without like let you know that she likes to get high.
Speaker 1 (01:41:42):
That's tight.
Speaker 11 (01:41:44):
Yeah, anybody in Vegas, if you need an uber driver
Trace posted this up on his Instagram.
Speaker 1 (01:41:50):
Did you say that Vegas?
Speaker 2 (01:41:52):
Did?
Speaker 9 (01:41:53):
Vegas?
Speaker 1 (01:41:54):
Wow?
Speaker 9 (01:41:56):
My name is Tracey and I'm your uber driver.
Speaker 1 (01:42:01):
First of all, he's got that rory popping off.
Speaker 4 (01:42:03):
That's the Trace from the Bay Trice Trace Dog, Tray
Tray Vegas.
Speaker 9 (01:42:09):
You probably only fit one person in there, right, Yes.
Speaker 1 (01:42:12):
Like magnum p I a little person. Yeah, he's too
tough for that ship.
Speaker 2 (01:42:20):
Yeah.
Speaker 5 (01:42:22):
First Dog always had a nice collection of cars.
Speaker 1 (01:42:24):
Though, Yeah, he keeps that one in nice shape.
Speaker 11 (01:42:30):
All right, all right, mister do you saying, uh yo,
I found this poster from nineteen ninety four Cypress Hill.
Speaker 8 (01:42:36):
Yeah, oh wow, Crash Test Dummies, you play up um
play show with Humble?
Speaker 1 (01:42:43):
Well you guys played the show with chumber wom but
that is yeah, we did. And York. Yeah, we were
actually very cool with b York. She was like our homegirl.
She would show up.
Speaker 3 (01:42:54):
She would show up to some of our shows, much
like Eric about doo Wood like. She would show up randomly, randomly,
and she partied with us several times, like York is.
Speaker 1 (01:43:06):
How pain? That's sick? Blur? Do you guys play it
on the same day with Blur?
Speaker 3 (01:43:11):
Had crash out Africa. Oh, we were playing high high
you know, like high end, top notch gigs at these points,
like in terms of our our placement on festivals.
Speaker 1 (01:43:28):
Oaken Fold.
Speaker 8 (01:43:30):
He was, you guys played the show with chumber One,
but you guys got to hear that live get Knocked Down.
Speaker 1 (01:43:40):
Well, I don't know if I I don't know if
I listened to any of their sets. Did we did play?
Speaker 2 (01:43:47):
What was that?
Speaker 3 (01:43:47):
A Scotland? Scotland? That's when we used to visit Scotland
more often. Yeah, and and Ireland used to go there
a lot.
Speaker 6 (01:44:01):
And those those festivals back then, Soul Classic with all
those groups.
Speaker 1 (01:44:08):
I mean, that's just one of them out of the
many that we did. Man man ain't nothing like it.
Speaker 3 (01:44:16):
Getting to see Bjork was crazy. Yeah, she puts on
a crazy show. Yeah a slute.
Speaker 1 (01:44:24):
All right?
Speaker 9 (01:44:24):
We got the the Dominator in here, he's saying.
Speaker 11 (01:44:26):
I was walking through the store and I and thought
of when we were talking about the spam on the
show the other day, I thought this could be a
good album cover for the band, called canned Meat.
Speaker 1 (01:44:38):
Can an album cover instead of candy heat. I love that?
Speaker 3 (01:44:42):
Yeah, can meat look about spam?
Speaker 1 (01:44:47):
Yeah?
Speaker 3 (01:44:47):
Yeah, you didn't you didn't see that last week, Drake.
We thought Trace would love this maple spam. You know
what I'm saying, spam.
Speaker 1 (01:44:55):
Wow, I give that a shot. Turkey spam.
Speaker 9 (01:44:58):
Yeah, what about the Great Valley?
Speaker 1 (01:45:00):
You one?
Speaker 7 (01:45:00):
No no.
Speaker 1 (01:45:05):
Donkey donkey means yes, all right. Question that should have
a question markam light? What does that mean? It's got
less sodium?
Speaker 10 (01:45:26):
Yeah, but that's not the one that I get. You
can get the low so it's the low sodium. Maybe
that's just a different way to market low sodium. Well,
because they have it next to the light or near
the light. Additive, it's separate.
Speaker 7 (01:45:41):
Some things have so high sodium they have to say
less sodium less low. Yeah, because it's still real high.
Like I see what you're saying and call it low
sodium is lower or lesser less, still high even at
the low mark.
Speaker 1 (01:45:56):
Wow.
Speaker 7 (01:45:56):
Yeah, you can't advertise for it has to be under
certain what's that? What?
Speaker 3 (01:46:00):
There's a what's that ship? That's the replacement for it.
It's not soy sauce, but it's like a replacement for
what's it called. It's h fuck, I forget what it's called.
It sounds like a vitamin, but it's not a vitamin.
Awesome sauce.
Speaker 1 (01:46:18):
Awesome sauce. I wish it was that easy. No, it's
not tomorrow, Amino. There you go. Boom.
Speaker 3 (01:46:27):
Liquid means fish sauce. Liquid aminos is a good replacement
for soy sauce. Really yeah, try it, Try it, my friend.
Try it with the sushi.
Speaker 1 (01:46:38):
Yeah.
Speaker 3 (01:46:38):
Yeah, you could do it with sushi sushi and put
them with sabi in there. It's say it's it's pretty close.
Try it liquid Amino Limano. It's like a brownish type bottle. Beerry,
show the bottle just so that these gentlemen know what
the fuck we're talking about. If you want to lower
your sodium, this is it right.
Speaker 9 (01:46:59):
Here in stores.
Speaker 3 (01:47:00):
Yeah for real and meos, Yes, do yourself a favor.
It still has the same flavor. Sure, I mean no,
Look with that look on the bottom right, it looks
like a like an energy dramtage.
Speaker 1 (01:47:20):
Yeah. Yeah, that's not the one. But you know what
I'm saying. Do you go ahead and try that?
Speaker 3 (01:47:28):
If you let you know, put soy sauce on your
rice or whatever you put, use soy sauce for that
ship right there right there, right there. If you don't,
if you ain't trying to have the less sodium or high.
So you know, if you ain't trying to have none
of it, that's it right there, All.
Speaker 11 (01:47:45):
Right, Julian, here's just saying I want to thank be
real in Psycho less for bringing the jams after the
show yesterday show to all the fifty one fifties listening
and everyone at the table who has me laughing on
the daily, Thank you guys.
Speaker 1 (01:47:57):
So much, Thank you very much.
Speaker 3 (01:47:58):
I had I had a felt like I had a
decent mix yesterday, you know what I'm saying, So thank
you very much. I had a couple of a couple
of different mixes in there, so yes, thank you very much.
And yes, let's did his thank salute to Psycho Leazy
Psycho Lazy.
Speaker 11 (01:48:17):
Sophia is saying a good to see Bay Area legend
at the table salute de Forte and she's saying b
needs to get Andre Nicotina aka Drey Dog on the
show much loved to the highest show.
Speaker 5 (01:48:28):
Absolutely Catina, shout out to Dre just a loved one.
Speaker 1 (01:48:32):
Yep, yep, and big show to Alex R.
Speaker 9 (01:48:34):
Seventy, thank you for the super chests salute and that
seems to be it salute.
Speaker 1 (01:48:40):
Thank you very much for your submissions.
Speaker 3 (01:48:41):
Keep them coming to be Real TV Contest at gmail
dot com and we put them on.
Speaker 1 (01:48:47):
We appreciate you one thousand percent. You know what I'm saying.
Speaker 3 (01:48:53):
Yeah, man, it's Friday. What's your plans for the weekend? Bobo?
What you doing?
Speaker 6 (01:48:59):
You know there's some rehearsal time that's going on. You know,
go and play a little bit, going bike ride or no,
going grill.
Speaker 1 (01:49:07):
You know, we'll do some things, all right?
Speaker 2 (01:49:11):
Right?
Speaker 1 (01:49:11):
How about your forte You got anything popping this weekend?
Speaker 5 (01:49:14):
I'll probably stop by. I see a few family members
after your show. Yeah, give me some barbecue. What have
we kicked back? Wig with my toes on the make rug?
Speaker 1 (01:49:24):
That's right? You make sure that's right.
Speaker 3 (01:49:30):
Make sure you go check them out at the Toyota
Center tomorrow night. If you're in the area, wanna check
that show out. Make sure you go check them out.
How about you, Kelli Blaze? What you're doing this weekend?
Speaker 7 (01:49:42):
I don't know, dependably my stupid back. If my back
is good, I'm actually supposed to ride recite sallabilities on
Saturday night. There's an event in LA that I think
Droe with somebody was talking about they were going to
be there. So I think it's in Wittier some event
Saturday night, So hopefully, nah, bro, I ride with I'm
in love and represent But you know, to go, if
(01:50:02):
you're going to be part of an MC, you gotta
go through a certain uh hierarchy whatever you want to
call it. And I'm not you know, I'm a grown
ass man. I'm not going to get you fetch people's
drinks and watch the bikes and ship like that, like
you got shop when you're young, Well crazy, wash my car?
Yeah no, no, but you like.
Speaker 1 (01:50:21):
That's the way. That's if you're if you're coming in.
Speaker 7 (01:50:23):
Yeah, if you're gonna do it, yeah, you have.
Speaker 1 (01:50:26):
To pay the dues. Yeah, correct.
Speaker 7 (01:50:27):
So I love riding one of those of my homies
and love representing for them, you know.
Speaker 1 (01:50:31):
Yeah, squard up. How about you see what you got cracked?
Speaker 8 (01:50:36):
Uh, you know, getting a little more practicing, do some
and go to a couple of record stores.
Speaker 1 (01:50:43):
I'm gonna go. I'm looking for a few things, right
record Yeah, bring it all?
Speaker 2 (01:50:51):
Right?
Speaker 5 (01:50:51):
What you got, pime baby?
Speaker 2 (01:50:55):
I don't know?
Speaker 3 (01:50:56):
Man, soaking to you saying if I could get my
jacuzzi working bobo. I think I figured it out. Yeah,
I think I finally got it figured out, because you know,
I don't use this ship. You don't have my jacuzzi
for years, and I maybe used it twice in the
sixteen years i've been living.
Speaker 6 (01:51:17):
Man, I'll be reminded him. I'm like soaking trying to
figure this ship out. I'm bad used by what you said.
Too many things not working. They're probably all on the
same fuse and you got a bad fure. No, no,
I figured it out. I was turning too much ship off.
Speaker 7 (01:51:34):
Yeah, overloaded.
Speaker 3 (01:51:37):
And I've figured out the combo now, so I'll try again,
all right again, man, I might go bowl a few games,
you know what I'm saying.
Speaker 1 (01:51:45):
I might go take my bow and arrow out, you know,
get some target practicing.
Speaker 3 (01:51:49):
I don't know, man, I'm still undecided, all right, but
I got a couple of options, you know what I'm saying.
And your daughter still do the archery thing together, yeah,
well I was on tour, she was still doing it.
I thought about taking it on tour, but we just
didn't have enough time to do shit. I mean, we
bowled a couple places, but the schedule was just like
(01:52:11):
you know, drive into the day off, and you know,
like you're getting off a bus, you don't want to
just immediately go do something. You're like, fuck trying to
hit that bed and get a little bit of rest
because those bunks are unforgiving. So you know, we didn't
get a chance. So I'm you know, I would have
just bring brought it out and not used it. But
(01:52:32):
like now that I'm home, yeah, I'll get back out
there and start. Good that she kept doing it. Yeah
she's uh, yeah, she's good. She shoots left handed. I
shoot right, and I thought I'd be the one shooting
left handed, but no, happened the other way around.
Speaker 1 (01:52:49):
It depends on your eye.
Speaker 3 (01:52:50):
You do this certain test and it'll show you which
eye is your dominant eye that you look from when
targeting something.
Speaker 1 (01:52:57):
You know what I'm saying? All right, you got anything
else for us? All right? Make sure you check out
the mix right after.
Speaker 3 (01:53:03):
This on be real TV two on YouTube right, or
you can check it out also on Twitch.
Speaker 1 (01:53:11):
Be underscore Real tv is the place for that.
Speaker 3 (01:53:13):
For all y'all people on Twitch, and for y'all watching
on the home site www dot real dot tv. It'll
be there too, So salute to all y'all. Salutes everybody
watching us on X today. You could come join the
party and come check out these mixes because they be
hitting and want thank wrapping Forte for sitting at the
(01:53:35):
table with us first of many times.
Speaker 1 (01:53:37):
Salute, Salute, you know what I'm saying.
Speaker 3 (01:53:39):
Pleasures allmine you You check that documentary when it pops off,
check the new music, and make sure you buy tickets
to the show tomorrow night.
Speaker 1 (01:53:49):
Definitely word up. You got any shoutouts you want to give.
Speaker 5 (01:53:52):
Shout out to everybody out in La on La fans
and family out there. I'm a loyal fans and y'all
check me out out the real rapper Fota on Instagram
and hey, my love to be in the family here,
Doctor Green Thom, you know.
Speaker 1 (01:54:10):
What I mean. That's what's up, Sea Months.
Speaker 8 (01:54:14):
Shout out to everyone here the Tale Forte Pleasure, Uh Blaze,
Bobo b Treehouse Crew, Dom Bolton and Ray. Shout out
to Aton, shout out to Hobby Lopez, shout out to Dreux,
shout out to EA Zone A shout out to you
for hanging with us and watching. Follow me a C
(01:54:36):
minus fan four on all social media's and I'll see
you guys back here on Monday.
Speaker 1 (01:54:43):
What Up Bobo? All right?
Speaker 6 (01:54:45):
Catch me on the socials on I G Eric Underscore
Bobo on Twitter ex Eric Bobo and also Discord Bobo's
Corner and Insane Asylum FOT thank you very much for
coming through. Is a pleasure honored to meet you here
and people here at the table. Big ups to the
(01:55:06):
Treehouse crew everyone that supports the show. Big ups to
everybody that joined for special B Movie Night and the
Discord mods at and see Lorrain and all that. Thank y'all.
We'll see you next week. Snacks and I we say.
Speaker 11 (01:55:27):
Bud show at the Insane Asylum Show, to Ray Morning
Shot Film Show, to the Dominator Show, to Forte for
coming through.
Speaker 9 (01:55:35):
It's awesome having you on here. And what up Blaze shot.
Speaker 7 (01:55:37):
Out everybody here at the table, shout out to Forte
for coming through and kicking it dope avn here find me,
Cali Underscore Blaze or Cali Blaze down that much love.
Speaker 1 (01:55:50):
Stand one hundred percent on your faith even when you're tested.
Swallow that
Speaker 7 (01:56:05):
The real DV
M flamer. This video, like all videos seature on the channel,
is definitely intended for a turel auience. This videos least
sample fling language contain is appropriate for video.
Speaker 2 (00:06):
It's not for kids.
Speaker 3 (00:25):
Again again, I'm sorry, we're off the chain already.
Speaker 1 (01:12):
You don't ship happen with.
Speaker 3 (01:14):
The Doctor Green Dumb Show Live on Twitch, Discord, YouTube
x and the home site www dot real dot tv.
Speaker 1 (01:21):
What it be like to my right, I got mister
Goodlight d J C minus up in here. Happiest Friday
to you all.
Speaker 3 (01:28):
Yeah, man, we have the iconic one Eric Big Drum
Bobo in the buildings. We have the Treehouse Crew up
in here, both in Blombo Brah Bron the Dominator. We
have the concentrate Kick Cali Bla, and we also have
our very.
Speaker 4 (01:48):
Special guest, the legendary Rapping Bote up in here.
Speaker 3 (01:52):
Yeah, as y'all say, up there, Ye, how you been man, blessed?
It's good. It's good to see you up in here.
Speaker 1 (02:03):
Man.
Speaker 3 (02:03):
We've been hoping to get you up in here for
a long time now. And we you know, we've gone
back and forth on you know, the Twitter and and
and uh and I G for songs and stuff like that,
So it was just a matter of time before you
came up in here.
Speaker 5 (02:18):
Man.
Speaker 3 (02:18):
It's good to have you up in here, right o.
Man uh, I want to stay off top. Thank you
for the invitation for being on that joint.
Speaker 1 (02:30):
That you sent.
Speaker 3 (02:32):
It was pretty tight and I don't know if you're
ever gonna use it, but if you do, it's banging
like there's a there's a track that he said over
that had Talib Kali on it. I don't know if
you remember that, and Talib spit a hot one on there,
and I was like, okay, I got to hear him
go first. So I was like, yeah, I'll squeeze off
(02:57):
on this one, as Psycho Les would say.
Speaker 1 (03:00):
And it's a dope joint. Man.
Speaker 3 (03:02):
Hopefully one day y'all get to hear it. But you've
been doing a lot of work as of late, right.
Speaker 5 (03:06):
Yeah, I've been working on you know, working on a
documentary right now, How the Life is a player It's playstone,
you know, coming up in the Bay Area and from
down to then and to now, you know what I mean?
Speaker 1 (03:18):
How long you've been working on the dock now, I've.
Speaker 5 (03:20):
Been working on the floor. Me and Lisa list A
year now.
Speaker 1 (03:25):
Yeah, long overdue, right.
Speaker 3 (03:27):
I think it's it's great that you see a lot
of these hip hop docs coming out about artists and
their movement and how it sparked and and all the
others it influenced, right, you know what I mean, Because
that's important because these days, you know, you've got all
these youngsters that don't necessarily do their student of the
game type of shit the way our generation did exactly.
(03:49):
We had a homie up here yesterday that is totally
about that, you know what I mean. But like it's
far and few between seeing these young cats. So when
documentaries like yours comes through, it helps, you know, young
artists with the understanding of how your spark started exactly,
you know what I mean.
Speaker 1 (04:07):
And I think that's everything.
Speaker 5 (04:08):
Yeah, that's everything. That's what it's all about, you know,
you know the trials and tribulations, dot in the eyes
and crossing the t's and just you know learning the game. Basically,
you know, technology done took over so much.
Speaker 3 (04:18):
Is like wow, yeah, I'll say this though, it makes
it easier for us now to like actually tell those
stories because like even if we wanted to do it independently,
like let's just say you don't have a film company
like investing and telling the story.
Speaker 1 (04:34):
You could utilize resources.
Speaker 3 (04:36):
Right now as it stands with all this technology where
you can get it off and then like sell it
to somebody later or put it put it out independently,
right And I think that's the great part of it.
Who were some of your influences coming up like that?
Like that sparked you into like getting into the into
the rap shit.
Speaker 5 (04:56):
One of my main influences my brother too Short No
Todd Shaw. Yeah, he put me on with the Dangerous crew.
Just old school individuals, like I want to say, Teddy
Pendergrass Stylistics and all the smooth mother all the smooth motherfuckers,
(05:21):
you know what I'm saying. In the game.
Speaker 3 (05:22):
Yeah, I could see that because it's crazy because like
if you if you listen to to the rap shit
at that time, coming from the band, coming from La
it was two different sort of vibes. Obviously, one was
more hardcore, aggressive and one was more smooth and laid back,
you know what I mean. And I could I could
(05:43):
totally see that in terms of the in terms of
the influences and ship exactly.
Speaker 6 (05:48):
Yeah, why why do you think that was that it
was like the smooth route you know that that was
coming up from the Bay.
Speaker 7 (05:56):
Well, I don't know.
Speaker 5 (05:58):
I guess it was just being you know, lay back,
old school me and myself speaking for myself, you know,
listening to old school you know music and et cetera.
You know, it's a line I shows laid back, kickback
playeristic type instead of you know, shooting up bang bang,
which is part of the game, but no more kickback,
smooth type.
Speaker 1 (06:17):
Of you know.
Speaker 6 (06:19):
Yeah, if you're listening to the stylistics and Blue Magic
and all the moji's like you.
Speaker 3 (06:24):
Know, well, he definitely made a point in the sense
that like here in the South, we were like doing
a lot of the gangster rap shit right with n
w A Conks, Most Wanted and everything that came you
know down that line, iced team being one of the
pioneers and all that. But in the Bay it was
(06:46):
more like pimpish Yeah, you know what I'm saying. It
was more like the pimpish hustler type ship as opposed
to the gang bang right type of ship. And that
I thought to me, that's what made California get so unique,
that you had like both sides of it. That do
you know this hip hop shit, but like do it
in its different form. Yeah, and it's appreciated on both sides.
(07:08):
Like there's motherfuckers that were in the Bay that appreciated this,
this hardcore gangster ship that LA was putting down, and
there was cats out here like us that were fucking
with what was going on in the Bay.
Speaker 1 (07:21):
Yeah, you know what I mean, It's just that that
California vibration.
Speaker 5 (07:26):
But that gangster gumbo, La, That's what I mean.
Speaker 8 (07:29):
Yeah, because when you first when we first heard like
Players Club and I'll be around like you, it was
at that time the Bay was having an explosion of
like cats coming out because it was yourself, it was uh,
it was the Loonies, it was e forty and the
Click you know Paris.
Speaker 1 (07:45):
You know, like it was drew down downs on them,
I fair back of the year.
Speaker 2 (07:50):
Uh.
Speaker 8 (07:51):
And so like it was really dope because at that time,
you know, we had, like you said, you know, more
of the gangster ship, but like California as a whole
had two of the dope and like hip hop scenes
from the north to the south right, you know, and
that was it was always dope, you know what I mean.
Speaker 5 (08:07):
At NW A two's dope too, as well as well
as Cyprus, what I mean, all of it.
Speaker 3 (08:13):
Yeah, I remember when your joint came out. Man, that
ship was one of the most ice cold you know
what I'm saying. It's just it had that funk, It
had that smoothness and then this you know, the story
in itself, you know what I'm saying. It was like
true Bay Area ship, I mean, and you could tell
when shit came out, like kind of where it was from.
(08:35):
Like you know, it had a California thing, but you
could tell which where it was coming from when it
came out. You can, in other words, you could tell
the LA group from a Bay Area group all day.
You could say, here's here's this group from California and
you might have a perception of what it might sound like,
but it will surprise you that it's completely different.
Speaker 2 (08:57):
Yeah.
Speaker 1 (08:58):
And the lingo and the whole thing. Yeah, the lingo.
Speaker 7 (09:02):
Yeah, well we've talked about this before though. Cypress was
a West Coast but they had a very East Coast sound,
so like to the East Coast. We had no fucking
clue they were from the West Coast until months after,
you know, especially with the videos everything, like we just
thought there was New York for real.
Speaker 1 (09:19):
It was a little bit different, I could say this though.
Speaker 3 (09:22):
You know, we got to film a video in the
Bay at the DNA DNA Lounge that was insane in
the Brain video, which is you know, arguably our biggest joint.
And you know, we got to touch toes in the
Bay area with the video, so we always got a
connection to the Bay based off of that song, you
(09:43):
know what I'm saying. And in New York it's kill
a Man Times Square, Harlem, And and where's the Cube
at the Black Cube Aster? Is it Astor's place? Somewhere
around the Astor place? Yeah, around there, and obviously here
at home and in Mexico City. Ship Mexico City, we
(10:07):
got you know, we got to do videos and places
that we were very much connected to, which was cool. Well,
we filmed the Sunrise. I don't know where the fun
we were at. We're in somewhere.
Speaker 6 (10:19):
Between tour and then we did some stuff. I think
it was in Griffith Park or something like that. Was
it Griffith Park, Yeah, I think it was hard. I
think it was Griffith Park. Bobo. I think we was
on the road somewhere. No, No, we did the road stuff,
but then there was a scene that we were in
the forest kind of thing.
Speaker 1 (10:36):
It's possible. I don't know.
Speaker 3 (10:37):
Yeah, speaking of shows, you're you're performing summer nights in
La Plaza, that.
Speaker 1 (10:46):
The culture's culture and arts.
Speaker 5 (10:48):
That it's gonna be nice tomorrow, matter of.
Speaker 1 (10:52):
Fact, Saturday night tomorrow. Oh man, it's gonna be dope.
Speaker 3 (10:55):
Yeah, man, I know motherfuckers are excited to see play right,
right right, Come come get down with the sound, Come get.
Speaker 5 (11:04):
Down with you know, get dubbed dub Come on over
to the Playoffs club. We're gonna do our thing.
Speaker 1 (11:10):
How much? How much?
Speaker 3 (11:12):
How much do you like touring and doing shows in
comparison to like doing the studio work, because some some
some like recording in the studio and they kind of
dig doing the tour, but they're more comfortable in the studio.
And then some love the love the touring a little
bit more than the studio.
Speaker 5 (11:32):
Well, I like the touring. I would probably say it's
fifty to fifty. I like bouncing around like a frog
and Lily Pat breading of love. You know, that's right, Clinton,
the seas Washington Blossom, That's what it's all about.
Speaker 3 (11:44):
Yeah, I think you have to have it balanced out
like that, That's right, because I mean, if if you
don't like touring, then you should just be a studio musician, right.
Speaker 6 (11:53):
Period, Just get work in the studios and do that. Yeah,
it cuts into the bag though, you know, because you're
not getting that you know, on the road money, you
know what I mean.
Speaker 1 (12:05):
Toure money is different than studio money depending on who
you work for. Yeah, exactly, you know what I mean.
Speaker 3 (12:11):
But but let's just say this, if you're one of those,
I would wonder what what hourly rate for the top
studio players are as opposed to like mid level and
and guys that like you could just call in you
know that they're okay, they're affordable, but they're not those guys, right,
(12:31):
you know, there's a difference between what you're paying those guys.
And I think it's the same thing you know, with
with with going out there and playing, you know, when
you've got some real players up.
Speaker 5 (12:42):
There, that's true, you know, it's.
Speaker 3 (12:47):
It's it's a different world playing live than it is
playing in the studio. It's a it's a controlled environment
in the studio. They don't have to move around and
go crazier sell the show as they're playing. They just
got to play tight. So and with Fiel where on
the show. They gotta not only play tight with Fiel,
(13:08):
they got to be able to sell that playing exactly.
Speaker 5 (13:11):
Yeah, participation in the whole Wow, you know what I mean?
Speaker 1 (13:15):
Yeah, you ain't got that, then it's gonna be a
boring show.
Speaker 3 (13:19):
How hard is it to see, you know, when someone
is completely shredding but they're not selling the show?
Speaker 1 (13:25):
I mean yeah, Like I'll give you a great example.
Speaker 3 (13:29):
And I know Black Sabbath fans are probably gonna shit
on me, but remember that I am a Black Sabbath
fan from fifth grade to dow Yes, right, so I
feel like I could say this, right Tony, iomi great
guitar player, Yes, riff King, Yes, never sold the show.
Speaker 1 (13:48):
Now you're just like you go to the show to
see him play. He's not gonna do some He's not doing.
Speaker 3 (13:54):
The ship that you might see Eddie van Halen doing,
Randy Rhodes. You might not see him doing this shit
Jimmy Page was doing, or Jeff Beck. Yeah, he might
just be into his guitar playing, not giving you no emotion,
no musicality, movement with the ship he's doing.
Speaker 1 (14:17):
He's just gonna play tight. He's not selling you the show.
He's playing tight.
Speaker 3 (14:25):
Now, when you want to see something, you're up there
trying to see someone shred. Today, they gotta be giving
you the show. Back then, they would, they would, they
would take that right like, oh my God, told me,
I hear what.
Speaker 1 (14:39):
He's fucking did. That shit was awesome. But in today
they'd be like, damn, he's stiff. He ain't moving.
Speaker 3 (14:44):
Like when Mariah was doing her VMA performance, she looked
like she could barely move. She was not selling it,
but she sounded great, but she sounded great. These days,
you kind of got to sell it.
Speaker 1 (14:59):
Yeah.
Speaker 8 (14:59):
I mean when you see, like, you know, if you
go see a band like Turnstile and see how wild
they get on stage and they're rocking, playing their instruments
and rocking, and then there's stage diving and all that
shit going on, you know, like you're like, oh shit,
that show is out of this world. And then you
go see someone that just plays the tunes and doesn't
sell the show, you're gonna be like, you're gonna feel
a certain way, like, yeah, I feel like I.
Speaker 3 (15:21):
Just watched them rehearse yeah, you know what I'm saying,
Who is your favorite group to see live?
Speaker 2 (15:26):
Like that?
Speaker 1 (15:26):
Inspired you?
Speaker 5 (15:28):
War?
Speaker 1 (15:29):
War always like great group. Yeah, inspired me.
Speaker 5 (15:33):
How they got down and you know, maybe it was
just from listening to music coming up and you know,
at the house and et cetera. But live and direct
and a nice bomb show as well too.
Speaker 3 (15:42):
Oh yeah, if you if you look at some of
War's footage on here on YouTube, like their live show ship,
they were so goddamn tight. Yeah, and their vibe was crazy, dude.
What's crazy is that all of them have passed. The
only living member still live is Lonnie, right. Lonnie is
the only member that's in the War band. There's a
(16:05):
couple of people that were members. They have like their
little offshoot war band. Yeah, but all the originals except
for him. Yeah, but he's keeping it alive. And that's
what's dope, you know. Yeah, it's like the Temptations, right,
the Temptations still tour it as a whole new run
of I think there's only like one person, yes, which
(16:27):
is the founder. Yeah, he's still doing it, still alive.
He really didn't sing lead ever, so he said he
had a couple of lines through the big songs, but
he never sung lead.
Speaker 1 (16:39):
But he was the leader of the group. And he's
the only one. Yes, otis Williams right here, and dude
was the trip.
Speaker 8 (16:48):
Can you I mean imagine all the how he saw
the industry change from the moment he got signed the
town like and just you know, you're looking at sixty years,
you know what I mean.
Speaker 4 (17:00):
Years of evolution, evolution, and he's still seen a lot.
He's seen a lot, seen a lot.
Speaker 1 (17:07):
Yeah.
Speaker 6 (17:07):
Man, it's the four Tops to day, they've all passed.
So if you see them, oh, they're all yeah.
Speaker 1 (17:13):
Yeah.
Speaker 7 (17:13):
So if you see the four Times performing as in
the whole New Crew.
Speaker 1 (17:18):
But when you think about it, those guys are in
their seventies and eighties.
Speaker 8 (17:21):
Now, isn't there the same thing happening with like sugar
Hill Gang, Like there's I don't think there's the sugar
Hill there's a sugar Hill Get there's a sugar Hill
Gang brought in their songs.
Speaker 2 (17:32):
Yeah.
Speaker 1 (17:32):
I don't think it's any of the original members.
Speaker 5 (17:34):
None of them, I don't think.
Speaker 1 (17:36):
So that's crazy. I think two of them have passed,
and I think one of the son of one of them.
Speaker 3 (17:40):
Okay, in that case, I could see when when a
relative brother, like a sibling or a or you know,
offspring or naked old friend or something.
Speaker 1 (17:55):
I could see that.
Speaker 3 (17:56):
Yeah, but like for some strangers just to come and say, hey,
can we licensed to sugar Hill names y'all? Nah be,
it's gonna happen, though, I think I think it will happen. Yeah,
Kiss could totally do that.
Speaker 8 (18:09):
I was just gonna say, I think they, I mean,
someone might license to Kiss, you know everything, to go
do a tour, because you could.
Speaker 3 (18:16):
You could do that if Jeene Simmons wanted to keep
it going, he could totally pick four guys like they
did the Monkeys.
Speaker 4 (18:24):
You know what I'm saying. You know what I'm saying.
It totally fabricate this new group. Yeah, they just can't
unmasked though.
Speaker 1 (18:33):
They have to keep in.
Speaker 3 (18:34):
They have to keep that ship on. Yeah, they can't
do like original Kiss and get all right, we're bored
of this. We gotta take this makeup off. Nah be,
you gotta keep that ship on. Oh Man, that that
broke everybody's heart when Kiss took their makeup off. Man,
if you were a Kiss, if you were a Kiss fat,
if you didn't give a shit about Kiss then it
(18:54):
was like, who the fuck are these guys?
Speaker 1 (18:56):
Even more so, like who the fuck are they?
Speaker 8 (18:59):
Yeah, because it was like, especially because they had had
one of the best looking album covers called Creatures of.
Speaker 1 (19:04):
The Night, and it was this badass album cover. You're like, oh, man,
Kiss is still doing it.
Speaker 8 (19:09):
And then the next you hear is like, Kiss is
gonna unmask themselves on MTV at midnight on Sunday.
Speaker 1 (19:15):
And so you stood up and you watched it and
you were.
Speaker 6 (19:18):
Like, yeah, oh, mothers mother right there, yep, all of
the jeans.
Speaker 1 (19:26):
Look at that post. I mean that's eighty that's like
eighty five, that's eighty four. That's a crazy pose Jane
got with the blush going on? Is that right there?
That's Bennie Vincent And that's Eric Carr on the right word.
They weren't famous. Which one of these guys got shot
in the leg at the Rainbow?
Speaker 5 (19:46):
Was it?
Speaker 4 (19:47):
Was it one of these guys of Kiss. I don't
think it was one of their drummers. I think it
was got shot?
Speaker 2 (19:53):
Was Eric?
Speaker 1 (19:54):
There was a shooting at the Rainbow? Was Eric? Eric singer? Yeah, yeah,
he's not in that pair. And one of the Kiss
guy's caught astray.
Speaker 9 (20:01):
Yeah, that's I'm seeing Bruce Kolick.
Speaker 8 (20:05):
Bro Bruce Coolick. Yeah, so he's like, uh, he was
the guitarist. Two guitarists after Vinnie Vincent, so it's a
three le Vinnie Vincent, then it was Mark Saint John,
then Bruce Coolick.
Speaker 3 (20:16):
That's the that's you know, that's the genius of paid
take their faces. They could change any one of them
motherfuckers whenever they want. Yeah, even themselves. Hey, I'm taking
a break for this show. I'm gonna call it mini
jene and crazy.
Speaker 8 (20:30):
But Bruce Kolick, I think he played some stuff on
earlier records when Ace is still in it, and.
Speaker 1 (20:38):
Basically Ace took credit. Well there you go. Hey, so
you got Sway to narrate the the documentary.
Speaker 5 (20:47):
Yeah, and that was good looking. Shout out to Sway.
Speaker 1 (20:49):
Good look at I mean, he's another Bay Area legend.
It makes sense.
Speaker 5 (20:54):
And we went and met it years ago in the
western addition of San Francisco, not profit the radio station
kpo O out there.
Speaker 3 (21:03):
Yes, yeah, I remember when he was he at Cameo
for a time, the wake Up Show, right, Yeah, yeah,
he was who say yeah him in techt Well, that
it started there. Yeah, I came out yeah yeah with
Joe Quicks. Yeah, Prince Ice sways all over the Oh yeah,
(21:24):
don't swear a long time man. That's my dude right there,
good person guy.
Speaker 1 (21:29):
Yeah. Yeah.
Speaker 3 (21:29):
It was good to see him be able to like
jump on a huge platform the way he did and
holds his and like make other ship come out of it.
Speaker 1 (21:41):
Yeah, he made it respectable, you know what I mean.
Speaker 6 (21:43):
He was knowledgeable by all his hip hop facts and
he knew you know, what he was talking about all
the time, so he couldn't really catch him even when Kanye.
Speaker 1 (21:52):
Tried to catch Sometimes he doesn't have the answer.
Speaker 6 (21:55):
Sometimes heardswer I heard got the answers sway.
Speaker 1 (22:04):
I was like, dude, calm down, bro.
Speaker 3 (22:09):
That was one of the most bugged out things I
think I see, Oh yeah in hip hop in a
hip hop interview, because.
Speaker 1 (22:17):
He just bugged out everything interview. Yeah, he's not right,
like because he was.
Speaker 8 (22:21):
They were having a conversation, and they were in conversing,
you know, and then it was going and then all
of a sudden he was like, but you ain't got
all the answers sway, And it was just like and
and props the Sway he kept his CONTs like collective.
Speaker 3 (22:35):
Yeah, you know, and that's true journalism, right, there's pro
do you ever get the answers?
Speaker 1 (22:40):
No, I'll dig dig Yeah, he's ever going to get
the answers. Yeah, he just goes. That was the other part.
I've been doing this more than you. I was like,
hold on, homie, you don't know Sway. Yeah, that that
was miss That was the misspeak.
Speaker 8 (22:55):
Right, Yeah, that's when that's when we were all like,
hold on, Homie, No, Sway, he's been been here.
Speaker 3 (22:59):
Well, well, look, if he's talking about, like in terms
of the fashion ship that he was into, yeah, maybe
Sway doesn't know about that. But if we're talking about
hip hop, Way, he's been here. He's been here before you. Yeah,
longre you know what I'm saying. So I could see,
(23:21):
you know, if we're talking to the context of like
maybe the other ship that's outside of music, okay, yeah,
maybe you ain't got the answers to that, But in
terms of hip hop, you know, any conversation Sway can
have with anyone because he's educated on what this is
very familiar.
Speaker 1 (23:39):
He's He's i.
Speaker 3 (23:40):
Mean been here. We all know this, we all know this.
We can go sign that all day. Definitely, Yeah, says
Sways he's one thousand men and it's dope that he's
narrating your joint like that, because I mean, you know,
who else could it be unless it's too short, right,
(24:00):
you know?
Speaker 5 (24:01):
But it was love. That's a beautiful thing. Shout out
this way for that? Too bad?
Speaker 1 (24:05):
That's right?
Speaker 2 (24:05):
Yeah.
Speaker 3 (24:07):
How did it feel in terms of like the vulnerable
parts of the documentary, like telling your story, Like did
you ever feel like you'd be in a position like that?
Or did writing the songs get you ready for that?
Speaker 5 (24:20):
Writing the songs got me ready for it? And I'm
just I felt like it needed to be something that
needed to be heard. Some of you don't step on
out the boss, kick on back and get a people
what they want.
Speaker 3 (24:31):
Yeah, Because I feel like when we get into the
ship and we do interviews and stuff like that, sometimes
we don't.
Speaker 1 (24:41):
I mean, we're not trained for that. So when they're
asking us what does this song mean?
Speaker 2 (24:46):
What is what?
Speaker 3 (24:47):
What's what's your song about? You actually have to learn
what your song's about and then break it down to
these folks exactly right. And once you get in the
rhythm of that, right, from album to song to song,
album to album, it becomes a thing where you can
become more vulnerable when you're doing interviews or when you're
(25:08):
telling stories, or if you should get into a documentary situation.
I do think it gets you ready because if if
you're talking about your life or things inspired by your
life or others that are around you, that's a form
of vulnerability, or if I can tell in the story there,
and I do feel like it gets you ready for
that if you eventually want to tell some sort of story.
Speaker 7 (25:32):
Is it safe to say that some songs were written
with no inspiration off the dome? Yea, what inspire this?
Maybe nothing at that time, that's just what came to mind.
Speaker 1 (25:44):
Yeah, for sure.
Speaker 3 (25:45):
I mean that's I think all of us that that
write songs get it like that. Like sometimes we'll have
a specific idea and then sometimes we'll have a random
idea and somehow we'll make that work. Some of us
will have ideas for songs before we have the beat,
and some of us need the beat to come up
(26:06):
with the idea for the song. And sometimes you know,
you don't need the beat, you know, like you'll have
an idea of the concept I should say, maybe not
the flow, but the concept of what the song is.
And then you know, you might bank it until you
find the right beat that sort of matches that concept.
Like for example, like Rock Superstar, I had in my
(26:28):
head the chorus for it, at least the chorus for it,
for about two years before I actually heard the right
music for the song. Then when Muggs came up with
that led Zeppelin style you know, bassline or whatever you
want to call it, or riff or whatever, that's when
I was like, that goes over this, and it happened
(26:52):
to work. And I had that shit in my head
for two years like that. Many beats came and went,
didn't fit on any of them. That one just happened
to fit perfection, perfection, and uh you know, so sometimes
it happens like that.
Speaker 1 (27:05):
Dope. Yeah, you can't just throw any idea on any beat.
Speaker 8 (27:10):
No, no, no, it doesn't work, just because it's sometimes
with you know, DJ and two. Some people think that
if two songs are the same you know bpms, they
can go together, and that's not true. It doesn't always work.
They might be in different keys, yeah right, yeah, they
it just might just be an ill match. And you know,
but no, but it's ninety five bpm. So I'm gonna
(27:31):
put it with this other night.
Speaker 1 (27:32):
I don't care. It's gonna sound great like.
Speaker 6 (27:35):
Land might be fucked up. Yeah yeah, man, yeah, forth.
What was your first hip hop name with your rap
name MC name is it always been?
Speaker 5 (27:45):
It's always been rapping folks.
Speaker 1 (27:48):
That's a good that's a good, strong start.
Speaker 5 (27:51):
I got that handle from two Short as a matter
of fact, back in the day where it's in the
Dangerous Crew Medium Spice one j J Hard a compilation,
and I would always wrap when you come around at
the studio just rapping and rapping. He said, you know
what call you rapping folks? I ran with it.
Speaker 1 (28:09):
Hell yeah, See, that's that's a gem right there.
Speaker 3 (28:13):
Yeah, got named by by too Short, kind of like
how Chuck D named Busta rhyme, right, that's who gave.
Speaker 1 (28:21):
Bus to rhyme his name, yep.
Speaker 3 (28:25):
And leaders of the New School, and leaders of the
New School name them, and many legend named another legend.
Speaker 1 (28:33):
So what year did you join with the Dangerous Crew?
Speaker 5 (28:36):
That was someone that said that was eighty eight.
Speaker 1 (28:39):
Eighty eight. That's so dope.
Speaker 8 (28:44):
So you would see you back then, you know, Short
was I think was he signed yet to jive or
was I think he was still was he was selling
the tapes out of his trunk right.
Speaker 1 (28:54):
Seventeen? Was it seventy five girls?
Speaker 5 (28:55):
Seventy five girls?
Speaker 1 (28:56):
Yep, Yeah, I have one of those tapes classics. Yeah, man,
you still get down with Spice?
Speaker 5 (29:03):
Yeah, that's my guy.
Speaker 1 (29:04):
Yeah, Man, that's my bro right there. I haven't seen
him in a long time.
Speaker 7 (29:07):
Man.
Speaker 1 (29:07):
We got to get him down here too. He's dope.
That's my bro right there.
Speaker 3 (29:11):
Yeah, very outspoken dude, definitely. And it's and it's it's
it's a trip that you come from that crew man,
dangerous crew. Yeah, Yeah, that's that's some solid ship man.
Lesson Are you gonna be touring off of? Are you gonna?
Are you gonna make an album to follow this this documentary?
Speaker 5 (29:33):
Yeah, I'm working on one right now. I'm just stacking
them like pancakes. I haven't gave it a title or
anything yet, but working on it.
Speaker 1 (29:40):
Yeah.
Speaker 3 (29:41):
Did you did you do any special songs for like
the soundtrack of the documentary?
Speaker 2 (29:46):
Oh?
Speaker 5 (29:46):
Yeah, I got some. I got a few nice joints
on there. Got a collaboration with fab or collaboration with l.
Russell collaboration with your name it few individuals in the
Bay Area.
Speaker 3 (30:00):
I know people are gonna get excited the fact that
you got a documentary out. They're gonna want to see
if there's new music attached to it, because usually there
always is, and those are the little jams right there exactly.
Speaker 1 (30:12):
So you got what like three four for for the Doctor.
Speaker 3 (30:17):
And then uh, and then the album flipping after that
exactly in that order. Oh, you're going to be busy man, Yes, sir,
you're planning on flipping out a tour with this.
Speaker 5 (30:28):
Yeah, it's you know how it goes? Yea, how it goes?
Speaker 1 (30:33):
That would be that'd be dope if when hip hop
groups put their documentaries out, and we should have thought
about this when we did ours, like going on tour
with that documentary, show it before and then the show,
show it before.
Speaker 3 (30:46):
And then the show after. You know what, You know
what we gotta do ship like that, celebrate ourselves.
Speaker 5 (30:53):
That, you know, the hook up collab and do it.
Speaker 1 (30:56):
I'll do it all right.
Speaker 4 (30:57):
Let's we got you got boom boom sad. It's never
too late, never, yep, it's as you can do it. Yeah,
as long as you could do it right. You know,
it just depends how long the documentary is. Though, if
you've got a three hour documentary, fucking bitch, fucking wait.
Speaker 1 (31:17):
But yeah, I think ours was like what ninety minutes?
It was ninety minutes. They kept the ninety minutes to
the t to tell a thirty year story. That's kind
of if we that's difficult.
Speaker 10 (31:28):
It is.
Speaker 6 (31:28):
There are some spots that squeeze it, got squeeze it,
that get left out. You know, there's things that you know,
just pick and choose. Yeah, you gotta pick and choose,
and it doesn't tell the whole story all the way
like not like those A docu series would be like
six episodes, seven episode way to do.
Speaker 2 (31:46):
It, you know.
Speaker 7 (31:46):
I think it is because everybody could sit for thirty
minutes to an hour, right, If you have four or
five episodes, you can finish one and be alight, I'm good,
I got the whole bit of that.
Speaker 1 (31:55):
You move on.
Speaker 7 (31:56):
If it's one and a half hour doc the whole
story is getting told. Two hour doc you gotta sit
for two hours, right, But if it's an hour at
a time, you can take a balls after the first
one sit down or just but everything so quick.
Speaker 10 (32:09):
You know, it goes by so quickly, so it's almost
like you got to watch the whole dock again to
get spots that you.
Speaker 1 (32:16):
Know, you have to find the little gems you might
make exactly because everything's running running.
Speaker 5 (32:21):
So quickly, or come out with a part two, you
know what I mean.
Speaker 6 (32:24):
Yeah, but you have you have those you know, little
doc series that be like six episodes. You can kind
of expand a little bit more and then you know,
you go on to the next one, go on to
the next one, get a full story.
Speaker 2 (32:37):
You know.
Speaker 3 (32:37):
And and here's the thing, right, doing it like that,
you will expose your dock to people that they necessarily
linked onto those streaming services.
Speaker 7 (32:47):
But are your fucking absolute fans.
Speaker 3 (32:51):
You know what I mean, They will totally absorb that
and take it home with them, you know what I'm saying,
because they're seeing it right there in real time. It's
just strategically, you have to figure out how you play
this whole fucking thing along with your show, you know
what I'm saying.
Speaker 4 (33:08):
But there is to totally ways to accomplish this many right,
But we gotta get it done, though.
Speaker 3 (33:16):
We gotta get it done because people be listening to
this show and then be repeating what we be saying,
or not repeating doing what we say here as ideas,
I saw this on another show the other day, you
know how we were talking about.
Speaker 1 (33:35):
So we were talking about like.
Speaker 3 (33:38):
Several years back, I'm gonna say probably about twelve thirteen
years back, we would on tour we would carry these
yellow flags like football, right, and if anybody caused an error,
if there anybody fucked up for any reason, we drop
a yellow flag on the play and we all knew
(33:59):
what that meant. It's like, you are in violation. You
just violated right now to be taken up later. But
we're letting you know that we recognize, right. And just
recently we saw that on someone's show. We're like, we
know where they got that from. So we know that
(34:19):
people listen to the show. So in terms of ideas,
you know, when we flip them out like this, we
got to get on it fast because they'll hold you
to it.
Speaker 1 (34:28):
No, not hold you to it. People that be ear hustling.
It's just like my man sugar Free was in here.
Be careful the ideas you spew out because someone's.
Speaker 7 (34:38):
Always ready to catch it.
Speaker 2 (34:41):
Right.
Speaker 5 (34:41):
You know what I'm saying, have you ever worked with
sugar free? Sugar Free, that's my cousin, that's my blood cousin.
Speaker 1 (34:46):
Really, I did not know this.
Speaker 5 (34:49):
Shout out to shive Free, Shout out to deed one.
Speaker 3 (34:51):
Did he did he mention that last time? Damn, that's
your like blood cousin.
Speaker 7 (35:00):
Shout out to him.
Speaker 5 (35:02):
Yeah, we got a few songs stacked up too as well.
I forgot to mention that too as well.
Speaker 3 (35:06):
Far as the sun for the new for the new ship, yeah,
oh man, because I think we even asked him that
last time.
Speaker 1 (35:14):
You know, not not that y'all were related.
Speaker 3 (35:17):
I think about collaborating like others that he's collaborated with
or wants to collaborate with, the ship like that.
Speaker 7 (35:26):
Two pims, one family.
Speaker 3 (35:27):
Yeah, pivot times pimping equals pippot hustling, play as ship,
you know. Yeah, man, that's wow. I did not know
that his family right there. Well, you know, so we
(35:49):
got a representative here on the east, I mean in
the South at North. You know what I'm saying, playlistic vibrations. Yeah,
that that's gonna be dope. So y'all got y'all got
something for this particular documentary that in the worst got
Some songs are stacked up period and just period. You know.
Speaker 1 (36:11):
Yeah, that's dope, man. That would be crazy to hear
a whole.
Speaker 5 (36:14):
Album on y'all right, right, an old nice cot.
Speaker 1 (36:17):
Real real player ship the whole way.
Speaker 3 (36:21):
Oh man, I meagine if it was if it was
faute short and sugar free, you need a fourth?
Speaker 1 (36:30):
Who would be the fourth? Who could be the fourth?
To rent forty.
Speaker 5 (36:37):
That'd be remarkable.
Speaker 1 (36:39):
Wow, that'd be great, man, would be great?
Speaker 3 (36:42):
Ye baby, ye as y'all say out there? Ye you know,
we tried to ask Trace where the yak comes from?
Did he ever answered?
Speaker 1 (36:53):
He never answered? Now do you know where the eat
comes from? Ye? For the bay?
Speaker 5 (36:59):
Damn? So he used to saying it. I'm telling him
which huddle that came from.
Speaker 7 (37:03):
But it's it's hard to know and it's gotta come,
you know with the info. Man, Where is that from? Man?
Speaker 1 (37:12):
Yeah?
Speaker 3 (37:13):
You remember Trace, right? He used to He used to
do the show with the d J Frandy up in
the bay. Trace Dog Yeah, Tracey Dog Yeah, yeah, shout
out to Chase.
Speaker 1 (37:22):
Yeah.
Speaker 5 (37:22):
He'd it was either forty yards or mac dre one
of them. I want to say, I want to say make.
Speaker 1 (37:31):
Yeah, rest of peace, Madre. That's Darry you know what
I'm saying.
Speaker 5 (37:37):
That's the first feature, as a matter of fact, that
me and sugar Free ever did together was to meet
him and mac dree on a song called a b CP.
Macan ain't nothing but a thing to me because I'm
a double load g P I M P. A lot
of game in that one too as well.
Speaker 3 (37:54):
You know classic Yep, you got to go look for
that ship if y'all got it, you know what I'm saying.
And uh, the Fedoras you're you're slanging them for dooras.
Speaker 5 (38:07):
Yeah, I got some coming up real soon, real soon.
You know, it would be one of the first to get,
you know, going on.
Speaker 3 (38:14):
I like that bottom red rim splash, like the two
tone ship that's happened in there. That's fly ship right there. Yeah,
you know that that's the cool ship about hip hop
these days. Bell, you could like venture off and and
and extend the branches and do different ship you know,
(38:38):
like in terms of the style of merch that you
put out. I mean that's different because usually most people
are putting out T shirts and you know, baseball hats
and beanies and ship like this hoodies. But the Fedora.
That's a nice that's a nice touch, right there. Yeah,
Grade Mark, that's right right. And you got a book
(39:01):
coming out.
Speaker 5 (39:02):
To your book and title, I'll be around. Wow, Yeah,
I'll be a matter of fact, it's out now all
the major platforms and Barns and Nobles and what have
we rap Anthony Fote wrapping Folksay, I'll be around y'all.
Go check that out when you have the chance.
Speaker 3 (39:18):
Yes, So did you you did a did you do
a hard cover release and digital or just digital?
Speaker 5 (39:25):
I did a hardcover release?
Speaker 1 (39:27):
Dope? How long did it take you to get that
whole book thing together?
Speaker 5 (39:33):
Wow? I want to say, man, been in a couple
of years.
Speaker 6 (39:37):
Basically, you have to take a little time and kick
on back and you know back and everything like that. Yeah,
there it is there, cold ice cold. That's dope, ie cold.
Speaker 5 (39:49):
I'll be around checking out.
Speaker 1 (39:51):
Okay, hmm, came back around, you know what I'm saying. Yes, yeah,
I'm still here. That's right.
Speaker 3 (40:03):
Longevity is a motherfucker man. If you could, you know,
make it happen for yourself. That's the best thing any
artists can do, man, Because there's so many artists that
hit a lick and then just kind of let it go.
It could not rebuild momentum and get back in the game,
and that's always tough. But like if you keep pushing,
(40:26):
then you keep building off that momentum.
Speaker 2 (40:28):
Man.
Speaker 1 (40:28):
Shit, Yeah, you could have longevity.
Speaker 5 (40:30):
For sure, exactly congraduate to the game.
Speaker 3 (40:33):
Yeah, it's just about how much you want to put
into it. We say it all the time. It's the
amount of work you want to put into it. Yes,
you could do this as long as you feel you
want to if you know what I'm saying, and that
if is if you want to put the work in,
you want to show up, especially if you got something
like if you got to hit song of some sort,
(40:55):
you know what I mean, some kind of successful joint.
Speaker 1 (40:58):
I mean, that's it's I mean, you're ahead of the
game with that, you know what I mean.
Speaker 3 (41:05):
Like some people got good songs and shit, and they
could build a career just off good songs. But if
you got a hit song, you could really build it
off that. And it all depends on the work you're
willing to do.
Speaker 5 (41:16):
Right, to put in the groundwork. Yeah, really, Like some.
Speaker 3 (41:19):
People will get that hit song and then not want
to work and then wonder why like shit went away
exactly right, and others they might have just that hit song,
but yet they're still working like years later because they're
willing to go out there and play that fucking song
and then you know, try to win people over with
everything else. And versatility, Yeah, you know, versatility and willing
(41:45):
to be out there playing in front of people, like
showing up doing the work. That's the main part really,
because I mean, you know, you could have a great record,
but if you ain't showing up.
Speaker 5 (41:56):
Nobody don't know anything about it yet, are you You
know what I mean?
Speaker 3 (42:00):
Well, I mean, if you ain't showing up, watch your day, right, right,
that's true. So for all y'all young artists, show the
funk up, if you want to blow the fuck up,
just saying you got to put that work in.
Speaker 1 (42:13):
Hey, you got to show up.
Speaker 3 (42:15):
We say it all the time, That's right, We said
all the time. Man, Are there any artists out here
right now that, like, you know, you're looking at, like
to inspire you, any of these young artists.
Speaker 5 (42:26):
Yeah, some a few young artists out there. It's doing
their thing, and you know, like what they're doing out there,
liking it in the Bay Area, we got Larry June
out there, Dope Boy Ronsky out there too as well
as there's a lot of them. Keep doing what you're doing.
(42:49):
Shout out all the up and coming artists, you know,
the oh geez passed baton. Just you know, do the
best you can with the twos you got.
Speaker 3 (42:58):
Man, That's right, and that's really all you can do,
especially if the ogs are willing to pass that baton
at some point.
Speaker 6 (43:07):
Ogs. You know, God does like pass it, you know
what I mean, they keep it, keep the doing, think going. Yeah,
you can't gate keep you know, it does nobody any good,
you know what I mean. You need to look toward
the future and you have to hand it down Aston
there you.
Speaker 3 (43:23):
Go, Yeah, because I mean, what's it like when they
passed the baton to you and then you don't want
to pass it to the next month.
Speaker 1 (43:32):
What does that say about you? You know what I mean.
Speaker 5 (43:34):
Let's say you don't want to finish the race. You know,
you don't want to win.
Speaker 3 (43:38):
Yeah, you don't want to win, and you don't want
others to win. That's bad and that's a problem because
if others wanted you to win, but you don't want
others to win, That's that's shitty character ship right there.
That's why you know, I always like felt like guys
in our in our generation needed to be more open
(44:00):
to some of these young artists. Some of it is shit, yeah,
but I mean there was shit in our time. There
was great music in our time, and there was some
shit or the stuff we looked at as shit in
that time, and we may like it now. We might
might have flipped and been like, you know what, I
didn't like that back then, but I kind of dig
it now. But either way, at one point we were
(44:21):
the guys that received the baton, yeah, and we got
to be willing to pass that shit right because no
one can can hold on to it forever, and if
you do, you're a fool, I mean, because you could
still be relevant even though the new generation is the
hot shit.
Speaker 1 (44:38):
This is a fact, you know what I mean?
Speaker 3 (44:41):
Like how many rock groups like Ero Smith were past
their peaking, past their time, yet they were out there
still doing it big when other hotter groups like Metallica
were out there like making their bones and killing shit
and becoming superstars themselves. Maybe different genre of rock obviously,
(45:01):
you know, this is more traditional rock and this is
metal but I'm just saying that while this new shit
was bubbling and popping, these guys still remained relevant in
spite of having like twenty thirty some odd years in
the game already.
Speaker 1 (45:16):
And that is totally possible. You just have to be
willing to, like, do the work, do the right moves.
Speaker 3 (45:21):
Don't take just any move or any look, because some
of them are bad for you in spite of what
the bag might be.
Speaker 5 (45:28):
True all money and good money, yeah, and some.
Speaker 3 (45:32):
Bags might not be enough for what you may like.
But the look is important, yep. And those are the
things that you know, an artist is gonna have to
face it at some point on all levels, you know
what I mean. So let's do what's right for you obviously,
but yeah, be open minded and be willing to pass
(45:55):
it when it's that time. When as far as fashion,
what what did you you know, what did you go to?
As far as your look, you know, with the you
know what was you looking to? As far as influence,
I was.
Speaker 5 (46:11):
Looking like I wanted to say, old school groups like
like my uncles and them. They would come dressed up
like suited and booted to the majority of events and etcetera.
Some people to come sagging and etcetera. I'll just I
looked up to them, you know, far as fashion was concerned.
Speaker 7 (46:36):
Be able to go into the closet. Yeah, yeah, exactly.
Speaker 3 (46:44):
It's cool when you got an older sibling or somebody
who got like some style and ship, you could just
go take from their ship.
Speaker 5 (46:51):
Exactly.
Speaker 3 (46:52):
They'd be pissed off and all that, but you know, hey,
least looking good. So you started a mentorship program too, right, right.
Speaker 5 (47:01):
Only God can judge be mentorship program and roots of
change where you know, we feed you know, individuals and
help them out resources and et cetera, and get them
off the streets and things and such.
Speaker 3 (47:16):
That's dope that you're putting time into all these things
like your book and documentary and recording and doing shows,
but yet still have time like to go give back
to those younger heads that need like that guidance.
Speaker 5 (47:33):
Right, that's what it's all about, you know, you know,
learn learn, tell them to learn from my mistakes and
you know, follow the right footsteps. I mean of guide
them as much as possible. It's a faster generation, you.
Speaker 1 (47:45):
Know, oh man man, yeah, you ain't wrong about that.
Speaker 3 (47:50):
I mean much faster because the information that they have that,
you know that they have access to in comparison to
what we had growing up. Man, oh man, our parents
and older you know, authoritive figures could still lie to
us back in the day because we couldn't research any
(48:10):
of the bullshit.
Speaker 5 (48:12):
Google pull it up.
Speaker 3 (48:13):
But these days, you bullshit a kid and they're researching
that ship like right there in front of you. Oh
it's this is that? But no, that's right here. You
know what I'm saying, It's way faster. This is a
wild ship. It is great today's generation. You bring up
something they don't know about, boom, immediately they're on that
(48:35):
phone searching it.
Speaker 1 (48:36):
You know what I mean. It tells somebody something and
then they're like what they have any doubts?
Speaker 4 (48:43):
They yeah to take people's words for it. Now, it's like,
wait a minute, they're fact checking you in this in
that minute. Sure, wait, let's just see like Bolta does
it to me all the time on this show. Then
he's fast most times right to be like wait a minute,
(49:03):
wait a minute, I can't believe that day. We got
to have a skeptic somewhere that way, when he questions
and he finds out what we are saying is true.
He could fucking testify, said, you do that on a
date bulletin yea all the time?
Speaker 3 (49:24):
Oh no, ship, I would imagine that happens on a
new millennial date. Does that hold up?
Speaker 11 (49:31):
Let me bring up your Instagram real quick? You said
he don't hang out with who?
Speaker 1 (49:38):
What's this?
Speaker 7 (49:39):
That's my homie?
Speaker 9 (49:43):
Do you follow my homie too? What's up with the.
Speaker 1 (49:47):
Yeah? New world problems? Oh my god? Imagine he's like,
why are you following my friends? Are you? I want
to see you and follow him right now though, right
now in front of me?
Speaker 2 (49:57):
Do it? Do it?
Speaker 1 (49:59):
What do you guys like right now? Right now? First of.
Speaker 3 (50:05):
Hey, let me ask you this. When you do shows
and you see the phones come up, does that bother you?
Does it distract you? Would you rather them put the
phones away and absorb the experience?
Speaker 1 (50:19):
Or does it like not affect you?
Speaker 5 (50:23):
It used to affect me. I wanted them to more
or less absorb the experience. That's what I'm so used to,
And sometimes it does distract me. Yeah, so I'm just
look in another direction and just keep on rocking, you
know what I mean?
Speaker 1 (50:37):
Yeah? You know I used to not be affected by
him so much, and I still am not.
Speaker 3 (50:41):
But I realized that what it is doing is taking
away the energy from how they would react if they
weren't trying to film it or record it or stream
it exactly like I tend to wonder like if that
shit was in your pocket or in your car, would
you be engaged in the mosh pits or stage diving
(51:03):
a crowdsurfing it and really feeling the energy of the music,
or would you just be standing there right which now,
But with the phone, you are a subject to just
stand there because you're trying to get a clean shot,
and some people move a little bit, but.
Speaker 7 (51:19):
You don't be singing the song because you don't want
to sound like an idiot on your recording, or that
too long.
Speaker 3 (51:25):
But my thing is like you're all getting the same shot,
and it's all going to the same places. Why not
pocket the phone and just yes, like feel that show?
Like more and more, I see why the comedians bagged
the phones. I don't mind it, it doesn't doesn't fuck
(51:49):
with me like that, but I realized that it does
take from the energy because one person. It's like the
way that if you went somewhere and no one was
like seeing you eye to eye, like looking into your
eye and saying, oh shit, that's wrapping phote.
Speaker 2 (52:04):
Right.
Speaker 3 (52:05):
You could just go through anywhere and no one's gonna
as long as you don't catch eye contact, and no
one says, hey, it's hey, can we take one photo?
Speaker 2 (52:13):
Right?
Speaker 1 (52:14):
Because that one photo turns in two fifty? You know
what I'm saying.
Speaker 3 (52:19):
I've seen it, and it's it's sort of straying principle,
you know what I'm saying. Yeah, man, one person pulls
out a phone. Oh shit, yeah, let's pull out her
phote and get this, And then before you know it,
there's like a hundred motherfuckers pulling off her phone because
they don't want to miss that moment, right, And so
like yeah, you know, sometimes while we're up there and
(52:42):
I'm not psychoanalyzing the songs, I'm like looking at the
crowd and saying.
Speaker 1 (52:48):
Should they really have their phones out? Should they be?
Speaker 6 (52:52):
I see it, Like when they're doing it and they're
looking right at the screen. Everything is happening, yeah, right
there in front of them, but they're looking.
Speaker 1 (53:01):
Looking at that. They have to see it in the screen.
Speaker 7 (53:04):
The screen, I'm saying, man, what are you doing? I'm
thinking in my head, like I would never get that.
Speaker 3 (53:08):
You know, it's like, you know, you can put it
up there and then just like does it feel realer
that you're looking at at the screed rather than like
look at it.
Speaker 1 (53:16):
That that's right there.
Speaker 7 (53:18):
They just want to make sure they get in the
right shot. Well that too, but I mean like not good.
Speaker 6 (53:24):
I mean, do you think that they do that if
they're watching a live stream on a big screen TV
and they're taking out their phones and they're recording that,
because it's almost like the same thing.
Speaker 3 (53:35):
Well, you know, you can't please them because like you know,
if you said, we'll take the photos and then we'll
we'll air drop them to your phones at the end
of the show. Now I want my own ship because
I want to do my own selfie. I want to
get my own shot. Yeah, it is a shot, So
in that sense, you cannot win.
Speaker 6 (53:53):
I've noticed also, like there have been a few fans
that will pass you their phone skew to go ahead
and you know, film yourself. You know, I've done it
a couple of times.
Speaker 4 (54:06):
It's distracted, but you know, I always worry that I'm
gonna give the phone to the wrong person.
Speaker 7 (54:11):
You know, I've seen people take those phones, go to
the bathroom and show them some terrible stuff.
Speaker 1 (54:16):
Man, then bring it back.
Speaker 3 (54:17):
Yeah, it's like one of the stage I don't know
where you're getting your phone Instagram.
Speaker 7 (54:21):
Bro Instagram watching hilarious. Like one of the people will
do the cameras will take one of the girl's phones.
They get their scream and he goes backstage, does some
diabolical shit, gives it back to them.
Speaker 3 (54:31):
Well, no, they're not throwing it to us for that.
They you know, they want to get us doing the
selfie with their phone and the crowd hopefully they're in it,
you know what I'm saying, and then throw the phone back.
How fucked up would it be? As if you took
someone in the front their phone and you throw it
all the way to the back.
Speaker 1 (54:48):
Go find it. I could see Bobo doing that. Bully
Bobo would do that.
Speaker 7 (54:54):
You think I would do that.
Speaker 1 (54:55):
You're a bully dog. I know you would do that. Man,
Oh man, I wouldn't do something like that. I don't know.
I wouldn't put it past you to do something like that.
Speaker 10 (55:03):
Maybe pass it to like the person like three people
on to the left, see that there's three people.
Speaker 3 (55:09):
No, I would now I don't see Bully Bobo doing
anything halfway.
Speaker 9 (55:17):
Would pull the bad Bunny takes the phone and throws it.
Speaker 1 (55:21):
That's what I was just saying.
Speaker 3 (55:23):
I mean, that's that's what I'm saying, both to like
he got he grabs it from someone who's in the
pit area and throws it way into the crowd beyond
the pit. That's that's what I was saying. Bobo's crazy.
I'm not saying that he's done it, but I could
see him doing it. That was ice cold by Bad Bunny.
Speaker 7 (55:44):
I don't call him.
Speaker 1 (55:46):
Well, you know, she.
Speaker 3 (55:47):
Didn't ask, couldn't she didn't ask, you know what I'm saying,
Like she just rolled up on him, and you gotta ask,
especially at star like my dude right there, you got
to ask. Yeah, I remember when that shit first happened
to us.
Speaker 1 (56:06):
It was in Europe. Didn't And I said this story
not too long ago.
Speaker 3 (56:10):
But we were in Europe doing the Anger Management Tour
with Eminem fifty cent exhibit G Unit all them D
twelve and Bobo and I were walking through this plaza
area as some dude was standing off to our right
doing the selfie post. But we didn't know what that
was yet. You know what I mean, And I'd like
(56:33):
hit Boba. I'm like, hey, look at this motherfucker. Man,
what's he doing? And he's got his phone and he's
looking at back at us like that, trying to get
the angle, and we roll up on him. I'm like, hey,
what are you doing? Oh I am just taking a
picture with my phone, Baba. We're like taking a picture
with your phone. And then he shows us this is
not like the smartphone that we eventually come into, but
(56:56):
it's like the first generation of take pictures with your phone.
Shit it right, and we're like, oh, ship, it is
a camera. And right then and there, I knew our privacy,
you know, the little bit of privacy we have as
artist gone because anytime someone sees it they got one
of those things, they're gonna be oh shit, it's so.
Speaker 1 (57:18):
And uh that's exactly what happened.
Speaker 3 (57:20):
But we see that that that selfie pose way back
before anybody was doing it, and you know, it's it's
it's just a trip to see where it's at now,
like all the features of phone has now in comparison
to that bullshit.
Speaker 6 (57:35):
Yeah, I mean it was a song like pixelated a
little bit, but you had a picture you're able to do.
Speaker 1 (57:40):
You got to start somewhere. You know, he didn't ask,
you know what I mean, I s where he messed
up back from.
Speaker 5 (57:48):
He didn't ask.
Speaker 3 (57:49):
Yeah, so we rolled up on him. But I didn't
know what he was doing. But I know that what
he was doing was facing us.
Speaker 1 (57:54):
So I rolled up. I'm like, what the fuck are
you doing? Man? Oh, I've just tried to take a
picture of him with a phone.
Speaker 7 (58:02):
Like.
Speaker 3 (58:02):
I was very skeptical on his answer. You only got
a phone, there's no camera, what are you doing? I
was very angry for no reason.
Speaker 6 (58:10):
We were just in Europe, right, We were just in Europe,
and we were at a layover and stuff, and there
was this guy that he was kind of up above us,
and you just saw him just like filming us, filming us,
filming us, and eventually BE saw him. Right, so B
takes out his phone, oh yeah, and starts filming the
dude filming us and everything. And that's what chilled the
(58:34):
dude out. Yeah, you know what I mean.
Speaker 7 (58:37):
But the thing is like, you're just sneaking in a
little film thing.
Speaker 2 (58:39):
See.
Speaker 1 (58:39):
That's what I cannot stand.
Speaker 3 (58:41):
Yeah, you're sneaking that you know, when you sneaking it,
if you come ask me, I'm cool. I'm cool with
that because that's etiquette, you know what I mean. But
when like I remember the ship that used to really
piss me off as we were at dinner and someone
was filming from another table, like oh shit, and they're
filming from another table but not asking you and just
(59:03):
catching you like with no regard. Right, that's the irritating shit,
you know what I'm saying. But I see people doing
that less now, so I think people have learned the etiquette.
But back when it started, oh no, one had etiquette
like very little. But still you know, motherfuckers will film
(59:27):
you doing some ill shit if you ain't paying attention.
Speaker 1 (59:29):
For sure.
Speaker 3 (59:30):
You got to watch what you do these days, man,
just because all these phones are built to catch you
out there.
Speaker 5 (59:38):
The whole world is under surveillance, y yeah.
Speaker 1 (59:41):
I mean they could track any of our phones. I mean,
we already know our phones listened to us.
Speaker 3 (59:45):
We could talk about products or subjects, and they'll come
up on our feeds somewhere within our phone on one
of the fucking apps.
Speaker 1 (59:54):
Yeah, you know what I mean. So it's like it's
like if you're worried about it. If you're going to
be track now, I mean they already got your in full,
got all the in. You got a phone, yeah, and
if you got that smartphone, they got that.
Speaker 3 (01:00:09):
I mean, if you want to go back to like
the cave man days, this little flip phone, go ahead, but.
Speaker 5 (01:00:18):
I mean right, it's analog star tach.
Speaker 1 (01:00:21):
Yeah, bring towns. The chirp phones text tells those can't mind.
Speaker 3 (01:00:28):
Those phones were very rude, I gotta say, especially if
you had a.
Speaker 1 (01:00:33):
Homie who likes to prank you.
Speaker 2 (01:00:34):
You know what I mean.
Speaker 1 (01:00:35):
Oh, yeah, you're in the bank of somewhere.
Speaker 7 (01:00:38):
It's quiet and I see you all, bro, Yeah, I
say some terrible A.
Speaker 10 (01:00:43):
Couple of times, yeah, oh yeah, I was. Yeah, people
being meetings and stuff. I'll say something yelling and ship
where you at your fucking cocksucker?
Speaker 1 (01:00:54):
Excuse me? What who the hell is? And there's no
way to turn that ship down? Now you know what
I mean? Well, there wasn't, you know.
Speaker 3 (01:01:03):
I mean, you could turn down the ring tone and
you could turn down the phone part, but you could
not turn down the chirp.
Speaker 1 (01:01:10):
And how loud it was. It was rudely quasi.
Speaker 6 (01:01:14):
A couple of times he was up and having his
meetings over He was a producer on the sol Assessin
show that we did, and he would be in a
meeting and then I just like yell out from one
of the characters.
Speaker 7 (01:01:26):
What oh.
Speaker 3 (01:01:29):
We used to get each other left and right. I
remember getting somebody, get off that chick. You're boning right
now and answer like old ship talk up with my girlfriend?
Speaker 1 (01:01:41):
What are you doing? Yeah, yeah, exactly. You can't do that, man, Yeah,
it was very rude. Yeah, all right.
Speaker 3 (01:01:52):
Today's National Video Game Day. Hell yeah, games, plural games.
Speaker 1 (01:01:58):
Games.
Speaker 3 (01:01:59):
So if you're in the video games, it's you know
your day. I guess, yeah, play one play you know what,
Go play your video games.
Speaker 1 (01:02:07):
Man, what's your favorite video game? That's a good question.
Speaker 3 (01:02:15):
Well, if we're talking about old school arcade games, right,
it would probably be Galago, right, but we're not talking
about video arcade games.
Speaker 1 (01:02:23):
We talk about just video games.
Speaker 12 (01:02:25):
Right.
Speaker 1 (01:02:25):
Yeah, it could be both. Oh, it could be both. Okay.
So well so Calm, as we all know, was one
of my favorites. That's one. But I tell you, as
of late that fucking Star Wars Battlefront is the shit.
Just say it. I don't play it.
Speaker 3 (01:02:42):
Much, because if I do, I'll get stuck, and I
don't want to be stuck. I need to be productive.
If I was getting money, you don't play in the
Star Wars game like these little young bucks man. If
I was good enough that I'd put up the mic
and go make some money. But you know I'm not
that good because I don't play. I don't play.
Speaker 1 (01:03:05):
Now. If I had stood playing Madden in NBA Live or.
Speaker 3 (01:03:10):
Whatever those games like, if I had stood playing like
keeping up with with all the new versions of it,
I'd be making money right now for sure.
Speaker 1 (01:03:19):
On the fucking NBA Live Madden. There's a lot of
tough players.
Speaker 3 (01:03:23):
It's it's hard to say, yeah, I was once upon time,
I was really good with that ship Madden.
Speaker 2 (01:03:30):
I was.
Speaker 3 (01:03:30):
I was good up until a point. But we all
say we're good till we go up against the motherfucker
that shuts us down.
Speaker 5 (01:03:37):
Right like my nephews, they shut me down. I'm no good.
I can't play.
Speaker 1 (01:03:43):
Yeah I was.
Speaker 3 (01:03:44):
If I had stuck stuck playing the NBA Live, yeah,
I'd be making money off that game right now. With
these gaming fucking things, for sure, I might get back
into it. We'll see, all right, let's see.
Speaker 6 (01:03:57):
Uh.
Speaker 4 (01:03:57):
It is also National Hug and High Five Day. Wow,
what I'm saying? So oh hug hug?
Speaker 1 (01:04:05):
Okay, what'd you think that's that? I said?
Speaker 5 (01:04:09):
Hog?
Speaker 3 (01:04:10):
Yeah, hog and high five? All right, corelation. Yeah, that's
a weird connection. But I get how you might have
thought I said that good. Good for clarification. Sometimes I'd
be saying ship fast like Bolton, like baggles like baggles,
and uh, well that's Bolton.
Speaker 1 (01:04:27):
That's not me. I don't say baggles for bagels.
Speaker 9 (01:04:30):
I'm a rapper. I make words.
Speaker 1 (01:04:32):
Oh do you know? All right? All right, that's a
good answer. All right.
Speaker 3 (01:04:37):
It's also National Day of Encouragement, So I encourage y'all
to think positive today. You know what I'm saying, don't
get caught up in that negative ship and stress the
funk out stress kills.
Speaker 1 (01:04:50):
Yeah, you know what I'm saying, Like that on Bobo's
pretty good good p s A, yeah s A b
s A to BSA all right? Cool?
Speaker 3 (01:05:04):
Did you know it is the birthday of the legendary
Verry White born on this day in nineteen forty fold.
Speaker 5 (01:05:12):
What a g oh yeah he is.
Speaker 3 (01:05:15):
He looked like he'd be a part of the Coco family, right, Bobo. Yeah,
like your uncle yeah goo goo Uncle Coco, you had
hair like that. Yeah, y'all, y'all Bobo's don't have it,
but like the Coco's got it.
Speaker 7 (01:05:28):
The boys gang.
Speaker 6 (01:05:30):
Our hair is kind of like, you know, so nappy
that the water doesn't penetrate.
Speaker 3 (01:05:36):
Oh shit, all right, I saw you had to had
to fro at one time. Yeah, but not no wavy
ship like this right here. I can't imagine you with
some wavy ship like that. Your cousin all day, you don't.
Speaker 1 (01:05:51):
Can't. I talk about him and.
Speaker 3 (01:05:53):
I'm not talking about but that's like his hand right there.
But he got that very white ship.
Speaker 5 (01:05:59):
Yeah, I was all the way down.
Speaker 1 (01:06:04):
Yeah, had a ship un lock.
Speaker 8 (01:06:09):
And you know he had the Love and Limited Orchestra
that was his band, you know, but that that played
all that lush.
Speaker 1 (01:06:15):
Music he made. May you never saw Barry come out
and not be fly. No, look at that.
Speaker 10 (01:06:22):
He was always fly. He maintained flyingness. I mean even
the bed everything probably shrimmed. Yea, yeah, laid back.
Speaker 2 (01:06:34):
Indeed.
Speaker 3 (01:06:35):
Salute to the legend Salute O G And did you
know it is the birthday of the legendary drummer Neil
Perked born on this dead nineteen fitty five. Rest in
peace to one of the baddest drummers of all time.
Speaker 8 (01:06:49):
Yeah, if you ever go to the whereas it the
Rock and Roll Hall of Fame in Cincinnati, right, oh yeah,
or the Cleveland Cleveland there you go. Okay, So they
have he has this drum set that's a three sixty
degree drum set, so meaning there's drums in a full
circle around him.
Speaker 1 (01:07:05):
And he actually played it on a tour once like
this dude is like.
Speaker 3 (01:07:09):
He played every drum on that, yeah, dude, And there
was no way he was not going to play every
drum on the Man, I'd.
Speaker 6 (01:07:14):
Be mad as a drum tech if I hadn't set
all that up and he only played half to set.
Speaker 3 (01:07:21):
Right, Yeah, Because how much work is that for you
not to use any of the ship use it all?
Speaker 1 (01:07:26):
Got to use it all.
Speaker 5 (01:07:27):
Yeah.
Speaker 1 (01:07:28):
Yeah. And drummers that carry that kind of kit they
usually use it, use it all. Yeah.
Speaker 3 (01:07:34):
I think I've never seen a kit that they put
together for Bobo that he didn't use everything on it.
You have to you gotta find ways to use it, Yeah,
even if it's one hit, But you don't come.
Speaker 1 (01:07:46):
Out with get break. Look at that.
Speaker 10 (01:07:49):
I think that if you put me set up that
I have now in a circle, it would be full
three sixty.
Speaker 3 (01:07:56):
Hey, look, I gotta say, it looks like he's built
into the guy damn thing robo drummer over here. Shit exactly.
But he played that fucking way though. Hell yeah, yeah yeah.
If you don't know about the band called Rush, yeah,
educate yourself and listen to the drumming that my man
Neil Pert was doing. And he wrote lyrics too, and
(01:08:18):
he wrote Yeah, he wrote the lyrics. He wrote all
their ship. Yeah, yeah, yes, he is multi fast. He
was multifaceted. Indeed, people thought it was geddy Lee.
Speaker 8 (01:08:27):
He was.
Speaker 3 (01:08:28):
He was the voice and the bassis dope basis no less.
But the words came from the drummer rest of peace.
Speaker 1 (01:08:37):
Did you know Lewis c K was born on this
day in nineteen sixty seven. Yeah, one of my favorites.
He's been snapping lately. Oh he's the best dard.
Speaker 8 (01:08:51):
Yeah he talks the mother and also fun fact, as
I've brought up before, like he directed Pooty Tank.
Speaker 3 (01:08:57):
He did, Yeah, yeah, I got it. Yeah, he directed
Pooty Tank. Oh that ship is hilarious.
Speaker 1 (01:09:02):
Yeah, he's a movie.
Speaker 3 (01:09:04):
Yeah, that's a Bee movie for sure. Indeed, right yeah, Man,
I would show it for Pooty Tank. Oh yeah, I
would be there for more than two minutes.
Speaker 1 (01:09:15):
Tank.
Speaker 3 (01:09:15):
I'll probably be there for like ten because I've seen it.
I've seen it several times. But I would watch it
on your ship fifteen minutes. Yea, you know what I'm saying. Man,
I had a doozy played pop by the Slayer. Man,
Oh you played that?
Speaker 1 (01:09:33):
How was it? Why you do that to people? Then?
Speaker 10 (01:09:35):
And then it was another one called Shiver Me Timbers.
No ship, it was another one.
Speaker 2 (01:09:42):
That one was bad?
Speaker 9 (01:09:43):
Was it a newer film?
Speaker 1 (01:09:44):
Yeah, that's another pop idea. Why are you infatuated with?
I don't know, but you know, Oh my god, that
was horrible. Olive Oil and their brother.
Speaker 3 (01:09:57):
Eighty six in Northern California, Olive Oil her brother castor
Ed France.
Speaker 1 (01:10:03):
Yeah that just sounds fun.
Speaker 7 (01:10:04):
Yo.
Speaker 6 (01:10:04):
The first scene when the dude kind of looks like
Popeye and he says, oh, blow me down. I said,
oh man, this is done. I'm already done.
Speaker 10 (01:10:11):
That's a C movie right there. No, oh my god,
would not recommend it. Any Oh, yeah, no, his pipe
was kind of crazy though, Like what kind of pipe.
I mean, he don't got no fucking got no fucking eye. Man,
he gets got his eye taken out. Hopeye, I get it. Spinach, Yeah,
but spinach, m yeah like that, like what not? Hell,
(01:10:37):
they said, it's gotta be the spinach. Don't eat the
spin it just gotta be the spinach.
Speaker 3 (01:10:43):
Oh man, all right, Well that being said, did you
know in nineteen seventy five, on this day, Pink Floyd
released Wish You Were Here, their ninth album. Yeah, yeah,
number nine. That's a hell of an album cover though
they're on the universal lot here. Yeah, oh boy, it
(01:11:03):
looks like Bruno Mars right there on the left. Oh
damn that fire you know that? That that little uh
perm that Bruno Mars be having every now and there
looks like it right there and on the right could
be like Ted Burgundy, Ted Burgundy, Ron Burgundy. Yeah, Ted's cousin.
(01:11:26):
Ted's cousin Ron. And did you know it is the
birthday of the legendary Busy Bone of Bone thoughts and harmonies.
He's busy, happy birthday, born on this d nineteen seventy six, Right,
He's still forty nine, youngstare almost there. I gotta tell you, man,
this is one of my favorite bitterers right here.
Speaker 1 (01:11:47):
He's dope.
Speaker 3 (01:11:47):
When he ramps up on his style, it is crazy.
And to see him do it live dope, you know
what I'm saying. And when you see my man get
down live, yeah, no, no tracks on the bottom, it's
him delivering like a goddamn fire breathing dragon son Salute
(01:12:12):
to busy bone.
Speaker 5 (01:12:13):
Salute, salute.
Speaker 4 (01:12:15):
Did you know it is also the birthday of Two Chains,
born on this day in nineteen seventy six.
Speaker 1 (01:12:23):
He's just forty eight. Yeah, two Chan, I don't know
if I believe that. I think my dude is fifty.
It's like some steak. I'm sorry, Two Chans. I'll probably
all right, I'll believe it. Hey.
Speaker 8 (01:12:36):
One of my favorite mixed stapes he ever put out
was where he covered the entire first fud Tang Clan
album and two Chain wraps over all those instrumentals, but
just to Chains it out like it's really dope.
Speaker 3 (01:12:47):
He's dope. He got bars, he show, Yeah, he does.
I like Two Chants always. His videos are dope Toog's dope.
Speaker 1 (01:12:57):
Yeah, did you know?
Speaker 4 (01:13:00):
In nineteen eighty nine, Naro Smith released Pumped, their tenth album.
Speaker 1 (01:13:04):
Oh yeah, this is the dude looks like Lady record,
I think. Yeah. See look ten albums. Oh Loving an Elevator.
Speaker 2 (01:13:13):
There you go.
Speaker 1 (01:13:14):
That was a big song right there too.
Speaker 7 (01:13:16):
That was one of the video I remember the video
for that.
Speaker 1 (01:13:19):
And Jamie's Got a Gun too. Oh wow, this was
the MTV album Jamie Got a Pistol. Yeah, yeah, yeah,
this is.
Speaker 8 (01:13:26):
Like all the videos from this album made them, like
visually more famous than they'd ever been.
Speaker 10 (01:13:31):
Yeah.
Speaker 3 (01:13:32):
That brought them all the way back and they should
thank run DMC every day, every day, every day. Did
you know on this day, two thousand and three, we
lost the legendary Johnny Cash rest in piece, the og,
the man in Black, the og word up salute. We
(01:13:54):
encourage you to smash that like right now. If you haven't,
tell your friends to sign in and join us. We
got wrapping foete up and here. Subscribe to the channel.
Crack the all notification bell, Get down with the real TV.
You know what I'm saying, Real by show, become chazy,
a part of the family, you know what I'm saying.
Speaker 1 (01:14:14):
And we're about to open up the doors to the
insane Asylum.
Speaker 3 (01:14:17):
That means y'all in the live chats, if you got
a comic question, shout out suggestion.
Speaker 1 (01:14:22):
We are here for it. Let's go. Welcome to the
insane Messiah.
Speaker 11 (01:14:33):
Right Amanda phone here saying, Yo, Forte, you need to
help be real out and get him a forty nine
Ers jersey.
Speaker 3 (01:14:39):
Oh okay, wow, wow wow sports. You know, hey, it's
not like I haven't worn a forty nine er jersey
I have. You know what I'm saying. When I was
into my like sports jerseys, I had like a gang
of them, So it's not like I never had one.
I think I had a fucking Ronnie Lot jersey when
(01:15:01):
he was on the forty nine Ers. Yeah, but I
lost that in a move somewhere many years back. What
I'm saying, it's California. I don't mind rapping California team,
but don't ask me. Don't ask me to represent the
Angels who are in Anaheim. They call themselves LA. Don't
(01:15:26):
ask me to to represent Ray's team who is in
LA County. That's they're fine over there. Yeah, that's pretty good,
says you, and I won't wear a Clippers deal, you know,
said but I'll represent them, you know what I'm saying,
(01:15:47):
because I'm team LA. But you ain't gonna see me
like wearing their ship, you know what I'm saying. But
I have one forty nine ers gear for sure. I
mean shit, it's California baby. And in the way that
we have that tie in, like I said, you know,
with with doing the insane in the Brave video a
(01:16:07):
DNA lounge. So that's always like the connection connect people
with fashion don't give a ship. I know my friends
who follows zero sports, it's just about the look.
Speaker 7 (01:16:19):
Can match it.
Speaker 1 (01:16:20):
Yet oh if I had it, I would match it
for sure.
Speaker 7 (01:16:23):
I don't give a fuck. You know, they don't care
about the team. They just like the splash.
Speaker 3 (01:16:26):
Listen when it comes to the sport. I don't discriminate
like that in terms of the fashion part. It's just
when we get regional, when we're talking about LA, that's
when it gets a little the rules get strict for me,
like I'll find something else to match.
Speaker 1 (01:16:42):
I cannot wear the Rivals uniform like that. I agree,
you know what I'm saying.
Speaker 3 (01:16:46):
Like I'm a Dodgers fan, I cannot be rocking l
A the Angel Shit I'm a Lakers fan. I cannot
be fucking with the Clippers merch. I can represent them
in spirit, but I cannot put this ship on.
Speaker 1 (01:17:00):
Said that with the Rams.
Speaker 3 (01:17:02):
I mean, you ain't gonna see me with no Chargers ship, right,
just saying like when it's like that, that's that's how
I look at it.
Speaker 1 (01:17:10):
But like I wear other jerseys, I don't care.
Speaker 5 (01:17:13):
You know its California, like to say, California.
Speaker 7 (01:17:15):
Yeah, I got ship.
Speaker 1 (01:17:16):
I got raided jerseys in my closet. Still, come on,
come on now?
Speaker 9 (01:17:21):
And the O G tone is asking a tell you
what a niner jersey are you rocking?
Speaker 2 (01:17:26):
Uh?
Speaker 5 (01:17:26):
This is a wrapping foe that's right, got his own
jersey phone.
Speaker 1 (01:17:32):
And phone right bo and bo.
Speaker 11 (01:17:34):
We got twag like and you're saying show it to
the legend Forte for blessing us with your presence on
the highest show in the world.
Speaker 9 (01:17:40):
Hope to hope you come again in the many blessings.
Speaker 5 (01:17:43):
Yeah, most definitely, I got contact. I really gonna be
blowing less at the hospital real good, right now.
Speaker 2 (01:17:48):
You know.
Speaker 13 (01:17:50):
The grain sometimes that hot that you know, the contacts
are key. You know what I'm saying, mister in here
is saying yo forte and be real. The movie called
Winner Takes All.
Speaker 1 (01:18:03):
Oh you forgot to be real? Yeah, yeah, you never
told us this be real.
Speaker 3 (01:18:09):
I think maybe that's the movie that I snatched that
check up.
Speaker 1 (01:18:13):
Yeah, yeah, I snatched her up.
Speaker 3 (01:18:17):
That was they wanted me to snatch her by the
hair and drag her out of the room, and I
guess I did that.
Speaker 5 (01:18:23):
Yeah, you did that. That one scene put some raight
gu on the pasta you know what I mean?
Speaker 1 (01:18:28):
What you say?
Speaker 7 (01:18:30):
That was the one that you played the hit man? Yeah,
I think I played that in B Movie Night.
Speaker 1 (01:18:34):
Yeah, I was.
Speaker 3 (01:18:36):
We were out of town for that one where we
had to fly somewhere. I can't forget some other Busville. Yeah, yeah, yeah,
I got to play that guy that was big.
Speaker 1 (01:18:49):
Yeah.
Speaker 3 (01:18:50):
Yeah, you played it on B Movie Night, right, I did? Yeah,
all right to see that. That's right. The fleshbone was
fleshing bone.
Speaker 5 (01:18:58):
Yeah, shide the flesh alright.
Speaker 9 (01:19:02):
Seventies asking it'd be great to hear what taste? First
car was.
Speaker 5 (01:19:07):
My first car wash six six Skylark. Oh wow, California
Special Skylark. It looks like one of these, yeah, exactly,
whole school mm hmmm.
Speaker 1 (01:19:29):
Those are so dope. Those cars are worth money right
now too.
Speaker 5 (01:19:32):
They are. Oh that buick and they clean?
Speaker 1 (01:19:37):
Yep, what color was it?
Speaker 5 (01:19:41):
Black?
Speaker 1 (01:19:42):
You thought red? Bolted thought he was going to say red.
Speaker 9 (01:19:47):
This one is my car right here.
Speaker 1 (01:19:48):
That's the ideal. What Yeah, you know what I'm saying.
Speaker 5 (01:19:51):
Clean.
Speaker 3 (01:19:55):
I might have to change the wheels on it, but
you don't mm hmm. The car itself. It's a bad,
bad machine.
Speaker 1 (01:20:04):
Oh yeah, that's a that definitely can eat it. I
like gas.
Speaker 5 (01:20:09):
I like the car right out right there.
Speaker 14 (01:20:11):
Oh the glasshouse, Yeah, glasshouse is clean. Yeah, yeah, hello,
it's been there for a minute. So yeah, yeah, that's
the one we do the smoke box with. Well one
of them. There's a caddy too, but that one's in
the shop.
Speaker 9 (01:20:26):
Mar bell And here's asking what was it like working
with RBL and Drew down.
Speaker 5 (01:20:31):
Oh it's a family affair, basically, that's what that is.
Family affair. Are well, we go back and Drew we
go back as well, Beard than my neighbors, you know,
loved ones.
Speaker 11 (01:20:42):
Marbelle's also saying, imagine be real, ninety six, be real
in a Xbox three sixty lobby, probably talking some smack.
Speaker 1 (01:20:50):
Talking a whole lot of shit.
Speaker 3 (01:20:53):
Oh man, yeah, yeah, I probably would have got set
off so quick and those lobby lobbies was too angry
back then, Xbox wasn't.
Speaker 10 (01:21:03):
That was the time when you go on tour that
the tour had to be loaded up with like Sega
Genesis or yeah, you know Xbox ps.
Speaker 1 (01:21:10):
You know, yeah, that was the thing.
Speaker 3 (01:21:12):
People were finding ways to rig their system and get
it up. And then when online gaming came on, we
were like trying to figure out how do we get
online on the buses.
Speaker 1 (01:21:22):
You could never do it, no, but you had to
figure it out at the hotels.
Speaker 11 (01:21:29):
Yeah, right, Marbels. And here's saying you guys were talking
about Barry White earlier. He's saying Barry White was an
avalon Gangster Trip.
Speaker 1 (01:21:38):
I believe it was. Yea, yeah, yep, it's pretty crazy. Yeah,
he was a gangster.
Speaker 5 (01:21:43):
He was a g on that mic too.
Speaker 1 (01:21:46):
Yes, he was tried.
Speaker 5 (01:21:47):
Ladies.
Speaker 11 (01:21:48):
Christ Tony's asking Forte, were you in the Too Legit
to Quit World Tour?
Speaker 5 (01:21:55):
No, I wasn't that. I didn't have the pleasure of
being in that tour. But I've got some stops with Hammer,
but uh, not to be not too Legit.
Speaker 1 (01:22:03):
To Quit.
Speaker 11 (01:22:06):
The dad is saying, Yo, Sway got that hip hop
documentary voice. He's gonna be a great communicator for your documentary.
Speaker 5 (01:22:11):
Most definitely, most definitely shout out to Sway again for that.
Speaker 1 (01:22:15):
You know, have you ever been up in here, b Sway?
Not yet, but you know, we hope to land him
when he when he gets to LA at some point.
Speaker 5 (01:22:25):
Most definitely, I think he slid lives out there now.
Speaker 1 (01:22:28):
He doesn't move out here. I think he moved out ship.
Speaker 3 (01:22:30):
I got to you, Yeah, he's been doing out here actually, yeah,
because they got studios here that they could easily do
you know the Sway's universe.
Speaker 1 (01:22:39):
Yeah, mister Chuck was just a guest on his show.
Oh I got to reach out to him.
Speaker 7 (01:22:43):
Yeah, y'all.
Speaker 11 (01:22:45):
Sway Burns thirty two is saying, Yo, Bobo, your dad
did a redid Love's theme by Love Unlimited.
Speaker 1 (01:22:53):
Yeah he he We did that song.
Speaker 6 (01:22:55):
Uh didn't record on an official album, but it's it's
out on Spotify and Apple Music right now.
Speaker 1 (01:23:02):
He did it live on this show called a Black Omnibus.
Speaker 3 (01:23:06):
Your dad did a lot of covers, right yeah, yeah,
he wrote his own ship, but he also did a
lot of covers, right, his father's name, Willie.
Speaker 1 (01:23:15):
Willie Bobo is a jazz Latin jazz artist. Yeah. Uh,
he did.
Speaker 6 (01:23:21):
I mean covers from the Beatles, He did big covers
Verry White all. I mean, he was just into his ear,
was into what the young peoples were doing. He was
just trying to let this sound sound in it.
Speaker 3 (01:23:33):
That's what That's what he sure was that. Hey, look,
I'll tell you what I was telling Bobo. I was
listening to his to his father's catalog not long ago,
and there was a song where he does this breathing
ship where it's like some ship like I can't I
can't really do it how he was doing it, but
(01:23:54):
you could totally see how it influenced, you know, certain
ship and like the eat boxing thing, Like there's a
certain like breath pattern he was doing on this one
song and you could see how it influenced certain aspects
of that ship. Like I think I think there was
even somebody who sampled that that breath part, right.
Speaker 1 (01:24:15):
I think so, yeah, yeah, yeah, I don't remember who
that was. What song was that again? Oh man, it
could have been even like Q tip or something like that.
I don't know.
Speaker 3 (01:24:25):
No, No, I meant the song that that your father did.
Oh ging, Yeah, he does this breathing thing like it's
a rhythm, like it's like a shaker, but he's doing
it with his breath. And this is before any Bobby
McFerrin or beat box shit happening.
Speaker 1 (01:24:44):
This guy's father was doing that ship that's dope. Yeah.
Speaker 3 (01:24:47):
I just thought I'd give him the flowers for that,
because yeah, yeah, he did his thing. Man, it was
before Atomic Dog.
Speaker 1 (01:24:57):
All that.
Speaker 6 (01:24:58):
I mean when he would do that song live and
then he was really playing it up to the ladies.
Speaker 1 (01:25:05):
He really did so oh yeah, it's played up. Oh
my god, just played it out. He played it up. Man.
Speaker 10 (01:25:12):
That version became like a fifteen twenty minute version because
he's out there breathing.
Speaker 1 (01:25:19):
Oh yeah, he's women's Yeah, yeah, I heard it.
Speaker 3 (01:25:23):
I heard it. That shit is crazy. I was like,
that's where they got this shit from. They got it
from him. Cool pops, yep, all right with you.
Speaker 9 (01:25:33):
Fernanda's asking Forte, do you have any mac dre stories.
Speaker 5 (01:25:38):
There Back in the day, mic Drey popped up right
in the gutter of the ghetto and picked me up.
We went to the studio and I mean we had
a ball. It was real big matter of fact, sugar
Free popped up too as well. We was doing our thing.
(01:26:00):
Was like, uh was we was this and you know
it was it was a nice experience. I appreciated it.
It was like, Uh, in my neighborhood, you can just
pop up at this certain individual place like this. And
he just popped up like a pop tart folk thee
what's going on? Man jumped in and so he was
on the road for a few days, just getting money
(01:26:20):
and doing our thing. Man resting peace. Mc troya missing.
Speaker 11 (01:26:26):
And I kind of like that missile was saying my
alphabets on the Genie of the Lamp album. Yes, you're saying,
this is my jam right here.
Speaker 5 (01:26:34):
That's the one me and him and sugar Free abcpuh medicine.
Speaker 9 (01:26:41):
And here's asking him. Have you ever experienced anything paranormal?
Speaker 1 (01:26:47):
Any spirits at the UFOs?
Speaker 5 (01:26:50):
I'm not smoking on some real good wed one time
and I thought I saw UFO pretty much.
Speaker 3 (01:26:57):
Well ship up, dorth y'all probably see them up in
the forest area, you know what I'm saying, because there's
not so much light.
Speaker 1 (01:27:06):
But yeah, yeah you might. You might have saw one,
or it could have been the weed could have been
a weed.
Speaker 9 (01:27:16):
It's gotta be up there, right.
Speaker 11 (01:27:17):
There's a lot of forests up there, right, a lot
of nature, and you could see a lot of ship
up there compared to like l A.
Speaker 9 (01:27:23):
I would assume exactly.
Speaker 3 (01:27:25):
There's not a lot of light pollution out there, m
And I would imagine that people see a lot of
orbs up over around there, like that ship we were
talking about the other day, that that they launched a
missile at the orb and the fucking minsil missile bounced
off the orb and broke into pieces and the orb
(01:27:46):
just kept flying. It was off the coast of Yemen.
It just happened like a few days ago. This is
it right here. See look at that boom. The missile
just bounces off, breaks up a little bit, and the
thing just keeps going.
Speaker 1 (01:28:02):
You know.
Speaker 6 (01:28:02):
The thing is that it didn't explode, right, It isn't
broken to pieces. They didn't even activate it.
Speaker 5 (01:28:08):
It's crazy.
Speaker 3 (01:28:09):
Well, I would imagine that or probably got something that
deactivated the ordinance that's in there so that it wouldn't explode,
and it just bounced the fuck off.
Speaker 1 (01:28:21):
And that's crazy.
Speaker 3 (01:28:22):
That is they actually it's crazy that they actually tried
to shoot it out of the sky because they've been
trying to shoot none of these things out of the sky.
Speaker 5 (01:28:32):
Right, just let them land.
Speaker 11 (01:28:35):
M Does that kind of scare you a little bit
that they're taking shots at UFOs, that they have no
idea what it is like it's going to come after us.
Speaker 3 (01:28:46):
This meant this is meant for you to ask that
question and then answer back to say, this is why
we need to develop weapons to protect ourselves against whatever
this is.
Speaker 1 (01:28:58):
And guess what they are got those weapons.
Speaker 3 (01:29:01):
This is just now their chance to start introducing those
weapons to us. It ain't really for them either, it's
just for them to have new weaponry that's.
Speaker 1 (01:29:11):
Like advanced, super advanced.
Speaker 3 (01:29:14):
Yeah, well let us show you how we could shoot
these things out of the sky now, yeah, because they've
already had the ship reverse engineer to be able to
do that. But you know, questions were like, well when
did you do that? And where was the money for that?
And exactly where'd you like how did you figure this out?
(01:29:35):
And it's questions they don't want to answer ever.
Speaker 5 (01:29:37):
So I'll never answer.
Speaker 6 (01:29:39):
Well, they need to work take them to the ground
to keep on working on those missles because this shit
is bouncing.
Speaker 3 (01:29:45):
Off well, that's what I'm saying to you, Mobo. They
did that on that shit on purpose to show people
that what we have now doesn't work. This is an
excuse for them to break out that new technology that
they got, but we ain't seen it.
Speaker 7 (01:29:59):
And you notice every video they ever released were we
live in an eight K world? But it's always some
black and white, nineteen twelve looking fucking video that they
give us.
Speaker 3 (01:30:08):
Come on, well, well there, I think I think their
cameras are like they're they're not nineteen twelve, they're not black.
I mean, they're black and white, they're you know, so
funny crazy.
Speaker 7 (01:30:20):
I'm just saying, bro, give me something high deaf.
Speaker 1 (01:30:23):
I might four K or not.
Speaker 6 (01:30:25):
You know, you get TVs and now eight K and
all this kind of stuff, and then you're giving me
some nineteen forties shit.
Speaker 3 (01:30:31):
Yep, Well they didn't have that in the nineteen forties, Bro,
that's bit eggs right there. Well maybe nineteen sixties, yeah,
nineteen sixties they might have had something, might have, but
probably not even then yet.
Speaker 1 (01:30:46):
Yeah, Yeah, settled doubt.
Speaker 11 (01:30:50):
Oh I loved him kills us saying, Yo, your second album,
don't fight the feeling. That's one of my favorites and
it's no skips at all.
Speaker 5 (01:30:57):
Right, at all, no skip, you sketched just all the
way through.
Speaker 1 (01:31:02):
He said that we conviction, no ski that's right.
Speaker 5 (01:31:06):
Yeah, one, I love telling him shout out one love
to him.
Speaker 1 (01:31:09):
That's like, I appreciate that. That's classic material.
Speaker 11 (01:31:12):
Right there, drums are saying, Yo, I was listening to
Forte's Players Club in nineteen ninety from ninety four. He's saying,
I've been down for over thirty years.
Speaker 9 (01:31:22):
That's what's up.
Speaker 5 (01:31:23):
Oh, and I appreciate that man's I love him speaking.
Speaker 1 (01:31:25):
Of that's right.
Speaker 5 (01:31:28):
Uh.
Speaker 11 (01:31:28):
Flex Luthor's saying, Yo, slup to the Bay legend Forte
and my favorite stash. My weed is saying, Forte, have
you ever worked with Desi hollow Dy hollow.
Speaker 1 (01:31:38):
No.
Speaker 9 (01:31:39):
They're saying he's been working with a sugar Free saying,
you guys would have a dope collab together.
Speaker 5 (01:31:44):
Dazy hallo, dassy hollo. I know you're talking about we haven't.
We haven't recorded anything. We should. It'd be a beautiful thing.
It'll be a nice collab.
Speaker 2 (01:31:55):
Yo.
Speaker 11 (01:31:55):
C Minus your mom is in here saying War was
the group that put my son C minus on stage
age at the age of three.
Speaker 15 (01:32:01):
Wow.
Speaker 9 (01:32:02):
Yeah, the War started it all.
Speaker 1 (01:32:04):
Yeah, that was the first whole story. Your musical journey
starts with war.
Speaker 7 (01:32:09):
You leave that shit out?
Speaker 1 (01:32:10):
Yeah yeah yeah. When did she tell you that story
for the first time. I think it was because at
three you didn't remember.
Speaker 2 (01:32:20):
No, no, no.
Speaker 8 (01:32:20):
I think it was like when I was a teenager, probably,
you know, you know, I think when I was I
think it was when I tripped out that Mellownce used
Galaxy right in ryin Fider right and I was like, oh,
I love this, like and I was like I remember
this song. And then my mom was like, yeah, you know,
(01:32:42):
well I took you to see him at three years
old and you got on stage and like danced.
Speaker 1 (01:32:46):
I was like, what that's all. That's big and so yeah,
I've always liked so you've always had a connection to War.
I love it man.
Speaker 2 (01:32:54):
Yeah.
Speaker 1 (01:32:55):
Wow, that's awesome. Yeah, great story, loot mom love you.
Speaker 9 (01:33:03):
And the last one so far, Jason is saying, yo,
b I saw you guys.
Speaker 11 (01:33:06):
I was there in nineteen ninety three at the MTV
Daytona Spring Break concerts ain't been a fan for life?
Speaker 1 (01:33:12):
Oh oh I got oh yeah yeah that concert. The
Dayton of the MTV Raps.
Speaker 8 (01:33:18):
Daytona dude lives in infamy for like me chock, you know,
like it was one of those because I was such
a hardcore your MTV rap fan and you guys were
all in one place together, every one of our favorite
artists is one place forever, and.
Speaker 3 (01:33:33):
We all hit the stage together like we all supported
each other's sets, like they all came out for our set,
we came out for Naughty's set.
Speaker 1 (01:33:43):
Because everybody was playing. Those spring breaks were the shit.
Speaker 3 (01:33:46):
That was the first time I broke out the little
baby fro, you know what I'm saying. I was wearing
hats and hoodies and beanies all up until that point
when I thought it was like, you know enough, and
then I busted out for the first time.
Speaker 1 (01:33:59):
There, yeah, he went.
Speaker 3 (01:34:03):
And that's when we used to take our bucket hats
and and and get and get them custom on there,
like we'd have the Cypress Hill ship here and then
something on the bill like I can't remember what send
Dog had. But I stopped wearing the hats at that
point because I was growing the hair and I could
not wear the hats anymore.
Speaker 4 (01:34:22):
Oh manet it said Cypress Hill and buddhas something right there,
and we were wearing car heart jackets Daytona spring break
at the beach.
Speaker 3 (01:34:35):
We're timbos. The other day we got Timbo's car heart jackets.
Well everybody out there got beach gear on his ship.
But all the hip hop groups, you know, we all
we all were in heavy ship because we weren't like
thinking spring break, you know what I mean, no one
was thinking that. We were all thinking, you know, hip
(01:34:57):
hop style, We're like going into baggy clothes. And the
Timbo in the big jackets, like we weren't the only ones.
I mean, look at uh.
Speaker 4 (01:35:07):
Ed Lover and and uh Dre are wearing having New
York ship because that was the look.
Speaker 7 (01:35:14):
That was was the look like that was the best
clothes was winter clothes. Yeah, the jackets, the hats, everything.
Speaker 3 (01:35:21):
And that was the original cypresshilled tomato face shirt that
I'm wearing right there and had the white outline with
the green leaf red face rocking and frow too little
baby fro And there goes FM.
Speaker 1 (01:35:34):
Look without the mask to my right, FM right there,
Damn you mask your frank Frankie young masks.
Speaker 3 (01:35:46):
You know what I'm saying. In case you ever needed
to know. He's right there. You want to cover his
face right now? Go ahead, you know what I'm saying.
Speaker 9 (01:35:56):
All right, and that seems to be it so far.
Speaker 3 (01:36:00):
Thank you for thank you for your super chats. We
know more come as we go, so when we see them,
we'll take them. Salute to all y'all. Sale, we're about
to get into submissions.
Speaker 1 (01:36:09):
Let's go what subpicious subpicious slash supicious suici you can't
help it?
Speaker 11 (01:36:37):
Yeah, yeah, shout to the brisket King. The Dominator was
actually visiting the briskt King yesterday. Show to Bart's barbecue.
Speaker 7 (01:36:47):
There.
Speaker 1 (01:36:48):
Shout to the Barts and your two late Cholestril. You
gave brisk it a bad name.
Speaker 2 (01:36:57):
Let me know what you think of it.
Speaker 1 (01:37:04):
What do you mean to the great show?
Speaker 5 (01:37:07):
Well, thanks for coming light, dom I don't know if
you want me to.
Speaker 1 (01:37:10):
Say, he's the brisket King. That's that's something right there.
Speaker 3 (01:37:16):
Here.
Speaker 9 (01:37:16):
Let me show you the let me show you the
French dip over here, my.
Speaker 3 (01:37:19):
Man, right there is the brisket King. You know what
I'm saying, Oh my god, get bad. Next time you
in town Fote and you come through this show. We're
gonna have him here with some of this ship so
that you could, like, you know, witness the greatness of
(01:37:39):
the brisket king.
Speaker 5 (01:37:41):
He is.
Speaker 1 (01:37:41):
He is the king of the hate brisket. You know
what I'm saying.
Speaker 3 (01:37:46):
He hates doing this, but because he hates it, there's
a little bit of extra salt and everything he does,
and you know, it just tastes terrific.
Speaker 1 (01:37:56):
Okay, some people make it love. He makes it with hate.
Speaker 5 (01:38:01):
Ye hate, WHOA put some love on it?
Speaker 1 (01:38:04):
Yeah, word, It's it's more that he hates to do
it good. Like fuck, this is a lot of work.
God damn. I hate this ship, but I'm so good
at it.
Speaker 3 (01:38:16):
Goddam that would be You know, that's the gift in
the curse, that you're great at something, but you hate
what you're great at, right, curse, Man, I hate that.
I wrap so goddamn good son of a bit, but
I gotta do it. I can't, God damn it, I
can't stand myself. Goddamn it.
Speaker 1 (01:38:37):
Brown on him.
Speaker 11 (01:38:42):
Right, and he's gonna be having an album release party
on the September twenty fifth in downtown l a open bar, food, smoke,
Good Vibes, have one hundred spots open for fans go support.
Speaker 15 (01:38:54):
Oh yeah, a real one, yep, and he drops them
bars a good one. Yeah all right.
Speaker 11 (01:39:08):
We got our boy mb in here saying, thank god
it's Friday, y'all chilling out after work. I got me
the chocolate and strawberry swirl from Wendy's.
Speaker 7 (01:39:15):
Okay, Yeah, they got crazy flavors now, yeah, bro, like
a crazy amount.
Speaker 1 (01:39:22):
Weddy's trying to compete with McDonald's.
Speaker 7 (01:39:24):
Man, they got these combos, some crazy ones.
Speaker 1 (01:39:27):
Their Frosty's are slicious. Yeah, Wendy's Frosty is still Grade
eight to me.
Speaker 9 (01:39:31):
Shaking ship NBA, and you got those new Ports right there.
Speaker 1 (01:39:35):
He got you got them new pimps jumping off no
way right after the shake. It's a fucking menthol man.
Speaker 9 (01:39:45):
God, a little stig and some ice cream.
Speaker 3 (01:39:48):
I had older homies that would smoke the new pimps. Man,
that ship smelled horrible, old my al out of the men,
but y'all do it.
Speaker 7 (01:39:55):
You put one green one started with so it's Newport one.
Really Wow, everybody smoked Newports?
Speaker 1 (01:40:03):
Any Oh my god? That god bless y'all.
Speaker 11 (01:40:08):
Most of your guys is like friends or like parents
and everything. That they smoke like we're growing up.
Speaker 7 (01:40:13):
Absolutely in my name. But everybody smoked.
Speaker 3 (01:40:15):
Ye see that ship that See my mother was a
heavy smoker. That's what turned me off from it, because
she was like a fucking chimney rest in piece. She
quit smoking in her forties.
Speaker 12 (01:40:25):
But either my mom would be going at it. It
was all all red filtered. Oh wow, yeah, yeah, I
hear you.
Speaker 7 (01:40:42):
My grandfather smoked Chesterfield no filter.
Speaker 1 (01:40:46):
On some exotic ship.
Speaker 7 (01:40:48):
Yeah no, it's trash.
Speaker 1 (01:40:51):
Yeah, it's cheap. They're not good.
Speaker 7 (01:40:54):
They're not good at all.
Speaker 6 (01:40:56):
No.
Speaker 9 (01:40:57):
Wait, so these were like hardcore cigarettes.
Speaker 1 (01:40:59):
But yeah, yeah, you just brought me back.
Speaker 3 (01:41:06):
It says where particular people congregate, that's.
Speaker 1 (01:41:10):
Man, that's in peace.
Speaker 2 (01:41:13):
Mom.
Speaker 10 (01:41:13):
But man, he was smoking a heavy duty and you
know what, she would take that cigarette. He said, let
me try your weed.
Speaker 6 (01:41:21):
And then she take out a little tobacco from the
tip weed and says, if I can.
Speaker 7 (01:41:27):
Feel that weed through all this tobacco, you got some
good ship.
Speaker 1 (01:41:32):
Oh wow, And that's real.
Speaker 4 (01:41:35):
It's the way of sneaking in a high right there
without like let you know that she likes to get high.
Speaker 1 (01:41:42):
That's tight.
Speaker 11 (01:41:44):
Yeah, anybody in Vegas, if you need an uber driver
Trace posted this up on his Instagram.
Speaker 1 (01:41:50):
Did you say that Vegas?
Speaker 2 (01:41:52):
Did?
Speaker 9 (01:41:53):
Vegas?
Speaker 1 (01:41:54):
Wow?
Speaker 9 (01:41:56):
My name is Tracey and I'm your uber driver.
Speaker 1 (01:42:01):
First of all, he's got that rory popping off.
Speaker 4 (01:42:03):
That's the Trace from the Bay Trice Trace Dog, Tray
Tray Vegas.
Speaker 9 (01:42:09):
You probably only fit one person in there, right, Yes.
Speaker 1 (01:42:12):
Like magnum p I a little person. Yeah, he's too
tough for that ship.
Speaker 2 (01:42:20):
Yeah.
Speaker 5 (01:42:22):
First Dog always had a nice collection of cars.
Speaker 1 (01:42:24):
Though, Yeah, he keeps that one in nice shape.
Speaker 11 (01:42:30):
All right, all right, mister do you saying, uh yo,
I found this poster from nineteen ninety four Cypress Hill.
Speaker 8 (01:42:36):
Yeah, oh wow, Crash Test Dummies, you play up um
play show with Humble?
Speaker 1 (01:42:43):
Well you guys played the show with chumber wom but
that is yeah, we did. And York. Yeah, we were
actually very cool with b York. She was like our homegirl.
She would show up.
Speaker 3 (01:42:54):
She would show up to some of our shows, much
like Eric about doo Wood like. She would show up randomly, randomly,
and she partied with us several times, like York is.
Speaker 1 (01:43:06):
How pain? That's sick? Blur? Do you guys play it
on the same day with Blur?
Speaker 3 (01:43:11):
Had crash out Africa. Oh, we were playing high high
you know, like high end, top notch gigs at these points,
like in terms of our our placement on festivals.
Speaker 1 (01:43:28):
Oaken Fold.
Speaker 8 (01:43:30):
He was, you guys played the show with chumber One,
but you guys got to hear that live get Knocked Down.
Speaker 1 (01:43:40):
Well, I don't know if I I don't know if
I listened to any of their sets. Did we did play?
Speaker 2 (01:43:47):
What was that?
Speaker 3 (01:43:47):
A Scotland? Scotland? That's when we used to visit Scotland
more often. Yeah, and and Ireland used to go there
a lot.
Speaker 6 (01:44:01):
And those those festivals back then, Soul Classic with all
those groups.
Speaker 1 (01:44:08):
I mean, that's just one of them out of the
many that we did. Man man ain't nothing like it.
Speaker 3 (01:44:16):
Getting to see Bjork was crazy. Yeah, she puts on
a crazy show. Yeah a slute.
Speaker 1 (01:44:24):
All right?
Speaker 9 (01:44:24):
We got the the Dominator in here, he's saying.
Speaker 11 (01:44:26):
I was walking through the store and I and thought
of when we were talking about the spam on the
show the other day, I thought this could be a
good album cover for the band, called canned Meat.
Speaker 1 (01:44:38):
Can an album cover instead of candy heat. I love that?
Speaker 3 (01:44:42):
Yeah, can meat look about spam?
Speaker 1 (01:44:47):
Yeah?
Speaker 3 (01:44:47):
Yeah, you didn't you didn't see that last week, Drake.
We thought Trace would love this maple spam. You know
what I'm saying, spam.
Speaker 1 (01:44:55):
Wow, I give that a shot. Turkey spam.
Speaker 9 (01:44:58):
Yeah, what about the Great Valley?
Speaker 1 (01:45:00):
You one?
Speaker 7 (01:45:00):
No no.
Speaker 1 (01:45:05):
Donkey donkey means yes, all right. Question that should have
a question markam light? What does that mean? It's got
less sodium?
Speaker 10 (01:45:26):
Yeah, but that's not the one that I get. You
can get the low so it's the low sodium. Maybe
that's just a different way to market low sodium. Well,
because they have it next to the light or near
the light. Additive, it's separate.
Speaker 7 (01:45:41):
Some things have so high sodium they have to say
less sodium less low. Yeah, because it's still real high.
Like I see what you're saying and call it low
sodium is lower or lesser less, still high even at
the low mark.
Speaker 1 (01:45:56):
Wow.
Speaker 7 (01:45:56):
Yeah, you can't advertise for it has to be under
certain what's that? What?
Speaker 3 (01:46:00):
There's a what's that ship? That's the replacement for it.
It's not soy sauce, but it's like a replacement for
what's it called. It's h fuck, I forget what it's called.
It sounds like a vitamin, but it's not a vitamin.
Awesome sauce.
Speaker 1 (01:46:18):
Awesome sauce. I wish it was that easy. No, it's
not tomorrow, Amino. There you go. Boom.
Speaker 3 (01:46:27):
Liquid means fish sauce. Liquid aminos is a good replacement
for soy sauce. Really yeah, try it, Try it, my friend.
Try it with the sushi.
Speaker 1 (01:46:38):
Yeah.
Speaker 3 (01:46:38):
Yeah, you could do it with sushi sushi and put
them with sabi in there. It's say it's it's pretty close.
Try it liquid Amino Limano. It's like a brownish type bottle. Beerry,
show the bottle just so that these gentlemen know what
the fuck we're talking about. If you want to lower
your sodium, this is it right.
Speaker 9 (01:46:59):
Here in stores.
Speaker 3 (01:47:00):
Yeah for real and meos, Yes, do yourself a favor.
It still has the same flavor. Sure, I mean no,
Look with that look on the bottom right, it looks
like a like an energy dramtage.
Speaker 1 (01:47:20):
Yeah. Yeah, that's not the one. But you know what
I'm saying. Do you go ahead and try that?
Speaker 3 (01:47:28):
If you let you know, put soy sauce on your
rice or whatever you put, use soy sauce for that
ship right there right there, right there. If you don't,
if you ain't trying to have the less sodium or high.
So you know, if you ain't trying to have none
of it, that's it right there, All.
Speaker 11 (01:47:45):
Right, Julian, here's just saying I want to thank be
real in Psycho less for bringing the jams after the
show yesterday show to all the fifty one fifties listening
and everyone at the table who has me laughing on
the daily, Thank you guys.
Speaker 1 (01:47:57):
So much, Thank you very much.
Speaker 3 (01:47:58):
I had I had a felt like I had a
decent mix yesterday, you know what I'm saying, So thank
you very much. I had a couple of a couple
of different mixes in there, so yes, thank you very much.
And yes, let's did his thank salute to Psycho Leazy
Psycho Lazy.
Speaker 11 (01:48:17):
Sophia is saying a good to see Bay Area legend
at the table salute de Forte and she's saying b
needs to get Andre Nicotina aka Drey Dog on the
show much loved to the highest show.
Speaker 5 (01:48:28):
Absolutely Catina, shout out to Dre just a loved one.
Speaker 1 (01:48:32):
Yep, yep, and big show to Alex R.
Speaker 9 (01:48:34):
Seventy, thank you for the super chests salute and that
seems to be it salute.
Speaker 1 (01:48:40):
Thank you very much for your submissions.
Speaker 3 (01:48:41):
Keep them coming to be Real TV Contest at gmail
dot com and we put them on.
Speaker 1 (01:48:47):
We appreciate you one thousand percent. You know what I'm saying.
Speaker 3 (01:48:53):
Yeah, man, it's Friday. What's your plans for the weekend? Bobo?
What you doing?
Speaker 6 (01:48:59):
You know there's some rehearsal time that's going on. You know,
go and play a little bit, going bike ride or no,
going grill.
Speaker 1 (01:49:07):
You know, we'll do some things, all right?
Speaker 2 (01:49:11):
Right?
Speaker 1 (01:49:11):
How about your forte You got anything popping this weekend?
Speaker 5 (01:49:14):
I'll probably stop by. I see a few family members
after your show. Yeah, give me some barbecue. What have
we kicked back? Wig with my toes on the make rug?
Speaker 1 (01:49:24):
That's right? You make sure that's right.
Speaker 3 (01:49:30):
Make sure you go check them out at the Toyota
Center tomorrow night. If you're in the area, wanna check
that show out. Make sure you go check them out.
How about you, Kelli Blaze? What you're doing this weekend?
Speaker 7 (01:49:42):
I don't know, dependably my stupid back. If my back
is good, I'm actually supposed to ride recite sallabilities on
Saturday night. There's an event in LA that I think
Droe with somebody was talking about they were going to
be there. So I think it's in Wittier some event
Saturday night, So hopefully, nah, bro, I ride with I'm
in love and represent But you know, to go, if
(01:50:02):
you're going to be part of an MC, you gotta
go through a certain uh hierarchy whatever you want to
call it. And I'm not you know, I'm a grown
ass man. I'm not going to get you fetch people's
drinks and watch the bikes and ship like that, like
you got shop when you're young, Well crazy, wash my car?
Yeah no, no, but you like.
Speaker 1 (01:50:21):
That's the way. That's if you're if you're coming in.
Speaker 7 (01:50:23):
Yeah, if you're gonna do it, yeah, you have.
Speaker 1 (01:50:26):
To pay the dues. Yeah, correct.
Speaker 7 (01:50:27):
So I love riding one of those of my homies
and love representing for them, you know.
Speaker 1 (01:50:31):
Yeah, squard up. How about you see what you got cracked?
Speaker 8 (01:50:36):
Uh, you know, getting a little more practicing, do some
and go to a couple of record stores.
Speaker 1 (01:50:43):
I'm gonna go. I'm looking for a few things, right
record Yeah, bring it all?
Speaker 2 (01:50:51):
Right?
Speaker 5 (01:50:51):
What you got, pime baby?
Speaker 2 (01:50:55):
I don't know?
Speaker 3 (01:50:56):
Man, soaking to you saying if I could get my
jacuzzi working bobo. I think I figured it out. Yeah,
I think I finally got it figured out, because you know,
I don't use this ship. You don't have my jacuzzi
for years, and I maybe used it twice in the
sixteen years i've been living.
Speaker 6 (01:51:17):
Man, I'll be reminded him. I'm like soaking trying to
figure this ship out. I'm bad used by what you said.
Too many things not working. They're probably all on the
same fuse and you got a bad fure. No, no,
I figured it out. I was turning too much ship off.
Speaker 7 (01:51:34):
Yeah, overloaded.
Speaker 3 (01:51:37):
And I've figured out the combo now, so I'll try again,
all right again, man, I might go bowl a few games,
you know what I'm saying.
Speaker 1 (01:51:45):
I might go take my bow and arrow out, you know,
get some target practicing.
Speaker 3 (01:51:49):
I don't know, man, I'm still undecided, all right, but
I got a couple of options, you know what I'm saying.
And your daughter still do the archery thing together, yeah,
well I was on tour, she was still doing it.
I thought about taking it on tour, but we just
didn't have enough time to do shit. I mean, we
bowled a couple places, but the schedule was just like
(01:52:11):
you know, drive into the day off, and you know,
like you're getting off a bus, you don't want to
just immediately go do something. You're like, fuck trying to
hit that bed and get a little bit of rest
because those bunks are unforgiving. So you know, we didn't
get a chance. So I'm you know, I would have
just bring brought it out and not used it. But
(01:52:32):
like now that I'm home, yeah, I'll get back out
there and start. Good that she kept doing it. Yeah
she's uh, yeah, she's good. She shoots left handed. I
shoot right, and I thought I'd be the one shooting
left handed, but no, happened the other way around.
Speaker 1 (01:52:49):
It depends on your eye.
Speaker 3 (01:52:50):
You do this certain test and it'll show you which
eye is your dominant eye that you look from when
targeting something.
Speaker 1 (01:52:57):
You know what I'm saying? All right, you got anything
else for us? All right? Make sure you check out
the mix right after.
Speaker 3 (01:53:03):
This on be real TV two on YouTube right, or
you can check it out also on Twitch.
Speaker 1 (01:53:11):
Be underscore Real tv is the place for that.
Speaker 3 (01:53:13):
For all y'all people on Twitch, and for y'all watching
on the home site www dot real dot tv. It'll
be there too, So salute to all y'all. Salutes everybody
watching us on X today. You could come join the
party and come check out these mixes because they be
hitting and want thank wrapping Forte for sitting at the
(01:53:35):
table with us first of many times.
Speaker 1 (01:53:37):
Salute, Salute, you know what I'm saying.
Speaker 3 (01:53:39):
Pleasures allmine you You check that documentary when it pops off,
check the new music, and make sure you buy tickets
to the show tomorrow night.
Speaker 1 (01:53:49):
Definitely word up. You got any shoutouts you want to give.
Speaker 5 (01:53:52):
Shout out to everybody out in La on La fans
and family out there. I'm a loyal fans and y'all
check me out out the real rapper Fota on Instagram
and hey, my love to be in the family here,
Doctor Green Thom, you know.
Speaker 1 (01:54:10):
What I mean. That's what's up, Sea Months.
Speaker 8 (01:54:14):
Shout out to everyone here the Tale Forte Pleasure, Uh Blaze,
Bobo b Treehouse Crew, Dom Bolton and Ray. Shout out
to Aton, shout out to Hobby Lopez, shout out to Dreux,
shout out to EA Zone A shout out to you
for hanging with us and watching. Follow me a C
(01:54:36):
minus fan four on all social media's and I'll see
you guys back here on Monday.
Speaker 1 (01:54:43):
What Up Bobo? All right?
Speaker 6 (01:54:45):
Catch me on the socials on I G Eric Underscore
Bobo on Twitter ex Eric Bobo and also Discord Bobo's
Corner and Insane Asylum FOT thank you very much for
coming through. Is a pleasure honored to meet you here
and people here at the table. Big ups to the
(01:55:06):
Treehouse crew everyone that supports the show. Big ups to
everybody that joined for special B Movie Night and the
Discord mods at and see Lorrain and all that. Thank y'all.
We'll see you next week. Snacks and I we say.
Speaker 11 (01:55:27):
Bud show at the Insane Asylum Show, to Ray Morning
Shot Film Show, to the Dominator Show, to Forte for
coming through.
Speaker 9 (01:55:35):
It's awesome having you on here. And what up Blaze shot.
Speaker 7 (01:55:37):
Out everybody here at the table, shout out to Forte
for coming through and kicking it dope avn here find me,
Cali Underscore Blaze or Cali Blaze down that much love.
Speaker 1 (01:55:50):
Stand one hundred percent on your faith even when you're tested.
Swallow that
Speaker 7 (01:56:05):
The real DV
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