Gene Simmons Testifies Before Senate, Old Lady Wanted by FBI, +More | The Dr. Greenthumb Show

Episode Transcript

Speaker 1 (00:06):
Disclaimer. This video, like all videos featured on the channel,
is definitely intended for mature audience. This videos, like Leasick,
the sampling language content is inapproriate Nights video. It's not
for kids. Welcome.

Speaker 2 (01:14):
Yes, you are now with the number one crew in
the area, The High Show, the World, The Doctor Green
Thumb Show.

Speaker 1 (01:19):
On a home day.

Speaker 2 (01:24):
We're live on Twitch, Discord, YouTube, kick x, the Homesite,
wwt B, Real dot Tv, and boof Tube. Welcome to it.
To my right, the first basement, trace newness back in
the place. Everybody was like, where is the syrup God
at You know what I'm saying.

Speaker 1 (01:42):
The last couple of weeks been a lot on my plate,
that's all. Yeah, like syrup Okay, eggs, eggs.

Speaker 2 (01:50):
We also have the illustrious Sun Doobie in the house.

Speaker 1 (01:53):
Sah huh huh.

Speaker 2 (01:57):
We have also the Mormons, the Sideline Crew, Bolton Blombo
and the Dominator.

Speaker 3 (02:04):
Yo yo, what up?

Speaker 4 (02:05):
Uh Mormons here. We've had better mornings and afternoons, but
we're here and alive. We're doing good.

Speaker 1 (02:10):
Yeah.

Speaker 2 (02:10):
I heard I heard about your Moan and your your Morgan,
heard about your Morgan.

Speaker 1 (02:16):
God. It was not a Gouden Morgan for Botanyo.

Speaker 2 (02:24):
We also have to concentrate king CALLI blade people.

Speaker 1 (02:28):
Yes, uh, you know.

Speaker 2 (02:31):
Bolton usually takes the train down here, you know, to
avoid all the traffic and stuff. It gets him here faster,
and then it's a little quick walk, you know, from
from his place to the station. And then when he
gets here, it's an easy you know, dip dip, dip dip.

Speaker 1 (02:47):
You know what I'm saying. But today not so much. Yeah.

Speaker 5 (02:50):
The testical difficulties, yes, yeah, testical difficulties.

Speaker 1 (02:58):
Uh do you care to explain Bolt?

Speaker 3 (03:00):
So I get to the tr I walk all the
way to Well.

Speaker 4 (03:02):
I wake up this morning and I'm like, you know what,
there's street sweeping tomorrow on Thursday. I better move my
car to a Monday side. Right, move my car to
the Monday side. Then I walk on over to the
train station, you know, a nice little twenty twenty five
minute walk.

Speaker 3 (03:15):
Steps, got my steps in. I get there.

Speaker 4 (03:17):
As I'm walking up the steps, the security is like, whoa,
WHOA station's closed for today. I'm like, what do you
mean the station's closed. He's like, it's station's closed. You
can go to Anaheim Street. That's the next train that
goes north. I'm like, well, my apartment's closer than Anaheim Street.

Speaker 2 (03:33):
You know, shouldn't there have been a notification to you
Long Beach. What do you guys call yourselves? You know,
like there's Angelino's, what are the long is it the
Long Beachians or something?

Speaker 3 (03:42):
Maybe maybe they say that I don't beat what beas?

Speaker 4 (03:45):
Yeah, the Beachians, beaches sons of the Beach.

Speaker 1 (03:51):
Yep.

Speaker 4 (03:54):
So then I had to walk all the way back
to my apartment, and then I had to move my
car from the Monday side. So I at home tonight.
I know there's gonna be no parking anywhere. Oh yup, yup, yup.
So then I had to drive here in traffic like
a loser.

Speaker 1 (04:09):
And what was what was the reason for the for
the station to be closed.

Speaker 3 (04:12):
In the first place, I don't know. He didn't even
tell me. I just turned around and walked right home.

Speaker 2 (04:15):
So being a white person in Long Beach don't mean much.
It doesn't help, but that put a damp for my morning.

Speaker 4 (04:24):
I was like, you know what, I can look at
the news on the ride home and everything, but nope,
had to pay attention in traffic.

Speaker 2 (04:30):
You got to find out you live in Long Beach.
What are you guys called? You know what I'm saying.

Speaker 3 (04:35):
I don't know that.

Speaker 2 (04:36):
I mean, I mean you're Angelino because it's La County, right.

Speaker 1 (04:41):
But.

Speaker 3 (04:43):
I don't know what.

Speaker 5 (04:44):
They call us a long Beachy and that I like
that a lot of little certain ring to it. Yeah,
and if you're the daughter, you would be a son
of a Beachy.

Speaker 3 (04:55):
And the long Beachers the long Beacher. It sounds lame.

Speaker 1 (05:00):
Yeah, I think the Beachians are better.

Speaker 6 (05:02):
Got a responsible I be canceled in six seconds.

Speaker 1 (05:05):
Don't do it. Don't do it. I don't want you
to get canceled. Don't do it, but give us a hit.

Speaker 6 (05:15):
It's the same thing.

Speaker 4 (05:17):
Oh, you almost shut the podcast down the other day
with that mellow man ace comment.

Speaker 7 (05:23):
Yeah, because again people told me I've been told I
looked like Denzel Washington.

Speaker 5 (05:32):
Oh man, that was good, that was I got it,
mellow mellow thought, get confused.

Speaker 2 (05:40):
For Denzel, but you don't. But you know, Kelly Blaze
brought that down to earth real snack and a step
of a.

Speaker 7 (05:50):
Figure barely finished the sentence like the joke. I was flabbergasted.
I couldn't believe.

Speaker 2 (05:57):
Listen In all fairness, people don't mistake Danzel for Danzel
these days, you know what I'm saying.

Speaker 1 (06:03):
True, he ain't the swave as he used to look.

Speaker 6 (06:07):
Yo, did you see Leo looks a little aged for once.

Speaker 7 (06:09):
I just seen him on the red carpet given an
interview about something he's talking about. I guess, like, you know,
younger people coming and he don't look bad. I feel
like I finally showed some age because you always look
like a baby.

Speaker 2 (06:20):
You know what I think is that sometimes because he parties,
and that is like a fact.

Speaker 1 (06:25):
My dude parties.

Speaker 2 (06:27):
You know, he's like he's like our generation's Jack Nicholson,
even though we have Jack Nicholson. He's the guy in
line to beat that guy next. Yeah no, No, that's
that's like, you know, he's that guy. Like there's times
where you know he's he's he's looking like Leo. That's

(06:48):
like the suave you know, lady killer Leo, right, and
then there's the the Jack Nicholson Leo. I don't give
a fox style that some of these guys went and
they get that certain age and they've accomplished all they
got and they got this money where they don't give
a fuck how their appearance is. You know he has
that every now and then, like you know who they

(07:10):
all got it from? Though, Right, This thing where as
you get older and you don't give a fuck about
you know, because you've done all this stuff was Marlon Brando.

Speaker 1 (07:21):
He was like the heart.

Speaker 2 (07:22):
Thrawbactor, the whole shit and could sing do the thing.
He fell off and then made a comeback with Godfather.
He did all the things that a great actor does.
And guess what he did towards the end. He truly
did not give a fuck, let himself go and become
this big dude, which he never was.

Speaker 1 (07:43):
He was always in shape.

Speaker 5 (07:46):
Let me ask you, do you think that that's something
that's like a sign of the career where you're focused
so much on that your entire life, it's everything. Well,
let you get to a point where you finally just
hang it up.

Speaker 2 (07:56):
I take at Marlon Brando's point where he stopped not
get even a fuck about his parents. Appearance was like
like you're you're if you're getting me, you're getting before
my talent, and this is what you gotta deal with.
If this is what it like In Apocalypse Now, he
came in way overweight, they wanted him to be in shape,
and he said fuck that. And then some of the

(08:18):
lines that he did weren't on the fucking script. He
just did what he wanted it. It made sense for
him to his role. He's always been like a depth,
a deep dude. Now look Johnny Depp, who was a
big fan of Marlon Brando, he starts dressing all crazy
and fucking weird. At certain points. There are times you

(08:40):
see him swathed out and at times they don't see
him not so swaved out. And now you're seeing Leo
do stuff like this. Jack Nicholson did it too. You know,
at some point when you, I guess when you get
into your sixties, you stop giving a fuck about like
the outward and it's about the talent.

Speaker 1 (08:57):
And if you want the talent, I'll come snap in.

Speaker 2 (08:59):
But the way walking around here is the way I'm
walking around here.

Speaker 1 (09:04):
So it's kind of like me, like in my sixties,
just like me.

Speaker 2 (09:08):
At all, you know a little bit. They were just
give it up. No, no, no, they choose to. They
don't have to.

Speaker 1 (09:16):
No, That's what I'm saying. I'm gonna give it up
now that I'm in my I'm just not gonna give.

Speaker 2 (09:20):
It the damn anymore, because because those guys are the
guys that got so much money, they could buy love
if you know what if you know, if you know
what I mean.

Speaker 5 (09:29):
I do, but I can't do that. I don't have
enough of that. Yeah, I knew I was gonna be
short on something.

Speaker 2 (09:36):
If you had money and power like this, like these
gentlemen do the so called gentlemen? Yes, right, maybe love
ain't it and it's just the companionship. So they'll be like, hey,
if you're down with me, you already know what it is, right,
Like who can I who could be an example without me?

(09:58):
Like I get what you're saying. Okay, So there's dudes
with money that ain't trying to be married and they're
not trying to have a girlfriend, but they want to fuck,
so they'll pay for an escort or you know, an
adult entertainment if you will. Then and at this point there,

(10:20):
they got so much money they don't give a fuck
about their appearance, you know what I mean, Like some dude, Yeah,
obviously you see dudes like dinner in their sixties, like
swapped up. And then other guys that got the same
kind of money, they'll walk out in the street in
a fuck fucked up hair bathrobe.

Speaker 1 (10:37):
Jiaganti style.

Speaker 2 (10:40):
Doing the chin you know what I'm saying, and they
look crazy, But guess what that's they're not like.

Speaker 1 (10:46):
This is just them like saying, you know what, fuck it,
you know what.

Speaker 5 (10:49):
And I kind of respect it in a way because
it's kind of like the regular guy. Look, you know,
I'm sorry.

Speaker 1 (10:59):
You wants to make sure you hear he see. I
couldn't see you.

Speaker 2 (11:07):
Letting go, though, Trace, I think I don't I could
see you letting go. You know, like, let's just say
you had that kind of money. I do not see
you being the guy that lets go and like walking
out all dishoveled.

Speaker 6 (11:22):
Not if you be stupid, no homework. Sixty you look great?

Speaker 7 (11:25):
Yeah, literally sixty, not even fucking close, like for real,
you really do thank you.

Speaker 2 (11:30):
Yeah, it's all the weed, That's what I said. Somebody
asked me my age, and they're all fucked up about it. There,
Oh ship, you're fifty five, like you look crazy five, Like, yeah,
it's the weak, the weed, absolutely, the fountain, the youth. No,
there's no found there's trees they grow and soil and
rock hole and ship like and we spoke up there

(11:51):
you yeah, I mean Caliblaze don't look his age. Dooby
doesn't look his age.

Speaker 6 (11:55):
Then got that baby face too many do.

Speaker 5 (11:59):
Be looks like thirty two. This motherfucker Roh is the
only one that looks his age.

Speaker 2 (12:05):
He gotta do a rohole lifetime man. That was called
shout out, I love you. He he didn't mean it,
but then he did.

Speaker 5 (12:19):
It's nothing I wouldn't say to him directly, right but
that I already haven't.

Speaker 7 (12:24):
And he's loved. He has lived every one of those
years that you might see. He's enjoyed. Oh yeah, he
is enjoyed. An adrenaline junkie just like me. He loves
you know yeah, speed and fun and fucking outdoors and
off the trend.

Speaker 2 (12:37):
Come get me to do uh the fucking mountain biking
on the fucking trails.

Speaker 1 (12:43):
I'm like, no, no, no, no, no, I can't do that
with you.

Speaker 8 (12:45):
Ro Ho.

Speaker 2 (12:45):
Becauz like if I get fucked up, touring is like postponed.

Speaker 9 (12:49):
You know, I cannot we cannot have him go down that.

Speaker 2 (12:53):
I cannot do that. And then he was like, let's
go hit the chair. I'm like, I can't, I can't
talk into a regular gym. You know how this goes
for us when we walk into a jay Dude, I
got some weed you need to try, or can you
sell me some weed?

Speaker 1 (13:11):
Sell me your.

Speaker 4 (13:12):
Weed or.

Speaker 2 (13:15):
My least favorite dude, I got some bomb bomb in
the cart. Let's go in the parking lot.

Speaker 1 (13:22):
It's more no, But what keeps me from.

Speaker 2 (13:30):
Going to public gyms? I go to a private. I
would go to a private I just you know, I
got what I need for right now at the crib,
you know, to like get my proper workouts on what
do I wish to have more equipment? Yeah, gives me options.
I'll be honest, but like you know, like to me,

(13:52):
I could do what I need to do that maintains
where I'm at right now, when I got it home
then to fucking go with that headache.

Speaker 1 (14:01):
I'll be honest with you.

Speaker 5 (14:02):
At that whole gym thing and all the people, like,
it's too much going on around you. It's a big
social scene. You got a bunch of chicks walking around
and their little outfits and the guys are all in there.

Speaker 1 (14:14):
You know, it's just too much going on other than
working out for.

Speaker 7 (14:17):
Me, depends the gym, But I you know what I mean,
you're on like an equinox.

Speaker 5 (14:21):
You bet your ass. That's what it's like. It's like
a social scene, you know what I'm saying. It's like
there's nobody in there serious. I mean, there's a.

Speaker 2 (14:26):
Fun there's some serious people, and then there's some people
going to the meat market. You know, that's a good
way to put it. That's the ship I hated, you
know what I mean. You see this motherfucker coming like
you're coming to put work, and he's like trying to
put working on. Old girl over there, and the old
girls coming in looking like she's going to put work
and she's just trying to get hit on from.

Speaker 6 (14:47):
All their fat part Come on, bro, you're going to
a gym, just.

Speaker 1 (14:51):
Serious day, all made up, new And let me ask
you guys this.

Speaker 5 (14:55):
You ever had the guys next year that set up
the tripod and they're in there filming themselves and you know.

Speaker 2 (15:00):
It's like, yeah, yeah, it's become a show. And this
is the reason why I don't go me too, Like.

Speaker 6 (15:06):
I can't allow it.

Speaker 7 (15:07):
You know, like there's people there who are trying to
work out, might not be in the shape they want
to be, might not be doing it, and then you're
you're sitting a videotaping you, but you're getting the rest
of the gym.

Speaker 1 (15:16):
You know.

Speaker 2 (15:17):
I'd rather just go to a fucking hotel gym where
there's hardly anybody in there and just yeah, fucking get it,
get it in, you know what I mean, Then to
deal with that whole fucking circus that happens in there.
It's just too much of a distraction for me. It's
not necessarily that shit. It's more about people if they recognize.
If I go unrecognized, I'm good. But if one motherfucker

(15:38):
comes up, hey can I get a picture?

Speaker 6 (15:40):
Or hey hey? Yeah?

Speaker 5 (15:41):
That always does turns into a meet and greet. Yeah,
and you know, hey, and you're good with that, but
not when you're working out. And I'm cool with that.

Speaker 2 (15:48):
It's just it's tough to do it when you're working
out because once you take that one picture, the rest
of your workout is hampered by others that may recognize
and say.

Speaker 9 (15:58):
Hey, man, I saw you take it picture over there?
Who are you? Can I get a picture to that?

Speaker 2 (16:03):
I mean, I don't know who you are, but fuck
or or or someone else who man, I thought that
was you?

Speaker 9 (16:08):
But I didn't want to bother you. But since you
took that picture, can we take this one? Can I
bother you? End up doing a fucking meet and greet
at the gym? You understand?

Speaker 7 (16:17):
I noticed that you know, there's gonna be a lot
of secret filming, like, oh, there's be real and I'm just
gonna sit there and what you doing? I'm texting, but
they're really filming you.

Speaker 1 (16:25):
Yeah, that's the other ship.

Speaker 10 (16:27):
I was gonna say, if you ever try to mask,
be like a disguise or something, maybe COVID mask.

Speaker 7 (16:32):
Yo, he still got We went to what was it
a Yeah, we went Staples Center.

Speaker 10 (16:38):
Bro.

Speaker 6 (16:38):
He had the fucking mask on, so be real.

Speaker 1 (16:43):
Yeah I couldn't like I had Yeah.

Speaker 6 (16:45):
Bro, and I still got him. What do you remember what.

Speaker 1 (16:49):
You were gonna do at the airport?

Speaker 5 (16:50):
Remember, because we were having the problem for a while
with all the merch guys meeting us at the gate
for autographs and that kind of stuff, be was gonna.

Speaker 1 (16:56):
Go full blown. What was the out you were gonna do?
What was the guys you were gonna wear?

Speaker 2 (17:01):
Yeah, I was gonna wear so I can't remember long
rocker long, long apache straight hair, you know, what I mean.

Speaker 1 (17:08):
Yeah, no one would have recognized.

Speaker 2 (17:10):
And to grow my full beard out again and just
wear some ridiculous ship that people would think I'd be
wearing and just you know, cruise through bare wear.

Speaker 7 (17:23):
A b real mask, people wouldn't think it's him. Yeah,
like wear an actual.

Speaker 1 (17:30):
Right That would be great.

Speaker 2 (17:34):
The problem is if I'm walking with any of these guys,
they know it's me because these guys are are known
to those guys too. They know who Traces, they know
who a Ton is, they know who Lord Bobo. Obviously,
they know all of our people around us. So if
they see any one of those guys, they're looking for

(17:55):
the next closest guy that looks like.

Speaker 1 (17:57):
Oh yeah, oh yeah, and they do their homework too,
very dylious.

Speaker 2 (18:00):
So I have to like walk separately if I don't
want to get got right away. Most time, I'll let
Sen walk through the airport first with trace of these
guys and let him cut sneak by.

Speaker 6 (18:11):
Yeah, because you know Sen just loves that.

Speaker 7 (18:15):
Oh you don't hate his fans, by the way, No,
he don't hate the fans.

Speaker 2 (18:19):
He don't like the guys that show up at the
airport with the blue with the blue markers because he
knows those are resailers.

Speaker 1 (18:26):
They're not really fans.

Speaker 2 (18:28):
There might be a small percentage of them that are fans.
But when they're having you sign with that, that blue marker,
that's for resale, that is not for collection.

Speaker 7 (18:38):
What is that blue mark about? It's just worth more?
I think that's that's the seller's code. I really I
would think black.

Speaker 1 (18:46):
Right, yeah, back, Black's not special, you know.

Speaker 5 (18:50):
And And to add on to what B says, it's
like when the fans come up with ten different albums,
you know, their entire collection, and they want them all signed,
super dope. It's the guy with the ten albums of
the same app part. Don't fill it out to a name,
just sign, you know, y'all could y'all could spread the
word for me right here.

Speaker 2 (19:09):
If if any of you resellers find me somewhere and
you got a blue marker, it's not gonna get signed.
I'll maybe sign one thing, but if you got several items,
it ain't gonna happen. Blue mark marker's over right now.
You got a black, a silver, any other color, I'm

(19:32):
cool with it. But you got a blue one, I
already know what that is. So those of you that
don't know when this is your first time hearing it.
When you go to like your favorite artist show and
you come, uh and you got a piece of merch
or something that you want to get signed. Don't bring
a blue marker, black, red, white, gray, silver, gold, any

(19:58):
one of those.

Speaker 1 (19:58):
Cool.

Speaker 2 (19:59):
Don't bring the blue one. Don't bring thirty of one
album right, yeah, oh you thirty of my homies wanted
to come to the show, but they couldn't.

Speaker 1 (20:07):
So I'm just kind of getting them signed. Now.

Speaker 5 (20:09):
Well, I always wondered, like, and I've even had conversations
with a few of them. It's obviously like companies and
things like that. So there's money behind it there, because
they're actually sending people out that aren't even Cypriscil fans.
You know. That's their task of the day is to
go to the airport, meet Cyprescil and get these signed.
My thing is if they would just do it the
right way, make it a business deal. Say look, you

(20:31):
need all this stuff signed. Here's five hundred bucks like
a baseball player.

Speaker 1 (20:34):
We'll do it.

Speaker 2 (20:34):
We'll do Oh you want to sign, We'll do a
pop up meet and greet five hundred dollars.

Speaker 1 (20:38):
There you go every for which they don't want to
do that. If it's.

Speaker 2 (20:45):
Five dollars for black ing, yeah, one hundred dollars, five
hundred dollars.

Speaker 5 (20:50):
For blue ink, Yeah, it depends yeah blue blue, uh,
blue marker, it's resale, five hundred dollars. Yeah, that's all resale,
that's eBay items. That'll stop them.

Speaker 2 (21:01):
That'd be funny if I, if I, if I next
run and there's like, you know, five of these motherfuckers
out here. They all had me five hundred dollars to
sign all their ship. Hey, now it's a business. Not
come out beer. Yeah no, no, blue markers, don't do it.

Speaker 1 (21:16):
Save yourself.

Speaker 2 (21:18):
The embarbarrassment flew out black okay, red okay, gold, silver, white,
Oh okay, check this out.

Speaker 1 (21:31):
I don't know if y'all.

Speaker 2 (21:34):
Out there because we've kind of talked about it, but
so we're gonna talk about it now. How stupid do
some of these banks have to be to realize they
got frauded by someone who was not who they claimed
to be. So in the news yesterday and the day before,
there's a news story about Mary Cole McDonald who fraud

(22:00):
it several banks out of millions of dollars, claiming to
be the McDonald heiress of.

Speaker 1 (22:08):
A company aerow airline airline company McDonald.

Speaker 2 (22:14):
McDonald McDonald Douglas Airlines or not airlines, but they built
airy built, they built their planes. She claimed to be
the heiress of this family, and the banks believed her.
In what bank, I think she swindled them for thirty
million dollars. She was also a TV She was also
a producer, a TV producer producing a thing called true

(22:39):
Crime right, and she had former FBI agents talk about
some of in some of the episodes. She hired them
to be you know, commentators and consultants and ship like that.

Speaker 1 (22:53):
And uh, apparently I guess she was.

Speaker 2 (22:58):
She got h a hint that they were on tour
that you know, the FEDS were on tour, not the
ones that were on her show, but the FEDS. Yes,
And she fled to Dubai. But she didn't pay any
of the people that were that were helping produce the

(23:20):
true crime series that she was putting together. She didn't
pay any of the the directors, the producers, the staff,
the grips, the all the assistants, everybody who puts it together.
Didn't pay the hosts and and and the people that
were a part of the show, some of them being
former FBI guys. Wow, how how yes, the irony of it,

(23:45):
which was I was just gonna say, how do former
FBI guys not like like have like some kind of
intuition that this bitch was a fraud.

Speaker 7 (23:56):
I'm sure she made fraudulent documents too about people live
in a world you do your homework.

Speaker 11 (24:00):
Well, if you're an FBI agent, what did you fucking
do the diligence?

Speaker 1 (24:04):
Or even if former.

Speaker 7 (24:05):
Banks bro I mean, you're lending thirty million dollars, you
don't have a shit on the best set And yeah,
fuck the banks.

Speaker 6 (24:11):
I don't feel bad for them.

Speaker 5 (24:12):
They a lot of people are asking, you know, what
did she sign that away to these banks? I had
kind of read through it a little bit and she
just straight bs them that she had an eighty million
dollar that she was an heiress to the estate and
proof apparently not Wow to what.

Speaker 1 (24:28):
You ready for? This?

Speaker 5 (24:28):
McDonald douglas has been out of business for X amount
of years, Like no one even checked that?

Speaker 2 (24:33):
Yeah, yeah, how does the banks that she borrowed money
greed to.

Speaker 1 (24:39):
Like not check? Oh my god?

Speaker 5 (24:40):
Yeah, I mean that's the read yes, and then the
iron need to be burning the Feds and then hireing
the Feds to be in her.

Speaker 2 (24:47):
TV show and then burned them boy, and then they
went on TV said you know, yeah, it's kind of embarrassing.
It got over on that like, yeah, kidda, let.

Speaker 1 (24:58):
Me ask you this. You said she took off to Dubai.
Is that an extra d will they extra dyete from Dubai?

Speaker 6 (25:03):
I don't think so.

Speaker 1 (25:05):
So she just take off.

Speaker 2 (25:06):
I think that's why she went there, and and you
know she's out there. She's got She took people's money
with millions. Yeah unless she unless you spent all.

Speaker 6 (25:17):
That money's gummy cunt.

Speaker 1 (25:20):
But yeah, what was the what was the main total
that she frauded?

Speaker 6 (25:26):
The banks?

Speaker 1 (25:26):
Out of one of them was for fourteen million. I
think it totaled six years something.

Speaker 4 (25:30):
Bank of California was a fourteen point seven million, right,
additional financial institutions for more than fifteen million, So yeah,
close to thirty million.

Speaker 6 (25:42):
Wow, dummies, man, that's all I canna say. Dummies?

Speaker 1 (25:45):
Are you ready for? This? Is a seventy three year
old lady doing this? This is she's she's.

Speaker 2 (25:50):
Been doing this apparently for the last five years or
something like that. Wow, it's crazy eight to five years
or something. And yeah she does the Golden Ship five
to eight skins. That's somebody's grandmother right there. Yeah, that's
somebody's grandma. I'm a ball and high on the hawk.
They were talking about they never they never like looked
at her twice because the way that she would always

(26:11):
come to the set or business meeting, she was always
like dressed in designer shit, ah and like fucking you know,
talking like a very wealthy person and like like you're
beneath me type shit.

Speaker 1 (26:25):
Carried herself well and they fell for she played the part. Yeah, yeah,
she played the part and got over on him.

Speaker 2 (26:31):
How did how did the former is like, you know,
the banks whatever, But how did the former FBI just
feel about that?

Speaker 1 (26:40):
Like they totally got used by this this lady.

Speaker 5 (26:45):
And that true crime thing that she was doing that
was like a successful thing, that's like a real thing
that she was involved in.

Speaker 7 (26:51):
What's crazy is, like I said, we live in a
day that you don't need to be the FBI to
be able to just google someone or google that family
and their linear and this. And see she's like it's
not hard for anyone out there, any one of us
could have done enough due diligence back this bitch is
a fraud.

Speaker 2 (27:09):
Like yeah, I mean people when they don't when they're
trying to like research somebody and they don't really know,
especially somebody like that, they might even get a private investigator. Hey,
I need to know what's up with this person?

Speaker 1 (27:20):
Right?

Speaker 5 (27:20):
I mean if my last name is Ford, am I
gonna walk in there and tell the bank that, you know,
Henry's my.

Speaker 2 (27:25):
Uncle or Harrison Henry was great, my great great grand father,
and I need.

Speaker 1 (27:29):
To make a depile of withdraw Yeah, what they.

Speaker 4 (27:33):
Would send you to an insane asylum.

Speaker 2 (27:35):
Yeah, exactly, But maybe maybe if you went in like
a fucking you know, three thousand dollars suit pulled up
in the and you pulled up and looked the part.

Speaker 7 (27:47):
Security guards, you might get away with it. And that's
what she did there, That's exactly what did. Like, come on,
people have dumb then I'm sorry. Yeah, Like I'm sorry
you borrow ten grand from you? I'm looking you up,
winding out who you are, you live, who yo mama is?

Speaker 2 (28:02):
Who is the fucking main guys in the bank that
she dealt with? Like those guys gotta get fired. Yeah, correct,
because how do you how do you not look up
the people you're you're you're lending money too, and when
you like, I know, if it was me trying to
borrow that money, they'd be up by ass.

Speaker 5 (28:19):
I was just gonna say, you want to buy a house,
and you want to borrow money from the bank. We
all know the lengthy process that that is. Like you say,
they're so far up your ass with everything in paperwork.

Speaker 2 (28:31):
So if I tried to go and borrow fifteen million
from the bank and I said I got assets, this, that, that,
pup pup, pup pup, they'd be looking to see if
I got all that before they fucking had me fifteen million.

Speaker 1 (28:45):
They didn't do any of that with this bitch.

Speaker 6 (28:47):
That's what don't make sense. Usual.

Speaker 7 (28:48):
You lend against equity and assets, Like if somebody don't.

Speaker 6 (28:52):
Have fifteen mil, you don't lend them fifty.

Speaker 1 (28:54):
You got to show that you assets.

Speaker 6 (28:56):
Correct.

Speaker 7 (28:56):
So it's like, come on, man, how is a bank?
You said, what was a bank California? Fourteen million? Fourteen
million dollars and you didn't put your name on tyl like,
because that's what they do they'll lend it you against
other properties.

Speaker 1 (29:07):
Well that's what she apparently had. She had assets totally
eighty million fake. No she didn't, but it didn't fake.
It's all fake. It was all fake. Right.

Speaker 5 (29:16):
Wow, So she basically built this facade, you know that
she was worth this and borrow against this when there
was never even this to begin with.

Speaker 2 (29:24):
Yeah, there was nothing to borrow against. She was gonna
you know, she was frauding the bank off top, and
you know they bought it. Hey, you know what, the
the Bank of California, y'all someo bozos greedy fuck hey, fucker.

Speaker 1 (29:37):
Screw the banks over all, you can't. I'm happy good
for her.

Speaker 6 (29:40):
I agree the banks, you know.

Speaker 2 (29:43):
You know I could say that because I'll probably most Yeah,
I'll never bank there based on that Bank of California. Yeah,
I already got the bank. I fucked with me too.
I've been fucking with this bank for many years. And
that will not tell you what bag that is. But
I'm saying, like if I was a new you know,

(30:04):
I was trying to create a new account somewhere based
on this information. Swindlers will go fucking try to get
accounts over there, but will not Yeah. The fact that
they got like hit by a boso for fourteen million dollars.
I mean she's not a boso there bosos. Actually, you
guys got taken by a seventy three year old seventy

(30:25):
three year old con artist.

Speaker 5 (30:27):
Without a pistol, came in here and took robbed y'all
without a gun, good point, robbed them without a gun.

Speaker 2 (30:38):
And now she's at Dubai living her bestest life. You
know what I'm saying, eating that chocolate, eating that due
buy chocolate.

Speaker 1 (30:44):
Over there, you could probably buy some freedom, you know
what I'm saying.

Speaker 7 (30:46):
Oh yeah, well most countries not to be stupid, right,
if you got the money, you.

Speaker 1 (30:50):
Can, Well, she's gonna have to pay some people off.

Speaker 6 (30:52):
Absolutely, But in Dubai you bet have big bucks. Bro.

Speaker 1 (30:56):
Yeah, thirty thirty million dollars in Dubai.

Speaker 7 (30:58):
Na, Bro, Let's spend that on a weekend on cars,
like a different kind of money.

Speaker 1 (31:02):
Yeah, at the point of those but this is all
you have.

Speaker 7 (31:05):
You really don't know what money is until you've seen that.
In the last money man, blood, everything, man. Yeah, they're
gonna ask for everything. I've seen a dude back in
called fourteen it was a little club on Sunset would
pop off on Sundays back in like eight somewhere on there.
And this dude little I kid you, not half a
million dollars in fucking don Perignon Christo. Everything that he could.

(31:29):
He had to custom order this before he came. He
didn't drink, he was he was Muslim, injured.

Speaker 6 (31:34):
It was all for just that Sunday, half a million
dollars bottles.

Speaker 7 (31:39):
I was like, like, what why And you don't even
because he's not I've said you money.

Speaker 1 (31:44):
No I know, I'm saying because he can't, because he
can't be could.

Speaker 6 (31:48):
It was appalling. Bro.

Speaker 7 (31:50):
I was like, this dude, don't eat, He's not gonna
have a sip of it. He literally bought more bottles
than there were people in that place. I kid you,
not half a million bucks. With the first tithing that
popcut third grand and alcohol you paid a half a mil.

Speaker 2 (32:02):
These guys could just burn money if they want to,
they'll give a fuck yep, crazy money. Yeah, but it's
just it's it's amazing to me that this lady got off.

Speaker 6 (32:11):
Uh got it.

Speaker 2 (32:13):
She hasn't got away, but I'm saying she was so
far she has but I'm saying, you know, like she
got found out and now she's in the news, and
it's a matter of time when they catch her, if
they ever catch her.

Speaker 5 (32:26):
You know, And it's the kind of thing on the
FBI list she's not that's not very high up in
rankings that they're go look for this old lady.

Speaker 2 (32:33):
Listen, nobody got her. Oh no, you're wrong. You think, yes,
she fucking got She stole from a bank. That's a
federal crime twice.

Speaker 5 (32:42):
And and and now you saying that what I have
always understood that it's the highest conviction rate of any
crime in the world is bank robbers, probably, like it's
almost one hundred percent. Yeah, like you can get away
with murder easier than you can get away with robbing
a bank.

Speaker 2 (33:00):
You may listen, so you're right on that though, yes, yes,
because it's it's depending on like if if if that
were to happen, Right, let's just say someone where to
kill somebody, that's not a federal crime unless they killed
a federal officer or it was something to do with
the federal government, then it would be a federal crime.

Speaker 6 (33:21):
But like the Fed can pick up any case though just.

Speaker 2 (33:24):
Like yeah, they could pick up any case they want,
but it's not a it's that's not necessarily a federal crime.
But robbing a bank, whether it's with a gun or
fraud scam, that is a federal crime.

Speaker 6 (33:37):
And it's easier to prove trace.

Speaker 7 (33:39):
Like in a bank, there's fucking cameras everywhere, there's mics everywhere.
You're caught. We got you, like you got you with
a murder. You know, you could body somebody. Nobody's seen you.
Their word against yours. You can get off in a
fucking bank. You ain't getting off.

Speaker 1 (33:52):
You ain't getting off.

Speaker 6 (33:53):
They caught you. You're getting caught.

Speaker 2 (33:54):
Yeah, so they didn't catch her, but they know who
it is. And it's a matter of time. If she's
that's federal and that's federal times, she's going to get
for both those those those scams.

Speaker 7 (34:05):
If she's smart, she stays in a non extradition country
and she ain't going to yet, which is probably due
Brian or there's tons of them, there's tons of people, don't.

Speaker 2 (34:13):
She'll have to fucking make sure that when she's bouncing
around that she doesn't have a layover in a in
a country that does have extradition, because they will pull
your ass off that plane and say hey, there's an
international warrant for your arrest with us.

Speaker 6 (34:29):
Absolutely, he'd just be smart.

Speaker 7 (34:30):
Look at Roman Polanski, he's been a future fifteen years
or something like that. At the least he ain't getting
caught because he's going to stay there anywhere.

Speaker 1 (34:37):
But yeah, he's he's gonna stay there.

Speaker 2 (34:39):
He's going to stay at one place, and he's gonna
fly private from whatever place he needs to go do
to the next so that he don't get popped off
an airplane one of these times.

Speaker 5 (34:48):
And I gotta believe that, honestly, if they're really really
looking for you, they gonna get you.

Speaker 7 (34:53):
They can't though, well they can't. You're in a non
extraditional country.

Speaker 6 (34:56):
They can't. They don't.

Speaker 1 (34:57):
They listen hold on time of kidness. I'm out.

Speaker 2 (35:00):
They cannot go get you. What they have to do
is notify inner pole, right, an inner pole, when they
when they find this person in a in a place
that does do extradition, they pick that person up there.
But they cannot go to a place that doesn't extradite.

Speaker 7 (35:20):
They have to get an actual permission from that country.
Would have to say all right, we're gonna let you
come take her. But if they have a stance against
us on extradition, you're safe there.

Speaker 1 (35:28):
Okay, understands.

Speaker 2 (35:30):
That's what Pablo Escobar was trying to fight against in
Colombia all them years before he died. He was trying
to fucking get He was trying to bend the government
into saying, fuck extradition that way, like he would never
go to jail here in the United States, So he
was constantly fucking with the government to change that, so

(35:53):
you know, he didn't have to be bouncing around to
different places. He could stay at home. It changed for him.
But yeah, that like anybody who's wanted by the US government,
they got to go to a non extra extradition country
to to not get fucked with. And we can't send
anybody in there without permission, like you said.

Speaker 1 (36:16):
And if it's a.

Speaker 2 (36:16):
Violent crime, then maybe that government says, okay, yeah, you
could come and get them. But if it's something they
don't take serious or they don't you know, they may
maybe one of them countries like well, fuck the United
States will bring.

Speaker 6 (36:29):
Your money over here, Yeah, bring it over here and
there with money.

Speaker 2 (36:32):
And then they'll then they'll jump off to somewhere like that.
But realistically, yeah, you know, if if you're a fugitive,
you got to be careful where you lay over.

Speaker 1 (36:43):
Or just don't go or don't go.

Speaker 6 (36:45):
Be smart. You have a country you can live in
without going to jail.

Speaker 7 (36:48):
Stay there, ye, don't risk it, idiot, serious, Like, if
you go, I'm gonna take this flight, but there's a
chance I can get caught and go back.

Speaker 6 (36:56):
You're an idiot. Just stay where you're at. You're free.

Speaker 2 (36:59):
Yeah, she's done deal. But because the rest of her
life will be in prison. She's seventy three, she'll she'll
die there obviously, you know what I mean. And she's
been living high on the hog all this time. She's
gonna try to stretch it out as long as she can,
you know, I mean. There, she ain't gonna have no
bad feelings. She got over on FBI guys for fun's sake.
That's like a you know, yeah, that's like a badge

(37:19):
of honor for somebody like that. Fuck the Feds right over,
you know what I mean. And and some people probably
cheering her on for that, like yeah, you know what,
fuck the Feds. You know, get that money and if
the banks were stupid enough to give it to you
fuck them too.

Speaker 5 (37:34):
Yeah, no, and that that percentage is gonna be pretty
strong people saying that.

Speaker 2 (37:38):
But guess what, she's a criminal, criminal and they looking
for you.

Speaker 1 (37:43):
Girls.

Speaker 7 (37:44):
Where she fucked up is not paying the people who
worked for her.

Speaker 2 (37:47):
She paid them, Yeah, correct, different story, Yeah, because because yeah,
because the stories would be different from those people that well,
you know, fuck, we're hearing this stuff. She paid us
and she was the dude, she was the best, and
blah blah blah blah.

Speaker 1 (38:01):
Nah.

Speaker 12 (38:02):
No, now what you're hearing is like, yeah, she sucked
us all over that well, not like in those she
didn't pay none of us, you know, and and.

Speaker 1 (38:14):
Well you know you.

Speaker 7 (38:16):
Ain't gonna have no supporters that way, you know, that
way like a fucking like a Robin Hood story, you know, but.

Speaker 1 (38:22):
It's was it a Robin Hood? I'm saying if it was, if.

Speaker 7 (38:25):
She would have just paid those people and care people,
people will be room.

Speaker 2 (38:29):
For her, you know, because then she her story would
be like funk. I had to do it because I
had all these people that had to pay and I
didn't know what to do with and I intended to
pay this money back.

Speaker 5 (38:39):
Nah, bitch fled. If you had all of those millions,
like that little bit of bread that's.

Speaker 1 (38:44):
Still would it go?

Speaker 5 (38:45):
You'd still go to jail, Yeah, but there would be
some sympathy and murder. There would not be The Feds
are going to give you the time book.

Speaker 1 (38:54):
That's you're funny. They're not gonna fucking cut you easy.

Speaker 6 (39:01):
Listen.

Speaker 2 (39:02):
The only way the Feds reduce a sentence on you
is if you fucking cooperate on something.

Speaker 1 (39:07):
Right.

Speaker 2 (39:08):
So when you see someone that went to jail for
a federal crime and they let's just say they got
like twenty years and they get out in fifteen, they
don't do good behavior in the Feds. It's not like
that you do eighty five to ninety five percent of
your time. You have to be giving someone up to
be getting out early. It's a rarity if this happens,

(39:29):
you know what I mean. Like fucking just recently, right yesterday,
they announced this chick from one of the housewives deal
she went to jail for fucking fraud. Teresa No no, no, no,
no no no. This chick from Utah name is jen Shawberry.
It was some kind of fraud that she did with

(39:52):
one of her assistants or manager or something. And she
was supposed to get how many years?

Speaker 3 (40:00):
I see she got six and a half sentences.

Speaker 2 (40:02):
Yes, this is what they let her out in six years,
but her original sentence was something else, right, I'm looking
it up right now, yeah, look it up. I think
her sentence was like either ten to twenty years based
on the crime.

Speaker 6 (40:17):
But she got out in six.

Speaker 2 (40:21):
So when and they said the news reported that she
got out on good behavior, but on a federal crime.

Speaker 1 (40:29):
That shit don't happen.

Speaker 4 (40:32):
Interesting, she only did two years, but her original sentence
was like six and eight.

Speaker 6 (40:35):
Okay, that's no good.

Speaker 1 (40:36):
There you go.

Speaker 2 (40:37):
She probably gave somebody's ass up somewhere on something else, wow,
to reduce her shit, they're because that's how that works
with the feds, you know, like that's you know, people
that have done that time come. You don't how to
do all every day of every fucking day of it.

(40:58):
The only way is if you give somebody up, you
cooperate with something, or you got.

Speaker 7 (41:04):
Really lucky that the laws changed and they reevaluated a
case that very.

Speaker 1 (41:08):
Rarely happened, that could happen, that could have happened.

Speaker 6 (41:11):
Yeah, but in a in a crime like that, she
would you say, she was committed.

Speaker 1 (41:14):
Of what was the what was the exact crime period?

Speaker 7 (41:16):
Why for now those laws ain't changed, Bro, that's their
number one weapon. You have to look at people who
get busted what they get them for, wirefraud, tax evasion.

Speaker 2 (41:25):
And for that what he's saying, that's six years she
should have been doing like five and a half of that.

Speaker 6 (41:32):
There's no good behavior.

Speaker 2 (41:35):
That's that's like some kind of cooperation. Not to you know,
talk shit on this person because I don't know know her.
But in a in a in a situation like that,
when you get outlet early for a federal crime, that's
usually a red flag and in certain to certain people, Gigg,
we are all civilians in this life now, you know,

(41:57):
once upon a time it was different from But I'm
a civilion now. But I know a red flag when
I see it based on the life I used to
live before all this music. Shit, it's a red flag.
I mean shit. I don't know how many people they've
got federal time got out early without with like just

(42:19):
based off good behavior.

Speaker 1 (42:21):
That shit don't exist.

Speaker 5 (42:22):
Now, let me ask you this, would there be any
kind of thing because of a violent, non violent type?

Speaker 1 (42:27):
No, it is what it is bro it is. Yeah,
I guess said.

Speaker 7 (42:32):
No matter what changed or you gave someone up, you're
doing ninety plus.

Speaker 2 (42:35):
Yeah, it doesn't matter what the crime is. It doesn't
matter what type of federal crime you get, whatever the sentences,
you're supposed to do about eighty five to ninety percent
of it.

Speaker 7 (42:46):
Where in state you could do as little as thirty
forty percent.

Speaker 2 (42:50):
Yeah, on the states, when it's a state crime, you
get off early for good behavior. You get in these
work programs and you show that you're changing, and you're
doing all these different things to get this credit up.
So they say, you know what, we could kick this
motherfucker out. I think you know they're responsible. They've been

(43:11):
doing all these different programs to better themselves. We're gonna
kick this fucker out early. We need room for more
criminals that are more serious crimes. Right in that part.
In the state, they do that, But in the fans
they don't necessarily do that, because if that was the case,
you'd see a lot of mafia guys get out early

(43:34):
trying to get on this cart, a lot of gangsters
and a lot of the blue collar crime criminal. Motherfuckerre
no white collar criminals that get caught for the corporate shit.

Speaker 1 (43:45):
They'd be trying to get involved in all these.

Speaker 2 (43:48):
Programs if it was available to them to avoid doing
the twenty thirty year bid.

Speaker 7 (43:53):
You want to talk about disgrace and sentencing is like
you look at some of those white collar crimes. These
people steal fucking millions and from innocent people and wind
out what a ten year sentence.

Speaker 1 (44:05):
Because that's prime with a pencil.

Speaker 7 (44:07):
At the end of the day, though that the amount
of lives that are going to be destroyed and.

Speaker 6 (44:11):
Ruined more than with a gun.

Speaker 7 (44:13):
Way more like when you think about like a lot
of like the mortgage frauds and all these things that
people did Bernie Bernie made off and two people that
I know in New York personally invested with him over years.
Like one guy was a car washed guy that he
wound up buying car washes, invest like sixty percent of
his money with Bernie made off. When you think of
that type of stuff, it's like yo, and but he'll
be all right, I'm not talking about him.

Speaker 6 (44:35):
People who were this was all they had.

Speaker 7 (44:38):
This was like, oh my god, this is a way
for me to have a retirement to actually they given
trust with all their money.

Speaker 6 (44:44):
It's gone. You're never getting that back. It's gone.

Speaker 7 (44:47):
They can't afford to retire, they can't afford to take
care of their loved ones, nothing pay their bills. They're
on welfare because someone took it. And that piece of
shit gets ten years of his life affected or five
or eight. Like you hear these sentences, you're like you,
This motherfucker should never be able to get out of Joey.
His life should be ruined just like he ruined. Everybody
else is fucking life for real? I don't I think waits.

Speaker 5 (45:09):
That's the difference between doing a crime with a mont
Blanc pen on a pistol.

Speaker 1 (45:13):
Yeah, you didn't kill anybody, but maybe.

Speaker 5 (45:16):
Yeah you did, though, But how many lives were ruined
like Kelly exactly way did.

Speaker 6 (45:20):
Die because they couldn't get the right treat you killed, You.

Speaker 5 (45:23):
Killed dreams and the suicide abilities. Yeah, things like that
for sure.

Speaker 7 (45:28):
Oh plenty of people killed themselves from Bernie Madoff's thing.

Speaker 1 (45:31):
Oh fuck yeah.

Speaker 2 (45:31):
They gave up all their fucking money to this guy,
not knowing that he was just fucking it off.

Speaker 1 (45:36):
Yeah. I saw the thing on Netflix on him. He
was a real piece of shit.

Speaker 2 (45:40):
Yeah, Well, you know, we got a new one. And
her name is Mary Carol McDonald. She's out there, y'all
sitting on thirty million, thirty thirty bees yo. Uh uh,
this is her. This is this is your tia, your grabma.

Speaker 1 (46:01):
I wonder what the reward from the FEDS is for her.
I don't know. I got it.

Speaker 6 (46:06):
It's out caution.

Speaker 1 (46:09):
There's a caution for her. What's the caution.

Speaker 2 (46:12):
Let's read the caution, Bolton, I want you to read
the cautionary remark there.

Speaker 3 (46:18):
Well, let me zoom in here real quick.

Speaker 1 (46:20):
You don't need you don't you got you don't got
your glass of the FI.

Speaker 4 (46:22):
I don't know my contacts and oh wow, I don't
have contexts. Mary McDonald is wanted for her alleged involvement
in a fraud scheme in Los Angeles and Orange Counties
in California, beginning in approximately July of twenty seventeen and
going all the way to May twenty eighteen. McDonald is
a known for with the intent to defraud, devise, and

(46:43):
participate in a scheme to obtain money, funds, assets, and
property owned by the Bank of California. Through the scheme,
McDonald allegedly and fraudulently obtained a total of approximately fourteen
point seven million from the bank to which she knew
she was not entire and has not paid.

Speaker 1 (47:01):
Back, of course, not she got it to pay it back.

Speaker 4 (47:05):
It is alleged McDonald also defrauded additional financial institutions in
a similar fashion, with an estimated loss of over fifteen million.

Speaker 10 (47:13):
I e.

Speaker 6 (47:13):
Wow.

Speaker 4 (47:14):
McDonald's falsely claims to be an heir to the McDonald
aircraft family with an eighty million secret trust to which
she will have access to.

Speaker 1 (47:22):
Once she's eighty.

Speaker 6 (47:25):
Yeah.

Speaker 1 (47:25):
I was about to say, she's seventy three with.

Speaker 2 (47:27):
You, isn't gonna have access to it with when I'm
eighty with eighty million.

Speaker 1 (47:31):
So when I turned eighty, yo.

Speaker 7 (47:33):
I'm going to go into the bank dressed as a
clown with the red hair and by yo, I'm Ronald
McDonald's great grafs.

Speaker 6 (47:39):
I'm just painted, just like I need a loan, Like
you can't tell? What do you think?

Speaker 1 (47:44):
Please?

Speaker 7 (47:45):
Pictures of me in front of McDonald's like selfies you
don't see?

Speaker 2 (47:50):
I mean you might as well. Fuck they've was falling
for anything. Yeah, what was the caution part? Though I'm
still reading it. On December twelfth, twenty eighteen, a federal
arrest warrant was issued for McDonald in the United States
District Court, Central District of California, sant Ana, California, after
she was charged with bank fraud and aggravated identity theft.

(48:12):
Is believe McDonald is currently in Dubai. That's all it says.

Speaker 1 (48:16):
That's the caution. Yeah, that's caution.

Speaker 2 (48:18):
She's not much of a worry, you know what I'm saying, Like,
don't approach her, she will shoot on site. She's not
danger she's armed and dangerous. No, she's not armed in dangerous.
She's living life to the fullest, in fabous right now.
I bet she took some of that that thirty mili
and invested in properties in places that they cannot fuck

(48:38):
with her. She's just enjoined her vacation in Dubai.

Speaker 1 (48:41):
First. Wow, Well there it is. You know what I'm saying.

Speaker 2 (48:46):
Gene Simmons testified before the Senate saw that that we
as recording artists should be getting royalties when our music
is played on the radio. Yeah, and do you know
satellite radio and the rest of the rodeos.

Speaker 5 (49:05):
You know, you and I had a discussion about this
earlier did we We did all right, and you made
a valid point. It's it's a little late in the game,
almost an antiquated argument that you know, the radio is
what it is today, but it's not what it was.

Speaker 2 (49:19):
I'll say this, it's a big ask because when you
think about that. Okay, let me break it down for
y'all because y'all don't know this, and you maybe know
some of it because we broke it down here before.
When radio plays music, it's music that they licensed. So
if you're listening to a hip hop R and B station,
this is the music they license. And they usually licensed

(49:41):
like the charting shit and some of the up and
coming stuff.

Speaker 6 (49:46):
Right.

Speaker 2 (49:46):
And let's say the top forties, like the kiss fms
of the world, Right, they do Taylor Swift and all
the other you know, Miley Cyrus and Rihanna and the
rest of the pop star right, and they have to
pay for these licenses.

Speaker 1 (50:03):
Right?

Speaker 2 (50:03):
What that is and what amount goes to us in
that licensing deal with the with the with the houses
that hold the licenses for all the record companies, right,
because the record companies deal with these different houses that
you know, deal with the music packages. Right, I don't

(50:24):
know how much royalties we get from that as artists.
I don't think any artist does unless they've done the
diligence on that, and that we should see what that
rate is. What is the licensing rate of our music?
And and it only applies to the music that's actually
being play right, not just when you make a song
and it comes out that it's if it's not on

(50:48):
the radio and it's not in their catalogs, it doesn't
really fucking count. Interrupt But but hold on, so I
don't forget where I'm going with this, all right now.
The other part of it is when a song gets rotated,
it gets logged as it got rotated, and it gets
logged as to how many times it gets rotated in

(51:10):
the day, the week, the month, the year, and the
times it got rotated. There's all this data on these
fucking songs. So companies like ASCAP, so if you looked
on old vinyl and you see as CAP or BMI
or something like that, those are companies that track the

(51:30):
rotation of the music being played on any platform. So
if a Cypress Hills song gets played on the radio, tracked,
if it gets played on a TV show tracked, if
it gets played on a movie tracked, if they used
it at a fucking a sporting event or any sort
of event tracked, and they pay you for every time

(51:52):
it gets They make sure you get your money for
any time it's rotated on a platform that is licensing
the music. They make sure, right. So these are the
two ways artists might get paid. But it's minimal comparison
to a royalty that you sell a hard CD or

(52:12):
a hard fucking vinyl or a hard cassette. It's different, right,
So what he's talking about is getting actual royalties on
every spin, which would up our you know, up our
rate of what we get for when our records get
spun or when they get rotated or whatever.

Speaker 1 (52:32):
You know.

Speaker 2 (52:33):
So it's not a bad thing what he's asking, and
it does need to change. I mean we talk about
it all the time. Our royalty rates on streaming services,
you know, those are fucked. And I would imagine our
rates on our record companies licensing our music to the
radio stations. Our rates are probably shipped there too, and

(52:54):
our rates are are probably shited on the amount as
CAP and EMI or BM mine has to recover for us.
It's it's you know, unless you're getting a lot of rotation.
It's really nothing, so I could see why, you know,
especially with you know, like with Kiss for instance, they
get a lot of rotation. Still in some of these

(53:16):
rock stations you know that play the older shit, you
know what I mean. But hey, nobody get no roadtes
for that, and you're getting the minimal amount on the
licensing and from askap.

Speaker 5 (53:28):
Let me ask you this. My question was that you
mentioned the licensing for these artists. Is is that something
per station or is it like like I'll put it
for into every station individually, every.

Speaker 2 (53:40):
Station that in existence has to go to this this
this I guess it's a firm where you license the
packages of music.

Speaker 5 (53:51):
But what I'm getting at is if you own like
for instance, the Beat and kme Yale here on the
West coast San Francisco in La owned by the same.

Speaker 2 (53:59):
People, probably all licensed, it's one a package package or
that covers all the stations. That's where I was going
with that, Like each station can play the music that
that the that the oh the I guess uh management
pays for right in the name of all the mother

(54:20):
company and then the sister companies or whatever, you know
what I mean.

Speaker 1 (54:23):
Yeah, it's all under one umbrella.

Speaker 2 (54:26):
So if one entity owns Cameo Power one oh six
in Hot ninety seven, right, they're buying for all those stations.

Speaker 1 (54:36):
I see, you know what I mean.

Speaker 2 (54:38):
And that's why all those stations play similar ship due
to the due to it being regional. Subtimes you'll hear,
let's say, some of the same records in the Bay
that you'll hear in New York, but not as many
because the Bay will play more local ship and so
will New York. You'll have the the artists that are

(54:59):
being played around the country, but you'll also have like
a lot of regional shit in these individual places. You
want the ticket is to be national, but you could
live off being regional.

Speaker 1 (55:12):
But that's that's some of the game, y'all.

Speaker 2 (55:14):
Could be boring to some of y'all to hear this shit,
but like that is. So let me ask you this
some of it.

Speaker 5 (55:19):
Do you think it fell upon deaf ears in Congress
for him to go up there and say.

Speaker 2 (55:23):
That, no, Gene Simmons is he's like a businessman that
is respected, a musician that's respected. He show he showed
many that he knows how to generate true Excuse me, Uh,
he knows how to generate money, and he knows what
the value of art is and music is art, and so, like,

(55:46):
I don't mind him going out there and speaking up
saying that artists need to get fucking more money because
they've already devalued our shit, you know, like when you
think about it, before people had to go by a
CD or a vinyl and that's hard sale and the
artist has taken part in that, and it's a bigger

(56:08):
chunk than what it is on a fucking stream. Like
Michelle said when she was here, how many streams does
it take to be one fucking record sale? Fifteen hundred
that's fifteen hundred percenteen hundred streams for one for one
fucking sale equate to equate.

Speaker 1 (56:28):
Wow, to one album. How the fuck are we supposed
to live off of that? How are we supposed to
get paid off of that?

Speaker 5 (56:35):
And then I just saw that the CEO of the
platform of Spotify did like five hundred bazillion dollars last
year that he made so and like sounds like he's
the only guy making money.

Speaker 2 (56:47):
I'll just say it like this, I don't fuck with
Gene Simmons politics, but I fuck with him as an
artist and you know, as someone standing up for other artists.

Speaker 1 (56:58):
Do I get down with with with with me and Gene?

Speaker 2 (57:01):
And I was a Kiss fan, so you know, fuck
is politics, but I get down with Gene.

Speaker 4 (57:06):
Can I ask you something on the radio? Do you
think that it will result in a radio stations doing
less music and then more just talk?

Speaker 2 (57:15):
Well, just okay, I don't think so, because you need
music on the radio. If it's just talk, people will
tune out and just go to playlists, and like, how
are they going to sell any of the the ship
that they're trying to sell in the ad placements? You
need music talk. I mean, there's only so much talk
you could have on on on the airways. There has

(57:39):
to be music, and if there's not, you're gonna lose people.
That's just the fact, because guess what if it becomes
talk on like the FM. Shit, there's plenty of podcasts
out there that are uncensored, unfiltered that you could listen
to rather than to listen to somebody on the radio

(57:59):
who has guidelines from the FCC that they got to
fucking play too. So you're not gonna get unfilled like
the way that Howard Stern Stern does his show now,
isn't the way it was when he was on the air.
He got away with a lot of ship and he
paid for some of that ship. But yes, but guess what,

(58:20):
he's now on this platform that has not the FCC
fucking with him, so he could be his true self
and people will tune into that. Then to then to
tune into someone on on terrestrial radio as they call it,
who has these guidelines, and yeah, they have to be
exceptional to win in that, like the way Howard Stern.

Speaker 7 (58:42):
Was and he was on radio, but he just got
fined out of his But what I'm saying he was exceptional.

Speaker 2 (58:49):
People tuned in to him in spite of it not
being what it became when he went to to too
serious like Unfiltered, didn't have to worry about like the
expletives or any of that shit.

Speaker 1 (59:01):
They just talk the way they talk.

Speaker 2 (59:04):
And you know, if FM goes that way, everybody's gonna
you know, it's only conservatives that would maybe listened to
the FM shit because maybe they don't want to hear
the cursing and this and that and the other.

Speaker 1 (59:15):
But most people they'll just go to podcasts.

Speaker 2 (59:19):
That are on YouTube or Vimeo or or Spotify or
any one of them that are streaming services that have it,
you know, uncensored and ready for the fucking world. Like
they will lose. I mean they're you know, hey, they've
lost touch with the consumers out there. Music is all

(59:41):
they got and if they fucking lose that, they lose
all their consumers.

Speaker 1 (59:45):
They'll go to playlists straight up. And you can relate
to this as an artist.

Speaker 5 (59:49):
I'm sure Beat coming from radio because a lot of
people may or may not know you did radio for
a lot of years down here in l A, about
four years yeah, at the BEAT, So I mean, you know,
you're familiar with how it works under the constraints of
the FCC and what you can and cannot say. We
all and I did radio for twenty years, and I
lived with this fear of dropping an F bomb on

(01:00:10):
the air accidentally or something.

Speaker 1 (01:00:13):
You know that's ben a cost severely. Oh man. Let
me tell you.

Speaker 2 (01:00:15):
When Bobo and I were doing radio, we had to
be extra creative because we knew that we couldn't curse, yeah,
and we had to like, you know, check ourselves and
make sure that we were getting that shit out of
our system before we got on the air, and we
had to try to figure out how how do we
be ourselves without going over the top and getting this
station fined and getting fired. You know for some of

(01:00:39):
the ship we're saying because we were way off the
chain with with with things.

Speaker 1 (01:00:43):
It's just that, you know, in certain ways we were
we were.

Speaker 2 (01:00:48):
Doing things that no one else was doing, and in
other ways we're like very containing ourselves so that we
wouldn't get get the station fined and and fired.

Speaker 5 (01:00:58):
Whenever fired from whatever you do personality radio, that's the
razor's edge.

Speaker 1 (01:01:02):
You're always riding.

Speaker 5 (01:01:03):
Yeah, you know, you know, you could offend somebody very easily,
say something very stupid accidentally, and it could be detrimental.
And like you said, how it usually works with radio
is that they fire the air personality instantly because the
FCC comes.

Speaker 1 (01:01:18):
To the station with the fine, someone has to go.

Speaker 5 (01:01:20):
Well, they'd love to be already able to say that, oh,
we already fired him, he's gone. So then then the
final will be less because when those finds come, they're
hundreds of thousands of dollars.

Speaker 2 (01:01:30):
They're not like, hell, yeah, one one specific expletive could
cost up to fifty thousand to one hundred and fifty
thousand dollars yeaher per one. So if you said, like,
let's just say you dropped the F bomb like three
times ooh, like you know, you had an artist that
doesn't realize we're live, and they're like, yeah, man, I

(01:01:51):
was fucking with this and now this shit was fucked up. Boom,
one hundred and fifty thousand dollars two hundred one thousand
dollars fine from the FCC on that station.

Speaker 10 (01:02:00):
Guess what you allowed it. So you're going, oh, man,
oh yeah, and they won't let you forget it too.

Speaker 1 (01:02:08):
Well, no, you won't do it that.

Speaker 2 (01:02:09):
You're basically done because forever in their network of you know,
because there's a network of people that jump from one
station to the other.

Speaker 1 (01:02:18):
You know, they're they're a part of the radio game.

Speaker 2 (01:02:21):
So they may leave this station and go to one
across the country somewhere else and restart over here. The
problem is is, if you got that reputation where you
let Motherfucker's curse on the air and it cost the
station close to like a quarter of.

Speaker 1 (01:02:37):
A million dollars, you ain't getting hired nowhere.

Speaker 10 (01:02:40):
B every it would be like a meet like dude,
we come in. You did something. We gotta go over
what you did? And I go, oh, man, like they
would never let me go.

Speaker 1 (01:02:49):
It doesn't look good on the resume.

Speaker 10 (01:02:51):
Doesn't look good, yeah, man, and I did. I was
get in trouble man when they told me to come in.
You know, they told me to come in early because
I used.

Speaker 1 (01:02:57):
To do nights. So where you would you let motherfuckers
curse over there?

Speaker 6 (01:03:01):
Is that some time?

Speaker 10 (01:03:03):
Or did you curse in the beginning? Let me do
what I want? But I didn't know I was getting
fined for it. Oops, like you were cussing on the air.
I went crazy, man, I'm sorry, but I was young.

Speaker 2 (01:03:15):
So that's why your time there was short. That makes
sense to me. I wondered why you fucked that off?
And man, I was crazy. Man, see, because the difference
trace was there. Our show on the Beat was once
a week. It was Friday nights. Yeah, he was on
nights during throughout the week on Power we had soul assassins.

(01:03:37):
We had soul assassins running the airwaves here on in
southern California in those times because Doobie was on one
side and me and Bobo were on the other. That's dope,
you know, but he had he They were like trying
to make him a radio guy. They gave him like
a fucking slot, dirt through the week evening slot.

Speaker 10 (01:03:59):
And did that evolve out of the music out of Funk,
Yeah it was. It was off of the Troubleshooters album.
There was a fan that was a programmer on there,
and he hired me. He tried me out for a
couple of weekends, and then I had to go for
the midnight training, you know, after hours training, you know,
and then uh do.

Speaker 1 (01:04:16):
The late night show. Yeah, do the late night good
night to four in the morning. Yeah.

Speaker 10 (01:04:21):
Man, But I got my radio experience, man, And you know,
it's real rare because you know, some people learn it
on they own.

Speaker 1 (01:04:27):
Some people have to go to school for it.

Speaker 10 (01:04:28):
So I was like, I'm endeared to the MS Corporation
for teaching me all that stuff and be and you guys, so.

Speaker 2 (01:04:34):
Yeah, I mean that that's we didn't know how to
do radio till we got there. Like, I give that
to Michelle Les because she took a chance on dudes
that didn't have any training for it.

Speaker 5 (01:04:45):
I got to tell the story B's first day on
the radio, first day on the radio. He comes to
San Francisco to do west Side Radio. My show was
on before his. Be and I were friends, you know,
we've been friends for years and all this, and I
was excited He's got his radio gig and this and that.
So friends and I get off the air. Incomes b

(01:05:05):
with the whole crew and everybody, and I'm thinking that,
like he's bringing production with him and all this kind
of stuff.

Speaker 1 (01:05:10):
Hell no, it was just them.

Speaker 5 (01:05:12):
And they were looking at us, and we were looking
at them, like, He's like, well, we're here to do
the show. And we were like, well, who's gonna run
your board? And he was like, I don't know. It
was that that new and raw.

Speaker 1 (01:05:25):
Well.

Speaker 2 (01:05:25):
I believe Michelle had put Larry Jackson salute to our
brother Larry jacks Yeah, next week, who is a fucking
shot collar in the music industry. He started as an
intern in a boardop, Wow, and he was our boardop
in those early days, Like Bobo and I just showed
up and sometimes we'd show up with Cartoon Mister Cartoon

(01:05:46):
and Stevan and Rest in Peace, Jay Turner and Truly
Odd and sometimes Ralph em They would do the mixes.
Wow but yeah, that's where we started. And Michelle gave
us a chance. That's I think because she heard us
on the radio. She heard us doing an interview with
one of the other cameo guys. I'm not sure if

(01:06:10):
it was Chewy or or if it was Sway or somebody.
We were really funny on this particular show, I believe,
and that's what prompted her like, hey, these guys might
be cool on the radio.

Speaker 5 (01:06:22):
That's what was dope obau Michelle Less. You know, she
was a programming director that you know, she knew who
her players were, and she let us. You know, her
old saying was she'd give you enough rope just to
hang yourself. She gave us plenty of He gave us
myself too. I mean she gave me a career. I
mean I over a radio career of twenty years, no doubt.

Speaker 1 (01:06:40):
She gave me a skill set.

Speaker 2 (01:06:42):
Yes, yes, because realistically I already had a career, but
that like helped me learn how to do radio in
a different way that I did not know right and
then that basically set.

Speaker 1 (01:06:57):
Me up for this And it taught you the business
and it taught.

Speaker 2 (01:07:00):
Me the business which I could have went without learning
because it is maddening. Yeah, but see, I know I'm
glad to know it, but I mean, you know, sometimes
ignorance is bliss true true. If I didn't know it,
I wouldn't be so pissed off about the way it
goes because now I know the way it goes, you
know what I mean? And how they test records and
it's like the stupidest shit every right, So like when

(01:07:23):
a new record comes out, they'll get maybe five of
the people in the station that are maybe most respected,
right there might be ten people at the most sometimes
and they'll play the song, what do we think about
this song? Write down what you feel about this song?
And then the next one boom, Okay, where do we
feel about this song?

Speaker 1 (01:07:42):
And sometimes that's how these fucking songs get picked.

Speaker 2 (01:07:45):
They're not going by like people calling up and saying, hey,
we want to hear this shit over here. They're going
by like the five people or the ten people in
the room saying they like this song or that song.
And sometimes those people don't even got the fucking pulse
of what the say he wants.

Speaker 1 (01:08:00):
It's more about what they want, which is most of
the case mostly the case.

Speaker 2 (01:08:05):
Oh when I sat in on those music meetings. I
was disgusted, bro, Like they didn't want my opinion. They
really didn't. They were like, uh, maybe he shouldn't be
in these meetings because I'd tell him the truth. It's like, yo,
to rotate that well, it tested well, Well, who fucking
did you test it with?

Speaker 11 (01:08:27):
They told me doctor green Thumb didn't test well and
that's why they didn't run it on the beat the way,
you know, like in even mild rotation. They told me
it didn't test well. I said, what the fuck are
you doing testing our music?

Speaker 6 (01:08:39):
Wow?

Speaker 2 (01:08:40):
Huh like testing? No, you're supposed to put it on rotation.
People are calling for it testing. That's when I decided
I wouldn't be a part of their fucking music meetings
anymore because I was like, y'all got the wrong criterias.
You don't even know what people want. You guys are

(01:09:02):
putting out this bullshit that you like, that's not really right,
and it's unfortunate for radio.

Speaker 5 (01:09:10):
How it kind of like folded when the conglomerate started
buying up all the radio stations around the United States,
like the clear channels of the world. Because what had
happened was that a lot of the radio stations that
were kind of like tuned into your area, and I
could speak on the Bay Area. You know, it was
focused on the Bay Area at one point. As soon

(01:09:30):
as they got bought out by Corporate America, you know,
and it starts to become you know, you know, it's
it's it's not quite so uh what's the word?

Speaker 10 (01:09:39):
Uh?

Speaker 5 (01:09:40):
Targeted at at the community, you know what I mean?
So now it's it's it's it's too much.

Speaker 2 (01:09:44):
Well, after Michelle Ast, they just didn't have the right
folks calling the shots up there. They had good people
at the beat. I say that the staff, everybody was cool.
It's just some of the shot people that came in
to be the shot callers after her. He did not
know what the fuck they were doing. They should have
had be as program director. That I would have had

(01:10:06):
that shampoo. And I said to tell you, B is
like the programming director here at this station. Once upon
a time when we had the seventeen shows. Yes, I
was definitely programmed directing. But now it's one show.

Speaker 5 (01:10:19):
But now when I hear the meetings and I hear
the you know, when we're going over this and we're
going over that, he's kind of like a programming director.
Now you're kind of like a program you'd be a
good programming director at a radio station if they were smart,
because you're another guy that would give somebody enough rope
to hang themselves, let you do your thing.

Speaker 2 (01:10:36):
But I would change this whole fucking system up. They
they would fire me quick because they I would not
be towing their fucking line.

Speaker 1 (01:10:45):
You know what I'm saying.

Speaker 2 (01:10:46):
I would be like, this is what Los Angeles wants,
this is what I'm going to give them, not whatever
fucking agenda you got going on here, because that's why
you lost your placement as being the number umber one
station here. Because you lost that. You forgot who listens
and who's listening and who would like to listen.

Speaker 5 (01:11:08):
And that falls under the category of like you're saying,
with stations here in LA, but you forget not you,
but people forget the They're owned by a company in Houston, Texas.
They answer to Houston, Texas, not the Los Angeles. I'm
just saying if they know, but I'm saying that's how
it works.

Speaker 2 (01:11:23):
Yeah, they get a guy from Houston to be the
guy here who doesn't know the pulse of the city,
and it's because he had success in Houston, and that's
all good.

Speaker 1 (01:11:31):
But Houston ain't the same market.

Speaker 2 (01:11:32):
No, Just like if he had success here, it doesn't
mean he's going to have success in Houston, you know
what I mean.

Speaker 1 (01:11:38):
It's two different places.

Speaker 2 (01:11:40):
And if you know the pulse, you know the pulse
like Julio g for instance, My man knew the pulse
no matter where he the fuck where he was at,
and people trusted and respected and what the fuck he
had to say. And if he was breaking a record,
meaning like playing something new, people were open to listen

(01:12:00):
because they trusted Julio. They felt like he was one
of them, Right, you need people like that, Like the
way Big Boy resonated here, you know what I mean,
He's one of us. He was born and raised here.
People trust him, they trust his word. When he's got
when there's some new shit and he's like saying, hey,
check this new shit out, people listen to him.

Speaker 5 (01:12:21):
Well, the word I was looking for was localized, and
that's what he is. He's a local kid who like
Big Boy, Well, yeah, I mean, we're all local kids here.
But I'm saying, you know, like, as it relates to
the radio stations, the station's here. If you got a
local guy like that, that's gold. You run with that guy.
You don't fucking let the other guys.

Speaker 2 (01:12:42):
Get him, right, And if you're smart on the other end,
you go get that guy. If let's just say, you're
the competition and the guy who's been giving you the
hardest time in the numbers, he's big, killing y'all, he's
up for grabs. What did the Yankees do when the
player is fucking a bit? They go get them? What

(01:13:04):
are the Dodgers? Sorry, what are the Dodgers doing right
now when a fucking badass player is available?

Speaker 1 (01:13:11):
They won't got das yesterday?

Speaker 6 (01:13:13):
Right?

Speaker 2 (01:13:14):
So this is what they got away from getting people
who knew the pulse of the place that they're trying
to fucking like operate in, absolutely right, and so letting
a guy like Julio Jigo stupid in the Bay, stupid
stupid people that still fucked with those guys and that

(01:13:36):
like tuned in to specifically listen to those guys at
their show. Stupid stupid. That just goes to show you
what we're dealing with. Tire in southern California. I don't
know how it is in your region. You probably you know.
I would like to know, all right, if you listen
to terrestrial radio, if you're in any one of our

(01:13:56):
live chats, place the thumbs up, and if you don't,
thumbs down, and we're not gonna judge you.

Speaker 1 (01:14:03):
If you got a thumbs up, it is what it is.
You know what I mean.

Speaker 2 (01:14:06):
We just want to know how many people are listening
to terrestrial how many are not? And bolted you could
let us know we are over been over this. Fucking
these conversations today have been good. Not to say that
the other ones before it have not. It's just this
one got us going. It's National lagger Day today. Logger, Yeah, Drake, Like,

(01:14:33):
how do you call it? You meant like a logger
who logs would.

Speaker 1 (01:14:36):
Well, No, that would have been l O G g
e R. This one's l A.

Speaker 6 (01:14:40):
G e R.

Speaker 1 (01:14:41):
I was asking how you spelled it. Laga, mate, Mike, laga.
What does that mean?

Speaker 2 (01:14:49):
It's a it's a form of beer. I guess what, Yeah,
what is the difference?

Speaker 1 (01:14:54):
Do you know?

Speaker 5 (01:14:55):
Ken?

Speaker 6 (01:14:55):
I don't. I don't. I'm not.

Speaker 4 (01:14:58):
What about be a beer defined by its cool slow
fermentation using bottom fermenting yeast foster yeast old storage period
called loggerin.

Speaker 2 (01:15:09):
Foster fucking laggery. Mate, Well it's Logger Day. If you're
a logger, drink or drink it, uh, just responsibly please.
And it's also Dewey Decibel System Day.

Speaker 1 (01:15:23):
I know what that is. You know, we all know
what We're old enough to know what that is. We
better know what that is. That's the library thing, right,
that's the system, the library, the library cards, microfiche.

Speaker 7 (01:15:34):
You remember that ship micro film microfiche. You have a
looking up old news.

Speaker 1 (01:15:38):
Yeah, yeah, yeah, yeah.

Speaker 2 (01:15:41):
We're getting a lot of thumbs down, meaning it seems
like a lot of people listened to terrestrial radio these
days as much as they used to. I'm not getting
thumbs up neither, but I'm getting a lot of thumbs
And he put a pole in there like a strip club.

Speaker 6 (01:15:57):
You know what I'm saying.

Speaker 1 (01:15:58):
P O LL or p O L.

Speaker 2 (01:16:00):
He's expecting his girl. He's expecting he's expecting his girl
Berria to come to a dance. Oh, you know what
I'm saying for the mixed show. Did you know it
is the birthday? No, excuse me, yes, it is the
birthday of Meg White of the White Stripes, born in

(01:16:20):
nineteen seventy four, on this day, salute to Meg White.
I mean, she's the reason you know they're called the
White Stripes. See, I never knew that they used her
last name. Yeah, she gave her name to the group
mag What salute to Meg White? Happy birthday girl?

Speaker 1 (01:16:45):
Did you know?

Speaker 2 (01:16:47):
In nineteen ninety six, on this day, Redman dropped Muddy
Water as one of the classics hip hop history. Yeah
is virus? Muddy Water's too is good. I mean, you know, look,
my man red Man is one of them. MC's one
of them songwriters, one of them guys that just keeps
getting better and better and absolute him all day because

(01:17:11):
the last shit he put out with Method Man was ridiculous.

Speaker 7 (01:17:16):
I think he did this show three years ago today
because the memory just popped up in my stories.

Speaker 2 (01:17:22):
You know, it's hilarious when Faith Evans was on the
show and she called him and they start like rolling
each other on the phone.

Speaker 6 (01:17:29):
Based on him.

Speaker 2 (01:17:29):
They were like, just it was a it was a
love roast. They're roasting each other on the phone. It
was great. Salute to red Man and Faith Evans. Those
are my.

Speaker 1 (01:17:40):
People's I did you know?

Speaker 2 (01:17:44):
In two thousand and two, on this day, just a
drop legend of the Liquid Sword. Yeah, boy, one of
the dopest tip hop albums by the Wu Tang.

Speaker 1 (01:17:54):
Yeah dope, Yes, Come on, man, the intro.

Speaker 6 (01:18:00):
Ridiculous.

Speaker 2 (01:18:01):
That's one of the most ridiculous intros to start an album,
like it just sets the.

Speaker 13 (01:18:08):
Tone cold cold world. Yeah, missed all that man? Remember
imagic Man? Oh yeah, that album was just in the
winter time. That album was amazing. Bro, That's all I'm
just saying.

Speaker 10 (01:18:20):
Bro.

Speaker 1 (01:18:20):
Yeah.

Speaker 6 (01:18:20):
Yeah.

Speaker 2 (01:18:20):
We were rocking this album front to back on a
daily MESSU to the jizz. Did you know in two
thousand and two, Comment dropped Electric Circus on this day.

Speaker 1 (01:18:32):
Okay, okay, salute to my man Common. You know what
I'm saying.

Speaker 2 (01:18:36):
Word heck, prolific boss spit up, holding that shy town down.

Speaker 1 (01:18:43):
You know what I'm saying, right, It's only right. He's
a good guy.

Speaker 6 (01:18:46):
Man. Slew to my man.

Speaker 2 (01:18:49):
Uh And did you know music lost the legendary Otis
Redding on this day in nineteen sixty seven, great legend.
He was finally you know, like right when he passed,
he finally had the song that like put him where
he needed to be in terms.

Speaker 1 (01:19:09):
Of what is it sitting on the dog. Yes, Doc
of the Bay.

Speaker 2 (01:19:12):
It was like his his his biggest song, the one
he was striving for, and then he passes away, doesn't
get to enjoy, but he becomes a legend in that.
I mean, that's I don't know how many times that
ship has.

Speaker 1 (01:19:27):
Been twenty six years old.

Speaker 3 (01:19:29):
Yeah, wow, the plane crash, I was gonna say.

Speaker 1 (01:19:33):
Ye, did you know it is the hump day? And
that first hash hole was banging got him side note astrosky.

Speaker 2 (01:19:50):
Button that that hey, listen, not for nothing that that
Kali Blair hash hole was un hits, so thank you
very much.

Speaker 1 (01:19:59):
Flavor?

Speaker 6 (01:20:00):
Was that that was Moroccan peach?

Speaker 1 (01:20:04):
Moroccan peach peach?

Speaker 6 (01:20:07):
Yeah, that's the one I gave you, bro.

Speaker 1 (01:20:09):
That peach is insane. What are some of the other
what are some of the other flavors on the side?

Speaker 6 (01:20:13):
Oh god, red hots, fun.

Speaker 7 (01:20:18):
Urbin poison, which if you like the old school sativa,
is that one fucking slaps?

Speaker 2 (01:20:23):
Oh my god? Word up? Yeah, check it out. Treat yourself.
Treat yourself all right. If you haven't smashed that like yet,
I don't know what you're waiting for. You're being greedy
with the love. Come on, smash the like, help us out,
help our algorithm grow with the bore you smash this, like,
we get more people in here with us, you know,

(01:20:45):
because they see it's popping be that say come on,
and if you're not subscribing, subscribe to you know, the
dopest show on YouTube, you know what I'm saying. Or
if you're on Twitch, you know, like it's a slow
growth on Twitch because you know, most motherfuckers want you
to play games there, you know what I mean.

Speaker 1 (01:21:04):
So we ain't been playing no games.

Speaker 5 (01:21:07):
And we got to let folks know because I've actually
spoken to a few folks about the show and they're like, oh, well,
you know, I can't catch the show in the afternoon.
And some people are under the false pretense that once
the show airs, it airs, it actually gets posted, so
you can watch it tonight when you get home from work.

Speaker 2 (01:21:22):
On YouTube on YouTube, yes, or the home side, I believe,
But on Twitch because Twitch is like once you're done
with the stream, you take it down, right.

Speaker 5 (01:21:33):
But if you can't make the show at two o'clock
on YouTube, you know, get home tonight and like make
it part of your evening routine.

Speaker 1 (01:21:39):
Yeah, and if you want to listen to podcasts. You
know what I'm saying.

Speaker 2 (01:21:42):
You can go to Apple Music, Spotify or wherever and
get down with us there. And we are in the
top fifty podcasts on Apple Music. Come on, make us
number one. We're in the thirties right now. Push us
to the twenties. B Hello, come on, we could do it.

(01:22:03):
You could do it. Share the show out to all
your friends. Don't be greedy, don't be boguarding the show.
Come on, pretend it's the best weed in the world
and you want to, like, you know, enlighten your friends
with it.

Speaker 1 (01:22:16):
Good way to put it.

Speaker 2 (01:22:17):
Yes, now, let's open up the doors to the insane asylum.
That means, y'all, you got a comic question, shout out suggestion.
We are here for it always.

Speaker 1 (01:22:31):
Welcome to the insane Messyle, right, let's do this.

Speaker 4 (01:22:37):
Utah Hawk is saying Jen Shaw is the wife of
assistant coach at the University of Utah for their football team.

Speaker 6 (01:22:43):
Yeah.

Speaker 2 (01:22:44):
I think Houston to be an assistant coach in the
pros too. Maybe I can't remember what team, but that
was one of the storylines. He was always gone because
you know, he's like one of the you know, one
of the assistant coaches for at the time before she
went to jail. Apparently, you know, he was working I

(01:23:04):
can't remember what pro team, but he was hardly home.
But the motherfucker got paid for what he did. Yeah,
coach got money, all right?

Speaker 4 (01:23:15):
All right, h next thing here is, let's see here
we got seeking Vegas sun Rise saying, yo, Trace, what's
the best off strip restaurant in Vegas that you've been to?

Speaker 1 (01:23:24):
One?

Speaker 5 (01:23:24):
I mean, it just depends on what you want to do, sushi,
Italian whatever, But like my golden oldie off strip would
be like Casa dia More. It's one of the older
Italian spots. It's kind of famous. Italian spots are good
in Vegas. Yeah, and it's one of those it's open
till six in the morning.

Speaker 6 (01:23:42):
I wonder what.

Speaker 5 (01:23:43):
It's one of those places that like a lot of
casino staff, like pit bosses and stuff. When they get off,
it's where they go. It's a local spot, Casa dia
More in Las Vegas.

Speaker 1 (01:23:53):
Check it out nice.

Speaker 3 (01:23:57):
It looks pretty good.

Speaker 1 (01:23:59):
Yeah.

Speaker 4 (01:24:00):
Ah, do you ever go there at like a six am?

Speaker 1 (01:24:05):
I've been in there at three am.

Speaker 2 (01:24:08):
Oh boy, mister International, we won't talk about that.

Speaker 1 (01:24:14):
I don't think you have to.

Speaker 4 (01:24:15):
All Right, you guys are talking about the Spotify CEO.
He is worth a nine point two billion dollars.

Speaker 1 (01:24:21):
With a B with a ball with a B.

Speaker 2 (01:24:24):
Come on, do us a solid, do us a solid.
You're not doing the solids right now? B This guy
all right, this guy.

Speaker 4 (01:24:36):
All right, a phantom bunny's asking him. Do you guys
think radio is going extinct or will it?

Speaker 2 (01:24:42):
No, It'll always be there because it's free and every
car that you you know, get into that, whatever radio
system is in there, is always going to have the
FM AM broadcasting on it.

Speaker 1 (01:24:56):
It's whether you choose to use it or not.

Speaker 6 (01:24:58):
You don't think they'll just update the check alogy and
free satellite, you know what I mean.

Speaker 2 (01:25:03):
I don't know that the automotive industry would have to
make a deal with satellite for that to happen.

Speaker 6 (01:25:10):
I mean it's not impossible.

Speaker 2 (01:25:12):
Yeah, But I mean I still think it will always
be available to people and they'll be able to choose
as long as satellite remains like a service that you
have to pay for. Yeah, people are always going to
choose free or they're gonna be in their phones, plug
it in car play Apple car play ship and just

(01:25:34):
go stream their ship, go to their favorite fucking playlist,
or you know, stream ship at random through their library.
Don't even gotta deal with that. It's only if you
want to hear someone talking to you on the fucking
on the station. Hey, this is Trace, we're on it's
a it's a Wednesday.

Speaker 1 (01:25:56):
Today. We're playing Sun Do be lost and Gone. Let's go.

Speaker 2 (01:26:02):
If you want to hear that, let's don't be available
to me.

Speaker 8 (01:26:10):
I did not sound like that when I'm on there,
but he put the radio. Did you hear the way
he sung it, like, hey, it's me.

Speaker 2 (01:26:26):
Or no? It was the strip club guy on the radio.
That's like, you know when you're at the strip club.
All right, guys, get ready, it's time for destiny.

Speaker 1 (01:26:39):
Get your dollar bills up. Don't be cheap. Center stage
with Mercedes. She's driving up the ramp. Now it's Mercedes.
Reach into them pockets, fellas.

Speaker 2 (01:26:58):
Yeah, imagine strip you'd imagine you had to hear a
strip club DJ for two hours on the radio.

Speaker 1 (01:27:04):
That would be crazy.

Speaker 10 (01:27:07):
I could see be at the Magic City just you know,
hosting it.

Speaker 1 (01:27:10):
Yeah, I could see him.

Speaker 2 (01:27:12):
I would I would, you know if I was the guy,
like bringing the girls on stage. I would do it
like Michael Buffer, ladies and gentlemen across the world for
the ten people I can't and the millions wishing they
could be here.

Speaker 1 (01:27:31):
What is wrong with you? Get ready?

Speaker 6 (01:27:38):
Yeah?

Speaker 1 (01:27:38):
No, I would do it like the Buffers.

Speaker 2 (01:27:41):
I'm telling you, I don't got the strip club voice,
though I got it. Yeah, like fucking old buff here
or if you were the other Buffer, it's time and
then the fucking chick comes off on Steade.

Speaker 6 (01:27:58):
Love Angeli's biggest who were I.

Speaker 2 (01:28:01):
Don't know if I do that. I don't know if
i'd do that, because they'd be mad at me. You know,
to do that, it might be frown.

Speaker 7 (01:28:09):
To hey man and the guy's on the crowd be laughing.
So it's a win win depending money.

Speaker 6 (01:28:15):
They're happy because I don't know.

Speaker 1 (01:28:16):
I don't know.

Speaker 2 (01:28:18):
The manager might not be cool with me calling one
of the dances. What you might be cool with it.
If you're the manager, I'm cool.

Speaker 1 (01:28:27):
You could put.

Speaker 2 (01:28:28):
But if someone else is the manager, cafe maybe already
know how you think? No, not you him, you Puerto
Rican's You're something else, all.

Speaker 4 (01:28:49):
Right, Zana saying talking about the American society, of Composers,
Authors and Publishers. He's saying, I'm a little slow. Is
that like a music union like actors have one?

Speaker 1 (01:29:01):
Say that again?

Speaker 4 (01:29:01):
Excuse me, you're saying talking about the American Society of Composers,
Authors and Publishers. He's saying, I'm a little slow with this.
Is that like a music union.

Speaker 2 (01:29:10):
There's really no music union, not really, but it's you know,
there there are organizations that did represent different styles. I mean,
you know like in in the I guess in maybe
the orchestra, like Symphonic World. Yes, they do have a
union because they got to be on stage at a

(01:29:31):
certain time, off stage at a certain time, and then
there's the break they have to have. They are definitely union.
But all the other artists really like for what we
do in hip hop and rock and R and B,
and there's no fucking union because things would be different
with our royalty rates if there was, but there's not.

Speaker 1 (01:29:55):
We don't rally like the actors do.

Speaker 2 (01:29:57):
When the actors are getting a fucking aw shake, like
they got on the streaming services and they went and
fucking got actors paid more money for when a show
goes from okay, the theater to the streaming service because
then it gets way more run And guess what, the
actors don't get fucking paid for that. Neither did the
directors or any of that. But guess what, the fucking

(01:30:19):
the community of filmmakers and and and actors and the
unions that exist there got together and got all them
people their proper dues from the studios right that were
making these deals with Netflix and not representing the people

(01:30:41):
making these films or that were in the films. They
you know, they fought for each other there, whereas you know,
our record companies did the same thing with the music
streaming service. But none of us bent together and said, hey,
fuck y'all. You know, we need our royalty rates. We

(01:31:02):
need our royalty rates changed. Otherwise fuck you, we're pulling
our music from here. There is no union that exists
right now for artists on you know, in our genres
that we could pull that kind of weight and change it.
If there was, we'd be changing it. And guess what
they're not. No one's rallying for us. We're all more

(01:31:23):
artists are talking about it now on different platforms. I've
been hearing it left and right. Shit I've been saying
for a while, you know what I mean. But it's
great that other motherfuckers are saying it now, whether they
heard me say it or they've realized it for them
fucking selves, which.

Speaker 1 (01:31:40):
They probably did.

Speaker 2 (01:31:42):
And seeing how much money this guy at Spotify gets
and how much we lose twelve hundred to fifteen hundred
streams to make one fucking sale.

Speaker 1 (01:31:54):
Wow, it's not fair.

Speaker 7 (01:31:56):
That's just how they equivalent. They don't pay you fucking
that way. No, No, people understand, like if this like saying,
all right, this guy went platinum, right, for him to
go platinum, he needs fifteen hundred plays for one, But
they're not getting paid that way. If it was, people
would be happy, because when you get fucking, you know,
five million views, you'd be making a fucking check.

Speaker 10 (01:32:16):
Why don't we do this? Why don't we hire some hackers?
And why don't we just like fix the numbers? Yeah,
that's that ain't gonna help any numbers. They'll fix them
the next day. That's not gonna help any there.

Speaker 2 (01:32:28):
It's gonna take artists to finally create a union like
sag Aftra, you know, and like the Director's Guild and
all and all that. It's gonna take the music community
us as artists, producers, writers, the creatives to make this
union because if we don't, we're gonna continue to be fucked.

(01:32:51):
And you know, the guy that had the idea for
it that I always remember talking to me about it
was ice Cube, you.

Speaker 1 (01:32:59):
Know what I mean. Back in the nineties.

Speaker 2 (01:33:00):
He talked about that shit and I tried to bring
it up on a hip hop panel and fuck, I
got shut down.

Speaker 1 (01:33:06):
I got shut down.

Speaker 5 (01:33:07):
No.

Speaker 2 (01:33:07):
Oh, you know what if I need to go do shows,
What if I got to pay my bills, I'm gonna
shut my shows down for you. Well, if it makes
it better for all artists, yeah you should. But that
was the mentality it was. You know, most motherfuckers was
gonna be out for self. And that's the problem. You know,
if you're a union, you can't just be out for self.

(01:33:29):
It's got to be we all got to have a
better situation. And I would imagine now it would be
welcomed because guess what, you know, artists would get a
better shape if you're signed into a record company.

Speaker 5 (01:33:42):
And even more so now with all the streaming that's
going on. I mean that's where the money's at. I
would be curious like you mentioned the movie business when
it goes from theater to Netflix, I'm curious, like what
revenue comparison between theater and the Netflix. I mean, is
Netflix actually get more then at the theaters or less
or is it mixed up? But what I'm getting at

(01:34:04):
is there's millions of dollars at play that Like you're
saying that the director, the the actors that they don't
see a nickel of that now that it's owned by
the studio. When you think of it like that, yeah,
you know, that's that equates to a lot of money
that's being you know, left on the table and strictly
to the to the to the what's the word I'm

(01:34:27):
looking for, to the company of the studios themselves.

Speaker 2 (01:34:30):
Yeah, wow word, it's a it's a fucked fuck deal.
We got as as a music industry, people that work
within it, and how how the streaming services affect our ship. Yeah,
it'd be great if if all of us as artists
could rally up and change our situation because no one listened.

(01:34:52):
It's much like politics. When you want a law changed
or something, you can't rely on the politicians to do
it for you. You you have to fucking you know,
put it into legislation somehow. And that's doing the fucking
groundwork and getting other people that are on the same
page with that, and educating other people and getting other
people on the same page and pushing to change things.

(01:35:15):
It's people who change things and talking about it. It's important. Yes,
all right, let's move on to the.

Speaker 4 (01:35:20):
Next renegade sketches saying what's up guys? First, Jay, after
one and a half year, all right, you're saying, let's
go to the moon.

Speaker 7 (01:35:28):
You're going to going, Sure, you're going. I hope you
chose a good flavor, you know, like something like this.
I'm coming back for a year and a half. I
hope you just said, you know what, I'm getting my
favorite strain for this.

Speaker 4 (01:35:40):
Enjoy it or big show to us Psychs and ceaseless,
thank you so much for the super chat. And Esa
is saying there's extradition in Dubai.

Speaker 6 (01:35:48):
And don't stay and she won't be.

Speaker 1 (01:35:51):
She won't be.

Speaker 2 (01:35:51):
She's probably leaving Dubai right now. The minute that shit
gone on through the wire. She probably tried to leave,
is she how? I don't know how she's gonna leave.
She's gonna have to bribe them to let her ask go, Well,
like you said, you're on a private jet.

Speaker 4 (01:36:08):
Oh yeah, that just happened to Antonio Brown. He got
extradited right to Dubai.

Speaker 6 (01:36:11):
And you can still get port on a private jet.

Speaker 1 (01:36:13):
Yeah you can have a passport. Yeah you can't.

Speaker 6 (01:36:16):
You have stolen.

Speaker 1 (01:36:17):
Yeah.

Speaker 2 (01:36:17):
But if you leave beforehand and you get to the
country that has no exit and you're lucky, then you're lucky.
If she was smart the minute that ship came through
the lines, she should have jumped on a private plane
and got the fuck out of.

Speaker 1 (01:36:29):
There, headed straight to Amsterdam. If they do like I said, yeah,
Amsterdam doesn't.

Speaker 6 (01:36:34):
They don't ad you Venezuela.

Speaker 1 (01:36:36):
You could get lost there. Yeah, Amsterdam is where you run.
But at least that's what I'm doing.

Speaker 2 (01:36:43):
You'll find you'll find many Americans in Amsterdam that have
been there for like fucking fifty years.

Speaker 1 (01:36:49):
We know a couple, We know a.

Speaker 4 (01:36:50):
Few, all right, h planting here saying them will Cypershill
re released a vinyl record of Stoned Raiders. It's the
only one I don't have in my collection and I
can can't find it anywhere.

Speaker 2 (01:37:01):
I believe when the anniversary comes up for it, Yes,
one of my favorites.

Speaker 1 (01:37:06):
One of my favorites, four four is my most favorite.

Speaker 4 (01:37:11):
Luke b is asking him question for sound b Yohomie,
can you speak on the Trubble trouble Shooter album you did?
I still have the vinyl Natural fun is my favorite.

Speaker 10 (01:37:20):
Yeah, it's the only album that T Funk is not on.
It's just me and Ralph at that time because t
you know, he had his daughter, I think his son
at that time, so we just pretty much held it
down and uh man, we just had a lot of
good cameos. Rocking from Dilated is on there, and we
got crumb Snatcher, we got we got Ski. I mean,
we got a lot of folks man that you know,

(01:37:42):
they just like contributed a lot to this hip hops.

Speaker 1 (01:37:45):
T Funk was living in Portland at that time.

Speaker 10 (01:37:47):
Yeah, yeah, yeah up north, so lucky hire man. You
know what I'm saying, nice up there word. Yeah, but uh,
thank you man, I love the Troubleshooter ship. Yeah, yeah,
thank you.

Speaker 4 (01:37:57):
Sorry, not sorry, you're saying Trace got a syrup bottle
under his pillow jokes jokes.

Speaker 1 (01:38:03):
I don't know that jokes.

Speaker 4 (01:38:04):
Today it's got in the super chat saying Happy Wednesday.
Y'all props to a trace signor syrup nunes.

Speaker 5 (01:38:12):
Did you save those little syrup Like there's a little
group right there, like you nailed them one two They.

Speaker 3 (01:38:16):
Were right after you.

Speaker 1 (01:38:19):
Damn liar.

Speaker 3 (01:38:19):
You guys can even see it in.

Speaker 1 (01:38:20):
The SUPERSTI here, you didn't totally see it.

Speaker 4 (01:38:22):
Yeah, Then the next one says uh MC eight says
rappers were scared to go to San Diego.

Speaker 3 (01:38:31):
That's true.

Speaker 2 (01:38:32):
Uh, who you're talking about rappers? I don't know, I
don't know. I mean we always went to San Diego.
It was wild, though, but the most wild shows were
a TJ. Those ships were fucking crazy, those are it?

Speaker 3 (01:38:49):
Says uh.

Speaker 4 (01:38:49):
He was saying rappers from outside of San Diego were
hesitant to perform or spend time there due to the
city's reputation for being dangerous.

Speaker 1 (01:38:57):
I don't say that again.

Speaker 4 (01:38:59):
He say rappers from outside of San Diego were hesitant
to perform or spend time due to the city's reputation
for being dangerous.

Speaker 2 (01:39:06):
Sound he he don't say about eight like that. That's
about homies. Okay, So that's why you gotta put headphones.
That's why you got to put headphones on. But what
I'm saying, is in that time, I don't think so.
I mean, we never had problems going to San Diego.

(01:39:27):
And I mean I don't know about anybody else's experience.
I can only talk about mine, But I never heard that.

Speaker 6 (01:39:34):
Maybe think from a gang thing.

Speaker 1 (01:39:35):
Well listen, you know I was, I was involved in
all that ship.

Speaker 2 (01:39:41):
But still I never, like, we never had any problems
as a as a Southern California group going into Southern California,
which is San Diego. Being from Los Angeles, I should say,
going into San Diego now, we never really we never
had any problems.

Speaker 1 (01:40:00):
The problems were in TJ.

Speaker 2 (01:40:02):
Motherfuckers was wilding out over there, but like in San
Diego now, we were always embraced. So maybe it was
the style of hip hop music. I don't know. I can't.

Speaker 1 (01:40:15):
I can't even groups like Pod that were down in
San Diego and that kind of stuff.

Speaker 2 (01:40:19):
Is this was before their time, before that, Okay, this is
before their time, because if you're talking about MC eight,
you know we're talking about nineteen eighty eight, eighty nine, okay,
ninety something.

Speaker 1 (01:40:29):
Well, what was Compton's most wanted?

Speaker 2 (01:40:30):
It was uh eighty nine, it was eighty nine or
ninety something like that, And so those guys were doing
shows before us in some of these places, so maybe
in their time, yeah, they maybe experienced some crazy shit.

Speaker 1 (01:40:43):
I don't know, that'd be some set shit could be Yeah.

Speaker 7 (01:40:47):
That would make sense, like yo, you come down here,
you know, like that's the only he ain't no pump.

Speaker 2 (01:40:51):
It could have been gang affiliated problem for sure, because
I mean, you know, like there were no crips and
there's gang There was gangs in San Diego, right, so
it could be that they got a little bit of
heat over there because of that. But like, yeah, no,
as as someone that has been doing this for thirty
some odd years, right, thirty four years professionally going in

(01:41:16):
and out of San Diego throughout the life of my career,
we've never had any problems with any folks out there.

Speaker 1 (01:41:24):
And we saw MC eight when we were down in Arizona.
You did the show down there. Yeah, but that has
nothing to do with but I'm saying no, but we'd
seen MC.

Speaker 2 (01:41:32):
Eight Yeah, yeah, no, yeah, he's yeah, I don't know
what his experience was in San Diego. But like I
could say, as Cypress Hill, how about you Doobie, did
have you ever like as a West Coast base group
or not a West coast but as a Los Angeles
based group.

Speaker 1 (01:41:48):
Did you ever get heat when you guys played show
and sent shows in San Diego? Never be it's just
a solo sass.

Speaker 10 (01:41:55):
When we did our last show at the in San Diego,
it got a little crazy at the end, a little
a little uh, you know, a little uh you know,
got a little rambunctious fight broke out. Yeah, a little
frime broke out in the bed. But I think Sin
saved me. Man just pulled me right out of that.

Speaker 1 (01:42:09):
Man. Yeah that was what ninety four. Yeah, but Sinn
went in on him. Bro, Yeah that's it. But he
saved me. So I was out of there. Man.

Speaker 10 (01:42:18):
But everybody once one person went in the hole. You know,
it was crazy.

Speaker 1 (01:42:22):
So yeah, that was a crazy tour just in general.
That was a dope. That was a dope.

Speaker 2 (01:42:26):
But let's just say outside of that, right, And you've
done many shows in San Diego maybe in the in
the you know, mid eighties up to ninety it might
have been weird or something, you know, to go over
there as from from you know, being from Los Angeles,
But yeah, I mean we never got it.

Speaker 1 (01:42:46):
You know when we when we went down there. So
I can't I really can't speak to that. All right.

Speaker 4 (01:42:51):
My sister went in here talking about the Warner Brothers
Netflix Paramount deal. What do you guys think of that?

Speaker 1 (01:42:58):
Right, it's a lot of money on the on the yeah.

Speaker 2 (01:43:03):
Who Apparently the guy from Paramount texted the other guy saying, hey,
you know, like he gave him two texts, like just
not even like an email, business like, hey, you know,
we're making the un offer and it's gonna be pretty
fucking cool.

Speaker 6 (01:43:20):
And if you like, he's it's just like, don't succession.

Speaker 2 (01:43:23):
Rich guys talking to rich guys the.

Speaker 1 (01:43:27):
Crazy as shit, it's a good way to put it. Yeah,
it was just like succession.

Speaker 7 (01:43:32):
Yeah No, that's the kind of conversations they had on
a phone. One hundred million dollar mergers and fucking acquisitions,
and he's.

Speaker 1 (01:43:39):
Like, hey, I don't want this to be weird, and
you know, I'm like, you know, trying to.

Speaker 2 (01:43:42):
Like make this cool for all of us, but you know,
it's a pretty good fucking package.

Speaker 1 (01:43:46):
We're off rigged. No no, no, no, like, oh my.

Speaker 2 (01:43:48):
God, billionaires baking deals with billionaires and they were like people,
the people they were like on stank ass, you know,
because I still watch it for some reason. They were
tripping out that this guy was just nonchalantly texting the
other guy that represented I think, uh Warner Brothers. Wow,

(01:44:12):
that are trying to like get it before Netflix does,
like they have the money to actually fucking do the
deal that they're doing a hostile takeover right so that
Netflix doesn't get it. And uh, it's like a whole
lot more money. And the whole Boy's just talking to
him like, yeah, you know, I set your text about

(01:44:33):
you know, the package, and it's it's pretty good, and
I just want to make sure you guys taking care
of he said them too, back to back, and whole
boy still ghosted him.

Speaker 1 (01:44:47):
Oh, the guy didn't even respond to him the text.

Speaker 6 (01:44:50):
He did not respond to him. Wow. Now, do not
respond to that kind of texting.

Speaker 5 (01:44:55):
Money to the one hundred million dollar text, because your
lawyer is going to tell what that kind of money
on the line.

Speaker 2 (01:45:01):
The lawyer is going to tell you, do not fucking
respond to that text.

Speaker 6 (01:45:08):
Not millions, bro, billions, it was billion millions of dollars.

Speaker 2 (01:45:11):
Wow, you know, And somebody's going to get a side
feed for coming in and being the fucking mediator.

Speaker 7 (01:45:18):
Look value eighty eighty billion, eighty two billion, eighty two billion,
that's insane.

Speaker 10 (01:45:25):
That's like a military contract I got. Hey, I got
a pretty good deal for you guys.

Speaker 2 (01:45:29):
If you guys, if you did see my last text.

Speaker 10 (01:45:35):
Yo, just half of that, you could take over a
small country or something, cotton it or something.

Speaker 6 (01:45:40):
Man.

Speaker 1 (01:45:40):
That's crazy.

Speaker 5 (01:45:42):
Well they areas are getting that is taking over the country.

Speaker 1 (01:45:47):
I mean ship that could you know, help towards uh
the world.

Speaker 2 (01:45:53):
Femine son for sure, but no thank you for these
motherfuckers are trying to buy a movie uh studio Fighter
Jeff movie company.

Speaker 3 (01:46:02):
You think Netflix will mess up the DC universe?

Speaker 1 (01:46:05):
I don't think so. They got the money to do it, right,
we just do.

Speaker 2 (01:46:10):
But there are a couple shows that what do y'all
do it?

Speaker 5 (01:46:16):
Woo man, it is so crazy to see what Netflix
is like turned into. Do you remember back in the
day when Netflix, when we had to like send the
CD in the mail?

Speaker 6 (01:46:25):
Yes, thanks, we keep it and we keep it.

Speaker 5 (01:46:29):
And now look they're putting fifty six billion dollars deals together.

Speaker 6 (01:46:33):
Wow.

Speaker 5 (01:46:35):
Yeah, that's crazy. That's crazy. I think they're out of
the Bay Area. Netflix. I think out of the Silicon Valley.
I think could be all right, what else you got?

Speaker 4 (01:46:45):
Oh, let's see here next and here is a show
out to Justin and Kai, thank you so much for
the super chat.

Speaker 1 (01:46:50):
Thanks Ki, Justin and Robert in here.

Speaker 4 (01:46:53):
Saying yo, b Trace is no longer the Coca Cola guy.
He is now the Pepsi guy.

Speaker 2 (01:46:58):
No right, no, no, no, no, no, he's just the
cola guy.

Speaker 6 (01:47:02):
He gets no title anything.

Speaker 1 (01:47:04):
You don't got a title anymore. It's just cola.

Speaker 2 (01:47:06):
Can't be Coke, not Pepsi's cola guy, anything colon. So
when he comes in with a jacket, it's all thela. Yes,
Jeff Hamilton, this look right here, boom, this is this

(01:47:29):
is Tracey's new representation.

Speaker 1 (01:47:31):
I look cokes all the way buried in the bat
be Yeah, no respect.

Speaker 7 (01:47:36):
You should be sha after that.

Speaker 6 (01:47:39):
That's what you should represent.

Speaker 1 (01:47:42):
About Shasta.

Speaker 6 (01:47:43):
I'm just telling you, bro, Yes, hey, where you belong?

Speaker 1 (01:47:46):
Hey.

Speaker 2 (01:47:47):
Look, I don't know if they I don't know if
if Canada Dry does this just for this part of
the season. But if you go into a smart and
final right and look at the gingerreil that is available
to motherfuckers right now, there's the regular ginger Ale, and
then there's the gingerreal with the cherry twist. Oh yes,

(01:48:08):
it's pretty fucking good.

Speaker 6 (01:48:10):
Yes it is.

Speaker 1 (01:48:11):
It is it overly sweet? Though, like no.

Speaker 7 (01:48:16):
Cherry Charley Temple is that fire?

Speaker 2 (01:48:21):
Yeah it is. It is a cherry splash, a little
splash of cherry. I tried it last night. Would you
like it?

Speaker 6 (01:48:31):
Awesome?

Speaker 1 (01:48:32):
Zero Sugar says on it.

Speaker 2 (01:48:34):
I don't know, but there's the one. But no, no, no, no, no, no no,
that's not the one I tried. That's just the one
Bolton brought up. They do have the regular one that
is with the sugars, and you would love it, and
so would Cali Blaze. I would not be drinking the
zero because I already know that's false game right there.

Speaker 1 (01:48:52):
That asparteine.

Speaker 2 (01:48:54):
I'll kick you in your asparteine man, all right, next one.

Speaker 4 (01:49:00):
Yeah, when I was a little kid, whenever I went
out went out to you with my parents, I'd always
get the Shirley Temple. Yeah, Roy Rogers, which is a
cocin grenadine.

Speaker 3 (01:49:08):
That was pretty good.

Speaker 2 (01:49:08):
Oh that's good. I mean that looks good. I would
try that. It sounds fucked up, did you guys.

Speaker 7 (01:49:14):
Have Roy Rogers Fast Food out here, No, not that
we know about it.

Speaker 6 (01:49:18):
We had Roy Rogers Fast Food.

Speaker 7 (01:49:21):
They went away I think in the nineties, but they
were great, like for back then because they had the
salad bar thing in the middle, so you got your
burger and that was one of the first place you
I think. So if you wanted extra lakes, whatever one,
you made your own.

Speaker 2 (01:49:35):
If they would have had a Roy Rogers, I would
have tried it. They were good, good, Yeah, I have
one right by my house. Didn't they didn't Geneautry own
a franchise like a Burger franchise, stake house or maybe
it wasn't mistake. I thought, me, it's somebody else. I'm confused.

(01:49:58):
I thought Genautry, Remember you know, he's your own angels.
He was the singing cowboy. Him and Roy Rogers were
the two singing boys.

Speaker 1 (01:50:06):
Yeah, forget it.

Speaker 10 (01:50:07):
Man.

Speaker 1 (01:50:08):
Wasn't he married to Dale Evans.

Speaker 2 (01:50:09):
One of them was Yeah, yeah, I don't know if
they I don't know.

Speaker 3 (01:50:14):
What I'm seeing. The melody ranch hotel.

Speaker 2 (01:50:17):
Oh okay, makes sense. Bordello another word for a broth.
All right, what else you got?

Speaker 3 (01:50:28):
And that seems to b it out to C minus.
He rated us in Twitch.

Speaker 1 (01:50:30):
All right, salute to suss Word.

Speaker 2 (01:50:35):
I want to remind y'all that we got a mix
from dj FM. He's going to be popping it off
right after this on be Real TV two right here
on YouTube. That is our mixed channel. You know what
I'm saying. I check the mixes there, live mixes and
some pre record I won't lie to you. And uh,

(01:50:56):
you could also check us out on Twitch be Underscore
Real TV. I we'd be mixing there too, So join
us if you get down with the music like that.
Much love to all y'all out there, and I will
see y'all motherfuckers tomorrow. But you know, spread the good
vibes around right and try the gingerreil.

Speaker 1 (01:51:18):
With Cherry twist. Treat yourself first, basement and he kicks
it to me right after that. I like that.

Speaker 5 (01:51:27):
He smooth move right there. Big shout out to you
guys around here at the table. Always fun coming in
here and hanging out with you guys. Good to be
back in here in the starting lineup. Big shout out
to the fifty one fifties out there, everybody tuned into
the show today around the world and out there on
the inner Wide Web, you guys behind the control board,
everybody in the front office, Aton, everybody out there came

(01:51:49):
down to see Og the Dog today wasn't near today.

Speaker 10 (01:51:51):
I'm kind of pissed. How about you, Dooby, What's wrong
with you? I'm just want to give a shout out
to you. Blaze be C Lows, FM, Hobby Lopez, Strong
One C Minus, Aton, Pedro, E Zone, Bolts and Ray, Dominic,
Bobo Everlast, DJ Lethal, Sinddog A Mad Child, Prev and

(01:52:11):
Rob the Viking Man.

Speaker 6 (01:52:12):
Just thank you, guys, Soul Assassin's word.

Speaker 4 (01:52:14):
Shout the Insane Asylum. Shout to Ray Morning Shot Film Show,
to the Dominator, what a Blaze.

Speaker 7 (01:52:19):
Shout out to the inter Wide Web, Like fucking what
the hell is an inter wide Web?

Speaker 6 (01:52:24):
I was like, what the fuck is that?

Speaker 7 (01:52:26):
Yeah, shout out to everybody on that everybody, everybody here
on YouTube. Insane asylent fifty one fifties follow me, Cali
Underscore Blaze or Caliblades dot that much love.

Speaker 2 (01:52:38):
Shout out to the three hash holes Cali Blades, Blaze,
the fucking

Speaker 6 (01:52:49):
TV