#1300 | Wildchild | The Dr. Greenthumb Show

Episode Transcript

Speaker 1 (00:00):
H disclamor. This video, like all the videos featured on
the channel, is definitely intended for mature adience. This videos,
like Pleasick, the sampling language content is inapproriate for nights video.

Speaker 2 (00:11):
It's not for kids.

Speaker 3 (01:15):
You are now in it Right here on the Doctor
Greed Time Show, Live, Twitch, Discord, YouTube x and the
home site www dot b real dot tv are some
of the places you'll find us in this multi verse.
To my right, mister Goodlight, d J C minus in
the building, Oh Happy day after hod y'all ma on,

(01:40):
And we got the legendary psycho Leazy in the building.

Speaker 4 (01:44):
What's good, everybody, what's good?

Speaker 3 (01:46):
We got the Treehouse Cup both the Blah Bo Brah Brown,
the Dominator.

Speaker 5 (01:49):
Yo yo, day after Home Day.

Speaker 4 (01:53):
We got the legendary wild Child up in here. That's right.
And we got mister Milligram's e zone and the building.
Nice shirts.

Speaker 6 (02:04):
Thank you everybody, get to be here.

Speaker 4 (02:07):
Good to have you up in here.

Speaker 2 (02:09):
Man.

Speaker 3 (02:10):
Uh, it's been long overdue, but we're glad to have
you up in here today man. And celebrating a fifth album,
No Less salute, congrats you know clin getting clank Hell yeah,
Oh child, Child of the Kingsman, right, or of a

(02:33):
Kingsman word up man? What's That's a dope title? And
and for me, I like titles like that as opposed to, like,
you know, the hip hop titles we get from time
to time, you know what sand Yeah like that, my

(02:53):
bitch is bad, my bag is large, ship like that.
But but you know, I kind of like the vibe.
What appreciate the man? Tell us a little bit about it? Yeah,
just inspired.

Speaker 4 (03:05):
I'm like a movie buff going back in the days,
always working at blockbuster record stores, and so every album
was always a theme since the days of the loop
pack and stuff. So from the last one, which was
a oal I was portraying Denzel in the book of
Eli Walking. What did he said? He was hitting West

(03:27):
in the film. Yeah, And so this is almost like
a sequel of that where the movie Kingsmen, where they
were basically speaking about law in order with a with
a front being a tailor shop. My aspect of it
was like if hip hop was symbolizing in a record
store and all of us are Kingsmen, whether it be

(03:49):
B Boys, MC's, graffiti writers or DJ's or anybody who
supports hip hop. If you walk into a record shop
thinking it was a record shop. Lo, and behold the
different chapters here, you're uh anywhere Asia. We're still holding
down to what we call hip hop, what we know
it to be. As so, being I go by the
name of wild Child, it was only right for me
to call a child of a kingsman because we're still learning. Yeah,

(04:11):
and kingsmen almost like Black Panther represents all the people
before us, so like yourselves and other people who laid
that foundation for us.

Speaker 7 (04:22):
Yeah, man, did you did? You said you worked at
a blockbustern before? Were you a movie buff before you.

Speaker 6 (04:26):
Got that job? Because you're like, man, now I can
watch them for free.

Speaker 4 (04:29):
It was that that job was like I had to
smile on my face working at that, Yeah, because it
was like I got to be working around movies and
seeing all the stuff. And then I got into foreign films,
martial art films, and then when I would travel the world,
that connect started leading me to like knowing you know,
the films and the directors. And it's a it's a
weird long story because my son's now an actor and

(04:51):
so that rabbit hole of of learning stunt coordinators and
all these things behind the scenes of film. I always
had a fascination of it, but I know ever got
to do it. We just wanted our music to be
in a film, right, you know what I'm saying. I
never wanted to be an actor, because I actually did.
I did a film with Trey from Farsight, which is weird.
That was like our first gig. But I don't want to,

(05:13):
you know, brag too much about that because that wasn't
the greatest. But at the same time, it was like, yeah,
if anybody, I mean wants to be on camera, it
wasn't really on camera. The fact of being on camera.
I think I just wanted to say, being a rapper
or an MC, I don't want to be put in
a box. I wanted to be an athlete. I was
more into sports. That's why I never drank and smoke.

(05:34):
Acting was like something that would be dope to do.
And then especially when I got into hip hop, I
was like, you know the essence of when I seen
these hip hop films, I was like, Yo, the only
thing missing is like an MC, who's like a full
on B boy who does everything. To think that I
used to think that I always saw it broke down
in the eighties and nineties films, But I never seen
someone who encompasses it all. We always have an actor

(05:58):
playing a DJ or B boy try to be forced
to be an actor. I've never seen someone who really
came from the clock portray all of those elements on screen, right,
And that's that's what me and my son be having
conversations about, you know.

Speaker 3 (06:12):
And those are dope conversations because it's real, you know,
like that there are those that tried to get all
the elements of bee boying.

Speaker 4 (06:21):
Some of us got like all aspects.

Speaker 3 (06:24):
Some of us got like most of them, but maybe
are deficient of one. Oh yeah, and some are just
in one aspect of it. And I think that's good enough.
It's just about if you want to, if you're trying
to take the journey and represent all these different facets
of it. But you know, the ship that that I

(06:44):
loved what you said about, you know, like the way
that you put the concept of like the movie onto
the track, like you you took like that story and
visualized it and put it down in words. And to me,
I think that's that's some of the dopest shit to do,
because it's creative man like instead of like a lot

(07:06):
of shit you hear these cats do these days. It
don't put that kind of thought into making a song
or having a concept or anything like that.

Speaker 4 (07:14):
And I love shit like that appreciated.

Speaker 2 (07:15):
Man.

Speaker 4 (07:16):
Yeah, just making it your own is what it was
all about. Following is one thing, but being inspired and
taking it and flipping it to something your own is
one thing that I always strive to be. And you know,
but that film Kingsman, I gravitated that to that a lot.
And I even like the you know, we kind of

(07:36):
witness things like that now, like the the gun scene
in the church, you know, stuff like that. I have
a track on it called Wing Chung And I'm talking
about martial art, like if that was a scene, a
lyrical battle scene going down at a rhyme like imagine
an MC battle between two cats, but it ended up
turning into a I'm battling everybody, see that and dance

(07:59):
a lot. Somebody battles one by, so on battles someone else.
Someone becomes the winner. Everyone's mad because the winner thinks
he should have won. So they got this thing where
now the winner challenges the judge. You've ever seen they
had the winner would challenge the judge and they go
at it. So instead of talking after the battle, battle
me right now, since you won, I'm the judge and
I just gave you the loss. We battle, So now

(08:20):
they incorporate that. So that's why I thought, what would be.

Speaker 7 (08:24):
The you said, the loser or the winner battling the loser?

Speaker 4 (08:28):
Who has that? Because that always happens with like this
is someone who loses, right and again karate tournament? Is
that how they do it?

Speaker 7 (08:34):
In martiallow, I would imagine like somebody's always salty, or
like any kind of tournament and somebody's always salty.

Speaker 4 (08:38):
He's like I didn't win, right, because it's always judgmental,
like you know, saying, how can you say someone lost
when really they were better? It's because this guy could
have all the moves, but this guy has the soul.
He's representing the soul better than this guy who's technically
at the moves. So yeah, in an MC essence or battle,
That's why I thought of the vibe of that that
scene when when I think the guy came in with

(09:00):
a gun or something and he just started like a
video looked like a video game, right, right, remember Third
Eye or something. So I just thought like that would
be crazy and uh where it would just become like
a multi battle situation going on just to really settle
the score.

Speaker 3 (09:13):
So that's dope, that's dope. I was just watching an
MC battle last night. It was it was on La
TV or Latin TV whatever, and it was based in Ecuador.
It was all the top freestylers in Ecuador. They're battling
in Spanish no less, you know what I mean, and

(09:33):
they were allowing these dudes to say it's really crazy
shit to each other.

Speaker 4 (09:38):
That's but it was.

Speaker 3 (09:40):
It was pretty cool because it's it's all that to
say is that you're seeing all these different places where
there was a seed of hip hop planet right, and
it grew into itself like now you know, instead of
waiting on Americans to go down there, they got their
own bad motherfuckers over there, like putting it down. It
was crazy, like see and how they've adapted American type

(10:03):
flows into the Spanish form. But like hip hop shit,
it wasn'ton or none of that ship. Some of it
was trappish, some of it was New Rappish, and some
of it was definitely hip hop. Yeah, they do it
like they were throwing beats all over the fucking places.

Speaker 7 (10:17):
It's like I think there's a there's like a like
I guess, like an organization that started out in Mexico
and they go they take it all over South America
and I've seen it. Like there's like there's some dudes
and girls that are fucking bad and like they go
at it like you know, it's it's co ed, so
like there'll be some chicks the most crazy shit is
sometimes and I'm not it's not to discredit any of

(10:40):
the female artists out there, but I don't really like
find myself listening to it as much. But like, but
the girls that are on the are and there's some
of these battle raps that ship is crazy. Some of
them be just they just be making it like this
destroy some of these listen.

Speaker 3 (10:55):
That's a good question, you pose kind of right, like
some guys don't, you know, they're not open enough to
listen to to.

Speaker 4 (11:07):
A female doing hip hop.

Speaker 3 (11:09):
But there are some that, like, you know, like let's
just say Queen Latifah, like Lauren Hill and them, you know,
and there's there's others I'm just saying them for example
that like Motherfucker's absolutely listened to them because their shit
was on some hip hop shit and it wasn't just

(11:29):
you know, like sort of what you hear today with
a lot of these uh some of these chicks, how
they'd be like, you know, doing their shit. They'd be
demasculating men and all that shit. Of course, guys can't
get into that shit. But there are some out there
that's bit. You know, they put down some bars that
that dudes actually do listen to. But you're right though,

(11:52):
in the sense that most of the time most dudes
are listening to male driven hip hop for sure.

Speaker 8 (11:58):
Yeah, I mean, I got I gotta think, so let
me ask you. Let me ask you the new album,
who you got on it? Oh Man, and producers too.
I like to know who makes the Beast too.

Speaker 4 (12:08):
You know, we grew up in there where it's always
I feel like that train of multiple features on the project,
whether it be a lot of MC's or whatnot collabs.
I was always a fan of Collapse, wondering who got
who's on such and such album, But this one I
felt like, if I'm go on this journey because it
was inspired from Kingsman and Guru rest in Peace from

(12:29):
the pa Jasmina Test series and so I thought the
world I was being thrown in, say the last couple
of years hanging around with mad Lib and Robert Glasper's
and these guys. They got me in touch with a
lot of musicians from Darry Jones, Kareem Riggins, Homeboy, up
and coming composer Aaron Green out of Detroit, and I thought,

(12:51):
you know what, let me see if I can hold
it down. I mean, I had the confidence. I knew
I could hold it down in the mic, but it
was just like, I think, if I go this route,
I'm probably the only one that sees that vision as
far as rap mcny. So let me let me dive
into that and bring in some other collaborators on the
musician tip. And once I did one track three or four,
it felt like a live album. I was in my

(13:12):
mind thinking, if I ever do get to share this
with the world, it would be almost in a live essence,
whereas in the past we would do a project and
try to perform it with a live setting, even though
it wasn't recorded like that. You know, you know, like
the whole body count and you know Pharaoh manch with
thirteen and things like that. So with them, maya Giacello.

(13:35):
Besides dar Ru Jones, I got a few production on
there from like Knots and Kareem Riggins Yeah yeah, yeah,
and a soundtrack as well on the remix. For the
most part, Jessica care Moore is the only poet who's
on here, and besides the singers Amber Naverrin from This
Is Moonchild, she also blessed me as well. And yeah, man,

(13:58):
my one boy to beat Slaya. That's pretty much it. Man,
I just wanted to give a project that felt like
like I'm wearing a I'm wearing the whole full grown
folk suit on air, got the ankles showing, you know,
but the essence still is tied with my age as
well as like you know, in the film they had
the bulletproof umbrella or whatnot. So I'm still thinking in

(14:19):
my mind, I'm wearing the b boys shield of nobody
can beat me. I can only beat myself. So that's
kind of like the whole essence of it. That's what's up.

Speaker 9 (14:27):
And you're doing this on your own, huh. Like there's
no major label.

Speaker 4 (14:30):
There's no no major label bb out in London. That's
the weird part about it. I have a track called
the multiverse, and I keep saying that because so many
things have been happening in this past year where you're
just like, I think it's just a matter of the
room that I've been not forcing, but being brought into.
And I always say the multiverse like us right now.

(14:51):
I could have envisioned being here with y'all years ago,
but it seemed like, Okay, maybe that's not what God
was trying to tell me at that time. So now
I'm here. I'm with mad Lib, I'm toring, I'm helping
managers tours, and we're in London and we're like, yo,
let's go catch up the homie DJ Spinner. He's doing
the DJ set, so we're represented with Spinner. We're watching
him shut down the crowd. And I got this album

(15:13):
that no one's heard except mad Lib. I haven't shared
it with nobody. I wasn't putting it out there like
I thought. These guys put out a lot of jazz
orientated projects. So one conversation led to another and they
were like, yeah, it makes me, it fits, so they
decided to push it for me. Sope.

Speaker 3 (15:28):
Yeah, let me ask you this in terms of your
studio sessions or when you're being in that creative mode. Right,
if you're in the studio, do you like, you know,
heads around so you could like see what they're vibing
off of. Or do you like to be like isolated
without anybody around and being creative to yourself?

Speaker 4 (15:46):
So go ahead, Like most of the time, I like
to be by myself. I mean, shoot, there's times I
write rhymes on the toilet.

Speaker 3 (15:54):
Is there any specific place that you like to go
to where you for the most creative, To.

Speaker 4 (16:01):
Be honest, it's when I'm driving many same here. When
I'm driving, I got no interruptions. I just just me
the road and I that's that's the crazy piece, right,
because I've said that before, right, some of my my
like most most of most of the ship that I wrote,

(16:22):
it was significant as well. I was driving.

Speaker 3 (16:24):
Crazy and uh because I feel like, I don't know
if it's the same for you. But like when I'm driving,
like I'm seeing and experience and in processing at a
much quicker level, right, So ideas are coming to me
like like this, Whereas if I'm sitting stationary somewhere and
there's not energy happening and there's now flow happening, I

(16:47):
have to reach for an idea somewhere, and when I
get it, I could go, But it's not as easy
as as when we're driving, Like the first phrase might
just come out boom like that, right, Yeah, that's when
I would drive. I would feel exactly like that when
i'd be in the studio, if the fellas are with
me or whatnot. The days of writing a rap and

(17:09):
writing something and then crumble up and throwing it or
doing it over and over and over again until I
feel the joint is the right joint. That would be
that vibe. But when I'm driving eight times out of ten,
it's like, oh, let me pull over, now, let me
keep on driving.

Speaker 4 (17:23):
I got something. As we're talking off air about technology.
That's when the whole voice memo I would write down.

Speaker 8 (17:30):
You you ever thought us ill first and then forgot
the ship yes, but it happens.

Speaker 4 (17:37):
That's a lot.

Speaker 8 (17:38):
I got the one line of line yes, ten minutes later,
I just forgot that.

Speaker 4 (17:44):
That would happen to me, And then you know, it's
crazy that would happen, Or I would get I would
have the nugget of an idea forget, and then like
randomly like a week, two weeks. But you remember you
had it I remember, Yeah, yeah, that's happened to me.

Speaker 3 (17:59):
That's why I started like writing it down, and like
you know, putting it down, taking taking the note part
of the phone, whether I voice it or I write
it down that way, like if I ever want to
use it, it might be there, or I might forget
about it right and stumble upon it while I'm trying.

Speaker 4 (18:15):
To do something like oh shit, this actually works with this.

Speaker 8 (18:19):
Yeah, even a flow, if I had a flow, I
might record myself because I'm gonna forget how ye flow went.

Speaker 4 (18:25):
I've done that too. You got record. I've done that too.

Speaker 3 (18:27):
You can you can kind of mumble a flow and
just hit that and then like and they go back
and fill the blanks and that's what he's.

Speaker 4 (18:35):
I've done that too. Shout out to Percy P and
Recipe Channel Excel because they also got me on it.
I used to wonder why they take so long to
do a verse, why it takes so long, because I
know there are perfectionists at their craft, and I get
it now because I come from that, Like, Yo, that
beats hit me right then I'm ready to rock, just
like bee Boy. And you can't imagine a bee Boy
hearing the beat, and I was like, nah, I'm good.

(18:57):
I gotta hold up. Well, I gotta right then, it
don't matter if he does the moves he thought of
at the moment, he's gonna get busy. So I did,
and I did start to encompass that a lot over
the years, like I would take my time. I've been
getting feedback on it, like you, the vibe is different now,
I'm like, no, it's not different. I just realized I
have to channel things a certain way differently, so my

(19:17):
point comes across significantly the first time I give it
to you, versus going down fifty different alterations of a
project before you hear it, you know. So that that's
one thing that definitely played a part. And then driving helped,
Yeah for sure.

Speaker 3 (19:32):
Yeah, same same thing, man, Like you know, I didn't
even realize that that was like a something that was
turning on my creative fucking flows like water, you know,
like turning on a faucet. I didn't realize it until
I started doing it.

Speaker 4 (19:50):
The end.

Speaker 3 (19:50):
I think it was out of necessity. The first time.
It's like, oh shit, I'm on my way here. I
got to write something before I get there, And I
fucking wrote it with it like I'm gonna say forty minutes,
and I was like, wait, okay, it seems like the
ideas come quicker as I'm as I'm moving. So I
got you know, let me try this again, and you know,

(20:12):
just it's it became a habit.

Speaker 4 (20:16):
Yeah.

Speaker 3 (20:16):
Most of the ship again, like I would say probably
seventy five percent of the ship that I've written for
all time has been driving somewhere or went before I
had before I had a car and I had to
take the bus. I'd be fucking writing it there or
in my head, you know, and then jotting it down
later in transit.

Speaker 8 (20:36):
In transit, Yeah, sometimes if you say it enough times
you could remember. You sure can remember be driving just
repeating a verse and ship and even a beat even too.
Sometimes I got ideas and ship. I'm listening to Ship,
I'll be like, oh, I you know, I'll remember the title.

Speaker 4 (20:55):
A little a little thing.

Speaker 3 (20:57):
You can't get to the serdeo fast enough when you
got an idea in your head, right, this is crazy.

Speaker 4 (21:04):
But it's good to take notes down. True, that's the best.

Speaker 10 (21:07):
Yeah, I know that I've like had like I've heard
like a record in a record store and be like, oh,
I want to loop that, or I want I want
to flip that, and then I take it and get
home and do something completely different then what I envisioned
in my head. On the way home, I was like, man,
I got hurt and get on my sp like I
got something I know, I know this is something. I

(21:28):
get there and then I try what that was, but
ended up doing something completely different. And that's like I
always trip on that, Like sometimes it could happen just
like that, or sometimes it's like, oh shit, I did
something completely different.

Speaker 3 (21:39):
Well, you know, the foundation was the idea you had
and it led you to the to the to the
maybe different path of it. Yes you know what I'm saying,
but the foundation was there. Sometimes you have an idea
and it doesn't lock in the way you expected and
it turns into something else.

Speaker 4 (21:57):
Yes, you know, shout out tall to drivers that got
me mad in traffic, and the police, the higher patrol
almost gave me tickets as those because that happened so
many times and it didn't matter like those moments. That's
the funny thing is I never thought I'd be compensating
about it, but there was times where I'm like, if
I get a ticket. I don't care, but this song

(22:17):
is gonna be fired. You know. That's how my mind
is thinking. You know.

Speaker 3 (22:26):
So, so you said back in the day, you didn't
smoke or drink or any of that.

Speaker 4 (22:31):
Ship have you smoked since then? Yeah, I have the
fact of being with probably the biggest smoker in Oxnard
where we're from, mister Maddlif or his brother. Oh no,
you know, It's like traveling with him over the years
has been a journey. You know. I would be the

(22:52):
dude document and everything, you know, because I always never
took life for granted if we would ever be doing
this shit again, or traveling in these situations or whatnot again.
But there was times where he would be like, all right, cool,
I'm going to just give you some some some some something,
and yeah, I remember the days of doing that, and
I couldn't stop because, like you know, I do talk

(23:13):
a lot, but back then I wasn't really talking a lot,
and it kind of brought up That's why I got
That's why I got the name wild Child, because I
would act like I was higher. I act like I
was the first one drinking at the party with alcoholics
and all these guys or whatnot. But I just remember
once he gave me a blunt maybe two, and I
remember selling merch And this goes back to the whole

(23:34):
movie thing where I remember I was like, I was smoking,
I'm freestyling. Everyone else is partying and partying and doing
all this stuff. I think the show was already done
and I'm trying to sell merch and I couldn't stop rhyming.
I couldn't stop. Could people say, Yo, that shit might
help you. I'm like, nah, this was on some like medically,

(23:55):
I can't stop. And I felt like there was there
was me rhyming. I was freestyling, I was, you know,
and I know I was saying some shit. I wasn't
just saying some whatever whatever. I was rocket. I was right.
That's how I'm feeling. This is me in my head.
But there was like an inner voice who's standing next
to me, like, dude, you trip it. You know you
don't do this. This is not you. You need to

(24:16):
cool out. You need to chill right now, you're about
to all these people wanted you just to sign the
record and you can't stop rhyming. Then there's another voice
on the other side that's like, yo, you're killing that shit,
keep rhyming, my dude, Hey, that's it's hot. You better
go record. That's keep it. And people were coming. I
remember Yo, catch was like, Yo, can you sign the record?
You know, just after we did a show, and like
literally I was signing while I was still freestyling. You Firstyle,

(24:40):
the button got stuck on go. It was on go, Yo.

Speaker 8 (24:43):
All all our pictures you talking to the people in
rhymes like yeah, I keep the change.

Speaker 4 (24:52):
Yeah, I was doing all that. I was doing all that.
I was doing all that. But they thought, See the
funny thing is they thought I was on some like
supernat where enjoyed like I'm trying to bring everyone into
what's going on. I was like, I didn't care for
I was by myself or with thirty. I was like,
we're in the studio right now. Because it was the
first time I felt.

Speaker 3 (25:11):
Like that that was the mode you were hell you know, yeah,
so you fell into that mode.

Speaker 4 (25:16):
Yeah so, and that was the first time you were high.
It was the first time. And Mad Live, you know,
Mad Live, He's like, yeah, you did do this shit
a little bit more. You know, we're doing this quasi
motor project. I'm like, I'm good, I'm good. I mean
it unlocks something for you, for sure, it did.

Speaker 3 (25:31):
Like had you had you been able to tap into
something like that before, like where it's just NonStop like
off top.

Speaker 4 (25:41):
The only time that's ever happened is when I'm in
the studio with all my family, like my whole CDP crew,
mad At Bono, Kazi Clan, all of my guys walking together.
There's a trigger, yeah, because that's like we're playing basketball together. Yeah,
you just did a dunk or shoot. I can't dunk,
but I'm gonna give you this reverse alley oop off
the drum, you know type though. Those are the modes
that I'm always in. But with anything drinking wise, nah,

(26:05):
because I went down a different rabbit hole when I
would incorporate the alcohol and it wasn't it wasn't me.
It wasn't a good look. So I kind of like
was like, oh, let me find my lane.

Speaker 3 (26:14):
You know, I don't know how motherfuckers stay sharp when
they're when they're uh you know loaded.

Speaker 4 (26:20):
Yeah, no, no, I mean on the mic, that's you
know what Matt Libs said that. He said we were
in Atlanta once and I was drinking, and then we
should have probably canceled the show because Jack, what's going on? Jack's?
And then Boom turned up and you wouldn't even have
thought I was. I wasn't drunk, but drunk ish.

Speaker 3 (26:40):
I gotta tell you, listen, I gotta tell you I've
been high as fuck on the mic, like high as fuck,
and and I don't forget words, and I don't slur
them or you know, half pronounced them.

Speaker 4 (26:52):
Do you know what I mean? I'm the opposite.

Speaker 3 (26:55):
I'm like pretty much pretty pretty you know, straight straight
forward on the beat. Like in terms of delivery, like
I stick the landing, I should say, right, if I've
had like three drinks strong ones, I might forget the
first word and fuck it all up. I might slur

(27:15):
a couple of verses out. I might mumble some ship
because then my like my whole program is all fucked up.

Speaker 8 (27:23):
I definitely if I'm getting in the vocal booth, I
can't be smoking too.

Speaker 11 (27:29):
Maybe I'd rather not see you could drink and deliver.
I take a little little swiggy, but not like normal.
I still let the throat. You know that's all good.

Speaker 3 (27:43):
But take a little shot, right, yeah, Because I tell
you try to get on the mic while You're sloppy,
ain't it.

Speaker 4 (27:50):
That's the thing.

Speaker 8 (27:52):
It's been done though, it has and they're great records too.

Speaker 4 (27:57):
When I would see the Lynx rock over and over
over through the time, it would just like a normal thing,
and I knew they was really on one making they
was making it part like it made me like, damn,
you know what, give me a shot, Give me, give
me a shot, Like you know what I mean, Like
I'm the only one that you know.

Speaker 3 (28:11):
The thing is, they built that tolerance to be able
to harness that, right right, Not everybody has that, Like
if you ain't good at that, it's gonna sound like you.

Speaker 6 (28:25):
Are they still performing?

Speaker 4 (28:26):
No, no, no, no, no no. It made an amazing
transition from that, Like from I went to go support
them on the release of their beer that they released,
and I found myself having a conversation like I never
would have thought. I'm here all these years later asking
y'all to take crates of your beer home. But you

(28:47):
guys don't drink anymore. Yeah, I think they smoked. I
think I think j Row and Swift they smoked. I mean,
drink maybe a little. He's done, Yeah, yeah, is done.
I think he smokes.

Speaker 8 (29:00):
Drunk enough for the rest of his life. He's good.
He don't need to drink.

Speaker 4 (29:04):
I think they all have you know what I'm saying.

Speaker 3 (29:06):
But like they've been on tour with so yeah, I know, yeah,
I know.

Speaker 4 (29:11):
You know now now we was all doing it. Yeah good.
So now it's just a matter if I if I
do bring something like even I remember once rocking the
show once with Ray Kwan and he everybody had a
hinting bottle here give it, like not a shot? No, no, no, no,
it takes the bottle. You un someone like me, I
ain't used to doing that. Like I'm like, yeah, wait
what but I mean, how could you not. I'm hearing

(29:33):
these joints and I'm.

Speaker 3 (29:34):
Like, yo, if I don't, ok, just kicking like aug
that's when you said it just sip it.

Speaker 4 (29:41):
Yeah. But see I was a rookie man, I'm older
and I'm still I'm just like yo. But now it's
just I celebrate with the rum as a as an
avid collector having a celebrational shot.

Speaker 6 (29:53):
Don't you think how long you've been collecting.

Speaker 4 (29:55):
Your room for twenty years? Twenty five years? Yes, good
rum out there? Yeah, there's way there's I'm still learning.
Like I said, man, I'm i'm, I'm going down the
rabbit hole. I didn't know it would happen like that.
I just thought that if there's something I like, I want,
there's got to be more out there. So you know,
Internet's thriving right now, Craigslist and who got this? Who

(30:16):
got that? Next thing? You know? The bottle that I
took home happened to be the one right in the
center of someone's collection, and I just went down the
rabbit hole like YadA YadA yah.

Speaker 6 (30:25):
Battle game is real.

Speaker 7 (30:26):
A lot of people don't know, man, like, especially when
it comes to like any kind of craft fliquor, like
like when Worldwide bro people be trading bottles like it's
antigue because there were some money that you you know, hey,
give me some money and give me a partial trade,
like that's the real thing bottle that's even that's a
whole different game. But what's the rarest bottle you got

(30:48):
in your collection? Or I guess for you. You know,
it's it's a bottle from Panama. I think it's Panama Zafra.
That's probably the one I I didn't drink so quickly.

Speaker 8 (31:03):
Yeah, yeah, I was at a wine a wine festival
in Europe and Paris, Yo, I couldn't believe that people
are drinking like ten thousand dollars bottles and ship and.

Speaker 4 (31:16):
Like like you know, like money, like yeah, and it's.

Speaker 3 (31:21):
Like ten dollars bottle, thousand dollars.

Speaker 7 (31:27):
If I'm drinking a ten thousand dollars bottle, ain't nobody
gave you my liveral And I mean like I.

Speaker 3 (31:32):
Think that if I hit the power ball lottery dog,
I'll buy like fucking ten of those right here, will poppably.

Speaker 4 (31:38):
I mean that's nothing. You buy five of those ten
thousand there, bra hit that power ball suddenly go do?

Speaker 1 (31:49):
Is it?

Speaker 4 (31:49):
When it comes with people educating you want it to
drinking and telling you this is a rare bottle this
and this that. But when cats start like this was
this was crafted here, This was barreled here, you know,
And I know cats go through that when it comes
to wine, you know, I was I think chopping up
with alchemists once and then cats.

Speaker 2 (32:06):
You know.

Speaker 4 (32:06):
Even beer, yeah, same thing, beer and whiskey. Yeah, beer
and whiskey, but you rarely hear it with rum. So
I went down the rabbit hole of hearing the same
thing but with with the rum. They're explaining it the
backstories of all these bottles and where they're made, and
why this one's more valuable than that that just came.
That became like okay, I can't get too drunk off,
let's go.

Speaker 3 (32:27):
Yeah, it's got to be appreciated, not totally fucking you know,
getting to get destroyed off of it, you know what
I'm saying.

Speaker 7 (32:34):
It's also one of those things that's like rare because
you can't like you can go to like a whiskey distillery,
you can go to a tequila factory or like that
kind of distill you. But I do not know that
many places where even like when you go to like
a nice bar, the rum section is not as like
it's usually like three or four.

Speaker 6 (32:52):
But they got like one hundred bottles for everything else.

Speaker 4 (32:54):
So ask them next time you go, ask them about
this bottle, and if they know that ship, they will
give you that look yeah diplomatical, it's not that expensive.
But if you if you explain like a nice steakhouse
what you consider a nice dope as steakhouse, and l
this might be on the maybe everything else is trash.

Speaker 3 (33:12):
They don't necessarily tell you that it's there. You gotta
kind of got to know or ask for it.

Speaker 4 (33:16):
Yeah, and it ain't like I said, it's not like
twenty years ago you couldn't eat. You would ask him
to be like what now it's everywhere you can order
it and that, But this was the bar. I couldn't
bring everything I have at it that I don't I
only open once or twice a year.

Speaker 3 (33:30):
I leave at the crib type of that's the original
diplo right there. So heaplow.

Speaker 4 (33:37):
Clipp it, you know what I'm saying. Cigars, You know,
I remember seeing a post from dal Hughley and he
got on it and tell him like, no, yes, but no,
I wanted to be exclusive. Like a record you find
you don't want everyone to know, you know, but that's
dope if you got it, okay, cool, but nah, that's
just like my little Yeah. Once everybody gets their hands
on it.

Speaker 6 (33:56):
It's it's played out, man. That's what happens.

Speaker 2 (33:59):
Man.

Speaker 7 (33:59):
Look, a lot of people people forget how great exclusivity is.
Like that's a lot of things, like people to take
that ship for granted. They want everybody to be there,
and like sometimes not everybody deserves to be there.

Speaker 6 (34:11):
Bro.

Speaker 3 (34:12):
You know, thing right, some things are meant to be
exclusive and some things are too big to be Yeah, sure,
like and you don't you can't plan that. Like you
may go with the intention and say I'm just got
through some little boutique shit and it's got you know,
like boom boom, and then it explodes. The demand is

(34:33):
like ten times the action that you were anticipating, it
that you even wanted to do. But you gotta feel
it somehow, because if you don't, that looks bad.

Speaker 7 (34:44):
It's because like not everybody wants to be a part
of that exclusivity because of the actual context or like
whatever it's actually about. Sometimes people are just there, like
eighty percent of the people are there because of fomo
you're missing, you know what I mean, So like they
don't give a.

Speaker 6 (35:00):
Funk about what is not ship it and I'm gonna
go through it.

Speaker 4 (35:03):
That's true.

Speaker 7 (35:04):
Yeah, But like the real people who are passionate about
certain things, like that's why, like you asked a questions, He's.

Speaker 6 (35:09):
Like, bring that up at the bar. Motherfuckers won't know and.

Speaker 4 (35:12):
Let me tell you.

Speaker 3 (35:14):
So you don't get high, but you get nice, yes,
And let me tell you how that photo ship is
so true? Right, Let's just say that any one of us, right,
are like out of spot and someone comes in and says, hey, yo, less,
let me get a let me get a picture with you?

Speaker 4 (35:31):
Man? Can I get Can I get a photo with you?

Speaker 3 (35:33):
And the person next to them don't know who the
fuck you are, They're still gonna ask for that picture.

Speaker 4 (35:39):
Hey, I'm sorry, I don't know who you are.

Speaker 3 (35:41):
But yeah, unless unless I do the juju, Unless you
do that, that's listen less, that's neither here or there.
Oh god, that's neither here or there. All I'm saying
is that people I do the juju. But you know, okay,
I get it. But I'm saying is that someone might
see someone getting the picture, like and they know it's

(36:03):
a celebrity, but they don't know who the fuck it is.
I still gotta get mine, right, It's that well I
might not. I'll find out who it is after type ship. Yeah,
you know what I mean. And that's a part of
that whole Yeah, that that whole thing. They don't even
know what the fuck it is. They just see someone
else getting down.

Speaker 6 (36:21):
They don't even fucking tag you, bro.

Speaker 7 (36:23):
That's the part, like, don't get the picture and then
sometimes they will just know that.

Speaker 6 (36:27):
They'll post it up.

Speaker 4 (36:28):
An I didn't know who this is, but that happens
with my son.

Speaker 7 (36:32):
Man, somebody in their followers will be like, yo, you're
with such and such and be like, I guess I was.

Speaker 4 (36:37):
What you just said. The dudes, I'd be doing that
with my son a lot, because that'd be happening because
he's young, and a lot of people, even when the
young people are known or celebrity or fame and whatnot,
the adults want to treat them like they're adults and
they'll do the same thing you just describe. And I'm
the voice as a dad coming out doing that in busially,

(36:59):
I'm doing that, like, but that happens, and that's funny.

Speaker 3 (37:02):
Sometimes you got to depending on what the situation is.

Speaker 6 (37:05):
But like Bernie mc ahead.

Speaker 7 (37:07):
Of state, Yeah, yeah, that's why.

Speaker 4 (37:12):
Like, like we're talking about the diplomatical being rare, there's
another one too that if it came here it would be
like that. It's a spot called Nando's if you guys
ever heard of it. It's a Perry Perry spot. Yeah, man,
that is a little like a Perry Perry chicken spot.
It's like Brazilian it's almost like a mix of Brazilian

(37:32):
and African style of marine or sauce, you know, and
they specialized in sauces. Yeah. Yeah, it's a it's a
dope spot. They got it, like DC, Chicago and all
these other europe and and where was it Australia, Australia exactly.
That's the first time I was Yeah, I was like, yo, man,
what's that? And I thought I was tripping. But it's

(37:53):
because we don't got it. But once we do get it,
once we do get it.

Speaker 7 (37:58):
Oh yeah about that play right there, it looks like
it's good protea.

Speaker 4 (38:02):
Right it's.

Speaker 2 (38:05):
Chris.

Speaker 4 (38:06):
Yeah, yeah, I buy all them.

Speaker 6 (38:08):
Yeah, okay, even that right, that looks good too.

Speaker 4 (38:11):
I said that. I said that on a verse I said,
connect me with the Rum and Nando sponsorship and Tyler
so I had to because that's Joins. I even see
like a show of Atlanta Childiscambino had it in his house.
Yeah it was like his house, like yeah, they said
the whole thing of like it was dang, it was

(38:32):
in his house.

Speaker 6 (38:33):
Like like that you bring to that.

Speaker 7 (38:35):
You shout out like local spots or just like exclusive
spots that says something about you. Like not too many
rappers were like, or I don't hear that too much,
like too much in music, or like people will shout
that out, like I feel like it's a it's a
certain kind of person, Like I listened to a lot
of Dom Kennedy, and I feel like he'll he'll shout
out like du yeah, and I'm like, not a lot
of people know about that spot, but like because of

(38:58):
certain lines like that, every time somebody gets introduced to
that artist, they'll.

Speaker 6 (39:02):
Be like, what the fuck is he talking about? And
then they go try it.

Speaker 7 (39:04):
So places like that keeps going because like I you
mentioned that, now I got a food blog, and I
was I was already texting my partner and I'm like,
let's go, let's go check it out.

Speaker 6 (39:14):
Let's see what's up.

Speaker 4 (39:15):
It's crazy because like even shout out to Master Ace
when the pandemic was going on and everybody's online and social.
When I be following him, I went down his rabbit
hole of salads and I would watch him travel from
spot to spot looking most of us will be like, yo,
where's the best whiskey spot, Where's the best steak I
could get? He's like, yo, with the best salad you

(39:36):
could get if you're ever in Fiji or something like
who who thinks not to think that? But who thinks
to share that healthy? Yeah, I'm telling him, like, Yo,
the problem to you. I overestimated my judgment when I
saw you do that, And now I'm trying to look
at that, like, Yo, it's crazy. Master A stays ahead

(39:57):
of the game.

Speaker 7 (39:57):
Boy, that's dude, I kind of want to look at
those salads, bro, because I'm like, I never thought about that.

Speaker 3 (40:03):
I'm like, sometimes you really do want to get it that.
I'll say this about Gold School rappers. A lot of
motherfuckers are are beginning to like recognize they got to
take care of themselves. And a lot of people got
ahead of it a long time ago, and some of
them are getting into it now and that is great.

Speaker 7 (40:19):
Yes, you know, the opposite is happening to like the
newer generation is crazy because I was reading this thing
and said that, like the you know, the younger generations
are like dying way faster, like they're not making it
over fifty yeah yeah, like.

Speaker 3 (40:32):
But like too many pills to all the other ship
that they do and not eat it right and the
whole deal and living way fast comfortability.

Speaker 4 (40:42):
Taking care of the mental. Yeah, taking care of mental
health is the biggest, like the biggest thing, you know,
because it's it's not it's easier said than done when
you don't have a support system. And some people like
for for example, I had family young, so I think
I was one of the first in my crew, even
maybe with the Licks, but I was always with the family.

(41:02):
So I've never really seen that around me until hanging
out with mad Lib and his pops taking care of
us and everything. So I remember there was a time
when I would see, for example, Comment on stage and
he brought his daughter on stage. I'm like, that's that
that right? That That to me was dope, you know
what I'm saying. You know, and you don't see that

(41:23):
now everyone you know, it's a blessing person, but not
everybody has that. So it's just a matter of knowing
everyone doesn't have the same journey to to help take
care of that mental man. Yeah, yeah, got to take
care of that mental.

Speaker 10 (41:36):
Yeah, it's the most important part, you know, because if
you can take care of the mental, you can take
care of everything else, you know what I mean.

Speaker 7 (41:44):
Because you know how everybody uses this inn They're like, oh,
like you got to deal with the elephant in the room,
and like yeah, bro, Like the dealing part of it,
like saying I want to deal with it, is a
lot different than like like actually describing what you're gonna do.

Speaker 6 (41:57):
Bro, you gotta get that motherfucker out, you know me,
you know, or just.

Speaker 7 (42:00):
To get the elephant out of the out of a room, bro,
Like you got to really critically think and work through
that to make something like that happen.

Speaker 6 (42:07):
So that's how complex.

Speaker 7 (42:08):
Like when somebody says, hey, I'm gonna deal with the
elephant role, you don't know what kind of elephant they
got in that room, bro. Right, he could be angry,
he could be asleep, he could be chilling. You still
got to get that motherfucker out.

Speaker 4 (42:18):
I say that in a verse on the new album
talking about mental therapy, not knowing if the doc will
translate what they're hearing from me?

Speaker 2 (42:26):
Right?

Speaker 9 (42:27):
Do they understand yeah?

Speaker 4 (42:30):
Or what is there?

Speaker 3 (42:31):
What is their interpretation and understanding of your ship? Can
they really understand it?

Speaker 4 (42:38):
Yeah?

Speaker 10 (42:39):
Because you're feeling a certain way and you're letting someone know,
and are they understanding your point of view?

Speaker 6 (42:45):
They've been through it type shit?

Speaker 2 (42:47):
Right?

Speaker 3 (42:47):
Well, listen, here's the thing though, you go to therapy, right,
not every therapist has been through the ship you've been through,
not even close. But they're experts and and the study
of what happens to people and their reactions and how
they react to certain things, whether it's anger, any kind

(43:09):
of emotion, let's say.

Speaker 4 (43:10):
Right, So.

Speaker 3 (43:12):
When you speak to them about your issues, they're processing
and then like trying to give you the keys to
like get through it. But it doesn't mean they've been
through it.

Speaker 6 (43:24):
You think they got like super shrinks that like they
go to like.

Speaker 3 (43:27):
Like yeah, but what are you talking about, like a
therapist talking to other therapists.

Speaker 4 (43:32):
Okay, absolutely they do, like absolutely.

Speaker 7 (43:34):
You know, like there's like a like the guys who
all teach the foods in the karate schools to get
a black belt, those guys got to report to somebody.
They hot them. Listen, those are like top guys. All
the shrinks, Like, who the fuck? Like these guys are
hearing they hear Lesson's problem, your problems. After hearing all
this shit, bro, how does he stop them? Something fucking
jumping out the way.

Speaker 3 (43:53):
Well, they talk to other therapists that they trust because
they're after all, after processing everything that they got to
hear throughout the day from different clients or patients or whatever,
they got to process that stuff and then somehow flush
it out because they got to deal with themselves. So
like a lot of them have their own therapists that

(44:13):
they trust. And it doesn't mean that it's some master therapist.
It's just somebody they trust, you know what I'm saying.

Speaker 8 (44:19):
So I think I think I think people should just
like study medicine you know, if people was to study
medicine more. Yeah, you wouldn't need a doctor. What are
you're going there for it? So he could give you
a medicine.

Speaker 4 (44:31):
So you can't do surgery to yourself.

Speaker 8 (44:33):
But but but you know what I'm saying, Yeah, that's
not what I'm talking about.

Speaker 4 (44:38):
I'm talking about all the easy shit.

Speaker 8 (44:40):
Got a little headache or something, you know, whatever you're
going there for, you know.

Speaker 4 (44:44):
Yeah, O case some point, even talking about like mental therapy.
Back in the days of school, when's the last time
you heard a counselor you know, you're supposed to rely
on the counselor for situations like that. I've never heard
them say, hey, let's check on your mental let's check
on your your whether you're like the top a fleet. Yeah,
you know, I've never heard someone say we need to

(45:06):
you have to be like the odd ball, the obvious
oddball in school or something that to be a normal
thing back in the day, that's who I was supposed
to rely on. No one ever told me that's who
I need to work my feelings and emotions out through.
Or it just wasn't talked about. Maybe it was like
an inside thing. It wasn't highly talked about.

Speaker 6 (45:23):
Your parents.

Speaker 3 (45:24):
Listen, yes, whether the counselor or dean calls you win
at least cats our age not I mean excluding you.

Speaker 6 (45:32):
Right.

Speaker 3 (45:34):
It was never to ask, hey, how you doing okay?
If you feel it all right, how's everything going? No,
it was why are you doing this? Or why ain't
you doing this?

Speaker 4 (45:45):
Right?

Speaker 6 (45:46):
Your pressure?

Speaker 4 (45:49):
It was almost like judgment was already pre cast on
how they're going to handle your situation, you know what
I'm saying, And that that one moment.

Speaker 8 (45:55):
Some kids, some kids got that treatment, you know. Yeah,
it was called special ed straight up.

Speaker 7 (46:02):
Hey, you know what though like some real ship though
not all the motherfuckers that were in that class were
like kind of like supposed to be in that class exactly.

Speaker 4 (46:11):
I knew.

Speaker 7 (46:14):
They were just cool as I'm like, hey, bro, like
you're not You're not necessarily fucking scratching your skin or
banging your.

Speaker 12 (46:20):
Hand on the desk, like the making they making you
return was wrong with you.

Speaker 4 (46:25):
Yeah, just going down that rabbit hole because I used
to meet my homeboy KASEI to claim we used to
care for cats who just came out. What's that song
they made the Eagles was the Eagles Hotel, California? Yeah, Yeah,
that was based on the hospital out in ox Start. Yeah,
came real, yeah yeah, and the houses that were right

(46:46):
on the grounds I worked at when my daughter was born. Yeah,
So they were the homes that they would send those
patients kind of what you're talking about, what you're kind
of talking about through the years, and they would be
there and we'd be caring for them. But you're right,
someone who may or may not might have been supposed
to be in the class. That was their easy quick
fix because they couldn't cope with no patience. I was

(47:07):
supposed to be, you know what I'm saying. Then you
find those older cats in those homes, like a Murdoch
from the a team. It's kind of dude that their milk.
That shouldn't be wondering why these guys might be the
way they are now because you know, they just But
you're right, it's crazy when you say that. That's I
wasn't even thinking about that. There are those for sure. Yeah, man,

(47:27):
I'm sure.

Speaker 7 (47:27):
It probably doesn't happen as often as it happened before
because there's multiple ways of like preventing that exact thing
from happening. But I do remember it, like in the nineties, bro,
like that was motherfuckers. I was like, bro, like they
say you here because you just be Spanish, Like you're like,
this is fucked up right right, Like you should have
gone to like after school English class, but not fucking

(47:48):
you know the short buzz you know.

Speaker 10 (47:50):
I remember kids would get pulled from class to go
to E s L you know, like you know, like
and just like and them being treated so crazy because
they didn't know English. Until when they know English, then
it was like, oh you're cool, Yeah you're good.

Speaker 3 (48:03):
Now when they started getting better grades and some of them,
you know, and some of the other students, then they
totally switched up. Yeah you know what I'm saying yeah, yeah,
the art school system, our school system, Our school system
is fucked up.

Speaker 4 (48:21):
Time back into the whole movie thing. It's crazy, Like
sorry y'all because I be going through that. But there
was a film I watch hits me a lot, Patch Adams,
Patch Adam, Robin Williams. Yeah, remember that scene when he
was talking to Matt. He said one thing and that
was the keep everything. It wasn't your fault. Remember that

(48:44):
he had to keep saying it. Yeah, he had to
keep saying it. That was like the whole pillow point.
I'm saying, there was never someone back in the day
in art well the age of we are, who was
doing stuff like that, who made it a priority to
do that. So it's just it's crazy seeing it on
screen but not in real like when we was you
know what I'm saying.

Speaker 7 (49:02):
You know, for a very depressed person, Robin Williams, he
made some He's just some very deep ship like and
good good will hunting.

Speaker 6 (49:08):
Like, there's a lot of there's a lot of gems
in that movie.

Speaker 7 (49:11):
Bro Like if you're like well like if like whether
you have a dad or not, bro Like, maybe your
dad's telling you the right ship. But like there's some
fucking great ship you could learn and a lot of
Robin Willing.

Speaker 4 (49:21):
I called it the wrong movie, by the way. It
wasn't pat it was good with honey, Okay, yeah when
he said it's not your fault, my bad. Yeah, like
it's not the one. Yeah, but yeah, you're right.

Speaker 10 (49:33):
Robin Williams always had like a like at least one
amazing like monologue within his role that would like touch
you in most movies and all, if not all of them,
but definitely most, you know what I mean, and just
you know, him portraying every character he did with so
much heart like like he was able to he was

(49:53):
able to tap you know, the greatest highs and the
lowest of lows in acting as well in real life.

Speaker 3 (50:02):
That's why comedians make some of the best actors, because
they tap it to all those emotions you know, better
than most the highs and lows of it. Because most comedians,
you know, they'll tell you that they've lived tortured lives
like a motherfucker you know what I'm saying.

Speaker 4 (50:18):
You said that earlier, like about someone who doesn't know
what you've come from to take what you're talking about
and be able to help you as a counselor. That's
why Robin played those roles because he was probably dealing
with that during film. And yes, he was dealing with
all kinds of shot. Like some of them roles he
plays seems so realistic and not of the film. You know, Yeah,

(50:39):
it's crazy man recipes. He was. He was a true artist.

Speaker 10 (50:42):
He's ever seen his document the documentary, honest, that is amazing.

Speaker 9 (50:46):
What are an amazing? Like it's on HBO, HBO mats
what's crazy?

Speaker 3 (50:52):
As as him and Bono aged they look like each
other right right.

Speaker 9 (50:57):
A little bit right.

Speaker 4 (51:00):
Resemblance. That's crazy.

Speaker 2 (51:04):
I mean.

Speaker 3 (51:09):
He could have played Bono if he was alive, you know,
like right now when they fast forward to it right now.

Speaker 13 (51:15):
I have a question for you. Yeah, you thought that
was fucking around? Definitely, you thought I was playing yo bananas.

Speaker 4 (51:26):
I don't know. I don't know.

Speaker 7 (51:30):
I think like I don't know, like like if you're
like there's similarities in the gene pool, like you can
have like someone out there like the other side of
the world. There's like anoder minus might be that's called
the doppel ganger, that's the gang that.

Speaker 4 (51:45):
Although Robin was always cool, Robin could have seen a
side to side. That's crazy.

Speaker 3 (51:48):
Robin could have been his older brother, like slightly older.

Speaker 4 (51:52):
Brothers, cousins, right, they definitely look like cousins. They look
like brothers to be Robin had more r Yeah, yeah,
Rock look at it.

Speaker 9 (52:01):
Yeah.

Speaker 4 (52:02):
I have a question for y'all when it comes to
this hip hop thing and music and whatnot. Do you
guys ever get amazed when people from a younger, younger
generation recognize what y'all have contributed to this game?

Speaker 3 (52:14):
Like yeah, I mean yeah, in the last i'm gonna say,
five six years that we've been doing tours and shows
and shit like that, we've seen a lot of those
youngsters coming to the shows and knowing the lyrics along
with like the people our age and just beneath this,
because what I've come to realize is that the bulk

(52:36):
of who comes to see our age of hip hop,
you know, show like that, is probably it's higher in
the forty the forties demographic, right, Right, there's people our
age there in the fifties or at least our age.

Speaker 4 (52:51):
How how do you fifty the fifty two?

Speaker 3 (52:53):
So in our age bracket, there's a representation there, but
it's a lot of forty year olds, some thirty year olds,
some twenty year olds and teens, but it's a lot
of kids there now like that got the music handed down,
and it's great to see that because you know, like
you know as well as I do, As we were

(53:15):
doing this as young men, we didn't think about like
that we were going to be in our fifties and
there's going to be like teens in twenties, you know,
people in their early twenties, like listening to our shit.
You don't think about that. You're thinking of the right now,
in this moment shit. But so it's kind of trippy
to see that, like because you've we've done it right

(53:37):
from music that people live.

Speaker 4 (53:39):
It's you know, like put in our hands.

Speaker 3 (53:42):
It was maybe before our time, like like so I'll say,
for example, led Zeppelin, yep, that shit was before our time, yeah,
but it got passed down to us, yep, and we
fucking jumped on that shit, right. So that's what's happening
with our music to some of these younger generations, and
we didn't think that would happen. We don't even think
that because we were always in the frame of thought,

(54:05):
is how long is hip hop gonna last? Because they're
calling it a trend and trying to end it before
it even began, right, So you can't even have thoughts
like that. It was like survival less that we got
to keep it going no matter what, right right.

Speaker 4 (54:21):
I say that because when I think of a significant,
significant person like M F. Doom Rest in Peace, I
remember meeting like a fifteen year old kid. I was
at comic Con with my son and I couldn't believe
of all the masks or costumes he could have worn,
he was rocking an MF. Domat. So I didn't say
who I was. I didn't say my affiliation with him

(54:43):
or mad or nothing. I just pulled them over and like, yo, man,
what are you doing? You get it? And he's like,
oh man, and he quoted all the lyrics, all the lines,
and I'm like this, don't this Something's something's just in
my mind. I'm teenagers. They love M F. Doom. I
just I ain't just like real young.

Speaker 8 (55:01):
Yea, yeah, sure, all his songs and so that's that's crazy.

Speaker 4 (55:06):
Yeah, like that everywhere. It's just dope to say.

Speaker 2 (55:09):
I just wonder.

Speaker 4 (55:09):
I'm just thinking if he was alive, what would his
reaction be be I mean it'd be a blessedful thing.
But when I saw this kid, I was like, let
me record you real quick because I got to document this.
Something's not right because I always think if I see something,
for example, mad Lip's gonna trip when he sees his
Oh no, it's gonna Let me record this real quick.
So I record. I pulled my phone out, Yo, man,
I'm here, alive and direct. I'm here with this fifteen

(55:31):
year old kid, shot his name out, Yo, mad Live.
I'm sending this to you right now. And that's how
I surprised him. And he starts crying because I'm telling
him I'm sending it to mad Lip and he's like, yo,
So I started getting emotional. I'm starting crying, you know,
And he's like, yo, you don't even understand. So and
then I stopped the camera and then I said yo.
And I didn't tell him what I'm going to say now.

(55:51):
When we stopped and we shook hands and went our way,
I just kept thinking, I wonder what would Doom say
if he was just walking around in twenty twenty two
this was and he saw that, Like, you know what,
I'm in my mind, I'm not thinking he would be
say get the funk out. He would have been wondering,
Like I think he would have been stoked.

Speaker 3 (56:11):
I mean to see that that the music is transcending
generations like that, Yes, what's up?

Speaker 2 (56:17):
I mean.

Speaker 10 (56:18):
One of the videos I always trip off is like
when Earl, Earl Sweatshirt and Tyler Creator met MF.

Speaker 9 (56:25):
Doom Doom backstage at something.

Speaker 4 (56:29):
I didn't realize that when we were performing with Doom,
oh for I didn't know that until I put the
I didn't put the dots together that that show was
when we were it was the Coachella Doom and my
daughter was with me. She rocked and rocked. Yeah, that
was the only time I ever performed with Doom that
they were at that that was them Wow, yeah.

Speaker 10 (56:49):
Great, that's a great clip because you know, Earl is
you know, a beast, and so is Tyler, you know
what I mean.

Speaker 4 (56:56):
And to see then they were like yo, that was
like if. Even my son, because he started as a
dancer before acting, we would always go here in Europe
taking them to the festivals, dance festivals, and one day
they were like, yeah, man, you're you got a day off. Yeah,
we got a day off, but bring you to this show.
Your boy Doom is here. Oh work, but it's a

(57:17):
twenty one and overspot. How can I get my son
in there? He's five at the time. They were like,
can we make it happen? Sure enough, they made it
happen because when Myles, when my son was young, I
only took him to funk in R and B shows
like Brides and funcus. He would open dancing George Clayton
or whoever was you put a fake mustache on them

(57:43):
a little man, and like, he would always only go
to those type of shows. So he only knew like
funk and soul. When they came to Round, I never
showed him. He didn't know, like because he was too
young for me to be you know this. This is
the alcoholics or whoever it may be. So when his
first rap concert came, it happened to be M F. Doom.
He don't remember the lyrics. All he remembers is there

(58:03):
was this guy wearing a mask and when I grow up,
I want the mask. That's what he told me. That's dope,
And that's sure enough what ended up happening. And then
one day he's cussing me out. The land of video
games is crazy, man, He's like, Dad, I run in
the room thinking he lit something on fire. I didn't
know what was going on. He's like, how the hell
it almost only he wanted to cuss. You know, when

(58:24):
your son when they get a certain age and they're like, wow,
how now you don't tell me you're on the Mad
Villain record YadA YadA. My friends are telling me online
like Miles, we don't be having those conversations about what
this or that about rap. We don't well, you know,
he's like, I you should have told me YadA YadA
had come to find it him and all of us.
I went down and rap on all of his friends
case some point, are all fans of Doom and all

(58:45):
these things? You know?

Speaker 3 (58:46):
And you just never know that because you like, you know,
we assume that our kids ain't listening to our shit
like that straight up right without they're probably listening to
something else, and.

Speaker 6 (58:56):
Maybe they are.

Speaker 3 (58:58):
But what happens is they find that one of their
friends is listening to you, and then they're like, oh ship, yeah,
wait a bit, hey, how come you know the question?

Speaker 4 (59:07):
Today?

Speaker 8 (59:08):
Nowadays a lot of teenagers they're looking for the underground
under They don't want that ship on the Red.

Speaker 4 (59:15):
You know, they like that. They tired of that ship.
That's why I tripped how much they still by Vinyl.
You get the violence. They want some physical now, Like
like I took him once, my son, to get like
some record and it was at Target, like Target, and
he's like, yeah, they're doing an exclusive something some release.
I'm like, wait, hold on what so I was I

(59:36):
shut up, you know, I just like, let me, let
me try and be a cool dad for a moment.
They're not even asking any questions, just follow the game.
So I take it to the store and we're up
in the store and then sure enough, I slowly start
seeing every other kid with their parents and they're all
looking at what Miles has in his hands, and like
who that's like a DJ back, you know when you

(59:56):
go to DJ and you to see the record, Like
where'd you get? I was by? I was like okay,
I didn't know. Now I know?

Speaker 9 (01:00:04):
And Target, dude. Target has been like little Key for
a while.

Speaker 2 (01:00:07):
Man.

Speaker 9 (01:00:07):
They've been like having like.

Speaker 10 (01:00:09):
The exclusive press of this it has an extra song
on it that isn't on the regular domestic and it's
just like yeah, all right, dude, like you know, you know, yeah, man,
and you go now to any target and there's a
there's a record set.

Speaker 4 (01:00:22):
Hey, vinylist coming back.

Speaker 3 (01:00:23):
It may not be at the volume that we used
to see it once upon a time, but it's definitely
out there because people want it. Whether it's vinyl, cassette
or CD. All that shit is coming back unless you
live in Japan. Unless you live yet they got a
vinyl store, Well, they're leaving that flash drives with this
ship for you. Word up, and we're gonna take a
little break because I got to be out to Yamavah

(01:00:45):
for the show tonight. But these gentlemen are gonna, you know,
finish out the show and uh salute to all y'all.

Speaker 4 (01:00:52):
Will be back with more Doctor Green Dumb show right
after this.

Speaker 6 (01:00:56):
Call it.

Speaker 10 (01:01:19):
I know it don't make sense, but it makes dollars the.

Speaker 4 (01:01:26):
Fuck up.

Speaker 14 (01:01:28):
Coming at the school finding at the pool, I'm let
him in.

Speaker 15 (01:01:31):
What you're putting, Damn what a round you said love
the tool against me and that you said this fuel.

Speaker 14 (01:01:36):
Of the pool of the pocket, put the hammer cocket,
let me sell it. The tock blence in the street
to the walk of.

Speaker 15 (01:01:41):
Flank hoodie and the forty clocks in them in the
shadow of thor with the hardest stones only I'll be sitting.

Speaker 14 (01:01:47):
In the toe left me the hammers to break boone
the break ones, hold out. It just smell what the
dock's pushing.

Speaker 15 (01:01:52):
If you want to see what's in the bag and
the car looking, ain't no mistaking taking deep friend, sitting
at the hides.

Speaker 14 (01:01:58):
Creeping to put the touch of wa sleeping, You'll never
keeping the Kelli dreaming say topping your.

Speaker 15 (01:02:03):
Don't stop, don't stop, take back and your stamp back
back Peter lick and you don't quit.

Speaker 14 (01:02:10):
Don't quit pop popping your ass trots.

Speaker 4 (01:02:14):
I'm gonna do the how does it work?

Speaker 14 (01:02:19):
Got the lazy lights?

Speaker 4 (01:02:20):
You shit, don't get.

Speaker 14 (01:02:23):
Agree, don't take to them, I say, my man, take
it too. That guy is right up strap popping.

Speaker 2 (01:02:30):
Your ass trough.

Speaker 15 (01:02:31):
If you are canny dreamer, lean number showed that the
whole of the rock. They told me I'll never see her.
The window of the start walk put you on the
spot like a dog on your head. If you forgot ticktock,
spop infrared say.

Speaker 14 (01:02:43):
If we go win, you're in slow motion. We call
it troasting. You have to buy it for Pacific Coacean
we keep them moving when we have the wind might
keep you posting, or you may never half a notion.
You might catch your motion. Hit you with the hot
one like a shotgun.

Speaker 2 (01:02:56):
You have we cough one.

Speaker 15 (01:02:57):
Now, we got your pretension with top gun. Stop son,
let's just all coming next your heads like the fall
four pointing through the window like we have ball.

Speaker 14 (01:03:05):
Long take talking your don't stopping on stuff? Click can
your stabbing bay back here the lick and you don't quick.

Speaker 9 (01:03:13):
Don't quit.

Speaker 14 (01:03:14):
I'm popping your gass drops.

Speaker 12 (01:03:17):
Oh fucker's got the flock high some out of time
and try to get slick and got shy, trying to
skip town like hopscotch and kill my anxiety with a
Scotch shy. All I do is hang around henchman, henchman.
All you do is hang around dress man. Yes, I'm
a scene him seeing you a freshman.

Speaker 4 (01:03:36):
I drink lick?

Speaker 14 (01:03:37):
Could you drink a refreshman?

Speaker 4 (01:03:39):
You keep the dankster, you keep in.

Speaker 14 (01:03:40):
Their ranks of Franks. You've got flo for being the Franks,
the France. The how of dock next to.

Speaker 12 (01:03:46):
The tanker you got dropped like a team with the
anchor to the bottom of the ocean like shellfish. When
you're playing on the team, you can be selfish. Put
the spotlight on them this you'll belie.

Speaker 14 (01:03:58):
These dudes look fishy and starting the smellth please.

Speaker 15 (01:04:02):
Talking, You don't stop click clacking your staff back.

Speaker 14 (01:04:07):
At you, don't quick popping your glass drops?

Speaker 4 (01:04:14):
How did you crack him?

Speaker 12 (01:04:17):
What do you mean?

Speaker 8 (01:04:18):
I thought these little corner losies were like pushing over
baby carriages and.

Speaker 2 (01:04:38):
TV.

Speaker 6 (01:04:38):
What up? We are back here on the Doctor Green
Thumb show.

Speaker 7 (01:04:41):
Be Real has left and he is on the way
to entertain you people out there in the Amaba casino. Yes, yeah, yes,
really he is out there. But we still we still
we still have obviously we still have a.

Speaker 6 (01:04:53):
Guest in the house. We have some and cycle les Bay.

Speaker 9 (01:04:57):
We got a wild child up in here. Man, so
good to have you here, Bro, appreciate.

Speaker 4 (01:05:01):
It man for us to be it.

Speaker 8 (01:05:01):
Man, you ever had you haven't had a problem with
the wild Child's Like I mean, there's a there's a
b boy wild child, there's a band wild child.

Speaker 4 (01:05:09):
I had like a DJ wild child.

Speaker 6 (01:05:11):
Wow, and they're like big time too.

Speaker 13 (01:05:14):
Uh.

Speaker 4 (01:05:15):
In Europe there was a couple but I would get
it a lot. But it's it is what you get, man,
Do you get?

Speaker 14 (01:05:21):
Man?

Speaker 4 (01:05:22):
Nah? To be honest, nah, because it would be different
if our stuff wasn't as underground and we were on
more of a mainstream level. Then I'd be like, wait,
someone's got to figure out. But cats who knowed me, No,
there was once upon a time when someone paid money
to go to a venue thinking that I was going
to show up. And but that doesn't happen too often.
But you know, it's only been those three that I

(01:05:43):
know of. But it's all good that comes with it.

Speaker 7 (01:05:46):
Man, you met, you would think they're gonna be like hey, man,
like look at the flyer and be like, hey, is
like is that is that the least a wild child
that I recognize?

Speaker 4 (01:05:54):
Exactly? Your research?

Speaker 9 (01:05:56):
Look it up online? I mean, Google is your friend.

Speaker 4 (01:05:59):
I can only mane and like common went through that
right when he was common Sense.

Speaker 9 (01:06:03):
Oh yeah, there was the reggae band, right.

Speaker 6 (01:06:06):
Yeah, yeah, right. His first name was common Sense.

Speaker 9 (01:06:09):
That's what was his MC name.

Speaker 10 (01:06:11):
It was of Sense, and then he changed it to
common because there was a Common Sense reggae band, and
they sued him because they were they were around first.

Speaker 9 (01:06:20):
So there they are.

Speaker 6 (01:06:21):
Are they still run?

Speaker 4 (01:06:22):
Yeah?

Speaker 10 (01:06:22):
I guess oh wow, Yeah we were. We were all
like whatever on then because they made him change his name.
But then Common became just the lick, you know what
I mean.

Speaker 4 (01:06:32):
Like I'm saying that level of success, you can't mess
with that if you get to that. For sure.

Speaker 6 (01:06:37):
He's always looked the same age, like for like thirty
years Common.

Speaker 4 (01:06:40):
Yeah still can get his windmill on. Yeah you still
do it, man, I mean yeah.

Speaker 6 (01:06:44):
Yeah, Like how old is that?

Speaker 4 (01:06:46):
Dude?

Speaker 6 (01:06:46):
He doesn't look like he's age like, Holly.

Speaker 4 (01:06:48):
What our age?

Speaker 2 (01:06:49):
Now?

Speaker 5 (01:06:49):
He's up fifty three?

Speaker 4 (01:06:51):
Yeah yeah, yeah. Trying to trying to apartment with him on
a on a hip hop project coming soon too, man,
shut off.

Speaker 9 (01:06:58):
I've been telling him to come down here. Man.

Speaker 4 (01:07:01):
Yeah.

Speaker 5 (01:07:02):
He's a good actor too, Common Yeah he is a
great actor.

Speaker 8 (01:07:06):
Yeah right, Yeah, I was my label mate relatively tours
and all that together.

Speaker 9 (01:07:13):
And you did a couple of beats on his first.

Speaker 8 (01:07:14):
Album beats on Yeah, Like just to see him where
he's at right now.

Speaker 4 (01:07:20):
It's like every time I see.

Speaker 6 (01:07:22):
Him, I just to myself, I chuckled, were you with him?

Speaker 4 (01:07:26):
Common?

Speaker 7 (01:07:26):
Were you with him when he was like going through
the ice cube?

Speaker 8 (01:07:30):
That was the beginning. I'm with him again all the
way through. Yeah, I love that record, the Pete Rock Ship,
that's that. Yeah, I play that ship all the time.
Nothing against ice Cube, it's just yeah, you know, it
was just a hot joint.

Speaker 4 (01:07:44):
I told him I was going to bite that. I said,
y'all biting y'all ship because I want to go see
a listening session with him and Pete Rock at the
Grammy Theater. I just sat everybody down and just listen,
listen to the album because I don't even know the
last time I just sat in a public setting and
listened to I never got the opportunity to do that.
But when they did that, I'm like, all right, coming,
I'm just letting you know. But I'm taking that. And

(01:08:06):
that's what I did with the album. I just broke
would do here here and now I would alter it,
but but give people like a listening experience. Right now,
I'm experimenting with a dinner experience. The cats can come
through and hear the album in its entirety, and the
Shoeves could prepare a meal based on certain songs off
the album and stuff like full full.

Speaker 6 (01:08:25):
Like three course meal, six course damn.

Speaker 4 (01:08:28):
Yeah.

Speaker 8 (01:08:29):
I also I want to shout out Common and Pete
Rock Yes the last album. The shows was like, yeah,
I went to one of the auditorium show. Yeah yeah,
they was. They was actually shouting me out from the stage,
pointing at me like and the crowded like, I was like, wow,
they know we all came from from the bottom, you know,

(01:08:52):
so you can't forget niggas like that, you know when
when we work, you know, yeah, you're rock.

Speaker 4 (01:08:59):
And he was the first to hear the album p
Rock first. Madlib heard it before it was mixing master
the master version. P Rock got it first person to
get the album, and he gave me the thumbs up.
You know, you onto something so you always shot them
out man. He came through and supported Madam's benefit to
that we had when he lost his home, and it

(01:09:21):
was just dope. And I didn't know. You understand, hanging
around with Madib is one thing, but I can't assume
everyone he's friends with our friends with me. That's like,
you can't do that right. And I remember coming and
no pe Rock he was given an acknowledgment of the
friendship that me and Madli had. So that was dope
because I wouldn't have thought that he knew that because

(01:09:43):
producers like that got it's like DJs they got that
DJ friendship world, same with MC's or whatnot. But yeah,
yeah yeah, but yeah, definitely shout out to them the album.

Speaker 8 (01:09:52):
Oh yeah, yeah man, and I forgot the DJ's name though.
He's dummy too, Yeah, dum.

Speaker 9 (01:09:59):
Dummy up dummy Yeah yeah, always.

Speaker 4 (01:10:04):
Yeah, that's crazy.

Speaker 7 (01:10:06):
You guys have a you know, like the the history
just because less Let's don't really be saying much most
of the time, but like whenever he.

Speaker 6 (01:10:13):
Does ship, like just like you just stuff you just
never know.

Speaker 4 (01:10:17):
You're like, oh damn, I mean, I'm gonna speak on people.
I know, we're talking about Common and Pete Brock.

Speaker 7 (01:10:22):
I'm like, it's not like we would never like what
he's like me because maybe because I'm younger, but it's
like I just would never know these facts because you know,
that's a whole different time.

Speaker 10 (01:10:31):
No, Like like when I first met Common, you know,
Common was through you know, Relativity Records because we were
doing you know, mixed show of Power, and so we
did Friday Night Flavors and he came on Friday Night
Flavors every time to promote his new records.

Speaker 9 (01:10:48):
So it's knowing him and then also like kind of
borrow dollar, yeah, kind of borrow doll that's what and
had to joint the Heidi Hole produced by you know,
beating Nuts, like and the Break of One Night, right
Breaking one Night, and then uh what was sold by
the Pound slam.

Speaker 4 (01:11:06):
Pit my fa. My favorite song from him is not
even on any album he's done. It was on a
compilation called The Movement. Mm hmm, like a Y two
K B boy song that is like my ultimate I
think Dyla did the beat too. You have that record? Yeah,

(01:11:26):
I have that record. That's like, so you be having.

Speaker 7 (01:11:28):
Exclusive ship, I bet, brocause you'd be like a connoisseur
of all kind of stuff you speak, because I would
get filled in from people overseas who would be like, yo,
you got this, and I'll be saying that.

Speaker 4 (01:11:38):
I'd be like, Yo, where'd you get that? And then
I would be I would find out, now, okay, I
gotta get that.

Speaker 8 (01:11:43):
You know, and you know what some something else about
about common incredible freestyler, like yo, freestyle nice on the
spot and make you be like, oh ship, Yeah.

Speaker 4 (01:11:59):
You got too many stories because like I even remember
when me and Maddelin was coming to the show yeap
when we were walking up one day, he's walking out
and that was the first time ever meeting him. Yes,
but we didn't know he even knew who we were.
I remember me and Madden talking about this and he

(01:12:19):
came up and he's like, man, y'all cold blood. That's
when he would always be cold blood, cold bloody. And
I was like, wait, what, how do you know what's
going on? And he's like, oh, man, Dylan would talk
about you all the time. What do you mean Dylan was?
We were like wait what. We went down the rabble
of what are you talking about? Like you know? And
then one day me and Madllin were walking we were

(01:12:39):
shopping the Melrose literally this is back with Melrose. Was
like you had we had to go stop on me. Yeah,
we was shop and they were walking across the street.
Carl almost hits us. I literally looked and I'm like, man,
I was about to cuss out the car. You know,
anybody would want to go up and get out the car,
you know.

Speaker 2 (01:12:56):
Yeah?

Speaker 4 (01:12:56):
Yeah. I look in his Common and Kareem Riggins and
I guess Common just moved that day out to LA
And that's when Mad Live Connective, mad Lib but he
was learning how to drive, and shit, I was bugging.
I was like, Yo, this did almost hit us, and
then sure enough it was them. But no, he's always
been like a stand up dude, like always father, all

(01:13:18):
of that. You know what I'm saying. So just obviously
it's to see what he's doing.

Speaker 7 (01:13:22):
Meil was one of those places that definitely has changed
through sixty that used to be like a staple.

Speaker 1 (01:13:26):
Bro.

Speaker 4 (01:13:26):
Oh man, it was due when Fat Beats was there.
You see a lot of shit closing down.

Speaker 6 (01:13:31):
No, that's what I'm saying.

Speaker 7 (01:13:32):
But before bro, like even like yo, even up to
like the early two thousands, bro Like it was it
was like quite the fashion center. Bro that all the brands, bro,
like the iconic brands like the Hundreds or Diamond Supply
that literally dominated urban streetwear for like for a.

Speaker 6 (01:13:48):
Good decade or two.

Speaker 7 (01:13:50):
They're all gone. All that ship is fucking gone. But
I mean those brands, some of them are still relevant,
but it's just like they would be the way. The
way the way mails would work is that if a
brand made it, it would elevate right and then it
would get in a bigger spot, be like we moved here,
and if it didn't make it something something else would
grow from that, you know, so they'll be like the

(01:14:11):
next person.

Speaker 4 (01:14:15):
Right that matter. I remember Madam would always shop The'm
like why you always be shopping here? You know you
don't do the swap no more, like you know, but yeah,
that's that was his spot.

Speaker 2 (01:14:24):
Man.

Speaker 4 (01:14:25):
You're right, Fat Beats Days and Fave Beats Off.

Speaker 9 (01:14:28):
Yeah, man, dude, that was the spot.

Speaker 10 (01:14:31):
That's the spot where never like uhh, when we play
something on Friday Night flavors, everyone would going to Fat
Beasts the next thing and was like, yo, what was
the song they played?

Speaker 9 (01:14:40):
Blah blah blah blah blah.

Speaker 10 (01:14:42):
So they would always find out like what songs would
react with everybody because they'd be like, yo, they come
in the next day, Yo, Jay Rock played this or
you know, somebody play this and be like okay.

Speaker 9 (01:14:54):
And then like sometimes you would.

Speaker 10 (01:14:56):
Be like I brought the cassette like I taped it
off the air, you know, and like they were okay,
he that's this song right here, like okay, cool, grab
doubles of it, you know, like's it was dope, you know,
because fat And then it was also like just different
heads walking in and every you know, you see the
community of like everyone that's like into this hip hop shit.

Speaker 9 (01:15:14):
You know what I mean, you'd be like, damn, this
is dope, and.

Speaker 4 (01:15:17):
What that meant to us is different than the generation now. Yeah,
because I've had conversations with my son, and I'll tell
him Fat Beats at one time was like I meant,
Bell Rose at one time was a different aura. But
I could only speak so much because I know he's
not understanding what I'm saying because he wasn't born then, right,
So I'm not to play them. I'm not have to
show him this, this interview, this whole thing going down.

Speaker 10 (01:15:40):
Yeah, man, Yeah, my son, he got to him and
the Chocksun got to DJ the last Fat Beats night
that you know, the last day they were open, like
they got to DJ and I spent as well too,
and Chalc did as well and Jay and I think, truly,
I think the whole Fantastic four was there, dude, and
it was just like the end of an era man.

(01:16:01):
After that, to me, Melow's changed for the different you
know it was, you know, and now like going there,
like you say, it's just so different now, like if
Melow's back then in those days, man, dude, people like.

Speaker 7 (01:16:14):
That's just like one of those things that just changed too, bro,
because you got to remember, like let me see, like
I want to say, like my gen my generation then
gen Z was probably the last generation that experienced what
a mall it was going to be like as a
shop a mall. Yeah, like cause that's one of those
things that like it's going out and I don't think
the generation to come, they're not gonna know how much

(01:16:34):
of a cultural hub that was, bro, because it was
like you went there for like multiple things, So anybody
was there for just different reasons and that's where you
went to get like your feel on different ship. Like yeah,
if you had to get like an album music, like
there used to be Sam school cloths closed, you're trying
to pick up on some bitches.

Speaker 9 (01:16:54):
I mean you get some food like it was a thing.
And I remember, like you know you you you know,
my mom would go all right, I'm gonna go here
and need to go here, and then like you knew
that you had time in between her going to like
one the story be like hey, I'm gonna go to
the warehouse that's right on the corner, or the Sam
Goodies or music Land, like and you go there and

(01:17:15):
just see like everyone in one place for music.

Speaker 7 (01:17:18):
You could listen to albums before they before you bought them, remember,
like yeah, because you would have the headphones up on
that and then you urge the picture.

Speaker 4 (01:17:26):
I forgot about that.

Speaker 10 (01:17:28):
Fye and Virgin. The Virgin would have the top fifth.
I mean I think fy E as well. They'd have
the top fifty CDs.

Speaker 9 (01:17:36):
That you could listen to and you could be like,
oh shit, I wanted to hear this, and you could
just go and just like they would.

Speaker 7 (01:17:41):
Play the best part too, like they're like the best
How did they know to play like the best part
for the song?

Speaker 4 (01:17:46):
You're like that right the chorus? Yeah yeah, a bit
of verse and then to the chorus, Hell yeah, crazy man,
but yeah, shout out to Chuck and all the all
the family. They used to always show up. I was
at a barber once when I had hair and I
was getting my haircut and the guy walks in and
he's next on deck and talking music with the barber there,

(01:18:07):
and then he's like, oh yeah, but I gotta get
right for my DJ set tonight. Oh you DJ and
this and that? Oh yeah I do music? Oh where
you do music where yeah wild child something something and
he's like what and then he's like, you know my
dad wait huh yeah, mister Chock what Jack.

Speaker 6 (01:18:25):
Got a son?

Speaker 4 (01:18:26):
I got to know because you know, I wasn't known,
you know what I'm saying, And I'm like, that's crazy.
So we ended up connecting the dots on him. And
it's just crazy how the generation, you know, because sometimes
you never know what obviously your kids are doing versus
what you may or may not from the DJs to
true even dancers. You know what I'm saying. It's crazy, yeah, man, yeah, man,

(01:18:48):
It's like it's some move support.

Speaker 10 (01:18:51):
Yeah, like uh, you know my son and chock Son
being like best friends like me and Chokward, you know
what I mean. It's one of the things we always
kind of trip just because it was just like damn
and they act just like us too, you know what
I mean.

Speaker 9 (01:19:04):
Like, you know, it's crazy. You know, it's an amazing thing.
Dude sends a rat.

Speaker 4 (01:19:09):
That's what's up. Yeah, that's partially out of an idea
we had about a film project that we're trying to
do where the new generation of DJs who are more
digital versus the father the fathers or whatever who comes
strictly from vinyl. Uh a father's son, grandfather's story about that.

(01:19:29):
That's one of the ideas we're working on, you know.
Miles would be the younger generation and Commons coming from
a different perspective. But hopefully we work it out and
y'all here, man, I can't shed too much light on it,
but when it does come to fruition, it's it's all
for hip hop, you know.

Speaker 9 (01:19:44):
So that's terrible. Yeah, man, oh yeah, dude, can't wait
to see that.

Speaker 7 (01:19:49):
Welton, do we have any super transpertainity to the guests?
Let's uh, let's get into it since we have them here.

Speaker 2 (01:19:55):
Yeah.

Speaker 5 (01:19:56):
Yeah, we'll just open up the doors right away. Well,
let's get into it.

Speaker 4 (01:19:58):
Yeah.

Speaker 16 (01:20:00):
First one of the day here, Ram is saying your
wild Child, your Lupac records are classic? Is there gonna
be another loop Pack record?

Speaker 4 (01:20:07):
Okay, let me address this. Y'all gotta understand. I feel
like we never technically broke up. We just stopped rocking
as Lupac. Madlib had fifty thousand ideas in his brain
and he didn't like his voice. He never liked his voice,
always would. I don't like why I rap. Hence that's
what ended up coming next, which was the Quasimodil project, right,

(01:20:29):
and when I went on to do the Secondary Protocol
that was technically meant to be the sequel of the
sound Pieces album as the Lupac. We stayed friends through
the years, but were never recorded as Lupac. You know
what I'm saying. I always got beats from him here
and there, there projects, and we're still best for us.
He's my best man in my wedding, but recording as
Lupac was something we never talked about thought about. So

(01:20:51):
I don't think that is obviously ever gonna happen to
somebody who doesn't like his own voice. You'll do a
beat and he don't even like the beat he did
a month ago or a week ago. So that's just
not going to happen in that regards. But it's just
crazy because what a lot of people don't know is
we did get a green light from him to do

(01:21:11):
my next full Wild Child Madly album. The crazy thing
is when New Year's came twenty twenty five and I
got the first beat, which I wasn't expecting after all
these years. I was teased. I was like don't don't
tease me. What what is it? And he was like, yeah,
if that's what we're looking at, let's what we're looking at.
Five days later, his house friends down, So pause and

(01:21:36):
that coming to fruition. But we'll see. You never know,
We're always going to do stuff and work together. We're friends,
so that's why we never let any of that past
stuff affect less as friends. So you know that's my
brother right there.

Speaker 16 (01:21:48):
Yes, Mariah's asking, please ask wild Child what his favorite
soundtracks are.

Speaker 4 (01:21:54):
Ooh, favorite soundtrack is more better blue, not more better blues?

Speaker 2 (01:22:00):
Oh?

Speaker 4 (01:22:01):
Man, what film is that? What's the what's the jazz
film with jazz thingh?

Speaker 9 (01:22:08):
Not no better blues?

Speaker 4 (01:22:09):
But uh uh Denzel yeah, Denzel Wesley snipes.

Speaker 5 (01:22:18):
No better blues?

Speaker 2 (01:22:19):
Is it blues? Oh?

Speaker 4 (01:22:20):
Ship, it is more better blues. It is more better blues?
And boomerang, yes, boomerang? And oh man, I know the
soundtrack I'm just drawing a blank on the title might
have been.

Speaker 8 (01:22:41):
See what what is your trespass?

Speaker 9 (01:22:45):
Trespass trespass dude that had a Black Sheep song.

Speaker 4 (01:22:49):
Yeah, there's always something random and exclusive, that's why.

Speaker 9 (01:22:52):
Yeah, man, wow, is that what the ice cube?

Speaker 4 (01:22:55):
Yes? I was going to ask you, what's your favorite soundtrack.

Speaker 9 (01:22:59):
My favorite soundtrack ship.

Speaker 4 (01:23:02):
You have one soundtrack, The Wiz.

Speaker 10 (01:23:06):
With Michael Jackson, Sander Ross and produced by Quincy Jones,
uh Purple Rain technically is it would be the soundtrack
just because.

Speaker 8 (01:23:16):
I think my favorite soundtrack, I will go with Black
Caesar word that y'all. That soundtrack is for Tardy Oh
in Black Youla. Yeah yeah they got yeah, shout out
Ja James Brown too man and you.

Speaker 10 (01:23:32):
Know yeah that was that was yeah he was James
was still on it with that.

Speaker 4 (01:23:42):
Yeah.

Speaker 6 (01:23:42):
Yeah, he's the king favorite soundtrack.

Speaker 9 (01:23:45):
But you don't have the soundtrack.

Speaker 6 (01:23:47):
Yeah, Like, I mean I have certain songs I like, but.

Speaker 10 (01:23:49):
I like dude, Boomerang was about from movies, right, yeah, it's.

Speaker 4 (01:23:54):
Like the album that comes you know what.

Speaker 7 (01:23:56):
I don't like the Little Nikki soundtrack there you go, yeah, yeah,
that's like every he's in there.

Speaker 6 (01:24:00):
Cypresses in their death tones as a kid like yeah
face jam yeah that's fair like the O and be
Real is in that too, Like that's.

Speaker 10 (01:24:12):
I think Juice, the movie Juice, the soundtrack to that
because that has Cypress that had rock Kim and had
Big Daddy Kane, Son of Berserk.

Speaker 4 (01:24:21):
That's a good one too. Damn dude had some joints.
Is the harder they falls another goe that was that's
more newer, but that James Samuel writing producing all of
that stuff.

Speaker 8 (01:24:35):
On there, you know, Son of Berserk kind of reminds
me of Chuck d almost if you listen to his style.
It's like they're both from Long Island, the same crew crew. Yeah,
so they kind of if you listen to them, you'll
be like, yeah, there's a lot of chunk and like
they Yeah.

Speaker 6 (01:24:52):
I enjoyed the soundtrack to like Casino and Goodfellas too.

Speaker 7 (01:24:55):
There you go like like that's just it's like I
only enjoyed it because like all the songs. I mean,
the songs are pretty like you know, they charted whenever
they were around for their time period, but they hit
so different because of the way they placed them in
those movies. So it's like it's not even about the song.
It's like when I hear that song, like I'm thinking that,

(01:25:15):
you know, like I can replay the scene.

Speaker 6 (01:25:17):
Where he tells them me He's like, nah, we.

Speaker 7 (01:25:19):
Don't do it like that, you know, no more, you're
more looking at the score.

Speaker 6 (01:25:24):
I mean.

Speaker 7 (01:25:26):
That film, like there was there were actual songs that
were in there, like these are actual artists, but it's
like it's so fitting and like how he just plays
them like but not every film kind of has that
effect some of them. It kind of sets the ambiance
or like it sets like the energy, but it doesn't
like sell like everything is going on and like I
don't know, I guess like to me, like you, I

(01:25:47):
get sold real quick when it just falls in place,
like it almost seems like the acting is is going
along with the music, but it's not.

Speaker 6 (01:25:55):
It's just supposed to be as a soundtrack.

Speaker 4 (01:25:58):
I would be remiss if I didn't say wild Style, right,
wild Style.

Speaker 6 (01:26:02):
So that was yeah, man, pull Fiction is a good
one too.

Speaker 10 (01:26:07):
Yeah, Breaking had a great soundtrack, Reckless iced tea.

Speaker 6 (01:26:12):
George, Oh what what about Scarface.

Speaker 4 (01:26:16):
Though, yeah Georgia.

Speaker 10 (01:26:20):
Yeah, Yeah, that ship is sinister.

Speaker 7 (01:26:23):
That ship is like, yo, that ship makes you want
to do some coke bro yea like at the end
when he's on some fucking uh when he's sitting there
at the dude, I was like, damn, he is at
that point of no return.

Speaker 6 (01:26:38):
Yeah. I think at that point he knew he was
gonna like he's gonna know I.

Speaker 4 (01:26:41):
Was gonna get smoked.

Speaker 7 (01:26:42):
Yeah, He's just like I'm gonna try to do as
much of it as I can take as much. But
it's just like, yeah, like yo, at that point, like
he just broke down the whole key and he was like, man,
I'm just staring at this door.

Speaker 8 (01:26:55):
Down it was you already know it's overde One of
the most interesting facts that I love about that movie is,
you know the scene where they show where it's the
shot and they showed the.

Speaker 9 (01:27:06):
The mafia or the troops are coming to get fucking
Tony and so they you know, shows the.

Speaker 5 (01:27:14):
Shot where they go to that shot by Spielberg.

Speaker 10 (01:27:17):
What Yeah, Like Bilberg went on seting because him and
Brian Depalmer, George Lucas and like they're all like a
collective of like people that like they came up and
direct always getting on the key.

Speaker 4 (01:27:31):
Is that credited?

Speaker 9 (01:27:32):
No?

Speaker 10 (01:27:32):
Unaccredited? Like he asked Brian Tommy, He's like, hey, can
I shoot me Becau? Yeah, I want you going and
shoot you know, so he shut that's a Spielberg shot
on it, and like he's just like, yeah, cool, thanks.

Speaker 4 (01:27:42):
Man, That's that's crazy.

Speaker 7 (01:27:44):
You know that shit has such an impact on some
of the actors there. Bro that like Angel Salazar till
the day he died. Bro, He's he will stay doing
coke since that movie.

Speaker 4 (01:27:53):
No way.

Speaker 6 (01:27:53):
Yeah, even as like a sixty year old man rest his.

Speaker 7 (01:27:55):
Soul, like like he was still doing he was still
doing comedy. But I remember, like like for real, like
I remember like the Homie Winner, go pick him up
to give him a ride to a podcast, and then
like and he's like, he's like yo, he's like he's like,
he's like, no, just put He's like, just give this
to him when you get there. And then he's like,
cause he's not gonna come if you don't give it
to him. And then the first thing he asked him,
he was like, so you have it for me, you know,

(01:28:17):
like and I was just like and he just didn't.
It's like this guy, it's like yo, it's like once
he played this character, like he never left damn. But
like yo, Agel Agel partied to the day he died.

Speaker 10 (01:28:29):
I know friends of mine who have steadied then hard drugs,
like like well into their fifties now, you know what
I mean, And they're still doing it and I'm like, all right,
Like it's fucking.

Speaker 6 (01:28:41):
Wild, bro, But for real, it's I don't think everybody.

Speaker 7 (01:28:45):
I think like some people have not necessarily that Ozsie gene,
but you know how like explained scientifically, how like he
was able to just outlive just how much abuse and
drugs he did different.

Speaker 6 (01:28:56):
I think some of I think a lot of us
don't necessarily have.

Speaker 7 (01:28:58):
That full gene, but you have a a small percentage
of it that you're just like because there's some fools
that I'm just like, how is this fool still tweaking?

Speaker 10 (01:29:06):
Like yeah, like that are smoking that? Are doing that
ship at like fifty or like, yo, what the fuck?

Speaker 4 (01:29:13):
At one point, wasn't you going down that rabbit hole?

Speaker 2 (01:29:15):
He was?

Speaker 9 (01:29:16):
From what I know, he was just drinking wine.

Speaker 4 (01:29:18):
It was more or less.

Speaker 9 (01:29:19):
Yeah, yeah, it was wine and blow I think he did.

Speaker 6 (01:29:22):
It's a good combination.

Speaker 9 (01:29:23):
Yeah, especially if you just home by yourself.

Speaker 4 (01:29:26):
Fuck you, if you.

Speaker 7 (01:29:28):
Got multiple rooms, you're just gonna keep walking around your
house until you just get tired.

Speaker 6 (01:29:33):
Bro.

Speaker 4 (01:29:34):
Yeah, it's crazy because I just started watching this show
called The Studio. Have you ever seen that? Oh? It's
and it's almost depicted on everything we're saying yeah, and
it's like non depicting everything that you're saying, but current, right,
it's more current, It's not yeah, yeah, it's more it's
on Apple TV.

Speaker 6 (01:29:52):
Is that what the clip with with the mushroom? Yeah,
that from Zoey kra.

Speaker 4 (01:29:56):
Got revealed to everything saying everything you're saying right now?

Speaker 6 (01:29:59):
Yeah?

Speaker 4 (01:30:00):
Really, yes, I want to check that out. I underestimate it.

Speaker 6 (01:30:03):
Does he lif a lot? No?

Speaker 4 (01:30:05):
He I think this dude he goes through acting nonchalant
what goes down behind the scenes of Hollywood. That's the
whole point for him to even even though he's in it,
he's like nonchalant about it, like the stories and things
that you hear about Hollywood and the gatekeepers and all that.

Speaker 7 (01:30:26):
I didn't realize that it was that he just goes
with the flow, because that's how you kind of last.

Speaker 6 (01:30:30):
Bro.

Speaker 7 (01:30:30):
The moment you have an opinion and you want to
change the dynamic, they're going to be like, you know what, Bro,
you just don't fit in here, get the fuck out,
and if you don't want to leave that shit gets uncomfortable.

Speaker 4 (01:30:39):
Because he's like a peer dude who gets engulfed into
the the world of no you could be pure, but
we need you to do this and do this and multi,
you know, change your your heart so we can deliver this.
And he's like, why I thought worry it for this reason?
And then it just becomes another thing. I mean, don't
I don't really be watching Apple TV like that and

(01:31:01):
watching for flegs and all that ship. You know. Yeah,
I don't know, man, it only it only depends to
be honest.

Speaker 8 (01:31:08):
I've seen some ship the other day and it's like
you watch that the series and ship, and it's like
they be sneaking little things in there, like crazy ship
that you wouldn't see in regular movies. Ship that don't
even make ye abliminal sea nigga, Like you know it'll
be you know, some some homeo ship or some ship.

Speaker 4 (01:31:32):
Oh yeah, just you know, it's just just weird. All
of a sud liked all this ship. You're right, you
know what I'm saying. No, you spoke on that because
it was even a film I scene I.

Speaker 8 (01:31:45):
Like the kids showing kids like yeah frans genders and yeah.

Speaker 4 (01:31:51):
I don't know, man, it's just me psycho lazy anything
anywhere all wheeze. Yeah it can be know that movie everything. Yeah,
that movie. Yeah, that movie was about this, and what
he's saying is they was incorporating other aspects to go
pay to see two.

Speaker 8 (01:32:11):
Niggas just start listening or some ship and I'm like,
what the fuck happened?

Speaker 6 (01:32:15):
That happened to me? A Chucky bro?

Speaker 7 (01:32:16):
I was like, I was watching Chucky and then I'm
just like this dog would have killed these fools.

Speaker 6 (01:32:21):
Like, I'm just like, what the fuck's going on? Dog?
Like Chucky got soft dog. I was like, man, this
was good.

Speaker 4 (01:32:28):
Chucky was gay.

Speaker 9 (01:32:29):
Is it true that they're gonna do another fight thirteenth?

Speaker 6 (01:32:33):
I don't know.

Speaker 9 (01:32:33):
I mean that was that Jason Jason Voorhees.

Speaker 6 (01:32:36):
I don't know if both can we verify this?

Speaker 4 (01:32:39):
I had heard that they were trying to maybe reboot it.
I heard, you know what it was. I think they're
trying to do a prequel type ship.

Speaker 6 (01:32:47):
Story right right right round him in the water.

Speaker 4 (01:32:50):
How is my no?

Speaker 6 (01:32:52):
I heard it wasn't happened in Summer Camp right.

Speaker 4 (01:32:54):
I thought they already did that though.

Speaker 5 (01:32:56):
So they're making a game and a movie.

Speaker 4 (01:32:58):
Yeah, that was right.

Speaker 7 (01:33:00):
Game is probably gonna be bad ass Comic Con exactly.
That's where they all need to go to a como. Oh,
but it's the San Diego that's the one. You gotta
go to him, go to the one in La this
weekend stop by eight plus products.

Speaker 6 (01:33:09):
Bude, what if?

Speaker 4 (01:33:11):
What if?

Speaker 8 (01:33:11):
What if Jason gets like high tech and ship. He's
on the laptop now, he's not.

Speaker 6 (01:33:18):
When they do that ship, they ruined it. They did
it to the fucking.

Speaker 4 (01:33:20):
Hope he could take his mask over. He got face
and ship earbel lady and ship like you.

Speaker 7 (01:33:27):
Know, like they like, I hate it when they do
that in sturdy characters, bro, just like it's like, Bro,
just wait till the licensing becomes available and give the
Hulk the flowers he deserves. When they fucking made the
Hulp look like he goes to Starbucks every day.

Speaker 6 (01:33:39):
I that ship pissed me off.

Speaker 2 (01:33:41):
Bro.

Speaker 7 (01:33:41):
This motherfucker's on the laptop. He's supposed to think like
a three year old. Bro, Like he's supposed to think
like a three to five year old.

Speaker 6 (01:33:48):
That doesn't. That's angry and that's why he fucking smashes ship.

Speaker 7 (01:33:51):
When this motherfucker is wearing fucking jeorts and fucking like
this this cutoff shirt and he's like.

Speaker 8 (01:33:58):
A picture of yo, yo, my my favorite hook is
Lou for Ringo. That's my favorite. Hope a real that
nigga look like the hole all the fake fucking holks
that you've seen yet, Man.

Speaker 4 (01:34:15):
The stories get crazy. I take my son every year
to Comic Con and I see a lot of Like
he's talking about the remakes and the spin offs that
just don't work, and.

Speaker 7 (01:34:23):
It's something, I mean, I get, it's like a gamble
every time.

Speaker 6 (01:34:26):
It's always going to be hit or miss. You won't
know till you try.

Speaker 7 (01:34:28):
But yeah, man, like not every franchise is going to
be like as lucky as like a Spider Man or
something like that, where it's like it's gonna hit every time.

Speaker 4 (01:34:36):
Because everyone's trying to shoot for that. What's the brothers
of Marvel, the Russold Brothers. They're like the ones who
did End Game in Infinity War. They're the only Russell Brothers,
but everyone's trying to do something like them, and everyone
can't you into comics and stuff like that. To slightly,
I'm trying to develop this in the previous project into

(01:34:56):
a comic, inspired obviously by Tino Excel and Taboo and
especially d m C. My son Miles is actually doing
a animated project with DMC and hopefully that doesn't spin
off in the comics. But I wasn't into it as
much as like a lot of these die hard guys,
you know, because I didn't start young. It's just like

(01:35:17):
with records, I didn't. I didn't, I grew late.

Speaker 8 (01:35:20):
My favorite My favorite comic is Muhammad Ali versus Superman.
Oh that's never seeing that you have it and it's
framed in the fucking frame Bolton, Muhammad Ali versus Superman?
Why are you stupid? It's crazy classic. I see the

(01:35:44):
comic Man, Oh snap, legendary look and who's in the crowd?

Speaker 4 (01:35:50):
Batman? That's the that's o g.

Speaker 6 (01:35:55):
That you know, Batman goes in.

Speaker 8 (01:35:57):
With event if you if you could even find this
magazine that's it's paper.

Speaker 4 (01:36:03):
Yeah, that's crazy. You know what I'm saying. Exclusive you.

Speaker 7 (01:36:08):
But but I know about I was gonna say, yeah,
because you know about toys and ship like that and
collectibles and other ship to like, like how how you
be keeping up with this ship? Like you be going
to conventions, like be finding ship online?

Speaker 8 (01:36:20):
Like because let me tell you something, let me tell
you something. I record dig a lot, so guess what
in these stores sometimes they selling other.

Speaker 6 (01:36:29):
Ship too, drip.

Speaker 8 (01:36:31):
Yeah, so so I'm looking for records, but oh ship
I might just run. Oh I'm gonna cop this ship too.
You know some ship that you know is worth money? Yeah,
get the rare yeh, some rare ship you know, but
you you.

Speaker 7 (01:36:47):
Know you know it because like the ships like you
remember it from when you was younger.

Speaker 4 (01:36:51):
Type ship if I see something, yeah you know, I
mean especially knowing if it's rare, if it's not commonly
seen or so today's town.

Speaker 8 (01:37:02):
I mean time you could, you could right get on
your phone, right on the spot, type it in yo.
Whatever you know how rare is this shit and it'll
pop up?

Speaker 6 (01:37:12):
Remember that show Antique Trade, Affair show.

Speaker 4 (01:37:15):
Whatever it was, Antique road Show, Antique.

Speaker 7 (01:37:17):
Road Show, and it fucking made p every made everybody
think that like they had coming up some worth some
something that was worth like hell of money in their garage.

Speaker 4 (01:37:24):
I got this PEPSI signed from nineteen oh two.

Speaker 6 (01:37:27):
Yeah, and then they have some guy coming. This is before.

Speaker 7 (01:37:31):
You know it was like so they would have there
would be like a convention and people would bring something
to an appraise appraiser or like somebody who praises it
and they'll be like, oh, well, you know, I haven't
seen one of these in forever. I think, like, you know,
this is done like this and the craftsmanship it valued
about seventeen thousand dollars. And the person's like, oh my god,

(01:37:51):
you know, like I'm just like just worried about it.
And then somebody at home is looking at They're gonna
go to the garage and look at it like it's
like one of those things that Wow. They tricked the
whole into the public to thinking that all this ship
you have in.

Speaker 4 (01:38:02):
Your garage worth yeah, exactly.

Speaker 6 (01:38:05):
Like half the ship is on there.

Speaker 7 (01:38:06):
It was very entertaining, but the thing that didn't sell
me on it, And I was just like, how come
he never talked ship?

Speaker 6 (01:38:12):
You know what I mean?

Speaker 9 (01:38:13):
Well, he did turn he would say certain things would
be like lower than I'm sure with the person who
thought was getting was getting appraised was gonna be like,
oh man, you know, like but he did say some
pretty they well they both said, because it's two people, right.

Speaker 6 (01:38:28):
They switched the hose.

Speaker 7 (01:38:29):
They added many hosts, but okay, a couple of different
hosts then right, it's like three or four I think, yeah,
so yeah, I was it was awesome to see like
the super come ups.

Speaker 10 (01:38:38):
But then you would also see like he was ever
just like okay cool. Like it would be like, oh,
this is worth one hundred dollars and they'd be like,
oh great, Yeah that's awesome.

Speaker 4 (01:38:46):
That's what's up.

Speaker 9 (01:38:48):
Yeah, I remember it was. It was either or like.

Speaker 6 (01:38:51):
The whole Pond star ship. Did you ever go to that?

Speaker 4 (01:38:53):
Oh dude, I went to that. Fucking dude, I went there.

Speaker 8 (01:38:57):
Ain't none of the stars. You gotta take a picture
with like a cutout cardboard.

Speaker 9 (01:39:03):
Yeah, that shit was so fucking corny, dude, it was awesome.

Speaker 7 (01:39:07):
It's like I think, like this, dude, this little area
is bigger than it.

Speaker 4 (01:39:10):
Like, dude, yeah makes it look right.

Speaker 6 (01:39:14):
Store.

Speaker 10 (01:39:15):
I'm like, it's super small, dude. And they had this
crazy record. It was like it was maybe a four
dollars record and they had it for like thirty bucks.

Speaker 9 (01:39:22):
I was like, get the fuck out here.

Speaker 6 (01:39:24):
Oh so for sure, Pond Pond stores are just like
a rip off.

Speaker 10 (01:39:28):
Yeah, it's just you want to say you bought someth
from there, you know what I mean, because you like
the show, or you know what I mean, or maybe
I mean maybe on a slight chance you go there,
you're like, oh, I'm really looking for this or this,
you know what I mean. But very rare, but it's
going to be more or less like someone like, well
I should buy something because I'm in the store and
it's like a super near from Vegas.

Speaker 4 (01:39:47):
Ha, you know what I mean. So trying to do
a project on that too, man, Yeah, supernatural type shit.
It's like hard. I wish I could explain it as well,
but I can't speak too much. But it's like what
you think you're going to, like just take think of
like the film Click in that movie that was crazy,
but it took them through a whole supernatural experience.

Speaker 6 (01:40:07):
And then when his dad died that ship.

Speaker 4 (01:40:09):
Yeah, all of that, all of that. Just think if
you went to the pawn sho, I'm thinking you was
getting something that you find out something else. That's all
I can pronounce.

Speaker 7 (01:40:17):
It's it's like when you Yeah, it's like it's like
when you go to like like a thrift store, bro,
and like, because that shit can happen. Bro, That's why
I don't be buying no fucking mirrors at the fucking swamp.

Speaker 6 (01:40:27):
Yeah, bro, ship will come through through a mirror, Bro.

Speaker 4 (01:40:29):
Like imagine the stories connected to Yeah, imagine the story
is connected to that world of whatever. You know what
I'm saying. And if you explore that, you never know.
So yeah, you.

Speaker 7 (01:40:40):
Could buy some cursed items too, for sure. Or it
could even be fucked up.

Speaker 2 (01:40:44):
Bro.

Speaker 6 (01:40:44):
Somebody could just be out there and be like, Man,
I'm gonna curse this ship and then.

Speaker 4 (01:40:48):
Creepy statue and something.

Speaker 6 (01:40:51):
Yeah, bro, like have you been to that?

Speaker 7 (01:40:53):
I haven't been to the Next time I go to Vegas,
I'm for sure going to Bannigan's the Haunted Museum.

Speaker 4 (01:40:58):
Oh for real.

Speaker 7 (01:40:59):
Yeah, it's in a mansion in Vegas and it's like
it's a The museum holds a bunch of haunted quote
unquote artifacts like it's crazy ship.

Speaker 9 (01:41:08):
They got it there.

Speaker 4 (01:41:09):
You feel the energy.

Speaker 7 (01:41:11):
Is there is I have never been there, but people
that have been there and people that I know that
have been there, they say it's something else. Yeah, Bannagan's
a hundred museum in Las Vegas.

Speaker 4 (01:41:22):
Hey, honey, before we get this food, can we make
a quick stop?

Speaker 6 (01:41:28):
And uh, it is? It is.

Speaker 7 (01:41:31):
There's there's quite the original Annabelle Doll from the Conjuring
movie is Uh, that's where it was. That's where it
resided at before that guy took it on tour.

Speaker 10 (01:41:41):
Dude, did you is this okay? Is this Did you
see Matt you know, comedian Matt Rife.

Speaker 7 (01:41:46):
Yeah, he bought the doll from there and and a
lot of bad stuff has been happening to him.

Speaker 6 (01:41:51):
And no way, yeah, like a lot of bad stuff.

Speaker 7 (01:41:53):
Happened to It's like there's like I think two people
have died in the transportation of it, Like it's it's
kind of crazy. No, it's not even like an accident
that the person had a stroke, just fucking just died.

Speaker 4 (01:42:03):
And oh, yeah, that's wild. That's crazy.

Speaker 9 (01:42:09):
Damn dude, that shit is real.

Speaker 7 (01:42:10):
Have you ever had a paranormal experience? Yes, it was
a house I grew up in, and I didn't believe. See,
I believe it's weird. I'm like mass superstitious because it
was forced on me, you know what I'm saying. But
at the same time, I always felt like something, something
is up, not just nothing.

Speaker 4 (01:42:29):
Something is up. I just haven't got my evidence finger
on it yet. And through the years I've always experienced that.
But I do remember, as crazy as it sounds, that
our home was uh not, what do you say, not
possessed but occupied, occupied, like the poultry geist situation. And

(01:42:50):
we even had, you know. But see, I'm looking at
it from a child point of view. My parents are
looking at it because they're feeding into it. And I
do remember them coming to bless the home and do
all this stuff, and I'm just sitting there watching. Half
of me is like, man, they just riching us, they
just ripping us off. Man, why are we paying this

(01:43:11):
person to come and do that? And then the moment
I'm about to explain, he is ridiculous. So that was
stuck here. And then one day I'm sitting at I
remember exactly where I was at what's the Brazilian spot
on Sunset. There's only one Brazilian food. I forgot what
it's called, but I'll remember. Probably five in the morning,

(01:43:34):
I remember. But I'm driving down we go sit and
we're sitting Nova, sit with mad Libs, sit with my
wife and everything. And I look at the front door
and I see someone. And a lot of times what
I usually do if I see someone, I'm not the
one to be like, oh shit, that's Michael Jack where
you know. I usually be like, Okay, that's crazy, and

(01:43:55):
I'll go on with what I'm doing and wait like
four minutes to be like, hey, trip out, Michael Jackson
just walking. I'll do something like that because why is
because I have family and friends who will be like where,
oh shit, and all the comes that you're not asking for.
So I figure a way. That's how I do it.
So I'm sitting there, Dude, I was with Peanut butter Wolf,

(01:44:17):
That's who I was with, and man live in more.
I look up and it's the short lady from the
Polter guyst the one that blesses how this house is
Caroline that lady. Now, first I'm tripping because I'm seeing
her in person because I'm like, dang, she is short
as the Nott Like that's what like. I'm like, I'm like,

(01:44:37):
you know, like it wasn't about let me get a
photo or let me I'm just tripping because she's that short.
It's like seeing Dannydivido for the first time. It's hard
not to notice that. So she's walking and I'm like,
and I still haven't said to anyone that she's even
in the building. She walks directly like as if she

(01:44:58):
knew who I was, walks in and it was like
she knew what I was thinking and went right to
me and went, how you doing and walked off to
her table. Come on, man, And I wasn't like looking
at her like you know, or doing this. I was
like acting like it was a normal presidents walked in
and it was like as if she knew what I
was thinking, and she walked and said that. But come on, man,

(01:45:21):
that come on, come on, if you grew up on
that film and that happens to you, yeah, Caroline, because
I used to imitate the hell out of her. Yeah, Carolyn,
it's a lot being madly.

Speaker 16 (01:45:34):
Yeah.

Speaker 4 (01:45:34):
We would be joking about her all the time. Dude,
Hell yeah, that was cool. But paranormal stuff, yeah, I
grew up. You know, stuff happening at home. You always
hear sounds. And I could have sworn those chairs in
position like that when I went to bed, I could
have sworn stuff, you know, Oh my god. Yeah.

Speaker 7 (01:45:52):
Usually when like a home is occupied, like yo, there's
usually like a struggle with it, you know, Like it's
very rare when like people were able to find like
a me and there like a piece usually like kind
of be like hey man, I'm gonna I'm gonna let
you know I'm here, and then it's like I'm gonna
throw some ship.

Speaker 9 (01:46:09):
They're angry, pissed about something else.

Speaker 4 (01:46:11):
The illest movie I've ever seen, that's like that. What's
the movie where the spirit I think it was Nicole
Kidman and her family and they were ghosts. They thought
the others that move the way they filmed that. Whoever
directed that o g to film it from that perspective
because it was almost like sixth sense. But even crazier

(01:46:33):
Bruce didn't know he was dead. That right there, that
movie right there, the way they filmed, and there was
a situation where the living I think was at the table,
but they were thinking, why are these people are on? Yo?
That was a you seen that? That shit sounded like beetlejuice. No, no, no, no,
you know what. It was almost like beetlejuice. But they

(01:46:54):
filmed it more realistic without the joke, the joke in
the way, and they were like yo, and and they
started tossing stuff because they were pissed off, you know
what I'm saying. And the family, who was real I
was thinking it was the opposite a way. I think
that's what the director's point was, to make you think
who was alive was dead and dead alive. So that
tripped me out.

Speaker 9 (01:47:12):
Yeah, it's a great movie.

Speaker 10 (01:47:13):
Everyone should take it, especially now it's Halloween's spooky season
is upon us.

Speaker 4 (01:47:18):
But then again, I go back and look at films, like, man,
why was I tripping on the effects of that movie? Them?
Special effects was horrible? Like Independence Day.

Speaker 7 (01:47:27):
At the time, I never thought, oh my god, have
you ever read back and looked at them?

Speaker 4 (01:47:32):
Yes, I had, we talk about Day.

Speaker 9 (01:47:34):
Come on.

Speaker 4 (01:47:34):
I was like, I wouldn't do that to myself. Yeah.
I was like Will Smith was og at that time,
and I saw the move I'm like, not trimming on
his acting, but just the effects, Like, come on, come.

Speaker 10 (01:47:45):
On, man, there was one great film. There was a
great film except for No. No, yeah, no, I'm talking
about you cried.

Speaker 7 (01:47:53):
When I thought the Aliens were gonna win, and I
felt a little emotional.

Speaker 4 (01:47:56):
Yeah yeah, yeah, yeah.

Speaker 7 (01:47:58):
I was just like, damn, bro, it's up to Jeff
Oman fucking Will Smith.

Speaker 4 (01:48:01):
But to me back then, I thought the effects were
so dope. I thought, Okay, if that ever had it's
a rap. That's how motherfuckers feel about Star Wars.

Speaker 7 (01:48:09):
They got sold on those nineteen seventies effects until this day,
they still fucking all Star Wars everything because of those
fucking Lucas laser.

Speaker 4 (01:48:18):
Yeah George Lucas, Yeah yeah, yeah, yeah yeah, they got me.

Speaker 7 (01:48:25):
And then like when you try to sell it to
somebody younger and then you try to watch like they
watch your original, it's very hard as fuck for me
to kind of get wild by it, considering that, like
how the pace technology is evolving in these days.

Speaker 9 (01:48:36):
But we really thought Independence Day was like, oh my god,
it was next time he saw that the clouds that
were right under.

Speaker 4 (01:48:44):
The spaceship Spaceship first forming.

Speaker 9 (01:48:47):
Yeah, Vivica Fox and Will Smith as this couple, and
then all of a sudden.

Speaker 4 (01:48:51):
I said that to her. I said that to Vivaca.
She was a guest on Blackish once, and I was like, yeah,
first off, props on kill Bill, YadA YadA, Yeah, we
gotta talk right now. Why did I think those effects
were super? I forget how I said it, but I said,
to a certain degree, I was speaking on that and
I was like, I can't believe what I thought was really,
you know, and then to see it now, it's like

(01:49:13):
I thought something was house Like wait, they they took
out what it looked like. It didn't look like that
when somethings off, Yeah, you know, but yeah, the imagination,
I don't know. I just yeah, because they was the
first to do it. That's what gods like, like George
Lucas the first to do it.

Speaker 7 (01:49:28):
But I think sometimes if you're just like a fan
of like the movie, like for example, like, no matter
how many times and I know, Terminator was like using
like a lot of like breakthrough technology at that time,
that ship is.

Speaker 6 (01:49:40):
Crappy as fuck, bro, but like but it still holds up.

Speaker 7 (01:49:43):
It's the fucking It's one of the baddest movies like
that ever.

Speaker 2 (01:49:46):
Bro.

Speaker 6 (01:49:47):
The soundtrack to that ship, the.

Speaker 7 (01:49:49):
Score, everything, like because the Foods were made the score,
We're used to making some weird ass fucking music.

Speaker 2 (01:49:55):
Bro.

Speaker 7 (01:49:55):
Like, so like every time that food was doing the
scene where he was running any fucking stuck the thing
in the elevator, like all that ship, I'm like that
that ship's just premeditated, man, Like all that that that
move that movie forever is like no matter how how
great the technology, like, you can never remake the impact
that movie, which was your.

Speaker 4 (01:50:14):
Favorite, which was your favorite Terminant.

Speaker 9 (01:50:16):
Too, It's the best one too, too too.

Speaker 4 (01:50:20):
I'm conflicted, which which was what the first one? The
first one? Yeah, because you know what's crazy. I met
the Reese, the guy that was supposed to save the
world at comic con.

Speaker 6 (01:50:35):
Oh damn man.

Speaker 4 (01:50:36):
Yeah, the recent comic con. Last comic but you're I
think between two and I ain't gonna front. I kind
of like the last one, Well, he has a Mexican wife.
Is it dark Fate? Yes, yeah, yeah, yeah yeah. Not
not all of it, not all of it, just certain
parts of it. I like the guy who they said back, Yeah,
that dude. I like him as.

Speaker 7 (01:50:57):
There's a like I said, there's it goes up and
it's like yeah, but I'm glad they just like stopped bro.
Like I mean the last one, I was just like,
please don't Jurassic part this ship.

Speaker 2 (01:51:06):
No.

Speaker 9 (01:51:07):
There's a couple that I kind of I think it
was after T three, the Rise of the Machines.

Speaker 4 (01:51:13):
Like I was like, all right, just be freeway.

Speaker 6 (01:51:16):
Yeah, hell no.

Speaker 10 (01:51:18):
The one after that was Christian Bale, and then uh
that was There's been so many different there's like three
or four that I haven't really kept up with that
you know, kind of looked interesting at the same time,
just didn't.

Speaker 9 (01:51:33):
Yeah, but maybe one day I'll catch up.

Speaker 6 (01:51:35):
That's the future of AI.

Speaker 7 (01:51:36):
One day, bro, when they were gonna be able to
see a robot and it's gonna be like, look, I'm
not real.

Speaker 9 (01:51:39):
But one or two is amazing. No, and both both
James Cameron directed by Gotta come Otter.

Speaker 4 (01:51:46):
When I see the guy who played Terminated, he's forever that,
like you said, was the Scarfees someone played a role
in like that, the guy who played Terminator in part two?
About the villain or the villain, I mean Arnold, of
course it is signified as I forget. But the guy
who was the liquid, the one that.

Speaker 7 (01:52:04):
Was always the t one thousand, Yeah, owns Harley Davison
Dealership and State and I think somewhere like by San Diego.

Speaker 4 (01:52:11):
I see him in so many other movies. Yeah, yeah,
that Ryn the Run. Yeah, what's his name? Ray? I
know you know, right, Yeah, but he's.

Speaker 9 (01:52:22):
Uh Don Connor.

Speaker 4 (01:52:26):
I like Ari speeds when he very airy spears when
he copies Arnold.

Speaker 16 (01:52:31):
Yeah, romin here and ghost Dog are asking him. Yo,
can you talk about your top five rappers or top
rap producers? You don't have to name top fives. We
really don't do top fives around here, So just name
your top producers and rappers.

Speaker 4 (01:52:52):
For top five, top five, All right, top fives obviously
my point of view, Coolie Rap, Black Dot, Barrel manch

(01:53:17):
Planet as producers, and I'm gonna, you know what, forget,
I'm gonna put myself on that list too. I'm I'm
gonna put myself on that honorable mention list top producers.
I don't really like saying top producers, especially saying top five,

(01:53:40):
because there's too many to even name, and one wouldn't
be here without the other, so it's just ridiculous even
but I get it. I get the question. I'm gonna
say large pro Yes, Dyla, Yep, Molly, Malo.

Speaker 8 (01:54:17):
Evilly, it could be any any producers, and and I
will throw out madly live not because I'm not being biased,
but I yeah. And there's so many automal mentions.

Speaker 4 (01:54:35):
I could go on and on and on and on,
even juju a a a like there there's the there's
just so there's so much that's out there. Like I said,
one diamond diamond, oh man, god damn knots. You can't

(01:54:58):
do a top five on that. That's like you can't.

Speaker 5 (01:55:00):
You can't possible.

Speaker 4 (01:55:02):
Yeah, I mean it could be what you're feeling.

Speaker 8 (01:55:04):
Well, you gave him already five come on, come on
take that man.

Speaker 4 (01:55:08):
That's that's pretty. That's that's that's my opinion. That's my opinion.

Speaker 16 (01:55:11):
All right, Tony, And here's asking wild child. What was
your first car?

Speaker 4 (01:55:15):
What was the question again?

Speaker 5 (01:55:16):
What was your first car?

Speaker 9 (01:55:18):
Your first car?

Speaker 4 (01:55:20):
Oh, my first car was a whack ass BMW. Man
that led to me meeting my wife. I had a
foot in my mouth, imagine, because everybody always wanted the
dope ass vehicle, right. And I remember who the girl
I met, who I later was became my wife. I
remember fronting like, yo, man, I heard you work at

(01:55:41):
the BMW dealership. I got a BMW. YadA, YadA, YadA.
It's the whack ass model. I had the whack as model,
but it was a BMW. Bought that ship, lost that
ship in like a month. It got told brother couldn't
afford to get it out the toe shop. I parked
somewhere that wasn't supposed to. But that was my first vehicle.
And and yeah, so they just kept your call. They

(01:56:05):
kept the car. And then and then six months later
I see somebody rolling through town. Yeah, but I'll never
forget that conversation. You know how people say when did
you guys meet and one usually the wife will say
we met YadA yah, and then someone will be like, no,
this is when we met. That was when we actually
first met. Was me talking about that car. So yeah, man.

Speaker 16 (01:56:29):
He's also asking can you talk about your first live concert?

Speaker 5 (01:56:32):
How is that experience?

Speaker 4 (01:56:34):
Yeah, first live concert. Yo. Shout out to my late
uncle Tony, who I also shout out on the new album.
He's the one that was like more of the bee
boy in a in a in a in the view
of what a bee boy is. He was the one
that had the gear. You know. I idolized him because

(01:56:55):
he played sports. My grandfather took me to watch him
play sports. So therefore I followed along, wanting to be
like him and such and such sneaking and wear his
clothes to school. You know, your freshman in high school year,
You're like, yo, this is what I'm rocking. I'm about
to wear this outfit. So I always wanted to be
like him. What I didn't know was he was also
bodyguarding all the concerts and Ox Snart, so I didn't

(01:57:18):
know he would. The things I do for Miles and
now my son and my daughter at one time, it's
because of what he used to do for me. So
him being a bodyguard. That was the first time I
think I seen it was like Rodney Old and Joe
Cooley and the Boogie Boys. Whoa and he was sit
right here, don't move, don't get me in trouble. You said,
Boogie Boys, Boogie Boys. That was like the person because

(01:57:41):
I was like, yo them, Flag Girl, all of that,
that whole album, the whole album, yeah, all of that, yeah, yeah, yeah,
And he was like yo, he was like you like that?
Did you like what you got? You like that? Okay,
I'm gonna take you to the next concert, says group
You'm I'm gonna teach you about called the Fat Boys,
and then it was the Fat Boy and then ll

(01:58:01):
you know before Ell was like you know what I'm saying.
So yeah, first concert I remember was like Rodney Old.
I don't even know if it was really right. I
think it was the Boogie Boys. You know, it actually
might have been the Fat Boys and Boogie Boys Yo
and true boogy Boys. Yeah you ever had that Zodiac album? Yeah? Girls,

(01:58:26):
I think.

Speaker 8 (01:58:28):
I'm not sure if it was the same single, but yeah,
there was one single with the Zodiac.

Speaker 4 (01:58:32):
Yeah yeah, classic boogie Boys. Yeah. But I'm like, he
was a body guard. He was he was the bodyguard.
You know. He was an ex athlete, which a lot
of times you always see nowadays an ex athlete becomes
the bodyguard at the or bouncer at the door clubs
or whatnot. That's what he was doing back then. I
didn't know that whole world. He just brought me along,
don't get me in trouble. And I wasn't like Lee

(01:58:54):
and Beech Street, like I want to tag along. I
want to you know, I'm about to come on, I
want to go with you. I just went because he
might have it might have been he might have been
assigned to babysit me back then and he had a
job and he was taking me, and it was it
just went down the rabbit hole. And I'm I remember
watching LLL like what damn, this is crazy. That was
my uncle on my mom's side. What Yeah, that was

(01:59:16):
probably the first rap concert for me.

Speaker 5 (01:59:19):
Here's what you're talking about?

Speaker 4 (01:59:20):
Less?

Speaker 5 (01:59:20):
Is this it right here? The Zodiac album Crazy Boy?

Speaker 4 (01:59:26):
Oh, I do you know what I do. Remember that
I used to be my favorite album.

Speaker 8 (01:59:29):
Yeah that Shual got some joints on some beats crazy.

Speaker 16 (01:59:34):
All right, Uh, let's see Nixon here is odiesus and
here he's saying, Yo, Attack of the Tupperware Puppets. That's
such an ill track, shouting you out.

Speaker 4 (01:59:44):
Thank you for that. That was a crazy, crazy time
to feature all the homies on a on a record.
It was like our first project. Maddens Pops was put
his money into releasing the project for us. I don't
know where that title came from. Obviously, Maddli was just
smoking it up, like we're gonna call this shit Attack
of the tub Worm Puppons.

Speaker 8 (02:00:03):
Everyone paused, all right, let's go with it and listen
to high Niggas be high and you know it.

Speaker 4 (02:00:13):
But that that joint, that was crazy because that was
like our first release, you know what I'm saying, black
and white photo, black and white cover, and we only
released so many copies of that, and we were just
recording every week. That just happened to be the song
that made the twelve inch that day, that EP that day,
you know, oh yeah yeah, And that's that's actually how

(02:00:34):
I met the Lix. That EP was what I was
playing in the record store. I worked out supposed to
be playing the satellite music, but I was playing that
was like right when satellite music was the thing when
you walk in the store and you know, But I
was playing that EP. As the Licks came in. They

(02:00:54):
were I think they were They probably might have just
been called Alcoholics at that time because they were featured
with King T and Got It Bad y'all sh Friday.
So they came in to see what it looked like
because that's the first time with their name on a release.
This one cassette singles was single Casette. Yes, they came
in looking for that, and I didn't talk back then,

(02:01:15):
and that was playing that joint, that whole EP, and yeah,
shout out to the Licks because that moment, like I said,
I call it the mote. You never know what happens.
Anything can happen, and like I remember tash or j
Row was something, so I'm like, yo, what is what
is this? And they already had I think a deal
with RCA, but they didn't say that until the end
of the conversation. I was like, oh, and I said,

(02:01:37):
like the worst I think I said, the most worst
ship you could say. When someone's asking, Yo, what is that?
I was like, Oh, it's a little some some some
some because I didn't talk, you know what I'm saying.
I'm just like I just wanted the music to speak
for itself. You like it, you like it, you don't.
And then and then oh, okay, that's what Sun, that's
what's up. So I messed that one up. They continue

(02:01:57):
on shopping and then the next joint came on, next
joint came on, and then they were like, hold on
before we leave, I gotta know what what What did
you say? This was, ah, man, this is our little
some in our group, some some lou pack. We're doing something.
And that song ended up being Turned the Party Out
on the first twenty one and over Alcoholics album because
of that moment. Yeah, it was a little thing when

(02:02:18):
first it went from meeting Pooh and Broadway and everybody,
but but because of that moment, that's how it all
started with them. So shout out to the Licks.

Speaker 6 (02:02:28):
Do you have any war Bolt Yo?

Speaker 16 (02:02:29):
Big show to a Nikeolch, big show to Sarah, big
show to uh amakin He's hoping u Cypercil plays audio
X tonight and the David is saying yo show to
the whole table. Me and my girlfriend are getting ready
to head to go see cypercill A Yamava Casino tonight.

Speaker 5 (02:02:43):
It's gonna be a great show.

Speaker 8 (02:02:44):
I'm gonna be off the hook, off the hook, Braddy,
how long did you say the drive?

Speaker 9 (02:02:50):
Two and a half?

Speaker 6 (02:02:51):
Two and a half right now? Was that the last one? Both?

Speaker 4 (02:02:54):
Yep?

Speaker 5 (02:02:54):
There was the last one?

Speaker 6 (02:02:55):
All right?

Speaker 7 (02:02:56):
So look to everybody for tuning in today on the
Doctor Green Thumb Show. Let's give it up for the
guests one more time, wilch out man.

Speaker 4 (02:03:03):
Probably thanks for having me. Man, it's salute y'all. Man,
appreciate you.

Speaker 6 (02:03:06):
Shout you got any, Shout out to anything you want
to shut.

Speaker 4 (02:03:08):
Out before we get off, man, Shout out to everybody
who supports hip hop to this day, twenty twenty five,
what we know is the element of hip hop. And
anybody who supports the new record Child of a Kingsman
and everybody that contributed in front, behind the scenes, or
whatnot to the album. Man. Yeah, man, this ain't the last.
We're gonna keep it moving. This is just the most

(02:03:29):
recent project. Shout out to my family, especially my daughter,
my son Kean, and Miles and yeah, man, that's what
we're doing.

Speaker 6 (02:03:39):
Yeah, Liezi, you got some shout outs.

Speaker 9 (02:03:43):
Oh yeah yeah.

Speaker 10 (02:03:44):
Shout out to Jack man A, thank you for coming through, sir,
pleasure you know, uh knowing you as many years.

Speaker 6 (02:03:51):
As we have.

Speaker 4 (02:03:52):
Shout out to EA Zone.

Speaker 9 (02:03:53):
Shout out to Leezy Dope beats you played today, bro,
like those those.

Speaker 4 (02:03:57):
Flipsheetle things I've been flipping so a.

Speaker 10 (02:04:01):
It's a pleasure to be able to hear some of
this shit in the raw form, just like I'll check
this out like so, shout out to Cycle. That's shout
out to the Treeous crew, Dom Bolton and Ray. Shout
out to drow Aton, Shout out to be and the
whole Cypers squad. They're at Yamava tonight. If you got
your tickets, enjoy the show. Follow me a C minus
fan four on all the social media's and word I'll

(02:04:23):
see you back here tomorrow for another edition of The
Doctor Grentham Show as well as The Doctor Grentham Mixed
tomorrow on a Friday. We're gonna do it, so everybody,
and shout out to my mom and my family.

Speaker 9 (02:04:37):
I love you guys. What up Cycle, Leady.

Speaker 8 (02:04:39):
Ah Man chilling shout out everybody on the chat hanging
out with us, wild Child for coming through chopping it up,
new project. I'm gonna check for that the whole Doctor
Greentthamb crew. You know how we're doing that over here,
swabo with the new beers, you know. Salute for the
for the for the drinks. Also, if you're on the

(02:05:02):
I g follow me psycho lest Official and go to
the website, the psycho Less Shop dot com. All right,
and I think we're gonna do the mix after this,
so yeah you're ready.

Speaker 4 (02:05:13):
Yeah, Yeah, Jay the Wild Child, y'all follow me on
her j D A Wild Child, and yes, shout out
to this diplomatical rum. Yeah with the with the with
your yeah, j j D A wild Child, j d
A this j the Wild Child. You know what I'm saying.
Y'all know what's up? What's up? And also yeah it
shout out to C Minus man, your brother almost didn't

(02:05:34):
make it years ago. I remember it was in New
York and I got what they called a thunderclap headache
and my brother took care of me. Y'all might not
have seen a wild child every after that. Shout out
to see Minus on that and yeah, man, Let's go Bolton.

Speaker 16 (02:05:47):
Yo Yo show out the Insane Asylum Show to Ray
Morning Shot Film Show to the Dominator. Everyone had to
be Real TV too, and to be Underscore Real TV
for the Twitch Mix show. Go check out Demrick's Instagram
as well. He's having his album release party tonight. Go
check that out and uh, what's up?

Speaker 5 (02:06:02):
He zoned?

Speaker 7 (02:06:03):
Thank everybody for tuning in. Make sure you guys tune
in later tonight. We're gonna have the inside scoop on
Puffcorn this year, so we're gonna have Kevin join us,
so make sure you guys tune in. We got a
lot of good good stuff for you guys, so make
sure you guys tune in for the We Don't Smoke
the Same Podcast seven to nine.

Speaker 6 (02:06:18):
Also follow me on Whatnot. I have a couple of
upcoming sales on there.

Speaker 7 (02:06:21):
There is a Vinyl cell there is We Don't Smoke
the Same celle as well on there, So make sure
you guys. A lot of this stuff is lit like prelisted,
so make sure you guys go host it up and
stay tuned for the mix.

Speaker 14 (02:06:34):
Nov TV