Episode Transcript
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Speaker 1 (00:06):
Disclaimer. This video, like all video featured on the channel,
is definitely intended for mature audience. This videos, like lease example,
fan language content is inappropriates video. It's not for kids.
Speaker 2 (00:16):
Wilcome, Oh My God to Doctor Green Thumb Show live
(01:19):
on Twitch, Discord, YouTube x and the home site www
dot b real dot tv. The high Flies are running
around wild in this bitch because it's summertime.
Speaker 1 (01:31):
It's crazy to.
Speaker 2 (01:32):
My right, the legendary psycho Leezy end up Building. Hello, cheers,
hold on uh. We also have the Treehouse Crew bo
To Blombo Bra Bra and the Dominator Sideline crew is
doing good.
Speaker 1 (01:46):
The Sideliners, all right, I can dig that.
Speaker 2 (01:48):
That sounds like a punk band, you know what I'm saying,
or or a reggae or ska band. The Sideliners right.
We got the mask Wonder dj f n up in here.
Speaker 1 (02:00):
What up? Everybody? Happy? Tuesday? Are we doing?
Speaker 2 (02:05):
And we also have the Rolling Champ in a dope
track suit right here?
Speaker 1 (02:09):
Tuesday? Everybody Pedraulic? Hello, what's up? Guys? Yeah?
Speaker 3 (02:16):
Let me let me start off Bye bye. I just
went to the brewery to buy some beer. I tell
the dude give me the pills. Nurse and he gives
me fucking.
Speaker 1 (02:25):
I p as. Man, he gives you I p as.
All I gotta say is all right, Well, you know, bro,
is it a good? I p A good? But I
didn't I didn't want I p A. You didn't want
no I p A.
Speaker 2 (02:42):
It's because the pills is like less alcohol than the
I p as.
Speaker 1 (02:45):
Oh cool. I'm not trying to get.
Speaker 2 (02:47):
You, not trying to get hammered. But you know that's
the key to drinking beers all day. I guess right.
I'm not a beer drinker, so I can't really tell you.
But all the beer drinkers I know drink like beers
that aren't like very strong, but they taste good. But
if they drink the IPA, they getting smashed because it's
(03:07):
it's more.
Speaker 1 (03:08):
You know, there's more alcohol in the I could only drink.
Speaker 3 (03:12):
Like two to three I pa is the most. And
you're gonna be good, you know you good? I mean
now I got no choice, but you got no choice. Hey,
I'll tell you what. E zone used to bring some
good I pas over here.
Speaker 1 (03:26):
You know what I'm saying.
Speaker 2 (03:27):
I mean, I used to like them, but then you know, yeah,
there's a time of the place, right there's a time
and the place. You know, I can't avoid what our
headline is today right now. You know what I mean,
because every time you start off with the show, there's
a caption and whatnot, and our says Dame Dash versus
(03:48):
Charlemagne the God. And someone said, well, one of the
guys send that to me, Pedro, maybe one of the
guys are the dominator, actually send it to me, right
and boy, they was going in on each other petty style,
but it was It was hilarious and petty at the
(04:08):
same time. You know those guys, uh, I mean, it
seems like they've disagreed plenty of times and this is
another one where you know, Damn Dash went in there
on some other.
Speaker 1 (04:26):
Over the line. Yeah, you know, they they both got
a grudge. It seems it was.
Speaker 2 (04:36):
It was pretty significant, but it was you know, it
was hilarious. It was that New York ship, classic New York.
I'm snapping on you if you're snapping on me. And
they were snapping on each other, you know, because there
you know, just this this happens, you know, but they
(04:57):
were snapping in in a different way. I think we
got a clip. I don't know how long we could
play it, but you know, just to give.
Speaker 4 (05:04):
You a little something, here's an audio on that ship.
Speaker 5 (05:09):
I believe him anyway.
Speaker 6 (05:11):
The difference between you and I, well, I don't think
you're a proper representation of the masculine black man.
Speaker 5 (05:19):
You know what I'm saying. I don't think you guys are.
Speaker 1 (05:23):
Like Charlottmagne.
Speaker 5 (05:24):
Your o G is Wendy Williams. My OG is sitting
right here.
Speaker 6 (05:29):
You see him, And I'm gonna tell you why he's
my OG, because he's not because he killed anybody or
any of those things.
Speaker 5 (05:34):
He just taught me how to be a better man.
Can you stop? Can you stop? Wasn't she your boss? Yeah?
Speaker 6 (05:43):
So she was your og. She puts you on and
you should give her her grace and you should also
give her props out of respect. But because we have
different trauma, like we're different. Like I'm not the kind
of guy that would like I'd rather get my ass
whipped than run, But you're proud that you ran rather
get my asked with. Let me ask you a question, Dan,
you ever ran from a fight? What would happen if
(06:05):
you heard that somebody I ran from a fight. That's
a masculine way of doing things. Now you don't see
it that way. You like to play like games like
I'm not quite because when you say kids, I was like,
and it ain't no disrespect, but I kind of think
you're gay. You just act a little gay, not at all.
I've got a problem with people that pretend they're not gay.
(06:25):
So let me let me tell you why, let me
tell you, let me tell you why, let me tell
you're gay. So what I'm saying is you might because
you started in gossip, which is you know, it's very
it's very feminine, and you are acting like you know,
there's some degree of like you want people to listen
(06:49):
to you, and that we want people that represent masculinity
because men need to be doing what they need to
do as men.
Speaker 5 (06:56):
They don't need to be worried about girls stuff period.
Speaker 6 (07:01):
Talking about people that aren't in the room, that don't
have anything to do with them, saying things confidently in
front of millions of people and not saying anything.
Speaker 5 (07:11):
You know, like you know what I mean. Times I've
seen people punk you.
Speaker 6 (07:15):
I would never let anybody talk to me, certainly, I'd
rather get my ass whip.
Speaker 5 (07:20):
That's where we're different. We got different trauma, So you don't.
Speaker 6 (07:23):
You can't really look through my eyes because you do
things different that much.
Speaker 5 (07:28):
No, I'm just do I look, I'm bothered at.
Speaker 6 (07:31):
What I'm bothered about is you're speaking in front of
people confidently and you don't have the experience or the knowledge.
And also, I'm afraid that white people think that we
act like you. You're not dumb, but like, damn, you
know what's bugging me out?
Speaker 5 (07:46):
What do you mean act like.
Speaker 6 (07:51):
The way you keep interrupting me, the way you keep
saying things that aren't true.
Speaker 5 (07:55):
But don't know let me say what I'm saying.
Speaker 6 (07:58):
I was still talking, okay, So because because when I
do it, when you'll do that, I forget what I'm
gonna say because I be like that. You know you
don't think of course, you don't think that you you know,
I think you're gay.
Speaker 1 (08:11):
I do.
Speaker 6 (08:12):
I'm not gonna lie after after the puff stuff. Let
me say this. Let me say this. This is my assessment.
I've never heard you say one thing bad about jay Z,
not one. He's not in the room. You shouldn't talk
about him. Don't tell me what to do. You said
now you're interrupted.
Speaker 5 (08:30):
I know him. I'm giving you an example, can I
talk you.
Speaker 1 (08:35):
Used to know him?
Speaker 7 (08:36):
So, like Charlayne calls him out on that, like, hey man,
you just said to not talk about people when they're
not in the room, and now you want me to.
Speaker 2 (08:42):
Talk about z Listen. It was you know, broadcast gold,
you know what I mean. I'm sure the ratings were
up for that, because what you got a guy like
Damn Dash who goes up there and just starts going
at It's not an interview, it's a.
Speaker 1 (09:00):
It's definitely not an interview. Damn. There's no video for this.
Speaker 2 (09:04):
There is, there is. We just can't show up what
I'm saying. There's no there's no you know, it's not
you know, there's no interview involved. It's a real conversation.
He didn't go up there to talk to Homie. He
went up there to tell him, Hey, this is what
I think of you, and that's that.
Speaker 1 (09:21):
Dame Dad ain't gonna bite his tongue.
Speaker 2 (09:23):
No, he never has, and so no one should be surprised,
you know what I'm saying.
Speaker 3 (09:28):
But Charlamagne too, he'll go right back at you. I've
seen him go up against a lot of people like
interviews that are going bad and he's like and talking
to them like, so what you're gonna do?
Speaker 2 (09:40):
He's like, he's an intelligent dude, you know what I'm saying.
Like he can hold his own. It's not like it's
not like he's backed down off the conversation, but going
back at yeah, but it was. It's just interesting, interesting
and hilarious to see them go go at each other
(10:01):
like that, because then you know, they start playing the
dozens here and there.
Speaker 7 (10:04):
Here's a little uh, here's like a little SoundBite like
probably like a few minutes before that kind of argument
broke out.
Speaker 6 (10:11):
Can you do you know how many times Donald Trump
filed a lot? So then why is the terrible business man?
But no, he's the president, sure, but he still was
knowed the terrible businessman. Actually a comment, do you know
how confidently dumb you sound. You're saying it's bad that
he went bankrupt six times? He's a billionaire and he's
the president, and you're still not terrible businessman? And Connor artists,
(10:32):
are you known as a good businessman? I don't know. Okay, well,
you make a lot of money. No, so you've been
doing this every day your whole life and you're not
making no money. Nope, like you No, you're not like me,
but you say you don't.
Speaker 5 (10:46):
Do you have a family. I bet my house is
bigger than yours. I bet all my houses is a
bigger than old you. How old are you?
Speaker 8 (10:58):
So?
Speaker 4 (10:58):
Yeah, that's kind of what there are you about before?
Speaker 1 (11:00):
Too.
Speaker 2 (11:02):
It doesn't matter what subject that you you pop out,
that's gonna happen.
Speaker 9 (11:09):
Yeah, he clearly cannot stand that. Dude, he cannot stand that.
Speaker 5 (11:13):
Why did he go?
Speaker 1 (11:15):
Why would he go there? I don't know, he's like,
you know what, I'm gonna let lose.
Speaker 8 (11:19):
Yeah, for sure, a person like Charlletagne is for sure
gonna address like why he's you know, he's gonna ask
him why he's.
Speaker 1 (11:24):
Foul, fagracy and all that.
Speaker 2 (11:26):
Yes, you know that part because I mean it's a
big story. You know, Like if Charletmagne doesn't ask that,
he's not really like doing what he's known for, so
he can't necessarily dance around that. He's you know, you
got to know that if you're going on that dude's show,
he's gonna ask you that.
Speaker 3 (11:46):
And Dame Dash is also working on a new movie too,
so you know he's probably promoted.
Speaker 2 (11:51):
Yeah, probably going to promote yet, well, because he's a hustler,
he's gonna keep moving. He don't ever stop, can't stop,
won't stop. We'll never stop, shouldn't you know what I mean?
If if if you still got the hustle within you
and you could, you know, like find some good shit
to get behind you know what I'm saying, and knock
(12:12):
it down that you do that.
Speaker 3 (12:13):
I mean, like Dame Dush even when you don't see him,
he's working me, you know.
Speaker 2 (12:19):
Like, yeah, yeah, I think it was natural for him
to like start getting down with the movies because music
is just too tough today. It's hard to bank on
who's going to be successful, you know, because the streams
will pretty much like fool you in terms of what
you think that is and how impactful having all these
(12:40):
these streams are as opposed to you know, knowing that
you sold hard copies and people come get down with you.
It's it's hard, you know what I mean, like to
sign an artist and and try to build that. And
that's why record companies look at artists that are already
built up, you know what I'm saying. So somebody like him,
(13:02):
who you know most likely will do an independent label.
If he was still in music, it would be hard
to jump someone off, especially when you know what kind
of and he knows what kind of budget it takes
to pop somebody off, like artist development and all that
before you even like start to make money back. So
(13:24):
for him, I think that the natural progression is movies.
I think for a lot of those guys it is
because it's like the music industry is fucking tough to
make money in terms of selling selling records, streams, different thing, downloads,
different thing like physical copies. They exist limited obviously, but
(13:48):
it's not the same. So yeah, I would imagine that's
why guys like that are taking their chances doing films
and other endeavors than staying and trying to pop an
independent label off in music.
Speaker 1 (13:59):
Right now, No, I.
Speaker 3 (14:00):
Don't know why Schel the Maine, you know, like keeps
bringing up jay Z too, Like he did that already.
He did this thing with jay Z. Now you know
he's doing other things that said move on. You know
you're gonna be asking him about jay Z all his
life and shit.
Speaker 2 (14:16):
Yeah, I think that, uh, but yeah, I think that's
been done to death. Yeah, it's weird because there's been
years already.
Speaker 1 (14:23):
He moved on. He did that. He's the one that
put Jay Z on, So that's it, you know, Yeah,
I mean they were partners. I mean we all know that.
Speaker 7 (14:34):
I would assume a movie budget though, wouldn't that be
a lot bigger than a music budget?
Speaker 1 (14:38):
Right? Depending independent films?
Speaker 2 (14:42):
I mean, yeah, I don't know, it's probably I don't know,
to be honest with you. Maybe back in the day, yeah,
it was more expensive, But today I don't know if
it's as expensive because it's digital. You don't got to
pay for film. Things are a lot cheaper. You could
(15:04):
cut corners or back in the day, that shit was
an arm and a leg trying to do a bit,
Like you couldn't do an independent video back in that time,
you know what I'm saying, Like, because there was no
such thing as a video for like five thousand dollars
you could clearly or even ten thousand dollars, motherfuckers will
laugh you out the building because that doesn't even pay
(15:25):
for editing, you know what I'm saying, At least in
the nineties, until the digital age comes of prominence, with
with with some of the software that allows you to
do the shit that people do today. Now even more
advanced technology that cut tape out and all the other stuff.
Speaker 1 (15:45):
Yeah, you can get it off cheaper.
Speaker 2 (15:46):
It is expensive to record something or to film something.
Now if you want to do a pro style, yeah,
it's gonna cost a little bit more because the cameras,
like the red cameras are like at the low fifteen
racks and at the highest and what ray like thirty
thirty five six thousand dollars and uh yeah that's that's
(16:12):
probably the entry level one.
Speaker 1 (16:15):
But it's a one time by because you'll always use that.
Speaker 3 (16:19):
You should, I was thinking you should. You should shoot
a Doctor Green Thumb movie, like a comedy.
Speaker 1 (16:25):
And like some teaching k Yeah, like a movie, but.
Speaker 3 (16:29):
Make a comedy, make it funny, like in a plot,
and they gotta ill plot Doctor Green Thumb.
Speaker 2 (16:35):
You have to hire writers for that, you know what
I'm saying. But it could be you know, like anything
could be done. You just have to come up with
what the story is and then like get writers to
like fill in.
Speaker 9 (16:46):
I would like to see from Little Green Thumb from
the from when he was little, how he got into
it and little the little froll growing up.
Speaker 2 (16:54):
Hey, listen, the first weed plants I saw. I was
probably I'm gonna say eleven twelve years old. This was
before I knew sending them. I was living in Pico
Rivera at this time, Pico Rivera, and I knew like
maybe three four homies and Pico that I used to
(17:16):
hang out that I went to school with when I
went to school, which is very rare, like a steak
that traced my order. But it was a little like
Asian kid I think it was. It might have been Filipino,
I don't remember clearly, and two other Mexican kids, and
the four of us badass kids would ride bikes through
(17:37):
neighborhoods and shit like that. No one of their older
brothers would tell us which houses had the weed plants
in it, because most likely it was their homies or something,
and they would let us know where they were at
and tell us to go snatch them up. So the
four of us would like right it around, jumping the
(17:58):
motherfucker's backyards. That's another We didn't even know what they
were like. We didn't even know kids, you know what
I'm saying. We were kids. We didn't know. We were
just doing what Homie's older brother was to use those
plants back there the ones that are in this pot.
They look like grabs. Though, all right, fuck it and ship.
(18:19):
We did it for fun. I mean we didn't get
shipped out of it, you know what I mean. At eleven,
twelve years old, we were getting high yet you know,
thirteen fourteen, Yeah, I got high the very next year
with a whole other group of kids.
Speaker 1 (18:31):
Man, you know what I'm saying.
Speaker 2 (18:34):
Didn't it didn't even put to and two together that
the ship I was snatching over there was the ship
I was smoking with these kids over here.
Speaker 1 (18:40):
I was totally not yeah, because you don't see it
the same way. Totally not with the ships.
Speaker 9 (18:45):
Yeah, it's all especially back then, it was all brown
and crunched and ship.
Speaker 1 (18:48):
It wasn't like it was all pretty. Yeah.
Speaker 2 (18:50):
I felt bad for that too, because you know, you're
snatching somebody's ship. Yeah, but ain that ain't cool. That
was violations. But we were too young to know. And
and and our homies older brother was a dickhead.
Speaker 1 (19:02):
Yeah, he's the dick head.
Speaker 3 (19:03):
I mean he was kind of kind of smart though
he was actually guys to do that.
Speaker 2 (19:08):
He was No, he was smart for sure for doing that.
Like he got us to do the dirty work. But
he was a dick for doing that.
Speaker 3 (19:15):
You guys were kids, you you probably wouldn't have got
too in trouble, like if it was him, you know, Yeah.
Speaker 1 (19:21):
Yeah that's crazy.
Speaker 3 (19:24):
Yeah, I know, I would fucking be pissed the fuck
off I come back in my plan.
Speaker 1 (19:30):
Oh they were.
Speaker 3 (19:32):
These little motherfucker were I'll be waiting for y'all the
next time.
Speaker 1 (19:37):
Yeah, that's crazy.
Speaker 2 (19:39):
I remember snatching at least five weed plants, you know
what I'm saying. Then after that we didn't do it
too much more. But like you know, I remember that ship. Dude,
we were fucking wild. Little motherfuckers.
Speaker 1 (19:52):
Bro, somebody used to live in people right now is
going is that.
Speaker 2 (19:57):
A little that motherfucker little that's the motherfucker who jumped
in my You wouldn't have even known that is a fact. Yeah,
crazy shit. But the argument classic argument. You can go
to any one of the social media platforms and look up,
(20:19):
look it up on like you know, one of the
it might be on our ig or somewhere, but it's
out there, and that ship is crazy. Edit it or not,
because yeah, you know, if you watch the whole thing,
it's probably on the breakfast club.
Speaker 1 (20:36):
Yeah, you know what I mean.
Speaker 2 (20:37):
If you want to see the whole thing, it's on
the breakfast clubs deal.
Speaker 1 (20:41):
You know what I'm saying.
Speaker 2 (20:42):
If you want to see clips, because your attention span
is as long as the clips go, then you would
go to their I G and check it out.
Speaker 1 (20:51):
Yeah.
Speaker 8 (20:51):
The funniest part of it is when he called, like,
you should uh come up with a label called depth jam.
Speaker 1 (20:59):
Like a dude debt jamb oh Man. Yeah, that's cold.
That made me laugh so hard.
Speaker 2 (21:05):
Well, that's as cold I got. It's clever, it's clever
and ass cold. Yeah, that was legendary labeled on I'll
tell you that. But that was pretty funny.
Speaker 1 (21:19):
Yeah, I'm on. How about them Raiders? Mm? They lost?
Speaker 2 (21:24):
They're one in one now there could have been two
and oh better know.
Speaker 1 (21:32):
I don't know.
Speaker 8 (21:34):
I haven't kept up with the NFL. It's been going on.
Last thing I seen was that Carol G performance.
Speaker 2 (21:39):
The Rams are two and no all right, nice zero
and so so we're the Chargers, bro, the Sharks.
Speaker 1 (21:47):
The Sharers are two and no. Bro, be godful. I
still bummed at the fact that they still came to
l A, Like, why are you bummed?
Speaker 8 (21:56):
You didn't they could have just stayed San Diego like
and kept a bunch of fans happy.
Speaker 1 (22:01):
You know, yes, they could have kept the fans happy.
Speaker 2 (22:03):
But the problem was is that they outgrew the stadium,
and the stadium was old. These guys didn't want to
shell out for a new one, and probably there just
wasn't any space for a new one and they so
they had to they had to leave if they did,
I don't think that they wanted to. But LA is
a bigger market and here they were building this fucking
stadium so far which is enormous and awesome that they
(22:28):
were like, well, fuck if we could play there, Hell yeah, right,
and then you know, they figure the market. The problem
is is that nobody from LA wants to get down
with them like that. I mean, there are some LA
fans that get down with them, but they have to
win people over in the course of these next few years,
and the only way they could do that is if
(22:48):
they win, right, and they got some die hard San
Diego fans that follow them, much like Raider fans follow
them from Oakland to LA, back to Oakland, back to LA,
back to Oakland to Vegas.
Speaker 1 (23:03):
Right.
Speaker 2 (23:04):
The problem is is that most of those fans are
in California up and down from from north to Central
to the South. Right, not all of them can go
to Vegas for every game and fill up the stadium
and make the black hole robust again. They have to
(23:26):
build a culture in Nevada and in Vegas for them
to actually fill that place.
Speaker 1 (23:32):
Right.
Speaker 2 (23:33):
Chargers are going through the same shit here in LA.
Is that like, you know, not everybody from San Diego
is gonna come to LA, especially with them named LA
uh to get down with the Chargers.
Speaker 1 (23:48):
So they have to build the culture here people.
Speaker 2 (23:51):
That love them in San Diego and they still follow
them like in the closet style in San Diego.
Speaker 1 (23:57):
They watch them on TV. They are not coming to
so far.
Speaker 9 (24:00):
That's not easy though, because West Coast is mad territorial bro.
Speaker 2 (24:03):
Yes, that's why they are not coming to Sofar, especially
because they don't like LA like that. So that's the
problem that the Chargers are having. I mean even now
the Rams when they came, you know, there was a
lot of people at the stadium for the Rams, but
it wasn't completely full.
Speaker 1 (24:20):
Yeah.
Speaker 2 (24:20):
Sometimes in other games you'll see like when they played
Bolton's Vikings, right Minnesota Vikings, there was more purple in
the crowd than there was Rams fans, and that's because
they're still building the culture for the Rams being back here.
Speaker 1 (24:36):
They're a little bit ahead there.
Speaker 2 (24:38):
I would say they're a lot ahead of the Chargers
because they've you know, won a Super Bowl and all
that shit, and they've been in contention, so they're winning
the LA fans back over. But Chargers got a long
way to go because you know, they've been in San
Diego for so long and the sports thing with San
Diego in LA has never been nice from football two
(25:01):
baseball too, not necessarily basketball, but you know even to
now football, not football, but football, you know, because fans
be on some ship with LA and San Diego opposing stadiums,
arenas and what nuts. Yeah, so uh yeah, Chargers got
(25:26):
to build. They're looking good though they're too and no,
you know what I'm saying, they two and.
Speaker 8 (25:31):
No, maybe they gotta win like you said, because like
once they like say, if they're in the super Bowl,
that's gonna really make one of like make it like
if you're a diehard San Diego fan, make you want
to go for San Diego too.
Speaker 4 (25:43):
We just got to knock off Kelly's Bills.
Speaker 2 (25:46):
Well, look at the bills or two and there's a
lot of two and no teams right now. Well it's
you know, the first two games, first two games.
Speaker 8 (25:54):
Baby, I like the Bills, man.
Speaker 1 (25:58):
You like the Bills. I like the Colors. I mean
they are New York. They're upstate, but it is New York. No,
I'm saying I would think you'd be a Jets fan.
No or Giants. Jets Giants, so cool either way, either way, right,
I feel you on that. Man.
Speaker 3 (26:18):
I don't, I don't. I don't get personal, man, No,
I just enjoy the sport. You know, made the best
team win that you guys heard. You guys know about
this DJ named Calvin Harris, right, yeah, big, oh yeah,
big DJ.
Speaker 1 (26:36):
Right yeah.
Speaker 2 (26:37):
Apparently, man, he's going through some shit with his former
business account firm, like alleging twenty two million in fraud.
Whoa damn that is like they rolled him for twenty
two million. Apparently, he alleges here it goes right here,
that's a big number, twenty two million. Theft absolutely breached
(27:00):
that trust. Yes, that is a huge breach of trust.
Speaker 1 (27:06):
Man.
Speaker 8 (27:07):
You know, Oh so his financial robbed him of twenty two.
Speaker 2 (27:11):
Mili Yes, and you know what's crazy is that we
were with that firm for a very short time and
we like felt something crazy about him, and we were like, nope,
not feeling We're leaving this firm immediately. One of our
former guys that worked with us took us there, didn't
like it, quit and we were stuck there for a second.
(27:33):
So we had to, you know, get our way out
of that agreement with them and then separated ways because
we just did not feel like right about them putting
our finances in their fucking hands.
Speaker 1 (27:49):
Were like, you know what, this some funny over here.
We're out.
Speaker 2 (27:55):
And then a year and a half, two and a
half years later, boom this right here.
Speaker 1 (28:00):
So I'm glad we left.
Speaker 2 (28:02):
I feel bad from a man, Calvin though, because that's
that's twenty two million goddamn dollars man, Yeah, not one.
That's yeah, that's not like a million or two point five.
That's twenty two million dollars.
Speaker 1 (28:16):
I believe it too. Man.
Speaker 9 (28:17):
The house DJ is once they produce, they get them
billboard hits. When they DJ they make some of them
make millions, you know what I mean.
Speaker 1 (28:24):
It's wild.
Speaker 9 (28:25):
Yeah, So I'm it's probably easy to you know, they're
handling his money. You got to know who's handling your ship.
Speaker 2 (28:33):
Yeah, you got to have some credible people's man. Yeah,
And you know that's why artists got to watch their ship.
If even if you've got a business manager, you know,
like especially with a firm, you got to be watching,
you know, and proactive in that shit and that like
not present.
Speaker 9 (28:50):
Yeah, you can't just lay back and trust, yeah, because.
Speaker 1 (28:55):
They'll see that shit. They'll be like, oh, this is not.
Speaker 2 (28:57):
Good because one thing, because one thing could one thing
could you know, slip through the cracks and that could
you know, break your back.
Speaker 1 (29:06):
You know what I'm saying. That's all I'm trying to
talk about.
Speaker 8 (29:11):
Man, m Yeah, kind of stuff like that reminds me
of like Elvis and how they did him and like
all the people that didn't have like had all those
like just problems.
Speaker 1 (29:20):
Yeah, Elvis trusted his manager too much.
Speaker 2 (29:24):
Even when he didn't trust him anymore, he still like
allowed him to like manipulate him.
Speaker 1 (29:29):
Yeah, it was.
Speaker 2 (29:30):
Just that, it was It's a crazy story when you
when you look at it.
Speaker 1 (29:35):
That's going to say that's why they kept his ass drunk,
you know.
Speaker 2 (29:38):
Drug pilled out. They kept them peeled out.
Speaker 1 (29:42):
They kept that nigga in the clouds.
Speaker 2 (29:44):
Because Homie wanted to leave, but Homeboy just kept fucking
reeling him back in with bullshit. Yeah, that's why he
never like reached the heights that in terms of the
way that the Beatles did in other groups there weren't
you know, as as big as he was, because they
(30:05):
got to tour the world. He never got to tour
the world. He got to do the United States and.
Speaker 1 (30:12):
That's it Las Vegas.
Speaker 2 (30:15):
The only international show he might have did is when
he was with the with the Army and you know,
like maybe they're at a based at the camp he
was at or whatever, you know what I'm saying. But
in terms of like going out to Europe and doing
doing shows, nah, he never got to do that.
Speaker 1 (30:34):
Huh.
Speaker 2 (30:36):
They loved him anyway, but he would have sold those
shows out.
Speaker 1 (30:43):
Yeah.
Speaker 2 (30:44):
Yeah, he got screwed because you know, his manager, I
think the Colonel. If he had tried to go to Europe,
he didn't have he they wouldn't have allowed him passport
and he would have probably got extra dieted back to
the country he was from for what ever whatever charges
that he was you know, trying to run from in
(31:06):
that country or something like that.
Speaker 1 (31:09):
There's a story behind it. I don't know what is it? Berry.
Do you know how's the movie is? Yeah, you go
ahead and look into that. Anybody, come on? Huh? Who? What? Where?
Anybody seen that Elvis movie? I've seen it. It's good.
And does it have all that ship included in there too?
It's got some of that ship in there.
Speaker 2 (31:28):
Hill to the Yeah, Amazon, it's fucking Amazon.
Speaker 1 (31:35):
You try to tell you. Yeah. Tom Hanks plays him
pretty well.
Speaker 2 (31:39):
He plays a good piece of ship top had. He's
never played a scumback before. He's always been the good
guy or the anti hero, right like that. There's the
movie he was in called Tradition where he's like a
hit man or this for this mob boss, right, and
somehow he falls out and you're rooting for him in
(32:01):
the movie to Live.
Speaker 1 (32:02):
I love that movie. It's a great movie.
Speaker 2 (32:05):
It's it's one of the first time, Yeah, road to Tradition,
and it's one of the first movies where he plays
like an anti hero.
Speaker 1 (32:12):
Right.
Speaker 2 (32:13):
But he's never played a villain villain and who knew
that he was great at playing fucking villain?
Speaker 1 (32:21):
Yeah?
Speaker 8 (32:21):
I don't think he was gonna I was ever gonna
end up hating him like in the movie, all like damn,
what an asshole.
Speaker 1 (32:25):
Tom fucking Hanks. Yeah. And then then another one too,
Penelope Cruise from.
Speaker 2 (32:37):
She was like Sharon Stone in Casino, the way you
felt about Sharon Stone in Casino when she's flipping out
and all the crazy ship she's doing. Penelope Cruise, she
hit that Sharon Stone button right there, bro Im Like, Damn.
Speaker 8 (32:54):
Anytime I look at her, I just think of like
Penelope that.
Speaker 1 (32:58):
Scene the car, Yeah, Oh that was.
Speaker 2 (33:08):
That was the hard part to watch because she feel
for the guy because he's trying to like I hated
the more than anything. He's trying not to break his
promise to his his kid.
Speaker 9 (33:20):
Everybody got an X like that too, though, right, like
at least one.
Speaker 7 (33:29):
So were you asking about why Elvis never left the country?
Was that it's I'm seeing that Tom Parker. His real
name was Andreas Cornelis. He was a Dutch immigrant who
entered the United States illegally. He was afraid that if
he left the country, he wouldn't be able to get
back in.
Speaker 1 (33:44):
That's what That's what I was talking about.
Speaker 2 (33:46):
He had done something that they would have extradited him
back to his homeland.
Speaker 1 (33:52):
Els his manager.
Speaker 7 (33:57):
I was like, here's a Dutch immigrant who entered the
u US illegally. So if he was like, you know,
if I go with Elvis to somewhere else in a
different country, like I won't be able to get.
Speaker 2 (34:05):
Back in Oh shit, that means he should have just
stood his acid at home and let Elvis go with
the crew.
Speaker 4 (34:12):
Are you a little assistant manager?
Speaker 1 (34:14):
Yeah?
Speaker 2 (34:14):
But see, he was so controlling and he didn't want
to get Elvis. He didn't want to let Elvis off
the leash, so he always made excuses for him not
to go, and he put him in the movies to
keep him busy over here.
Speaker 1 (34:26):
And the movies is what fucked his career up.
Speaker 2 (34:29):
Hello, because he could have been ten times bigger if
he was out there touring and knocking down real, like
real albums, as opposed to like doing all these fucking
gum drop movies. You know what I'm saying that that
he got burned out off of himself.
Speaker 4 (34:48):
Yeah, I'm seeing too.
Speaker 7 (34:50):
They don't know if it's verified or not, but there's
a lot of rumors going around that Elvis was offered
ten million to play in Saudi Arabia. But the Tom
Parker down Yeah.
Speaker 1 (35:01):
I wouldn't doubt. I wouldn't doubt that's true. And back
in that day too.
Speaker 2 (35:05):
Yeah, that's yes, I mean that would he would never
have had to do anything ever again if he had
collected that check right there. Yeah, he would have just
been doing ship for fun. He could have just been
making music, did not have to do them stupid movies.
Speaker 1 (35:21):
You know what I'm saying.
Speaker 2 (35:22):
He could have actually been the one owning a movie
studio and putting out movies without.
Speaker 1 (35:27):
Even having to be in it.
Speaker 2 (35:29):
That's crazy, Like, you know, he could have did a
lot of things that his manager truly fucked him.
Speaker 1 (35:35):
That's a crazy deal. Yeah, that's time I heard something
like that.
Speaker 8 (35:38):
Was when the when the I guess I forgot who
got married out like in the Middle East, but they
had Rihanna perform at their wedding.
Speaker 2 (35:46):
Yeah that was oh yeah, that was crazy. N she
got paid a lot of money for Yeah, I'll tell
you what. In the movie, it was saying that that
the manager was like, you know, in gambling debt to
the casinos. That's why they parked Elvis at the casinos
to pay off the gambling debts.
Speaker 1 (36:04):
Residency YEP artists with the first residency, you would.
Speaker 2 (36:07):
Say, I guess could couldn't even go on tour towards
the end because he was stuck in the fucking casinos.
Speaker 1 (36:14):
Wow, all because of one dude. Because of one dude. Yeah,
Tom Hanks.
Speaker 2 (36:18):
Tom Hanks played him to perfection. Made you hate the
guy even more. I gotta see that ship. Yeah, that's
an addition. It's a it's a pretty good Yeah. I
wasn't going to watch it because I mean, there's been
so many goddamn Elvis, but you know what, that one
was good because it showed you just how much of
(36:38):
a piece of shit he was dealing with, you know
what I mean that like the struggle that he had
throughout the whole ship because that guy was totally holding
him back, you know what I'm saying. And then how
the drugs, you know, became prevalent in the end.
Speaker 9 (36:54):
Pretty Mercury had a similar situation too, right, But does manager.
Speaker 1 (37:01):
I don't know if he had that same shit with
his manager. I mean, not to that degree, but similar.
Speaker 2 (37:07):
I guess one of his assistants was like, like not
necessarily like Colonel Parker, but was was gatekeeping sure, then
he eventually fires that guy. But yeah, I mean, it
happens on that level when you're at the fucking pinnacle
(37:28):
of the ship you do. Yeah, there's motherfuckers like that
looking to take advantage of you. Tell you yes to
death to where it makes you question everybody else like, oh,
get rid of him, him, her bob, whoever does a
dick like him, Get rid of him. But if you
don't realize that this motherfucker's yes to you to death
just to stay right there with you and directed you
(37:51):
to all the wrong shit, that's that happens in this
game for sure.
Speaker 1 (37:59):
Whether you're an actor, you're.
Speaker 2 (38:00):
A musician, entertainer of any kind, athlete.
Speaker 1 (38:06):
All that. I was gonna say.
Speaker 9 (38:07):
Though, for a young artist, like an up and comer,
you can get taken advantage too, in that moment when
somebody sees like, oh, this dude's about to blow up,
I'm gonna step in and try to manage this and
get my cut, you know what I mean, Like them
new artists gotta be learning these lessons too, you know
what I mean.
Speaker 2 (38:22):
Absolutely, that's why we talk about this shit, so that
at least they could get some gems here. If you
ain't picking them up. You're crazy, you know what I'm saying,
because like you don't hear them all that much on
all the other live streams or podcasts that happen because
they just talking about the dramas.
Speaker 1 (38:40):
You know what I'm saying.
Speaker 2 (38:42):
We're trying to drop these little champs on you. You
know what I mean, because you got people that have
been doing this for a very long time here that
mean less what thirty something years, right, thirty two, thirty three,
I mean same as you, pretty much same as us,
thirty four going on thirty five professionally, right, because if
(39:07):
you count before we were doing this professionally, even that counts.
Speaker 9 (39:12):
Not to give away my age, but I was on
the radio when you guys had the demo and I
was playing the joints off the cassette devil.
Speaker 1 (39:20):
Oh, you definitely gave away you know. Oh yeah, I've
been I've been.
Speaker 9 (39:25):
With y'all, like riding with you the whole what is
it fifty four now, the twenty third, Yeah, yep, this month.
Speaker 1 (39:33):
I know, I know it.
Speaker 2 (39:35):
Like we showed we showed the picture of all of
us at Daytona the other day before you were wearing
the mask.
Speaker 1 (39:43):
Shit I said, look that goes FM.
Speaker 10 (39:45):
Bro.
Speaker 1 (39:45):
I was so loaded. I think I fell off that
stage like three times. Were you there when we did
the bungee jump? Yes, dog, it was crazy. Your Afro
pick fell out of your pocket.
Speaker 2 (39:57):
Oh yeah, that's right, the threat I had an Afro
pick up a pocket and it flung right out.
Speaker 9 (40:06):
Oh man, we had such a great time, dog, I
mean all the legends that all the people that I
was playing their music. I was a fan of, you know,
bees like Yo, I want you to meet my brother fam.
I'm like, yo, what the this is like a dream
for me, man, just to be there, you know what
I mean?
Speaker 2 (40:20):
Hey, those Cypress beanies were everything. That's the way you
were wearing the original wood right there with the with
the original logo on there, but all black and white.
Speaker 1 (40:31):
That shit is hard. I embroidered got to bring those back.
Speaker 2 (40:34):
Yeah, we embroidered those at the Comptas swap meter or something. Yeah,
we'd get all our ship done at the Comptas swap meets,
so it looked customized as ship because we didn't make it, like,
we didn't have a merch deal yet, you know what
I'm saying, to be making that ship even the shirts
like the original Cypress Hill shirts. We did that shit
ourselves because we didn't have a merch deal. We said,
(40:55):
fuck it, we're going with this logo boom on black
shirts and who knew they were gonna go. But yeah,
we used to customize our bucket hats like you've seen
send dogs there.
Speaker 1 (41:10):
Even our hoodies, like the hoodies we would wear back then.
Speaker 2 (41:13):
We we'd have embroidery Cypress Hill across the the rim.
So when you when we wore them, and we used
to wear them, we weren't necessarily puts down. We'd always
have the hoodies up Boom Cypress Hill across the grill,
you know what I'm saying, or the rim sick.
Speaker 11 (41:33):
You got to o And there goes Paul pork Chop.
Oh god, that pork chop. Yeah, we had to cut
him loose early on. Look At how pissed off mugs
looks right there, like to even have to be there,
that's the part we didn't like though, having to do
(41:55):
this ship. We just wanted to go play.
Speaker 2 (41:59):
But like you know, well, these are the things you
learn as an artist that like, if you get it popping,
you're gonna be doing drops.
Speaker 1 (42:07):
You're gonna be doing.
Speaker 2 (42:09):
A bunch of phoners with radio stations possibly right at
least back in the day, that's what it was. College
stations and the actual big stations.
Speaker 1 (42:21):
You're gonna be doing all that shit.
Speaker 2 (42:23):
You're gonna be showing up to those places sometimes and
having conversations you don't want to have, but you got
these are parts of the game you gotta do. And
you don't know that until it starts happening for you
and then you start learning, oh shit, this is to
get down, especially when you got hits or a hit album.
(42:44):
For us, it wasn't necessarily hit singles for us, it
was hit albums. That's what Muggs was focused on. He
was not focused on making a hit song. He was
making a hit album. That's why the first three albums
we didn't give a fuck about single. It was like,
are these going to hit? Our fans going to rock them?
And as a whole they made bottom Do they make sense?
(43:08):
And it did exactly what Muggs wanted it to do,
and without having huge singles, with the exception of Insane
in the Brain on Black Sunday. Even like even the
first album, it went platinum, second album went platinum, third
went platinum without big, big fucking songs on this one
or or this one, least of all this one, because
(43:31):
we went darker on this one, and we weren't even
supposed to sell that, Like Sony thought we were dead
in the water after here in that album, how dark
it was, and they didn't put all the money in
resources behind it. We went out towards Smokey Grooves played
the songs on Temple Boom that no one knew that
had not heard him, had not heard him. We took
(43:54):
a big chance in taking our forty minute forty five
minute maybe it was our set and putting like five
to six songs that none of these people ever heard
to like kind of promote it before it came out.
Speaker 1 (44:10):
Worked.
Speaker 2 (44:11):
Sony didn't know that it was going to like resonate
like that. So when those songs came out, regardless of
the marketing or promoting of what Sony spent on it,
which was not as much as they were supposed to,
it sold a million records and it could continues to
sell to this day like that. And that's you know,
(44:36):
who would have called that, But I mean, you know
that was Muggs's intention, was I don't give a fuck
about selling singles. We need to sell albums, and so
that's why there is never a concentration on singles. It's
a combination of the whole piece and how dope it is.
And we did that all pretty much all the way
through up until Rise Up. You know, I took control
(44:58):
of that. I did something a little bit differ different,
but it's it's it's all in the name of selling
those fucking albums and and making a hit album and
and that is one thing that Muggs is a master
of and he doesn't get enough credit for that shit,
right there.
Speaker 9 (45:17):
Lou for sure, I missed that about albums though, man, Yeah,
you know the concept albums, the vibe that started from
the beginning later rolled all the way to the end
type shit, you know what I mean, totally intake.
Speaker 1 (45:30):
The vibe, journey a journey. Yeah, you don't get that
no more. I gotta tell you. I know.
Speaker 2 (45:36):
Sony had to be surprised on the fact that we
sold that many albums without like very many like hit
hit singles, like you know, Insane in the Brain was
the biggest one, and Rock Superstar was pretty big, but
it wasn't as big as Insane Illusions was big, but
it resonated later that he let Sunrise. It wasn't huge.
(45:57):
It was significant, but they were weren't over the top.
They weren't number one hits. They were hits, you know,
in a different way. Like our fans fucking loved it.
In terms of mainstream, we weren't really getting the radio
play on a lot of this stuff like though You're
Set in the Air never got played on radio. Green
Thumb never got played on radio. Maybe a few spins,
(46:19):
i mean, Power one O six played it, but outside
of the West Coast, not too many played that because
it was weed related, and back then they couldn't do
that shit. I mean, Les knows that business right there,
you know, because he they dealt with the same shit
the beat Nuts, you know what I'm saying, Like in
that time, we were all.
Speaker 1 (46:38):
Dealing with that shit.
Speaker 2 (46:40):
But you know, and and very much similar with the
beat Nuts, you know, without so many like fucking the
singles like being number ones or whatever. But Classics, the
Street just buzz sold those fucking units. The Street buzzed
on neffickly because all the album that they did was
(47:00):
Tight Front two bat Oh yeah, you know what I mean,
undeniable shit. So you know, you didn't necessarily had to
have the sing the hit single as long as you
had the album smashing, you know what I mean. And
that's that's a formula that those record companies didn't foresee
because they're always looking for the single, and if you
(47:21):
don't give them that, they don't want to spend the money.
And that's why like groups like Ours and beat Nuts
kind of surprised some of those labels and saying like, well,
fuck yeah, without like without a crazy hit single, they
managed to have a classic album.
Speaker 1 (47:35):
It's selling units numbers. Yeah.
Speaker 3 (47:39):
I mean we kind of, you know, like showed people
how to make albums like that. Yeah, like with the
blueprints of how to make hip hop albums, you know,
with oh yeah, you know. And for us it started
off with like Jungle Brothers and like Tribe and day
La Soul. So watching these brothers making records, you know,
(48:01):
I'm there, You're sucking it all in like pos But you.
Speaker 2 (48:04):
Know, it's crazy because now it is single driven. It's
better just to release a goddamn single these days than
to like spill out a whole album, because then, you know,
if you don't do what Adele and Taylor Swift have done,
and probably Lady Gaga where they're like, you know, if
it's on the streaming service, you got to buy the
whole goddamn album. You can't pick it apart and take
(48:27):
one song at it or your favorite song, which is
how they should do it for everybody. Shit is ridiculous
that they allow people to just pick one goddamn song
from an album. If you're buying the album, you gotta
buy the whole fucking album. It's crazy. That's how they
fuck us because those little bit of nitpicking taking this
(48:48):
song and that song, that's a lot of money as
it relates to all the artists that that happens to, right,
but they get paid the high end of it, so
they don't mind it. We're already getting paid scraps as
it is, you know, as it relates to digital royalties,
you know.
Speaker 8 (49:06):
So it's like, come on, man, Yeah, when you're about
the album, you're buying everything. All that was all in
one piece. Now, you know, Yeah, they fus you know,
left to right on all this.
Speaker 1 (49:18):
But you know what, I still work like that.
Speaker 3 (49:20):
You know, I'm still like like back in the days
when I got new records, I always go run, do interviews,
do radio shows, you know, go hit the DJs.
Speaker 1 (49:29):
I still maneuver like that, so yeah, because it works.
Though it still works, believe me.
Speaker 3 (49:34):
Yeah, you don't know how important it is to go
meet a DJ then to just have a label send
him your record.
Speaker 1 (49:42):
Yeah, that ain't like Yeah, but if I go there.
Speaker 3 (49:44):
And I shake it and I kick it with you,
like yo, my nigger, Yo, bring them a little weed
bag or something.
Speaker 9 (49:51):
Yo.
Speaker 1 (49:51):
Yeah, you're right because that you should'll be rocking on
his show.
Speaker 2 (49:55):
You know you're right because that ship you send them
gets tossed to the side. But when you give him
that personal touch, like let's it's talk about, Yeah, that
goes a long way, you know, especially if you go
see these guys and you know what I mean, like
chopping it up with them and bringing them ship, bring
a little.
Speaker 3 (50:13):
Bottle or something, a little green bag or some a
white bag whatever, whatever.
Speaker 1 (50:17):
Ah.
Speaker 9 (50:18):
When I was on the radio, people would malely in
drops and ship and it was cool, But it was
much different when they would volunteer to come through the
station and chill and do live shit.
Speaker 1 (50:28):
It means more to the DJ.
Speaker 2 (50:29):
I think when you see the guy or or you know,
whatever artists female male like come in and do the
drops in the house. It makes you more motivated to
play it. Play their shit for him, you know, whether
it's in the mix or in rotation, because there is
a difference between in the mix and in rotation exactly.
(50:49):
You know what I mean, you could still be you
could be in the mix but not in rotation, or
you could be in rotation and the mix that's a
little redone didn't but they do this happened?
Speaker 1 (51:02):
What is it? Yeah?
Speaker 2 (51:07):
Oh yeah, man solutes a serious excent because you know
they they handled that for us over there, Shade forty five,
all of that. Did you trip on the hoax that
Howard Stern played on on people over there? What that
that the someone set out a rumor that he was
gonna they that that they weren't going to renew his contract, right,
(51:31):
and uh, you know, so he let he let the
rumor just play out like it was not a true thing.
Speaker 1 (51:39):
Yeah it was.
Speaker 2 (51:40):
It came out of nowhere, but like he wanted to
see how people would react, So he got Andy Cohen
to go and you know, like do a show and
pretend like you know, Howard wasn't coming back or something.
Speaker 1 (51:54):
Like that.
Speaker 2 (51:55):
Yeah, well it wasn't that Andy Cohen show. It was
Andy Cohen sitting in for Howard's because he supposedly wasn't
coming back. But it was a prank that Howard played
on the fans and everyone else by sending Andy to
do that, because Andy played it up, and you know,
(52:16):
people were tripping for a second because they loved them
some Howard Stern and he came back and let people
know he was just fucking with them. And then they
had all these clips of all these media guys saying
how genius he was because he orchestrated and manipulated people
to like follow him even more because they were trying
(52:38):
to follow along with his fucking storyline that they think
he created, you know what I mean, Like he manipulated
this whole shit, and he was talking about it the
next day on the show. Was hilarious. He's like, man,
you know, a rumor started and I just kind of
embraced what was happening, and I just wanted to see
what happened, and you know, I played a little joke
(52:59):
and yeah, got me more. But you know, it wasn't
like this crazy plan I orchestrated and all this other shit.
But what was funny about that particular show was how
they were pissing Ronnie the Limo driver the fuck off.
He goes off like this, especially when when he's talking
(53:19):
with this other dude, Chris or I think, I think
his name is Chris Wilding or some shit like this.
They can't even talk to each other because Ronnie just
gets rocket Ship pissed, like to the moon.
Speaker 1 (53:33):
They were pissed.
Speaker 2 (53:34):
They pissed him off on purpose because he gets he's
like that guy that gets mad really fast, and this
ship was hilarious. I hadn't listened to the Howard Stern
Show and you know, in a while, and I just
happen to catch that particular episode. Man, it was fucking hilarious.
They they, I mean, I mean, I don't know how
(53:58):
my dude's blood pressure ain't like to the fucking roof
with how pissed off he gets. I mean, he gets
really angry. I thought Trace got angry, but Ronnie the
Limo driver. Fuck, Trace got nothing on Ronnie the Limo Driver.
And he's hilarious himself. Oh yeah, I mean yeah, First
(54:18):
they love to piss him off. It's crazy, goddamn because
when he snaps he's hilarious, but I would say, you know,
as a friend, right like, I mean, he's not like
I don't know him, So I'm saying as a friend
at his age, I wouldn't want him to be pissing
him off of me because his blood pressure gotta be
(54:38):
fucked up from the stressing out on being mad at
the fucking things that they fuck with him.
Speaker 1 (54:45):
I mean, he's an older dude, oh man.
Speaker 2 (54:50):
I mean, any given day you listen to this guy's show,
you will hear somewhere in the show them fucking with Ronnie.
So he's a part of the Yes, he is a part.
He is also a target because he you know, he
he I mean, his his anger is hilarious sometimes, you
(55:13):
know what I'm saying, because they really pissed him off,
and you know, like Howard loves it. He's good at this.
He loves that ship Today's National Guacamole Day.
Speaker 1 (55:24):
Man gua.
Speaker 2 (55:27):
For guys like Aton, for guys like Bolton, but not
for Bobo.
Speaker 1 (55:34):
He does not like the guac son.
Speaker 2 (55:37):
I'd say, I Fox with some squak, but he does not,
And I think it's because he's had some guak.
Speaker 1 (55:44):
That has not been you know, that's had enough salt.
Speaker 2 (55:47):
He wouldn't funk with this right here. No, he would
like a little chip. No, damn no, he would not.
I would, but I would say this. He said he
did have one like person's guawk that tasted good. And
I said to him, look, it's probably because whoever's guak
(56:08):
that was had a little bit more salt then you're
used to that. That then whatever experience you had before
that you didn't like, there's probably a little bit more
salt than the one that you liked.
Speaker 1 (56:21):
And still he would not have it. You don't like quap.
He doesn't like guak, fake Puerto Rican.
Speaker 2 (56:27):
Ah tomatoes, tomatoes and guac.
Speaker 1 (56:31):
He does not get down with tomatoes and guak.
Speaker 8 (56:34):
Yeah, iought guag I could do if it's like even
got a good amount of lemon in.
Speaker 1 (56:40):
It, and like I like it it spicy like spicy.
Speaker 2 (56:44):
Well yeah, they make it spicy too, But you need
a little bit of salt to bring it in because
guak tastes like nothing unfortunately for it. And you know,
with with Bobo, I don't know what it tastes like
to him, but I think it's just for him.
Speaker 1 (56:57):
It needs a little salt. Gagon is it.
Speaker 2 (57:01):
Yeah, no, he don't like the egg yolk, he don't
like the avocado.
Speaker 1 (57:05):
He don't like the tomatoes. And and it also has
if it's done like it's done right. Yeah. It all
started when he was a kid.
Speaker 2 (57:16):
I just for me, the one thing that I really
cannot stand and I cannot ever get over his liver.
Speaker 1 (57:22):
Anything else. That shit just smells bad.
Speaker 2 (57:26):
That smells bad, tastes bad. It's very chalky. Nah be no,
nah no liver. They say it's good for you, but
I cannot.
Speaker 1 (57:38):
I can't deliver.
Speaker 2 (57:39):
I can't deliver the liver. It looks good. I mean, look,
it looks good. It looks good, but like once you
bite into it and you taste that chalky ship and such.
I thought when I turned thirty five, whatever, when my
taste buds kind of changed because they do right, I
(58:00):
thought maybe that would be something that maybe I could
try again. Nah no, oh my god, liver, liver, the
liver send it out like the flow on the river.
Speaker 1 (58:12):
So don't want it.
Speaker 2 (58:17):
It's good for you. They make it look good. And
these see that don't look good to me. Right there?
The other one looked good. That did not look good
to be crazy enough bobos. He doesn't like it, tomade us,
but he loves the liver. That looks gross. No, thank
(58:40):
never tried it. And like I say, why would you
want to eat the liver? The liver is like the
poison of the body.
Speaker 8 (58:48):
Well, I mean, isn't that what, like like in the
human body, it helps you process, and like.
Speaker 2 (58:52):
Yeah, it's supposed to be. Yeah, it's supposedly pretty good
for you. But like I can't get past the taste.
Will be one thing that I cannot have that's good
for me.
Speaker 8 (59:04):
It's just crazy that we're eating something that like in
our body.
Speaker 2 (59:08):
It does that. Well, think about this. That's what the
killer whales go for on the sharks because they need
all those calories that the liver carries and all the
nutrients and all that shit. It's not the blubber like
the the liver doesn't have a lot of blubber, but
it's high in the calories they need. Yeah, bad and meaty.
(59:31):
They don't even eat the carcass of the shark. They
just go for the goddamn liver and spit out the rest.
Leave the rest for the for everything, for everybody else here.
You take this, you take this great white shark liver
is probably big though.
Speaker 1 (59:48):
It is I think what is it?
Speaker 2 (59:51):
They said, Wade, I can't remember, but it's it's pretty heavy.
What is the shark hert way berry liver? Liver sorry,
excuse me, liver.
Speaker 7 (01:00:05):
It would be let's see here, uh see here, would
have fifty five to sixty six pounds if it's a
two hundred and twenty pounds shark. Yeah, significant liver would
be weighing. Yet, fifty five to sixty six pounds.
Speaker 2 (01:00:20):
It's more significant to a killer whale than like, you know,
eating a few seals. So they go after the bigger thing.
You know, the seals are if the sharks ain't around. Yeah,
they're a shark. That thing, that thing, Oh he's all
freaking liver, and they pop it right through the gill.
Fucking killer whales are technicians, bro.
Speaker 1 (01:00:43):
They know they're smart. There's no bones, there's no meat
nowhere else. Surgeons up the sea sons. That's the biggest
quorgan with the like bring.
Speaker 2 (01:00:50):
Willie, yeah yeah, free Willie is killing the white shark.
Silly son trying to get that liver. They don't care
how that of a taste they taking it.
Speaker 1 (01:01:01):
Look at that.
Speaker 2 (01:01:02):
Wown't nothing would love that ship. Bobo would love that
live shark, living son, living motherfucker little onion on there alright,
oh ship. It's also National Plato dang for all you
kids out there. There ain't no kids watching this show.
(01:01:23):
This is for adults, old adults, old adults, and it's
National Working Parents Day. Salute to the national to all
the parents out there that are working.
Speaker 1 (01:01:39):
I know jobs are are hard to find right now.
Speaker 2 (01:01:41):
There was only two to twenty two thousand jobs. Uh
you know so far this year. You know what I'm saying.
The job growth ain't ain't necessarily there. Let's hope you
all find some jobs out there. You know they need one.
(01:02:05):
Did you know it is the birthday of the legendary
BB King, born on this day in nineteen twenty five.
Speaker 1 (01:02:16):
Yes, rest in peace. Yeah, the classic restaurant in forty
second Street. Oh yeah, I remember that. You probably performed
the Yeah we did.
Speaker 2 (01:02:24):
Yeah, there was one here too at the Universal City
Walk Bred time we played there too.
Speaker 3 (01:02:30):
That played for so much fun, some money, memories of
a lot of hit hit Yes, that was crazy.
Speaker 1 (01:02:37):
That good nights there. Did you know?
Speaker 2 (01:02:40):
It is also the birthday of the legendary Mark Anthony
born on this day in nineteen sixty eight.
Speaker 8 (01:02:51):
Every time I see Mark Anthony, I just remember him
from his movie Man on Fire.
Speaker 1 (01:02:57):
That's a I like remember him.
Speaker 8 (01:02:59):
Yeah, Like damn, like I can't picture like all the
music stuff, like hey he does. I can't like even
though he does big tours and stuff like that, Like
I can't see him, like, oh, he's got to see
him acting.
Speaker 1 (01:03:10):
Du my dude's got big songs. Bro. You know Cypress
did a song with him too, right, Yeah.
Speaker 2 (01:03:15):
What do they call him? Pretty Flocko? Yeah, somebody was
calling I can't remember who called him that. That's like
his little nickname, pretty Flocco. Some ship like that, but
just new to mak. Yeah, he's on Latina. He blessed
us with that because I know his agents and managers
was like.
Speaker 1 (01:03:35):
You can't loosten.
Speaker 2 (01:03:36):
You cannot do this with Cypress till it's gonna fuck
your image up.
Speaker 1 (01:03:41):
They're weed heads, damn you know, because he was like.
Speaker 2 (01:03:45):
A, No, that's not what I was gonna say. No,
he's like, you know the Spanish Frank Sinatra, motherfucker. You
know what I'm saying, Slick, smooth, suave. He's doing like
Spanish classic ship. You know, he did do a lot
(01:04:06):
of English speaking records. Most of his ship is in Spanish,
and I think they just looked at us like, oh,
these are some grimy hip hop motherfuckers that talk about weed.
We cannot have your image tarnished on this. That's why
he wasn't in the video. He's not in the video.
Speaker 1 (01:04:23):
I was at the video shoot, So what what the
hell he didn't do his barn or what he couldn't
do it.
Speaker 2 (01:04:28):
I don't think his managers wanted him to do it,
so like they you know, do what they usually do is.
Speaker 1 (01:04:35):
Make them busy in that time.
Speaker 2 (01:04:36):
Oh it doesn't go with the schedule because they're already
doing something, you know, that type of ship. But salute
to Mark Anthony, you know, because I know he did
want to do it, So it's.
Speaker 1 (01:04:51):
All love to him.
Speaker 2 (01:04:55):
He was not there, world up, but salute to him
because he's he's dope.
Speaker 3 (01:05:01):
And he should have got it like a look alike
or something.
Speaker 1 (01:05:05):
No, you can't front like that. Yeah, did you know it.
Speaker 2 (01:05:08):
Is the birthday of music soul Child born on this
day in nineteen seventy seven.
Speaker 1 (01:05:17):
Salute to soul Child man soul Child. Yeah, he's a
funky dude, Keep it funky, that's right.
Speaker 2 (01:05:26):
And did you know in nineteen seventy nine the Sugarhill
Gang on this day dropped the rappers delight?
Speaker 1 (01:05:32):
Who got them all in check? What year? Nineteen seventy nine? Wow,
seventy nine? Yeah?
Speaker 2 (01:05:40):
And did you know flow Rider was born on this
day in nineteen seventy nine? The flow Rider Florida, Yeah,
he said, Florida, Florida, Florida.
Speaker 8 (01:05:57):
All I know is he won a huge lawsuit against
what was it Celsius.
Speaker 1 (01:06:02):
Bank for that?
Speaker 8 (01:06:03):
Yep, he sure did. Who he cashed out Celsius the
energy drink I think? Yeah, he sued them in one yeah,
why he didn't.
Speaker 1 (01:06:13):
Like a flavor or something.
Speaker 4 (01:06:14):
Yeah, he was awarded a eighty two point six million.
Speaker 8 (01:06:19):
I forgot what it was for, but I think he
had the leveraging the contract that they had and they
fucked up.
Speaker 2 (01:06:26):
Yeah, they messed up. He sued him and Boom he is.
He no longer asked to do music if he don't
want to. Yeah, he could just do music for fun, actually,
you know what I mean?
Speaker 1 (01:06:38):
Did you know.
Speaker 2 (01:06:40):
Metro Boom was born on this day, nineteen ninety three.
Happy birthday, Metro boom, boom boom. He's got some crazy
you got he got a resume of records over like
the last ten years. Catalog Yeah, catalog song. Sure, yes,
(01:07:00):
he'd be doing be doing good. Shit mine great ship.
Speaker 1 (01:07:05):
Did you know?
Speaker 2 (01:07:06):
In nineteen ninety six, DJ Shadow dropped introducing.
Speaker 1 (01:07:12):
DJs Shadow Love shadow Man.
Speaker 2 (01:07:17):
Yeah man, right about now, we're about to enter the
insane asylum. If you've got a comic question, shout out suggestion.
We are here for it. Let's knock get down.
Speaker 1 (01:07:28):
What the fucklo the insane mesigahs a.
Speaker 4 (01:07:38):
Ayton was saying or asking, is Ronnie the Limo Driver? Actually?
Trace is trace like Ronnie the Limo Driver.
Speaker 2 (01:07:46):
Uh no, Trace is not as bad as Ronnie the
Limo Driver. Not even like close. First of all, I
mean that's like yeah, I mean if you cannot compare. No,
let's see here, a glitter scene would be real.
Speaker 7 (01:08:03):
TV Saper Sill want to be on Hot ones of
First whet of First We Feast the Hot Sauces interviews.
Fans can comment you up for the new season.
Speaker 1 (01:08:13):
Now, No thanks, I'm not burning my palate for nothing.
Speaker 4 (01:08:20):
Can send dog handle like hot food?
Speaker 1 (01:08:23):
No, I can handle so much. But I'm not trying
to do that.
Speaker 3 (01:08:29):
No, but it's just like a bite of each like
a wing. That's all you gotta take. You don't got
to eat the whole ship, the whole wing and ship.
Speaker 4 (01:08:38):
So would you do it less?
Speaker 1 (01:08:40):
I funk around? All right? Why not? It's a good show,
and and I fox with chicken wings and some spice.
They're doing interviews too while they're doing that. Yeah, okay, yeah,
it's pretty crazy.
Speaker 2 (01:08:57):
Yeah, you got to keep composed as that ship is
burning in your mouth.
Speaker 7 (01:09:04):
Literally, we got Marbell in here saying Jerry Heller was
just as bad.
Speaker 4 (01:09:09):
You guys were talking about managers.
Speaker 2 (01:09:13):
Yeah, well, yeah, there are stories, but I don't really know.
I didn't deal with Jerry like that, but I mean, yeah,
everybody has stories.
Speaker 7 (01:09:24):
He's also saying that what happened to Chop? And haven't
heard his name in a minute. Who's saying Chop? What
happened to Chop? And we're showing the MTV spring Break?
Speaker 1 (01:09:36):
I don't know. I don't know where he's been.
Speaker 7 (01:09:40):
It's also asking y'all going to be dropping beanies and
other bucket hats and any blue merch on the website
probably at some point. Yeah, yeah, so if you go
to the Cypercil website. Go right here. You go to
the merch store. Go to cyperscil dot com. Go to
the merch store. If you want to be like Marbelle,
you go to women's clothing.
Speaker 1 (01:09:58):
Oh boy, there you go.
Speaker 4 (01:10:03):
There's a blue shirt for you, Marbell right there. Perfect.
Speaker 2 (01:10:08):
Oh you are cold today.
Speaker 1 (01:10:11):
You are a cold bolt and I didn't know you
had it in you today.
Speaker 7 (01:10:14):
Well, we also got to give a big shout to
mar bell because it's National step Family Day as well.
There we go, shout to marbell you seeing you and
the mom later tonight.
Speaker 1 (01:10:28):
Oh liked that. That's cold man.
Speaker 7 (01:10:34):
Might be a saying yo cycle lest DJ Muggs album
would be fire, having be Real and Juju and send
dog and collapse.
Speaker 4 (01:10:43):
That'd be sick.
Speaker 1 (01:10:44):
Oh yeah, let's make it happen.
Speaker 4 (01:10:49):
Do you have a track with Mugs or not?
Speaker 1 (01:10:53):
Do I have a track?
Speaker 4 (01:10:54):
Have you and Mugs collabed together with? Yeah?
Speaker 1 (01:10:58):
No, he's saying, have you done a color? Have I done?
Speaker 3 (01:11:00):
I haven't done nothing, but but it would be dope.
I'm sure we'll put something crazy together, you know, had dope.
Speaker 1 (01:11:12):
The old man.
Speaker 7 (01:11:15):
Doc Briand is a saying yo, b I heard this
is I heard this rumor, But is it true? After
the ton of Beach you went to McDonald's and you
paid for everyone. After the MTV spring break, you paid
for everyone in McDonald's.
Speaker 2 (01:11:31):
It is a thing that I was probably doing. Yeah,
I would not doubt it.
Speaker 1 (01:11:37):
Dollar Burgers. That goes back everybody that listen.
Speaker 2 (01:11:40):
That goes back to the days when I was in
Southgate with my squad and we would go to what
Jack in the Box.
Speaker 1 (01:11:48):
Every now and then. There'd be a gang of us.
Speaker 2 (01:11:52):
And you know, I came from a hustling family, so
like there was times I had, times that didn't have
and the times I had always like bought shit for everybody.
And I didn't really have much at that Daytona spring
Break because those were all promo tours at the time.
Speaker 1 (01:12:13):
But I might have done that. I don't know.
Speaker 2 (01:12:17):
I can't say for sure that I did, but it's
something that I did. I used to do with my
homies and shit, and I still kind of do that
today every now and then.
Speaker 7 (01:12:29):
Uh Mandifo was saying, be looking fresh like Matt Damon
and true grit. Oh, here's a Matt Damon and true
grit right here.
Speaker 1 (01:12:47):
I've never seen that movie.
Speaker 2 (01:12:49):
Well, see, that's the second version of True Grit, right,
this is with the Jeff Bridges and Matt Damon, Matt
diamond Is and that one. But in the original True Grit,
it's John Wayne. It's John. It's John Wiggety Wayne and
(01:13:11):
uh and I think is James Kahan could be Scotty
Kahn's father. And True Grit or it's someone else. It's
Glenn Campbell. That's right, it's Glenn Campbell, the guy who
who uh uh, Matt Damon's role is Glenn Campbell's role
in that in this True Grit right.
Speaker 1 (01:13:32):
Here sixty nine?
Speaker 4 (01:13:34):
Yep, Dennis Hopper, yep.
Speaker 1 (01:13:37):
Saw.
Speaker 2 (01:13:37):
I saw that with my father because he liked cowboy
and movies.
Speaker 4 (01:13:43):
Are you fan of those older and westerns or are
they kind of pouring to you?
Speaker 8 (01:13:46):
No?
Speaker 1 (01:13:47):
Watch?
Speaker 4 (01:13:48):
Does they make the new ones really good?
Speaker 1 (01:13:50):
No? But Tubestone, that's a good one right there.
Speaker 2 (01:13:58):
And unforgiven and unforgiven young guns, young guns, there's a few.
There's a few good ones in the in in our
time as young people that were really fucking good.
Speaker 1 (01:14:08):
Yeah. Yeah, But like.
Speaker 2 (01:14:09):
My father's westerns, Yeah, no, I can't find myself watching
those ships.
Speaker 1 (01:14:14):
I mean they were cool in that time.
Speaker 2 (01:14:16):
But I mean as as technology goes and the advance
advancement of filmmaking, our westerns were slightly more exciting, maybe exaggerated,
if you will, but I like the the more exciting.
Speaker 1 (01:14:30):
I like the Clineswood western.
Speaker 2 (01:14:33):
Oh yeah, his westerns were good.
Speaker 3 (01:14:34):
Off the thore five. Yes, yes, that I would. I
would watch those today right now.
Speaker 1 (01:14:39):
Yeah. So if you haven't seen them, Clint Ace Wood slap.
There's a couple. There's a couple. You know what I'm saying.
There's a few John Wayne movies that are good.
Speaker 2 (01:14:51):
But hey, listen, he made a stinker one time called
The Manchurion where he plays Genghis Khan.
Speaker 1 (01:14:57):
Yeah. I don't know why they made that movie.
Speaker 2 (01:15:01):
And they didn't want him to make this movie, and
he was horrible in this movie, and they still made it.
They spent a lot of money on that fucking movie,
and it was a flopper for him. You have a
picture of that both, yes, Oh.
Speaker 1 (01:15:16):
Yeah, it looks about the Venture Conquered. Oh my god.
Speaker 2 (01:15:20):
Yeah, it's stunk. Oh man, it looks like a look
at that photo. Oh yeah, with the blue cap. Yeah,
think about that.
Speaker 1 (01:15:32):
That's crazy. She looks should look crazy to me that
he still have the cowboy accent.
Speaker 7 (01:15:37):
They're trying to make him look Asian, right, yes, trying
to make him look he looks like that.
Speaker 1 (01:15:42):
He's all listen here. Yeah.
Speaker 2 (01:15:45):
Yeah, so when he's doing the lines, when he's doing
the lines, it's pretty hilarious.
Speaker 1 (01:15:52):
Yeah. If you hear him do the lines in that movie,
it's it's a little way out he says. The accent.
Speaker 2 (01:15:59):
Yeah, there's a slight accent, but like not really, but
the lines are meant for an accent, you know what.
You know, it was like someone's reading it played and
they're supposed to be an accent with it, but they're
not getting the accent.
Speaker 1 (01:16:13):
Would that be a good movie? Yeah? You know.
Speaker 3 (01:16:16):
You know what was crazy that back in those days,
the Indians were white.
Speaker 1 (01:16:21):
Actors most of them.
Speaker 2 (01:16:24):
Yeah, probably ninety nine point nine percent.
Speaker 1 (01:16:28):
It was funny makeup and ship Yeah, all right.
Speaker 7 (01:16:32):
I feel like some of those old westerns would be
decent if they weren't like three hours long. They cut
them down like in half, like an hour and a
half or something. Yeah, but those movies were just so
long back in the day.
Speaker 1 (01:16:43):
Yeah, that's what she said.
Speaker 7 (01:16:44):
Oh my god, what's the Amano also saying they still
played Doctor Grentham on K Rock right.
Speaker 1 (01:16:51):
Oh, Saluta k Rock on Jack FM too.
Speaker 2 (01:16:54):
Salute to jack FM too, Yeah, salute to all the stations.
Just still rock our ship somewhere.
Speaker 8 (01:17:00):
Another k Earth K Earth one O one.
Speaker 1 (01:17:06):
That's my station right there. I used to be yeah
to play the oldies type shit, right, I mean in
the weekends. I seen them get a little state. They
bring DJs in about time doing that thing. Mhm.
Speaker 7 (01:17:20):
Darren Cushman saying, Yo, show out to Beats and Beers
and cycle Less knows where knows the best beers and
everything like that.
Speaker 4 (01:17:27):
He's saying, Yeah, when's the next beats and beers.
Speaker 3 (01:17:31):
Beats in Beer coming October nineteenth. We got a party coming,
so it's going to be super big. I'm gonna invite
some big, big DJ. So keep your post on that.
Speaker 2 (01:17:43):
I'll ring it.
Speaker 7 (01:17:44):
Mar Belle's saying, Colton, you know, my trunk is empty,
that's what he's saying.
Speaker 1 (01:17:48):
That means he wants to put you in it.
Speaker 4 (01:17:53):
He's got it.
Speaker 7 (01:17:54):
He drives a truck, so I should be able to
get out of the tailgate, would be good. Get out
of the box of drug. Oh shit, Karina saying much
love to y'all, that's all. But she also said in here,
I've been working in the male dominated industry for over
twenty years, and she's saying, guys gossip just as much,
if not more than them.
Speaker 2 (01:18:15):
I agree for sure, facts I agree there, that is
truth to that.
Speaker 1 (01:18:19):
Well, change chack.
Speaker 2 (01:18:21):
You know, not all guys gossip, but guys do gossip,
and that's a fact.
Speaker 7 (01:18:29):
Way lying, did you Mike saying a table? What's the
first song you played this morning?
Speaker 1 (01:18:36):
God? Wait, what what was the first.
Speaker 4 (01:18:38):
Song you played this morning?
Speaker 1 (01:18:40):
What was the first song I played this morning? I
don't know.
Speaker 2 (01:18:44):
It doesn't count as a song because it's unpublished because
I was writing to a beat that the YODI sent
me a few days maybe a week back for a collapse.
So I can't really tell you the first song I heard,
because that's all. I was listening two on the way
here while I was writing, So I can't really answer that.
Speaker 1 (01:19:06):
That.
Speaker 2 (01:19:06):
The other guys can answer that if they were listening
to music today.
Speaker 1 (01:19:11):
Yeah, I think I was.
Speaker 2 (01:19:15):
Figures Figures start off with uh with a track of hers.
All right, that's very open of you. Dre Droe, all right,
how about you u f M.
Speaker 9 (01:19:25):
Today, Shine on you crazy Diamond Pink Floyd. I feel
like that that was a real answer. Yeah, all right,
do you remember second lesson?
Speaker 3 (01:19:35):
I woke up to put that work in. Okay, I'm
working on the remix for that too, so that's coming.
Speaker 1 (01:19:44):
So sick big bang.
Speaker 7 (01:19:48):
Yesterday I had the song she Wolf stuck in my
head by Shakira, so I had to throw that song
on this morning.
Speaker 4 (01:19:53):
A pretty good song. I forgot how big of a
banger that was.
Speaker 1 (01:19:57):
You know, I thought I thought Pedro was open, but
both Shakira. No, no, I'm not shaming you. I thought that.
I think that's very cool.
Speaker 3 (01:20:08):
I'm like, I'm like, yo, you you can't even roll
your r's and you listen to Shaquira.
Speaker 7 (01:20:13):
Oh yeah, you should be learning how to You should
be singing.
Speaker 2 (01:20:17):
You should be learning how to roll your r's with Shakira.
Just sing along with her and you might get it.
Speaker 7 (01:20:23):
You just even walked in yesterday and ago eight time
you ever heard the song she Wolf by Shakira, And
he's just.
Speaker 2 (01:20:28):
No, no, he don't want to admit to it is
what it is. You know what I'm saying. He probably
knew it. He just didn't want to admit to it
because he thought you were going to make fun of it,
as opposed to say, I like this song.
Speaker 1 (01:20:41):
Shakira makes bangers.
Speaker 2 (01:20:43):
She's got something I don't necessarily dig when she when
she does the English speaking ship, though, I like when
she's she sings in Spanish.
Speaker 3 (01:20:53):
I like her English because it got the accent and
I like that makes it.
Speaker 10 (01:20:59):
So have you seen how they do her on SNL. Yeah,
my god, it's great, bro. Yeah they got they had
in the past, Yes, yeah, no, better better.
Speaker 1 (01:21:16):
Yeah.
Speaker 2 (01:21:16):
I mean she's she's dope in both worlds, but I'd
rather hear her. It's bench, I should say, because she's
had hits in in in English too, so you know
we cannot take away.
Speaker 1 (01:21:30):
I need on my next album. There you go, she'd
be dope.
Speaker 7 (01:21:34):
Yeah, so what Kate from SNL, she does the skite.
Speaker 1 (01:21:38):
She used to She's so good at that ship. She
used to do this. Lady's hilarious. Man.
Speaker 2 (01:21:43):
She hasn't been on SNL for some years, but she
was hilarious. Oh, she used to do a good justin
Bieber Kate, Kate McKinnon, she used to do a great Ellen. Oh,
she did great every all her pressures did great. Just
her characters were off the chain. She's doing a lot
of movies these days. She's got a lot of a.
Speaker 1 (01:22:03):
Lot of work, a lot of work coming out. Salute
to her.
Speaker 7 (01:22:08):
All right, let's see here. Shout to Disco Daphney. She's
always commenting. She's the first commentar every time we post
the live stream up. So shout to her, Disco Daphney
every days. Yep, dap Daphne Daphney.
Speaker 1 (01:22:24):
You know hey.
Speaker 2 (01:22:24):
In terms of Kate McKinnon, I think she's been one
of the funniest cast members they've had on Saturday Night Live.
Just in the entirety of it. It's got to be
one of the funniest cast members, all right.
Speaker 4 (01:22:37):
Like when she plays this like crazy, oh.
Speaker 1 (01:22:39):
Yeah, oh yeah, it starts talking about Yes, she's hilarious.
Speaker 2 (01:22:47):
I would imagine it's hard not to like break up
laughing while she's on a run.
Speaker 9 (01:22:52):
She did this with Pedro and he broke out laughing.
He couldn't hold it.
Speaker 1 (01:22:57):
Because she she gets going, it's live. Yeah, what do
you wanna do? It's hard to keep.
Speaker 4 (01:23:03):
A yeah, isn't that Meryl?
Speaker 1 (01:23:06):
Yeah, that's Meryl Street.
Speaker 4 (01:23:07):
Meryl Street.
Speaker 1 (01:23:10):
That sh that said is funny.
Speaker 7 (01:23:13):
Especially yeah real Marlin is saying, Yo, can you please
bring back the smoke box at the in twenty twenty.
Speaker 2 (01:23:25):
Six, I was thinking about doing a live smoke box,
but I don't know because people are scared.
Speaker 1 (01:23:34):
Be people are scared.
Speaker 2 (01:23:36):
I mean, you know, we've issued invites and things like
that of people that supposedly smoke out and reached out
to others who supposedly smoke out and others that supposedly
smoke out.
Speaker 1 (01:23:51):
It just no, you know, like.
Speaker 2 (01:23:54):
They're kind of like scared, be sky and like, I
don't want to make nobody get into the box if
they don't want to, because listen, it's a hard interview
really if you barely smoke, but you're going in because
you think, oh that seems cool. Seen, I've seen people
have a bad experience, So I can understand why some
(01:24:14):
are afraid to get in there, and they'd rather come
to the table if they're going to come here, which
is you know, cool for me because we smoke out. Nonetheless,
it's just that in there it's pro smoking. It's not
for the amateur. It's not for the semi it's not
definitely not for the rookie or Novice. So you know,
(01:24:38):
like I think the smoke boxes we've had, we've had
a lot of the folks that are on our level
and some that were maybe trying to get to the
level we're at, and some that were not on the
level and then probably regretted getting in there. So yeah,
whatever boxes we do this year or in the upcoming
(01:25:03):
or whatever, those will probably be the last ones, just
because it's it's tough to get people in there. So
we're gonna come up with some new ship. But yeah,
we're gonna finish out that series with the ones that
we do coming up, so you could check for that.
We will be doing it, but the live smoke boxes
(01:25:23):
might just be us. We might just do this show
in the smoke box and and pop it off like that.
I don't know, live on I g Yeah, let's see
what happens.
Speaker 1 (01:25:36):
Mellow would collapse in them.
Speaker 2 (01:25:39):
Oh, Mellow would like keep he fall asleep, deep falling.
Speaker 1 (01:25:44):
They're snoring and ship he's on fell asleep.
Speaker 2 (01:25:48):
I remember that, and he's you know, he's the seasoned stoner,
you know what I mean? He fell asleep on the
Kevin uh Kevin Smith smoke box. Well, because we were
in there an hour and half and it was a
lot of smoke. We did not anticipate that it would
go an hour and a half.
Speaker 1 (01:26:04):
That's a long time. Well, he wanted to talk.
Speaker 2 (01:26:08):
We were wrapping it in like fifteen twenty minutes, and
he says to me, I thought we were really good
to smoke. I was like, oh shit, because you know,
we were trying to go easy on him. Someone gave
us bad information that he had only been smoking for
a year.
Speaker 1 (01:26:25):
He came ready and we were like.
Speaker 2 (01:26:28):
Well, if he's only been smoking for a year, maybe
we had to make sure that the joints are smaller
and we only have it.
Speaker 1 (01:26:34):
Take it easy on it.
Speaker 2 (01:26:35):
So we smoked a few joints and we had, you know,
like again we were measuring it based off of the
information we had. So we had maybe two joints a
piece or something like that. It's like at the eight
mil size. And after we smoked that out, you know,
I thought that was long enough. He's probably high as fuck.
(01:26:57):
I'm like, hey, all right, thanks for blah blah blah.
He goes, is that it. I thought we were really
good at smoke. I was like, oh shit, And that's
when I think I hit up Pedro. I said, ay, Pedro,
start like I got hit up Pedro throughout the world,
Hey star rolling more joints. And that's when he brought
his and he then he fortunately he had pre rolls
in his pocket. Now, what the information was was that
(01:27:20):
he's The real information was that he had been smoking
weed his whole you know, like for years. It's the
concentrates that were new to him for a year, you
know what I'm saying. And we weren't doing any concentrates,
so you know, it was just misinformation and we were
not ready and we didn't think that he was going
to want to do an hour his ship.
Speaker 1 (01:27:41):
He broke the record.
Speaker 2 (01:27:42):
He still has the record at an hour and a
half in that fucking uncom h he are, yeah, he said,
he set It's a bar that no one has been
able to reach yet. Yeah, because they just cannot hang.
He set that tongue. We were going on people. He
is like let's go. I'm like, let's go. And he
(01:28:06):
put the zone to sleep. I mean, if Kevin Smith
can say anything, he came here sweet dreams, he set
a record and put e zone to sleep.
Speaker 1 (01:28:17):
Oh yeah, I'm gonna check that video. That's not an
easy thing to do.
Speaker 7 (01:28:24):
Also, it's pretty hard to get people in You already
have three hundred and eleven smoke boxes.
Speaker 1 (01:28:28):
Yeah, some of them are doubled up, like it's.
Speaker 4 (01:28:31):
Gonna be hard to get people in here. They've already
done it.
Speaker 2 (01:28:34):
Yeah, that's what I'm saying. And some people have doubled
up on it, like Burner has done it. I don't
know how many times.
Speaker 4 (01:28:39):
Got our boy Dame Dash in here. He's done it.
Speaker 1 (01:28:42):
Yeah.
Speaker 2 (01:28:42):
Yeah, Fortunately we didn't argue about anything. Next time it
comes down, but look how long it is? Look go
go back sixteen minutes. At sixteen minutes, my man was like,
so is there a tap out button? Is that what
you guys do? Make people tap out? So like question
your manhood and ship like that? I'm like, no, we
(01:29:04):
we're about to be done. Let me let me finish
it out right now. He actually said that. If you
go and watch that smoke box, he says it at
the end, So what is there like like a tap out?
But you guys make motherfuckers tap out over here? Is
that what you do with the ha? Yeah? Yeah, No,
it's those classic Dame Dash you know.
Speaker 7 (01:29:23):
Saying should have Charlemagne in there with Dame Dash and
you could be the mediator.
Speaker 1 (01:29:26):
No, I don't want no part of that smoke. I
don't want to know.
Speaker 3 (01:29:30):
Got a bigger house than you.
Speaker 9 (01:29:33):
You gotta put them both in the back of somebody's
gonna get done, like Maury and Ship.
Speaker 2 (01:29:36):
Yeah.
Speaker 1 (01:29:37):
No, I don't want none of that. I'd rather stay
out of that. That'd be greater. I took note of it,
and that was enough for me, all right.
Speaker 7 (01:29:47):
Next one, like I guess the smoke box that blows
my mind the most is Michelle Rodriguez from The Furious.
Speaker 2 (01:29:53):
Yes, that that blew everybody's mind because no one, no one,
no one saw that one coming.
Speaker 4 (01:29:59):
We that CoA Like, that's wild to me. She's such
a big movie star.
Speaker 2 (01:30:03):
Yes, and she did not give any zero zero fox
were given here she could hang, she could hang. She
and you know that came through our our good friend Block,
the mayor of Venice. Salute to Mabroski. He made that happen.
(01:30:26):
And uh man that you know that that is one
of the one of the best ones right there too,
because like you know, no one saw that. She she
was like yeah, of doubt, came and did it and
without hesitation it was awesome. Salute to Michelle Rodriguez's family,
(01:30:46):
right there, Mike, all right.
Speaker 7 (01:30:49):
Twike like saying, a show to the highest show in
the world. Yes, Karna saying, you should have a contest
for fifty one fifties to win a chance to be
in the smoke box with you.
Speaker 2 (01:30:59):
Chance to be in little last one. Huh, all right,
we'll come up with the contest.
Speaker 7 (01:31:04):
Marbell saying, don't worry, you'll hop in the smoke box
and read Colton's diary.
Speaker 2 (01:31:09):
How about we have his own diary. That would be awesome.
I don't want to read his diary. Let Bolton read
it aloud.
Speaker 4 (01:31:21):
Today.
Speaker 7 (01:31:24):
Marbel saying, I hope uh send dog won't cough this
time in the smoke box.
Speaker 1 (01:31:29):
He will. Yeah, I forgot about that. He can't.
Speaker 2 (01:31:34):
He can't be in the smoke box. We can't. He
can't do it. Yeah, he's a pro stoner, make no mistake,
but like he just just can't do it. It's like
his kryptonite in terms of trying to talk with all
that smoke.
Speaker 1 (01:31:51):
It was a lot of smoke because he'll let the.
Speaker 2 (01:31:52):
Little cough get him and then you know what I'm saying,
and then it's over.
Speaker 7 (01:31:56):
From there, Pedro, you're talking about the the richest man
who hired Rihanna for the wedding was the richest man
in Asia. This was his son's wedding that they hired
and they paid her. They're saying six to nine million
dollars who to sing at their wedding?
Speaker 1 (01:32:15):
Yeah, that's crazy. That's I thought it was. It was
more but that.
Speaker 8 (01:32:22):
Who were talking about Elvis that he got ten million
she got, Well, no, he never took it.
Speaker 2 (01:32:26):
Oh, he was offered it, but he didn't take it
because the colonel wouldn't let him go.
Speaker 1 (01:32:32):
She was like, that's crazy, HeLa.
Speaker 9 (01:32:36):
Yeah, back then that would have been like thirty million practically.
Speaker 7 (01:32:40):
And this was to perform during the pre wedding festival.
So was this at the actual wedding part?
Speaker 2 (01:32:45):
Yeah? Crazy damn with a bag. Yeah, she probably flew in,
flew right the fuck out.
Speaker 8 (01:32:52):
She enjoyed, she crashed the party, and she left hid
that money was there. That's pretty crazy.
Speaker 7 (01:33:00):
You guys were talking about nineteen ninety two Cypress Hill.
We got this you guys at call it palooza.
Speaker 1 (01:33:04):
Yep.
Speaker 2 (01:33:05):
I believe that's Shoreline Amphitheater right there. That's ice cold
fucking long sleeve that my man sent dog got on
and look and that's that the original hat Pedro look
at see the hat as the when he wears to
this day.
Speaker 1 (01:33:21):
Who's got trace right there? Oh my, back in the
days he was ripped.
Speaker 2 (01:33:27):
No trace is probably there somewhere though. First of all, Yeah,
the House of Pain shirts though too though, Yeah, the
o g Yeah.
Speaker 8 (01:33:43):
Yeah so that, yeah, that that bucket has been around.
Speaker 2 (01:33:49):
It's been places. That's when I was wearing the pirate hoops.
I think you could see one on my left. Oh man,
I was high as fuck right there too. We took
mushrooms this day, but a little bit later on we
were on shrooms later that day watching but if that's
(01:34:09):
the gig, I'm thinking we were watching sound Garden from
the grass. We went up to the grass, took some
mushrooms and watched sound Garden absolutely fucking destroy it. Looking
at the mosh pit turned into the Whirlwind. It was like,
oh my god, or whirlpool if you will, world whirl
(01:34:32):
the fucking mosh pits, whirl Son.
Speaker 1 (01:34:35):
It was that shit.
Speaker 2 (01:34:36):
Like I that show got me listening to metal again,
Like watching Soundgarden, That that show right there on mushrooms.
When I saw what they were doing, I was like,
oh my god, what have I been missing? Because I mean,
that's what I used to listen to before hip hop,
you know what I mean. So that shit got me
(01:34:58):
back into listening to all the other ship that was
out there.
Speaker 3 (01:35:02):
You know, I've seen some crazy mospits where motherfucker is
trying to punch each other in the face, like they
just spinning around trying to hook off on people like,
oh yeah, be funny yo.
Speaker 1 (01:35:14):
Oh yeah.
Speaker 2 (01:35:15):
At the oz Fest you would see that a lot.
Motherfucker's swinging on each other.
Speaker 1 (01:35:19):
Yeah, funny, get caught in that. That's just funny. Do
you know what Sound Garden album that was Bad motor Finger?
Oh shit, wow. Yeah.
Speaker 2 (01:35:30):
They were tearing it up with Bad motor Finger for
that particular tour, and uh.
Speaker 1 (01:35:35):
It was like all over fell in love with metal
all over again. That was awesome.
Speaker 7 (01:35:44):
Russy Shackelford's in here. He's saying Tom Hanks and the
Lady Killers a good villain.
Speaker 1 (01:35:49):
He's saying, Oh yeah, I haven't seen that one. Yeah,
but it's more of a comedy.
Speaker 2 (01:35:54):
Yeah, he's a villain, no doubt, or a shady care
like a dark comedy. But like in the Elvis Thick,
he's not it's not it's not any it's not very comedy.
Speaker 1 (01:36:07):
Yeah, he was was not fucking around, messing around.
Speaker 2 (01:36:11):
He does a lot of great dramatic roles Tom Hanks man,
but again, he really hadn't done too many villainous roles
like that where he made you hate him.
Speaker 1 (01:36:21):
You know what's crazy? I did it.
Speaker 8 (01:36:22):
It took me a while to find out he does.
He's the voice of Woody.
Speaker 1 (01:36:28):
Yeah.
Speaker 8 (01:36:28):
I didn't know that, not not like I didn't put
it together. Like and then after after I found out
it was the Tom Hanks the voice of Woody, I
was like, oh wow, it's.
Speaker 1 (01:36:41):
It's just a click. Learned something new every day.
Speaker 8 (01:36:43):
Yeah, it was like a couple of years back, right,
I was like, damn, it's crazy. He's done a lot,
a lot of a lot of amazing stuff. He has
catalog too, well, he did comedy first. It's a funny, dude.
Speaker 2 (01:36:56):
He said, Dad, what a no fact for from Dreux
that part that was actually pretty funny.
Speaker 1 (01:37:05):
All right.
Speaker 4 (01:37:05):
I would just say that probably heard his own.
Speaker 2 (01:37:07):
When you heard that, I would imagine it did.
Speaker 4 (01:37:09):
Yeah, we gotta give a big shout to Bart's barbecue.
Speaker 7 (01:37:11):
He's bringing in some bacon wrapped all the pinos with brisket,
cream cheese and cheddar cheese inside.
Speaker 1 (01:37:17):
What a bastard what.
Speaker 7 (01:37:20):
He's bringing these in? He's also bringing down some smoked
ribbi sandwiches.
Speaker 2 (01:37:25):
Yeah, yeah, yeah, what's up?
Speaker 1 (01:37:34):
Chat?
Speaker 4 (01:37:34):
You guys aren't getting any of this?
Speaker 1 (01:37:36):
Damn ye're not getting there? Is Marbell? Yeah?
Speaker 4 (01:37:39):
Marbel?
Speaker 1 (01:37:43):
Sorry Marbell?
Speaker 7 (01:37:44):
Yeah, shout to the brisket King and yeah, that seems
to be it so far with super chats. You want
me to just go right into submission.
Speaker 2 (01:37:52):
Let's go into submissions right in. If we get any
more super chats, we'll pop them off.
Speaker 7 (01:37:55):
Let's go mac And here he's saying, Yo, who's down
for this new Red Bullet dip? We got the far
Fight Edition Red Bull and Tito's Vodka.
Speaker 1 (01:38:04):
Not me? Yeah, I think that real.
Speaker 4 (01:38:08):
Now for sure? Would you guys ever order that?
Speaker 1 (01:38:12):
Though little vodka?
Speaker 4 (01:38:12):
Und I used to do that a while.
Speaker 2 (01:38:16):
None of that ship if it ain't whiskey, yeah no,
And if it ain't tequila or mescal, nah, And I
don't like drinking the mixed drinks because that ship.
Speaker 1 (01:38:26):
Is just too sugary sugars. Yeah, there's too many.
Speaker 2 (01:38:29):
I mean listen, if you're drinking dark liquor, there's already
sugar in that, and so when you're mixing that with
all the other sugary ship, that's sugar plus sugar equals
more fucking sugar.
Speaker 1 (01:38:41):
Bang. I can't lie. I've done it before. I know
you have.
Speaker 2 (01:38:44):
I have too. I used to get down with the
Long Island nice tea so I know. Oh yeah, but
uh nah, beds is over now.
Speaker 1 (01:38:55):
I don't do those things no more.
Speaker 2 (01:38:57):
If I if I do have something, it'll be a
whiskey or mescal or.
Speaker 1 (01:39:02):
Neat. No mixing.
Speaker 4 (01:39:06):
Yeah, these give you the worst hangovers. Like you said,
the Long Island iced.
Speaker 1 (01:39:09):
Tees, Yes, trust me, I had them. Blackouts yeah, well
I never had a blackout.
Speaker 2 (01:39:18):
Three of those and you will probably be amazing. I've
been very drunk off those, but I never had a blackout.
But it happens, No, but I know it happens. But
I've never had a blackout.
Speaker 1 (01:39:33):
Like plenty of blackouts people blacking out, not on Long Islands.
Speaker 2 (01:39:37):
Like you know, I drank and probably more than I
should have a couple of nights way back when you
know what I mean in the mid nineties, I would say,
or maybe early nineties, I was drinking a lot of
Long Islands, and man, yes I had some drunk nights,
but I didn't blackout on those nights. I just was
very drunk at the Red Onion Anywhere ship. It also
(01:40:00):
started in New York. I went to with mugs like
early on, like even before we were making records, Like
we'd go out there to absorb shit, and we go
to like certain bars and shit like that. I had
a couple of Long Islands and it started then. But
by the time we get rolling and we're going out
(01:40:21):
there and hang and hanging.
Speaker 1 (01:40:23):
Yeah, that was my drink of choice.
Speaker 2 (01:40:24):
And I'd get smashed, but not blackout blackout smashed, I
should say, a little wobbly, but never like, oh.
Speaker 1 (01:40:34):
My god, I got a pouls out right here, or
I can't do that.
Speaker 7 (01:40:39):
I would drink these after work sometimes the Big Island
iced tea at Islands, it's just like a Long Island,
but they had pineapple and strawberry to it.
Speaker 4 (01:40:47):
It tastes pretty good.
Speaker 2 (01:40:48):
Dangerous, dangerous, dangerous. Because it tastes so good, you might
have more than you need by the time it kicks
in you're tipping over. Oh man, if you have have two,
that's where you should stop. You could even stop at
one if you're like smart, you know what I'm saying.
But if you have two, you need to stop. If
(01:41:11):
you go to three, they're carrying you out of that
ship wherever you're at, or you're making a.
Speaker 1 (01:41:17):
Cripple walk cripple.
Speaker 2 (01:41:19):
Yeah, you're that guy that your two homies are dragging
the spot.
Speaker 1 (01:41:24):
We see.
Speaker 2 (01:41:25):
I've seen that ship on the last tour. Man, it
seems also familiar.
Speaker 1 (01:41:30):
Look like we can and that's it. That's it is funny.
And I say ship like.
Speaker 2 (01:41:37):
That, Oh man, Yeah, they got drag their homie like
fucking weekend and Birdy's.
Speaker 1 (01:41:44):
Saying some drunk bitches too being carried out, like yeah,
how fine.
Speaker 2 (01:41:51):
It's it's always sad when you see something like that.
Man hold your liquor, Man hold it, hold it, don't
get don't have to be carried out somewhere.
Speaker 1 (01:42:01):
You know what I'm saying. Go do it all right,
mad you.
Speaker 7 (01:42:06):
Mike's asking cycle Less any features for the Less is
More album?
Speaker 3 (01:42:11):
Uh, that's his more album. I mean I'm always working
with people, so yeah, you're gonna hear some features.
Speaker 7 (01:42:21):
Let's see Mike be saying a slut to YEO made
some corn beef and rice. What do you guys think
of this?
Speaker 1 (01:42:27):
Whoa presentation is not? Oh man, you're lucky.
Speaker 2 (01:42:32):
Cali Blaze and Bobo are not here because they would
instantly like, go in.
Speaker 4 (01:42:37):
Cat food is corn beef and rice?
Speaker 1 (01:42:43):
Oh my god, I should have hit the spot. I
don't know about that. I mean when I was young.
What's the sauce?
Speaker 4 (01:42:52):
What is that gonna be some kind of hot tomato?
Speaker 1 (01:42:55):
Yeah, our homemade sauce.
Speaker 2 (01:42:57):
It does look like cat food, knlie, you know said yeah, no,
I'm good. It might be delicious, but I think you
know it's it's not appealing in this form here.
Speaker 1 (01:43:13):
I'm just kidding. It's pretty with the eat it in
the dark. Yeah, what is that in the middle? Is
that an egg or tomato?
Speaker 4 (01:43:22):
Saying this is ketchup tomatoes?
Speaker 8 (01:43:24):
It looks like sauce. It looks Yeah, it looks like
hot sauce, but I can I don't know for sure. Yeah,
I've been trying to figure out what that yellow stuff
is too. I don't want to say nothing, but someone did.
Speaker 2 (01:43:35):
I definitely know that Pedro would not have this and
I know that that Bobo and Cali Blaze would scoff
at it.
Speaker 7 (01:43:44):
You know what I'm saying, It's actually what is bringing
us today.
Speaker 2 (01:43:49):
He's got that hot He throws lime right there too, boy,
to wash it all down.
Speaker 1 (01:43:55):
That might be the only thing I'm working with.
Speaker 4 (01:43:57):
Probably I'll just take a soda.
Speaker 9 (01:44:00):
Yeah yeah, I act like I'm reaching for the plate
and I'm like, okay, thank you, I'll taste it.
Speaker 4 (01:44:07):
Hey, this is pretty cool. Rosen here saying.
Speaker 1 (01:44:09):
Yo.
Speaker 7 (01:44:10):
My highlight was meeting Charlie from Sons of Anarchy. Oh
wow's watching Seth Rogan win for the studio.
Speaker 1 (01:44:18):
Yeah cool, dude, Get this back up. Charlie Hoonan.
Speaker 4 (01:44:22):
Is that his name, Charlie Hoonan.
Speaker 8 (01:44:28):
He did a great rowing says of Anarchy. Yeah it's Rosa.
Oh yeah, look at that.
Speaker 4 (01:44:36):
She does a lot of cool ship.
Speaker 1 (01:44:37):
She does a lot of cool things.
Speaker 8 (01:44:41):
She took me in Hoavy to the BET Awards when
that went on. It's Kendrick Lamarshall's face. Maria carry accepted
an award, but I think bust arrhyves it too.
Speaker 2 (01:44:53):
Got us into the Van Halen reunion. Oh wow, that's amazing.
We had some fucking kick ass. It's there. Me and
Dougie went Dougie the Wolf wifey I think went. Maybe
where was that Roger Waters before he went on fucking crazy?
I don't even remember it, but yeah, Rosso probably got
(01:45:14):
us those seats too. Yeah, she's always looking us up.
Solute to our sister, Rossa. What's that's awesome? Thank you
for the portals too, anytime you bring them.
Speaker 7 (01:45:24):
I get so lost with those award shows. Okay, So
the Emmys is celebrate television TV.
Speaker 1 (01:45:28):
Yes, pretty cool. Yeah, the Oscars is movies. The Oscars
is movies. Yeah makes sense. I didn't know that.
Speaker 3 (01:45:40):
Well, I knew the Oscars, but for the Emmys, I
didn't know Grammys music, right, I think I think this
They got me thinking.
Speaker 1 (01:45:50):
Now the Grammys is The Grammys is music music, Oscars movies.
Oscars is movies. What are the Awards?
Speaker 2 (01:45:59):
It's the Tonys? What's the Tonys? I think is maybe
a mixture of its music, TV and Broadway? Yeah, yeah, that's.
Speaker 4 (01:46:08):
Right, Broadway.
Speaker 8 (01:46:09):
Yeah brone. What what are Golden globesards? Golden Globes? I
think it's TV and in film. Maybe might be TV.
It's a combination of both. Maybe maybe I'm not sure.
Speaker 2 (01:46:23):
And I think if you win a Golden Globe, that's
like telling if you're gonna like possibly be winning an
Oscar or something like that.
Speaker 4 (01:46:30):
Golden Globes is a film and television.
Speaker 1 (01:46:32):
Yeah.
Speaker 8 (01:46:33):
What what did a Kobe get? Was it an Emmy
or like for his Like he didn't he get an Oscar?
Speaker 1 (01:46:42):
He got an award. I'm not sure which one for
his Well, it would have to be an Oscar or Golden.
Speaker 4 (01:46:47):
Was an Academy Award Basketball?
Speaker 2 (01:46:49):
Yeah, yeah, that's a that's an Oscar though Academy Award
is as an Oscar.
Speaker 1 (01:46:55):
That wasn't sure which which one he won exactly was?
Speaker 4 (01:46:58):
Okay?
Speaker 2 (01:47:00):
Yeah, man, don't be trying to confuse us with your
crazy talk over there.
Speaker 7 (01:47:03):
There's so many there's so many terms of Academy Award, Oscar,
there's so many award shows.
Speaker 4 (01:47:08):
It's hard to keep up with.
Speaker 2 (01:47:09):
That's so many awards. Well, you know, Pump pump, that
seems to be it so far. Word upbsolute, Thank you
for your submissions. Keep them coming to be real TV
contest at gmail dot com and we put them on
right on. Man, we got a mix today, Well, that's right,
(01:47:30):
we got to mix today huh yeah, all right, I'm ready,
but not ready, but I'm ready.
Speaker 4 (01:47:37):
Is there one going on today?
Speaker 1 (01:47:38):
Is there one going on today? Oh? No, ship, we're
not doing the mix today.
Speaker 2 (01:47:42):
That's right, because we got something popping off right after this,
I believe. Uh so we'll see, we'll see. It's gonna
be a yeah, it's gonna be a sort of pressa.
Speaker 1 (01:47:56):
Damn man.
Speaker 2 (01:47:59):
I asked everybody at table yesterday. So i'll ask you
guys this. If you watched The Peacemaker. Yeah, yeah, it's
fucking great. Right, Oh yeah, I have not. You should
watch it, Patro You like violence?
Speaker 1 (01:48:11):
What's it based out of?
Speaker 2 (01:48:12):
It's a it's like based on a d C character
DC superhero. Well's squad. He wants to be a superhero.
Oh it's Josh Cenaina. He's doing an excellent job in
this role here. It's hilarious. No, it's uh hbo hbo
Max figure it out. Yeah it's good. H yeah, it's
(01:48:38):
good man, it's very good man. What's his main like superpower?
I see that the strength. I don't know if he's
got a superpower. I think it's his mind, his helmet,
his helmet. He has like four or.
Speaker 9 (01:48:53):
Five different helmets that the dad made out of some
weird like alien ship they found. Yeah, and they Yeah,
they have different functions or whatever.
Speaker 1 (01:49:01):
Interesting.
Speaker 7 (01:49:02):
He has different helmets of Grantam skills like X ray Vision,
sonic Blast, and underwater breathing Stopeah.
Speaker 1 (01:49:09):
Interesting.
Speaker 8 (01:49:10):
Definitely check that out because that seems the suicide squads
but not it's on.
Speaker 1 (01:49:15):
This shit is funny. Oh, it's pretty good. The writing
is is pretty hilarious.
Speaker 9 (01:49:20):
And it's into I mean, it's on some HVO level
shit because I mean the nudity is crazy, like the
violence is crazy. Like it's like you're watching a movie
every episode. Man, it's really good.
Speaker 1 (01:49:31):
I love it. True that word out.
Speaker 2 (01:49:34):
Check it out, and once again check out the mix
right after this. Salute to all y'all that you know
put your eyes and ears to the show today. We
thank you very much and appreciate you. Salute and positive
vibes to all y'all out there. Pass it around like
a good joint, you know what I'm saying. Liezy got
any shout outs?
Speaker 3 (01:49:52):
Yeah, shout out everybody just hanging out with us, all
of us.
Speaker 1 (01:49:57):
Hear doctor Green Thumb cruel.
Speaker 3 (01:49:59):
If you on the IG, make sure you follow me
cycle Less Official and go to the website, the cycle
Last shop dot com. Also, uh word, I'm gonna keep
you post on the next beats and be a party.
Speaker 1 (01:50:13):
So squeeze.
Speaker 7 (01:50:17):
Yo Yo, show at the Insane Asylum, Show to Ray Morning,
chot film, show to the Dominator, what up FM Yo.
Speaker 9 (01:50:22):
Shout out to everybody at the table, everybody in the treehouse,
everybody in the chat, check me out on i G
as well, DJFM, underscore, l A. I'm always posting one
we'll be at and what we're doing next.
Speaker 8 (01:50:35):
All right, Sol, Hello, Hello, big ups to everybody watching today,
uh to Lou, to the chat, the twitch YouTube, everybody
at the table, some dope stuff that was talked about
today and uh yeah, follow me at vote for Joe
and catch you guys later. Tackle Tuesday. Man, God bless
(01:50:59):
you today and days. Swallow that.
Speaker 1 (01:51:11):
Real TV
Speaker 2 (01:51:15):
MHM
Disclaimer. This video, like all video featured on the channel,
is definitely intended for mature audience. This videos, like lease example,
fan language content is inappropriates video. It's not for kids.
Speaker 2 (00:16):
Wilcome, Oh My God to Doctor Green Thumb Show live
(01:19):
on Twitch, Discord, YouTube x and the home site www
dot b real dot tv. The high Flies are running
around wild in this bitch because it's summertime.
Speaker 1 (01:31):
It's crazy to.
Speaker 2 (01:32):
My right, the legendary psycho Leezy end up Building. Hello, cheers,
hold on uh. We also have the Treehouse Crew bo
To Blombo Bra Bra and the Dominator Sideline crew is
doing good.
Speaker 1 (01:46):
The Sideliners, all right, I can dig that.
Speaker 2 (01:48):
That sounds like a punk band, you know what I'm saying,
or or a reggae or ska band. The Sideliners right.
We got the mask Wonder dj f n up in here.
Speaker 1 (02:00):
What up? Everybody? Happy? Tuesday? Are we doing?
Speaker 2 (02:05):
And we also have the Rolling Champ in a dope
track suit right here?
Speaker 1 (02:09):
Tuesday? Everybody Pedraulic? Hello, what's up? Guys? Yeah?
Speaker 3 (02:16):
Let me let me start off Bye bye. I just
went to the brewery to buy some beer. I tell
the dude give me the pills. Nurse and he gives
me fucking.
Speaker 1 (02:25):
I p as. Man, he gives you I p as.
All I gotta say is all right, Well, you know, bro,
is it a good? I p A good? But I
didn't I didn't want I p A. You didn't want
no I p A.
Speaker 2 (02:42):
It's because the pills is like less alcohol than the
I p as.
Speaker 1 (02:45):
Oh cool. I'm not trying to get.
Speaker 2 (02:47):
You, not trying to get hammered. But you know that's
the key to drinking beers all day. I guess right.
I'm not a beer drinker, so I can't really tell you.
But all the beer drinkers I know drink like beers
that aren't like very strong, but they taste good. But
if they drink the IPA, they getting smashed because it's
(03:07):
it's more.
Speaker 1 (03:08):
You know, there's more alcohol in the I could only drink.
Speaker 3 (03:12):
Like two to three I pa is the most. And
you're gonna be good, you know you good? I mean
now I got no choice, but you got no choice. Hey,
I'll tell you what. E zone used to bring some
good I pas over here.
Speaker 1 (03:26):
You know what I'm saying.
Speaker 2 (03:27):
I mean, I used to like them, but then you know, yeah,
there's a time of the place, right there's a time
and the place. You know, I can't avoid what our
headline is today right now. You know what I mean,
because every time you start off with the show, there's
a caption and whatnot, and our says Dame Dash versus
(03:48):
Charlemagne the God. And someone said, well, one of the
guys send that to me, Pedro, maybe one of the
guys are the dominator, actually send it to me, right
and boy, they was going in on each other petty style,
but it was It was hilarious and petty at the
(04:08):
same time. You know those guys, uh, I mean, it
seems like they've disagreed plenty of times and this is
another one where you know, Damn Dash went in there
on some other.
Speaker 1 (04:26):
Over the line. Yeah, you know, they they both got
a grudge. It seems it was.
Speaker 2 (04:36):
It was pretty significant, but it was you know, it
was hilarious. It was that New York ship, classic New York.
I'm snapping on you if you're snapping on me. And
they were snapping on each other, you know, because there
you know, just this this happens, you know, but they
(04:57):
were snapping in in a different way. I think we
got a clip. I don't know how long we could
play it, but you know, just to give.
Speaker 4 (05:04):
You a little something, here's an audio on that ship.
Speaker 5 (05:09):
I believe him anyway.
Speaker 6 (05:11):
The difference between you and I, well, I don't think
you're a proper representation of the masculine black man.
Speaker 5 (05:19):
You know what I'm saying. I don't think you guys are.
Speaker 1 (05:23):
Like Charlottmagne.
Speaker 5 (05:24):
Your o G is Wendy Williams. My OG is sitting
right here.
Speaker 6 (05:29):
You see him, And I'm gonna tell you why he's
my OG, because he's not because he killed anybody or
any of those things.
Speaker 5 (05:34):
He just taught me how to be a better man.
Can you stop? Can you stop? Wasn't she your boss? Yeah?
Speaker 6 (05:43):
So she was your og. She puts you on and
you should give her her grace and you should also
give her props out of respect. But because we have
different trauma, like we're different. Like I'm not the kind
of guy that would like I'd rather get my ass
whipped than run, But you're proud that you ran rather
get my asked with. Let me ask you a question, Dan,
you ever ran from a fight? What would happen if
(06:05):
you heard that somebody I ran from a fight. That's
a masculine way of doing things. Now you don't see
it that way. You like to play like games like
I'm not quite because when you say kids, I was like,
and it ain't no disrespect, but I kind of think
you're gay. You just act a little gay, not at all.
I've got a problem with people that pretend they're not gay.
(06:25):
So let me let me tell you why, let me
tell you, let me tell you why, let me tell
you're gay. So what I'm saying is you might because
you started in gossip, which is you know, it's very
it's very feminine, and you are acting like you know,
there's some degree of like you want people to listen
(06:49):
to you, and that we want people that represent masculinity
because men need to be doing what they need to
do as men.
Speaker 5 (06:56):
They don't need to be worried about girls stuff period.
Speaker 6 (07:01):
Talking about people that aren't in the room, that don't
have anything to do with them, saying things confidently in
front of millions of people and not saying anything.
Speaker 5 (07:11):
You know, like you know what I mean. Times I've
seen people punk you.
Speaker 6 (07:15):
I would never let anybody talk to me, certainly, I'd
rather get my ass whip.
Speaker 5 (07:20):
That's where we're different. We got different trauma, So you don't.
Speaker 6 (07:23):
You can't really look through my eyes because you do
things different that much.
Speaker 5 (07:28):
No, I'm just do I look, I'm bothered at.
Speaker 6 (07:31):
What I'm bothered about is you're speaking in front of
people confidently and you don't have the experience or the knowledge.
And also, I'm afraid that white people think that we
act like you. You're not dumb, but like, damn, you
know what's bugging me out?
Speaker 5 (07:46):
What do you mean act like.
Speaker 6 (07:51):
The way you keep interrupting me, the way you keep
saying things that aren't true.
Speaker 5 (07:55):
But don't know let me say what I'm saying.
Speaker 6 (07:58):
I was still talking, okay, So because because when I
do it, when you'll do that, I forget what I'm
gonna say because I be like that. You know you
don't think of course, you don't think that you you know,
I think you're gay.
Speaker 1 (08:11):
I do.
Speaker 6 (08:12):
I'm not gonna lie after after the puff stuff. Let
me say this. Let me say this. This is my assessment.
I've never heard you say one thing bad about jay Z,
not one. He's not in the room. You shouldn't talk
about him. Don't tell me what to do. You said
now you're interrupted.
Speaker 5 (08:30):
I know him. I'm giving you an example, can I
talk you.
Speaker 1 (08:35):
Used to know him?
Speaker 7 (08:36):
So, like Charlayne calls him out on that, like, hey man,
you just said to not talk about people when they're
not in the room, and now you want me to.
Speaker 2 (08:42):
Talk about z Listen. It was you know, broadcast gold,
you know what I mean. I'm sure the ratings were
up for that, because what you got a guy like
Damn Dash who goes up there and just starts going
at It's not an interview, it's a.
Speaker 1 (09:00):
It's definitely not an interview. Damn. There's no video for this.
Speaker 2 (09:04):
There is, there is. We just can't show up what
I'm saying. There's no there's no you know, it's not
you know, there's no interview involved. It's a real conversation.
He didn't go up there to talk to Homie. He
went up there to tell him, Hey, this is what
I think of you, and that's that.
Speaker 1 (09:21):
Dame Dad ain't gonna bite his tongue.
Speaker 2 (09:23):
No, he never has, and so no one should be surprised,
you know what I'm saying.
Speaker 3 (09:28):
But Charlamagne too, he'll go right back at you. I've
seen him go up against a lot of people like
interviews that are going bad and he's like and talking
to them like, so what you're gonna do?
Speaker 2 (09:40):
He's like, he's an intelligent dude, you know what I'm saying.
Like he can hold his own. It's not like it's
not like he's backed down off the conversation, but going
back at yeah, but it was. It's just interesting, interesting
and hilarious to see them go go at each other
(10:01):
like that, because then you know, they start playing the
dozens here and there.
Speaker 7 (10:04):
Here's a little uh, here's like a little SoundBite like
probably like a few minutes before that kind of argument
broke out.
Speaker 6 (10:11):
Can you do you know how many times Donald Trump
filed a lot? So then why is the terrible business man?
But no, he's the president, sure, but he still was
knowed the terrible businessman. Actually a comment, do you know
how confidently dumb you sound. You're saying it's bad that
he went bankrupt six times? He's a billionaire and he's
the president, and you're still not terrible businessman? And Connor artists,
(10:32):
are you known as a good businessman? I don't know. Okay, well,
you make a lot of money. No, so you've been
doing this every day your whole life and you're not
making no money. Nope, like you No, you're not like me,
but you say you don't.
Speaker 5 (10:46):
Do you have a family. I bet my house is
bigger than yours. I bet all my houses is a
bigger than old you. How old are you?
Speaker 8 (10:58):
So?
Speaker 4 (10:58):
Yeah, that's kind of what there are you about before?
Speaker 1 (11:00):
Too.
Speaker 2 (11:02):
It doesn't matter what subject that you you pop out,
that's gonna happen.
Speaker 9 (11:09):
Yeah, he clearly cannot stand that. Dude, he cannot stand that.
Speaker 5 (11:13):
Why did he go?
Speaker 1 (11:15):
Why would he go there? I don't know, he's like,
you know what, I'm gonna let lose.
Speaker 8 (11:19):
Yeah, for sure, a person like Charlletagne is for sure
gonna address like why he's you know, he's gonna ask
him why he's.
Speaker 1 (11:24):
Foul, fagracy and all that.
Speaker 2 (11:26):
Yes, you know that part because I mean it's a
big story. You know, Like if Charletmagne doesn't ask that,
he's not really like doing what he's known for, so
he can't necessarily dance around that. He's you know, you
got to know that if you're going on that dude's show,
he's gonna ask you that.
Speaker 3 (11:46):
And Dame Dash is also working on a new movie too,
so you know he's probably promoted.
Speaker 2 (11:51):
Yeah, probably going to promote yet, well, because he's a hustler,
he's gonna keep moving. He don't ever stop, can't stop,
won't stop. We'll never stop, shouldn't you know what I mean?
If if if you still got the hustle within you
and you could, you know, like find some good shit
to get behind you know what I'm saying, and knock
(12:12):
it down that you do that.
Speaker 3 (12:13):
I mean, like Dame Dush even when you don't see him,
he's working me, you know.
Speaker 2 (12:19):
Like, yeah, yeah, I think it was natural for him
to like start getting down with the movies because music
is just too tough today. It's hard to bank on
who's going to be successful, you know, because the streams
will pretty much like fool you in terms of what
you think that is and how impactful having all these
(12:40):
these streams are as opposed to you know, knowing that
you sold hard copies and people come get down with you.
It's it's hard, you know what I mean, like to
sign an artist and and try to build that. And
that's why record companies look at artists that are already
built up, you know what I'm saying. So somebody like him,
(13:02):
who you know most likely will do an independent label.
If he was still in music, it would be hard
to jump someone off, especially when you know what kind
of and he knows what kind of budget it takes
to pop somebody off, like artist development and all that
before you even like start to make money back. So
(13:24):
for him, I think that the natural progression is movies.
I think for a lot of those guys it is
because it's like the music industry is fucking tough to
make money in terms of selling selling records, streams, different thing, downloads,
different thing like physical copies. They exist limited obviously, but
(13:48):
it's not the same. So yeah, I would imagine that's
why guys like that are taking their chances doing films
and other endeavors than staying and trying to pop an
independent label off in music.
Speaker 1 (13:59):
Right now, No, I.
Speaker 3 (14:00):
Don't know why Schel the Maine, you know, like keeps
bringing up jay Z too, Like he did that already.
He did this thing with jay Z. Now you know
he's doing other things that said move on. You know
you're gonna be asking him about jay Z all his
life and shit.
Speaker 2 (14:16):
Yeah, I think that, uh, but yeah, I think that's
been done to death. Yeah, it's weird because there's been
years already.
Speaker 1 (14:23):
He moved on. He did that. He's the one that
put Jay Z on, So that's it, you know, Yeah,
I mean they were partners. I mean we all know that.
Speaker 7 (14:34):
I would assume a movie budget though, wouldn't that be
a lot bigger than a music budget?
Speaker 1 (14:38):
Right? Depending independent films?
Speaker 2 (14:42):
I mean, yeah, I don't know, it's probably I don't know,
to be honest with you. Maybe back in the day, yeah,
it was more expensive, But today I don't know if
it's as expensive because it's digital. You don't got to
pay for film. Things are a lot cheaper. You could
(15:04):
cut corners or back in the day, that shit was
an arm and a leg trying to do a bit,
Like you couldn't do an independent video back in that time,
you know what I'm saying, Like, because there was no
such thing as a video for like five thousand dollars
you could clearly or even ten thousand dollars, motherfuckers will
laugh you out the building because that doesn't even pay
(15:25):
for editing, you know what I'm saying, At least in
the nineties, until the digital age comes of prominence, with
with with some of the software that allows you to
do the shit that people do today. Now even more
advanced technology that cut tape out and all the other stuff.
Speaker 1 (15:45):
Yeah, you can get it off cheaper.
Speaker 2 (15:46):
It is expensive to record something or to film something.
Now if you want to do a pro style, yeah,
it's gonna cost a little bit more because the cameras,
like the red cameras are like at the low fifteen
racks and at the highest and what ray like thirty
thirty five six thousand dollars and uh yeah that's that's
(16:12):
probably the entry level one.
Speaker 1 (16:15):
But it's a one time by because you'll always use that.
Speaker 3 (16:19):
You should, I was thinking you should. You should shoot
a Doctor Green Thumb movie, like a comedy.
Speaker 1 (16:25):
And like some teaching k Yeah, like a movie, but.
Speaker 3 (16:29):
Make a comedy, make it funny, like in a plot,
and they gotta ill plot Doctor Green Thumb.
Speaker 2 (16:35):
You have to hire writers for that, you know what
I'm saying. But it could be you know, like anything
could be done. You just have to come up with
what the story is and then like get writers to
like fill in.
Speaker 9 (16:46):
I would like to see from Little Green Thumb from
the from when he was little, how he got into
it and little the little froll growing up.
Speaker 2 (16:54):
Hey, listen, the first weed plants I saw. I was
probably I'm gonna say eleven twelve years old. This was
before I knew sending them. I was living in Pico
Rivera at this time, Pico Rivera, and I knew like
maybe three four homies and Pico that I used to
(17:16):
hang out that I went to school with when I
went to school, which is very rare, like a steak
that traced my order. But it was a little like
Asian kid I think it was. It might have been Filipino,
I don't remember clearly, and two other Mexican kids, and
the four of us badass kids would ride bikes through
(17:37):
neighborhoods and shit like that. No one of their older
brothers would tell us which houses had the weed plants
in it, because most likely it was their homies or something,
and they would let us know where they were at
and tell us to go snatch them up. So the
four of us would like right it around, jumping the
(17:58):
motherfucker's backyards. That's another We didn't even know what they
were like. We didn't even know kids, you know what
I'm saying. We were kids. We didn't know. We were
just doing what Homie's older brother was to use those
plants back there the ones that are in this pot.
They look like grabs. Though, all right, fuck it and ship.
(18:19):
We did it for fun. I mean we didn't get
shipped out of it, you know what I mean. At eleven,
twelve years old, we were getting high yet you know,
thirteen fourteen, Yeah, I got high the very next year
with a whole other group of kids.
Speaker 1 (18:31):
Man, you know what I'm saying.
Speaker 2 (18:34):
Didn't it didn't even put to and two together that
the ship I was snatching over there was the ship
I was smoking with these kids over here.
Speaker 1 (18:40):
I was totally not yeah, because you don't see it
the same way. Totally not with the ships.
Speaker 9 (18:45):
Yeah, it's all especially back then, it was all brown
and crunched and ship.
Speaker 1 (18:48):
It wasn't like it was all pretty. Yeah.
Speaker 2 (18:50):
I felt bad for that too, because you know, you're
snatching somebody's ship. Yeah, but ain that ain't cool. That
was violations. But we were too young to know. And
and and our homies older brother was a dickhead.
Speaker 1 (19:02):
Yeah, he's the dick head.
Speaker 3 (19:03):
I mean he was kind of kind of smart though
he was actually guys to do that.
Speaker 2 (19:08):
He was No, he was smart for sure for doing that.
Like he got us to do the dirty work. But
he was a dick for doing that.
Speaker 3 (19:15):
You guys were kids, you you probably wouldn't have got
too in trouble, like if it was him, you know, Yeah.
Speaker 1 (19:21):
Yeah that's crazy.
Speaker 3 (19:24):
Yeah, I know, I would fucking be pissed the fuck
off I come back in my plan.
Speaker 1 (19:30):
Oh they were.
Speaker 3 (19:32):
These little motherfucker were I'll be waiting for y'all the
next time.
Speaker 1 (19:37):
Yeah, that's crazy.
Speaker 2 (19:39):
I remember snatching at least five weed plants, you know
what I'm saying. Then after that we didn't do it
too much more. But like you know, I remember that ship. Dude,
we were fucking wild. Little motherfuckers.
Speaker 1 (19:52):
Bro, somebody used to live in people right now is
going is that.
Speaker 2 (19:57):
A little that motherfucker little that's the motherfucker who jumped
in my You wouldn't have even known that is a fact. Yeah,
crazy shit. But the argument classic argument. You can go
to any one of the social media platforms and look up,
(20:19):
look it up on like you know, one of the
it might be on our ig or somewhere, but it's
out there, and that ship is crazy. Edit it or not,
because yeah, you know, if you watch the whole thing,
it's probably on the breakfast club.
Speaker 1 (20:36):
Yeah, you know what I mean.
Speaker 2 (20:37):
If you want to see the whole thing, it's on
the breakfast clubs deal.
Speaker 1 (20:41):
You know what I'm saying.
Speaker 2 (20:42):
If you want to see clips, because your attention span
is as long as the clips go, then you would
go to their I G and check it out.
Speaker 1 (20:51):
Yeah.
Speaker 8 (20:51):
The funniest part of it is when he called, like,
you should uh come up with a label called depth jam.
Speaker 1 (20:59):
Like a dude debt jamb oh Man. Yeah, that's cold.
That made me laugh so hard.
Speaker 2 (21:05):
Well, that's as cold I got. It's clever, it's clever
and ass cold. Yeah, that was legendary labeled on I'll
tell you that. But that was pretty funny.
Speaker 1 (21:19):
Yeah, I'm on. How about them Raiders? Mm? They lost?
Speaker 2 (21:24):
They're one in one now there could have been two
and oh better know.
Speaker 1 (21:32):
I don't know.
Speaker 8 (21:34):
I haven't kept up with the NFL. It's been going on.
Last thing I seen was that Carol G performance.
Speaker 2 (21:39):
The Rams are two and no all right, nice zero
and so so we're the Chargers, bro, the Sharks.
Speaker 1 (21:47):
The Sharers are two and no. Bro, be godful. I
still bummed at the fact that they still came to
l A, Like, why are you bummed?
Speaker 8 (21:56):
You didn't they could have just stayed San Diego like
and kept a bunch of fans happy.
Speaker 1 (22:01):
You know, yes, they could have kept the fans happy.
Speaker 2 (22:03):
But the problem was is that they outgrew the stadium,
and the stadium was old. These guys didn't want to
shell out for a new one, and probably there just
wasn't any space for a new one and they so
they had to they had to leave if they did,
I don't think that they wanted to. But LA is
a bigger market and here they were building this fucking
stadium so far which is enormous and awesome that they
(22:28):
were like, well, fuck if we could play there, Hell yeah, right,
and then you know, they figure the market. The problem
is is that nobody from LA wants to get down
with them like that. I mean, there are some LA
fans that get down with them, but they have to
win people over in the course of these next few years,
and the only way they could do that is if
(22:48):
they win, right, and they got some die hard San
Diego fans that follow them, much like Raider fans follow
them from Oakland to LA, back to Oakland, back to LA,
back to Oakland to Vegas.
Speaker 1 (23:03):
Right.
Speaker 2 (23:04):
The problem is is that most of those fans are
in California up and down from from north to Central
to the South. Right, not all of them can go
to Vegas for every game and fill up the stadium
and make the black hole robust again. They have to
(23:26):
build a culture in Nevada and in Vegas for them
to actually fill that place.
Speaker 1 (23:32):
Right.
Speaker 2 (23:33):
Chargers are going through the same shit here in LA.
Is that like, you know, not everybody from San Diego
is gonna come to LA, especially with them named LA
uh to get down with the Chargers.
Speaker 1 (23:48):
So they have to build the culture here people.
Speaker 2 (23:51):
That love them in San Diego and they still follow
them like in the closet style in San Diego.
Speaker 1 (23:57):
They watch them on TV. They are not coming to
so far.
Speaker 9 (24:00):
That's not easy though, because West Coast is mad territorial bro.
Speaker 2 (24:03):
Yes, that's why they are not coming to Sofar, especially
because they don't like LA like that. So that's the
problem that the Chargers are having. I mean even now
the Rams when they came, you know, there was a
lot of people at the stadium for the Rams, but
it wasn't completely full.
Speaker 1 (24:20):
Yeah.
Speaker 2 (24:20):
Sometimes in other games you'll see like when they played
Bolton's Vikings, right Minnesota Vikings, there was more purple in
the crowd than there was Rams fans, and that's because
they're still building the culture for the Rams being back here.
Speaker 1 (24:36):
They're a little bit ahead there.
Speaker 2 (24:38):
I would say they're a lot ahead of the Chargers
because they've you know, won a Super Bowl and all
that shit, and they've been in contention, so they're winning
the LA fans back over. But Chargers got a long
way to go because you know, they've been in San
Diego for so long and the sports thing with San
Diego in LA has never been nice from football two
(25:01):
baseball too, not necessarily basketball, but you know even to
now football, not football, but football, you know, because fans
be on some ship with LA and San Diego opposing stadiums,
arenas and what nuts. Yeah, so uh yeah, Chargers got
(25:26):
to build. They're looking good though they're too and no,
you know what I'm saying, they two and.
Speaker 8 (25:31):
No, maybe they gotta win like you said, because like
once they like say, if they're in the super Bowl,
that's gonna really make one of like make it like
if you're a diehard San Diego fan, make you want
to go for San Diego too.
Speaker 4 (25:43):
We just got to knock off Kelly's Bills.
Speaker 2 (25:46):
Well, look at the bills or two and there's a
lot of two and no teams right now. Well it's
you know, the first two games, first two games.
Speaker 8 (25:54):
Baby, I like the Bills, man.
Speaker 1 (25:58):
You like the Bills. I like the Colors. I mean
they are New York. They're upstate, but it is New York. No,
I'm saying I would think you'd be a Jets fan.
No or Giants. Jets Giants, so cool either way, either way, right,
I feel you on that. Man.
Speaker 3 (26:18):
I don't, I don't. I don't get personal, man, No,
I just enjoy the sport. You know, made the best
team win that you guys heard. You guys know about
this DJ named Calvin Harris, right, yeah, big, oh yeah,
big DJ.
Speaker 1 (26:36):
Right yeah.
Speaker 2 (26:37):
Apparently, man, he's going through some shit with his former
business account firm, like alleging twenty two million in fraud.
Whoa damn that is like they rolled him for twenty
two million. Apparently, he alleges here it goes right here,
that's a big number, twenty two million. Theft absolutely breached
(27:00):
that trust. Yes, that is a huge breach of trust.
Speaker 1 (27:06):
Man.
Speaker 8 (27:07):
You know, Oh so his financial robbed him of twenty two.
Speaker 2 (27:11):
Mili Yes, and you know what's crazy is that we
were with that firm for a very short time and
we like felt something crazy about him, and we were like, nope,
not feeling We're leaving this firm immediately. One of our
former guys that worked with us took us there, didn't
like it, quit and we were stuck there for a second.
(27:33):
So we had to, you know, get our way out
of that agreement with them and then separated ways because
we just did not feel like right about them putting
our finances in their fucking hands.
Speaker 1 (27:49):
Were like, you know what, this some funny over here.
We're out.
Speaker 2 (27:55):
And then a year and a half, two and a
half years later, boom this right here.
Speaker 1 (28:00):
So I'm glad we left.
Speaker 2 (28:02):
I feel bad from a man, Calvin though, because that's
that's twenty two million goddamn dollars man, Yeah, not one.
That's yeah, that's not like a million or two point five.
That's twenty two million dollars.
Speaker 1 (28:16):
I believe it too. Man.
Speaker 9 (28:17):
The house DJ is once they produce, they get them
billboard hits. When they DJ they make some of them
make millions, you know what I mean.
Speaker 1 (28:24):
It's wild.
Speaker 9 (28:25):
Yeah, So I'm it's probably easy to you know, they're
handling his money. You got to know who's handling your ship.
Speaker 2 (28:33):
Yeah, you got to have some credible people's man. Yeah,
And you know that's why artists got to watch their ship.
If even if you've got a business manager, you know,
like especially with a firm, you got to be watching,
you know, and proactive in that shit and that like
not present.
Speaker 9 (28:50):
Yeah, you can't just lay back and trust, yeah, because.
Speaker 1 (28:55):
They'll see that shit. They'll be like, oh, this is not.
Speaker 2 (28:57):
Good because one thing, because one thing could one thing
could you know, slip through the cracks and that could
you know, break your back.
Speaker 1 (29:06):
You know what I'm saying. That's all I'm trying to
talk about.
Speaker 8 (29:11):
Man, m Yeah, kind of stuff like that reminds me
of like Elvis and how they did him and like
all the people that didn't have like had all those
like just problems.
Speaker 1 (29:20):
Yeah, Elvis trusted his manager too much.
Speaker 2 (29:24):
Even when he didn't trust him anymore, he still like
allowed him to like manipulate him.
Speaker 1 (29:29):
Yeah, it was.
Speaker 2 (29:30):
Just that, it was It's a crazy story when you
when you look at it.
Speaker 1 (29:35):
That's going to say that's why they kept his ass drunk,
you know.
Speaker 2 (29:38):
Drug pilled out. They kept them peeled out.
Speaker 1 (29:42):
They kept that nigga in the clouds.
Speaker 2 (29:44):
Because Homie wanted to leave, but Homeboy just kept fucking
reeling him back in with bullshit. Yeah, that's why he
never like reached the heights that in terms of the
way that the Beatles did in other groups there weren't
you know, as as big as he was, because they
(30:05):
got to tour the world. He never got to tour
the world. He got to do the United States and.
Speaker 1 (30:12):
That's it Las Vegas.
Speaker 2 (30:15):
The only international show he might have did is when
he was with the with the Army and you know,
like maybe they're at a based at the camp he
was at or whatever, you know what I'm saying. But
in terms of like going out to Europe and doing
doing shows, nah, he never got to do that.
Speaker 1 (30:34):
Huh.
Speaker 2 (30:36):
They loved him anyway, but he would have sold those
shows out.
Speaker 1 (30:43):
Yeah.
Speaker 2 (30:44):
Yeah, he got screwed because you know, his manager, I
think the Colonel. If he had tried to go to Europe,
he didn't have he they wouldn't have allowed him passport
and he would have probably got extra dieted back to
the country he was from for what ever whatever charges
that he was you know, trying to run from in
(31:06):
that country or something like that.
Speaker 1 (31:09):
There's a story behind it. I don't know what is it? Berry.
Do you know how's the movie is? Yeah, you go
ahead and look into that. Anybody, come on? Huh? Who? What? Where?
Anybody seen that Elvis movie? I've seen it. It's good.
And does it have all that ship included in there too?
It's got some of that ship in there.
Speaker 2 (31:28):
Hill to the Yeah, Amazon, it's fucking Amazon.
Speaker 1 (31:35):
You try to tell you. Yeah. Tom Hanks plays him
pretty well.
Speaker 2 (31:39):
He plays a good piece of ship top had. He's
never played a scumback before. He's always been the good
guy or the anti hero, right like that. There's the
movie he was in called Tradition where he's like a
hit man or this for this mob boss, right, and
somehow he falls out and you're rooting for him in
(32:01):
the movie to Live.
Speaker 1 (32:02):
I love that movie. It's a great movie.
Speaker 2 (32:05):
It's it's one of the first time, Yeah, road to Tradition,
and it's one of the first movies where he plays
like an anti hero.
Speaker 1 (32:12):
Right.
Speaker 2 (32:13):
But he's never played a villain villain and who knew
that he was great at playing fucking villain?
Speaker 1 (32:21):
Yeah?
Speaker 8 (32:21):
I don't think he was gonna I was ever gonna
end up hating him like in the movie, all like damn,
what an asshole.
Speaker 1 (32:25):
Tom fucking Hanks. Yeah. And then then another one too,
Penelope Cruise from.
Speaker 2 (32:37):
She was like Sharon Stone in Casino, the way you
felt about Sharon Stone in Casino when she's flipping out
and all the crazy ship she's doing. Penelope Cruise, she
hit that Sharon Stone button right there, bro Im Like, Damn.
Speaker 8 (32:54):
Anytime I look at her, I just think of like
Penelope that.
Speaker 1 (32:58):
Scene the car, Yeah, Oh that was.
Speaker 2 (33:08):
That was the hard part to watch because she feel
for the guy because he's trying to like I hated
the more than anything. He's trying not to break his
promise to his his kid.
Speaker 9 (33:20):
Everybody got an X like that too, though, right, like
at least one.
Speaker 7 (33:29):
So were you asking about why Elvis never left the country?
Was that it's I'm seeing that Tom Parker. His real
name was Andreas Cornelis. He was a Dutch immigrant who
entered the United States illegally. He was afraid that if
he left the country, he wouldn't be able to get
back in.
Speaker 1 (33:44):
That's what That's what I was talking about.
Speaker 2 (33:46):
He had done something that they would have extradited him
back to his homeland.
Speaker 1 (33:52):
Els his manager.
Speaker 7 (33:57):
I was like, here's a Dutch immigrant who entered the
u US illegally. So if he was like, you know,
if I go with Elvis to somewhere else in a
different country, like I won't be able to get.
Speaker 2 (34:05):
Back in Oh shit, that means he should have just
stood his acid at home and let Elvis go with
the crew.
Speaker 4 (34:12):
Are you a little assistant manager?
Speaker 1 (34:14):
Yeah?
Speaker 2 (34:14):
But see, he was so controlling and he didn't want
to get Elvis. He didn't want to let Elvis off
the leash, so he always made excuses for him not
to go, and he put him in the movies to
keep him busy over here.
Speaker 1 (34:26):
And the movies is what fucked his career up.
Speaker 2 (34:29):
Hello, because he could have been ten times bigger if
he was out there touring and knocking down real, like
real albums, as opposed to like doing all these fucking
gum drop movies. You know what I'm saying that that
he got burned out off of himself.
Speaker 4 (34:48):
Yeah, I'm seeing too.
Speaker 7 (34:50):
They don't know if it's verified or not, but there's
a lot of rumors going around that Elvis was offered
ten million to play in Saudi Arabia. But the Tom
Parker down Yeah.
Speaker 1 (35:01):
I wouldn't doubt. I wouldn't doubt that's true. And back
in that day too.
Speaker 2 (35:05):
Yeah, that's yes, I mean that would he would never
have had to do anything ever again if he had
collected that check right there. Yeah, he would have just
been doing ship for fun. He could have just been
making music, did not have to do them stupid movies.
Speaker 1 (35:21):
You know what I'm saying.
Speaker 2 (35:22):
He could have actually been the one owning a movie
studio and putting out movies without.
Speaker 1 (35:27):
Even having to be in it.
Speaker 2 (35:29):
That's crazy, Like, you know, he could have did a
lot of things that his manager truly fucked him.
Speaker 1 (35:35):
That's a crazy deal. Yeah, that's time I heard something
like that.
Speaker 8 (35:38):
Was when the when the I guess I forgot who
got married out like in the Middle East, but they
had Rihanna perform at their wedding.
Speaker 2 (35:46):
Yeah that was oh yeah, that was crazy. N she
got paid a lot of money for Yeah, I'll tell
you what. In the movie, it was saying that that
the manager was like, you know, in gambling debt to
the casinos. That's why they parked Elvis at the casinos
to pay off the gambling debts.
Speaker 1 (36:04):
Residency YEP artists with the first residency, you would.
Speaker 2 (36:07):
Say, I guess could couldn't even go on tour towards
the end because he was stuck in the fucking casinos.
Speaker 1 (36:14):
Wow, all because of one dude. Because of one dude. Yeah,
Tom Hanks.
Speaker 2 (36:18):
Tom Hanks played him to perfection. Made you hate the
guy even more. I gotta see that ship. Yeah, that's
an addition. It's a it's a pretty good Yeah. I
wasn't going to watch it because I mean, there's been
so many goddamn Elvis, but you know what, that one
was good because it showed you just how much of
(36:38):
a piece of shit he was dealing with, you know
what I mean that like the struggle that he had
throughout the whole ship because that guy was totally holding
him back, you know what I'm saying. And then how
the drugs, you know, became prevalent in the end.
Speaker 9 (36:54):
Pretty Mercury had a similar situation too, right, But does manager.
Speaker 1 (37:01):
I don't know if he had that same shit with
his manager. I mean, not to that degree, but similar.
Speaker 2 (37:07):
I guess one of his assistants was like, like not
necessarily like Colonel Parker, but was was gatekeeping sure, then
he eventually fires that guy. But yeah, I mean, it
happens on that level when you're at the fucking pinnacle
(37:28):
of the ship you do. Yeah, there's motherfuckers like that
looking to take advantage of you. Tell you yes to
death to where it makes you question everybody else like, oh,
get rid of him, him, her bob, whoever does a
dick like him, Get rid of him. But if you
don't realize that this motherfucker's yes to you to death
just to stay right there with you and directed you
(37:51):
to all the wrong shit, that's that happens in this
game for sure.
Speaker 1 (37:59):
Whether you're an actor, you're.
Speaker 2 (38:00):
A musician, entertainer of any kind, athlete.
Speaker 1 (38:06):
All that. I was gonna say.
Speaker 9 (38:07):
Though, for a young artist, like an up and comer,
you can get taken advantage too, in that moment when
somebody sees like, oh, this dude's about to blow up,
I'm gonna step in and try to manage this and
get my cut, you know what I mean, Like them
new artists gotta be learning these lessons too, you know
what I mean.
Speaker 2 (38:22):
Absolutely, that's why we talk about this shit, so that
at least they could get some gems here. If you
ain't picking them up. You're crazy, you know what I'm saying,
because like you don't hear them all that much on
all the other live streams or podcasts that happen because
they just talking about the dramas.
Speaker 1 (38:40):
You know what I'm saying.
Speaker 2 (38:42):
We're trying to drop these little champs on you. You
know what I mean, because you got people that have
been doing this for a very long time here that
mean less what thirty something years, right, thirty two, thirty three,
I mean same as you, pretty much same as us,
thirty four going on thirty five professionally, right, because if
(39:07):
you count before we were doing this professionally, even that counts.
Speaker 9 (39:12):
Not to give away my age, but I was on
the radio when you guys had the demo and I
was playing the joints off the cassette devil.
Speaker 1 (39:20):
Oh, you definitely gave away you know. Oh yeah, I've
been I've been.
Speaker 9 (39:25):
With y'all, like riding with you the whole what is
it fifty four now, the twenty third, Yeah, yep, this month.
Speaker 1 (39:33):
I know, I know it.
Speaker 2 (39:35):
Like we showed we showed the picture of all of
us at Daytona the other day before you were wearing
the mask.
Speaker 1 (39:43):
Shit I said, look that goes FM.
Speaker 10 (39:45):
Bro.
Speaker 1 (39:45):
I was so loaded. I think I fell off that
stage like three times. Were you there when we did
the bungee jump? Yes, dog, it was crazy. Your Afro
pick fell out of your pocket.
Speaker 2 (39:57):
Oh yeah, that's right, the threat I had an Afro
pick up a pocket and it flung right out.
Speaker 9 (40:06):
Oh man, we had such a great time, dog, I
mean all the legends that all the people that I
was playing their music. I was a fan of, you know,
bees like Yo, I want you to meet my brother fam.
I'm like, yo, what the this is like a dream
for me, man, just to be there, you know what
I mean?
Speaker 2 (40:20):
Hey, those Cypress beanies were everything. That's the way you
were wearing the original wood right there with the with
the original logo on there, but all black and white.
Speaker 1 (40:31):
That shit is hard. I embroidered got to bring those back.
Speaker 2 (40:34):
Yeah, we embroidered those at the Comptas swap meter or something. Yeah,
we'd get all our ship done at the Comptas swap meets,
so it looked customized as ship because we didn't make it, like,
we didn't have a merch deal yet, you know what
I'm saying, to be making that ship even the shirts
like the original Cypress Hill shirts. We did that shit
ourselves because we didn't have a merch deal. We said,
(40:55):
fuck it, we're going with this logo boom on black
shirts and who knew they were gonna go. But yeah,
we used to customize our bucket hats like you've seen
send dogs there.
Speaker 1 (41:10):
Even our hoodies, like the hoodies we would wear back then.
Speaker 2 (41:13):
We we'd have embroidery Cypress Hill across the the rim.
So when you when we wore them, and we used
to wear them, we weren't necessarily puts down. We'd always
have the hoodies up Boom Cypress Hill across the grill,
you know what I'm saying, or the rim sick.
Speaker 11 (41:33):
You got to o And there goes Paul pork Chop.
Oh god, that pork chop. Yeah, we had to cut
him loose early on. Look At how pissed off mugs
looks right there, like to even have to be there,
that's the part we didn't like though, having to do
(41:55):
this ship. We just wanted to go play.
Speaker 2 (41:59):
But like you know, well, these are the things you
learn as an artist that like, if you get it popping,
you're gonna be doing drops.
Speaker 1 (42:07):
You're gonna be doing.
Speaker 2 (42:09):
A bunch of phoners with radio stations possibly right at
least back in the day, that's what it was. College
stations and the actual big stations.
Speaker 1 (42:21):
You're gonna be doing all that shit.
Speaker 2 (42:23):
You're gonna be showing up to those places sometimes and
having conversations you don't want to have, but you got
these are parts of the game you gotta do. And
you don't know that until it starts happening for you
and then you start learning, oh shit, this is to
get down, especially when you got hits or a hit album.
(42:44):
For us, it wasn't necessarily hit singles for us, it
was hit albums. That's what Muggs was focused on. He
was not focused on making a hit song. He was
making a hit album. That's why the first three albums
we didn't give a fuck about single. It was like,
are these going to hit? Our fans going to rock them?
And as a whole they made bottom Do they make sense?
(43:08):
And it did exactly what Muggs wanted it to do,
and without having huge singles, with the exception of Insane
in the Brain on Black Sunday. Even like even the
first album, it went platinum, second album went platinum, third
went platinum without big, big fucking songs on this one
or or this one, least of all this one, because
(43:31):
we went darker on this one, and we weren't even
supposed to sell that, Like Sony thought we were dead
in the water after here in that album, how dark
it was, and they didn't put all the money in
resources behind it. We went out towards Smokey Grooves played
the songs on Temple Boom that no one knew that
had not heard him, had not heard him. We took
(43:54):
a big chance in taking our forty minute forty five
minute maybe it was our set and putting like five
to six songs that none of these people ever heard
to like kind of promote it before it came out.
Speaker 1 (44:10):
Worked.
Speaker 2 (44:11):
Sony didn't know that it was going to like resonate
like that. So when those songs came out, regardless of
the marketing or promoting of what Sony spent on it,
which was not as much as they were supposed to,
it sold a million records and it could continues to
sell to this day like that. And that's you know,
(44:36):
who would have called that, But I mean, you know
that was Muggs's intention, was I don't give a fuck
about selling singles. We need to sell albums, and so
that's why there is never a concentration on singles. It's
a combination of the whole piece and how dope it is.
And we did that all pretty much all the way
through up until Rise Up. You know, I took control
(44:58):
of that. I did something a little bit differ different,
but it's it's it's all in the name of selling
those fucking albums and and making a hit album and
and that is one thing that Muggs is a master
of and he doesn't get enough credit for that shit,
right there.
Speaker 9 (45:17):
Lou for sure, I missed that about albums though, man, Yeah,
you know the concept albums, the vibe that started from
the beginning later rolled all the way to the end
type shit, you know what I mean, totally intake.
Speaker 1 (45:30):
The vibe, journey a journey. Yeah, you don't get that
no more. I gotta tell you. I know.
Speaker 2 (45:36):
Sony had to be surprised on the fact that we
sold that many albums without like very many like hit
hit singles, like you know, Insane in the Brain was
the biggest one, and Rock Superstar was pretty big, but
it wasn't as big as Insane Illusions was big, but
it resonated later that he let Sunrise. It wasn't huge.
(45:57):
It was significant, but they were weren't over the top.
They weren't number one hits. They were hits, you know,
in a different way. Like our fans fucking loved it.
In terms of mainstream, we weren't really getting the radio
play on a lot of this stuff like though You're
Set in the Air never got played on radio. Green
Thumb never got played on radio. Maybe a few spins,
(46:19):
i mean, Power one O six played it, but outside
of the West Coast, not too many played that because
it was weed related, and back then they couldn't do
that shit. I mean, Les knows that business right there,
you know, because he they dealt with the same shit
the beat Nuts, you know what I'm saying, Like in
that time, we were all.
Speaker 1 (46:38):
Dealing with that shit.
Speaker 2 (46:40):
But you know, and and very much similar with the
beat Nuts, you know, without so many like fucking the
singles like being number ones or whatever. But Classics, the
Street just buzz sold those fucking units. The Street buzzed
on neffickly because all the album that they did was
(47:00):
Tight Front two bat Oh yeah, you know what I mean,
undeniable shit. So you know, you didn't necessarily had to
have the sing the hit single as long as you
had the album smashing, you know what I mean. And
that's that's a formula that those record companies didn't foresee
because they're always looking for the single, and if you
(47:21):
don't give them that, they don't want to spend the money.
And that's why like groups like Ours and beat Nuts
kind of surprised some of those labels and saying like, well,
fuck yeah, without like without a crazy hit single, they
managed to have a classic album.
Speaker 1 (47:35):
It's selling units numbers. Yeah.
Speaker 3 (47:39):
I mean we kind of, you know, like showed people
how to make albums like that. Yeah, like with the
blueprints of how to make hip hop albums, you know,
with oh yeah, you know. And for us it started
off with like Jungle Brothers and like Tribe and day
La Soul. So watching these brothers making records, you know,
(48:01):
I'm there, You're sucking it all in like pos But you.
Speaker 2 (48:04):
Know, it's crazy because now it is single driven. It's
better just to release a goddamn single these days than
to like spill out a whole album, because then, you know,
if you don't do what Adele and Taylor Swift have done,
and probably Lady Gaga where they're like, you know, if
it's on the streaming service, you got to buy the
whole goddamn album. You can't pick it apart and take
(48:27):
one song at it or your favorite song, which is
how they should do it for everybody. Shit is ridiculous
that they allow people to just pick one goddamn song
from an album. If you're buying the album, you gotta
buy the whole fucking album. It's crazy. That's how they
fuck us because those little bit of nitpicking taking this
(48:48):
song and that song, that's a lot of money as
it relates to all the artists that that happens to, right,
but they get paid the high end of it, so
they don't mind it. We're already getting paid scraps as
it is, you know, as it relates to digital royalties,
you know.
Speaker 8 (49:06):
So it's like, come on, man, Yeah, when you're about
the album, you're buying everything. All that was all in
one piece. Now, you know, Yeah, they fus you know,
left to right on all this.
Speaker 1 (49:18):
But you know what, I still work like that.
Speaker 3 (49:20):
You know, I'm still like like back in the days
when I got new records, I always go run, do interviews,
do radio shows, you know, go hit the DJs.
Speaker 1 (49:29):
I still maneuver like that, so yeah, because it works.
Though it still works, believe me.
Speaker 3 (49:34):
Yeah, you don't know how important it is to go
meet a DJ then to just have a label send
him your record.
Speaker 1 (49:42):
Yeah, that ain't like Yeah, but if I go there.
Speaker 3 (49:44):
And I shake it and I kick it with you,
like yo, my nigger, Yo, bring them a little weed
bag or something.
Speaker 9 (49:51):
Yo.
Speaker 1 (49:51):
Yeah, you're right because that you should'll be rocking on
his show.
Speaker 2 (49:55):
You know you're right because that ship you send them
gets tossed to the side. But when you give him
that personal touch, like let's it's talk about, Yeah, that
goes a long way, you know, especially if you go
see these guys and you know what I mean, like
chopping it up with them and bringing them ship, bring
a little.
Speaker 3 (50:13):
Bottle or something, a little green bag or some a
white bag whatever, whatever.
Speaker 1 (50:17):
Ah.
Speaker 9 (50:18):
When I was on the radio, people would malely in
drops and ship and it was cool, But it was
much different when they would volunteer to come through the
station and chill and do live shit.
Speaker 1 (50:28):
It means more to the DJ.
Speaker 2 (50:29):
I think when you see the guy or or you know,
whatever artists female male like come in and do the
drops in the house. It makes you more motivated to
play it. Play their shit for him, you know, whether
it's in the mix or in rotation, because there is
a difference between in the mix and in rotation exactly.
(50:49):
You know what I mean, you could still be you
could be in the mix but not in rotation, or
you could be in rotation and the mix that's a
little redone didn't but they do this happened?
Speaker 1 (51:02):
What is it? Yeah?
Speaker 2 (51:07):
Oh yeah, man solutes a serious excent because you know
they they handled that for us over there, Shade forty five,
all of that. Did you trip on the hoax that
Howard Stern played on on people over there? What that
that the someone set out a rumor that he was
gonna they that that they weren't going to renew his contract, right,
(51:31):
and uh, you know, so he let he let the
rumor just play out like it was not a true thing.
Speaker 1 (51:39):
Yeah it was.
Speaker 2 (51:40):
It came out of nowhere, but like he wanted to
see how people would react, So he got Andy Cohen
to go and you know, like do a show and
pretend like you know, Howard wasn't coming back or something.
Speaker 1 (51:54):
Like that.
Speaker 2 (51:55):
Yeah, well it wasn't that Andy Cohen show. It was
Andy Cohen sitting in for Howard's because he supposedly wasn't
coming back. But it was a prank that Howard played
on the fans and everyone else by sending Andy to
do that, because Andy played it up, and you know,
(52:16):
people were tripping for a second because they loved them
some Howard Stern and he came back and let people
know he was just fucking with them. And then they
had all these clips of all these media guys saying
how genius he was because he orchestrated and manipulated people
to like follow him even more because they were trying
(52:38):
to follow along with his fucking storyline that they think
he created, you know what I mean, Like he manipulated
this whole shit, and he was talking about it the
next day on the show. Was hilarious. He's like, man,
you know, a rumor started and I just kind of
embraced what was happening, and I just wanted to see
what happened, and you know, I played a little joke
(52:59):
and yeah, got me more. But you know, it wasn't
like this crazy plan I orchestrated and all this other shit.
But what was funny about that particular show was how
they were pissing Ronnie the Limo driver the fuck off.
He goes off like this, especially when when he's talking
(53:19):
with this other dude, Chris or I think, I think
his name is Chris Wilding or some shit like this.
They can't even talk to each other because Ronnie just
gets rocket Ship pissed, like to the moon.
Speaker 1 (53:33):
They were pissed.
Speaker 2 (53:34):
They pissed him off on purpose because he gets he's
like that guy that gets mad really fast, and this
ship was hilarious. I hadn't listened to the Howard Stern
Show and you know, in a while, and I just
happen to catch that particular episode. Man, it was fucking hilarious.
They they, I mean, I mean, I don't know how
(53:58):
my dude's blood pressure ain't like to the fucking roof
with how pissed off he gets. I mean, he gets
really angry. I thought Trace got angry, but Ronnie the
Limo driver. Fuck, Trace got nothing on Ronnie the Limo Driver.
And he's hilarious himself. Oh yeah, I mean yeah, First
(54:18):
they love to piss him off. It's crazy, goddamn because
when he snaps he's hilarious, but I would say, you know,
as a friend, right like, I mean, he's not like
I don't know him, So I'm saying as a friend
at his age, I wouldn't want him to be pissing
him off of me because his blood pressure gotta be
(54:38):
fucked up from the stressing out on being mad at
the fucking things that they fuck with him.
Speaker 1 (54:45):
I mean, he's an older dude, oh man.
Speaker 2 (54:50):
I mean, any given day you listen to this guy's show,
you will hear somewhere in the show them fucking with Ronnie.
So he's a part of the Yes, he is a part.
He is also a target because he you know, he
he I mean, his his anger is hilarious sometimes, you
(55:13):
know what I'm saying, because they really pissed him off,
and you know, like Howard loves it. He's good at this.
He loves that ship Today's National Guacamole Day.
Speaker 1 (55:24):
Man gua.
Speaker 2 (55:27):
For guys like Aton, for guys like Bolton, but not
for Bobo.
Speaker 1 (55:34):
He does not like the guac son.
Speaker 2 (55:37):
I'd say, I Fox with some squak, but he does not,
And I think it's because he's had some guak.
Speaker 1 (55:44):
That has not been you know, that's had enough salt.
Speaker 2 (55:47):
He wouldn't funk with this right here. No, he would
like a little chip. No, damn no, he would not.
I would, but I would say this. He said he
did have one like person's guawk that tasted good. And
I said to him, look, it's probably because whoever's guak
(56:08):
that was had a little bit more salt then you're
used to that. That then whatever experience you had before
that you didn't like, there's probably a little bit more
salt than the one that you liked.
Speaker 1 (56:21):
And still he would not have it. You don't like quap.
He doesn't like guak, fake Puerto Rican.
Speaker 2 (56:27):
Ah tomatoes, tomatoes and guac.
Speaker 1 (56:31):
He does not get down with tomatoes and guak.
Speaker 8 (56:34):
Yeah, iought guag I could do if it's like even
got a good amount of lemon in.
Speaker 1 (56:40):
It, and like I like it it spicy like spicy.
Speaker 2 (56:44):
Well yeah, they make it spicy too, But you need
a little bit of salt to bring it in because
guak tastes like nothing unfortunately for it. And you know,
with with Bobo, I don't know what it tastes like
to him, but I think it's just for him.
Speaker 1 (56:57):
It needs a little salt. Gagon is it.
Speaker 2 (57:01):
Yeah, no, he don't like the egg yolk, he don't
like the avocado.
Speaker 1 (57:05):
He don't like the tomatoes. And and it also has
if it's done like it's done right. Yeah. It all
started when he was a kid.
Speaker 2 (57:16):
I just for me, the one thing that I really
cannot stand and I cannot ever get over his liver.
Speaker 1 (57:22):
Anything else. That shit just smells bad.
Speaker 2 (57:26):
That smells bad, tastes bad. It's very chalky. Nah be no,
nah no liver. They say it's good for you, but
I cannot.
Speaker 1 (57:38):
I can't deliver.
Speaker 2 (57:39):
I can't deliver the liver. It looks good. I mean, look,
it looks good. It looks good, but like once you
bite into it and you taste that chalky ship and such.
I thought when I turned thirty five, whatever, when my
taste buds kind of changed because they do right, I
(58:00):
thought maybe that would be something that maybe I could
try again. Nah no, oh my god, liver, liver, the
liver send it out like the flow on the river.
Speaker 1 (58:12):
So don't want it.
Speaker 2 (58:17):
It's good for you. They make it look good. And
these see that don't look good to me. Right there?
The other one looked good. That did not look good
to be crazy enough bobos. He doesn't like it, tomade us,
but he loves the liver. That looks gross. No, thank
(58:40):
never tried it. And like I say, why would you
want to eat the liver? The liver is like the
poison of the body.
Speaker 8 (58:48):
Well, I mean, isn't that what, like like in the
human body, it helps you process, and like.
Speaker 2 (58:52):
Yeah, it's supposed to be. Yeah, it's supposedly pretty good
for you. But like I can't get past the taste.
Will be one thing that I cannot have that's good
for me.
Speaker 8 (59:04):
It's just crazy that we're eating something that like in
our body.
Speaker 2 (59:08):
It does that. Well, think about this. That's what the
killer whales go for on the sharks because they need
all those calories that the liver carries and all the
nutrients and all that shit. It's not the blubber like
the the liver doesn't have a lot of blubber, but
it's high in the calories they need. Yeah, bad and meaty.
(59:31):
They don't even eat the carcass of the shark. They
just go for the goddamn liver and spit out the rest.
Leave the rest for the for everything, for everybody else here.
You take this, you take this great white shark liver
is probably big though.
Speaker 1 (59:48):
It is I think what is it?
Speaker 2 (59:51):
They said, Wade, I can't remember, but it's it's pretty heavy.
What is the shark hert way berry liver? Liver sorry,
excuse me, liver.
Speaker 7 (01:00:05):
It would be let's see here, uh see here, would
have fifty five to sixty six pounds if it's a
two hundred and twenty pounds shark. Yeah, significant liver would
be weighing. Yet, fifty five to sixty six pounds.
Speaker 2 (01:00:20):
It's more significant to a killer whale than like, you know,
eating a few seals. So they go after the bigger thing.
You know, the seals are if the sharks ain't around. Yeah,
they're a shark. That thing, that thing, Oh he's all
freaking liver, and they pop it right through the gill.
Fucking killer whales are technicians, bro.
Speaker 1 (01:00:43):
They know they're smart. There's no bones, there's no meat
nowhere else. Surgeons up the sea sons. That's the biggest
quorgan with the like bring.
Speaker 2 (01:00:50):
Willie, yeah yeah, free Willie is killing the white shark.
Silly son trying to get that liver. They don't care
how that of a taste they taking it.
Speaker 1 (01:01:01):
Look at that.
Speaker 2 (01:01:02):
Wown't nothing would love that ship. Bobo would love that
live shark, living son, living motherfucker little onion on there alright,
oh ship. It's also National Plato dang for all you
kids out there. There ain't no kids watching this show.
(01:01:23):
This is for adults, old adults, old adults, and it's
National Working Parents Day. Salute to the national to all
the parents out there that are working.
Speaker 1 (01:01:39):
I know jobs are are hard to find right now.
Speaker 2 (01:01:41):
There was only two to twenty two thousand jobs. Uh
you know so far this year. You know what I'm saying.
The job growth ain't ain't necessarily there. Let's hope you
all find some jobs out there. You know they need one.
(01:02:05):
Did you know it is the birthday of the legendary
BB King, born on this day in nineteen twenty five.
Speaker 1 (01:02:16):
Yes, rest in peace. Yeah, the classic restaurant in forty
second Street. Oh yeah, I remember that. You probably performed
the Yeah we did.
Speaker 2 (01:02:24):
Yeah, there was one here too at the Universal City
Walk Bred time we played there too.
Speaker 3 (01:02:30):
That played for so much fun, some money, memories of
a lot of hit hit Yes, that was crazy.
Speaker 1 (01:02:37):
That good nights there. Did you know?
Speaker 2 (01:02:40):
It is also the birthday of the legendary Mark Anthony
born on this day in nineteen sixty eight.
Speaker 8 (01:02:51):
Every time I see Mark Anthony, I just remember him
from his movie Man on Fire.
Speaker 1 (01:02:57):
That's a I like remember him.
Speaker 8 (01:02:59):
Yeah, Like damn, like I can't picture like all the
music stuff, like hey he does. I can't like even
though he does big tours and stuff like that, Like
I can't see him, like, oh, he's got to see
him acting.
Speaker 1 (01:03:10):
Du my dude's got big songs. Bro. You know Cypress
did a song with him too, right, Yeah.
Speaker 2 (01:03:15):
What do they call him? Pretty Flocko? Yeah, somebody was
calling I can't remember who called him that. That's like
his little nickname, pretty Flocco. Some ship like that, but
just new to mak. Yeah, he's on Latina. He blessed
us with that because I know his agents and managers
was like.
Speaker 1 (01:03:35):
You can't loosten.
Speaker 2 (01:03:36):
You cannot do this with Cypress till it's gonna fuck
your image up.
Speaker 1 (01:03:41):
They're weed heads, damn you know, because he was like.
Speaker 2 (01:03:45):
A, No, that's not what I was gonna say. No,
he's like, you know the Spanish Frank Sinatra, motherfucker. You
know what I'm saying, Slick, smooth, suave. He's doing like
Spanish classic ship. You know, he did do a lot
(01:04:06):
of English speaking records. Most of his ship is in Spanish,
and I think they just looked at us like, oh,
these are some grimy hip hop motherfuckers that talk about weed.
We cannot have your image tarnished on this. That's why
he wasn't in the video. He's not in the video.
Speaker 1 (01:04:23):
I was at the video shoot, So what what the
hell he didn't do his barn or what he couldn't
do it.
Speaker 2 (01:04:28):
I don't think his managers wanted him to do it,
so like they you know, do what they usually do is.
Speaker 1 (01:04:35):
Make them busy in that time.
Speaker 2 (01:04:36):
Oh it doesn't go with the schedule because they're already
doing something, you know, that type of ship. But salute
to Mark Anthony, you know, because I know he did
want to do it, So it's.
Speaker 1 (01:04:51):
All love to him.
Speaker 2 (01:04:55):
He was not there, world up, but salute to him
because he's he's dope.
Speaker 3 (01:05:01):
And he should have got it like a look alike
or something.
Speaker 1 (01:05:05):
No, you can't front like that. Yeah, did you know it.
Speaker 2 (01:05:08):
Is the birthday of music soul Child born on this
day in nineteen seventy seven.
Speaker 1 (01:05:17):
Salute to soul Child man soul Child. Yeah, he's a
funky dude, Keep it funky, that's right.
Speaker 2 (01:05:26):
And did you know in nineteen seventy nine the Sugarhill
Gang on this day dropped the rappers delight?
Speaker 1 (01:05:32):
Who got them all in check? What year? Nineteen seventy nine? Wow,
seventy nine? Yeah?
Speaker 2 (01:05:40):
And did you know flow Rider was born on this
day in nineteen seventy nine? The flow Rider Florida, Yeah,
he said, Florida, Florida, Florida.
Speaker 8 (01:05:57):
All I know is he won a huge lawsuit against
what was it Celsius.
Speaker 1 (01:06:02):
Bank for that?
Speaker 8 (01:06:03):
Yep, he sure did. Who he cashed out Celsius the
energy drink I think? Yeah, he sued them in one yeah,
why he didn't.
Speaker 1 (01:06:13):
Like a flavor or something.
Speaker 4 (01:06:14):
Yeah, he was awarded a eighty two point six million.
Speaker 8 (01:06:19):
I forgot what it was for, but I think he
had the leveraging the contract that they had and they
fucked up.
Speaker 2 (01:06:26):
Yeah, they messed up. He sued him and Boom he is.
He no longer asked to do music if he don't
want to. Yeah, he could just do music for fun, actually,
you know what I mean?
Speaker 1 (01:06:38):
Did you know.
Speaker 2 (01:06:40):
Metro Boom was born on this day, nineteen ninety three.
Happy birthday, Metro boom, boom boom. He's got some crazy
you got he got a resume of records over like
the last ten years. Catalog Yeah, catalog song. Sure, yes,
(01:07:00):
he'd be doing be doing good. Shit mine great ship.
Speaker 1 (01:07:05):
Did you know?
Speaker 2 (01:07:06):
In nineteen ninety six, DJ Shadow dropped introducing.
Speaker 1 (01:07:12):
DJs Shadow Love shadow Man.
Speaker 2 (01:07:17):
Yeah man, right about now, we're about to enter the
insane asylum. If you've got a comic question, shout out suggestion.
We are here for it. Let's knock get down.
Speaker 1 (01:07:28):
What the fucklo the insane mesigahs a.
Speaker 4 (01:07:38):
Ayton was saying or asking, is Ronnie the Limo Driver? Actually?
Trace is trace like Ronnie the Limo Driver.
Speaker 2 (01:07:46):
Uh no, Trace is not as bad as Ronnie the
Limo Driver. Not even like close. First of all, I
mean that's like yeah, I mean if you cannot compare. No,
let's see here, a glitter scene would be real.
Speaker 7 (01:08:03):
TV Saper Sill want to be on Hot ones of
First whet of First We Feast the Hot Sauces interviews.
Fans can comment you up for the new season.
Speaker 1 (01:08:13):
Now, No thanks, I'm not burning my palate for nothing.
Speaker 4 (01:08:20):
Can send dog handle like hot food?
Speaker 1 (01:08:23):
No, I can handle so much. But I'm not trying
to do that.
Speaker 3 (01:08:29):
No, but it's just like a bite of each like
a wing. That's all you gotta take. You don't got
to eat the whole ship, the whole wing and ship.
Speaker 4 (01:08:38):
So would you do it less?
Speaker 1 (01:08:40):
I funk around? All right? Why not? It's a good show,
and and I fox with chicken wings and some spice.
They're doing interviews too while they're doing that. Yeah, okay, yeah,
it's pretty crazy.
Speaker 2 (01:08:57):
Yeah, you got to keep composed as that ship is
burning in your mouth.
Speaker 7 (01:09:04):
Literally, we got Marbell in here saying Jerry Heller was
just as bad.
Speaker 4 (01:09:09):
You guys were talking about managers.
Speaker 2 (01:09:13):
Yeah, well, yeah, there are stories, but I don't really know.
I didn't deal with Jerry like that, but I mean, yeah,
everybody has stories.
Speaker 7 (01:09:24):
He's also saying that what happened to Chop? And haven't
heard his name in a minute. Who's saying Chop? What
happened to Chop? And we're showing the MTV spring Break?
Speaker 1 (01:09:36):
I don't know. I don't know where he's been.
Speaker 7 (01:09:40):
It's also asking y'all going to be dropping beanies and
other bucket hats and any blue merch on the website
probably at some point. Yeah, yeah, so if you go
to the Cypercil website. Go right here. You go to
the merch store. Go to cyperscil dot com. Go to
the merch store. If you want to be like Marbelle,
you go to women's clothing.
Speaker 1 (01:09:58):
Oh boy, there you go.
Speaker 4 (01:10:03):
There's a blue shirt for you, Marbell right there. Perfect.
Speaker 2 (01:10:08):
Oh you are cold today.
Speaker 1 (01:10:11):
You are a cold bolt and I didn't know you
had it in you today.
Speaker 7 (01:10:14):
Well, we also got to give a big shout to
mar bell because it's National step Family Day as well.
There we go, shout to marbell you seeing you and
the mom later tonight.
Speaker 1 (01:10:28):
Oh liked that. That's cold man.
Speaker 7 (01:10:34):
Might be a saying yo cycle lest DJ Muggs album
would be fire, having be Real and Juju and send
dog and collapse.
Speaker 4 (01:10:43):
That'd be sick.
Speaker 1 (01:10:44):
Oh yeah, let's make it happen.
Speaker 4 (01:10:49):
Do you have a track with Mugs or not?
Speaker 1 (01:10:53):
Do I have a track?
Speaker 4 (01:10:54):
Have you and Mugs collabed together with? Yeah?
Speaker 1 (01:10:58):
No, he's saying, have you done a color? Have I done?
Speaker 3 (01:11:00):
I haven't done nothing, but but it would be dope.
I'm sure we'll put something crazy together, you know, had dope.
Speaker 1 (01:11:12):
The old man.
Speaker 7 (01:11:15):
Doc Briand is a saying yo, b I heard this
is I heard this rumor, But is it true? After
the ton of Beach you went to McDonald's and you
paid for everyone. After the MTV spring break, you paid
for everyone in McDonald's.
Speaker 2 (01:11:31):
It is a thing that I was probably doing. Yeah,
I would not doubt it.
Speaker 1 (01:11:37):
Dollar Burgers. That goes back everybody that listen.
Speaker 2 (01:11:40):
That goes back to the days when I was in
Southgate with my squad and we would go to what
Jack in the Box.
Speaker 1 (01:11:48):
Every now and then. There'd be a gang of us.
Speaker 2 (01:11:52):
And you know, I came from a hustling family, so
like there was times I had, times that didn't have
and the times I had always like bought shit for everybody.
And I didn't really have much at that Daytona spring
Break because those were all promo tours at the time.
Speaker 1 (01:12:13):
But I might have done that. I don't know.
Speaker 2 (01:12:17):
I can't say for sure that I did, but it's
something that I did. I used to do with my
homies and shit, and I still kind of do that
today every now and then.
Speaker 7 (01:12:29):
Uh Mandifo was saying, be looking fresh like Matt Damon
and true grit. Oh, here's a Matt Damon and true
grit right here.
Speaker 1 (01:12:47):
I've never seen that movie.
Speaker 2 (01:12:49):
Well, see, that's the second version of True Grit, right,
this is with the Jeff Bridges and Matt Damon, Matt
diamond Is and that one. But in the original True Grit,
it's John Wayne. It's John. It's John Wiggety Wayne and
(01:13:11):
uh and I think is James Kahan could be Scotty
Kahn's father. And True Grit or it's someone else. It's
Glenn Campbell. That's right, it's Glenn Campbell, the guy who
who uh uh, Matt Damon's role is Glenn Campbell's role
in that in this True Grit right.
Speaker 1 (01:13:32):
Here sixty nine?
Speaker 4 (01:13:34):
Yep, Dennis Hopper, yep.
Speaker 1 (01:13:37):
Saw.
Speaker 2 (01:13:37):
I saw that with my father because he liked cowboy
and movies.
Speaker 4 (01:13:43):
Are you fan of those older and westerns or are
they kind of pouring to you?
Speaker 8 (01:13:46):
No?
Speaker 1 (01:13:47):
Watch?
Speaker 4 (01:13:48):
Does they make the new ones really good?
Speaker 1 (01:13:50):
No? But Tubestone, that's a good one right there.
Speaker 2 (01:13:58):
And unforgiven and unforgiven young guns, young guns, there's a few.
There's a few good ones in the in in our
time as young people that were really fucking good.
Speaker 1 (01:14:08):
Yeah. Yeah, But like.
Speaker 2 (01:14:09):
My father's westerns, Yeah, no, I can't find myself watching
those ships.
Speaker 1 (01:14:14):
I mean they were cool in that time.
Speaker 2 (01:14:16):
But I mean as as technology goes and the advance
advancement of filmmaking, our westerns were slightly more exciting, maybe exaggerated,
if you will, but I like the the more exciting.
Speaker 1 (01:14:30):
I like the Clineswood western.
Speaker 2 (01:14:33):
Oh yeah, his westerns were good.
Speaker 3 (01:14:34):
Off the thore five. Yes, yes, that I would. I
would watch those today right now.
Speaker 1 (01:14:39):
Yeah. So if you haven't seen them, Clint Ace Wood slap.
There's a couple. There's a couple. You know what I'm saying.
There's a few John Wayne movies that are good.
Speaker 2 (01:14:51):
But hey, listen, he made a stinker one time called
The Manchurion where he plays Genghis Khan.
Speaker 1 (01:14:57):
Yeah. I don't know why they made that movie.
Speaker 2 (01:15:01):
And they didn't want him to make this movie, and
he was horrible in this movie, and they still made it.
They spent a lot of money on that fucking movie,
and it was a flopper for him. You have a
picture of that both, yes, Oh.
Speaker 1 (01:15:16):
Yeah, it looks about the Venture Conquered. Oh my god.
Speaker 2 (01:15:20):
Yeah, it's stunk. Oh man, it looks like a look
at that photo. Oh yeah, with the blue cap. Yeah,
think about that.
Speaker 1 (01:15:32):
That's crazy. She looks should look crazy to me that
he still have the cowboy accent.
Speaker 7 (01:15:37):
They're trying to make him look Asian, right, yes, trying
to make him look he looks like that.
Speaker 1 (01:15:42):
He's all listen here. Yeah.
Speaker 2 (01:15:45):
Yeah, so when he's doing the lines, when he's doing
the lines, it's pretty hilarious.
Speaker 1 (01:15:52):
Yeah. If you hear him do the lines in that movie,
it's it's a little way out he says. The accent.
Speaker 2 (01:15:59):
Yeah, there's a slight accent, but like not really, but
the lines are meant for an accent, you know what.
You know, it was like someone's reading it played and
they're supposed to be an accent with it, but they're
not getting the accent.
Speaker 1 (01:16:13):
Would that be a good movie? Yeah? You know.
Speaker 3 (01:16:16):
You know what was crazy that back in those days,
the Indians were white.
Speaker 1 (01:16:21):
Actors most of them.
Speaker 2 (01:16:24):
Yeah, probably ninety nine point nine percent.
Speaker 1 (01:16:28):
It was funny makeup and ship Yeah, all right.
Speaker 7 (01:16:32):
I feel like some of those old westerns would be
decent if they weren't like three hours long. They cut
them down like in half, like an hour and a
half or something. Yeah, but those movies were just so
long back in the day.
Speaker 1 (01:16:43):
Yeah, that's what she said.
Speaker 7 (01:16:44):
Oh my god, what's the Amano also saying they still
played Doctor Grentham on K Rock right.
Speaker 1 (01:16:51):
Oh, Saluta k Rock on Jack FM too.
Speaker 2 (01:16:54):
Salute to jack FM too, Yeah, salute to all the stations.
Just still rock our ship somewhere.
Speaker 8 (01:17:00):
Another k Earth K Earth one O one.
Speaker 1 (01:17:06):
That's my station right there. I used to be yeah
to play the oldies type shit, right, I mean in
the weekends. I seen them get a little state. They
bring DJs in about time doing that thing. Mhm.
Speaker 7 (01:17:20):
Darren Cushman saying, Yo, show out to Beats and Beers
and cycle Less knows where knows the best beers and
everything like that.
Speaker 4 (01:17:27):
He's saying, Yeah, when's the next beats and beers.
Speaker 3 (01:17:31):
Beats in Beer coming October nineteenth. We got a party coming,
so it's going to be super big. I'm gonna invite
some big, big DJ. So keep your post on that.
Speaker 2 (01:17:43):
I'll ring it.
Speaker 7 (01:17:44):
Mar Belle's saying, Colton, you know, my trunk is empty,
that's what he's saying.
Speaker 1 (01:17:48):
That means he wants to put you in it.
Speaker 4 (01:17:53):
He's got it.
Speaker 7 (01:17:54):
He drives a truck, so I should be able to
get out of the tailgate, would be good. Get out
of the box of drug. Oh shit, Karina saying much
love to y'all, that's all. But she also said in here,
I've been working in the male dominated industry for over
twenty years, and she's saying, guys gossip just as much,
if not more than them.
Speaker 2 (01:18:15):
I agree for sure, facts I agree there, that is
truth to that.
Speaker 1 (01:18:19):
Well, change chack.
Speaker 2 (01:18:21):
You know, not all guys gossip, but guys do gossip,
and that's a fact.
Speaker 7 (01:18:29):
Way lying, did you Mike saying a table? What's the
first song you played this morning?
Speaker 1 (01:18:36):
God? Wait, what what was the first.
Speaker 4 (01:18:38):
Song you played this morning?
Speaker 1 (01:18:40):
What was the first song I played this morning? I
don't know.
Speaker 2 (01:18:44):
It doesn't count as a song because it's unpublished because
I was writing to a beat that the YODI sent
me a few days maybe a week back for a collapse.
So I can't really tell you the first song I heard,
because that's all. I was listening two on the way
here while I was writing, So I can't really answer that.
Speaker 1 (01:19:06):
That.
Speaker 2 (01:19:06):
The other guys can answer that if they were listening
to music today.
Speaker 1 (01:19:11):
Yeah, I think I was.
Speaker 2 (01:19:15):
Figures Figures start off with uh with a track of hers.
All right, that's very open of you. Dre Droe, all right,
how about you u f M.
Speaker 9 (01:19:25):
Today, Shine on you crazy Diamond Pink Floyd. I feel
like that that was a real answer. Yeah, all right,
do you remember second lesson?
Speaker 3 (01:19:35):
I woke up to put that work in. Okay, I'm
working on the remix for that too, so that's coming.
Speaker 1 (01:19:44):
So sick big bang.
Speaker 7 (01:19:48):
Yesterday I had the song she Wolf stuck in my
head by Shakira, so I had to throw that song
on this morning.
Speaker 4 (01:19:53):
A pretty good song. I forgot how big of a
banger that was.
Speaker 1 (01:19:57):
You know, I thought I thought Pedro was open, but
both Shakira. No, no, I'm not shaming you. I thought that.
I think that's very cool.
Speaker 3 (01:20:08):
I'm like, I'm like, yo, you you can't even roll
your r's and you listen to Shaquira.
Speaker 7 (01:20:13):
Oh yeah, you should be learning how to You should
be singing.
Speaker 2 (01:20:17):
You should be learning how to roll your r's with Shakira.
Just sing along with her and you might get it.
Speaker 7 (01:20:23):
You just even walked in yesterday and ago eight time
you ever heard the song she Wolf by Shakira, And
he's just.
Speaker 2 (01:20:28):
No, no, he don't want to admit to it is
what it is. You know what I'm saying. He probably
knew it. He just didn't want to admit to it
because he thought you were going to make fun of it,
as opposed to say, I like this song.
Speaker 1 (01:20:41):
Shakira makes bangers.
Speaker 2 (01:20:43):
She's got something I don't necessarily dig when she when
she does the English speaking ship, though, I like when
she's she sings in Spanish.
Speaker 3 (01:20:53):
I like her English because it got the accent and
I like that makes it.
Speaker 10 (01:20:59):
So have you seen how they do her on SNL. Yeah,
my god, it's great, bro. Yeah they got they had
in the past, Yes, yeah, no, better better.
Speaker 1 (01:21:16):
Yeah.
Speaker 2 (01:21:16):
I mean she's she's dope in both worlds, but I'd
rather hear her. It's bench, I should say, because she's
had hits in in in English too, so you know
we cannot take away.
Speaker 1 (01:21:30):
I need on my next album. There you go, she'd
be dope.
Speaker 7 (01:21:34):
Yeah, so what Kate from SNL, she does the skite.
Speaker 1 (01:21:38):
She used to She's so good at that ship. She
used to do this. Lady's hilarious. Man.
Speaker 2 (01:21:43):
She hasn't been on SNL for some years, but she
was hilarious. Oh, she used to do a good justin
Bieber Kate, Kate McKinnon, she used to do a great Ellen. Oh,
she did great every all her pressures did great. Just
her characters were off the chain. She's doing a lot
of movies these days. She's got a lot of a.
Speaker 1 (01:22:03):
Lot of work, a lot of work coming out. Salute
to her.
Speaker 7 (01:22:08):
All right, let's see here. Shout to Disco Daphney. She's
always commenting. She's the first commentar every time we post
the live stream up. So shout to her, Disco Daphney
every days. Yep, dap Daphne Daphney.
Speaker 1 (01:22:24):
You know hey.
Speaker 2 (01:22:24):
In terms of Kate McKinnon, I think she's been one
of the funniest cast members they've had on Saturday Night Live.
Just in the entirety of it. It's got to be
one of the funniest cast members, all right.
Speaker 4 (01:22:37):
Like when she plays this like crazy, oh.
Speaker 1 (01:22:39):
Yeah, oh yeah, it starts talking about Yes, she's hilarious.
Speaker 2 (01:22:47):
I would imagine it's hard not to like break up
laughing while she's on a run.
Speaker 9 (01:22:52):
She did this with Pedro and he broke out laughing.
He couldn't hold it.
Speaker 1 (01:22:57):
Because she she gets going, it's live. Yeah, what do
you wanna do? It's hard to keep.
Speaker 4 (01:23:03):
A yeah, isn't that Meryl?
Speaker 1 (01:23:06):
Yeah, that's Meryl Street.
Speaker 4 (01:23:07):
Meryl Street.
Speaker 1 (01:23:10):
That sh that said is funny.
Speaker 7 (01:23:13):
Especially yeah real Marlin is saying, Yo, can you please
bring back the smoke box at the in twenty twenty.
Speaker 2 (01:23:25):
Six, I was thinking about doing a live smoke box,
but I don't know because people are scared.
Speaker 1 (01:23:34):
Be people are scared.
Speaker 2 (01:23:36):
I mean, you know, we've issued invites and things like
that of people that supposedly smoke out and reached out
to others who supposedly smoke out and others that supposedly
smoke out.
Speaker 1 (01:23:51):
It just no, you know, like.
Speaker 2 (01:23:54):
They're kind of like scared, be sky and like, I
don't want to make nobody get into the box if
they don't want to, because listen, it's a hard interview
really if you barely smoke, but you're going in because
you think, oh that seems cool. Seen, I've seen people
have a bad experience, So I can understand why some
(01:24:14):
are afraid to get in there, and they'd rather come
to the table if they're going to come here, which
is you know, cool for me because we smoke out. Nonetheless,
it's just that in there it's pro smoking. It's not
for the amateur. It's not for the semi it's not
definitely not for the rookie or Novice. So you know,
(01:24:38):
like I think the smoke boxes we've had, we've had
a lot of the folks that are on our level
and some that were maybe trying to get to the
level we're at, and some that were not on the
level and then probably regretted getting in there. So yeah,
whatever boxes we do this year or in the upcoming
(01:25:03):
or whatever, those will probably be the last ones, just
because it's it's tough to get people in there. So
we're gonna come up with some new ship. But yeah,
we're gonna finish out that series with the ones that
we do coming up, so you could check for that.
We will be doing it, but the live smoke boxes
(01:25:23):
might just be us. We might just do this show
in the smoke box and and pop it off like that.
I don't know, live on I g Yeah, let's see
what happens.
Speaker 1 (01:25:36):
Mellow would collapse in them.
Speaker 2 (01:25:39):
Oh, Mellow would like keep he fall asleep, deep falling.
Speaker 1 (01:25:44):
They're snoring and ship he's on fell asleep.
Speaker 2 (01:25:48):
I remember that, and he's you know, he's the seasoned stoner,
you know what I mean? He fell asleep on the
Kevin uh Kevin Smith smoke box. Well, because we were
in there an hour and half and it was a
lot of smoke. We did not anticipate that it would
go an hour and a half.
Speaker 1 (01:26:04):
That's a long time. Well, he wanted to talk.
Speaker 2 (01:26:08):
We were wrapping it in like fifteen twenty minutes, and
he says to me, I thought we were really good
to smoke. I was like, oh shit, because you know,
we were trying to go easy on him. Someone gave
us bad information that he had only been smoking for
a year.
Speaker 1 (01:26:25):
He came ready and we were like.
Speaker 2 (01:26:28):
Well, if he's only been smoking for a year, maybe
we had to make sure that the joints are smaller
and we only have it.
Speaker 1 (01:26:34):
Take it easy on it.
Speaker 2 (01:26:35):
So we smoked a few joints and we had, you know,
like again we were measuring it based off of the
information we had. So we had maybe two joints a
piece or something like that. It's like at the eight
mil size. And after we smoked that out, you know,
I thought that was long enough. He's probably high as fuck.
(01:26:57):
I'm like, hey, all right, thanks for blah blah blah.
He goes, is that it. I thought we were really
good at smoke. I was like, oh shit, And that's
when I think I hit up Pedro. I said, ay, Pedro,
start like I got hit up Pedro throughout the world,
Hey star rolling more joints. And that's when he brought
his and he then he fortunately he had pre rolls
in his pocket. Now, what the information was was that
(01:27:20):
he's The real information was that he had been smoking
weed his whole you know, like for years. It's the
concentrates that were new to him for a year, you
know what I'm saying. And we weren't doing any concentrates,
so you know, it was just misinformation and we were
not ready and we didn't think that he was going
to want to do an hour his ship.
Speaker 1 (01:27:41):
He broke the record.
Speaker 2 (01:27:42):
He still has the record at an hour and a
half in that fucking uncom h he are, yeah, he said,
he set It's a bar that no one has been
able to reach yet. Yeah, because they just cannot hang.
He set that tongue. We were going on people. He
is like let's go. I'm like, let's go. And he
(01:28:06):
put the zone to sleep. I mean, if Kevin Smith
can say anything, he came here sweet dreams, he set
a record and put e zone to sleep.
Speaker 1 (01:28:17):
Oh yeah, I'm gonna check that video. That's not an
easy thing to do.
Speaker 7 (01:28:24):
Also, it's pretty hard to get people in You already
have three hundred and eleven smoke boxes.
Speaker 1 (01:28:28):
Yeah, some of them are doubled up, like it's.
Speaker 4 (01:28:31):
Gonna be hard to get people in here. They've already
done it.
Speaker 2 (01:28:34):
Yeah, that's what I'm saying. And some people have doubled
up on it, like Burner has done it. I don't
know how many times.
Speaker 4 (01:28:39):
Got our boy Dame Dash in here. He's done it.
Speaker 1 (01:28:42):
Yeah.
Speaker 2 (01:28:42):
Yeah, Fortunately we didn't argue about anything. Next time it
comes down, but look how long it is? Look go
go back sixteen minutes. At sixteen minutes, my man was like,
so is there a tap out button? Is that what
you guys do? Make people tap out? So like question
your manhood and ship like that? I'm like, no, we
(01:29:04):
we're about to be done. Let me let me finish
it out right now. He actually said that. If you
go and watch that smoke box, he says it at
the end, So what is there like like a tap out?
But you guys make motherfuckers tap out over here? Is
that what you do with the ha? Yeah? Yeah, No,
it's those classic Dame Dash you know.
Speaker 7 (01:29:23):
Saying should have Charlemagne in there with Dame Dash and
you could be the mediator.
Speaker 1 (01:29:26):
No, I don't want no part of that smoke. I
don't want to know.
Speaker 3 (01:29:30):
Got a bigger house than you.
Speaker 9 (01:29:33):
You gotta put them both in the back of somebody's
gonna get done, like Maury and Ship.
Speaker 2 (01:29:36):
Yeah.
Speaker 1 (01:29:37):
No, I don't want none of that. I'd rather stay
out of that. That'd be greater. I took note of it,
and that was enough for me, all right.
Speaker 7 (01:29:47):
Next one, like I guess the smoke box that blows
my mind the most is Michelle Rodriguez from The Furious.
Speaker 2 (01:29:53):
Yes, that that blew everybody's mind because no one, no one,
no one saw that one coming.
Speaker 4 (01:29:59):
We that CoA Like, that's wild to me. She's such
a big movie star.
Speaker 2 (01:30:03):
Yes, and she did not give any zero zero fox
were given here she could hang, she could hang. She
and you know that came through our our good friend Block,
the mayor of Venice. Salute to Mabroski. He made that happen.
(01:30:26):
And uh man that you know that that is one
of the one of the best ones right there too,
because like you know, no one saw that. She she
was like yeah, of doubt, came and did it and
without hesitation it was awesome. Salute to Michelle Rodriguez's family,
(01:30:46):
right there, Mike, all right.
Speaker 7 (01:30:49):
Twike like saying, a show to the highest show in
the world. Yes, Karna saying, you should have a contest
for fifty one fifties to win a chance to be
in the smoke box with you.
Speaker 2 (01:30:59):
Chance to be in little last one. Huh, all right,
we'll come up with the contest.
Speaker 7 (01:31:04):
Marbell saying, don't worry, you'll hop in the smoke box
and read Colton's diary.
Speaker 2 (01:31:09):
How about we have his own diary. That would be awesome.
I don't want to read his diary. Let Bolton read
it aloud.
Speaker 4 (01:31:21):
Today.
Speaker 7 (01:31:24):
Marbel saying, I hope uh send dog won't cough this
time in the smoke box.
Speaker 1 (01:31:29):
He will. Yeah, I forgot about that. He can't.
Speaker 2 (01:31:34):
He can't be in the smoke box. We can't. He
can't do it. Yeah, he's a pro stoner, make no mistake,
but like he just just can't do it. It's like
his kryptonite in terms of trying to talk with all
that smoke.
Speaker 1 (01:31:51):
It was a lot of smoke because he'll let the.
Speaker 2 (01:31:52):
Little cough get him and then you know what I'm saying,
and then it's over.
Speaker 7 (01:31:56):
From there, Pedro, you're talking about the the richest man
who hired Rihanna for the wedding was the richest man
in Asia. This was his son's wedding that they hired
and they paid her. They're saying six to nine million
dollars who to sing at their wedding?
Speaker 1 (01:32:15):
Yeah, that's crazy. That's I thought it was. It was
more but that.
Speaker 8 (01:32:22):
Who were talking about Elvis that he got ten million
she got, Well, no, he never took it.
Speaker 2 (01:32:26):
Oh, he was offered it, but he didn't take it
because the colonel wouldn't let him go.
Speaker 1 (01:32:32):
She was like, that's crazy, HeLa.
Speaker 9 (01:32:36):
Yeah, back then that would have been like thirty million practically.
Speaker 7 (01:32:40):
And this was to perform during the pre wedding festival.
So was this at the actual wedding part?
Speaker 2 (01:32:45):
Yeah? Crazy damn with a bag. Yeah, she probably flew in,
flew right the fuck out.
Speaker 8 (01:32:52):
She enjoyed, she crashed the party, and she left hid
that money was there. That's pretty crazy.
Speaker 7 (01:33:00):
You guys were talking about nineteen ninety two Cypress Hill.
We got this you guys at call it palooza.
Speaker 1 (01:33:04):
Yep.
Speaker 2 (01:33:05):
I believe that's Shoreline Amphitheater right there. That's ice cold
fucking long sleeve that my man sent dog got on
and look and that's that the original hat Pedro look
at see the hat as the when he wears to
this day.
Speaker 1 (01:33:21):
Who's got trace right there? Oh my, back in the
days he was ripped.
Speaker 2 (01:33:27):
No trace is probably there somewhere though. First of all, Yeah,
the House of Pain shirts though too though, Yeah, the
o g Yeah.
Speaker 8 (01:33:43):
Yeah so that, yeah, that that bucket has been around.
Speaker 2 (01:33:49):
It's been places. That's when I was wearing the pirate hoops.
I think you could see one on my left. Oh man,
I was high as fuck right there too. We took
mushrooms this day, but a little bit later on we
were on shrooms later that day watching but if that's
(01:34:09):
the gig, I'm thinking we were watching sound Garden from
the grass. We went up to the grass, took some
mushrooms and watched sound Garden absolutely fucking destroy it. Looking
at the mosh pit turned into the Whirlwind. It was like,
oh my god, or whirlpool if you will, world whirl
(01:34:32):
the fucking mosh pits, whirl Son.
Speaker 1 (01:34:35):
It was that shit.
Speaker 2 (01:34:36):
Like I that show got me listening to metal again,
Like watching Soundgarden, That that show right there on mushrooms.
When I saw what they were doing, I was like,
oh my god, what have I been missing? Because I mean,
that's what I used to listen to before hip hop,
you know what I mean. So that shit got me
(01:34:58):
back into listening to all the other ship that was
out there.
Speaker 3 (01:35:02):
You know, I've seen some crazy mospits where motherfucker is
trying to punch each other in the face, like they
just spinning around trying to hook off on people like,
oh yeah, be funny yo.
Speaker 1 (01:35:14):
Oh yeah.
Speaker 2 (01:35:15):
At the oz Fest you would see that a lot.
Motherfucker's swinging on each other.
Speaker 1 (01:35:19):
Yeah, funny, get caught in that. That's just funny. Do
you know what Sound Garden album that was Bad motor Finger?
Oh shit, wow. Yeah.
Speaker 2 (01:35:30):
They were tearing it up with Bad motor Finger for
that particular tour, and uh.
Speaker 1 (01:35:35):
It was like all over fell in love with metal
all over again. That was awesome.
Speaker 7 (01:35:44):
Russy Shackelford's in here. He's saying Tom Hanks and the
Lady Killers a good villain.
Speaker 1 (01:35:49):
He's saying, Oh yeah, I haven't seen that one. Yeah,
but it's more of a comedy.
Speaker 2 (01:35:54):
Yeah, he's a villain, no doubt, or a shady care
like a dark comedy. But like in the Elvis Thick,
he's not it's not it's not any it's not very comedy.
Speaker 1 (01:36:07):
Yeah, he was was not fucking around, messing around.
Speaker 2 (01:36:11):
He does a lot of great dramatic roles Tom Hanks man,
but again, he really hadn't done too many villainous roles
like that where he made you hate him.
Speaker 1 (01:36:21):
You know what's crazy? I did it.
Speaker 8 (01:36:22):
It took me a while to find out he does.
He's the voice of Woody.
Speaker 1 (01:36:28):
Yeah.
Speaker 8 (01:36:28):
I didn't know that, not not like I didn't put
it together. Like and then after after I found out
it was the Tom Hanks the voice of Woody, I
was like, oh wow, it's.
Speaker 1 (01:36:41):
It's just a click. Learned something new every day.
Speaker 8 (01:36:43):
Yeah, it was like a couple of years back, right,
I was like, damn, it's crazy. He's done a lot,
a lot of a lot of amazing stuff. He has
catalog too, well, he did comedy first. It's a funny, dude.
Speaker 2 (01:36:56):
He said, Dad, what a no fact for from Dreux
that part that was actually pretty funny.
Speaker 1 (01:37:05):
All right.
Speaker 4 (01:37:05):
I would just say that probably heard his own.
Speaker 2 (01:37:07):
When you heard that, I would imagine it did.
Speaker 4 (01:37:09):
Yeah, we gotta give a big shout to Bart's barbecue.
Speaker 7 (01:37:11):
He's bringing in some bacon wrapped all the pinos with brisket,
cream cheese and cheddar cheese inside.
Speaker 1 (01:37:17):
What a bastard what.
Speaker 7 (01:37:20):
He's bringing these in? He's also bringing down some smoked
ribbi sandwiches.
Speaker 2 (01:37:25):
Yeah, yeah, yeah, what's up?
Speaker 1 (01:37:34):
Chat?
Speaker 4 (01:37:34):
You guys aren't getting any of this?
Speaker 1 (01:37:36):
Damn ye're not getting there? Is Marbell? Yeah?
Speaker 4 (01:37:39):
Marbel?
Speaker 1 (01:37:43):
Sorry Marbell?
Speaker 7 (01:37:44):
Yeah, shout to the brisket King and yeah, that seems
to be it so far with super chats. You want
me to just go right into submission.
Speaker 2 (01:37:52):
Let's go into submissions right in. If we get any
more super chats, we'll pop them off.
Speaker 7 (01:37:55):
Let's go mac And here he's saying, Yo, who's down
for this new Red Bullet dip? We got the far
Fight Edition Red Bull and Tito's Vodka.
Speaker 1 (01:38:04):
Not me? Yeah, I think that real.
Speaker 4 (01:38:08):
Now for sure? Would you guys ever order that?
Speaker 1 (01:38:12):
Though little vodka?
Speaker 4 (01:38:12):
Und I used to do that a while.
Speaker 2 (01:38:16):
None of that ship if it ain't whiskey, yeah no,
And if it ain't tequila or mescal, nah, And I
don't like drinking the mixed drinks because that ship.
Speaker 1 (01:38:26):
Is just too sugary sugars. Yeah, there's too many.
Speaker 2 (01:38:29):
I mean listen, if you're drinking dark liquor, there's already
sugar in that, and so when you're mixing that with
all the other sugary ship, that's sugar plus sugar equals
more fucking sugar.
Speaker 1 (01:38:41):
Bang. I can't lie. I've done it before. I know
you have.
Speaker 2 (01:38:44):
I have too. I used to get down with the
Long Island nice tea so I know. Oh yeah, but
uh nah, beds is over now.
Speaker 1 (01:38:55):
I don't do those things no more.
Speaker 2 (01:38:57):
If I if I do have something, it'll be a
whiskey or mescal or.
Speaker 1 (01:39:02):
Neat. No mixing.
Speaker 4 (01:39:06):
Yeah, these give you the worst hangovers. Like you said,
the Long Island iced.
Speaker 1 (01:39:09):
Tees, Yes, trust me, I had them. Blackouts yeah, well
I never had a blackout.
Speaker 2 (01:39:18):
Three of those and you will probably be amazing. I've
been very drunk off those, but I never had a blackout.
But it happens, No, but I know it happens. But
I've never had a blackout.
Speaker 1 (01:39:33):
Like plenty of blackouts people blacking out, not on Long Islands.
Speaker 2 (01:39:37):
Like you know, I drank and probably more than I
should have a couple of nights way back when you
know what I mean in the mid nineties, I would say,
or maybe early nineties, I was drinking a lot of
Long Islands, and man, yes I had some drunk nights,
but I didn't blackout on those nights. I just was
very drunk at the Red Onion Anywhere ship. It also
(01:40:00):
started in New York. I went to with mugs like
early on, like even before we were making records, Like
we'd go out there to absorb shit, and we go
to like certain bars and shit like that. I had
a couple of Long Islands and it started then. But
by the time we get rolling and we're going out
(01:40:21):
there and hang and hanging.
Speaker 1 (01:40:23):
Yeah, that was my drink of choice.
Speaker 2 (01:40:24):
And I'd get smashed, but not blackout blackout smashed, I
should say, a little wobbly, but never like, oh.
Speaker 1 (01:40:34):
My god, I got a pouls out right here, or
I can't do that.
Speaker 7 (01:40:39):
I would drink these after work sometimes the Big Island
iced tea at Islands, it's just like a Long Island,
but they had pineapple and strawberry to it.
Speaker 4 (01:40:47):
It tastes pretty good.
Speaker 2 (01:40:48):
Dangerous, dangerous, dangerous. Because it tastes so good, you might
have more than you need by the time it kicks
in you're tipping over. Oh man, if you have have two,
that's where you should stop. You could even stop at
one if you're like smart, you know what I'm saying.
But if you have two, you need to stop. If
(01:41:11):
you go to three, they're carrying you out of that
ship wherever you're at, or you're making a.
Speaker 1 (01:41:17):
Cripple walk cripple.
Speaker 2 (01:41:19):
Yeah, you're that guy that your two homies are dragging
the spot.
Speaker 1 (01:41:24):
We see.
Speaker 2 (01:41:25):
I've seen that ship on the last tour. Man, it
seems also familiar.
Speaker 1 (01:41:30):
Look like we can and that's it. That's it is funny.
And I say ship like.
Speaker 2 (01:41:37):
That, Oh man, Yeah, they got drag their homie like
fucking weekend and Birdy's.
Speaker 1 (01:41:44):
Saying some drunk bitches too being carried out, like yeah,
how fine.
Speaker 2 (01:41:51):
It's it's always sad when you see something like that.
Man hold your liquor, Man hold it, hold it, don't
get don't have to be carried out somewhere.
Speaker 1 (01:42:01):
You know what I'm saying. Go do it all right,
mad you.
Speaker 7 (01:42:06):
Mike's asking cycle Less any features for the Less is
More album?
Speaker 3 (01:42:11):
Uh, that's his more album. I mean I'm always working
with people, so yeah, you're gonna hear some features.
Speaker 7 (01:42:21):
Let's see Mike be saying a slut to YEO made
some corn beef and rice. What do you guys think
of this?
Speaker 1 (01:42:27):
Whoa presentation is not? Oh man, you're lucky.
Speaker 2 (01:42:32):
Cali Blaze and Bobo are not here because they would
instantly like, go in.
Speaker 4 (01:42:37):
Cat food is corn beef and rice?
Speaker 1 (01:42:43):
Oh my god, I should have hit the spot. I
don't know about that. I mean when I was young.
What's the sauce?
Speaker 4 (01:42:52):
What is that gonna be some kind of hot tomato?
Speaker 1 (01:42:55):
Yeah, our homemade sauce.
Speaker 2 (01:42:57):
It does look like cat food, knlie, you know said yeah, no,
I'm good. It might be delicious, but I think you
know it's it's not appealing in this form here.
Speaker 1 (01:43:13):
I'm just kidding. It's pretty with the eat it in
the dark. Yeah, what is that in the middle? Is
that an egg or tomato?
Speaker 4 (01:43:22):
Saying this is ketchup tomatoes?
Speaker 8 (01:43:24):
It looks like sauce. It looks Yeah, it looks like
hot sauce, but I can I don't know for sure. Yeah,
I've been trying to figure out what that yellow stuff
is too. I don't want to say nothing, but someone did.
Speaker 2 (01:43:35):
I definitely know that Pedro would not have this and
I know that that Bobo and Cali Blaze would scoff
at it.
Speaker 7 (01:43:44):
You know what I'm saying, It's actually what is bringing
us today.
Speaker 2 (01:43:49):
He's got that hot He throws lime right there too, boy,
to wash it all down.
Speaker 1 (01:43:55):
That might be the only thing I'm working with.
Speaker 4 (01:43:57):
Probably I'll just take a soda.
Speaker 9 (01:44:00):
Yeah yeah, I act like I'm reaching for the plate
and I'm like, okay, thank you, I'll taste it.
Speaker 4 (01:44:07):
Hey, this is pretty cool. Rosen here saying.
Speaker 1 (01:44:09):
Yo.
Speaker 7 (01:44:10):
My highlight was meeting Charlie from Sons of Anarchy. Oh
wow's watching Seth Rogan win for the studio.
Speaker 1 (01:44:18):
Yeah cool, dude, Get this back up. Charlie Hoonan.
Speaker 4 (01:44:22):
Is that his name, Charlie Hoonan.
Speaker 8 (01:44:28):
He did a great rowing says of Anarchy. Yeah it's Rosa.
Oh yeah, look at that.
Speaker 4 (01:44:36):
She does a lot of cool ship.
Speaker 1 (01:44:37):
She does a lot of cool things.
Speaker 8 (01:44:41):
She took me in Hoavy to the BET Awards when
that went on. It's Kendrick Lamarshall's face. Maria carry accepted
an award, but I think bust arrhyves it too.
Speaker 2 (01:44:53):
Got us into the Van Halen reunion. Oh wow, that's amazing.
We had some fucking kick ass. It's there. Me and
Dougie went Dougie the Wolf wifey I think went. Maybe
where was that Roger Waters before he went on fucking crazy?
I don't even remember it, but yeah, Rosso probably got
(01:45:14):
us those seats too. Yeah, she's always looking us up.
Solute to our sister, Rossa. What's that's awesome? Thank you
for the portals too, anytime you bring them.
Speaker 7 (01:45:24):
I get so lost with those award shows. Okay, So
the Emmys is celebrate television TV.
Speaker 1 (01:45:28):
Yes, pretty cool. Yeah, the Oscars is movies. The Oscars
is movies. Yeah makes sense. I didn't know that.
Speaker 3 (01:45:40):
Well, I knew the Oscars, but for the Emmys, I
didn't know Grammys music, right, I think I think this
They got me thinking.
Speaker 1 (01:45:50):
Now the Grammys is The Grammys is music music, Oscars movies.
Oscars is movies. What are the Awards?
Speaker 2 (01:45:59):
It's the Tonys? What's the Tonys? I think is maybe
a mixture of its music, TV and Broadway? Yeah, yeah, that's.
Speaker 4 (01:46:08):
Right, Broadway.
Speaker 8 (01:46:09):
Yeah brone. What what are Golden globesards? Golden Globes? I
think it's TV and in film. Maybe might be TV.
It's a combination of both. Maybe maybe I'm not sure.
Speaker 2 (01:46:23):
And I think if you win a Golden Globe, that's
like telling if you're gonna like possibly be winning an
Oscar or something like that.
Speaker 4 (01:46:30):
Golden Globes is a film and television.
Speaker 1 (01:46:32):
Yeah.
Speaker 8 (01:46:33):
What what did a Kobe get? Was it an Emmy
or like for his Like he didn't he get an Oscar?
Speaker 1 (01:46:42):
He got an award. I'm not sure which one for
his Well, it would have to be an Oscar or Golden.
Speaker 4 (01:46:47):
Was an Academy Award Basketball?
Speaker 2 (01:46:49):
Yeah, yeah, that's a that's an Oscar though Academy Award
is as an Oscar.
Speaker 1 (01:46:55):
That wasn't sure which which one he won exactly was?
Speaker 4 (01:46:58):
Okay?
Speaker 2 (01:47:00):
Yeah, man, don't be trying to confuse us with your
crazy talk over there.
Speaker 7 (01:47:03):
There's so many there's so many terms of Academy Award, Oscar,
there's so many award shows.
Speaker 4 (01:47:08):
It's hard to keep up with.
Speaker 2 (01:47:09):
That's so many awards. Well, you know, Pump pump, that
seems to be it so far. Word upbsolute, Thank you
for your submissions. Keep them coming to be real TV
contest at gmail dot com and we put them on
right on. Man, we got a mix today, Well, that's right,
(01:47:30):
we got to mix today huh yeah, all right, I'm ready,
but not ready, but I'm ready.
Speaker 4 (01:47:37):
Is there one going on today?
Speaker 1 (01:47:38):
Is there one going on today? Oh? No, ship, we're
not doing the mix today.
Speaker 2 (01:47:42):
That's right, because we got something popping off right after this,
I believe. Uh so we'll see, we'll see. It's gonna
be a yeah, it's gonna be a sort of pressa.
Speaker 1 (01:47:56):
Damn man.
Speaker 2 (01:47:59):
I asked everybody at table yesterday. So i'll ask you
guys this. If you watched The Peacemaker. Yeah, yeah, it's
fucking great. Right, Oh yeah, I have not. You should
watch it, Patro You like violence?
Speaker 1 (01:48:11):
What's it based out of?
Speaker 2 (01:48:12):
It's a it's like based on a d C character
DC superhero. Well's squad. He wants to be a superhero.
Oh it's Josh Cenaina. He's doing an excellent job in
this role here. It's hilarious. No, it's uh hbo hbo
Max figure it out. Yeah it's good. H yeah, it's
(01:48:38):
good man, it's very good man. What's his main like superpower?
I see that the strength. I don't know if he's
got a superpower. I think it's his mind, his helmet,
his helmet. He has like four or.
Speaker 9 (01:48:53):
Five different helmets that the dad made out of some
weird like alien ship they found. Yeah, and they Yeah,
they have different functions or whatever.
Speaker 1 (01:49:01):
Interesting.
Speaker 7 (01:49:02):
He has different helmets of Grantam skills like X ray Vision,
sonic Blast, and underwater breathing Stopeah.
Speaker 1 (01:49:09):
Interesting.
Speaker 8 (01:49:10):
Definitely check that out because that seems the suicide squads
but not it's on.
Speaker 1 (01:49:15):
This shit is funny. Oh, it's pretty good. The writing
is is pretty hilarious.
Speaker 9 (01:49:20):
And it's into I mean, it's on some HVO level
shit because I mean the nudity is crazy, like the
violence is crazy. Like it's like you're watching a movie
every episode. Man, it's really good.
Speaker 1 (01:49:31):
I love it. True that word out.
Speaker 2 (01:49:34):
Check it out, and once again check out the mix
right after this. Salute to all y'all that you know
put your eyes and ears to the show today. We
thank you very much and appreciate you. Salute and positive
vibes to all y'all out there. Pass it around like
a good joint, you know what I'm saying. Liezy got
any shout outs?
Speaker 3 (01:49:52):
Yeah, shout out everybody just hanging out with us, all
of us.
Speaker 1 (01:49:57):
Hear doctor Green Thumb cruel.
Speaker 3 (01:49:59):
If you on the IG, make sure you follow me
cycle Less Official and go to the website, the cycle
Last shop dot com. Also, uh word, I'm gonna keep
you post on the next beats and be a party.
Speaker 1 (01:50:13):
So squeeze.
Speaker 7 (01:50:17):
Yo Yo, show at the Insane Asylum, Show to Ray Morning,
chot film, show to the Dominator, what up FM Yo.
Speaker 9 (01:50:22):
Shout out to everybody at the table, everybody in the treehouse,
everybody in the chat, check me out on i G
as well, DJFM, underscore, l A. I'm always posting one
we'll be at and what we're doing next.
Speaker 8 (01:50:35):
All right, Sol, Hello, Hello, big ups to everybody watching today,
uh to Lou, to the chat, the twitch YouTube, everybody
at the table, some dope stuff that was talked about
today and uh yeah, follow me at vote for Joe
and catch you guys later. Tackle Tuesday. Man, God bless
(01:50:59):
you today and days. Swallow that.
Speaker 1 (01:51:11):
Real TV
Speaker 2 (01:51:15):
MHM
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