Working Hard & Having Luck in the Music Industry | The Dr. Greenthumb Show

Episode Transcript

Speaker 1 (00:05):
Favorite. This video, like all videos featured on the channel,
is definitely intended for there aliens.

Speaker 2 (00:08):
The videos, like ic nameprol fan language contain is appropriated.

Speaker 1 (00:11):
Not work it.

Speaker 3 (00:15):
Well boy, yeah, some people tell me I need help

(01:15):
because we're going on so early today. It is the
Doctor Green Dub Show live on Twitch, Discord, YouTube, x kick,
and the home site www dot breal dot tv. It's early,
I know, but to my right, mister Goodlight, dj C Minus.

Speaker 4 (01:32):
Good morning, It's good morning, good morning to everyone, mug
good Gouden Morgan.

Speaker 3 (01:39):
We also have the sideline crew both to Blombo, Brah Brown,
the dominator on the.

Speaker 1 (01:44):
On the controls on the starship. Yo, what up yo.

Speaker 5 (01:47):
I love these mornings. A nice, nice little crispy walk
in the morning.

Speaker 3 (01:52):
Yeah right, yeah, it's very crispy out there. We got
we got to concentrate King Kelly Blaife A.

Speaker 2 (02:00):
Good morning, Goden Morgan.

Speaker 3 (02:02):
Sorry we're so early today, but you know, this recording
schedule of OZ, it's uh, you know, it's coming down
to the wire. We're round in the corner and we
got to get this shit done. So we had to
you know, sends coming in to do parts from you know,
Nevada today, so I had to get the show done early.
We're so sorry for the schedule changes from last week

(02:26):
to this week. We are so sorry. But yes, it
is cold here in California. You know, it's not cold
to U East Coasters in the same way that it's
cold to us that that we're born and raised here.

Speaker 1 (02:40):
It's fucking cold.

Speaker 2 (02:41):
B I Rode.

Speaker 6 (02:42):
I brought my bike in the other day in a
T shirt and was like fifty one degrees.

Speaker 2 (02:45):
I remember people like, what the fuck are you doing?
This is a breeze for you. Yeah, but I won't lie.
I thought I was cool on the way and I
did it.

Speaker 6 (02:53):
But the way home, the second that sun started to
go down all bro and every thing halfway through my
hands was so cold I could barely.

Speaker 1 (03:02):
Hold the grips. I was like, you should have stopped
somewhere and got a hoodie.

Speaker 2 (03:05):
Yeah it was.

Speaker 6 (03:06):
It was late and it's getting dark, and I gotta say, man,
the eyes are starting to get sucked up at night.
Like I never had problems, but now it's take a
student starts getting dark, can't see nearly as good as
I want, So I'm like, just get the fuck home.

Speaker 3 (03:18):
That was like Bobo. Like when Bobo, I think, what
how old are you now? For yeah, yeah, I think
he was about in his forties when he started like
having trouble seeing the line at night.

Speaker 2 (03:29):
Yeah, it's true.

Speaker 4 (03:31):
A couple of go ahead, now, a couple of times
we're hanging out with Bobo, like and we would be
somewhere at night and he'd be like, hey man, and
if you mind driving, yeah, I got it for sure, and.

Speaker 3 (03:40):
That line, you know, I would imagine for guys like
like Bobo, like if he did see the line at
this point, that ship would put him to sleep because
it'd be like hypnotizing and anything will put it now.
But I mean that light could be hypnotizing right for sure.
For you don't see it for a minute and then
all of a sudden you see it.

Speaker 1 (03:59):
You're like.

Speaker 6 (04:02):
Noticing TV two at night wat reading you know, like
it never and now all of a sudden glorry.

Speaker 1 (04:08):
Like wow, like it finally happened for you.

Speaker 6 (04:11):
And I always had really really good eyes, not like okay,
but really good.

Speaker 1 (04:15):
Yeah.

Speaker 6 (04:15):
Same, So when you go from really good to all
of a sudden, it's like, wait, now I know what they're.

Speaker 3 (04:19):
It hit me at forty eight yeah, I could still
see it night, like the you know, the the night
driving doesn't bother me.

Speaker 1 (04:26):
I could still see clearly.

Speaker 3 (04:27):
I could. I'm like far sighted. I guess they call
it right where. It's like I could see from far yeah,
but right here. Oh my god, I could see these though,
because these letters are big.

Speaker 1 (04:37):
See. Yeah, they helped.

Speaker 3 (04:39):
Yeah, they had, you know, domb helps us out. They'll
help making the big fonts. Because if it was like
the fonts, the fonts on your phone, like the FANSI.

Speaker 4 (04:49):
You like, have you got have you adjusted your phone
yet to the bigger font now yet?

Speaker 6 (04:53):
I'll be there soon, bro, because I'm telling you those
words like when I'm reading, you know, when you're watching
like something on TV, and let's just say they're looking
at their cell phone right right, Normally i'd be able
to see what's on that. Now I'm like, fuck, I
got a pause it. I'm like geez, and it sucks, man.
I've never known what it felt like when people are like, ah,
I can't see them, Like.

Speaker 2 (05:13):
What do you mean now?

Speaker 1 (05:14):
I know exactly.

Speaker 2 (05:15):
I can't see the lines for sure.

Speaker 1 (05:19):
Yeah.

Speaker 3 (05:19):
That that that would be scary driving at night if
you couldn't see the lines.

Speaker 6 (05:23):
Oh yeah, and especially your cars. Give me my parents,
give me another three years.

Speaker 2 (05:28):
I'll probably be on that.

Speaker 1 (05:29):
One right there.

Speaker 6 (05:30):
I've been talking to my mother when she like, you
see this test, I'm my god, damn, Like yeah, from
back there, it's so far and big, but hey, it
happened for a while.

Speaker 4 (05:39):
Yeah, I haven't got I mean, I've been wearing glasses
just like twenty four, so it's been hasty years. Yeah,
it's been eighty five years since I started wearing readers
until twenty four.

Speaker 2 (05:52):
Yeah. Yeah, do you ever think about the LASA or
you're not interested?

Speaker 4 (05:56):
I got You know what's funny is when I was
at the radio station in the late nineties early two thousands,
Lasik was doing some promos with the station and they
offered me the free.

Speaker 1 (06:07):
Uh they offered you the free.

Speaker 4 (06:09):
Yeah, they offered me the free. But they were a
new company at that point and they were just starting out.
And I said, nah, let me hold off on this
because what if they're like, oh, well, we got something
better in like two three years. And then I heard
that like, if you get Lasik surgery, it only lasts
about like ten ys and then.

Speaker 3 (06:25):
You got to get another Yeah, that's why I never
got because the people were like, how come, why don't
you just get lay. I'm like, no, I'm good. You
know what I'm saying. I'll wear the glasses. I don't give,
but goddamn as long as I could if I if
all I need is the glasses to read, No need
for anything else.

Speaker 1 (06:41):
Hell no, trying to like have nothing.

Speaker 6 (06:45):
And when you hear new with eye surgery and lasers,
it's like, nah, I don't want your free eye lasers.

Speaker 2 (06:51):
Yeah, no, I don't want to be the test a
top dollar when you dial it in. Yeah, there you go.

Speaker 1 (06:56):
And that's why I did.

Speaker 4 (06:58):
I just was like, no, I'm just gonna go ahead
and read the wear these glasses and squint when I
look when I'm not reading glasses, because it was it
was bad to a point because like when I didn't start,
when I hadn't started the glasses yet, like like I
was squinting my eyes and coming up to like freeway
signs slowing down.

Speaker 1 (07:14):
Well yeah I could imagine squint. It was horrible.

Speaker 4 (07:17):
Yeah, people in my passenger seat were like, why are
you slowing down on the freeway, dude, And.

Speaker 1 (07:22):
I'm like.

Speaker 2 (07:24):
I'm trying to see.

Speaker 3 (07:25):
Yeah, that that's that's you have to get glasses if
you can't read the signs. Yeah, I mean that is
just it because realistically, you get lost anytime. You can't
be the one driving or or navigating for the person driving,
you know what I'm saying. But the person, as they
would say in Australia.

Speaker 6 (07:45):
For the person anybody sees the new Chris Rock specially,
he's got to stand up, Chris. I'm sorry. Kevin Hart,
my bad. It's pretty good. It's pretty good.

Speaker 2 (07:54):
No, you know.

Speaker 6 (07:55):
See, that's the thing with Kevin Hart. To me, it's
sometimes the corner or hilarious. You're right in hit or miss.
When he hits, he fucking hits. When he doesn't, it's
a little off in corny. But there's there were some
good highlights, but a lot of things he was talking
about was getting older. I think he's my age because
by the way he was talking exactly at the same age,
and he was like, you know, after forty he was like,

(08:16):
basically explain it. He was like, when you get hurt,
you never are you never get back to one hundred percent.
Well like nothing is that. You just get better, but
it's never back to where it was. And that was
so fucking true. It's like he's like, yeah, basically talking
about there's always something going on in your body, and.

Speaker 2 (08:32):
It's so true.

Speaker 4 (08:33):
Just like Kevin Hart to me, like he does absolutely
have some really really great jokes, but like sometimes the
presentation of the delivery where he's like yelling yeah and
you know.

Speaker 1 (08:44):
Yes, I read one thousand percent.

Speaker 3 (08:46):
That was one of the things why I could not
get down with Carlos Vincia because when it felt like
to me, then when when the jokes weren't hit and
he would have to yell the joke to be funny, right,
and I cannot hang with that.

Speaker 1 (09:01):
And Kevin Hart.

Speaker 3 (09:02):
Does do that that he's you know, like for I
agree with Kelly Blaze, Like, to me, sometimes he's very
funny and other times he's a little too much like
corny too much, you know what I'm saying.

Speaker 1 (09:14):
But I gotta say, man.

Speaker 3 (09:16):
The dude works like his work schedule is crazy. Man,
he gets it done. Like I thought Nick Cannon work
and Nick Cannon does work pollute to Nick Cannon. By
the way Kevin Hart works, I think they'd be trying
to outwork each other. Yeah, of course, But because those
two dudes are into everything.

Speaker 6 (09:37):
Did you see the thing they did the what is
the Mark Twain Award for? Yeah, okay, he deserves it.
Yeah no, because what's his name? Nick Cannon was in
there and he fucked with him pretty good.

Speaker 1 (09:46):
God, been friends for a long time.

Speaker 2 (09:48):
Yeah.

Speaker 6 (09:48):
So Nick Cannon came out to do his bit, like
he was doing an announcing and he was like nobody
basically announcing someone this man has been in this this
and he starts going Beverly Hills, cop raw name all
the give it up for Eddie Murphy. Everybody fucking roars,
everybody stands up. He's like, man, Eddie Murphy ain't here
to see you, bitch as like it was hilarious. Yeah,

(10:09):
you did like two more fake ones because supposedly Kevin
Hart came on his show and did some ship to
try to fuck it up.

Speaker 1 (10:16):
Yeah, they're constantly fucking and for but he.

Speaker 6 (10:19):
Got him good with that one. So and he did
Angela Bassett a fake in deduction. Frangela. He wasn't carry
you know, pretty good. There there's a there's this.

Speaker 3 (10:29):
It's a mock reality show called Real Real Men Are
Real House Real Husbands of Hollywood or some ship and
Kevin Hart and uh and Nick Cannon along with Nellie
and Robin Thick and what's my dude the comedian God

(10:52):
damn it, I can't really uh yeah, yeah, all these
guys right here. Yeah, JP there you gob he's This
ship is hilarious a lot of the time. Sometimes it's
a little bit much, a little overtly exaggerated.

Speaker 2 (11:06):
But what's the told dude name again?

Speaker 1 (11:11):
What's his name? Boris?

Speaker 6 (11:13):
Boris something Melton, Oh, it's that that's uh, that's the
us Yeah, uh no, Boris something.

Speaker 1 (11:25):
God, Yeah, there you go, Boris Kojo.

Speaker 3 (11:30):
What's crazy about this, right is that his spouse is
in this as herself, as Dwayne Martin is with you know,
was married to Tsha Campbell that she still is. She
was in this as well as herself. A lot of
these people are playing themselves.

Speaker 1 (11:49):
They're not.

Speaker 3 (11:50):
It's it's it's based off of mock reality, but it's there.
There's no one here that is like an actor, like
with a name that's not themselves.

Speaker 6 (11:59):
As what I'm saying, pretty fun enthusiasm does that. They
usually play their own character on that.

Speaker 3 (12:06):
They call each other Mitch's man bitch.

Speaker 4 (12:10):
When you're a man bitch, you're a Mitch. That show
is really funny. Actually, yeah, it's pretty funny. That was
one of my favorite things I've seen.

Speaker 3 (12:17):
Kevin Hart and Yes, and him and Nick Kennon are
constantly fucking with each other.

Speaker 1 (12:22):
They lived there like rivals, dude.

Speaker 4 (12:25):
The funniest thing I think I can remember seeing like
where I was like literally I remember when Kevin Harten
the Rock did that movie together and then that one
before that that was pretty good though, Central Intelligence, Central
intellig They were playing I think like some like maybe.

Speaker 1 (12:44):
Their buddies, the White movie.

Speaker 3 (12:46):
Right, well, they went to high school together, they lost
track of each other and somehow they found each other.

Speaker 1 (12:52):
Yeah.

Speaker 4 (12:53):
So when they did promo for that and they were
doing these ig like they they really talked about each other. Yeah,
it was hilarious, dude. And Kevin Hart was getting rock, dude,
and Rock.

Speaker 1 (13:03):
Was getting back.

Speaker 4 (13:05):
But it's so funny like in that instance, like, oh, dude,
I'll watch Kevin Hart and South the Rock all day.

Speaker 1 (13:10):
Yeah, that's it's He's hilarious.

Speaker 3 (13:13):
He does a lot of the Buddy flicks, you know
what I mean, like comedians that that they tried to
put him in the Buddy flicks. Yeah, you know what
I mean whether they're the lead or the support. And
they do great in these roles. I mean ship he
did Buddy Flicks with with Ice Cube. Oh right, well
that was on patrol. That one was on patrol. Kevin Hart.

(13:34):
He's dating Cube's sister in this one. Cubes of Cubes
a cop and his sister is dating Kevin Hart. He
don't respect Kevin Hart. He takes it's called right along, right,
remember that? And there was right along too, and there
was right along And then.

Speaker 6 (13:54):
Did a host roast. Here's the host of somebody's roast.
He did a good job. Oh yeah, he did a
great job. I wonder when they're bringing those back.

Speaker 2 (14:03):
Those are the best the Comedy Central roast these days.

Speaker 1 (14:06):
Oh man, yeah, those those are really funny.

Speaker 3 (14:09):
I don't know why they stopped those, but I mean
they got several motherfuckers they could roast right now.

Speaker 2 (14:14):
Easy.

Speaker 4 (14:15):
Oh my god, I wish you know one of the
things that you know I can now with in those
eight we we you know, have the roast of all
these different years. If we could have, if he could
have made it long enough to be healthy enough and
had Don Rickles host.

Speaker 6 (14:29):
One of my favorites or be the roasted or be roasted, right, Yeah,
because because his roast back would be crazy and he's
been roasting people for Yeah, I mean he was what
he did them, Yeah he was. He was part of
the Friars club ship and then the Dean Martin roasts. Yeah,
he was like what Jeffrey Ross is to to to

(14:52):
what roasts are these days? Like, you have to have
him because Jeffrey Ross is a killer.

Speaker 3 (14:59):
Yeah, you know, he's like the new version of Don Rickles,
but not Don Rickles. He's like himself, Like Jeffrey Ross
got his own style. But I'm saying within the guys
who are relevant, within that whole chain of comedy, Don
Rickles was the guy you brought up because he was
the killer back then. He didn't hold back on nobody,

(15:19):
and Jeffrey Ross is that guy today. I mean there's
a lot of comedians they don't hold back, but he's different.

Speaker 2 (15:24):
And so let me tell you something.

Speaker 6 (15:26):
Hots off to the people who sit in that chair
because I'm fucking somebody up. I'll tell you they cross
every line you can ever think.

Speaker 3 (15:35):
Even the ones you they agree not to cross, they
still cross them.

Speaker 2 (15:38):
Oh they did that with what Tom Brady.

Speaker 6 (15:41):
Brady they said that they wouldn't roast was a craft
aft and somebody and the wife he think correct, and
they went in on his w.

Speaker 3 (15:51):
Did she left with the fucking jiu JITs the ship
with craft? It was so and he you don't. He
took it like a chap.

Speaker 1 (16:01):
You know.

Speaker 3 (16:01):
There was a couple of moments you could see he
got like, hey, hey, hey, but I mean, you know,
if you agree to sit in that seat, you better
have brought your best patience and in calmness.

Speaker 1 (16:16):
Yeah, and I think you.

Speaker 2 (16:18):
Need to be able to chill and make it through.

Speaker 4 (16:21):
The last thing you want you want to ever do
is tell comedians like that what not to say, because
they're gonna, okay, cool, let's go bro.

Speaker 1 (16:30):
Yeah, it's better if you just say, hit me with everything.

Speaker 3 (16:32):
Yeah, and then they can't think of enough to ship
hit you with stuff, gets gets by the hit him
with this because he said hit him with everything.

Speaker 1 (16:41):
Yea, in your mind starts yeah, going everywhere.

Speaker 4 (16:44):
Yeah.

Speaker 3 (16:44):
I mean, if you can't take it, don't get out there.
And if you're an alcoholic that gets pissed off really fast,
do not do not sit in that seat or.

Speaker 4 (16:53):
Actually maybe sit in that chair. For our entertainment.

Speaker 1 (16:56):
Right.

Speaker 3 (16:58):
No, I'm saying yes for all meat. Right, everybody loves that.
Everybody loves some some drama, right. But I'm saying, if
you're the guy they ask and you drink and you
got a bad temper, you should not drink or you
should not do it at all. Yeah, very true, very true.

(17:18):
That you will get into a fight with the mother.

Speaker 2 (17:21):
For sure, because they're gonna across that line.

Speaker 1 (17:22):
Somebody's gonna cross the line.

Speaker 6 (17:24):
Greg Giraldo one of the old ones who passed away.
He was from my neighborhood in Queens too. He was
a brutal, fucking brutal you know, like and they do
they they say some things are like that wasn't even funny.
That was just for mean, yeah, mean, but it is
funny because it's so fucked up and there's no punchline,
and like, yo, Pamela Anderson, you know, oh my god,

(17:47):
did she get it?

Speaker 1 (17:49):
You know who was was really like even like more.

Speaker 3 (17:54):
Ruthless than than uh did Jeffrey Ross and and kind
of on the levels of Don Rickles in terms of
how he fucking dreamed people.

Speaker 1 (18:05):
Was Greg Giraldo rest.

Speaker 6 (18:06):
Yeah, that's one I just said, was Greg Galdo crazy,
What did I say?

Speaker 1 (18:10):
He said it? Oh yeah, I didn't hear that was
a Doobie like you just did.

Speaker 3 (18:14):
Yeah, yeah, yeah, no, no, I pulled the Aton energy there,
but yeah he was.

Speaker 1 (18:20):
You're right, though, Greg Giraldo, it was.

Speaker 3 (18:23):
I mean, the thing was Jeffrey ross Is set up
in a different way that like he became the guy,
even though Greg was was more ruthless.

Speaker 1 (18:35):
Oh yeah, you know what I mean.

Speaker 6 (18:37):
And uh, all the things he said to him, he said,
so bad, the digs he said.

Speaker 2 (18:42):
The people, Yeah, people in general, Pam poor girl. Holy.
It was one of the most brutal.

Speaker 6 (18:48):
Two minutes, like and it was just like, oh my god,
you hate this woman because this is.

Speaker 3 (18:53):
Fucking They said that about Doobi's porno. Yeah, the most
brutal two minutes. I was kidding. Yeah, just get it crazy.
You opened the joke right there. You you opened the
gift and the spring popped out. You know what I'm saying.
You know how, I'm sorry. I'm sorry. I'm sorry to

(19:16):
be I apologize.

Speaker 2 (19:18):
I love you.

Speaker 1 (19:19):
Sorry, Yeah, thank you.

Speaker 3 (19:20):
B On on the on the Doobie note though, like
the clip that we posted the Instagram on on his
performance to the funkiest. Oh man, that ship lit Instagram.
Oh so people forgot about how dope son Doobee is
because you know, like the frequency in which that funk

(19:45):
Dubius dropped after a while was kind of like it
had dwindled. They didn't put out much. But hearing these
verses and hearing him like get down with it, like
he ain't lost the step type of ship right, people
are now reconnecting and being like, oh man.

Speaker 2 (20:02):
I grew up to that. This is the man.

Speaker 3 (20:06):
He is one of my favorite mcas and I was
just listening to that today and all the other stuff,
and it's kind of like, you know, read like a
reintroduction to a dude you already knew was dope, but
like you had to be reminded, so be real. TV
reminds you how dope my bros are, especially this crazy

(20:27):
fuck right here.

Speaker 1 (20:28):
You know what I'm saying.

Speaker 2 (20:29):
He goes from saying.

Speaker 7 (20:30):
Something just listen, skills like sorrow both public tomorrow tomorrow
like off a Hannick at the uncanny job bon of
my funk for your fanny suck us, I pick them hope,
I picked them stuck him hey buck us, I flick them.

Speaker 8 (20:47):
I Bill peck Yohanna, I rock like Havana, go fuck
up Hiranha like Jeffrey Dahmas like something. I sup su
stuff to the sun. I'm will fuck you guys up.
Where he's the is there you go. What's what's dope
about Doobie is that he could we talk about meeting
the moments. I say this all the time. He meets

(21:10):
the moments in the right place.

Speaker 3 (21:12):
Right Look, you know he's doing this live right here
on our mic, right right over there. And he finds
a way to get animated with it. He's not just
wrapping it like he's getting animated with it, putting all
his his personality into it as he's doing it. That's

(21:32):
called that he does. Yees yeah, his little yeah. One
of the dopest men. And he don't get enough flowers.
But you know, you let people. You let the other
people know, remind them, you share that clip and let
them know, hey, man, he's still one of the funkiest
because like I'll tell you what.

Speaker 1 (21:51):
You hear that old ship and you're like, damn, that
was dope.

Speaker 3 (21:56):
But I heard some ship he's been doing with the
Dominator and a couple of things he did with Hobby Lopez. Yes,
oh my god, I can't wait for those things to
drop that he's doing with Dom and some of this
stuff with Hobby's been dropping ridiculous. Go find that music.

(22:17):
Go find some Doobie's music, like the New Ship too,
the old Shit's classic banging all the time. We know
this soul Assassin stamp. But my man got bars to
day for two day. Yes, you check that shit out.
Just say it, just say it. Don't miss out on
what you're passing.

Speaker 4 (22:36):
Dude, I'll never forget. Like the first time I heard
that song the funkiest Eric and Nick V the Baker
Boys were we were in Baker We're kids, and he
played it on vinyl and it was that super like
legendary trans you know, transparent like it's like a cream

(22:57):
white but it's like transparent vinyl immortal record. And it
had like two mixes with vocals instrumental bonus beat and
an acapella and just to hit you would hear, just
like I would sit there and listen to it over
and over and over. That beat is so fucking like,
get up and do something, you know what I mean?

Speaker 1 (23:15):
Like, dude, shout out to Mugs and leth yeah, you
know what I mean.

Speaker 4 (23:20):
That beat is still to this day, there's no larger.

Speaker 3 (23:24):
No, I mean there was some there were some bangers
on that.

Speaker 4 (23:30):
Here between Mugs, Lethal and Tray. Yeah, first record.

Speaker 2 (23:36):
That.

Speaker 1 (23:37):
It's one of those albums. You know what I'm saying, Man,
listen to it. You're like, man, that heat, that heat
is so good. Yeah. Man, it's a classic. Yes, it's
a classic, man.

Speaker 3 (23:50):
And you know, I was blessed to be a part
of the the making of it. Yeah, from naming the
group to writing a couple of verses in a song,
to you know, being featured on it. Because the way
that I looked at it man to be truthful. And

(24:14):
I'll say it right here, and I don't give a
fuck what anybody thinks. I always thought send Son was
the best of us as Soul Assassin's raffers go, I mean,
everlast and I are you know, we hold ours. But
his style was definitely completely cutting through in a different
way to me. I mean, would others say and feel

(24:37):
and think, you know, I respect that. I'm not gonna
ever take props away from myself that motherfuckers are gonna
give me. I'm just saying in my shit always liked
his his del the best out of all of us.
I didn't never try to replicate it or do it
because it's just a it's his. But I appreciated it because,

(24:57):
like his voice, like mine, is on a higher register.
But he found some some some crazy intriguing pockets to me,
I mean still to this day, like I could wrap
circles around motherfuckers. I'll tell you that ship. You guys
know it. You guys know this, but I love his ship,

(25:18):
his dynamic, you know what I mean. Like he's always
been one of my favorites. We fuck around and we
clown each other and all this other ship, but that's
definitely one of my favorite rappers.

Speaker 4 (25:28):
Even though he comes from the own house, you know
what I'm saying. He's just his voice is so unique
it cuts through. His cadences are always funky, yeah like
and ant like it's it's just always like on point,
and he's always got punchlines.

Speaker 1 (25:42):
It's just like there d That's why I.

Speaker 2 (25:46):
Like I said, I love about Doobie.

Speaker 6 (25:47):
He'll come from here for some acting old goofy and
fucking of course he doesn't for the fucking show. But
then when he goes in that fucking booth. Oh yeah, game,
different animals.

Speaker 1 (25:57):
He's my little bro.

Speaker 3 (25:58):
You know what I'm saying, And I'll tell you you know,
like we all kept each other honest in terms of
inspiring each other to do the best work we could.
Me and Everlast, we're hearing each other and hearing Doobie
like they were hearing me, like we were hearing Everlasty,
and nobody was putting up weak shit because we were
listening to each other and like crafting our own styles

(26:20):
so that none of us sounded the same. But there
was a semblance there. There was like you could tell
we are in this click together, you know, soul assassins.
We all held our different shit, but but you could
see that there was a a thing there. And that's
based off of monks being the base of the production,

(26:41):
I believe, you know what I'm saying, And the fact
is that we were all on the same you know,
we had the same mentality. We're all together and we're
killing everything, and that's that was it. And it's good
to hear when Eric is flipping bars. He likes singing
more these days, but he could still flip them bars.
When Everlast is on a hip hop song, and he's

(27:03):
giving it to motherfuckers, which he always does. He will
never just dial it in. He's always bringing the heat.
And to hear that Doobie's bringing that heat too, man,
that shit warms my heart as a soul assassin, b
you know what I'm saying. And we've all grown and
evolved as as MC's, as songwriters, as entertainers and performers,

(27:28):
and you know, we've all grown in our different way,
but it's great to see everybody's still operating at the
level that they should be at.

Speaker 6 (27:36):
You know what I'm saying, getting better find one and
that's all, you know, hey, the love of the love
of it.

Speaker 3 (27:44):
You know, if you love it that much, whether you're
making a lot of money, or you're making a little
buddy money, or you're not making very much at all,
if you love it, you're just gonna do it and
you will get better at it.

Speaker 1 (27:57):
And if you catch a break, you could you could be.

Speaker 3 (28:01):
Propelled and use all that skill that you honed for
all that time.

Speaker 1 (28:04):
You know what I'm saying.

Speaker 3 (28:07):
Guys like like do Be and and myself and Eric
and guys in our in our school right of of music,
we're always one song away. It's just do we want
that one song? And how much do we want that
one song? Are we chasing it? Well, we don't chase it,

(28:29):
we find it.

Speaker 1 (28:31):
Bye bye. You know pure you know luck because that's
how it is.

Speaker 3 (28:36):
You know, you could be skilled and be great at
what you do, but it also takes a little bit
of luck.

Speaker 6 (28:42):
That's the truth. You said it a little bit right,
because the rest is you. But there is that little
bit that you need to be in that right place
at the right time and actually perform at that time.

Speaker 2 (28:53):
Right, That is the luck man.

Speaker 6 (28:54):
Because people do you know, They'll always say, listen, I
know people who grow some of the best weed in
the world. They do, they still have not had an
opportunity to get out there because it's just their products
haven't gotten to the right person. Doesn't mean they're not
one of the best I've ever fucking known. There is
that little bit of luck. That little bit of luck
is some you know what people don't want to say

(29:15):
because I think we feel like it takes away from
what we did. When you use the word luck, you're
by wait wait, wait, have you seen what I did
to get here?

Speaker 2 (29:23):
What luck? Too much work?

Speaker 1 (29:25):
I put?

Speaker 2 (29:25):
Yeah, so I think as we say, Nah, I wasn't
lucky I did this.

Speaker 3 (29:29):
It look a little bit, a little bit because that's anybody, correct,
that's anybody, Kelly, You're You're absolutely right on that.

Speaker 1 (29:36):
I mean, you know it's anybody.

Speaker 3 (29:39):
Because let's just say you're going up for acting role,
right and you see some notable actors in the bit,
you know, in the casting room that are going before you.

Speaker 1 (29:51):
You're like, how the fuck am I going to get this?

Speaker 3 (29:55):
When you got like people that may have more chops
than you in there, right right, and then you get it.

Speaker 1 (30:02):
That's a little bit of luck.

Speaker 3 (30:05):
Because it's not guaranteed no matter how good you are
or how good your product is, that it's gonna get
out there a little bit of luck. And that's all
I'm saying for a lot of us Golden era rappers, right,
is that you know, we have the abilities.

Speaker 1 (30:21):
We've been doing this for so long.

Speaker 3 (30:23):
It's just that again, chasing the hit, you ain't gonna
catch it.

Speaker 2 (30:30):
It's too fast for you to catch.

Speaker 3 (30:32):
Yeah, you have to just let the hit come to you,
you know, by just doing the work, doing what you love,
how you love to do it, and eventually, if luck
swings your way, on one of these dope songs, Boom
You're launched again. It's called being one song away, right,

(30:54):
and all of us are very close to that who
have added any amount of success in our lives in
this music industry.

Speaker 1 (31:02):
It's just in hip hop.

Speaker 3 (31:04):
It's harder for us because it's agis the agism that
exists in our genre that we love so much. It's
perpetuated by the record companies, the agents, the promoters, but
mostly the record companies because they have not figured out
how to sell this music from let's just say a

(31:26):
forty to fIF thirty, from thirty to fifty year old
rappers to you know, this young audience because they act
like that's the only audience for it, which we know
is not true anymore, but that's how they've geared it.

Speaker 1 (31:41):
So it's very agists. So you know, it's harder for a.

Speaker 3 (31:46):
Rapper from thirty and up to get to get any
rotation on radio station, not that that matters anymore. It's
more about the playlist, obviously, but you've got to be
placed in the right playlist, and even then they discriminate
on older rappers being in his younger playlist.

Speaker 6 (32:03):
Ship you gotta be not a little, but a lot lucky,
a lot lucky. Then yes, it went from a little
to a lot for sure. That's a great point.

Speaker 3 (32:13):
But everyone that does this nothing is ever a luck
no matter how great it sounds. You know a little
bit of luck God God shines on you that little
sprinkle and boom, you know, you blossom into this this thing,
you know what I mean, depending on the ride you

(32:34):
you know, the direction of the ride that you take,
how you navigate it. It is what you make it
to be. You know, in spite of the bumps in
the roads. Right Like people that that are in this industry,
they'll say, oh man, this fucking music industry is ship
hate it, yet they still make music because they love

(32:57):
the music.

Speaker 6 (32:58):
Same as the cannabis industry know that this is fucking bullshit,
but it's what we love.

Speaker 3 (33:04):
It's an unfair game that we play. But you know,
fortunately today as it relates to cannabis and music, is
that like you could be an independent operator and not
have to take anybody's shit, and I'd have to play
the politics still got bumps in the road, and you
need even more luck. Like if you if you if
you were a recording artist, you got signed to a

(33:25):
major label.

Speaker 1 (33:26):
You're almost there.

Speaker 3 (33:28):
And if you got the fucking good product and you're
willing to work, you're even closer, you know. And if
you fucking get in there, boom it and it resonates.
Guess what, We're a little lucky because nothing is guaranteed.
If I go to a craps table, it doesn't guarantee
I'm hitting seven or eleven on those first rolls. Yeah,

(33:50):
the odds are always against. No matter what shot you take,
the odds are always against. Nothing's ever not need a
little bit of God's love or as some of us
call it luck. You know what I'm saying, and that
is the fucking truth. So going back to to soun
Doobie right song away because the chops are up, still

(34:13):
loves to do it. I hear the ship he's doing
with with Dom in there, and he's allowing which is
a pro thing. I want to say this A lot
of rappers need to take note on this ship, is
that he's allowing himself to be produced by Dom. Like
if Dom hears something it says, Adobe, you need to
cut it like this instead of like this, or we

(34:35):
need to get that again, or why don't you try
it like this. He's opened himself up to take direction
from producers, and that's as an artist you have to
have that Yes, you can.

Speaker 1 (34:52):
For me. For me, I've always taken the direction.

Speaker 3 (34:57):
I've never been in a situation unless I unless I
felt like I needed to argue for the song or
for the verse, or for the idea. If I felt like,
wait a minute, you're not hearing this right, let me.
You know, I'll fight for an idea if I think
it's worth fighting for. But mostly I'll listen to to

(35:17):
the direction of the producer. If he's got direction to
give me, I will listen to it. If he doesn't,
then I have to self produce myself in those moments, right,
And I'm hard on myself.

Speaker 1 (35:29):
So sometimes it's a bitch.

Speaker 3 (35:32):
But you know, I let go of my ego a
long time ago with Mugs and with sen and saying,
you know what this is, he's the producer. We're gonna
do it like he hears it, and I'm I'm the instrument,
you know what I'm saying. And that's that's been who
I've been as as an artist through this whole time.

(35:53):
So if I'm with doctor Dre and he's telling me hey,
do it like this, I'm doing it like Dre says,
or if I'm working with dumb and he says, hey,
this line ain't clean.

Speaker 1 (36:02):
You need to redo this. Guess what I'm doing that.

Speaker 6 (36:07):
It's never a thing where I will say.

Speaker 3 (36:09):
Hey, man, I know what the fuck I'm doing. Just
fucking keep recording, you know what I'm saying, Like, that's
that's the sure way of fucking yourself out of like,
you know, becoming a real artist, taking those suggestions and
not being so close to it where you got to, hey,
fuck fuck out of here. Don't tell me how to

(36:30):
do this, you know what I'm saying. Sometimes you need
that direction and you have to be willing to open
yourself up to it to do something great.

Speaker 6 (36:37):
And I think that applies, by the way, I think
I know it applies to almost in all industries. Yeah,
and you know, like, I've been doing this shit thirty
plus years, so I do have a certain I wouldn't
say ego, but a little bit of confidence right in
that confidence confidence. But I also know that this little
young eighteen year old cat who hasn't been doing this
motherfucker did enough studying and research that I can't learn

(37:00):
from him, I want, Oh, you've been going for two years, bro,
I've learned some little tricks and little tiny things that
I'm like, Wow, I'm glad I listened. It's like, yo,
you can learn from everybody, and you gotta be able to, like,
you know, like you said, let go of your ego.

Speaker 2 (37:15):
And listen to other people.

Speaker 6 (37:17):
And it's helped me in the industry immensely because I'm
never like, man, you don't know shit, bullshit, teach me
what do you got?

Speaker 2 (37:24):
Let's talk. You've learned from younger DJs?

Speaker 1 (37:26):
Oh?

Speaker 4 (37:27):
Absolutely, Like I've learned things like like even like I
did this led Zeppelin mix right, Like I wanted to
do this DJ led Zeppelin mix, and so I figured
and I had all these ideas. But I hit up
my homeboy four Eyes in Vegas and I was like, Hey,
I want you to produce me making this mixtape. I
want you to tell me this part is bullshit. This

(37:50):
part is rad figure out to get from here to there?

Speaker 1 (37:53):
You know what I mean?

Speaker 4 (37:53):
Because I was I would have just the the original
My original take was two and a half hours, and
I was like, nah, can we get it to an
hour and a half, Like I'd like it's fit on
a CD. Let's just get it to fit on a CD.
And so I would, you know, I would do these
takes and I'd be like, oh, that's it. He'd be like,
you could do better. I'd be me, I could do better.

(38:14):
Like but then I was like, all right, you asked
him for this, you know what I mean, you told
him like so I was like all right, and I
was like okay. So after a while, I started, you know,
really just kind of just put I let my guard
down and I said, Okay, whatever you say, dude, is
what I'm gonna do, and dude, let's do it. And
at the end of it, I was like, holy shit,

(38:35):
I'm so glad. I wasn't as stubborn as I usually am.
I let my and he I was produced for this,
for this.

Speaker 3 (38:42):
Mixtape, I always felt too lucky to even be in
the fucking booth, you know what I'm saying, Like, how
like always like in the early days, like, fuck, how
am I even in here? I was gang banging before this?
How am I even in here? You know what I'm
I'm gonna just play my role. I humbled myself in

(39:03):
a different way, like, you know, because before, yeah, as
a gang bank. We're like, we don't you know, we
don't give a fuck about it. You don't like the
way I did this, fuck you, But I thought it
was a blessing and I didn't want to fuck the
blessing up because even as a gang banger, I.

Speaker 1 (39:17):
Was very spiritual.

Speaker 6 (39:20):
I don't know how that makes sense, but but I was.

Speaker 1 (39:23):
Praying to God every day.

Speaker 3 (39:27):
Yeah, I prayed every day then and I pray every
day now. But I'm saying, you know, like in the booth,
I was very like, I just need to play my role.
So if these motherfuckers are gonna tell me like I
needed to do it like this, I'm gonna do it
like that, you.

Speaker 1 (39:42):
Know what I'm saying.

Speaker 3 (39:43):
And shit, that served me well, man, because it showed
me things that I did not know about recording. And
then in terms of learning from youngsters, you know, like
on some of the collaborations that I've done in the
last i don't know, five six years whatever, I've learned
shit from a lot of the younger artists, just flowing

(40:04):
with them, like like the different pockets they use, and oh,
well shit, I could use that like this. You're right,
you will never stop learning if you got your eyes
and ears open. The minute you think you know everything,
you don't know shit. Yeah, like because all those things
evolve and change, yes, and you have to change.

Speaker 4 (40:25):
It's part of like like evolution, you know what I mean,
Nothing stays the same unless you want to.

Speaker 1 (40:31):
You know, life every day it should be a little bit,
a little bit.

Speaker 4 (40:36):
This is just a smitche But I've always like really
respected you, like when you because I would ask you, you know,
I've always asked you a questions, like about making it,
and you were always like, for the you know, for
the mugs stuff, you were like, whatever he said is
what was what goes right?

Speaker 1 (40:51):
And like and the same thing with the black milk.

Speaker 4 (40:53):
You said there was a few different versions of every
different sign, and you were like, whatever one he picks,
that's the one we're gonna fucking go.

Speaker 3 (41:00):
Because I always thought to myself this right, it's it's
it's much like guys that grow weed. Right when when
someone grows the fucking crazy strain and they put it
out in the world, they know their reputations on the line,
so they're not I've seen great cultivators kill the whole
crop because it's it's not it's not what it's supposed

(41:24):
to be. Other motherfuckers would see it and be like, yo,
I want that, But his rap is on the line.
So if there's anything wrong with this crop, fuck it.
We're burning it. We're using it for something else. But
it ain't going out there because because my name's on this, bitch.
And I looked at it like this, Muggs, Muggs's name

(41:48):
was going on this, and I know how big he
was on respect, like, and how how he wanted respect
from our peers, guys that were doing it big at
that time, you know, because they expected big things from
Mugs because Muggs is a fucking genius.

Speaker 1 (42:04):
And I think people saw that early.

Speaker 3 (42:06):
Some some of the people and you know that were
significant in this game, you know what I mean. And
so he knew his name was going on this. I
knew my name was going on it. I knew his name,
and so it was sensed. So I already knew that
Muggs had the best interest of all of our names
as it related to what we're putting out putting out

(42:29):
on this fucking product right here. So I looked at
it like I'm gonna put my ego aside. I'm not
gonna fight him on anything unless I think it needs
to be like on the side, like for stone is
the Way of the Walk? He was gonna give that
beat to. I think Queen Latifah this way this is.
You know, she's new on the scene at this point
that we all you know, we knew her she We

(42:50):
knew her through him and through Dante Ross and all
him right right, because he was working with Tommy Boyce
as Tommy boy artists, and I had to fucking plead
my case with mugs and be like, I need that beat.
I got something for it. Don't give that to no one.
Oh well, I'm gonna give it to like no, no, no, no,

(43:11):
no no, I need that one. He heard me Stoned
is the Way of the Walk went on that particular beat.
In times like that, yes, But in other times, like
if we're laying the vocals or we're like if we're
writing the song from scratch, and he had an idea, boom,
I'd run with that idea as opposed to no, no, no, no, no,

(43:31):
I got this. You do the beats. I got no.
We're working together. That's how I work with every producer.
If we're doing it to gather if you expect me
to do all the shit cool, I'll do it. But
if you got an idea and you're the producer, I'm
not the guy to shut you down. Unless I think

(43:52):
it's corny. Then I might say, hey, I don't know
about that one. Well, don't you give me an example
and then and then let's then and if it sounds cool,
they don't fuck with it. But like you know, because
you gotta be honest too, you can't just do some
corny ship, right, so you know, if you call you

(44:13):
gotta call it like you see it. But most of
the time, man, you know, I don't work with motherfuckers
that do corny ship absolutely, so that was never a problem.
But I learned that, you know, put your ego aside
because guess what the producer name is going on it
mm hmm, And that producer wants to get other work

(44:34):
and wants to you know, to have a fucking track
record of having bangers out there, right, So unless unless
they don't know what the fuck they're doing, Yeah, you know,
work with your producer if if if he got ideas,
he or she got ideas, you.

Speaker 1 (44:52):
You know, be open to them.

Speaker 3 (44:55):
That's that's the best advice I could give instead of
just you know, shutting ship down because you.

Speaker 1 (44:59):
Think you know everything. Yeah, that's just that doesn't work. Yeah, No,
I mean it can sometimes.

Speaker 4 (45:06):
You know, because you do you might be like a
little more knowledgeable about something than someone else or vice versa.

Speaker 2 (45:11):
You know. But I think.

Speaker 4 (45:14):
Being open to like hearing you know, constructive criticism or
even just like now that ain't it, you know, like
like it opens up the possibilities of you saying, Okay,
well what if we try this, like you still are
gonna make it the greatest to your ability, but this
might not be the technique.

Speaker 1 (45:32):
Try this one.

Speaker 4 (45:33):
Oh okay, I wouldn't have thought it unless I failed
it this one, right, And there's always a lesson in
there somewhere, you know, Like I don't know, you gotta
be open. Yeah, yeah, it's it's rare.

Speaker 3 (45:46):
Yeah, But coming all the way back around, it was
great to see the reactions for for some doobies verse.

Speaker 6 (45:55):
We went everywhere right now round the world and back
baby is Yeah.

Speaker 4 (46:00):
Dude, so I was telling be earlier. I don't know
if you heard this, but Spotify just bought maybe uh
bolting can confirm this, but I read this morning Spotify
bought the website who sampled dot com, which is a
site where a lot of people will figure out the
source sample of any hip hop song or any song

(46:22):
in general and list the song and put oh use this,
and then they'll usually have like it's all like information.

Speaker 1 (46:30):
If you've ever wondered any of your favorite rap songs.

Speaker 2 (46:32):
Came from where it came from?

Speaker 1 (46:34):
Cool? Yeah, yeah dude.

Speaker 4 (46:38):
So now like people are like inquiring about Spotify maybe
using the who sampled like database to co after you know,
people who didn't clear samples or you know, we're independent,
like it doesn't matter, like the it's not just major
label and it's indie as well too, like independent, you

(47:00):
know what I mean. So it's like if someone uses
a sample or it got used in the samp, you know,
in a song, it tells that information. So they're wondering
if they're going to use that to feed to the
labels of like, hey, did you ever clear this?

Speaker 1 (47:12):
You clear this? If not, you should go after him
right there?

Speaker 6 (47:16):
All the proof is right like it because it's cool,
like you know, obvious songs you can hear you know,
old school, Uh, the Michael McDonald sample, So what's it called?

Speaker 1 (47:26):
Orange.

Speaker 2 (47:26):
Yeah, yeah, things like that, you know right away.

Speaker 6 (47:28):
You know a lot of Curtis Mayfield's you know, SUPERFLI
has been used a lot. But then there's ones that
people break down for me that I'm like, holy shit,
like how did you get that from that? You know
those takes the one layers.

Speaker 1 (47:41):
Yeah, bro, they'll take it and.

Speaker 6 (47:42):
Then you know, slow down that they heard that sound,
so it's originally that sound, but then they either speed
it up or slow that down then layer it. And
I'd like, never in a million years could I have
picked out apart unless you showed me that breakdown.

Speaker 1 (47:56):
Yeah, what I mean, that's the best. That's the best.

Speaker 4 (47:59):
There's a lot of you know, producers that flip like
just from you know, any sample source, you know what
I mean, Dyla or Primo or Pete Rock with the
Less Psycho Less Yeah.

Speaker 1 (48:11):
With that ship Layers, the Bomb Squad.

Speaker 4 (48:14):
Bomb Squad, Oh my god, dude, they took Yeah, they
were the King of Layers. Yeah, Kings of Kings of Layers.
Listen to Fight the Power.

Speaker 1 (48:22):
Oh my god. There's like twenty five things going on
in alternates.

Speaker 6 (48:26):
No why You'll hear one or two sounds, you know,
but the rest I have to hear the breakdown.

Speaker 3 (48:31):
You know, dude, and you know, welcome to the Terry Dome,
like if you like, I think if the ship is unidentifiable,
they should not even like be trying to fucking scrape
you for anything.

Speaker 6 (48:41):
Yeah, if you can't even tell then not how is
that really you know, plagiarism or whatever you want to say,
Like nobody even knows.

Speaker 2 (48:48):
It doesn't sound anything the same.

Speaker 1 (48:50):
Well, you know, I think what had happened was.

Speaker 3 (48:55):
No one was so happy until biz Marky used the Turtles, right,
and they didn't clear that sample. And I think they
told them no, they couldn't use the sample or something
like that, and he used it anyway, and that that
just opened the floodgates from motherfuckers. Oh we could sue
them for using theirs to hold up yeah, yeah.

Speaker 1 (49:17):
And they took his album off the off the market.

Speaker 4 (49:19):
So like back then it was physical CDs and records
and cassettes, and so when those existing copies that had
that sample on it, they had to take them to
strike them from the store and send them back. So
then that record was forever altered, you know, like it's
crazy like like, and then Dyla had for an interlude

(49:40):
that was a turtle.

Speaker 1 (49:41):
Sample as well.

Speaker 3 (49:43):
Yeah, they dey law for the three feet High Rising
they got hit too.

Speaker 4 (49:47):
Yeah, and then after that, what people have been doing
as well, is they've been going. People have been going
and buying like these old samples. They're go and find
the company or the publishing company going buying those songs
that the public the same, and then deciding they're new owners.
I'm gonna go after the group that sampled me that sample.
Get to say it, it's smart, but it's like.

Speaker 6 (50:08):
It's grimy as fuck, you know, it's it's pretty fucking grimy,
but it's smart.

Speaker 2 (50:13):
You know.

Speaker 6 (50:13):
It's like, oh wait, you didn't claim that. Let me
buy your ship and I'll go fucking clean. But it
is grimy.

Speaker 3 (50:19):
That's that's the thing about sampling. That that's why they
made it. That's why a lot of producers, you know,
went away from sampling. I mean they still do to
a degree now, but not like before, because you know,
people got so happy, you know, and then they're you know,
like trying to take artists publishing for one stink and

(50:40):
ass little sample like the whole album, Like I want
all the publishing on this album for one one fucking sample.

Speaker 1 (50:48):
Dude.

Speaker 4 (50:49):
The craziest thing remember the Peter Guns and Lord Treik
Uh uptown baing like you know that was a steely dancing.

Speaker 1 (50:56):
Oh want of those the trip Speaking of that that
brought it up.

Speaker 3 (51:00):
I was watching this Steely Dan documentary on the making
of Asia and they and that part comes up where
they're they're showing the the the bass, play the bass
that was played on it, and then they and then they, uh,
what's his name?

Speaker 1 (51:15):
Donald Fagan starts up.

Speaker 3 (51:16):
Tell Baby Up, Tell Baby Baby get and uh, it
was showing like how that song bridged into hip hop
because of the intro of that song.

Speaker 4 (51:28):
Yeah, And the crazy thing about it is like back
in those days, like this is like ninety seven, ninety
eight or whenever that song was, or maybe even close
to two thousand ninety nine, right, Okay, So it came
out as a street twelve, no record label, just we
recorded this song, put it out to the streets.

Speaker 1 (51:45):
It gets hot in New York, goes crazy.

Speaker 4 (51:48):
Then they start doing different versions, Like they get signed
to Columbia and then they start doing all these different
versions for all these regional parts.

Speaker 1 (51:56):
In dude, they become huge.

Speaker 4 (51:59):
Steely Dan just finds out about the sample, yeah, and says, oh, man, well,
that's great he used it in all. But since you
didn't ask us before you do it, we're gonna ask
for a hundred of the publishing of the publishing or
you can't put it on your own because I mean
it's clearly their ship.

Speaker 1 (52:18):
Oh yeah, and they had the fact and that killed
all their momentum after that.

Speaker 2 (52:22):
Yeah.

Speaker 3 (52:23):
But but see, that's that's that's it. You know, Like
what's crazy is that record companies were funny because like
they would leave it up to the producer to uh
to clear the samples, yep. And if the producer didn't
clear the sample, it was on them. But like, realistically,
the record company and the artist got sued, but the

(52:46):
artists would get fucked more than anybody. It's coming out
of your ship and the producer both.

Speaker 2 (52:52):
Like Farrel Monch again with the Godzilla ship.

Speaker 1 (52:55):
Yeah, that was unfortunate, dude, the same thing that happened.

Speaker 2 (52:57):
Yeah, you didn't clear it, he got Yeah, he just
did it.

Speaker 3 (53:01):
And that was the only way you're putting out any
kind of those kind of samples today where they're not
clearing it is if you're giving it for free. Yep,
you could leak it out there and be like, it's
a promo song. We didn't monetize it, we're not monetizing it.
You take monetization off of it, and it's just a
promo song at this point. So you won't make any

(53:22):
money from that song. But if it's a but, you
could blow up off of it. And that's why some
artists did give up. They're publishing on some on the
samples on some of those some big songs that you
might have heard throughout the nineties, like well, fuck it strategic,
I mean, look it right, I hate to bring bring
the name up, but you know, because of all the

(53:43):
funk shit. But look Diddy with Sting, I'll be watching you.
He gave up all the publishing on that, all the
publish and he had to pay paying him every day.

Speaker 4 (53:54):
I think it was like I think it was like
seven million to use the sample, which was unheard of
at that time, and all the publisher to this song
went to sing like Sting gets paid off that ship
every day.

Speaker 6 (54:07):
Yeah, there was a thing, a meme of something that
showed that's how much he's making. What had just from
that song.

Speaker 5 (54:13):
He also got paid from that Juice World song that
really Juice World did Lucid Dreams. That was his biggest song,
and that was a sting sample.

Speaker 1 (54:20):
Oh hell yeah.

Speaker 2 (54:22):
Well listen, like you said, like, it's strategic. You know,
it's like marketing.

Speaker 6 (54:25):
You know, there's certain things that you'll do and you'll
pay money and you're like, I'm not going to get
a return on this investment, not an actual cash return,
but the exposure that I got was worth every dollar.
So it's the same with a song in that part. Hey, man,
I'll take that hip because I know it's gonna hit
everybody's ears and they're gonna come check out my other shit.
So I'll do collapse That are straight losers, but they're

(54:48):
not losing.

Speaker 1 (54:49):
Hey.

Speaker 3 (54:49):
Some of other fuckers probably even went to the artists
and say, hey, we'll give you all the publishing if
you let us use this sample because it's worse, because
that's the most strategic way to do it, like and
and and to bring the guard down. You know, you
give them the publishing and saying hey, we'll even give
you an advance on this shit because we know this
song is gonna be big. And what that song does

(55:11):
is it gets you on the road and you're playing
this song and they're buying all the catalog because this
song is on that album, you know, or if it's
a single, they might just be buying that, but they
might you might win these motherfuckers over with this song
to buy the whole bit, you know what I'm saying.

(55:34):
That's you know, we spoke about that sacrifice last week
or something like that, Like sometimes you sacrifice these certain things. Yes,
like we said back in the day in the fifties,
you know, record you know, recording artists, if they wanted
a record deal, they had to give up their publishing
to have one.

Speaker 2 (55:51):
So it is so crazy.

Speaker 3 (55:53):
Yeah, to be a star, to be famous, you had
to give up the most important shit that was going
to get you paid on the side. Like later, So
like on the days that you say I'm retired, I'm
not doing this, but your records are still selling. You're
still getting paid for the publishing royalties and all that shit.

Speaker 1 (56:09):
Would you give it up? You don't got that coming.

Speaker 6 (56:12):
Yeah, but people like you said, people they're in that
position at the time, they're like, fuck it, man, I
don't care.

Speaker 2 (56:19):
It's like if that's what and that.

Speaker 1 (56:20):
Time, yeah, yeah, yeah, not time's o.

Speaker 2 (56:22):
If that's what it takes a get met, let's do it.

Speaker 3 (56:24):
You know, people don't got to do that shit now.
They could just say, well, fuck it, I'll do it
all myself. I'm keeping all I'm owning all my music,
and I'm owning my masters. I'm owning my fucking publishing.

Speaker 1 (56:35):
Fuck. You know, even if if I only sell one
hundred units, you.

Speaker 2 (56:40):
Gotta be ten percent, like they can be.

Speaker 6 (56:43):
A bigger artist could have been ninety percent bigger than
you and you could still be making more money. Right,
so that if you own your publishing, your masters and
all that, you gotta do ten percent of the work.
You know, this is the truth. Got gotta work, you
know what I'm saying. Hey, salute everybody that's with us
this morning. We know we threw you for a loop
with this ship because we didn't even tell you last

(57:04):
week that we were going to do this, but we
didn't know to this weekend.

Speaker 1 (57:08):
So we're so sorry.

Speaker 3 (57:12):
And a lot of you probably thought it was a
replay when when we start all this got to be
a replay after their coming necessarily, Nope, we're a morning
show today. We dealt with that traffic to get to
you this this morning. Yeah, because we're putting it work
down here, so we always do put in that par

(57:32):
for you for you. Salute to the Lakers real quick
because that yeah basketball.

Speaker 1 (57:42):
Sports ball. They're killing it right now, ship without Lebron
being in every game, like Luca and Austin Rivers got
off to Austin Reeves.

Speaker 3 (57:51):
Sorry, I can't disrespect my bro like that. Austin Reeves
a R fifteen. They are killing it the whole team,
not just those two guys, but the whole team. Uh Ayton,
who is our center right now? And Jackson Hayes holding
it down in the paint. Our other guys like fucking

(58:13):
our new are one of our new white boys? Uh Laaravia.
He's killing it. Yeah, we got It's crazy. We got
a whole lot of white boys on this team. I've
never seen so many white boys on the Laker team
unless you go back to the fifties.

Speaker 6 (58:27):
Well, I don't seen fucking Luca floating around in that
eight million Bugatti do anymore?

Speaker 4 (58:32):
Oh yeah, Luca, Hey Luca, be talking ship. Hey lucas badass.

Speaker 3 (58:37):
Yes, I love the way he talks ship to the
other team. He's very Kobe like in that sense like
Kobe didn't give a fuck. He would talk ship to
the other guys.

Speaker 4 (58:47):
Is it now?

Speaker 3 (58:48):
Is that like some like getting their heads faced ye
like or or just like you can't stop me the
barks hold it.

Speaker 2 (58:57):
Inner Bugatti about the the bot got it? You take
it with a lot of cars.

Speaker 6 (59:03):
But you now with that, you have that, you know,
like I said, like eight million dollar car, you know,
Ferrari some of them at two three hundred thousand. You
can find some bank that will give you one hundred
years fucking payments and you can't.

Speaker 2 (59:15):
Figure with that.

Speaker 3 (59:17):
My man's balling though, like on every level. Oh yeah,
he's balling on the court, and he's balling in life.

Speaker 1 (59:25):
I mean he's like I've pulled up in a new
boot Gotti. He sure did.

Speaker 3 (59:32):
I tell you, man, the dude that that traded him
at the Mavericks got to be kicking himself in the
ass like every day since that happened. Because, I mean,
the Lakers look good. I mean it's still young in
the season. We don't know what's going to happen, thunder
or playing their asses off right now. I think they've
only lost one or two games, But the Lakers are

(59:55):
looking good.

Speaker 1 (59:55):
My yo.

Speaker 6 (59:57):
Have you guys ever watched any of like the clip
they'll show like athletes showing up to a game from
the nineties, right, and how.

Speaker 2 (01:00:05):
They're all dressed. Oh yeah, yeah, yeah yeah.

Speaker 1 (01:00:08):
Then they wearing for coats and was wearing like fur coats.

Speaker 2 (01:00:12):
And see the athletes now people coming in and leather
dresses like that.

Speaker 6 (01:00:16):
Oh yes, it's crazy, crazy fashion ship you've ever seen
the fashion?

Speaker 1 (01:00:20):
Fashion is crazy.

Speaker 6 (01:00:21):
These dudes are huge, whether it's football, baseball, back.

Speaker 2 (01:00:24):
Most of them. So some of the ship they're wearing
is hilarious.

Speaker 3 (01:00:28):
Yeah, it's a it's a fashion show coming into the arena.
That is not like the like in the eighties and
the eighties, they were wearing suits like coats, right, didn't
I didn't there a picture like their magic had a
couple coat. But but but there was a time they
implemented the rule that these guys had to come in suits.

Speaker 1 (01:00:50):
Nice.

Speaker 3 (01:00:51):
Coaches had to be in suits. Now the suits are gone.
You don't see the coaches on the floor with the
suits no more. Players don't be rocking the suits on
the floor anymore. They're just they're doing they're they're being
fashionable and all this ship. But no, suits like, yeah,
that's like that. Yeah, yeah, that was the rule back

(01:01:13):
in the day. They had to come in in suits.
They couldn't come in in any street ship.

Speaker 4 (01:01:18):
Yeah they see then Michael Jordan he kind of broke
he kind of but still kind of.

Speaker 2 (01:01:22):
Like going bolting there you go.

Speaker 3 (01:01:26):
That's the guy that's knew when when they when they
went back to the suits, it was because of Allen Iverson.
He pissed the league off. All right, tight, look at this,
Look at Westbrook. He came with this suit on bro
tight as fu.

Speaker 2 (01:01:43):
Bro, them legs about to blow out of them pans
lebron like a cowboy. All right.

Speaker 6 (01:01:52):
I don't know if that's cowboys cowboy, I don't know
what that they'd be wearing like Balenti and all that.

Speaker 2 (01:01:59):
And you know that's some.

Speaker 1 (01:02:00):
Wild looking ship, super fashion forward stuff. Yeah yeah, hey,
good good for him. You know, hey, do it? Do you?
Why not?

Speaker 2 (01:02:06):
Do you do you?

Speaker 1 (01:02:11):
Ship?

Speaker 3 (01:02:11):
Where are we at? It's uh, it's National apple Pie Day.
On a cold day like this, warm apple pie would
be the business.

Speaker 2 (01:02:21):
You've been making.

Speaker 1 (01:02:22):
Whipped cream, no, because it would melt ice cream that slower.

Speaker 2 (01:02:27):
Let me tell you what my fat ass did.

Speaker 1 (01:02:29):
What'd you do at twelve o'clock, what's your fat ass?
Do you baked the pie?

Speaker 6 (01:02:32):
No, it was cyber Monday, and I was thinking about, like, man,
I want ice cream, but the process to make it
too long.

Speaker 2 (01:02:40):
So yeah, I ordered basically a soft serve.

Speaker 6 (01:02:43):
I've won that. You can make it home forty minutes.
It gets your chooes.

Speaker 2 (01:02:47):
By the way.

Speaker 6 (01:02:47):
It's portable, which means I could bring it to the
studio flavors and it's ready in an hour. Will be
there with a tap that ain't even fair show on tap?

Speaker 2 (01:02:59):
What's that?

Speaker 5 (01:02:59):
What the brand?

Speaker 6 (01:03:01):
I think it's called green Pan. It's usually three ninety
nine and it's too fifty today, and it's like fucking
I'm like, you got that?

Speaker 2 (01:03:08):
Not that ninja. That's like one pint.

Speaker 1 (01:03:11):
That's kryptidite there it is?

Speaker 2 (01:03:13):
Yeah, bro, the thing is no joke. It'll be here Tuesday.

Speaker 6 (01:03:16):
That's kryptidite to a former fat guy. You got that
current fat guy I stopped up from. No, I've already
put on twelve pounds and three and a half weeks.
I swear to you, no bullshit. Three and a half weeks,
twelve pounds in the winter. It's okay, right, Christmas. After that,
it's it's all through the summer.

Speaker 1 (01:03:35):
It's cold in the woods, little everywhere. Yeah.

Speaker 2 (01:03:38):
I enjoyed every goddamn pound I put on.

Speaker 6 (01:03:41):
I want you to know you enjoyed it. I enjoy
it every pound I put on. Course, And there's nothing
like some good soft ser right that is, dude, that's
the best. My favorite kind of ice cream. I mean,
look at that. That's just the weight de light of
flavors I'm gonna make. I'd rather have chocolate. Yeah, oh no,
got it for getting exactly. I'll take the villa too,

(01:04:03):
But I like chocolate better. Guava, Fuck your guava.

Speaker 3 (01:04:07):
But yeah, yeah. It's also a national Eat a Red
Apple Day. That's cool. I like green apples better, really, yeah,
I like a green apple, but I love me some
red I like, you know, something for me about it's green.
It's I mean, I like I like the red apples too,
but I like the more sour.

Speaker 6 (01:04:26):
The big apple craze going on the internet. I don't
know if it ended, but about two weeks ago every
Sprouts in the world was selling out because a couple
of Instagram people. It was called like, uh pink bass,
So some weird fucking name. I don't know what it was,
but after seeing it ninety thousand times, of course I
had to go because people are, oh, HiT's ex. Strawberry
banana tastes something, what the fuck?

Speaker 2 (01:04:47):
So I went and got it.

Speaker 6 (01:04:48):
It don't taste like no goddamn strawberry banana or none
of It's a good fucking apple.

Speaker 1 (01:04:53):
But the thing is, it's just the color of the flesh.

Speaker 6 (01:04:55):
Like you cut it open, it's got like purple look
see like that. So it is beautiful and it does
taste good, but don't listen to these what does it
taste like?

Speaker 8 (01:05:04):
Like? You know what?

Speaker 6 (01:05:05):
It's like sweet, sour, bro and almost like lemonade anything
like it. It's still good, very good, but it just
us into the flavor descriptions.

Speaker 3 (01:05:15):
Well, you know, that's like weed, right, Everybody fucking tried
to put like these fruit flavors on some weed that didn't.

Speaker 6 (01:05:22):
Some do though, like some engines, and it's like that's
all scratch the citric correct stuff. But the other names
like gelatto, bro, my gelato smelled like that weed. You
don't eat it, that means it's rotten, like you broke
it out.

Speaker 2 (01:05:35):
That ain't no gelato.

Speaker 1 (01:05:36):
That's just because someone needs this nasty name for their weed.

Speaker 6 (01:05:40):
You know, the review is like, bro, I used to
love Scotch, single walled Scotch, but when I would read
the review what to say smells like morning honeydo and
fucking what flavors and notes and cardamom and this, I'm.

Speaker 2 (01:05:55):
Like, Bro, that tastes like distilled gasoline, homie, I don't
know where. Yeah, who the need these flavors?

Speaker 1 (01:06:01):
Someone got paid to write that.

Speaker 6 (01:06:02):
And they always do that. You see them, you know,
with the like a blueberry note on my blueberry. I'm like,
you tasted blueberry?

Speaker 2 (01:06:11):
Fuck man?

Speaker 1 (01:06:11):
I taste ether? Yeah, yeah, fucking taste mother fucker.

Speaker 2 (01:06:16):
I always laugh at those descriptions. Yeah.

Speaker 1 (01:06:19):
No, even in moonshine, they're like when that's gas straight up.

Speaker 3 (01:06:23):
But I'll say this, when they filter the moonshine with
like the peacher the apple that actually does have that flavor,
but they distill it with it actually because they distal
it with it, but like some of that ship, like
it's not made proper like that, and they say, oh,
it has this flavor, and then you taste it, it's like, well, these.

Speaker 2 (01:06:40):
Are non flavored alcohols.

Speaker 6 (01:06:41):
It's whiskey and you guys are tasting honeydew and fucking
coffee notes with sweet cream.

Speaker 2 (01:06:46):
I'm like, what the fuck, Yeah, I'm drinking from.

Speaker 1 (01:06:49):
Those are paid writers.

Speaker 3 (01:06:51):
Those are paid writers because if they got anybody like us,
we wouldn't be writing ship like that. I don't smell
no berries or any the mom or whatever the fuck
in here, dude, I did moonshine.

Speaker 2 (01:07:03):
There's a hint.

Speaker 1 (01:07:05):
There's a hint of tumberic in here. Yeah, bro, taste
the special herbs and spices.

Speaker 3 (01:07:11):
It's like only thing really like in scotch, like in
Whiskey's like like the scotch you like when they smoke
the barrels. That's about as much as you could taste
right there, Like you taste the smoke from the barrel,
can you?

Speaker 2 (01:07:24):
Oh yes, whisky? Oh bro, heavy smoke flavor.

Speaker 3 (01:07:29):
We could bring up like you. You wouldn't be able
to do it because you know you're you're not doing
ship like that.

Speaker 1 (01:07:34):
But I regret not going that far when I was.
But I was only into whiskey for like four years.

Speaker 3 (01:07:39):
Yeah, but like, let's just say you had a Jack
Daniel single malt right, that's not a smoked barrel. But
you would taste it, and it would be different than
the regular Jack Daniels.

Speaker 1 (01:07:48):
It would.

Speaker 3 (01:07:48):
It would be more smooth, but justice lethal. Say what,
I don't think Jack? Yeah they do, Hell yeah they do.
It's special. They do a bunch of series of limited
releases over the year. Yes, and and the single malt
is one of them. Or excuse me, single barrel, single barrel.

Speaker 1 (01:08:07):
Excuse me.

Speaker 3 (01:08:09):
So if you were to do Jack Daniel single barrel, right,
smooth but still lethal, but it tastes like a smoother
version of Jack Daniel.

Speaker 1 (01:08:20):
All right, Yeah, they do a single malt. Yeah I was.
I was referring to single barrel though.

Speaker 3 (01:08:25):
In all honestly, Now, if you were to taste uh,
let's just say the Scotch like lag of Villain or
Lafloy or whatever, Lafroy or some shit like this. These
are like two of one of the top Scotches out there, right,
They smoke their barrels with this mash that it's in Scotland.

(01:08:46):
I can't remember what it's called. But when you taste
that and you taste the single barrel Jack, you taste
the difference. You taste the smoke flavor of the mash
that they use where you don't taste that in a
single barrel, you don't taste They don't because they.

Speaker 1 (01:08:59):
Don't smoke it single bowl. Select.

Speaker 3 (01:09:02):
This is a nice Jack Daniels right here, the original
Jack Daniels that you drink boof this right here. Money
that would have been great. Well, you know, when I
can find it, I might buy it. I don't consume it.
It takes me several years to even want to tap
that bottle. Back in my day, I would have taken

(01:09:24):
half that bottle down. See that's the that's the bottle
you would have really enjoyed too. It's lucky you didn't. Yes,
it's lucky you stood to the boof bottle. You could
give up the boof bottle.

Speaker 4 (01:09:36):
Yeah. I didn't get it, like even you know, when
I really started to take a liking to whiskey, I
didn't get far into like I have to find out
what this is like weed.

Speaker 1 (01:09:44):
I took it obviously. I was like I need to
find more of this that makes you feel this.

Speaker 4 (01:09:48):
But like with whiskey, it was like okay, cool, Like
I tried that, and you know, Jack and Cokes forever
then I did Crown and Cokes and Crown and Coakes
to me.

Speaker 3 (01:09:57):
Or I was like, oh, stepping up and so just
neat then eat shots after that. Yeah, single barrel. I
never put in anything. I always drank it neat like
the other shit Jack Devil, the original.

Speaker 2 (01:10:12):
Regular black bottle.

Speaker 1 (01:10:13):
Yeah, I put that ship.

Speaker 8 (01:10:15):
I did.

Speaker 3 (01:10:15):
I did mix that up and I did drink that neat.
Oh that is the worst shit ever. I never drink
that shit again. It's also National Rosa Parks Day. Rest
in peace, in much respect. Yes, thank you civil rights
fighter here.

Speaker 4 (01:10:33):
You know, one of the best pieces of trivia ever
found out about in regards to Rosa Parks. I believe
the owner of Little Caesars paid for rent, like for years.

Speaker 2 (01:10:45):
I heard that.

Speaker 4 (01:10:45):
That's awesome. That's amazing, dude, it's a beautiful thing. Yeah,
all right.

Speaker 2 (01:10:53):
Did you know.

Speaker 3 (01:10:55):
A legendary singer by the name of Lou Rawls was
born on this day in nineteen thirty six?

Speaker 1 (01:11:01):
Rests?

Speaker 2 (01:11:03):
Hello, So what do hold you.

Speaker 8 (01:11:10):
Lock? Uh?

Speaker 3 (01:11:14):
He was as cold he was fucking Raws. He's got
an ice cold song with Sam Cook.

Speaker 1 (01:11:21):
Mm hmmm. I think it's bring it on Home, is it?

Speaker 8 (01:11:24):
Yeah?

Speaker 1 (01:11:26):
Yeah, I'm good.

Speaker 3 (01:11:27):
Don't fuck with me both ah he got he got
a rested Sam Cook Bad motherfucker too.

Speaker 4 (01:11:35):
Lou Rawl's got a couple albums produced by David axlerod
they're pre rad There's.

Speaker 3 (01:11:39):
A crazy documentary or not a documentary. It was a
movie that they based off of A Night that Lou
Rawls or was it? No, Sam Cook, Muhammad Ali, Jim
Brown and Malcolm X.

Speaker 1 (01:11:56):
Yeah. It's pretty crazy because they were all boys. Yeah.

Speaker 4 (01:12:01):
Yeah, it's speculated and what they are because they all
got together for one night to hang out, just the
four of them, and they got they had these like
really spirited like conversations.

Speaker 3 (01:12:09):
Yeah, before Malcolm and Sam Cook got killed. Yeah, yeah,
it was. It's it's a it's a pretty crazy movie.
That's good. Have you guys seen Godfather Godfather of Harlem yet?
Forrest Whittaker plays Bubby Johnson.

Speaker 2 (01:12:26):
No, No, it's good.

Speaker 1 (01:12:27):
It's pretty good.

Speaker 3 (01:12:28):
Timeline seems fucked up on some of the things because
you come from the area, but I think you would
enjoy it.

Speaker 1 (01:12:36):
It's yeah, you know the guy this uh this dude, Uh,
what's something?

Speaker 3 (01:12:43):
Dinofrio actor Vincent Vincent Dinofrio plays Chin Gigante. Vincent's Vincent twice.
Vincent is great one of the greatest dude, googly eyes.
Fucking great actor too that Google.

Speaker 1 (01:13:01):
Oh yeah, yeah, yeah, yeah yeah, he said Google. Yeah.

Speaker 3 (01:13:05):
Forrest Whitakers. Dope, they got this series. It's four seasons deep.
I don't know if it's going to five, but they
are four seasons deep of Godfather of Harlem. When Bumpy Johnson,
it's it's based on after he's worked with the Five Families.

Speaker 1 (01:13:24):
No well he he he is introduced into this ship too.
In the fourth season.

Speaker 3 (01:13:29):
They're they're showing like him, like trying to like run Harlem,
you know, after the after like Lecu Luciano and all
those guys leave and ship like that. He was working
with with a couple of those guys in Harlem and
he had remember in the Cotton Club, he has a
battle with Dutch Shultz, right, so he has a history

(01:13:52):
in there being with you know, like dealing with the
with the Mob and all that ship. And it's it's
showing his little journey or his big journey in Harlem
after that era was over and it turns into the
Five Family era.

Speaker 1 (01:14:10):
It's pretty good.

Speaker 3 (01:14:11):
It's it's exaggerated sometimes corny in certain places, but it's
pretty good.

Speaker 1 (01:14:18):
The acting by the principles pre goddamn good.

Speaker 3 (01:14:23):
All right, did you know it is the birthday of
Richard Pryor born on this day in nineteen poted and
rest in peace to the legendary Richard Pryor was the greatest.

Speaker 1 (01:14:36):
Like there without him, there is no Eddie Murphy or
Dave Chappelle, Dave Chappelle.

Speaker 2 (01:14:43):
Couple.

Speaker 1 (01:14:44):
Oh yeah, buddy, PHILM. It did great, buddy PHILM. Did
you see the Eddie Murphy doc?

Speaker 2 (01:14:50):
Yeah, it was boring, but I liked it.

Speaker 1 (01:14:52):
Well, no, but it was.

Speaker 8 (01:14:53):
It was.

Speaker 2 (01:14:53):
It was kind of.

Speaker 4 (01:14:54):
Because I didn't know that originally Trading Places was developed
for Eddie Murphy and Gene Wilder.

Speaker 2 (01:14:59):
I had no clue, no clue either, like what and
that would have worked?

Speaker 1 (01:15:04):
That would have worked. But you know, Danik Royd killed
dank Royd killed it. They killed it.

Speaker 6 (01:15:09):
Danak right nailed it because that role was like he
played it. So that was one of my favorite old movies.

Speaker 4 (01:15:15):
It's Christmas movie. I can say it's in for me.
It's in the Chris Chris Christmas like misslest movie lists.
Absolutely that Die Hard.

Speaker 2 (01:15:24):
And then watching the beginning of Coming to America Watimer
and then where the thing is giving them more.

Speaker 1 (01:15:30):
Yeah, how to know?

Speaker 3 (01:15:31):
You know what you should do, right, do a segment
in December and make up all the shitty Christmas movies.
They call it the Chris miss List, Miss in my ass,
Chris miss movie list, you know, like the misses missus.
Yeah you're Chris the miss Yeah, miss Chris miss movie list.

(01:15:54):
Bar even but there's so many horrible exactly tomatoes. Oh
the Cranks wasn't bad.

Speaker 1 (01:16:03):
It was.

Speaker 4 (01:16:06):
I can't have seen Deck the Halls. Yeah, you don't
want to No, Surviving Christmas.

Speaker 1 (01:16:11):
I did see that.

Speaker 4 (01:16:13):
I think it was a dramatic one of it. Mixed No,
I haven't seen mixed that America. Nope, I haven't seen
that American Carol.

Speaker 1 (01:16:20):
What's all? Glad?

Speaker 3 (01:16:22):
That Christmas one? Merry frigging Christmas all the way? Yes, Jingle,
that's a good one. Terrible Santa Claus, Yeah no, that
Claus the coop. How did he get three of those?
Oh my god, the perfect Holiday? What do you mean
Tyler Perry's Dear Christmas. Oh that's bad too, huh Santa Claus,
Oh fucking more?

Speaker 1 (01:16:44):
That is the worst? Bread Klaus the best, that's the best.

Speaker 5 (01:16:48):
Yeah, yeah, that's what the Vince Vince Bawn.

Speaker 1 (01:16:50):
Yeah, that was good, number fifteen on uh the Worst
the Worst list.

Speaker 5 (01:16:55):
It's actually like one of my favorite Christmas movies.

Speaker 1 (01:16:57):
Dude, what do you mean?

Speaker 2 (01:16:58):
Wow?

Speaker 1 (01:16:59):
Which that doesn't surprise me? You like Nickelbacks? Shit? Hey?
Four Christmases?

Speaker 9 (01:17:05):
Wow, that wasn't bad. Unaccompanied minors, what the fuck? I
swear to God have never seen Home Alone three? Okay, yeah,
yeah hom Alone three. Hey, but that's that's a goaded
Uh Come Alone one and two are goaded Christmas movies
for sure?

Speaker 1 (01:17:22):
One and two?

Speaker 3 (01:17:22):
Yes, yes, three that Santa's one and two absolutely okay,
right cool? Yeah, they were on They weren't on the
battle list though.

Speaker 2 (01:17:31):
Did you know?

Speaker 3 (01:17:32):
In nineteen forty four, a legendary artist by the name
of John Densmore of the.

Speaker 2 (01:17:37):
Doors was born.

Speaker 1 (01:17:39):
Badass YEP.

Speaker 3 (01:17:41):
Salutes John Densmore Man cool, dude, met him a couple
of times.

Speaker 1 (01:17:48):
Very cool. Still got the chops too. You've seen it
all man? Did you know?

Speaker 3 (01:17:55):
On this day in nineteen sixty seven, Jimmy Hendrick's Experience
Really East Axis bold as Love dope album.

Speaker 1 (01:18:03):
What a great album? Dude?

Speaker 3 (01:18:06):
Call him Jemmy, Jimmy? Did I call him Jimmy? Jim
because he's a gem brou He's a gem Jemmy Hendricks.

Speaker 1 (01:18:17):
Dude, castle's made of sand.

Speaker 4 (01:18:19):
Yeah, go down and think, uh, little little miss love
you If you listen to the beginning of that drum
beat and Little Wing I.

Speaker 6 (01:18:27):
Love how to hear a sung sample from Sea Wow,
Wow Little Wing, Little Wing is dope too.

Speaker 1 (01:18:34):
Yeah, Little Wing is dude, one of the best sellos ever.
True that.

Speaker 4 (01:18:38):
But if you're a little Wang, here a try called
quest fan. You really love little miss Lover?

Speaker 1 (01:18:42):
Last time I said that, you thought it's a little wave,
a little wang?

Speaker 3 (01:18:47):
Did you know on this day, nineteen seventy seven, Brad
Delson of Lincoln Park was born.

Speaker 6 (01:18:55):
Happy birthday. Brat said that right right, you should Nelson?
That's it right?

Speaker 2 (01:19:04):
Did you know?

Speaker 3 (01:19:05):
In nineteen eighty six, Africa Bambada and the Soul Sonic
Force dropped the Planet Rock the album Wow that sound, dude,
That record is like such a defining I's got like
seven songs, dude, looking for the perfect beat.

Speaker 2 (01:19:23):
That was a six minute, seven minute, six minutes and
then that.

Speaker 3 (01:19:26):
Equals out to the full album. You know what I'm saying?
Seven minute songs? Damn six and seven? Look at Hey, listen,
those two first first two beats off Top and Renegades
are funk.

Speaker 1 (01:19:38):
Yeah.

Speaker 3 (01:19:38):
Those those three songs right there, they cover a lot
of ground. That's nineteen minutes.

Speaker 1 (01:19:46):
Off topteen minutes off top. Damn. What's crazy is I've
never heard of Who You Funk It With? Or Go
Go Pop they made.

Speaker 4 (01:19:57):
You know, I've never heard this album other than I've
heard all like the top three songs I've always heard
individually because they were.

Speaker 1 (01:20:03):
Sold on twelve inch.

Speaker 3 (01:20:04):
Yeah, I've I definitely heard the first three songs in
maybe number four, but I've never heard five, six, and seven.
Now I have to hear yeah, shit, Melly Mel's on
Who You Funking With?

Speaker 1 (01:20:16):
I gotta hear that. And that's eighty six too.

Speaker 2 (01:20:19):
Hm hmm, yeah, I got check it out.

Speaker 1 (01:20:25):
I gotta see I gotta hear that. All right.

Speaker 2 (01:20:27):
Uh, did you know.

Speaker 3 (01:20:30):
We're going to the next bit, which is the Insane Asylum?
You got the comment questions, shout out suggestion, We are
here for it.

Speaker 1 (01:20:44):
Let's go.

Speaker 2 (01:20:49):
Welcome to the insane messigh.

Speaker 5 (01:20:53):
Love Uh crebs in here, He's saying, yo, guys, talking
about evolving and changing. I had to join the military
to stay out trouble.

Speaker 1 (01:21:01):
A lot of guys had to do that.

Speaker 6 (01:21:03):
At least you took an option, you know that's gonna
be beneficial to you later in life, your career.

Speaker 3 (01:21:09):
I think a lot of guys in Vietnam did that.
I think a lot of guys in the Golf War,
a lot of them did do that.

Speaker 2 (01:21:15):
Didn't have a choice in Vietnam.

Speaker 1 (01:21:16):
That's what I'm saying.

Speaker 3 (01:21:17):
A lot of them were drafted, but some of them,
to avoid time, had to go serve on that front line.
And uh, I think the same sort of the same
ship was happening during what Afghan Afghanistan or something like that. Yeah, yeah,

(01:21:38):
they were finding like in the last years before they
vacated and left, right, they were you know, throughout those
last few years, they were seeing gang gang hit ups
all over the fucking place, blood sets, crips sets, uh
sets from you know South and North, terms of you know,

(01:22:03):
the the Latin gang culture and shit like you've seen
hit ups from whoever was serving that was from a neighborhood.

Speaker 1 (01:22:12):
They were all over the fucking place.

Speaker 2 (01:22:14):
They were sending basically criminals is what you're saying.

Speaker 3 (01:22:17):
Or you know, they were allowing motherfuckers. They were gang
affiliated to come get training. That's for sure, you know,
that's for sure. I mean shit, like a few years
after all that, when those dudes came home and he
was from a northern gang here in southern California. I
don't know which one he was from, but I mean

(01:22:38):
he was. He was a marine for I don't know
how many years, maybe I think six years or whatever
that that sign up is for. And he served in
in in the golf of Afghanistan, one of the places,
one of the places I Raq or Afghanistan. And he
came back and he went back to his neighborhood, back

(01:22:58):
to gang banging. And one night, you know, he came
up on this liquor store, saw two sheriffs. I don't
know if he was going to rob the place or
he was like just saying fuck it, and he lit
those He lit those cops up, killed two of them,
I think, and they were tripping because he was, you know,
he had his fucking rifle and he was doing this

(01:23:18):
thing called the pie, which they teach you.

Speaker 1 (01:23:22):
Yeah, it's a tactical.

Speaker 3 (01:23:23):
Move to cover a whole lot of ground with a
few a few steps, like a crescent shape type of
like a pie move right, and uh, just one guy
was giving it to these fucking guys and they you know,
after they got him, after they you know, find they
find him or whatever. However, I can't remember if they

(01:23:46):
finded him down and killed him. But when they found him,
they found out he was in the military. Wow, you
know what I mean. And there's a lot of gangbangers
that went and served and came back taught their little
homies how to how to get down.

Speaker 1 (01:24:03):
All right, I would think too.

Speaker 5 (01:24:04):
A lot of the guys that are in gangs and everything,
a lot of that are like parents or grandparents are
like strict military people, right.

Speaker 1 (01:24:10):
Yeah.

Speaker 3 (01:24:10):
Hey, Look, some of the guys I gang banged with
back in the day, their fathers were military. Some of
their fathers served in in Vietnam, and they taught their
boys to shoot and do and do shit like that.
That's why some of these guys are like fucking crack shots.
If they were in the military, they'd be in certain

(01:24:32):
units because you know, they have this ability. But that's
because their fathers came back and said, hey, you know what,
because of where we live, I'm gonna teach you how
to use this gun. When I'm at work. Or when
I'm not here, you protect the house. And then those
motherfuckers become gang bangers and they know how to they
know how to use a weapon. They could break it down,

(01:24:53):
they could clean it, they could pop it back together.
I mean, I gang banged with motherfuckers like that they had.
They knew how to fucking deal with a weapon and
not shooting and holding its side, not shooting it, holding it.
That's that stupid ship that you see in the movies,
you know what I'm saying. And that's and that's that,
you know what like that. You know, they didn't intend

(01:25:17):
for that to happen, But what they definitely didn't intend
to happen was letting gang bangers in to get this
knowledge and then taking it back to their neighborhoods. Definitely
didn't intend for that ship to happen, but it happened.

Speaker 5 (01:25:31):
All right, we got Marbella. And here he's saying, Colton,
don't make that Glizzy green Bean castrole again.

Speaker 3 (01:25:37):
Come on, man, Glizzy green Castle huh being cast role?
Oh it sounds crazy.

Speaker 5 (01:25:44):
You're saying, Grandpa, CALLI free me from the shackles of Colton.
Please have suffered enough?

Speaker 2 (01:25:50):
How can I free you? From his jack because how
you let Colton shackle you up?

Speaker 8 (01:25:54):
Wow?

Speaker 1 (01:26:01):
Oh bad?

Speaker 5 (01:26:02):
All right, all right kitten. And you're saying, you know, guys,
I got Lasik back in twenty ten and it's been great.
It's just now wearing off. But my night vision was
affected afterwards, and I also have to protect my eyes
outdoors because they're sensitive delight.

Speaker 1 (01:26:14):
Yeah, no hurt me. Yeah, I didn't do it.

Speaker 2 (01:26:17):
I mean that it made his night vision worse. Yeah,
what he's saying, Okay, yep, night vision was affected after.

Speaker 3 (01:26:23):
It, and it made his eyes sensitive to light. So
you probably gotta wear glasses like myself. Yeah, whenever you
out with it just.

Speaker 5 (01:26:31):
Seems like sketchy to me, Like, oh, we're gonna do
surgery on your eyes lazers.

Speaker 2 (01:26:35):
I'm just like what, Yeah, that doesn't seem like the deal.

Speaker 5 (01:26:37):
You know, it's probably like a one percent chance of
a failing or something like that.

Speaker 4 (01:26:41):
But you know the feeling of like when you get
an eyelash in your eye, you gotta go in there
and get it out, you know what I mean?

Speaker 1 (01:26:47):
Like I hate that shit.

Speaker 4 (01:26:48):
Just you punch your eye eyelash out, Just get out
of here, stupid eyelash.

Speaker 3 (01:26:54):
I would just punch myself on the eye real quick.
I'm right out, all right.

Speaker 5 (01:27:01):
Oh Maxane, What do you guys think is gonna happen?
Versus Anthony Joshua versus Jake Paul?

Speaker 1 (01:27:06):
Someone getting knocked out? It's the.

Speaker 2 (01:27:13):
Better be gett knocked out.

Speaker 1 (01:27:14):
It's always gonna end with.

Speaker 3 (01:27:17):
But Anthony Joshua is a certified heavyweight, like he's a
real boxer.

Speaker 6 (01:27:22):
But you know, to me, I hate to say, if
you're ever gonna put the fix in, this is the
one to do. This would be the fix because if
you if he beats this, it gives him that validity
that everybody listen.

Speaker 3 (01:27:33):
I was with my cousin a couple of weeks ago
in Arizona, right, and uh, I mean I've said it
many times here my cousins Michael Carbahal, former World championship boxer. Right,
he was a I believe Flyway champ, Olympian all that.

(01:27:54):
And I hit him up like, because this is before
the Javante fight with Jake got canceled. I said, who
do you got and he goes, Jake's probably gonna knock
him out.

Speaker 1 (01:28:06):
And it was like I was surprised to hear, you know,
what I mean.

Speaker 3 (01:28:10):
I was surprised to hear, but what he said, what
he said to me was like, yeah, you know, Javante
is a better boxer, There's no doubt about it. And
he's got power, but he's given up a lot of weight.
And and the thing is is that Jake Paulkin box.
He may not be as good as Javante, but he
can box well enough.

Speaker 1 (01:28:32):
Now.

Speaker 3 (01:28:32):
He's got enough years under his belt now to like,
if he just lanced the one right one, he's gonna
probably knock this dude out. And and maybe that's maybe
that's what Javante's people kept telling him, like, hey, put
your ego aside and realize the weight difference, because yeah,

(01:28:55):
you could probably outscore him and you might even wobble him.

Speaker 1 (01:28:58):
But one shot and he could box. Now it's that
he's not like a bum. He could box.

Speaker 3 (01:29:06):
But this is a different level of challenge for him
because Anthony Joshua is one of the top contenders in
the heavyweight rankings or he was right, yep, what's he?

Speaker 1 (01:29:19):
What's he ranked at right now? As far as.

Speaker 3 (01:29:22):
Heavyweight rankings go, He's got to be a good I'm
asking Barry, this is he top ten who is this again,
Anthony Joshua, the guy is fighting christ Oh, my god, Barry.

Speaker 4 (01:29:35):
It's funny because, like I know, I do appreciate that,
Like Jake Paul does know how to box, and he's
like you said, he's not the best, but he can.
He can definitely box. I just think any fight he's
involved in is always going to be on the face.

Speaker 1 (01:29:48):
It could be.

Speaker 3 (01:29:49):
Look, hey, listen, he's given up a lot of weight. Now,
I mean he's he's he's about to twenty something. I
don't know because Anthony Joshua, Yeah, I guess. I guess
he fights over around two twenty.

Speaker 2 (01:30:05):
Two because Joshua is lean too. He's not lean, but
not big big.

Speaker 5 (01:30:09):
He's at number three as of.

Speaker 3 (01:30:12):
Yeah, yes, my dude is fighting the ranked then said
he's got number three ranked heavyweight.

Speaker 6 (01:30:20):
But that's why I feel like this is if any
fights canna be rigged, it's this one. So he could
finally say, you guys, yeah, but I don't fight a
real box player. I beat a real box.

Speaker 3 (01:30:29):
But what did that fuck up Anthony Joshua's credibility at
ranked number three? But it will help, Yeah, he will
get paid, no doubt about it. But may but you
would get paid more to win, wouldn't.

Speaker 6 (01:30:40):
You don't know what Jake's got on the side for him.
He has five mil cash untaxed money. Take that joint,
you know, like real talking, they make ten million, they
get taxed. The buck bag of cash will change that
whole fucking Outlook.

Speaker 3 (01:30:52):
Well, it's not a real boxing match in the sense
of like rankings, right is, because usually sparring. Jacob isn't
like any of the certified how would you say, uh organizations,
boxing organizations, Right, He's not ranked in any of these organizations.

(01:31:13):
He's been fighting exhibition fights, nothing for ranking.

Speaker 1 (01:31:16):
Right, right, Am? I right on this? Bery?

Speaker 3 (01:31:20):
Yeah, So if Anthony did take a dive, right, it
wouldn't count on his boxing career. He wouldn't get a
loss on his professional career. It would just be in
his overall total of fights and forgotten. Yes, but it
wouldn't forgotten, but it wouldn't be it wouldn't be blemishing

(01:31:41):
his his his professional record.

Speaker 1 (01:31:45):
Like that is taking it on the that's Anthony. That
guy looks like that. That looks like it's connecting.

Speaker 3 (01:31:57):
He took I think he took the belt and Anthony
Ruiz I think he got the belt that night, or
maybe Anthony beat him that night. This looks bad, but
I think Anthony might have beat him that night, so right,
let me check because I think he pulled off an
upset that night. Or maybe that's the second fight, maybe Anthony.

Speaker 2 (01:32:19):
That what I'm saying.

Speaker 5 (01:32:20):
Yeah, Ruiz Junior defeated Anthony Joshua in their first fight
in twenty nineteen, and then the rematch, Anthony Joshua defeated Ruiz.

Speaker 3 (01:32:27):
Yeah that was probably what we've seen is the second
fight because the first fight, Anthony was absolutely like the
fucking the favorite. They didn't think Andy was coming in
and getting anything, and Andy gave it to him. I
think he knocked him out. And second fight, homeboy came

(01:32:49):
back with it because you know he should have won
the first fight, but you know Andy came in ready
and hungry, knocked out by man. Movies you out toobe
My gut looks like right now, Yeah, that's what my

(01:33:10):
gut like a motherucker. Look what it says on the
fucking on the on the on the lip of the
short thresh destroyer am destroy Yeah, that's his nickname, The Destroyer, Andy,
the destroyerstro Burritos all night is what he looks.

Speaker 6 (01:33:26):
He was destroying boxers. He had the belt. Be careful,
you might run into him out here. I'm not trying
to challenge him, but see he's a boxer. Wouldn't challenge
him to a burrito eating contestin.

Speaker 1 (01:33:41):
Oh, man, I lose.

Speaker 2 (01:33:47):
You probably you probably right off both level.

Speaker 7 (01:33:52):
Yo.

Speaker 5 (01:33:52):
He can Hey, he can last probably ten ten minutes rounds,
ten rounds, ten minutes in that ring. Like that's what's
crazy about. He may not look like he's in shape,
but he's in shape. It's like the yes, absolutely, I
was just gonna say that. That's like some football players
you think, because they're big, you know, they might be slow.

Speaker 2 (01:34:09):
Held off aliens bro real aliens.

Speaker 6 (01:34:12):
Like if you watch the combines, some of these people
are swear to you were like three hundred pounds running
like four six is like crazy numbers. You're like, how
does someone that big move that fast?

Speaker 1 (01:34:24):
Wild? You know what it's you know, it's in their genetics.

Speaker 6 (01:34:27):
They have it.

Speaker 3 (01:34:28):
It's maybe they just didn't. Like I'll say, like a
guy that's like that that has been here is what's
name Mexican O t right Christ that you know, like
he don't look like it, but my men is athletically inclined.
I mean, we saw his father. His father's like Jack Jack,
so it's it's in him, you know what I mean.

(01:34:50):
He's like an athletic dude. He just doesn't look like
like Jack Black Jack Black doesn't look like he's like
physically inclined to do shit. But the dude is like athletics.
And you know, don't let don't let don't let the
fucking cover fool you. You know, don't judge the book
by the cover. People will surprise the shit out of you.

(01:35:13):
All right, what else you got?

Speaker 5 (01:35:15):
Let's see here next? And here is a multi car.
He's saying, love the Doctor Grentham Show. I'm two to
three months in listen watching nearly every day at least
one episode. He's saying, stay healthy, peace and love all
the way from Germany.

Speaker 3 (01:35:28):
Thank you, sir, thank you for being with us. We
know that because we're not like a podcast, because we
do this shit every day. We're more like a live
stream in there. Now they're starting to label what we
do as live streams as opposed to podcast. What happens
is this turns into a podcast after it's gone out
there and now it lives because we don't take our

(01:35:50):
live streams down. Y'all would get very salty if we
did that. But yeah, so it's kind of hard to
catch up with us if you if you're if you're
new to us, it seems like you got to do
a lot of homework and shit to catch up because
we've done so much of this for so many years.
But don't feel like you have to. Just you know

(01:36:12):
that when you snap in, you snap in, and if
you have one of them weekends you could binge. Then
you go look at the old shit, you know, have
a laugh or not, but don't feel the pressure.

Speaker 1 (01:36:23):
Just you know, be with us in the now. Yeah,
I would say start anywhere, man, Like start anywhere.

Speaker 6 (01:36:28):
Yeah, We're not a fucking movie or a story that
you can't come in at the in the middle and not.

Speaker 1 (01:36:32):
I mean we're random, every freaking dead you know what
I'm saying.

Speaker 4 (01:36:35):
And you'll hear is like reference like older episodes, but
it'll usually be like something with like a special guest
or something you can eas to go back and google
on YouTube, like all those episodes. But yeah, just jump in.
Like if he was like, I've had friends ask me
like where should I where I jump in. I go
just start listening tomorrow. Yeah, and then you're in. You're in,

(01:36:56):
like y'll catch up, like it's you know, he's like, okay, cool.
But a lot of people do listen to us, man
and I trip. They're like, oh yeah, you know, I
listen to you guys, you know, either daily or every
other day.

Speaker 1 (01:37:08):
I'm like, cool, word up? What else you got?

Speaker 5 (01:37:10):
Jack is saying, yo, Everlast and fred Durst they're stunt doubles.

Speaker 2 (01:37:16):
No, just white people.

Speaker 3 (01:37:17):
Sorry, just because they're listen, just because they're both white
guys with white beers doesn't mean they look like each other.
That's like saying, every white guy Santa Claus, then oh
fuck out of here.

Speaker 1 (01:37:28):
Ship Come on.

Speaker 5 (01:37:33):
So you don't think fred Durst could go out there
and act like Everlast on the stage.

Speaker 3 (01:37:37):
No, okay, voices are different, yep. And he's significantly shorter
than Everlast is. Everlast is about six six' two And
fred is about five Ten maybe, right my?

Speaker 1 (01:37:52):
Right that was about? Right? YEAH i Thought everlast was. Shorter,
no he's tall than, me is he? Really?

Speaker 6 (01:38:00):
Yes you guys don't pay. Attention, NO i didn't realize,
that especially you know.

Speaker 2 (01:38:03):
ME i, know actually you.

Speaker 6 (01:38:04):
KNOW i don't BECAUSE i didn't realize it for probably
three years how Tall chris was until one day he
came home with, okay hold, on wait.

Speaker 2 (01:38:14):
He did he put it?

Speaker 8 (01:38:14):
All.

Speaker 3 (01:38:15):
Yeah everlast it's probably LIKE c minus minus is just
six six yeah, yeah, yeah still holding on to, it holding.

Speaker 5 (01:38:24):
On the last one is so. Far rachel, saying good morning,
crew nice to listen WHILE i work and get some
inspiration on new projects and career. Direction blessings on your.

Speaker 3 (01:38:33):
Recordings let's go thank you, All blessings to, you you
know What i'm, saying and thank you for being here
with us. Early who, knows maybe we'll put on an
early segment in the year to. COME i don't know.
Where we're toying with a couple of different ideas and
we'll see what. Happens but we want to thank everybody
for being here with us.

Speaker 1 (01:38:52):
Today.

Speaker 3 (01:38:53):
Again we know we caught you off guard and the
people that normally listened to us and watch us at
two pm but catch it on the replay and for
everybody watching AND i mean listening on you know podcast.
Mode we are one of the top fifty podcasts On

(01:39:14):
iTunes And Apple. Music we thank you for that because
y'all make us that push us to number. One please
ten at a, time you know What i'm. Saying we're
at forty something. Forty push us down to thirty and
then up to twenty and then you, know up to
the top. Ten you, know by telling your friends about,

(01:39:34):
us you know WHAT i, Mean share the show, out
let them.

Speaker 1 (01:39:37):
Know leave.

Speaker 3 (01:39:38):
Comments you could check this in podcast form on any
streaming Platform Apple, Music, spotify anywhere you watch or listen
and leave comments and reviews and all that help us.
Out and before you leave right, now because we're about
to bail the fuck out of, here smash that, like

(01:39:59):
leave a, comment get down with us and tell people
to watch to replay all right because they're late in the.
Game salute to all, Y'all positive energy to everybody out,
there and much love to, YOU Ce.

Speaker 4 (01:40:11):
Minus shout out To, Bobo Save, Travels shout out To,
Blaze shout out to B shout out to The sideline, Crew,
Bolton ray And. Dom shout out To drow And aton
And og and shout out TO E. Zone shout out
to The Strong. One shout out to everyone that hangs and.
Watches shout out TO. Fm shout out TO UH i

(01:40:35):
Know i'm forgetting, somebody but, yes shout out to. Everyone
follow me A c minus fan four since we are
on so we're on so early, Today i'll probably be
On twitch later like in the afternoon like look around for.

Speaker 1 (01:40:47):
Or maybe. EARLIER i don't. Know let's see what.

Speaker 4 (01:40:49):
Happens but thank you for watching and hanging out on
this special morning show edition And i'll see you On.
Thursday what up both In Yo?

Speaker 5 (01:40:56):
Yo shout The insane A Silm show To Ray Morning
Chut Film, show to The, dominator shout To hovey Your
lopez and, uh what's Up Blaze.

Speaker 6 (01:41:02):
Non shout out to everybody hit the table fifty one
fifties in Sant A Solemn Javier, lopez and uh definitely
check out Our Cyber monday.

Speaker 2 (01:41:10):
Deals we got a one day sale going. On we'll
be over at.

Speaker 6 (01:41:12):
Midnight follow Me Cali Underscore blaze On instagram atcliblaze dot.

Speaker 2 (01:41:16):
That much love.

Speaker 1 (01:41:18):
Love to you, All swallow that

Speaker 2 (01:41:22):
M De REAL tv