Using AI to Make Music | The Dr. Greenthumb Show

Episode Transcript

Speaker 1 (00:05):
It's clamer. This video, like all videos featured on the channel,
it is definitely intended for a mature adience.

Speaker 2 (00:08):
This videos, like pleasik Atakul language content is inappropriate for video.

Speaker 1 (00:11):
It's not for kids.

Speaker 3 (00:15):
Welcome cut y'all off guard with that, I know you did.

Speaker 4 (01:19):
I caught myself off guard. I was looking down and
seeing that none had been issued. Your ejo needs one
three damn projected. My projection skills today are all over
the place. To my right, well before I go, it
is all the right, my man, d j C minus

(01:40):
mister goodlight.

Speaker 5 (01:41):
Whatever everyone happy day after hump Day. Add to his
right the legendary psychle leasy you already you already.

Speaker 4 (01:51):
The sideline crew is in a fact Bolton Blombo bro
Bra at the dominator.

Speaker 1 (01:55):
Yo yo, what up quite on the set? He zone? Yes,
gotta be quiet man.

Speaker 4 (02:00):
And uh yeah, I'm assuming that was the button.

Speaker 1 (02:06):
Uh. We also have the incredible DJ Lord in the building.

Speaker 6 (02:12):
Yeomen yield man.

Speaker 1 (02:13):
What a world?

Speaker 4 (02:14):
That's right, And we have mister Miller Grams himself desol
it's a nice shirt.

Speaker 1 (02:21):
I like that X men splash there than you up
watching it?

Speaker 4 (02:26):
You know, I thought you were gonna be one of
those guys who was a DC guy and like shipping
on X Men.

Speaker 1 (02:32):
You know what I mean.

Speaker 4 (02:32):
But you're an X x men kid, you know what
I mean. I wasn't around for your childhood. I know
I was touring the world, but uh, you know, hey,
I don't mind that most What do you think? Yeah,
our generation in the fifties that are in our fifties.
Let me ask you this. Did you lean out d

(02:53):
C or Marvel or did you get down with both?
Or did you or or did you not do either mics?
I didn't either. It was Star Wars for me.

Speaker 1 (03:06):
Word. Okay, you were a Star Wars guy? All right?
How about you, Lizzie, d C or Marvel or both both? Yeah?
So you read comic books and all this, collected them.
If the cover looked crazy, collect more toys like the
album cover. Yeah, I like cover.

Speaker 6 (03:23):
How about you, Lord, I was a collector, so I
did DC, Marvel and Star Wars and I was drawing then,
so so.

Speaker 4 (03:31):
He did all that, all that ship. Oh you were
willing to collect us. I didn't even want to see
her collection.

Speaker 1 (03:38):
Well out the gate.

Speaker 6 (03:40):
You know, I had Superman number one, which is gonna
we could went straight to the fucking ClearPort right now
and went somewhere millions. My brother burnt my Superman number one.
I remember you saying this. I was twelve. I fought
his knees.

Speaker 1 (04:01):
Damn. How was your older brother at that? My brother
was in high school.

Speaker 6 (04:05):
You know, you get the bad report cards, so you
rush home, try to clean up before moms for the
you know, get home.

Speaker 1 (04:12):
So we had an outhouse.

Speaker 6 (04:13):
I would get at this stage, I was cutting grass
and buying comic books and drawing them. Put him back
in plastic, put him in the little thing. Yeah, we
had an outhouse that had a leak, and my comics
was in this thing. And my brother thought it was
all trash because this side is like moldy. But my
comic books was in this sliding glass thing in plastic,

(04:33):
and he thought there was trash to help the trash
burns legal to burn trash in Savannah. And he burnt
my Superman number one. He burnt my Flash versus Superman,
the big freaking book, Spider Man versus the Hulk, Micronuts.
That's how I know all the Hollywood story before the
movie comes out. I know we need deviate from the
storyline too with the X Men and everything.

Speaker 7 (04:54):
Not too many people know about the micro nuts. Yeah
that's crazy, that's crazy, right.

Speaker 8 (04:59):
How about you? You collected yeah, both cards and all
that stuff. But I need more towards Marvel. Yeah I
figured that, but like still showed respect to like Batman
type shit, you know where it was Superman.

Speaker 1 (05:14):
No, I didn't know Superman all right.

Speaker 5 (05:16):
I mean my first favorite superhero is Superman, so that's
DC right.

Speaker 1 (05:20):
It was like two good I.

Speaker 5 (05:22):
Mean, but that's the first superhero movie I saw, was
you know, because for reason, you know.

Speaker 8 (05:26):
Like I just felt like Superman didn't have it in
him to kill somebody like Batman.

Speaker 1 (05:30):
He wouldn't think about it.

Speaker 4 (05:31):
Well, you know, he didn't want to take advantage of
the fact that he could have just ripped somebody.

Speaker 1 (05:34):
In half with that. But there was occasions where he
probably or with his hands.

Speaker 2 (05:38):
True.

Speaker 4 (05:39):
Yeah, but uh, Superman didn't kill anybody now he slept
on the new ship. Except on the New Ship.

Speaker 6 (05:47):
Joker fuck around and killed Lowis. Superman punched through Joker's heart,
had his heart and his hand on the other side.

Speaker 1 (05:54):
That's the first time he ever said fuck it.

Speaker 6 (05:57):
Fucked around and killed Lowis. Fucking around Batman tried to
stop him. Nobody could stop him. They tried to keep
the news away from him about Lowess. He came back down.
They crying in the corner. You're looking around, God's what's wrong?
And they broke the news to him out the building,
straight to the Joker. By the time they got to him,
they showed the scene with Superman was doing this and

(06:18):
had Joker's heart. The Joker was still laughing, like this dope,
fast fucking book. I wish I remember the issue number.
That's the new Superman. That's crazy. But yeah, you know.

Speaker 4 (06:34):
They always showed him regional though he wasn't like worldwide,
he wasn't saving motherfucker's world. He was yeah, Metropolis, right that. Yeah,
all the superheroes were regional in America.

Speaker 1 (06:46):
Was that supposed to be in America? Yeah?

Speaker 5 (06:47):
Yeah, I mean New York, you know New York. Yeah,
I think it was supposed to be after come there.
Always on New York, Bros. Because that's the place things happened. Yeah,
that's a lot of crime there or what I guess.

Speaker 8 (06:59):
I mean, like it's just like bro, all the heroes like, yeah, Chicago,
New York and the whole Spider.

Speaker 1 (07:04):
Spider Man like, bro, how much crime is there in
New York?

Speaker 4 (07:07):
Bro Like, well, a lot back in the day, even
more or just as much now. It's a small place
though when you think about it, So yeah, it could
get over run with ship like that, as it did
many times right throughout its history.

Speaker 1 (07:23):
As a state. Eight million people even in that area.

Speaker 4 (07:26):
Yeah, in the on the island, right, yep, because Manhattan
is the island part of New York, and there's a
lot of people that live on that little last island.

Speaker 7 (07:37):
You got across a bridge from wherever you have. If
you're in Brooklyn, you got across a bridge to get
into Mahatan from Queens Bridge.

Speaker 4 (07:43):
It's whether like what three four bridges or something like this,
right Washington, Verano or Verrezona there you go, or Verrazona.

Speaker 1 (07:56):
Bridge, the Nice Street Bridge. There's a lot of.

Speaker 4 (07:59):
Bridge manybody just into the into the little last island
that it's expensive to live on this.

Speaker 1 (08:07):
Island smalls apartments and ship.

Speaker 4 (08:11):
Bro Hey, you know, and if you got a big car,
oh Man asked out, you better be living on the
outskirts and just park that car at the crib and
take a train in.

Speaker 1 (08:24):
You got a big car, you gotta have a big wallet, because.

Speaker 5 (08:28):
Parking for that in the city is that was the
first place I ever saw the lots, the parking lots.
You know, they weren't that big, but they started stacking
up with the automatic.

Speaker 4 (08:39):
About cars stalkers or how about this, right, this is
when stacking just started. And by stacking, I mean you
know they started getting these the hydraulic lifts from Japan
and stacking cars, right. Yea, So Alchemists was living out there.
This is this is early in his run living in
New York. It'd only been there like a couple of

(08:59):
years at this point. He was living in a in
a in a loft. It was kind of small, and
it was expensive in that loft. It's like, you know
that what he was paying, you could pretty much, you know,
lease a house for here.

Speaker 1 (09:15):
An expensive one.

Speaker 4 (09:17):
Yeah, you know what I mean, that's how much it
was for that little I think it was like six
racks for like a small fucking loft.

Speaker 1 (09:27):
You know.

Speaker 4 (09:28):
There was no bigger maybe maybe slightly bigger than our
office area in there, right, trisk it. And then he
told me what it was for parking again, a whole
other lease if you want to. Yeah, it was it
was like four racks a month or something like that
for the car. This was like about four Yeah, this

(09:49):
was like I'm going to say, probably like fifteen sixteen
years ago when when he was out there. Yeah, because look,
you're paying for one of these spaces, because it ain't
going to be that you just pay for the space
of the day. Now what I'm saying, you want one
of these spaces your car parked. You live in a
fucking building, You need one of these spots.

Speaker 1 (10:08):
If you have a car, that's your space. That's the
first place in New York is the first place I
ever saw that.

Speaker 7 (10:13):
Especially especially if you have if you got a nice
car and you don't want to park it on the
street because it's a risk to park on the street.

Speaker 1 (10:20):
And the thing is New York.

Speaker 4 (10:21):
They can't build out, they have to build up, and
so with parking, they can't just build parking structures. There's
no available buildings. They got to buy these stacks and
stack cars up. Japan was the first place. Yeah, Japan,
Japan had the technology. Here you go, like four years
ago or I don't know if they had the technology first,

(10:41):
but they were definitely using it before everybody there.

Speaker 1 (10:44):
We were out there too. Man, I think they did
come out with it first.

Speaker 8 (10:47):
I'm not mistaken, but yeah, well look like just regular
parking lots, they'll go up to like three and you're like, man,
this is like it's not even a big parking lot, bro,
It's like maybe a parking lot where there would be
six cars, But because of those little things, you can
now fit like eight eighty.

Speaker 4 (11:00):
Well, when you think about it, when you're on an island,
you have limited space.

Speaker 1 (11:04):
You can't really build out too far.

Speaker 4 (11:06):
You have to build up, so you know, you can't
just build parking structures like that. So they're stacking them
like in places it already exists where it's open lot
shit and just okay, we're gonna put the stacks here
and park as many cars as we can this way,
as opposed to building a building for that.

Speaker 1 (11:26):
Wow.

Speaker 4 (11:28):
Yeah, it's less overheads to maintain those things than the
fucking whole building for it.

Speaker 9 (11:33):
Yeah, separate more money, more money, more money, more money,
because someone's gonna be like, I bet the first time
they didn't think about like renting the slots or leasing
the slots to anyone till someone came up and said, hey, man,
how much do I got to give you so that
my shit is always this one on the bottom corner

(11:54):
because I don't want to wait for it to come down.

Speaker 1 (11:57):
How much is that? Yeah?

Speaker 4 (11:59):
And then sure the light bulb went out. Oh ship,
we could charge for slots.

Speaker 1 (12:06):
Yeah.

Speaker 4 (12:07):
Yeah, And they're making money hand over fist with that ship.
That's probably like the most profitable thing you could own.

Speaker 8 (12:13):
A metropolitan area parking parking Yeah, like whoever the fuck
Joe is and all over yeah, over down like in
downtowns Joe's fucking parking whever the fuck this Joe guy is. Like,
that guy's filthy, fucking rich, jose Mother Staples Center business conference,
fucking motivation even at that conference.

Speaker 1 (12:33):
You didn't mean there's twenty dollars one hundred dollars.

Speaker 8 (12:36):
I'tueen one hundred and fifty dollars in Laker playoff ticket.

Speaker 4 (12:39):
He's got parking slots at the airport, he's got parking
show Joe got it locked.

Speaker 1 (12:44):
Up, fucking asshole.

Speaker 2 (12:45):
Smart.

Speaker 8 (12:46):
Yeah, this guy monopolizing the fucking carping, the parking game.

Speaker 1 (12:50):
Dog, You don't think we deserve a green thumb fucking
parking lot. Yeah, we need a green We could buy
the one down the street.

Speaker 4 (12:55):
Dog, I'm just go get buy parking lots. Nod. That's
the move.

Speaker 1 (13:00):
Fucking house, bro, fucking house.

Speaker 7 (13:01):
Just get the kid. I mean, the key to having
a parking lot. Your shit got to be you know, like,
not expensive, man.

Speaker 4 (13:09):
Not expensive clean. Someone's got to be there maintaining well.

Speaker 8 (13:14):
It depends ten dollars all day be it depends on
the demand because some of these places, that's how they
make that that's how they make their fucking money.

Speaker 1 (13:24):
Like crazy bit of by price scouting. Bro.

Speaker 8 (13:26):
If there's a playoff game going on, and like for example,
like the Kobe era, and you're and you got Laker tickets,
You're like, hey, bro, I don't know if I'm ever
going to see Nobody thought Kobe was gonna die.

Speaker 1 (13:35):
But you're like, oh, you want to see Kobe regardless.

Speaker 8 (13:37):
So you're like, I'll pay the one fifty for the
fucking for the parking, you know what I mean. So
like it wouldn't make sense to somebody's I'm just gonna
charge fifty, Like anybody would be like, Bro, you're stupid.
I'll pay you fifty for slots and let me let
me handle it because I know what I can.

Speaker 4 (13:50):
Read it in our old building, right, which we just
passed by the other day, which they tore it down.

Speaker 1 (13:56):
In that building.

Speaker 4 (13:57):
When we were there, we were so close to the
Staples Center in comparison to where we are now or
excuse me, crypto, we were so close to it that
in playoff times or championship runs that parking lot I
could have made the you know, the the year of
paying for that fucking place just in the playoffs alone.

(14:21):
Had I just opened up the parking lots and and uh,
you know, had someone manage it for those games and
that night, you know, the money we could have made
off the parking lot would have been ridiculous because it
was so close, because people part park kind of far away,
and if you, if you because the ship that's so close,

(14:42):
is so expensive to park close to the ship, and
sometimes that's already all taken up.

Speaker 1 (14:49):
Okay, but what when do you justify you paying that
expensive price?

Speaker 4 (14:52):
Like you better be parking under the fucking building.

Speaker 8 (14:56):
No doubt, Like you if you're gonna pay that, But
what makes you justify it? Like I remember when I
were to go see Fleetwood Mac, I fucking valeated that ship.

Speaker 9 (15:05):
Bro.

Speaker 1 (15:05):
I was like, hey, bro, like fucking part this ship
in front. I want to come.

Speaker 8 (15:08):
I don't want to wait in line that night. To me,
I was like, I need to fund I need to
be in the front. This ship has to be top tier.
I guess that's the only way I would justify being
price scalt.

Speaker 1 (15:17):
It depends on the event, Yeah, but yeah, do yourself
a favor. When you're going to a concert, take an Uber. Yeah,
think about it. There you go. I mean that is
the most sensible fucking thing, is it? Though?

Speaker 8 (15:28):
Because I mean to be Devil's advocate, though, Like you
have to technically leave a little bit early if you
want to not get into the whole uber trap. What's
the concerts over? What's the concerts over? It's not as
convenient as when you got there.

Speaker 1 (15:41):
That is. That is one that parts is true.

Speaker 4 (15:43):
But like if you let's just say, because Aton does
this right when we come back into LAX, the rates
on ubers are more expensive. Uh when when you get
an uber right there in the heart of l a X. Yes,
but if you go outside of LX, maybe like five

(16:04):
miles and call it uber there at the rate is
completely different. If you ordered by the freeway. Yeah, so
you know, it's it's the same principle. Like if someone
uber there, all they got to do is walk a
few blocks away and you're away from all the bullshit.
You can get the uber a lot faster than staying
in the epicenter of the event.

Speaker 1 (16:25):
But for like a venue, like that's the thing.

Speaker 8 (16:27):
Like even like when the times where I have Uber
to the to the BMO Stadium because i know I'm
gonna fucking drink that day, I already know, like I'll
set an alarm. I'm like, i gotta leave by like
seventy seventy minute because you want to get the uber
right there. But that's what I'm saying, like I wanted
to pull up and I want to take off, like
I don't have to wait for knowing venus because I

(16:47):
know at the moment that I leave, if you're leaving
with everybody that that ship, the price goes up. I
could easily walk across the street from Chick fil A
if I'm leaving with ten minutes to spare. I mean, yes,
I can miss an amazing goal, but guess what I'm
gonna be there.

Speaker 4 (17:03):
Next year and listen like, yeah, you know, it just
depends on what you want to deal with. Sure, if
you leave early, you beat all the shit you get
out there, all good, right, If you want to stay
to the last last, you better have a game plan.

Speaker 8 (17:17):
Convenience is something that like it's kind of like a
double edged sword for like I guess like a first
world nation, you know what I mean, Like because sometimes
convenience is great, but then there's like poison on the
other side too. Like think about how awesome like just
some everything, like a fucking phone. It was awesome as
fun when we could just call somebody we didn't have
the internet, but then all of a sudden, we fucking

(17:39):
get the internet, and then we're fucking hooked on this.
We got a whole nother fucking list of shit to
do because of that. But you know, we find try
to find ways to justify our time on the phone type,
and at least for the majority of people, just stuff
like that, you know what I mean. Like, convenience is
one of those things where it's like, fuck, bro, that
shit is it is more dangerous than drugs sometimes because
like oh yeah, because it's like some would say that

(18:03):
convenience is kind of like the one of the one
of the humanity's biggest falls.

Speaker 4 (18:08):
Well yeah, because it makes you lazy sometimes depending on
what that convenience is.

Speaker 8 (18:14):
Like, it would be hardest, funk if we had to
hunt chicken to fucking like to to to really eat
every time we wanted to have chicken, you know what
I mean? But but would it be fucking worth it
when we finally catch one though that ship? I mean,
think about it as compared to the convenience of like, hey, bro,
let me just go fucking go to Chick fil A
and fucking order some nuggets of the three D printed
chicken and some ship.

Speaker 1 (18:34):
Bro.

Speaker 5 (18:34):
Like, yeah, I mean, technology is introduced to different worlds
and better for worse.

Speaker 8 (18:46):
I feel like that, you know, the best way I could.

Speaker 1 (18:53):
I guess it makes sense to me.

Speaker 8 (18:55):
Like you remember that that that movie or Rocky Fights
to Drago. Both scenes where they're training, yea, Rockies in
the fucking woods. Bro, He's lifting logs, He's fucking doing
all this ship fucking the Russian guy has the top
of the line technology. He's fucking running at that nineteen
eighties treadmill and ship.

Speaker 1 (19:12):
Yeah, Like that's like the best way, Like convenience, yes, yeah,
but who's going who was? But who's going to be stronger?
That's what I'm saying.

Speaker 7 (19:20):
I think lifting wood and all that that nature that
the nature workout is tougher than That's why Rocky went
to Siberia to trade chopped wood.

Speaker 4 (19:31):
The logs pull pull polly on the sled. That's some
that's man's strength. That's what tree down and chop it up.

Speaker 8 (19:40):
There is a thing like like a fucking farmer's fucking string, bro,
is way fucking different than like somebody was just pumping
weight all day.

Speaker 1 (19:47):
Pump. Yeah.

Speaker 4 (19:48):
If you ever see those those those wood cutting competitions
with the lumberjacks, he's doing it up. Yeahs are a
crazy shape because you know they're swinging that act chopping
in tree down, bro like, and they cut they cut
those fucking trees down.

Speaker 5 (20:04):
Quit big old fucking logs, bro, Dude. The same thing
with those logs. Those people that do the log like
in the water and they like stay like, dude, you
gotta be incredibly strength and shape.

Speaker 1 (20:17):
Hey, how about this.

Speaker 4 (20:19):
You know some of these guys right that do those
crazy gigs, right, that's just a competition. But the guys
that actually do the fucking the gigs and have to
fucking carry all that ship around or whatever, or hold
some ship up that takes that in that strength to
do right. Some of those dudes are stronger than some
of these bodybuilders.

Speaker 1 (20:39):
Oh yeah, you know what I'm saying.

Speaker 4 (20:41):
They don't have They're not all big and huge, but
they got that fucking strength the same way.

Speaker 1 (20:47):
Don't let don't let them motherfucker fool you mind. Nope,
never salute the Lord Seer.

Speaker 4 (20:53):
Thank you for allowing us to take over your show today,
Psycho Leazy DJ Lord in my self rocked it. Lord
had to leave because he has to go do cuts
on the album. At least I think. I don't know
if he's left officially because they were picking him up
to go to.

Speaker 1 (21:13):
Right.

Speaker 4 (21:13):
Okay, yeah, the baby Yoda's got, so he's he's off
to the studio. He's he's putting in the cuts on
the new Spanish work and all that stuff.

Speaker 1 (21:22):
Wondering where he went.

Speaker 4 (21:23):
I'm like, yo, this disappears, but less Lord and I
held it down for Lord Seer today on Shade forty five.
Anybody that was listening, we hope you had a good time.
And you know, if you found your way here through
that show, because we plugged the Doctor Green Thumb live
stream welcome to the show.

Speaker 1 (21:43):
We do this shit Monday through Friday.

Speaker 4 (21:45):
If you did come from Shade forty five, you got
put onto us and you're in the live chat right now,
just put your hand up like this so that I
know that.

Speaker 1 (21:55):
It was effective.

Speaker 4 (21:56):
Anywaysh yeah, this show's you know, going in U two
three thirty today or you know, six thirty, depending where
you are, because I got a rock out to the studio.
So again, you know, till we're done. There might be
shaving down some minutes for the time, but we will
get back to normal.

Speaker 8 (22:16):
Have you have you heard this theory where he like,
I guess you you always feel when somebody's watching you. Yeah, yeah,
like even like from like a bar, like if you
could just be doing your thing, but like let's just say,
if somebody were to be on top and just be staring.

Speaker 1 (22:30):
Like I'm just gonna stare, It's like, do you think
do you believe that?

Speaker 4 (22:33):
I think sometimes when you're in tune, you could sense
that because you could be in a room and someone
staring at you and then boom you.

Speaker 1 (22:38):
Look and lock eyes. Guys.

Speaker 4 (22:40):
Yeah, yeah, and that and that happens to everybody. But
how about this one, I'll take one further to you.
There used to be this thing. And I don't know
if you guys ever heard this, but I remember hearing
this growing up. But when you hear a ringing in
your ear that someone is talking about you, yeah, you
remember that one. And then and then if you look

(23:02):
at the first number you see right, so the clock
that I'm looking at, the first number I see. If
my ringing was in my ear, I'd see this too,
on this clock, right, and then I'd go a B.
It's because the number is according to the elf bet.
The first number you see is according to the elf bet.
And the first name that comes to mind with that

(23:23):
letter that pops up, that's who supposedly is talking about you,
whether it's positive, negative, or indifferent. You never heard that one. No,
I've heard the beginning. The beginning. Were added more things
to it. Somebody's talking about you. And if you want
to guess who, you look at the first number you
see anywhere. It could be your watch, it could be

(23:46):
a number on a license plate, It could be any
random number.

Speaker 1 (23:51):
How about that. You ever heard of that one? You
never heard of that one.

Speaker 8 (23:53):
I mean not in that very when you added the
last part. Yeah, I was just like I did. I
didn't hear that part. But the first part, yeah, the.

Speaker 4 (24:01):
Ringing part, ringing, the first part international, but there was
that add on. I didn't add it on. That was
something spoken to me, and I was like.

Speaker 8 (24:12):
Oh, okay, I told you, Yes, okay, Yeah, that sounds
like that sounds very cue.

Speaker 1 (24:17):
It sounds very Cuban, very cute. But it's awesome how some.

Speaker 5 (24:27):
Of these stories kind of air ended up like that
telephone game, right, like they're being passed down and then
something gets added on. Then it's past to the next person.
Is past to the next person. So we may hear
one part of it and it becomes something totally different
than the kids say, get told it now.

Speaker 4 (24:43):
Yes, stories always change, Stories and jokes always changed throughout
the course. Somebody might tell it different because they don't
know exactly how the story went. Yes, but that I
remember specifically, I remember the first part and then the
second part for sure.

Speaker 1 (24:57):
That the ringing in the ear, the ringing I've always new.

Speaker 4 (25:00):
Yeah yeah, now, but now look, hey, now that you
got this second piece of information when your ear rings
and you remember like that part, you're like, oh, ship,
someone's talking about me. Look for the first number and
see what name and see what name pops to mind.

Speaker 1 (25:17):
Okay, but what if what if you have tonight? What
the fuck is Tonight's You don't know about tonight.

Speaker 8 (25:23):
You don't remember those commercials where the fucking construction head
would come up and it's like this is what tonight
is like, and it was like, yeah, yeah, don't have that.

Speaker 5 (25:32):
Yeah, that's what I'm saying, because I mean less probably
got that. You probably got a little bit of it.
I have it all day because we have. But it
is it's a different ring time out.

Speaker 4 (25:43):
It's a different ringing you hear in your ear that
is not like the tonight is ringing because I know
what my ringing is that I get it from because
the loud, the loud sound on stage when I when
the monitors were cranking too hard, when I was up
there with Profits of Rage, when I was up there
with the Cyprus and the band. It gets loud. That

(26:05):
does a little bit of damage to your ear, a
little bit of ringing. But that one ring that comes
from when that supposedly someone's talking to you, it's the
ring that's a little bit different, comes out of nowhere,
stays for about what ten to fifteen seconds and out.
It doesn't stay long, right, maybe even shorter than ten
to fifteen.

Speaker 5 (26:25):
Six A different ring than you're used to it.

Speaker 4 (26:28):
Yeah, it's not going to be the consistent ringing you
might hear if you got tonight.

Speaker 1 (26:32):
It's going to be like go get tonight after like
a concert, like if you're like near the.

Speaker 4 (26:36):
Near for sure. But this is a different one. This
one comes and then fucking goes.

Speaker 7 (26:41):
It's like just a you remember, you gotta remember, you
gotta remember the ear. It's like a like a you
know hears everything. It's like a speaker and frequencies. It's
all around the space frequency frequency. Sometimes you can get
a little wind.

Speaker 1 (26:57):
Yeah, it's just I.

Speaker 4 (26:58):
Don't know what frequency were here and there or or
it's a part of our intuition to know that, oh
that's a sign that someone's talking about us. But that
is definitely a frequency because it comes out of nowhere
and it doesn't stay. It's not like something that that
that that stays. It's not like the tonightest ringing where
it's a consistent thing.

Speaker 1 (27:20):
It's an in and out being. Did they do those
tests to you guys when you guys were in school?

Speaker 8 (27:24):
Yeah, when you had to go in and they're like, see,
raise your hand if you can hear them all that.

Speaker 1 (27:29):
I remember that. I'm like that.

Speaker 8 (27:31):
I know they that ship was helping them figure out
how they can give us that control frequency.

Speaker 1 (27:35):
Yeah, play that ship in the classroom.

Speaker 4 (27:37):
Well, and they wanted to know how well you could
hear too, you know what I'm saying. They had to
know that because teachers, if they didn't know that the
kids couldn't hear, you know, could kid could be fucking
having a problem back there.

Speaker 1 (27:51):
And well, no, it is deeper than that.

Speaker 4 (27:53):
But along the lines of that is that they're trying
to provide the best education for some of these kids.
So if the kid can't hear, he got to go
up to the front. He or she got to go
up to the front of the class where they could
hear the fucking teacher better than we can.

Speaker 1 (28:10):
Mm hmmm. Have you seen this?

Speaker 8 (28:13):
I saw this video that scientists like kind of they
were able to recreate like what people see and they
hear when they have a schizophrenia.

Speaker 1 (28:25):
Dude, that shit is fucking scary.

Speaker 8 (28:26):
Bro like that ship, Like, I'm like, yo, I can
see why these fool's fucking going nuts, Like like, yo.

Speaker 1 (28:32):
But I mean because it's weird.

Speaker 8 (28:34):
It's like a it's like a video that showed and
like I don't know if it's schizuphrenia or one of
those things, but.

Speaker 1 (28:40):
Like you see and you hear shit, yeah schizophre yeah.

Speaker 8 (28:43):
Like and then these fools were like like you you
wake up and this is what the person is seeing.
And it kind of seems like you know when sometimes
you see a face and things like that's how crazy
it is, and food see ship like that.

Speaker 1 (28:54):
Talk to them, you're like, yo, what you know?

Speaker 4 (28:57):
My thing is what if they're actually seeing something we
can't see? Like I mean, we obviously can't see it,
but I'm saying, what if they're seeing like some of
them are, you know, maybe really affected, maybe a chemical
imbalance within them selves. But what if someone is actually
seeing some shit and they get thrown into the schizophrenic label?

Speaker 1 (29:17):
You know what I mean? I know it's that it's real,
for sure, it's real.

Speaker 8 (29:20):
Like you break into a certain other parallel, but what
if someone is breaking into something else?

Speaker 1 (29:25):
That's what I'm saying.

Speaker 8 (29:25):
Like you you're able to it's because you know, like
I don't, I don't know, there's there is like so
many theories or like you can like we're we're just
in a different dimension, but like and let's say another dimension,
there's other ship all around us, but we just can't
fucking see it true that, you know what I mean,
Like we really just can't fucking see it, and this's
going around. There could be a whole party of dead
people in here. We just would never fucking know it.

(29:47):
We don't want to see, you know what I mean,
Or we just we're just not conscious of it. We're
not on that time yet, or like what you call that,
we're not tapped in this, we're not tapped in. But
like I feel like these people that break into that
I don't know that I don't want to call like
a mental fucking disorder, like a with disability something like that.
But like maybe there is some of those cases where
it's just like, hey, well maybe this doesn't need to
go into this crazy house, like this guy's pobby.

Speaker 1 (30:09):
You know. I was like, this guy's probably really seeing Jesus,
But I don't know.

Speaker 4 (30:12):
You know, there was a there was a thing that
that that we talked about today on Shade forty five,
and I want to get your take on it. Ce
minus and uh, it was that Beanie Seagull was using
AI too, uh to re how would I say, regenerate

(30:34):
his voice in his actual tone because he had you know,
he had that thing happened to him, and you know
it's it's sort of like a doc situation where his
voice was damaged yep, and so like he used AI
to pop off some new ship. Okay, my thing and

(30:55):
and unless I think you were there for this, right, rookie,
My thing was like, how are you gonna go do shows?

Speaker 1 (31:06):
How are you gonna go do shows? Right?

Speaker 4 (31:08):
I mean can you go do shows? Because you ain't
gonna sound like that? And unless you got like something
that is giving you that same effect that your voice
is like that, Well, you could still be a recording
artist doing this, right. You could still record and put
out music because you still got your pen right, but

(31:34):
you can't perform it.

Speaker 1 (31:35):
I mean, how would you? It's not right? Could he
get unless technology?

Speaker 7 (31:42):
I mean, one dude called up and he was saying,
when I go to the concert, I want to hear
exactly what the song sounds like. I'm like, motherfucker, you
going to a concert, It's gonna sound different. It sounds
live it's the live version. The live version.

Speaker 4 (31:56):
Yeah, the fuck right, You're right, there is gonna be
a little very ish, right. Nothing is always exactly like
it is on the record. It doesn't matter who's fucking show.

Speaker 5 (32:11):
And I think everybody here included, like like when performing
recorded music live, you want to give them something better
than the album, you know what I mean. And I
think that's one of the things that like I've I've
met these purists that are like I would rather see
them any band or artists play like whatever I hear
on the record, I don't want to hear the extended

(32:33):
outro or the mid section intro. I mean the middle
section where you know cutslo might happen that never is
there something you know what I mean.

Speaker 1 (32:41):
So it's like like I.

Speaker 5 (32:43):
Think that, yeah, I think with with Bennie Siegel's case,
because what he has a voice problem, right, like.

Speaker 1 (32:51):
Yeah, I think, uh.

Speaker 4 (32:55):
Something something happened, right and it it uh you know,
affected his vocal tone, the way that dems uh d
O c d OC had his his car accident and
it affected his vocal tone. And he was another one,
I mean, he was the first one anyone was talking about, like, hey,
reimagining his career with with Ai, you know, doing his

(33:21):
doing his original voice, and so like in that part,
you know, a lot of us were like, well, what
would you do for a live show? But if you
still want to be an artist, that is the way
that you could still be an artist. I mean, because
it's just regenerating your tone. You're writing the lyrics, so
you could pen an album mm hmm. And even like,

(33:42):
so let's say, and I was saying, is on the
air over there c minus like I think that if
let's just say Beanie Siegel had the track, let's just
say psychle, let's give him beats.

Speaker 1 (33:52):
And he wrote the ship.

Speaker 4 (33:54):
And then even in the voice that he has now
that he went and laid the Cadence down, he could
put it into AI and say, hey, I want this
verse in a Beanie sieagull tone. It would take that
verse and flip it into the Beanie seagull tone mm hmm.
And then he could get it back, stem it out

(34:15):
and use it as his ship and it would be
his old voice. They would just the thing is is
that you're giving You're giving Ai his his his his
his pockets. How he writes it, the style of swing
and it's learning that and giving it to others. He
could do because he has a track, Yeah, but he

(34:36):
how does he do the verse?

Speaker 1 (34:37):
Let me tell you something.

Speaker 7 (34:39):
Also, Also, you got to think about you're doing AI verses, right, Okay,
that's AI and it sounds sweet. But what about when
it's time to do a live concert. Is AI going
to be there?

Speaker 1 (34:50):
Well, that's what I was saying, lest like how do
they do that?

Speaker 8 (34:52):
Like?

Speaker 1 (34:52):
How do they? How do they do that? There's no shows?
I guess there's no shows shows unless you're willing to
lip sync that ship. Yeah.

Speaker 4 (35:01):
I don't know if if if Beanie's the kind of
dude they would want a lipsick just doing the soul train.

Speaker 5 (35:08):
I think if someone like Doc or Beanie Siegal who
have these vocal problems, if they wanted to use it
the same way any singer who uses auto tune live,
which a lot of people do, they should, Uh, then
why not give it?

Speaker 1 (35:23):
Yeah, give it a shot?

Speaker 5 (35:24):
I mean, but that all is going to be about them,
like performing, like you know, when's the last time Doc
has been on stage for an hour? And whether they
know about the the practicality of this program, is it
going to be able to run this entire show because
it's going to you know, well.

Speaker 4 (35:38):
How do you attach it to your your your mic
and get the effect that the voice, your voice is
going to sound like the way that it's the AI
generated it. It ain't going to be able to generate
it as it's going. It has to have the information
and take it and then make it happen. It doesn't
do it as it's going.

Speaker 5 (35:58):
I think you could do it in a like you said,
a recorded aspect, but I think live like you probably
aren't gonna do shows.

Speaker 4 (36:05):
And that's okay, and you should be okay with that
because if the music is good enough, and the Beatles
proved this you didn't have the music. If it's good
enough and you put the right marketing and awareness behind it,
it'll go. The Beatles did that in their time when
when they decided they weren't going to fucking tour and
I said this on that show. You know that they

(36:28):
just hunkered down in the studio and became studio musicians
and some of the best at it. I mean that
you could tell by their records. I mean they were
honed it in because they weren't on the road. They
were in that studio knocking it down.

Speaker 7 (36:43):
I mean, as long as the DJs is rocking it
in the clubs and.

Speaker 4 (36:47):
The and and what I'm saying is that the music
was so good that people bought the music and they
didn't give a fuck whether they could go see the
Beatles play at a show or not.

Speaker 1 (36:58):
Oh, they were by the records.

Speaker 4 (37:01):
So that being said, if Beanie and do OC delivered
the goods, it just said, you know what, we're just
going to be recording artists. We're just gonna put this
music out there, like, but we ain't trying to go
and perform this. I think people would accept that because
it's like these guys are like fucking excellent with that.

Speaker 1 (37:23):
Pen yeah, you know what I mean.

Speaker 4 (37:25):
And and and how they they they translate the style
into those words, and they could totally do that.

Speaker 1 (37:33):
Why not? Why not?

Speaker 5 (37:34):
Because they're you know, they're both writing the cadence and
the words. It is the delivery they need to help with.
So if the composition it's.

Speaker 4 (37:41):
The projection of their original tone they need help with.

Speaker 5 (37:44):
Yes, So the composition is there, though the composition is
still one human like you know what I mean, which
is awesome. So if they need in order to complete
their vision of this song that they want to do
that they want us to still continue to do their
art if that's the thing that can help them accomplish that.

Speaker 1 (38:00):
Cool.

Speaker 4 (38:02):
You know, if they wanted to, they could even do
like because I mean, I know that DOOC wrote many
songs in the time of NWA for easy E and
guys like that, right if you know, like they could
totally reimagine who they write for right now, Like you
know the way that so let's say cycle Less is

(38:23):
making a beat and he you know, he puts this
shit together and he hears a certain rapper on it, like,
oh shit, I hear comment on this, right, just as
an example, you could actually go, you know, make a
prompt and see what comment would sound like on that
fucking beat, to see if that idea even works.

Speaker 1 (38:46):
And then you could call comment and.

Speaker 4 (38:47):
Be like, hey, I got an idea, just you know,
just as an example, you know, you could do shit
like that, like if I hear a certain like a
certain voice on this, I could actually reference that.

Speaker 1 (39:00):
That's crazy. I mean, Lord was.

Speaker 4 (39:02):
Talking about how Chuck did that with the some legendary
R and B singer or soul singer you know, to
to Okay, let me see how this idea is gonna go.
And then they heard it and hell yeah, we gotta
call her, you know, and then they so you could
you could test run songs if you got if you

(39:22):
just hear it in your head and be like, Okay,
I want to know how this is going to sound,
like if I put so and so on it, right, right,
you've already done the music, but you got the idea
because you hear this voice on the ship, you could
already know how it's gonna go. That's the cold part
about it. That's not the bad part, but because because

(39:43):
you could test run shit, the fucked part is that
if you got some unethical motherfucker that will take that
prompt and just run with it, not call the artist
that you know what I'm saying it just because maybe
they feel they're gonna get turned down or just say
fuck it, I'm gonna I'm gonna try to get away
with it for as long as I can till they

(40:05):
till they catch me, right, right. So you have that part,
the unethical motherfuckers. But there's there's good uses in it,
and obviously there's the ship parts of it.

Speaker 5 (40:18):
Unfortunately, Yeah, I mean it's more prevalent than we'd ever know.
I know, Steve Stout, you know, the record exec from
that was, you know, a big part of the two
thousands on up. He said that he had been in
at least ten to eleven of the ten and eleven,
he said, recording sessions that he has stopped into that
every single one of them was using AI to assist

(40:38):
them in the music making.

Speaker 1 (40:39):
Yeah, which is crazy, but here we are AI. It's
pretty helpful though. It is helpful.

Speaker 4 (40:45):
Let me tell you, man, I wrote this shit in Spanish,
a Spanish song, and I think I said it here.
I don't know if I said it here, but I
wrote a Spanish song. But it wasn't a rap song.
It was like a song for like someone who maybe
sings cordidos or something like that, mm hmm. And I
fucking ran it through AI, like hey this, you know,

(41:06):
And I put the prompts in on what I thought.
So I put the lyrics in, and I ran the
prompts on what I wanted it to sound like, and
it fed it. It fed it back to me like
two or three different ways and different vocal arrangements, so
like the one I liked best I could take that

(41:26):
and say, okay, these vocal arrangements right here, this is it.
We could produce around this, like I could actually I
could even actually take that song and sell it to
an artist based off of how that how it took
my idea and arranged the vocals for me.

Speaker 1 (41:43):
You know what I mean, the whole idea.

Speaker 7 (41:45):
You know you got you gotta let them make the idea,
then you recreate that exactly, the government's listening to us
right now. I could hear the click. Yeah, squeez, we
ain't talking about nothing but music. Got da squeeze him.

Speaker 10 (42:06):
It says that a Beanie seagull was shot while leaven
a courthouse in New Jersey in twenty fourteen. He had
a lung removed.

Speaker 1 (42:12):
Yeah, I wouldn't have to tell his as one lung.

Speaker 4 (42:16):
Yeah that and that affected his ability to like project
his voice and all that.

Speaker 1 (42:23):
And then he passed away.

Speaker 8 (42:24):
To now I said, I had a childhood homie who
like he one of his lungs, Like he had a
condition already, but like eventually he lost one of his lungs,
and then we didn't know until like we got into
high school. I'm like, damn, why is his little fool,
always tired dog, you know you know what I mean,
Like like eventually we got to know like his family
and ship and then you know, like mom's talk, and

(42:46):
then I was like, oh shit, I was like this,
Yeah that's the soul.

Speaker 4 (42:50):
Yeah, oh yeah, yeah that was. But I'll say this
and less could tell you because we heard it. The
Benny Siegells sound sounded dope cool. I mean it sounded
like a real renewed, refreshed Beanie Siegel.

Speaker 1 (43:10):
But it sounded like him.

Speaker 4 (43:13):
There was just a couple of phrases in there there
were sounded a little like you could tell it was Ai,
but like the rest, I mean it was it sounded
like him, right, I mean it's his pen, his writing.

Speaker 1 (43:26):
What if what if?

Speaker 7 (43:27):
What if they made uh uh they invented something like
like I could spit my verse into the mic and
my voice sounds like shit, but I could I could
press a button and it'll be well that's auto tune. No,
no talk about talking about not autotune. It'll be your voice. Yeah,

(43:48):
your voice, yeah, be real's voice or I think, well
see but he actually spits it.

Speaker 1 (43:54):
Yeah, it records it.

Speaker 7 (43:55):
Now there's a program that you know that that's I could.

Speaker 1 (44:00):
I could. I could like that more than AI doing
the spinning.

Speaker 4 (44:06):
Oh yeah, I think I don't think we're far away
from that lesson. I think at some point we'll we'll
see that technology where it does like if you had
an issue and you wanted consistency, you know, somebody's phone's
going off.

Speaker 1 (44:21):
That sounds like the old school.

Speaker 5 (44:23):
The old remember the flip phones when you get like
you knew, like when a phone call was coming.

Speaker 8 (44:28):
You can hear when the phone's going off, your phone,
your phone. Huh, but everything's off, bro, Like it's no,
it's not off, because we could hear. I hear that
it's on silent. Yeah, so you hear that it's coming.
We can hear because I don't wear the headphones.

Speaker 4 (44:46):
Yeah.

Speaker 8 (44:46):
All right, Kelly blay Sex the chat room again, selfish bastard.

Speaker 1 (44:50):
Let me see it. Go ahead, Hell, I don't think
that's mine, dude, No, No, I don't bring my phone.

Speaker 4 (44:57):
I don't know. It might be close to over there
on the other side. Anyways, what were we talking about.
We were talking about, Yeah, we'll see they might have
technology that pops that off in the next five six years.

Speaker 7 (45:14):
But you understand what I'm saying, right, you actually spit it.
We'll hear his flow, his real flow, but it just change.
He got a fucked up voice that would that would
be crazy. There it goes. Do you hear it?

Speaker 4 (45:26):
And this time I didn't get no message. It's it was.
It was starting for half a heartbeat anyway.

Speaker 7 (45:34):
So somebody like a doc he could get on the
mic and sound like YO, but he could tweak it
up and make it sound like the original d O C.

Speaker 4 (45:43):
Yeah, that's that's I believe Benny Siegel too. He's in
that same situation.

Speaker 1 (45:47):
The government is listening to this podcast.

Speaker 7 (45:50):
That's what I said, like five minutes ago, because we're
talking portant ship.

Speaker 1 (45:54):
Because we're talking about good music. You know what I'm saying.

Speaker 8 (45:59):
That's it, guys, let the delivery guy through so he
can deliver the pretzels.

Speaker 1 (46:03):
If you're listening in the van outside, Yeah, shoot the moon.

Speaker 5 (46:10):
They were playing in the office for the Yeah, we
were saying, we were watching that ship yesterday that it's hilarious.

Speaker 1 (46:15):
It's not really a pretzel guy though, you know, not even.

Speaker 7 (46:21):
Only only only Like if I'm having a beer, I
might have a little because of the salt.

Speaker 1 (46:25):
It tastes good.

Speaker 4 (46:26):
I'm only down with the soft pretzels at at Crypto,
you know, like the ones with the cinnamon on them.
But the dry pretzels, you know, the dark chocolate covered pretzels.

Speaker 8 (46:41):
That's that's how I like you talk about the little ones, right, yes, okay, no,
but look, man, you guys got to put some respect
on pretzels.

Speaker 1 (46:47):
Bro, yeah you do.

Speaker 8 (46:48):
Auntie pretzels, those are good, that's why those are considered pretzels.

Speaker 1 (46:53):
But they just got a little possessed on that ship.

Speaker 5 (46:56):
On the real like my favorite, one of my favorite
snacks is those pretzels with peanut.

Speaker 1 (47:01):
But bites, with the pretzel bites with the peanut butter
in it.

Speaker 8 (47:04):
Okay, look for the Okay, there's a category of dry pretzels,
which is like a baseball game pretzel or the fucking
big tub that you see at the office depot and ship.

Speaker 1 (47:13):
But there is a gem and those with the when
they are peanut butter field.

Speaker 8 (47:16):
However, the higher quality of peanut butter in those, the
better it becomes.

Speaker 1 (47:21):
But usually they put like some ship that.

Speaker 5 (47:23):
I don't know, they got an Indian if you get
like Trader Joe's compared to like the one that doesn't
have name or brandt better.

Speaker 1 (47:31):
What about the like big big pretzels, like the New York.

Speaker 4 (47:34):
With mustard all day with pretzels, you don't. I just
don't like the really dry dry That's what I'm saying.
Like if those like when somebody's like just.

Speaker 8 (47:45):
Eat it with mustard, Like, nah, bro, if you gotta
give me some kind of halopengo cheese dip or some ship,
that's gonna fucking just make sure this bread tastes good, bro,
because forever it broke.

Speaker 4 (47:54):
That's always available. That's never not a thing. It's you
only have that playing you want it.

Speaker 8 (48:00):
Bro, Since fucking Jesus time, they've been putting bread into dips,
all right, that.

Speaker 1 (48:07):
When it is hot, that bread is hot. They don't
need sauce.

Speaker 5 (48:12):
Real, I've been stunding up. I've eaten the whole thing
while holding the cheese sauce, you know.

Speaker 8 (48:16):
Yeah yeah, But I'm saying, like if we're talking preference, though,
I'm still I'll get high all I want, but I
know that, like I'm like, listen, like I got this
sauce for a reason. It's like whenever I go to
a place and that I have to have like blue
cheese or buffalo sauce on the side to use a
ship out of that sauce.

Speaker 1 (48:32):
Bro I didn't ask for I am you do?

Speaker 4 (48:37):
You say I'm a sauce guy, bro sau It's the
National Dice Day. I don't know how many of you
played dice, you know what I'm saying. But when maybe
die can.

Speaker 1 (48:49):
We start shooting dice on the show for a segment?
Oh man, it just depends on which dice you walk through.

Speaker 4 (48:55):
You go see low with three dice, so you could
play regular crap sauce crap. Yeah, that's my leg. Next
week we'll get a little felt put it up here.
You don't say that's what you're supposed to roll on
Vegas with craps is. It's all a felt now when
you're rolling, when you're shooting dice regular, you know, hood

(49:17):
style that's against any wall.

Speaker 1 (49:19):
If you could find on concrete carpet, what we can
get a nice little table here and just yo, doctor
Green Thumb Casinos. Hell, how do I know part of that?
That's like one ready you already got the bow tie
and the logo Doctor Green Thumb Casinos coming. It's okay?

Speaker 5 (49:42):
What I get a jazz band. Yeah, it's also National
Cookie Day. You know, I would do cookies.

Speaker 8 (49:50):
Yeah, another another staple that you can find in the
dying business, like them all.

Speaker 1 (49:56):
Pretzels and cookies.

Speaker 7 (49:57):
I don't know, it was out of exist if it
was one one cookie that it was like, yo, this
is the one that you want?

Speaker 1 (50:05):
Which one was it? Would you go with? Like just
like regular ship, like a peanut butter chocolate chip those
are brom that's that's not bad.

Speaker 8 (50:13):
That's like my choice. But like me, it's oatmeal, oatmeal
with rais and I don't mind if it's got raisins
or not. You know, if it's got chocolate chip even better.

Speaker 5 (50:27):
Okay, yeah, chocolate chip and oatmeal is way tighter.

Speaker 1 (50:30):
Ship.

Speaker 8 (50:31):
That ship is like I need water, bro, What do
you not if you make that oak oatmeal cookie?

Speaker 1 (50:38):
Right?

Speaker 4 (50:39):
And it shouldn't be too dry, but yes, I mean
for any cookie, you're gonna need something to drink. Unless
it's one of the really moist, sugary ass cookies. Well
then you would need a lot of milk for that.

Speaker 8 (50:49):
Like that ship right there, it looks like give me
like a whole gallon of milk, bro, Like you know
what I mean?

Speaker 1 (50:54):
Like like, yeah, but that's not that.

Speaker 4 (50:56):
Listen, that's not the oatmeal cookie lesson and I are
talking about out. Hell no, they don't look like that.
That's some generic ship Minnesota guy.

Speaker 8 (51:04):
I throw that whole stack into a fucking cup of coffee,
like for real, like that, I'll just dumped the whole
stacking there and be like, all right, I'm gonna sip
these cookies.

Speaker 4 (51:14):
Yeah, you gotta drown that cookie as ship, that particular
one he put up there. Yeah, it's also National Sock Day.
You know what I'm saying, I'm a sock all of
my call. I bet you the Zone got these kind
of socks right here? Is this a picture of the
Zone s feet?

Speaker 1 (51:32):
I don't have.

Speaker 8 (51:33):
Look, I have many creative socks, but I don't have
any of those like that look weird.

Speaker 1 (51:38):
And that what's that crazy weird?

Speaker 8 (51:40):
One time somebody gave me some of those socks and
I was like, the fuck is this right? And and
that was cool because I was like, oh man, I
was like, it has some kind of cartoon on it.
But then I put him on and I just fucking felt.
I was like, you're not supposed to be like this.

Speaker 1 (51:54):
You know that that doesn't seem like it would feel good.

Speaker 8 (51:57):
My toes got hot and ship bro like, I was like, yo,
I've never felt my pinky fucking toe get hot.

Speaker 1 (52:04):
You know, like did you feel did you feel claustrophobic?
I just know I didn't feel clostophobic.

Speaker 8 (52:09):
I just felt like like my feet was not supposed
to be that hot.

Speaker 1 (52:13):
You know, like these guys are weird.

Speaker 8 (52:18):
Like, well, you could clip the fucking toenail through that
sock on the.

Speaker 4 (52:20):
Yellow guy, Like, I don't you know, I wouldn't want
any part of this.

Speaker 7 (52:25):
It's too much. I just like to stick my foot
in the ship and just say keep it more. I
don't want to be like putting every little toe individually, right,
I get the funk out of here.

Speaker 1 (52:34):
You know, any sock feels good if you take care
of your feet, you know what I mean?

Speaker 8 (52:39):
Well, those are the shoes right there, those sock those
right there actually are meant for like grounding type of ship.
A lot of people using when they're walking around and
like like you know they're hiking and ship because you know,
you're just some primitive ship. It's like, you know, people
fucking think that, like, oh, if you replicate like walking
around barefoot. It's good for your back. But yeah, I
see those a lot when hiking. They try to see

(53:01):
a lot of people when they go hiking.

Speaker 4 (53:02):
Like yeah, yeah, no, I know exactly what you talk about.
It's ridiculous, but you know, to each his But.

Speaker 1 (53:07):
I see some people that don't even say fun. It's
usually Asian people. But what is it?

Speaker 8 (53:12):
They usually say fuck the shoes and they walk around barefoot.

Speaker 1 (53:16):
O G as Asian food, That's what because that's what
people used to do.

Speaker 8 (53:20):
They're walking around like this with their hands behind their
back and they say good morning and ship and they're
just walking.

Speaker 1 (53:24):
I'm like, yo, and guess what the motherfuckers is? Grounded? Grounded? Yeah,
but I don't need that much. I don't.

Speaker 4 (53:31):
I don't need that much grounding. I'm not trying to
hike them mountain on their feet. Ship, nigga, you'll come back.
If I want to get grounded, I'll just go to
the beach and take my shoes off.

Speaker 1 (53:44):
But there's plenty of ways. There's plenty ways.

Speaker 8 (53:48):
I'm saying is way more pleasant, right, even though I
say fuck the ocean.

Speaker 4 (53:52):
But still, well, you're not getting in the ocean. Yeah,
you're just right by it just right there.

Speaker 8 (53:56):
The ocean is a liar, bro that should'll be like, hey,
you're the one to be disrespecting me.

Speaker 1 (54:01):
I take this.

Speaker 4 (54:02):
Everything is alive on this fucking planet. Doctor planet is
a live Did you know? It is the birthday of
Dennis Wilson born on this day in nineteen fold a
full rested peace. Beach boy huh yep, drummer, he saved
somebody's life I think when he died or something like that, right, yeah,

(54:25):
something like that, somebody that was drowning or something. You
see that beach boys man, Yeah, you see that picture
to the right. You didn't like that boy, it's before
and after. I'm sorry, No, you didn't like Pete Floyd neither. Yeah,
but now you like that.

Speaker 5 (54:40):
I listened to whis You were here the other day
about listening to pet sounds and give it a shot.
I like, well, then like the songs, but the production
quality and the layering of vocals and the songwriting is great.

Speaker 4 (54:50):
Hold on, you just blew my fucking mind. I like
the production and I like that, but I was like
some of the songs. Yeah, okay, I don't like the
beach boy really.

Speaker 7 (55:01):
You know, hey, listen, you know beach boys. Beach boys
I think of old school California. Yeah, the dish respect
ship at the beach, that's for sure.

Speaker 1 (55:12):
They were, but they didn't even serve.

Speaker 5 (55:14):
They're amazing as a vocal as a vocal hood, like
you know, like band brothers or whatever.

Speaker 1 (55:21):
They sound amazing, they have really insane.

Speaker 5 (55:24):
Wasn't your style of music just not my cup of teas?

Speaker 4 (55:27):
You're going to age like that guy in the middle
right there, Al Jardine. Look, I'll say this, I'll agree
with you to a point because when they got into
the later like seventies eighties, I wasn't feeling any of
the new ship they were doing. But like their early
stuff like that, you know, it was before our time,

(55:49):
but we fucked with it. I get down with those
beach boys, you know what I'm saying. The later ship
I wasn't necessarily done with, but that that happens with
every band. I could even say that happens with us,
you know what I mean. There's some cyper still fans
out there that like all, like the first four or
five albums everything else after that, Oh I don't give
a shit about that. And then there are some fans

(56:11):
that caught us in the middle and they don't really
trip off the first two or the last ones. And
there's some some of them that came in on the
last ones and they're just learning about the ship.

Speaker 1 (56:22):
Never want to lose. Yeah, So you.

Speaker 4 (56:25):
Know it happens if you've had enough years in the game.
And the Beach Boys, I mean they're still fucking doing shows.

Speaker 1 (56:33):
Absolutely.

Speaker 5 (56:34):
I'm really infatuated with the Smile Sessions lore, like you
know that was that was supposed to be the album
after Pet Sounds and Brian Wilson was this like insane
machine and writing and they parried him and uh, what
was it, walk the line?

Speaker 1 (56:51):
Yeah, uh Dewey Cox.

Speaker 5 (56:52):
Dewey Cox, yeahwy Cox Yeah, walk hard, walk Hard. So
you know when he called in the four Lamas and
I need sixteen digit re dues like I need.

Speaker 1 (57:02):
Ten thousand digit redukes.

Speaker 5 (57:05):
That was all based on Brian Wilson from The Beach Boys.
He kind of as this genius went insane while recording
trying to record the follow up to Pet Sounds, and
so he had all these intricate, crazy pieces of like music.
He just never could finish it. But he called all
sorts of crazy shit. I got he couldn't make up
his mind. He was totally spinning. Yeah, and he was
doing a lot of drugs.

Speaker 8 (57:25):
Yo.

Speaker 10 (57:26):
Dennis Wilson was a homies with Charles Manson.

Speaker 1 (57:29):
It was he was homemises Picial helped him pursue a
music career.

Speaker 4 (57:33):
Yeah, this is surely because Charles Manson wanted to be
a singer. He was like a folks songwriter, but failed miserably.

Speaker 10 (57:40):
And this is Dennis Wilson died from a drowning when
he was thirty nine. Yeah you have Do you think
that has anything to do with Charles or Charles Manson?

Speaker 5 (57:47):
No, okay, no, no, because Charles Manson happened in the seventies.

Speaker 1 (57:51):
Yeah.

Speaker 4 (57:51):
I think Dennis Wilson was jumping in to help somebody
and drowned or something like that.

Speaker 5 (57:57):
I think Dennis again, I just died in eighty three. Yeah,
I can't exactly remember the story.

Speaker 4 (58:02):
But away from water dog, respect the water, Respect the water. Yes,
but he was out of all the beach boys, he
was the only one that really surfed, so he could swim.
He was a strong swimmer. Yes, I don't know exactly.
You know how he drowned.

Speaker 1 (58:19):
It raises all kinds of questions. Dog that was a hit. Dog,
he's a hit.

Speaker 8 (58:23):
Why the guy that knows not a surf out of
all of them?

Speaker 1 (58:27):
He fucking drowns.

Speaker 4 (58:28):
Yeah, but I'm saying why why? What would be the conspiracy?
I haven't looked into it yet. Okay, look at to
it and when you find something, you let me know,
all right? Uh?

Speaker 1 (58:38):
Did you know?

Speaker 4 (58:40):
It is the birthday of Gary Rossington of Leonard Skinners,
m m blah.

Speaker 1 (58:48):
Did you know?

Speaker 4 (58:49):
In nineteen sixty four, the Beatles released beatles for sale
on this day?

Speaker 1 (58:58):
No no, no, no, no, no.

Speaker 4 (58:59):
Booze for me, fo for you like, I get it.
I love the Beatles. I like the Beatles. I cannot
not like you know, I like the Beatles, but they suck.

Speaker 1 (59:10):
Did you know.

Speaker 4 (59:13):
In nineteen sixty six, a legendary rapper by the name
of mascot Ace was born.

Speaker 1 (59:18):
Happy birthday, MASc Ace, Master Ace.

Speaker 5 (59:21):
Yo, listen, Master Ace, one of the best MC's ever.

Speaker 1 (59:26):
Yeah, he's still killing it, still killing it, years old,
that's right, killing it. He just yeah, I killed it
this year. Ryanfest Dude, Yep, he's bad ass.

Speaker 4 (59:35):
Did you know it is also the birthday of a
nothing legendary rapper by the name of jay Z.

Speaker 1 (59:44):
Damn boy Boy. That's great, hove.

Speaker 8 (59:54):
Uh yeah, those are the cleanest dreads I've ever seen.

Speaker 1 (59:57):
It was pretty clean. I'm not gonna lie.

Speaker 8 (59:59):
You should like and it's not for nothing, but like
it's hard to have clean ass d bro.

Speaker 1 (01:00:04):
Like, Hey, got there.

Speaker 4 (01:00:06):
He's worth two point five billion dollars. Yep, that's according
to Forbes, right, yeah, man, he's got the Yeah, get that,
get them sat dreads.

Speaker 1 (01:00:19):
That's cartel tax bracket.

Speaker 4 (01:00:21):
And did you know in nineteen eighty four Jelly Roll
was born. Happy Birthday, Jelly Roll. Yeah, he just shaved
his beard.

Speaker 1 (01:00:29):
Yeah he did.

Speaker 4 (01:00:30):
He should be called Skinny Roll, Like, yeah, that's Tracy Roll.

Speaker 1 (01:00:35):
I think you're getting getting confused. What's going on? Bolting
Syrupy Roll? Are you not the chest? The other day
he said the thing? Are you on drugs like the
Beach Boys? I don't do drugs.

Speaker 4 (01:00:47):
Yeah, man, he lost a lot of weight, shaved the beard.
He's on some new ship Minie Roll.

Speaker 1 (01:00:54):
That's right. He looks like Trace now, only in TRACE's cousin.
You know what I'm saying?

Speaker 4 (01:01:01):
All right, did you know in nineteen ninety brand New
being dropped one for all all for what.

Speaker 1 (01:01:09):
Yeah, classic material. I wish people had those kind of
haircuts again, you don't. They'll come back, They'll come back there.
So motherfucker's got him out their trust on this, like
the burd.

Speaker 4 (01:01:23):
Legends And did you know in nineteen ninety three Frank
Zappa passed away, Rest in peace.

Speaker 1 (01:01:29):
Frank Zappa rapper? Dude, I'm supposed.

Speaker 4 (01:01:35):
I'm surprised no rappers have have, you know, taken the
name and called themselves Frank Zappa.

Speaker 5 (01:01:43):
Copyright Maybe he is, Yeah, yeah, his team has a
copyright with any likeness the estate. Yeah, the estate is
like any likeness of anything now, like.

Speaker 4 (01:01:53):
You would have to spell it different and like p
h R A n K A z A p A
right here.

Speaker 1 (01:02:05):
Yeah, you got like totally Frank crapper.

Speaker 4 (01:02:10):
Did you know in two thousand and seven Pimps from
U g K passed away on this day? Recipe from
Lean right, Yeah, I believe so that must have made
kind of quick is that what it was?

Speaker 1 (01:02:27):
I think?

Speaker 4 (01:02:27):
So that's the I mean that that's what the word
was back back in the day. Who knows you forgot
very what what what did it says?

Speaker 7 (01:02:35):
Uh?

Speaker 1 (01:02:35):
Yeah? From Lean a drug over de.

Speaker 8 (01:02:37):
He's just fucking slit, bro, because like you're already in
a bliss when you're on Lean.

Speaker 1 (01:02:41):
Well, like he just he also had a sleep apnea.

Speaker 4 (01:02:43):
Yeah, that was just about to say that people would
sleep apnea if they do Lean, they they put themselves
at risk because like, you might not wake up because
with sleep apnea you stop breathing for for a minute
until you until you push out of it in your sleep.

Speaker 1 (01:03:01):
This happens, right, you wake up choking and shit.

Speaker 4 (01:03:03):
Yeah, so with sleep apnea, it slows your heart rate
down so much you might not wake up.

Speaker 1 (01:03:09):
Wow, you know what I'm saying. And he was only
thirty three. Yeah, damn.

Speaker 4 (01:03:13):
So if you're all out there, you know, trying to
you know, do some crazy shit, think twice.

Speaker 1 (01:03:18):
That's crazy, man.

Speaker 8 (01:03:19):
I remember when I used to sucking, when I tried
drinking Lean. That shit is crazy because you can easily
slip away.

Speaker 9 (01:03:24):
Bro.

Speaker 8 (01:03:24):
You get into such a blaze and then you're like,
damn man, that's not much and it's opiate.

Speaker 4 (01:03:29):
So you know you'll fucking you know, you'll play that head. Yeah,
you'll play that nod out game right in front of people,
and you didn't even know that it's happening to you
because you're just so fucking faded out on it. I
seen I've seen a couple of homies that I knew
that we're doing that, and we'd be in a public setting,
you know, and they'd be nodding out in front of people,
and motherfuckers didn't know. They were like, damn, you must
have been working all night. And I'm like, nah, you

(01:03:51):
work in that bottle of that lean that you didn't see,
did you know? The Doctor Green Thumb podcast is in
the top deep podcast, sitting at thirty nine. Listen to
the podcast on iTunes and is available on all streaming platforms.
Make sure you check us out on Apple, Spotify, wherever
you listen. Don't forget to drop a comment or review.

(01:04:15):
And you know we're at thirty nine, Let's get to
thirty Come on each by push sham thirty real quick, yeah,
jame on. Yeah, we're pushing. We're pushing to the front
of the live.

Speaker 1 (01:04:26):
Baby.

Speaker 4 (01:04:27):
We're at forty seven a while back, and now we're
at thirty nine.

Speaker 1 (01:04:30):
Let's go, We're pushing. Push it to the limit, spot limit. Uh.

Speaker 4 (01:04:36):
Sullen Clothing continues to drop weekly. Sullen Clothing continues to
drop weekly themed collections. This week features cyber Week deals
with up to fifty percent off.

Speaker 1 (01:04:50):
That's right, thirty.

Speaker 4 (01:04:52):
I get a free T shirt when you purchase a
so cow hooded flannel plus their rist miss kickoff has begun,
so uh don't sleep. New art from tattoo artists all
over the world only had sullen clothing take advantage.

Speaker 1 (01:05:10):
You know what I'm saying. They got some flash it
over there. Get your fresh good, that's right, get fresh.

Speaker 4 (01:05:16):
All right, We're about to open up the doors to
the insane Asylum. That means, y'all, if you got a
comic question, shout out suggestion, we are here for it.

Speaker 9 (01:05:27):
Yeah, welcome to the insane mesih all right.

Speaker 1 (01:05:34):
Uh.

Speaker 10 (01:05:34):
Jay grow is saying you want to give See Minus
a big shout out? You had good jams yesterday. I'm serious,
all right?

Speaker 5 (01:05:41):
Hell yeah that was fun. You did See Minus that
That was really fun. It was good to feel like
I was doing radio again.

Speaker 1 (01:05:48):
You know what I mean? It was fun.

Speaker 4 (01:05:51):
We had to remind him yesterday. See yeah, we had
to fucking remind you. Yeah, real quick, we do. Yes,
thank you for listening.

Speaker 10 (01:06:01):
Darren is saying, Yo, I paid one hundred and twenty
five dollars for my daughter and wife three years ago
for Taylor Swift concert parking ticket.

Speaker 1 (01:06:08):
Ooh what wow? Three hundred and seventy five. That was
under twenty five.

Speaker 4 (01:06:12):
So if you go to a Taylor Swift concert, even
at the cheapest level, you you're buying in to have
to spend some money.

Speaker 1 (01:06:20):
Are one hundred and twenty five dollars for parking? Bro
Yeah damn one hundred twenty five hundred twenty five.

Speaker 4 (01:06:27):
Oh okay, that's why you know that uber shot. Ain't
ate a bad idea, No, I said, go eat a
fifty dollars hot dog yey.

Speaker 5 (01:06:36):
Metallica parking at the at the so far was one
hundred and fifty.

Speaker 1 (01:06:43):
Hmm, alright, fifty dollars beer. Yeah, all right.

Speaker 10 (01:06:50):
Busting cosmic saying you guys should have a mortal technique
on the show.

Speaker 1 (01:06:55):
We should. He gotta get him, we gotta get him
down here. Yeah. I talked to him like, wow, back
about coming pull them right now?

Speaker 10 (01:07:02):
Oh yeah, some flipping dude of saying, yo, Star Wars
for me, Marvel had cool characters, but d C villains
are darker than Marvel. What do you guys think.

Speaker 8 (01:07:11):
Yeah, there's a lot more darker shit going on. There's
a lot more darker shit going on in uh in
DC universe. But however though, I mean, it's easier to
cheer for a hero, you know, like that just seems
all good all around, and that's what Marvel kind of provided.
But at the same time, they I don't know that
I think they were there first, right.

Speaker 1 (01:07:29):
Yeah, yeah, so I think No, I think d C
was first.

Speaker 8 (01:07:33):
Was it, But they were the first to like take
the ship to the next level, and that's why that's
why I think d C fell behind, could be Yeah,
you might not be.

Speaker 1 (01:07:40):
Wrong on that.

Speaker 10 (01:07:43):
I see d C Comics was founded first. Oh, Marvel
five years later.

Speaker 1 (01:07:47):
Yeah, damn, Stanley did it better.

Speaker 4 (01:07:49):
I think d C was cracking for a minute with
the Superman movies when Christopher Reeves was alive and then
they you know, or when he was you know, able
to play the role.

Speaker 1 (01:08:00):
Mm hmm.

Speaker 4 (01:08:00):
In the minute that dropped off, they dipped a little
bit because they leaned on that for a long time.

Speaker 1 (01:08:07):
Look at all those people. Yeah, they got a hell
of a uni universe d I mean, all those cartoons.

Speaker 10 (01:08:15):
But I always here, like nowadays it's mostly Marvel. Right,
Marvel is uh taken over.

Speaker 4 (01:08:21):
They've kind of take taken over the top spot.

Speaker 7 (01:08:24):
I think, Yeah, I couldn't ever get used to the
new Hope. Like even in the movie.

Speaker 1 (01:08:30):
Oh he was like the glasses wearing like that.

Speaker 7 (01:08:32):
Guy just used to the old school. Oh you're you're, you're,
you're used to the loop. For reg No, Hope, he
was the best. He was big, but he wasn't super
exaggerated like this. But but in the comic book, that's
the thing.

Speaker 4 (01:08:46):
They're trying to get that super exaggerated ship because in
the comic book the Hulk was fucking huge, so they
got you know, they had to go bigger than Loo
for Regno, they had to. I mean, but look at
not that he was. He wasn't a big dude, but
he he.

Speaker 1 (01:09:03):
Was written when he was David Banner, he was like
a little guy. Yeah right, But.

Speaker 4 (01:09:09):
In the comic book, is it the Hulk supposed to
be like ten feet tall when he when he transforms
into the Hulk.

Speaker 7 (01:09:19):
I have no idea, but yeah, you won't like me
when I'm angry. He used to want them es like,
don't piss me off, but do that, don't do that?

Speaker 5 (01:09:30):
Hey, the TV show, the one with Lufregg, that's the
one that's my That was my first like ever, that
was our introduction, introduction to Hope before the comic book.

Speaker 7 (01:09:40):
You knew, you know, when his eyes turned green. It's
about the power. There's no turning back from that ship.
Like we told you.

Speaker 4 (01:09:53):
See, d C was ahead of Marvel at that point
because they already had Batman and Superman out there. Yeah,
and I think the whole on TV with Lufa Regno,
that was Marvel's first character on TV like that, if
I'm not mistaken.

Speaker 10 (01:10:11):
Did you guys like the Batman back in the day
where they were like comedy kind of Well when we.

Speaker 4 (01:10:16):
Were kids, yeah, we probably loved Batman, but you look
at it today, it was kind of ridiculous. But the
Batmobile was dope.

Speaker 1 (01:10:25):
I love the Batmobile. All right.

Speaker 10 (01:10:28):
Let's see here Krebs is saying, have you guys thought
about making an epic rap and rock album like a
bunch of rappers and rockers collaboration.

Speaker 4 (01:10:36):
Well, there's the album called Judgment Night that was made
in nineteen ninety three, ninety four, right ninety four, Yeah,
so that exists, but I would tell you that that
would be cool to do now, I mean now that.

Speaker 1 (01:10:55):
It's even more acceptable.

Speaker 4 (01:10:56):
No, he's talking about a whole album of different artists
popping it off like that. But because that hasn't been
done since that that first judgment night.

Speaker 5 (01:11:06):
There was Loud Rocks, which that's where you saw like
System and Wu Tang together like that. And but that
was like two I want to say, two thousand and
one maybe, so it's been a minute, yes, but over twenty.

Speaker 1 (01:11:19):
Would Liverpool Hammers falling that subject hip hop rock? Yeah?
Kind of, absolutely right, absolutely, kind of yeah, we've done
it already. Stuff tone. Well it's one you know, it's
one thing. He wants a full album. Well he's asking
for too much. Oh yeah, got shot? All right?

Speaker 10 (01:11:38):
Next, what a big show the ceaseless, Thank you so
much for the super chat. Medicine's asking them, yo, we
need to get DC on the table.

Speaker 4 (01:11:47):
Yeah, absolutely great that they get He's a legend.

Speaker 1 (01:11:51):
Man energy flowing with the wisdom. Oh man, yeah, man,
d o C the Diggie to eat doc y'all all right.

Speaker 10 (01:12:03):
And the last one so far, Medicine's asking them, have
you guys tried the New Reese's peanut butter cups with oreos.

Speaker 4 (01:12:08):
No, yeah, listen, no, no, no, sounds like too much
off time.

Speaker 1 (01:12:14):
Tell you, these things are fucking fire.

Speaker 4 (01:12:17):
I would try the oriole with the filling, but I
would not do the Reeses cup.

Speaker 8 (01:12:21):
It's way better with the recess cup than the oreole,
is it. Yes, you've tried both of them. Uh yeah, okay,
I'll take your word for it, because they've already done
it reverse with the.

Speaker 4 (01:12:31):
Orioles, right, so they're tapping in again. Yeah, but they're
doing it, you know with that. That's really good. You
got myself in and love.

Speaker 1 (01:12:39):
That doesn't look good. I know it doesn't look good,
but it did taste bomb. I would try it just once.
I would try it once. That's something I would buy
over and over again.

Speaker 4 (01:12:48):
Just what.

Speaker 1 (01:12:52):
Can we find a way to Jeffrey Osborne's son.

Speaker 5 (01:12:58):
No, it was Peebo, Briston, James Ingram, James Ingram, They're
all right there in that fucking range.

Speaker 1 (01:13:07):
That was the strong voices.

Speaker 4 (01:13:08):
Yeah, you know those three strong voices right there, pee Bo,
Jeffrey and uh James James. Nothing is right there, James,
just what That's what motherfuckers could really sing?

Speaker 1 (01:13:22):
Man?

Speaker 4 (01:13:22):
He was like a sanger. I don't like his beard
he's got going on here that looks crazy, but.

Speaker 7 (01:13:29):
The hair around yeah, yeah, you know, the thank you?

Speaker 4 (01:13:36):
There you go see that, there you go, that's more respectable.
He's looking at you, Bolton, waiting for you to fuck
his name up.

Speaker 1 (01:13:43):
You know what I'm said. Yeah, he's looking at you both.
Here's looking at you kid. Pause, all right, pulls it up?
All right? What else?

Speaker 4 (01:13:53):
That was it? That was thank you for your super
chats and all that. We appreciate, siate you, thank you
so much. You know, I figure we probably got submissions
because we've been holding up.

Speaker 1 (01:14:07):
Back all week. Oh yeah, yeah, we got some. So
let's let's pop off with submissions this morning.

Speaker 2 (01:14:14):
All right, here we go, submissions, submissions.

Speaker 1 (01:14:32):
I feel like submissions, submissions.

Speaker 10 (01:14:40):
All right, this one you guys, uh, I know Zone
is gonna be like, what the fuck is this?

Speaker 1 (01:14:45):
The submission? Right here?

Speaker 10 (01:14:47):
Fabian saying, I came across this Minnesota sushi and I
need an explanation from Colton about this thing. So where
I come from in Minnesota, they have Minnesota sushi and
it's like a pickle ham roll. It's like an appetizer.
It's like cream cheese. You got ham and a pickle
right in the middle.

Speaker 1 (01:15:04):
This, this won't give us diabetes. You can't ship this.
He makes those.

Speaker 8 (01:15:08):
She makes those like cracker cookies that give Doobie the
kidney stones, you know what I mean, Like damn.

Speaker 10 (01:15:13):
But the cream cheese is like a dill pickle kind
of flavor too, So it's okay.

Speaker 1 (01:15:17):
You gotta fly her out. I'm down, and then she's
got She's gotta make these forests.

Speaker 10 (01:15:21):
But it's a yeah, you go to a white people
party in Minnesota, this will definitely be.

Speaker 1 (01:15:25):
There, you know. I don't know if I'm having one
of those. That was good, dude. Wait wait wait, wait
wait wait, let me look.

Speaker 10 (01:15:33):
Let me I was called Minnesota sushi or they call
it Lutheran sushi or Iowa c.

Speaker 1 (01:15:38):
What's wrapped around it with half fish ham?

Speaker 4 (01:15:41):
So that's ham cheese and pickles and cream cheese. I
might try that. That's I didn't know what that was
wrapped around Caddy Blaze. Can you make us this white
trash food?

Speaker 1 (01:15:52):
Why don't you just ask Bolton to make it? Yeah?
I could make it. It's probably really something, and bring
some bread too. That's the fucking sandwich. Bro like roll,
I don't worry about what I'm gonna do with mine?
You go, yeah, you.

Speaker 4 (01:16:09):
Putting that putting that ship in his bagels, son bringing pressles.

Speaker 10 (01:16:15):
All right, we know where cycle less is coquito from.
We got this something. A woman in Florida caught selling
coquito with rum without a license.

Speaker 4 (01:16:27):
She was selling Now you can't know the shoes. Yeah,
that's called bootleggings.

Speaker 1 (01:16:35):
I mean, you know, for the holidays. Holidays, let him.
Holidays really gonna stop something in the world. Sometimes you
gotta run the legal bar. Old fake rolled around with
the little cooling.

Speaker 4 (01:16:49):
Somebody was pissed off at her. She was being too blatant, right,
like you know, like if she was street corner vetting vending,
that was just dumb.

Speaker 1 (01:16:57):
Yeah, a little bit.

Speaker 4 (01:16:58):
But if if someone like if someone rated on her,
that's somebody that was Yes, you're selling.

Speaker 1 (01:17:05):
On social media and online market place. You snitched on yourself.

Speaker 8 (01:17:11):
You gotta post up like fucking like you know, like
a like a l A f C pregame, you know,
and then you know, walk on the tailgates.

Speaker 1 (01:17:19):
She basically snitched on herself. She did.

Speaker 4 (01:17:22):
You cannot sell an alcoholic beverage without a fucking license. Yeah,
if you do a collab, they better have the license.
If you don't, come on yeah both, I mean, you
have to call the cops on her. Bro, come on, man,
snitch all.

Speaker 10 (01:17:42):
Right, Louisa saying, what do you guys think of this?
Pork chops, Brussels sprouts and carrots, cranberries and okay.

Speaker 4 (01:17:48):
What I would try it without the cranberries, cust the
carrots that big bro, somebody.

Speaker 1 (01:17:54):
Go back my god damn yeah, like no, moms, bro, Like.

Speaker 4 (01:17:59):
I don't know if they saw, if they don't listen.
I don't mind the carrot like that and a cow though,
you know what I'm saying. But right here, that's kind
of like excessive. But I get it. People like what
they like.

Speaker 1 (01:18:09):
I like.

Speaker 7 (01:18:09):
I like any size vegetable as long as it's soft,
Like I don't want to bite into it and feel
like it's a fucking carrot like off the tree and
ship because a carrot is in an apple, Like you know,
those are hard to bite it to be you got
a whole apple and a camerot.

Speaker 1 (01:18:26):
Carrots don't come up.

Speaker 4 (01:18:27):
Yeah, you got to pull those a whole can of Yeah,
we know, we know, we know what you're talking about.

Speaker 8 (01:18:34):
But that's a whole can of smokers on that ship,
like strawberry jelly on cranberry.

Speaker 4 (01:18:38):
Dude, Oh, I thought it was like marmalade. No, that's cranberry, Papa,
Come on, you know I even so better. I know
that that cranberry goes with the pork chop like, but
I don't want the cranberry on the pork with mint jello.

Speaker 8 (01:18:53):
Bro, that that's what the lamb. I start with the lamb.
That's that's the only topic I like. I wonder what
if a lot would go with these? Probably not, I
don't know. Lama has a specific taste, like Bro. I
love Greek food, and I don't know. Next time you
gotta try.

Speaker 1 (01:19:08):
Wow, all right, Kayles saying what's up? Guys?

Speaker 10 (01:19:11):
Went on a nice peaceful hike out here. I think
she's out in like Ohio.

Speaker 1 (01:19:15):
Yep, looks like Ohio. Don't jump, that's nice. Don't fall.
Don't fall, That's what you don't do. Don't jump.

Speaker 4 (01:19:25):
If you jump, that's deliberate and you know where you're going.
Don't fall because if you fall, that's a funk up.
If you bite, hurt, and I'd be thinking of next time.

Speaker 5 (01:19:33):
Might need Are you any guys watching that show day
Welcome to darry On HBO. It's about the origin of
penny Wise.

Speaker 1 (01:19:40):
Nah. Yeah, it kind of looks like that, right, It
looks like that. Yeah.

Speaker 5 (01:19:44):
I mean it's some beautiful places out there, but that
kind of just real quick.

Speaker 1 (01:19:46):
You know what's crazy.

Speaker 8 (01:19:47):
It's like, if you release just one gator in that water,
the whole ecosystem is fucked up.

Speaker 5 (01:19:51):
Yeah, or a python or a python thestrict Yeah, and
that's it.

Speaker 1 (01:19:57):
But they got to know that they're out there to
be a to kill him.

Speaker 4 (01:20:00):
And if they reproduced before that that you guys said,
you're introducing more ship in there and then a hybrid
of it Grey Florida. Yeah, if you said Florida started saying,
if any the Floridians are listening.

Speaker 1 (01:20:16):
Do you guys ever watch Swamp People?

Speaker 4 (01:20:19):
I watched it here and there sometimes on the road.
I'd come across and pissed me off.

Speaker 1 (01:20:23):
Bro. It's just I'm just like, bro, like, who lives
like this? What do you mean?

Speaker 8 (01:20:29):
There's like it just seems like a lot, bro Like,
just like, you know, we modernizes this human civilization by
a house.

Speaker 1 (01:20:34):
If Bolton hadn't gone to school for broadcast right there there,
right there. That would have been bolted. You lost here, boy,
I don't think you know where you're at. Everybody bolt
It would have been saying that, you.

Speaker 10 (01:20:54):
Know when he's when I hear he's don't say though,
like like their civilization now, like these people they don't
want to live in like the city and stuff like that.

Speaker 4 (01:21:01):
Yeah, they're not nowhere near tapped into the city. They
don't want no part of it. They're like, fuck that.
The life is more simple there, you know what I mean.
And that's how they like country girl, they'll be bringing
your city ship down in here.

Speaker 1 (01:21:14):
You don't even go here.

Speaker 10 (01:21:17):
Jason saying, Yo, have you guys seen this movie with
Mark Wahlberg called Flight Risk.

Speaker 1 (01:21:21):
He's saying it was great.

Speaker 8 (01:21:23):
Fuck yeah, you don't belong here. That's a great That's
that's a great movie. Though he plays like a crazy
It's it's so funny to see him fucking like bald,
like you know, like oh yeah, like losing his already
takes the hat off, and I'm just like, ah, that's
what happened.

Speaker 1 (01:21:36):
If you know, like you're like you have hair. He's
the same person every role looks.

Speaker 4 (01:21:42):
So you're feeling like the Nicholas Cage effect on pretty much.

Speaker 1 (01:21:45):
Yeah, he's the same friend. No, I'm not saying I'm
not a fan. I do like some of his work.
Other guys is great.

Speaker 8 (01:21:51):
You're not about the good vibrations, dude, are you ready?

Speaker 1 (01:21:55):
Look a walk on the wild side? Hey, Ray remember
when he sample lou Reid.

Speaker 4 (01:22:01):
That's that's that's what is known as the Bob Johnson
right there.

Speaker 1 (01:22:06):
Angry neighbor haircut.

Speaker 4 (01:22:07):
Now he's okay, or if you watch, uh, if you
if you want in the shadows, that's fucking calling fucking Robinson.

Speaker 8 (01:22:18):
Oh right, okay. Do you know why motherfuckers that have that?
Why do they hold onto that ship?

Speaker 1 (01:22:23):
Bro? Like at some point like just fucking ship Bob Newhart, right,
the Bob Newhart, Bob Newhart.

Speaker 8 (01:22:29):
This ever, this is an intentional look like a motherfucker
gets he's like, let me just fucking have like cut
the side, like.

Speaker 1 (01:22:37):
Just stave it off. That's the clown cut.

Speaker 4 (01:22:43):
That that's the crazy dude to keep you know what
I mean, man's bulls. Yeah, no, I'd be shaving that
whole ship off, like.

Speaker 8 (01:22:50):
Dude, that is that's embarrassing cutting, bro, Like it's like,
come on, bro, like the hair has came and gone.

Speaker 4 (01:22:57):
Well, paint your face well, you know for motherfuckers today,
you get plugged now and regrow it.

Speaker 1 (01:23:05):
But it's expensive if you go to Turkey.

Speaker 4 (01:23:07):
You know, I don't need the aggravation that just keeps
shaving my ship.

Speaker 5 (01:23:11):
Cause you could make your hair look exactly like Nicholas
Cage and Conny Air. Yep, you could do it, dude,
Why don't you do it? That should be a challenge
just like you. Or you could Larry David this bit,
you know, his own cage. He said he's been doing
it too. He's holding on.

Speaker 1 (01:23:27):
You could be. You could be Zony David. I'm not
doing that. That's just like so you're gonna shave your
head from here on that forever. Yeah. Yeah, God gave
me a well rounded I feel like I'm good.

Speaker 8 (01:23:39):
You know, I don't have like a weird volcano shaped
head like I know.

Speaker 4 (01:23:43):
Listen, I know I could grow a lot of my
ship back, but it ain't gonna grow back like the
way that I expected to. And even if it did
grow back robust like the way that I had it
right because I shaved.

Speaker 1 (01:23:58):
It, well, you let me finish. God damn it.

Speaker 4 (01:24:04):
Because I shaved it when I still had a lot
of it. Right, But there was a reason I shaved it.
It wasn't because I was losing it. I still had it.
It was because the aggravation, the aggravation of having it
in places that I could not manage it or maintain it,
waking up with it all fucked up and trying to
wrangle it together. And then like every hat I grew

(01:24:27):
out of and at one point I couldn't even fucking
wear a hat.

Speaker 1 (01:24:31):
So I had to figure out, like, how do I
deal with this shit?

Speaker 4 (01:24:35):
And then one of my my my phobias or pet
peeves if you will, like you know, drizzly showers that
don't have a lot of pressure. When I had a
lot of hair, you know, i'd go into hotel rooms
and take a shower. It didn't feel like I took
a shower because the pressure wasn't. I didn't feel like
the pressure was washing my fucking hair.

Speaker 1 (01:24:56):
And it that fucked with me.

Speaker 4 (01:24:58):
So I was like, you know what, from from one
day to the next, I was like, you know what,
I'm just gonna shave this ship off so I don't
got to deal with shampoo condition all that and then
you got to wash that out and a drizzly, fucking
you know shower. No, you know, maybe in the first
year and a half, maybe there was points I missed it,

(01:25:20):
but like after that, I parted ways with it because
guess what, Yeah, I could wake up and go as
is and the only thing I gotta do is fucking
buzz this ship right the fuck off, and I'm back
to normalist.

Speaker 1 (01:25:32):
If you had it, it would grow like your beard, peppery.

Speaker 4 (01:25:35):
Bright now yeah, hell yeah, it would be like you
have George Lopez going on.

Speaker 1 (01:25:41):
Yeah.

Speaker 4 (01:25:41):
I don't know if I have as much gray as
he does on top, But then again, I haven't grown
my hair long enough to know that. But yeah, it
would be like my beard, for sure. There's no way
it would be. But that's not the issue for me.
I don't give a fuck about that looked like a
cave man. See, that's not the issue for me. It's
being able to to manage the hair. Yeah, and that

(01:26:03):
was that became a problem for me, and I didn't
want to do it anymore. So I just thought the
best way to deal with it shave it the fuck off.

Speaker 1 (01:26:12):
Keep up, keep a brush in your back pocket or
a comb, but I didn't have that kind of hair.

Speaker 4 (01:26:18):
I had fucking like I had curly hair, right, so
like if I didn't have it in the afro form,
it would just hang down curly style like you know,
it would drop in the middle like Moses and Ship,
you know what I'm saying.

Speaker 1 (01:26:33):
And I carried that around I couldn't.

Speaker 4 (01:26:35):
I wore hats when I could, Like if I had
snapbacks that could fit all that ship under it, then.

Speaker 1 (01:26:41):
I wore it. But you have a pick or a comb.
I had a pick. Comb wasn't gonna do ship for me,
you know what I'm saying.

Speaker 4 (01:26:48):
And when I wore it just down in curl style,
I didn't even touch my hair. There'd be times like
I hit the shower that come out and the way
the hair came down, that's the way that I wore
it in the day, you know what I'm saying.

Speaker 1 (01:27:02):
It just let it be like.

Speaker 4 (01:27:03):
Like right there, there was no comb or pick for
that that's to be coming out of the shower after
it's relatively clean as I feel it should be right.

Speaker 1 (01:27:14):
And then just letting it hang long hair seems like
a lot of hair.

Speaker 4 (01:27:19):
It was work, bro, That's not even the longest it
was right there. That's that's like, I don't know, that's like,
that's probably ninety four right there.

Speaker 1 (01:27:29):
You have to have an assistant for your hair out
of stylis. No, I didn't have shit. You probably would
have to happen. Now.

Speaker 4 (01:27:37):
Well, after a while, I found people in the area
that could break it, you know what I mean, when
I wanted when it was just too fucked up. Hey,
you know what, let's just break this shit. Yeah braid, Yeah,
but no, I feel totally free from it now.

Speaker 1 (01:27:50):
Yeah.

Speaker 4 (01:27:50):
I missed it once upon a time. But yeah, that's
a good head of hair right there.

Speaker 1 (01:27:53):
Look at that. Yeah, I digress. I don't need it
there you go. Yeah. No, the beard too, the beard.
I wouldn't try to grow a.

Speaker 4 (01:28:07):
Beard like that anymore, you know what I'm saying, because
it's fucking aggravated to me, that middle part where it
feels like fucking itchy and shit like that, and then
you know you sometimes, you know, your beard gets in
the way a ship and a beard is nice sometimes sometimes,
But I'm over it.

Speaker 1 (01:28:27):
I did it way back then. I don't want to
do that ship again. Did you ever just shave everything off?

Speaker 4 (01:28:32):
I consider doing it for for two. There was two
things I considered shaving everything off for. One was for
for that one Halloween where we fucking did the baseball
Furies right, and I should have shaved it. Someone talked
me out of it. I should have shaved everything and
said fuck it, because the days it took to get

(01:28:55):
all that paint off my fucking beard and mustache was
fucking crazy. Oh man, it was a pain in the
fucking ass.

Speaker 1 (01:29:04):
And then the second thing I was.

Speaker 4 (01:29:07):
Gonna shave it for but I never ended up doing it.
It was for a video that I was gonna do
off of my last album, which was for.

Speaker 1 (01:29:15):
A Bad Day.

Speaker 4 (01:29:16):
I was gonna shave my ship off and play a
cop in that video, and I was gonna get Gojo
to play a cop with me, and we're just gonna
harass motherfuckers through the whole video.

Speaker 1 (01:29:26):
Is there no picture or any version of you without it?
Maybe there might be one.

Speaker 4 (01:29:31):
I think there's one photo of me or two from
when I had just gotten back from Panama that I
had shaved everything but my beard was just coming back,
but my mustache hadn't come back in yet, and I
went to a car show, and uh, that's probably one
of the only photos like that. Wow, I've seen it.

(01:29:55):
I've seen the photo. It's somebody on Instagram got it somewhere.
I was wearing white because I just got initiated into
some shit. I had to wear white for months and
when so I came back, I was they're white anyways. Yeah,

(01:30:15):
there's that time you got any more because I gotta
skate out of.

Speaker 10 (01:30:18):
Here, just saying call the cops. Drops tomorrow, tap in
and run it up.

Speaker 4 (01:30:22):
Yeah, we ran call the cops today on Serious XM.
So if you saw it there, let us know which
I mean, if you heard it there, let us know
what you think, right, leave it in the comments.

Speaker 1 (01:30:32):
But it's drop it tonight. Where'd you say again? Oh,
he just said it's dropping.

Speaker 4 (01:30:37):
Yeah, it's dropping tonight. We have the information somewhere. Hold
on one second, let me see if I got it cod.

Speaker 1 (01:30:42):
Bo dropping the ball here.

Speaker 4 (01:30:44):
Goddamn, that's the perfect sound bite. My Uh, it's by
Ineffable Records. You know what I mean that one of
their platforms they're dropping it.

Speaker 5 (01:30:57):
Yeah, wherever you found uh demricks oh album, you'll find
serial Killers Insufferable to the label so ineffable, ineffable.

Speaker 1 (01:31:07):
Sorry, yes, I'll find it just so you know.

Speaker 4 (01:31:12):
The album is called This Thing of Ours all right,
Serial Killers. Well, thank you everybody for getting down with
us today on the Doctor Green Thumb Show. We will
see you tomorrow. It is Friday, all right, We're gonna,
you know, pop it off with you. A much love
to all y'all.

Speaker 5 (01:31:31):
Shout out to everyone that listened to us yesterday on
Serious x FM over Lord's Heis Show. Appreciate it like
just tuning in. Shout out to everyone here at the table,
be less out of strong Tone Blaze, uh Aton and
Drove Sideline crew, Bolton Ray and Dom. Shout out to

(01:31:56):
you for watching it hanging out Hobby Lopez as well too,
and doobi uh follow me a C minus fan for tonight.
I'll be doing a run DMC mix on my Twitch
channel too. Just get in the Christmas spirit musically nice
Uh yeah, I see to hear tomorrow for Green Thumb
maybe a mix what up cycle easy ah.

Speaker 7 (01:32:17):
Man chilling you know. Shout out to everybody hanging out
with us. Happy Holidays to everybody, also the whole Doctor
Green Thumb squad, everybody here working also on the IG.
Follow my new pages the world Famous beat Nuts and
then follow my other one, the Cycle Last Shop, and

(01:32:39):
go to the website, The Cycle Lastshop dot com. It's Thursday,
you know, have a great weekend. I'll be back next week.

Speaker 10 (01:32:47):
Squeeze Yo Yo Show at the Insane Silent Show, to
Ray Show, to the Dominator Show, to DJ Lowrd and
What's up Hea Zone.

Speaker 8 (01:32:54):
Shout out to everybody who tuned in today, Shout out
to the whiskey the Cycle Last gave me. So make
sure you guys tune in seven to nine We don't
smoke the same podcast, the whole cruise There, Kady Blaze
is joining us.

Speaker 1 (01:33:07):
He's got a judge kid.

Speaker 8 (01:33:08):
We're getting faded and we're doing a hatar giveaway for
the super chatters, so make sure you guys tune in
for that. Also, there's a Whatnot on Sunday, and then
there's a what There's two three what knots all next week.
Finish your holiday shopping. There's so much cool stuff on there.
And if you need a reference code to get yourself
some money on there. Just clicking my bio my story
on Instagram. And I'm finally going up on followers on there.

(01:33:31):
I think I finally got off the Shadow band list,
So follow me a flavors by his own.

Speaker 4 (01:33:35):
Please shout out to the Almighty Spirit that dwells within us.

Speaker 1 (01:33:40):
All swallow that TV