#1303 | Diddy Facing 11 Years in Prison | The Dr. Greenthumb Show

Episode Transcript

Speaker 1 (00:05):
Flavor. This video, like all videos featured on the channel,
is definitely intended formiture adience. This videos, like Leasi, It'samprolan
language Clint is appropriate for video. It's not four kids,

(01:13):
Welcome to the Doctor, Great Thumb Show lit on Twitch, Discord, YouTube,
kick x and the whole site www, dot b real,
dot t be what it be like to my right,
the illustrious son Dooby and that build in what up y'all?
Word up? Don't don't choke over there. We also have

(01:37):
the legendary psycho Leazy in the field. Cheers. We also
have the Treehouse Crew, Bolton Blombo Brab and the Dominator.

Speaker 2 (01:48):
Yeah, yeah, we're doing good. I need to get them
Dobe shades.

Speaker 1 (01:52):
Yeah, those are good shades right there. The cassel's right,
is that? Is that?

Speaker 3 (01:55):
What they are is the nine fifes, fifty five? I
think the fifty ones. Yeah, we was just talking about
those the other day. We also have DJ fam in
the building.

Speaker 1 (02:06):
What of everybody happy Tuesday? Were in here? Yeah? What
do man?

Speaker 4 (02:10):
Uh?

Speaker 1 (02:10):
Steph Steph Tone is not in the building today. He
will be back next week. He's got thanks cracking, but
he is back in much love to the strong. What
damn man. Uh, everybody's back in town. That's dope. I
saw that he got here Friday. Ye got back Friday,

(02:33):
finished the last two shows out Yamava Tachi Palace. Uh
good vibes. Oh yeah, good weather for a change, because
I don't know what it was like for you when
you were traveling Leezy, but fuck man, it was raining
everywhere it was, so it was a different. When we

(02:54):
got to California, we got that nice dry weather. No
no fucking humidity all over the place, like beating down
on you with the heat. That is hard. I'll know
how you lived in Miami for so long with all
that happening, because it's it's not just the heat, it's.

Speaker 5 (03:12):
The humidity with it, you know what I mean. Like
it's like heat on heat. At least out here you
get a little breeze out there. That breeze is hot too.
You're like, what breeze at breeze really good?

Speaker 1 (03:23):
And let me ask you how many showers did you
have to take on average living in Miami?

Speaker 5 (03:29):
At least three? Though you have to bro at least three. Yeah,
I mean you're coming out of the shower, you're already sweat.
If you walk to the store. You're coming back with
your draws drenched. Yeah in the summer. Yeah, that's not
that's not exaggeration.

Speaker 1 (03:43):
Like there's people that got three outfits for the day
because you can't just take a shower and put the
last one on it's drenched. Yeah, you know you were
sweating in that, so you got to change up. So
I would imagine you know, cats out there, chicks that
are doing all right, they got three outfits for the day,

(04:03):
the morning joint, whether they go out, you know what
I'm saying, They sweat it up the mid day outfit,
you know what I'm saying. And that shit is like
year round too.

Speaker 5 (04:15):
It's not like aut not a couple of months, it's
like almost all year round like that.

Speaker 1 (04:20):
Yeah, I don't care. I get used to it. You know,
I got that Caribbean blood, so well, yeah, you would
get used to it if you're out there long enough.
Just like you know, cats get used to being out
here when they're from the East Coast, right they come
out here, they got to get used to the heat
for a second. But they never had it like this.
And the winners are not the same here, and they

(04:40):
when they go back home, they got to adapt to
that cold, and we got to adapt to it if
we go out there. It's a lot of adapt shit.
But yeah, I mean you can acclimate to wherever you're at.
The human body and will is much stronger than one
might think that we're capable of. You know, you could

(05:00):
be in some shitty conditions and survive it. We've seen
that because there's a lot of horrible things happening around
the world and people are surviving in spite of not
having help from those that could give it to them,
you know what I'm saying.

Speaker 5 (05:16):
But getting back to it, you guys had a perfect
day at Yamava, like the day, the weather, the show,
everyone fucking amazing.

Speaker 1 (05:23):
Only thing, the only thing with that was it people
were to slow to People were slow to come in
because there was an accident on the freeway or something
like that. For a minute, like just before we, you know,
were to go on, maybe like an hour before we
went on, there was an accident on the main freeway,
so it took a little time for people to fill in.
But once they filled in, boom it was. It was

(05:45):
a full house. Yeah, magic cracking. Yeah, it's a beautiful venue. Yes,
it is good. Sound like you know, you don't have
to really bring in any extra shit unless you want
to be extra loud. But it's already like all the updated,
you know, equipment you would need to pop off an

(06:05):
excellent show. I tripped out though, like because the stage
was kind of big. When ll came to town, he
had so much production, he made it look kind of small.
It was I was like, man, we strip it down heavy,
like we don't have a lot of production. Like, you know,
it's very much like the way Rage Against the Machine

(06:29):
went out, and they didn't have a bunch of production.
All you would see really is their backdrop, the guitar
heads and cabinets, the bass cabinet, the drums, and dude
out front. You didn't see any of this crazy production
that a lot of bands have it because their music

(06:49):
was just so powerful that they didn't really need all
the bells and whistles and they didn't spend a lot
of money on that crap because really it was the
music pushing them through. And so we you know, adopted
that from back then. We're like, you know what, let's
keep it stroll, Like, we'll put a couple things there
that makes sense, like the way that Bobo's set up

(07:11):
and the way that you know, Lord is set up,
and that's that's pretty much been. I mean, we've had
the Buddha, the blow up Buddha every now and then
in the blow up, but that's not elaborate. That's like
a blow up thing that you put dead center in
the middle and it you know, it doesn't cost much
to do that. I love the live edition.

Speaker 5 (07:32):
Though, how you got Bobo on drums, percussions, you all
back and forth with the DJ, like it shows that
there's musicians that play instruments as well in the groove
and hip hop is not just the typical you know,
it's not just the typical thing, you know what.

Speaker 1 (07:44):
I mean, Yeah, I mean you gotta it's it's the
way you you know, the way you sort of put
your music out there, Like when you put it out there,
are you going to represent it? Right? Meaning you're not
just putting it out there, but you got to go
perform it and play it for people, and and it
be on the one, you know, sounding as close to

(08:06):
the record as possible, and if if possible, adding little
elements that live and the ship up that aren't necessarily
on the record, and that's what you get in a
live show, most especially with the hip hop group, because
a lot of us do spontaneous shit in the moment
that it, you know, becomes a part of the show
if it works right. We might do something in the

(08:27):
moment and and the crowd react to and be like, oh,
we need to do that again. And that's and and
I think a lot of us do that. We're in
tune with little subtleties like that, so we you know,
we see something that works and then we work that ship,
put it to work. And that's like because some of

(08:50):
the greatest things that you might see in a live show,
some of the shit is by accident. M you know,
like you just tried something in the moment. Like for instance, right,
we do this flip right before kill a Man where
we do a crowd participation bit. Right, we split the
crowd down the middle, like you know we're known to

(09:12):
do hip hop artists do. Right, we said this side
and that side, and then you know, we start flipping
black sheeps this or that right, and we get the
crowd pumped up to that. Make this side go loud
or that side or this side or this make a

(09:32):
thing out of it. And then you know when they're
like on the pick it up part, pick it up,
pick it up, pick it up. Boom. Then the Cypress
kill a Man joint comes in and they're all lit,
all crazy and both sides are live. But you know,
that shit started by accident. We didn't plan that. That
was just something that happened, and then we made it

(09:53):
into a bit. Yeah yeah, and uh yeah man, those
are those are the spawn tanous moments that actually turn
into parts of the show. Okay, I got a question.
There's a hat.

Speaker 3 (10:07):
You don't wear a cap, but you wear like almost
like it's a turban on your head. It's a a
And doesn't that get in the way sometimes if it
gets too hot on stage or anything like that or
uncomfortable for you.

Speaker 1 (10:19):
Actually, it keeps the sweat from dripping down in my eyes.
When I wear a fucking baseball hat. Okay, that shit
be coming down, like Bryan, Oh my god, what can
I do? But you know, that's a couple of reasons
I wear that. But it helps because you don't really

(10:42):
it looks like you would be hot under that thing. Yes,
it's not. It's not really that hot. And surprisingly, yeah,
you wear a black one and you're in the fucking sun.
Yes it's gonna be. Let's just be one doubting right now.
But you got no choice. Yeah yeah, yeah, I mean
that was a thing I was doing for profits of
Rage and we ain't doing that no more. So I thought, man,

(11:04):
you know, let me bring it here to you know,
make somewhat of a statement.

Speaker 5 (11:08):
It looks dope like I used to rock a green
one like a mask, though I would wrap it around
my my I'll just leave my eyes showing.

Speaker 1 (11:16):
The six Symphonies tour.

Speaker 2 (11:17):
Yeah, you're talking about having that, not having like too
many props on stage. I feel like when artists have
so many props on stage, it really takes away from
the live performance. It does like I'm there to watch
you perform. I don't want to see like ship flying
through the air.

Speaker 1 (11:31):
Yeah. Yeah, there's certain things that it works for and
other things where people just want to hear the music
and you playing it and knocking it down right. But
I'll say this, let's just say you're going to see
the wall Roger waters at At, let's just say Crypto.

(11:56):
He has a conceptual show for that. It's not just
him and the other eyes playing like a regular band.
He's like giving you visuals you've never seen before. So
in that sense, I get that right, because that is
like a work of art that one should not miss.
The way he presents that show the wall, nice dark

(12:16):
side of the moon. Same thing. But if it's not
necessarily a conceptual album and they're you know, not taking
you on a ride, and just all these songs mean something,
but it's not like a visual complex idea that they're
they're given to you. Most bands I don't necessarily do

(12:37):
it like that. We're just making the album and then
we're coming to play the fuck out of it for
you without all the crazy stuff. Right. That's traditional, and yeah,
you should be able to do that. You shouldn't have
to have all the bells and whistles to make people.

Speaker 5 (12:53):
Go oh shit. But then again, the music does that.
Let's not forget some music is more psychedelic than others.
A lot of music has to do with.

Speaker 1 (13:02):
You know, well, you still got to play that music tight. Listen, people,
so kind of no doubt something a little bit no doubt.
The visuals have to be there, but listen, you still
got to play that ship and you still got to
play it tight. That's the most important part, you know, play,
you know, play tight no matter what the visual is,

(13:23):
whether you got one or not, and if you don't
have one, what people will remember is that you sounded
good because you played tight. You didn't need all the
crazy shit if you if you can afford it, because
really it's it's if you can afford it, right. I mean,
as you blow up and your and your price, your

(13:44):
fee goes up, right, some motherfuckers lose their mind and think, well, fuck,
I gotta you know, I'm getting this much money. I
could you know, put more into the show, and they
might be spending money in places for the show that
they don't need to spend on. You taught me that,
you know what I mean, You could just deliver it
dope show. You don't need all these crazy things. That's it.

(14:07):
That's it, man, Because to me, it's like you might
feel like you lack something so you need all this
crazy vision. Thank you. I don't know, but thank you. Well.

Speaker 3 (14:15):
It's the same thing like if a female MC is
up there, you know, rhyme and spitting that hardcore shit,
she won't have to shake her ass. She could just
spit that hardcore shit and which and that's a good
ass show, right, there.

Speaker 1 (14:26):
You know what I'm saying, Well, let's let's be one does.
And there's some chicks that are like, you know, spinning
some really dope shit, but yeah, still shaking ass, you
know what I mean, And there's nothing wrong with that,
But I'm saying they don't really need to. They don't
have to, but they want that ass. But some do
regardless and some and some refuse to it. That's great too,
because they're going off based off the merit of their

(14:49):
skill set as opposed to what they look like. Watch
but you know, let's just keep it one thou wow. Though,
labels are looking for people that are willing to use
all the skill sets like so if it's like a
female rapper who can shake that ass, they very much
want them to do that because I mean, and that's

(15:10):
kind of unfair, you know, they make them feel like
they have to do that what they don't because there's
very many talented female mcs out there. They could rock
any place just as much as any dude can, if
not harder, Like don't she She's fucking awesome.

Speaker 4 (15:29):
Shout out Shout out to Cardi being a new single
is off the Hook.

Speaker 1 (15:34):
Is to check it out. I gotta check it out.
She'd be She has some bars every now and then,
for sure. You know what I'm saying. I mean she
got hits too. Let's not forget about those party b
over there. You know what I'm saying. I gotta support
just regardless. So I see her. One time we were

(15:55):
doing a show in New York and we were staying
at this hotel. She pulled up in her little Bentley
that she had at the time because she she had
just started blowing up and she was out there chilling
regular folks down. Hell yeah, she didn't have a bunch
of people crowding around. It was pretty cool anyway. Yeah, man,

(16:17):
it feels like we've been here a half hour already.
It's only been thirteen crazy been talking fast baby, Yeah, man,
you know the concerts out there, man, I remember when
mc hammer bringing all them dancers on stage was a

(16:37):
brick production or.

Speaker 3 (16:40):
Digital underground. You know, when they brung to all those
like props on stage. I thought that was a break production.

Speaker 1 (16:47):
But that was dope. Well, it wasn't necessarily a big production.
It was it was they had they had a show.
Their show was so dope visual arts type, yes, but
they didn't have like a bunch of crazy production on stage,
like they didn't. They didn't necessarily do it like that. Yeah,
they didn't have like props and ship.

Speaker 5 (17:07):
They just put on a hell of a show and
Shock G playing two different characters. He would step off
the stage, put on the humpty outfit, come back out
as humpy like that.

Speaker 1 (17:16):
Ship was crazy money word money be hell. Yeah, you
know digit Underground he used to like okay, So for instance,
that had a song called packet Man, right, and their
their concept for that song doing it live was that
they were on a street corner and Tupac was the
packet man. He was slanging the sex packets because that

(17:40):
was like the theme the deal, right, sex packets. And
so as they're doing the song, you know, Shock G's
like the narrator and it's you know, the scene is
happening on stage, and they did it like with big
old sex packets, like you know, like he's slanging those
ships like it's dope, and you know that's how they

(18:01):
presented sex packets, right, And then they would do uh,
you know, they would do the humpty thing obviously where
he'd run off. And what a lot of people didn't
know is that shot G had a twin brother or
a brother that looked just like him, so in moments
he'd go a change into Humpty and brother would be like,

(18:21):
you know, rolling his shot G so that you could
see both of them on stage. And then they had
this crowd participation bit called Who's that Rapper? And they
had they had like stencils of like four rappers like
E Easy, E, E p m D and KRS one

(18:44):
and someone else I can't remember who the third one was.
And they'd be like, Hey, we're gonna play this game
with y'all with the crowd. This is called who's that Rapper?
When you see it, you know, if you know who
it is, you fucking busted out right, And they'd like
they'd like cut into the easy song Easy I think

(19:04):
was Big money Be would do it, and then they
go so far into it, and then they'd like say
a line and then be like, who's that rapper? Easy?
Who's that rapper? Easy? And then they'd cut into like
the E. P M D part. It was king creative.
I hadn't seen no hip hop shows do something like
that ever. Still to this day, I see that like

(19:28):
being like that kind of creative. One of my biggest
influences for stage.

Speaker 5 (19:34):
Oh yeah, like and ship ship that I saw the
DJ do the I mean the energy period, man, like
them dudes were killing it. They have a crazy story
because I lived with op In for a little while
with mellow uh uh in Burbank, and we had them
as neighbors basically in the same building.

Speaker 1 (19:52):
Oh yeah, like one Oak yeah or no, not one Oak.
They were I know what you're talking about, the community.

Speaker 5 (19:59):
Apartment quit power Yeah, yeah, and uh and they were
always there. They had an apartment right too, like two
units down from us. Dog money Bee used to lend
me the MP to learn how to make the SP
twelve to make beats.

Speaker 1 (20:12):
Yeah, Dog respect to him. I love dude.

Speaker 5 (20:15):
Man, he probably don't even remember me, but he used
to be like, hey, I'm going on tour, just borrow
the ship whatever. You know.

Speaker 1 (20:19):
When you live money beata, you know what I mean.

Speaker 5 (20:22):
That's how I really learned how to fucking make beats
with the SP twelve because of him. Anyways, Yeah, I
told Shaki, I was like, look, man, I went to
see you guys perform and there was only like fucking
fifteen people there, and you guys still gave that ship.
You're all bro in Miami, Like that hip hop scene
wasn't that big. It didn't attract a big crowd, but
they were like, fuck it, we're gonna fucking go out

(20:44):
there and do all that shit. The changing of the outfits,
the acting, the fucking everything. Dog, they destroyed it and
it changed me. It made me do ship that I
saw on that stage in the Psycho round shows, you
know what I mean? And when I told about that,
he turned the money Be He's like, you see, that's
why even if it's a little ass crowd, you got
to give it your all.

Speaker 1 (21:02):
That ship will come back to you one day.

Speaker 4 (21:05):
Wow, if you made a record with money Be, you
call it what money be real?

Speaker 3 (21:14):
That's true? Oh man, big shout out to money help.

Speaker 1 (21:19):
Yeah, we met them do this. This dude rest in
peace named Jerry Davis, and he was an ass CAAP agent,
you know how Like you got ask CAP and c
M I E M I all the publishing, publishing and
the writer's thing. Ask CAAP is a is a is
an organization that tracks all your music if when it's

(21:40):
played on TV radio in anywhere where it's recording. The
fact that and I don't mean like recording as a
press record, I mean recording the amount of plays and
where those plays came from, and making sure that that
music is being paid for or on whatever platform it's

(22:02):
being played on, whether it's movies, TV, radio. Also making
sure they get paid well yeah they get yeah, them
to get that. Well yeah yeah, but they're they're protecting
your interest too, because if you don't have them doing that,
no one's doing it, thank you. Anyway, I've been ask

(22:23):
Cap writer since I was since nineteen nineties like that,
so you will see that. And you know most albums,
like back in the day when they had the credits
and all that shit, you'll see as CAP on there
and they track all that. Fuck. Where was that going
with this fucking story? Well, we were talking about money

(22:43):
money bee Okay, So Jerry Davis introduced us to him, right,
and Jerry wanted to manage us, but he couldn't manage
us while he was working for as CAP because that's
a conflict of interest in terms of your contract with
ask Cap. If you become someone who works there, you
cannot represent any artists unless you let that job go.

(23:07):
And you know, he was the one that like he
got us, he helped Uh, he introduced us to our
publishing company, you know what I mean. That helped us
make our first demos. Anyway, he was very good friends
with the guys from Digital Underground because he was from
the Bay. He was really good friends with money Be
introduced us to them before our you know, while we

(23:30):
were still in demo modes. So they would come to
l A and we'd help carry their equipment into some
of the venues, just be around hanging out with them,
watching their backs and being in awe of the type
of show they were putting on. Wow, Tupac was with him. Yes,
this is before same same uh, the same song. Yeah,

(23:53):
it's before the same song like like a few years
like a few years before that, because he was on there.
It was crazy. Yeah, he was on their road crew
for a minute or before he got a verse and
then he got his verse and then you know it
went from there. But yeah, yeah, I mean yeah, we
used to see him all the time when he was
rolling with them. Salute to the great Digital Underground recipees.

Speaker 3 (24:17):
Shot g Man, that is that is a dope story.
Shout out, Shout out Young Hump too.

Speaker 4 (24:23):
You know, yeah, Young Hump, He's been down here Stanley Clark.
Hell yeah, hell yeah, crazy legend right then?

Speaker 1 (24:31):
Oh yeah, that's very legendary, man, yes, is it very legendarddy?
They talk about giving old boy eleven years? What who
the diddy? Oh that well, the prosecutor wants the minimum
to be eleven years for you know, the ship they

(24:53):
got him for. And realistically, you know, the assault rifles
with the fucking with the with the serial numbers scraped off,
that's supposed to get you eleven years each. So if
all he does is eleven years for the sex trafficking thing,
he got off easy because realistically they're supposed to stack

(25:16):
those those rifles on you because that's a federal offense.
You cannot be shaving numbers off of the fucking rifles
and they weren't registered to know one, so you know,
that's the other thing. So if eleven years is all
he got for all that shit they alleged, he got

(25:39):
off lucky, or he will get off lucky. And who
knows if eva does that, because you don't never know
if the fucking golden calf comes in gives him part.

Speaker 2 (25:47):
Of get The defense is asking for a fourteen months
in prison with time served.

Speaker 1 (25:53):
Yeah, no, they're not gonna get that. He's gonna get. Well,
he's gonna get fourteen days for sure, but I would
think he's going to like just stay there for fourteen days.
I think he's gonna do a year or two. He
may not do the whole eleven, but they're going to
try to give him something, you know what I mean.
That's crazy. Yeah, well, you know, hey, I think even

(26:15):
this amount of time been fucking with him because he's
all great up right now. If you see sketches of him,
like he he is looks like Popla Mandela, popa Smurf. Gray,
ain't no hiding in there or you know, yeah he
needs his stylist to come touch.

Speaker 3 (26:30):
Yeah, nobody you up in there, not like that like
that you could work something out something, you know.

Speaker 1 (26:38):
Yeah.

Speaker 5 (26:39):
Man, it reminds me of my favorite jis A line
when he says, before I bless them, Mike ris As
scratch off the Cereal ship.

Speaker 1 (26:45):
People actually do that ship to weapons. That's crazy, man. Yeah,
it's a federal crime. It's like when it when it's
stolen or it's pretty much or it's hijacked. Buffett. Yeah,
that's the ship they do. They're hiding and if you
get caught with one of those, let's just say you're
a regular person. Let's say you're not him, right, because
he may just get a slap on the fucking hand

(27:07):
for that. But like, if it's anyone else getting caught
with a fucking weapon with serial numbers filed off, that's
a federal crime. You need you know, there ain't really
an excuse for that, you know what I mean, Like,
you don't have a good one for that. Oh, I
bought it off a truck? Well, who was who was
driving this truck? Like? Who where'd you get this? No,

(27:30):
they won't even care where you got it? Well, no,
they want to know where. You know, they don't care
where you got it in the moment for them to
like lock your ass down, but please believe, right after
they got you, it's like, okay, so where you get
the gun at Who's who's who did you get this
off of? You know what I mean, they start pulling

(27:51):
that that look five to ten years, Look boom right there, Wow.

Speaker 3 (27:59):
It's just get brass knuckles man, fuck it with the spikes.

Speaker 1 (28:04):
With the spikes. If he if he gets eleven years,
he's lucky to just get that. But you know, if
he even gets the eleven years, he might get less
than that. And and if he gets less than that,
he's fucking very lucky. Like everything. He said, you gotta
have the spike bat.

Speaker 3 (28:25):
No, no, they got a bat now sword in the bat.

Speaker 1 (28:30):
Then they're gonna put your ass right back. Sword and
a bat in one. It's Crazy's what are you talking about.

Speaker 3 (28:37):
They got the bat in case you hit somebody and
he grabs the bat and he pulls it pull out
a sword.

Speaker 1 (28:43):
The movies and you watch it.

Speaker 3 (28:44):
No, no, they sell it. It's not even a movie.
They sell it like like you know, yeah on Amazon
or whatever. Come on, no, check it out. It's a sword,
a bat sword. Thing they got like a bat sword.

Speaker 1 (28:57):
Whatever joint you gave. Oh you know you daughters, so
you got sons, you know. So it's a blade you
pull out of the back saying no ship, I kid,
you not be worried. Okay, I mean they make canes
like that. I mean that's that's what it is, like
those people that make the cane stick. But you can't
walk around with a bat like a cane. They will
give you a felony stuff in the trun You not

(29:20):
know that I got my nun chucks not selling me
to no. I just tell them it's not it's chopsticks.
So they don't tell what these my chopsticks to karate school?
You go to karate school. You know my ramen noodles
is like this. You know ship I got to that's spicy.

(29:41):
I go big, old, fat ass ramen noodles. You need
nude chucks to slurp them down with. That's that's good.
Spicy is off the hook. You're not wrong on this.

Speaker 2 (29:53):
In his bedroom playing with a sword.

Speaker 3 (29:55):
That's yeah. But you know what but yeah, in front
of the a mirror. You know what I'm saying. Nobody
could Nobody could tell you know, it's unstoppable. You know
it's a trip.

Speaker 1 (30:05):
Is the crazy sound they make in the Kung Fu
flicks when they unsheathed the sword and goes there's no
real sound like that. There's a little sound, but not
quite like that. It was hilarious to watch Will Farrow,
you know, do the sound effect as he's pulling out
his his his sword. What was that step brother brothers, Yeah, yeah,

(30:30):
that's a great movie. When he drags his nuts on
the drums, it wright, I'm I can't say nothing. That
pause when those two dudes do movies together. It's it's
pretty goddamn funny. Yeah, yeah, bad, yeah, mad fuck. I

(30:56):
missed the show yesterday. There's a or was it all Sunday? Uh,
there's a yeah, it was on Sunday. There was a
band called Brass against the Machine. What is that they?
You know, they were known for doing Rage against the
Machine songs with with with horns with brass. I mean

(31:17):
they still rock them. It's uh, it's pretty dope, how
you know, like because they're fucking extra tight. And I
think they were playing I don't know if it was
the Whiskey or somewhere dope, but they're playing Sunday Night.
I wish girl singing Yes. Really he's badass too. Oh

(31:37):
she just did. Uh. I don't know if what was it?
Uh Louder than Life or Hellfest some years back? And
don't pull up this clip because we'll get flagged. But
she pulled some dude from the crowd, laid him on this,
laid him down on the stage, and then conceded to
proceeded to give him a golden shower right there, like,

(31:59):
oh yeah, was the illest fucking thing. Uh, punk rock.
It was very punk rock Allen. I may say, no
g g Allen ship on stage, that's different. She gave
him like a gold shower, like and you could do
you know, you could tell she was she was holding
it in holding that she was holding drunk, drunk, a

(32:23):
whole lot of water before the show and just in
people's faces. And yeah, and he was for it too.
He knew what was happening. Did should do the sprinkler? No,
there was no sprinkler. The crazy Yeah, but all antics aside.
They're a very dope band. They could play fucking anything.

(32:44):
But you know, they were known for covering rage songs.
They do other ship too, though, and they have guests,
singers come in and and get down with them. But yeah,
Brass against the Machine. Look them up. They're badass. Uh,
they're playing this weekend. I was trying to him in here,
but I think they left town to day or yesterday. Actually, yes,

(33:07):
check them out. They kicked that ass which was the
one that pete. I think it was the one in
the middle. Okay, okay, gotta be in the middle on
the side. Thanks o. Hell, just gearing up right here.

(33:32):
It's like you have no idea. Oh he knew he knew,
he said, he totally, he totally volunteered for it, got
his mouth open. Maybe maybe I don't know. I can't
tell you that, and we cannot see it because he drunk.

(33:54):
It will not end well for us. By the way, man,
y'all are crazy. They sent them home with a stomach
fill the pit man. They salute to Demrick. He came
in yesterday and totally ripped the mic. Uh three songs
set and tell you yeah, he was killing it off

(34:15):
of this new album. Yeah, hell yeah. And he was
dropping bars live right here, be real TV. We're gonna
have more of that for you in the upcoming years.
So and and the rest going out as much as
we can get and we'll see you know, who's got
this ship tight? You know what I'm saying? Hell yeah, uh.
And you know we here at this table, some of

(34:38):
us will also you know, most likely participate and uh,
you know these these performances that we're gonna be trying
to bring to you for this this show right here,
because usually we separated and all that stuff or give
it to you, you know differently. We haven't done a
GTM in a while, so this is kind of a
way to make up for that and to you know

(34:59):
how some of our guests you know that are promoting
new music come and maybe perform one or two of
their songs. You know what I'm saying. So, yeah, we're
gonna try to do that for you and you know,
deliver the goods. Be yes and Demrik totally killed that
ship so to him word up. Yeah. Man, he's a

(35:24):
dope performer too. Yeah, he kills it all the time.
He can sing, he can rap it with us. I
remember on his first tour, right on his first tour ever,
you know, we're doing these songs and they're all hardcore songs,
like underground hardcore ship and he's up there smiling doing

(35:46):
all the first and I'm like, O, t you gotta
stop smiling. I love that ship. He's like, I don't go.
He stops smiling these states because you got to be
in the moment for what that song is. It's off brand.
Like if you're doing these hardcore songs and you're like
to stoked to be there, Like so you're smiling, you're

(36:07):
seeing all this ship having pay Yeah no you can't
kind of yeah. Yeah. I remember wife even told them
to she was like, let's stop smiling. So much character, but.

Speaker 4 (36:34):
Especially when when when he used to do the backup
with with exhibit right, Yeah, can't be back there smiling,
you gotta be oh yeah, ready for war.

Speaker 1 (36:46):
It depends what it is, right, if it's one of
them songs where it's a party song, you know what
I mean, drinking, smoke whatever, get in live like that,
I could you know, there's there's moments for that, right.
But yes, when doing like hardcore songs, did our serious yeah, smiling,

(37:06):
it doesn't doesn't match. Does it match? You know what
I'm saying. And he was spitting some ice cold fucking verses,
you know what I'm saying. But he was doing it.
He was laughing, he was fucking murdering the smile, the
smiling face assassin bro oh ship yeahangerous, Yeah, Oka, you

(37:27):
don't know what's coming? Oh man, that could have been
the thing if we had thought about it, you know
what I'm saying. But yeah, he came and dropped some
some ridiculous bars yesterday, Yes he did, Yes, Yeah you
watched I saw it.

Speaker 3 (37:40):
Yeah, I saw a little bit of it and it
was probably like two verses he kicked.

Speaker 4 (37:45):
Yeah, So I'll stay from one one one one of
the songs. I don't know what what what the other ones?
I think I missed it.

Speaker 1 (37:52):
But he's so dope anything he kicks his fire.

Speaker 5 (37:56):
So yeah, I still play joints off that MIXTAPEO Together
and Ship.

Speaker 1 (38:02):
I haven't heard that mix tape of a long time.
I did a lot of the beats on that thing
on there, though, Man, Yeah, yeah.

Speaker 2 (38:09):
You want me to play one of those joints.

Speaker 1 (38:11):
People still do mixtapes. No, this was way way way back.
This was like probably nine or twenty ten, and I
produced his most well a lot of it, I should
say not most of it, because Jay Turner produced a
lot of it. It's it was a mixtape at twenty
ten Audio Hustler's Volume one.

Speaker 4 (38:32):
So yeah, No, I remember when mixtapes would only come
on a CD. Now you could put a mixtape in
your throat on YouTube or it anywhere, yeah, Spotify.

Speaker 1 (38:42):
Yeah. And it wasn't really a mixtape. It was an
album because like all the beats were original. We didn't
like fucking hoist anybody's beats. It's just that we put
it out for free, and we didn't put it on
a label or anything, at least I don't remember if
we did so we just labeled it as a mixtape
because it wasn't like an official album, but realistically it

(39:04):
was an album. Yeah it was, and he was. He
was spitting bars on that. Let's check out one of
the one of the joints he did from yesterday. Let's
go check that out, y'all check that out? Yeah, sure,
what's up? I go by the name of Demit. My
new album Luig is out now.

Speaker 6 (39:23):
Shout out to everybody on be Real TV, everybody in
the chat on my fifty one fifty try to kick
this real quick. Hold up jet Jack, ouig Jock. As
soon as I dropped this, they'll be back on my dick.
You can tell. I got that ships soon as the
package had been ten songs saying without having a skip

(39:46):
flow time, it's the niggas be burning out quick, never switch.
I'm on chase a trend. I don't play per ten.
I set the plate, but number eight for ten. Take
a friend line paper thing ho I'm cooking. Then this
bitch bringing apron it. They call me chef boy deep
for the he ain't doing nothing for the free. Best
believe I'm abnuna. Turn it up one hundred more degrease
by she sent the crypto. Watch me walking down these

(40:07):
niggas tiptoe type of shit. I lived for my wrist
cloak bro next like a light show my life like
her type bro sur Bival won't fuf for Nothing's on
the night though, check the vital competition suicideal fuck all
these folks titles watching bitches like a fight and it's
stay in rotation too. What the the door was the door?

Speaker 1 (40:29):
Make sure you check out the eye of if you
ain't hurt it yet, it's called UII.

Speaker 6 (40:35):
Come on, Badama lead. I'm gonna take you there real quick.
Let's get him job.

Speaker 1 (40:41):
Check it out.

Speaker 6 (40:42):
Tell me something good and don't say nothing to doll either.

Speaker 1 (40:45):
Two ways to go. You for low bee ball.

Speaker 6 (40:48):
I started out small. Now I'm after the doll. Yeah,
I ain't let it take credit. But it wasn't involved
no hand down, so I don't need your help. People
want to beat everything, but they self. I'm just seeing
them play the cards. They'll make sure my songs and
barns is felled. Them focused on my health and well
everything else is extra credit. If I like I swiped
the Devin, I just wanted for the night and never

(41:08):
forget it. Might regret it one day, is what some say.
But you gotta better dog when the ball like Lebron
James performing at the highest level, I never settled double
up the province.

Speaker 1 (41:18):
That's a hustle fundamentals because.

Speaker 6 (41:20):
You can't pay rent off potential salt gets in the paper.

Speaker 1 (41:23):
That's a cent.

Speaker 4 (41:28):
O.

Speaker 1 (41:28):
We balls. Oh yeah, fire fire, Yeah, those are gold
balls right there.

Speaker 4 (41:41):
Gee, effortless. He just does it like nothing, like nothing.
You know, Philadelphia's finest, Philly's finess.

Speaker 1 (41:49):
That's right. I know you don't like. Look and his
breath control, oh like, I mean he ain't moving around
a lot, but still those are complex enough bars to
where you got to have the breath pocket down to
deliver that ship right there to you. What. Yeah, man,

(42:11):
he is a student of the game. And if you
ain't checked his ship out, you should check it out.
I mean you just heard a taste and it was
it was fire man, salute to him. He got he
got them bars man, well thought out. And look he
ain't even writing them. You ain't even writing him down.
It's all right here in the nugget. You got that

(42:34):
mega got that mega process all.

Speaker 3 (42:36):
Yeah.

Speaker 1 (42:38):
You know, someone said I came from a construction site
before the show I did. I was supervising. You know,
it's rolling out buildings be you know what I'm saying. Look,
you know I wore this to be in solidarity with
the strong One, you know what I'm saying, because he's

(42:58):
got all the caution and roll. So I said, you know,
make feel like you know, there's a couple of us here.
You know what I'm saying. The hazard boys. You know
what I'm saying. It's hazardous, just saying you're working.

Speaker 4 (43:16):
At least you won't get hit by a car if
somebody they.

Speaker 1 (43:22):
Gotta because you know, if not their color blinders and ship,
you know what I'm saying, or too drunk. I don't
know one one. You can't see me, got it, you
can't see me. You can't speaking of you can't see me.

Speaker 3 (43:39):
Man.

Speaker 1 (43:40):
I gotta tell you man that that that Peacemakers series is.
But I gotta tell you gen v Man gen V
on Amazon Prime, which is the sequel to you know
The Boys or you know, Bridge to to the is

(44:00):
Superhero Ship, the raunchy superhero shit. I gotta tell you
it's one of the grossest fucking series out there. The
Girl with the blood. It's good and gross at the
same time. Many I mean with Jim V. They they
made it all the way fucked up this season. It's

(44:21):
pretty crazy. Like if you're into the into that series whatever,
and you have not caught up yet, oh man, wait
till you catch up, I'm just gonna say wait, wait, yeah,
don't it. But it's good, it's good, or it's just

(44:41):
very braunchy gross. At times, have you said, what the
fuck why am I watching this? Well? I feel like
they have to outdo the Boys. They do, okay, so
that's why, and they are trying desperately to do that.

Speaker 4 (44:57):
Usually when usually when I asked myself, off, why am
I watching this? I switch it right right right. I'm
invested in this fucking stupid storyline.

Speaker 1 (45:08):
I can't it goes with the Boys because the Boys
is ending. There's this new season that comes out is
their final season, and then this takes this takes over
for however long it takes over. They kind of make
you get into it, so the story see where the
fucking story goes. They did that ship with with the

(45:28):
Walking Dead, but then they made it ridiculous. It's just
too hard to follow all of them in the ridiculous
storylines that came about.

Speaker 2 (45:36):
Hey, the glitching here is saying you gotta watch Suicide
Squad one and two, and then you got to watch
Creature Commandos and then Peacemaker Creature Commandos.

Speaker 1 (45:45):
Yeah, I never heard of that one. Okay, show me
the cover of Creature Commandos.

Speaker 2 (45:50):
Have you seen Suicide Squad and one and two or now?

Speaker 1 (45:52):
Yes I have. That's why I'm asking you for the
other one. Get one. God, you fucking me. It's a cartoon.
We gotta watch a cartoon. Nah nah, b I'll skip this. Okay.
They should look crazy, look crazy. Yeah yeah, I don't
mind animation. I fox with it. Yeah yeah, yeah. Some

(46:14):
of it's cool as fuck, especially if you're tripping balls. Well,
I like the ones like if it's like a on flux.
If it looks like that, then that's I'm all in.
I'm staying. Damn he brought that. If you ever seen
this one way back called Crying Freeman, mm hmmm, it's
based on this assassin and he looks like they shaped
him in the model of Bruce Lee, like the kind

(46:37):
of the way he looked like the early on not
not the movie ship over here, that's booth talk about
the animation and uh, yeah, that was a pretty trippy series. Okay, yeah,
crying crying Freeman. And then there was It's Something the
north Star, Something of the north.

Speaker 3 (46:55):
Star, Northist of the North Pist of the North Star.

Speaker 1 (46:58):
That was a good one. I like that, and I
like Ninja Scroll. Yeah, Craig Freeman's pretty good. Yeah.

Speaker 3 (47:04):
Is this all Japanese or Korean? I like cartoons. I'm sorry,
Oh ship good though with a blitty yeah.

Speaker 1 (47:14):
Yeah, Craig Freeman, Fist to the north Star. Oh what
those were? Those are older ones. There's better ones than
that now, but I'm saying those were pretty good back
in the day. Oh, today's National Love People Day.

Speaker 2 (47:30):
Yeah, Kelly Blaze, I love you, I love you. I
wish he was here today.

Speaker 1 (47:41):
A big hug you would you would come from the
control roof to cup give him a little hard yeah, kiss,
I love you man. Pictures a look on his face
to kiss on the team. I love you man.

Speaker 2 (48:00):
Don't you touch me?

Speaker 1 (48:03):
Don't you touch me? You cut I'll rip your fucking
neck off. God love your blade. Don't talk to me
about love out all right? Uh? It is National Love

(48:27):
People Day. That's a good positive day. Though I like that.
You gotta try to love others, you know what I'm saying.
But don't get it twisted though. You gotta love yourself
before you could love others, because if you don't love yourself,
you can't love nobody. Mmmm. That's real ship, all right.

(48:48):
It's also National hot Mold Cider Day. Have you ever
had that? What? Less? No nev? I think this is
the alcohol version of cider. Leave, I'm not sure.

Speaker 2 (49:01):
The cider with the cinnamon, nutmeg and apple.

Speaker 1 (49:03):
Oh that's good. So there's no alcohol in that, I
don't think so if you dropping, but if you drop
a little whiskey, that's what I'm saying, or you can
rum or rum whatever. Just no gin, no gin, and
we're good to go. But like if we talk about
like rub vodka, even that probably not be dark man,

(49:25):
that's dark though. I think the dark. I think you
could do dark, but I think you could also do clear.
It just depends on what you want to do. They
say bourbon. Bourbon's at the top of the list. Second
is spiced rum, and then whiskey.

Speaker 4 (49:44):
Yeah, this Christmas, we gotta make some drinks. Oh yeah,
those coming back we got We're gonna make some other ones.

Speaker 1 (49:52):
What else we could flip? Cider's good? I get down
with drink style like that. Why not? You know what
I'm saying. If it you know, like with a little
splash of the whoopedi wop. Yeah, you know what I'm saying. Yeah,
I haven't had it in a long time, but you know,
I would try it. The spice drum doesn't sound bad

(50:13):
in that. I would say that would probably probably the
one that tastes best with that ship work at the
top was what was it? Bourbon? Yep? But I guess
it depends on your palate because that you know, these
lists are are subjective. That's one person's opinion. I like
it like this, I mean, because how many people are

(50:34):
taking a pull pause?

Speaker 7 (50:37):
Uh?

Speaker 1 (50:38):
You know? Of what is mixed with cider? Uh? Cider best?
You know what I'm saying. Maybe there is, but like
that mean, make it to your own taste. Yeah, make
it like if it's whatever your palate. If you like whiskey,
then you fuck with the whiskey. You like the RUMs,

(51:00):
you go with the RUMs and all that. That's how
I cook, man. I like cooking. I pick up a recipe,
there's shit in it that I don't like I replace
it with something I like. That's it. I make it
my Yeah, that's how you gotta do it.

Speaker 2 (51:15):
You guys prefer a spice rum or clear rum.

Speaker 1 (51:19):
Clear rum clear. I could do both, but like I
like dark clear rum. Depends on what you're mixing it
with too.

Speaker 2 (51:26):
When I was like younger and everything, I love the
spice room, but now I can't drink that anymore.

Speaker 1 (51:31):
So if you want to know something, the spiced rum,
it starts off clear. They're just like add color to
it so that, like you know, for marketing purposes, because
that's ship All alcohol is pretty much clear until they
until they put the coloring into it.

Speaker 4 (51:50):
Who says this line you started talking dumb? Must have
been Puerto Rican room, right, It was classic?

Speaker 1 (52:02):
Yep.

Speaker 2 (52:03):
Yeah, used to when I first started drinking at like
like Captain Morgan and coke. But now I can't just
handle that anymore, so I have to go with the
clear room.

Speaker 1 (52:10):
A pirate Yep, I felt like a pirate. Then. He
used to make fun of me, said, I look like
the Captain Morgan pirates, but he can't firing with that R.
But he can't roll that damn. He's still practicing on

(52:35):
the way to Long Beach. You know what I'm saying
on the ride home on the Metro. Yeah, he's on
the Metro. Tell us about the Metro rides bolting.

Speaker 2 (52:46):
Okay, So last week I started taking the Metro to
work because I got sick of sitting in traffic. So
I was like, you know what, let me take the train.
It's pretty convenient. It's really convenient, it's fast, it's cheap,
it's easy. But today I hop on the plane, or
not on the plane. Today, I hop on the train
and I walk in and there's this dude just like
stuffing something with a spoon or stuffing something with a straw,

(53:07):
and he has a crack pipe in his hand, and
the dude is so dirty. I get off that side
of the train. I walked to the front of the train.
I hop on that one.

Speaker 1 (53:15):
You just walked into his bedroom.

Speaker 2 (53:16):
Pretty honestly, pretty much like this dude was just like
his house pretty much. And then on the right on
the ride here today, like this woman, this like homeless
lady just went off on this woman and was like,
I'm gonna beat your fucking ass if you keep staring
at me.

Speaker 1 (53:34):
Blah blah blah, Okay, how many times have you ridden
the train?

Speaker 2 (53:38):
This is probably like my I don't know, it's probably
like my eighth time.

Speaker 4 (53:41):
So so.

Speaker 1 (53:45):
You know, everyone out of But you know what, this
was the only day.

Speaker 2 (53:48):
Though where I was like, you know what, it's kind
of wild from Long Beach to LA today on the train.
So today it was the only day I felt a
little like uneasy, I guess. But the rest of the
day were pretty cool.

Speaker 1 (54:01):
It's terrified Tuesday.

Speaker 3 (54:02):
Off the.

Speaker 1 (54:04):
Terrifying Tuesdays on the train.

Speaker 5 (54:06):
Bro, can you please whip out your phone next time
and just you know, recoad some of the actions.

Speaker 1 (54:11):
We got to get him a pair of the fucking
uh those those glasses to record his ride here. Yeah, yeah, perfect.

Speaker 2 (54:20):
Last week on the train when I was riding back,
there was like, I don't know, there's probably like four
or five. They're probably like in their twenties, just these
twenty year olds, but they were just literally partying on
the train. They had two giant buzz balls and they
were just passing those back and forth. They were handing
like mushrooms to each other. Sometimes you'll see people like
selling wheed on the train just walk to the front
of the train. Oh, and just show off like like

(54:42):
they're in like they're at a sporting event selling food.
They'll just showed off. We got eight weed here on
some Weedah.

Speaker 1 (54:49):
They're fucking vending on the bus's hustle or on the
they're vending on the trains and buses.

Speaker 2 (54:56):
Down people are trying to sell like speakers and hit
phones on the train as well. Oh, like they're bending
that way as well, like.

Speaker 1 (55:01):
Who needs speakers tronics? Well, because in reality, there ain't
a security guard or a security officer going up into
different cars making sure that no one is doing that.
So it's like motherfuckers that are ready to hustle. They're
doing it like because there's nobody here to tell them no.

Speaker 5 (55:19):
They do get on randomly though, like every so often,
very randomly though, jump on and people see them and
everybody starts hiding everything. But it's crazy to be that
he's just now, you know, experiencing all this that's been
going on a long time, both in the.

Speaker 4 (55:36):
In New York, they have cops that they are assigned
to the subway. They're like subway cops.

Speaker 1 (55:42):
Well, yes see, because you guys have had those subways
for a long time. You guys go, that's crazy. We
need motherfuckers on their trains, but we don't have a
nicey motherfuckers on these tracks. Well, what I'm saying is
we don't have enough motherfuckers to put on the trains
to make sure they're safe. That's the problem. Yeah, yeah,
all right.

Speaker 5 (56:02):
Uh.

Speaker 1 (56:02):
It's also National Orange Shirt Day, which oddly enough orange
I didn't know that, you know, I was gonna be
covering two of these things right here. I love people,
so that maybe it's three. All right. I don't love
all people though, because some of y'all motherfuckers stay. Let's
just say that we know who they are, but we

(56:27):
don't side from National Orange Shirt Day, which I somehow
lucked out into. It's also National Podcast Day or International
Podcast Day, which this is actually a live stream but
when we are archived, it turns into a fucking podcast.
So I guess we're covering that with the with the
podcast podcast. Yeah, I'll agree with you that for really though,

(56:52):
you know, it's like, yeah, International Podcast Days of TEP thirtieth.
I don't know why we need one, but okay, no
doubt that's a lot of knowledge. But did you know
today's the birthday of Gibbie Haynes of The Butthole Surfers

(57:12):
born on this Dad, nineteen fifty seventh. Oh shit, they've
been around for a long time, by I heard. I heard.

Speaker 5 (57:19):
They used to walk on stage with a live shotgun
and buckle shot before they walked out.

Speaker 1 (57:24):
Up in the area. They were very punk rock in
that way. Yes, doing the Onyx that they didn't know, well,
they know they did that before Onyx actually yeah, yeah,
well yeah they were.

Speaker 4 (57:38):
Made back then. Everybody was doing that ship in the nineties.
Oh yeah, making ship.

Speaker 1 (57:45):
Was like, I don't know if anybody was taking a
real shotgun on stage and hip hop at that point. Wow.
The guy who did that though, was Red Melz, because
if you look at that Wild Style video, he's wearing
a trench coat and he pulls out that sod off shotgun.
Oh shit, really he's really carrying one right there. Yeah,

(58:06):
no way. He's the only motherfucker to pull that one
off and not go to jail, that's for sure. Rest
in peace to the legendary MLZ. Did you know in
nineteen sixty Did you know in nineteen sixty to a
legendary producer by the name of Molly ma was born yeah. Wow,
that's the blueprint QB yep, yeah, blueprint.

Speaker 4 (58:30):
I mean before there was DJ Premier, Mom Mallett, Molly
was rocking the radio NYC.

Speaker 1 (58:38):
Yep, it's the Magic Show. You know. He was molding
this hip hop ship. Yeah, Molly mal was doing it all.
Yeah yeah, yeah, he's a pilot. Still still still ship. Yeah. Man,
he inspired generations of motherfuckers, like from producing and like
the artist that he had on the music and.

Speaker 4 (58:58):
Like like I'm it's so shocked how how old those
early records was recorded in his apartment in the Q
Queen's Bridge. Yeah, that little ass apartments And I'm like
the energy of that something, the current was was crazy
or something because those beats were smacking.

Speaker 1 (59:15):
They made it happen. Then, salute to one of hip
hop's finest. Did you know in nineteen sixty seven, BBC
Radio One launched Oh shit, wow, welcome salute to BBC Radio.
Look at the board. Look at how old that board?
Look at the board? Crazy? Yeah, it doesn't even it

(59:37):
doesn't even seem like a board. What I'm saying is
that bolted. Yeah. Yeah, let's bultacause great grand okle. Did
you know in nineteen eighty, vigil Ablow was born virtual
sorry excuseid, All right, yeah, Louis Vatan okay, designer, that's right.

Speaker 3 (01:00:00):
Yeah.

Speaker 1 (01:00:01):
Did you know in nineteen eighty four t Pain was born?
Happy birthday, t Pain legendary but tender. And did you
know in two thousand and one, bank Roll Hayden was born.
Happy birthday, bank Roll Hayden, word not bank roll.

Speaker 8 (01:00:21):
Yeah, I forget bank roll Hayden. Hell yeah, happy birthday son.
Hell yeah, that's right, man, get a dance. Salute to
all these folks, and salute to you for being here
with us. If you haven't smashed the like, you have
smashed it. If you haven't commented yet, do that.

Speaker 1 (01:00:37):
If you haven't joined the live chat yet, become a
part of the Insane Asylum, smash that like. Subscribe to
the channel, click the all notification bell. Get down with us.
I'm saying you have no other choice but to get
down with us, because it's fucking so dope over here.
Come on the highest show in the world. All right,

(01:00:59):
we're about to open up the Insane Asylum. That means, y'all,
if you've got a common question, shout out suggestion. We
are here to hear it in the same beside.

Speaker 2 (01:01:14):
All right, let's do this your big show to a
C minus and the Chin Music podcast for rating us.
They brought in eighty people on Twitch.

Speaker 1 (01:01:21):
Hell yeah.

Speaker 2 (01:01:25):
Yeah, Hell yeah, Sarah. Here's asking, yo, b are they
ever gonna put cypersill symbol on the wall at Yamava.

Speaker 1 (01:01:36):
That I don't know?

Speaker 2 (01:01:37):
Is there like a music wall they have there?

Speaker 1 (01:01:39):
Yes, they have. They have a wall of symbols that
are all signed by every artist that has done a
show there, sign it. And we signed a symbol, so
I assume that it's going on the wall. Yes, hell yeah,
help Hall of fame.

Speaker 2 (01:01:55):
All right, let's see here Karina saying, hi, y'all can
be ask my grandson CJ, who's six years old, to
chill out, followed by a moment of oms. He's here
bouncing off the walls.

Speaker 1 (01:02:06):
Hey, CJ, chill out man, Hey yo CJ. CJ. That
means behave CJ. All right. In other words, all right,
let's give him some bombs real quick. Al right, Hey, yo,

(01:02:26):
c J, chill out man?

Speaker 4 (01:02:29):
Oh oh.

Speaker 2 (01:02:41):
Oh oh, what's so funny?

Speaker 1 (01:02:52):
FM? Just changing the tones? Changing tones broke. That means
you ain't concentrating on the medication, you might get kicked
out the circle. Oh too late now, is that? Yeah?

(01:03:14):
It's fucking funny, bro. I've been waiting for the right moment.

Speaker 2 (01:03:29):
To use like the best one, all right, Krina saying
that you also look like you're in solidarity with the
indigenous people. Today is national day of the National Day
for Truth and Reconciliation aka Orange Shirt Day in Canada.

(01:03:56):
Uh fresh go for life saying what up? Players much
love piopo and salute. That's what he's saying. I think
he's the guy who brought up a bee real just
got back from a construction site.

Speaker 1 (01:04:05):
Yeah it work it.

Speaker 2 (01:04:11):
Uh Lupian. Here's asking, did you guys ever do a
lot of bond grips with ice filled in the bong water?
I don't see a lot of people doing that anymore.

Speaker 1 (01:04:19):
Yeah, yeah we did. We We put ice in the
boonk for sure. And then they started making, uh these
these pieces that you could attach to the bong that
you put in the freezer to cool it off and
all that shit. And then they started blowing that ship
in the bong already, so you put the bong in
the freezer or some shit like that. There's so many ways,

(01:04:40):
but yeah, definitely started with the ice. I still do it.

Speaker 2 (01:04:46):
Medicine's asking uh, I think he's asking the table, but
more for FM. Probably what's the what's the table's favorite
cycle realm instrumental? Say that again, what's the table's favorite
cycle realm instrumental?

Speaker 1 (01:04:59):
Damn, that's a all along the Watchtower? Really that's your favorite? Yeah? Bro?
That citar loop, it's just so dark, it's so sick.
I just I don't know. Then I'm gonna have to
say Stone Garden. Oh shit, okay, yes.

Speaker 5 (01:05:21):
Yeah, so many levels. It starts off with the chimes
and the sounds. Yeah, it's sick. It's a perfect instrumental
for sure, or a too be quite a few.

Speaker 1 (01:05:35):
You have one, uh, the only one.

Speaker 3 (01:05:38):
I mean Psycho Realm, not just a Jack, the one
me and Jack did. But I love anything Psycho Realm
does so because the Duke's voice.

Speaker 1 (01:05:47):
They're talking about instrumentals though, no, no, no, I don't
got no. All right, I love beats, so yeah, that
would make me include everything. That would I would include everything? Gotcha?

Speaker 2 (01:05:57):
All right? We got more bell And here he's saying, Colton,
I hope you get on that train at one hundred
and third Street and watch see Homies shirt.

Speaker 1 (01:06:10):
Already, let's not talk on top of each other. Let's
stock talk on top of each other. Let's let each
other finish, all right, Go ahead, you're.

Speaker 2 (01:06:19):
Saying, Colton, I hope you get on that train on
one hundred and third Street and Watson see the Homies
hop on while you're wearing that red Valvin Klined shirt.

Speaker 1 (01:06:29):
That would be something I see.

Speaker 2 (01:06:31):
I'll get on the train and it'll take me from Compton,
you know, and then the next place.

Speaker 1 (01:06:35):
But the thing is, it depends how he's wearing that shirt, right, Like,
if he's just got a red shirt on and he's
got no hat on and he's just looking like our
bolted here, they might not fuck with him. But let's
just say our Bolton is wearing a red hat to
go with that red shirt and possibly some red shoes.
Oh then red, So they're fucking with him, you know

(01:06:58):
what I'm saying. But they might overlook even though he's
wearing red because they know he's not like a banger.
You know, it doesn't look like a game man. Yeah,
But what happens if you're I go through right here
at Compton that commuter hold up, Dooby, hold up.

Speaker 2 (01:07:14):
Right here on the screen. I go through Compton, then
Watts you go all the way up here into lad
Blue line.

Speaker 1 (01:07:21):
All right, Now, what were you saying, Dooby?

Speaker 4 (01:07:23):
No?

Speaker 3 (01:07:23):
I was just gonna say, what happens if you like,
where's all that ship? And he meets like a disgruntled
commuter that's just out there talking to himself, but just
wants to you know, he just wants to start some
ship because that's what he's on.

Speaker 1 (01:07:35):
Go up into the next car, you know what I'm saying.
Gonna walk out of that situation. Yeah, but if I'm bolting,
I'm taking some mace with me on that goddamn train.
That way, if somebody comes in my face, he gets
the mace.

Speaker 2 (01:07:48):
Okay, some hand sanitizer and hand are you gonna slap him?

Speaker 1 (01:07:55):
You're gonna slap him with some hand sanitizer?

Speaker 2 (01:07:58):
No, you just you just need it when you're riding
the tray.

Speaker 1 (01:08:00):
Yes, you do need that. But I'm saying you don't
want to put your hands on nobody on that train,
just like you know, give them the little you know,
pepper spray facial and keep it moving, and you can
see cold spraying everybody for no reason. Hold that car
gets like every roll spray.

Speaker 2 (01:08:19):
One person threatens me the whole tray.

Speaker 1 (01:08:21):
Everybody back off.

Speaker 2 (01:08:27):
I'm gonna end up on that street. People of Los
Angeles page.

Speaker 1 (01:08:33):
Every every crackhead gets the spray. Yep, you just gotta
get real quick like that. Don't hold the button down,
because then you're getting everybody. If you just do a
real quick burst, you're getting. But if you like hold
that that that button down, everybody's getting the train. The
train sniper, you know, want none of that, yob.

Speaker 2 (01:08:56):
Did you guys ever ride that back in the day
or not?

Speaker 1 (01:08:59):
The train? Yeah?

Speaker 2 (01:08:59):
Was that around?

Speaker 4 (01:09:02):
No?

Speaker 1 (01:09:02):
No, we have to ride buses over here in l A,
l A. It was buses and I rode a lot
of that is for sure.

Speaker 2 (01:09:11):
You've seen some ship before.

Speaker 1 (01:09:13):
I've seen some ship on the buses. For sure. On
the trains, I've ridden them ass of late, you know,
going with the LA riders and and taking the bikes
on the train and going to one stop and then
riding all the way back down. We've done that. But
like back of the day, No, like guys our age,
it was busses. Yeah, I think weird. You're in LA anyway,

(01:09:34):
you know, weird Out.

Speaker 5 (01:09:35):
Weird Al gave the best description of the bus on
a song he did called another One rides the bus.

Speaker 1 (01:09:40):
It's like a spool. Yeah, that is great. And back
in the days before it was it was Metro, it's
Metro now, right or something like that. It used to
be r t D Rapid Transit District, rough, tough and dirty. Remember, Yeah,

(01:10:00):
some in the hood would call it Rita, Tina and Dina.
They coming and picked me up. Oh I'm gonna hitch
a ride with Rita, Tina and Dina. Oh what I'm saying.
I don't know how that made any sense, but that's
what motherfuckers used to say. It's great cold, all right.

Speaker 2 (01:10:25):
Next, All right, Tony's asking DJs at the table, how
much do you think how much do you think groups
like Craftwork, Planet Patrol is it hash him? Oh yeah, yeah,
hashim Man, Parish, New Clues, Warped nine, and uh Cybotron
contributed to hip hop.

Speaker 1 (01:10:44):
They contributed a lot. I don't think they probably thought
they were going to because that was the like dance
hip hop. Yeah, like electro the freestyle they call it electro. No,
well really not. Their ship wasn't necessarily like that. I'm
I mean, their ship was it was harder based, but
I don't think that they tended for it to be

(01:11:07):
a part of hip hop. It just fell into that category.
That's dope. Hell yeah, I'm a big fan of craft work. Yeah,
craft work. I want to see him.

Speaker 9 (01:11:17):
They crafted it, they worked it, They crafted it, it
worked it. Put that word, put that work in.

Speaker 1 (01:11:28):
And you know they inspired groups for sure, like Man Tronics.
You know his beats, all got.

Speaker 4 (01:11:33):
That, every everybody they inspired Planet Planet Rock, that sh
is all craft work. Oh yeah, yeah, pretty much all
that Africa about ship. Even freestyle music they used to steal.

Speaker 1 (01:11:46):
From, remember yeah, oh man, well there was probably the
first version of freestyle music, right it was electro.

Speaker 4 (01:11:52):
As a matter of fact, the Mellow man Ace. You
hear the beginning of that ship. That ship is craft work.
When them drums come.

Speaker 1 (01:11:58):
In, Yeah, they're sampled down. That ship is craft work.
Not to snatch numbers, there was numbers, yeah, but it
was he when when those songs from craft Work used
to pop off here more than more than break dancing.

(01:12:21):
It was popping. Wow, motherfuckers would like go at each other.
Oh numbers like to numbers. Tour de France yeah.

Speaker 3 (01:12:29):
Yeah to Egyptian Lover Egypt all that ship, the tut
all the bugs, bunnies everything.

Speaker 1 (01:12:38):
Yeah, the breakdance, it would happen too. But like to
those specific songs, that's when the poppers would cut out.
You couldn't help, Yeah, everybody, you couldn't help that ship.
You could if you knew how to do it, you
would come out and get live with it. Yeah.

Speaker 3 (01:12:52):
We didn't let Beat join our popping crew because he
we just we didn't. He had this white makeup on,
he was just doing.

Speaker 1 (01:12:59):
He was a mine. Yeah, he was like a mine
if we didn't want to.

Speaker 4 (01:13:03):
If you had the white gloves, you had the white gloves,
I know you were serious or serious?

Speaker 1 (01:13:09):
Oh you have you know you know?

Speaker 10 (01:13:11):
So do Be had the incredible knee spin. The weakest
I would kill killing and try to. People say, Dob,
I can't hear you the doors coach. You have to
open it first. You have to open the air door first.

Speaker 1 (01:13:26):
I was like, ah, you thought you thought Boogloo Shrimp
had a good knee spin. Nah, dude, we got him.
Used to have to, you know, put patches, patches on
his kneecap because he is move You could do that's
why he's saying that you had you had a pad.
I had no knees. No niece said you had a

(01:13:49):
knee pad on I have. Oh, dude, that's that's up.
But he was spinning with the knee. He used to
do this, dude, here, pads, that's up. I didn't say
that the paths that said you did a d spin.
That's less talking about the paths over there. Hey, Janet

(01:14:13):
Jackson and the whole control video, they got pads. Yeah,
but she wasn't see, you know, and he probably could
have did more spins if he had those kind of
deep pats, you know, and wouldn't get hurt, hurt, no
scuff on the neme. You know what I'm saying, Gold, gold,
I gotta say, man, I'm gonna leave it at that. Yeah, yeah,

(01:14:35):
that Nick.

Speaker 2 (01:14:39):
Let's see here, Mike's asking anyone at the table like
pork chops and apple sauce.

Speaker 1 (01:14:44):
I like, you know, I don't eat pork a lot,
a lot, but pork chop yesterday. Pork chops are good. Hum.
I don't know if ix with the apple sauce on
that was fire bro.

Speaker 5 (01:14:58):
That's Cuban tradition right there with apple sauce, the mom
style apple sauce.

Speaker 1 (01:15:06):
I don't listen. I don't think there's anything wrong with
the apple sauce. I think that's just by choice. Like
if you want to have that sweet savory ship popping off,
or you just want to have that savory ass fucking
pork chop. You know what I'm saying. I never liked
apple sauce though I can't. Yeah, me neither. Like, I mean, yeah,
I try it. I would have it like I wouldn't

(01:15:26):
put it on the whole pork chop. I would have
it like on a little bit and see if I
liked it. And if I didn't, then I'd say that,
Oh you mean it's a topping on the porcho. Yeah,
a topic on the pork chop. Oh hey no I
don't know. Yeah, see no you can't. I can't either.

Speaker 4 (01:15:40):
You know.

Speaker 1 (01:15:40):
I'm not gonna front weird. What we're gonna say is
try it. I try it for sure. I mean I'll
try it, you know, a bite. I don't want to
gas the pork chop. Door put it all over the
pork chop and want it.

Speaker 4 (01:15:51):
And it tastes good because the sweet with the you know,
if you if you're into like sweet, like spie, like chili,
sweet chili.

Speaker 1 (01:15:58):
Yeah, you got to be in the movie for that. Yes, yes,
sweet savory. I was saying it earlier, but I'm saying
you got to be in the mood for that. But
I mean, there's all kinds of ways to make way.
There's all kinds of ways to make a goddamn pork chop.
You know, I said, Boss Barbecue, let's go it. Yeah, yeah,

(01:16:22):
I mean he could do that. If anybody can pull
it off, he's one of the people who can pull
that ship off, all.

Speaker 2 (01:16:32):
Right, Mike saying DJ FM on the hook scratching and
do be less b Real on the rhymes on a song.
Let's manifest it beat with the beat made by be Real.

Speaker 1 (01:16:44):
There we go.

Speaker 2 (01:16:45):
Whoa, I got some old school beats I do.

Speaker 1 (01:16:50):
I haven't made a beat in a long time though.
It's just that because I don't have really time for it.
If that ship is tedious, work to me, you know
what I mean? Less those what I'm talking about it
so does FM. When you're making a beat, there's a
tedious nature of it, and you got to want to be,
you know, in that mode, and because if not, you
just got a bunch of shit, a bunch of sloppy shit,

(01:17:12):
and you know you need to tighten up and all
that stuff, and you need to really put the hours
into making all that shit tight. And for me, you know,
I was doing that for a good while, but I
was like neglecting my pen work doing that, and I
couldn't find the balance because I had too much shit
going on. So I'd like, you know, let that go

(01:17:34):
and start getting back on the pen game and evolving
and getting to where I was supposed to be. Well,
you know, because you can't take your foot off the
gas and this shit. I mean you you know the
mcs that have come and and put their feet down
in this game and plant a flag, So you know,
you got to contend with that. So I had to

(01:17:57):
like sort of lay back off the beats, and I
guess I did for too long. But I can always
get back in. I mean that, like, I have the
capability and to know how and how to like respark
that it's just have the time in wanting to do it.
I got so many badass producers around me. What do
I need to make a fucking beat for? You know
what I'm saying. I got Psycho Leezy up in here.

(01:18:22):
Motherfuckers just that be coming around off time. You know.
We got dominated here who produces dope beats. FM here
that produces dope beats. So like what I need to do.
I'm one of these motherfuckers, Hobby Lopez, you know what
I'm saying at this point, Like for me, it's just

(01:18:45):
about making them making a beat.

Speaker 4 (01:18:46):
Just it's enjoyed the time spending with vinyls and listening
and tweaking and chopping and that's just you know, it's
it's just you know, therapy for me.

Speaker 1 (01:19:00):
Yeah, I never lose that fire man.

Speaker 5 (01:19:02):
You know, every time I step in the studio, I
feel like a little kid once again, you know what
I mean. These are my toys and this is where
I get my fix. And it's always an escape too
for us, right like a moment where we break away
from the world.

Speaker 4 (01:19:16):
And you never know what you're gonna what you could flip.
What if you flip a fucking banger like oh yeah
yeah or something. I was flipping a lot of cool ship.
Just again, it takes that time. You know, you gotta
want to be there. That's chopping and then fucking constructing.
I mean, people don't know how how you know, complicated?

Speaker 1 (01:19:37):
It could be. Some motherfuckers make it look easy, but
it's not that easy.

Speaker 5 (01:19:41):
It would be cool one day to just all of
us jump in a live studio and just throw down
a bunch of ship whatever you want to contribute.

Speaker 1 (01:19:48):
I mean, that would be a trip. People see us
make the beat live right there? Yep, hollering, Yeah, that
could totally happen. We'll see how we make that happen,
all right.

Speaker 2 (01:20:00):
Next one, we got a mike and you're asking, Dubie,
what was the last song you had on repeat?

Speaker 1 (01:20:07):
What's the last song I've had on a repeat? Yeah
was Uh?

Speaker 3 (01:20:12):
It was Tate McCrae's Run for the Hills. Now I'm
just fucking with you. I did, uh, I would have
to do. I've been listening to Big Daddy because I've
been going to my old school ship writing, So I've
been listening.

Speaker 1 (01:20:23):
To that L A W.

Speaker 3 (01:20:24):
That's my ship right there. That brings me back to
the coy hip hop. You know what I'm saying. You
know on repeat ain't nothing like Kane, So yeah.

Speaker 1 (01:20:33):
There you go.

Speaker 2 (01:20:34):
Medicine's asking can we get a Doobie freestyle?

Speaker 1 (01:20:38):
Can we get a Doobie freestyle. I mean I do
it all the time.

Speaker 3 (01:20:41):
Shane in Ha signing double time in Rosa and Silver Line,
and they rock the ice and designed these high plants.
That's why assignment refinement, pop refinement, Fine Rod and the Diamond.

Speaker 1 (01:20:50):
I like that.

Speaker 2 (01:20:50):
So we'll get Doubiye in the booth here like we
did with.

Speaker 3 (01:20:56):
Yeah you Will, Yeah you Will, A big shout out
to Demrick word up Leve hell yeah, and.

Speaker 2 (01:21:02):
A big show to Alex he's up in her saying
party party party, giving us his own homes. All right,
So we had three people, we had three people in
the studio today. We had three people roll us a joint.

Speaker 1 (01:21:23):
Okay, yes, I have heard about this, right, I'm supposed
to guess who who did this? Or are they supposed
to guess?

Speaker 2 (01:21:31):
You and the insane aside to guess it's about you?

Speaker 1 (01:21:36):
And I guessed who rolled what here? All right? Was
it f him Son Dooby, oh psycho l Yeah?

Speaker 2 (01:21:50):
We got three wild joints over here.

Speaker 1 (01:21:53):
All right, let's see joint one.

Speaker 2 (01:21:54):
Here's joint number one. Not too bad.

Speaker 1 (01:21:57):
Actually, all right, I'm gonna say that's FM's joint. Good.
Guess I'll give it away he'll be wrong. Wrong.

Speaker 7 (01:22:14):
That's that's you know how to roll with the tips.
That's that's a good guess. All right, let me see
the next one joint number two. Well go back, oh wait,
all right, hold on, uh to the asylum. Who do
y'all think that is?

Speaker 1 (01:22:30):
All right? Look, so y'all can y'all can put your
guesses in there too? All right? I don't know what
you're saying, but my guess is this is FM's joint.
All right, let's go to the next one number two. Now,

(01:22:50):
that looks that looks like a psycho. Last joint right there,
that looks like a psycho lazy right there? You wrong? Huh?
I don't know, wrong, I don't know. I don't know.
You're telling me that, but like you know, you're trying
to throw me off. But I've seen some of your joints, Yeah,
and they end up like this. I don't know. All right,

(01:23:12):
what do y'all think in the chat room? Do you
think this is a lazy joint?

Speaker 2 (01:23:16):
Is it smokable?

Speaker 1 (01:23:17):
Yes, it is. It's just it's gonna get strangled there
at the neck, you know what I mean? And that
makes a lot of sense. Right, Let's scene.

Speaker 2 (01:23:28):
Number Okay, this is wild joint number three.

Speaker 1 (01:23:33):
Okay, wait a minute, time out, time out. Now, I'm
throwing it off here because I don't know if this
is cycle Less or or or sun Dooby here, but
cycle Less has a little bit more uh, he has
a little bit more experience with rolling with the glass
tip that sun Dooby does. So I'm gonna say this

(01:23:55):
is Dooby right here, but I could be wrong, that
could be Less. I did my best. We all try
that is that's a crazy looking joint. Whoever rode that one?
This would surprise me if it's due, because that would
be pretty good for Doobie, Like I never see him
roll with no tips. So thanks, thanks guys. Okay, but

(01:24:18):
I know that Leezi has a little bit of experience.
So but that last one, Yeah, that's when you're rolling
in a dark club. Yeah, you ain't putting no attention.
You can't see what you're rolling. You're just glasses. That's
your glasses. That's dark club glasses. This ship looks like

(01:24:41):
a fucking submarine, buddy, all right, at least we'll float. Yeah,
it could float. It's like a mind all right, it's
a floating all right? Who what?

Speaker 3 (01:24:52):
What?

Speaker 1 (01:24:52):
Who was who rolled what? All right? So this was
I knew it.

Speaker 2 (01:24:58):
This was Sundobie.

Speaker 1 (01:25:00):
Oh my god, that's pretty good, son doo Be. I tried,
which that's pretty good. Somehow cycle less went backwards one
one all the most fucked up joints. Oh well, oh
that was the That was the concept to roll the worst,
the worst joint. I thought, y'all was just rolling. Okay,

(01:25:20):
them rolling? You look like you could make a sweater
with that. Look at that man ship Halloween joint that
that totally threw me off. I totally tried the Doobi
wrote this with Jesus, it is scary, bro hellowe you

(01:25:40):
that needs more practice. All right, yeah the wires and
you're saying, matter of fact, I got the bitch right here.
Smoke it better smoke like a se what it smokes like?
All right, Well we're gonna both the.

Speaker 2 (01:26:00):
Liar's and you're saying, what's up to everybody at the table.
Hope everyone's doing good today. It's my forty third birthday
and salute happy birthday.

Speaker 1 (01:26:07):
Hey, happy birthday, birthday salute to you. Just so for yourself,
smoke some good weed, party responsibly with your good friends.

Speaker 2 (01:26:18):
Mar Bellen he's saying a Colton talk ship, but we
never see him roll. You know what, I'll send one
in tomorrow for this, I'll send it. I'll send a
joint in tomorrow. And honestly, I haven't rolled a joint.
It's been a really long time.

Speaker 1 (01:26:30):
So what have you been rolling?

Speaker 2 (01:26:32):
I've either been just hitting out of the bond or
taken dabs.

Speaker 1 (01:26:35):
I guess, oh wow, all right, rolling everything but the ours.

Speaker 2 (01:26:40):
Exactly, everything but the rs and the joints.

Speaker 1 (01:26:46):
You that was awesome. That was awesome. Yeah, that was awesome.

Speaker 2 (01:26:53):
That seems to be it so far with the comments.

Speaker 1 (01:26:55):
Thank you for your super chats. We appreciate them, and
salute to all your positive energy to many of you
folks out there. Uh I guess do we have submissionssion?
All right, let's pop off with these submissions. Subficions, subficients, sufficient,

(01:27:20):
submicious subsicions. That is classic Bars dropping the fucking the
weights on his chest. Yeah, like, you gotta listen. You

(01:27:43):
gotta have a spotter. You can't be like pushing up
heavy ass weight without a spotder. There you okayved your
fucking chest. Not only that, if you by yourself, go
light man, go heavy. Like by yourself. Well that's what
I mean, you know, like a spotter is someone who's
helping you lift that arm, putting it back and if
it's too heavy there, how would you push it pull
it back up? Because lifting heavyweights by yourself is not smart.

(01:28:07):
Be basement by yourself. Yeah no, by yourself, lift light.

Speaker 2 (01:28:14):
All right? Teles saying, uh Trace the movie Varsity Blues.
This reminds me of Trace is a favorite road snack
on his way to l a. Oh oh yeah baby,
this is a good movie with Scotty Kahan.

Speaker 1 (01:28:27):
You know the reason he was doing that was because
this coach has kept telling him he got to have
more calories, like to get bigger because he's an offensive lineman.
Damn yeah, that'll do it. That'll do it. Or condensed
milk nasty, you know?

Speaker 2 (01:28:46):
All right? Mike be A saying, Yo, guys, we have
Eddie Sweet Shop. It's been around for a long time
in Queens, New York. It's a they have a different
soda float, different.

Speaker 4 (01:28:58):
Little float, one little all little float, this bang that
it looks huge. You can't do that ship every day?

Speaker 1 (01:29:06):
Yeah no, you cannot. You shouldn't. I could drink that
in once. Yeah, maybe once a year, right, ship Sid
could drop two of those in a day. Yeah, yeah,
you know what I'm saying. Those are good. Yeah, you're
not supposed to though, it'd probably be like four thousand calories.
I do two of those. I started doing electric boogie
Bee with the white gloves.

Speaker 3 (01:29:31):
So much sugar in your stopping, Yeah, I'll start popping
for like an hour.

Speaker 1 (01:29:38):
Bro real, that is a huge float.

Speaker 2 (01:29:41):
Yeah, here's Eddies ready here, you've been there cycles, Eddies
and queens.

Speaker 1 (01:29:51):
I never been there. A cream soda I'm down. Yeah,
they got a cream sodas in there. I'll stop buying.
I'll be out. Oh my god, look at that right there.
I could do that with an egg cream soda. That
shit ain't right. Yeah, yeah, you're right there. Why are
you fucking with my emotions right now?

Speaker 11 (01:30:08):
Man?

Speaker 1 (01:30:08):
That shit ain't right. I look good. I look good
with that big ass mug. That shit look good. You're
going to sleep after that? See that hurts me, you know,
because I don't be having a lot of sweets, But
I like sweets. You know what I'm saying. It's seeing
that just hurts my feelings. That's why they do it. Yeah,

(01:30:28):
they won't hurt my feelings. Farmel on the bottom. That's
posprous though, Bro, that's three schools, big ass. But oh
my cream chilling. You're killing me, Larry, Yeah.

Speaker 2 (01:30:42):
All right, smoke sex, saying yo, this is a flashback
to when I took second place in the bacon contest
at school with my bacon chipotle chocolate chip cookies.

Speaker 1 (01:30:49):
Look at this. Oh yeah, look at that. Man, that
looks good. It looks like a little face on the cookie.
I like that. I look good, bacon totally. That was
on purpose. Eat me, eat me, I can't do it.
Those cookies look like you got milk too much sugar

(01:31:11):
in it. Chocolate milk with chocolate cookies. Oh are you okay? No,
that's good talking that chocolate. Chocolate. Chocolate plus chocolate equals
a lot of chocolate.

Speaker 2 (01:31:24):
Fudgie twist nerves are saying, yo, my wife made a
mess of excellent raspberry turnovers this morning, saying they're perfect.

Speaker 1 (01:31:34):
Don't I don't mind a raspberry turnover? My going on?

Speaker 4 (01:31:39):
Yeah, turn it over, turn it over, turn it up,
turn it out, turn it out, turn it turn it out, Yeah,
turning it out.

Speaker 1 (01:31:49):
I don't remember the fucking the rest of the words.
But you know the song let's getting pop lock yeah
something something, Go lady, I want to take to something.
Just go lady, that's moving move it, okay, all about
totally fun up the words, Yeah yeah, just go lady.

Speaker 2 (01:32:14):
There it is Johnny name of the joint.

Speaker 1 (01:32:19):
Looking up. Look he's got outfit. He's swaving ship. Look
at up, he's swaving it son Johnny Taylor. Huh he's
the guy that man. Yeah, he got that song? Who
making Love? Yo? No, lady, well you making Wow? You
got some good record speed. I believe that it sings

(01:32:42):
that song he does. You know what I'm saying. Mm hmmm.
It's if you don't know about Johnny Taylor. Yep, Who's
making love? That's what's something on the bottom of his
hit list right there? Who's making Love? Yeah? Got some classics,
all right?

Speaker 2 (01:33:00):
Balls and here saying yo, guys, here's my nighttime blooming
serious cactus. It produces a fruit very comparable to dragon
fruit dragon dragon dragon dragon fruit dragon.

Speaker 1 (01:33:17):
That is that is awesome. I get a kick out
of that every tap.

Speaker 2 (01:33:22):
Like I'm saying dragon. But it's a d R A
G G.

Speaker 1 (01:33:25):
Yeah you hear it's a fucking dragon. It tastes like
what does it taste like? Both? It doesn't it taste
like does it taste like fruit?

Speaker 2 (01:33:36):
Or that before?

Speaker 1 (01:33:39):
It tastes like chicken? Like that, it tastes like word.
It tastes like yeah, drinking fruit dragging. It's pretty good.
It looks crazy, but it's it's pretty good. No, it's bombs.

Speaker 2 (01:34:00):
All right. Purple is saying, Hey, guys, I drank two
and a half grams of rosin with one shot of
one fifty one run before the cypres Hill Show the
other night, and I had a lovely time.

Speaker 1 (01:34:11):
I'm sure. I bet that's how you gotta do it
every show. Did you see any dragons there? Oh?

Speaker 2 (01:34:23):
No, but his wife was dragging him around.

Speaker 5 (01:34:27):
I posted this thing that said, you like, imagine dragons,
imagine dragon these nuts?

Speaker 1 (01:34:38):
It was gorilla was a bigger nuts sitting there.

Speaker 5 (01:34:42):
Oh man, the post funny ship once in a while, Bro,
can't get too serious.

Speaker 1 (01:34:46):
I just do it to break the monotony, you know
what I mean? Pause?

Speaker 2 (01:34:53):
Pause, all right, Mike, and here is saying, man, you
know I love this until a kid called me Google.

Speaker 1 (01:35:00):
Man, it's a polo fucking hoodie too, like Google? Yeah,
those I mean those aren't cheap unless that's fugazy. You
know what I'm saying. No, Google, this is Africa, Yeah,
made made in China. Google up kids, These kids are

(01:35:27):
sucked up. Oh ship. When I get home, I already
know my daughter's gonna call me traffic cone. High traffic
cone if I wear this orange like this. Yeah, kids
are honest. Yeah, like traffic cone today, not doctor green
thub not father. Dad said it's traffic cone. Getting ready

(01:35:54):
for it. He's getting ready. I already know.

Speaker 2 (01:36:00):
That'd be funny. Wake up tomorrow. They pack your lunch
like you're construction work.

Speaker 1 (01:36:04):
Here, here goes your flag rock the timbos too. Yeah,
I got him ship, Okay, next time, Oh my god,
don't do it close to Halloween. Why not?

Speaker 2 (01:36:26):
All right? Mcleven saying, Yo, guys, it was great seeing
e Zone on Sunday at the l A Comic Con
this year.

Speaker 1 (01:36:31):
The far Yeah hell yeah, well that's a flip. Usually,
you know mcleven's you know, dressed up. Yeah, he probably
got dressed up on the next day. Pile Rangers, yeah,
life word.

Speaker 4 (01:36:46):
Yeah, he does a good Jaffor man cool even without
the costume. He's Pole Rangers.

Speaker 1 (01:36:52):
He's without look at his face and he's into it. Man,
look at.

Speaker 3 (01:36:55):
That's like zepping your nerdy assh Yeah.

Speaker 1 (01:37:00):
Mom, look he's on. It's like, yo, tell me where
the weed is? Tell me where the is? No word,
He's like, tell me where the weed is?

Speaker 2 (01:37:14):
You're saying now. Later that night I went to the
ice Cube concert at the Crypto Arena.

Speaker 1 (01:37:18):
Killed it. Oh yeah, we know he did dope shirts
out there, killing at b That is a dope show.

Speaker 2 (01:37:25):
Yeah you so, Tracey's nephew back there.

Speaker 1 (01:37:32):
You had too much Photobama. I can't tell you. I
can't so see that.

Speaker 2 (01:37:39):
And uh, that seems to be it so far. Actually,
I got a little clip here from a Pedro. He
sent this from the show at the the Tachi Place.

Speaker 1 (01:37:47):
Allright, bust it out. Pedro looks like you think he's
singing rega. But that issue is a Lord. Be killing
that you did on? Big up both back up, back

(01:38:09):
up both.

Speaker 10 (01:38:13):
Be like up your joints.

Speaker 1 (01:38:16):
So Mutch your fucking stee bond, what father up?

Speaker 4 (01:38:25):
Lord?

Speaker 1 (01:38:31):
That's all right?

Speaker 11 (01:38:38):
Buck kills him right. Some people can fuck off. Some
people can fuck off. Some people can.

Speaker 1 (01:38:50):
Fuck off, like all these fucking politicians, they can fuck off.
M they can fuck off Solute to Pedro for that
clip Mine Pedro Beyond the Once Looke. Yeah, man, and.

Speaker 3 (01:39:12):
You're telling me that thing on your head doesn't get
hot when you're on there, when you're doing you.

Speaker 1 (01:39:17):
Not really, that's crazy, bro. Like again, when I wear
a regular hat like so, yeah, and it's like an
hour and a half show, ninety minutes whatever. Man, Yeah,
that should be fucking dripping in my eyes, like the
sweat like from my head be gripping down like crying tears,
like ship stinging my eyeballs.

Speaker 4 (01:39:41):
Jimmy Hendrix, like Jimmy Hendrix. Yeah, a little bit in
the headband.

Speaker 1 (01:39:46):
Yeah. See yeah, if I put an acid in the headband, boy,
I'll be tripping because I can't believe he was doing
that ship but he did. But yeah, dashing him there,
he was just dashing him not knowing that well, I
think he knew. He was a smart guy. He didn't

(01:40:06):
him he was putting that put that ship that way.
It just hit him when it hit him started. You know,
you knows what he was doing. Yeah, he knows what
he was Fuck you up real quick and yeah, no,
that that absorbs all the sweat on my head from

(01:40:28):
dripping in my face. So it works. It's not really
why I do it, but I mean that's a plus,
you know what I'm saying. I ain't gonna be worried
about those sweat dripping down in my eyes as ship.
But yeah, flu yeah, man, it was a good show.

(01:40:49):
Hell yeah. I had fun seeing some of the homies
up there. Big Fern came out with his family out there. Uh,
Sea Loos came out, slew to my man se Los
he was out there. A number of homies came out.
That's a far ass drive too, at least from here.
How many from where I live? How many hours from

(01:41:10):
LA is that? Well, in traffic, it's probably roughly about
in between an hour and forty five and two hours,
shoot fifteen, depending on traffic. From my crib, it's further
probably like three and a half to four hours, depending
on traffic.

Speaker 2 (01:41:30):
Yeah, three and a half hours, damn man, relle.

Speaker 1 (01:41:33):
Oh hell no oh yeah three and a half. Oh.

Speaker 3 (01:41:38):
I thought that was just like somewhere in the Ie
or something. That shit's upstate. Ooh oh yeah, dope, that's dope.
That's dope.

Speaker 1 (01:41:48):
That's you know that that averages if you drive like
trace three and a half hours, but if you drive
like I, you might make it a two and a
half half. Oh yeah, step on it. Well, just depen
on it a little more. The Trace drives kind of slow.
Sometime you gotta drive like you want to get to

(01:42:09):
a place. I drive like like, we're good. You can't
drive fifty five. Well, if you leave at a good time,
you don't have to drive like that. You're going to
have to deal with the conditions no matter what. But
if you leave at the right time, you don't have
to rush. But if you leave in last minute, that's

(01:42:30):
when you have to drink. I'm with Trace too, because
I drive like that. I drive smooth. I'm not in
a rush. Yeah, you don't have to there.

Speaker 4 (01:42:37):
When I get there, be that's it. Let old ladies
go in front of me and go yeah, oh, I'll
be stopping, you know. Let people cross there goes, there goes.
That's less right there, stop.

Speaker 1 (01:42:57):
Let people cross over. Oh yeah, that's like, Hey, that
car got some balls when they could do that ship
right there? Yeah yeah, lift the engine front like that. Yeah,
as heavy as that engine is. That muscle car, Oh

(01:43:25):
my god, but you got to say it like that
muscle car muscle car. Yeah, let me remind y'all, we
got to mix for you right after this on twitch
all right, and be Real TV two right here on YouTube.
Make sure you subscribe. Get down with both these places.
We'd mix here. But you know, they they you know,
they give us ship all the time. So but maybe

(01:43:49):
one day we'll just say bucket and mix right here
and see what happens. I don't know, we'll see.

Speaker 2 (01:43:55):
Oh, we're also mixing on kick as well.

Speaker 1 (01:43:57):
We're also mixing a kick Yeah, so ticket, come join
us and you know, get down with the with the
sets we'd be spinning. We got a lot of great
DJs over here. If you're not knowing the.

Speaker 3 (01:44:11):
Highest mixes in the world, that's elevation mix.

Speaker 1 (01:44:18):
We take you higher. Yeah. Man, I was gonna go
bowling yesterday, but kind of got sidetracked because I'm trying
to hit two hundred and ten. Now that I hit
two hundred, trying to go higher every time. You know
what I'm saying, because the goal is, you know, to

(01:44:40):
bowl in the high numbers. That means getting a lot
of strikes. You know, get in the the spars are good,
but you got you need more strikes than spars to
get higher scores. I'm working on it. Yeah, are we
all are? I'm in no rush. I mean, you know,

(01:45:03):
I work backwards. I got better at my spars first
for some reason. Whatever I'm learning. I got the shoes now. Yeah,
I mean yeah, let me know next time I'll come
to picked up that spare change right there. You saw
that I was on the money this day. If I
had just had more strikes than spaars, I would, you know,

(01:45:26):
got well past two hundred. But shit ain't easy.

Speaker 2 (01:45:29):
May What did you think of the light up because
I know we don't really like to play with the
light up lanes? What did you think about that? Because
it's not so dark in there?

Speaker 1 (01:45:40):
Yeah, it's it wasn't really dark. It seemed like it would,
you know, be dark when you walked in there, but
like when you got it, because I was worried about that,
I was like, fuck, we're not gonna be able to
see the arrows. It fucking sure enough we walked in
there and even though it was looking like it was
dark lit, the floor was bright and you could see
the arrows, you know what I mean. So it wasn't

(01:46:00):
so bad. The only part that would be dark now
and then was where the pins were at. Yeah.

Speaker 2 (01:46:08):
That still kind of messes with me a little bit.

Speaker 1 (01:46:10):
Yeah, that's amazing. How you do that all with just
a number eight ball? That's dope? Number eight?

Speaker 2 (01:46:16):
What do you mean a number eight?

Speaker 3 (01:46:18):
Well, they have these numbers on them, and b always
goes for the number eight. I don't know why, but
he's good at.

Speaker 1 (01:46:24):
You know, like I busted that joke on Trace the
other days. It off me. Man, my ball, you know,
if anything, it says fourteen or it says you know what,
my ball doesn't say eight, it says bad motherfucker. Oh
that's right. Sorry, I made a mistake, you right, was
I think? And I know, I know, I know he's

(01:46:48):
good Trace b rolling six is eight down the lane
says it's a twelve, but it don't look like it,
just saying all right, you got anything else?

Speaker 2 (01:47:03):
I know that seemed to be okay.

Speaker 1 (01:47:05):
Yeah, man, I think we're gonna go tomorrow. We was
thinking about going today, but I think tomorrow is the
day we'll have to like, you know, put out the
put out the text to the to the homies and
see who wants to row. But yeah, yes, see that's

(01:47:25):
what I hear. In my head, just pins crash inside,
pins crashy. We got a new bowling song too. Y'all
haven't heard it yet because it's not quite finished, but
y'all will hear it soon enough. Yeah, we already got
one now called Knocking Pins Down. If you ain't heard

(01:47:46):
about it, it's right here. I'll be real TV, go
check it out. CALLI Blaze hasn't rolled in a minute
with us.

Speaker 4 (01:47:57):
With that.

Speaker 1 (01:47:59):
He's been chill you know what I mean, popping Whilie's.
I think he hurt his arm or something like. That's
they had to chill out for a second rolling a
heavy ass ball right there. That se Loo's had a
bad day that day. I mean, that's so that's what
that's what the fuck was that he ended up improving though?

(01:48:20):
Yeah he did. Yeah, but it's not on that roll
right there.

Speaker 3 (01:48:25):
Yeah.

Speaker 1 (01:48:25):
People think it's easy. It's not easy, a mom, it's
not that hard either. Well, you know, the thing is
to be consistent. It's a little bit harder to roll it.
It's not so hard. It's to be consistently rolling it good.
That's a little bit hard. Otherwise we would all be

(01:48:46):
having like two hundred and fifty to eighty averages. You
know what I'm saying, staph strong wine.

Speaker 2 (01:48:58):
Yeah, he has a good throw, it does.

Speaker 1 (01:48:59):
Got a good throw.

Speaker 2 (01:49:03):
When stephtone's on fire, it's hard to stop him. Actually,
he's very accurate with his throws.

Speaker 1 (01:49:09):
Yes he is, Yes he is.

Speaker 3 (01:49:11):
He just has it like he always and he always
gives good advice. I like, how you know, telling you
how to throw it. Yeah, he never stirs you wrong.

Speaker 1 (01:49:19):
Look at that. Hell yeah, yeah, he's got a good throw.
It's like got a curve in it too, like like
throws it right at the right time, and his targeting
is pretty good. Got that spin? Oh yeah, he got
that spin. I can't you know, I can't get enough spin.
It's practice, that's all. Yeah. Oh right on Bobo. Hell yeah,

(01:49:45):
this is when Bobo was rolling the wrong three fingers.
Yeah that he was rolling with these three fingers right here,
not these ones is a claw, right that these are
the these two and this one right that's the bowling ball, right,

(01:50:10):
he was doing this right right? Yeah? Yeah, I heard
you understanding. When he got his custom ball, you had
to learn how to roll the other way problem, and
he started getting good at it. He actually got good
at that. Hey, tom Yeah, trying to be too fancy

(01:50:30):
and ship. You know we've seen it. Hey, you'd like
to hear the story again and again? How all God
started way back when anybody hit two hundred before me.
I'll say that, Oh yeah, Petro has been rolling high

(01:50:54):
numbers as a late or how you know eighties and
ship like that him and yeah, h word up. Yeah,
we might get out there tomorrow. We'll see what happens.
We got probably maybe do a be real TV bowling
fan night where we invite some of these folks who

(01:51:15):
also bowled at our close around to come get down
with us women fans. Though I don't know, I'm just
fuck everybody, calm. I's Thinking's something I thought maybe Pedro
would say, you know, bowling balls, Yeah, squeeze the balls,

(01:51:38):
squeeze polish the ball, hold them from fourteens. I'm you
didn't see you didn't see the face bid The face
he made was everything I wish I could have saw that.

(01:51:59):
That was pretty good. Anyway, we want to thank everybody
for getting down with us today on the Doctor Green
Thumb Show. Remember this show. We got a mixed show
right after this one, alight, so get down as we
bless you with some smashers, I, Psycho, LIZI and myself.
All right, we're gonna put it to your ear drums.
That's right, And I just want to wish y'all a

(01:52:22):
great day, great evening. Keep the positivity flowing in your
mindset and that I can do it attitude, all right, son,
do be gonna be shout out.

Speaker 3 (01:52:33):
Shout out to DJ se Lows, T Bone, DJ Clooney,
dj FM, Hovey Lopez, Strong Ones, Minus Blaze, Aton, dro
E Zone, Bolton Broad Broad Dominic, Bubo, ever Last, DJ Lethal,
Matt Child, Prev, Rob the Viking. Just thank you everybody,

(01:52:54):
the whole hip hop nation word, Thank you guys.

Speaker 4 (01:52:57):
World up, shout out everybody hanging out with us, all
of us here, Doctor Green Thumb Crew. Go to the website,
the cycle Last shop dot com. We got some new
things popping, some new T shirts and things. If you're
under ig follow me Psycho Less Official And this weekend

(01:53:18):
we're gonna be up in Colorado, Denver, Colorado. We will
be up there Large Professor, Psycho Lezy, meet and squeeze
and get ready for the masterminx.

Speaker 2 (01:53:30):
Yo Yo Shut the Insane Silence Show to Ray Morning
Shot Film show to the dominator What Up FM, Yo.

Speaker 5 (01:53:35):
Shout out to all my brothers here at the table,
everybody in the treehouse, everybody.

Speaker 1 (01:53:39):
Checking in with us online.

Speaker 5 (01:53:41):
Check me out on ig DJFM, Underscore LA, check me
out tomorrow in the mix right here on BTV and
on YouTube and all the platforms we share it with
in the mix four to five pm tomorrow as well.
Just like today, my man cycle, liezy and be real
about to hit the tables.

Speaker 1 (01:53:59):
Keep it be all right. Salute to all y'all. Swallow
that real t