2025 Camp Flog Gnaw, Music Business for Dummies, +More | The Dr. Greenthumb Show

Episode Transcript

Speaker 1 (00:00):
H disclaimer. This video, like all videos featured on the channel,
is definitely intended for a ture adience. This videos, like
leiktsapl fling language contint is appropriate for video. It's not
for kids.

Speaker 2 (00:16):
Welcome exists, Bell Come in Tuesday.

Speaker 3 (01:15):
Show How You Doing? It's The Doctor Green Thumb Show
Live or Twitch, Discord, YouTube x kick the home site
www dot tv. Would it be like, y'all, Hello all,
it's Monday. We made it through another weekend. Man, you
know what I'm saying, I've got too much shit going

(01:37):
on these days. We're working on records. Yeah, man, it's
been very eventful. Yes, yeah, it's good to be here though.
Right it all starts over again on Monday as usual.
We got another studio session tonight after this, uh, you know,

(02:00):
with the Spanish album, and it's going really well.

Speaker 4 (02:03):
Man.

Speaker 3 (02:03):
I gotta say, everybody's kind of snapped in dope and
I can't wait for when this thing drops. People going
to be like, oh oh my god. Yeah, there's gonna
be people that love it, and there's gonna be you know,
obviously haters because there's always that.

Speaker 5 (02:23):
You can never avoid it. But you know, we don't
give a fuck about them haters.

Speaker 4 (02:26):
Mind.

Speaker 5 (02:26):
Now, are you guys gonna tour behind it as well?

Speaker 3 (02:29):
Hyters can eat raw with tighters? True that, And are
we gonna tour behind it? You say, yeah, maybe possibly.
I mean that's always the the thing you do when
you put out an album. It's just that it doesn't
always happen. Sometimes bands put out an album and they
don't tour yeah behind it, and it could be because
the touring market, or you know, there's there's a number

(02:55):
of reasons, like you know, like we did an Elephants
on Acid tour, but it wasn't really an Elephants on
Acid because we weren't playing the whole album. We're playing
like maybe four or five songs from it. But it
was because the album was being released at that time
and before that the Back in Black album, or was
that after, I can't remember it was after, it was

(03:16):
after Yet we didn't really do a Back in Black tour.
Now we we really don't play any of those songs
that are set, but our goal is to start adding
them onto our sets for this next coming year, like
splashes of them because now by now people have had
time with Elephants on Acid and Back in Black and

(03:39):
they could take those songs and.

Speaker 4 (03:40):
Not be like.

Speaker 5 (03:43):
While we there's O where's all old school shit?

Speaker 4 (03:45):
Right?

Speaker 3 (03:45):
Because that happens, you know what I mean, Like I've
I've done it myself, like going to see a show,
but we've gone too far, like didn't even introduce to
the right mister goodlightjdj C, MIAs dead Hello, happiest of
Monday to you all and the Sideline crew Bolt to
Blombo proper on the dominator, Yo, yo, what we're doing good?

(04:07):
The Mormons. We also have the illustrious son Dooby in
up building. Illustrious, illustrious, illustrious. All right, well we're talking
about you spelled assassins wrong? There somebody spelled assassins wrong?

Speaker 4 (04:22):
Who spelled assassins wrong? Yeah, there's something mass as ins.
You know what I mean.

Speaker 3 (04:30):
There's there's two s's. There's a S missing after the
third s right right there there. You know, I went
and got a jersey in Minnesota made one time. This
must have been bolt in Blombro blombro. Right, I don't know,
I didn't. I didn't make that lower. Sure, I don't
make the lower sure.

Speaker 5 (04:51):
Sure you did it? So I was we were in
We're in Minnesota.

Speaker 3 (04:55):
On the Soul Assassines tour, right, and we all go
to the Mall of America, which at the time was
probably the biggest mall in America and probably one of
the biggest malls in the world at that time, because
this was like ninety something, when was Sola Sasses toward
ninety two. So we go there and there's a shop

(05:18):
that you could make your own sort of shit on
your jerseys, like you know, custom made jerseys or sweatshirts, hoodies, whatever,
you know what I mean. I go in there and
I get a Green Bay jersey because green and yellow
have always been my color since I was a kid, right,
for some reason, green and yellow. I don't know what
the fuck it is, but it's been a color that

(05:41):
has always been around me. I am not a Green
Bay fan, tell you right off top. But I went
and got that jersey and I said, you know, I'll
put sol Assassins on it because I do fuck with
this color, right, So I you know, I spell it
out for him, even you know what I mean, no
way and come back I could get it and it's

(06:01):
spelled like.

Speaker 4 (06:01):
That, ass as ins ass as ins instead of assassins.

Speaker 3 (06:13):
You know, it was pretty fucked up because I couldn't
really wear that jersey anywhere. Tony A got a picture
of him and I somewhere, maybe in a studio, and
he's got a jersey on.

Speaker 5 (06:26):
I can't remember what team it was. It might have
been in rams Jersey is.

Speaker 3 (06:29):
I believe it was a blue jersey of some sort
and I had that fucking soul assassins on it. It
was ninety two, right, It was a ninety two solo
assassins on the back, and the ninety two was because
I guess that was the year of the tour.

Speaker 5 (06:46):
I believe I put it down for that. And I
don't know where that jersey went.

Speaker 3 (06:51):
But yes, you guys in Minnesota Bolton be spelling assassins
all funked up. So now you're telling me that you
didn't make the lower third, and that just I literally,
I literally don't make the lower third?

Speaker 4 (07:07):
Who was it?

Speaker 3 (07:09):
You don't got to point him out? We'll have one
of the sideline. Yeah, well we're missing we're missing the
s there. It's all right, you can redo that. There
was a lot of misinformation running around this this this
uh this morning about job Rule getting jumped.

Speaker 5 (07:32):
Oh I read about that yesterday yeah, Yeah, why.

Speaker 3 (07:34):
Do people be quick to put out bullshit all the time, Like,
you know, I suppose it could happened. Yeah that that's
not something that you we all would have been like,
oh no way. Yeah, you know, because you could see,
like you know, he's had beefs with people and you know, yeah,
but he also, like you know, he seems like just

(07:56):
one of the like, yeah, he seems like a nice
dude like he and that just gonna get into ship
for no reason, you know what I'm saying.

Speaker 6 (08:02):
I mean, the darkest probably the you know, the only
bad thing he's really been associated with with the fire festival.

Speaker 4 (08:10):
And that was on TMZ.

Speaker 3 (08:13):
Yeah, this is posted on TMZ, so they got so
they got got because that you know, they're saying this
never happened. But but did someone catch it on philm Okay?
I mean I don't know se because look, TMC usually
doesn't report false information very true.

Speaker 6 (08:32):
But I'm I think the most concerned of his his
self comparison to Bruce Springsteen.

Speaker 3 (08:38):
I think we should that is concerning because he is
not the boss. You are not the dude. You don't
have a born in the USA, like well, he was
born in the USA. But he doesn't have that kind
of kind of song. He doesn't have the song. I
mean the Boss has catalog. I mean we've we've talked
about it a couple of times. Tom Morello told me

(09:01):
when when that? And hate to name drop, but it's
a true story. Bruce Bringsteen asked him to play some gigs,
which he does occasionally from time to time now, but
he had to learn over like close to two hundred
songs to be able to play with Bruce and his

(09:21):
band because on any given night, it could be any
given song. The set list could change up from one
song to another in a moment, and you got to
know the song that gets called out because Bruce could say, hey,
what do you guys want to hear? And they'll fucking say, hey, guys,
what they're going right? And you got to be able

(09:44):
to keep up with the boss. Yes, And to Morello's credit,
he learned the two hundred songs or the ins and
outs of them, and was able to get out there
and do the thing and kick ass. And that's why
he gets called back. But I'm saying two hundred songs
like two, Bruce got mad catalog over most folks. Yes,

(10:05):
a lot of them hits.

Speaker 5 (10:07):
You know what I'm saying. You know, the comparison is crazy,
but I get what he was trying to do.

Speaker 3 (10:13):
You know, Joe Rule is significant in hip hop and
then as as pop artists go, because let's just keep
it one thousand. He was going into the pop route
until fifty eight disast back down to Earth till fifty
ganked his style and used it against him. Well, he
brought him back to Earth, ganked the style and used
it against him. Yes, that was genius. Genius dude, Like

(10:35):
when you're talking about warfare and like I'm taking what's
yours and I was like, checkmate, genius, I mean ran
with it. He should write books on that shit. Listen,
this is how I did this. I mean we all
saw it. Like, if you're a student of the game,
you saw it. But if you were a student in
the game, somebody talking about this might be like what

(10:56):
the fuck are they talking about?

Speaker 4 (10:59):
Right?

Speaker 3 (11:00):
Uh, but it is educational work. You want to dethrone
someone and take their ship. Fifty did it? Fucking Jah
Rule like boom, yeah, like in a sequence.

Speaker 4 (11:13):
Yeah, that Max sture was phenomenal.

Speaker 5 (11:15):
That was like genius work right there.

Speaker 3 (11:17):
Indeed, I mean it didn't like, it didn't work on
on you know, Rick Ross over there, but but it
definitely worked on jaw Rule.

Speaker 4 (11:28):
Yes it did. That was crazy. Yeah, I.

Speaker 6 (11:34):
Think the I mean, I think that like the fifty
cent versus draw Roll thing is a battle like the
way our generation studied El Coolja versus Kumo Dah or
you know, like like that that particular beef is going
to need to be studied because of the amount of
like like expert trolling that fifty did and the way

(11:56):
he manipulated jaw Rule, Like.

Speaker 4 (11:58):
Because jaw Wru was on a yeah he was, he
was up there. He was up there, dude.

Speaker 5 (12:03):
He had hit songs with Ashanti and you know, like he.

Speaker 3 (12:06):
Had taken over where DMX left off, and fifty made
that dude question his whole position in music at that
point or whatever.

Speaker 5 (12:16):
And so he tried to revert to going back to
street and it just didn't work.

Speaker 4 (12:21):
It was too late be at that doubt. Yeah, yeah, yeah,
I'll say this.

Speaker 3 (12:24):
The thing about fifty the differences is that like he
went back to the street and nobody was like shitting
on him, you know what I mean, because he was
singing to the chicks and then he came back to
the street and it seemed like a natural thing.

Speaker 4 (12:35):
Nobody.

Speaker 3 (12:37):
Yeah, and he pulled that off, like, man, awesome because
if you listen to like, you know, Ja Rules songs
before he starts singing with the chicks and those those things,
I mean, their hit songs, what are you gonna do? Yeah, yeah,
maybe it's not in the light that we wanted to
hear him, but like he fucking hit a lick with
those and if you listen to all the shit he

(12:58):
had done before that, he has some pretty goddamn good joints. Yes,
he did, you know what I mean, just fifty came
and snatched the you know, dude, I thought that's the
soul out of the career real quick, like.

Speaker 6 (13:12):
When he came on to the scene Withehala holler, I
was like, oh okay, because we were on Power at
the time, you know, so playing that song was like, oh,
this is a dope party joint.

Speaker 5 (13:20):
The beat was tight, Like I was like, man, all right, okay,
def jam got the side deal with murdering.

Speaker 3 (13:25):
Okay, look keep looking out for that, you know what
I mean, And even put it on me with uh,
who is the girl that saying it's not a shanty.

Speaker 5 (13:32):
But uh was it a yeah?

Speaker 4 (13:36):
There was a yeah.

Speaker 3 (13:36):
He had some good radio records and he was so
on his way to like, yeah, to superstardom.

Speaker 1 (13:43):
He was.

Speaker 3 (13:44):
And then Fifty made that dude question his you know,
his place, his place in hip hop, and so he
reverted to go back to sheet and just know one bit,
you know what I mean, And then Fifty countered with
I'm gonna take your sing songs, you your single long style,
and then I'm gonna do these dope records. Yeah, and

(14:04):
then I'm gonna get the hits that were mental were
whoa thank you? You know you broke that down, And
that's exactly what the fuck happened, because i mean, you know,
he just sort of said.

Speaker 4 (14:16):
And played him in the most like just pumped him
out of the position.

Speaker 3 (14:22):
But in a way that was just to be studied,
man like, just like later on in life, you know,
you're gonna be like damn Like that was for the
ages that set off a whole set of other things.

Speaker 4 (14:32):
Because you didn't see fifty coming. You didn't see him coming.
You really didn't really see him coming.

Speaker 3 (14:37):
Yeah, he was coming with that head chop shit right there,
Like I'm you know, I'm gonna take your spot. And
the pendulum was honest, and we all know the pendulum
swings and hip hop, so it could be this is
in and then all of a sudden, this is in,
you know what I mean. So at that moment, the
pendulum was strong on his side, dude.

Speaker 4 (14:55):
And so he was like, especially after the first album
that you know, Colombia didn't really put the back end
they should have put into it. Everybody thought he disappeared,
so like B said, he came with that heat the
second round and forget it, it was over because you know,
and plus he doesn't get enough credit for the ghost
riding he's done and everything like that too, So I'm
sure he has you know I mean, but I'm just saying,

(15:17):
you know, like they more focus on get Richard Die
trying than his ghost riding, you know what I'm saying.

Speaker 5 (15:22):
I mean, But what a perfect album. Yeah, Richard yed
like that. That is a masterpiece.

Speaker 3 (15:27):
It's a masterpiece because there's not one bad song, there
is not one skip, and that is dre at his
you know, right, like he's he's peaking hard at that point,
like on some like dope beats.

Speaker 4 (15:40):
Let me say this.

Speaker 3 (15:41):
We talk about meeting the moment, right in fifty meant
the fucking moment. He met the fucking moment in a
big way on that album. Like every song, like you said,
was dope. There was no skips, no concepts, was dope.
The penmanship was crazy because it all meant something.

Speaker 4 (16:00):
Yeah, no, I mean it was.

Speaker 3 (16:02):
It wasn't just a bunch of fucking gibberish, you know
what I mean. It was all significant songs that meant something,
you know what I mean. And to me, it's it's
it's up there in the pantheon of of classic hip
hop albums.

Speaker 4 (16:15):
I'm sure I.

Speaker 6 (16:16):
Agree, and you know, and we also got to remember
like his his rise in that time we had just
when that perfect album of all original news Ship dropped.

Speaker 3 (16:26):
He we had already been hearing him kill the mixtapes.
Oh yeah, so he was doing his own. He was
making other people's songs better with just his one verse
two verse cover, you know what I mean. And you
were just like yeah, and then he came with that.
He just solidified No matter what I gotta tell you,
fifty inspired the ship out of me. You know, I
was playing a lot of paintball, fucking you know, kind
of get gotten away from from from the music for

(16:50):
a minute. And uh, I believe that's around the time
he's dropping his mixtapes and no nine right, or when
was he dropped in his mix tape like three, like yeah,
but but he but he had popped off a series
of them. Yeah, and then his album was what what
year was it A two thousand and three? I believe

(17:11):
two thousand and three, right, I want to say two
thousand and three.

Speaker 6 (17:14):
Very could probably check that the two thousand and three
or four, but I remember it was like two thousand
and two, so hearing his tapes.

Speaker 3 (17:23):
But in three, but in nine is when I started
really listening to oh so and.

Speaker 5 (17:29):
He did another wave at that point. Yeah yeah, And I.

Speaker 3 (17:33):
Was noticing that a lot of the mixtape work he
was doing where he would take those songs and make
them better songs than the original songs out Yeah, dude,
motherfucker's all one. Yeah, and that I was like it
inspired me to like go make mixtapes. And then when
his album popped off, I was like, oh shit, mm hmmm,

(17:54):
like the raw shit is back, and that you know,
for me, I love.

Speaker 5 (17:58):
The raw style music, you know what I'm.

Speaker 3 (17:59):
Saying, and uh, that shit got me back on game
right there. I was like, I would I would give
credit to eminem in fifty cent for getting me back
locked in and inspired me to get back on my
pen work and get back in the studio.

Speaker 6 (18:13):
That type of shit I used to you know, I
used to really think like I never knew a lot
how certain mcs chose beats, you know what I mean.
Sometimes it would just be casual meetings or whatever. Bro
and I heard after Get Richard Died Trying fifty cent
had this system of picking beats. So his A, his
A and R dude would just number the CDs and
each number was from a different producer, so he would

(18:36):
just go okay, so he'd give fifty and he would
just be all right, I want track two off CD three,
and then this one and this different CD.

Speaker 5 (18:43):
So that's how he would pick beats. They would never tell.

Speaker 3 (18:45):
Him who they were, only the only his A and
R guy would go okay, well, dude, that's his pick
game is crazy. Yeah, dude, his pick game is crazy.
I mean it was virtually like on on Get Richard
Died Trying Perfect Picks Man twenty one Questions with Nate
Dog ah, flawless classic, that was flawless. I mean in

(19:07):
the club, in the club is that is it is
a flawless it's a Yeah. In the club is a
is a perfect hip hop song?

Speaker 4 (19:14):
Well, I mean it's come on, man, I mean if
Queen's Jamaica and he just embodied that said what up gangs?
Yeah yeah, yeah yeah yeah hat oh man, yeah, I
know he yeah, just all the time. Yeah, slappers, that's
my joint. He those all slappers right there. Yeah.

Speaker 5 (19:35):
And my dude got choruses for days.

Speaker 1 (19:39):
Man.

Speaker 4 (19:39):
Yeah, yeah he you know, if he wanted to, he
could like never.

Speaker 3 (19:45):
Make another song of just write choruses for people because
he got the knack for writing choruses like crazy man.

Speaker 4 (19:51):
Yeah, man, he could just be like that guy.

Speaker 3 (19:53):
And well he don't need to because he got so
much goddamn money from all the other stuff. He don't
really got to do music if he doesn't want to,
he does it for fine. Yeah, yeah, you know what
I mean. And I guess that's sometimes the best way
to make music when you're just clowning and having fun
because you don't got the pressure. But it is fifty cents,
so there's gotta be a little bit of pressure, you know,

(20:15):
like you hit a fucking lick on a lot of
your music and you gotta The problem is sometimes leaning
on that you have to you feel like, fuck, if
I put this out, is it gonna go like the
others went? I left that mentality a long time ago. Yeah,
just because when when it flipped to digital, there was
there was no way to tell that if you were

(20:36):
gonna sell a lot of records again like that or not,
and most especially if you're independent, right when people could
get it for free. Sometimes, no matter how they want
to support you, they'll go get that shit for free
and then they'll come support you at the gig. They'll
buy the ticket, they'll buy the merch and all that
shit and be there that way. But like sometimes you know, hey,
you can't resist. It's right there. And these streaming platforms

(21:01):
made that music available like in that form because we
all carry devices to carry the shit in that form,
so it's easy instead of having to go buy it
somewhere and like you know, okay, where's the player for it?

Speaker 5 (21:17):
Yeah, it's complicated, but you know, we love to do
this and.

Speaker 3 (21:27):
We're very creative in the sense that when we get
an idea we're locking in and we want to give
it to you no matter what, and whether it sells
a thousand records or a million, it's about getting the
idea out there, getting you know, getting it out there
and seeing the impact of what it'll do. Now, if

(21:49):
you'd have got no money to promote it, and most
really don't, if you hear it and it might go
viral depending on how good it really is, because people
will share it around and someone that has, you know,
a massive account might get hold of it and be like,
oh shit, I just heard the new ship and check
this out. You know, That's how sometimes it happens. For

(22:12):
motherfuckers it really don't have a marketing budget. They don't
have the the the ability to have that. It's harder
to it's harder to let people know your music is
out there. You have the greatest album in the world
if if you don't have the outreach enough to like
let people know that like that style of music, that

(22:35):
it's out there.

Speaker 4 (22:36):
Mm hmm.

Speaker 3 (22:38):
It's just a great album out there drifting in space
and it's and it's or for stuff's sake, the ocean,
because he knows the ocean's real. But as space so
we'll say ocean, all right, Yeah, it's you could have,
like you said, you could have the Dope Time. But
if no one has heard that Dope album, it is
just yeah, meandering and.

Speaker 5 (22:57):
Floating in the ocean with no breaze, no engine, no
sale to take it.

Speaker 4 (23:03):
No try to move it.

Speaker 6 (23:05):
Yeah, which I can't imagine. There's got to be so
many albums that are like that, that are albums that
are really good music, whether any genre, that just because
of the artists not knowing how to do a thing,
they just kind of just wallow into the.

Speaker 5 (23:21):
Oh yeah, that's that that part too. Yeah, you got
to figure it out.

Speaker 3 (23:28):
Yeah, you know, if you really But there's there's people
these days that don't have not one of those resources,
and they get it done. They figure it out because realistically,
whatever information you might need to know is available right
here on YouTube and many other sources that you can
figure out, Okay, how do I distribute my record?

Speaker 5 (23:46):
Like what what does distribution look like? And it'll explain it.

Speaker 3 (23:51):
To you like every question you might have, and it's
it's important that motherfucker's study that type of ship so
that if you are doing it by yourself, you could
give yourself the best chances possible, even though you might
not have a crazy ass budget like you would if
you were signed to a label. Yeah, and even if
you're signed to a label, not always do you get

(24:13):
a crazy ass budget. Sometimes it's the very modest budget
I've heard, because they want to see what you could
do before they invest so much money in you.

Speaker 5 (24:22):
Yeah.

Speaker 4 (24:22):
I would recommend some books like in the Music just
to you know, like learn the music business, you know,
for starters for newcomers and stuff.

Speaker 6 (24:30):
You know, Yeah, there's I mean, those are those books.
What is it like, you know, music Industry for Dummies
or whatever, you know what I mean. Like, and you know,
the crazy thing is that maybe some things might have
changed from you know, in laws from that book, but
for the most part, a lot of it's still true.
So you can get a general knowledge of like how
the industry on the business side works.

Speaker 3 (24:51):
Yes, this's don't rely on managers, agents and people from
the record company to teach you what it is. They'll
look explain it to you because they have to. They're
going to explain to you that you have publishing royalties
and royalties and mechanical royalties and all this other stuff.
But you need to know how it works and what

(25:11):
its value is, because some people give it up not
knowing the value of it, and it's like gold. You
have to keep that, especially if you have any success
with any of your songs. That shit right there is
paying you for the rest. So yeah, you know, like,
if you're a new artist, take some time to learn

(25:32):
about what all that shit means so that you know,
you give yourself a better chance to win in the game,
and like you'll know what you have that's going to
help you and what you're deficient of and how you
could maybe make up and supplement that with. Just knowing
what's supposed to be done, you could get it done.
If you're a go getter, you know what I'm saying.

(25:52):
If you've got to rely on people, maybe not so much.
Maybe a label is the thing that you should aspire
to be on. But if you're like one of those
that's independent, you could and says I don't want to
sell my soul to the label or give my music
to any label. Obviously you could pull it off without them.

(26:13):
You just got to know what the game is, so
you know, to register you're publishing so that if it
does catch, it's being monitored. And you can go get
paid to offer your publishing if you don't register it,
and you don't have someone admin the publishing, meaning finding
the money that's being made from that particular song or

(26:35):
that particular album, over that ad or whatever. These are
things you need to know because the publishing is the
most important thing. And if you don't have someone chasing
that shit down, it's just a bunch of possible money
out there floating for you if you're not keeping track
of it.

Speaker 4 (26:53):
So learn the game, yes, by the book or take
of course here on. I'm just back. I'm just backing.
Be what he said, man, learning about copyright and ownership
B is one trademarking to thank you, and you thank you,
thank you B.

Speaker 3 (27:10):
Yeah, listen, a lot of us listen and and and
I learned this shit the hard way, right, I learned
this the hard way because guess what, our people that
represented us didn't let us know one thing. Right, Okay,
we're a group, right, Cypress Hill with members Mugs, Send Dog, Eric,

(27:35):
Bobo be Real and various members in and out and
DJ Lord right now. Obviously when we created this group,
we trademarked Cypress Hill name, right, So that's untouchable. You
cannot fuck with that unless we were to lapse and
not you know, renew the trademark or you know all that. Right,

(27:59):
if you let it lapse, someone could come take it,
make it theirs. Yeah, right, So you don't let it relapse.
I mean, you don't let it expire. You keep renewing it.
Right now, we did this with the group forever, right,
we've never lost that. Of what I didn't do in

(28:22):
the beginning, and what the other brothers didn't do in
the beginning, what they didn't tell us to do was
also to trademark our stage names like be Real, right,
like San Dog or DJ Munks. Right. So years later,
when I go to try and trademark my name, there's
a real estate firm with be Real. Now there's this

(28:46):
this fucking French clothing company for women, and then there's
that web that that app but it's with B so
it's different. But there's all these different things, and I
could not go after them because I did trademark my

(29:08):
fucking name back in nineteen ninety one when we trademarked
the group's name, right, got it. So all that being said,
I have some trademarks on it now, like I was
able to get some of the shit, but not everything
I need to rate as it relates to my solo shit.
But what I'm saying to people is, don't if you're

(29:29):
in a group, don't just trademark the group name, trademark
your name as well. That way, that's untouched as well.
Because if you let that go and let's just say
you're from the group, and then you go try to
do your own solo shit and you didn't trademark your
your own shit, sometimes there's going to be disputes over
the name because someone might have got it before you

(29:51):
because you didn't. You didn't go get it, like there
might be somebody using son Doobie out there.

Speaker 4 (29:57):
Ha ha ha, I try it. There's only one side.

Speaker 5 (30:00):
Yes, we know that there's only one son held on.
We know there's only one son Dooby.

Speaker 3 (30:04):
But if you didn't go renew the trademark, some son
of a bitch out there has your trademark. Just saying
and if you never trademarked your son Dooby name, which
you probably didn't, it's just out there funk dubious. You
guys got but son Dooby do you got? Oh man,
That's all I'm saying. And that's and that's what I'm
trying to give to these young folks that might be

(30:26):
coming into the game and say, well, I'm from a group,
so I don't really know. You need to you need
to cover all that shit, you know what I'm saying.
You trademark your name along with the group's name.

Speaker 4 (30:40):
You do that.

Speaker 5 (30:42):
So that you don't have those issues later.

Speaker 3 (30:45):
You have it, there's no one that could dispute everybody,
and anybody wants to use it has to ask you first. Hey,
we're designing this could would you be a partner? Would
you allow us to license the name? Blah blah blah?
You have ownership of it. You could control it this way,
you know, when you don't have it, Like I like
the fact that I didn't have it. I couldn't stop

(31:06):
those French folks from creating that fucking company. Yeah, which
it doesn't bother me because it doesn't. I'm not doing that.
I'm not creating clothing, so I don't give a fuck
about that. They could have that, you know what I'm saying,
But if I wanted to, I would have to deal
with them.

Speaker 4 (31:24):
Yeah.

Speaker 3 (31:27):
Same thing with these fucking uh the the people with
the be real app Oh yeah, yeah, yea, you know
I had to like fucking deal with them a certain way,
you know, like that. That's what I'm saying. You have
to fucking trademark your ship early on. Don't don't don't
think that the manager or the the lawyers are thinking

(31:52):
that for you. You have to specifically say this to them, Hey,
I need my name to go to Yeah, yeah, I remember?

Speaker 4 (32:02):
Was that that? Because if a.

Speaker 3 (32:03):
Band breaks up, yeah, you gotta go solo, and everybody's
going there different ways, You're gonna need that fucking name
that people are used to. I mean, you know in
other bands, it's kind of different, right, Like with hip hop,
it's different because we very much outside of the band.
Like Okay, for instance, you go to Korn in the

(32:23):
New metal world, right, everybody's using their real names, Jonathan Davis,
everybody except for maybe Monkey, right, but everybody's pretty much
using a real name there. Yeah, right, Or maybe that's
a bad example. Let's just say led Zeppelin, right, Oh yeah,
they're all yeah, Robert Plant, John Paul Jones, Jimmy Page,

(32:46):
and John Bonham. Yes, right, led Zeppelin is the trademark. Yeah,
when they if something happens with them. They're all there
their own folks, and they're using their real names that
cannot be touched because it's their real names. They could
trademark their real names for for the you know, for

(33:08):
entertainment sake, but that's their real names. With hip hop artists,
we take on nicknames. We don't necessarily go on as
Cypress Hill members Lewis Freese, Lawrence muggarut Sen, Senden Reyes.

Speaker 4 (33:25):
No, it's be real.

Speaker 5 (33:27):
DJ Bugs said.

Speaker 4 (33:28):
Doc right right.

Speaker 5 (33:31):
Those are monikers.

Speaker 3 (33:33):
Those are names that define like that are attached to
our personality within the group. That's why you would trademark
that name, you know what I mean, just saying you
think you should think about these things. These are a
part of things that you need to know so that
you could protect all your assets. And if your name

(33:56):
is an asset, thank you.

Speaker 6 (34:00):
And then like now what I'm learning too is also
like your likeness everything about you in the digital aspect,
like and you know, like dude, like that is something
like hold on to that too, because people are like
getting like they're signing away, like.

Speaker 4 (34:16):
You're right, you live a little bit of money. I'm
leaving money on the table, Yeah, man, leaving money on.
You're not just leaving it.

Speaker 5 (34:22):
You're giving it to somebody else that can use at will.

Speaker 6 (34:27):
Whether you agree or not. They're going to use you know,
basically you using a to do different ship like it's.

Speaker 3 (34:36):
I mean, I'll get hit up by many when any
kind of be real sort of company pops up. Yeah,
there's a towing company, be real towing. Like, hey, you're
told cars no no, but that's a good idea. I'll
go right now. Motherfuckers be broke down. I'll have my
brother like picking them up a fleet. I bedat trucks. Well,

(35:02):
my father used to drive tow trucks before he got
into the big rigs. He was an impound guy for
hauling back OPG which is like a city stamped towing
an impound lot. And sometimes he was doing repossessions too,
so like he'd get into fucking fights and have to
have his hand cannon with him. Treacherous job that that

(35:27):
impound and repossessed repo.

Speaker 4 (35:30):
Work ship man, it is, yes, thank you, that's yeah.

Speaker 5 (35:37):
No, I wouldn't be the one driving the tow trug. Yeah,
just saying that's a dude.

Speaker 3 (35:43):
Now, and these times that ship is crazy, Like when
you think about it like you gotta hope that, like
you're not dealing with somebody.

Speaker 4 (35:49):
Crazy mental dude.

Speaker 6 (35:52):
Yeah yeah, because I remember, like, you know, driving back
and forth here and bagel flat hiring the grapevine, you
know what I mean.

Speaker 4 (36:01):
Just being like two o'clock in the morning. Oh no, like.

Speaker 6 (36:07):
You know, like and I'm wondering like is this you know,
I call Triple A on my phone and then like,
you know, wondering like I sure hope the dude that
shows up is it from a Stephen King movie and wants.

Speaker 5 (36:16):
To like do something fucking I'm murder from for no reason?

Speaker 3 (36:21):
You no?

Speaker 4 (36:23):
Like nah?

Speaker 5 (36:23):
No, man, So like do you have that job like
you know, you know, brave?

Speaker 4 (36:29):
Yeah yeah, yeah yeah he said it best.

Speaker 5 (36:34):
He said it the best, you guys. That's crazy.

Speaker 4 (36:38):
Yeah, man, shit.

Speaker 3 (36:44):
That all this conversation started from jo Jo Rule. That's
where as a show we go rant it. That's the range,
rant it all the way around the planet. That's how
we began it.

Speaker 6 (37:00):
Yeah, man, dude, I want to did I went to
that camp flog now this weekend?

Speaker 4 (37:06):
Talk to me about it?

Speaker 6 (37:08):
Was amazing, dude, Like, shout out to BJ and shout
out to nicolemo Anda Lisa and droves with us and
we ran into Knockel Smith, who did the Smoke Box
you know with us.

Speaker 4 (37:18):
He's gonna come back on soon.

Speaker 5 (37:21):
So yeah. I got to see Tyler the Creator.

Speaker 3 (37:23):
Do like a lot of a lot of songs that
he hasn't performed live yet, like from his because he
did two albums this year. The second album was like
just some up tempo hip hop, you know, West Coast shit,
and so I got to see him, got to see
Blood Orange yesterday, got to see the clips when Tyler
came on and did his verse.

Speaker 4 (37:41):
It was tight.

Speaker 3 (37:42):
I got to see Echa Vando by far my favorite
of the entire Doci though, Oh my god. Doci got bars. Yeah,
and she was like on some like headliner ship last
night because she was just like super like next year
she'll be headlining, oh man. So yeah, Larry Jude uh

(38:04):
Droe went to go see them. Ekebanda was my favorite.
She and her whole band killed it as Rockey was
killing it. Earl Sweatshirt whatever, Earl Geese. Geese is a
trip I've been hearing more about. Geese is like it's
kind of super kind of like stoner rock, Like there's
definitely like some kind of Sabbath or yeah, I can

(38:27):
see that, but like Homie sounds.

Speaker 5 (38:30):
Like Strokes and.

Speaker 3 (38:35):
But it's dope, but it's not. He doesn't sound like
the Shokes, but it's that kind of it's new either
from New York, right right, but it's the city. It's
that low.

Speaker 4 (38:42):
I got you, I got you, I know you.

Speaker 3 (38:44):
I like how Tyler the Creators is taking people on
different rides with all these different artists that he's got
on the bill. It's like very unique and that's what's
dope to me, Like you give people a very different experience.

Speaker 4 (39:00):
Yeah.

Speaker 6 (39:00):
Man, it was great, like because you there's like so
many different varieties of music, but they like you go
check out whoever you wanted, and it was all there,
you know what I mean.

Speaker 5 (39:10):
And the option of it, you know, it was really rad.

Speaker 6 (39:12):
And then they had like DJ tents and they had
like he had killer merch stands everywhere, and I know
he tore it down.

Speaker 4 (39:19):
He was dope, dude, he was dope. He was super dope.

Speaker 3 (39:23):
Did you hop the fence or did you go on
regularly regularly and listen, I have not seen one performance
where you know it was halfway now he killed it
on the Outcast Rock and Roll Hall of Fay. That
was awesome, Like who else, who else would have killed
that life?

Speaker 4 (39:38):
Yeah?

Speaker 3 (39:38):
Yeah, I mean he came out with ed he was
dancing around to that shit. I was like, man, man
right here. Uh, he's one of the dopest.

Speaker 4 (39:49):
Yeah.

Speaker 6 (39:49):
And also Caliucci's was there and Droe was super duper excited.

Speaker 4 (39:55):
Oh yeah, beutiful man beautiful. Yeah, yeah, she leaned.

Speaker 5 (40:03):
Yeah, I took.

Speaker 4 (40:06):
Real quick.

Speaker 3 (40:06):
I just want to say I took that photo so
I'm gonna take my photo credit of a photographer and
a beautiful young woman.

Speaker 5 (40:14):
She was right there.

Speaker 4 (40:16):
Yeah. It was dope. It was dope.

Speaker 3 (40:18):
She killed it too, man like. She was really really
so beautiful. Yeah, she's all pro dug of course she.

Speaker 5 (40:27):
Was dude.

Speaker 3 (40:28):
She like her ecavandal and uh the clips, the clips
sounded super on point.

Speaker 5 (40:36):
I could imagine the earl sounded great.

Speaker 4 (40:39):
Uh.

Speaker 6 (40:41):
Thundercat, we missed Undercat. We got to see Blood Orange
their their group from the UK, like R and B
kind of alternative rock.

Speaker 4 (40:48):
It was dope.

Speaker 3 (40:49):
Uh. And then Tyler killed the asp. Rocky had a
hell of a crowd last night. H Yeah, it was
It was a dope night of good music and hip
Hell yeah, congratulations, and what a stacked lineup that was. Yeah,
we're gonna I'm gonna get Tyler on The show Man. Yeah,
I'm on, We're gonna get him on.

Speaker 4 (41:10):
Yeah, or.

Speaker 7 (41:15):
Show to the Godfather in the chat.

Speaker 4 (41:19):
We love you.

Speaker 3 (41:20):
I know he's loving it. There's a lot of football
popping off yesterday. Uh yeah, who sports sports? I like
the sports ball. Yeah, we cave in them Buccaneers yesterday.
Look at that ninety two. Sorry Bucks, Sorry, had to

(41:42):
serve you that one. Uh, I'll tell you what though.
The Kansas City game was crazy. I think they played
Baltimore and it was like they were they were getting
their asses handed to them through the whole game, and
then you know, they came alive in the second half
and ended up winning the game. They were down by
a couple touchdowns and they came and won it by

(42:03):
a field goal. It was a pretty good game that that.
That's one of the ones that I definitely watched. I
didn't watch the Philly Dallas game because I already knew
what the result of that was gonna be. At least
I assumed it was going to be Philly for the win.

Speaker 4 (42:20):
But it wasn't. Yeah, I know it wasn't. I did.

Speaker 3 (42:24):
I didn't watch. I didn't watch the rest because I
thought that was just gonna funck this up. Hey, I
gotta I got a super funny and look, yeah, go ahead, dude.

Speaker 5 (42:35):
So yesterday, this is yesterday, right, Yesterday's game.

Speaker 6 (42:37):
Right, So you know, obviously I'm the most sports inclined
of the crew here, right, or the sports junkie I did.

Speaker 4 (42:45):
Just it follows me, you know.

Speaker 6 (42:47):
So I'm sitting there and I'm like talking like with
some friends, and all of a sudden, I hear, holy shit, guys,
we won one. And I look over and it's one
of the one of the security guards, and he's on
his phone. He's all the cowboys. One fucking cowboys won.
And then you started seeing all these different people like
hell yeah, cowboys, cowboys, And.

Speaker 5 (43:08):
I was like, oh, ship, it's been a long time
since they won a game.

Speaker 3 (43:12):
Oh you know, well yeah, and most especially because they
beat the defending champs here.

Speaker 4 (43:19):
Yeah, you know what I mean.

Speaker 3 (43:19):
But at that game, I mean, it really doesn't mean
anything other than they got lucky and got a game.

Speaker 4 (43:25):
But they got a W. They got a W.

Speaker 3 (43:28):
Lakers are looking good. They got a w last night
their second seed. But hey, I'll tell you what, there's
a big beef going on between Jahn Morant and Clay Thompson.
Really yeah, yeah, yeah, they'd be they'd be mouthing off
to each other. I can't remember exactly what the start

(43:52):
of it was, but yeah, they they go in, they
go in on each other, you know what I'm saying,
and they're calling each other bums.

Speaker 4 (44:04):
He's a bum damn. That something like super old school.

Speaker 3 (44:09):
Like that's like it's like, don't boy Clay. Clay's like,
you know, John, he's over there, you know, you know,
saying crazy thing from the bench. You know, that's just
like it's just like him, you know, he's a bum.

Speaker 4 (44:26):
Damn.

Speaker 3 (44:26):
Maybe if he won a ring or two and then
Jamarant is calling, you know, four time champion Clay Thompson
a bum, that's that's kind of crazy. That's that's that's
non bummish. You know, four rings that he was pivoted
in winning, you know what I mean. He wasn't just
like a guy who won because other guys. He was

(44:50):
part of the guys reeling it in for the win.

Speaker 4 (44:55):
Yeah.

Speaker 5 (44:57):
Yeah, it's a crazy little feud happened that with with
those guys right now.

Speaker 3 (45:03):
Pretty sounds emotional, sounds outrageous. Yeah, it thought that outrageous.
But it's like two guys with a whole lot of
money talking a lot of shitet that like rapper ship
and that makes for great entertainment at times. Thank you,
you know what I mean, like kind of does like
I mean, it's it's all done it with you know, yeah,

(45:26):
good faith, I believe you know what I mean. I'll say,
I'll say and I'll address this because I know Ray's
like thinking, I'm gonna just dance around this and not
mention it because our heart hurts from last night, really
does or yesterday.

Speaker 5 (45:39):
I can't so much out of my mind, I can't
even remember what day was.

Speaker 3 (45:45):
But you know, Vancouver that knocked us the fuck out,
you know the LFC, right, Vancouver white Caps, Uh sad,
So they're done, they're done for the season and did
our season sports talk, Yeah, that's a man penalty kicks,

(46:07):
you know, damn got us by one. Congratulations to vancouvera
you know, Canada had to get a win somewhere because
we just cracked Toronto with the Dodgers. So you know
that was that was a little revenge Canadian revenge there, right,

(46:28):
so you know, hey, you know, and it's it.

Speaker 5 (46:36):
It hurts extra because the zone was talking ship on Friday.

Speaker 4 (46:41):
That explains everything.

Speaker 3 (46:43):
It just it just came around on us and I
was I was surprised. I'm like, wait, you don't you
love Canada. Someone's got a ruse. Oh yeah, we wow,

(47:04):
next year, I say this, man, you know, like with
what we had popping off, we had a really good
run where like maybe one more player away and were
getting that cup next next season. Sorry, Ray, it's National
Sardine's Day.

Speaker 2 (47:24):
You know.

Speaker 4 (47:25):
Sardines sound crazy.

Speaker 3 (47:26):
Yeah, you don't eat seafood anyway, so it's like any
kind of fish and you know, fuck with that. But sardines, Yeah,
they're very salty. I remember trying when I was a kid.
When I was a kid, I didn't mind them. I
don't know if I could eat them now, Like I
haven't had sardines in a long time. Look at their wild,
Look at them wild. But it is National Sardine Day today.

(47:48):
Imagine if a plate just showed up right now on
this I'd be like, who's the practical joker that there
were so many other National Food Days that like we're
you had to bring the sardine.

Speaker 5 (48:00):
Yeah, oh my god. Well, so I mean they're only fish.

Speaker 4 (48:09):
Fish have feelings.

Speaker 3 (48:11):
Yeah, well I could say no, but like, how would
I know? I could say yes, but how would I know?

Speaker 5 (48:19):
That's what I think.

Speaker 4 (48:20):
I think they could.

Speaker 3 (48:21):
I think it's possible. Absolutely, they're living beings. Yeah, they're
living beings. Just because we can't communicate to them, don't
mean they don't have them right, right, exactly, we need something.
We know that dogs have feelings. We can communicate with
dogs to a degree we can't really understand, and some

(48:43):
things they're said they're trying to convey to us and
other things we can, right, but that's about as much
as we get. Yeah, but it's crazy that you can
sign length and you could teach gorillas and apes and
monkeys design, yeah, to communicate like that.

Speaker 4 (49:03):
That's the crazy shit.

Speaker 3 (49:04):
Yeah, I mean they've they've taught what like monkeys sign
language and stuff, right, so they can communicate through that
and like and actually have these incredible sentences or like
you know, even gorillas, like gorillas reformed sentences and with
their movement. You're just like, oh shit, I think, oh,
I think everything living feels yes, agreed, I agreed, and

(49:26):
even plants. Yeah yeah, yeah right there living yeah, living,
yeah for sure. All right, Oh ship, We're not even
there yet. Did you know this is the birthday of
Terry Lewis. Oh shit, happy birthday, Happy birthday. Terry Lewis

(49:47):
got me through the eighties. Born on this day in
nineteen fifty six.

Speaker 4 (49:51):
Oh yeah.

Speaker 6 (49:52):
One half of the production team Jam and Lewis that
brought us, uh Janet Jackson that they worked on Mike
they brought. They were also members of the time, a
group of Prince BBD they named bb D.

Speaker 3 (50:06):
That's right, that's they gave him the name, you know, Belvidevoe.
He gave him music too, right now, They didn't do
anything music. That's the crazy thing is that they gave
him the name but not the music.

Speaker 4 (50:15):
They never know. The Poison was the Bomb Squad, No Ship, Yeah,
spider Man and Freeze genius they wrote it, Yeah, they
wrote it. They wrote it.

Speaker 3 (50:23):
Poison was genius to this day, yes, to this day
that she gets down to this day, Terry Lewis.

Speaker 4 (50:30):
Yeah, they worked from Mariah.

Speaker 3 (50:31):
They were Charrelle Alexander O'Neill like they're like yeah, new edition.

Speaker 4 (50:36):
They brought new edition back, like can you stand the rain?
If it isn't love? Get it yet, Get it yet?
Get it yet? Oh my secretting in the sky. I'm sorry.
I was watching Crush Crews this weekend. Sorry, don't be sorry.

Speaker 7 (50:48):
I see Jimmy jam is from Minneapolis and Terry Lewis
is from Omaha.

Speaker 4 (50:52):
Yep.

Speaker 7 (50:53):
It's pretty cool.

Speaker 5 (50:54):
Oh yeah, they think what's his name?

Speaker 4 (50:58):
Who was it?

Speaker 5 (50:58):
Terry Lewis, It's from Oma.

Speaker 4 (51:00):
Yep.

Speaker 3 (51:01):
He moved on over to Minnesota and jammed at all
those guys because all the guys from the time, including
Prince obviously. Oh that was all the Minnesota scene right there.

Speaker 7 (51:11):
Oh yeah, you know, I think someone who just worked
with or who worked with Prince died. Jelly Bean Johnson. Yeah,
he is a drummer, right, He was the drummer of
the time. A lot of guitar work on others. He wrote, Okay,
you remember the song black Cat by Janet Jackson. It
was like her rock song for the nation. He co

(51:31):
wrote that with her, Oh right on man recipes. Jelly
be super talented, did you know it?

Speaker 3 (51:36):
At the birthday of Don Robinson of in Vogue born
on this day in nineteen sixty sucks.

Speaker 4 (51:42):
Hold on, Happy birthday to your love.

Speaker 3 (51:45):
She's not in the group right now though, No, like
that she was talking about not so long ago that
she was actually homeless. Yep, that's crazy. I wonder what
they don't they want pulling her in into the group.

Speaker 4 (51:59):
Must be a just you.

Speaker 3 (52:00):
Oh yeah, I think so. I think now there's only
like May three. The original members might even be two
two original members in another chick. Really, I mean yeah,
they should bring back down, I mean not, yeah, don
excuse me?

Speaker 4 (52:16):
All right? Did you know?

Speaker 3 (52:18):
In nineteen seventy Chad Taylor, guitarist of Love, was born.
Happy birthday, Chad. Were you a fan of Live c Minus?
They had a couple songs? I thought that were great.
I would ask you Doobie, But I don't know if
you're gonna tell me that.

Speaker 4 (52:35):
You No, I don't, I don't know, right, No, that's
the truth, right finally, Okay, cool, I'm sorry? Did you not?

Speaker 3 (52:41):
In nineteen ninety one, Eric Carr passed away, Rest in peace,
Eric kom.

Speaker 4 (52:45):
Man, This is yeah.

Speaker 5 (52:46):
One of my favorite drummers from Kiss Like There was
Peter Cris of course o G.

Speaker 6 (52:50):
But he did like everything from the elder to I
think it was he passed like right before three Union, Yeah.

Speaker 4 (53:00):
Forty one, Yeah, crazy.

Speaker 7 (53:03):
What was the cause of death?

Speaker 4 (53:04):
Answer?

Speaker 3 (53:05):
Okay, maybe cigarettes or something hereditary? No, just he got
like he probably hereditary, the hereditary. Yeah, rested piece. Did
you know in nineteen ninety one Freddie Mercury passed away?

Speaker 4 (53:21):
Oh?

Speaker 5 (53:21):
Ge rested piece? FREDI piece?

Speaker 6 (53:24):
Now some might consider it, and I think it's a
very valid argument that he is probably the greatest front
man of any rock band of all time.

Speaker 4 (53:31):
Oh yeah, I mean with the theatrics, I would agree
with that, you know what I mean? Yeah, yeah, yeah.

Speaker 5 (53:36):
All you got to do is watch the set they
did at Live Aid.

Speaker 4 (53:39):
Oh you know what I mean?

Speaker 3 (53:41):
Well, the fact that he could give the show like
in terms of like the theatrics, but also stick the
singing boo and he's great. Like a lot of people
want to say, like, you know, David Lee Roth, David
Lee Roth was great, but not all the time. Did
he stick the vocals? Like a lot of times it
was the antics and it's more about like on stage
it's vocals.

Speaker 5 (54:01):
Yeah, can you do the antics with the vocals?

Speaker 3 (54:04):
And Freddy? For Freddie Mercury, most definitely did that. Yeah,
and better than a lot agreed, So yeah that that
could be said. He's one of.

Speaker 5 (54:16):
The greatest front men of all time, if not the Yes.

Speaker 4 (54:24):
Did you Know?

Speaker 3 (54:26):
In nineteen ninety two, on this day, the Far Side
dropped the Bizarre Ride to the Far Side.

Speaker 4 (54:32):
Oh man, this album right here, dude.

Speaker 6 (54:35):
I can't tell you how many times I've purchased this
album over and over because you remember having a CD
version of it. Well, you know, I had the record version,
but I would also have the CD, you know, to
play in the car, the house or whatever, you know,
and so sometimes and then I put it in my
CD book. This along with like licensed the area of
the records. I've boughten a lot, but this album is
perfect from beginning to end. Shout out to Jason if

(54:57):
we did production and lajh Yeah, Jason huge Jay Swift
did his thing on this, and so did the boys.
I mean yeah, all these songs are like popping, classic
dude lyrical like, I mean, all the stories are great,
you know, everything from you Know your Mama where they
just Mama jokes. One of the funnest albums in hip
hop history. You can go listen if you don't have

(55:18):
a good time listening to that album that maybe you
know they're too angry, You're too angry, but too angry.
It's a classic. It's a classic piece man and the
ride too.

Speaker 4 (55:28):
Thank you. I mean you can't say enough things about it.
Did you know?

Speaker 3 (55:32):
Dity two, Cool g Rap and Dj Polo dropped Live
and Let Die classic material.

Speaker 6 (55:40):
I think this is with Sir Jinks on production, so
it's like a West Coast like wow. But I want
to say it's like I want to say, this is
Sir Jinks. I got to say that Cool g Rap
is one of the baddest motherfuckers that ever. Oh yeah,
touch your fucking you know a mic like terms of
style and bar work.

Speaker 3 (56:03):
I mean he he pretty much influenced people with that
fluidity style.

Speaker 4 (56:08):
He was doing it when we were still break dancing. Yeah,
so thank you.

Speaker 8 (56:15):
You can't top him. I don't care where you're from, Philly,
like his riding nowhere, his Ryan pockets were the illest. Yes,
you can't touch him, you can't touch you.

Speaker 3 (56:26):
And and and he's still doing it on a fucking
on that level, like just still killing it. I mean
he ain't lost. I mean he's been doing songs as
of late that have been dropping, just like killing.

Speaker 4 (56:39):
Bar when he's on the Realist with Mob Deep yet
it Yeah, you know, Doom Boom doom. Even the work
with Mugs.

Speaker 6 (56:49):
Yeah, yes, like he sounded menacing, you know, like just
ooh and then Mugs, I just I mean just gave
him the proper, proper background to get ill Is on
and he's just like it was.

Speaker 4 (57:02):
It's dope. He sure did. The o G hasn't lost
a step at all. Salute cool g Rapp.

Speaker 3 (57:07):
Did you know in nineteen ninety eight, on this day,
Riza drop Poppy Digital in stereo Yo yo yo Swoppy
t Remember.

Speaker 4 (57:18):
Yeah, oh man, I love this album.

Speaker 3 (57:20):
And Bobo were bumping this fucking album every day on
what was it the Smoking Groups tour. We like bump
it front to bat bro having fun with it because
we knew they were faded out on some of them songs.

Speaker 4 (57:34):
Oh yeah, that they were ill. Yeah.

Speaker 5 (57:36):
He told us in an interview, was like, yo, when
he did like you know that, whenever he was doing
you know that, he.

Speaker 4 (57:42):
Was like totally totally uh out dude. So he did
that entire album with the intended being that way out.

Speaker 5 (57:51):
Yeah. Yeah, And so when you hear the that's him
dusted out. But they made this record.

Speaker 4 (57:56):
I like that. It's great. Yeah, yeah, n y every
thing with method.

Speaker 3 (58:00):
Man.

Speaker 4 (58:01):
Ah, that's a good one.

Speaker 5 (58:02):
That's right.

Speaker 3 (58:03):
We want to say rest in peace to the legendary
Jimmy Cliff. Yes, passed away. That's improve today. I believe man,
legendary catalog, all the things, unique voice. Yeah, the harder

(58:24):
they come, right, Yes. Oh man, he's got so many
dope gems. Man, fucking Jimmy Cliff, legend legend.

Speaker 4 (58:37):
Yep. Yeah, look at all that.

Speaker 5 (58:42):
Look at this the late sixties and seventies and eighties.

Speaker 4 (58:48):
Yeah, he had joints. No, I wasn't even born yet.
He was doing stuff. Forget it.

Speaker 3 (58:52):
He's got a song called one More. It's almost like
it's not like one draw, like like Rita Marlias. It's
it's what like one more. It's fucking pretty dope. I
don't know if that's the actual title, but that's a
part of the chorus. But I think it is the
only song in his catalog I didn't really like was

(59:13):
I could see. I can see clearly now. I don't
like listen. I don't like the original. I don't like
the remake. I don't like the cover.

Speaker 4 (59:23):
I don't like. I hear you, I understand. I don't hate.
I just don't like.

Speaker 5 (59:30):
Yeah, there's certain songs like no matter what, I'm not
a fan.

Speaker 4 (59:33):
Of the song.

Speaker 6 (59:33):
I don't care who does it. It's just I just
don't like the song. And I can understand with that.
Didn't Did you be forty do a version of that too?
Which one I can see clearly now?

Speaker 4 (59:43):
Did they? Oh?

Speaker 3 (59:45):
That makes me hate it even I would hate it
even more like times a thousand, Yes, no, no, thank you?

Speaker 4 (59:54):
All right.

Speaker 3 (59:55):
The Doctor Great Thumb podcast is in the top fifty
podcast on iTunes. It's available on all streaming platforms. Let's
get to number one, y'all. Push it, push it, push it.

Speaker 5 (01:00:09):
You know what I'm saying. Tell your friends about it.
Make sure you check us out.

Speaker 3 (01:00:12):
Make sure you check us out on Apple, Spotify and
wherever you listen to your podcasts. All right, and don't
forget to drop a comment or leave a review. And
everybody that's here with this live on YouTube and you
know Twitch and x and all that you know, smash
the like crack us with the heart.

Speaker 4 (01:00:30):
You know what I'm saying, Do all the things.

Speaker 3 (01:00:32):
Let us know you're getting down with us, and on
all these platforms, subscribe and follow and do all the things.

Speaker 4 (01:00:39):
You know what I'm saying.

Speaker 3 (01:00:39):
If you're on YouTube, cracked all notification bell and perhaps
YouTube will inform you when we go live or drop something,
they are still playing games with us. But you know
that's all I'll say. But get down with this. Come
subscribe to be Real TV. Get down with the Doctor
Green Thumb Show. We pop it off Monday through Friday,
two pm Pacific extentard time, five Eastern on the start.

(01:01:02):
And yeah, let's see them likes go up real quick.
Come on, it's at to eighty one. Let's get to
three fifty. Come on, I know you could do it.
There's six one hundred and twenty eighty montherfuckers in this room, right.

Speaker 4 (01:01:16):
Bring it all right?

Speaker 3 (01:01:20):
With that, we're gonna open up the doors to the
insane Asylum. That means, y'all, if you've got a comic question,
shout out suggested, we are here for it and for you.

Speaker 4 (01:01:34):
Welcome to the Insane mesil.

Speaker 7 (01:01:39):
All right, Medicine is asking yo can do be performed
the Invincible for us one day on the show.

Speaker 4 (01:01:45):
Oh, let me know when next week.

Speaker 8 (01:01:48):
Okay, let we do it next week, thank you, unless
you want to do Friday whatever is you let me
know to do it fridayever you let me do two.

Speaker 4 (01:01:54):
Joints on Friday. Yeah all right, cool? Hell yeah, thanks Tom,
Let's lock that in baby. Thank you be I love
you man, Just thank you.

Speaker 5 (01:02:02):
Yeah, I'm sorry, I apologize, I apologize. Sorry.

Speaker 4 (01:02:06):
I like grabbing the mic because you know, you get
to spit your balls, get you you know. I'm just saying, ah,
your hip hop word now you killed it on that
Hobby Little Pass track. Hey, thank you minus your love
you man. Thank you guys.

Speaker 5 (01:02:18):
Yeah he did that ship shout out to Selos on
the cuts too.

Speaker 4 (01:02:21):
Yeah.

Speaker 5 (01:02:22):
Yeah, all y'all did your think on that? That shit
was awesome?

Speaker 4 (01:02:25):
Thank you?

Speaker 7 (01:02:26):
All right, Oh, Lionel's asking them how many of y'all
bumped the new Daila Soul album this weekend?

Speaker 4 (01:02:32):
Fuck it Stove, I'm cabbing in the sky.

Speaker 5 (01:02:35):
I bumped it before all y'all, so you got it.

Speaker 4 (01:02:37):
Personally all of us.

Speaker 3 (01:02:39):
Yeah, there's I'm gonna bump it again through the week,
but I'm saying, yeah, I mean, I had I had
fortunately ahead start on y'all. Because they got forwarded to me. Yeah,
you did before they came and sat in so that
we could talk about the material. And I gotta tell you,
I was not disappointed, like not at one goddamn song
at all.

Speaker 4 (01:03:00):
All dope. Yes, in my opinion, no opinion.

Speaker 5 (01:03:03):
It's a perfect ass a beautiful album. It's it's in.

Speaker 3 (01:03:06):
It's incredible to hear Dave on a few tracks where
you know they're all still getting down as the three.
And I've listened to that album at least like seven
times since it came out, like like, I just the
first time because you told me about it when they
came in, and then I was like all right, and
then I went and they and I listened to it
on Thursday and the Wednesday at their party and I

(01:03:27):
was like oh and then oh man when I and
then when I heard it, like and then when it
came out Friday, I was just like repeat, repeat repeat.
I was going to play something. I was going to
play some Friday in the mix, but we didn't have
a mix.

Speaker 4 (01:03:46):
Yeah we didn't.

Speaker 3 (01:03:47):
Yeah, we had a technical difficulty. Sorry, yes we did,
a matter of fact, thank you for bringing that up.
We apologize for Friday's absence our powerway down here, probably
like for four blocks our power was out. They said
we weren't coming back till I think three thirty something

(01:04:10):
like that. The city posted on their site the power
wouldn't be back up till three thirty. But it, oddly
enough came back at I think twelve twelve thirty or
something like that, right around there, and everybody was too
far away at this time from the studio because we
called it in the morning. We called it in the
morning when we when we saw what they put up

(01:04:32):
on the site. Right, So we apologize for not broadcasting
on Friday, But here we are today.

Speaker 7 (01:04:40):
Next a ton is saying, don't forget exhibit performed halftime
show at the Rams game yesterday's right.

Speaker 5 (01:04:47):
So exhibit you know what I'm saying. Oh yeah, exhibits
and they won.

Speaker 4 (01:04:53):
Fuck yeah, excellent.

Speaker 7 (01:04:56):
Let's see medicines asking you'll be how was it meeting
fifty cent?

Speaker 4 (01:05:00):
Oh? Very cool?

Speaker 3 (01:05:01):
You know, I think we went up to this is
fifty We went up to his uh, to his spot
when that when that was like his like pet project
at that point.

Speaker 4 (01:05:10):
Uh.

Speaker 5 (01:05:11):
He went up there and kicked it with him for
a minute.

Speaker 4 (01:05:14):
Cool, dude, I love that guy.

Speaker 7 (01:05:19):
Amanda is as Or saying job Rule should have done
what MGK did after the Eminem b.

Speaker 4 (01:05:26):
Well he did, he tried. He lost, same thing as MGK.

Speaker 3 (01:05:32):
Yeah, he lost to you, you know, like MGK tried
to reinvent himself and you know it was working to
a degree.

Speaker 4 (01:05:41):
Yeah. I think he could still.

Speaker 3 (01:05:43):
I think he still has a future in music ship
because he's a very talented dude. He's just got to
you know, make some different decisions here and there and
like you know, dial it in more than he's more
than he's got it now because he's really good now. Yeah,
it's just finding the place where his shit is gonna
like land and be received without all that shit.

Speaker 4 (01:06:05):
Yeah that.

Speaker 5 (01:06:07):
Happened years ago.

Speaker 4 (01:06:08):
It comes along with it. Yeah, yeah, I mean it did.

Speaker 3 (01:06:11):
It's that that type of shit follows you, you know,
when you got a guy like Eminem who like.

Speaker 5 (01:06:16):
You know, yeah, ain't backing down and nobody.

Speaker 7 (01:06:22):
All right, next one, I'm seeing here that MGK responded
to Eminem with rap Devil the dis track, calling out
Eminem's age, his perceived career decline, and accusing him of
blackballing him from the radio station Shade forty five and
Eminem responded with the music or the music video kill shot,
and that video on YouTube got thirty eight million views

(01:06:42):
in twenty four hours.

Speaker 3 (01:06:43):
Yes, I mean, you know people had been waiting for
Marshall to have a victim, you know, as good as
as you know mgk is. I mean, yo, this is Eminem.
You're you're trying to go against here. Yeah, that was
a bad move.

Speaker 7 (01:07:04):
That song's hat of five and four million views right
now on YouTube, and it's the.

Speaker 3 (01:07:07):
And it's and it's not and it's not ever gonna
not just do anything but go up. Man, that's the truth.
And you are so right about like people waiting for
him and to find it because when he goes in,
it's all out and he will just destroy. So what
he did on that, yes, I mean all the all

(01:07:29):
the lyrical skill set and bar ability come out when
he is absolutely pissed off at someone and dude absolutely.

Speaker 4 (01:07:38):
Pissed him off.

Speaker 3 (01:07:39):
Yeah man, but it's it's you know, it's crazy though,
because it's like a sacrifice that one makes, even when
they don't know that they're making it, to hear something
so great. Yes, because it is a great song. I mean,
unfortunately it's at the decline of dude. But we got

(01:08:00):
to hear some great bars based on the anger that
he drew from, you know, from him, because I.

Speaker 4 (01:08:08):
Mean, you keep your relatives out of people's your music,
you know what I'm saying. You don't talk about folks,
families and stuff.

Speaker 5 (01:08:17):
Yeah.

Speaker 3 (01:08:18):
Well, you know, hey, we all make mistakes here and there,
and that was one that had to be learned, I guess.

Speaker 4 (01:08:26):
Yeah.

Speaker 7 (01:08:27):
All right, Utah Hawk is saying, Yo, you guys saw
how I'm blowing up in the hockey community. People are
flying me out to games and pay me to come
watch the games for Mammoth Versus Avalanche and Denver.

Speaker 4 (01:08:42):
All right, there you go, buddy, I'm on Utah. That's right.
Oh yeah, put them skills to you.

Speaker 6 (01:08:51):
Oh hey, got the snow Angels some different, every different,
all the different cities. Because hey, if we all know,
Utah Hawk loves to go with dude, dude, it looks.

Speaker 4 (01:08:59):
Cold this ship. When he does, he's like, I'll check
this out word shout out to Utah. Yeah he does
that ship.

Speaker 7 (01:09:08):
Hilarious talking about like this right here, look at him, Judge.

Speaker 4 (01:09:15):
Fuck you, Patsie. Oh boy, this is from a green
dumb family. My fifties Discord and my brother from another mother,
Albert Gamboa.

Speaker 7 (01:09:25):
Oh wow, beer, hell yeah, you gotta drink a beer
before it doubled up.

Speaker 4 (01:09:31):
You know how cold that he did? The stone cold?
Oh stove cold.

Speaker 3 (01:09:35):
No, yeah, that's a proper snow age. You look at
that shy man like you fucked it up when he
got up.

Speaker 7 (01:09:43):
But what do you think his neighbors are thinking?

Speaker 4 (01:09:48):
He's crazy? Crazy?

Speaker 3 (01:09:50):
Oh, there goes Utah again. He's crazy. Look at him
every year they love him though, they gotta love him.
I mean, look at the spirit. Yeah said, he's out
there riding for the like, yeah, it's a vibe. He
ain't got no socks on where.

Speaker 4 (01:10:05):
Oh yeah yeah?

Speaker 3 (01:10:09):
Oh man, salute Utah Hawk. Congratulations on that man, Go
get them. I wanted to ask Coulton.

Speaker 6 (01:10:16):
Colton, like, you know, because you grew up in like
super snowy winters, right like you're growing up so like,
did you guys get so acclimated that you guys would
go out in like shorts and like during the winter and.

Speaker 7 (01:10:27):
Shit, now, there's always like a couple of kids in
the friends group that would always wear shorts when it's
snowy outside. But like now most people would bundle up.
But like when it comes to like closer to the springtime,
when it would be like fifty five, like fifty to
fifty five, that's when you bust out T shirt and shorts, yes,
and the sun's out.

Speaker 5 (01:10:47):
Yeah, people have T.

Speaker 7 (01:10:48):
Shirt and shorts on because they're not used to it,
Like they're like an outside now.

Speaker 4 (01:10:52):
Crazy imagine you know, I'll be bleeding some of that weather.

Speaker 5 (01:10:57):
Some of the white guys in Minnesota go kike blood.

Speaker 4 (01:11:00):
Yeah, it was like that.

Speaker 7 (01:11:03):
But when it's on when it's like zero degrees for
like three four months out of the year, once it
starts warming up, though, you really feel that warmth.

Speaker 6 (01:11:10):
Yeah, you're right, like if you're saying it, because it
does hit zero over there right below. So so like
so at fifty five, that's like a fifty degree market,
you know.

Speaker 3 (01:11:18):
Yeah to us, that's like, oh hell, now we're putting
on a jacket with a hoodie on. You out there,
t shirts and flip flops now in your balls off
out there, bro. Yeah, yeah, you're done.

Speaker 5 (01:11:30):
You get to realize too.

Speaker 7 (01:11:31):
Once you're in like January February, it's a it's you're
in the negatives a lot of the days. Yeah, so
you could be jumping up like seventy eighty degrees.

Speaker 4 (01:11:39):
Man.

Speaker 3 (01:11:40):
Yeah, that's that's the thing, man, That's that's the thing.
Out there is the drop. Yeah, that happens. You got
to be ready for that. But I mean, you know,
like if you live there, you're acclimated to that. It's
not as cold as if we go down there and
experience that. We're like, oh no, gotta tell you man,

(01:12:02):
Yeah shit. I remember being in Russia with with Demrick
an exhibit and we had to show like out towards
out towards Siberia, and just before we were like to
go to the show, and the show didn't snow out,
like people showed up.

Speaker 4 (01:12:22):
It sold out.

Speaker 3 (01:12:23):
It was the craziest thing this, I don't know, it
was probably like five hundred, five hundred capacity whatever, nice
and ship. I was like, I was having the anxieties, like,
who's gonna fucking show up in this fucking snowstorm because
it was literally a snowstorm. Wow, wide out type of shit,

(01:12:44):
you know what I mean. Yeah, and we get to
the show and it is packed in that motherfucker. But
I gotta tell you I never experienced anything like that.
I mean, I've been in places, you know, around the
world where there was snow and all that shit, but
and you know, light snow coming down or whatever, but

(01:13:05):
not no heavy shit like that. I've never I've never
seen that, and that was quite an experience. Fortunately, we
brought timbos.

Speaker 5 (01:13:14):
On that tour.

Speaker 3 (01:13:15):
Yeah, you're going to you know, because like trying to
walk around and your sneakers and that Shitah, that's the
that is not the business because yeah, those those those
sneakers will be done soaked, your feet will be straight
up cold. It's fought better to have boots and that shit. Yeah,
it wasn't fun performing with them with the boots on,

(01:13:38):
but better than than having the sneakers and your goddamn
toes feel like they're fucking about to snap off, you
know what I'm saying.

Speaker 4 (01:13:46):
All right, next one, So I.

Speaker 7 (01:13:48):
Just saw this post on Reddit. This is my hometown
in nineteen ninety six. So like this, this is a
person's walkway to get to their house.

Speaker 3 (01:13:56):
Oh oh yeah, look at that dude out a walk
home a wall of snow, right snow. Yeah, imagine how
cold that little corridor is right there.

Speaker 5 (01:14:05):
Okay, so I have probably a super off beat question.

Speaker 6 (01:14:10):
But at that point, if that is your walkway to
get into your house, is it a wise investment for
a flamethrower? I mean like, yeah, yeah, well agree, I mean,
but you obviously got to learn to you know, handle
it work and do all the safety protocols.

Speaker 3 (01:14:27):
But I'm saying I think if you if you try
to melt any of that ice at that time, you
make it worse for yourself. I think, I don't know,
I can't. I I never lived in snow like that.
But they gotta let it pile up for a reason, right.

Speaker 7 (01:14:41):
A lot of the newer houses they have, they have
like a heated driveways.

Speaker 5 (01:14:44):
Ah, it just melts the snow.

Speaker 4 (01:14:47):
Hell yeah, So y'all don't know. That's that's better than
throwing I'll tell you what.

Speaker 3 (01:14:52):
That's better than throwing salt out there, because a lot
of on the East Coast they would use salt, and
that would end up sucking up the cars.

Speaker 7 (01:14:59):
Your car, your car's already screwed because they do that
with all the roads and everything has salt on that Yeah.

Speaker 3 (01:15:05):
Yeah, yeah, but on the East Coast more so because
it's uh, the snow out there, they got to try
to fucking get they got to try to melt that
shit as quick as possible. So they fucking you know,
they salt places to fuck up. And the combination of
the salt and water and the shit, you know, and
the the moisture and all that shit that just fucks

(01:15:28):
up old cars, Like I know, a lot of low
riders in the beginning, like they would buy like they'd
buy them in different markets, and the ones on the
East coast would always have like the body rot on
it because of all that shit. I mean, if you
live on the coastline anywhere, you're gonna have a little
bit of that. But like the fact that they they

(01:15:49):
they use a lot of salt on like you know,
the driveways and the streets and all that shit, that
like ends up fucking up the car.

Speaker 5 (01:15:58):
At least the old school ones off.

Speaker 7 (01:16:00):
Like every car in the Midwest looks like this in
the winter time.

Speaker 4 (01:16:03):
I'm all the.

Speaker 3 (01:16:03):
Salt and that is not good for your cobb. H
You want to get that ship off as quick as possible.
Salt deteriorates, it's crazy.

Speaker 4 (01:16:16):
Yeah, hey, did you tell me you're coming out with
your own cologne?

Speaker 5 (01:16:20):
Yeah, that's right. I was going to go somewhere with it.

Speaker 4 (01:16:29):
I was waiting.

Speaker 3 (01:16:30):
I was going to go, so it took too long
to compute because the system, all right, next one.

Speaker 7 (01:16:35):
You know, they're using your they're using your name here
the let's be real cologne.

Speaker 4 (01:16:41):
Well when they're using it with a B, that's not.

Speaker 7 (01:16:45):
Conversation.

Speaker 4 (01:16:45):
But that's yeah, that's what he was getting to.

Speaker 3 (01:16:48):
It's one that could have popped up on my radar,
thank you, And I can't really dispute that, nor would I.
I'm not selling cologne, thank you. The joke and it's
but if I wanted to, I'd be fucked all right.

Speaker 7 (01:17:04):
Soul Kings asking Yo, c minus, did you ever consider
being a music teacher?

Speaker 4 (01:17:09):
A music teacher? Yeah, uh yeah, you know you could.
I could.

Speaker 6 (01:17:14):
I mean I would love to, but you know, I'm
not well versed in like in certain aspects, but I
would love I mean, I would love it.

Speaker 4 (01:17:25):
Never thought about there'd.

Speaker 3 (01:17:26):
Be a course you could teach, for sure, like that
the aspect of DJ and should be a course taught,
you know what I'm saying. Yeah, yeah, I think so.
You know, it's like playing an instrument that should be
in the music curriculum, like you know, like you're teaching
kids or or young people how to play, read, and

(01:17:47):
write music on instruments DJ and should be taught right
there along with it, because it's not just a guy
playing records or a girl playing records back there. It's
like them making sounds and and becoming an instrument with
other instruments. So that's my theory. That's why it should

(01:18:08):
be taught.

Speaker 6 (01:18:09):
Yeah, I mean you really get a I mean coming
from someone who didn't really understand like bars and you know,
time signatures and stuff. When I fully got into it
and started understanding, oh man, it was like a life
changing moment.

Speaker 5 (01:18:27):
We can call it turntable theory.

Speaker 4 (01:18:29):
Yeah.

Speaker 6 (01:18:29):
You know, when I was able to you know, to
like really kind of you know, put this all that
into turntable work, oh man, it was great. Like it
was like it was amazing, you know, being able to
open up to that kind of like oh okay, I
could do when you hear certain songs in a certain
time scenes, you could do certain time signature cuts in
opposition of a regular form four and make some crazy

(01:18:52):
shit happen.

Speaker 4 (01:18:53):
Yeah, yeah it is. I love it. Could teach that class.

Speaker 7 (01:18:56):
See all right, the glitch is saying the dude from
the Fugi's got sentenced of fourteen years.

Speaker 3 (01:19:04):
Anow pros got said to the fourteen years, so he's
gonna he's going to appeal that though, Okay, try to appeal.
If he wins the appeal, you know, he's might be good.
But like if he doesn't fourteen So if he wins,
like okay, let's just say he or let's just say, okay,
he doesn't win the appeal, he's doing about thirteen and

(01:19:25):
a half years because it's the federal case, right, federal case.
I think it was like Briberry or something.

Speaker 2 (01:19:30):
It was.

Speaker 7 (01:19:31):
He was convicted of orchestrating illegal campaign contributions to Obama's
twenty twelve re election campaign. He funneled foreign money into
US elections through a network of straw donors, people who
donate on behalf of others in violation of US election laws.
I know what the fore money came from a Malaysian financier,
Jow Lowe, who was a central figure for the global

(01:19:52):
money laundering scandal.

Speaker 4 (01:19:54):
Damn homie.

Speaker 5 (01:19:56):
He was kind of guilty of.

Speaker 7 (01:19:57):
Conspiracy, money laundering and making illegal donations.

Speaker 3 (01:20:01):
Yeah, I think he was like soliciting like an Obama
like visit to the dude and it was like asking
like first like tens of millions for it. Yeah, yeah, homie,
like damn got caught out there, prize.

Speaker 4 (01:20:17):
Oh that's like what that British girl did back in
the days and tried to like sell these folks a
trip to the like Buckingham Palace and just took their money.
And that's that.

Speaker 3 (01:20:28):
Yeah, that makes me think that you know, you're gonna
see a whole lot of Fujis touring coming up.

Speaker 6 (01:20:35):
I mean hopefully I would like to see why Cliff
and Lauren work together again, even like in like an
EP of sorts.

Speaker 4 (01:20:43):
You nearly that's what most people wanted.

Speaker 6 (01:20:45):
Yeah, because let's be honest, none of us who have
listened to classic albums by the Fujis like the score,
we don't wait, Like, oh my god, we don't wait.

Speaker 4 (01:20:57):
There comes.

Speaker 3 (01:20:58):
You think he got mixed out of a mixed or
nine times out of ten as as a DJ, what
do you think it is?

Speaker 4 (01:21:06):
It's nine.

Speaker 3 (01:21:09):
Without hesitation, without hesitation. I mean sometimes he pulls it
up ghetto Superstar. He did, but he also had ODB
and Maya on it, you know what I mean, like.

Speaker 4 (01:21:22):
A little bit.

Speaker 3 (01:21:23):
But it's like you said, nobody waits for those vers.
No one's waited like he's got a couple. He's got
a couple though, Yeah, I can't front you know what
I mean. He's got like I mean, he's on some
hit songs. Yes, and his parts still matter, thank you,
being absolutely thank you. I mean it doesn't it doesn't matter.
Like he's part of the group and that's his contribution.
You know, it definitely worked because they sold millions and

(01:21:46):
millions of records, and you know, I think they have
sold the records without it. Yes, exactly, yeah, exactly, but exactly.

Speaker 6 (01:22:00):
But also there's as much as much as there is that,
there's also the side of him being present with them
as the group really kind of sparked off, Well didn't
he finance their studio time?

Speaker 4 (01:22:11):
Maybe he did.

Speaker 3 (01:22:13):
I think that's that's how he got in the group.
Oh shit, possibly, yeah, wow, that thought. I heard a
story like that. I'm not sure I either look into
that or we could look into it. But I thought
that was you know, the origins that like, you know,
he was the one getting them in the studio.

Speaker 4 (01:22:32):
But I don't know.

Speaker 5 (01:22:32):
I could be wrong on that.

Speaker 7 (01:22:33):
All right, A big show to justin sorry not sorry
is saying that the zone rant is going to be fire,
saying what be Real?

Speaker 4 (01:22:41):
What? What's the zone rant?

Speaker 7 (01:22:43):
I think talking about the LAFC losing.

Speaker 3 (01:22:45):
Oh yeah, that would have been this morning, right, he
had a show this morning or is it tonight?

Speaker 4 (01:22:51):
I think it was it was this morning.

Speaker 5 (01:22:53):
Yeah, No, I didn't hear the rant racing he had
a rant.

Speaker 4 (01:22:57):
Okay, he was passed on. I heard you.

Speaker 3 (01:23:02):
Yeah, I figured that. I mean, you know, we talked
about that that. You know, he needs to be like
doing that sort of stuff, and here you know he
did it to loot.

Speaker 7 (01:23:12):
Oh yeah, Rodriguez is saying, has it been a while
since be Real and Funk Dubie has performed? It would
be dope for you guys to do your verses on
the show.

Speaker 4 (01:23:23):
You know, that's not a bad idea. You could probably
knock that all. Yeah, I mean yeah, yeah.

Speaker 5 (01:23:42):
The last time it was performed live was on the
Fly at Ryan Fest when you guys it was.

Speaker 4 (01:23:47):
Not performed by me one. I didn't really know it.

Speaker 3 (01:23:52):
Ralph em just sort of called me out there and
then played the lyrics on top of it. Or he
was doing the lyrics. Excuse me, he was yeah, he
was doing Yeah, he was like why did you do
what you should have just did it? And then you know,
so I was like, all right, I'm just gonna back
my own song up because I don't really know the
lyrics like I used to. You did a good job,

(01:24:13):
but I know him now right, I could definitely, you know,
spit him now because I said, you know, I'm gonna
be ready next time, because like that ship really pissed
me off that I wasn't ready. Not the fact that
he called me up there. That was a different sort
of anger I had there, but not being ready right

(01:24:33):
piss me off. So you know, I'm gonna stay ready.
So when we do that song, trust, I'm gonna have
you right out the pocket.

Speaker 4 (01:24:41):
Hell yeah, excellent, Yeah, because you have to.

Speaker 3 (01:24:44):
You must rehearse some of these songs, and you know,
like you know, trying to peel your brain back and
like find a song the memory for a song that
you knew twenty years ago, unless you've been performing it
with frequency, got to fucking perform it. I mean, you
gotta rehearse it.

Speaker 4 (01:25:03):
Well you set down with de la soul, because if
you're not in the loop for a while, when it
comes back to doing shows, it's kind of hard to
get back in the loop again. You're right, you gotta
keep practicing and keep doing your thing even though you're
not doing shows. It's like a DJ, you still got
to be on the turntables practicing at I.

Speaker 3 (01:25:18):
Don't well, you know, even like if you are doing shows.
But let's just say you have songs that you haven't
performed in twenty years. You're not just gonna like put
that in the set and recollect it that fast that
you're gonna know it like you know the rest of
your the other songs that you're playing that you've been playing,

(01:25:39):
so you have to rehearse those songs that you don't
really know that well. The ones that you know because
you've been, like I said, been doing them. That's a
different story. But like shit that like you pull out
like we used to do wa wha bah blah blubab
when we were doing the solo Sassages tour.

Speaker 5 (01:25:56):
So we did it with frequency then.

Speaker 3 (01:25:58):
I mean that was like a what between eight and
six weeks six and eight weeks, So you know that's
like you know, you're gonna pretty much embedded in your
brain for the rest of your life playing it for
six weeks, right, So I know it, but to perform
know it, I got if I can take like maybe

(01:26:21):
three days and go through it over and over and over,
and then I got it. Bom like wherever we decide
to flip it, I got that shit.

Speaker 4 (01:26:30):
I get goosebumps when you still do that verse and
you know you have the t funk verse And then
I'm like, last, whatever is you know?

Speaker 2 (01:26:38):
So?

Speaker 4 (01:26:38):
Yeah, I like that track? Word up all right, bust out?
Next what thank you? Hold on em?

Speaker 7 (01:26:48):
And here's asking what's the table's favorite la graffiti artist?

Speaker 5 (01:26:52):
Oh there was their slick and then uh hex.

Speaker 4 (01:27:00):
Hexx hex one one thank you x one.

Speaker 5 (01:27:04):
Hex Those two were my favorites back in the day.

Speaker 6 (01:27:07):
Yeah, it's because hex He had the hip hop shot,
remember right there on my Rose Off Rivals Kelly.

Speaker 3 (01:27:17):
Oh yeah, I'm recalling the verse right now just because
challenge challenging myself.

Speaker 5 (01:27:23):
To know it, like right at this moment. That's no,
so you can call to it like you're going through
like like you.

Speaker 3 (01:27:29):
Know, yeah record, So I was mumbling after the second bar,
but or on the second bar, but the starting of it.
Uh uh, it's still when I dropped computing, when I
dropped those dogs a broke, nose gets clogged, and I

(01:27:51):
tapped that jaw because you know what, get raw. I
remember when I used to sit on the sea saw.
Now I just shoot him up, shoot him up. Y'all
better stand clear because I've shown no fear when they
hit you with the baseball bat in the ear.

Speaker 4 (01:28:06):
Yeah no, man, I just I like that. Yeah yeah, man,
that's just dope.

Speaker 5 (01:28:17):
I gotta recall the second half.

Speaker 4 (01:28:18):
But yeah, it's there, it's there. It's thank you, just
thank you, brother, thank you. All right.

Speaker 7 (01:28:24):
Kai is saying, hey, b and table, speaking of cologne,
what what you're wearing or what's your go to?

Speaker 4 (01:28:31):
What?

Speaker 7 (01:28:32):
What kind of cologne are you wearing? Or what's your
go to?

Speaker 3 (01:28:35):
That's a funny conversation because we were having a conversation
about cologne earlier.

Speaker 4 (01:28:39):
Who is this?

Speaker 7 (01:28:41):
This is a Kai in the CHATAI.

Speaker 4 (01:28:45):
Kai.

Speaker 5 (01:28:46):
That's interesting that you asked that, because like my whole
I don't.

Speaker 4 (01:28:51):
I like Be was saying, he doesn't wear cologne. I do.
I don't wear too much. I'm wearing Bond number nine
Wall Street right now. But I'm sure you guys got
your own. That's all.

Speaker 3 (01:29:00):
Well, when when when I would wear Colone, it wouldn't
necessarily be regular colone.

Speaker 4 (01:29:06):
It would be like the oil base.

Speaker 3 (01:29:10):
Yeah, because I don't like the alcohol based colognes or
perfumes for that battery that ship is just way too overwhelming.

Speaker 4 (01:29:17):
You were saying.

Speaker 3 (01:29:18):
But yeah, so like what I did put on a
form of cologne. It was the oil with cool water.
Cool water.

Speaker 4 (01:29:28):
The oils are better because when your skin heats up,
it activates the oil and the scent stands for like hours,
so it lasts, you know.

Speaker 3 (01:29:37):
I mean I used to like, uh, there's every now
and then I'd buy a bottle, but the Hugo Boss there.

Speaker 5 (01:29:45):
Was one that was like, yeah, I had one of those.
I never really used it, though.

Speaker 4 (01:29:49):
It was cool. And then I liked some burbery. I
forgot the.

Speaker 3 (01:29:55):
Or burbery, and yeah, I forgot the because there's different flavors.
I think the smell of my weed would overwhelm the
smell of yeah, the cologne, so I don't even need it. Yeah, true,
I say, what's the name of your cologne? It's called
in the pocket, all right, Christmas time.

Speaker 7 (01:30:18):
OJ's you know, why not sell cologne?

Speaker 4 (01:30:22):
Why not?

Speaker 1 (01:30:23):
Yeah?

Speaker 6 (01:30:23):
I mean, dude, Rihanna and you know, so many celebrities
have jumped on that train and made millions.

Speaker 4 (01:30:33):
Yeah, you know, I mean from Taylor swift Man to
who well got.

Speaker 3 (01:30:37):
An Johnny Depp? Yeah, Deap had his own say yeah,
Johnny deputy Debt. So many people that have had savage, savan,
that's what it's called sage.

Speaker 4 (01:30:54):
You know, savage is cool. It's a cool do you know, like, hey,
is that the French word for savage?

Speaker 6 (01:31:00):
Yeah, they're just suvage or maybe that's just friends pronunciation,
but same meaning.

Speaker 4 (01:31:05):
Though all have you tried savage? Have you went supage?
How savage of you? Are you? Living? Soupage? We are?

(01:31:27):
I remember the early night we used to wear like
Calvin Klein one, remember k one. Remember it was just simple.
It was just like a go to real simple. But
I mean, I'm sure when we got older, we are
our taste matured. You know, we went to a more
expensive you know, cologne ge O g i O awkwad

(01:31:47):
geo or something. I forgot that.

Speaker 7 (01:31:50):
Yeah, right, next one, let's see here. Next and here's
a NB saying slut. He's saying Mayor of Kingstown is dope.

Speaker 3 (01:32:00):
With Jeremy Renna. Oh is it the second season yet?
Em me second season four. Oh shit, didn't he start
off with the brother?

Speaker 4 (01:32:09):
Yeah? I think so did Di did it die? Damn?
So wait a minute, they're on season four.

Speaker 5 (01:32:16):
I missed Jesus Christ season four. Yeah, I think, well
his brother does that. I've missed three seasons. The first
season was insane.

Speaker 3 (01:32:22):
I never got into it, so like I can't, but
I remember that in the beginning it was based off
two brothers, and now you know, it looks like it's
just one. Yeah, who know what happened in season two?
Brother got killed off. He's like, fuck you, you're out
of here the right access, You're out. Taylor Sheridan, dude

(01:32:46):
another you know, he does his thing.

Speaker 5 (01:32:49):
He does his thing.

Speaker 3 (01:32:50):
Man, you have you been watching land Man? Episode just
came back. I see, I'm jumping back on to catch
up to that. But I've been watching uh Tulsa King
oh with the with Sylvester and there's good aspects of it,
and then there's some cheese.

Speaker 4 (01:33:09):
Absolutely, and you know, I was like, why why do
they got to add the cheese? There's no reason, but
that's kind of on brand.

Speaker 3 (01:33:17):
First the loone, because I guess he's got to have
a little cheese, all right, just a little cringe, I
guess because some of the ship just doesn't make sense
sometimes on that show, the way that it's some of
the writing in terms of like they just did this
day where they all went on a mission, how to

(01:33:41):
want to blow it?

Speaker 4 (01:33:42):
No, you guys got to watch it.

Speaker 3 (01:33:43):
It's just sometimes it's like, you know, like they there
was there's some flaws in in parts of it, but
it's still.

Speaker 4 (01:33:51):
Good to watch. Okay.

Speaker 6 (01:33:52):
So I can admit, like I used to be a
huge stallone fan whatever, right, Like I love remember Over
the Top, the Armisting movie. Yeah, you know, I loved
Rocky of course Rocky three with mister T and the
four was with Doc Lungern and even what was it,
Uh it was Cliffhanger where he was like this climbing ficionado.

Speaker 5 (01:34:13):
But like you know, I did, but on something about
the the Tulsa King is just made it.

Speaker 4 (01:34:19):
I don't know, it just I don't know.

Speaker 6 (01:34:22):
I'm okay. So I've been trying to finish season one
for like a year.

Speaker 4 (01:34:26):
Now.

Speaker 3 (01:34:27):
I feel you though, because it's like you gotta you
gotta deal with the layer of cheese that's.

Speaker 4 (01:34:32):
There's Yeah, it's just like, okay, it didn't go to
something else.

Speaker 3 (01:34:35):
It gets a little like it's like I watch it,
but there are some points where I'm like.

Speaker 5 (01:34:43):
Why cringe, dude, Just a little cringe, dude.

Speaker 4 (01:34:46):
Everything else was cool? Why that?

Speaker 5 (01:34:49):
Yeah dude? So I mean, hey, you know, not all
moments will be good moments.

Speaker 4 (01:34:53):
Now, you're right, I could see you be like Cisco
and Eva just looking at that, just not in your head, like.

Speaker 3 (01:35:00):
No, dude, But land Man so far is ramping up
to be pretty like, first, I gotta watch last night's episode.
But you're only miss You've only missed two episodes.

Speaker 4 (01:35:09):
Oh yeah, yeah, I saw it, just came back.

Speaker 5 (01:35:11):
Yeah dude. So it's good. And Demi Moore is not
fucking around.

Speaker 4 (01:35:13):
No, she's not.

Speaker 3 (01:35:14):
She's a really great actress. Yes I'm saying, yes, people
tend to forget you know what I'm saying. But she
got the chops.

Speaker 7 (01:35:22):
Yes, all right, mister Kel's World's asking U is the
next Hypersol album? The last one you're thinking as a group. No, well,
she's saying I read that somewhere.

Speaker 3 (01:35:32):
I think, uh no, because that's the Spanish album. That
is not the last one. It'll be probably the one
after that, mmm or probably not. You'll probably just get
more music one way or another, because you know, I
don't foresee us stopping anything. It's probably just more about

(01:35:55):
how we release things right right, because like you know,
we could drop an album, but based off of the
way that the market is down on terms of album sales,
like you know, in general, you're better off putting out
one song at the time and letting people focus in
on that one song and that bang, hitting them with

(01:36:16):
another one, let them soak.

Speaker 5 (01:36:18):
That up, let bang another one, and then so on
and so forth.

Speaker 3 (01:36:24):
And so it's just about trying to figure out what
we've releasing new music works best in this day and age,
with all this technology and with so many artists dropping
on the three days of the drop or two it
was two days now it's every day. So it's just
you know, finding the right formula. So I don't foresee

(01:36:46):
you know, us not making music anymore. It's just we
might just change the way we drop the music in
terms of last album.

Speaker 4 (01:36:54):
And all that.

Speaker 7 (01:36:55):
So don't get discouraged, Robert says, any special guest in
the Spanish album.

Speaker 5 (01:37:03):
I can't tell you any of that right now, not
even one special guest.

Speaker 4 (01:37:08):
I'm sworn to secrecy.

Speaker 7 (01:37:11):
Just how about a hint, no.

Speaker 4 (01:37:16):
Sand dogs on it? There you go?

Speaker 7 (01:37:20):
Is there Bobo on it?

Speaker 4 (01:37:21):
Yeah?

Speaker 7 (01:37:22):
Hell yeah, there we go.

Speaker 4 (01:37:24):
He's not a guest.

Speaker 7 (01:37:27):
He lives in the house, Donnie saying, Hey, guys, wife
he wants me to put up the Christmas tree tomorrow.

Speaker 5 (01:37:36):
My wife, he had the Christmas tree put up yesterday.
What wait?

Speaker 7 (01:37:40):
Wait, did you put it up?

Speaker 4 (01:37:41):
Both of them? Both of them?

Speaker 3 (01:37:43):
No?

Speaker 5 (01:37:44):
I did not, did not put them up. Okay, Like,
it's just can you just just wait till the Friday?

Speaker 4 (01:37:52):
You know what I mean?

Speaker 3 (01:37:54):
And you know it ain't me see because I could wait.
I could wait long enough to never put the tree up,
right right, I mean I love Christmas trees.

Speaker 6 (01:38:03):
I think Christmas trees are an amazing part of the
Christmas tradition as far as the aesthetic of it, and
it makes you feel certainly, it's like a warm hugged
at heart.

Speaker 3 (01:38:11):
But like I and I and I respect the Christmas season.
But let that ship start when it's supposed to.

Speaker 4 (01:38:17):
Yeah, you know what I mean. Like, and that's what
one just want to get ready for it, you know
what I mean?

Speaker 3 (01:38:21):
Because depending on how much you fucking decorate, right, it
might take a minute. You know, I get it, but
like for me, yeah, it's way too so we've even
got the Thanksgiving yet.

Speaker 4 (01:38:34):
It's not even Thanksgiving Eve yet. Oh man, you know
what I mean.

Speaker 3 (01:38:40):
Where he likes to pre plan the party, she does
not leave anything for you know what I mean. So
she wants to get aheadad of the game.

Speaker 4 (01:38:47):
And probably it's better.

Speaker 6 (01:38:48):
It's probably better than the long end, you know what
I mean, just like cause it's already done, you know
what I mean.

Speaker 4 (01:38:53):
But just damn, like I just it just seems like
time is going so fast.

Speaker 3 (01:38:59):
Oh it is, hey, last night, like it's probably I
don't know, eleven thirty something like that, right, and I'm
shutting down everything for the night. I look out the
window and I see across the street at my neighbor's crib,
some dudes out there in the van and he's kind
of look like he's on the phone talking with somebody
and like like they're in an argument. But you know,

(01:39:23):
I could I could say for sure, but that's what
it looked like. And I was like, you know, I
asked Wifey, I said, hey, do we know that neighbor's
number right there? Do they know there's a fucking white
van with a guy out here like looking like he's tripping.
Maybe you should let them know. And so, you know,
she hits them up and then I guess they're out

(01:39:43):
of town or whatever, or they were out for the
night or whatever, and she's, oh, yeah, that's our guy.
He's like putting up our Christmas lights right now. Sorry,
it's so late that he's doing it. But there's like
they're starting to up to put their lights last night too.

(01:40:04):
I'm like people are gearing up ready. They're like, you know,
because people be trying to do the extravagant ship with
the lighting or or you know, some of the decorate
decorative decorative ideas, right, so they try to get like
a good month in beforehand.

Speaker 4 (01:40:19):
You know, I understand, I understand. That's too much for me.

Speaker 3 (01:40:24):
Yeah, a month before Like I have a friend that
listens to Christmas music every month of the year because
it puts him in a comfortable place.

Speaker 5 (01:40:35):
He listen Christmas music every day, No, not every month.

Speaker 4 (01:40:39):
Every dude.

Speaker 5 (01:40:40):
There's like it's it's a it's a happy place for him.

Speaker 3 (01:40:44):
So like when sometimes you know, hanging out with him
in like in February, you're like and all of a sudden,
You're like, dude, Christmas is so two months ago, you know,
and it's just like here comes on, like Mariah Carrey,
you know, you know for Christmas is you just like
again awesome? Like no, but it's just like, you know,
I just prefer, you know, in the intended season. I

(01:41:06):
can appreciate it from Friday on, you know what I mean.
But just like I've already it's out. Like if you
hear Maria is about to be known, yeah, you know
what I mean.

Speaker 4 (01:41:18):
I like hearing run DMCs it's Christmas time in Hollow.
That's a joyful song. Yeah. When I hear that, man,
it's just something comes over me like goose Bums.

Speaker 3 (01:41:27):
Man.

Speaker 4 (01:41:27):
I just love that song, man. Yeah, man, that's good one.

Speaker 3 (01:41:29):
I'm surprised more rappers didn't follow suit with doing a
Christmas song like that, you know what I'm saying, because
that's money that you're going to get for the rest,
So it's always going to get played somewhere, man, like
Run DMC's Christmas and Hollis.

Speaker 4 (01:41:43):
Yeah.

Speaker 3 (01:41:43):
Yeah, And that's just I'm surprised the Beasties didn't do one.
I don't see us ever doing one because we're you know,
like We're just not that kind of group. And I don't, like,
let me just not say anything at this point. Yeah,
you never know because whatever, but like it's not something
that like connects in our I don't connect to Christmas

(01:42:06):
like that, right, you can, but I'm trying. You could
probably tell her, really, I think you would probably write
in a really ill Christmas I would, Yes, I would
write a really dope Christmas song. Yeah, I think that
would be like an amazing thing to hear. But uh, yeah,

(01:42:29):
I don't know if we'll ever hear it, but yeah,
but you never know. True, I'd mean, because I wasn't
thinking about doing a Spanish album. I mean, we had
been talking about it for years, but like you know,
actually having the time and carving out the time to
do it. I didn't foresee it because we stay busy,
but you know, it came about that an opportunity came

(01:42:54):
and we're like, well, you know that we got to
carve out this time to do it. And it again,
it wasn't something I was planning, so you know, anything
could happen. Because once we did song one and the
vibe that we had in the studio, I was like,
oh shit, this is going to actually be fun to

(01:43:15):
make m HM as opposed to it being like this
is work, because it could be that too. I mean,
it is, it's both. You know, none of these songs
that I've been doing are easy because I've been trying
to flex different styles on him, and when you hear
this shit it's Spanish, you're gonna be like, oh fuck,
how did he translate that style into this? But I

(01:43:38):
mean a lot of you know, and then I'm listening
to a lot of the young cats spitting right now,
guys like al Man, Santa Fe, the guys from Santa Rifa,
and some of the other cats that I've worked with,
like Duano and other dudes that like spit, you know,
like being a student again seeing where they're at, so

(01:43:59):
that I know where I gotta be at in terms
of the writing and and execution of it, you know
what I mean. And I thought, fuck is going to
be work, And it's been fun because you know, what
I realize is that I have a whole different thing
in doing it in Spanish that like it's hard for

(01:44:20):
me to access in English. It's crazy, it's weird, Like
choruses come easier to me in Spanish, to they do
it English. It's fucking wild.

Speaker 5 (01:44:30):
Wow.

Speaker 3 (01:44:32):
But that's the fun part of it, Like I'm accessing
different things that I didn't expect to be there.

Speaker 7 (01:44:39):
All right, Next one, the Christmas tree talk reminds me
of the Grizzwold's Christmas Vacation.

Speaker 6 (01:44:47):
Dude, i'd see and I do. That's probably one of
my favorite Christmas movies of all time. Dude, shit is ful.
Oh yeah, I them local Eddie did that's do uncle?
Oh yeah, I did did And this is a yeah,

(01:45:08):
it's Baasac. They pulled this root.

Speaker 7 (01:45:11):
There's a real photo.

Speaker 4 (01:45:13):
Damn. Look at that.

Speaker 5 (01:45:14):
Damn like you gotta They went in the woods and
chopped that fucker down.

Speaker 4 (01:45:17):
Is where they went.

Speaker 5 (01:45:18):
Squirrels and all the fucking family squirrels in there.

Speaker 4 (01:45:23):
That's pretty hardcore. Said we're going to a new home.

Speaker 3 (01:45:27):
Look at that, dude, the Griswold shoe wagon bam right there.

Speaker 4 (01:45:33):
Look, Oh my man, that's.

Speaker 5 (01:45:36):
Got a goddamn spear on the top of that did
look at that just lit Just wow, man, that is
pretty wild.

Speaker 3 (01:45:45):
That's a lot of lights, bro, big ash tree. Yep,
they could have they could have put two of them
cars together. Indeed, the tree covered both of them, they
sure could have.

Speaker 7 (01:45:58):
All right, step and Sophia saying, can you send out
healing vibes to my wife, Sophia, She dislocated her knee,
so she's laid out smoking on.

Speaker 3 (01:46:06):
Some gas healing vibe Sofia, Fia feel better, sooner you
heal up quickly. All positive entity to you, all the
drive for you know what what what they say helps
with shit like that too, and and just pretty much
with anything. It's like a meditation before you go to sleep,

(01:46:27):
because they, you know, studies say that your body heals
itself as as it sleeps, and you can amplify it
by the manifestation of saying it like to yourself. Let
you know, like almost like inmeditative, meditative form, saying it
to yourself, my body will heal as I sleep, My

(01:46:49):
body will heal as I sleep, or you know, even
calling out certain organs or cells or or whatever. You
know what I'm saying, and apparently it helps with the
healing process. Yeah, connected, So maybe try try doing that.

Speaker 4 (01:47:08):
All right?

Speaker 7 (01:47:09):
The last one so far as Marvell saying, first, I
want to say happiest sealated birthday to a Haji Loake chic.
He's also saying, second, I'm at least forty seven pendletons
away from catching Haji. And the third, can we get
yo Yo on the show.

Speaker 3 (01:47:25):
That's a great that's a great suggestion there, having yo
Yo come up in here. We go try to do
that for you. You know what I'm saying. We gonna
try to do it for Marbell. So it's there because
he seems like he needs it.

Speaker 7 (01:47:41):
All right, He's saying, fourth Colts and your mom. She
left her blue heels at my crib, the one with
the sparkles. All right, you got that one, Marbel?

Speaker 5 (01:47:54):
All right, you got that?

Speaker 4 (01:47:54):
What you did? You did?

Speaker 7 (01:47:57):
I'm trying to go back here, yo yo? What a
what big songs did she make?

Speaker 4 (01:48:01):
Oh?

Speaker 7 (01:48:02):
Man, don't play with my I don't know too much
about yo yo.

Speaker 5 (01:48:04):
Yeah, don't play with my No, like we're trying to
tell you.

Speaker 7 (01:48:11):
I was like, I'm not playing with you.

Speaker 3 (01:48:12):
Yeah, don't play with my yo yo. Bonnie and Clyde
with ice Cube, Yeah.

Speaker 5 (01:48:19):
I'd be w and with my crew in stopping to
the nineties.

Speaker 3 (01:48:25):
Oh my god, I remember this flapper Yeah yeah, she
had like that first album and then the first two
albums she had. She was from here on the West Coast,
like one of our representatives like, and she was dope
on the mic, no doubt a legend here. Oh yeah,
definitely got to get yo.

Speaker 4 (01:48:43):
Yo, thank you.

Speaker 7 (01:48:44):
Who would she kind of like kick it with?

Speaker 5 (01:48:46):
She was a part of ice Cube Squad, Caution Lynch
Mob all that, and that seems to be it so far.

Speaker 4 (01:48:54):
Word up.

Speaker 3 (01:48:55):
We want to salute everybody getting down with us today
on the Doctor Green Thumb Show. Each one t want
to tell your friends about us. We be here non stopping.
I salute to all y'all. Spread love and positivity around.
Don't be you know, hating and talking that bullshit.

Speaker 4 (01:49:12):
You know what I'm saying.

Speaker 5 (01:49:14):
Spread love always see minus.

Speaker 4 (01:49:17):
Shout out to everyone here at the table. Be doo Bee.
Shout out to the Strong Tone. Shout out to Blaze,
Shout out to Bobo, Shout out to e Zone.

Speaker 3 (01:49:27):
Shout out to the Sideline crew, Bolton Ray and dom
Uh Droe, what up drou Shout out to Ayton Hobby Lopez.
Everybody be safe this week because a lot of holiday
travels happening, so please be safe and cautious and you
know all that good stuff, because you know, we want

(01:49:47):
to make it to the family and back in one piece.
So everyone be on the safe side of things this week.
Uh you know, for everyone, and uh follow me a
C minus fan four on all the social medias and.

Speaker 5 (01:50:00):
Have a great holiday week.

Speaker 4 (01:50:01):
What up?

Speaker 7 (01:50:02):
Both in Yo Yo show to a Ray Morning Shot
Film show to the Dominator Show to a A toon
and og in the back along with Pedro and the
Sun Dooby. What's up?

Speaker 4 (01:50:10):
I just want to give a big shout out to
you both. Big shout out to DJ se Low's dj FM,
Hovey Lopez Strong one C minus Blaze Asandro e Zone.
Of course again you both, ray Dom and Bobo. Everlast,
all you guys, I love y'all.

Speaker 3 (01:50:32):
Value the ones that love you enough to keep it
one hundred with you. Always swallow that

Speaker 4 (01:50:45):
Real