Episode Transcript
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Speaker 1 (00:05):
Disclaimer.
Speaker 2 (00:06):
This video, like all videos featured on the channel, is
definitely intended for a mature audience. This videos like please
gets ample fl language content is inappropriate ens video. It's
not for kids.
Speaker 3 (00:15):
Well who did who?
Speaker 4 (01:17):
Welcome to the Doctor Green Dumb Show Live on Twitch, Discord,
YouTube x and the home site www dot breal dot tv.
Would it be like we're at the legend table right now,
as you might know, because you know on Tuesdays and
Thursdays it be that way, you know what I'm saying,
and all the other days too, But today special day, man.
(01:39):
We got our special guest in the house, Big Citric
Anthony Gombos in the building.
Speaker 2 (01:49):
World up.
Speaker 4 (01:51):
We also got my man, the legendary cycle Leazy in
the building. I can't hear that over there. I was
waiting for. That was way too fobby. Everybody word up.
We also got the Treehouse crew bolt to Blombo Bra
Bron the Dominator.
Speaker 5 (02:06):
Yeah, yeoh what up? We're doing good?
Speaker 4 (02:07):
Yeah I know you are, man salute. We got Kaiser
in the building, that's right, who do you who? We
also got the legendary Everlast in the building. Yeah good,
see y'all word up here. And we also have DJ
f M up in the building.
Speaker 2 (02:28):
What up everybody?
Speaker 6 (02:29):
Have you doing?
Speaker 4 (02:29):
Happy Tuesday? Changed up the mask this week? Hut Papa
a little bit, that little bit he wears a mask. Yeah,
I just noticed the Jews because there was a different mask. Man,
he wears a mask of a face. That'd be funny
if the mask that he wore was his face. That
(02:51):
if you easily doable. You can do that on a
bandanna pretty easy, folded in half. And when someone says,
is that your face? Oh no, no, no, no, so
some dingdom just some random dude, you know. Oh man,
do it on the day.
Speaker 7 (03:07):
When you got a nice little shape up on the
beard or something and you never have to shave again.
Speaker 2 (03:14):
I like that. I like that.
Speaker 4 (03:15):
That's right. There's ways to change it up. Good to
have you up in here, brother.
Speaker 2 (03:20):
Thank you man name. It's a pleasure to be open here. Bro.
Speaker 4 (03:23):
You've put down years and years of classic work, you know,
and on the King of King of the Hill, and
a lot of people just you know, they fuck with
you because that is a huge show, obviously, and.
Speaker 1 (03:42):
You know people have grown up to it.
Speaker 4 (03:45):
People have grown up with it, and they've heard your
voice throughout Man, that did you ever see that, you know, like,
did you ever foresee something like that, like people growing
up to your ship like that when you first started
doing the voiceover work.
Speaker 2 (03:58):
No, man, you know when when I just when I
started getting into it, you know, obviously through my Judge. Man,
it was just it was just a thing like I
was just you know, like just to be a part
of that circle, man, with my Judge and these people. Man,
it was just like I was just like just like
you know, like you know, it was like my dreams
were coming true. But at the same time, I was like, man,
I don't know if you know how real this ship is, man,
(04:19):
you know what I'm saying. So so I've always just
kept it like like like on some chill ship. Man.
But I never looked at it like that.
Speaker 4 (04:24):
Man.
Speaker 2 (04:25):
But you know, but now now that I with the
new season out, you know, and uh and and I
go places and and and I get a lot of
love from the fans, you know, and it's it's crazy, man,
I mean anything, my Judge Judge has a cult following,
you know. But I mean I knew the show, you know,
it's always been big, but I just didn't realize how
how deep you know that cault following is there for
for my judges stuff.
Speaker 4 (04:45):
Man did that when when you started doing the work,
did they ask you to come in and read or
did did you send them something and they heard it
called you in?
Speaker 2 (04:53):
Well, when when I got called for the for the
for this role of Emdio on h on the new season,
because I had to really he worked on a couple
episodes before in the past with with Mike, but but
it wasn't really a character. So when they called me
for this one, it was basically I kind of had
to read for it, not read, but like you know,
do a little voice audition for it where it was
just like a couple of liners, and then they wanted
(05:13):
me to do it in Spanish as well. They just
wanted to know, like how fluent my Spanish was, because
there's a there's some scenes, especially in the new season,
where they do a lot of like like Spanish words
or sentences of like like Hank Kill might be watching
a TV show and the other TV show was like
some other stuff and it's usually like my voice in there. Yeah, yeah,
So they wanted to make sure, you know, I could
(05:34):
speak Spanish as well, so I had to put some
stuff down on tape for them, did a little real
little voice or real for them. But for the most part,
my Judge already kind of knew, you know, my voice
would go good with a new character with a medio,
you know.
Speaker 1 (05:48):
So that's awesome, man.
Speaker 4 (05:50):
I mean for somebody like Mike Judge, you know what
I mean to like, uh, you know, recognize the talent
and the way your voice cuts through on ship and
your adaptability that you could do different characters like that.
Speaker 2 (06:04):
Yeah, man, yeah, I mean, you know, it's just one
of those things were you know, in the beginning, I
wasn't sure, you know, I wasn't I wasn't sure myself,
you know, just dieding myself. But but it's one of
those things where you just kind of you know, the
opportunities there, you just got to dive into it.
Speaker 4 (06:16):
Man, was the voiceover work like the first passion? Is
that what you wanted to do? Or did it fall
in your lap?
Speaker 2 (06:22):
Now that kind of I want to say, just kind
of foul in my lap because my first passion was
I mean, I've always wanted to be into an entertainment
business since I was a kid, So I want at
some point when I was a youngster, like ten eleven
years old, I wanted to get into acting, so I
would do little school plays, you know, but that's all
it was, you know, and my mom my mom. You know,
(06:42):
I tell me my mom was working long hours. It's
just me and my mom. My mom goes, well, I
don't know anybody in Hollywood or you know, Hudo Tops,
I don't know Casteenagers and none of that shit, you know.
So it was so I just kind of left it
at that, you know, as years went by and I
got into music, you know, doing hip hop. Yeah, we
had a group called Browntown you know back in the days,
right and uh, and that's kind of like what led
(07:03):
led to all this as as it evolved, you know,
little by little it went from Browntown to Browntown Looters,
and then we got a record deal like in two
thousand and four, I think for us all Spanish record
with a couple of out of Mexico. So we did
an all Spanish album. And around that time is when
I transitioned into doing acting because I had did the
only acting experience I had that to then to then
(07:26):
was I had I had maybe been in a movie
called at Pallerino with Damian Choppy and uh and Tiny
Lester Junior and Milio Rivetta was in there, and it
was it's on YouTube. You can see you can watch
that break. Remember that it's called Patarino, you know. And
it was produced by Dami Chopper, the guy that did
me Glover, Blood and Blood Out. And so I had
I worked un there a couple of days as background,
(07:48):
you know. So that was like the only acting experience.
And prior to that, I mean we were in the
back in nineteen ninety two, we were in the little
Gettaboy video with doctor Drane Snoop, you know, and that
was you know, we were in the backwards supposed to
be like in a riot sea in the prison scene
were rioting. So that was one of the acting skills
I had to. So I got called for uh the
movie called Idiocracy, Yeah I remember that, Yeah, in two
(08:10):
thousand and four. Sore right now, Yeah, exactly.
Speaker 8 (08:12):
Man.
Speaker 2 (08:14):
It's crazy because people that that saw that movie, like
a lot of my friends, when they first came out,
like you, they just snapped for me where I know
you your face? Yeah. I had a long hair and
I was a lot bigger than I mean, it was
a secretary of defense, but even your voice and seen
that movie so many times. Oh yeah, so that was
that was my first That was my first role. Man.
Up to then, I had no like acting experience whatsoever.
(08:36):
I never been on an audition, none of that stuff.
And then uh, I got called in for it man,
and and I don't know if you remember back then,
there was a website called Brownpride dot com. Yeah, so
that's why they found me the casting department. They found
my mug on there, and then uh, they hit up
a matter of fact, two Max, the homie. Yeah, they
called him in for for reading for that role too,
(08:56):
and and for a couple of different characters there. So
that's how that's how kind of discovered through through brown
pribabe dot com. They hit up the hom style Rojas
and then he related, Yeah, he related the information and
he goes, hey, bro, it goes, these people are looking
for you if you're interested in reading from my Judge movie.
And I was like fuck. At that time, I wasn't
even trying to like go into acting because we were
getting ready to go on this promo tour that you know,
(09:18):
the record label had already.
Speaker 1 (09:19):
All set up for us, and music was like the
number one.
Speaker 2 (09:21):
Yeah, that was my that was my focus at that point,
you know. So it's like I was like, man, I'm
not really tripping. I'm trying to be an actor. But
my manager, my music manager, Keet telling me, you know,
and all my all my boys, resting Peas Brown, well
he kept telling me too, Goes, bro goes, just go,
man goes. You never know, it's this could be a
whole nother another opportunity, another outlet for you man, he
could just go. So long story short, I went, man
(09:43):
and yeah, nailed the audition. They liked it, and then
they hit me up a couple of days later and
the lady goes, she goes, hey, Mike, just saw your video.
He readlycture your your your video. That was funny. He goes,
He's coming in a couple of weeks. Uh, because he
was living in Texas at the moment at the time.
He goes, he's coming in a couple of weeks, and
he wants to have a reading with you man. So
he came in and I met him and we chopped
(10:04):
it up, and then he had me read for the
Secretary of Defense and like two other characters, three other characters,
and that was it. You know, we just kept the
cool chopping up and go ahead, we'll be in contact.
And I was in like two months later, I get
to call it. That's awesome, man. So yeah, everything just
kind of happened and everything just like you know, and
then after that, I kind of just started focusing on acting.
I just kind of like, I still did the music
stuff for a little while, but but it just seemed
(10:27):
like the acting world was just kind of calling my
name more and it just kind of just yeah, it
just I started getting another role, and then I got
one of the episodes the King of the Hill the
early season in two thousand and five. And then I
did a movie with a Christian Bale called Harsh Times.
Speaker 1 (10:41):
And oh yeah, that's right.
Speaker 2 (10:42):
Yeah, so you know I was a lot bigger too.
Speaker 1 (10:44):
Yeah that was crazy.
Speaker 2 (10:46):
Role was Casper with me and Noel.
Speaker 1 (10:49):
G Yeah, no, yes, right, so yeah, so it just kind.
Speaker 2 (10:52):
Of that's where the direction I just kind of took it.
Speaker 4 (10:54):
Up, and Harsh Times was the one that they wanted
to Like, it's the same people who created Training Fast
and Furious, but they went with the training day before
Harsh Time because no one wanted to pick up Harsh
Time because it was too aggressive. The ending was mad,
fucked up. It was way more fucked up than the
(11:15):
Training Day.
Speaker 2 (11:16):
And yeah it had a meal had aminal plot twist, yeah,
crazy twist. Yeah. So yeah, that that that movie. Yeah,
I mean you know it kind of became a cult
classic as well. Yeah, that's a cold classic for sure.
People are picking up on it now, you.
Speaker 4 (11:30):
Know, Christian Bell, Freddie Rodriguez, Uh, even a Longoria yourself,
Noel g.
Speaker 1 (11:39):
It's a It was a fucking movie man.
Speaker 2 (11:42):
It's crazy man, and then that, and then it was
straight independent. Yeah, it straight in that movie.
Speaker 6 (11:48):
Man.
Speaker 2 (11:48):
The writer of Training Day, he wrote it and directed it,
so that was like his baby there. Yeah.
Speaker 1 (11:53):
The big studios didn't want they didn't.
Speaker 2 (11:55):
Want to, they didn't want to mess with it was
too violent.
Speaker 4 (11:57):
The end was crazy. Yeah, because he killed that role too.
You thought, yeah, you thought he was absolutely mad. Yeah,
everything Christian Bale does. Man, Yeah, he's like he's like,
he's like the antithesis of method actors, right, he's yeah,
was that the correct Yeah, he's I mean, yeah, he
(12:19):
would I mean not the I think you mean he
is the embodiment, the embodiment. There you go, the embodiment
of methodist.
Speaker 2 (12:27):
Killer right here.
Speaker 4 (12:30):
I would agree that was a momentary pause. I got, hey, listen,
I'll pause with you. I agree on the one. Yeah,
he is the embodiment of method actors. There's others, but
like that dude, he gets.
Speaker 2 (12:44):
Into his roles. Man, even when the when we were
on set of Harsh times, he was he was hanging
out with us, like in between takes and he was
just like me and the whel hanging out with the
homies and we're chopping it up, and he was just there,
just just soaking up game, you know, because most of
the his role in that movie, it was that he
grew up around around the hood, Mexicans in the hood,
you know. So so he's like speaking that lingo, you know. Yeah,
(13:06):
so he's studying. He's studying everybody. Man the whole time
he's there, man like he's in his own, uh character.
And I remember he had just got off of doing
Batman Begins, And I remember Son was like ten years old,
and I took him on set with us that he
wanted to get an autograph, you know, I want to
get Batman's autograph, but but uh, they wouldn't le him
because he's in character. Now.
Speaker 1 (13:23):
Yeah, he's not in.
Speaker 2 (13:25):
Yeah, he's not in Batman Motor Christian Bale mode.
Speaker 5 (13:27):
He he's in character.
Speaker 4 (13:28):
Now, you know, they don't want to get screamed down.
It becomes a meme and a YouTube video and well yeah, yeah,
you don't remember he's the guy that like went off
on somebody just walking through his eye line. Yeah, I
do the eye line. Yes, it was like some audio
work here. I was like, whoa, Okay, what's a trip is?
(13:50):
After that particular thing happened, like on a lot of
movie sets, they started banning phones from recording or filming ships.
They didn't catch somebody like him snapping on the set.
He totally snapped. Yeah, but I get it. You know,
you're I get it. You're focused and someone just walks
in your line and throws you the funk off when you're.
Speaker 2 (14:12):
He's one of them cast thos beyond focus.
Speaker 4 (14:14):
He's like that Daniel day Lewis type where it's like
he's been living it for two years getting ready for this,
and you just, you know, you just fucked it up.
Speaker 1 (14:23):
Yeah, you all that preparation, you fucked it up.
Speaker 2 (14:27):
I'm not using.
Speaker 4 (14:28):
It, but I'm like I can understand, Like, you know,
he committed to that ship.
Speaker 2 (14:33):
He studied for it.
Speaker 4 (14:33):
He becing, Well, yeah, that's like if you're singing the
song right, you're in the you're in the studio booth right,
and you're fucking nailing it and someone walks it by accident.
Speaker 2 (14:43):
Oh fuck, I didn't know you were excuse me coming
through again? Ye you know that.
Speaker 4 (14:48):
Of course they're get they're getting thrown out of the studio.
Speaker 2 (14:51):
Throws the energy. Man.
Speaker 1 (14:53):
Yeah, and you gotta do it again.
Speaker 4 (14:57):
God, there was no phones, man, I mean even that
just arguments between homies, like amongst groups and about things,
and you know that should happen that day.
Speaker 2 (15:08):
They should be on the fucking socials and everything. Everything's
out there now, man.
Speaker 1 (15:14):
Yeah, yeah, you gotta be careful exactly.
Speaker 4 (15:16):
You know what you do like groups anymore if you
pop off on someone in public, so it might get got.
Speaker 1 (15:24):
I mean ship.
Speaker 4 (15:25):
You could just be eating dinner with your family or
your friends or whatever.
Speaker 1 (15:28):
You know what I'm saying. They get that.
Speaker 2 (15:31):
The problem is, yeah, they don't. They don't get the
whole context of everything that ends up on the internet
is just.
Speaker 4 (15:37):
Like they send it over to TMC.
Speaker 1 (15:40):
They were partying all night.
Speaker 9 (15:42):
And I'm curious man was he asking? Was Christian Bale
asking questions like when you were like talking slang where
they like, was he like what what does that word mean?
Speaker 2 (15:52):
Or not like that? I mean he kind of he
kind of did that. I remember he asked them, wow,
a couple of questions. But for the most part, he
was just there, just just just looking at us, just
checking out the lego. And and he had already studied
us before that, you know. And I know he hung
out in the wild a couple of days before that,
you know, like a couple of weeks before before the shoot.
He was made a couple of months. So yeah, he was.
Speaker 10 (16:12):
He was falling in with them, trying to make sure
he could pass imagine conversation it was. And I mean,
this is this is all real talent, right. You never
took no acting lessons or nothing at that point.
Speaker 2 (16:25):
That's dope.
Speaker 1 (16:26):
So you were just going in there on reads.
Speaker 10 (16:28):
To me, sometimes the real talent is better, Yeah, I
mean anything that's like if you listen to a comedian,
the roal Hood comedians always the acts the rappers, you know.
Speaker 2 (16:39):
The exactly. Yeah, No, I mean it's in a lot
of times, that's what a lot of these uh casting
the directors that they look for to you, you know,
like raw talent and naturally see something in you. Yeah,
they'll keep sucking with you, man, you know, they keep
trying to push you and get you out there more. Yeah.
Speaker 4 (16:55):
Yeah, I would imagine because when they're dealing with people that, like,
you know, because they have some years under their belt,
it's kind of harder to give them direction because they
think they know the direction. But if someone else wrote
it and they hear something on it and they're asking
you to like flex a certain way, yeah, it's probably
easier for the raw talent to adapt to that than
(17:16):
to someone who's been doing it for so long and
they lean on this particular style and it can't get it,
can't cut it, you know what I'm saying.
Speaker 7 (17:26):
And similarly, I kind of was going to say that
also like the cat that hasn't been thoroughly trained or
anything like comparatively to me, like playing a guitar, I've
never been trained. I don't know the fucking rules, so
they get broke sometimes and you don't care, but it
works right because you're not trained in that way and
enslaved to like a certain set of rules. Thought patterns
(17:49):
or ideas or a style of acting or you know
what I mean. Real Yeah, sometimes just not knowing is
gives you a bravery you don't even know.
Speaker 4 (17:58):
You have, yeah, an upper fucking edge if you will,
you know what I mean, Like you got nothing to lose.
Speaker 2 (18:07):
Yeah, yeah, because when you go to acting classes, you know,
they teach you a certain way. You know, there's like
a structure to it, and uh and sometimes yeah, some
some movies and some some movie rolls or TV rolls
that don't require all that. You know, they want authenticity,
you know.
Speaker 1 (18:23):
Yeah, they want an old ship, old rules.
Speaker 2 (18:26):
Yeah.
Speaker 1 (18:26):
They don't want to feel like you're acting the role
so much. Yeah, exactly exactly. They want you to be
it they wanted to do.
Speaker 2 (18:32):
Exactly. They want you to be it, man, So they
want it as natural as possible. So that's all. That's
how a lot of cats get in the industry these
days too. Man.
Speaker 7 (18:38):
Usually unless a direct or direct directly wrote the script,
that guy's looking to make something anyways slightly, you know,
that's the script is just his outline. Yeah, So things
that happen along the way sometimes are the things that
like make the whole thing.
Speaker 2 (18:54):
That Yeah, yeah, it's real talking man.
Speaker 4 (18:57):
The adaptability, you know what I mean to be able
to like, you know, snap something in that you didn't expect.
Speaker 7 (19:03):
How many times is the best thing on a song
or a record been a happy accident?
Speaker 1 (19:07):
Yeah, something spontaneous you didn't plan it.
Speaker 2 (19:09):
It's just the same principle, man. Yeah, Yeah, that's real
ship man. Because I also worked with I learned like
a lot of comedy Timy too through George. Yeah, salute
to George. Shout out to George Man. I worked with
him on two seasons man of a show called Lopez
that was on TV Land, And uh, I remember that
first season. Man, it was pretty It was pretty pretty
(19:29):
wild because you know, there was times when it was
there's certain takes. He would tell me, he goes, right,
right now, we're gonna switch it up from the script.
You know, he goes, we gonna do a little improv.
You know, he goes, he goes, I'm gonna say this,
and then you come over and then from there we're
just just write it. And I'm just staring at him like,
like you know, with a blank stare. He's looking at
me like, nah, I'll be you ready yet? Man. This
(19:50):
was like the first couple of couple of episodes when
we first started shooting it, but by the end of
the season, like, you know, I was just following his rhythm.
Speaker 1 (19:57):
You know, that's that's that's uh.
Speaker 4 (20:00):
They do that one show that's created by Larry David
Herbie Your Doozy.
Speaker 2 (20:05):
That's all that show. Lopez was kind of like, kind
of like on that level.
Speaker 4 (20:09):
Yeah, they don't have a script, they have an idea,
they talk about it and then boom.
Speaker 7 (20:12):
Really, I didn't know that here's point A, here's point B.
We got to get from there to there. That's cool,
let's go. It's no wonder he's always cracking up. That's funny, dude,
that's freaking awesome.
Speaker 2 (20:24):
I didn't know.
Speaker 4 (20:25):
So.
Speaker 7 (20:25):
I also, I think a key to why they're the
awkwardness at times.
Speaker 2 (20:30):
Is so fucking awful. Yeah, it's actually awkward.
Speaker 1 (20:34):
If you're good at improv, that shit is awesome, you
know what I mean.
Speaker 2 (20:37):
It's pretty genius.
Speaker 1 (20:38):
And a lot of people that do that show are.
Speaker 7 (20:41):
You know, when you go back and watch the original
sign Fro series, it's very obvious to me where about
ninety percent of the actual funny ship came from.
Speaker 2 (20:51):
And that was very day and a lot of times
even when descripted, a lot of times they keep the
improv takes more than.
Speaker 1 (20:57):
The descripted the scripted ones.
Speaker 4 (20:59):
Yeah, I don't think they did script uh your enthusiasm,
because when we were literally he had an idea for
the whole story. For each scene, he'd be like, we
got to get from A to B. We're in a car, Yeah,
let's go.
Speaker 7 (21:13):
We're at a golf course, and you know, so all
these little things that would happen. Then they you know,
I'm sure they wound up doing them ten twelve times
and they evolved. Yeah, but it's kind of like the way,
like like I would write a rhyme, I don't necessarily
I can't write them down, so I might go in
and spit six bars and it said oh nose for a.
Speaker 2 (21:30):
Fucking twenty minutes, and then come back with another.
Speaker 10 (21:32):
You know, it's kept. So I'm sure they built like that.
But yeah, and then he just gets pieced up. Yeah, yeah,
because that's all the sho Lopez was.
Speaker 2 (21:41):
It was. It was mostly it was scripted, but the
writers let us go off script, you know, just as
long as we stick to the storyline, you know. Yeah,
So that so That's what was cool about it, man,
that you could just kind of just do your own theme, man,
as all as long as you're on that scene. I'm
not saying storyline, you're good man. They weren't even tribute man.
Speaker 4 (21:57):
Yeah, the storylines with what's important, what goes in the middle.
Speaker 2 (22:01):
And George was throwing a lot of you know a
lot of punchlines in there man, that that weren't on
the script. So you know what I'm saying, So the
directors writers keep that, keep that. Yeah.
Speaker 1 (22:11):
Yeah, And he's got a lot of those one liners, punchlines.
Speaker 10 (22:14):
They gotta they gotta tell you keep it clean, right, Yeah,
it could be dirty, yeah, yeah, TV, because it's television.
Speaker 2 (22:20):
So you know what I'm saying, they're they're they're trying to,
you know, maintain that PGS. Yeah, definitely. But there was still,
you know, there were still some things that that that's
that slipped out, that slid you know, they got we
got we got away with certain things, you know.
Speaker 4 (22:32):
Yeah, and that always happens. Yeah, I mean the little
things that fall through the cracks and they don't.
Speaker 2 (22:37):
Know exactly you know what I mean, it's too late
once it's out.
Speaker 4 (22:42):
I mean, that's the take of creativity. Man, you could
you could be that clever where they don't even catch it. Yeah, exactly,
you know in music and TV and film all that ship.
Speaker 9 (22:52):
I just heard Lady Guy confessing that in that part
where she says poker face exactly saying your face. She
she could like confess it to it. And now when
you listen to it, you get here. I'm like, oh,
she really did say that, and you're right you can
hide it, you know, you can be clever about it.
Speaker 1 (23:12):
What is it called the double?
Speaker 4 (23:15):
Yes?
Speaker 2 (23:16):
Yes? What did you say? She said?
Speaker 9 (23:18):
You know that part she's like poker face and she's
saying for her face.
Speaker 4 (23:26):
Maybe that's what different. Maybe that's what I mean. Maybe
that's what difference. Maybe that's what Maybe that's what she means.
But she's saying poker face. She's not saying her That
would never get on the ratio.
Speaker 2 (23:37):
I saw a video.
Speaker 9 (23:38):
It could have been AI because nowadays I don't know
what to believe, but it looked like she was admitting
that doesn't she said there.
Speaker 2 (23:44):
Here's here's the problem I have with that.
Speaker 4 (23:46):
Now.
Speaker 7 (23:47):
While I was going, I was asked, sorry my questioning
of the of the witness, uh is Why would she
confess to that when that would absolutely destroy the record
from getting played anymore, like on on like radio they
found doubt, like, oh, that's literally what you said. We
have to write that as it now, as the FCC,
we she'd be done on public or on you know,
(24:09):
radio radio.
Speaker 10 (24:10):
She should, you know, she should change her name to
Lady Kka. Why should she change her name to Lady Ktka.
That's just my opinion, but that's not said in the opinion.
That's just making a state you don't like her music.
Speaker 2 (24:27):
Now that she's cool, she she got a few joints.
I'm just fucking with her. I know. That's my homegirl here.
Speaker 4 (24:34):
She smokes a lot of weeds. Really, yeah, that's what
I heard.
Speaker 7 (24:40):
Yet she has not come to I was about to say,
why the fun she ain't on the fucking Green thumb
highest show on planet because she's smoking that cock.
Speaker 2 (24:49):
Call her up right now.
Speaker 7 (24:50):
I'm officially calling bullshit on that, Ganja.
Speaker 4 (24:55):
Yeah, ship, what was I gonna say? How many assides
did you have to kick? Well, you were working security
for Master p and No Limit.
Speaker 2 (25:05):
We got to a few altercations. Man got into a
few man and then it was during that time when
you know, the whole feud with cash money records and
so so you know, we we we we got we
got into some ship a couple of times.
Speaker 4 (25:19):
Man.
Speaker 2 (25:19):
But but man, yeah, because he and but before that,
I was working security at the House of Blues in Hollywood. Yeah,
and so that's how that's all I got picked up,
you know, yeah, because Master P owned it happened to
own the company I was working for at these because
they have House of Blue Security and then they have
another security that they bring it from, you know, from
out doors because House of Blue Security wasn't allowed to
(25:42):
touch the guests, you know, Yeah, so they bring they
would contract us in there and then you know us,
it was like fuck it. It was a free for all. Man.
So when they would have those crazy rowdy shows, man,
and foods were trying to jump on stage, we had
to be knocking foods down. So I guess you know what,
Master B took a notice to that, and uh as
Kevin you know that that was my supervisor, that was
(26:03):
his right hand man at the time, and so so
you know, so yeah, so so so after that next thing,
you know, I was I was on the on the
No Limit Army tour with him. Yeah. The one time
I remember we were in Detroit. I was a little
bit heavier always, you know. I remember one time we
were in Detroit and I was the first one and
we're in the elevator going down and there, you know,
kinds of people in the lobby waiting, and we're right
(26:24):
there chilling in the the doors open us. All kinds
of people were there and some kids was like, hey,
look it's kid Frost. I have my hat on.
Speaker 10 (26:32):
That was a little heavier, you know, did he did
he tell you to stay boudy about it?
Speaker 11 (26:39):
Just now?
Speaker 2 (26:40):
The little kids just kept seeing I kept telling you
and going no, I'm not Frost, No, yeah you are, yeah,
because I was only Mexican rolling with these guys.
Speaker 1 (26:50):
Really he really thought you were Frost.
Speaker 2 (26:51):
Yeah, this is in Detroit. I was like, damn, this
was bumping all the way out here. Man.
Speaker 7 (26:57):
I'm sorry, man, I just if every time I turned
my head and your talk and I hear electro nights.
Speaker 2 (27:02):
This that what plants create.
Speaker 1 (27:11):
How long were you running running with them as security.
Speaker 2 (27:15):
I think it was like two years, two years, two
years so so then No Limit Army Tour in ninety
I think it was ninety seven, ninety seven. It was
that's when Snoop Dogg was signed to No Limit. Yeah,
so I had to do it. I had to do
a little bit of security for Snoop dog a couple
of times. Mostly it was it was Snoop and Master P,
you know, like so you know, I would always be
the last one on the bus because I was always
(27:36):
had to make sure, you know, everybody was on when
we you know, as soon as the show was over. Yeah,
I had to clear everybody out, make sure nobody jumped
on stage, me some other guy, you know, and then
get the headcount, make sure everybody's on the bus, you know,
ntil we get back to the hotel and you know,
so I was always the last one on there, yeah,
making sure everybody was cool.
Speaker 10 (27:51):
You did you pass some message to master P, tell
them we need them on the show.
Speaker 4 (27:56):
Yeah, man, Yeah, he hasn't been here in a minute.
We had him some years back, like when we first
moved in this building.
Speaker 1 (28:02):
We had him on.
Speaker 2 (28:03):
Oh dope, Yeah, he was dope man, yeah, man, yeah, no,
we were humble dude, man. And uh I learned a
lot of game man from him too, man, you know,
just hanging out with him and you know, like just
chilling and just soaking up, you know, so the definition
of a hustler.
Speaker 1 (28:17):
Were you working with him when he was doing this?
Speaker 2 (28:19):
Uh? Let me know, because I got to bring in
my master Pete all.
Speaker 4 (28:23):
Were you working with him when he was doing his
his run with the Charlotte Hornets just playing basketball for
that a little bit.
Speaker 2 (28:31):
By that time, he was already doing he had his
own league. Yeah, yeah, he had his own basketball league. Man.
So we would always go to Long Beach to to
the college, and we're always there because that's where you know,
they would have a lot of their games and stuff.
You know, so C Murder and uh and and Silk
the Shocker, you know, they were all they were all
playing basketball at the time.
Speaker 4 (28:53):
It's crazy that they were like the at the beginning
of this, this whole movement you here now in rap music,
not necessarily hip hop part of it, but the rap ship,
you know what I mean. And like how much influence
like No Limit had on the generation that was coming
up at that point.
Speaker 2 (29:12):
Oh yeah they had. Yeah, they made a huge impact.
Speaker 1 (29:15):
They make cash money, yep.
Speaker 2 (29:17):
Yeah, they were dominating. Both the labels were dominating that
whole era. I remember it was like.
Speaker 1 (29:22):
Man, yeah, they brought the South up.
Speaker 2 (29:23):
Yeah in a major way.
Speaker 10 (29:25):
Yeah.
Speaker 2 (29:25):
Man, that was sick.
Speaker 6 (29:26):
Man.
Speaker 2 (29:27):
You know they're they're hustling, you know, everything everything was
on point. Man, they were on it. Hell yeah, they
were classic. You ever hear from those guys. I haven't
talked to them in a minute.
Speaker 11 (29:37):
Man.
Speaker 1 (29:37):
Do they even know like that that you're doing all
this cool ship?
Speaker 2 (29:40):
I don't know, man, you know what I'm saying. To
be honest, I don't know, Bro. They probably don't know.
Speaker 4 (29:46):
And if they knew, they'd be fucking like stoked for you,
Like no ship, because I like, it's a it's a
big fucking deal, you know what I'm saying.
Speaker 2 (29:56):
Yeah, Man, that's a it's a hell of a run
you've had. Yeah, No, I mean its been a it's
been a wild, wild journey.
Speaker 6 (30:02):
Man.
Speaker 2 (30:02):
It's been crazy man. You know, a lot of ups
and downs. But you know, I just take everything, you know,
and just just be grateful for everything that we get,
you know, man, and just I just you know, I'm
just happy to be alive. Man.
Speaker 1 (30:13):
Oh, those are the best journeys. Yeah, you know what
I'm saying.
Speaker 4 (30:16):
You crash and burn and then rise up out the ashes,
maybe crash and burn a few more times and rise
up again.
Speaker 2 (30:24):
Exactly.
Speaker 1 (30:24):
That's the spice of life, you know.
Speaker 2 (30:27):
I guess that's what keeps it interesting. Man.
Speaker 4 (30:29):
Yeah, I mean I think if you win all the time,
which not everybody does, you get complacent, You start sitting
on your hands, you get lazy.
Speaker 7 (30:39):
Well, there's an episode I think it's it's an Outer Limit,
so but I think it's a twilight Zone. But it's
one of those two old kind of weird freaky shows
if you remember where the premise was, like this dude
in the beginning just kind of we walk.
Speaker 2 (30:55):
In on him.
Speaker 7 (30:55):
He's a gambler and he's gambling and he can't lose. Yeah, lose,
and then like just amazing, the most amazing day. It's
happening day after day, and and somebody comes and tells him,
like you know, he's like, yo, you know, maybe I
want to try He thinks he's in heaven, right, and
he tells the guy you know, well, you know, maybe
(31:16):
I want to try hell out for a while.
Speaker 2 (31:18):
He's like, what are you talking about it? Like where
do you think you are?
Speaker 1 (31:23):
Yeah?
Speaker 2 (31:25):
This is it, this is it will never lose. So
then that became a hell, and that became as hell.
Speaker 1 (31:32):
He can't lose.
Speaker 2 (31:33):
Yeah, yeah, yeah, no, you get stuck on the on
the grind, you know, and you just you just keep going, man,
And yeah, you got to make the best of it.
Speaker 4 (31:42):
Yeah, I mean, we'd like to win all the time.
I mean, but it doesn't work.
Speaker 2 (31:46):
It doesn't work that way. There's got to be a
balance to everything, man. Yeah, that's just the way life is. Man.
Speaker 4 (31:52):
Even if I lose, I win right through that. Just
the fact that you're playing.
Speaker 2 (31:57):
Was just the fact that you're playing and you're doing
your things. You already like a lot of people always
ask me about like success and all that, Like, man,
the Minua I started doing what I'm doing back in
the days. Man, like I felt like I was already
successful because a lot of people don't even try it.
And you try it, you know what, you get into
it and you stay with it, exactly, you're already successful. Man.
(32:17):
But yeah, most people don't won't even dare to try it,
you know.
Speaker 1 (32:20):
They just yeah, people are fearful of failing.
Speaker 2 (32:24):
Like they'll never know if they had a chance.
Speaker 4 (32:26):
Well that's well, that's the thing though, Like in anything
you do, you can to be afraid to fail, because
you're gonna learn from the failure to continue on. If
you're afraid to fail, you'll never play the game. Therefore
you've lost before you've been started.
Speaker 9 (32:40):
There's gonna be failures. You just got from them and
let them make it stronger.
Speaker 1 (32:43):
Absolutely.
Speaker 4 (32:44):
I mean in this rap shit, you know, I told
a couple of stories, like in my first couple of
times getting on the stage or being in front of
a camera, I totally choked and forgot everything I ever
knew twice, you know what I mean. And I could
have crashed and burned there and ever got back on
the mic and figured, oh maybe this ain't for me.
I better go get a regular job or some ship
(33:06):
like this, right, Nah, these are part of the things
that build you up if you could get past them.
Speaker 2 (33:14):
Yeah, no real talking. And I've had a lot of
homies like that too, man, that that you know, we
started off together and not even halfways in the journey, man,
like a part of the journey like I'm quitting. Man,
this ain't you know for me, and this shit ain't
going nowhere, and you know, and stuff like that. I
was like, well, I mean it is what it is,
you know, you gotta do what you gotta do. But
I'm gonna continue to do what I'm doing. Man, Just
(33:35):
you know, see what happens. You gotta shoot you.
Speaker 9 (33:38):
I was gonna say, sometimes it depends on who's around
you too, too. I mean, some people will distract you.
It could be a relationship, it could be a friend,
it could be you know, yeah, any any substance.
Speaker 2 (33:49):
Whatever. We're gonna say.
Speaker 7 (33:50):
There was a show, yo, y'll be able to bear
witness House Pain had a hit record already.
Speaker 2 (33:58):
Yep, he came back.
Speaker 7 (34:00):
It was gonna be our first La jump off, like
since the record hit. We were gonna we were on
support for the Ramones two nights at the Hollywood Palladium.
We're stoked. This is gonna be crazy. My mom's there.
(34:22):
We go out on the stage and it's in their audience.
It's nothing but punk rock, black hair and black t shirts.
Oh all right, Dje boom boom. Whole fucking place just
took me off. I was like, what the fuck just happened.
(34:45):
We went out, did a couple of songs. Meanwhile, Big
Reel's there to do a song with us. We get
two songs and I'll go over the side of the
stage and I say, dude, don't even sweat that ship
that you don't bother.
Speaker 2 (34:59):
He's like, fuck that.
Speaker 7 (35:01):
I was gonna quit the whole I was like, I'm done,
walk off stage. He was like, fuck that shit, let's go.
I was like word, went out there and did the
fucking song. Then we did like twenty five more minutes
on purpose. Fuck y'all man. But my point being as saying, yeah,
(35:21):
sometimes that's the turn of the tide.
Speaker 2 (35:24):
Is not you, it's it's your people. Yeah, kind of
gave a little pushback. No that, let's go. Yeah, they're wrong.
Speaker 4 (35:34):
That's awesome and listen and this is here let me
give you background on that. It's like one of those
things where the Ramones had two shows, right, they had
sold out the first one and the second one needed help.
They added House to Pain onto the first and second one,
(35:54):
but they didn't necessarily have to promote House to Pain
for that first one because it was already sold out.
The second one, House Paint got promoted on that so
on the second night it was a whole different fucking
story because then hip hop fans came out and blew
that place the fuck well. The funny the funny story
(36:16):
getting up to that was after this show, we still
we walked off stage.
Speaker 2 (36:21):
I walked off stage like I quit.
Speaker 7 (36:23):
My mom was there and watched me get booed for
thirty five minutes.
Speaker 3 (36:28):
Oh.
Speaker 2 (36:28):
I was like, fuck that.
Speaker 7 (36:29):
I only lived blocks from there in Hollywood at the time,
and we're supposed to play the next day. So Newton
comes around one o'clock, supposed to be sound check or
our manager at the time. Amanda starts blowing up my phone,
where are you at? What you think I'm coming back
there to do this again. I was like, it's the
(36:50):
same thing, it's gonna be. She's like, it ain't gonna
be the same thing tonight. I promise you it ain't
gonna be the same thing. I was like, well, fuck that, whatever,
good luck, I'm not coming. I think he called me once.
I was like, b I appreciate last night, dude, but
I don't think I'm coming. This manager goes and gets
my mom, brings her to the fucking show and has
(37:12):
her call from the fucking.
Speaker 2 (37:13):
Venue like where are you at? Baby? I was like,
I'm my home. I met the show you go on
in thirty minutes. I was like, what do you mean?
Speaker 7 (37:20):
You're at the show and then man that picks up
the punk. She's like, your mom said you need to
come here, right.
Speaker 1 (37:25):
She mafia bost you.
Speaker 4 (37:28):
She went somebody And that's the only reason I showed
up and found out what he was saying gangster.
Speaker 7 (37:37):
But the second night was oh, it was the complete opposite.
And not only that, I found out what big fans
of ours, the Ramones were. Yeah, they were fed after
we left, and they came on that night that we
got booed.
Speaker 4 (37:50):
They gave their fans ship. Yeah, because the next night
their people were like, we're so sorry. I was like, man,
it's all good, you know, a loss, nothing butter. But
it was it was like it was I never I
could never, ever ever hear worst bullying than I heard
that night.
Speaker 1 (38:07):
It was pretty bad.
Speaker 2 (38:08):
I'll say that. I was like, it never phase me. Now.
That's the thing is like, you know, you can't fuck
with men. There could be one hundred thousand people now, feel.
Speaker 10 (38:17):
Like the last night that was s like absolute murderous hatred.
Speaker 4 (38:22):
Yeah, we're listen. You think I was there and he's
not exaggerated. I was there like, oh my god, this
is pretty aggressive, and hey, you know you finished the set,
you did what you were supposed to do in spite
of and fuck that crowd for not receiving it. But
you know what, the next night, you blew it the
(38:43):
fuck up because I was there both nights.
Speaker 2 (38:45):
So but jump around almost made it worse.
Speaker 4 (38:47):
It was almost like, by the time we get to
jump around, they're gonna recognize why we're here, even if
they don't know any of these other songs. But you know, hey,
listen that that's when you know, like it's it's hard listen,
it's here here. But the problem is this, It's what
I said in the first place, right, hold on, It's
what I said in the first place. The Ramones sold
(39:08):
out that first show without anyone being on it, so
there was not even a trickle of a House of
Pain or hip hop fan in the building on this
first one, because these are straight up cult like fucking.
Speaker 1 (39:23):
Ramones fans, and that's all they want to hear.
Speaker 4 (39:26):
Now, now, now, hold on, hold on, hold on. Now,
that could happen to anybody, because that's happened right where
like you you might like, I don't know if this
has ever happened for the beat Nuts, but let's just
say KRS one called you and said, we got this show.
(39:47):
We need the beat Nuts to open, right, But let's
just say that show was already sold out. They didn't
have to promote you. You go on thinking because it's
a hip hop show that people are gonna fuck with you, right,
And maybe those fans, those particular ones are just hardcore
kr resk Ones fans. They're sitting there bobbing your head
(40:07):
waiting for you to get the fuck off. You know
what I'm saying. That happens. I mean, it's happened to us.
I mean shit, I'll tell you what. We were doing
a show with I was in Profits of Rage at
the time, and we were opening for or supporting eminem Right,
this show had sold out before they announced us on there.
(40:28):
It was in France, somewhere, I think, right, we go
do this show.
Speaker 1 (40:34):
And listen.
Speaker 4 (40:35):
We're playing a combination of Public Enemy, Cypress Hill, Rage
Against the Machine songs along with new music that we
created in this band and everywhere else we went, mosh pits,
stage dive, crowd surf, and all the wild shit you
see you used to see in the nineties. Every show
we get to, this show, we do this, we get
(40:57):
on and those those m fans.
Speaker 10 (41:00):
Like this, damn fuck off it happens, where's them hurry up?
Speaker 4 (41:10):
And we didn't take it personal because it's like, we know,
we got added to a show that was already sold out.
And that's what happens to an opening or support act
when the show is sold out already without you being
on it.
Speaker 1 (41:25):
It's hardcore.
Speaker 7 (41:26):
I hate, I hate to argue at all, but they
wanted us dead.
Speaker 2 (41:31):
Well they weren't.
Speaker 4 (41:33):
Just I'm I'm not I'm not arguing with you about
who had the worst thing or and I'm not trying
to one up you. What I'm trying to say is
that this happens to many groups that go open for
anyone when the show is already sold out.
Speaker 10 (41:51):
It's just a hard it's an uphill battle for you know,
something else, something else. The Ramones fans are old as fuck,
so when they see these young.
Speaker 2 (42:00):
Well they weren't there.
Speaker 1 (42:01):
Well, hold up, they weren't that old then.
Speaker 4 (42:03):
They were like maybe in their thirties, right, would you
say the oldest at that time, because this was ninety
two older their next their step up about thirties, thirties,
ten years up. Yes, they weren't that old. Probably they're
just hardcore Ramones fans. They didn't like hip hop. Those
that pretty much that first night were Ramon's fans that
didn't like anything but that type of ship Like.
Speaker 2 (42:27):
They didn't like things beyond hip hop right now.
Speaker 4 (42:30):
The second night there was a combination of house of
paying fans and Ramones fans that were open to other
music genres. And that's what was the cool part that
second night. That was the real night. The first night was.
Speaker 7 (42:44):
Everything on God. If it would have happened two nights
in a row, I probably just would have never got
on another step.
Speaker 2 (42:54):
Yeah, it does. It does? I mean kind of just
like out of you.
Speaker 4 (42:58):
Listen, I've never encountered what he and counted in terms
of that that boomy because you were there and you
stepped out on it with me and enjoyed it with me. Brother,
That's what I'm saying. You volunteered. As a matter of fact,
I think, no fuck that we're doing it and listen.
The only thing I could compare to that is is
beck On Lallapalooz's stage when they start throwing grass at him.
(43:19):
This is before he blew up, before he had to
hit and he's still kind of working it.
Speaker 1 (43:25):
They didn't understand him.
Speaker 4 (43:26):
They they peeled the sod out from the grass area
and just start not throwing it on stage to like
it be a fun thing.
Speaker 1 (43:34):
They were throwing it at him. Now.
Speaker 4 (43:36):
They weren't booing like that though, but they were throwing
the grass. Wow.
Speaker 1 (43:40):
Those were the two last the two worst things. Yeah,
you got the ultimate bood.
Speaker 2 (43:45):
Think I've ever heard.
Speaker 4 (43:48):
And file liken it.
Speaker 2 (43:54):
I swear on everything. I'm years old.
Speaker 4 (44:00):
I've been booted a couple of times since. Man like
and listen, I've heard words. He's not he's not exaggerating
because I was there and it was pretty fucking bad.
Speaker 1 (44:12):
You got through it, and that's the whole thing. You
got through it.
Speaker 2 (44:15):
And again because you stepped out there and were like, no, dude,
fuck that we finished in the set. Oh yeah. I
was like, all we're pro.
Speaker 7 (44:24):
What we did was we were I was going to
be put your head out and then fucking jump around.
I just leaned over to You're like, don't even trip,
I'm just gonna do that. Yeah, and You're like.
Speaker 4 (44:32):
No, no, no, no no, because at that point we had
been like throwing ship at the audience and wrapping at
him mad. It was like a fight. We were just
like what it was. It was. It was what they
call a battle of wills. He was like, we're not
getting off at air, and then when he did that,
it was like, oh, we're absolutely not getting off.
Speaker 7 (44:51):
In fact, in the crew, I'd have to say, it's
probably the first time any of the of us broke
the turntables and just started like.
Speaker 10 (44:58):
Like that was at the first That was not It
wasn't the first time. It's the first time. I remember
the first time, you remember, But it wasn't winging that
ship at the audience, winging it at the audience.
Speaker 7 (45:11):
That's a different I'm talking about. We broke the fucking turntables.
Speaker 4 (45:16):
To this in the crowd, certain members of the jumped
into the crowd and fought people. I'll tell you what
was a wild one. Was the time in Ireland or
scott No, it was, no, no, no, no, no.
Speaker 1 (45:29):
It was in the UK. Was in Manchester.
Speaker 4 (45:31):
We were doing the Soul Sassage tour out there and
lethal got into some ship and our crew guy went
to back him up because he forgot his backstage pass
and one of the security guys like, you can't come
back here. But you know, in a very thick Manchester voice,
right and uh and uh you know, and our our
our homie at the time snow was like, hey, he's
(45:53):
a part of the crew. He flashes his past. He's
with the House of Pain and he's with us. Come on, no, no, no, no, no,
he's not fucking going whatever all that shit, right, And
so they they square up, they square up, and our guy,
like you know, gives it to him a fair one though,
like just the one on one.
Speaker 1 (46:11):
Nobody jumps in blah blah blah.
Speaker 4 (46:14):
So as he walks off, someone throws a chair at
those guys. I don't know who it was, but someone
throws a chair at at at him and his guys
as they're walking off after the fair one, like oh,
we want to throw chairs, do you. So they go
start breaking down the fucking lighting trusses and getting the pipes,
and they're on our way. They're on their way to
(46:35):
the House of Paying Bush. Remember that they broke all
the windows out on the way very accurately. Hey, hey,
we snatched one of their guys on the way out.
This is how they don't end up coming on the bus.
And like, you know, because they all had lead pipes,
we didn't have shit, right, So we grabbed one of
their fucking homies, snatched him on the bus. If they
(46:57):
come up in here, you're the first one getting fucked up. Yeah,
and uh we held him for like two three blocks,
well until we got away from him. Then we left
let him off the bus, but they smashed all the windows.
Speaker 1 (47:10):
It was there fucking crazy.
Speaker 4 (47:11):
As they start pulling away, it's like, fuck and these
are huge, fucking yeah, like we were literally driving window
list by the time we got a block and a
half away. Yeah, we we took their homie hostage for
a couple of blocks. Those that ship was hilarious. We
let him go. No one beat him up so that
they just got mad because someone threw a chair at
(47:32):
them in defeat, you know what I mean. They're already defeated.
We're walking away from the fair one and then someone
threw a chair. It wasn't enough, it wasn't enough. It
was uncalled for exactly, but and then it got out
of head. I mean what that cost y'all?
Speaker 10 (47:50):
A relationship with a bus company, Well that that that part,
I don't know.
Speaker 1 (47:55):
Relationship with the bus.
Speaker 4 (47:58):
I'm gonna say about twenty five to thirty racks for
those windows in pounds though, so back then, yeah pounds, yeah, five, Yeah,
that was a dollar. That was an expensive fight right there. Boy,
that was our guy won man. Well, yeah, I know
I know who did the other thing too, But I'm
not going to say, well, you don't have to bust
(48:19):
him out, but like, yeah, it was a saying it
was God damn it, it was unneeded and it costs
you all money for that, you know what I'm saying.
Speaker 7 (48:27):
That was That was And I'll just say one thing,
they got the right camp as far as whose busy,
as far as retribution that should have been dealt out,
our bus was gone because weren't necessarily wrong.
Speaker 1 (48:37):
Yeah, they weren't wrong. That was the part. They weren't wrong.
Speaker 4 (48:41):
H Our bus was already gone, so they couldn't target
our bus that week.
Speaker 7 (48:45):
That is not why it was everybody was jumping on ours.
Going back to the point, I got it, yeah, but
still we.
Speaker 4 (48:50):
Get Yeah, that's why everybody jumped out. It was. It
was garmentally right in that moment say that. But fortunately
we got our hands on that one guy because the
karma would have been much worse had he not been
on the bike. So DJ probably I don't know. I
didn't see. I was facing them when I saw the
(49:12):
chair go over, so I don't know who threw it.
Speaker 1 (49:15):
I didn't turn back to see who the guilty party was.
Speaker 4 (49:18):
I just saw quickly how they went for the scaffolding
and all the ship that they could break apart, like, oh,
get to the bus.
Speaker 2 (49:26):
We were gone though, I thought we were out. And
then it was like.
Speaker 4 (49:31):
Because the bus, the bus driver got scared and we
had to like forcefully tell him to start fucking rolling.
Speaker 7 (49:40):
It almost felt like gun like it the first couple
because the windows just like, yeah.
Speaker 4 (49:48):
You know, salute to those security guys. I never still
alive from that time. Much loved that one weren't wrong
by this night, ever, and you weren't wrong. We we
apologized for our dumb asshole.
Speaker 2 (50:00):
But our little guy still got your big guy.
Speaker 4 (50:02):
Yeah, that is the truth. Because our guy was like
he was all about like maybe five six, right about
five six, with big old Mike Tyson legs and yeah legend,
yeah yeah, like our our our our homie. He was
like the dude. He was like the giant killer. He
could take dudes like twice his size down, pick him up,
(50:23):
bang bang bang, right like so again, he's five six
and he would take on someone like six five and
roll him. And uh so they didn't, you know, Homie
didn't know that. And Homie wasn't much bigger than our
than our guy, but he definitely had some size on him.
And our Homie rolled his ass up Farron square boom
(50:44):
handstyle and then dumped him on the back. And then
he let him go and Homie took his he took
his little beat down, and then it was just, you
know it defeat. That chair came over and that you know,
that was like the slap in the face that they
were going to take that in their own city, not
in their own city a fair one they could take
(51:05):
the disrespect, they were not going to take it.
Speaker 1 (51:08):
And I don't blame you, you know what I'm saying.
Speaker 4 (51:10):
I never blamed It wasn't my bucks, but I'm saying,
and the right person paid the tap. The right person paid.
The right person paid the tap. I know, I know
you gave him, but talking to I know you had
to ship. You know, if they're watching, they're probably turning red,
(51:35):
like right now.
Speaker 1 (51:35):
Have that was me.
Speaker 2 (51:39):
Heated all over a year.
Speaker 4 (51:41):
Back in the nineties, every crew had their one troublemaker
or two.
Speaker 2 (51:44):
Yeah, yeah, yeah, no, I never failed, man, you know,
especially when you're trying to bring some of the homies
from the neighborhood, you know, just to show them, you know,
show them a different, different lifestyle or whatever. Man, there's
always that one food. Man.
Speaker 4 (51:55):
It's just you know, but some adapt you know, because
because you auld exactly what I'm saying, and and listen,
you know, I was a gang banger before I got
into any of this ship, which is why a human
got snatched up and be protection because I wouldn't have
thought that that well, you know, but it definitely saved
we we we carry some tactics on over, but like.
Speaker 11 (52:19):
A little collateral, a little little you know, the ability
to adapt and and not and not brings so much
of that exactly to the party and like be accountable
and responsible to take your opportunity and.
Speaker 4 (52:35):
And build momentum off of it and don't be stupid.
But not everybody could do that, you know what I mean.
And some people fucking lose grip of it or they're
just not built for it. Because I used to bring, uh,
you know, try to bring homies from our hood, and
you know, some of them could adapted some of them.
Speaker 2 (52:54):
You know. It's uh, it's just one of those Yeah,
it's like a it's like a jungle man.
Speaker 4 (52:58):
I mean, I know you you had to deal with
that too on your end, you know what I'm saying
to a degree.
Speaker 2 (53:03):
You know what I mean.
Speaker 7 (53:05):
You know, there comes that point where you become the
guy and the crew that kind of doesn't go out anymore.
Speaker 1 (53:11):
Yeah, and avoid the loss the drama. See that was
that was me.
Speaker 7 (53:17):
Listen, I got bought way too many cars over like
slapping or punching somebody.
Speaker 4 (53:22):
They look, this is why in early days that I
wasn't out all the time on tour with the squad.
Speaker 2 (53:30):
I'll testify that you saved yourself of several that I.
Speaker 4 (53:33):
Know why because I had a gang profile on my shout.
I had a gang profile on on my ship. So
anything that happens of the first one getting tapped, so
at least that's what at least that's what my mentality was.
So my ship was like, well, if I'm nowhere to
be found, I'm good. And so I just you know,
(53:56):
stood stood away from like, you know, when the big
group would go out, because I know we had a
bunch of wild motherfuckers, and that somebody was getting.
Speaker 1 (54:04):
Beat up on the night to night was going to
be a party afterwards.
Speaker 4 (54:07):
It was right to where he was at with all
of the oh well yeah, wild times. Yeah, it's a
natural wait, National Great American pot Pie Day.
Speaker 1 (54:22):
There's an American pop pie.
Speaker 4 (54:24):
Yeah, an American Okay, it's the little ones, those little shitty,
itty bitty ones, but their delicion.
Speaker 2 (54:31):
Yeah, I was gonna say, man, man, they'll carry you through,
you know what I'm saying. They're good though, man, like
a cup like a cupcake pot pie.
Speaker 4 (54:42):
Yeah, you just got to pop it out that stupid
little tin, you know what I'm saying.
Speaker 10 (54:46):
Yeah, I mean they're just like being silly with a
fork on that play. Yeah, they're key. These little pop
pies are key, man.
Speaker 2 (54:56):
Yeah.
Speaker 4 (54:57):
The Swanson used to a lot of those, right sir. Wow,
yeah we all know about Swanson. Up in this motherfucker.
Speaker 2 (55:06):
This is the.
Speaker 1 (55:06):
Table in the oven. Yeah you're good.
Speaker 2 (55:11):
You're having dinner a couple few minutes later. Yeah.
Speaker 4 (55:14):
It's also National Checkers Day. B checkers, the ones, so
the further ones that can't play chess.
Speaker 7 (55:25):
He actually expected the checker community about that.
Speaker 1 (55:31):
Is it or is it a different.
Speaker 5 (55:32):
Checkers has something to do with the board game.
Speaker 2 (55:35):
Oh you mean just the pattern? Yeah? Oh gotcha?
Speaker 1 (55:38):
All right, mine sounded better. Oh mine sounded better, right.
Speaker 6 (55:43):
Like.
Speaker 4 (55:46):
The Checker tournament was about to go down? Yeah no,
oh ship.
Speaker 8 (55:51):
No you started in a nineteen fifty two when Richard
Nixon gave his famous Checkers speech, and in the speech,
he defended himself against accusations of financial and financial abuse
and mentioned that his family had received a Cocker Spaniel
named Checkers as a gift.
Speaker 5 (56:06):
Wow, celebrates dogs as loyal companions.
Speaker 1 (56:08):
That's a pretty good name for a dog.
Speaker 7 (56:11):
Checkers up almost got in trouble for getting a dog
as a gift. And our guys it just got a
billion dollar jet from a country.
Speaker 2 (56:21):
Yeah.
Speaker 1 (56:23):
Well, you know the Golden Calf gets his attributes, right.
Speaker 10 (56:27):
No, they got they got they got them burgers out here,
the Checkers, right, they.
Speaker 1 (56:31):
Got over here.
Speaker 10 (56:32):
I think what I thought in the beginning when you
when you said Checkers, See, we all got a different
Did you know it is the birthday of d J
F M. Happy birthday? Did you know that? I didn't
know that? Well, I'm here to remind you do.
Speaker 2 (56:50):
Appreciate that. Good to be we we didn't.
Speaker 4 (56:53):
Get the year on here because they want to give
away his old ass. He thank Dom for that one
I got. I got to I got to.
Speaker 2 (57:03):
Forty seven is not that old man. I just don't
put it out here. He's fifty eight.
Speaker 3 (57:07):
Man, what.
Speaker 2 (57:10):
I'm just kidding. I'll retire. I'll retire, min.
Speaker 1 (57:13):
I'm gonna retire.
Speaker 4 (57:15):
Did you know it is the birthday of the legendary
John Coltrane, born on this day in nineteen twenty six.
No way, I did not know that you share a
birthday with John Coltrades. I love, That's dope.
Speaker 2 (57:28):
I love.
Speaker 4 (57:30):
I'll tell you what. When there was something cool about you?
You know, listen when that was in my twenties and
I was angry, I could not listen to any jazz,
you know what I'm saying. It was just it was
just too It was not necessarily mellow, but also too
colorful for me, you know what I'm saying. I was
very much too angry to appreciate something like that. As
(57:52):
I got into my thirties and forties, I could. I
started listening to different things like jazz and UH and
classical and ship, but still jazz was the hard cell
like it listened to classical all day. But when I
got into my fifties, I love jazz.
Speaker 10 (58:12):
Yeah.
Speaker 4 (58:12):
It's like it's like your palette changes.
Speaker 2 (58:15):
Once into your fifties. Yeah, it's like a lot of
shit just changed me, like you just never thought like
I never gave it a second.
Speaker 10 (58:21):
I used to be I used to be like that too,
like not not so much jazz. I wasn't really into
that jazz. But as you got older, you know, you
just appreciate real instruments, music and ship.
Speaker 2 (58:32):
Yeah, when you make music to appreciate.
Speaker 7 (58:34):
A few decades ago, I read a book about the
whole Miles Davis kind of Blue record being recorded, and
that made me listen to that record, and I've loved
that record.
Speaker 1 (58:45):
And he's a genius.
Speaker 2 (58:48):
Yeah, that record you ever hear considered one of the greatest.
Speaker 1 (58:52):
You ever hear him? Redo? But how I got into jazz?
You ever hear him? Redo?
Speaker 4 (58:58):
Human Nature? Man, it is fucking awesome. Michael Jackson, Michael
Jackson Human Nature. Where he's he's playing, you know the
bits of Michael's cadence and his band is super fucking tight.
Speaker 1 (59:14):
Wo. Yeah. They got a few live performances on YouTube.
Speaker 4 (59:19):
Of of him doing that ship at the you know,
a number of jazz fests, but like there's a guitar
player he has he's actually a bass player, but he's
when he got into the Miles Davis band, he's, uh,
he turned. He grabbed a guitar instead because there was
another dope ass bass player there. But there was something
(59:41):
that Miles liked about his playing that he thought, hey,
you should pick up a guitar, and then he gave
he said, he said in an interview, goes Man, I
hated playing with Miles Davis the first you know, few years,
because like I wasn't sure and and you know, I
was just kind of doubting, like why was I there?
And then he told me one day, play half of
(01:00:02):
what you play, and it clicked in for me. That's
what he says. He says, he says, play half of
what you normally play. And he processed that and started
playing like that. And this was like towards the end
before Miles died, and he's like those were the best times,
Like the first couple of years were the worst. And
(01:00:23):
then when he gave him that little bit of advice,
like it was almost as if to say, you're overplaying. Yes,
play half the shit. You're really dope, play half of it.
And you could see it when you see this performance.
This motherfucker like writ in pocket with Miles, like it's
pretty dope. Oh sooph, he frees a capacity for thought
because you're not busy trying to fill every space right,
(01:00:46):
letting it Breathe think a little bit more. Yeah, and
instead of those two pieces you would have played that,
you got half a time now to think about which
one's better.
Speaker 2 (01:00:56):
Yeah, you know what I mean, So you start making
better choices. Yeah.
Speaker 1 (01:01:01):
Yeah, they called I think his name is.
Speaker 4 (01:01:03):
The nickname they had for him was Folly f O
L E Y and uh. He played funk. He played
a lot of different styles. He had his own band too,
But like when Miles called him ship, he went. He
went to that band and he played that guitar. And
what he was saying was that like before he joined
that band, that he was trying to play the guitar.
(01:01:23):
I'm planning trying to figure out how to play his
bass like guitar, you know what I mean, Like finding
the places that he could make it sound like a
guitar and shit like that. And then Miles called him
and said, now you're gonna play guitar.
Speaker 2 (01:01:39):
Let's cut to the chase.
Speaker 4 (01:01:40):
Yeah, let's cut to the chase. You're you're dope on
the bass, but I need you to swing that guitar.
Speaker 2 (01:01:45):
And that's the thing. There's some people that just right
away they know, they know, they know, you know, like
they can spot your telling.
Speaker 4 (01:01:49):
Yeah, it's just like you wanted to like get in
into the rapping ship and like the acting came out
of nowhere.
Speaker 1 (01:01:56):
You didn't even think about it exactly.
Speaker 2 (01:01:58):
Yeah. Just after that, I just get keep going with
keep going. I felt like this was this was a better,
better avenue for me and the music. You know, like
the music was cool, but it just wasn't doing what
I was trying to do really with it, you know.
Speaker 10 (01:02:10):
So I got I got a shout out Vincent. That's
his nephew, Miles Davis. That fauld absolute gotta get you.
Speaker 2 (01:02:16):
On the show too, be I know you got some
good stories.
Speaker 1 (01:02:18):
Yeah, that parked off from John Coltrane.
Speaker 4 (01:02:21):
Did you know it is also the birthday of the
late great Ray Charles born on this dead nineteen j Yeah.
Speaker 2 (01:02:27):
Man, that's awesome. See I told you there was some
cool things about you.
Speaker 4 (01:02:33):
You know, you shared sharing all these birthdays with these
great people's.
Speaker 9 (01:02:37):
Man, you should hear my beatsy Charles, I'll see you.
Speaker 4 (01:02:44):
And did you know you also share a birthday with
the great Julio.
Speaker 12 (01:02:51):
Born on this pot at three. That one I did
know because my mom's a big old fan. To all
the lady. Oh yeah, to all the lady. I love you.
I have loved.
Speaker 2 (01:03:04):
Him.
Speaker 1 (01:03:04):
And Willie Nelson. I mean what a duo, right?
Speaker 2 (01:03:08):
This is nice? Say in like eight languages, bro, Yeah,
you know what I mean. This dude was making money everywhere. Yeah,
Julio and no joke, bro.
Speaker 4 (01:03:16):
Did you know it is also the birthday of one
Bruce Springsteen born on this.
Speaker 2 (01:03:23):
Wow the Boss the bass. Wow.
Speaker 4 (01:03:28):
Man, dude, We're gonna skip this next one and go
into that the fact that did you know Lazy Bone
both ducks in harmony born on this dead nineteen seventy five.
Speaker 2 (01:03:42):
That's right, So all your goats were fucking it the
same time.
Speaker 4 (01:03:49):
Yeah, yeah, kind of kind of cool, different decades of
fucking at the same time. Did you know in two
thousand and three, I'm Outcast dropped speaker Box the love below.
Speaker 1 (01:04:05):
They weren't fucking, but they dropped one of.
Speaker 2 (01:04:07):
Like they were it might have been today.
Speaker 4 (01:04:09):
Well this was like this was birth, just like FM
and the rest of these people.
Speaker 1 (01:04:13):
That's why this day, that's what happened.
Speaker 4 (01:04:16):
Did you know in twenty nineteen Robert Hunter, lyricists for
The Grateful Dead, passed away.
Speaker 1 (01:04:21):
Rest in peace, Roberts.
Speaker 4 (01:04:23):
Oh no, I didn't really really listen to too many
of them lyrics, but you know, hey, great work.
Speaker 2 (01:04:32):
Grateful Dead.
Speaker 9 (01:04:32):
Yeah, I smoked my first apple bowl or whatever.
Speaker 2 (01:04:37):
You know, you carve a.
Speaker 9 (01:04:38):
Little the old school applettle thing with one of these dudes.
I'm not sure it's one, but I was on tour
with Cycle Realm and one of them.
Speaker 2 (01:04:46):
That's that's why.
Speaker 4 (01:04:47):
That's when you fiend, That's when Bobo would say, Yes,
Bobo would say, Fisher Price my first bond.
Speaker 2 (01:04:54):
Yeah you know that A yeah, get the spoon.
Speaker 4 (01:05:03):
Word up all right. Uh, salute to all y'all watching
right now. Much love to We're about to open up
the doors to the insane asylum. That means, y'all, if
you've got a common question, shout out suggestion. We are
here for it. But do us the favorites. Smash that
like right now and subscribe. Tell your friends about us,
tell them to share the show out, you know, bringing
(01:05:23):
more folks to the community, you know what I'm saying.
And we're here with Anthony Compo's big citric up and here,
you know, let's let's open up those doors.
Speaker 2 (01:05:38):
Oh yeah, welcome to the Insane Messiah.
Speaker 8 (01:05:44):
All right, let's do this, yo, Anthony. I'm seeing here
you did voiceover work for granted DOTO five.
Speaker 2 (01:05:50):
Yeah.
Speaker 5 (01:05:50):
Are you gonna be doing that for Grant six?
Speaker 2 (01:05:52):
I wish man, I did it. I did a uh
one of the patreons, you know, they're walking around, you know,
one of the solos in there.
Speaker 3 (01:06:01):
So uh.
Speaker 2 (01:06:01):
It's crazy because I've been playing uh a PlayStation five
for the the DT five, I mean, for for so long,
and I never heard my voice until like maybe, like
I don't know, about a year ago. You remember what
you said, man? I remember I got into an altercation
with one dude and I'm like, I'm gonna fuck you
up or something. And I got some ship in Spanish
(01:06:23):
kinds of crazy and that money, you know, like all
kinds of ship this man. I remember that we didn't
even know what we were what we were doing. He
just hired us, but we didn't know it was for
for GT five, no ship. Yeah, So like when the
check came in and then they said rock Star on
there and and then my son, my son want my
son saw the check right away, he saw the logo,
Oh that's for GT A five.
Speaker 4 (01:06:44):
Yeah.
Speaker 2 (01:06:45):
I wasn't even keeping he told you what. Yeah, he
was the one because he's the one. He's you know,
big video game guys. So he knew right away GT
five that's it.
Speaker 4 (01:06:52):
So the agency, So the agency got you the gig
and you just went and read it.
Speaker 2 (01:06:56):
Yeah. I was working with that at that time. I
was working with suspect us speaking entertainment for many men
right right right and uh and and they got up
the deal and you know, they brought us all into
the studio. Nobody knew nothing. We just thought, you know,
we're just doing some voice overs for something, you know,
for you know, we didn't we had no clue. And
you know, if we're just sitting there doing our theme. Man,
they brought like maybe like six or seven of us
(01:07:16):
in there, and and and yeah, we took our turn
in the booth and everything. That was it, and then
signed here and that was it. Then when the check
came in on the logo and the check it said
rock Star James.
Speaker 1 (01:07:27):
I mean, that's that's that's that's huge.
Speaker 2 (01:07:31):
I look, I'm gonna look for you in the game.
Let me hear that.
Speaker 4 (01:07:39):
And man, millions of people play that game. You know
your voice.
Speaker 2 (01:07:44):
Well, it's crazy because I had a lot of people
always telling me, he goes hey, Bro, you in the
g T five band. Chance I heard you in there
and it sounds like you bro, is it you? Yeah,
it was me, but I never heard it barely about
a year ago.
Speaker 4 (01:07:56):
But you didn't know for a long time until your
kid told you. Yeah, that's great. Yeah, it was a trip,
well until the game came out, you know, on to
the game.
Speaker 2 (01:08:02):
Yeah, because we got paid like literally like literally right
before the game came out. So when they said the check,
you know, and then I said on the logo said
Rockstar Games. That's what my son kept saying, goes no,
it's it's for GTA five, And I went, nah, they
would have told us, he goes no. They were like
keeping this ship on the wraps, yeah, which as possible,
you know.
Speaker 1 (01:08:20):
Yeah, they don't want to leak anything out, so they
probably didn't.
Speaker 7 (01:08:23):
Also, one of the last things they did, yeah, because
they probably had all little other voices.
Speaker 2 (01:08:28):
Yeah, they had, and they just want to getting.
Speaker 7 (01:08:31):
More authentic that last layer before they released it. How
long was it before you like did it and got paid.
Speaker 2 (01:08:39):
Like maybe I think like two months later. That's pretty fast.
Speaker 7 (01:08:43):
So that was like the last thing they were on
was getting the voice character like a bunch of in
the game.
Speaker 2 (01:08:49):
That's cool. Now.
Speaker 8 (01:08:50):
I just had to ask you about g t A
six because GT five came out twelve years ago and
everyone's just like, I need GTA six to come out today, right.
Speaker 4 (01:08:58):
Everyone was like, Hey, that ship was like a drug.
Yeah that was twelve years ago. Yeah, what the fuck?
There's other games now that people are totally geeked on.
Speaker 2 (01:09:10):
You know what I'm saying.
Speaker 9 (01:09:11):
It ships still dope though, because you buy stuff on there,
you guess you know, there's always.
Speaker 2 (01:09:15):
Now it'll come back. Trust it's one of them. It's
one of them. Get it got pushed back on all
the I believe, so you can still wind up in it.
Speaker 1 (01:09:25):
You never know, man, You never know.
Speaker 5 (01:09:27):
One of them.
Speaker 4 (01:09:28):
The agents, one of them readings you didn't know about you, Your.
Speaker 7 (01:09:33):
Agent probably didn't even know. Yeah, told them it was
for some bullshit. Yes, it is because.
Speaker 2 (01:09:37):
Then, yeah, they just brought us in and then we
had a say, you know the.
Speaker 10 (01:09:41):
You know, so you're saying stuff and you don't even
know it's full video game.
Speaker 1 (01:09:45):
Yeah, that's crazy. You know, we just read this ship,
just read.
Speaker 9 (01:09:52):
So if you get a new rock Star check all right,
here comes.
Speaker 1 (01:09:57):
That's that's an indicator. All right, all right, what else
you got?
Speaker 8 (01:10:00):
Tony's asking now, what was Anthony's first acting job and
how old was he?
Speaker 2 (01:10:05):
My first acting job was Idiocracy the age I don't remember.
This is like two thousand and four, so I'm like,
I'm about to be fifty seven this year, man, So
this is like two thousand and fourth. I don't even
remember how old I was, probably like I don't know,
like twenty something, I guess, or thirty or no, fuck,
I don't know. I lost track, man, But yeah, Adiocracy
(01:10:26):
was my first my first movie, man, two thousand and
forty first one, and then it got released like in
two thousand and five around there.
Speaker 4 (01:10:32):
To be in a classic, a cult classic in your
first fucking shots, because that is a cult classic.
Speaker 1 (01:10:39):
Yeah no, it never last said earlier.
Speaker 2 (01:10:41):
Yeah, I know, it's crazy, man, It's just you know,
like and you know, the people that saw the movie,
like friends of mine when they first came out, because
they don't even hit selective theaters, you know, because they
really didn't put a lot of marketing behind it. Might
just caught a lot of heat for a lot of
shit that was you know, posted in that movie.
Speaker 1 (01:10:57):
Oh yeah, you.
Speaker 2 (01:10:58):
Know, especially like like uh, big sponsors, you know, like
Costcoo's in there and Carlos. Carlos got to kick out
of him and they said they were they were rolling,
you know, they thought it was funny. Costchico didn't really
think it was funny. Car Buds didn't really think it
was funny, you know. So so they he got a
out of heat for that, and and so at the studio,
so they only put it out selected theaters and uh
(01:11:20):
and and man, the people that saw it that I
knew that, like my friends of mine that wanted to
go see it, they saw it, they were like, what
the fun did I just watched bro? I felt like
I lost brain sounds, you know, but they're watching now,
the people, the same people, and they were like, bro, Man,
Mike Judge knew what the fuck he was doing when
he did this movie.
Speaker 7 (01:11:36):
Yeah, Man, that was like one of the that was
one of the first kind of real kind of blow
up a rental kind of movies, you know what I mean.
Speaker 2 (01:11:46):
Yeah, it was.
Speaker 7 (01:11:47):
They came out on like whatever Block had another videos
and yeah, exactly, Block Bus I.
Speaker 2 (01:11:54):
Think I think that's what Red Box was the other one.
I think red red Box. Yeah, the ones outside of
seventy Yeah, pretty much. Yeah, they had They had to
tell me they let you keep the chain. Bro. Hey,
I whiz bro. Everybody you got would have snatched that. Mother.
It wasn't real anyway, Wardrobe Blanck. It was real real,
it was stree. It was all silver. It was real silver.
(01:12:16):
So they were pretty pricey because those things were heavy. Man. Damn.
Speaker 1 (01:12:20):
Yeah, you could take it off and swinging it yeah
bing oh, but.
Speaker 2 (01:12:26):
Yeah they would would. In between takes, they would they
would take everybody's chain away off you go off for
lunch or you go off whatever, make sure we get
the chain bag.
Speaker 1 (01:12:36):
Real you can't keep those you.
Speaker 2 (01:12:40):
Had them, A real light one would fainted. Yeah, I
wish I would have been able to keep. Everybody always
asked me, what was somebout the wig? You didn't keep
the wig? And I get to keep none of that
And it was. It was custom fitted to.
Speaker 4 (01:12:53):
Which would you bug out one day Cherry Crews became president.
Speaker 2 (01:12:57):
Oh man, I'd be cracking out.
Speaker 1 (01:12:59):
You don't tear, would be hilarious.
Speaker 2 (01:13:00):
Everybody going after doing uh doing events, showing up as
the president. And he was great.
Speaker 4 (01:13:06):
That way is gonna wind up in like a movie
museum or something that because that's it's a cult.
Speaker 2 (01:13:11):
Man, It'll be like an exhibit on Coult movie being there.
Speaker 4 (01:13:15):
He was great. And that man, Terry Crews. Man, shout
out to Terry Man.
Speaker 2 (01:13:20):
Yeah. No, that was the first time I had met
him to man. And you know what I'm saying, Uh well,
everybody on there had never made any any of the
cast memboris, but uh, me and Terry hit it off
right away.
Speaker 4 (01:13:30):
Man.
Speaker 2 (01:13:30):
You know we we we were chemistry was just cool, man,
and we just became good friends. Ever since then, Man,
were staying in touch, you know, like you know, so, man,
shout out to Terry Man. He put me up on
a lot of game too. Man. His look was yeah,
he made he makes appearances. He dress like that sometimes, man,
and he was talking them was a bro. We need
(01:13:51):
to get to that wig man, And and let's get
the outfit, and this's go out and makinghim appearance.
Speaker 4 (01:13:55):
It's a great wig dude like comic cons and they
would probably give me all night text for that.
Speaker 6 (01:14:00):
Man.
Speaker 2 (01:14:01):
Yeah, I just rolled the carrot.
Speaker 1 (01:14:04):
I see that? Yeah, like a carrot.
Speaker 2 (01:14:06):
Nice. Yeah, it was like a bullet. Got a score?
Would you give a.
Speaker 4 (01:14:14):
Oh you don't want to know. I've gave. I gave
these a five earlier. What do you think that's gonna get?
Speaker 6 (01:14:21):
All?
Speaker 2 (01:14:21):
Right?
Speaker 1 (01:14:22):
Next one?
Speaker 2 (01:14:22):
I'm almost getting really like this one up right now?
Will whatever works?
Speaker 8 (01:14:27):
Bernie's asking a ayo, b y'all gonna have an opener
for the Yamava show. I want to catch the beginning,
but my girl takes years to get ready.
Speaker 4 (01:14:38):
I don't you know. That's a great question for someone
who knows. I don't know if we have an opener. Uh, hey, Todd,
do we have an opener? TikTok TikTok, TikTok TikTok. His
(01:14:58):
fingers are a googling. He's googling. Right, I'm gonna say
it on the Yellow A website. I'm going to say
probably not. There's probably not an opener. But I think
we go on at like eight thirty or something.
Speaker 2 (01:15:09):
Like that.
Speaker 4 (01:15:09):
So, I mean, you got plenty of time. Just tell
her the gig is at seven thirty.
Speaker 2 (01:15:16):
That's how to do it.
Speaker 4 (01:15:17):
Yeah, just tell yes, tell your girl the gig's at
seven thirty. We got to be there at six or
six for you know, six thirty five or something. You
know what I'm saying, he said, no, opener, Yeah, and
then that's what I told them. I thought I was
pretty precise. There you have a stake. Yeah, you know
what I mean. But just tell your girl that it's
an hour earlier. That way, if she's late, you're still
(01:15:39):
on top, he said, girl, right, not wife, Tell your
girl that you know at the show. You know you
gave your tickets to the homie because your mom's sick. Ow,
that's pretty cruel. What if she loves Cyperuscilt too, well,
then she needs to be on time. And I M no,
(01:16:00):
not just said yeah, say like beat the person or
you know, lock them up in jail.
Speaker 2 (01:16:06):
I'm just saying, hey, all right, well maybe the show.
Speaker 4 (01:16:08):
Is I'm just saying live it's earlier than it is,
so one line is better than no.
Speaker 10 (01:16:14):
Okay, they both they both will work. They both will work.
Just wanted to make sure I was still a pretty
good human. Yeah, throwing the dungeon. I think so.
Speaker 8 (01:16:25):
All right, Anthony, I remember you. Remember I remember you
and cash Flow on the All In Project, and I
believe a You're Made TV show. A fan since Browntown Looter,
since Big ups Homes saying keep it.
Speaker 2 (01:16:39):
Up, Oh do man, thank you. Man. Appreciated all the
love and support over the years.
Speaker 6 (01:16:42):
Man.
Speaker 2 (01:16:42):
Yeah, we had we were doing actually we're on Ali TV.
We're on Ali TV, and we had a TV show
called The Hip Hop Show, and I was I was
one of the co host somewhere.
Speaker 1 (01:16:51):
That's right.
Speaker 2 (01:16:52):
Different five years.
Speaker 4 (01:16:53):
Yeah, l A TV got a lot of local programming
where they're like, you know, ship in the culture, that's
that's right.
Speaker 2 (01:17:00):
And then uh it went nationwide after a while, you know,
like it was getting so popular that it just it
just it got it got on direct TV and this,
uh this network and all that. So he kind of
went nationwide and uh and uh man, we were soaking
showcasing hip hop from like all over the world. Man,
anybody had some dope ship with you know, with the groups,
(01:17:20):
was sending us videos from like Spain, from all over Europe, you.
Speaker 1 (01:17:23):
Know, like France, showing that it was truly global now yeah, man.
Speaker 2 (01:17:27):
So and we showcased everything on there, you know, like
all the elements of hip hop you know. Yeah, so
it was like it was huge.
Speaker 6 (01:17:32):
Man.
Speaker 2 (01:17:33):
It was crazy because that a TV couldn't understand how
like the show that that that had the least money
that was being put into it had the number one
ratings on their network and all the other shows that
they were putting that money in, you know, like they
were all they were doing all right, but they but
we're doing better numbers and I get time, like because
we're like on some global shit man.
Speaker 4 (01:17:51):
Yeah, And you guys were doing something that others aren't doing,
and they're just following trying to put the money into
following for mats that they think work exactly, and they're
gassing their money and not putting it putting it towards
the ship that is, you know, showing numbers.
Speaker 2 (01:18:07):
That's the crazies shit to me. They were trying to compete,
like with MTV and BT and all that. I go,
do you can't, you can't, man, They're already they're you know,
they're there. They have their own lanes going on. They're
they're huge, man, it's like on this I know, you
know what I'm saying. They wanted to do something like that,
but for Latinos, you know what I'm saying. But I
told them I can't tell them. I you can't just
focus on just Latinos. You gotta Yeah, I get what
you're trying to do. But with the hip hop. So
(01:18:28):
the reason why he's doing so good is because we
have every every genre everybody. Yeah, what we have everybody
on there. It's a universal thing, and so they couldn't
kind of like comprehend that. But you know, so eventually,
you know, politics kicked in and they canceled the show.
But now we're working on we're working on a documentary
right now that you know, we got hit up to
do a documentary. So you know, shout out to my
(01:18:48):
boy Rudy A. Rod and uh and Little weddo you know,
the producer of the show Man. And they're putting a
lot of work into this documentary right now. Yeah.
Speaker 4 (01:18:56):
Downside for them is they don't have that number one show.
Yeah you know, I mean, I mean they got some shows.
They're still doing shit, but not quite like you're talking about.
You know, it's it's it's very much you could see
how they're influenced and trying to do what MTV once did.
Speaker 2 (01:19:12):
Yeah exactly, you know what I'm saying.
Speaker 4 (01:19:14):
And the whole thing is not getting caught up in
that and doing your own thing like the music and
the way y'all were, you know, showing that global love
to all those different groups that were out there in
different regions and shit like that. That's everything, because we
there ain't too many shows that are like that. You know,
usually hear regional shit or nationwide right like what's happening
(01:19:35):
on the East Coast or what's happening in the South
or what's happening on the West or whatever, you know
what I mean, and maybe a little bit of what's
happening in Canada, but you don't hear about what's happening
over the water exactly. And you know, a show like that, yeah,
people will fuck with it because they you know, people
are inquisitive. They want to know what the fuck is
going on in other places other than this, like to
(01:19:55):
know who are the hip hop stars in like maybe
Spain or Germany or fuck UK or you know wherever.
Speaker 1 (01:20:03):
You know what I'm saying, because there's more to it
than just what we have.
Speaker 2 (01:20:06):
Yeah, exactly, man, salute to dj ef N.
Speaker 9 (01:20:08):
He went across overseas and made some cool documentaries as
well about hip hop groups Cuba all over South America.
Speaker 2 (01:20:16):
Yeah. No, it's a it's a universal thing, man, so
you know, and it's dope. Everybody all good or no?
Speaker 6 (01:20:22):
Thank you, man, I'll take one thank yeah, man, Yeah no,
I mean you know, that's that's the thing, man, is
that you know, it's there's so much shit going around
all over the world, man, that you know, there's a
lot of ship that we don't even know about. Man.
Speaker 2 (01:20:36):
Talent is everywhere. Talent is everywhere, and you know, there's
always people that want to discover new ship. Man. So
they would always look to our show to discover new
hip hop, you know, and they go out and go
look for it, man, you.
Speaker 1 (01:20:47):
Know, and that's the best ship. I mean.
Speaker 4 (01:20:50):
You see Serious Satellite have a few shows like this
now where they're like doing global type of hip hop
sort of not not necessarily stations, but some stations are
are playing you know, hip hop from other places. Yeah,
and I think that's dope because I'll tell you what, man,
(01:21:11):
I've heard some ship in Spain, Italy, France, Germany and
other places where I couldn't necessarily understand the language, but
I understood the cadence and the flow in relation to
the music, and it is a lot of it sounds awesome.
Speaker 1 (01:21:30):
A lot of them you can't understand it.
Speaker 4 (01:21:31):
But like when when rhymes are hitting pockets in a
certain way, you know, when it's exactly you know, you
may not understand it, but you could hear it. You're like, oh,
they whatever this ship is, whatever they're saying, it sounds
like they fucking flipped it. Like the style of cadences
that you know, you know what I'm saying.
Speaker 2 (01:21:49):
When it's dope, it's dope, you're gonna recognize it no
matter what language it's in.
Speaker 9 (01:21:52):
Exactly and it isn't our ship, and it'll speak it,
you know.
Speaker 4 (01:21:56):
Yeah, Like I mean with the Spanish shit, I understand it,
you know what I mean because I grew up with it,
so I you know, I can understand the words and
then when the flowing cadence is there, so that's a given.
But like when you mean, none of us hear know
the French language, but you could hear a fucking French
rapper snap traditional style, like fucking killing it and you
(01:22:17):
wouldn't understand one fucking word, but you would think, you know,
just the way that it sounds, this motherfucker killed it, right, Yeah.
Speaker 10 (01:22:25):
I mean you really don't know, but you know, you
kind of know, you kind of he could be saying
some wag ship. He might be saying, but it sounds good.
It context, the flow, it ca.
Speaker 13 (01:22:35):
You asked somebody over there like nah, yeah, but but
but at that but at that, you know that might
be subjectable because you might ask, ever last, what did
you what do you think of this group?
Speaker 4 (01:22:47):
And he might say, oh, that's trash and you are
might ask f and he like, yo, man, the motherfucker
snaps my favorite. And that's that's the dynamic. You just
never know until you ask a bunch of people and
what they think about it.
Speaker 10 (01:22:59):
But like, but if you don't understand the language, that's
what I'm saying. But then, yes, you don't really know
if he's nice, yeah, but you just hear his flow
like yeah, he's cool.
Speaker 4 (01:23:08):
Yeah, But I'm saying, if you hear that and you
don't understand it, ignorance is bliss.
Speaker 1 (01:23:12):
You might listen to that again and be like, yo,
that shit is hard.
Speaker 4 (01:23:15):
Until someone calls, Oh, you know, he's talking about this
or that, and you might be like, oh, okay, I'm
fucking with that. But until then, you might fuck with
it because you like the way it sounds, because they
sounded like they snapped on it.
Speaker 6 (01:23:27):
You know.
Speaker 9 (01:23:27):
They say beauty is in the eye of the beholder,
with music is in the ear of the holder, right,
like pretty much.
Speaker 4 (01:23:32):
Think about it like this, half the mother half the
motherfuckers that listen to American music that are from other
countries that have to learn what these words are.
Speaker 1 (01:23:42):
They don't know him in the beginning.
Speaker 4 (01:23:43):
They fucking like it because they hear that cadence of
that fucking the dynamic of all that shit, and then
they learn it and figure out the words after.
Speaker 1 (01:23:54):
We're the only assholes that don't do that.
Speaker 4 (01:23:57):
We might hear something in a different language, Oh that's cool,
and they never try to figure it out, whereas people
our music, our music goes in all these different places
that motherfucker's got to figure it out. But they like
it before they even know what the fuck it is. Yeah,
I'm saying that's music.
Speaker 7 (01:24:16):
Sometimes daughters love Like every occasionally they'll come back with
like a bad bunny or something like this totally in
Spanish or even some k pot and I'd be like,
do you even know what they're saying?
Speaker 2 (01:24:27):
They're like nah, and I'd be like, Okay, well I
hate it.
Speaker 10 (01:24:30):
That's interesting, you know, the energy, same principle, yet I
mean not that.
Speaker 2 (01:24:37):
Yeah.
Speaker 7 (01:24:37):
I remember going to Europe in a hotel and being like, oh,
this German group by whatever this beat is.
Speaker 10 (01:24:44):
He got the young kids right now and the bad bunny.
He got everybody right now, and a lot of.
Speaker 2 (01:24:51):
These kids don't even speak Spanish, they don't.
Speaker 4 (01:24:53):
Even Yeah, it's something we wouldn't have been exposed to
exactly because on our radio they would have been like now,
but you know what, like that his music party music,
so relate to party music. The crazy ship is that
they some of them don't understand what he's saying, but
they'll listen to it and they'll they'll they'll memorize the
(01:25:15):
words they know what, they know.
Speaker 2 (01:25:17):
How to speak Spanish. Yeah, you see it at the
club all day.
Speaker 4 (01:25:20):
Yeah, And that's the funny ship. They're doing what like
people in other countries do with their own ship.
Speaker 2 (01:25:26):
When you guys go overseas or whatever and people don't
understand what you're saying, but they're singing along to your ship. Yeah.
Speaker 4 (01:25:33):
Yeah, there was a trip going to Japan for the
first time and seeing these motherfuckers say, you like sing
every song back to us.
Speaker 1 (01:25:41):
They barely know what the words are.
Speaker 2 (01:25:46):
English.
Speaker 1 (01:25:47):
That's what I'm saying.
Speaker 2 (01:25:48):
It's the energy that it's.
Speaker 4 (01:25:50):
The energy, the frequency, the vibration, all those fucking things.
That that's music. You know what I'm saying, What can
you do? Thank God for that, man, all praise do.
Speaker 8 (01:26:02):
Next one was saying a happy birthday DJFM salute to
the table.
Speaker 2 (01:26:06):
Oh thank you, Rosie. Appreciate that.
Speaker 8 (01:26:09):
Yeah, many damn those boos gave everlast PTSD.
Speaker 4 (01:26:15):
No absolute facts, but I can it can never be duplicated.
Speaker 2 (01:26:21):
I think that could ever be duplicated.
Speaker 4 (01:26:23):
Like again, unless you do a movie about it and
you re enact the part.
Speaker 1 (01:26:27):
That's the only way.
Speaker 7 (01:26:27):
Even then, I'm going to be like this, We're gonna
like You're gonna have to be there and be like,
is that it?
Speaker 1 (01:26:34):
You have to motivate the crowd to hate you.
Speaker 7 (01:26:36):
I do the fact that I survived, that is why
I was able to be here thirty plus years later.
Speaker 2 (01:26:42):
But absolutely facts, I would not have gone the.
Speaker 7 (01:26:46):
Second night if they not kidnapped my mom and held
her hostage at the venue, and yeah, told me I
was a pussy if I didn't show up.
Speaker 2 (01:26:53):
That's basically what they did.
Speaker 4 (01:26:54):
When my mom called, they were like, honey, you got
to Amanda Mafia boss you you know it basically.
Speaker 2 (01:27:00):
Said I'm having your mom call because you're being a pussy.
Speaker 4 (01:27:04):
And then she went pologically and then she went and
had your mom picked up and brought to.
Speaker 1 (01:27:08):
The venue, which was ten minutes from my house.
Speaker 4 (01:27:11):
Yes, that was very Mafia style all the time selling
me the whole it's gonna be different than I think,
and me just thinking it's bullshit, but you already run
through that part.
Speaker 7 (01:27:20):
But yeah, totally different, I do. Yeah, it's still like
one of the worst nightmares of my life in this business.
A real quick salute to Amanda Demi sounds like a nightmare.
Verry Gangster.
Speaker 2 (01:27:33):
He's still.
Speaker 1 (01:27:36):
Now one of my favorite people in the world.
Speaker 2 (01:27:39):
I know, she's an amazing photographer. Yeah, she is all right.
Speaker 8 (01:27:42):
Next one Karna saying I too saw the lg interview
FMS or the Lady Gaga interview FM. Saw he wasn't tripping.
Maybe there was a two versions of the song. I
don't know her music like that, so I can't really say.
Speaker 1 (01:27:54):
Maybe there is two versions of the song. Who knows
artists do that?
Speaker 2 (01:27:58):
Artists do that street version.
Speaker 8 (01:28:02):
Yeah, she's also saying nice later B Stephtown gave Franco
the same one.
Speaker 4 (01:28:06):
Yeah, s allude to the strong one. He'll be back
home soon. That's todded.
Speaker 8 (01:28:15):
Medicine's asking has Anthony ever seen Has Anthony ever experienced
anything paranormal?
Speaker 2 (01:28:22):
Ah Man. I want to say maybe when I was younger,
when I was like maybe like like ten eleven years old,
maybe ghost spirit in Mexico. In Mexico, you know, like ghosts,
you know, like we would hear in my ant's house.
We'd be watching TV in the living room, and then
you would hear like a bunch of like somebody just
(01:28:42):
threw all the dishes on the floor. They just broke.
So we run over there everything yeah, exactly like that. Uh.
And we we'd go older and everything was clean, kitchen clean,
nothing on the floor like that. And it would happen
and then you would hear like you'd be sitting down
and you're like, somebody just stopped like a chocolate very
there night next to you. Nobody there, nothing there, man,
(01:29:02):
So little stuff like that. Man, But I can't say
I ever seen a spirit, a national spirit or anything
like that.
Speaker 4 (01:29:08):
Everybody's here has traveled to, you know, different places. You know,
everybody at this table. Have you ever been in a
hotel room that gave you a fucking crazy vibe like that?
Speaker 7 (01:29:18):
I have, I have to have been in a whole
hotel but it was together with you, and we've semi
told that.
Speaker 4 (01:29:24):
Well we were shrewman. Though that's different. But doesn't that
make it all the more evidence that you're tuned into
that kind of Yeah, yes, yes, but it's it's it's,
it's it's I think it's a different kind of conversation
in the sense that like, Okay, like if you're in
a hotel room and you fucking see this door open
or this light turn on, or you hear this crazy
(01:29:44):
shit within the room that you can't explain, right, stuff
like or you see something you know, maybe here's something
see something I don't know, like a paranormal paranormal experience.
Speaker 2 (01:29:55):
In that way. Right.
Speaker 4 (01:29:56):
So, for example, there was a time we were staying
in Chicago.
Speaker 1 (01:30:02):
It's for Lolla Pluza.
Speaker 4 (01:30:03):
We were playing Lolla Pluza maybe one of the first dates,
and we're staying in this I believe it was a
Hilton or a Hyatt, but it was an old ass
building and it used to be owned by al Capone.
We didn't know this until after. But we're we're all
doubled up in rooms at this point, right, So everybody's
bunking with someone different.
Speaker 1 (01:30:25):
I was with r C at this point, and.
Speaker 4 (01:30:31):
So I had taken the shower, the jumped into bed
and shit like that, and this dude was on the
phone with his girlfriend at the time, and I hear him.
Speaker 1 (01:30:40):
Go oh shit, and it woke me up.
Speaker 4 (01:30:43):
He's like, oh shit, Like like what's the problem. He
goes that fucking door just opened or that lights on
or whatever. That's what he said. He was like, the
lights on in the bathroom. I said like, yeah, I
left it on. I took a shower and I left
it on. He's like, nah, man, I've been talking to
my girl on that phone. That light's been off because
(01:31:04):
I turned it off and it just turned on by itself.
And you know, I wasn't buying it at first because
I was kind of still sleepy and shit. So I
got up and I was I went and turned fucking
light off and I closed the door right get back
in bed. He's like, oh shit, because I turned, I
(01:31:25):
turned away from the door. Lights back on, and I
look over and the light's fucking off, and so I
go back. I opened the door, and I clicked the
light off again, and I checked to see if there's
one of those timers, but you know what I mean,
like the heat lamp or something. I'm thinking maybe I
don't know something. There's no fucking heat lamp. I clicked
(01:31:45):
the light on, and I clicked the door shut right
because I thought maybe I left it open and he's
fucking with me. He just maybe pushed the door open
and turned the light on. The fuck with me. That's
what I thought was going on, right, So I turned
and I look at the door before I, you know,
start going back to sleep again, and I see the
(01:32:06):
light turn on, and he's over here. He's still on
the phone with this girl tripping, and I see the
light turn on under the underneath the door, and then
I then I say, oh ship. Then the fucking light
starts flickering on and off, and then the door clicks open,
and this motherfucker runs for his gun I'm like, what
(01:32:27):
are you gonna shoot at?
Speaker 1 (01:32:30):
I mean, what are you gonna shoot at? I'm like, hey,
we're here with.
Speaker 4 (01:32:34):
I start talking to whatever it is and say, hey,
we're only here for the night. We're not here to
bother You don't bother us. And that was That was
kind of the experience, because like the door was clicked
shut and it fucking opened.
Speaker 1 (01:32:50):
I mean, and not to mention the light.
Speaker 10 (01:32:52):
I think if he would have shot the whole light off,
then it would have came back on.
Speaker 1 (01:32:58):
Yeah, that that part, But how do you the door?
Shoot the door? He was ready to shoot the door too. Yeah.
Speaker 2 (01:33:06):
I went to some ship like that too, and one
time at the Excalibur in Vegas. So then the light,
the light kid turning off. I thought it was a
time or two and the kid keep turning off and on,
and I was like, what the fun? I thought something
was like fucked up, and I called downstairs. They came
to checked it out. Everything's working good. The ship just
kept turning off and on on its own. Yeah.
Speaker 4 (01:33:24):
I feel like some of these places ship has happened,
and you know, the energy stays, energy stays there.
Speaker 2 (01:33:30):
Well, my man, you remember my Mount Olympus house, Yeah
I got.
Speaker 7 (01:33:33):
I used to always think out the corner of my
eye when I'd be working in my studio that down
the hall on my stairway going upstairs, that.
Speaker 2 (01:33:40):
I would see a small person right.
Speaker 7 (01:33:42):
Like never defined their what, boy, girl, something, but there
was something every once in a while standing there.
Speaker 1 (01:33:49):
And the houses carry energy just like that ship.
Speaker 7 (01:33:52):
I was like, I think one day I got real
fucking like just high on shrooms and I started talking
to it. Yeah, like, hey, just don't make me take
a whole tab that come see you? That energy was
probably real? Did you you had a house like this before?
Speaker 10 (01:34:09):
One of my first cribs that I bought in Jersey
was fucking haunted and it was like crazy crazy haunts.
Speaker 2 (01:34:16):
Drop a tab and you.
Speaker 10 (01:34:18):
Know what, I got rid of that bitch and I
didn't tell nobody. You deal with that ship?
Speaker 2 (01:34:23):
Good?
Speaker 4 (01:34:24):
Look, you need to have a reasonable like, hey, you
gotta have a convold and the cleansing.
Speaker 1 (01:34:30):
What happened all right?
Speaker 8 (01:34:32):
Than Mike's asking yo, Les, can you talk about the
song you produced? You got coming out with cool g
rapping thems?
Speaker 10 (01:34:42):
You know, yeah, I got me and him we got
this banger. And then he reached out to Coolgie Wrap
and got him on the album Man.
Speaker 4 (01:34:54):
Gorilla MS saluted, saluting MS, and he came through the
studio early on yeah, saluting Now.
Speaker 2 (01:35:04):
Yeah, you call me out and hold it down.
Speaker 6 (01:35:07):
Yeah.
Speaker 8 (01:35:07):
The glitch is asking, yo, Anthony, are you gonna do
any more seasons of King of the Hill.
Speaker 2 (01:35:12):
Uh? We got season fifteen in the bag ready too,
so so we got another season coming out and then
after that we'll see man. Yeah, I mean, uh, you know,
Hulu said it. The numbers look good, man, you know
what I'm saying. We'll get a couple more seasons so far,
so far, thank god. Man, the numbers looking good, man,
running numbers up on it. Ye, watch that ship five times, yeah, man, yeah, no,
(01:35:35):
good looking out to everybody out there that's been watching
the supporting man and you know, it's it's been it's
it's been awesome. It's been kind of kind of surreal man. Yeah.
You know, so I'm just you know, just trying to
ride the wave. Man.
Speaker 4 (01:35:46):
Congratulations on all that. Man, appreciate it, man, Thank you guys.
Speaker 2 (01:35:49):
Hell Yeah.
Speaker 8 (01:35:50):
Sarah in the super chat saying it's like your Harvest
album be a dope spit or she's.
Speaker 4 (01:35:54):
Saying yeah, yeah, Yeah, saluted rest in peace, Jay Turner
who helped me on that, and Keen One who also
helped me on that. You know, we got a bunch
of artists from different different countries to flip with us
on that Harvest album, and uh, you know there was
a lot of fucking sick, sick EMCs out there, you
(01:36:15):
know what I mean. They were like underground type of artists.
And salute to everybody that rocked with me on that.
Speaker 1 (01:36:21):
One.
Speaker 8 (01:36:23):
Is saying a happy birthday to f M. Do you
have a favorite birthday song?
Speaker 2 (01:36:27):
Favorite birthday song?
Speaker 1 (01:36:28):
Yeah, favorite birthday song?
Speaker 2 (01:36:30):
Dog? What is it?
Speaker 4 (01:36:31):
Come on, I don't have a favorite bullshit? You got
a favorite birthday song? Beatles Birthday? What that Rihanna?
Speaker 5 (01:36:41):
Katy Perry, Katy Katy Perry.
Speaker 2 (01:36:45):
Is this real birthday? It's fucking real.
Speaker 4 (01:36:49):
Only if Katy Perry jumps out of the cake for him,
that's the only way he's.
Speaker 2 (01:36:52):
Gonna take birthday mister d J.
Speaker 4 (01:36:58):
Yeah, see that would be good for you. Katy Perry.
Single Now, Orlando Bloom.
Speaker 2 (01:37:02):
Let go. Now's the time of sliding.
Speaker 4 (01:37:06):
He's out there sliding in somewhere else. It's FM's chance.
Katy Perry for the birthday. That's why not you make
bolting jealous careful there, we'll fight for her love. That's right.
She may be that crazy, awkward running around for what
you got?
Speaker 8 (01:37:27):
All right, oh Luisa saying happy birthday. Dj f M
showed to Citric.
Speaker 2 (01:37:31):
You're saying, yeah, that was That was one of the
other voices in that. I say in there when Hank's
watching TV. I believe it's Tank watching TV. He's watching
some kind of TV showing. And one of my lines
into and I don't want to say a couple other
things in there.
Speaker 4 (01:37:49):
Forgot say that one more time, so so our in
house white guy over here could get get that part
right there?
Speaker 2 (01:37:56):
You go, hey, hey, there we go.
Speaker 1 (01:38:02):
Yeah, how'd you say it? Better right there than you
ever have?
Speaker 4 (01:38:06):
He's holding out, you see this, trying to impress you
and ship he's holding out on us.
Speaker 10 (01:38:12):
I remember Fat Joe. That was one of his lines.
He ended his rhyme. He was like, by come deals.
Speaker 4 (01:38:18):
He was like, yeah, all right.
Speaker 8 (01:38:24):
Is doing voiceover work a lot more chill than actually,
like doing actual acting?
Speaker 2 (01:38:28):
I guess, yeah, man, it's totally like super chill compared
to acting. Because you know, you didn't got to learn
a bunch of dialogue. Basically, all the dialogue is already
written on paper, and he's right there in front of you.
So you just go over it a few times. You know.
The director tells you tried like this, tried like that,
you know, and he just give them the lines, man,
and you know you could. You could go in to
dress however you want to dress. Man, You ain't got
(01:38:49):
worried about nothing. Just bring it to life. It's probably
like a fun job. Probably like the most funniest and
easiest job I've ever had.
Speaker 10 (01:38:58):
That shit sounds like fun I go just make voices, yeah, exactly, talk,
be funny whatever.
Speaker 7 (01:39:04):
I get a couple of commercials back in the day,
and I didn't even leave my house. I went downstairs
to my studio. They sent me the ship they wanted
me to read. I wrote it, read it like five
different ways, send it back. It was like a Converse
commercial and something. That's so the commercial you got, you
got for like fifteen minutes work, dude, I probably got
like eighty to one hundred grand for yeah, for this long.
Speaker 2 (01:39:28):
I was going to say that too. Yeah, you know
what I'm saying. It's like you're not really either that long,
you know, so you don't really worked that hard for
the money. Yeah, fuck it, but you got you. You
guys did the Simpsons.
Speaker 4 (01:39:39):
Yeah, yeah, we did the Simpsons. Yeah, I remember that
was that was That was a cool experience. But I
mean it wasn't hard because they were just playing ourselves
at that point that they wrote whatever they were writing,
and you know, we put ourselves into it.
Speaker 1 (01:39:52):
That was cool though. It was a great expen.
Speaker 2 (01:39:55):
You were in the Rugrats thing to remember.
Speaker 1 (01:39:57):
I went with you to the fucking Heartbeat.
Speaker 2 (01:39:59):
Yeah.
Speaker 4 (01:40:00):
Yeah for Harveat's I do I do more voiceover work
just I haven't really focused on it, but I would
because I mean we were doing that ship, you know,
when we were on the Beat for all those years,
like writing all this, we were writing sketches and him
and two other guys and myself. We do a bunch
of different voiceovers, uh, you know, a bunch of different
(01:40:22):
voiceovers for all the sketches that we did.
Speaker 9 (01:40:24):
So yeah, different accents, all kinds of show as funny.
Speaker 1 (01:40:28):
As Yeah, it's fun to do it, you know what
I'm saying.
Speaker 4 (01:40:31):
When you write it, it's it's easier though, Yeah, yeah exactly, man, all.
Speaker 8 (01:40:36):
Right, like's asking U citric, what was your first car
when you got a big bag?
Speaker 2 (01:40:41):
My first car was probably, uh that what's I think
I got? It was a Cadillac Escalat.
Speaker 1 (01:40:49):
Escalator kind of escalate on.
Speaker 2 (01:40:52):
I think I had twenty six or thirties on there
either one same day. They look good that same day
I got it out of the dealer and when to
go hook it up man rim system and Man.
Speaker 4 (01:41:04):
I gotta tell you, man, that Cadillac Escalade was supreme
as as far as s uvs go, because it rode
smooth like their regular ass cat.
Speaker 10 (01:41:13):
That was in everybody's video. Oh yeah, I had, I
had a Cadillact. The new ones are crazy. The new
ones are super.
Speaker 2 (01:41:21):
Do I still like some of the old. The old
models though the body square, the square. New one is dumb.
Speaker 1 (01:41:31):
I'll tell you what.
Speaker 2 (01:41:32):
Though we used to say that sh is dumb.
Speaker 1 (01:41:35):
I'll tell you what.
Speaker 4 (01:41:36):
The Cadillacs always been one of the smoothest rides.
Speaker 10 (01:41:42):
I had to make Caddies. And the way the sales
guy told me, I'll never forget. He was like, this
car right here is classy. It's classy. You could do whatever,
you could roll up and and.
Speaker 1 (01:41:55):
That was like had the man. Oh yeah, it's a
smooth pretty much.
Speaker 4 (01:41:59):
You know.
Speaker 1 (01:41:59):
It's like, yeah, I'll tell you what.
Speaker 4 (01:42:02):
The way that the way that a Mercedes Benz is
like a very smooth floaty ride. The Cadillac is that
same smoothie floating ride. Just a second body style.
Speaker 7 (01:42:14):
When they went to that little angled out looking, sneaker
looking one, yeah, that was a nice style grain one.
Speaker 2 (01:42:21):
I had a like burgundy one.
Speaker 1 (01:42:24):
You know, I don't remember what coming.
Speaker 7 (01:42:30):
Page did them all We all had the little wood
I mean, a little pusher button here and there in
certain you know, stap activities would happen, you know.
Speaker 2 (01:42:39):
I like that.
Speaker 4 (01:42:41):
Yeah, oh man, yeah, yeah, we had some pretty gnarly
stas spots.
Speaker 2 (01:42:45):
You could. Some double O seven ship was saying, we
were really the limitations on certain We were running it
pretty haar.
Speaker 4 (01:42:54):
We're running pretty fucking we were running pretty fucking crazy
back then.
Speaker 2 (01:42:58):
You know, somebody might still own that car stash poss
world must man.
Speaker 1 (01:43:03):
Oh yeah, I'll tell you what.
Speaker 4 (01:43:06):
On two of my cars, whoever bottom, they never even
knew about it. Like I had this lexus some money
or something something, so I had this Lexus in there.
So I had this Lexus and and come with the car.
Excuse me. I had a Lexus, right, and that year
(01:43:29):
they had a Lexus. That Lexus seat you could split
in two.
Speaker 1 (01:43:32):
Do you remember?
Speaker 4 (01:43:33):
That was the GS GUS six seven something like that.
It was that gray one I had, right, And the
way we worked it out was that we popped that
seat in half with the with the with the hydraulic arm,
and it would pop out, and you could hide a
bunch of ship in that back seat. And when the
fucking hydraulic arm pushes the the back back up, there's
(01:43:58):
nothing that could pull that shit. It's like four hundred,
five hundred pounds of pressures. Yeah, so you could not
open up that stash pot. You could tear that car up.
You weren't opening that seat, right, So fucking I had
that ship for years, right, and then I eventually and
then I eventually huh it was on the door. No,
it was on my passenger seat, the back of the
(01:44:19):
back of the seat. It would pop out. Cops like,
what does it smell like? Yeah, they could search the car.
They would never find out they could. They would never
find out how to pop that button. When I finally
sold that car, the second the owner that it bought
it off me.
Speaker 1 (01:44:36):
I never told them.
Speaker 4 (01:44:38):
There might be something in it, right, Oh were crazy?
Speaker 7 (01:44:45):
Yeah, the homie to build those because in the trucks
we put you know where we put them and just
be up tucked under right under your legs buttons. That
thing wasn't getting you weren't pulling that apart. Yeah, you
couldn't pull them apart.
Speaker 4 (01:44:59):
I mean if if you were lucky enough to you know,
figure out, you pop it. That was the only way
pull That was the only way you were going to
pop it. Is if you figured out the code. You
weren't just gonna pull it open, and you could. It's
a hydraulic arm exactly.
Speaker 7 (01:45:14):
We would be deep places and the police would definitely
love to have caught us doing ship looked through our car.
Speaker 2 (01:45:22):
Yeah, I never got that thing. That never even because
they already expected for sure these guys have something.
Speaker 1 (01:45:28):
Oh yeah, I'd get pulled over.
Speaker 2 (01:45:31):
I know this guy got something.
Speaker 7 (01:45:32):
And stash spots weren't unknown they but most people were
shitty like these were the immaculately.
Speaker 2 (01:45:40):
Pulled over, sophisticated, sh immaculate.
Speaker 9 (01:45:44):
We're gonna say, remember when we got pulled over with
tr T recipes?
Speaker 1 (01:45:48):
Oh yeah, yeah, that Peak peakle.
Speaker 4 (01:45:51):
Uh No, it was off of the one on one
freeway right there by the park. Oh rampart, Yeah what no, No,
not that part. It's the other side, is it. It's
not Echo, is it Echo? Yeah, it's Echo Park. Yeah.
We got pulled right there and we had just finished
smoking a joint in our homie like did a chong
move and like ate the rest.
Speaker 1 (01:46:13):
But smoke is coming out of the car.
Speaker 4 (01:46:16):
And the reason the dude pulled me over is because
this dude was fucking like he was kind of like
dogging us in this lane. I was trying to speed
up a little bit, and every time I tried to
speed up to get into that lane he was. He
kept dogging it right, So I sped up and got
in front of him. The CHP guy saw that and
(01:46:37):
decided that was enough to pull me over, right, So
he pulls me over. He sees the smoke coming out,
and it's like, where's the weed. There's no fucking weed
in here, because there was. That was the last joint.
And he goes, well, it smells like you've been smoking.
I said, we smoked like an hour ago, two hours ago. Well,
it smells like it's on you now. I said, well,
(01:46:59):
that's some good weed. I'm gonna search the car, like
fucking search it. Get it over with, you know what
I mean. Like I copped the attitude and I was
just telling hurry the fuck up basically. And then he
starts preaching to these guys that I'm high and he
should I should be driving them and I'm to their lives.
And Jade Turner's like whatever, fool tells the cop whatever.
(01:47:25):
And you know, in the end they got nothing, But
that's because we're playing poker with them the whole time.
Speaker 2 (01:47:32):
Speech.
Speaker 4 (01:47:33):
Yeah, you know, gave him a speech. That was all
he had because he didn't really catch me speeding. I
didn't have like my windows were already down so he
couldn't get me for the tinted windows. Yeah it did.
Trt the evidence. Crazy motherfucker next week, right, Thank you
(01:47:53):
for your super chats. We know more come as we go.
We'll take them if we see him. Yeah, sometimes you
gotta play poker with these motherfuckers. I didn't have a
stash spot in that car. I didn't have it yet.
This was pre stas spot, so I couldn't roll with
a Jammy in that car because I would get pulled
over in it every time because it was just it
(01:48:14):
was obnoxious. You know when you roll in an obnoxious
vehicle and you look like you're from the hood. They're like,
that's out of place to them.
Speaker 9 (01:48:22):
That he was admiring the shit out of that truck
because it was half suburban, half duly.
Speaker 2 (01:48:27):
Yeah.
Speaker 4 (01:48:27):
I had a duly modified suburban, right, so crazy. It's
like a big long ass suburban with the dual shit
on the back. And then I had custom fucking rims
that was crazy. And then I had like a crazy
ass you know, unneeded fucking sound system in it. Right,
So it's bumping and rattling, it's you know, an attraction
(01:48:48):
on wheels, right, and they're looking at me and then
he sees smoke coming out of the shit. Yeah, I'm
pulling this fucking guy over. And I got pulled over
a lot in that truck. That truck cost me a
lot and in terms of citations, yeah, and.
Speaker 2 (01:49:05):
Those fixing fixing tickets right, oh man, and parking for
that fucking beast. I want to jail for two weeks
one time here for just fixing tickets. Yeah, they'll do it.
They helped me up in County for two weeks and
were sucking a bunch of fixing tickets. They had me
on the Great Gooseman going to all these different cities
in the area, Man, getting all the courthouses, the main courthouse,
(01:49:28):
the courthouse that that I got a lot of tickets
with from Downy Downy police. They're not fucking around. It's
like anytime I stepped in that city. Man, they they
purposely like they're they're they're they're already on me. Man.
Speaker 1 (01:49:39):
Yeah, down he doesn't funk around.
Speaker 7 (01:49:41):
They should have like an office you could go to
right before you go in there and be like, let
me get like four hundreds and credits.
Speaker 2 (01:49:46):
Yeah, now by some tokens or whatever I do. It's
just took care of all right. Yeah, we're going there.
Speaker 7 (01:49:53):
Actually that part that's probably coming where like where you
have to buy credits for ship like that drive through a.
Speaker 2 (01:50:00):
Town to make sure.
Speaker 4 (01:50:03):
Yeah, I mean conducted from your credits. It doesn't sound
far off, you know what I'm saying.
Speaker 2 (01:50:08):
It's it's it's plausible. Yeah, I did that one time
when I was in I think it was a Rosa reader.
And so now that we're out there and at one
of the hotels, I was smoking weed on the balcony,
and the security came and then told us. They goes, hey, man,
you can't you can't be smoking weed here, you know,
especially here in Mexico is the ego man, and like, yeah,
(01:50:28):
but you know, just a quick little joint. Oh no,
you know, you know all the neighbors campaigning, and you're
gonna you're gonna have to come and pay pay a fine.
And how much is I find he's got a fifty bucks?
And I go all right, well, you know, and I
was there for three days and I go allright, well
here's one hundred and fifty because I'm gonna be smoking
the next paying advance advancing. That's how they want. Yeah,
(01:50:48):
that's how they Yeah, they were because they because he
asked me to go, well, we could go about two ways.
You can you pay the fee or we call the
cops saying you know how that goes, and that's you know, yeah,
I'm gonna I'm not trying to with the co bros.
Like you know what, I'll just pay the fire mass.
I went downstairs and and and they paid the fireman.
It's you know, next time, I'm gonna pay ahead of
(01:51:09):
time too, because like that.
Speaker 4 (01:51:10):
You know, I bet you the front desk is like,
what the fuck is he even talking about it? It's
all like, you know, it's all individual scam the bellman
or something.
Speaker 2 (01:51:18):
Hey, man, just you don't know where that's coming from.
Speaker 4 (01:51:22):
Here's two hundred know what I'm saying, it's all individual scams.
Some of these motherfuckers don't know that these motherfuckers are
coming and charging you.
Speaker 1 (01:51:29):
For this or that.
Speaker 4 (01:51:30):
Yeah, you know what I mean, because like in some
of those hotels, they're not paying that close of attention
that you're on the balcony smoking.
Speaker 2 (01:51:37):
Yeah, you know what I mean. That's all it. Text
is one person. That's my one person. That's it, you know.
Speaker 4 (01:51:46):
And then and then the knock on the door. Hey,
we could go one of two ways. Yeah, all the
cops made they throw a major life hacked tip.
Speaker 7 (01:51:59):
If you a frequent hotel traveler and stay at hotels
for extended periods, just start by taking care of fucking
housekeeping from day one.
Speaker 2 (01:52:12):
You won't have any problems.
Speaker 4 (01:52:14):
Yeah, if you if you if the house up, yes,
they will leave you a little have very few problems.
Speaker 1 (01:52:20):
Yeah, because they're the ones that first rat you out.
Speaker 2 (01:52:25):
So when they come in the room, here's my tip.
You know it. Some days I don't want them in.
Speaker 7 (01:52:31):
Like if I stay in a hotel, let's say ten days,
maybe three or four times is all I'll want service.
But the days I let them in, there's on the
notepad of word housekeeping and a little fucking couple twenties
whatever it is. Never had problems in a hotel for
smoking anything.
Speaker 2 (01:52:50):
They keep it cool man, you know right, they're they're
the they're the life blood of the hotel. If they're
the ones that will rat you out or keep it
cool with you management hear some ship they're gonna ask them, hey,
check that out when you're up there.
Speaker 7 (01:53:03):
And if they're getting took care of, they're gonna be like,
I don't, I ain't see nothing.
Speaker 2 (01:53:08):
Word. Uh that is real ship man. And they'll spray
a little extra.
Speaker 1 (01:53:12):
Yeah, yeah, they might hook you up.
Speaker 2 (01:53:15):
They will.
Speaker 4 (01:53:16):
You might even leave a little little bag for them
and they might be appreciative of.
Speaker 2 (01:53:20):
That, if you they got that. I always do that.
Speaker 7 (01:53:23):
If I know I'm crossing a border or going in
the airport, the bag, I leave the bag. Yeah, going
out if you don't want it, but hey there it
is like for me, I'll leave the edibles and ship
like that. You know what I mean, because I know
one of them will pick it up.
Speaker 2 (01:53:35):
Help for sure?
Speaker 1 (01:53:37):
All right, what else you got anything else that seems
to be it? Word up?
Speaker 4 (01:53:40):
We want to thank everybody for getting down with this
today on the Doctor Green Thumb Show. We want to
thank my man Big cit Trick. Ye, thank you guys
for having me here. Man, first of many times. You
gotta have come back up for sure anytime.
Speaker 2 (01:53:53):
Just let me know, bro, I'm down.
Speaker 1 (01:53:54):
Man, word up. Let them know where to find you all.
Speaker 2 (01:53:56):
My social media man is at Big Citric, you know,
like like sitrick acids, c I T I r R
I c SO at Big cit Trick and my website
bigsatric dot com.
Speaker 1 (01:54:06):
That's right, You got any shout outs to what I give?
Speaker 2 (01:54:09):
First of all, shout out to you guys, man leaving
legends in the building man, and uh you know, and
everybody's miss supporting man or you know the journey you know,
everybody out there. Man, My son is in the building.
My son eric A. K. Nuggs and my boy Adrian
Ace they're in the building, you know, so big shout
out to them, my PR team Veronica and my management
Wendy you know, Magnoble pr Man. They've been taking care
(01:54:30):
of me, looking out, looking out for me in every
every aspect, you know. And uh, it's been a crazy, crazy,
uh wild ride. Man. That's what's up. But shout out
to everybody's miss supporting man.
Speaker 1 (01:54:40):
My mad love Man continued success.
Speaker 2 (01:54:42):
I think you really appreciate that man.
Speaker 10 (01:54:44):
Likewise, Yeah, yeah, shout out everybody just hanging out with
us on the chat, Big Citric for coming through hanging
out with us. Thank you, Doctor Green Thumb crew. If
you're on the I G follow me cycle Less Official.
Also shout out Save Vencito, you know for the beers
(01:55:04):
on my originals on you know, hooking me up. And
also produce a plug in the building salute. And we're
doing this real cycle mix right I believe, Yes, sir,
it's gonna be on right after Big Bang Bolted Yo.
Speaker 8 (01:55:21):
Shout out the Insane Asylum Show, to Ray Morning Chef
Film Show, to the Dominator, everyone start going to be
real TV two in Twitch will be up in the
mix here in a few minutes.
Speaker 5 (01:55:28):
And what's up ever.
Speaker 7 (01:55:30):
Last, everything is life is good. Glad to be alive
and awake. Shout out to Big Citric. You know, the
regular motherfuckers here yelling the treehouse making crazy sounds. I'm
sure I don't ever wear half ones, so I'm making
her into the fact. But I love y'all Kaiser. I
(01:55:52):
think he runs the world. God bless him.
Speaker 9 (01:55:56):
Big shout out to my people here at the table
in the treehouse, Big Citric for coming through.
Speaker 2 (01:56:00):
Man.
Speaker 9 (01:56:02):
Yeah, man, we're gonna support for sure. Just keep that
King of the Hill rolling. Appreciate that word up. Shout
out to everybody out there in the chat and all
the people that gave me birthday wishes today, Man, thank you.
Speaker 2 (01:56:13):
Check me out on that.
Speaker 9 (01:56:14):
G D J F M underscore l A for whatever
I'm at and whatever I'm djinging.
Speaker 4 (01:56:20):
Ship all right, you're made of that bounce back material.
You fall down, you get back up. Swallow that
Speaker 2 (01:56:40):
Real
Disclaimer.
Speaker 2 (00:06):
This video, like all videos featured on the channel, is
definitely intended for a mature audience. This videos like please
gets ample fl language content is inappropriate ens video. It's
not for kids.
Speaker 3 (00:15):
Well who did who?
Speaker 4 (01:17):
Welcome to the Doctor Green Dumb Show Live on Twitch, Discord,
YouTube x and the home site www dot breal dot tv.
Would it be like we're at the legend table right now,
as you might know, because you know on Tuesdays and
Thursdays it be that way, you know what I'm saying,
and all the other days too, But today special day, man.
(01:39):
We got our special guest in the house, Big Citric
Anthony Gombos in the building.
Speaker 2 (01:49):
World up.
Speaker 4 (01:51):
We also got my man, the legendary cycle Leazy in
the building. I can't hear that over there. I was
waiting for. That was way too fobby. Everybody word up.
We also got the Treehouse crew bolt to Blombo Bra
Bron the Dominator.
Speaker 5 (02:06):
Yeah, yeoh what up? We're doing good?
Speaker 4 (02:07):
Yeah I know you are, man salute. We got Kaiser
in the building, that's right, who do you who? We
also got the legendary Everlast in the building. Yeah good,
see y'all word up here. And we also have DJ
f M up in the building.
Speaker 2 (02:28):
What up everybody?
Speaker 6 (02:29):
Have you doing?
Speaker 4 (02:29):
Happy Tuesday? Changed up the mask this week? Hut Papa
a little bit, that little bit he wears a mask. Yeah,
I just noticed the Jews because there was a different mask. Man,
he wears a mask of a face. That'd be funny
if the mask that he wore was his face. That
(02:51):
if you easily doable. You can do that on a
bandanna pretty easy, folded in half. And when someone says,
is that your face? Oh no, no, no, no, so
some dingdom just some random dude, you know. Oh man,
do it on the day.
Speaker 7 (03:07):
When you got a nice little shape up on the
beard or something and you never have to shave again.
Speaker 2 (03:14):
I like that. I like that.
Speaker 4 (03:15):
That's right. There's ways to change it up. Good to
have you up in here, brother.
Speaker 2 (03:20):
Thank you man name. It's a pleasure to be open here. Bro.
Speaker 4 (03:23):
You've put down years and years of classic work, you know,
and on the King of King of the Hill, and
a lot of people just you know, they fuck with
you because that is a huge show, obviously, and.
Speaker 1 (03:42):
You know people have grown up to it.
Speaker 4 (03:45):
People have grown up with it, and they've heard your
voice throughout Man, that did you ever see that, you know, like,
did you ever foresee something like that, like people growing
up to your ship like that when you first started
doing the voiceover work.
Speaker 2 (03:58):
No, man, you know when when I just when I
started getting into it, you know, obviously through my Judge. Man,
it was just it was just a thing like I
was just you know, like just to be a part
of that circle, man, with my Judge and these people. Man,
it was just like I was just like just like
you know, like you know, it was like my dreams
were coming true. But at the same time, I was like, man,
I don't know if you know how real this ship is, man,
(04:19):
you know what I'm saying. So so I've always just
kept it like like like on some chill ship. Man.
But I never looked at it like that.
Speaker 4 (04:24):
Man.
Speaker 2 (04:25):
But you know, but now now that I with the
new season out, you know, and uh and and I
go places and and and I get a lot of
love from the fans, you know, and it's it's crazy, man,
I mean anything, my Judge Judge has a cult following,
you know. But I mean I knew the show, you know,
it's always been big, but I just didn't realize how
how deep you know that cault following is there for
for my judges stuff.
Speaker 4 (04:45):
Man did that when when you started doing the work,
did they ask you to come in and read or
did did you send them something and they heard it
called you in?
Speaker 2 (04:53):
Well, when when I got called for the for the
for this role of Emdio on h on the new season,
because I had to really he worked on a couple
episodes before in the past with with Mike, but but
it wasn't really a character. So when they called me
for this one, it was basically I kind of had
to read for it, not read, but like you know,
do a little voice audition for it where it was
just like a couple of liners, and then they wanted
(05:13):
me to do it in Spanish as well. They just
wanted to know, like how fluent my Spanish was, because
there's a there's some scenes, especially in the new season,
where they do a lot of like like Spanish words
or sentences of like like Hank Kill might be watching
a TV show and the other TV show was like
some other stuff and it's usually like my voice in there. Yeah, yeah,
So they wanted to make sure, you know, I could
(05:34):
speak Spanish as well, so I had to put some
stuff down on tape for them, did a little real
little voice or real for them. But for the most part,
my Judge already kind of knew, you know, my voice
would go good with a new character with a medio,
you know.
Speaker 1 (05:48):
So that's awesome, man.
Speaker 4 (05:50):
I mean for somebody like Mike Judge, you know what
I mean to like, uh, you know, recognize the talent
and the way your voice cuts through on ship and
your adaptability that you could do different characters like that.
Speaker 2 (06:04):
Yeah, man, yeah, I mean, you know, it's just one
of those things were you know, in the beginning, I
wasn't sure, you know, I wasn't I wasn't sure myself,
you know, just dieding myself. But but it's one of
those things where you just kind of you know, the
opportunities there, you just got to dive into it.
Speaker 4 (06:16):
Man, was the voiceover work like the first passion? Is
that what you wanted to do? Or did it fall
in your lap?
Speaker 2 (06:22):
Now that kind of I want to say, just kind
of foul in my lap because my first passion was
I mean, I've always wanted to be into an entertainment
business since I was a kid, So I want at
some point when I was a youngster, like ten eleven
years old, I wanted to get into acting, so I
would do little school plays, you know, but that's all
it was, you know, and my mom my mom. You know,
(06:42):
I tell me my mom was working long hours. It's
just me and my mom. My mom goes, well, I
don't know anybody in Hollywood or you know, Hudo Tops,
I don't know Casteenagers and none of that shit, you know.
So it was so I just kind of left it
at that, you know, as years went by and I
got into music, you know, doing hip hop. Yeah, we
had a group called Browntown you know back in the days,
right and uh, and that's kind of like what led
(07:03):
led to all this as as it evolved, you know,
little by little it went from Browntown to Browntown Looters,
and then we got a record deal like in two
thousand and four, I think for us all Spanish record
with a couple of out of Mexico. So we did
an all Spanish album. And around that time is when
I transitioned into doing acting because I had did the
only acting experience I had that to then to then
(07:26):
was I had I had maybe been in a movie
called at Pallerino with Damian Choppy and uh and Tiny
Lester Junior and Milio Rivetta was in there, and it
was it's on YouTube. You can see you can watch
that break. Remember that it's called Patarino, you know. And
it was produced by Dami Chopper, the guy that did
me Glover, Blood and Blood Out. And so I had
I worked un there a couple of days as background,
(07:48):
you know. So that was like the only acting experience.
And prior to that, I mean we were in the
back in nineteen ninety two, we were in the little
Gettaboy video with doctor Drane Snoop, you know, and that
was you know, we were in the backwards supposed to
be like in a riot sea in the prison scene
were rioting. So that was one of the acting skills
I had to. So I got called for uh the
movie called Idiocracy, Yeah I remember that, Yeah, in two
(08:10):
thousand and four. Sore right now, Yeah, exactly.
Speaker 8 (08:12):
Man.
Speaker 2 (08:14):
It's crazy because people that that saw that movie, like
a lot of my friends, when they first came out,
like you, they just snapped for me where I know
you your face? Yeah. I had a long hair and
I was a lot bigger than I mean, it was
a secretary of defense, but even your voice and seen
that movie so many times. Oh yeah, so that was
that was my first That was my first role. Man.
Up to then, I had no like acting experience whatsoever.
(08:36):
I never been on an audition, none of that stuff.
And then uh, I got called in for it man,
and and I don't know if you remember back then,
there was a website called Brownpride dot com. Yeah, so
that's why they found me the casting department. They found
my mug on there, and then uh, they hit up
a matter of fact, two Max, the homie. Yeah, they
called him in for for reading for that role too,
(08:56):
and and for a couple of different characters there. So
that's how that's how kind of discovered through through brown
pribabe dot com. They hit up the hom style Rojas
and then he related, Yeah, he related the information and
he goes, hey, bro, it goes, these people are looking
for you if you're interested in reading from my Judge movie.
And I was like fuck. At that time, I wasn't
even trying to like go into acting because we were
getting ready to go on this promo tour that you know,
(09:18):
the record label had already.
Speaker 1 (09:19):
All set up for us, and music was like the
number one.
Speaker 2 (09:21):
Yeah, that was my that was my focus at that point,
you know. So it's like I was like, man, I'm
not really tripping. I'm trying to be an actor. But
my manager, my music manager, Keet telling me, you know,
and all my all my boys, resting Peas Brown, well
he kept telling me too, Goes, bro goes, just go,
man goes. You never know, it's this could be a
whole nother another opportunity, another outlet for you man, he
could just go. So long story short, I went, man
(09:43):
and yeah, nailed the audition. They liked it, and then
they hit me up a couple of days later and
the lady goes, she goes, hey, Mike, just saw your video.
He readlycture your your your video. That was funny. He goes,
He's coming in a couple of weeks. Uh, because he
was living in Texas at the moment at the time.
He goes, he's coming in a couple of weeks, and
he wants to have a reading with you man. So
he came in and I met him and we chopped
(10:04):
it up, and then he had me read for the
Secretary of Defense and like two other characters, three other characters,
and that was it. You know, we just kept the
cool chopping up and go ahead, we'll be in contact.
And I was in like two months later, I get
to call it. That's awesome, man. So yeah, everything just
kind of happened and everything just like you know, and
then after that, I kind of just started focusing on acting.
I just kind of like, I still did the music
stuff for a little while, but but it just seemed
(10:27):
like the acting world was just kind of calling my
name more and it just kind of just yeah, it
just I started getting another role, and then I got
one of the episodes the King of the Hill the
early season in two thousand and five. And then I
did a movie with a Christian Bale called Harsh Times.
Speaker 1 (10:41):
And oh yeah, that's right.
Speaker 2 (10:42):
Yeah, so you know I was a lot bigger too.
Speaker 1 (10:44):
Yeah that was crazy.
Speaker 2 (10:46):
Role was Casper with me and Noel.
Speaker 1 (10:49):
G Yeah, no, yes, right, so yeah, so it just kind.
Speaker 2 (10:52):
Of that's where the direction I just kind of took it.
Speaker 4 (10:54):
Up, and Harsh Times was the one that they wanted
to Like, it's the same people who created Training Fast
and Furious, but they went with the training day before
Harsh Time because no one wanted to pick up Harsh
Time because it was too aggressive. The ending was mad,
fucked up. It was way more fucked up than the
(11:15):
Training Day.
Speaker 2 (11:16):
And yeah it had a meal had aminal plot twist, yeah,
crazy twist. Yeah. So yeah, that that that movie. Yeah,
I mean you know it kind of became a cult
classic as well. Yeah, that's a cold classic for sure.
People are picking up on it now, you.
Speaker 4 (11:30):
Know, Christian Bell, Freddie Rodriguez, Uh, even a Longoria yourself,
Noel g.
Speaker 1 (11:39):
It's a It was a fucking movie man.
Speaker 2 (11:42):
It's crazy man, and then that, and then it was
straight independent. Yeah, it straight in that movie.
Speaker 6 (11:48):
Man.
Speaker 2 (11:48):
The writer of Training Day, he wrote it and directed it,
so that was like his baby there. Yeah.
Speaker 1 (11:53):
The big studios didn't want they didn't.
Speaker 2 (11:55):
Want to, they didn't want to mess with it was
too violent.
Speaker 4 (11:57):
The end was crazy. Yeah, because he killed that role too.
You thought, yeah, you thought he was absolutely mad. Yeah,
everything Christian Bale does. Man, Yeah, he's like he's like,
he's like the antithesis of method actors, right, he's yeah,
was that the correct Yeah, he's I mean, yeah, he
(12:19):
would I mean not the I think you mean he
is the embodiment, the embodiment. There you go, the embodiment
of methodist.
Speaker 2 (12:27):
Killer right here.
Speaker 4 (12:30):
I would agree that was a momentary pause. I got, hey, listen,
I'll pause with you. I agree on the one. Yeah,
he is the embodiment of method actors. There's others, but
like that dude, he gets.
Speaker 2 (12:44):
Into his roles. Man, even when the when we were
on set of Harsh times, he was he was hanging
out with us, like in between takes and he was
just like me and the whel hanging out with the
homies and we're chopping it up, and he was just there,
just just soaking up game, you know, because most of
the his role in that movie, it was that he
grew up around around the hood, Mexicans in the hood,
you know. So so he's like speaking that lingo, you know. Yeah,
(13:06):
so he's studying. He's studying everybody. Man the whole time
he's there, man like he's in his own, uh character.
And I remember he had just got off of doing
Batman Begins, And I remember Son was like ten years old,
and I took him on set with us that he
wanted to get an autograph, you know, I want to
get Batman's autograph, but but uh, they wouldn't le him
because he's in character. Now.
Speaker 1 (13:23):
Yeah, he's not in.
Speaker 2 (13:25):
Yeah, he's not in Batman Motor Christian Bale mode.
Speaker 5 (13:27):
He he's in character.
Speaker 4 (13:28):
Now, you know, they don't want to get screamed down.
It becomes a meme and a YouTube video and well yeah, yeah,
you don't remember he's the guy that like went off
on somebody just walking through his eye line. Yeah, I
do the eye line. Yes, it was like some audio
work here. I was like, whoa, Okay, what's a trip is?
(13:50):
After that particular thing happened, like on a lot of
movie sets, they started banning phones from recording or filming ships.
They didn't catch somebody like him snapping on the set.
He totally snapped. Yeah, but I get it. You know,
you're I get it. You're focused and someone just walks
in your line and throws you the funk off when you're.
Speaker 2 (14:12):
He's one of them cast thos beyond focus.
Speaker 4 (14:14):
He's like that Daniel day Lewis type where it's like
he's been living it for two years getting ready for this,
and you just, you know, you just fucked it up.
Speaker 1 (14:23):
Yeah, you all that preparation, you fucked it up.
Speaker 2 (14:27):
I'm not using.
Speaker 4 (14:28):
It, but I'm like I can understand, Like, you know,
he committed to that ship.
Speaker 2 (14:33):
He studied for it.
Speaker 4 (14:33):
He becing, Well, yeah, that's like if you're singing the
song right, you're in the you're in the studio booth right,
and you're fucking nailing it and someone walks it by accident.
Speaker 2 (14:43):
Oh fuck, I didn't know you were excuse me coming
through again? Ye you know that.
Speaker 4 (14:48):
Of course they're get they're getting thrown out of the studio.
Speaker 2 (14:51):
Throws the energy. Man.
Speaker 1 (14:53):
Yeah, and you gotta do it again.
Speaker 4 (14:57):
God, there was no phones, man, I mean even that
just arguments between homies, like amongst groups and about things,
and you know that should happen that day.
Speaker 2 (15:08):
They should be on the fucking socials and everything. Everything's
out there now, man.
Speaker 1 (15:14):
Yeah, yeah, you gotta be careful exactly.
Speaker 4 (15:16):
You know what you do like groups anymore if you
pop off on someone in public, so it might get got.
Speaker 1 (15:24):
I mean ship.
Speaker 4 (15:25):
You could just be eating dinner with your family or
your friends or whatever.
Speaker 1 (15:28):
You know what I'm saying. They get that.
Speaker 2 (15:31):
The problem is, yeah, they don't. They don't get the
whole context of everything that ends up on the internet
is just.
Speaker 4 (15:37):
Like they send it over to TMC.
Speaker 1 (15:40):
They were partying all night.
Speaker 9 (15:42):
And I'm curious man was he asking? Was Christian Bale
asking questions like when you were like talking slang where
they like, was he like what what does that word mean?
Speaker 2 (15:52):
Or not like that? I mean he kind of he
kind of did that. I remember he asked them, wow,
a couple of questions. But for the most part, he
was just there, just just just looking at us, just
checking out the lego. And and he had already studied
us before that, you know. And I know he hung
out in the wild a couple of days before that,
you know, like a couple of weeks before before the shoot.
He was made a couple of months. So yeah, he was.
Speaker 10 (16:12):
He was falling in with them, trying to make sure
he could pass imagine conversation it was. And I mean,
this is this is all real talent, right. You never
took no acting lessons or nothing at that point.
Speaker 2 (16:25):
That's dope.
Speaker 1 (16:26):
So you were just going in there on reads.
Speaker 10 (16:28):
To me, sometimes the real talent is better, Yeah, I
mean anything that's like if you listen to a comedian,
the roal Hood comedians always the acts the rappers, you know.
Speaker 2 (16:39):
The exactly. Yeah, No, I mean it's in a lot
of times, that's what a lot of these uh casting
the directors that they look for to you, you know,
like raw talent and naturally see something in you. Yeah,
they'll keep sucking with you, man, you know, they keep
trying to push you and get you out there more. Yeah.
Speaker 4 (16:55):
Yeah, I would imagine because when they're dealing with people that, like,
you know, because they have some years under their belt,
it's kind of harder to give them direction because they
think they know the direction. But if someone else wrote
it and they hear something on it and they're asking
you to like flex a certain way, yeah, it's probably
easier for the raw talent to adapt to that than
(17:16):
to someone who's been doing it for so long and
they lean on this particular style and it can't get it,
can't cut it, you know what I'm saying.
Speaker 7 (17:26):
And similarly, I kind of was going to say that
also like the cat that hasn't been thoroughly trained or
anything like comparatively to me, like playing a guitar, I've
never been trained. I don't know the fucking rules, so
they get broke sometimes and you don't care, but it
works right because you're not trained in that way and
enslaved to like a certain set of rules. Thought patterns
(17:49):
or ideas or a style of acting or you know
what I mean. Real Yeah, sometimes just not knowing is
gives you a bravery you don't even know.
Speaker 4 (17:58):
You have, yeah, an upper fucking edge if you will,
you know what I mean, Like you got nothing to lose.
Speaker 2 (18:07):
Yeah, yeah, because when you go to acting classes, you know,
they teach you a certain way. You know, there's like
a structure to it, and uh and sometimes yeah, some
some movies and some some movie rolls or TV rolls
that don't require all that. You know, they want authenticity,
you know.
Speaker 1 (18:23):
Yeah, they want an old ship, old rules.
Speaker 2 (18:26):
Yeah.
Speaker 1 (18:26):
They don't want to feel like you're acting the role
so much. Yeah, exactly exactly. They want you to be
it they wanted to do.
Speaker 2 (18:32):
Exactly. They want you to be it, man, So they
want it as natural as possible. So that's all. That's
how a lot of cats get in the industry these
days too. Man.
Speaker 7 (18:38):
Usually unless a direct or direct directly wrote the script,
that guy's looking to make something anyways slightly, you know,
that's the script is just his outline. Yeah, So things
that happen along the way sometimes are the things that
like make the whole thing.
Speaker 2 (18:54):
That Yeah, yeah, it's real talking man.
Speaker 4 (18:57):
The adaptability, you know what I mean to be able
to like, you know, snap something in that you didn't expect.
Speaker 7 (19:03):
How many times is the best thing on a song
or a record been a happy accident?
Speaker 1 (19:07):
Yeah, something spontaneous you didn't plan it.
Speaker 2 (19:09):
It's just the same principle, man. Yeah, Yeah, that's real
ship man. Because I also worked with I learned like
a lot of comedy Timy too through George. Yeah, salute
to George. Shout out to George Man. I worked with
him on two seasons man of a show called Lopez
that was on TV Land, And uh, I remember that
first season. Man, it was pretty It was pretty pretty
(19:29):
wild because you know, there was times when it was
there's certain takes. He would tell me, he goes, right,
right now, we're gonna switch it up from the script.
You know, he goes, we gonna do a little improv.
You know, he goes, he goes, I'm gonna say this,
and then you come over and then from there we're
just just write it. And I'm just staring at him like,
like you know, with a blank stare. He's looking at
me like, nah, I'll be you ready yet? Man. This
(19:50):
was like the first couple of couple of episodes when
we first started shooting it, but by the end of
the season, like, you know, I was just following his rhythm.
Speaker 1 (19:57):
You know, that's that's that's uh.
Speaker 4 (20:00):
They do that one show that's created by Larry David
Herbie Your Doozy.
Speaker 2 (20:05):
That's all that show. Lopez was kind of like, kind
of like on that level.
Speaker 4 (20:09):
Yeah, they don't have a script, they have an idea,
they talk about it and then boom.
Speaker 7 (20:12):
Really, I didn't know that here's point A, here's point B.
We got to get from there to there. That's cool,
let's go. It's no wonder he's always cracking up. That's funny, dude,
that's freaking awesome.
Speaker 2 (20:24):
I didn't know.
Speaker 4 (20:25):
So.
Speaker 7 (20:25):
I also, I think a key to why they're the
awkwardness at times.
Speaker 2 (20:30):
Is so fucking awful. Yeah, it's actually awkward.
Speaker 1 (20:34):
If you're good at improv, that shit is awesome, you
know what I mean.
Speaker 2 (20:37):
It's pretty genius.
Speaker 1 (20:38):
And a lot of people that do that show are.
Speaker 7 (20:41):
You know, when you go back and watch the original
sign Fro series, it's very obvious to me where about
ninety percent of the actual funny ship came from.
Speaker 2 (20:51):
And that was very day and a lot of times
even when descripted, a lot of times they keep the
improv takes more than.
Speaker 1 (20:57):
The descripted the scripted ones.
Speaker 4 (20:59):
Yeah, I don't think they did script uh your enthusiasm,
because when we were literally he had an idea for
the whole story. For each scene, he'd be like, we
got to get from A to B. We're in a car, Yeah,
let's go.
Speaker 7 (21:13):
We're at a golf course, and you know, so all
these little things that would happen. Then they you know,
I'm sure they wound up doing them ten twelve times
and they evolved. Yeah, but it's kind of like the way,
like like I would write a rhyme, I don't necessarily
I can't write them down, so I might go in
and spit six bars and it said oh nose for a.
Speaker 2 (21:30):
Fucking twenty minutes, and then come back with another.
Speaker 10 (21:32):
You know, it's kept. So I'm sure they built like that.
But yeah, and then he just gets pieced up. Yeah, yeah,
because that's all the sho Lopez was.
Speaker 2 (21:41):
It was. It was mostly it was scripted, but the
writers let us go off script, you know, just as
long as we stick to the storyline, you know. Yeah,
So that so That's what was cool about it, man,
that you could just kind of just do your own theme, man,
as all as long as you're on that scene. I'm
not saying storyline, you're good man. They weren't even tribute man.
Speaker 4 (21:57):
Yeah, the storylines with what's important, what goes in the middle.
Speaker 2 (22:01):
And George was throwing a lot of you know a
lot of punchlines in there man, that that weren't on
the script. So you know what I'm saying, So the
directors writers keep that, keep that. Yeah.
Speaker 1 (22:11):
Yeah, And he's got a lot of those one liners, punchlines.
Speaker 10 (22:14):
They gotta they gotta tell you keep it clean, right, Yeah,
it could be dirty, yeah, yeah, TV, because it's television.
Speaker 2 (22:20):
So you know what I'm saying, they're they're they're trying to,
you know, maintain that PGS. Yeah, definitely. But there was still,
you know, there were still some things that that that's
that slipped out, that slid you know, they got we
got we got away with certain things, you know.
Speaker 4 (22:32):
Yeah, and that always happens. Yeah, I mean the little
things that fall through the cracks and they don't.
Speaker 2 (22:37):
Know exactly you know what I mean, it's too late
once it's out.
Speaker 4 (22:42):
I mean, that's the take of creativity. Man, you could
you could be that clever where they don't even catch it. Yeah, exactly,
you know in music and TV and film all that ship.
Speaker 9 (22:52):
I just heard Lady Guy confessing that in that part
where she says poker face exactly saying your face. She
she could like confess it to it. And now when
you listen to it, you get here. I'm like, oh,
she really did say that, and you're right you can
hide it, you know, you can be clever about it.
Speaker 1 (23:12):
What is it called the double?
Speaker 4 (23:15):
Yes?
Speaker 2 (23:16):
Yes? What did you say? She said?
Speaker 9 (23:18):
You know that part she's like poker face and she's
saying for her face.
Speaker 4 (23:26):
Maybe that's what different. Maybe that's what I mean. Maybe
that's what difference. Maybe that's what Maybe that's what she means.
But she's saying poker face. She's not saying her That
would never get on the ratio.
Speaker 2 (23:37):
I saw a video.
Speaker 9 (23:38):
It could have been AI because nowadays I don't know
what to believe, but it looked like she was admitting
that doesn't she said there.
Speaker 2 (23:44):
Here's here's the problem I have with that.
Speaker 4 (23:46):
Now.
Speaker 7 (23:47):
While I was going, I was asked, sorry my questioning
of the of the witness, uh is Why would she
confess to that when that would absolutely destroy the record
from getting played anymore, like on on like radio they
found doubt, like, oh, that's literally what you said. We
have to write that as it now, as the FCC,
we she'd be done on public or on you know,
(24:09):
radio radio.
Speaker 10 (24:10):
She should, you know, she should change her name to
Lady Kka. Why should she change her name to Lady Ktka.
That's just my opinion, but that's not said in the opinion.
That's just making a state you don't like her music.
Speaker 2 (24:27):
Now that she's cool, she she got a few joints.
I'm just fucking with her. I know. That's my homegirl here.
Speaker 4 (24:34):
She smokes a lot of weeds. Really, yeah, that's what
I heard.
Speaker 7 (24:40):
Yet she has not come to I was about to say,
why the fun she ain't on the fucking Green thumb
highest show on planet because she's smoking that cock.
Speaker 2 (24:49):
Call her up right now.
Speaker 7 (24:50):
I'm officially calling bullshit on that, Ganja.
Speaker 4 (24:55):
Yeah, ship, what was I gonna say? How many assides
did you have to kick? Well, you were working security
for Master p and No Limit.
Speaker 2 (25:05):
We got to a few altercations. Man got into a
few man and then it was during that time when
you know, the whole feud with cash money records and
so so you know, we we we we got we
got into some ship a couple of times.
Speaker 4 (25:19):
Man.
Speaker 2 (25:19):
But but man, yeah, because he and but before that,
I was working security at the House of Blues in Hollywood. Yeah,
and so that's how that's all I got picked up,
you know, yeah, because Master P owned it happened to
own the company I was working for at these because
they have House of Blue Security and then they have
another security that they bring it from, you know, from
out doors because House of Blue Security wasn't allowed to
(25:42):
touch the guests, you know, Yeah, so they bring they
would contract us in there and then you know us,
it was like fuck it. It was a free for all. Man.
So when they would have those crazy rowdy shows, man,
and foods were trying to jump on stage, we had
to be knocking foods down. So I guess you know what,
Master B took a notice to that, and uh as
Kevin you know that that was my supervisor, that was
(26:03):
his right hand man at the time, and so so
you know, so yeah, so so so after that next thing,
you know, I was I was on the on the
No Limit Army tour with him. Yeah. The one time
I remember we were in Detroit. I was a little
bit heavier always, you know. I remember one time we
were in Detroit and I was the first one and
we're in the elevator going down and there, you know,
kinds of people in the lobby waiting, and we're right
(26:24):
there chilling in the the doors open us. All kinds
of people were there and some kids was like, hey,
look it's kid Frost. I have my hat on.
Speaker 10 (26:32):
That was a little heavier, you know, did he did
he tell you to stay boudy about it?
Speaker 11 (26:39):
Just now?
Speaker 2 (26:40):
The little kids just kept seeing I kept telling you
and going no, I'm not Frost, No, yeah you are, yeah,
because I was only Mexican rolling with these guys.
Speaker 1 (26:50):
Really he really thought you were Frost.
Speaker 2 (26:51):
Yeah, this is in Detroit. I was like, damn, this
was bumping all the way out here. Man.
Speaker 7 (26:57):
I'm sorry, man, I just if every time I turned
my head and your talk and I hear electro nights.
Speaker 2 (27:02):
This that what plants create.
Speaker 1 (27:11):
How long were you running running with them as security.
Speaker 2 (27:15):
I think it was like two years, two years, two
years so so then No Limit Army Tour in ninety
I think it was ninety seven, ninety seven. It was
that's when Snoop Dogg was signed to No Limit. Yeah,
so I had to do it. I had to do
a little bit of security for Snoop dog a couple
of times. Mostly it was it was Snoop and Master P,
you know, like so you know, I would always be
the last one on the bus because I was always
(27:36):
had to make sure, you know, everybody was on when
we you know, as soon as the show was over. Yeah,
I had to clear everybody out, make sure nobody jumped
on stage, me some other guy, you know, and then
get the headcount, make sure everybody's on the bus, you know,
ntil we get back to the hotel and you know,
so I was always the last one on there, yeah,
making sure everybody was cool.
Speaker 10 (27:51):
You did you pass some message to master P, tell
them we need them on the show.
Speaker 4 (27:56):
Yeah, man, Yeah, he hasn't been here in a minute.
We had him some years back, like when we first
moved in this building.
Speaker 1 (28:02):
We had him on.
Speaker 2 (28:03):
Oh dope, Yeah, he was dope man, yeah, man, yeah, no,
we were humble dude, man. And uh I learned a
lot of game man from him too, man, you know,
just hanging out with him and you know, like just
chilling and just soaking up, you know, so the definition
of a hustler.
Speaker 1 (28:17):
Were you working with him when he was doing this?
Speaker 2 (28:19):
Uh? Let me know, because I got to bring in
my master Pete all.
Speaker 4 (28:23):
Were you working with him when he was doing his
his run with the Charlotte Hornets just playing basketball for
that a little bit.
Speaker 2 (28:31):
By that time, he was already doing he had his
own league. Yeah, yeah, he had his own basketball league. Man.
So we would always go to Long Beach to to
the college, and we're always there because that's where you know,
they would have a lot of their games and stuff.
You know, so C Murder and uh and and Silk
the Shocker, you know, they were all they were all
playing basketball at the time.
Speaker 4 (28:53):
It's crazy that they were like the at the beginning
of this, this whole movement you here now in rap music,
not necessarily hip hop part of it, but the rap ship,
you know what I mean. And like how much influence
like No Limit had on the generation that was coming
up at that point.
Speaker 2 (29:12):
Oh yeah they had. Yeah, they made a huge impact.
Speaker 1 (29:15):
They make cash money, yep.
Speaker 2 (29:17):
Yeah, they were dominating. Both the labels were dominating that
whole era. I remember it was like.
Speaker 1 (29:22):
Man, yeah, they brought the South up.
Speaker 2 (29:23):
Yeah in a major way.
Speaker 10 (29:25):
Yeah.
Speaker 2 (29:25):
Man, that was sick.
Speaker 6 (29:26):
Man.
Speaker 2 (29:27):
You know they're they're hustling, you know, everything everything was
on point. Man, they were on it. Hell yeah, they
were classic. You ever hear from those guys. I haven't
talked to them in a minute.
Speaker 11 (29:37):
Man.
Speaker 1 (29:37):
Do they even know like that that you're doing all
this cool ship?
Speaker 2 (29:40):
I don't know, man, you know what I'm saying. To
be honest, I don't know, Bro. They probably don't know.
Speaker 4 (29:46):
And if they knew, they'd be fucking like stoked for you,
Like no ship, because I like, it's a it's a
big fucking deal, you know what I'm saying.
Speaker 2 (29:56):
Yeah, Man, that's a it's a hell of a run
you've had. Yeah, No, I mean its been a it's
been a wild, wild journey.
Speaker 6 (30:02):
Man.
Speaker 2 (30:02):
It's been crazy man. You know, a lot of ups
and downs. But you know, I just take everything, you know,
and just just be grateful for everything that we get,
you know, man, and just I just you know, I'm
just happy to be alive. Man.
Speaker 1 (30:13):
Oh, those are the best journeys. Yeah, you know what
I'm saying.
Speaker 4 (30:16):
You crash and burn and then rise up out the ashes,
maybe crash and burn a few more times and rise
up again.
Speaker 2 (30:24):
Exactly.
Speaker 1 (30:24):
That's the spice of life, you know.
Speaker 2 (30:27):
I guess that's what keeps it interesting. Man.
Speaker 4 (30:29):
Yeah, I mean I think if you win all the time,
which not everybody does, you get complacent, You start sitting
on your hands, you get lazy.
Speaker 7 (30:39):
Well, there's an episode I think it's it's an Outer Limit,
so but I think it's a twilight Zone. But it's
one of those two old kind of weird freaky shows
if you remember where the premise was, like this dude
in the beginning just kind of we walk.
Speaker 2 (30:55):
In on him.
Speaker 7 (30:55):
He's a gambler and he's gambling and he can't lose. Yeah, lose,
and then like just amazing, the most amazing day. It's
happening day after day, and and somebody comes and tells him,
like you know, he's like, yo, you know, maybe I
want to try He thinks he's in heaven, right, and
he tells the guy you know, well, you know, maybe
(31:16):
I want to try hell out for a while.
Speaker 2 (31:18):
He's like, what are you talking about it? Like where
do you think you are?
Speaker 1 (31:23):
Yeah?
Speaker 2 (31:25):
This is it, this is it will never lose. So
then that became a hell, and that became as hell.
Speaker 1 (31:32):
He can't lose.
Speaker 2 (31:33):
Yeah, yeah, yeah, no, you get stuck on the on
the grind, you know, and you just you just keep going, man,
And yeah, you got to make the best of it.
Speaker 4 (31:42):
Yeah, I mean, we'd like to win all the time.
I mean, but it doesn't work.
Speaker 2 (31:46):
It doesn't work that way. There's got to be a
balance to everything, man. Yeah, that's just the way life is. Man.
Speaker 4 (31:52):
Even if I lose, I win right through that. Just
the fact that you're playing.
Speaker 2 (31:57):
Was just the fact that you're playing and you're doing
your things. You already like a lot of people always
ask me about like success and all that, Like, man,
the Minua I started doing what I'm doing back in
the days. Man, like I felt like I was already
successful because a lot of people don't even try it.
And you try it, you know what, you get into
it and you stay with it, exactly, you're already successful. Man.
(32:17):
But yeah, most people don't won't even dare to try it,
you know.
Speaker 1 (32:20):
They just yeah, people are fearful of failing.
Speaker 2 (32:24):
Like they'll never know if they had a chance.
Speaker 4 (32:26):
Well that's well, that's the thing though, Like in anything
you do, you can to be afraid to fail, because
you're gonna learn from the failure to continue on. If
you're afraid to fail, you'll never play the game. Therefore
you've lost before you've been started.
Speaker 9 (32:40):
There's gonna be failures. You just got from them and
let them make it stronger.
Speaker 1 (32:43):
Absolutely.
Speaker 4 (32:44):
I mean in this rap shit, you know, I told
a couple of stories, like in my first couple of
times getting on the stage or being in front of
a camera, I totally choked and forgot everything I ever
knew twice, you know what I mean. And I could
have crashed and burned there and ever got back on
the mic and figured, oh maybe this ain't for me.
I better go get a regular job or some ship
(33:06):
like this, right, Nah, these are part of the things
that build you up if you could get past them.
Speaker 2 (33:14):
Yeah, no real talking. And I've had a lot of
homies like that too, man, that that you know, we
started off together and not even halfways in the journey, man,
like a part of the journey like I'm quitting. Man,
this ain't you know for me, and this shit ain't
going nowhere, and you know, and stuff like that. I
was like, well, I mean it is what it is,
you know, you gotta do what you gotta do. But
I'm gonna continue to do what I'm doing. Man, Just
(33:35):
you know, see what happens. You gotta shoot you.
Speaker 9 (33:38):
I was gonna say, sometimes it depends on who's around
you too, too. I mean, some people will distract you.
It could be a relationship, it could be a friend,
it could be you know, yeah, any any substance.
Speaker 2 (33:49):
Whatever. We're gonna say.
Speaker 7 (33:50):
There was a show, yo, y'll be able to bear
witness House Pain had a hit record already.
Speaker 2 (33:58):
Yep, he came back.
Speaker 7 (34:00):
It was gonna be our first La jump off, like
since the record hit. We were gonna we were on
support for the Ramones two nights at the Hollywood Palladium.
We're stoked. This is gonna be crazy. My mom's there.
(34:22):
We go out on the stage and it's in their audience.
It's nothing but punk rock, black hair and black t shirts.
Oh all right, Dje boom boom. Whole fucking place just
took me off. I was like, what the fuck just happened.
(34:45):
We went out, did a couple of songs. Meanwhile, Big
Reel's there to do a song with us. We get
two songs and I'll go over the side of the
stage and I say, dude, don't even sweat that ship
that you don't bother.
Speaker 2 (34:59):
He's like, fuck that.
Speaker 7 (35:01):
I was gonna quit the whole I was like, I'm done,
walk off stage. He was like, fuck that shit, let's go.
I was like word, went out there and did the
fucking song. Then we did like twenty five more minutes
on purpose. Fuck y'all man. But my point being as saying, yeah,
(35:21):
sometimes that's the turn of the tide.
Speaker 2 (35:24):
Is not you, it's it's your people. Yeah, kind of
gave a little pushback. No that, let's go. Yeah, they're wrong.
Speaker 4 (35:34):
That's awesome and listen and this is here let me
give you background on that. It's like one of those
things where the Ramones had two shows, right, they had
sold out the first one and the second one needed help.
They added House to Pain onto the first and second one,
(35:54):
but they didn't necessarily have to promote House to Pain
for that first one because it was already sold out.
The second one, House Paint got promoted on that so
on the second night it was a whole different fucking
story because then hip hop fans came out and blew
that place the fuck well. The funny the funny story
(36:16):
getting up to that was after this show, we still
we walked off stage.
Speaker 2 (36:21):
I walked off stage like I quit.
Speaker 7 (36:23):
My mom was there and watched me get booed for
thirty five minutes.
Speaker 3 (36:28):
Oh.
Speaker 2 (36:28):
I was like, fuck that.
Speaker 7 (36:29):
I only lived blocks from there in Hollywood at the time,
and we're supposed to play the next day. So Newton
comes around one o'clock, supposed to be sound check or
our manager at the time. Amanda starts blowing up my phone,
where are you at? What you think I'm coming back
there to do this again. I was like, it's the
(36:50):
same thing, it's gonna be. She's like, it ain't gonna
be the same thing tonight. I promise you it ain't
gonna be the same thing. I was like, well, fuck that, whatever,
good luck, I'm not coming. I think he called me once.
I was like, b I appreciate last night, dude, but
I don't think I'm coming. This manager goes and gets
my mom, brings her to the fucking show and has
(37:12):
her call from the fucking.
Speaker 2 (37:13):
Venue like where are you at? Baby? I was like,
I'm my home. I met the show you go on
in thirty minutes. I was like, what do you mean?
Speaker 7 (37:20):
You're at the show and then man that picks up
the punk. She's like, your mom said you need to
come here, right.
Speaker 1 (37:25):
She mafia bost you.
Speaker 4 (37:28):
She went somebody And that's the only reason I showed
up and found out what he was saying gangster.
Speaker 7 (37:37):
But the second night was oh, it was the complete opposite.
And not only that, I found out what big fans
of ours, the Ramones were. Yeah, they were fed after
we left, and they came on that night that we
got booed.
Speaker 4 (37:50):
They gave their fans ship. Yeah, because the next night
their people were like, we're so sorry. I was like, man,
it's all good, you know, a loss, nothing butter. But
it was it was like it was I never I
could never, ever ever hear worst bullying than I heard
that night.
Speaker 1 (38:07):
It was pretty bad.
Speaker 2 (38:08):
I'll say that. I was like, it never phase me. Now.
That's the thing is like, you know, you can't fuck
with men. There could be one hundred thousand people now, feel.
Speaker 10 (38:17):
Like the last night that was s like absolute murderous hatred.
Speaker 4 (38:22):
Yeah, we're listen. You think I was there and he's
not exaggerated. I was there like, oh my god, this
is pretty aggressive, and hey, you know you finished the set,
you did what you were supposed to do in spite
of and fuck that crowd for not receiving it. But
you know what, the next night, you blew it the
(38:43):
fuck up because I was there both nights.
Speaker 2 (38:45):
So but jump around almost made it worse.
Speaker 4 (38:47):
It was almost like, by the time we get to
jump around, they're gonna recognize why we're here, even if
they don't know any of these other songs. But you know, hey,
listen that that's when you know, like it's it's hard listen,
it's here here. But the problem is this, It's what
I said in the first place, right, hold on, It's
what I said in the first place. The Ramones sold
(39:08):
out that first show without anyone being on it, so
there was not even a trickle of a House of
Pain or hip hop fan in the building on this
first one, because these are straight up cult like fucking.
Speaker 1 (39:23):
Ramones fans, and that's all they want to hear.
Speaker 4 (39:26):
Now, now, now, hold on, hold on, hold on. Now,
that could happen to anybody, because that's happened right where
like you you might like, I don't know if this
has ever happened for the beat Nuts, but let's just
say KRS one called you and said, we got this show.
(39:47):
We need the beat Nuts to open, right, But let's
just say that show was already sold out. They didn't
have to promote you. You go on thinking because it's
a hip hop show that people are gonna fuck with you, right,
And maybe those fans, those particular ones are just hardcore
kr resk Ones fans. They're sitting there bobbing your head
(40:07):
waiting for you to get the fuck off. You know
what I'm saying. That happens. I mean, it's happened to us.
I mean shit, I'll tell you what. We were doing
a show with I was in Profits of Rage at
the time, and we were opening for or supporting eminem Right,
this show had sold out before they announced us on there.
(40:28):
It was in France, somewhere, I think, right, we go
do this show.
Speaker 1 (40:34):
And listen.
Speaker 4 (40:35):
We're playing a combination of Public Enemy, Cypress Hill, Rage
Against the Machine songs along with new music that we
created in this band and everywhere else we went, mosh pits,
stage dive, crowd surf, and all the wild shit you
see you used to see in the nineties. Every show
we get to, this show, we do this, we get
(40:57):
on and those those m fans.
Speaker 10 (41:00):
Like this, damn fuck off it happens, where's them hurry up?
Speaker 4 (41:10):
And we didn't take it personal because it's like, we know,
we got added to a show that was already sold out.
And that's what happens to an opening or support act
when the show is sold out already without you being
on it.
Speaker 1 (41:25):
It's hardcore.
Speaker 7 (41:26):
I hate, I hate to argue at all, but they
wanted us dead.
Speaker 2 (41:31):
Well they weren't.
Speaker 4 (41:33):
Just I'm I'm not I'm not arguing with you about
who had the worst thing or and I'm not trying
to one up you. What I'm trying to say is
that this happens to many groups that go open for
anyone when the show is already sold out.
Speaker 10 (41:51):
It's just a hard it's an uphill battle for you know,
something else, something else. The Ramones fans are old as fuck,
so when they see these young.
Speaker 2 (42:00):
Well they weren't there.
Speaker 1 (42:01):
Well, hold up, they weren't that old then.
Speaker 4 (42:03):
They were like maybe in their thirties, right, would you
say the oldest at that time, because this was ninety
two older their next their step up about thirties, thirties,
ten years up. Yes, they weren't that old. Probably they're
just hardcore Ramones fans. They didn't like hip hop. Those
that pretty much that first night were Ramon's fans that
didn't like anything but that type of ship Like.
Speaker 2 (42:27):
They didn't like things beyond hip hop right now.
Speaker 4 (42:30):
The second night there was a combination of house of
paying fans and Ramones fans that were open to other
music genres. And that's what was the cool part that
second night. That was the real night. The first night was.
Speaker 7 (42:44):
Everything on God. If it would have happened two nights
in a row, I probably just would have never got
on another step.
Speaker 2 (42:54):
Yeah, it does. It does? I mean kind of just
like out of you.
Speaker 4 (42:58):
Listen, I've never encountered what he and counted in terms
of that that boomy because you were there and you
stepped out on it with me and enjoyed it with me. Brother,
That's what I'm saying. You volunteered. As a matter of fact,
I think, no fuck that we're doing it and listen.
The only thing I could compare to that is is
beck On Lallapalooz's stage when they start throwing grass at him.
(43:19):
This is before he blew up, before he had to
hit and he's still kind of working it.
Speaker 1 (43:25):
They didn't understand him.
Speaker 4 (43:26):
They they peeled the sod out from the grass area
and just start not throwing it on stage to like
it be a fun thing.
Speaker 1 (43:34):
They were throwing it at him. Now.
Speaker 4 (43:36):
They weren't booing like that though, but they were throwing
the grass. Wow.
Speaker 1 (43:40):
Those were the two last the two worst things. Yeah,
you got the ultimate bood.
Speaker 2 (43:45):
Think I've ever heard.
Speaker 4 (43:48):
And file liken it.
Speaker 2 (43:54):
I swear on everything. I'm years old.
Speaker 4 (44:00):
I've been booted a couple of times since. Man like
and listen, I've heard words. He's not he's not exaggerating
because I was there and it was pretty fucking bad.
Speaker 1 (44:12):
You got through it, and that's the whole thing. You
got through it.
Speaker 2 (44:15):
And again because you stepped out there and were like, no, dude,
fuck that we finished in the set. Oh yeah. I
was like, all we're pro.
Speaker 7 (44:24):
What we did was we were I was going to
be put your head out and then fucking jump around.
I just leaned over to You're like, don't even trip,
I'm just gonna do that. Yeah, and You're like.
Speaker 4 (44:32):
No, no, no, no no, because at that point we had
been like throwing ship at the audience and wrapping at
him mad. It was like a fight. We were just
like what it was. It was. It was what they
call a battle of wills. He was like, we're not
getting off at air, and then when he did that,
it was like, oh, we're absolutely not getting off.
Speaker 7 (44:51):
In fact, in the crew, I'd have to say, it's
probably the first time any of the of us broke
the turntables and just started like.
Speaker 10 (44:58):
Like that was at the first That was not It
wasn't the first time. It's the first time. I remember
the first time, you remember, But it wasn't winging that
ship at the audience, winging it at the audience.
Speaker 7 (45:11):
That's a different I'm talking about. We broke the fucking turntables.
Speaker 4 (45:16):
To this in the crowd, certain members of the jumped
into the crowd and fought people. I'll tell you what
was a wild one. Was the time in Ireland or
scott No, it was, no, no, no, no, no.
Speaker 1 (45:29):
It was in the UK. Was in Manchester.
Speaker 4 (45:31):
We were doing the Soul Sassage tour out there and
lethal got into some ship and our crew guy went
to back him up because he forgot his backstage pass
and one of the security guys like, you can't come
back here. But you know, in a very thick Manchester voice,
right and uh and uh you know, and our our
our homie at the time snow was like, hey, he's
(45:53):
a part of the crew. He flashes his past. He's
with the House of Pain and he's with us. Come on, no, no, no, no, no,
he's not fucking going whatever all that shit, right, And
so they they square up, they square up, and our guy,
like you know, gives it to him a fair one though,
like just the one on one.
Speaker 1 (46:11):
Nobody jumps in blah blah blah.
Speaker 4 (46:14):
So as he walks off, someone throws a chair at
those guys. I don't know who it was, but someone
throws a chair at at at him and his guys
as they're walking off after the fair one, like oh,
we want to throw chairs, do you. So they go
start breaking down the fucking lighting trusses and getting the pipes,
and they're on our way. They're on their way to
(46:35):
the House of Paying Bush. Remember that they broke all
the windows out on the way very accurately. Hey, hey,
we snatched one of their guys on the way out.
This is how they don't end up coming on the bus.
And like, you know, because they all had lead pipes,
we didn't have shit, right, So we grabbed one of
their fucking homies, snatched him on the bus. If they
(46:57):
come up in here, you're the first one getting fucked up. Yeah,
and uh we held him for like two three blocks,
well until we got away from him. Then we left
let him off the bus, but they smashed all the windows.
Speaker 1 (47:10):
It was there fucking crazy.
Speaker 4 (47:11):
As they start pulling away, it's like, fuck and these
are huge, fucking yeah, like we were literally driving window
list by the time we got a block and a
half away. Yeah, we we took their homie hostage for
a couple of blocks. Those that ship was hilarious. We
let him go. No one beat him up so that
they just got mad because someone threw a chair at
(47:32):
them in defeat, you know what I mean. They're already defeated.
We're walking away from the fair one and then someone
threw a chair. It wasn't enough, it wasn't enough. It
was uncalled for exactly, but and then it got out
of head. I mean what that cost y'all?
Speaker 10 (47:50):
A relationship with a bus company, Well that that that part,
I don't know.
Speaker 1 (47:55):
Relationship with the bus.
Speaker 4 (47:58):
I'm gonna say about twenty five to thirty racks for
those windows in pounds though, so back then, yeah pounds, yeah, five, Yeah,
that was a dollar. That was an expensive fight right there. Boy,
that was our guy won man. Well, yeah, I know
I know who did the other thing too, But I'm
not going to say, well, you don't have to bust
(48:19):
him out, but like, yeah, it was a saying it
was God damn it, it was unneeded and it costs
you all money for that, you know what I'm saying.
Speaker 7 (48:27):
That was That was And I'll just say one thing,
they got the right camp as far as whose busy,
as far as retribution that should have been dealt out,
our bus was gone because weren't necessarily wrong.
Speaker 1 (48:37):
Yeah, they weren't wrong. That was the part. They weren't wrong.
Speaker 4 (48:41):
H Our bus was already gone, so they couldn't target
our bus that week.
Speaker 7 (48:45):
That is not why it was everybody was jumping on ours.
Going back to the point, I got it, yeah, but
still we.
Speaker 4 (48:50):
Get Yeah, that's why everybody jumped out. It was. It
was garmentally right in that moment say that. But fortunately
we got our hands on that one guy because the
karma would have been much worse had he not been
on the bike. So DJ probably I don't know. I
didn't see. I was facing them when I saw the
(49:12):
chair go over, so I don't know who threw it.
Speaker 1 (49:15):
I didn't turn back to see who the guilty party was.
Speaker 4 (49:18):
I just saw quickly how they went for the scaffolding
and all the ship that they could break apart, like, oh,
get to the bus.
Speaker 2 (49:26):
We were gone though, I thought we were out. And
then it was like.
Speaker 4 (49:31):
Because the bus, the bus driver got scared and we
had to like forcefully tell him to start fucking rolling.
Speaker 7 (49:40):
It almost felt like gun like it the first couple
because the windows just like, yeah.
Speaker 4 (49:48):
You know, salute to those security guys. I never still
alive from that time. Much loved that one weren't wrong
by this night, ever, and you weren't wrong. We we
apologized for our dumb asshole.
Speaker 2 (50:00):
But our little guy still got your big guy.
Speaker 4 (50:02):
Yeah, that is the truth. Because our guy was like
he was all about like maybe five six, right about
five six, with big old Mike Tyson legs and yeah legend,
yeah yeah, like our our our our homie. He was
like the dude. He was like the giant killer. He
could take dudes like twice his size down, pick him up,
(50:23):
bang bang bang, right like so again, he's five six
and he would take on someone like six five and
roll him. And uh so they didn't, you know, Homie
didn't know that. And Homie wasn't much bigger than our
than our guy, but he definitely had some size on him.
And our Homie rolled his ass up Farron square boom
(50:44):
handstyle and then dumped him on the back. And then
he let him go and Homie took his he took
his little beat down, and then it was just, you
know it defeat. That chair came over and that you know,
that was like the slap in the face that they
were going to take that in their own city, not
in their own city a fair one they could take
(51:05):
the disrespect, they were not going to take it.
Speaker 1 (51:08):
And I don't blame you, you know what I'm saying.
Speaker 4 (51:10):
I never blamed It wasn't my bucks, but I'm saying,
and the right person paid the tap. The right person paid.
The right person paid the tap. I know, I know
you gave him, but talking to I know you had
to ship. You know, if they're watching, they're probably turning red,
(51:35):
like right now.
Speaker 1 (51:35):
Have that was me.
Speaker 2 (51:39):
Heated all over a year.
Speaker 4 (51:41):
Back in the nineties, every crew had their one troublemaker
or two.
Speaker 2 (51:44):
Yeah, yeah, yeah, no, I never failed, man, you know,
especially when you're trying to bring some of the homies
from the neighborhood, you know, just to show them, you know,
show them a different, different lifestyle or whatever. Man, there's
always that one food. Man.
Speaker 4 (51:55):
It's just you know, but some adapt you know, because
because you auld exactly what I'm saying, and and listen,
you know, I was a gang banger before I got
into any of this ship, which is why a human
got snatched up and be protection because I wouldn't have
thought that that well, you know, but it definitely saved
we we we carry some tactics on over, but like.
Speaker 11 (52:19):
A little collateral, a little little you know, the ability
to adapt and and not and not brings so much
of that exactly to the party and like be accountable
and responsible to take your opportunity and.
Speaker 4 (52:35):
And build momentum off of it and don't be stupid.
But not everybody could do that, you know what I mean.
And some people fucking lose grip of it or they're
just not built for it. Because I used to bring, uh,
you know, try to bring homies from our hood, and
you know, some of them could adapted some of them.
Speaker 2 (52:54):
You know. It's uh, it's just one of those Yeah,
it's like a it's like a jungle man.
Speaker 4 (52:58):
I mean, I know you you had to deal with
that too on your end, you know what I'm saying
to a degree.
Speaker 2 (53:03):
You know what I mean.
Speaker 7 (53:05):
You know, there comes that point where you become the
guy and the crew that kind of doesn't go out anymore.
Speaker 1 (53:11):
Yeah, and avoid the loss the drama. See that was
that was me.
Speaker 7 (53:17):
Listen, I got bought way too many cars over like
slapping or punching somebody.
Speaker 4 (53:22):
They look, this is why in early days that I
wasn't out all the time on tour with the squad.
Speaker 2 (53:30):
I'll testify that you saved yourself of several that I.
Speaker 4 (53:33):
Know why because I had a gang profile on my shout.
I had a gang profile on on my ship. So
anything that happens of the first one getting tapped, so
at least that's what at least that's what my mentality was.
So my ship was like, well, if I'm nowhere to
be found, I'm good. And so I just you know,
(53:56):
stood stood away from like, you know, when the big
group would go out, because I know we had a
bunch of wild motherfuckers, and that somebody was getting.
Speaker 1 (54:04):
Beat up on the night to night was going to
be a party afterwards.
Speaker 4 (54:07):
It was right to where he was at with all
of the oh well yeah, wild times. Yeah, it's a
natural wait, National Great American pot Pie Day.
Speaker 1 (54:22):
There's an American pop pie.
Speaker 4 (54:24):
Yeah, an American Okay, it's the little ones, those little shitty,
itty bitty ones, but their delicion.
Speaker 2 (54:31):
Yeah, I was gonna say, man, man, they'll carry you through,
you know what I'm saying. They're good though, man, like
a cup like a cupcake pot pie.
Speaker 4 (54:42):
Yeah, you just got to pop it out that stupid
little tin, you know what I'm saying.
Speaker 10 (54:46):
Yeah, I mean they're just like being silly with a
fork on that play. Yeah, they're key. These little pop
pies are key, man.
Speaker 2 (54:56):
Yeah.
Speaker 4 (54:57):
The Swanson used to a lot of those, right sir. Wow,
yeah we all know about Swanson. Up in this motherfucker.
Speaker 2 (55:06):
This is the.
Speaker 1 (55:06):
Table in the oven. Yeah you're good.
Speaker 2 (55:11):
You're having dinner a couple few minutes later. Yeah.
Speaker 4 (55:14):
It's also National Checkers Day. B checkers, the ones, so
the further ones that can't play chess.
Speaker 7 (55:25):
He actually expected the checker community about that.
Speaker 1 (55:31):
Is it or is it a different.
Speaker 5 (55:32):
Checkers has something to do with the board game.
Speaker 2 (55:35):
Oh you mean just the pattern? Yeah? Oh gotcha?
Speaker 1 (55:38):
All right, mine sounded better. Oh mine sounded better, right.
Speaker 6 (55:43):
Like.
Speaker 4 (55:46):
The Checker tournament was about to go down? Yeah no,
oh ship.
Speaker 8 (55:51):
No you started in a nineteen fifty two when Richard
Nixon gave his famous Checkers speech, and in the speech,
he defended himself against accusations of financial and financial abuse
and mentioned that his family had received a Cocker Spaniel
named Checkers as a gift.
Speaker 5 (56:06):
Wow, celebrates dogs as loyal companions.
Speaker 1 (56:08):
That's a pretty good name for a dog.
Speaker 7 (56:11):
Checkers up almost got in trouble for getting a dog
as a gift. And our guys it just got a
billion dollar jet from a country.
Speaker 2 (56:21):
Yeah.
Speaker 1 (56:23):
Well, you know the Golden Calf gets his attributes, right.
Speaker 10 (56:27):
No, they got they got they got them burgers out here,
the Checkers, right, they.
Speaker 1 (56:31):
Got over here.
Speaker 10 (56:32):
I think what I thought in the beginning when you
when you said Checkers, See, we all got a different
Did you know it is the birthday of d J
F M. Happy birthday? Did you know that? I didn't
know that? Well, I'm here to remind you do.
Speaker 2 (56:50):
Appreciate that. Good to be we we didn't.
Speaker 4 (56:53):
Get the year on here because they want to give
away his old ass. He thank Dom for that one
I got. I got to I got to.
Speaker 2 (57:03):
Forty seven is not that old man. I just don't
put it out here. He's fifty eight.
Speaker 3 (57:07):
Man, what.
Speaker 2 (57:10):
I'm just kidding. I'll retire. I'll retire, min.
Speaker 1 (57:13):
I'm gonna retire.
Speaker 4 (57:15):
Did you know it is the birthday of the legendary
John Coltrane, born on this day in nineteen twenty six.
No way, I did not know that you share a
birthday with John Coltrades. I love, That's dope.
Speaker 2 (57:28):
I love.
Speaker 4 (57:30):
I'll tell you what. When there was something cool about you?
You know, listen when that was in my twenties and
I was angry, I could not listen to any jazz,
you know what I'm saying. It was just it was
just too It was not necessarily mellow, but also too
colorful for me, you know what I'm saying. I was
very much too angry to appreciate something like that. As
(57:52):
I got into my thirties and forties, I could. I
started listening to different things like jazz and UH and
classical and ship, but still jazz was the hard cell
like it listened to classical all day. But when I
got into my fifties, I love jazz.
Speaker 10 (58:12):
Yeah.
Speaker 4 (58:12):
It's like it's like your palette changes.
Speaker 2 (58:15):
Once into your fifties. Yeah, it's like a lot of
shit just changed me, like you just never thought like
I never gave it a second.
Speaker 10 (58:21):
I used to be I used to be like that too,
like not not so much jazz. I wasn't really into
that jazz. But as you got older, you know, you
just appreciate real instruments, music and ship.
Speaker 2 (58:32):
Yeah, when you make music to appreciate.
Speaker 7 (58:34):
A few decades ago, I read a book about the
whole Miles Davis kind of Blue record being recorded, and
that made me listen to that record, and I've loved
that record.
Speaker 1 (58:45):
And he's a genius.
Speaker 2 (58:48):
Yeah, that record you ever hear considered one of the greatest.
Speaker 1 (58:52):
You ever hear him? Redo? But how I got into jazz?
You ever hear him? Redo?
Speaker 4 (58:58):
Human Nature? Man, it is fucking awesome. Michael Jackson, Michael
Jackson Human Nature. Where he's he's playing, you know the
bits of Michael's cadence and his band is super fucking tight.
Speaker 1 (59:14):
Wo. Yeah. They got a few live performances on YouTube.
Speaker 4 (59:19):
Of of him doing that ship at the you know,
a number of jazz fests, but like there's a guitar
player he has he's actually a bass player, but he's
when he got into the Miles Davis band, he's, uh,
he turned. He grabbed a guitar instead because there was
another dope ass bass player there. But there was something
(59:41):
that Miles liked about his playing that he thought, hey,
you should pick up a guitar, and then he gave
he said, he said in an interview, goes Man, I
hated playing with Miles Davis the first you know, few years,
because like I wasn't sure and and you know, I
was just kind of doubting, like why was I there?
And then he told me one day, play half of
(01:00:02):
what you play, and it clicked in for me. That's
what he says. He says, he says, play half of
what you normally play. And he processed that and started
playing like that. And this was like towards the end
before Miles died, and he's like those were the best times,
Like the first couple of years were the worst. And
(01:00:23):
then when he gave him that little bit of advice,
like it was almost as if to say, you're overplaying. Yes,
play half the shit. You're really dope, play half of it.
And you could see it when you see this performance.
This motherfucker like writ in pocket with Miles, like it's
pretty dope. Oh sooph, he frees a capacity for thought
because you're not busy trying to fill every space right,
(01:00:46):
letting it Breathe think a little bit more. Yeah, and
instead of those two pieces you would have played that,
you got half a time now to think about which
one's better.
Speaker 2 (01:00:56):
Yeah, you know what I mean, So you start making
better choices. Yeah.
Speaker 1 (01:01:01):
Yeah, they called I think his name is.
Speaker 4 (01:01:03):
The nickname they had for him was Folly f O
L E Y and uh. He played funk. He played
a lot of different styles. He had his own band too,
But like when Miles called him ship, he went. He
went to that band and he played that guitar. And
what he was saying was that like before he joined
that band, that he was trying to play the guitar.
(01:01:23):
I'm planning trying to figure out how to play his
bass like guitar, you know what I mean, Like finding
the places that he could make it sound like a
guitar and shit like that. And then Miles called him
and said, now you're gonna play guitar.
Speaker 2 (01:01:39):
Let's cut to the chase.
Speaker 4 (01:01:40):
Yeah, let's cut to the chase. You're you're dope on
the bass, but I need you to swing that guitar.
Speaker 2 (01:01:45):
And that's the thing. There's some people that just right
away they know, they know, they know, you know, like
they can spot your telling.
Speaker 4 (01:01:49):
Yeah, it's just like you wanted to like get in
into the rapping ship and like the acting came out
of nowhere.
Speaker 1 (01:01:56):
You didn't even think about it exactly.
Speaker 2 (01:01:58):
Yeah. Just after that, I just get keep going with
keep going. I felt like this was this was a better,
better avenue for me and the music. You know, like
the music was cool, but it just wasn't doing what
I was trying to do really with it, you know.
Speaker 10 (01:02:10):
So I got I got a shout out Vincent. That's
his nephew, Miles Davis. That fauld absolute gotta get you.
Speaker 2 (01:02:16):
On the show too, be I know you got some
good stories.
Speaker 1 (01:02:18):
Yeah, that parked off from John Coltrane.
Speaker 4 (01:02:21):
Did you know it is also the birthday of the
late great Ray Charles born on this dead nineteen j Yeah.
Speaker 2 (01:02:27):
Man, that's awesome. See I told you there was some
cool things about you.
Speaker 4 (01:02:33):
You know, you shared sharing all these birthdays with these
great people's.
Speaker 9 (01:02:37):
Man, you should hear my beatsy Charles, I'll see you.
Speaker 4 (01:02:44):
And did you know you also share a birthday with
the great Julio.
Speaker 12 (01:02:51):
Born on this pot at three. That one I did
know because my mom's a big old fan. To all
the lady. Oh yeah, to all the lady. I love you.
I have loved.
Speaker 2 (01:03:04):
Him.
Speaker 1 (01:03:04):
And Willie Nelson. I mean what a duo, right?
Speaker 2 (01:03:08):
This is nice? Say in like eight languages, bro, Yeah,
you know what I mean. This dude was making money everywhere. Yeah,
Julio and no joke, bro.
Speaker 4 (01:03:16):
Did you know it is also the birthday of one
Bruce Springsteen born on this.
Speaker 2 (01:03:23):
Wow the Boss the bass. Wow.
Speaker 4 (01:03:28):
Man, dude, We're gonna skip this next one and go
into that the fact that did you know Lazy Bone
both ducks in harmony born on this dead nineteen seventy five.
Speaker 2 (01:03:42):
That's right, So all your goats were fucking it the
same time.
Speaker 4 (01:03:49):
Yeah, yeah, kind of kind of cool, different decades of
fucking at the same time. Did you know in two
thousand and three, I'm Outcast dropped speaker Box the love below.
Speaker 1 (01:04:05):
They weren't fucking, but they dropped one of.
Speaker 2 (01:04:07):
Like they were it might have been today.
Speaker 4 (01:04:09):
Well this was like this was birth, just like FM
and the rest of these people.
Speaker 1 (01:04:13):
That's why this day, that's what happened.
Speaker 4 (01:04:16):
Did you know in twenty nineteen Robert Hunter, lyricists for
The Grateful Dead, passed away.
Speaker 1 (01:04:21):
Rest in peace, Roberts.
Speaker 4 (01:04:23):
Oh no, I didn't really really listen to too many
of them lyrics, but you know, hey, great work.
Speaker 2 (01:04:32):
Grateful Dead.
Speaker 9 (01:04:32):
Yeah, I smoked my first apple bowl or whatever.
Speaker 2 (01:04:37):
You know, you carve a.
Speaker 9 (01:04:38):
Little the old school applettle thing with one of these dudes.
I'm not sure it's one, but I was on tour
with Cycle Realm and one of them.
Speaker 2 (01:04:46):
That's that's why.
Speaker 4 (01:04:47):
That's when you fiend, That's when Bobo would say, Yes,
Bobo would say, Fisher Price my first bond.
Speaker 2 (01:04:54):
Yeah you know that A yeah, get the spoon.
Speaker 4 (01:05:03):
Word up all right. Uh, salute to all y'all watching
right now. Much love to We're about to open up
the doors to the insane asylum. That means, y'all, if
you've got a common question, shout out suggestion. We are
here for it. But do us the favorites. Smash that
like right now and subscribe. Tell your friends about us,
tell them to share the show out, you know, bringing
(01:05:23):
more folks to the community, you know what I'm saying.
And we're here with Anthony Compo's big citric up and here,
you know, let's let's open up those doors.
Speaker 2 (01:05:38):
Oh yeah, welcome to the Insane Messiah.
Speaker 8 (01:05:44):
All right, let's do this, yo, Anthony. I'm seeing here
you did voiceover work for granted DOTO five.
Speaker 2 (01:05:50):
Yeah.
Speaker 5 (01:05:50):
Are you gonna be doing that for Grant six?
Speaker 2 (01:05:52):
I wish man, I did it. I did a uh
one of the patreons, you know, they're walking around, you know,
one of the solos in there.
Speaker 3 (01:06:01):
So uh.
Speaker 2 (01:06:01):
It's crazy because I've been playing uh a PlayStation five
for the the DT five, I mean, for for so long,
and I never heard my voice until like maybe, like
I don't know, about a year ago. You remember what
you said, man? I remember I got into an altercation
with one dude and I'm like, I'm gonna fuck you
up or something. And I got some ship in Spanish
(01:06:23):
kinds of crazy and that money, you know, like all
kinds of ship this man. I remember that we didn't
even know what we were what we were doing. He
just hired us, but we didn't know it was for
for GT five, no ship. Yeah, So like when the
check came in and then they said rock Star on
there and and then my son, my son want my
son saw the check right away, he saw the logo,
Oh that's for GT A five.
Speaker 4 (01:06:44):
Yeah.
Speaker 2 (01:06:45):
I wasn't even keeping he told you what. Yeah, he
was the one because he's the one. He's you know,
big video game guys. So he knew right away GT
five that's it.
Speaker 4 (01:06:52):
So the agency, So the agency got you the gig
and you just went and read it.
Speaker 2 (01:06:56):
Yeah. I was working with that at that time. I
was working with suspect us speaking entertainment for many men
right right right and uh and and they got up
the deal and you know, they brought us all into
the studio. Nobody knew nothing. We just thought, you know,
we're just doing some voice overs for something, you know,
for you know, we didn't we had no clue. And
you know, if we're just sitting there doing our theme. Man,
they brought like maybe like six or seven of us
(01:07:16):
in there, and and and yeah, we took our turn
in the booth and everything. That was it, and then
signed here and that was it. Then when the check
came in on the logo and the check it said
rock Star James.
Speaker 1 (01:07:27):
I mean, that's that's that's that's huge.
Speaker 2 (01:07:31):
I look, I'm gonna look for you in the game.
Let me hear that.
Speaker 4 (01:07:39):
And man, millions of people play that game. You know
your voice.
Speaker 2 (01:07:44):
Well, it's crazy because I had a lot of people
always telling me, he goes hey, Bro, you in the
g T five band. Chance I heard you in there
and it sounds like you bro, is it you? Yeah,
it was me, but I never heard it barely about
a year ago.
Speaker 4 (01:07:56):
But you didn't know for a long time until your
kid told you. Yeah, that's great. Yeah, it was a trip,
well until the game came out, you know, on to
the game.
Speaker 2 (01:08:02):
Yeah, because we got paid like literally like literally right
before the game came out. So when they said the check,
you know, and then I said on the logo said
Rockstar Games. That's what my son kept saying, goes no,
it's it's for GTA five, And I went, nah, they
would have told us, he goes no. They were like
keeping this ship on the wraps, yeah, which as possible,
you know.
Speaker 1 (01:08:20):
Yeah, they don't want to leak anything out, so they
probably didn't.
Speaker 7 (01:08:23):
Also, one of the last things they did, yeah, because
they probably had all little other voices.
Speaker 2 (01:08:28):
Yeah, they had, and they just want to getting.
Speaker 7 (01:08:31):
More authentic that last layer before they released it. How
long was it before you like did it and got paid.
Speaker 2 (01:08:39):
Like maybe I think like two months later. That's pretty fast.
Speaker 7 (01:08:43):
So that was like the last thing they were on
was getting the voice character like a bunch of in
the game.
Speaker 2 (01:08:49):
That's cool. Now.
Speaker 8 (01:08:50):
I just had to ask you about g t A
six because GT five came out twelve years ago and
everyone's just like, I need GTA six to come out today, right.
Speaker 4 (01:08:58):
Everyone was like, Hey, that ship was like a drug.
Yeah that was twelve years ago. Yeah, what the fuck?
There's other games now that people are totally geeked on.
Speaker 2 (01:09:10):
You know what I'm saying.
Speaker 9 (01:09:11):
It ships still dope though, because you buy stuff on there,
you guess you know, there's always.
Speaker 2 (01:09:15):
Now it'll come back. Trust it's one of them. It's
one of them. Get it got pushed back on all
the I believe, so you can still wind up in it.
Speaker 1 (01:09:25):
You never know, man, You never know.
Speaker 5 (01:09:27):
One of them.
Speaker 4 (01:09:28):
The agents, one of them readings you didn't know about you, Your.
Speaker 7 (01:09:33):
Agent probably didn't even know. Yeah, told them it was
for some bullshit. Yes, it is because.
Speaker 2 (01:09:37):
Then, yeah, they just brought us in and then we
had a say, you know the.
Speaker 10 (01:09:41):
You know, so you're saying stuff and you don't even
know it's full video game.
Speaker 1 (01:09:45):
Yeah, that's crazy. You know, we just read this ship,
just read.
Speaker 9 (01:09:52):
So if you get a new rock Star check all right,
here comes.
Speaker 1 (01:09:57):
That's that's an indicator. All right, all right, what else
you got?
Speaker 8 (01:10:00):
Tony's asking now, what was Anthony's first acting job and
how old was he?
Speaker 2 (01:10:05):
My first acting job was Idiocracy the age I don't remember.
This is like two thousand and four, so I'm like,
I'm about to be fifty seven this year, man, So
this is like two thousand and fourth. I don't even
remember how old I was, probably like I don't know,
like twenty something, I guess, or thirty or no, fuck,
I don't know. I lost track, man, But yeah, Adiocracy
(01:10:26):
was my first my first movie, man, two thousand and
forty first one, and then it got released like in
two thousand and five around there.
Speaker 4 (01:10:32):
To be in a classic, a cult classic in your
first fucking shots, because that is a cult classic.
Speaker 1 (01:10:39):
Yeah no, it never last said earlier.
Speaker 2 (01:10:41):
Yeah, I know, it's crazy, man, It's just you know,
like and you know, the people that saw the movie,
like friends of mine when they first came out, because
they don't even hit selective theaters, you know, because they
really didn't put a lot of marketing behind it. Might
just caught a lot of heat for a lot of
shit that was you know, posted in that movie.
Speaker 1 (01:10:57):
Oh yeah, you.
Speaker 2 (01:10:58):
Know, especially like like uh, big sponsors, you know, like
Costcoo's in there and Carlos. Carlos got to kick out
of him and they said they were they were rolling,
you know, they thought it was funny. Costchico didn't really
think it was funny. Car Buds didn't really think it
was funny, you know. So so they he got a
out of heat for that, and and so at the studio,
so they only put it out selected theaters and uh
(01:11:20):
and and man, the people that saw it that I
knew that, like my friends of mine that wanted to
go see it, they saw it, they were like, what
the fun did I just watched bro? I felt like
I lost brain sounds, you know, but they're watching now,
the people, the same people, and they were like, bro, Man,
Mike Judge knew what the fuck he was doing when
he did this movie.
Speaker 7 (01:11:36):
Yeah, Man, that was like one of the that was
one of the first kind of real kind of blow
up a rental kind of movies, you know what I mean.
Speaker 2 (01:11:46):
Yeah, it was.
Speaker 7 (01:11:47):
They came out on like whatever Block had another videos
and yeah, exactly, Block Bus I.
Speaker 2 (01:11:54):
Think I think that's what Red Box was the other one.
I think red red Box. Yeah, the ones outside of
seventy Yeah, pretty much. Yeah, they had They had to
tell me they let you keep the chain. Bro. Hey,
I whiz bro. Everybody you got would have snatched that. Mother.
It wasn't real anyway, Wardrobe Blanck. It was real real,
it was stree. It was all silver. It was real silver.
(01:12:16):
So they were pretty pricey because those things were heavy. Man. Damn.
Speaker 1 (01:12:20):
Yeah, you could take it off and swinging it yeah
bing oh, but.
Speaker 2 (01:12:26):
Yeah they would would. In between takes, they would they
would take everybody's chain away off you go off for
lunch or you go off whatever, make sure we get
the chain bag.
Speaker 1 (01:12:36):
Real you can't keep those you.
Speaker 2 (01:12:40):
Had them, A real light one would fainted. Yeah, I
wish I would have been able to keep. Everybody always
asked me, what was somebout the wig? You didn't keep
the wig? And I get to keep none of that
And it was. It was custom fitted to.
Speaker 4 (01:12:53):
Which would you bug out one day Cherry Crews became president.
Speaker 2 (01:12:57):
Oh man, I'd be cracking out.
Speaker 1 (01:12:59):
You don't tear, would be hilarious.
Speaker 2 (01:13:00):
Everybody going after doing uh doing events, showing up as
the president. And he was great.
Speaker 4 (01:13:06):
That way is gonna wind up in like a movie
museum or something that because that's it's a cult.
Speaker 2 (01:13:11):
Man, It'll be like an exhibit on Coult movie being there.
Speaker 4 (01:13:15):
He was great. And that man, Terry Crews. Man, shout
out to Terry Man.
Speaker 2 (01:13:20):
Yeah. No, that was the first time I had met
him to man. And you know what I'm saying, Uh well,
everybody on there had never made any any of the
cast memboris, but uh, me and Terry hit it off
right away.
Speaker 4 (01:13:30):
Man.
Speaker 2 (01:13:30):
You know we we we were chemistry was just cool, man,
and we just became good friends. Ever since then, Man,
were staying in touch, you know, like you know, so, man,
shout out to Terry Man. He put me up on
a lot of game too. Man. His look was yeah,
he made he makes appearances. He dress like that sometimes, man,
and he was talking them was a bro. We need
(01:13:51):
to get to that wig man, And and let's get
the outfit, and this's go out and makinghim appearance.
Speaker 4 (01:13:55):
It's a great wig dude like comic cons and they
would probably give me all night text for that.
Speaker 6 (01:14:00):
Man.
Speaker 2 (01:14:01):
Yeah, I just rolled the carrot.
Speaker 1 (01:14:04):
I see that? Yeah, like a carrot.
Speaker 2 (01:14:06):
Nice. Yeah, it was like a bullet. Got a score?
Would you give a.
Speaker 4 (01:14:14):
Oh you don't want to know. I've gave. I gave
these a five earlier. What do you think that's gonna get?
Speaker 6 (01:14:21):
All?
Speaker 2 (01:14:21):
Right?
Speaker 1 (01:14:22):
Next one?
Speaker 2 (01:14:22):
I'm almost getting really like this one up right now?
Will whatever works?
Speaker 8 (01:14:27):
Bernie's asking a ayo, b y'all gonna have an opener
for the Yamava show. I want to catch the beginning,
but my girl takes years to get ready.
Speaker 4 (01:14:38):
I don't you know. That's a great question for someone
who knows. I don't know if we have an opener. Uh, hey, Todd,
do we have an opener? TikTok TikTok, TikTok TikTok. His
(01:14:58):
fingers are a googling. He's googling. Right, I'm gonna say
it on the Yellow A website. I'm going to say
probably not. There's probably not an opener. But I think
we go on at like eight thirty or something.
Speaker 2 (01:15:09):
Like that.
Speaker 4 (01:15:09):
So, I mean, you got plenty of time. Just tell
her the gig is at seven thirty.
Speaker 2 (01:15:16):
That's how to do it.
Speaker 4 (01:15:17):
Yeah, just tell yes, tell your girl the gig's at
seven thirty. We got to be there at six or
six for you know, six thirty five or something. You
know what I'm saying, he said, no, opener, Yeah, and
then that's what I told them. I thought I was
pretty precise. There you have a stake. Yeah, you know
what I mean. But just tell your girl that it's
an hour earlier. That way, if she's late, you're still
(01:15:39):
on top, he said, girl, right, not wife, Tell your
girl that you know at the show. You know you
gave your tickets to the homie because your mom's sick. Ow,
that's pretty cruel. What if she loves Cyperuscilt too, well,
then she needs to be on time. And I M no,
(01:16:00):
not just said yeah, say like beat the person or
you know, lock them up in jail.
Speaker 2 (01:16:06):
I'm just saying, hey, all right, well maybe the show.
Speaker 4 (01:16:08):
Is I'm just saying live it's earlier than it is,
so one line is better than no.
Speaker 10 (01:16:14):
Okay, they both they both will work. They both will work.
Just wanted to make sure I was still a pretty
good human. Yeah, throwing the dungeon. I think so.
Speaker 8 (01:16:25):
All right, Anthony, I remember you. Remember I remember you
and cash Flow on the All In Project, and I
believe a You're Made TV show. A fan since Browntown Looter,
since Big ups Homes saying keep it.
Speaker 2 (01:16:39):
Up, Oh do man, thank you. Man. Appreciated all the
love and support over the years.
Speaker 6 (01:16:42):
Man.
Speaker 2 (01:16:42):
Yeah, we had we were doing actually we're on Ali TV.
We're on Ali TV, and we had a TV show
called The Hip Hop Show, and I was I was
one of the co host somewhere.
Speaker 1 (01:16:51):
That's right.
Speaker 2 (01:16:52):
Different five years.
Speaker 4 (01:16:53):
Yeah, l A TV got a lot of local programming
where they're like, you know, ship in the culture, that's
that's right.
Speaker 2 (01:17:00):
And then uh it went nationwide after a while, you know,
like it was getting so popular that it just it
just it got it got on direct TV and this,
uh this network and all that. So he kind of
went nationwide and uh and uh man, we were soaking
showcasing hip hop from like all over the world. Man,
anybody had some dope ship with you know, with the groups,
(01:17:20):
was sending us videos from like Spain, from all over Europe, you.
Speaker 1 (01:17:23):
Know, like France, showing that it was truly global now yeah, man.
Speaker 2 (01:17:27):
So and we showcased everything on there, you know, like
all the elements of hip hop you know. Yeah, so
it was like it was huge.
Speaker 6 (01:17:32):
Man.
Speaker 2 (01:17:33):
It was crazy because that a TV couldn't understand how
like the show that that that had the least money
that was being put into it had the number one
ratings on their network and all the other shows that
they were putting that money in, you know, like they
were all they were doing all right, but they but
we're doing better numbers and I get time, like because
we're like on some global shit man.
Speaker 4 (01:17:51):
Yeah, And you guys were doing something that others aren't doing,
and they're just following trying to put the money into
following for mats that they think work exactly, and they're
gassing their money and not putting it putting it towards
the ship that is, you know, showing numbers.
Speaker 2 (01:18:07):
That's the crazies shit to me. They were trying to compete,
like with MTV and BT and all that. I go,
do you can't, you can't, man, They're already they're you know,
they're there. They have their own lanes going on. They're
they're huge, man, it's like on this I know, you
know what I'm saying. They wanted to do something like that,
but for Latinos, you know what I'm saying. But I
told them I can't tell them. I you can't just
focus on just Latinos. You gotta Yeah, I get what
you're trying to do. But with the hip hop. So
(01:18:28):
the reason why he's doing so good is because we
have every every genre everybody. Yeah, what we have everybody
on there. It's a universal thing, and so they couldn't
kind of like comprehend that. But you know, so eventually,
you know, politics kicked in and they canceled the show.
But now we're working on we're working on a documentary
right now that you know, we got hit up to
do a documentary. So you know, shout out to my
(01:18:48):
boy Rudy A. Rod and uh and Little weddo you know,
the producer of the show Man. And they're putting a
lot of work into this documentary right now. Yeah.
Speaker 4 (01:18:56):
Downside for them is they don't have that number one show.
Yeah you know, I mean, I mean they got some shows.
They're still doing shit, but not quite like you're talking about.
You know, it's it's it's very much you could see
how they're influenced and trying to do what MTV once did.
Speaker 2 (01:19:12):
Yeah exactly, you know what I'm saying.
Speaker 4 (01:19:14):
And the whole thing is not getting caught up in
that and doing your own thing like the music and
the way y'all were, you know, showing that global love
to all those different groups that were out there in
different regions and shit like that. That's everything, because we
there ain't too many shows that are like that. You know,
usually hear regional shit or nationwide right like what's happening
(01:19:35):
on the East Coast or what's happening in the South
or what's happening on the West or whatever, you know
what I mean, and maybe a little bit of what's
happening in Canada, but you don't hear about what's happening
over the water exactly. And you know, a show like that, yeah,
people will fuck with it because they you know, people
are inquisitive. They want to know what the fuck is
going on in other places other than this, like to
(01:19:55):
know who are the hip hop stars in like maybe
Spain or Germany or fuck UK or you know wherever.
Speaker 1 (01:20:03):
You know what I'm saying, because there's more to it
than just what we have.
Speaker 2 (01:20:06):
Yeah, exactly, man, salute to dj ef N.
Speaker 9 (01:20:08):
He went across overseas and made some cool documentaries as
well about hip hop groups Cuba all over South America.
Speaker 2 (01:20:16):
Yeah. No, it's a it's a universal thing, man, so
you know, and it's dope. Everybody all good or no?
Speaker 6 (01:20:22):
Thank you, man, I'll take one thank yeah, man, Yeah no,
I mean you know, that's that's the thing, man, is
that you know, it's there's so much shit going around
all over the world, man, that you know, there's a
lot of ship that we don't even know about. Man.
Speaker 2 (01:20:36):
Talent is everywhere. Talent is everywhere, and you know, there's
always people that want to discover new ship. Man. So
they would always look to our show to discover new
hip hop, you know, and they go out and go
look for it, man, you.
Speaker 1 (01:20:47):
Know, and that's the best ship. I mean.
Speaker 4 (01:20:50):
You see Serious Satellite have a few shows like this
now where they're like doing global type of hip hop
sort of not not necessarily stations, but some stations are
are playing you know, hip hop from other places. Yeah,
and I think that's dope because I'll tell you what, man,
(01:21:11):
I've heard some ship in Spain, Italy, France, Germany and
other places where I couldn't necessarily understand the language, but
I understood the cadence and the flow in relation to
the music, and it is a lot of it sounds awesome.
Speaker 1 (01:21:30):
A lot of them you can't understand it.
Speaker 4 (01:21:31):
But like when when rhymes are hitting pockets in a
certain way, you know, when it's exactly you know, you
may not understand it, but you could hear it. You're like, oh,
they whatever this ship is, whatever they're saying, it sounds
like they fucking flipped it. Like the style of cadences
that you know, you know what I'm saying.
Speaker 2 (01:21:49):
When it's dope, it's dope, you're gonna recognize it no
matter what language it's in.
Speaker 9 (01:21:52):
Exactly and it isn't our ship, and it'll speak it,
you know.
Speaker 4 (01:21:56):
Yeah, Like I mean with the Spanish shit, I understand it,
you know what I mean because I grew up with it,
so I you know, I can understand the words and
then when the flowing cadence is there, so that's a given.
But like when you mean, none of us hear know
the French language, but you could hear a fucking French
rapper snap traditional style, like fucking killing it and you
(01:22:17):
wouldn't understand one fucking word, but you would think, you know,
just the way that it sounds, this motherfucker killed it, right, Yeah.
Speaker 10 (01:22:25):
I mean you really don't know, but you know, you
kind of know, you kind of he could be saying
some wag ship. He might be saying, but it sounds good.
It context, the flow, it ca.
Speaker 13 (01:22:35):
You asked somebody over there like nah, yeah, but but
but at that but at that, you know that might
be subjectable because you might ask, ever last, what did
you what do you think of this group?
Speaker 4 (01:22:47):
And he might say, oh, that's trash and you are
might ask f and he like, yo, man, the motherfucker
snaps my favorite. And that's that's the dynamic. You just
never know until you ask a bunch of people and
what they think about it.
Speaker 10 (01:22:59):
But like, but if you don't understand the language, that's
what I'm saying. But then, yes, you don't really know
if he's nice, yeah, but you just hear his flow
like yeah, he's cool.
Speaker 4 (01:23:08):
Yeah, But I'm saying, if you hear that and you
don't understand it, ignorance is bliss.
Speaker 1 (01:23:12):
You might listen to that again and be like, yo,
that shit is hard.
Speaker 4 (01:23:15):
Until someone calls, Oh, you know, he's talking about this
or that, and you might be like, oh, okay, I'm
fucking with that. But until then, you might fuck with
it because you like the way it sounds, because they
sounded like they snapped on it.
Speaker 6 (01:23:27):
You know.
Speaker 9 (01:23:27):
They say beauty is in the eye of the beholder,
with music is in the ear of the holder, right,
like pretty much.
Speaker 4 (01:23:32):
Think about it like this, half the mother half the
motherfuckers that listen to American music that are from other
countries that have to learn what these words are.
Speaker 1 (01:23:42):
They don't know him in the beginning.
Speaker 4 (01:23:43):
They fucking like it because they hear that cadence of
that fucking the dynamic of all that shit, and then
they learn it and figure out the words after.
Speaker 1 (01:23:54):
We're the only assholes that don't do that.
Speaker 4 (01:23:57):
We might hear something in a different language, Oh that's cool,
and they never try to figure it out, whereas people
our music, our music goes in all these different places
that motherfucker's got to figure it out. But they like
it before they even know what the fuck it is. Yeah,
I'm saying that's music.
Speaker 7 (01:24:16):
Sometimes daughters love Like every occasionally they'll come back with
like a bad bunny or something like this totally in
Spanish or even some k pot and I'd be like,
do you even know what they're saying?
Speaker 2 (01:24:27):
They're like nah, and I'd be like, Okay, well I
hate it.
Speaker 10 (01:24:30):
That's interesting, you know, the energy, same principle, yet I
mean not that.
Speaker 2 (01:24:37):
Yeah.
Speaker 7 (01:24:37):
I remember going to Europe in a hotel and being like, oh,
this German group by whatever this beat is.
Speaker 10 (01:24:44):
He got the young kids right now and the bad bunny.
He got everybody right now, and a lot of.
Speaker 2 (01:24:51):
These kids don't even speak Spanish, they don't.
Speaker 4 (01:24:53):
Even Yeah, it's something we wouldn't have been exposed to
exactly because on our radio they would have been like now,
but you know what, like that his music party music,
so relate to party music. The crazy ship is that
they some of them don't understand what he's saying, but
they'll listen to it and they'll they'll they'll memorize the
(01:25:15):
words they know what, they know.
Speaker 2 (01:25:17):
How to speak Spanish. Yeah, you see it at the
club all day.
Speaker 4 (01:25:20):
Yeah, And that's the funny ship. They're doing what like
people in other countries do with their own ship.
Speaker 2 (01:25:26):
When you guys go overseas or whatever and people don't
understand what you're saying, but they're singing along to your ship. Yeah.
Speaker 4 (01:25:33):
Yeah, there was a trip going to Japan for the
first time and seeing these motherfuckers say, you like sing
every song back to us.
Speaker 1 (01:25:41):
They barely know what the words are.
Speaker 2 (01:25:46):
English.
Speaker 1 (01:25:47):
That's what I'm saying.
Speaker 2 (01:25:48):
It's the energy that it's.
Speaker 4 (01:25:50):
The energy, the frequency, the vibration, all those fucking things.
That that's music. You know what I'm saying, What can
you do? Thank God for that, man, all praise do.
Speaker 8 (01:26:02):
Next one was saying a happy birthday DJFM salute to
the table.
Speaker 2 (01:26:06):
Oh thank you, Rosie. Appreciate that.
Speaker 8 (01:26:09):
Yeah, many damn those boos gave everlast PTSD.
Speaker 4 (01:26:15):
No absolute facts, but I can it can never be duplicated.
Speaker 2 (01:26:21):
I think that could ever be duplicated.
Speaker 4 (01:26:23):
Like again, unless you do a movie about it and
you re enact the part.
Speaker 1 (01:26:27):
That's the only way.
Speaker 7 (01:26:27):
Even then, I'm going to be like this, We're gonna
like You're gonna have to be there and be like,
is that it?
Speaker 1 (01:26:34):
You have to motivate the crowd to hate you.
Speaker 7 (01:26:36):
I do the fact that I survived, that is why
I was able to be here thirty plus years later.
Speaker 2 (01:26:42):
But absolutely facts, I would not have gone the.
Speaker 7 (01:26:46):
Second night if they not kidnapped my mom and held
her hostage at the venue, and yeah, told me I
was a pussy if I didn't show up.
Speaker 2 (01:26:53):
That's basically what they did.
Speaker 4 (01:26:54):
When my mom called, they were like, honey, you got
to Amanda Mafia boss you you know it basically.
Speaker 2 (01:27:00):
Said I'm having your mom call because you're being a pussy.
Speaker 4 (01:27:04):
And then she went pologically and then she went and
had your mom picked up and brought to.
Speaker 1 (01:27:08):
The venue, which was ten minutes from my house.
Speaker 4 (01:27:11):
Yes, that was very Mafia style all the time selling
me the whole it's gonna be different than I think,
and me just thinking it's bullshit, but you already run
through that part.
Speaker 7 (01:27:20):
But yeah, totally different, I do. Yeah, it's still like
one of the worst nightmares of my life in this business.
A real quick salute to Amanda Demi sounds like a nightmare.
Verry Gangster.
Speaker 2 (01:27:33):
He's still.
Speaker 1 (01:27:36):
Now one of my favorite people in the world.
Speaker 2 (01:27:39):
I know, she's an amazing photographer. Yeah, she is all right.
Speaker 8 (01:27:42):
Next one Karna saying I too saw the lg interview
FMS or the Lady Gaga interview FM. Saw he wasn't tripping.
Maybe there was a two versions of the song. I
don't know her music like that, so I can't really say.
Speaker 1 (01:27:54):
Maybe there is two versions of the song. Who knows
artists do that?
Speaker 2 (01:27:58):
Artists do that street version.
Speaker 8 (01:28:02):
Yeah, she's also saying nice later B Stephtown gave Franco
the same one.
Speaker 4 (01:28:06):
Yeah, s allude to the strong one. He'll be back
home soon. That's todded.
Speaker 8 (01:28:15):
Medicine's asking has Anthony ever seen Has Anthony ever experienced
anything paranormal?
Speaker 2 (01:28:22):
Ah Man. I want to say maybe when I was younger,
when I was like maybe like like ten eleven years old,
maybe ghost spirit in Mexico. In Mexico, you know, like ghosts,
you know, like we would hear in my ant's house.
We'd be watching TV in the living room, and then
you would hear like a bunch of like somebody just
(01:28:42):
threw all the dishes on the floor. They just broke.
So we run over there everything yeah, exactly like that. Uh.
And we we'd go older and everything was clean, kitchen clean,
nothing on the floor like that. And it would happen
and then you would hear like you'd be sitting down
and you're like, somebody just stopped like a chocolate very
there night next to you. Nobody there, nothing there, man,
(01:29:02):
So little stuff like that. Man, But I can't say
I ever seen a spirit, a national spirit or anything
like that.
Speaker 4 (01:29:08):
Everybody's here has traveled to, you know, different places. You know,
everybody at this table. Have you ever been in a
hotel room that gave you a fucking crazy vibe like that?
Speaker 7 (01:29:18):
I have, I have to have been in a whole
hotel but it was together with you, and we've semi
told that.
Speaker 4 (01:29:24):
Well we were shrewman. Though that's different. But doesn't that
make it all the more evidence that you're tuned into
that kind of Yeah, yes, yes, but it's it's it's,
it's it's I think it's a different kind of conversation
in the sense that like, Okay, like if you're in
a hotel room and you fucking see this door open
or this light turn on, or you hear this crazy
(01:29:44):
shit within the room that you can't explain, right, stuff
like or you see something you know, maybe here's something
see something I don't know, like a paranormal paranormal experience.
Speaker 2 (01:29:55):
In that way. Right.
Speaker 4 (01:29:56):
So, for example, there was a time we were staying
in Chicago.
Speaker 1 (01:30:02):
It's for Lolla Pluza.
Speaker 4 (01:30:03):
We were playing Lolla Pluza maybe one of the first dates,
and we're staying in this I believe it was a
Hilton or a Hyatt, but it was an old ass
building and it used to be owned by al Capone.
We didn't know this until after. But we're we're all
doubled up in rooms at this point, right, So everybody's
bunking with someone different.
Speaker 1 (01:30:25):
I was with r C at this point, and.
Speaker 4 (01:30:31):
So I had taken the shower, the jumped into bed
and shit like that, and this dude was on the
phone with his girlfriend at the time, and I hear him.
Speaker 1 (01:30:40):
Go oh shit, and it woke me up.
Speaker 4 (01:30:43):
He's like, oh shit, Like like what's the problem. He
goes that fucking door just opened or that lights on
or whatever. That's what he said. He was like, the
lights on in the bathroom. I said like, yeah, I
left it on. I took a shower and I left
it on. He's like, nah, man, I've been talking to
my girl on that phone. That light's been off because
(01:31:04):
I turned it off and it just turned on by itself.
And you know, I wasn't buying it at first because
I was kind of still sleepy and shit. So I
got up and I was I went and turned fucking
light off and I closed the door right get back
in bed. He's like, oh shit, because I turned, I
(01:31:25):
turned away from the door. Lights back on, and I
look over and the light's fucking off, and so I
go back. I opened the door, and I clicked the
light off again, and I checked to see if there's
one of those timers, but you know what I mean,
like the heat lamp or something. I'm thinking maybe I
don't know something. There's no fucking heat lamp. I clicked
(01:31:45):
the light on, and I clicked the door shut right
because I thought maybe I left it open and he's
fucking with me. He just maybe pushed the door open
and turned the light on. The fuck with me. That's
what I thought was going on, right, So I turned
and I look at the door before I, you know,
start going back to sleep again, and I see the
(01:32:06):
light turn on, and he's over here. He's still on
the phone with this girl tripping, and I see the
light turn on under the underneath the door, and then
I then I say, oh ship. Then the fucking light
starts flickering on and off, and then the door clicks open,
and this motherfucker runs for his gun I'm like, what
(01:32:27):
are you gonna shoot at?
Speaker 1 (01:32:30):
I mean, what are you gonna shoot at? I'm like, hey,
we're here with.
Speaker 4 (01:32:34):
I start talking to whatever it is and say, hey,
we're only here for the night. We're not here to
bother You don't bother us. And that was That was
kind of the experience, because like the door was clicked
shut and it fucking opened.
Speaker 1 (01:32:50):
I mean, and not to mention the light.
Speaker 10 (01:32:52):
I think if he would have shot the whole light off,
then it would have came back on.
Speaker 1 (01:32:58):
Yeah, that that part, But how do you the door?
Shoot the door? He was ready to shoot the door too. Yeah.
Speaker 2 (01:33:06):
I went to some ship like that too, and one
time at the Excalibur in Vegas. So then the light,
the light kid turning off. I thought it was a
time or two and the kid keep turning off and on,
and I was like, what the fun? I thought something
was like fucked up, and I called downstairs. They came
to checked it out. Everything's working good. The ship just
kept turning off and on on its own. Yeah.
Speaker 4 (01:33:24):
I feel like some of these places ship has happened,
and you know, the energy stays, energy stays there.
Speaker 2 (01:33:30):
Well, my man, you remember my Mount Olympus house, Yeah
I got.
Speaker 7 (01:33:33):
I used to always think out the corner of my
eye when I'd be working in my studio that down
the hall on my stairway going upstairs, that.
Speaker 2 (01:33:40):
I would see a small person right.
Speaker 7 (01:33:42):
Like never defined their what, boy, girl, something, but there
was something every once in a while standing there.
Speaker 1 (01:33:49):
And the houses carry energy just like that ship.
Speaker 7 (01:33:52):
I was like, I think one day I got real
fucking like just high on shrooms and I started talking
to it. Yeah, like, hey, just don't make me take
a whole tab that come see you? That energy was
probably real? Did you you had a house like this before?
Speaker 10 (01:34:09):
One of my first cribs that I bought in Jersey
was fucking haunted and it was like crazy crazy haunts.
Speaker 2 (01:34:16):
Drop a tab and you.
Speaker 10 (01:34:18):
Know what, I got rid of that bitch and I
didn't tell nobody. You deal with that ship?
Speaker 2 (01:34:23):
Good?
Speaker 4 (01:34:24):
Look, you need to have a reasonable like, hey, you
gotta have a convold and the cleansing.
Speaker 1 (01:34:30):
What happened all right?
Speaker 8 (01:34:32):
Than Mike's asking yo, Les, can you talk about the
song you produced? You got coming out with cool g
rapping thems?
Speaker 10 (01:34:42):
You know, yeah, I got me and him we got
this banger. And then he reached out to Coolgie Wrap
and got him on the album Man.
Speaker 4 (01:34:54):
Gorilla MS saluted, saluting MS, and he came through the
studio early on yeah, saluting Now.
Speaker 2 (01:35:04):
Yeah, you call me out and hold it down.
Speaker 6 (01:35:07):
Yeah.
Speaker 8 (01:35:07):
The glitch is asking, yo, Anthony, are you gonna do
any more seasons of King of the Hill.
Speaker 2 (01:35:12):
Uh? We got season fifteen in the bag ready too,
so so we got another season coming out and then
after that we'll see man. Yeah, I mean, uh, you know,
Hulu said it. The numbers look good, man, you know
what I'm saying. We'll get a couple more seasons so far,
so far, thank god. Man, the numbers looking good, man,
running numbers up on it. Ye, watch that ship five times, yeah, man, yeah, no,
(01:35:35):
good looking out to everybody out there that's been watching
the supporting man and you know, it's it's been it's
it's been awesome. It's been kind of kind of surreal man. Yeah.
You know, so I'm just you know, just trying to
ride the wave. Man.
Speaker 4 (01:35:46):
Congratulations on all that. Man, appreciate it, man, Thank you guys.
Speaker 2 (01:35:49):
Hell Yeah.
Speaker 8 (01:35:50):
Sarah in the super chat saying it's like your Harvest
album be a dope spit or she's.
Speaker 4 (01:35:54):
Saying yeah, yeah, Yeah, saluted rest in peace, Jay Turner
who helped me on that, and Keen One who also
helped me on that. You know, we got a bunch
of artists from different different countries to flip with us
on that Harvest album, and uh, you know there was
a lot of fucking sick, sick EMCs out there, you
(01:36:15):
know what I mean. They were like underground type of artists.
And salute to everybody that rocked with me on that.
Speaker 1 (01:36:21):
One.
Speaker 8 (01:36:23):
Is saying a happy birthday to f M. Do you
have a favorite birthday song?
Speaker 2 (01:36:27):
Favorite birthday song?
Speaker 1 (01:36:28):
Yeah, favorite birthday song?
Speaker 2 (01:36:30):
Dog? What is it?
Speaker 4 (01:36:31):
Come on, I don't have a favorite bullshit? You got
a favorite birthday song? Beatles Birthday? What that Rihanna?
Speaker 5 (01:36:41):
Katy Perry, Katy Katy Perry.
Speaker 2 (01:36:45):
Is this real birthday? It's fucking real.
Speaker 4 (01:36:49):
Only if Katy Perry jumps out of the cake for him,
that's the only way he's.
Speaker 2 (01:36:52):
Gonna take birthday mister d J.
Speaker 4 (01:36:58):
Yeah, see that would be good for you. Katy Perry.
Single Now, Orlando Bloom.
Speaker 2 (01:37:02):
Let go. Now's the time of sliding.
Speaker 4 (01:37:06):
He's out there sliding in somewhere else. It's FM's chance.
Katy Perry for the birthday. That's why not you make
bolting jealous careful there, we'll fight for her love. That's right.
She may be that crazy, awkward running around for what
you got?
Speaker 8 (01:37:27):
All right, oh Luisa saying happy birthday. Dj f M
showed to Citric.
Speaker 2 (01:37:31):
You're saying, yeah, that was That was one of the
other voices in that. I say in there when Hank's
watching TV. I believe it's Tank watching TV. He's watching
some kind of TV showing. And one of my lines
into and I don't want to say a couple other
things in there.
Speaker 4 (01:37:49):
Forgot say that one more time, so so our in
house white guy over here could get get that part
right there?
Speaker 2 (01:37:56):
You go, hey, hey, there we go.
Speaker 1 (01:38:02):
Yeah, how'd you say it? Better right there than you
ever have?
Speaker 4 (01:38:06):
He's holding out, you see this, trying to impress you
and ship he's holding out on us.
Speaker 10 (01:38:12):
I remember Fat Joe. That was one of his lines.
He ended his rhyme. He was like, by come deals.
Speaker 4 (01:38:18):
He was like, yeah, all right.
Speaker 8 (01:38:24):
Is doing voiceover work a lot more chill than actually,
like doing actual acting?
Speaker 2 (01:38:28):
I guess, yeah, man, it's totally like super chill compared
to acting. Because you know, you didn't got to learn
a bunch of dialogue. Basically, all the dialogue is already
written on paper, and he's right there in front of you.
So you just go over it a few times. You know.
The director tells you tried like this, tried like that,
you know, and he just give them the lines, man,
and you know you could. You could go in to
dress however you want to dress. Man, You ain't got
(01:38:49):
worried about nothing. Just bring it to life. It's probably
like a fun job. Probably like the most funniest and
easiest job I've ever had.
Speaker 10 (01:38:58):
That shit sounds like fun I go just make voices, yeah, exactly, talk,
be funny whatever.
Speaker 7 (01:39:04):
I get a couple of commercials back in the day,
and I didn't even leave my house. I went downstairs
to my studio. They sent me the ship they wanted
me to read. I wrote it, read it like five
different ways, send it back. It was like a Converse
commercial and something. That's so the commercial you got, you
got for like fifteen minutes work, dude, I probably got
like eighty to one hundred grand for yeah, for this long.
Speaker 2 (01:39:28):
I was going to say that too. Yeah, you know
what I'm saying. It's like you're not really either that long,
you know, so you don't really worked that hard for
the money. Yeah, fuck it, but you got you. You
guys did the Simpsons.
Speaker 4 (01:39:39):
Yeah, yeah, we did the Simpsons. Yeah, I remember that
was that was That was a cool experience. But I
mean it wasn't hard because they were just playing ourselves
at that point that they wrote whatever they were writing,
and you know, we put ourselves into it.
Speaker 1 (01:39:52):
That was cool though. It was a great expen.
Speaker 2 (01:39:55):
You were in the Rugrats thing to remember.
Speaker 1 (01:39:57):
I went with you to the fucking Heartbeat.
Speaker 2 (01:39:59):
Yeah.
Speaker 4 (01:40:00):
Yeah for Harveat's I do I do more voiceover work
just I haven't really focused on it, but I would
because I mean we were doing that ship, you know,
when we were on the Beat for all those years,
like writing all this, we were writing sketches and him
and two other guys and myself. We do a bunch
of different voiceovers, uh, you know, a bunch of different
(01:40:22):
voiceovers for all the sketches that we did.
Speaker 9 (01:40:24):
So yeah, different accents, all kinds of show as funny.
Speaker 1 (01:40:28):
As Yeah, it's fun to do it, you know what
I'm saying.
Speaker 4 (01:40:31):
When you write it, it's it's easier though, Yeah, yeah exactly, man, all.
Speaker 8 (01:40:36):
Right, like's asking U citric, what was your first car
when you got a big bag?
Speaker 2 (01:40:41):
My first car was probably, uh that what's I think
I got? It was a Cadillac Escalat.
Speaker 1 (01:40:49):
Escalator kind of escalate on.
Speaker 2 (01:40:52):
I think I had twenty six or thirties on there
either one same day. They look good that same day
I got it out of the dealer and when to
go hook it up man rim system and Man.
Speaker 4 (01:41:04):
I gotta tell you, man, that Cadillac Escalade was supreme
as as far as s uvs go, because it rode
smooth like their regular ass cat.
Speaker 10 (01:41:13):
That was in everybody's video. Oh yeah, I had, I
had a Cadillact. The new ones are crazy. The new
ones are super.
Speaker 2 (01:41:21):
Do I still like some of the old. The old
models though the body square, the square. New one is dumb.
Speaker 1 (01:41:31):
I'll tell you what.
Speaker 2 (01:41:32):
Though we used to say that sh is dumb.
Speaker 1 (01:41:35):
I'll tell you what.
Speaker 4 (01:41:36):
The Cadillacs always been one of the smoothest rides.
Speaker 10 (01:41:42):
I had to make Caddies. And the way the sales
guy told me, I'll never forget. He was like, this
car right here is classy. It's classy. You could do whatever,
you could roll up and and.
Speaker 1 (01:41:55):
That was like had the man. Oh yeah, it's a
smooth pretty much.
Speaker 4 (01:41:59):
You know.
Speaker 1 (01:41:59):
It's like, yeah, I'll tell you what.
Speaker 4 (01:42:02):
The way that the way that a Mercedes Benz is
like a very smooth floaty ride. The Cadillac is that
same smoothie floating ride. Just a second body style.
Speaker 7 (01:42:14):
When they went to that little angled out looking, sneaker
looking one, yeah, that was a nice style grain one.
Speaker 2 (01:42:21):
I had a like burgundy one.
Speaker 1 (01:42:24):
You know, I don't remember what coming.
Speaker 7 (01:42:30):
Page did them all We all had the little wood
I mean, a little pusher button here and there in
certain you know, stap activities would happen, you know.
Speaker 2 (01:42:39):
I like that.
Speaker 4 (01:42:41):
Yeah, oh man, yeah, yeah, we had some pretty gnarly
stas spots.
Speaker 2 (01:42:45):
You could. Some double O seven ship was saying, we
were really the limitations on certain We were running it
pretty haar.
Speaker 4 (01:42:54):
We're running pretty fucking we were running pretty fucking crazy
back then.
Speaker 2 (01:42:58):
You know, somebody might still own that car stash poss
world must man.
Speaker 1 (01:43:03):
Oh yeah, I'll tell you what.
Speaker 4 (01:43:06):
On two of my cars, whoever bottom, they never even
knew about it. Like I had this lexus some money
or something something, so I had this Lexus in there.
So I had this Lexus and and come with the car.
Excuse me. I had a Lexus, right, and that year
(01:43:29):
they had a Lexus. That Lexus seat you could split
in two.
Speaker 1 (01:43:32):
Do you remember?
Speaker 4 (01:43:33):
That was the GS GUS six seven something like that.
It was that gray one I had, right, And the
way we worked it out was that we popped that
seat in half with the with the with the hydraulic arm,
and it would pop out, and you could hide a
bunch of ship in that back seat. And when the
fucking hydraulic arm pushes the the back back up, there's
(01:43:58):
nothing that could pull that shit. It's like four hundred,
five hundred pounds of pressures. Yeah, so you could not
open up that stash pot. You could tear that car up.
You weren't opening that seat, right, So fucking I had
that ship for years, right, and then I eventually and
then I eventually huh it was on the door. No,
it was on my passenger seat, the back of the
(01:44:19):
back of the seat. It would pop out. Cops like,
what does it smell like? Yeah, they could search the car.
They would never find out they could. They would never
find out how to pop that button. When I finally
sold that car, the second the owner that it bought
it off me.
Speaker 1 (01:44:36):
I never told them.
Speaker 4 (01:44:38):
There might be something in it, right, Oh were crazy?
Speaker 7 (01:44:45):
Yeah, the homie to build those because in the trucks
we put you know where we put them and just
be up tucked under right under your legs buttons. That
thing wasn't getting you weren't pulling that apart. Yeah, you
couldn't pull them apart.
Speaker 4 (01:44:59):
I mean if if you were lucky enough to you know,
figure out, you pop it. That was the only way
pull That was the only way you were going to
pop it. Is if you figured out the code. You
weren't just gonna pull it open, and you could. It's
a hydraulic arm exactly.
Speaker 7 (01:45:14):
We would be deep places and the police would definitely
love to have caught us doing ship looked through our car.
Speaker 2 (01:45:22):
Yeah, I never got that thing. That never even because
they already expected for sure these guys have something.
Speaker 1 (01:45:28):
Oh yeah, I'd get pulled over.
Speaker 2 (01:45:31):
I know this guy got something.
Speaker 7 (01:45:32):
And stash spots weren't unknown they but most people were
shitty like these were the immaculately.
Speaker 2 (01:45:40):
Pulled over, sophisticated, sh immaculate.
Speaker 9 (01:45:44):
We're gonna say, remember when we got pulled over with
tr T recipes?
Speaker 1 (01:45:48):
Oh yeah, yeah, that Peak peakle.
Speaker 4 (01:45:51):
Uh No, it was off of the one on one
freeway right there by the park. Oh rampart, Yeah what no, No,
not that part. It's the other side, is it. It's
not Echo, is it Echo? Yeah, it's Echo Park. Yeah.
We got pulled right there and we had just finished
smoking a joint in our homie like did a chong
move and like ate the rest.
Speaker 1 (01:46:13):
But smoke is coming out of the car.
Speaker 4 (01:46:16):
And the reason the dude pulled me over is because
this dude was fucking like he was kind of like
dogging us in this lane. I was trying to speed
up a little bit, and every time I tried to
speed up to get into that lane he was. He
kept dogging it right, So I sped up and got
in front of him. The CHP guy saw that and
(01:46:37):
decided that was enough to pull me over, right, So
he pulls me over. He sees the smoke coming out,
and it's like, where's the weed. There's no fucking weed
in here, because there was. That was the last joint.
And he goes, well, it smells like you've been smoking.
I said, we smoked like an hour ago, two hours ago. Well,
it smells like it's on you now. I said, well,
(01:46:59):
that's some good weed. I'm gonna search the car, like
fucking search it. Get it over with, you know what
I mean. Like I copped the attitude and I was
just telling hurry the fuck up basically. And then he
starts preaching to these guys that I'm high and he
should I should be driving them and I'm to their lives.
And Jade Turner's like whatever, fool tells the cop whatever.
(01:47:25):
And you know, in the end they got nothing, But
that's because we're playing poker with them the whole time.
Speaker 2 (01:47:32):
Speech.
Speaker 4 (01:47:33):
Yeah, you know, gave him a speech. That was all
he had because he didn't really catch me speeding. I
didn't have like my windows were already down so he
couldn't get me for the tinted windows. Yeah it did.
Trt the evidence. Crazy motherfucker next week, right, Thank you
(01:47:53):
for your super chats. We know more come as we go.
We'll take them if we see him. Yeah, sometimes you
gotta play poker with these motherfuckers. I didn't have a
stash spot in that car. I didn't have it yet.
This was pre stas spot, so I couldn't roll with
a Jammy in that car because I would get pulled
over in it every time because it was just it
(01:48:14):
was obnoxious. You know when you roll in an obnoxious
vehicle and you look like you're from the hood. They're like,
that's out of place to them.
Speaker 9 (01:48:22):
That he was admiring the shit out of that truck
because it was half suburban, half duly.
Speaker 2 (01:48:27):
Yeah.
Speaker 4 (01:48:27):
I had a duly modified suburban, right, so crazy. It's
like a big long ass suburban with the dual shit
on the back. And then I had custom fucking rims
that was crazy. And then I had like a crazy
ass you know, unneeded fucking sound system in it. Right,
So it's bumping and rattling, it's you know, an attraction
(01:48:48):
on wheels, right, and they're looking at me and then
he sees smoke coming out of the shit. Yeah, I'm
pulling this fucking guy over. And I got pulled over
a lot in that truck. That truck cost me a
lot and in terms of citations, yeah, and.
Speaker 2 (01:49:05):
Those fixing fixing tickets right, oh man, and parking for
that fucking beast. I want to jail for two weeks
one time here for just fixing tickets. Yeah, they'll do it.
They helped me up in County for two weeks and
were sucking a bunch of fixing tickets. They had me
on the Great Gooseman going to all these different cities
in the area, Man, getting all the courthouses, the main courthouse,
(01:49:28):
the courthouse that that I got a lot of tickets
with from Downy Downy police. They're not fucking around. It's
like anytime I stepped in that city. Man, they they
purposely like they're they're they're they're already on me. Man.
Speaker 1 (01:49:39):
Yeah, down he doesn't funk around.
Speaker 7 (01:49:41):
They should have like an office you could go to
right before you go in there and be like, let
me get like four hundreds and credits.
Speaker 2 (01:49:46):
Yeah, now by some tokens or whatever I do. It's
just took care of all right. Yeah, we're going there.
Speaker 7 (01:49:53):
Actually that part that's probably coming where like where you
have to buy credits for ship like that drive through a.
Speaker 2 (01:50:00):
Town to make sure.
Speaker 4 (01:50:03):
Yeah, I mean conducted from your credits. It doesn't sound
far off, you know what I'm saying.
Speaker 2 (01:50:08):
It's it's it's plausible. Yeah, I did that one time
when I was in I think it was a Rosa reader.
And so now that we're out there and at one
of the hotels, I was smoking weed on the balcony,
and the security came and then told us. They goes, hey, man,
you can't you can't be smoking weed here, you know,
especially here in Mexico is the ego man, and like, yeah,
(01:50:28):
but you know, just a quick little joint. Oh no,
you know, you know all the neighbors campaigning, and you're
gonna you're gonna have to come and pay pay a fine.
And how much is I find he's got a fifty bucks?
And I go all right, well, you know, and I
was there for three days and I go allright, well
here's one hundred and fifty because I'm gonna be smoking
the next paying advance advancing. That's how they want. Yeah,
(01:50:48):
that's how they Yeah, they were because they because he
asked me to go, well, we could go about two ways.
You can you pay the fee or we call the
cops saying you know how that goes, and that's you know, yeah,
I'm gonna I'm not trying to with the co bros.
Like you know what, I'll just pay the fire mass.
I went downstairs and and and they paid the fireman.
It's you know, next time, I'm gonna pay ahead of
(01:51:09):
time too, because like that.
Speaker 4 (01:51:10):
You know, I bet you the front desk is like,
what the fuck is he even talking about it? It's
all like, you know, it's all individual scam the bellman
or something.
Speaker 2 (01:51:18):
Hey, man, just you don't know where that's coming from.
Speaker 4 (01:51:22):
Here's two hundred know what I'm saying, it's all individual scams.
Some of these motherfuckers don't know that these motherfuckers are
coming and charging you.
Speaker 1 (01:51:29):
For this or that.
Speaker 4 (01:51:30):
Yeah, you know what I mean, because like in some
of those hotels, they're not paying that close of attention
that you're on the balcony smoking.
Speaker 2 (01:51:37):
Yeah, you know what I mean. That's all it. Text
is one person. That's my one person. That's it, you know.
Speaker 4 (01:51:46):
And then and then the knock on the door. Hey,
we could go one of two ways. Yeah, all the
cops made they throw a major life hacked tip.
Speaker 7 (01:51:59):
If you a frequent hotel traveler and stay at hotels
for extended periods, just start by taking care of fucking
housekeeping from day one.
Speaker 2 (01:52:12):
You won't have any problems.
Speaker 4 (01:52:14):
Yeah, if you if you if the house up, yes,
they will leave you a little have very few problems.
Speaker 1 (01:52:20):
Yeah, because they're the ones that first rat you out.
Speaker 2 (01:52:25):
So when they come in the room, here's my tip.
You know it. Some days I don't want them in.
Speaker 7 (01:52:31):
Like if I stay in a hotel, let's say ten days,
maybe three or four times is all I'll want service.
But the days I let them in, there's on the
notepad of word housekeeping and a little fucking couple twenties
whatever it is. Never had problems in a hotel for
smoking anything.
Speaker 2 (01:52:50):
They keep it cool man, you know right, they're they're
the they're the life blood of the hotel. If they're
the ones that will rat you out or keep it
cool with you management hear some ship they're gonna ask them, hey,
check that out when you're up there.
Speaker 7 (01:53:03):
And if they're getting took care of, they're gonna be like,
I don't, I ain't see nothing.
Speaker 2 (01:53:08):
Word. Uh that is real ship man. And they'll spray
a little extra.
Speaker 1 (01:53:12):
Yeah, yeah, they might hook you up.
Speaker 2 (01:53:15):
They will.
Speaker 4 (01:53:16):
You might even leave a little little bag for them
and they might be appreciative of.
Speaker 2 (01:53:20):
That, if you they got that. I always do that.
Speaker 7 (01:53:23):
If I know I'm crossing a border or going in
the airport, the bag, I leave the bag. Yeah, going
out if you don't want it, but hey there it
is like for me, I'll leave the edibles and ship
like that. You know what I mean, because I know
one of them will pick it up.
Speaker 2 (01:53:35):
Help for sure?
Speaker 1 (01:53:37):
All right, what else you got anything else that seems
to be it? Word up?
Speaker 4 (01:53:40):
We want to thank everybody for getting down with this
today on the Doctor Green Thumb Show. We want to
thank my man Big cit Trick. Ye, thank you guys
for having me here. Man, first of many times. You
gotta have come back up for sure anytime.
Speaker 2 (01:53:53):
Just let me know, bro, I'm down.
Speaker 1 (01:53:54):
Man, word up. Let them know where to find you all.
Speaker 2 (01:53:56):
My social media man is at Big Citric, you know,
like like sitrick acids, c I T I r R
I c SO at Big cit Trick and my website
bigsatric dot com.
Speaker 1 (01:54:06):
That's right, You got any shout outs to what I give?
Speaker 2 (01:54:09):
First of all, shout out to you guys, man leaving
legends in the building man, and uh you know, and
everybody's miss supporting man or you know the journey you know,
everybody out there. Man, My son is in the building.
My son eric A. K. Nuggs and my boy Adrian
Ace they're in the building, you know, so big shout
out to them, my PR team Veronica and my management
Wendy you know, Magnoble pr Man. They've been taking care
(01:54:30):
of me, looking out, looking out for me in every
every aspect, you know. And uh, it's been a crazy, crazy,
uh wild ride. Man. That's what's up. But shout out
to everybody's miss supporting man.
Speaker 1 (01:54:40):
My mad love Man continued success.
Speaker 2 (01:54:42):
I think you really appreciate that man.
Speaker 10 (01:54:44):
Likewise, Yeah, yeah, shout out everybody just hanging out with
us on the chat, Big Citric for coming through hanging
out with us. Thank you, Doctor Green Thumb crew. If
you're on the I G follow me cycle Less Official.
Also shout out Save Vencito, you know for the beers
(01:55:04):
on my originals on you know, hooking me up. And
also produce a plug in the building salute. And we're
doing this real cycle mix right I believe, Yes, sir,
it's gonna be on right after Big Bang Bolted Yo.
Speaker 8 (01:55:21):
Shout out the Insane Asylum Show, to Ray Morning Chef
Film Show, to the Dominator, everyone start going to be
real TV two in Twitch will be up in the
mix here in a few minutes.
Speaker 5 (01:55:28):
And what's up ever.
Speaker 7 (01:55:30):
Last, everything is life is good. Glad to be alive
and awake. Shout out to Big Citric. You know, the
regular motherfuckers here yelling the treehouse making crazy sounds. I'm
sure I don't ever wear half ones, so I'm making
her into the fact. But I love y'all Kaiser. I
(01:55:52):
think he runs the world. God bless him.
Speaker 9 (01:55:56):
Big shout out to my people here at the table
in the treehouse, Big Citric for coming through.
Speaker 2 (01:56:00):
Man.
Speaker 9 (01:56:02):
Yeah, man, we're gonna support for sure. Just keep that
King of the Hill rolling. Appreciate that word up. Shout
out to everybody out there in the chat and all
the people that gave me birthday wishes today, Man, thank you.
Speaker 2 (01:56:13):
Check me out on that.
Speaker 9 (01:56:14):
G D J F M underscore l A for whatever
I'm at and whatever I'm djinging.
Speaker 4 (01:56:20):
Ship all right, you're made of that bounce back material.
You fall down, you get back up. Swallow that
Speaker 2 (01:56:40):
Real
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