#1302 | Demrick Performs Live on the Podcast! | The Dr. Greenthumb Show

Episode Transcript

Speaker 1 (00:05):
Disclaimer. This video, like all videos featured on the channel,
is definitely intended for a ture adience.

Speaker 2 (00:08):
This videos, like least sampling language contain is appropriate for video.
It's not for kids.

Speaker 3 (00:16):
Welcome, We are back back on the scene trying to

(01:24):
be clean. Welcome to the Doctor Great Dumb Show Live
on Twitch, Discord, YouTube, x kick, and homesite, w w
w W real dot tv.

Speaker 1 (01:35):
What did do? Baby boom? Right?

Speaker 3 (01:38):
Mister Goodlight dj C minus in the built? What everybody happy?

Speaker 1 (01:44):
Monday? Like? What you like? What you did there? Eric?
Bobo is not in the building.

Speaker 3 (01:53):
We have the Invisible Man to cover for him.

Speaker 1 (01:58):
Hey guys, m oh well as well? Why am I
fucking blurry? I don't know. We'll work on that, bro.

Speaker 3 (02:06):
We also have the Treehouse Crew both to blomboa Brah
Bron the Dominator.

Speaker 2 (02:09):
Yo yo, what up? Sideline crew is doing good?

Speaker 1 (02:11):
The Sideline Crew, that's right. Uh.

Speaker 3 (02:15):
We also have back in the building, my mad Demrick
up in here. He's gonna do something special for you
guys today. Man, y'all don't even know. We also have
the Concentrate knk Kelli Blath What to do?

Speaker 1 (02:31):
People?

Speaker 3 (02:32):
Welcome back, Welcome to it. Guys, it's good to be
back here. I want to say salute to everybody that
came out to Yama Vah.

Speaker 1 (02:42):
That was awesome.

Speaker 3 (02:43):
We talked about that on Friday, but I also want
to say salute to everybody that came out to the
Tachi Palace Casino gig this weekend. It was tight people,
was you know feeling it smoked out? Yeah? It was
cool man, dude.

Speaker 1 (03:02):
My mom was there, My mom and my THEO and
my nephew and they loved it. Oh that's right.

Speaker 4 (03:06):
Yeah, came up and that was my nephew, he's sixteen.
That was his first I P still show really an
well not so bad. Yeah, people from Fresno came out.
That was like what thirty mile drive for them?

Speaker 1 (03:20):
Yeah, not far at all.

Speaker 3 (03:22):
Was that the last official show for the year for
the year unless something comes up like a pop up
show or something like that, but uh, it was.

Speaker 1 (03:29):
It was dope. It was It was cool to end
you know, the year the year end shows.

Speaker 3 (03:37):
I mean, normally we'd be doing Haunted Hill, but I'm
working on something special because people were like, what.

Speaker 1 (03:43):
They's no Hill this year? New York is dying out? Yes,
and that this is what I'm working on.

Speaker 3 (03:48):
I'm working on two big shows in both our main markets,
one in New York where we started Haunted Hill in
the first place, and I'm trying to work out something
here in Cali, something significant, not like just a little
small show, you know. So I'm working on it so

(04:08):
we don't get you this year, la, which I see
some of y'all are complaining about. Just know that where
we started this, we did it for twenty two years consecutively.
In New York, right, they have not had a Haunted
Hill show for the last time. I'm gonna say four years.

(04:29):
So if y'all if they could wait four years, y'all
could wait a year, It's okay. Yeah, it just means
we gonna bring it back better. Yeah, I think so.
I believe. So we're gonna play it this year with
the symphony. But then I thought, oh, we gotta do
something different. It can't be a symphonic show for Haunted Hill.

(04:51):
That it's not match. Yeah, it's not the right match
at least not yet, like we would have to have.
I would say, we have to be doing temples of
boom for that to make sense. And we don't have
any of the musical charts for that yet we're we're
getting them done.

Speaker 1 (05:08):
But I mean, yeah, yeah, what I was just saying,
that's a good question.

Speaker 5 (05:14):
What do you think would be besides Black Sunday the
best symphony and you say Temples of Boom.

Speaker 3 (05:20):
You think Temples of Boom, And I think also probably
Elephants on Acido.

Speaker 1 (05:25):
Elephants on Acid would be so sick and dark.

Speaker 3 (05:29):
Yeah, and maybe Skull and Bones yeah yeah, had Rock
Soup Star right, Yeah, yep. I mean there's a few
albums that that have orchestral parts orchestral parts that Mugs
eventually puts in, like Cypress four. Yeah, yeah, that's that's

(05:51):
one of my favorite albums.

Speaker 1 (05:52):
Too many songs on it, though, Yeah, like what sixteen
songs on there? Hell no, there's like twenty some songs.

Speaker 3 (05:57):
There's like a fucking double album or something, and then
some of the other stuff, even even until death do
his part. I mean, there's there's like the music that
Muggs made all in those last four albums that he
did was a lot of songs that you could turn
into the orchestra.

Speaker 1 (06:18):
Shit.

Speaker 3 (06:18):
Yeah, like we could literally peel songs off from each
piece and you know, make something significant. So maybe that's
something we do if we don't do temples of Boom.
But we were intending to do temples of Boom, so
we'll see what happens. Yeah, but salutes to the crowd
out there and all the folks, all the indigenous brothers

(06:39):
and sisters that came out from the area.

Speaker 1 (06:43):
You know what I'm saying. It was awesome.

Speaker 3 (06:46):
But now we're back. Oh but while I was out
there the day of the show. Day of the show,
went to the bowling alley at the casino, you know
what I'm saying, Because they had a like out of
bowling alley and a theater at the casino, And so
me and drou and Aton went down there and I

(07:09):
hit the elusive two hundred. Say what I saw the
one hit the one ninety nine first, and then I said,
you know what, I think I got it.

Speaker 1 (07:22):
I think I'm gonna hit two hundred. Here. That was
me hitting the one that got me to two hundred
right there.

Speaker 3 (07:29):
Yeah, sick, I had four to get me to the
Promised Land because I had too many. Like here's the
thing about that, trying to get above that, right, It's
like hitting the spares is important, but you gotta have
way more strikes than spares. If your spare heavy, that's
what you're gonna see if your strike heavy. If I

(07:51):
had more strikes in the front of the game, is
as opposed to the spars I would have, you know,
had something different there.

Speaker 1 (07:58):
That's the one ninety nine game. Need those strikes in
front of your You need the strikes. You want to
get one frame, so you need that ten right after
the to get.

Speaker 4 (08:06):
Up, or you need the ten right off the back.
If you can do yeah, like that sets you up
to gain more points through your spares.

Speaker 1 (08:13):
How lucky one point? You picked up that one?

Speaker 3 (08:17):
Well, it was those four strikes on the last end
of it that got me there. I'm looking at my
squirrels like, oh shit, I'm right here on the cusp.
What's the four in a row called?

Speaker 6 (08:29):
Uh?

Speaker 1 (08:31):
I think I think it's the hamdbone hambone. Never heard
that one. Yeah, I'm lucky, You're lucky.

Speaker 5 (08:37):
There were people there like, eh, yeah, that was a
good one two hundred ship. I think I only broke
two hundred one in my life, and that's when I
used to bowl a lot back then. Yeah, it's like
you said, it's not as as usual. Think the upper hundreds.
You can hit those all day, but to crack that
two hundred, you got to be striking. You got to

(08:58):
be striking. Yeah, I mean out pedro and now we're
picking them up.

Speaker 3 (09:03):
I mean we were like picking everything up, except for
when I was rolling with two hands, because like I
was rolling with two hands on other games. Not on
the two hundred game, I just rolled the right hand.
But on the other games, my kryptonite was the single
over here, right. I could hit this one over here
because I had to spin. I had the juice to

(09:23):
like get it and hook it and knock it over
there at that corner. But in this corner, I kept
overthrowing it and it, you know, instead of like hugging
the shit and then curving back in, it was just
it was going in. I was like fucking I could
not finesse it. So that was my kryptonite with two hands.
I got to figure out how I get that corner.

(09:43):
When I leave one or two in the corner.

Speaker 5 (09:47):
Some people go with that lighter ball and try to
throw it straight, you know, like trying not to curve it. Yeah,
go down the size and just throw it straight.

Speaker 1 (09:54):
Out of here.

Speaker 3 (09:54):
That I gotta try with two hands, like without the curve,
like when it's a straight shot, because you know you
usually it's just instinctively a fucking curve. But I think
it's because I'm releasing with a spin. But I gotta
try it without it to see if I can hit
that goddamn quarter That is the hard one. With two hands,
you got to almost be like releasing that a diagonal

(10:15):
thing work like it's it's curving right at the right
time to fucking go in.

Speaker 5 (10:20):
If you say the two hands, that's the aton roll
the two nd yeah, right, the two ends when you're
only losing the two fingers.

Speaker 3 (10:26):
Yeah, the two fingers, no thumb and shit when you
bowl that like professionally, Like if you go bowl that,
the ball can't have the finger holes for the thumb.
Oh wow, you can only have the two fingers. You
have to choose how you're going to roll, and you
have to stick with that roll. Oh you can't switch up,
manue switch up. No, at least I don't think so,

(10:47):
because I don't ever see the guys well you know what,
let me correct myself. I did see in one one
competition the guy used two hands and if he had
to pick up a spare he used one hand.

Speaker 1 (10:59):
Okay, so you know, but yeah, he's When I was younger,
I never saw anyone bowl like that, and now.

Speaker 3 (11:06):
I mean now, a lot of people bowl like that. Yeah,
this guy, that guy is pretty fucking smooth at it.
But notice that he tosses it and he doesn't roll
it from back of the line because others roll it
from back of the line.

Speaker 1 (11:19):
See that.

Speaker 3 (11:20):
It's a little toss and he got so much spin
on it. And it's an angle toss too. Who's this
guy pro? Yeah, that guy's a pro.

Speaker 6 (11:31):
He makes it look so easy, but every time I try,
it just doesn't work out the same way.

Speaker 1 (11:36):
Yeah.

Speaker 3 (11:37):
You know why because he spends about as much time
at that bowling lane as you spend on the mic. Yeah,
that's it, Uh, straight up, that's right, that's me Right,
you're hitting strikes on the mic, Demrick, you know what
I'm saying. Yeah, and he's hidden strikes on the lane.
Both take a lot of practice that, they both take
a lot of practice. They send dog, he did not.

(12:03):
He's got a trippy ass roll, but when he's on,
he's good. He was in a bowling league with Flavor
Flag Out Flavor Flave Out in Vegas for a minute,
and he said, flavor is really good. I think rest
in peace. Coolio was also a part of that league.
When you know, when our bro was alive and active

(12:27):
and supposedly, according to DJ Lord Chuck d is really
ice cold.

Speaker 1 (12:32):
Oh, we got to get everyone together.

Speaker 3 (12:35):
But you know, our be real TV staff has been
challenged by the Cypress Hillbillies.

Speaker 1 (12:40):
You know what I'm saying, Oh for real?

Speaker 3 (12:41):
Yes, so we might have a day where, you know,
we go meet up with the Hillbillies and and.

Speaker 1 (12:49):
Have a have a roll off their star. Yeah.

Speaker 3 (12:54):
No, no, Fernando, Fernando is not a great bowler, and
Hill tell you he does all right, Okay, he's not
right Boulder, But they have I think, who did he
tell me? They have a ringer who, like, you know,
his average is like two forty and he's hit three hundred,
and he's hit three hundred several times, okay.

Speaker 1 (13:16):
Average and the twos you had to have hit it.
I think it's Billy Bear right on damn. Yeah, So.

Speaker 3 (13:25):
That's okay because if the rest of them roll shitty,
you know.

Speaker 1 (13:31):
That totally was good roller.

Speaker 5 (13:33):
No, you do like a three on three, so you
can have two good one Ringer.

Speaker 3 (13:39):
You know what I mean, I will see what it
comes out to. We're gonna plan it out and we're
gonna film it. Yeah you know what I'm saying. Hell yeah,
we'll see what happens.

Speaker 1 (13:48):
Hell yeah, Top three and b Real TV. It's a
you eight ton uh Bolton And see.

Speaker 4 (13:57):
I'm almost there, man, I haven't broke the two hundred yet.
Well I'm right there.

Speaker 3 (14:01):
Those of it, those of us that broke the two
hundred is Bolton Aton flicked was the first one as well. Yeah,
and that was the last and that was the last one. Yeah,
I have the lowest score of the two hundred club.

Speaker 1 (14:14):
You're right on the money too, right on the money.

Speaker 5 (14:16):
But you'd want people who are averaging high games too,
you know, right, Yeah, you know you're getting hit a
two hundred ones, but you need to make sure you.

Speaker 3 (14:23):
Need to be hitting that forty yes, every game at
least the one fifty or one sixty. I don't even today.
That's horrible for me, you know what I mean. I'm
like trying to get above that every time.

Speaker 4 (14:34):
Now, I mean both and always talk about the worst
is when you come in and try to like warm
up and you're bowling those horrible first couple of.

Speaker 1 (14:42):
Games and then you're getting mode.

Speaker 4 (14:45):
Oh dude, because it's like we walk up to thinking like, oh,
it's just gonna pick up right where we left off. Nah,
you gotta go warm up, you gotta warm up, man,
you're getting mode.

Speaker 3 (14:54):
That's what I realized. You got to warm it up.
And I'll tell you what. The way that I figured
out to warm my right hand up is to start
the first game with.

Speaker 1 (15:04):
Two hands, okay.

Speaker 3 (15:06):
What I mean, and then by that that time I'm
done with that whole game, my right hand is definitely
warm and ready to go. It may take one or
two rolls to get it like dialed in, dialed in
because it's had help for a whole game.

Speaker 1 (15:18):
But yeah, I find it helps more.

Speaker 5 (15:23):
I feel like am opposite. When I go to warm up,
I waste all my good shots, Like I'll warm up strike, strike, strike,
then it's time to go.

Speaker 1 (15:30):
I'm throwing crap. It's like, ah, I should have saved those.
The other thing is you don't got to release it
is hard.

Speaker 3 (15:35):
Yeah you can, yeah, but if you're trying to get
it to spin and you're throwing it like way too
hard without that flick, you know, what I mean, it's
not gonna fucking curve. It's just gonna go right through
all that fucking polish. And yeah, I don't try to
throw that hard.

Speaker 5 (15:51):
I think you're right in between because I'm trying to
get it to hook, you know, and the way to
the ball will do a lot of the pin damage.

Speaker 1 (15:57):
You should try that two handed roll. You'll get it.
Even tried it. You know, it's not that hard.

Speaker 3 (16:02):
I mean it's you'll have to practice it, but it
ain't as hard as it looks.

Speaker 1 (16:06):
You find yourself more consistent.

Speaker 3 (16:08):
Oh yeah, listen the pocket that Aton tries to hit,
I can hit it more often than him. In terms
of the two handed row. I mean, yeah, he's kind
of better at it, but my targeting is better. I
mean I'm more consistent with my targeting than he is.
But like when he gets it, if he gets that

(16:29):
targeting proper, yeah, he'll knock him because he got the technique.
So I'm just saying, if I could get it, you
could get it, for sure.

Speaker 1 (16:40):
Andy.

Speaker 6 (16:40):
Last time we were bowling all together, I tried the
two hand thing, and then be real, I hear from
the background being like, you.

Speaker 1 (16:46):
Like, go back to one hand. I look back it
with b re well, because you don't want to let
you go.

Speaker 3 (16:52):
Yeah, you do what works when you're trying to compete,
you know what I'm saying. Don't like be experimental in
the middle of the competition issue because you might fuck yourself.

Speaker 1 (17:01):
You know what I'm saying.

Speaker 3 (17:03):
I did he on this tour though, we went bullying
and I rolled with the left hand. I got a
one to fifty with my left It's pretty good. Yeah.
I didn't expect it. Wow, I rolled the lighter ball
though I rolled. I rolled to trace twelve, you know
what I'm saying, because I wasn't going to try to
roll the fourteen with my with my left hand. I
know that would have been a lot harder. But I

(17:24):
fucking rolled the one fifty with my left hand. Didn't
expect to do that. I thought I was gonna get
like a thirty two. Yeah that's good because I didn't
expect to knock anything, you know what I mean.

Speaker 1 (17:33):
But my hand was straighter.

Speaker 3 (17:35):
As long as I knew what arrow I was targeting,
it actually worked out for me. I was like, oh shit,
I gotta practice that more often. Ambidexterous roll. You got
some new joints you're about to pop off for us.
I know we're about to get into one right now,
let's do it.

Speaker 6 (17:53):
I just dropped that new album oui ui? Who produced it?
H it's it's produced by the under Feeded. You know,
these two production partners. They did the whole thing. A
lot of album. It's like a lot of like just
raw samples looped up, not many hooks on the album
and really just focused on.

Speaker 3 (18:10):
The bars as as you always do. And I'm glad
like to hear that you used one production team instead
of like a whole bunch of producers.

Speaker 1 (18:21):
Man.

Speaker 3 (18:21):
To me, that's always like the key and great albums
and shit like that.

Speaker 1 (18:24):
Great music. I mean, let's be one thousand.

Speaker 3 (18:28):
Though, there are some hip hop albums that are classics
that were produced by multiple multiple producers. That hands down,
you know, we know this to be a fact, right,
but some of the best ones in the world were
skilled by one team or one particular producer or a duo,

(18:48):
right as opposed to, let's get these guys, then let's
get those guys. Then let's get those guys and these
guys that shit is hard.

Speaker 6 (18:56):
Yeah, and it matches the energy, like the aesthetic and
the vibe, you know, having producers that care about the
overall work instead of each producer just caring about their
one song that they produced on it. Yeah, So to
be able, if you're not gonna have an executive producer
come in and put all the puzzle pieces together, then
I think the best way is to get your production
who you're working with on the production involved the care

(19:17):
the whole way through as well, so that the art
is like cohesive.

Speaker 1 (19:20):
That's right.

Speaker 3 (19:21):
We're gonna get into this little break right quick, and
we're gonna come back with the performance by my man
Brick in the building.

Speaker 1 (19:28):
Wah wah, wah. What's up. My name is Slug.

Speaker 7 (19:35):
We're called the Atmosphere, and right now we are at
the Doctor Green Thumb Show.

Speaker 1 (19:40):
It's the highest show in the world. Dam Yeah.

Speaker 7 (19:51):
I usually bring my own and I travel with it
because I don't like having to ask for it.

Speaker 6 (19:58):
When I get there.

Speaker 8 (20:00):
Far of our get down here, So yeah, I roll
them all and then you guys smoking, so it'll be
the same way on the tour to come through.

Speaker 9 (20:09):
So they'll smoke right and know Glint whoa, whoa, whoa.

Speaker 3 (20:12):
About to get high?

Speaker 2 (20:13):
About to do a podcast about to bust out that
volcano about to smoke some doctor green thumbs and saying, oh.

Speaker 6 (20:20):
Gee, the very for the master Minx here, what's going on?

Speaker 1 (20:29):
Taking it back? Taking it back easy?

Speaker 8 (20:34):
Just stuff, Deans, what's going on?

Speaker 1 (20:41):
It's good to see him.

Speaker 4 (20:43):
How you doing? Man?

Speaker 8 (20:43):
You see my man webout the twentieth bar.

Speaker 1 (20:50):
The nineteenth part is, it's leading it unfinished. But if
you finished with one of.

Speaker 7 (20:55):
Your known lines on that nineteenth part and got nineteenth
bar or one of your setups that everybody else knows
what the follow do is, but you.

Speaker 1 (21:04):
Ended there, so you never even yet you know so.

Speaker 7 (21:06):
And I'm not saying this one, but if you're like, no, no,
here is something you can't understand and leave it open
like that, that's pretty much how you gotta do unless
day what you know?

Speaker 1 (21:17):
Let's yeah, some of them feel like to let part three?

Speaker 2 (21:21):
All right?

Speaker 10 (21:22):
Here we go?

Speaker 1 (21:30):
What's up? I go by the name of Demit. My
new album lu WI is out now.

Speaker 6 (21:35):
Shout out to everybody on be Real TV, everybody in
the chat on my fifty one fifty trying to kick
this real quick. Hold up jud Jack when Jack. As
soon as I drop this, they'll be back on my dick.
You can tell I got that ship soon as the package.

(21:55):
You've been ten songs in without having a skip flow time.
It's indeed diggers be burn it out quick, never switch.
I'm gonna chase a trend. I don't play per ten,
I set the play, but never eight for ten. Take
a friend line paper thing. Oh I'm cooking. Then this
bitch bringing apron there they call me chef boyard tep
for the fee. Ain't doing nothing for the free. Best
believe I'm about to turn it up one hundred more

(22:16):
degrees by see tet the crypto. Watch me walking down
these nigga's tiptoe type of shit. I live for my
wrist glow bro next like a light show, My life
like a type broke survival, won't bump for Nothing's on
the night, Not check the vital competition, suicidal fuck on
these folks titles Watching fifty's like a fight.

Speaker 1 (22:34):
And it's staying rotation it too. What the the door
was the door?

Speaker 6 (22:41):
Make sure you check out the eye of if you
ain't hurt it yet, it's called AUII. Come on, badamah lead,
I'm gonna take you there real quick. Let's get him
yd check it out. Tell me something good and don't
say nothing to doll either.

Speaker 1 (22:57):
Two ways to go.

Speaker 6 (22:58):
You for a law bee ball. I started out small.
Now I'm after your dog. Yeah, ain't let it take credit.
But it wasn't involved, no hand down, so I don't
need your help. People want to be everything, but they sell.
I'm just seeing them play their cards. I'm help make
sure my songs and balls and felled them focus on
my health and well. Everything else is actual credit. If
I like I swiped the devil, I just want them

(23:20):
for the night and then forget it. Might regret it
one day, is what some say. But you gotta better
dog when the ball, Like Lebron James performing at the
highest level, I never settled. Double up the prophets. That's
a hustle fundamentals, cause you can't pay band off potential.

Speaker 1 (23:34):
So I'm getting to the paper. That's a cent. When
a dude.

Speaker 8 (23:44):
Like look at this ship when he's barking to another dog,
that's what he said, look at this again, this is great.

(24:05):
Tell them about that. You're smiling like, that's yeah, pick
up my ship. That's like.

Speaker 1 (24:22):
We are back at Salute to my man Demrick. That
was off the chain. So weet, appreciate it. Fucking we
that it's hard bro a dude, the bar work is
Come on, bro.

Speaker 3 (24:36):
You know like in all the years have been getting
down with Demrick, you know from from where we were
working on mixed tapes and and the Rise Up album
and all the things.

Speaker 1 (24:47):
Uh, I never heard a bad bar from my dude
right here.

Speaker 3 (24:52):
He's always stepping up the levels of the bar work,
which I love. Come on, I'll put you against anyone
sodden fuck out of here.

Speaker 4 (25:03):
Every project continue, you continue to go up, you know
what I mean? And that shows how much you love
what you do because you're striving for it. You hit
like I'm always like when I listen to you, every
project is like, oh ship, damn.

Speaker 3 (25:16):
I'm gonna say that it's masterful bar work, my friend,
bar work from a fellow.

Speaker 6 (25:24):
Uh, you know, elite level MC that means a lot,
and from you as well, you know that means everything.

Speaker 3 (25:30):
No, man, you know because we hear a lot of motherfuckers,
I mean you yeah, you know we do in this
music industry, man, And I.

Speaker 1 (25:38):
Gotta tell you you got some of the best bar
drops out there. Yeah.

Speaker 6 (25:43):
With this album, I really felt like I wanted to
go and prove that, you know. So if you listen
to this this album, there's there's a lot more like
talking uh intros and outros, like leading into each other
almost like mixtape status and really no hooks, a bunch
of beat switches and a bunch of just like me
talking about different things. The way I feel about should

(26:05):
I see on the internet, the way I feel about,
you know, whatever's going on in my life, you know,
the way I feel about outside things. And I just
wanted to show that as cleverly as possible.

Speaker 3 (26:15):
And that's different because you know, usually and throughout the
time I've known you, you always put a hook, whether
it's a singing chorus or a rap type anthem rob
rod type chorus, or it could be some love shit
or somewhere in the middle. Yeah, there's always one. And
I like the fact that you took a chance on

(26:37):
not putting any end. I mean, to me, that's like
old school rap shit in a way, like before motherfuckers
thart to like sing their choruses or do any of
that shit, that there might have been a cut in
the hook or you know, a transition piece. To me,
that shit is dope, like thinking out of the box
is everything.

Speaker 1 (26:55):
And leaning on the lyrics too, like what are you
actually saying? Can we move them?

Speaker 6 (27:00):
And then I was seeing it at the album release
show and party that I just had last week, is
like you get done with a verse and people just cheer,
oh ah because you really executed on a high level.
And what you're saying is is like getting across to
the people and having them be like, oh shit, he
just said that, instead of like leading into a chorus

(27:22):
or put your hands up or this big moment to
try to like encapsulate the whole song, like just lean
on what you're saying, like what get to the core
of it, Like what are we talking about here?

Speaker 1 (27:33):
And what are you thinking right now? I liking it
to what we do right I liking it to gymnastics.

Speaker 3 (27:41):
Yes, all these these these patterns that we come up with,
and the words that go and syllables that are impacted
and some words that are stretched, like a word with
two three syllables or whatever. All these things are like
a routine that we're busting out, and the in context

(28:01):
of what is in this routine is a part of
that routine, and we're all trying to stick the fucking
landing at the end. And when it is a complex
routine and you stick that landing, those cheers are like
nines and tent out there, you know what I mean.
And you know that's that's what we do. It's lyrical gymnastics.

(28:24):
Some aren't gymnasts though, yes, some are rope skippers, you know,
they're just jumping rope, you know what I'm saying.

Speaker 2 (28:33):
But we.

Speaker 3 (28:35):
Be doing the other thing, yes, and we're always trying
to stick the landing, you know what I mean. And
what I mean is that there are rappers out there
that are rappers, no doubt, but they they deal in
a simplistic style that goes one way and they might
you know, change it up here and there, but it's
you know, very formulated, simplistic style. It's like we used

(28:56):
to call it the ABC style of rap. It doesn't
really have a lot of patterns. It's just straight to
the point. And sometimes that ship is really good, yea,
you know what I mean. But they're not doing lyrical
gymnastics with flows like that, with the type of ship.
You hear my Man Demrick and are Mean and the
Yodies and a slew of other rappers out there that

(29:19):
take this shit serious. Yeah, man, you know what I mean,
I exclude myself because you know, that's vanity if I
just throw myself in there. But like, because I'm a
connoisseur in the student I mentioned these names, you know
what I mean, because I feel like there's a percentage
of people that take it serious and some people that

(29:41):
are just you know, going through the motions. Yeah, you know,
because doing what we do is complex and sometimes complex,
and sometimes it fucks your head up doing this shit
because like you know, you're trying like you're like mastery
of bars here, yeah, trying to hit that ten. It's

(30:02):
all flex zone. You don't want to have no little why,
you know what I mean, It's we take this very
serious and like that shit that you just busted right there, man,
so good, you fucking off the chain.

Speaker 6 (30:16):
B And I really wanted to get back to the root,
the roots of it, you know, like the cipher. Like
I had to remind myself that, like that's how we
opened a lot of doors, is what I could say
in those sixteen bars, right, and what I was talking about,
that's how even when I got the chance to rap,
for be real, it came down to what I said
it's not like we pressed the play button and we listened.

(30:37):
Was like, damn, he's a great song maker right now.
I had those words in that the verses set up
to impress people, So I was I had to get
back in that mindset and be like that opened a
lot of doors for me. Let me remind people that
this is what I do, because you know, you go
on this once you start rocking shows and you know,
you start thinking about the overall record and how it's

(31:00):
going to move the crowd and what that's gonna do,
and it kind of, in your own way, you step
away from some of those original things that you that
got you, you know, through the doorway to begin with.
So I wanted to lean back on that and kind
of remind people that like, nah, just don't think because
now you see me at the concert, or just don't
don't forget.

Speaker 1 (31:21):
Oh, begin we do this, you know what I'm saying.

Speaker 6 (31:23):
So that's really what this UI album is about, and
I'm really proud of it and the way that we
switched we kept it interesting with the beats flipping and
switching up the people that we brought in on the
songs to keep it moving in the right way. You know,
it's it's like a piece of art, you know. You know,
it's crazy that you say that that.

Speaker 1 (31:42):
You know, it's like.

Speaker 3 (31:46):
People that come the rappers that come from cypher ciphers
that that drop that bar work, and they're known for
that ship and they're in that circuit like Slug for instance,
right and yourself and guys like yourself. You know, you
go from the cipher for action of just dropping bars
to the action of now writing songs and doing things
in a structure form.

Speaker 11 (32:07):
And some.

Speaker 3 (32:09):
People think that, oh, well, he probably ain't got the
cipher bars anymore because you've been writing all these songs.
Because in song form you're not always going for the head.
It's about the concept of the song. And if you
could flex a dope style within the concept, all good
doesn't always happen, but if you can, you do it right.

(32:31):
And some people think when these guys have been away
from the cipher too long and they've been writing songs,
that they can't come back to that cipher and kill it,
you know what I mean. But the thing is is
if you're keeping your sword sharp like these gentlemen have,
you can always come back to that cipher and flip it.

Speaker 1 (32:50):
It's much like a.

Speaker 3 (32:50):
Comedian who starts off doing all this stand up comedy
and then he goes to do movies and he hadn't
done stand up in forever.

Speaker 1 (33:00):
When he comes back, if you don't have those fucking chops,
they are eating his ass up. Yeah, no matter how
big your name is and who you are.

Speaker 3 (33:10):
Yeah, that's why guys like Jay Leno kept like even
though he was on TV every night with the Tonight
Show for all those years, he was constantly still doing
stand up like so that if anything ever happened with
this show, he still had his stand up chops. Because
a lot of comedians will go to movies and not

(33:30):
come back to stand up. Like Eddie Murphy said, he
was like fucking totally intimidated by coming back up. Yeah,
you hear a lot of exactly what you were just saying.

Speaker 5 (33:42):
A lot of big comedians will say you have to
keep that sword sharp or whatever it is because it's
a completely different animal.

Speaker 3 (33:49):
Yeah, it's the same shit with a cipher instead, most
especially if it's freestyle, right yeah of course memory Yeah.

Speaker 1 (33:58):
Yeah.

Speaker 3 (33:58):
I mean like guys like Super Now Natural Day stay
sharp because they stay doing it. Guys like demericks stay
sharp because Stay's doing it, and that attributed to the
hours that you put in on this that we always
talk about. Yeah, you know what I'm saying. And let
me say this about my man Demrick. He does not
put ink to the paper. It's boom right here. And

(34:23):
just like we talked about everlast and we talked about
Lil Wayne, we talked about jay Z Biggie and other
rappers who use this technique.

Speaker 1 (34:32):
My man right there and he will come up with
the verse like that.

Speaker 3 (34:39):
That's the shit that trips me the fuck out is
how quick your processor is up in that fucking nuggets,
like to be able to come up with those style
of bars and memorize it enough to not have to
write it down and you could just go bust it
that same day like I've seen you do this. Yeah, yeah,
that shit is crazy. Like I can write a verse

(34:59):
in twenty minutes, and that's different than being able to
come up with it in my fucking head and remember
all the lines and go back and doing it like
in that moment. That's like a special fucking tool right there, son,
Thank you.

Speaker 6 (35:16):
And I was always, i think, especially during that time,
I was always trying to whatever beat, what what's happening?
I was coming up with lyrics in my mind, and
I had to kind of because I was like, originally
with Corrupt right going to all these studio sessions, and
then it was with Be Real, and then after that
with X. You know, I'd be sitting in these sessions,

(35:36):
especially when people didn't know me. It didn't really make
any sense to I don't even think people were typing
on their phones at that point yet. But it's like
you couldn't really grab a pen and start like, who's
that in the corner right in the wrap?

Speaker 4 (35:49):
You know.

Speaker 6 (35:49):
But I wanted to be ready with a verse just
in case of somebody like b ro Be, like, hey
Deny young d what you got? You know. I wanted
to have something ready on deck, but you couldn't be
all outward with it and just be writing, and you
kind of had to do it in your in your
mind and be ready when it was when you were called.
You couldn't have the same rap that you you spit

(36:10):
the last time, and you had to have something new
on deck that you could help you could hopefully contribute
to a record. And that ended up getting me on
a lot of songs it's because I was simply prepared.

Speaker 3 (36:21):
I wish we would have had Mellow on today. That
would have been awesome because he was the one who
brought dem to my studio, you know, and Demrick sat
on that couch for the better part of six months
listened to all the shit we were doing. And this
is when I was producing a lot of beats at
this point, and I asked Mellow, Hey man, I came

(36:43):
up with this one beat and it was pretty fucking snamming.
I think it went on your your first mix tape
Audio Hustler volume one, and I said, hey man, who
do you hear on this? That would be dope because
I wasn't trying to rap on none of my shit.

Speaker 1 (36:56):
I wanted to like.

Speaker 3 (36:57):
Separate myself and do so to completely different I end
up rapping on my ship. But I'm saying at that point,
I was still kind of like that I was. I
was hearing other voices all my ship. But I came
up with this beat in the in the moment, I said,
hey man, who do you hear on this?

Speaker 4 (37:14):
Man?

Speaker 1 (37:15):
D I'm like, he's been.

Speaker 3 (37:17):
Sitting here for six months and you're barely telling me
he'd be getting down he goes, yeah.

Speaker 1 (37:24):
I'm like.

Speaker 3 (37:26):
And I'm thinking, I'm like second guessing him because he's
been there six months, you know, and I'm thinking if
he was dope, you would have told me, right. I said,
all right, go ahead and do something like goes over
there and fucking murders it. I'm like, oh, yeah, this
motherfucker's been sitting here six months. And then we just
start working like it was like still sharpening, still like that.

(37:49):
I'll tell you you coming along made me better and
and and points that like fucking you know, because I
was coming back into writing at this point because I
was playing paintball and I was making beats. I was
not writing shit, I wasn't doing features, I wasn't doing
any of that. And then I started to, like, you know,
after that whole paintball thing where Homeboy tells me, hey,

(38:11):
when you're going to do another song when you wait
making albums, I started getting back into it and I'm
like writing stuff and then you know, Mellow brings him
in the middle of that or something like that, and
we just start linking boom and he gave you know,
I started getting did different perspectives on styles and writing
and stuff like that. I was already doing that, but

(38:32):
then he brought a whole different piece to it. I
was like, fuck, I could get down with Demrick.

Speaker 10 (38:38):
Yeah.

Speaker 1 (38:39):
He made a lot of song.

Speaker 3 (38:40):
We made a lot of music during that time frame too,
and that that's when we end up saying we should
do a group. Yeah, And that's how the serial Killers
came about. We were the first two of the revamping
of it because the original Serial Rhyme Killers group was
Son Doobie rested Pce x Ellen Mellow, but that didn't happen,

(39:03):
and I still had this concept and I busted it
out to Demrick, and then as we were working on
my solo record, he tells me a exhibit wants to
come through or something like that, and we get him
on this song that Scoop Deville produces, which was Don't
You Dare Laugh, which was the official first serial Killer song,

(39:23):
but we weren't known as that yet. Yeah, And right
then and there with that song, we noticed, hey, this,
our voices have a thing to it. We should maybe
do more together. And Demrick brought an exhibit to the fold,
you know what I mean. So it all went like that,
and here we are all these fucking years later.

Speaker 6 (39:45):
Five about to be our fifth album, fifth album which
is gonna which is produced completely by Scoop Deville. That
just thinking about that now, the story about how it
loops really back around to the original start up whole ship.

Speaker 3 (40:00):
Yes, that's energy right there, That's that's that's like, how
can I say it's not necessarily manifestation because we you know,
we did it right, but it's coming back to the
original energy of it, right that was the what do
they say, the catalyst, the the moment we realized we

(40:22):
could be a group was with Scoop a spark, so
it's only fitting that we do this whole album with him.
And then, you know, we actually embraced him as if
he's like one of the members of the group, like
the fourth member, because it was always just you know,
we considered it us three and we had Julio as
as our djo, who was dope. I mean, fucking Julio

(40:46):
g Rocket sets with us was enormous. But Scoop, you know,
he came in and he produced this thing. He dropped
some verses and he did his fucking thing. Man, I
can't wait for people to hear it. It's it's awesome.

Speaker 1 (41:00):
We could say it now.

Speaker 6 (41:01):
The very first single drops October thirty first, October thirty first,
twenty five exclusive.

Speaker 1 (41:09):
Yo, can I say from again? Can I say that
I've heard it? Go ahead?

Speaker 4 (41:15):
Yeah, that shit is some of the hardest shit I've
like as far as like hip hop, that shit is
just like so it's so different.

Speaker 1 (41:24):
So I gotta thank Mello again.

Speaker 3 (41:26):
I mean, yeah, you know Mello in the beginning who
got me into this art no being at MC and
all that shit, because I mean, he was the one
I had other influences, but he actually pushed me to
do it right.

Speaker 1 (41:45):
So that's one.

Speaker 3 (41:47):
And he was one of the ones, you know, with
sen and Mugs who came and got me from the
gang bang shit to be in the studio, right, So
you know, I thank him for that, and then I
thank him for bringing this motherfucker over here, because you know,
we wouldn't be doing this Serial Killer album had he
not connected us.

Speaker 1 (42:07):
Fellow man as man, he's a connector of people. You
know what I'm saying. It slue to my man Mallow
out there. You know what I'm saying.

Speaker 3 (42:16):
We're about to pop off into another one of Derick's
performance right here, So chew on this and we'll get that.

Speaker 2 (42:28):
G.

Speaker 6 (42:28):
For now, I'm waiting on be Real to come out
and give me some of that insane on Yo, you
understand me.

Speaker 1 (42:34):
But for now, we got the G. I heard like
three flicks.

Speaker 6 (42:38):
It's like my life flicks.

Speaker 12 (42:39):
I'm smoking.

Speaker 9 (42:40):
Then I hear it be Real I'm talking about some
ship and then it's like you can hear in the interviews.

Speaker 6 (42:45):
At one point I'm like, yeah, so.

Speaker 3 (42:49):
I'm trying not to cough like brod that.

Speaker 8 (42:56):
And it's crazy too because it was.

Speaker 3 (42:57):
It wasn't just like say you lit up one joining
classed that one joint.

Speaker 1 (43:01):
Everyone had their own. One was smoking.

Speaker 13 (43:03):
Everybody was smoking a blacks in the face and all
that smoke was staying.

Speaker 6 (43:07):
In the car. I was like, Yo, this y'all like
killing me, you know, saying O ge shirt dog the
matching hot Dogs.

Speaker 1 (43:16):
It's printed on that dog.

Speaker 8 (43:18):
See that ten dollars?

Speaker 12 (43:19):
Yeah it's good good.

Speaker 1 (43:31):
Uh yep.

Speaker 6 (43:33):
This one right here is called Fried Chicken Friday features
be Real, my serial killer brother.

Speaker 1 (43:41):
On my new album.

Speaker 6 (43:42):
OUI that's out right now, let's go check it out.
Uh yeah, tell me where your heart is at. I'm
underground like an art of fact. Before the rap I
used to quarter back quarter sacks out the Cola sacond night,
going back. I'm out in that lad and the more
school Cadillacs where the sun shine but the Texas is high.

(44:04):
Got that good be the most of bitches is by
for the right price. She gonna hop a flight to
to buy some thing twice for your kiss and goodbye
for real. Mostly figures out they're living a lie for
real hard times on the rock of Vellley.

Speaker 1 (44:16):
Buy a meal. Shit. It used to beat me too.

Speaker 8 (44:19):
Wait, baby, give me rased.

Speaker 6 (44:20):
She got a high IQ and she gonna hear I'm
food for she here. I do ain't no fool. Watch
up quick, she started yemming the crew. Ooh, yep, it's
just the way that it goes.

Speaker 1 (44:29):
Stay on your toes. Don't lose control, for shure, don't
lose control.

Speaker 6 (44:35):
Out here, keep no eyes out the phone and on
the road. A lot of bullshit, a lot of distraction.
Then they trying to take you off your purpose. Stay
locked in, yeah, y'all, Uh check it out. Let's get
it h y'all. I hopped off the porch quick God
drenk of forty yells or some more lock goud remote

(44:57):
big up most can't roll with your used to road
switch fucking on your sister. Now they call me miss stuff,
but still never switched up. Still the same media chain
turned gang green. We ain't in the same league you
played for your wait team. Black out the spotlight, Beijing
my side thing, it's your mainth day. I spoke day
just to maintain come my stresses when I go Wanma

(45:17):
Dion legend without a question, got my family in this session,
we take it to Keeland.

Speaker 1 (45:21):
Shots came a long way.

Speaker 6 (45:23):
Give a fuck if they were needing not the plot
thick gen like Grandma's batter on fried chicken, clock tick in,
got my clock cut. I'm out the trip man. That's
just the way that we live in. The price is
risen for the wild and the unforgiven. Check it out, yob,

(45:46):
this callie living. Turn my TEMs to some chucks. Send
me across the world giving head on the bush. I
keep a pretty woman on the end of my blood
ducking dodger coss. Won't see my hands in a cuff.
I hit the beach, I keep my feet up in
in sand, drink a fifth, make a playing on a
gram and expand like damn nweed degrees in December where
the actress that she's taking more buffst and offender packages

(46:07):
that Denver no return to center. Two Dad hits and
jet fu mixed together got my head in the blender.
Only Kelly can appreciate good to state, what if you
don't depreciate take a hit? Pass off to reciprocate HT
box been a lake in and out, then a plate.
Oh yeah, I've been across the road. They found a
great a jet but I'm taking the best out here

(46:27):
on the West. Real TV he the Doctor Green Thumb
showed the highest motherfucking show in the world.

Speaker 1 (46:39):
You better believe that shit. What if y'all you know
who it is?

Speaker 2 (46:42):
This she meant for you?

Speaker 1 (46:43):
Ricky wawss Yo, what's up? Sitlizening ak diego, what's up?
It's banger hating. I'm at b real TV, Yo, What up?
Everyone is Brian t City. Shout out to b real TV,
thanks for having us. Shout out to b real TV.
It's first smoke of the day. Packard's blackly for here
be Real TV about to roll up.

Speaker 6 (46:57):
It was cracking it sh home with a little Robber
here and the Doctor gree show the highest show in
the world.

Speaker 1 (47:01):
Home boy, word up, salute to a little rob. It
was just his birthday the other day, wasn't it.

Speaker 3 (47:08):
Yeah, so yeah, happy birthday, man, I think so. He
had a big show the other day. And speaking of
big shows, those were some more bars. I feel like
I should have jumped in with you right there.

Speaker 6 (47:19):
Man. Damn that verse I put on there was just
a placeholder, man, whenever you're ready.

Speaker 1 (47:25):
Oh, that was the hell of a placeholder. And I
love the beat switch.

Speaker 4 (47:28):
Man, that's just like it's so dope because it's like
it's it's unexpecting these times, you know, you just be
able to just do that and you kill both both
tracks and with different stimes.

Speaker 1 (47:40):
Dope, dude.

Speaker 3 (47:40):
Yeah, when I heard you when you when you sent
me that track at the beginning, I was like, oh shit,
this is different, but I liked it, you know what
I'm saying.

Speaker 1 (47:47):
I'm like, yeah, let's let's get this.

Speaker 6 (47:50):
I really appreciate that because yeah, when I heard the
third beat, I was like, ooh, it's almost like some
dusty like you know, it's got that kind of vibe
where I could hear be Real's tongue going crazy on this,
you know, and uh, really the beat switches just keeping
it interesting because everybody has such a short attention span
right now. Yeah, so you like just give people so

(48:12):
many different moments. You never quite get too settled in
in on one thing. And that's that's the course of
this whole album. The OUI album is just constantly moving
and changing, you know. Yeah, it's cool, you could It's
it's a short record too, It's like a little unther
forty minutes and it's a solid listen, Like if you
put it in on at the beginning of a workout

(48:33):
or a beginning of a smoke session or a car ride,
especially in some LA traffic. By the you know, you
kind of zone out and get to the other side
of it by the time you get to wherever you're going.

Speaker 1 (48:43):
You know what I'm saying.

Speaker 3 (48:44):
It's a vibe. Yeah, that last beat that was just
on that that wasn't yeah no, no, it was his beat.
I'm featured on that song. I just did perform it
with him.

Speaker 1 (48:54):
Here. That's cruise control, but that's cruise control. Yeah thoughts. Yeah, yeah,
you got the cameo in the thought that was.

Speaker 3 (49:05):
Yeah, that's why he said his verse was a placeholder
in there, but it didn't seem like a placeholder made.
That ship was the bars on top. You could build
a prison with them bars. G It's dope, you know
what I'm saying. But that's that's what it is.

Speaker 1 (49:20):
Man.

Speaker 3 (49:22):
You know, Demrick sounds that great because he puts the
fucking work in.

Speaker 1 (49:29):
He don't halfway. None of that ship.

Speaker 3 (49:32):
It's all work, you know, by design, because that's the
that's how you put out great material.

Speaker 1 (49:39):
You put that work in. You don't cut corners, and
you don't do it halfway.

Speaker 3 (49:45):
He could go out and perform any one of his
songs at the level that you heard that ship I mean,
you just heard him do that ship live. Some of
these new cats did right, not even half the the
complex styles that this guy writes right here. They can't
even perform their A, B C. Shit as good as

(50:07):
that right there, not even close. That goes to show
you how much of a professional my dude right here is.
You know what I'm saying, And you need to go
get that album OOI and take that ride, take that vibe,
you know what I mean, because you ain't listen. You're

(50:27):
not getting short changed on nothing. It's all flex bars
for you and dope, you know, complex fucking you know,
ideas out of the box even you know what I mean.

Speaker 1 (50:41):
It's to me, that's that's artistry right there.

Speaker 6 (50:46):
Flipping the styles, you know, going into that bag and
being like, how can I approach this differently and just
really caring about it. I said, Man, you know, it's
the day and age, like everything's moving so quick, so
it's like it's not it's even old by the time
it comes out, like way society looks at things at

(51:06):
this point, you know, and it's like you know, today's
news is yesterday's news or whatever. But if you really
push something that's not trying to be trendy, I think this,
if you put it out and you stand on it,
and you push it and you promote it and you
believe that it's special, it will find it's home to

(51:27):
the people that it's supposed to, yes, and they will
see what you what you were presenting. That's that's what
I'm betting on. How do you feel as an artist,
like with the intention span? You know, you just say,
you know, with everyone does have these days has a
shorter attention span, liked like do you have like is

(51:48):
it always like oh man, like oh yeah, that was
your last album what's up with the news study?

Speaker 1 (51:52):
Do you have fans that loved keeping up with you?

Speaker 6 (51:54):
And like, yeah, there's two ways to look at it, right,
Like I kind of feel like nothing is never because
everything is too old as every to everybody immediately, So
like I feel like, okay, cool, I can do a
real to a song that I felt like I slept
on a couple of years ago and it pop off now.
And I also feel that, you know, all bets are

(52:16):
off and whatever I make special is is special. But
the reason why I did it like this for this
album was I was like, people might hear one bar
and be like, Yo, that's fucking crazy what he said,
And that's that shock value that I can get out
of my strong suit. Instead of being a they want
you to be a content creator. They want you to

(52:37):
do all that. So I had to find my way.
How can I take the fifteen seconds or the ten
seconds or even the five seconds where I get somebody's
attention and make it special. Let me lean on my superpower,
which is rapping, you know, and then we could get
to this. You go do your research and then you'll
find the angels come calling, or you'll find the clouds
above us, or you'll find a roll my weed, or

(52:58):
like them songs that are up up on the top
that a lot of people listen to that when I perform.

Speaker 1 (53:03):
They know the words and sing them.

Speaker 6 (53:04):
But it's like if if I'm gonna catch you right
now in this moment, I'm gonna I'm gonna hit you
with my number one.

Speaker 1 (53:11):
You know what I mean, I'll hit you.

Speaker 3 (53:12):
With my you know what I got you my best moves.
You know that you've been doing that? Yes, sir, word
up real quick. Today's National Coffee Day.

Speaker 1 (53:23):
Alight? I finished mind still? But oh there you goes
the fuck you got that big one? Whoa pause?

Speaker 4 (53:33):
It's only half fall. It's not like it's only half
it's a travel it's more half a kiss.

Speaker 1 (53:41):
A pack.

Speaker 3 (53:42):
Hey, there's a there's a kiss documentary out there right now.
It's called Kiss Kisstory.

Speaker 1 (53:47):
Yeah, yeah, I seen it. I haven't seen it yet.
I gotta see it. Oh man, it's really good. I mean.

Speaker 4 (53:51):
The only thing is that As and Paul aren't I
mean A's and Peter aren't a part of it, of course,
So it's it's more or less the Genie and Paul story,
which it's you know, they give it up that you know,
they talk about how important you know they were in
those years.

Speaker 3 (54:05):
But yeah, it's a good, it's a good. The other
guys are just you know, they're still bitter about being
asked out.

Speaker 4 (54:12):
Yeah, I don't know they're gonna, you know, they'renn perform
at that Kennedy Center.

Speaker 3 (54:15):
It's the original for it is supposed to be the original.
Oh that's awesome. That would be great. They're all old
as dirt. But you know what I'm saying, I mean,
it's still kiss still kiss ogs. You know, it'd be
awesome as if they did the Prince remake to kiss
Paul steady kiss kiss.

Speaker 4 (54:35):
Oh yeah, it would be. I mean, because dude, Paul's
voice was starting to get.

Speaker 1 (54:43):
A little you know. Oh yeah, it's it's more than
a little you know already not the it was not
the Bee's knees.

Speaker 4 (54:50):
Nothing could be, you know, but I mean ship let's
I mean, he's had some vocal rests, so his voice just.

Speaker 1 (54:55):
Kind of ruined. It was it was shredded.

Speaker 4 (54:57):
Yeah, yeah, dude, it was just like he had just
ever since they reunited in the ninety six, for like
it was the original four they got together. They have
been on the road every year since then till like
two years ago. Yeah, but before then they weren't no
and there.

Speaker 1 (55:15):
This is the thing.

Speaker 3 (55:16):
You got to get your voice ready. I mean like,
if you're constantly working it, you got to get less ready, right.
So that's like if you're not out there doing shows,
at least doing vocal exercises and warm ups.

Speaker 1 (55:31):
And I don't think he is doing any of that shit.
So he just shredded his voice.

Speaker 3 (55:38):
From that time that they went on those crazy runs,
and that shit does significant damage on your vocal cords
that you know, some singers don't come back from that shit.

Speaker 1 (55:49):
Damn man screaming.

Speaker 4 (55:51):
I mean even David Lee roth Iss sounded like whoa. Yeah,
you know, even when I went and saw the Isley
Brothers week and like Ronald Eisley, he was still hitting it.
But then there's some crack cracking parts. You know, you're
just like ooh, like, but he's eighty four, you know
what I mean, So it's expecting you know, maybe your
voice isn't the strength, isn't gonna haul all the way

(56:13):
up eighty four. You might have a voice, but it
might not be the voice of your twenty four year
old self ur but it was just it's amazing just
to hear like, you know, they still got it. But
then there's times where it shows and you're like, oh, man,
like Paul Stanley that last time I saw him at
the at the when it was Staples Center, still there
right before pandemic.

Speaker 1 (56:34):
Like Paul Stanley's voice is shredded, Dude, jeans sounded great.

Speaker 5 (56:39):
Genetics, bro, You know you look at people like, look
at William Shatner. I just saw him in something a
couple of weeks. He's ninety four, and if you've seen him,
just how just he's still all there?

Speaker 1 (56:49):
Yeah? And then what's your name? Ern is it Ernie
Hudson or Ernie Hudson? Ernie Hudson? Bro, he just turned eighty.
You see what Ernie looks like in eighty.

Speaker 3 (56:58):
Hey, it's crazy as William Shatner is still working. He
does a show on the History Channel, and like several
other things, the man doesn't stop working ninety four.

Speaker 1 (57:11):
He's don't looking great for ninety four. Ship that's all
that goddamn money. Money, but no genetics. You know, it
doesn't matter your your gene pool. That that part too,
And if you got a little bit of money.

Speaker 3 (57:24):
You could sustain yourself a lot longer than you would
have if you didn't have any money.

Speaker 1 (57:30):
All right, let's see, it's also National v uh v
f W Day.

Speaker 3 (57:35):
Okay, salute, and it is also National Wildlife Refuge Dead
Hell yeah, alright, all.

Speaker 1 (57:47):
These you know these we could get down with absolutely
special levels. Yeah, anything for the National Wildlife you know
what I mean?

Speaker 3 (57:55):
Good true that animals it guys, did you know it
is the birthday of the legendary comedian Andrew Dice Clay
born on this day in nineteen fifty seven.

Speaker 4 (58:06):
Dude, one of the ogs of like shock comedy, Like
rhyme nursery Rhymes is one of the best thing. Did
you guys remember hearing? He had that album called The
Day the Laughter Died And it was such a bunch
of just nothing but crude and rude jokes and the
audience in front of a live audience and the audience

(58:26):
isn't laughing, and that's what makes it so funny. But yeah,
if you can find that summer, that's it. It's a
good He's the man.

Speaker 3 (58:32):
Oh yeah, his insults too, like the way he dealt
with Heckler's was fuck.

Speaker 11 (58:37):
Oh.

Speaker 1 (58:37):
He was his crowd work was amazing. Dude. Somebody I
remember somebody heckled him. Some dude heckled him.

Speaker 11 (58:43):
And you know, he says, you're the type of guy
that stunes outside of the bedroom stall, does smell other
guys as shit.

Speaker 1 (58:55):
God damn, that's pretty hard. That's pretty fucked up. Yeah,
that's Ford Fairlane. Yeah.

Speaker 3 (59:01):
Did you know it is the birthday of the legendary
Basis Less Claypool born on this dad nineteen sixty two.

Speaker 1 (59:09):
One of the best, dude, one of the best to
ever do it.

Speaker 2 (59:13):
Man.

Speaker 1 (59:14):
Yeah, it's crime. It sucks.

Speaker 2 (59:18):
Oh man, is that a south park right?

Speaker 1 (59:20):
Yeah? Hell yeah. And that's Primus right there, buddy. Yeah,
Jerry was a race car driver. Well noa had a
big brown beaver. My name is mud all those and
did you.

Speaker 3 (59:32):
Know it is the birthday of one of the funniest
motherfuckers out there? Russell Peters born on this day in
nineteen seventy. He's fifty five. Welcome to the fifty five clubs, sir.
We got to get Russell down here, man, we know
he did. We don't smoke the same. I know he's
trying to like get the date from him and stuff
like that slutam Ma Mayor Russell.

Speaker 1 (59:54):
We're gonna see him soon. He's hilarious. He's always busy too, man,
man be barking.

Speaker 3 (01:00:02):
Did you know in nineteen eighty Curtis Blow dropped his
self titled debut record, Curtis Blow.

Speaker 4 (01:00:09):
Oh my god it would Yeah, this is uh was
the first album? Is the one that had the breaks.
Clap your hands everybody.

Speaker 3 (01:00:17):
From what we know, thanks in the from like being
West Coast kids and you know you're you guys are
East Coast and ship like that.

Speaker 1 (01:00:26):
We got a nice bridge going on here.

Speaker 3 (01:00:29):
Curtis Blow was the first superstar solo rapper, Yes right, yes,
what could could we say that? Was there a bigger
solo rapper than him before his time or at at
his time?

Speaker 1 (01:00:46):
I mean maybe Melly Mal, but Melly Mal was part
of a group. Yeah, who broke he broke away from
a group. Yeah. And and Curtis Blow was you know,
without Curtis Blow, there is no ren dmc d like
he because because Run was DJ.

Speaker 4 (01:01:00):
Yeah, DJ run when you run, you know, and Curtis
Blow was he dude, he was the rap superstar at
that time.

Speaker 2 (01:01:06):
I'm seeing he was the first rapper signed to a
major label, Mercury Records in seventy nine.

Speaker 1 (01:01:11):
Yep. So he's the first rap superstar. Yes, he was
a big deal. Yes, he was a very like dude huge.

Speaker 3 (01:01:20):
I mean shit, I remember going to Curtis Blow's shows
when he finally came to La Hell.

Speaker 1 (01:01:25):
Yeah, I was young as fuck but got in.

Speaker 2 (01:01:30):
I'm Seeing the Breaks was the first rap song in
history be certified gold.

Speaker 1 (01:01:34):
Wow. Well, you know, like he can't he he did.

Speaker 3 (01:01:37):
He maybe he had an eighties run, but I'm saying
he came back in late eighties when when Mellow was
having his run for Theirosa and Kid Frost was doing Lotosa.
At that point, they were doing some shows, and I believe,
if I'm not mistaken, they did some shows with Curtis Blow.

Speaker 1 (01:01:56):
Dude.

Speaker 4 (01:01:56):
I just remembered that back in the Power Went of
six Days, he used to host the old School, Old
School show. Yeah, and so dude, he would come in
and dude, like he'd be talking like all the game
of like, oh what it was like back then in
this right, oh, you know, like he'd have records with
him and dude, it was Curtis Blow is dope.

Speaker 3 (01:02:15):
Yeah, I mean, he's the one that kind of laid
the way for like guys like Yello, cool JB a
rap star.

Speaker 1 (01:02:21):
You know what I mean. He is like the first template. Yeah, man, uh, yes, Curtis.

Speaker 2 (01:02:26):
You're just talking about Russell Peters. It says Russell Peters
was the producer of a show called hip Hop Evolution. Yeah,
and Curtis Blow was in there.

Speaker 1 (01:02:33):
Yes, you gets the Turntables? Yeah?

Speaker 3 (01:02:36):
Yeah, uh, that that I believe is on Netflix. I
believe that series Evolution to hip Hop. You should check
it out. It's pretty dope.

Speaker 1 (01:02:47):
Did you know?

Speaker 3 (01:02:48):
In nineteen ninety eight, Black Star dropped their self titled
debut record.

Speaker 1 (01:02:54):
Album.

Speaker 4 (01:02:55):
This album is classic, dude, that one that one bad
on there just and it just goes that whole album
is classic. Bars multiplied by bars equals fucking bars.

Speaker 1 (01:03:09):
And it was night ninety eight year. Did you know?

Speaker 3 (01:03:14):
In nineteen ninety eight, on this day, same day as
Black Star, a tribe called Quest dropped The Love Movement.

Speaker 4 (01:03:23):
Yep, this would be their final album for the nineties
and usually it was you know, a lot of it
produced with Dyla and yeah, this had find a way
this has started. I mean, dude, there's some really dope songs.

Speaker 6 (01:03:43):
On here.

Speaker 1 (01:03:44):
Yeah.

Speaker 3 (01:03:45):
Did you know also dropping on this day in nineteen
ninety eight was the legendary group Outcast dropping Equiminal.

Speaker 4 (01:03:56):
Man, this is when albums were just dropping left right. Yeah,
this day is actually a classic day. Yeah, classic day.
And did you know on this same day jay Z
also dropped volume to Hard Knock Life. Oh man, that's
a very nice album cover.

Speaker 3 (01:04:17):
Yeah, we would never do it as Cypersil, but I'm
saying that's pretty dope, pretty classic.

Speaker 2 (01:04:22):
What do you think of that remake the Hard Knock Life?

Speaker 1 (01:04:25):
I thought it was dope?

Speaker 3 (01:04:26):
Yeah, yeah, man, I mean you know, his rhymes were tight,
and you know the kids singing the chorus like that,
Well that that was a sample.

Speaker 4 (01:04:35):
Well the sample, I'm saying, and produced by Mark the
forty five King, Rest.

Speaker 1 (01:04:38):
In Peace, Rest in Peace. That was a classic work
of art there.

Speaker 4 (01:04:42):
And the way he found that beat he was at
a party that Kick Capri was playing and Kick Capri
played it and jay Z walked on and he's like, yo,
what is this?

Speaker 1 (01:04:52):
Like oh is this?

Speaker 4 (01:04:53):
And then he hit up Marked forty five King and
then they did the song together like smart move dude.
Out of being at a partying hearing that my.

Speaker 3 (01:05:02):
Man was always thinking, yeah, man, yeah, man, salute to
Jay Z, A salute to Mark forty five King. It's
a hard knock life for us world up what like,
you know, all the legends that provide such artistry as
these guys that dropped all those banging ass albums in

(01:05:25):
nineteen ninety eight.

Speaker 1 (01:05:27):
My yeah, that was a hell of a day.

Speaker 4 (01:05:28):
It looked at as because all four of those albums
are classics, multi platinum, yeah, and they're just you know,
bona fide hip hop classics.

Speaker 1 (01:05:36):
You know, like, wouldn't that be kind of like, I
don't know, tough to do, like drop so many big albums?
Do you think the the labels knew and it makes
it come well, well, well, look all the labels have
days they drop.

Speaker 3 (01:05:52):
Well, back at that time, it was Tuesday, Tuesday, right,
so that most likely was on a Tuesday. At that
time it's Monday to day, but at that point it
was a Tuesday. Those were when all the majors dropped,
and they all targeted certain dates because they know how
the roller coaster of album sales go. They know what

(01:06:13):
season to drop and not drop, and they know around
what dates are more favorable for a drop. You know
in terms of the retailers, and most importantly when people
could spend money.

Speaker 1 (01:06:27):
Yeah right, you know what I mean, And that is
the one thing they had down.

Speaker 3 (01:06:31):
So a lot of people would be like targeting these
drop days, and when you'd find out who's dropping, some
labels would peel back and say, no, we're gonna have
to push back and wait and and go on another
day because there's too much happening on this days.

Speaker 1 (01:06:47):
And some labels were like fuck that, Yeah, we're going in. Yeah,
and there so many big names I beg shit, you know,
we had to buy those whole albums. It's not like
now we just download it and you pay a thing.
People couldn't afford to buy fucking five or six different albums,
but they did. Yeah, they found a way.

Speaker 6 (01:07:06):
I definitely did. I was actually when you when this
was all I realized this is my senior year of
high school.

Speaker 1 (01:07:11):
Oh shit.

Speaker 6 (01:07:12):
So like I have memories attached to all these albums,
like like damn, I was doing this when you know
Hard Knock Life. The Imaginary Player song was like my
favorite Jay the song to this day, like discovering like
Most Step and Black Star at that time, you know,
even what try called Quest dropped there and then Outcasts.
Equimini is really the album that set it off for

(01:07:34):
me with loving what they were doing and when they
were making it, and I'm like, damn, you know you
have those songs like attached to your memories, right, and
like true, that was just a time the idea was crazy.
I think we dropped. I think we dropped four in
ninety eight or one of them albums ninety seven maybe

(01:07:54):
not sure, Chuck Barry checked that it might be not yeah,
I think maybe ninety eighty.

Speaker 2 (01:07:59):
Right. Supercill four is ninety eight October.

Speaker 3 (01:08:03):
Yeah, right, October October sixth. The fucking uhh that's coming.
The anniversary for that is Man week and a half.
So many dope, we were part of that class. So
many beats that Doctor Green thumbs on Cypercill four. You're welcome.

Speaker 1 (01:08:22):
And thank you.

Speaker 4 (01:08:23):
One of my favorites. I love just I mean, I
know it's probably you know you can do it. I mean,
you could do it, but I remember that freak bitch.

Speaker 1 (01:08:31):
Oh yeah we did.

Speaker 3 (01:08:33):
We did that song for a spell, dude, and then
we peeled it out of the set for some reason.
But it's it's one of my favorite local cypercill songs.
Hell yeah, so dope, Well maybe one day, one day,
what day? Because I'm trying. Like we were flipping the
set list on that Atmosphere tour, Like every night we

(01:08:54):
changed up songs, we rearranged them, we brought in different
songs that aren't normally on the set list, and we
were doing shit so that everybody was getting like every
show was getting a different experience, so that you couldn't
be on your phone and be like, oh, I've seen
that same shit yeah the other night.

Speaker 1 (01:09:11):
Hell no.

Speaker 3 (01:09:12):
We were flipping it just due to that, like, so
that you would get a different experience every night.

Speaker 1 (01:09:18):
Flip in the order.

Speaker 3 (01:09:19):
We would like, you know, take four pieces and switch
them up, or take them out and put it another
four and flip it up. Start one way or you know,
like start slow or start aggressive. That we were just
flipping the order every every night. It was fun to
do that because you know, normally, you know how you

(01:09:41):
know how it is, we go with one set list
for a whole tour and we don't change it. A
lot of groups do this, They like get comfortable with
those songs and the orders, and this is what they
stick with. I know, because we did that for several
fucking years throughout most of our our career.

Speaker 1 (01:09:57):
We did that.

Speaker 3 (01:09:58):
We chose a set list and this is what we're
going with for a year to two years because not
it especially back then, because not everybody had phones so
that you could share it and everybody sees the same
fucking thing. But now, you know, we've snapped in to
a point where we could switch our fucking set around
it like just like and be comfortable it just go

(01:10:20):
and we found some pretty cool shit. And then like,
so now we're gonna take songs that we don't normally
play and put them in to the set, you know
what I mean, Like more deeper album cuts.

Speaker 1 (01:10:34):
You know what I mean.

Speaker 3 (01:10:35):
So, uh, y'all stay tuned for that that's coming with
some other shit. All right, let's open up the doors
to the insane asylum. That means y'all got a comic question,
shout out suggestion. We are here for this shit. And
I just want to say one more thing, you know
what I mean. We got Demrick and the building. He's
gonna finish off the show with another one for you.

(01:10:57):
I mean, but you gotta smash them likes and you
got to invite more people into the room.

Speaker 1 (01:11:02):
Man earn it. I mean he's gonna do it anyway
because he's that type of guy.

Speaker 3 (01:11:05):
But I'm saying, come on, all right, Uh smasha, like subscribe,
crack that all notification bell. Get ahead of the game
because YouTube, will, you know, just tries to peel us
out of the game. You got to get ahead of
the game to keep up with what we're doing down here,
because you know they won't tell you, so we have
to tell you. Make sure you do this I because

(01:11:29):
he's going to fire up that mic one more time
and you don't want to miss that shit at all.

Speaker 1 (01:11:35):
All right, So let's open up the doors to the
insane asylum.

Speaker 3 (01:11:38):
Got a common question shout out suggestion, We are here,
welcome to the insane beside.

Speaker 2 (01:11:49):
All right, let's do this, yo, Demrick. Is there a
story behind the album cover?

Speaker 4 (01:11:54):
Uh?

Speaker 6 (01:11:54):
You know, if you've seen the content that I put
out with this album, a lot of it is like
food driven. So it would be like me at a
taco truck or me at Bart's uh you know, on
his his truck, like doing the smash burgers or you know,
all that type of stuff.

Speaker 1 (01:12:12):
So we did.

Speaker 6 (01:12:13):
We went and got a that's basically a menu printed
and went in front of an Italian restaurant in downtown
LA and took the photo. So that's really the story.
It's like, what do I have cooking for you guys
with this one?

Speaker 3 (01:12:29):
Yeah?

Speaker 1 (01:12:30):
And then you see the logo is the fork with
the ravioli on top? Nice?

Speaker 2 (01:12:35):
Awesome, Amand if I was asking, you'll be real speaking
of cypress for why did you clown Rick D's.

Speaker 3 (01:12:44):
When we got nominated for the Grammy for Insane in
the Brain, you know, when when we didn't get nominated,
I mean it didn't surprise me, but like they gave
it to Diggable Planets over Dre because Drey was also nominated.

Speaker 1 (01:13:02):
I think Snoop Andre were nominated?

Speaker 6 (01:13:04):
Was it?

Speaker 1 (01:13:04):
I think so?

Speaker 3 (01:13:05):
I'm not sure exactly, but I know Drey was for
sure nominated. And I kind of made a face like like, fuck,
how's Drey not winning this? Because that's what I thought.
I'm like, you know, I didn't even think about us.
I'm thinking we're in the category with Drey. He got
to be taking it home. I mean, it's Trey. And
then they said Diggable Planets and I and I and

(01:13:27):
I made a face, and I guess Rick d'z mentioned that,
and you know, it was kind of disrespectful in how
he mentioned that, like what's what crawled up his ass?
And blah blah blah blah blah, this that the other
some shit like this wow. And so you know, I said,
fuck Rick, geez, he's nice. You know you're trying to

(01:13:51):
clown me because I made an expression of like what
the fuck is this? So what that was my opinion.
I thought Drey should have got it. I wasn't doing
it because I thought we should have got it. I
knew we weren't gonna get it even if we had
deserved it. I knew we weren't getting it because we
said no to the performance. And anybody says no to

(01:14:13):
the performance ain't getting that Grammy right. Diggable Planet said
yes to the performance. They got it, and it could
have went to us or Dre. We had a bigger
year than they did, you know what I'm saying. And so,
but it doesn't matter the year that you have. It
doesn't matter the records you sell. And I've said this before,

(01:14:34):
it's not based on the merits of your sales or
your merch sales or your ticket sales or any of that.
It's based on the people in the room who get
to vote on it.

Speaker 1 (01:14:44):
Do they like you?

Speaker 3 (01:14:45):
Are you their shit that they're fucking with? And the
fact that we said no. They were the ones that
were like, yeah, we fuck with them. They probably got
sour because we said no, we won't perform. I fuck them,
We're gonna We're gonna give it the dig of a planet. Yeah,
and I think that's what happened. But I mean that's
just me thinking. I don't know for sure, but yeah,

(01:15:09):
that's that. That's what was the start of the Rick
D shit is Did he tried to like talk shit
about me because of my reaction?

Speaker 1 (01:15:18):
And so I said fuck him? That's right. I still do.

Speaker 2 (01:15:22):
People in the chat are saying you should have told
him to Rick D's nuts.

Speaker 3 (01:15:25):
A Yeah, mister disco duck. Yeah, no, I still say
fuck him. I remember, right, Yeah, never will.

Speaker 2 (01:15:38):
Not rolling in here saying I enjoyed Demrick's music since
the makers I'm gonna caught the new.

Speaker 1 (01:15:45):
One appreciate that. Yeah, it's out everywhere, thank you.

Speaker 2 (01:15:49):
The pogfel is asking, you know, Demrick, how how can
we get this album?

Speaker 14 (01:15:52):
Is there?

Speaker 2 (01:15:52):
Anie Merch as well.

Speaker 6 (01:15:54):
Yeah, well we got these Uli hoodies, got the Cheva
r D T shirts on demrickshop dot com. And then
I'm also teamed up with these these people called kit
Better and it's gonna be like a collectible thing. We're
gonna announce it next week and it's like comes with
a little app and it's got stickers and all these

(01:16:15):
like you know, cause it's like just kind of a
cool way to deliver the music to people and get
them you know, you can actually get a tangible product,
you know what I mean. But it's gonna be a
demrickshop dot com o.

Speaker 2 (01:16:30):
All right. Next, and here's Tony saying, Yo, can we
get a moment of silence for the Michigan for the
people in Michigan. He's saying, it's tough.

Speaker 3 (01:16:37):
Absolutely yeah. Prayers to the people out there in Michigan.
It went through that tragedy that happened down there. Man,
it's it's crazy. That's one of the few one of

(01:16:59):
three happened four hours in fucking crazy and and and
prayers to to the families of those tragedies as well.

Speaker 2 (01:17:13):
Sen calusaying, Yo, I was blessed to have Cypercil playing
Lamour two days ago, and be real, I'm still.

Speaker 1 (01:17:18):
High saw my man, so am I.

Speaker 6 (01:17:25):
Now.

Speaker 1 (01:17:25):
It was a good time out there.

Speaker 3 (01:17:26):
It was a great weather man, Yeah, oh man, you know,
like fucking we went through a whole Demrick. Look these
guys know because I explained to them, this whole tour
with Atmosphere was the summer tour, but it was the
wet summer tour, because every goddamn where we went it
rained on us practically, you know what I mean. But
when we got to Lamour outdoors, it was beautiful. You

(01:17:51):
know what I'm saying, perfect temp, you know what I mean.

Speaker 1 (01:17:55):
It was.

Speaker 3 (01:17:56):
It was very nice. It was a big time change
from all the shows hit bit to it throughout the month. Man,
But salute everybody that came out to those tours, and
salute everybody that came out to Lamore.

Speaker 1 (01:18:08):
That was awesome.

Speaker 2 (01:18:09):
I was gonna say, I got this a clip by Padre.
You wanting to run it, run it?

Speaker 1 (01:18:12):
Here we go. We're right here.

Speaker 3 (01:18:14):
Attach your palace out here in Central Valley, California.

Speaker 1 (01:18:19):
You know what I'm saying.

Speaker 3 (01:18:20):
We're about to put it.

Speaker 1 (01:18:21):
Down with Cypress Hill.

Speaker 3 (01:18:22):
Last show of the year probably Stay two.

Speaker 1 (01:18:26):
It's gonna be potty. You know what it is. It's
not how you start, it's how you finished.

Speaker 3 (01:18:31):
We finished in strong, Baby, that's how you gotta do it.

Speaker 10 (01:18:35):
Last show, Lamore California. You're go on a reservation, baby,
Cypress Hil dj Lord, the last one until further notice. Yeah,
we're gonna throw the fuck down or not tonight.

Speaker 14 (01:18:49):
Come on, you think of the hip hop kicks, the
back boat toward gotta be an indistru mentor yet we stance.
Come you gotta pol boat.

Speaker 1 (01:19:09):
I got big Soto and you can hear it. Man,
that's guy talk of thry morning.

Speaker 14 (01:19:14):
The hell okay, strong fighting with.

Speaker 12 (01:19:20):
Them, take a hip from the complete clasp.

Speaker 1 (01:19:32):
I send you a pound in the mouse.

Speaker 12 (01:19:35):
The sins they still rest.

Speaker 8 (01:19:41):
Killer says, that's ships.

Speaker 4 (01:19:44):
Oh yeah, we came out here to see Cide Pricille
to night they killed it Viny syd Pricil Fancins early nineties.

Speaker 1 (01:19:51):
That was a boom. Remember hearing him regarding the Friday
movie ship that that's always like a the songs.

Speaker 6 (01:19:58):
I remember when I think about side self being the first.

Speaker 1 (01:20:00):
Man, and I got to see him tonight. Fucking dope,
Hi y'all six chap tonight bebro and the pool.

Speaker 6 (01:20:06):
They know how to throw it down, same as always,
great showing benefit for fucking years.

Speaker 1 (01:20:11):
They know how to put on a great show. It
was awesome tonight, y'all. Ziperus help forever maybe Okay.

Speaker 2 (01:20:15):
I had to be here because my name is Mary Jane.

Speaker 1 (01:20:18):
I had to represent my name. I don't smoke weed.

Speaker 7 (01:20:21):
I'm sixty six years old.

Speaker 8 (01:20:22):
I'm an army veteran.

Speaker 2 (01:20:24):
We here Rockstar is my jam because when I'm running,
that's where I get my power. So I had to
be here to represent my name, Mary Jane, Paula, What's up?

Speaker 1 (01:20:33):
Ms Mondo, KMC Cyprus Hill.

Speaker 9 (01:20:36):
I've been a fan since what seventh grade when I
seen a juice and that shoot him up came on
lights Out. I've been a fan ever since. I've been
a huge I'm a huge fan of the podcast. All
you guys are like homies to me now because I
see you guys daily. It's just the best, yo, Fellas.

Speaker 1 (01:20:54):
That was dope. I've been with you guys.

Speaker 13 (01:20:56):
I've been actually working for my job as long as
you guys have been. Out has played across the street
from my place. I worked for Costco by DNA Lounge.
I couldn't afford to go back in those days, but
now I can, so I'm here and it was great.
You guys still kicking it and I loved your progression
throughout the years.

Speaker 1 (01:21:12):
You've changed a lot, just.

Speaker 13 (01:21:13):
Like me is for a good thing and playing rock superstar.
When you came with that with the rock, I think
you guys need to do more shit with that because
you guys fucking sound amazing with that.

Speaker 2 (01:21:21):
That was my song.

Speaker 13 (01:21:22):
Thank you guys, you're the best.

Speaker 2 (01:21:23):
Hi.

Speaker 1 (01:21:23):
I am carrying in us from Tar and I'm.

Speaker 13 (01:21:26):
Richard from Clarry been at day one with Cyperus Steelson's
in on ninety one.

Speaker 1 (01:21:32):
Since Hannah and the Pump came out, I've been a big.

Speaker 8 (01:21:35):
Fan of theirs.

Speaker 2 (01:21:36):
The favorite song of all time as I lousions from them.

Speaker 6 (01:21:40):
That's my favorite one on a great show, great performers,
be real, super hyped up, great great show. I do
you recommend it?

Speaker 14 (01:21:52):
So was a Bay Area boy, Rebel City, California, live
in the Valley and Tracy.

Speaker 1 (01:21:59):
This episode has.

Speaker 10 (01:21:59):
Been part of my life, my smoking career.

Speaker 13 (01:22:02):
I guess we call it h It's the bong is
my my favorite song and you know.

Speaker 1 (01:22:08):
I just love them.

Speaker 11 (01:22:11):
For you.

Speaker 6 (01:22:14):
Sunrise has my heart and love listening to them.

Speaker 1 (01:22:20):
You he loves you.

Speaker 2 (01:22:22):
Thank you for anytime.

Speaker 1 (01:22:25):
Maybe you're your jol Valley.

Speaker 3 (01:22:29):
City, Central Valley, thank you. That was awesome.

Speaker 1 (01:22:36):
Oh yeah, Central Valley. Hey. You know, like we grew
up with with our groups, you know, they grew up
to us.

Speaker 3 (01:22:43):
And it's crazy because you know, as an artist, you
don't expect to hear those type of things, right because
you're just doing the music and living in those moments
and all that ship.

Speaker 1 (01:22:52):
But because we are a very interactive.

Speaker 3 (01:22:54):
Group with our fans, it's it's humbling to see that.

Speaker 1 (01:22:58):
And they come out to show. Central Valley cats come
out to show fucking a you know what I mean.

Speaker 4 (01:23:04):
They wrapped dude, and I loved, like, you know, Central
Valley is like from Modesta on the north side to
like Baco on the south side, you know, and everything
in between is sent you know, the Central Valley.

Speaker 3 (01:23:14):
And they were smoking out, beating hell yeah, sure they
got some heat the clouds of smoke.

Speaker 1 (01:23:19):
All right.

Speaker 2 (01:23:19):
I was gonna say, Mary Jane was right, a rock superstar.
That's a good workout song. It is a good anthem.

Speaker 3 (01:23:26):
I'll tell you that was the idea that rock Superstar
was originally Rap Superstar. It didn't have the guitars or
the rock shit on it originally when Mugs had done
it and when I wrote it, but Donnie Ironer, salute
to my man, Donnie Island Donnie Winer, who was the
head of Sony Music at the time, he was like, Yo, Mugs,
what about some some rock guitars on that thing? I

(01:23:50):
really think? And Mugs was like, okay, because you don't
really say no to Donnie. Iinor right, He's one of
the guys did if he suggests something, it's better if
you take the suggestion, give it a shot. And we
all respected Donnie and he had been around a long
time and he helped a lot of big artists break

(01:24:12):
and you know, fortunately Mugs was like guitar, so right
went got Roy from a Man, Roy from down set
to play on to do the guitars, and I can't
I can't remember who he had do do the drums
over the program drums that that I still can't remember,

(01:24:34):
but yeah, man, and he had some lady come play
the orchestra parts, and you know, put that ship together,
like made rap Star into rock Superstar, and that ship
blew up for us in the alternative market because I
guess our voice is cut through on that type of ship.

(01:24:55):
And we've been thinking about doing that and sound again.
So it's crazy a homeboy to say that in that piece,
like you guys should do more of that because that
you got so we and we had been thinking about that.
We are actually working towards that now, so you know,
possibly in the near future you might hear some things.

Speaker 1 (01:25:17):
Right all right?

Speaker 2 (01:25:19):
Ken Keick saying Demrick, did you name the album the
title because of you taking big bond rips? You're saying
when I when I take big bond reps, I say
that same thing.

Speaker 1 (01:25:28):
Wou wee. Yeah, that's it.

Speaker 6 (01:25:31):
I named it that because it's just a good feeling,
you know. I was like, it's a noun as a verve,
it's a it's a lifestyle, you know, you feeling good.

Speaker 1 (01:25:38):
You're like ooh e.

Speaker 6 (01:25:40):
I was like, shit, I want people when they hear
this album. I felt like that phrase would stick out
and that and and I realized that album, that phrase
has been a part of hip hop for a long time,
and I was like, to have to bring that to
the forefront now is really cool. And just I was like, man,
when they listen in and that ship, this that weed,

(01:26:01):
that power you know this that you know, we say
that when you get some.

Speaker 1 (01:26:04):
Good weed or whatnot? Ye truth that anonymous, Yeah, true
that you ain't wrong.

Speaker 2 (01:26:12):
Treesy's asking Demrick, have you ever collabed with Sick Jack and.

Speaker 1 (01:26:15):
No, uh uh. You know we were talking about it
at Ryan Fest. When I seen him.

Speaker 6 (01:26:20):
He would showing me a lot of love on these
knewess like you found your sound, you know, So it
was meant a lot uh coming from him, and we
were talking about, you know, getting something in. You know,
I got a lot of respect for Sick Jacket ill
lyricists since since way before I even knew about him
when I got put on and I went and did
my research. You know, somebody like him has just been

(01:26:41):
dope the whole time. So I'd love to work with him.

Speaker 2 (01:26:44):
Show uh diggity dank saying yo. I remember young Demrick
used to run the cameras on the old b Real TV.

Speaker 1 (01:26:51):
Hey, you know what we started, we started previous. You know,
it was cool to be around.

Speaker 6 (01:26:57):
You know, be Real had the vision early right you know,
you was like we would be making music and then
he'd be like, nah, I think it started to be like, oh,
we do it three times a week, and then it
became like, you know, we're gonna do this four times.
We then was damn near like Okay, we're gonna do
it Monday through Friday, cause it was the numbers we
were again were crazy. Yeah, and I remember at that
time it was just about like popping the laptop, but yeah,

(01:27:19):
kicking it and having what the DJ you know recipes
Jay Turner with me having the turntable set up right there,
you know, and playing some music and just shooting the shit.
I remember, Yeah, it was funny. It was a lot
of funny moments for having it.

Speaker 1 (01:27:34):
A oh man.

Speaker 3 (01:27:35):
Yeah, that was in the Stickham days when we were
like getting like so in the stream room right like
right now, you see it's like five hundred and eighty
six people in the live chat right whatever else is
watching that's not necessarily signed in. We would see like
five thousand to ten thousand people in the live chat

(01:27:56):
room over the course of like the four hours we
were broadcasting It's shit. By the end of the day,
we'd have like a quarter of a million fucking views
on Stickam.

Speaker 11 (01:28:08):
It was.

Speaker 3 (01:28:09):
It was way different, and it was off the chain.
I got to tell you some of the ship we'd
see on our guest cams were crazy.

Speaker 1 (01:28:15):
And you're doing say more on that back then, yeah, yeah, yeah.

Speaker 3 (01:28:19):
They just couldn't figure out how to monetize it, like
how to get corporate sponsors, because you know, like there's
there was no like the way that the TV has FCC,
where you got people like making sure no one does
anything inappropriate or saying anything inappropriate in terms of network TV, right,

(01:28:40):
you didn't have that, and you don't have that as
it relates to internet programming, right like YouTube has rules.
But realistically, in a in a broadcast, you could say
some crazy shit and they may punish you. They may
punish you after the fact, but as you're going, they
would have to be watching your show right there, right then,

(01:29:02):
and the minute you say some crazy shit, hit the
off button on you, right, And they don't do that
unless you're doing a copyright violation. If it's sensus that
you're playing something that's copywritten or trademark and you don't
have access to it, that they might pause your show
out or pause the visual or something like that, but

(01:29:22):
they don't necessarily cut it off. This was the same
for Stickam and even less because they were not even
on the radar with what you were doing. They had
like ten billion users and so you know, like how
do you admin that when like maybe over a thousand

(01:29:43):
of them are live at the same time, you know,
which was often the case, So you could do whatever. Yeah,
they could suspend you, but like what happens is is
this it's not necessarily what you're doing. It might be
in your fucking guest camps because they had like eight
guest camps. So let's just say we're doing this show, right,

(01:30:06):
and for all purposes, are right our decided screen with
this al capone box here, right, it's all different people
visible to people watching out there and to you, and
you mute. You can mute all their mics, and you
should because most of them will have their shit turned

(01:30:27):
up and it always caused fees feedback like a phone
call on the radio. Right, we turned their mics off,
and when we wanted to talk to them, we could
switch to one of their cams and put them as
the main feed and turn their mic on and talk
to them and ask them questions or ask them what
they're doing or where they were at, what they were
smoking and blah blah blah. In some cases, we had

(01:30:50):
guys in their grow room, yeah, you know, trimming some
guys after they cut the shit down, they were counting
their money. There was chicks on strip holes like doing routines,
and one time this dude fucking put down the mirror
and fucking cut it up and bam railed one right

(01:31:10):
in front of us.

Speaker 1 (01:31:11):
We had to like, we tried to kick him out,
but he got it off before we noticed it.

Speaker 3 (01:31:16):
And then you know, you add flashers, motherfuckers, it would
pop in the cam and then jump right.

Speaker 1 (01:31:22):
Off and you can't stop that.

Speaker 3 (01:31:24):
So that's why, like if you got a corporate sponsor,
like let's just say McDonald's or somebody like that, and
they're like, hey, we just saw one of our one
of our people just saw this happen.

Speaker 1 (01:31:37):
How did that happen? Oh well, they don't know how
to explain that.

Speaker 3 (01:31:42):
So they couldn't get enough corporate sponsors for Stickam for
it to be feasible to keep going.

Speaker 1 (01:31:50):
But we were stars on Stickcam. I gotta tell you.

Speaker 3 (01:31:55):
Nine to about I'm gonna say, fuck, I don't know.
We were there for a couple of years and then it,
and then it went away because they were trying to
sell it, and then no one wanted to give the
guy what he was asking for, so he just shut
it all down. He didn't even sell it. He kept
the technology and said fuck you. But I think he

(01:32:17):
might have sold the technology finally to this this that,
this other platform called Bigo. Whoever does that platform, because
that platform is very similar to what Stickam was. Only
thing is on Stickam you could smoke, drink they weren't.
They weren't, they weren't tripping on you. But on Bigo,

(01:32:38):
the minute to light up a joint or any of
that shit, how of here you go?

Speaker 1 (01:32:44):
I talk. Don't like heavy it at all, but you
were on it.

Speaker 6 (01:32:46):
You've seen the power in this early, like being able
to connect with people via the internet like differently, like
I was like social media to me was just like
it wasn't even call social media. It was just called Facebook. Yes,
it wasn't that, but you you've seen the community aspect
of it early on. He was like, oh, there's access
to all these eyes in all these years, like let's

(01:33:09):
show people what we're doing. And then now you have
you know, the kaisonods and you got people down near
living online for you know, and it's like, because I
remember in the beginning, it was like, all right, shit,
we're gonna we're gonna do this for hour, and it's
hard to be like, we're gonna do this for two hours. No,
we're gonna do this for We're gonna just do this
as long as if there's people are watching, We're gonna

(01:33:29):
stay in here and do it that. And then now
you see how the internet has progressed. And you was,
you was on it early, you know, because it really
looked what this turned into. But just even the way
society has leaned into that where streamers are damn near
more popular some of the most popular entertainers that there
are at the moment.

Speaker 1 (01:33:48):
Yeah, is that is now? And that was that was
fucking two thousand and nine. Yeah a long time sixteen
years ago. Yeah, uh, salute to stick him.

Speaker 3 (01:33:56):
I mean, I believe they were based out of China
like beg is, so it's probably maybe the same people
or they sold that technology, but yeah, I mean they
didn't have the same rules. Like that's why we built
a name there because we were getting access to like
over one hundred to two hundred and fifty thousand people

(01:34:16):
extream like we were featured on that site.

Speaker 1 (01:34:21):
YouTube doesn't give us that grace. They don't like us.

Speaker 3 (01:34:23):
So you know, our numbers are significantly less than what
we had going on on Stickam.

Speaker 1 (01:34:32):
When you were done with your Stickam episode, did it
had archive? It did archive? You still have any of
that stuff for like? Probably not more? Probably not.

Speaker 3 (01:34:41):
We used to carry them on the first version of
our website, but like carrying all that shit, it's like
you got to have a crazy server for all that
and we just didn't have room for it.

Speaker 1 (01:34:53):
But I mean, it was a very crude look. It
was the wild West.

Speaker 3 (01:34:58):
It was a crude look because we were doing we
were doing the show from my my lobby in my
old studio which is now Exhibit Studio, so it wasn't
really set up for what we were doing. We just
bake shifted everything and in between our studio sessions when
we were recording, we'd either play Madden or NBA live

(01:35:18):
or we'd be streaming. In the streaming like you said,
it went from an hour to two hours to three
to four because we were looking at what our numbers
were in an hour, were like, well, fuck with how
many people we got in here is like fucking seventy
thousand people watching us right now?

Speaker 1 (01:35:34):
Should we should we stop?

Speaker 6 (01:35:38):
You know?

Speaker 14 (01:35:38):
Right?

Speaker 3 (01:35:38):
I mean, let's keep let let's keep it going. We'll
wait till it dies off a little bit. All that,
because they held us at the feature, you know what
I mean. And when you're you know, you got ten
billion users or whatever, and they put you up on
the feature, you're getting a lot of those people that
made you know they didn't know who the fuck you were.

(01:35:59):
And then we get people following us and subscribe it
to that particular page right after that. Because we're doing
it very crudely, but we were still kind of funny
doing it the way we were doing it because Jay
Turner was hilarious. Yeah, you know what I mean?

Speaker 1 (01:36:18):
Rest in peace? All right?

Speaker 2 (01:36:20):
Next one, All right, let's see here Angelo is saying
it would it would have been dope if be creeped
in when the beat started talking about the live performance.

Speaker 3 (01:36:29):
Well, there's only rude for one. I would have had
to have crept in on my part and shoved the aside,
and that would have been rude.

Speaker 1 (01:36:38):
Too close, man, too close.

Speaker 2 (01:36:43):
He's also saying, yob b, it'd be dope if you
and DJ Lord reenact the what the fuck is the
plate for man? Line from how High? At shows before
hits from the bong Oh.

Speaker 3 (01:36:54):
Yeah wow, yeah that's right, and how high? Where about
the I need money? Or what's his name? What's his name?
What's his name? Is the character name?

Speaker 11 (01:37:08):
Is it?

Speaker 1 (01:37:09):
I need money? And and uh how high? He's silent,
he's like, he's mute, Alton.

Speaker 2 (01:37:19):
I'm trying to find it right now? Is it this guy?

Speaker 1 (01:37:21):
Ready?

Speaker 8 (01:37:21):
Here?

Speaker 1 (01:37:22):
Yes? Yeah?

Speaker 2 (01:37:23):
I need money?

Speaker 1 (01:37:24):
Yeah?

Speaker 3 (01:37:25):
Well see I was right right, yeah, so to hear
a second, guess at myself, Yeah, I need money. He
brings me a plate like what you gonna use that
plate for man? That was the line something like that.
I had a little baby fro popping. I was just
growing it back nice, all right?

Speaker 14 (01:37:42):
Man?

Speaker 2 (01:37:43):
Saying you a question for C Minus. I've recently gone
down the bucket head rabbit hole? Can you recommend anything?

Speaker 8 (01:37:49):
No?

Speaker 1 (01:37:50):
I can't, I cause he's just got so many albums, dude.

Speaker 4 (01:37:53):
Uh, you're talking about bucketheaded guitarist, right, That dude is
fucking he's crazy.

Speaker 1 (01:37:59):
He's played on a lot of things, played with a
lot of bands. He's dope.

Speaker 4 (01:38:03):
Yeah, he was a Guns of Roses for a time.
He played for now I think he's solo again, but
he wasn't Guns of Roses for a minute. I think
almost like over ten years or something.

Speaker 1 (01:38:14):
That guy could play anything.

Speaker 4 (01:38:15):
Yeah, and he's just a bad he's like virtuo so
like you know, guitar player, and he plays with that
mask in the KFC bucket.

Speaker 1 (01:38:22):
You know, and he's a badass.

Speaker 4 (01:38:25):
I would say, start at the beginning and just go chronologically,
just so he could hear his journey, you know what
I mean, Because that's the best way to really kind
of just start at the go go at the go
to the first album, and go all the way down.
Just hear the growth just here where he fucking starts
expanding on. Shit, you know, where's he based?

Speaker 1 (01:38:41):
I don't know. I think La for a while. I
don't know.

Speaker 4 (01:38:46):
Pomona. Oh shit, I mean he was born in Pomona.
It doesn't mean he's still in promote. See he's a
Cali boy. Yeah, hell yeah, he could be. He could
be found.

Speaker 1 (01:38:54):
That's the man.

Speaker 3 (01:38:55):
All right, eighty seven must find him. Let's have him
up here, bucket head and all all right, all.

Speaker 2 (01:39:05):
Right, Nixon, here's a high Infinity's asking yo, does anybody
else have to go to jury duty? They're so annoying
he has to go?

Speaker 1 (01:39:12):
Never thrown them out in my hole. I've gotten out
of it before. Yeah.

Speaker 3 (01:39:17):
I only went one time, and after that one time,
I was like, I'll never do this shit again. It's
because the problem was is that I answered a call
that they called me. Yeah, I mean, instead of just
playing stupid like, oh nope, that's he's not here right now,
so you need to schedule your own what like?

Speaker 1 (01:39:39):
Oh man, I fucked up and I acknowledged them. That's
what happened. And after that, I never acknowledged that. Motherfuckers like, nope,
not putting me over there. I don't want to do it.
It's a tedious fucking process, dude.

Speaker 2 (01:39:57):
All right, all right, Next, and here's og Moses saying,
you did you know your body makes THHC like compounds.

Speaker 1 (01:40:02):
Naturally I've heard this. We have an endocannabinoid system. Yeah,
I guess that's probably through that.

Speaker 3 (01:40:11):
Yeah, maybe that's part of the you know, sometimes when
you feel elation for things but you're not necessarily high.
You know, like let's say like when you win something, right,
like you're a competitor and you win it something and
you're like you're feeling up because of that.

Speaker 1 (01:40:30):
Maybe that's a part of it. I don't know. I'm
just guessing I'm not that kind of I'm not that
kind of doctor. All right.

Speaker 2 (01:40:41):
Next, and here's a we got Bart saying in here, yo, Denmrik,
you're an album release party. Was a good time having me.

Speaker 1 (01:40:48):
Over there? Where the hell is he at? I thought
he was gonna sit in with us? He made it happen, man,
look at that? Oh yeah, was he supposed to sit in?
That's not a party right there? He had it going crazy.
He's like, I'm out, y'all, what is what is that? Exactly?
They listened to read?

Speaker 5 (01:41:10):
But that's the big ones Risket or something like that
was crazy. That's like the same size as the foes.

Speaker 1 (01:41:17):
Really, yeah, it's got all the meat. It's not just
like the just a little bit. There's a lot of meat. Crazy.

Speaker 3 (01:41:23):
And listen, any rival going against Barts right now? Brisket
king over here?

Speaker 4 (01:41:34):
Look at that?

Speaker 3 (01:41:35):
Look at that hate I could I could see Bobo
eating that one off the bone, just like that, like
picking it up bronosaurs rib style.

Speaker 1 (01:41:47):
That's my favorite.

Speaker 14 (01:41:50):
Hey.

Speaker 1 (01:41:51):
He's like, yeah, I need to give you some of this.

Speaker 3 (01:41:53):
I remember when he had no hair. God damn, it
is long he's been. He told me he's been growing
in five years now. Yeah, it's crazy, but yo, everybody
lined up. This is the line got crazy as soon
as Bart started breaking out that uh that brisket. You
cannot not line up for that hate brisket sun come

(01:42:14):
on delicious, it's extra salty because of that hate.

Speaker 1 (01:42:18):
Yeah. The YODIESUAP shaved his nugget. Huh.

Speaker 3 (01:42:25):
All right, all right, I'll see it. Some of my
favorite spiders right there, mcs that do the bar work proper.

Speaker 6 (01:42:37):
You know.

Speaker 3 (01:42:38):
I would like, you know, I would like to hear
a song with you, Armine and the Yodies. I think
that would be the snap off. That would be crazy
and I could do the chorus. I don't even got
to snap on it. Well, we can make that happen easy,
can we gotta?

Speaker 4 (01:42:54):
Man?

Speaker 1 (01:42:56):
Me and the Yodi's got one on the new UHI album.

Speaker 3 (01:42:59):
I know you do those boys, man, you know, because
there y'all are on this level. Yeah, That's why I'm
saying I would love to hear y'all work together, because
I mean, I believe in all y'all's abilities like that,
and it would just be stupid because the one thing
I know about you and the Yoda is very, very
conceptual in terms of the way you think about songs

(01:43:20):
and shit like that, and that would just be fucking
Ridiculos and Marmine too, you know, he's yeah, bars main,
the bars would be ridiculous, dope posse song. I could
hear it in my head already.

Speaker 2 (01:43:38):
All right, Mike saying, you'll be a message Curious George
on Facebook to come on the show, and he said
he's down whenever. Y'all should just try to hit him up. Wait,
he's saying a message Curious George on to come on
the show and he said he's down whenever.

Speaker 3 (01:43:51):
Oh hell, yeah, that's my dude. I think he's in
New York though. Yeah, I don't think he's I think
he just put out some new new stuff too.

Speaker 4 (01:43:58):
I think recently he's been putting out like Curious has
been putting us some joints.

Speaker 1 (01:44:01):
Well, you let us know when he's coming out to
LA and we'll make it happen.

Speaker 2 (01:44:05):
Oh, you shout to midget Mike. He's like a planner
or new little planner over here. He's a he's hooking
us up with guests.

Speaker 1 (01:44:13):
All right, let's go all right, mejiaque meat to Mike.

Speaker 2 (01:44:18):
Yes, indeed, and that seems to be it so far.

Speaker 3 (01:44:22):
That seems to be it right now, salute, Thank you
for the super chats. If we see anymore before it
show's over, we'll pop them off.

Speaker 5 (01:44:31):
Uh yeah, just a statement of people, like off topic,
but just to notice Demrick was up in the studio
for six months before she popped off. So just a
little notice to people that when something's supposed to happen,
it's gonna happen. Have patience, Yeah, have patience and like
wait for that perfect opportunity.

Speaker 1 (01:44:51):
Don't always just you know, rush into it.

Speaker 5 (01:44:54):
There's a right time for everything, and everything played out
the way it was supposed to because of shit.

Speaker 1 (01:44:59):
Like hey, I'm glad you made that point, Kelly Blaze.

Speaker 3 (01:45:01):
That's a fucking great point, because what Demrick was not
doing was forcing the issue like a lot of motherfuckers
do that.

Speaker 1 (01:45:09):
Try to be around and like hey man, let me
get on that. Oh man, I got a verse for that.
Oh blah blah blah blah blah. Nah.

Speaker 3 (01:45:15):
He didn't hit me, not once hearing all this music happened.
He was just there absorbing it until hey, do you
want to get on this all? Let's hear it, and
it went and smashed it like like nothing. Yeah, man,
that was impressive. But it also spoke to his character

(01:45:36):
that he wasn't thirsty, you know what I'm saying, Like
he wasn't just trying anything to get in. He like
waited until I asked him or til Mellow said hey
you should. You should have him spit on that pause,
And that's how it happened. You know, some motherfuckers forced

(01:45:58):
the issue and then and then burned themselves gas themselves
out of the game because like they didn't live up
to all the ship they were talking.

Speaker 1 (01:46:07):
He didn't say anything. I didn't even know.

Speaker 3 (01:46:09):
I'm like, I thought he was just Mellows homie coming
in to you know, vibe with us and ship.

Speaker 1 (01:46:14):
And because I didn't know he was entangled thoughts.

Speaker 3 (01:46:17):
I hadn't you know, heard any of the music, so
fucking when he uh, when he busted out, I was like, oh,
oh WAITA waited for that right opportunity. Yeah, it's it's
and it's all timing, you know what I mean. Sometimes
that you hit it at the right moment. Some folks
that like maybe had, you know, maybe the same abilities

(01:46:42):
that kind of forced themselves on people try to you
know that.

Speaker 1 (01:46:46):
Some of those guys, it doesn't work that way for him,
you know what I mean.

Speaker 3 (01:46:49):
And uh, they didn't have patience to know that it's
there's gonna be a time that someone is actually going
to hear you and ready to hear you, right, and
you're gonna shine in that moment. But if you force
the shine, it ain't gonna happen. It's gonna just stay
dull for the rest during that time frame.

Speaker 6 (01:47:11):
I would roll with you guys down to the Rainbow room,
and there would be people approaching you, no fail. Whether
it's the amount of times I see people try to
give you a CD in the middle of taking a
bite of some food, trying to hey, go give you
the CD, or can I wrap for you? No, no, no,
just be sitting at the table and just be like, man,

(01:47:33):
these guys they just don't care. Yeah, got to push
the line non stop, you know. And I was just like,
if the opportunity, I'm just gonna make sure I'm prepared
for when that opportunity does roll around.

Speaker 1 (01:47:45):
If it rolled around. Yeah.

Speaker 3 (01:47:46):
See that's the thing though, right, I get it that
they're trying to hustle it by any means necessary, but
like if you over hustle it, it actually works against.

Speaker 1 (01:47:57):
You as you if you're eating, don't bother no one.

Speaker 3 (01:48:00):
Right eating that part. All right, let's get into these
submissions real quick.

Speaker 2 (01:48:08):
I actually really don't have it. You just have a
I just have like a couple of little things of
like Barts. He's showing off some plates right here.

Speaker 1 (01:48:14):
All right, let's let's get hungry here right. Oh oh
my god, damn god my oh chicken loves bombne oh
that shit looks bomb. But I hear you, oh that
chicken with good.

Speaker 3 (01:48:32):
I'm gonna say, Barts is how about a little mac
and cheese instead of that cream corn?

Speaker 6 (01:48:36):
Baby?

Speaker 1 (01:48:39):
Just you know, just throwing it out there.

Speaker 2 (01:48:41):
You're you're not a cream corn fan, man, I'm not.

Speaker 3 (01:48:45):
From the Southwest. I mean from the Midwest. I'm from
the Southwest.

Speaker 8 (01:48:49):
Dog.

Speaker 2 (01:48:52):
When I first saw this right away, I was like, damn,
you got lobster on there. He's like, no, these are
like meatballs. I was like, Okay, I.

Speaker 1 (01:48:59):
Thought there was lots. I mean it does, but you know,
but when you get a good glance at it. You
see it.

Speaker 3 (01:49:05):
You know corn bread right there. But may make no
mistake that the cream the cream corn is great. I'm
just saying I prefer the mac and cheese over the
cream corn. If we're gonna get stopped up, you know
what I mean? Yeah, both deadly exactly.

Speaker 1 (01:49:25):
What a tray that is? You better be sharing that
with somebody. Let me just say that off top. All right?

Speaker 2 (01:49:32):
Well, I was gonna say, you want to have a
Denrick give a shout out and then we can have
him hop up on the money.

Speaker 3 (01:49:37):
Do we're gonna do that? Don't rush me both, you
just chill out over there. Man, we still want to
hear again. I know you do it, so do these
people here. You know what I'm saying. You just relax, buddy. Hey,
how many songs are on this album?

Speaker 1 (01:49:52):
Derick?

Speaker 3 (01:49:53):
Fourteen tracks, fourteen tracks, forty minutes for forty tracks.

Speaker 1 (01:49:57):
Low under, low under a little under forty minutes?

Speaker 4 (01:50:01):
You know?

Speaker 1 (01:50:02):
Now? Are you putting this album out on like physical format? Well?

Speaker 6 (01:50:06):
Uh yeah, we're gonna. Well it's going to be a
collectible through this uh this company called kit Better. So
we're gonna announce him next week so right now, it's
just on all the streaming platforms and right yeah, you know,
shout out enof Fable for helping me get this out,
and uh, we really pushed this and I'm excited, man.
So if you haven't heard it yet, make sure you

(01:50:28):
check it out. We got exhibit on their con on there,
be real on there, got coyote on there, my boy
Vu Alexis and uh yeah, just I'm talking a lot
of shit on there, man, a lot of a lot
of uh, you know, how I'm feeling about the world
right now is on that record.

Speaker 3 (01:50:43):
So let me ask you this, Uh, because you've collabed
with a lot of folks and probably folks you didn't
expect to collab with, right, what's your dream collab that.

Speaker 1 (01:50:53):
You have not done yet.

Speaker 3 (01:50:55):
I want to do a song with nas Man oh man,
all right, manifest Yeah, you know, I think it could happen.

Speaker 1 (01:51:01):
Absolutely for sure. I believe this could happen.

Speaker 6 (01:51:04):
The moon has got to happen. I want to do
a record with Nas. He's one of the illest.

Speaker 3 (01:51:08):
He is one of the illest, the yes, the god son,
even even the new stuff that he's doing that he
was doing with the with with hit Boy.

Speaker 1 (01:51:18):
Yeah, that little run that he went on was crazy.
They did six albums together. Yeah.

Speaker 6 (01:51:22):
Man, I just love the fact that, you know, so
many people never let their pen game fall off, Like
there's no expiration day on being dope, and so it's
good to see people use their light still, you know,
even after they've done so much. You know, you being
one of the people be real like on this new
Serial Killers album.

Speaker 1 (01:51:44):
Ain't a bar. He didn't take one off, not a
single one. Thank you.

Speaker 3 (01:51:49):
Sure we strive to, like, you know, stay on point
with what is nos like your biggest influence as an
MC or writer or who who is that?

Speaker 6 (01:51:59):
I would say Black Thought, Black Thought. Yeah, I think
Black Thought is another. Like he's in my top five
mcs of all time.

Speaker 1 (01:52:07):
Yep.

Speaker 3 (01:52:08):
You know, but you mentioned Nads before Black Thought, I
would I'd be thinking, like, man, black Doctor.

Speaker 1 (01:52:17):
I'm just like, he's one of the illest. The word
play the bars.

Speaker 3 (01:52:20):
I could hear y'all flip together. I could hear that
in my head. Yeah, I want to do that as well,
because I feel like y'all could go bar for bar.
That's a big compliment that's got to happen.

Speaker 6 (01:52:29):
I consider him to be one of the greats when
it comes to this lyricist ship and flipping styles.

Speaker 3 (01:52:36):
He's a dude that could rap all day. Oh my god, Yeah,
like supernatural.

Speaker 1 (01:52:43):
What was that freestyle he did on Funk Master Flexus
show where he went forever. He just put on a
masterclass of like lyrical ability.

Speaker 3 (01:52:55):
Yeah, he connectss that that ship boy, he's got that
maximum pross.

Speaker 1 (01:53:00):
That's up. There's Max Max.

Speaker 3 (01:53:04):
It salutes a black thought with Hopefully he gets out
here to l A and we, you know, have him
come down talk to us. My love love them guys.

Speaker 5 (01:53:15):
Got out the Alchemists and the couple songs. I think
they dropped two tracks off the new Mob Deep, but
another one just dropped the other day.

Speaker 3 (01:53:21):
Was done so shout that sounds great already, salute to
his Uh, you know the album he did with Derek
Abadu or the work he did with her Man.

Speaker 1 (01:53:32):
That's that's crazy. When is the album the album's out right,
I don't know.

Speaker 5 (01:53:37):
If it's fully out yet. I think then we dropped
a couple I think it's supposed to the same thing
with the Mob Deep. I think it's in a couple
of weeks. Like gott gotta look at that, but I
don't think the whole thing came out yet.

Speaker 1 (01:53:47):
Yeah, didn't. There's the most deaf album that they all
did as well. I don't know if that ever came out.

Speaker 3 (01:53:54):
Word up, But we're gonna thank all y'all for getting
down with us. But we got one more by Demrick
that we're gonna pop off. So we're gonna give our
shout outs right now. Real quick salute to og Moses.
That was funny as hell and it's probably true. Don't
shake that motherfucker's hand, all right, C Minus you got
any shout outs?

Speaker 4 (01:54:12):
Shout out to everybody here at the table, Demmerick, always
a pleasure man, Blaze, b Treehouse Crew, Bolton, Ray and
dom and of course Aton and Dreu and Hovey and
E Zone and you for hanging out follow me at
C Minus fan four and all the things. And yeah,

(01:54:35):
I'll be on Twitch at some point tonight so doing
some rock shit.

Speaker 1 (01:54:38):
So let's go. Hell Yeah, I hope you guys have
a great one. See you on Thursday. Back here. What up?
Bolton yo yo?

Speaker 2 (01:54:45):
Shout the Insane Asylum Show to Ray, Morning Shot Film Show,
to the Dominator Show to Demrick and what's going on, Demrick.

Speaker 1 (01:54:51):
What's up? Shit?

Speaker 6 (01:54:52):
I just want to send a shout out to everybody watching,
everybody in the chat, everybody at the table, all my
b real TV fam, thank you for having me here,
and uh yeah, just make sure to check out that
album if you have not yet and tapping in with
me at I am Demrick, I A M D E,
M R, I c K on all the socials and

(01:55:12):
you know, check out where I got a show coming
up or one of my little drops, my merriage.

Speaker 1 (01:55:16):
Just tap in for the win. It's all love OUI tun.

Speaker 5 (01:55:20):
Out to everybody here at the table, damn, and just
downloaded the album, so listen to it on the way
home today. Uh fifty one fifties and seen it son,
follow me Kelli Underscore, Blaze and Caliblaze dot net and
we'll see you a puff Con this weekend as well.

Speaker 3 (01:55:34):
Go after them dreams, all right, and check out Demrick.
Smash this fucking set, swallow that.

Speaker 6 (01:55:52):
Yeah, espresso shot two ways for turkey bacon morning head.
My bitch and bitch, she's said, my desertest way I knew.
I thought, make it with determination and any proud facing.
I don't leave it to interpretation. She and routine chased
with Wade protein chase my whole scene. I was the
youngest servant, dope fees through my daily applimations, boring in meditation,

(01:56:12):
she on the californiaication and my born waiting watching Rocky
is the appellation you play yourself back in the catchy
nigga congratulations, no hesitation, I cut off, can't forever, but
like an amputation test my patience running a hammer like
it's animation gossaizo for the two were running through them
chasers for the player, Me and your bitch kin dinner. Later,
she ever said, somebody knew I do it major my

(01:56:34):
bishop burning brighter than incinibrators.

Speaker 1 (01:56:40):
I really had to figure out betting on yourself is
the only way you.

Speaker 6 (01:56:43):
Gotta block out all the noise on the little pinions
on the chat in your ear. You have to realize
you not caring about that shit. I do not give
a bucket about none.

Speaker 1 (01:56:53):
Of that, said, no, John Yai, I don't care what.

Speaker 6 (01:56:59):
They think about me. Yea, this life I'm living. You
don't like me to fuck you. If you get offended
me and my dogs, we gonna keep on winning, learning
and spinning. You trip it thinking I care about other
people's opinions.

Speaker 1 (01:57:09):
Have this world down?

Speaker 6 (01:57:10):
Hear me pretending living lines online? They crashing now every
fifteen minutes. And he's asked pushing proper canna, he stop
the madness. Why you think I fixed a keener with
my proper canna? I need an escape for watching all
these deep bays, some of the bitch talking about you
do new cheap days, Sprinkle sprinkle, I'm trying to promote
a single on his ind and there he goes by
the straget with spriggles like goddamn a lonely man, Sony

(01:57:32):
Plans and Sony fans. All this simple for these women.
I don't understand it's cool whatever it tastes to get
you through, because you could never be me and I
never be you.

Speaker 1 (01:57:44):
I mean, this is really how I feel.

Speaker 6 (01:57:47):
And all the Internet people out there that listen to
an album and half of time and then do a
video or throw it up on YouTube and try to
get some views on the review, we ain't fucking with
that either, real shit, nobody care about the top five list.
It's not like this, And now don't give a fuck
who like my shit? Have these rappers down right? They

(01:58:08):
hear they give killed. These labels got you out of
turning tricks for clicks. Nobody care about the Machi picks
when you try and the frinch come back in that trip,
can't pay your frint.

Speaker 8 (01:58:17):
It makes no sense to me.

Speaker 6 (01:58:18):
Elemental free, but welcome to the twenty first cent. You
free with a mentality. It's just fiction over reality. Rather
be a micro fluence to the maker salary. Check my portfolio,
my roly do the doc he dough while my a
horse went. You cut on the rodeo. Just put your
head down, get in that Kobe zone and know the
spot at the top. It's a lonely thrown It's cool

(01:58:39):
whatever it tastes to get you through, because you could
never be me and I never be Duke Oue

Speaker 1 (01:58:56):
TV