B-Real, Everlast, & Deftones Steftone Discuss Studio Work, MTV, +More | The Dr. Greenthumb Show

Episode Transcript

Speaker 1 (00:05):
Disclaimer. This video, like all videos seatured on the channel,
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language contin is appropriate for video. It's not for kids. Welcome.

Speaker 2 (00:17):
Who was cracking it is the Doctor gree Thump Show

(01:17):
live on Twitch, Discord, YouTube, kick x, and the whole
site www dot b real dot tv.

Speaker 1 (01:23):
Here with the.

Speaker 2 (01:25):
Table of legends. To my right, the one and only
ever Last A. K. A.

Speaker 3 (01:30):
Whitey Ward is there, happy to be out and about,
and next to him the legendary psycho Last.

Speaker 1 (01:39):
Yeah, baby, that's right.

Speaker 2 (01:41):
We also have the legendary Sideline Crew, the Mormons in
the house, Bolt and Blanco, Bro Brown, the Dominator.

Speaker 4 (01:48):
Yo, yo, what up. We're just mormoning up right.

Speaker 2 (01:51):
Now, normoning out morons. They can't do ship on Sunday.
But you know, Theron, we got the legendary Strong one
step told in the Bill Dead. Everybody holding it up,
word up like that beat nuts that you got on
right there, Bro.

Speaker 5 (02:09):
I just was going out to grab my something on
of the car and I saw I was like, damn,
I didn't even know I.

Speaker 1 (02:13):
Had it in here. Let me put that on real
very splash over with the hat. All right, we.

Speaker 2 (02:18):
Got the legendary FM and the building's cragging.

Speaker 1 (02:21):
How we doing? Welcome?

Speaker 3 (02:23):
We're doing, We're doing, We're doing welcome on this Tuesday?

Speaker 1 (02:27):
Are you doing? Are you doing? Yeah? Oh my god?

Speaker 2 (02:33):
Uh man, it's it's it's one of those days.

Speaker 1 (02:38):
You know.

Speaker 2 (02:38):
I got nothing today. I totally fucking blanked. I've been
doing so much recording word, but it's all good. Like
I heard some ship today that I did a few
years back with Eric Sermon that just dropped today.

Speaker 1 (02:53):
What was it called? There was tools Dynamic Duels Who
Dynamic Duels?

Speaker 3 (02:59):
No?

Speaker 1 (03:00):
Is that? Is that the name of the album on
the new album that dropped? Yes?

Speaker 2 (03:03):
On that one. I did a song, well said Dog,
And I did a song with Eric Sermon. I think
it was about a year and a half ago, two
years ago. Oh shit, I just heard it today.

Speaker 1 (03:15):
Sounded good. All right, make sure you go check it out. Eric.

Speaker 6 (03:19):
He did an album called Dynamic Duels where it's the
bunch everybody's a dual, like you know, be real Send Dog.

Speaker 1 (03:26):
He got m O.

Speaker 6 (03:27):
P Yeah and Billy and there's a huge few other cats.
That looks interesting. Yeah it is. How do you know?
Dynamic Duels you better highlight the cycle. Rico Barrino. Where's that?
It's up there with Snoop Dogg, Nate Dog, Rico Barrino.
I don't know who Rico Barrino is. That's obviously a

(03:51):
posthumous Nate Dog or someone.

Speaker 2 (03:54):
Yeah, yeah, I gotta tell you, Eric Sermon, in let
you down.

Speaker 3 (04:01):
No, you know what what I what I noticed about
what you played earlier was it's it didn't sound dated
at all.

Speaker 1 (04:07):
But his style is is pretty.

Speaker 3 (04:09):
Unique to this little that funk blues blend he seems
to get. Yeah, it's like it's not quite West Coast
when he gets with the funk, but it's it's in
the neighborhood.

Speaker 1 (04:21):
It's in the hood, you know what I mean.

Speaker 3 (04:22):
But but it's still distinctly East Coast what he does.
It's a very sound.

Speaker 2 (04:27):
Yeah, he knows those pockets right there in the middle,
you know what I mean, Eric Sermon, he's a prolific producer.
Aside from being in one of the you know, greatest
hip hop groups of all time, e PMD.

Speaker 1 (04:40):
I'm pretty sure he did most of The Red Man's
first album.

Speaker 2 (04:43):
He did a lot of R and B joints too
that he don't get Flowers on. He blew up a
lot of records, like you know, you could give him
like the kind of doctor Dre Flowers on the East Coast,
you know what I mean, he just you know, they
didn't talk about it is as much because you know,
he was an artist.

Speaker 1 (05:03):
People knew him for that.

Speaker 2 (05:05):
But like he was putting his beats down, you know,
crazy style over there.

Speaker 1 (05:12):
Man.

Speaker 2 (05:12):
He gave a lot of people some some smackers throughout
effects stuff.

Speaker 3 (05:17):
I think he did most of that historic joints. That
was their squad what was that? What were they called
the Deaf Squad, Death Squad, Deaf Squad?

Speaker 2 (05:24):
Yeah, I mean he listen, he produced classic joints outside
of being in E.

Speaker 1 (05:29):
P M D. That ship is. This catalog is deep.
That ship is deep. It's amazing.

Speaker 3 (05:35):
Then a lot of his solo stuff, that Marvin Gaye
joint he had with looks like music.

Speaker 1 (05:39):
Yeah, man, that was that was a scooter right there. Yeah.

Speaker 2 (05:42):
Absolutely salutes Eric Sermon. Salute and salute and congratulations to
Eric Sermon for dropping another smacker out there for people
to enjoy. Hip Hop is very much alive, you know,
I mean, you know all that that hip hop is
dead stuff. You know that was that was just an idea.

Speaker 6 (06:00):
I got a feeling twenty twenty six is going it's
gonna feel like the nineties again. Yeah, because we there's
a lot of things coming back. I see Chip Foo
and Shack doing some things.

Speaker 1 (06:13):
Oh that's gonna be ridiculous.

Speaker 6 (06:15):
I'm hollering at him right now. So we you know,
we're doing some things, you.

Speaker 7 (06:20):
Know, musical backdrops, down feet, you know what I I
was gonna say, You know how we have that conversation
a couple of times about how MTV video killed the
radio star concept. You know what I mean, how when
the visual came of the artist that the music kind
of took a back seat, and now it kind of
had had more to do with an image as well
and whatnot. Well, artists with no image took a backseat,

(06:41):
right right, right, Well now it's a little different. Now
I'm noticing that MTV just died on the thirty first.
They're going to basically like shut down. So that's people
aren't interested in like music videos in that sense, just
a little bit of YouTube or whatever, but kids aren't.
They're saying that kids aren't really paying attention to what
they look like. And now people of all types of looks,
all types of ages are risking it just throwing music

(07:04):
out there and creating a fan base, right, I mean,
so it's kind of backwards now.

Speaker 1 (07:08):
That is so sad to me about MTV.

Speaker 3 (07:10):
I mean it's like, I understand kids got the YouTube,
they got so much more than we had, But there
was something about the same thing as going to a
tower records or.

Speaker 1 (07:19):
Something on a Tuesday. Yeah. Yeah, well they were the
men that was the new record day.

Speaker 3 (07:24):
There was stuff you had to sit by the wait
and wait to see your video come on. It was
the only outlet to see the visuals to these things.
You know, perhaps and maybe there are a local you know,
video show on midnight at Channel nine or you. I mean,
but like there was no outlets for these things, and
your original MTV was one of the fucking coolest things
that ever had come about.

Speaker 2 (07:45):
Yeah, I mean, they were like, they feel devoid that
radio couldn't feel like and they played shit that radio
wasn't playing initially. They they were pivotal and instrumental in
breaking artists that radio didn't want to break, or weren't.
They weren't on the radar, you know what I mean,
including you know hip hop music if they hadn't created Yo,

(08:08):
MTV raps and hip hop doesn't get on MTV and
the frequency that it did, a lot of us don't
blow up the way we blow blew up, do you know?

Speaker 1 (08:18):
Because be ET was.

Speaker 2 (08:21):
It was significant, but it wasn't, you know, getting the
outreach that MTV was at the time. I mean so yeah, man,
they were instrumental and a lot of us grew up
to that shit, you know what I mean everything that
came on. You know where I think where they lost
it is they tried to get into too much programming,
and they got away from the music. Costs money to

(08:41):
license all that music, most especially most especially the pop shit,
the Top twenty right, everything else doesn't cost as much
as licensing, but that shit does. And when they figured
out they could make their own shit and make money,
make more profit off of what they own as opposed
to what they license, they start creating these this programming

(09:03):
and get away from the music.

Speaker 1 (09:04):
Yeah, they fundamentally created modern reality TV.

Speaker 6 (09:07):
I mean, I mean your MTV to me was like
the best show they had, one of the best shows.

Speaker 7 (09:12):
One.

Speaker 1 (09:12):
Yeah, absolutely, you need one of them.

Speaker 2 (09:14):
Salt guns. I'm gonna get you we have. It's just
you know, somewhat broke it the zone. Uh yeah, man,
it's it's it's it's sad to see that it's going off.

Speaker 1 (09:26):
I mean, you know, but I mean it's been a run.
They had a run.

Speaker 3 (09:29):
They had a great run. Well they haven't been music
TV for twenty some years. I was about to say it, but.

Speaker 2 (09:33):
They helped start reality TV. The problem is is that
when all the bigger uh TV and film uh studios whatever,
you know, companies or networks get involved, now you got
to compete with that, like the viewership that a bigger

(09:54):
a bigger platform has and they're running the same ship
you are, or a creation of it. Once the once
the reality shows spread outside of MTV and got onto
the prime time platforms, they were done, simple as that
because these these guys over here, I mean, you know

(10:16):
MTV had money for sure, but these are platforms that
have been bigger than theirs since day what.

Speaker 3 (10:22):
It's just being absorbed by paramount as all MTV films
I'm sure probably still exists.

Speaker 1 (10:27):
The channel's going away.

Speaker 2 (10:28):
The channel's going away, because realistically, they don't get shipped
out of the channel.

Speaker 1 (10:33):
They could just make movies. They owned the movies.

Speaker 3 (10:35):
They they'll just rebrand whatever channel it is and keep
it licensed to whatever stations and cable unit.

Speaker 1 (10:42):
But you see what I'm saying.

Speaker 2 (10:43):
They went from having to license a product, right and
trying to make money off of the sponsors and and
whatnot in between the breaks of the show, right, but
they had to pay the not for the products that
they're licensing, and if they broke those, those things got

(11:04):
more expensive breaking. Meaning you know, if that's if MTV
elevated and they shot it up to number one, you know,
the license becomes more expensive.

Speaker 1 (11:15):
Right.

Speaker 2 (11:15):
But if MTV took the money that they invested and
said we're gonna make a product for you to consume,
which is like a movie or a reality show, that's
something they own their license, nothing there, and that's where
they were going. The problem is is that they had
a formula and motherfuckers started emulating that formula with with

(11:38):
bigger platforms, you know, thus making some of these motherfuckers
go to different places to watch the same kind of
fuck shit they're watching on MTV and MTV. As great
as they were, they were the catalyst of the fuck
shit we see today here on places like YouTube and
TikTok and Instagram with people fucking hurting themselves to go

(12:02):
viral or people seeing someone get hurt and instead of
helping them, they're filming them to go viral and shit
like that. MTV started all that shit, and that is
a fact with Jackass and shows like that, and no
disrespect to those guys, but they were around before MTV.

Speaker 3 (12:18):
They MTV just picked them up and blew their platform
into the universe.

Speaker 1 (12:23):
Exactly, Sure, that's what happened.

Speaker 3 (12:25):
Yeah, yeah, they think the first thing Knoxville did was
like shoot himself with like a forty five while I
was wearing a vest or something.

Speaker 1 (12:32):
Yeah, they were doing video.

Speaker 2 (12:35):
So now you don't have to wait for MTV to
show you that because it's on every fucking platform that
you could think of.

Speaker 1 (12:42):
Right, and music got away from him.

Speaker 2 (12:46):
People now go to YouTube and Vimeo and fucking uh
Vivo and all you know, all those or they were
going to world Star for a second, but world Star
doesn't really necessarily do that like a YouTube. But it
got away from all that ship did and uh, you know,

(13:07):
but you're right, they're just gonna get absorbed into Paramount
and they'll they'll keep the film ventures going that it's
the station that is, you know, it ain't making up
no money.

Speaker 3 (13:18):
And the name doesn't make any sense anymore. Yeah, use it? Television?

Speaker 1 (13:23):
What use it?

Speaker 2 (13:24):
Do you have music on any of the the TV
that you you know, the programming that was a pretty
cool fucking thing.

Speaker 5 (13:32):
And people aren't even using TVs. They're watching it on
their phones.

Speaker 2 (13:35):
And tablets, laptops, folds, tablets, laptops. That's a song right there,
unless phones, tablets, laptops, pagers, pagers is reaching a little
further down the line, but I get it, you know,
it's part partly.

Speaker 1 (13:54):
It wk wock hokey.

Speaker 2 (13:59):
We're talking about the chirp phone the other day, how
they the Motorola fucked up and gave us those phones
way too early.

Speaker 1 (14:08):
They didn't realize the power of that phone.

Speaker 3 (14:11):
That was great that you could be because they took
that well, yes, they realized it too late though we
were already using it and realized the technology these motherfuckers had.
How beauty of it was that like you could be
in New York, yes, the nation wide. I wake up
or you wake up in New York and l like
what you're doing.

Speaker 1 (14:29):
I'm cute. It's five thirty in the morning. Here, what
the fuck it even?

Speaker 2 (14:34):
It didn't even get to a point where it worked
Overseas two.

Speaker 1 (14:38):
It did, Yeah, at the very end, at the very end,
before they fucking shut it down. It worked. I was
working in Mexico.

Speaker 3 (14:45):
Amount of dope dealing that must have been in it,
like enabled, Oh yeah, that's probably really why I got yes,
because that's not it.

Speaker 2 (14:52):
It's it wasn't airwaves that they could fucking tap. It's
like fucking walkie talking.

Speaker 3 (14:57):
It was different. It was like kind of like one
of those rolling codes. It was was like, you know,
as you're going across cry but like that was wow, bro,
three thousand miles.

Speaker 1 (15:08):
Oh shit, I'm gonna jump on the plane tonight, I'll
see you tomorrow.

Speaker 5 (15:11):
Wow of the best.

Speaker 3 (15:13):
Cush Yes, absolutely, I hate to sound old, but that
was kind of the era of the best.

Speaker 1 (15:18):
A lot of ship I'm yeah, a lot of a
lot of great music came in that time.

Speaker 6 (15:23):
I mean those flip phones, like I think it was
like a setup. They gave them to the drug dealers,
like here, we're gonna listen into all your mother.

Speaker 1 (15:31):
Yeah, but they couldn't. You couldn't. But you couldn't listen
to the chirp.

Speaker 2 (15:34):
You could listen to the conversation if they use the
cell phone part of the phone.

Speaker 1 (15:37):
And they couldn't tap into they couldn't tap into the chirp.
It's crazy. Yeah, they could walk talk.

Speaker 2 (15:44):
I would imagine today they could. With today's technology, they
totally could. But like fucking uh, you would have had
to have had like one of those what do they
call it, you know when you want to listen to
the police scanner type thing.

Speaker 3 (15:57):
It's probably there's probably the frequency These were probably very specific. Yeah,
probably wasn't undoable, But like I think they just fucked
up and didn't realize how quick motherfuckers were gonna catch
on it.

Speaker 2 (16:08):
And that that part was cheap, Like you could limited,
Yeah you could.

Speaker 1 (16:14):
Yeah, you could chirp someone cross cross countries.

Speaker 3 (16:17):
And minute world and count for a minute. And they
didn't count for no fucking minutes. That's why they realized
they were loser. We fought the future, we got a
glimpse of what the future probably is.

Speaker 1 (16:26):
Well, what are you doing? I'm in Europe.

Speaker 2 (16:29):
I would imagine whatever executive made that call probably got
fired because they gave us all like unlimited minutes without
knowing they were giving us unlimited minutes with the chirps.

Speaker 5 (16:39):
But I mean everything about that technology, the fact that
you were just clicking a button and talking to a
fool anywhere, you know what I mean. Yeah, if they
had the service and you.

Speaker 2 (16:49):
Had they had the service, and you had to you
were connecting.

Speaker 1 (16:52):
Yeah, if you had.

Speaker 2 (16:53):
Their ship, you had to like fucking you know, actually
go to their particular call number whatever, because it's not
the same as their phone number, effect their number and
their shirt.

Speaker 3 (17:05):
We used those ships all over the place. That's all
we Yeah, that's all we used.

Speaker 5 (17:09):
That was the reason why we had chal That was the.

Speaker 3 (17:13):
Era of we were so young and I was not
trying to be bored at home. If I was home,
my chirp. Where you guys? Where you guys at? What
year was that dude?

Speaker 1 (17:20):
When Hey?

Speaker 2 (17:21):
When we would caravan, bro, like are you know Sola Sazzines,
we caravan probably about like fucking twenty cars deep. It
was like a lot of us were like deep over here,
peep over there, eat, what the fuck are you doing?
You know what I'm saying When somebody wasn't driving right, man,
it was NonStop.

Speaker 1 (17:40):
We were gangster rolling like crazy dog.

Speaker 6 (17:43):
You remember when when you when was the first time
that you've seen somebody talking on the brick and it
was they was like there was like a fucking celebrity
or something like, oh man.

Speaker 2 (17:53):
I mean ship, one of the first motherfuckers I seen
where there was ice tea.

Speaker 8 (17:57):
Yeah, and that was like, oh Ship, I got into
a fight with a he cracked me in the one
yeahpresentative and they gave him a phone and the union
representative and I thought that was pretty wild, like this
fat ship.

Speaker 1 (18:10):
Oh yeah.

Speaker 5 (18:11):
Before that though, it had that little that little pack,
that little pack.

Speaker 3 (18:14):
Yeah, I'd like two orders of cancer please.

Speaker 1 (18:19):
Yeah.

Speaker 2 (18:20):
Oh yeah, they didn't they didn't have that technology down
at all.

Speaker 1 (18:24):
Yeah.

Speaker 7 (18:24):
When I used to work at Hot one of five
in Miami, they had it was almost like a suitcase
that had the head part of the phone attached to
the top with the cord.

Speaker 1 (18:32):
You had to carry the suitcase to this ship.

Speaker 5 (18:35):
Yeah, that's the old one.

Speaker 2 (18:36):
That's the first version. That's the very first version. That
was the corporate life that you've seen. Corporate motherfuckers like
my whole body is getting cancer phone yea corporate motherfuckers.
The drug dealers on the radio station. So we were like,
we're at the broadcast blah blah blah.

Speaker 5 (18:53):
You know the one built into the car.

Speaker 3 (18:55):
Yeah yeah, ro ro yeah Yeah, that's the ol G
right now, huh that was the in the eighties.

Speaker 2 (19:04):
That would you say, that's the decade of decadence and
opulence decadence for eighty yeah eighty something? Right, Oh didn't
I didn't. I know you came to the.

Speaker 1 (19:20):
Joy for the cocaine industry. I'm sure I know you're
a three pack son. A lot of deals going on,
a lot of deals. Yeah, those folds for sure. Bro.
If those folks could talk, and they did, and.

Speaker 3 (19:34):
They did talking all the shirt, somebody bring back the shirt, heya.

Speaker 1 (19:40):
Don't think they'll ever give us that back again.

Speaker 7 (19:42):
That's like JP Morgan when when Tesla was like, hey man,
I got free electricity, he was like, you.

Speaker 1 (19:48):
Could sabotage your motherfucker with those drink.

Speaker 2 (19:51):
If you want to make a motherfucker, look if you
wanted to make if you if you knew a motherfucker
was in the middle of an important meeting, you could
just chirp him.

Speaker 1 (19:58):
You're a piece of beep.

Speaker 6 (20:02):
How many phone calls they got that? Yo, come downstairs,
I'm here.

Speaker 1 (20:10):
Oh man.

Speaker 3 (20:15):
It was like it was like like verbal texting, yeah
kind of yeah, what he motherfucker?

Speaker 1 (20:21):
Yeah? What's up? Where you at? What you're doing? Because
you knew, motherfucker okay, hear it.

Speaker 2 (20:24):
What pissed me off board than anything was a motherfucker
that didn't have anything to say.

Speaker 3 (20:29):
They just chirped you and like, what's up? Well, chilling,
what's up you did you seeing what she was doing?

Speaker 1 (20:36):
Chirp these nuts? What that'sch this mother? Chirp these nuts? Man,
I'm working. Don't bother me.

Speaker 2 (20:47):
You know, most times, you know you're in the studio,
you're in the middle of a verse. If you forget
to turn off your phone, what's up?

Speaker 1 (20:54):
Brother? Like dog, I'm outside. That was the I'll tell
you what.

Speaker 3 (21:01):
It was cool that we had the ability to communicate
the way we did, but it was one of the
most intrusive fucking folds ever because you couldn't stop that part.

Speaker 2 (21:12):
You couldn't stop that part. Even if you put it
on vibe, it would put it would do the vibe thing,
but then you'd still hear them cut it through.

Speaker 3 (21:20):
It's really like it was the beginning of the loss
of unreachability.

Speaker 5 (21:26):
Yeah, That's what I'm saying that people was just blowing
you up because they knew you would hear it.

Speaker 2 (21:31):
Yeah, you would know you're getting ghosted if they didn't
answer that. Like you could call them and be like,
all right, let me chirp them chirp, and they fucking
chirp them. You know they got that one. That's the
direct line. It's almost like emergency line.

Speaker 1 (21:46):
Ship.

Speaker 2 (21:46):
There's no way they didn't hear that chirp because you're
talking out loud, like, yo, what's up. You know you
got ghosted when you did hear back from a motherfucker.

Speaker 1 (21:56):
It'll be I hear you in the back. Don't try
to act like you're not.

Speaker 2 (22:00):
Well, no you can't, you're a ship. But you know
they could hear you. That's what I'm saying.

Speaker 3 (22:04):
That's the thing, Hey, motherfucker, O doc like you don't
hear this. I know you know you're standing right there,
motherfucker say something.

Speaker 2 (22:12):
Like yeah, that's the no ghost phone, because the motherfucker
could keep hounded you till you respond.

Speaker 5 (22:21):
They did.

Speaker 3 (22:23):
Before that, even with the pages and all that, you
still were kind of unreachable.

Speaker 2 (22:28):
Yeah, and sky Page you had to wait. You know,
you could read the text or get the chirp and
all that ship. But still, you know, if a person
didn't have a cell phone or means to call back,
that person had to wait. But with them chirp phones,
there was no way. What was the pagers we had
where they would call the service and like a skypager skypager. Yeah, man,

(22:49):
the filthiest messages.

Speaker 3 (22:50):
I would sometimes and like imagine like you having to
say that, yeah a person, Yeah.

Speaker 5 (22:58):
That's all I'm saying. I was like, you have to
call those messages, you know, that's that's a keyboard.

Speaker 2 (23:03):
Yeah, that's pretty bold when you got a dirty message
in that time.

Speaker 3 (23:07):
Yeah, you're like it's like, you know, if you don't
know who to, could was it a guy you were
telling us to?

Speaker 1 (23:11):
It doesn't matter.

Speaker 6 (23:12):
That's because anybody could have picked up the operators were
the operation.

Speaker 2 (23:15):
It doesn't matter. That's the job got to type out
what the motherfucker.

Speaker 9 (23:19):
But I'm you gotta say it to so like another person,
I wonder how far back dirty telegrams go. They pretty
first one from the first one for the reason they
were invented.

Speaker 2 (23:31):
Yeah, hey, motherfucker's racked up some mean phone bills doing
that ship gotta tell you one of the homies far
mutual homies. Man, he was working at my studio and
he racked up a bill. My you know, I looked
at what my phone bill for the studio and I'm like,
how the fuck is this?

Speaker 1 (23:49):
We don't even use the phone here.

Speaker 2 (23:52):
And then we looked at the bill and it was
like a fucking eight hundred number, nine hundred number or
some ship like this, right, what are those number?

Speaker 1 (23:59):
Type of number? Right?

Speaker 5 (24:01):
I don't know what the bill was, but I definitely
had the nine seven six bills, got the got the speech.

Speaker 2 (24:07):
I was like, what hey, So so I called this
fucking number to see what it was, and it was
a fucking, you know, like a sex line type of
fucking thing, right, So I'm like, who the fuck is
calling on my fucking you know, using my phone calling
the sex right? So I fucking you know, I have
one of my people's called the company and say, hey, man,

(24:28):
I want to hear the fucking recording of whoever it was, right,
And the recording, yes, they had they record you, They
record your fuckery, right, So I get the recorded back.

Speaker 1 (24:42):
J Turner like fucking j T was all you could tell.

Speaker 2 (24:48):
He was lit like he was drunk and probably had
a couple of other party favors going on, and and
I can't repeat the shit he was saying. It's hilarious
and pretty fucked up at the same time. But I
was like, I'm like, hey, dude, what the are you doing?

Speaker 1 (25:07):
That was the realist.

Speaker 3 (25:08):
If you said you never caught the copra, I was
gonna be like, I'm my bad bro, how much true
I owe you?

Speaker 1 (25:13):
I caught him? I caught him? Yo.

Speaker 6 (25:15):
I used to have I used to have homies come
to the studio, straight to the studio start ordering dinner,
ordering beer, and all on the on, the thing on
the on, the on the group and the label and
all that, and like yo, I fucking bill at the
like yo, hey, that that's the worst. That's when we

(25:39):
was like, yo, we got it too. Motherfuckers is just
coming here. You have to pick and drink and funk around.

Speaker 2 (25:44):
You have to pay attention to ship like that because
your budget gets eating up real quick. And the motherfuckers
that were there the extras, you know, they don't and
then your boys, your boys, and they don't take that
ship into consideration.

Speaker 1 (25:55):
You know what I'm saying.

Speaker 2 (25:56):
But it all comes out the band's pocket one way
or another.

Speaker 6 (25:59):
I'm mean it was good. You know, it was good
in the beginning. That's you know, we was just happy.

Speaker 3 (26:04):
To be We were lucky like that because it was
only just us and each even at to each other's sessions.
It wouldn't be like a bunch of it would be
a couple of old guys from your hood or and
us or just be at our session hanging out.

Speaker 2 (26:15):
I'll say that's the credit I'll give to mugs though,
Like he made motherfuckers know that he didn't want no
extra motherfuckers at the studio. If you were doing something
you didn't belong there, and he would make you feel
that way.

Speaker 1 (26:27):
Hey, so what do you do it? Yeah? Check this out, Hobie.
Uh could you go.

Speaker 6 (26:33):
Chill out beating on sessions?

Speaker 1 (26:36):
The same thing.

Speaker 6 (26:37):
If somebody's open the door, they sticked ahead and we
stopped the music, Like, yo, what's up?

Speaker 1 (26:41):
What are you looking for?

Speaker 5 (26:43):
Now?

Speaker 1 (26:43):
All right?

Speaker 2 (26:45):
There's you know, people work different come right there, people
work differently there. There's motherfuckers that need people there because
they want a vibe they want onm Beyonce, And then
there's other people that are complete focused monsters. They don't
need the outside fucking noise to like get it off,
you know what I mean. So I find it interesting

(27:05):
in that sense because I've worked with so many they
got different techniques on how like or just different cultures
of how they get down in the studio, and I trip.
That's why I ask everybody, like, you know, what are
your sessions, like do you have people there? Are you
locked in by yourself? Like do you write at the studio?
What's your favorite place to write?

Speaker 1 (27:26):
You know what I mean?

Speaker 2 (27:27):
Because everybody has their own get down. Some people get
get it off anywhere anytime because they don't have the
hang ups.

Speaker 1 (27:34):
I don't need to be in a specific place.

Speaker 6 (27:37):
And best believe there are people like that that bust
into your room on some other dumb shit that really
they just want to hear what the fuck is going on?
Like I want to hear that new bust of rhymes.
Let me go in the room and whatever.

Speaker 2 (27:51):
You know, like yo, you know, have you ever had
a motherfucker come ear hustle your session and then the
next day, you know, they got something that sounds like yours.

Speaker 6 (27:59):
I've had that for sure. I think you've had INtime.
I know you sections of your career. Beef around that
well yours too. I've seen it a couple of kids,
a couple of days. We know, back in the days,
our ideas was like top secret, like nobody could be
in here, like you know, like be nuts.

Speaker 1 (28:20):
That's it. You're not with us, you know, you know.

Speaker 3 (28:24):
After the House of Paint and our like crew like
run like as far as whitey four records, man, I
kept it a couple of guys. Whoever's playing on it,
whoever's writing on it. Yeah, still and still drink a
little still, you know, laugh a little, still, play a
little you know, you.

Speaker 1 (28:40):
Know, ping pong and ship.

Speaker 6 (28:41):
I mean in the beginning, you gotta get it off,
get that out of the way, because now now we've learned, like, yeah,
that's we can't work like you.

Speaker 2 (28:50):
They probably like in the beginning days less you probably
had like homies there and now like you don't have
you don't have any just me and the engineer. You
an engineer. We because you don't need the distractions.

Speaker 1 (29:02):
But you could have homies there if you don't care
about time.

Speaker 2 (29:04):
If you don't care about day, or if if you
don't know the line, if they.

Speaker 1 (29:09):
Know the line and they're not distracting you from the work.

Speaker 5 (29:12):
Yeah, yeah, I mean especially that. But I'm just saying
like if you if if you're in no rush, right,
go ahead.

Speaker 1 (29:18):
But nowadays I want to get in and out.

Speaker 2 (29:21):
I'm saying like, if you're at your home studio that
you built and it's on your time, you could take
all the time you fucking want, because you know what,
you're charging yourself where you're not charging yourself at all, right,
but when you're in a fucking spot and you're paying
per hour, you ain't trying to waste no fucking.

Speaker 5 (29:40):
Time, pray whatever.

Speaker 3 (29:42):
Why I made this last record in Nashville and took
it back to old school studios.

Speaker 1 (29:46):
Not my own, nothing on my own.

Speaker 3 (29:48):
Put us on the clock every day, starting by certain time,
you know, eleven twelve, wrapping up by eight nine for
keep your lock in, keeping it at like, here's where
we got to get it done, and when we got
to get it done, let's get it done and it
locks in, you know, I mean, the only people go
around but the people who played on it and people
who were helping write it.

Speaker 1 (30:08):
Yep. And and it worked, you know. I like that.

Speaker 2 (30:13):
Yeah, I mean we've always had kind of closed sessions
with Cypress. You know, like mugs ain't letting nobody hear
ship till till you know what I'm saying, so that
that kind of like bleded to my other ship.

Speaker 5 (30:25):
It makes the most sense though, when it comes to
creating music, because really the reality is it's your music
until you release it. Because once you release it, it's
not yours anymore, right, it becomes everybody's. Everybody's now whatever
people gotta say about it, you feel about it.

Speaker 1 (30:40):
But you know what, but you know what, you're still
the first one to do that.

Speaker 5 (30:44):
Yeah, yeah, but that's why. But that's why you.

Speaker 6 (30:46):
Know, anything after this is yeah, but it's point really yeah,
but that's why you try to keep it to yourself
when you're doing it, you know what I mean, it's
yours while you're doing.

Speaker 5 (30:55):
You don't need all that other interjecting, you know from others.
Respected you're like, no, we're just gonna do this right here.

Speaker 2 (31:02):
Keep your ideas for your ship. But we're leading on
this right here, you know what I mean. But it depends,
you know, it always depends on what frame of mind
you're And you could be in one of those those
things where you're locked in and someone might suggest something
something to you and you might tell them to fuck off, right,
And then there's those times you might be like open,

(31:24):
they got you on an open space, right, You're like,
you know what, let me think about that.

Speaker 1 (31:29):
It's good to be open, but you know it can't
be like that the whole time.

Speaker 2 (31:33):
No, fuck no, you know I got those moments you
have to Yeah, you could have a moment like that,
but you got to be locked in. And sometimes, you know,
whatever your vibe is is what you create to be
there so that you could be the most creative or
feel loose and creative enough. You know, So you think
that's that's a bad thing. What I don't think that's

(31:56):
something I don't think. Well depends on who is suggesting.

Speaker 1 (32:01):
Yeah, because if you like your first time.

Speaker 2 (32:05):
If it's somebody who doesn't know know what production is
or whatever you know like that. I know, I'm not
trying to hear it from you. You know, like, why
why are you even saying anything? You should put some shakers.
But let's just say, you know you had another producer
in there, right, it's rappitable, respectable whatever you know like

(32:26):
that you respect and all that, And they say, hey,
what about this would you take would you take it
into consideration? Would you be or politely ignore the fact
that they.

Speaker 1 (32:37):
Shut the fuck up or the.

Speaker 6 (32:39):
Fuck out of here? Use that for you? I don't know,
you know, it really depends on the respect factor. Man.

Speaker 3 (32:45):
If I'm in if I bring you to a session
I'm working on and I'm playing something, you'd be like, hey, man,
I heard I heard this. I would absolutely listen to it.
Right if I agreed with it or not, I would
just that would come later. Yeah, but I would absolutely
take that. I probably sleep on it. Okay, let me
write my boy said that.

Speaker 2 (33:01):
Let me think about it, because what if two things
is happening there. One, Either someone really hears something and
they're saying, hey, I hear this, you should maybe listen
to that because they care. And then there's other motherfuckers
that listen to it with hater ears and they're telling
you something that just yes, yes, it depends on who

(33:22):
it is.

Speaker 1 (33:23):
Like even just sitting and listening some of the that stuff.
It was very minor stuff.

Speaker 3 (33:27):
But I've just out of nowhere and be like, hey man,
did you ever think about this little sound right there?

Speaker 2 (33:31):
You know?

Speaker 3 (33:31):
Yeah, like with the little k reference thing, yeah, you know,
by part it was like I didn't have any hesitation
because I know where I'm at and it's not gonna
be took like I'm fucking doing anything, you know, like
he's saying hater ish.

Speaker 1 (33:42):
Yeah, but there's a lot of cats.

Speaker 3 (33:44):
They could come into my room and tell me, hey, man,
I hear this, and I'll be like, oh, I respect
because you respect them.

Speaker 2 (33:50):
So I'm gonna think on that. Yeah, if you're a
new motherfucker in the studio that's sixty forty, I'm going
with my way. Yeah, but there's a chance I go
home and went to that motherfucker's right.

Speaker 1 (34:01):
Yeah. I mean what if what if your idea is
the million dollar idea or.

Speaker 3 (34:06):
What if their idea is the million dollar I always listen,
I'll marinate on it. That's my point idea right there.

Speaker 2 (34:16):
A lot of us started closed minded in the beginning,
like hey, fuck off, Yeah you know what I mean.

Speaker 1 (34:21):
But proved though.

Speaker 2 (34:22):
Yeah, we had to chip on our shoulder all the
way to get where we were going.

Speaker 5 (34:25):
But your way or the million dollar.

Speaker 1 (34:28):
Way, Yeah, what's it gonna be?

Speaker 2 (34:30):
Yeah, well, see, you don't know which one is the
million dollar way until you get there. Because like, even
they could have a million dollar suggestion doesn't mean you're
going to fucking meet the mark.

Speaker 5 (34:41):
You're both versions.

Speaker 3 (34:42):
Yeah, but it's it's about I found throughout the course
of my career is to be open, you know, and
and and not.

Speaker 2 (34:51):
Again, depending on who it is. Like Erik could come
tell me something, You could tell me something. You could
tell me something, He could tell me something. But if
some one new in our circle came and try to
tell me some ship, be like, and you've.

Speaker 1 (35:05):
Done what.

Speaker 2 (35:07):
You know what I'm saying, Like, where are your credentials at?
You know what I'm saying. Show me what you've done
to be able to interject in a circle right here
and say to this man or that man or that
man how to do his fucking part. You just chill
and be glad you're there and catch the experience, absorb it.

Speaker 1 (35:28):
Yeah, you know what I mean.

Speaker 6 (35:29):
You can't be in the studio with doctor Dre and
be like, yo, yo Dre, what about that high hat
right here?

Speaker 1 (35:35):
I need some mocas. Oh you can, but you're gonna
find your way out.

Speaker 2 (35:40):
He's gonna look at you. That'll be the last time
you're in a session with you.

Speaker 1 (35:45):
Won't be there much longer.

Speaker 2 (35:47):
Hey, yo, Dre, would what about to put up that
high hat? Oh yeah, and then the next thing, you know,
you're the fuck out.

Speaker 5 (35:55):
He never might not even hear some words. It might
just be a button. That dude just waiting for the button.

Speaker 3 (36:05):
The doctor Dre hologram that for that you're interacting with
for the rest of the evening.

Speaker 1 (36:09):
It's like a villa that's to get him the funk
out buzzer, like a Bond villain. The floor opens up
and shipped and swallows a trap door. Yeah, trap door.

Speaker 6 (36:23):
It's a trap door into the moat.

Speaker 5 (36:27):
Drops.

Speaker 6 (36:29):
He's gonna he's gonna give you the he's gonna give
you the escort. This card to the hand. I would
love to see some ship like that. And then he's
got a trap door.

Speaker 2 (36:39):
Hey, could you just move a little to the left,
perfect and then the fucking trap door into the moat.

Speaker 1 (36:44):
Yeah, he's like, could you say I got something just
for that? I got Hey, that was a great suggestion.
Can you move just a little to the left right there?
Right yeah, right there?

Speaker 5 (36:56):
I have that ship set up on a keyboard, so
let play you this part.

Speaker 1 (37:00):
Yeah, it's like.

Speaker 5 (37:06):
And I gotta hit a little MIDI command to the door.

Speaker 1 (37:08):
Bo.

Speaker 6 (37:09):
We need a kazoo in that, We need a kazoos
Oh fuck, that would be fucking hilarious.

Speaker 2 (37:22):
Man, there's a whole lot of a whole lot of
ship that would be amazing.

Speaker 1 (37:27):
Yeah, I want you know.

Speaker 2 (37:32):
You could see that in a movie, right that There
was something like that, And it was that fucking Bond movie.

Speaker 1 (37:40):
It was.

Speaker 2 (37:41):
It was danak Royd was in it and Digital Underground
was in it, and.

Speaker 1 (37:45):
Uh what was that movie? What they had the video all?

Speaker 2 (37:51):
Yes, same song, nothing but Trouble, Nothing but Trouble. Yeah,
movie speed Trap Town or something yea. And he had
a trap door like a syphilist, dan akroy It was
a gloss right, there's that right, it was it was.

(38:12):
It was a pretty gross movie and certain points it
was pretty fucking weird. Bro that movie.

Speaker 4 (38:17):
Yeah, big stars with.

Speaker 1 (38:19):
Them Google and them pictures. Man, nobody should reanalyze that.

Speaker 3 (38:23):
Was that like some hidden messages about the fucking their
little cult.

Speaker 1 (38:30):
All that.

Speaker 2 (38:32):
Yeah, Jim Candy is with his family going through that
town and they get in the speed trap.

Speaker 1 (38:37):
Right, I think that was the premise, right, John Candy?

Speaker 2 (38:40):
Sorry, like dan akroy Yeah, he's got good photos. But
Google's like not Google be is mad at dan Akro.
They pulled out the just they'd be doing him dirty.

Speaker 5 (38:53):
That was not good. Hell Wood was not looking great.

Speaker 1 (39:00):
There we go, all right, that's better. Here we go.
Was that a pigeon?

Speaker 6 (39:04):
Those were picks from that movie?

Speaker 1 (39:08):
Keep your eye on this barrel, choch on the pigeon.
Keep you're on the pigeon. Keep your eye on the cut.

Speaker 4 (39:16):
Nat.

Speaker 3 (39:17):
That's right, nothing but trouble. It was Chevy Chase, not
John Candy. That's right. I think John Candy was in it.
He was definitely in it. He plays to take one
of the sheriffs or cops or something like that.

Speaker 1 (39:29):
I've never seen that one.

Speaker 5 (39:30):
I need to check that out.

Speaker 1 (39:32):
It's weird. You might dig it, though you by dig it.
I'd love a Steph analysis on it. Honestly.

Speaker 2 (39:39):
I finally watched that, uh that that Diddy doc. Yeah,
the fifty one. I watched the whole one, Yes, the
very very new one. It's called the Reckoning.

Speaker 1 (39:51):
What you're talking about?

Speaker 2 (39:52):
More like it's a bunch of shit we've heard, but
with some extra ship, you know what I'm saying, kind
of like painting this dude, and and and where he
started and what he became and and and what's crazy
is that like a lot of the footage they got
his footage of did he having a video crew following
him around like you know, because he's he like with

(40:15):
him that he was always trying to get every moment
right and he could arrest and and they're talking about like, yeah,
like days before his arrest, like a week before his arrest,
leading up to the arrest, and you know, he's talking
to people talking about how we got to spin this,
we're losing and all this other stuff. And then it
it has interviews from people that that he that he

(40:38):
fucked with in life, you know, like and it's all
based off facts. It's it's not anything that's like uh,
rumor or hearsay type of ship. It's pretty fucked up.
It paints an even worse picture of dude.

Speaker 1 (40:53):
Yeah, it's a dirty game.

Speaker 2 (40:55):
The producers, the homeboy what's his name was it, little something?
What was his name? There was a producer that that
he brought under his wing, Little Rod. His story is
fucked up. So is Aubrey Audrey O Day on the Dock.

(41:16):
Her story was fucked up because, like you know, someone
had to tell her that the ship happened to her.
She didn't even know. She got druggs, walked, someone walked
in on it. It was like a like she didn't
she didn't know till this person told her that this
is this happened to her. And this was a person

(41:38):
who was dating one of the one of the other
guys at Bad Boys. She came to see him and
walked in the wrong room and and saw this ship
going on. Like she was totally you know, like fucking
drugged out of it.

Speaker 1 (41:53):
And it's a trap. Yeah, yeah, it was.

Speaker 2 (41:57):
It was fucked up. It was a fucked up perspective, bro,
And it is what it is. But he did a
lot of people dirty man, dirty yeah fifty. You know,

(42:18):
you know this this is a get back for him.
It's a nice it's a nice little get back for him.

Speaker 3 (42:24):
You know what I'm saying. I feel like it was
a gift to him practically, you know what I mean.
It's like it's it's all he did was produce it.

Speaker 2 (42:34):
You know what's crazy is that the pattern that that
did he had was that, you know, there's a guy
that he may not get down with, he wants his chick.
He's gonna have that chick, whether he's got to buy
her or do whatever.

Speaker 1 (42:48):
He got.

Speaker 2 (42:49):
And this is like every chick that he was fucking with,
he he took from someone else, like straight up took.

Speaker 5 (42:55):
Him power corrupts, y'all.

Speaker 2 (42:57):
Yeah, because he could and he already had his you know,
his like queen, his wife. He at the tilt, meaning
the house, you know what I'm saying.

Speaker 1 (43:09):
And he was.

Speaker 2 (43:12):
Like he was like taking taking these these dudes chicks
left and right. Cassie. He peeled from some dude. Uh,
he he peeled uh, what's her name?

Speaker 6 (43:26):
The blonde from from Yeah, you'll be sure, Well that
was that was his main main one he peels from
I'll be sure, the receptionist. And I think he peels
one he peels uh, the Hilton chick from from uh
from Eric sermon.

Speaker 1 (43:47):
Is that what he did?

Speaker 6 (43:48):
That why they got and he and he peeled one
from fifty, Oh ship, you know what I mean.

Speaker 1 (43:54):
And this is like a thing he does. I just
think it.

Speaker 3 (43:58):
Really really really bothered fifty when dude said he would
take him shopping and he hasn't never forgotten.

Speaker 1 (44:04):
Oh well, well that's part of it. But like.

Speaker 2 (44:08):
Listen, I already know about you. Well, there's more to
the story. There's more to this story than that. Sure, no, no, no, no,
trust that there was more to the story than that,
because you know the chicks that he peeled some of
the women that he peeled off of, these other guys
he's filmed, you know, with the sex ship, I would

(44:30):
imagine all of them, right and other homies drilling. Well,
he's in the back, you know, doing what he's doing,
and you know that's the commonality that is the ship
that to me, Yeah, wow.

Speaker 7 (44:46):
Well there's like literally people are posting online like it's
it's a measure of revenge. They're like, on a scale
from zero to fifty cent, how much revenge do you think?

Speaker 2 (44:55):
Yeah, it's all the way I'm gonna make I'm going
to make I'm gonna make videos of me fucking your
ex chick, and I'm gonna make videos of guys me
watching guys fuck your ex and let this kid out.

Speaker 3 (45:10):
Yeah, what about I'm gonna make the videos of your
empire crumbling to the ground and.

Speaker 2 (45:15):
Put them Well, that's what's happening now, Yeah, that's what's
happening now. That was the karma that happened to him
because of all the funck shit.

Speaker 3 (45:22):
But how does he get the footage of Diddy's own
footage of him running around town?

Speaker 2 (45:27):
Well because, okay, so the videographers when they hit him
with the invoice at the end, he didn't want to
pay it, so fifty paid it. That's a mistake and
he couldn't. We like, how is he gonna pay it?
He's in jail too, you know what I mean, like
that all his money is going to lawyers at this point.
He ain't paying no videographers. And they were like, oh wow,

(45:48):
that footage up for grass.

Speaker 3 (45:49):
You would have to know that though, like they were
in a privy to conversations with your lawyers, and they
probably called it said somebody please up that fucking hundred
grand to these people for me.

Speaker 1 (45:59):
They might have called him and said, hey, we got
this footage.

Speaker 2 (46:01):
If you I don't know if you're doing anything with it,
but we got this footage, I'll pay for it.

Speaker 1 (46:07):
Bang crazy. It almost seems like he's part of it.

Speaker 2 (46:12):
His kim him listen, him wanting to film all the
ship was part of his his undoing. I mean, he
fucked himself. And then in the story and in the
In the documentary, it says he got this wanting to
film himself with these chicks from dude, that it was
from Harlem. What's his name, Alpo? Because al Po used

(46:36):
to like film himself banging.

Speaker 6 (46:39):
And play it at the club or something and play
it in front of his boys and ship like that,
and so you know he was trying to like compete
with dude.

Speaker 2 (46:49):
This is where he gets that ship from. Apparently that
that's the story that was told, but who knows.

Speaker 1 (46:55):
I believe it. Watch this. I'm sorry, Babylon fit fall.

Speaker 6 (47:01):
If that was a poor, poor choice of words, excuse me,
my bad, but not really.

Speaker 2 (47:10):
Sorry, not real, sorry, not really. Today's National Pastry Day.
Let's get on a whole different subject. You know what
I'm saying. I don't mind different different cream feelings.

Speaker 6 (47:23):
You know, every time I every time I go to Europe,
I gotta hit the pastry shops at least once.

Speaker 1 (47:33):
They got some good things out there, you know.

Speaker 5 (47:36):
Yeah, man, I'm gonna enjoy me a nice butter croissant.

Speaker 1 (47:43):
I heard there was a croissant cologne. What why would
you want a cryssan? I heard that.

Speaker 3 (47:53):
Every one of those looks delicious. I would try each
and every one of them. I don't like fruit, and
I don't so that tart would be out the window. Well,
I don't you know, maybe the cinnamund I would not
try that cran.

Speaker 1 (48:06):
Brewlet one looks kind of ridiculous.

Speaker 3 (48:08):
I like it, I love it, but yeah, anything with
fruit on it, I kind of can't scrape the fruit
off and I'm fucking with it.

Speaker 1 (48:14):
There you go. It's also I don't like fruit. I
just don't get baked in the ship. Right. Yeah.

Speaker 2 (48:20):
It's also National Christmas Card Day, so I'm saying, go
get your Christmas card on man up.

Speaker 1 (48:28):
Ship is a round the corner. I just got my
Christmas tree. You just got your tree.

Speaker 2 (48:33):
Let me ask you, guys, this is it more convenient
to get a plastic tree than go fuck yourself and
go get a fucking you know, a regular tree?

Speaker 1 (48:44):
A tree? Really? You, of all people, real tree? Huh?
I mean it smells good. Now you want to smell
that pint in your house. I don't give a fuck
about this. You will when it smells good.

Speaker 6 (48:56):
Assistic fibrosis. It wasn't good for her to have like
that moisture or in the house. So we've always went with.
For me, I got jars of weed. It smells better
than that tree.

Speaker 1 (49:05):
Yeah, I mean it's been the same tree for fifteen years.
Looks amazing. You don't see for me? How about you
stuff too? I'm down with our official tree you I like.

Speaker 7 (49:17):
I mean, the convenience is obviously nice to just pull
the shit out of the closet and throw it up
every December.

Speaker 1 (49:22):
But I do like what cycling like.

Speaker 2 (49:25):
I get that part you don't like it's nostalgic because
we all grew up with real trees before these plastic
fucking they started coming up.

Speaker 1 (49:32):
But terms of clean up plastic tree all the fun.

Speaker 5 (49:36):
I don't even care about the mess. It's the fact
that that thing could potentially burst into flame if it
gets too dry.

Speaker 3 (49:43):
And also these these huge fire alleys that are in
throughout California where the certain parts of the mountains have
these sections that burn, just like places that are just
replenishing with these trees that grow every was it take
four to five years one to grow a normal Christmas
so but there's stages of them growing all around California.

(50:05):
So those burn like that, you know, I mean, there's
it's there's those environmental problems with it, hence light up
like a Christmas tree, Like I said, you know why
that comes from. No, it's light up because of the lights.
But I mean Christmas trees when they're dry, they will
fucking and.

Speaker 1 (50:21):
They will dry out if you're not doing anything. Yeah,
you have to.

Speaker 2 (50:24):
You have to put water in that fucking retainer on
the That's kind of a crazy hustle, we know.

Speaker 3 (50:30):
Anyways, it's even sold. It's for the kids, but it's
a guilt trip on all of us if we don't
do it.

Speaker 2 (50:37):
Fortunately, you know, we're we're rocking that plastic tree man. Yeah,
I like that, you know, like, you know, yeah, sure
we don't have the pine tree smell. But again, if
I want to smell some good weeds, if I want
to spell some good trees, I'll just open up on
my jars.

Speaker 1 (50:55):
Up or yeah, you know what, strap a few buds
underneath inside of that thing for the season. Plastic tree
weed smell though, Like yeah, wow, awesome. I like that.
You should have like a weed tree in your house
that would be put lights on it. Big weed tree.

Speaker 10 (51:12):
It's more trouble than it, you know, it's there.

Speaker 3 (51:16):
It is.

Speaker 2 (51:17):
Again, I could just open up five of my best
jars and we're good to go. We'd be like, close
the jars up the weed. The house smells like weed.

Speaker 5 (51:26):
It's only the fire hazard part that that I have
an issue with. Yeah, anything here, anything else, I don't care.

Speaker 3 (51:31):
Fire hazard clean up my blast memory of it was
all there is is. It's worse cleaning up every needle
you have dropped along the way.

Speaker 2 (51:39):
Yeah, my ship is my ship? Is that part clean
up and fire hazard to me? Both that you know,
it negates them. Not that you wouldn't have that problem
with the plastic tree, but you probably have less of
a problem with the plastic less of a problem.

Speaker 1 (51:53):
Word. It is also National loot Fisks Day? What exactly
that fish?

Speaker 3 (52:00):
Right?

Speaker 1 (52:00):
Yeah?

Speaker 2 (52:01):
I was gonna say it's a fish lutfisk, ludafisk, lutafisk
stead up, very healthy.

Speaker 3 (52:07):
It is very healthy. It's a nice white fish mine
that actually looks kind of tasty. It's a whack fish.

Speaker 5 (52:12):
Oh fish, get out the way.

Speaker 1 (52:18):
That's a good one, friend. You know my you know
I like whitefish, but my favorite one is cod. You
know what I'm saying.

Speaker 2 (52:24):
It's the to me, the least salty of them, depending
how you make it. Oh my god, did you know
it is the birthday of Paul H. Landers from Ramstein,
born on this day in nineteen sixty four.

Speaker 1 (52:40):
Happy birthday.

Speaker 5 (52:41):
How how old is he?

Speaker 1 (52:43):
He was born in sixty four? Oh?

Speaker 5 (52:45):
I think he said he was sixty four.

Speaker 1 (52:46):
No, sixty one, he's three years away.

Speaker 5 (52:51):
That's the suave one right there.

Speaker 2 (52:53):
He's pretty, you know, he's he's he could tell. Maybe
he doesn't party too hard.

Speaker 3 (52:58):
Yeah, I was going to sixty one looking like looking good.
Maybe he drinks an inordinate amount of baby's blood. He
looks he looks good for sixty one. He's looking good
for sixty baby blood good to good to the DNA?

Speaker 1 (53:10):
Did you know?

Speaker 2 (53:12):
In nineteen sixty six, Cream released their debut album Fresh Cream.
As she said, purb, I gotta tell you, man, this
is one of the dopest three pieces in music history
right here.

Speaker 1 (53:29):
The sunshine on your love on that one? Or is
that another album?

Speaker 2 (53:34):
Or is that not Cream? Yeah, just that's not this album.
But yeah, it's it's it is Cream that looks old like.
This is probably their first Yeah, that might be their
first album. Yeah, look at that. It's forty listen. The
album running time is forty minutes and forty one seconds.

(53:56):
That's normal though, well like when you're trying to when you.

Speaker 1 (54:00):
These days, that's not normal. That was normal sixes.

Speaker 5 (54:04):
I mean, if three minutes is the song length of
a commercial song, right, you know, I mean ten songs,
that's thirty minutes. Yeah, you're only gonna get a forty
minute record if you start living outside of that parameter.

Speaker 3 (54:15):
I'll tell you right now. My album is seventeen songs.
It's under an hour. It's like fifty eight you did
shorter song. Yeah, that's what it is now. Yeah, I
mean yeah, intro, outro, bang verse, hook verse, bridge hook out,
eight bars out intro, intro, eight bars outro. You don't

(54:44):
even get a chorus?

Speaker 5 (54:46):
Course is the chorus course bridge out?

Speaker 1 (54:50):
Yeah? Just you know, just quick, yep. There's no one
way to do a song, but there is a way
to do a song. Hit him with that course right
off the top. Damn, you just come in on it.

Speaker 6 (55:01):
As long as there's a banger, it doesn't matter. True
that Bes had about a two bar songs. You got
you got long ass fucking intro. It's about sixty bars
of the versus two bars bars.

Speaker 1 (55:15):
And there's been punk rock songs that were like ten
seconds long, but we were.

Speaker 5 (55:21):
Clowning that one word? What where is uh? What's what's
the name of that group? That the two it's two
people and they just did one white.

Speaker 1 (55:31):
Strip on white stripes.

Speaker 6 (55:32):
Yeah, bomb, that was it. Oh yeah for that one.
That's the shortest show in the world.

Speaker 1 (55:38):
That was the show.

Speaker 2 (55:39):
That was it went it went into a Guinness Book
of World Records as the shortest show in the world.

Speaker 1 (55:46):
They went up there, counted the three what two? Three?
That was it?

Speaker 3 (55:50):
That was it.

Speaker 1 (55:53):
They had a bunch of people out there. I'm going
to say how many people an audience? There was an audience.

Speaker 2 (55:59):
They probably thought they were actually going to play longer,
but they just played the one note and fucked right off.

Speaker 3 (56:05):
I wonder how long after walking off stage they had
to wait before they could come back and it'd be
considered another show.

Speaker 2 (56:14):
I mean, it would have to be twenty four hours. Yeah, tomorrow,
it would have to be twenty four hours.

Speaker 3 (56:18):
Sometimes there's two shows in a night. Yeah, what's the
waytime in that two hours? What would they went there?
What would be the waytime? What would be the waytime?
A few hours? Three hours? Okay, that's that's feasible. That's
what I'm saying. So maybe those people, and I'm not sure.
I'm just saying I would like to think they were

(56:39):
a three hours we'll be back right keep you know
what I mean. That crowd got to figure out what
to do for three hours the dinner set. Look, look,
here goes there for dessert. I wonder if they even
did come back, they might not have Oh okay.

Speaker 5 (56:55):
There it goes, so's over, haha.

Speaker 1 (57:03):
Jokes on you, Jack. You know what, As the crowd,
it probably feels good to be a part of this
epic moment. Yeah, you know what I'm saying. So if
you're it was then if you're a white, if you're
a white Stripes fan.

Speaker 3 (57:19):
See how big it is behind them. But it looks like,
you know, oh they got fans, man, I know they
got fans.

Speaker 5 (57:27):
It gives me an idea too. And I gonna say
it because.

Speaker 1 (57:30):
It because if you ever try it, it's too easy
to do it. Word up like Jack White, you could
tell us off the air. Did you know he's badass?

Speaker 3 (57:40):
Bro?

Speaker 1 (57:40):
Jesus, did you know?

Speaker 2 (57:44):
In nineteen sixty eight, on this day, Brian Bell of
Weezer was born. Happy Birthday, Brian Bell weasel the weasel
like we do, word up sue to Weezer.

Speaker 1 (57:58):
Yeah.

Speaker 2 (57:59):
And did you know in nineteen seventy two, Trey Cool
from Green Day was born? Oh shit, Happy birthday, Trey.
You'll like this be there he is l e that's right,
that's right, that's right. Galaxy man has a falcon. Yeah,
it's a falcon. It's a falcon to Bolton. Don't you

(58:21):
ever call it a falcon to Bolton. He's gonna call
it a falcon falcon. I don't know what's his fulcon problem?
Folking around folk going on.

Speaker 5 (58:33):
Knowing where they come from and seeing them now I
can say it's fuck yeah, man.

Speaker 1 (58:36):
You know what I mean. That's right, that's right. I
love seeing a success story like that, folcon day, right,
all right?

Speaker 2 (58:45):
Did you know in nineteen ninety one pmb Rock was born,
Happy birthday, pmb Rock and rest in peace.

Speaker 6 (58:54):
Oh yeah, that's a cat. They caught it out there
at Rosco's right.

Speaker 2 (59:03):
All right, salute to everybody out there, Thank you very
much for being here with us.

Speaker 1 (59:09):
We want to say, if you haven't smashed that like yet,
what the fuck is your problem? Smash it? You know
what I'm saying.

Speaker 2 (59:19):
Do us to fave us, smash it, subscribe to the channel.
If you're not subscribing, this is be Real TV. We
do The Doctor Green Thumb Show live Monday through Friday
two pm Pacific Standard time, five Eastern on the start.
You know, not necessarily a podcast, but it does go
on podcast form on Apple Music and Spotify, and on

(59:40):
Apple Music we are in the top fifty. So salute
to y'all out there for making us part of that
top fifty. Push us to number what. You know what
I'm saying, let's go, but let's love to all y'all
out there. Make sure you leave a comment and review
if you are on any of these platforms listening to
the show. But you can always watch right here on YouTube, Twitch, Discord,

(01:00:06):
Kick and X. You know what I'm saying, watch that ship,
Watch that ship. Now we're gonna open up the doors
to the insane Asylumn. That means, y'all, if you've got
to comic question, shout out, suggestion, breathe it out, welcome,

(01:00:26):
good less.

Speaker 1 (01:00:30):
Lup.

Speaker 4 (01:00:30):
He's asking, yo, so be real. Have you thought about
the Cypercell Christmas album? What do you guys think I've.

Speaker 2 (01:00:36):
Thought about it? Then they're gonna get done for this
Christmas for sure, but maybe next year.

Speaker 4 (01:00:44):
We got Amanda fo saying isn't it a trip today?
That baby's born today will never know what a landline
phone was like, or television as well, yeah, saying it's wild.
He's also saying, I called a sex hotline in elementary school.
My mom kicked my ass for days.

Speaker 1 (01:00:59):
I bet she it. You got that well deserved, as who.

Speaker 6 (01:01:03):
That's why it's important to school your kids. Man, keep
schooling them. You know you got they won't they'll they'll know,
don't run up the phone bill in less than what
don't run up the phone bill.

Speaker 4 (01:01:17):
Oh, I bet kids got their asses kicked for that.

Speaker 3 (01:01:21):
Our asses kicked for quite a bit as youngsters, a
homie everything. If it was out of line, you got
one warning. What you then it was what sounded like
you said, don't make me turn around?

Speaker 4 (01:01:36):
Would you get like the belt or did they have
like a like a like one of those paddles that
hit you with.

Speaker 3 (01:01:41):
Or would hands what mom would use a shoe or
a broomstick or like wooden spoon in the kitchen.

Speaker 1 (01:01:51):
Whatever was nearby.

Speaker 5 (01:01:52):
Yeah, the closest available.

Speaker 1 (01:01:55):
That was projectile. Yea throwing it. It was a shoe.
It's certain, it's certain house.

Speaker 2 (01:02:00):
There was variations of value of how you got your
ass what by the individual parent, you know what I mean.

Speaker 1 (01:02:09):
My moms used to take that slip off and whacked
swacks that ass. I remember.

Speaker 3 (01:02:15):
I remember around thirteen the first time gave me like
a whooping with the shoe, and like I kind of giggled, like,
oh this is funny, all right, And it was wait
till your dad get home.

Speaker 1 (01:02:28):
From a different story, father lean did to it. It
was trauma sentenced, all right.

Speaker 4 (01:02:33):
Next, Darren is saying, I wasn't a big MTV fan,
but I always waited for BET's Rap City.

Speaker 1 (01:02:39):
Yeah, rap City was dope, Rat City. The Box that
was dope too. That was a big one.

Speaker 4 (01:02:48):
Aaron is saying, you know MTV went from Beavis and
Butthead to Viva Labam to teen Mom. What happened?

Speaker 1 (01:02:54):
Too many things happened, you know when the Box was
on too.

Speaker 5 (01:02:58):
It was on when m TV was at its biggest levels,
like music video wise, the Box was running right alongside it.

Speaker 1 (01:03:06):
Yeah. We you were paying what like a buck of
videos maybe three bucks? I think the calling in nine
in it. I was going on the phone bill.

Speaker 6 (01:03:17):
I know, I know.

Speaker 2 (01:03:18):
Record companies had a small budget to like just have
people be calling for the videos all day for fucking
you know, when new records came out.

Speaker 1 (01:03:30):
For sure makes sense.

Speaker 2 (01:03:31):
They didn't just rely on fans to say, oh I
want to hear that ship the no programmer request. They
had teams requests. They had teams calling those motherfuckers up.

Speaker 6 (01:03:40):
That sure was crazy. When your mom's I will see
the phone bill and ship and see that ship. You know,
when your moms will see the phone bill.

Speaker 1 (01:03:49):
Oh yeah, that was that. That was og texting too though,
because it had the messaging I.

Speaker 3 (01:03:57):
Won't lie, dude, when jump Around was up on them, motherfucker,
I'm requesting the ship out of it on your mother's
time I lived, jump Around was a good record at
this point. Now I also did it and I see
days though. Yes it was on my mom's bill because
that was on the box too.

Speaker 5 (01:04:17):
That's what I'm saying with teenagers, that's the box was
competing within for years.

Speaker 1 (01:04:24):
Well they were.

Speaker 2 (01:04:25):
They were playing music videos and that was the only
commonality because realistically the box was like you know, pay
to get your It's like video juke box. Ship right
where MTV was playlist programming type. Ship in the box.

Speaker 5 (01:04:42):
You knew you were going to see your your favorite
video was likely on right now if you put on the.

Speaker 1 (01:04:47):
Or you could pay to get it on. You know
it was it just request right, you could pay to
get it on, and that became the new ship.

Speaker 5 (01:04:56):
Man.

Speaker 1 (01:04:57):
You gotta have a video?

Speaker 6 (01:04:58):
Was that?

Speaker 1 (01:04:59):
That was rough Donny's Yeah, video music box. So loop
loop all right?

Speaker 4 (01:05:05):
Next, uh Loopy again is asking questions for the table.
Does anyone sing Christmas songs when nobody's around or do
you like to listen to it on the radio?

Speaker 1 (01:05:14):
No, I don't, DMC one, not really. I do. I
sing all kinds of shit to my kids. That's different.
I put on the Christmas stuff. Yeah, there is item.
I think the question was when you're alone, all alone?
Oh no, I would like to get into the spirit. Yeah.
I drive around singing the weather outside is I could

(01:05:36):
hear that. I believe. I believe I could totally hear it.

Speaker 10 (01:05:41):
Not it s now, let it snow, let it and
then you hear the sniff, get they get the yeah, yeah.

Speaker 1 (01:05:54):
All right.

Speaker 4 (01:05:55):
Bam is saying social media sites are banned for people
under sixteen and Australia starting today. Facebook, Instagram, x threads, kick, Twitter, Reddit, snapchat,
TikTok YouTube but not YouTube kids.

Speaker 2 (01:06:08):
Yeah, yeah, I heard about that this morning. That's wild.
I mean, well, you know all the fuck shit, it's bad. Yeah,
I'm just saying it's wold. They see Australia be doing
some shit, they just be I don't we don't like this.
Let's try not doing it that they would happen under
sixteen no access.

Speaker 5 (01:06:28):
And they also know that Australians are trapped on an
island and they could do nothing about it.

Speaker 6 (01:06:34):
They're going stuff. They're not trapped. They live there, They're
not trapped. No, they can fly wherever the fuck they
want to go. They could move when they want to move,
if they could afford it.

Speaker 2 (01:06:48):
I guess if if you wanted to move off the
island but you didn't have the money to do so,
then you could be considered trapped.

Speaker 6 (01:06:55):
But if you live in Australia, you kind of got
it made. You don't need to. Yeah, Australia is kind
of dope.

Speaker 1 (01:07:02):
It is kind of dope. Yeah, yeah, that's what I'm
saying this.

Speaker 2 (01:07:08):
Yeah, I mean, listen, we got certain freedoms and all
that stuff, and it's beautiful some of the freedoms we got,
but the cost of those so called freedoms is very expensive.
And with all the crazy ship happening all over this
fucking place, if you if you're living a place where
not so much fuck shit happens, that's that's the place

(01:07:31):
you want to be. Those spots not a lot, absolutely right,
because fun ship is happening everywhere.

Speaker 1 (01:07:37):
It's everywhere.

Speaker 2 (01:07:40):
Unless you're in some remote spot that no one's touched yet,
and someone will eventually.

Speaker 1 (01:07:49):
There. There's there's things there. We just don't get to
see them. I don't want to go and see him. Yeah,
all right, what else you got?

Speaker 4 (01:07:57):
Maybe steps upset because Katy Perry and just and Trudefici.

Speaker 2 (01:08:01):
In Hey, listen, I saw Pedro was pissed off at
that too. He wanted to get Katy Perry pregnant. But
you know now it's justin Trudeau. Sorry, fed man, I
just keep looking and say, it's not real, dude.

Speaker 3 (01:08:15):
This reality sucks. That's all I was about to say. Man,
give a funk about either one of those. But it's
just like this is just so dumb.

Speaker 2 (01:08:23):
Well, look, it is dumb that we have to know
about it, right, I mean, who gives it? God bless God,
bless them important? It is exactly why is his face?

Speaker 1 (01:08:33):
This is? This is her Listen, you want to know
why it is. I want to know why it is
because she wants Orlando Bloom to see this right here.

Speaker 6 (01:08:44):
Aveelick, yes, because other than that, who gives a fuck
you didn't see ship with her Orlando Bloom all over
the fucking place.

Speaker 1 (01:08:55):
I believe what you're saying.

Speaker 2 (01:08:56):
That's definitely believable, right, It's more likely yeah, because I
mean usually pop stars are on her level. They want
the cameras the fuck out of here. I don't want
you to know what my private life is like. This
is all to say that Orlando. Yeah, look, I'm with
him now.

Speaker 1 (01:09:12):
But how you like that?

Speaker 2 (01:09:17):
Because before everybody was like, Orlando Bloom is single, he
can have any bitch in the world.

Speaker 5 (01:09:24):
She didn't trade up.

Speaker 1 (01:09:25):
I know she didn't trade up. Steph. She's just trying
to show she still got it.

Speaker 4 (01:09:29):
She kind of did. He's the he was the Prime
Minister Canada.

Speaker 5 (01:09:34):
Was he ain't now or never again?

Speaker 3 (01:09:37):
It doesn't matter respect. I'm just saying it's like hold on,
hold on, hold on hold marriage he's hold on, hold on,
I'm gonna reel that back in. Hold the fuck on.
He's he's a dude of notability and notoriety. He held
a powerful position, and obviously she don't give a fuck

(01:09:59):
that he's not holding this position no more.

Speaker 2 (01:10:01):
She's fucking with him. Whether she fucks with them really
or not. This is all a show for Orlando.

Speaker 1 (01:10:08):
It's performative part. Absolutely, I believe that. Yeah, that's all
I'm saying. Stuff. God bless, I know you see it.
But it ain't important doctor greent thumb, No, it's not.

Speaker 2 (01:10:18):
It ain't important to that. It ain't important to the
high fly that's fucking flying around here neither. He don't
give a fuck about that story.

Speaker 5 (01:10:27):
Man, she could have she could have played with Orlando's
emotions with someone else, though.

Speaker 1 (01:10:32):
But that it wasn't married. I thought he was married.
What did he divorced for her? I don't know. I wrong. No,
I think he was a single dude. He might have
been a single dude. Wow, good for him. Failed politician though.

Speaker 2 (01:10:43):
Well, I do know that there's at least five guys
in the studio jealous of that.

Speaker 1 (01:10:47):
Is it failed? Though?

Speaker 3 (01:10:48):
If you made it to the championship, won it, and
then just lost it the next round. Yeah, I get,
I mean when you put it like that, No, but
wait who lost? What he was the prime Minister? As
they're saying up, is he still no? He'd like no,
he turned out I believe. Oh yeah, he so like
he had to not he couldn't run again.

Speaker 2 (01:11:10):
He's really not, you know, I think at this point,
even if he could run again, there was people not wanting.

Speaker 1 (01:11:16):
Him to run again.

Speaker 3 (01:11:17):
I'm just getting angrier at myself that I'm still talking
about those two humans. Well, you guys keep going on.
We got more over here. Hey, speaking of which bolt
were they?

Speaker 4 (01:11:28):
I was gonna say, were these the sky till pagers
you guys were talking about earlier?

Speaker 1 (01:11:31):
Yes, yes, yeah, the ones with the messages right there
on the screen.

Speaker 3 (01:11:36):
Somebody would call an operator the service and they would
pick up and you would give him the number like
you're like four digit or whatever code that was yours,
and they would say what's the message, and they would
verbally tell them they would type it and.

Speaker 1 (01:11:49):
Send it to you.

Speaker 6 (01:11:50):
This like like this was a step up from the
page from the regular beepers. Yet, so if you had
the sky the skuy thing. He was kind of balling.
You were coming up a little bit. This guy got
paid for he got Yeah, it's like one hundred and
fifty because the beeper just beeped and showed a number.
This one typed in a little miss.

Speaker 1 (01:12:10):
Nervous and on it. But in the height of our
runs of like touring, this is what that would come up.

Speaker 5 (01:12:16):
This was those things that was the precursor to the
rim which became the BlackBerry.

Speaker 1 (01:12:22):
Basically, yeah, true, that all right, all.

Speaker 4 (01:12:26):
Right, Jacobin Here he's saying he sent an email at
seven in the morning saying, I've listened to the album
Dynamic Duos by Eric Sermon at least four times in
the last two days, and I cannot stop dancing to
the song. How do you know?

Speaker 2 (01:12:39):
Straight Well, thank you. I appreciate that man. You know,
I try to put out good work on anything I do.
And the fact that a hip hop legend like that
invited us on, I mean his checklist for me. I
love DPMD coming up as as everybody did at this table,
and we considered them legendary. So I just tried to
step up from my man and Eric Sermon, and you know,

(01:13:02):
salute to him and congratulations.

Speaker 4 (01:13:06):
He's also asking them, I just ordered my twenty pack
of insane o G seeds. Can't wait for them to
put my seed junkie rower skills to the test. Question
for be real, will Barney Farms receive more doctor Grentham's
seed genetics?

Speaker 2 (01:13:19):
Yeah, yeah, in the future that there are some pretty
fucking dope flavors that are about to pop off.

Speaker 1 (01:13:25):
So you know, be checking.

Speaker 6 (01:13:27):
Yeah.

Speaker 4 (01:13:28):
Since I was asking, can you guys kind of talk
about like your daily diet routine, Like do you guys
like to eat early in the morning, do you wait
till lunch? Do you guys have a lunch? Do you
guys eat dinner? Like what do you guys like to do?
Which they're like your diet?

Speaker 2 (01:13:41):
Uh, well, my mind when I because for a minute,
I was fucking mad overweight. I think a lot of
us here have dealt with that. But I was always
working out, but my diet wasn't allowing myself to lose
the weight that I wanted in all the things right,
So I had to switch up, and I started to

(01:14:03):
have to eat more than what I thought I should
be eating. So I had to have something in the
morning three hours later, another meal three hours later, another meal.
It was very portioned out too, you know, like grams
of protein would vary from one meal to another, but

(01:14:26):
they'd be that consistent, and I'd have to count those
you know what I mean, the carbs, the vegetables and
the starch and all that shit. I'd have to like
portion them out and like eat three hours a day
like that to like start crank up my metabolism and
then putting the right shit, not eating a lot of bread,
not eating a lot of pasta and all that shit

(01:14:47):
and sugary stuff, which isn't so hard for me like that,
but yeah, I had to get I had to get
used to doing that. From where we came from at
the Rainbow every night, having one meal, a heavy one
on top of the drinks at the end of the night,
my fucking metabolism was crawling, right, But when I started

(01:15:11):
these different workouts, but most especially the diet, my metabolism
cranked up and allowed me to burn all that shit.
So what I try to do is is keep that
mentality when I was doing those meal preps and eat
similar to what those meal preps were, and you know,
sometimes maybe I'm just eating two of those meals and

(01:15:31):
having a protein shake of some sort to supplement the
third meal or even the fourth meal, because like you know,
at times I had four meals, but it just depends.
It was depending on if I wanted to be.

Speaker 1 (01:15:47):
Like four meals.

Speaker 2 (01:15:49):
Yeah, but they're all but they're all portioned out. It's
not like you think. It's not like having four big
ass plates. It's it's very different. I went with three,
but when you really want to burn, you could go
with four. But one of those four is the shake,
you know what I mean, Like you have three portioned
out meals and then that shape. But you know, I

(01:16:13):
try to keep consistent with that, and they're watching the
ship I'm eating. I'll have a cheap day like a motherfucker, because.

Speaker 1 (01:16:18):
You know you need one.

Speaker 6 (01:16:20):
You're humans say you're supposed to eat the three meals
a day, Like the real ship you're supposed to eat
is like three times a week.

Speaker 1 (01:16:29):
I don't know if you want to be fucking shredded.
I don't know about all that, but you'll be shredded.

Speaker 3 (01:16:35):
You like if like ain't like anthropologists will tell you
ancient man eight because they were not catered to in
a consumer lifestyle that they ate three to three. Maybe
four times a week with a good week. Like once
they did, it was like a good day. Like it's
kind of like the other animals, the whole well people.

Speaker 1 (01:16:57):
Yeah, people have evolved from that time and now because.

Speaker 3 (01:17:00):
You can do that, I'd say, like for me, I've
never had success like adhering to any like particular thing
of like get rid of this or that or the other,
except sugar. Like for the most part, once I stopped
really doing the Coca cola and all that out of
my life, things got a lot better for me. And
then I would have a very small like snack or something,

(01:17:22):
but eat a decent, good hearty meal somewhere around the
early dinner time songs. I mean it was within you know,
after four hours after that was no food and you
go to bed.

Speaker 6 (01:17:33):
You just can't have food in you while you when
it has to be like that. Yeah, Like I was
going to say that it was a program we got
put in. We was born into. You know, we gotta
eat three meals a day. That's a program that we
was just born into. Rockefellers orchestrated that one.

Speaker 3 (01:17:53):
But there's even in minute fasting where you eat every day,
but you just only okay, you can only eat between
these Pacific hours and the rest your day.

Speaker 2 (01:18:00):
Is to I could tell you like this, right, I
had to wrap my mind around eating that much in
a day because like I was again, I was used
to eating the one time, but I wasn't burning anything
that like. And I had been working out the whole
fucking time. I mean, I've always traded. You know this,

(01:18:20):
you know this, but I could not burn it.

Speaker 1 (01:18:23):
You're saying this came after the.

Speaker 2 (01:18:26):
Yes, and I went on a specific diet portioning out
all that shit like throughout the day. That's exactly why
you did that. And I'm telling you that the time,
the work that I was put putting in, I hadn't
burned any fat. Like I got stronger and all that shit,
and I got in my my my endurance was there,

(01:18:48):
but I wasn't burning any fat.

Speaker 1 (01:18:50):
Right.

Speaker 2 (01:18:51):
I got on a scale and I looked and I
was like, fuck, I'm around the same, still the same. Wait,
fucking pop the diet off. And I did it with
consistent and see I went got meal prep so that
I didn't have to do it because that is a
fucking pain in the ass. But I did that shit
for a good a year and I dropped all that
fucking weight within like six months. I started dropping because

(01:19:14):
of that frequency. So there's something to that I can't
argue about. Hold On, I can't argue about what you
guys said earlier that men used to be living off
of three meals a fuck a week.

Speaker 1 (01:19:26):
But you know, shit is different now, you know what
I'm saying.

Speaker 3 (01:19:29):
No, but what happened was from that era when we
did that, and we ate so such heavy meal, so
late at night went home and crashed the fuck out. Yea,
our bodies started storing fat, stored the fat, and so
it didn't it didn't use the fat because we kept
feeding the body anyway, so it would just use that fuel.

Speaker 1 (01:19:48):
But we kept storing fat. So your engine changes.

Speaker 3 (01:19:51):
And what they did with that is when you eat
that often and it's smaller meals, getting your enginees starting
to learn to use this right well, and then when
you do go to sleep, it starts to burn.

Speaker 2 (01:20:02):
Well, what's what's happening is that it's cranking up your metabolism.

Speaker 3 (01:20:05):
Yeah, so that while you're in some of the fat
reserves and you actually at that point losing weight in
your sleep.

Speaker 1 (01:20:12):
I swear to God, I did not believe in it.

Speaker 2 (01:20:14):
I was like fighting against the diet thing because I
didn't think it was, you know, it would work right.
And you know, my trainer was like, when when's the
last time you got on a scale. I said, oh,
I'll get on it today. And I fucking looked at
my weight and I was like, oh, man, I'm at
the same weight. Are you doing the diet? No talk
to me when you're doing the diet. And so then

(01:20:36):
I said, fuck it. You know I like a challenge,
you know, That's how I lived by challenges, and that
challenged me. So I said, fuck it, I'm gonna get
disciplined on this ship and do it. And once I
did it, I started noticing the drop. And it wasn't
like I was eating less. I was actually eating more,
but it was what I was eating and how I

(01:20:58):
was eating, and a psychle of it, you know, like
the portions that I ate probably could have been one
plate for us at night, you know what I mean,
Like like what we were talking about, we were eating
one plate at night and then going to sleep with
that and having like our bodied process that store fat
from it. The equivalent of what we would probably eat

(01:21:18):
is what I ate throughout the day just portioned out.
So like, let's just say my first meal was six
ounces of protein and four ounces of this green, this
vegetable that car next meal eight ounces of protein or
whatever ounces I believe its ounces, right, Yeah, eight ounces

(01:21:44):
of protein and then four ounces of each thing again.

Speaker 1 (01:21:49):
And it's that process the only thing.

Speaker 2 (01:21:51):
Everything else is staying the same, but the protein is
varying from you know, more than less than more than
throughout the day.

Speaker 5 (01:22:01):
But that goes to what less is talking about, Like
you only eat three times a week, you know, because
you know on those you could get away with three
times in a week if those three meals were in
like massive, Yeah, yeah, because because really it's good to fast.

Speaker 1 (01:22:16):
You could.

Speaker 6 (01:22:17):
Yes, it is good to fast, there's no doubt about that. Yeah,
twenty four ills itself. Yeah, a twenty four hour fast.
It only seems difficult if you never do it, but
if you're doing it with regularity, twenty not eating.

Speaker 2 (01:22:31):
For me is not hold on, let's just be one thousand.
Fasting is what we were doing all those fucking years
we were at the boat. Because did you eat breakfast
or lunch?

Speaker 5 (01:22:41):
That's right?

Speaker 1 (01:22:42):
Did you know that? Did you?

Speaker 6 (01:22:43):
Oh?

Speaker 2 (01:22:43):
You weren't there, but I never eat breakfast. I didn't either.
It was that one fucking meal for those eight years.
So yes, you could do it. Is it the healthiest
thing for you to do it all the time? No,
it's not.

Speaker 1 (01:22:57):
I mean, look how much weight we piled on doing
that and that was still right. Yeah, but doesn't matter.

Speaker 2 (01:23:03):
I was still training, you know, I could have been
burning that off, but it didn't burn that way because
our metabolism was not up to speed, especially at our ages.

Speaker 1 (01:23:13):
I was working too slow.

Speaker 5 (01:23:14):
I would advise people you could just throw an eighty
twenty percentage at every single thing you do in this
life and you're going to be golden. So you know,
eighty percent proteins and fats and vegetables and stuff like that, carbs,
keeping carbs down to the low, the lowest percentage.

Speaker 2 (01:23:32):
I can only speak with what worked for me. You know,
everybody's got a different get down. You know, some people
will say, well, you should do the diet this way
or that way, or your diet.

Speaker 5 (01:23:42):
Your diet is lifestyle dependent, based on your lifestyle.

Speaker 1 (01:23:46):
You got to do what works for you.

Speaker 6 (01:23:48):
Tell them, like Mug said, do that on your fucking diet.
Make your own fucking diet, your own fucking dit.

Speaker 5 (01:23:56):
If you're doing a lot of you know, heavy intense work,
you're gonna need more calories. Period.

Speaker 1 (01:24:01):
Yeah.

Speaker 5 (01:24:02):
If you're not going to be if you're not going
out and you're not working hard today, you're not gonna
be busy.

Speaker 2 (01:24:09):
Keep it light, go fucking track, be at the studio
after not eating for like two days.

Speaker 1 (01:24:14):
See how that goes? All right? Next you tell mister
Miagi over here. All right.

Speaker 4 (01:24:25):
Next you tell hawk Is saying I had two mac
ribs for lunch today and feel great. Guys, there we go.

Speaker 1 (01:24:33):
Oh you might as well just crush him with that,
or did you false catch it?

Speaker 5 (01:24:40):
I thought I saw him flying around your hat just there?

Speaker 1 (01:24:43):
It is all right, let's not focus on him, Let's
keep it moving. He's laughing.

Speaker 4 (01:24:49):
Tony's asking a table. Have you ever worked with or
met Carlos Mendez a k A D J. Charlie Chase,
No doubt I met. I met him one time in
New York.

Speaker 1 (01:24:58):
I have not Chase. It is my brother be.

Speaker 6 (01:25:01):
He's like a mentor to me, you know, like one
of the first Latino. Yeah, he j is holding it
down like here, you know, and and and this this
was a black sport and and it's like real rare
to see a white dude or a Spanish dude. So
these guys was holding it down back in the days
when well, I mean he was first generation doubt so,

(01:25:24):
I mean that's first generation hip hop in his time.
That's a Latino in the first generation.

Speaker 1 (01:25:29):
That's what I'm saying. That's all the fuckers could never say.
We wasn't here from the beginning. It was everybody's sport,
all right.

Speaker 4 (01:25:38):
Uh, Derek is sin rest in peace to ah Raul Malo,
lead singer of the Mavericks.

Speaker 1 (01:25:44):
All right, rest in peace? Bro Damn all right? Did
you listen to the Mavericks Bolton.

Speaker 4 (01:25:56):
I don't know who they are.

Speaker 11 (01:25:58):
I would have thought you would have known who there.
I don't only to look into them. We got Nick
and here saying, well, the new second release, Strain in
the Collection with Barney's be available in America soon. That
is the plan, Meddi And here's asking DJFM. Any projects
in the works at the moment.

Speaker 7 (01:26:18):
Uh yeah, Actually, I've been working on something for a minute.
It's just kind of hard to round up the team
I'm trying to put together. But it's kind of a
dream project. For me, where I'm featuring my beats and
all kinds of different musicians you know from from MC's
the singers, and the music varies is you know, people

(01:26:38):
know that I've always done hip hop and rock, you
know what i mean. So it's a mix of those
two things and in a I think in a very
unique and different way, you know what I mean. So
I'm hoping to put it out next year sometime, you
know what I mean. I'm taking my time with it,
making sure I got all the right people behind me.
But yeah, that's that's like a dream for me, and

(01:27:00):
that's what I'm on right now, kind of compiling the
music for it as we speak, being bomb bing bomb.

Speaker 4 (01:27:05):
Ray Pretender saying, back in the day, my pops would
have MTV music videos running in the morning while I
got ready for school. Now there's not a single music
video station.

Speaker 2 (01:27:14):
You gotta go to YouTube. Just play it on that
that run where it just plays perpetual style. I mean,
that's the only way, ind that seems to be it
so far. Word, thank you for your super chats. We
appreciate you much love. If we see more as we

(01:27:36):
are going, we will pop them up be but right
now We're going to get into submissions, so let's hold
on to that time.

Speaker 12 (01:27:45):
Time for submissions, Time for submissions, submissions be real, TV,
Doctor greethamb Show, Time for submission subsis.

Speaker 1 (01:28:06):
TV, Time for submiciousious.

Speaker 4 (01:28:13):
All right, all right, all right, we got her homegirl,
Rachel from San Diego. Show it to her. She's a
huge Cyper sil fan and Depthtones fan. And another big
shout out to Steptone and the Depthtones thanks for a
phenomenal event and experience. I did they lost Depth Tones
in San Diego. Her fifteen year old son River is
a huge fan and had the experience of a lifetime
and he even got to go crowdsurfing with his dad

(01:28:35):
right in front of you.

Speaker 2 (01:28:36):
Oh shit, all right, risky behavior again, steph Tone. The
way that ship was set up out there, man, that
ship was incredible. Yeah, that was dope from everybody's video
footage that I got a chance to see.

Speaker 1 (01:28:50):
Yeah, that ship was rocky. Hmm from the way from
the intro all the way into the stadium.

Speaker 7 (01:28:55):
Dude, it was all decked out with sick as dealing
on hornless stuff.

Speaker 4 (01:29:00):
Awesome, bro, we got fly beats in here. He's saying,
got some cranberry, orange, white chocolate bread pudding or sugar
and butter on top. Oh wow, okay.

Speaker 1 (01:29:16):
I could dig that. Hmm. I was trying. I'll take
a little bit, Hey, buddy, drink white bit.

Speaker 2 (01:29:24):
That's uh, white chocolate, white chocolate, white chip, the white
chocolate chip.

Speaker 1 (01:29:33):
That looks good.

Speaker 13 (01:29:34):
Yeah, it does, doesn't it? I mean the end, the
ending is the good part. Look that shit looks good.
Now just break me off one of them corners, right,
the corners?

Speaker 1 (01:29:47):
All right, all right, we got to m be up.

Speaker 4 (01:29:50):
And you're saying, yo, guys have a regular slice in
the Sicilian slice? Which one you guys choosing regular?

Speaker 1 (01:29:55):
Hey, I'm going regular? Why not both?

Speaker 2 (01:30:00):
I know, man, I like both, but the regulars, well,
the regular slice looks great.

Speaker 1 (01:30:05):
I'm really really hungry. I might throw them down.

Speaker 2 (01:30:08):
But if or you could cut the second slice in half.
You know what I'm saying, there's no rules.

Speaker 1 (01:30:14):
The original looks very New York. I must say, yeah, yeah,
well I really like the Sicilian.

Speaker 5 (01:30:20):
I should I should definitely say that I enjoy that
kind of pizza, But I always had to make it
a choice. I'm taking the big fat New York style.

Speaker 1 (01:30:29):
You gotta fold it in the middle. Yep, that's not
really fat. It's kind of thin. Yeah no, no, no
big slice. Yeah, I'm just talking about the big wide slice.
Yeah No. I like that.

Speaker 5 (01:30:39):
I like the good fold.

Speaker 1 (01:30:40):
That's good folding slices.

Speaker 2 (01:30:41):
It is a good folding slice of pizza. It's not
too thick. It's right there be I'm going left. I
like that they put all the ship on it too,
like I love the parmesan the s Yeah, and.

Speaker 5 (01:30:54):
It's only that style pizza. I'm ever gonna fold like
my favorite pizza Ramas I would. I've never folded a
slice of Rumbo's pizza in my life.

Speaker 1 (01:31:02):
Never will. It's not big enough to fold, and it's
way down with toppings. I lifted up. Shit's all falling off.
Are you like? You like the works? I like the
word okay, I see all right.

Speaker 4 (01:31:14):
Next one, Mike, and you're saying, yo. G Eazy came
out with the perfect, perfect jacket for Sun Doobie.

Speaker 6 (01:31:20):
Thank thank you, thank you, thank you. And then the
front should be I apologize, and on the sleep it
should say ooh that's dope. Then and then on the
other sleep ha ha.

Speaker 1 (01:31:34):
Remember.

Speaker 4 (01:31:36):
Og to saying yo. Finally received my copy of Temples
of Boom. I only say that because I saw someone
in the Czech Republic submitted that they got their copy
before me, and I'm in Paris.

Speaker 1 (01:31:47):
Did that hurt you? Well? You hurt we we I'm sorry.
Was this re released?

Speaker 2 (01:31:55):
Yeah, because it's the thirty year anniversary of Temples of
full Yeah, I see it on the Wow bang bang
bing bang.

Speaker 1 (01:32:08):
Bing bang Nail, I'm strong and that he's relentless. Need
him to land, all right.

Speaker 4 (01:32:18):
Jason in here saying I ran across this on DJ
Quick's post. He's asking them be real. They were giving
you a hard time on the weakest link. Yeah, I know,
how did you get on that show?

Speaker 1 (01:32:33):
Like?

Speaker 4 (01:32:33):
How did they?

Speaker 2 (01:32:34):
I don't know how we did that one? But yeah,
they asked me what was three times four? Yeah, they
asked me multiplication. I got mixed up with addition.

Speaker 1 (01:32:45):
Plus. That was not high. It was very sober.

Speaker 4 (01:32:49):
Oh yeah, n he was on there.

Speaker 1 (01:32:52):
He was pissed off at everybody.

Speaker 2 (01:32:54):
Why because everybody was against him because he was he
was actually smart, he was getting everything right, all right.

Speaker 4 (01:33:05):
Midche Mike, And here he's saying, Yo, Colton got a
new award. I guess I got a new Award. We
got a porn Hub's Award Awards the first user to
reach a million videos.

Speaker 1 (01:33:13):
Watch.

Speaker 4 (01:33:13):
Wow, there, I am got my right, arm Ald Jack.

Speaker 1 (01:33:19):
We got that quag Mark. That's the best.

Speaker 4 (01:33:25):
There we go shout to you guys, thank you, thanks
to the hub. Ha and we got this one sent
in as well.

Speaker 7 (01:33:34):
Well.

Speaker 4 (01:33:34):
The Home Alone series really took a twist. We got
Home Alone, Home Alone, two, Lost in New York, Home Alone, three,
Home Alone in HD, Home Alone, The Holiday Heist, and
Horny Mom's Home Alone with their Dildos.

Speaker 1 (01:33:48):
I was waiting for that. It's a lot of home alones.
I was waiting for that one to come.

Speaker 4 (01:33:53):
Got to watch that on demand though. Oh yeah, that's
another thing I think about all the time, not the
horny mo.

Speaker 1 (01:34:05):
Yeah, sometimes I think that. I guess you everybody, that
was easy.

Speaker 4 (01:34:12):
But that's like another thing we were talking about with
the hotline. Thing you guys growing up with, like paper
viewer on demand, You guys could just do that at
your house and then your parents would get the bill
a month later, like pay per view.

Speaker 1 (01:34:21):
The last thing you were thinking about was a bill.

Speaker 5 (01:34:23):
You didn't even think about the bill till you got
shouted out you're like, oh damn, there's a boot.

Speaker 3 (01:34:29):
If you were weird enough, you tried to see the
point between the lines of the scrambled stick.

Speaker 5 (01:34:36):
Right there, just getting the knob, just turning it on
the TV, like right in between him.

Speaker 1 (01:34:42):
Damn, finally got him. Good. That dude was relentless man,
unless he's got a home. All right, thanks.

Speaker 4 (01:34:53):
I got this message in here super chat from Derek
saying Raoul Malo was a Cuban American country singer.

Speaker 3 (01:35:00):
Yeah, bro, yeah, that was from the picture we saw
Mavericks of the Mavericks, sorry, the group called the Mavericks.

Speaker 4 (01:35:14):
And the Georgian here saying, yo, I was thankful I
got my revenge on Thanksgiving Day, big show to l
a f C beating Vancouver.

Speaker 1 (01:35:23):
Mm hmmm is that real? No, No, that's not real.
No one got twenty three in the game.

Speaker 2 (01:35:36):
That's wishful thinking. There, that's a wishful think right there.

Speaker 1 (01:35:40):
That's a I.

Speaker 5 (01:35:42):
They were lighting them up this one after another. They
were flying in the net.

Speaker 2 (01:35:47):
I mean, I mean, you're you're you're you're a Carcion fan, Bolton.
You should know what what would that?

Speaker 4 (01:35:55):
I don't watch soccer.

Speaker 1 (01:35:58):
Bone likes the gals, you don't know what you're missing. Well,
you know he was trying to ride with Ray for
a time, you know, just you know, I still am
riding with Ray. But you watch football?

Speaker 4 (01:36:09):
Yeah, yeah, football?

Speaker 1 (01:36:11):
You know baseball football.

Speaker 4 (01:36:12):
Baseball gets a little during the World Series, Yes, but
baseball gets a little too. It's a little too slow
to watch on TV.

Speaker 1 (01:36:18):
You're like the basketball.

Speaker 2 (01:36:21):
You're riding with Ray, Ray, it's a new show, Bolted
and Ray Riding with Ray.

Speaker 1 (01:36:28):
Bolton likes hockey.

Speaker 4 (01:36:30):
Hockey's pretty dope.

Speaker 1 (01:36:31):
Yeah, did you play hockey back home?

Speaker 4 (01:36:33):
I know how to ice skate. Me and my friends
would go down to like the ice skating rink and
play hockey. But I did not play in like high school.
Like my high school didn't even have a hockey team. Wow,
we were too small.

Speaker 1 (01:36:42):
Oh, I see you didn't have enough playoffs. Yep, all right,
all right, next balls.

Speaker 4 (01:36:48):
Mahony in here saying, look what I can watch at
the office right now on the.

Speaker 1 (01:36:53):
On the forklift.

Speaker 6 (01:36:54):
Don't get distracted, dude, don't watch you fucking nobody up
on that four cliff.

Speaker 5 (01:37:00):
Come on, I gave him internet on the on the
pork cliff, Come on, go wash it.

Speaker 1 (01:37:06):
All right, all right, all right, you know what, you're right.
I'm not gonna fight that, all right.

Speaker 4 (01:37:11):
Alex from Dallas and Yo, here's the bro sick jacket,
an everlast from eight years ago in cow Town in
Fort Worth, Texas.

Speaker 6 (01:37:19):
Jack right, I got that jacket right there in my closet. Yeah,
that's Eric was eating well, Eric, you been eating I
was eating well?

Speaker 1 (01:37:30):
Right there?

Speaker 2 (01:37:31):
That was the one meal of night Eric, right there,
of the night shot right with the fucking with the
you know, whiskey.

Speaker 1 (01:37:38):
Along with it, the two in the morning KFC.

Speaker 3 (01:37:41):
I believe that's the homie Alex, I'm mistaken, yeah, or
pot By's chicken.

Speaker 1 (01:37:47):
Oh man.

Speaker 7 (01:37:48):
We stood in line for this barbecue place he took
us to. They put everything on like a piece of cardboard,
like a like a paper sheet. They pull outlate, waiting
in life for like four hours with the best barbecue ever.

Speaker 6 (01:38:02):
Man.

Speaker 1 (01:38:02):
You know, sometimes you got to sacrifice. Why not shout
out to him?

Speaker 4 (01:38:06):
But really though, Red Boy's saying a good morning, fam,
it's a snow day out here. He's saying, it's a
good morning for some coffee in a hash hole, So
keep them lit.

Speaker 1 (01:38:17):
Yeah, I mine green thumbs coffee. Ready already. Oh you
got that cream on top? I hope it's doctor Green thumbs.

Speaker 4 (01:38:35):
How's the coffee going?

Speaker 7 (01:38:36):
Ever?

Speaker 1 (01:38:36):
Last, what's that?

Speaker 4 (01:38:37):
How's the coffee going?

Speaker 1 (01:38:39):
Coffee?

Speaker 6 (01:38:39):
We're moving along, taking our time. We're selling coffee Walmart
and Targe buying. We're gonna keep selling.

Speaker 4 (01:38:50):
You guys, got the pods yet?

Speaker 1 (01:38:53):
Oh no, that's the next step.

Speaker 3 (01:38:55):
We actually just found a West Coast distributor for some
stuff that works in that helps us get the pods done.
I mean, the coffee is amazing. Try it in a Cordado.
That ship is the bomb. I had some one made
one for me somewhere. They had a bag and they

(01:39:18):
made one. I was like, oh fuck. It wasn't a
can at the studio. No, it wasn't here. No, I
mean over at Conway. Was it there somewhere else?

Speaker 1 (01:39:28):
What do you do if I.

Speaker 3 (01:39:32):
Like that?

Speaker 1 (01:39:33):
That's what you got?

Speaker 6 (01:39:33):
A Yeah, cream with the well you could put Yeah,
you could put that little coffee give yourself at you
know what I'm saying being bound.

Speaker 1 (01:39:43):
It's basically an espresso with a little shot of milk
in it.

Speaker 4 (01:39:46):
Yeah.

Speaker 2 (01:39:47):
Yeah, the flat white. I like the flat white, but
I liked corddo the best Macoto.

Speaker 1 (01:39:55):
It's cool. I dig it.

Speaker 6 (01:39:58):
With the cordado best m all right, that seems to
be it. Say what I said, coffee kind of so yeah,
I don't know about kind of sour. But I like
the coffees. I don't like regular coffee.

Speaker 1 (01:40:17):
I mean, if you.

Speaker 6 (01:40:17):
Fucking drink coffee, you know you gotta know your coffee.
You don't, I don't really fuck with I like the espressos,
you know what I'm saying, less water, less water. You
don't gotta trade places. He's gonna come to you, don't
go out of the way for it. Yeah, you know,

(01:40:38):
I like I like the coffees with the less water,
you know, like regular cup of coffee don't do it
for me. Yeah, you know, like I said, I gotta
have that really strong ship.

Speaker 1 (01:40:51):
You like black coffee or just.

Speaker 2 (01:40:54):
Drink black coffee like that, just you know, straight up espresso,
just because the flavor is different and and it hits different.

Speaker 6 (01:41:05):
I remember being in Columbia, they'll always actually get on
thin that's what they call them thing.

Speaker 1 (01:41:11):
Yeah. Yeah, you know.

Speaker 2 (01:41:14):
I got out to it through my mother because my
father did drink coffee at all, but my mother was
a coffee drinking person. She drunk the regular coffees, and
she drunk the espressos too. Yeah. Yeah, she taught me
how to make the Yeah, it's like the little phone, Yeah,
the little folk. Yeah, it's it's it's it's the other phone.
Because the machine sort of makes the foam with the

(01:41:38):
steam thing with the steam. But then this is the
sugary foam that goes on top of that that makes
it kind of creamy.

Speaker 1 (01:41:45):
Yeah. Yeah.

Speaker 7 (01:41:45):
You use a little stack of sugar, a couple of drops,
a couple of drops of it, and then you smash
it with a spoon until it becomes like a paste.

Speaker 1 (01:41:52):
Yeah, a little paste, a little brown paste, and.

Speaker 7 (01:41:54):
Then you pour in the coffee slowly makes it up
and it does that thing that, yeah, creates a little
foam on top of it. Is like people do it
to an art form with this type of shit, you
know what I'm saying. Yeah, rest in peace. I know
a few people that did still do that ship. But
since then, espresso machines don't even bother. Just put sugar

(01:42:16):
in it, the steam and the froth that comes from it. Yeah,
this is what it's supposed to look like right there,
That middle one, Yeah, that middle one, that looks crazy.

Speaker 2 (01:42:27):
Yeah, and that goes in your coffee so good, and
it's so good. It's basically sugar whipped up with a
few drops of coffee for you, but it will be delicious. Well,
I mean, you know, you don't want to be doing
that every day, you know what I'm saying. I usually
I usually drink mine without any sugar once a month,

(01:42:49):
drink right, But people drink that like that every day
every day, and as many and as many and as
many coffee as they have, they have it like that
every fucking time.

Speaker 7 (01:43:02):
In Miami, those little coffee that he has with the
window outside, and you see the old dudes going there,
they're there every day.

Speaker 1 (01:43:08):
That is like crack. It's like crack. They need that
first hit. Without that, the day is not gonna go right,
because it is cracked for sugar at the caffeine caffeine.

Speaker 2 (01:43:20):
Well, because well, no, it's it's it's it's the sugar,
for sure, But it's also a highly fucking concentrated dose
of caffeine, you know what I mean.

Speaker 5 (01:43:28):
So that part is not the bad part, No, that's not.
But it's addicting it's, yes, yeah, but not more than
the sugar part. No, the sugar part is way more
than that caffeine.

Speaker 1 (01:43:40):
That's why I used to drink my ship straight, no
fucking sugar. Oh, I mean yeah, because who fuck wants
coffee without sugar? I mean I I do it.

Speaker 3 (01:43:51):
I don't even funk with the sugar in there, like
I'll have it now and then a bit of sugar.
But if it's like if I'm out, I don't drink
it straight. I just drink it black, no problem.

Speaker 1 (01:43:59):
Oh damn. And you put this brand? Can you put
delicious green thumbs? Go buy something?

Speaker 2 (01:44:05):
Yeah, you could put honey in in that. Look it's
too much, bro, that is too much. That is like
diabetes in the cup.

Speaker 1 (01:44:15):
Yeah, it is you getting lit. God, Oh look at
let's see. Let's see the technique though. Let's see. I
just want to see the technique. That's not how you
do it, bro. You put the coffee in there and
then the Yeah, well they're doing it a different way.
Three quarters of the cup is healthy. See. This is
a this is this is a different style than what
we're talking about.

Speaker 7 (01:44:35):
Because there's no room to put coffee. Basically, the only
coffee you're getting is with this in that little stack
of sugar.

Speaker 3 (01:44:41):
This is supposed to be a cup of coffee. Yes,
that's a dessert right there. That's like, look, well look Brook,
that's crazy. This is this This is a different style
than what we're talking about. Its milk with a coffee frosting.
Well look, no, this is coffee. This is ground coffee
with sugar and and and milk. Right here, I'm saying, yeah,

(01:45:03):
but it's not like it's not it. They didn't brew
the coffee though.

Speaker 2 (01:45:06):
He whipped it with the sugar like we were talking about,
with a couple of drops of whatever he used.

Speaker 1 (01:45:12):
At least that's what it looked like.

Speaker 2 (01:45:13):
Look, okay, they used water, so it's water coffee, sugar,
and then they whip that shiit up.

Speaker 1 (01:45:21):
Oh, keep going, I see what they did.

Speaker 2 (01:45:25):
So look the way we're talking about is they do
it in one of those gotta's, right, and as it's
perking up, they take a couple of drops of the
coffee that's percolated out of the the the coffee maker, right,
and they put it a couple drops in the sugar
and they whip it up. Not quite like that with

(01:45:46):
the fucking egg beaters, but with the spoon. They whip
that ship up and it becomes pasty and brown like that,
and then you throw it in the fucking in the coffee.
This shit right here is a totally different style. It's
a variation of that because they're not brewing the coffee.
They're taking the ground coffee, putting water and sugar and

(01:46:06):
whipping it. Way different thing, but sort of it's sort
of the same. It's hot water, so they're kind of
brewing it, right. It's a flash, like a flash steam
kind of kind of. But that that looks crazy to me.
I would try that. I mean, you know, I don't
know what it looked like it was for a cold coffee, but.

Speaker 1 (01:46:26):
You ain't gonna have that one very often.

Speaker 2 (01:46:28):
No, you shouldn't know, all right, little bit, all right,
Oh we don't have a next step forgotten?

Speaker 1 (01:46:37):
You can, he tripp.

Speaker 2 (01:46:40):
That's his homie is as Homie came along and said,
I'm as Homie came along said I'm taking this place, motherfucker.

Speaker 1 (01:46:46):
You got to catch me. If you can't doing drive
by his verse homie right now.

Speaker 2 (01:46:52):
It's only because it got warm again. When it's too cold,
there's no fucking they're not to be seen in here.
But like when it gets warm and it's gonna be
a warm few days as these motherfuckers be around. They
like the weed smoke apparently.

Speaker 1 (01:47:08):
I always heard they didn't, but yeah, no I don't
apply here. No, you've we've seen it crazy. It ain't
never stopped him.

Speaker 2 (01:47:16):
I think I think we're actually huh, I would love
word up. We're gonna pop off a mix today. I
haven't you know there's a lesson. I haven't mixed in
a minute because you know, our schedule has been crazy,
but we're gonna pop off mixed today. So catch us
on be real TV too. Right, it's our other YouTube page.

(01:47:40):
If you forgot that is, subscribe to it. Get down
with some music. We're about to pop off. I don't
know what I'm mixing, but you know I'm gonna do something.
And uh, you know you could also check us out
on twitch. Be Underscore Real TV is also the place
to come hear us play some fucking joints. So come uh,
get down with the get down. And if you ain't knowing,

(01:48:02):
we got some new serial killer shit out there. We
got the s k Anthem and also the brand new
ship that's popping off right now, call the cops. All right,
I'd play you a snippet, but they would probably you know,
check me at YouTube for such things, so you know,
make sure you go check it out on all the

(01:48:23):
dreaming platforms and whatnot. But yeah, we're gonna get it.
That's this is what the cover looks like right here
for call the cops. You want to go look for it,
don't you this?

Speaker 1 (01:48:39):
You better move? Yes. Salute two exhibit Demrick Scoop Deville School.
What up baby?

Speaker 2 (01:48:47):
Much love to mabroks alight and uh with that man.
Salute to all y'all for being here with us on
the Doctor Green Thumb Show. Uh you could be anywhere
else in the world, but you're here with us and
that means everything, So salute much love. Spread that positivity
around and take care of each other. Everlast, you got

(01:49:07):
any shout outs, you know, just the general universe at large. Kindersday,
Go buy some Doctor Green Thumb coffee. Enjoy your holidays.
All my brothers at the table as usual. Pleasure to
be here. What's up y'all?

Speaker 1 (01:49:29):
Yeah, no doubt.

Speaker 6 (01:49:31):
Salute everybody on the chat line just hanging out with us,
just kicking it, the comments and all that. Salute the
whole Doctor Green Thumb squad everybody in the building. Also,
if you're on the IG, follow me at the new
cycle Less page the new cycle Less page because you
already know what it is. Also follow me at the

(01:49:54):
world's famous beat nuts and go to the website, Thecycleless
Shop dot com. We got some good things for the holidays,
and happy holidays, get ready for the mix real cycle.

Speaker 4 (01:50:07):
John Do says a salute to the OG's fifty one
fifties Beats and Bear Crew show to Ceaseless, thank you
so much for the super chat and hybrid Cipher, saying
show to DJFM, I like how you're so cool to
the fans.

Speaker 1 (01:50:20):
Oh shit, yeah, I mean I appreciate the fans. That's it.
That's all I gotta say.

Speaker 7 (01:50:25):
I experienced something with Psycho around that I had never
seen even in other groups, you know, like like legit
almost like a cult, deep deep thing.

Speaker 1 (01:50:35):
I mean, they brand themselves with that shit, you know
what I mean. So it's easy to show him love back.
So thank you.

Speaker 4 (01:50:40):
Shout the Insane Asylum show to Ray Morning Chef Film
show to the Dominator into Steph Tone, What's up?

Speaker 5 (01:50:45):
Shotta Mark Sargent, Karen B David Wise, fm B everthelast cycle,
Easy Sideline Crew, The Mormons, Bolton Ravae and Morningshot Films
Terarren Bellenhammer, The Dominator, Aton Pedro, Hoby Lopez. He's on Caliblaze.
All y'all in the Asylum. Y'all have a great week
and catch you'all next time.

Speaker 1 (01:51:06):
Yeah Man.

Speaker 7 (01:51:06):
Shout out to all my peeps on the on the sham,
I went blank, all my fifty one fifties and everybody
in the chat. Check out the mix b unless today
myself tomorrow same time right after the podcast.

Speaker 1 (01:51:20):
Always check me out on I G DJFM Underscore L
A B. In your hardest time to remember that God
is with you. Swallow that, Yeah, Rev.