Episode 184 with Bryn McAuley

This week The Godfathers are back with a SUPER FUN episode!  Our guest is an accomplished Canadian voice actor with a GREAT sense of humor!  Bryn McAuley is the original voice Caillou, as well as Mavis from Hotel Translyvania, Anne Shirley from Anne of Green Gables, Harriett in the Franklin series and so many more!  With over a 100 credits to her name, she is definitely a power house in the world of voice acting.  

We had a lot of fun with this episode, and we know you'll enjoy checking it out!

Check it out!  Send us your feedback by texting 437 375 2000.

Please check out our sponsor Black Bork

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-godfathers-of-podcasting--4303576/support.

Episode Transcript

Speaker 1 (00:20):
Welcome to the Godfathers of Podcasting now and he y'all
didn't know basic podcasting since before podcasting was even called podcasting.

Speaker 2 (00:29):
Archives of this show are available on.

Speaker 1 (00:31):
Every major podcast provider and confined.

Speaker 3 (00:34):
Video archives, merged.

Speaker 1 (00:35):
And more on your website, Godfathers Podcasting dot com.

Speaker 2 (00:39):
Now you're your hosts. You guys have been.

Speaker 1 (00:41):
Broadcasting online since nineteen ninety six. The Godfathers a podcasting themselves,
Donny is Sova and Chris Kidwell.

Speaker 3 (00:50):
Yes, yes, yes, it is Thursday, August n I'm Donnie.
It's like lady said, so happy to be here with
you for another week as one half of the Godfather's
of Podcasting. The other half is that man next to
me on the screen right now. He is the bugs
Bunny to my Elmer Fudd. He is the Roadrunner to

(01:12):
my Wiley Coyote. He is the pinky to my brain.
That's Notorious Tid. Chris tid Well, what's up, Tid?

Speaker 4 (01:20):
Was it really the road Runner or was it more
of like the people that ran acme that had it
out for Wiley Coyote?

Speaker 3 (01:27):
You have to ask yourself that, right, I really wish
that movie. I'm trying to remember who was all involved
with it. There's a whole bunch of people. I think
John Cena was a part of it. There's a whole
bunch of people that are part of it where it
was supposed to be, Like Wiley Coyote suing acme, that
has to come out. That thing got shelved during the pandy.

(01:48):
It's got to come back. What dude, he got fucked up.
He got so fucked up that he had to go
and like share a job watching sheep. I remember that. Yeah, right,
horrible horror happy job. Are you doing.

Speaker 4 (02:02):
I'm good man, I am stepping on some gin and juice.
Oh oh, legit, legit. You got the Snoop Dogg stuff?
Is this a paid sponsor they have? They have their
own stuff, you know, Dre and Snoop, the with the
parental advisory thing right on the label and stuff like that.

Speaker 3 (02:22):
Listen, you get on the side that I'm not that
I'm not privy to.

Speaker 4 (02:26):
Don't even start. You're not even wearing the right hat. Okay,
I got him here, he got him here.

Speaker 3 (02:32):
I got him here. But that may not be a
paid sponsor, but black us A is. I'll expect my
check soon. Listen.

Speaker 4 (02:43):
The thing that I will say about the gin and
juice thing. When you think about the people that have
put it out Snoop and Dre, and you think about
the whole West Coast gangster wrap, that whole vibe, right,
I don't know how how gangster you can be with
flavor is like passion fruit and acot melon like citrus.

(03:10):
Is the most gangster thing that are about these drinks.
There's no doubt about it.

Speaker 3 (03:14):
He's interest in the eye. That's gangster.

Speaker 4 (03:17):
Oh okay, I feel like that's something that happened in
like CB four or something.

Speaker 3 (03:24):
Solid movie shout out four. I've been wanting to check
out the h the Snoop Dogg gin and juice, So
I will head to my local liquor store and pick
some up. Now that I know that you've got some
because a jelly Oh it ain't he brought it back
for me across the border. Oh well, then I need
a smuggler. Smugglers apply within info my godfathers apodcasting dot com.

(03:47):
There you go, as we alluded to, as we Oh,
it's not showing up on my green screen here as
let me choose a different color cut. Let's get the
camera one. There we go. Uh, Blackbork USA doc for
these awesome hats. They have all kinds of colors, although
my yellow one doesn't show up so nicely in front
of the green screen. It kind of disappears. What about

(04:07):
the hot pink Barbie pink? Yeah, Barbie pink shows up nice.
So the beautiful thing about Blackboork USA, if you don't
know already, is they have removable patches. You can get
your patches from Blackboork USA, or you can get your
very own customized patches with any kind of logo or
saying or phraseology, whatever you want. Just go to Blackbork USA.

(04:30):
Tell them my Godfather's a podcasting center. They've got a
whole bunch of new stuff right now, so go check
it out. Oh, I want to make what I'm dressing.
I'll wait, I'll wait, my bad Before we get to
our guest, I do want to make an announcement. If
you have not been on my social media and really

(04:52):
I just mean Instagram. If you haven't been on my
Instagram over the last week, you might have missed the news.
Starting this week for all you wrestling fans out there,
I've got a brand new project called Huge Pop and
it is myself and longtime WWE referee Jimmy Corderis. The
two of us are going to be hosting this project.
It's going to broadcast on TSN Radio and iHeartRadio and

(05:16):
you can get it anywhere you download podcasts. Does not
change what I'm doing here with the godfathers of podcasting.
I will continue to do this show. This is my
love and I love sitting in with Tidwell. But I
am excited to be doing this project with Jimmy, who
I've known for oh my god, what twenty four years now.
It's gonna be a lot of fun. On the first

(05:38):
episode this week, we've got an exclusive interview with former
world champion, the world's Strongest Man, two time Olympian, WWE
Hall of Famer Mark Henry and it's a beauty. It's
an absolute beauty.

Speaker 4 (05:49):
Tid Yeah, listen, it's I'm very very happy that you've
finally found your way back to terrestrial radio. I mean,
that's what you were for, that's what you went to
school for, that has always been your thing. And the
fact that you've got back there fantastic.

Speaker 3 (06:08):
I love it. I love it to death.

Speaker 4 (06:09):
So congratulations, good for you. I just want to spoon
you well. Okay, I mean that's fine. You've always been
little spoon anyways, so just like spoon ever like roll
it over and back that ship up, Sonny.

Speaker 3 (06:33):
You big softy. No, it's very it's very good.

Speaker 4 (06:36):
We've we've you know, with what you're doing over there
on radio, with what I'm doing on the law.

Speaker 3 (06:42):
Yes, can't do on radio.

Speaker 4 (06:44):
That's right, there is absolutely zero zero chance. So it's
good both of us who started this entire thing with
wrestling and this podcasting stuff, still doing it, venturing off,
conquering all of it all over again.

Speaker 3 (07:00):
It's fun. I'm excited, So that's it is a lot
of fun. So the PG version will be Jimmy and I.
The X rated version will be did Well in Brady.
You can check out live audio wrestling, and then you
can come check out what we're doing over at Huge Pop.
You can follow us on all socials Huge Pop Radio. Okay,
enough of the plugs. Let's get to the fun because

(07:21):
right now, ladies and gentlemen, it is time for the
big Hello and this week's guest. She's a writer and
a filmmaker, but she's best known because she went to
Vaughn Roade Academy with Drake Go Vipers.

Speaker 2 (07:38):
Thank you for calling that out. Thank you.

Speaker 3 (07:41):
She's best known for her work as an actor, and
more specifically, her work as a voice actor. She booked
her first job when she was just seven years old,
playing the role of the animated Canadian kid and maybe
the biggest brat in Canadian television history. Kayu. You've also
heard her in Anne of Green Gables, where she played

(08:02):
in Shirley, in Hotel Transylvania, as Mavis Harriet in the
Franklin series, and so many more. Seriously, she's got more
than one hundred credits to her name and she's still going.
In twenty ten, she co founded the Young Emerging Actors Assembly,
which was a really cool way for young Canadian actors
to hook up. He's got several new projects on the

(08:22):
go and we're looking forward to diving into those. She's
also looking forward to meeting someone who has master Ninja
level advice when it comes to navigating the dating world
in a big city. Ladies and gentlemen. She's always smiling
and looking real jolly. I swear she's happier than a
border Collie. She'll voice any character like a cute little

(08:45):
dolly or get real dark and do a creepy Crawley.
Now give it up for this little Tomali. This is
the very talented brend McCauley.

Speaker 2 (08:54):
Thank you.

Speaker 5 (08:55):
Now, I feel like I have to do all of
the characters from your intro.

Speaker 3 (08:59):
You can.

Speaker 2 (09:09):
You know you didn't like that.

Speaker 3 (09:09):
One that was a little creepy. I gotta say that
right out into you know, do you whip these out?

Speaker 4 (09:19):
Like Okay, we're talking dating, let's go, let's get into it.
Do you wow, you're just going right into dating?

Speaker 3 (09:24):
Yeah?

Speaker 4 (09:25):
Do you whip these voices out during a date? This
has always been my thing, right, like what do you do?

Speaker 3 (09:30):
Like?

Speaker 2 (09:31):
Yeah, they're like, what you know, what's your party trick?
So you can't leave that question unanswered.

Speaker 4 (09:37):
That's not a party trick, that's a that's a multiple
personality things.

Speaker 3 (09:41):
What that is? What could be better?

Speaker 2 (09:44):
What do you mean?

Speaker 5 (09:44):
Everyone stops in the party and everyone's like is there
a horse here?

Speaker 3 (09:47):
Like?

Speaker 2 (09:48):
Where did the how did the horse get in here?

Speaker 3 (09:53):
Oh? My god? I love that so much. Is it
kind of crazy for you because you're still very very
when you look at your acting credits, is it still
kind of Is it kind of weird to you to
think Holy cow, I've made a dance here.

Speaker 5 (10:10):
I think people get confused when they're like, and I
say I.

Speaker 2 (10:12):
Was the voice of Kyu, and they're like, but I
watched Kyu and we're the same age. Yeah. I just
was really lucky.

Speaker 5 (10:19):
I got to start as a kid and learn so
much from other people as a kid.

Speaker 3 (10:24):
And not really a super common thing, right, because when
it comes to finding voice actors to play kids, a
lot of times they're going to find adults that do
a kid's voice so that the actor doesn't age out
of the role.

Speaker 5 (10:36):
Yes, that that's what used to happen when I was
a kid. I was always the only kid, and it
was like, you get so much attention and it's amazing.
And now children are taking all my jobs. Like now
I make the same salary as a seven year old,
so it's very humbling. Now they want kids to play
kids because as Chris, you see how he was repelled.

Speaker 2 (10:59):
Right that shot that baby voice, who's like horrible, Never.

Speaker 5 (11:02):
Again the network executives agree with you. If they don't,
they don't want us to do it anymore.

Speaker 3 (11:08):
So I also listen.

Speaker 4 (11:09):
I also do not want to hear the sound of
any children in my house to begin with. I mean,
let's be perfectly honest here.

Speaker 2 (11:18):
Let's get the address just so kids can avoid.

Speaker 3 (11:21):
Yeah, yeah, they know when it's when it's Halloween. They're like,
there's old man Tidwell's house. Well that's not true, that's
not true. I leave, I put it, I put a
bowl out, and I live on the kind of a street.
I think there's like ten kids on the whole street.
So we go give them stuff anyways, and then I
go over to my brother in law's place and I

(11:41):
harass the kids that come by his place by giving
out candy to them and dressing up like a serial
killer and threatening to like chop them up into little pieces.
That sounds on brand for you.

Speaker 4 (11:52):
Yeah, so I just wear my normal clothes.

Speaker 3 (11:55):
I show up over there looking like this, and they're like, oh.

Speaker 5 (12:02):
That very.

Speaker 2 (12:04):
Yes, yes, you thought them up. He knocks them down.
I got it. I got it.

Speaker 3 (12:08):
That's our that's our dynamic. Yeah. I don't know when
I hear this, though, You know, and I understand that
that is a changing reality within your world, right, that
they're they're finding kids to play kids. It is a
I mean, on paper, yeah, that makes sense, But then
you look at it and go. Imagine they had done

(12:28):
that with like the Simpsons.

Speaker 2 (12:31):
Yeah, no, it would have been really boring.

Speaker 5 (12:34):
Kids don't really have comic timing is the problem. Like
kids are like, oh my god, you know, oh my god,
that was so funny.

Speaker 2 (12:40):
Do it again, And they're like they can't.

Speaker 5 (12:44):
So yeah, I think they have this like innocence that
no adult can replicate. Really, but no, my god, imagine
rug Rats without those amazing adult performers.

Speaker 2 (12:58):
It would be a completely different show. It wouldn't be funny,
I think.

Speaker 3 (13:03):
Yeah. I think it's one of those things where they
get the authenticity of the kid doing a kid voice,
but you lose the acting part of voice acting.

Speaker 2 (13:13):
Yes, yes, you do.

Speaker 3 (13:14):
You do.

Speaker 5 (13:15):
A lot of kids are like they have great instincts.
But that's the thing for a lot of kid actors,
Like you start and you're just working off your instincts
and it's really because you're just imagining things.

Speaker 2 (13:25):
And then you get older and then you have to
have craft and you have to have skill.

Speaker 5 (13:30):
But yeah, a lot of kids are just like able
to transport themselves into these imaginary worlds very easily.

Speaker 3 (13:36):
So are you planning to donate to kids organization?

Speaker 5 (13:39):
I hate children dot com Yeah, I'm I'm his number
one donor. You didn't know it is, So get them
out of here, you know, Like I swear two weeks
ago they were like, hey, you're on hold for this thing.
And then they're like, oh, sorry, an eight year old
got it. You're like, great, I don't need to pay rent.

Speaker 3 (13:59):
That's I'm sure there's more of us.

Speaker 4 (14:02):
Like we could set up a picket line, you know
what I mean, we could be out there with signs.

Speaker 3 (14:08):
Get these kids out of here. Screw these children.

Speaker 5 (14:12):
But if you do it around their schools and keep
them inside so they can't audition.

Speaker 3 (14:16):
Yeah, but if you take the opposite approach instead of
making it look like you're a bunch of dicks that
hate kids, what if we just say no child labor.
This is unfair. Stop exploiting the children.

Speaker 5 (14:28):
Thank god, the brain of the operation is here. You
said you were pinky and he was the brain.

Speaker 2 (14:32):
But I think it's the other way around.

Speaker 3 (14:39):
When when you are looking at voice acting opportunities, do
you find that the kinds of roles that you're auditioning
for that you're getting tagged for are those younger female
voices because you hit those high registers.

Speaker 5 (14:56):
Yes, I was like, I am auditioning for now, but
they're never Hey, I never booked them. There's something very
non maternal about me, I guess.

Speaker 3 (15:07):
But yeah, hat children thing. It just comes through. Yeah,
it just bleeds through. Hello, Jimmy, come here, you precious
little fuck.

Speaker 2 (15:21):
It is that. It's like, oh, honey, do you need
a hug? Too bad?

Speaker 3 (15:26):
Your step mom rolls is what I'm hearing you.

Speaker 2 (15:30):
Thank you. The evil stepmother is calling. She's calling loud
and clear.

Speaker 3 (15:34):
Get off porn Hub. That's the only step mother movies
you're watching. It's ex hamster. Wow, you're a different kind
of degenerate deviant. Let's go devio dead, go all in right, like,
just leave nothing on the table. Yeah, I don't know,

(15:57):
man Like. It's funny when you when you think about that,
because I've always I've talked about this at length with
Eric Bousa, and I've talked about this at length with
our pal Andrew Kashino, who's a super successful voice actor,
and I've said, you know, it's always been like my
secret fantasy right to get into voice acting, even though
I really have no discernible talent whatsoever. But it's always

(16:20):
been my secret fantasy but then I think to myself,
my god, you're competing. Like acting is hard enough when
you're trying to book an audition, that's hard enough. Now
you're competing against I don't know. I feel like the
world of voice acting is so much more competitive. Am
I nuts?

Speaker 5 (16:40):
It's so competitive I think because so many people think
they can do it right, and you know what, maybe
you can, like maybe you're amazing.

Speaker 2 (16:50):
You know, I would never tell anyone don't try.

Speaker 3 (16:54):
I just feel like with acting, like if you're trying
to book a part in a TV show or a film,
I think the Uggos are going to weed themselves out,
like they know they know right and but like the
Uggos think that they can just get behind a mic
and start doing wacky voices and book that shit they do.

Speaker 5 (17:11):
They think they don't need to be actors. They don't
need to wear clothes, they don't need to like.

Speaker 2 (17:21):
You know that whole thing.

Speaker 5 (17:22):
People are like, oh, do you go to work in
your pajamas? And I'm like, no, do you like what? No,
I don't go to work in my pajamas. I know
Donnie's not wearing pants right now, but like the rest
of us tend to.

Speaker 2 (17:36):
Is he gonna prove it. Yeah, people, a lot of people.

Speaker 5 (17:43):
It's very competitive. No, when I audition usually it's against
like three hundred people.

Speaker 3 (17:48):
Jesus, Yeah, it's insane. So okay, you've also done like
regular acting where you're in in things as yourself when
you're not an animated version of yourself, when you're battling
against goddamn seven year olds, do you think to yourself,
maybe I need to focus on just being me.

Speaker 2 (18:11):
Because on camera's worse.

Speaker 5 (18:14):
On camera's like, you know, I don't know, I'm pretty
for a nerd, but like for an actress, it's a
whole different thing. On cameras really is even more competitive,
I think on camera is. And it's also like so technical,
Like I'm very good with technique in the booth, but
technique on a set is a is a totally different thing.

Speaker 3 (18:37):
Did she thinks she's not good looking? This is funny.

Speaker 5 (18:41):
I just feel like act on camera is. Yeah, it's
a different beast. It's a different beast.

Speaker 4 (18:47):
Only fans would say otherwise.

Speaker 2 (18:51):
You can't say these things. I work for Mattel, Like
you can't.

Speaker 3 (18:59):
You didn't say you had one.

Speaker 4 (19:01):
Yeah, I understand they think otherwise, they think that it's
very easy to be on camera.

Speaker 2 (19:08):
Oh we're to yes, yeah, yes, yeah, no they do.

Speaker 5 (19:12):
But there's you know, there's someone for everyone, right, Like,
everybody has their thing that they like, and on Only
Fans you can find it.

Speaker 3 (19:19):
Do knock only Fans Mattel I made a cool seventeen
bucks stelling pictures of my feet this week. Hey, you
know we know.

Speaker 4 (19:27):
Somebody, We know somebody that has an only Fans account
and all they put up is pictures of fans.

Speaker 3 (19:33):
Fans.

Speaker 2 (19:35):
Yes, incredible.

Speaker 4 (19:37):
She makes her holding fans. Yeah, yeah, she makes bank,
so she does.

Speaker 2 (19:45):
But her genius.

Speaker 3 (19:47):
Shout out to Elena Davies, You're the best good She's.

Speaker 2 (19:52):
Just like, you just need one really good joke.

Speaker 6 (19:55):
Guys, Yeah, and then ride just that thing right the
Sunset's I mean, that's what we've been doing our whole careercasting.

Speaker 5 (20:08):
What do you mean I feel like I should be
giving you guys royalties.

Speaker 3 (20:11):
You would think, But meanwhile, we pour I mean, I
can't say we invented it, but we were there when
nobody was listening. I mean really, people had dial up
modems and you know, I remember when Tit and I
first started doing this way back in the day. And

(20:33):
I had left a job at a regular radio station,
and I said, oh, I just started a new radio show.
Oh great, what station is on? Well, it's on like
a website, so you have to go to like Virtuallycanadian
dot com. So I gotta go on my computer.

Speaker 2 (20:51):
What that's stupid?

Speaker 4 (20:55):
That well, because you didn't carry around a computer, yo,
know that everybody had to go home, sit in front
of a thing making an ordeal like it was the
forties all over again, and everybody gather around the radio.

Speaker 3 (21:08):
We're gonna watch this program. Oh my god, it was insane, And.

Speaker 5 (21:13):
Get off the phone because you can't bet a phone
at the same time.

Speaker 3 (21:17):
Yeah, no, no, Back in those days, a phone was
just for making calls and it had no other purpose.
And crank calling your enemies, that's it game.

Speaker 2 (21:27):
That's a fun game.

Speaker 3 (21:29):
Actually, you know what, when's the last time Tid you
did some good prank calls? Because I feel like having
brain on your side to do prank calls would be
super fun. Have you done that? Have you ever done that?
With the call up?

Speaker 4 (21:42):
Because you have to be friends obviously with other people
in the industry, right and you also there's got to
be people in the industry that you got to be like, man,
I really just do not like that person. Do you
have you ever crank called anybody? It is just like
a thing that goes around because I feel like if
it isn't, it should.

Speaker 2 (21:59):
Be, it should be. Let's start a series, right you
show yes, yes.

Speaker 5 (22:04):
You come up with like you know, we'll collaborate.

Speaker 3 (22:08):
We can't.

Speaker 5 (22:08):
We can find a target and uh yeah.

Speaker 4 (22:14):
There's a huge there's a huge TikTok meme in here,
like you can tag the next person. You know, you
you do a voice crank call on somebody, they do
the next one.

Speaker 3 (22:23):
Carry it on.

Speaker 4 (22:24):
It comes back around the world.

Speaker 3 (22:26):
It's viral.

Speaker 2 (22:27):
What are you doing tomorrow?

Speaker 3 (22:28):
Let's go hold on a quick sidebar? Quick sidebar? Is
it prank call or crank call? I've never known.

Speaker 2 (22:37):
That's funny. I think kids always say crank call.

Speaker 4 (22:40):
But it was yank Crankers, that's true.

Speaker 3 (22:45):
Yank Crankers was a real show where that's what they
did with little puppets. I don't know, but I'm thinking
this bit has legs. Like I think Bran, I think
Brent prank crank calling sea level celebrities would be hysterical.
I'm loving this just.

Speaker 5 (23:01):
Other Canadian celebrities like called cardinalal Officale and yeah, yeah.

Speaker 3 (23:07):
And we're gonna tell you to Russell Peters and be
like call Russell Peters and do like the Cayu voice
and go want to see my feet?

Speaker 2 (23:16):
He'd be like, yes, it's.

Speaker 3 (23:18):
Like absolutely, what are you talking about?

Speaker 4 (23:20):
You ever ever catch real life when you were doing Cayu,
like as a kid, because Kyu is very like polarizing,
like you either like you were you were down with
the whole Kyu thing, or you were like I despise
that little you.

Speaker 5 (23:35):
Know, everybody when I go to fan expos it's very split.
So people will come up and they'll be like, I
just did it on a Newfoundland be like I hate
that show. We throw the fit at the end of
every episode, and just like I don't let my kids
watch that. And they're like so angry about what a
terrible role model he is for other children and how

(23:56):
much he whines and and yeah, people can't stand him.
There was a list circulating for a while of the
ten most hated TV characters of all time, and everyone
sent it to me because Hayu is number seven.

Speaker 3 (24:12):
You know what, I think, I like your new Fiaxit
just as much as all your voices.

Speaker 2 (24:17):
Well it's so bad, it's not good at all.

Speaker 5 (24:21):
But yeah, that was like it's yeah, Fan expose are
really funny because half the people are like, that's the
worst show I've ever seen, and half the people are like,
that is my childhood.

Speaker 4 (24:30):
So so I'm a guy that goes I'm a guy
that goes out to fan expos every now and then.

Speaker 3 (24:34):
I've got my twelve year old boy who is like
so into that culture, and but we don't. We're not
the people that stand in line and go meet people
and get autographs, and like I've been willing to, you know,
we went when he was a lot younger to go
meet stan Lee. I was gonna stand in line, give
stan Lee's animated corpse one hundred and fifty dollars to

(24:56):
stand next to him because he didn't move. He was
literally a wax fan. You're at this point of his
life propped up. But my frugal son was like, it's
too expensive, Dad, I don't want to go, and I'm like, oh, okay.
Now he regrets it now that he's twelve, he wishes
that he had this photo with Stanley. But the one
thing he loves doing. When we go to fan Expo's

(25:18):
comic cons all that is people watching because this is
my child. So journalist, tell me, how hard is it
for you to keep a straight face at these things?

Speaker 2 (25:30):
Be honest, I learned so much of the last one.
I didn't know what a furry was.

Speaker 5 (25:36):
And there was a furry convention.

Speaker 3 (25:39):
Wow.

Speaker 5 (25:40):
Yeah, so I learned a lot. But it's also the questions,
Like people ask really nuanced, layered questions and you're just like,
oh my god, if I don't nail this, I'm going
to get canceled.

Speaker 3 (25:55):
Can you think of one that was so goofy that
it just tripped you out?

Speaker 5 (25:59):
Well, there was a girl was like hybriand what do
you think of neurodivergent people, what do you think of
people in the lgbt t Q plus community, and what
do you think of furries?

Speaker 2 (26:10):
And I was like, oh, this is this is a minefield.
You know, this is not one that you're like, I'm
probably going to get this question, let me be ready.

Speaker 3 (26:21):
But they're not even asking you, like, so what's KAIU
up to these days? No, they're just going in with
political topics to try and get you canceled.

Speaker 2 (26:30):
Yeah, yeah, what is the purpose?

Speaker 4 (26:34):
What their purpose would there be to ask somebody a
completely non related question like that, let's just ruin her life?
So so, so what do you think of those things?

Speaker 3 (26:52):
But you're going into a tunnel. I can't see you anymore.
Brand won't say it, but I will for I don't
want to king, shame but shame o just.

Speaker 4 (27:07):
But but here's the thing. Here's the thing with the
furries thing, right, we've kind of they've kind of been
a thing for generations and generations.

Speaker 3 (27:15):
We used to just call them.

Speaker 4 (27:16):
Mascots at schools, right, same size costumes, everything like that.

Speaker 3 (27:22):
You know.

Speaker 4 (27:22):
So I think so because you had those animal mascots
for the colleges and whatnot, I'm sure.

Speaker 3 (27:31):
They sexually attracted to a mascot.

Speaker 2 (27:33):
Yeah, I feel something.

Speaker 4 (27:37):
Philadelphia the Eagle, Yeah, eagerly from Peacemaker all day long.

Speaker 3 (27:46):
You wouldn't come on? Who wouldn't want to hang out
with That's a great show. That's a great show. We
were talking about that off air before we started. That's
a great show. I can't lie, but I will be
honest with you. Furries creep me the fuck out. I'm
not gonna lie to you.

Speaker 5 (28:01):
Are you talking about the people, because there's degrees of furries.

Speaker 3 (28:04):
Okay, I'm talking about the the tense level of hell furries,
the ones that walk around dressed up like Teddy Ruckspin
but they got their junk hanging out.

Speaker 5 (28:16):
Okay, Yeah, that's like a Swedish furry. That's like a Norwegian.
We're getting it.

Speaker 3 (28:24):
I didn't know.

Speaker 5 (28:24):
It's background, Like they have potties, yeah, and they just
have their dicks out and like furry for some reason,
you know, Like yeah, and the.

Speaker 3 (28:32):
Safe word is a thirty seven letter German.

Speaker 2 (28:34):
Word and I furniture. You're like, I can't remember it.
Oh no, oh my god.

Speaker 3 (28:44):
This is so funny. I'm trying to wrap my head
around while you're struggling in the dating scene because you're
fucking hilarious.

Speaker 2 (28:51):
Oh that's nice.

Speaker 3 (28:52):
Guys just not appreciate Guys just not appreciate a funny girl.

Speaker 2 (28:56):
I think us sometimes don't like goofy.

Speaker 3 (29:00):
Hmm.

Speaker 5 (29:01):
You know, I think I've seen this a lot on
dating apps. Actually funny but not goofy. I'm like, what,
why are.

Speaker 2 (29:06):
You policing my funny? This is a bit weird.

Speaker 5 (29:11):
But the last guy I dated, I made him do
improv because I was like, this is a bit I'm
a bit bored.

Speaker 2 (29:19):
You know, I'm a little bit bored.

Speaker 5 (29:21):
And I need to know that you can be a
silly goose. So we sat down to dinner and I
was like, I'm sure you're wondering why I called you
here today.

Speaker 2 (29:33):
And I was just like, I was like, is he
gonna bite? Like, is he gonna go for it?

Speaker 5 (29:39):
And he dove in.

Speaker 2 (29:40):
He was like, yes, yeah, yep, did you find my
hard drive? And I was like, ooh, now we're playing. Now,
we're playing. Now, this is fun. This is a third.

Speaker 3 (29:51):
Day laid or did you like just role play at
the dinner table?

Speaker 2 (29:57):
No, he never made it into my home.

Speaker 3 (30:00):
Also, the improv sucks.

Speaker 4 (30:02):
Oh way to batch it, bro, Wow you could He
couldn't even pass as simple yes and then what right?

Speaker 3 (30:12):
Yes? And yes? And I know how to play the game.
Try that shit on me. You know what? Before we
started the show tonight, Tit and I were talking about
a new movie that's just dropped on Prime I think
this past week with Aquafina and John Cena, and there's
a line in that the movie sucks. By the way,
Tid likes it. I hate it. But there's a line

(30:34):
in that movie that I will forever use. I'm really
good at improv. I just need time to prepare.

Speaker 2 (30:41):
That's really good. That's really good.

Speaker 3 (30:44):
I will forever steal that ship and claim it as
my own. Because no one else is watching that ship movie.

Speaker 2 (30:49):
You're like, oh my god, Donnie's so funny.

Speaker 3 (30:51):
Oh my god, where does he come up with that?

Speaker 2 (30:54):
Where does he get this stuff?

Speaker 3 (30:56):
He writes it? Yeah, I don't care, No, be.

Speaker 2 (31:01):
True to his word. He's preparing for his improv It's okay.

Speaker 3 (31:05):
Yeah. We talked about this on our last episode TID
with DJ starting from scratch, you go to a uh,
you go to a wrap battle. These days, these kids
are not freestyling. It's all pre written. What is that
like this?

Speaker 4 (31:23):
Yeah, they're doing a spoken word poetry battle, Like, fuck off,
that's not that's crazy slam poetry. You'd go to a
cool cafe shop and get some slam poetry thrown in
your face. Even that was realistic. If they can't do
this anymore, I mean, listen, I don't know. Did we

(31:43):
really see the best of break dancing at the Olympics
this past year? Is this where the culture is leading
us ladies and gentlemen.

Speaker 2 (31:53):
Yes, thank you for delighting us. That's really lame.

Speaker 5 (31:56):
Isn't a rap battle supposed to be like you respond
to your opponents, you know, you retort back to Yeah.

Speaker 3 (32:03):
Instead these kids are googling, going, oh, no, that his
mom has really bad acne. I'm going to talk about that.
It's terrible.

Speaker 2 (32:14):
No, it should be trivia rules, no phones.

Speaker 3 (32:17):
You know, right, and no knowing who you're going to
battle until ten seconds before. How about that?

Speaker 2 (32:22):
Yeah? Hardcore?

Speaker 3 (32:24):
I see the three of us get ourselves invited to
one of these rap battles and make ourselves like insert
ourselves as judges and just shit on the whole process.
Make these kids cry and change their careers.

Speaker 2 (32:37):
We are making so many kids cry today.

Speaker 3 (32:39):
Yeah, that's the great That's going to be the title
of this episode, making children cry.

Speaker 5 (32:46):
Yeah. I mean, this is what you do with wisdom, right,
you have to pass it on.

Speaker 2 (32:52):
You have to be like, this is not what rat
battling is. Look at the three of us.

Speaker 5 (32:55):
Who is more suited to know what a real rat
battle looks like?

Speaker 2 (33:00):
And the three people on this screen.

Speaker 3 (33:02):
Yeah, it's totally the white girl definitely. Yeah. Uh, you've
got a bunch of stuff, like, well, according to your
IMDb page, you've got a bunch of stuff coming up, right.

Speaker 2 (33:16):
Yes, I do. I do some of them I can talk.

Speaker 3 (33:19):
About, Okay.

Speaker 5 (33:21):
One that I'm really excited about is called Mrmacorno's Starfall, Okay,
and it's about half mermaids, half unicorns. Guess which which
half is which?

Speaker 3 (33:35):
Well, if the unicorn is not the head half, then
what's the point. It's just a fucking pony.

Speaker 2 (33:42):
You nailed it.

Speaker 3 (33:43):
Yes, And if the if the if the mermaid is
not the ass half, then it's just a girl.

Speaker 2 (33:49):
It's a girl with legs. No, it's a pone legs.
Oh yeah, no, I got you.

Speaker 3 (33:54):
Yeah, you're right. Yeah, yes, So I think I figured
out your mrmcorn.

Speaker 2 (33:58):
You got it, you got it. Unicorn on top, fish
on the bottom.

Speaker 3 (34:03):
So is that you are you a mrmcorn?

Speaker 5 (34:06):
There are there a troop of us and we save
the ocean using the power of friendship and creativity. And
yeah it's Warner Brothers and atomic animation and very very
good writing and amazing cast.

Speaker 2 (34:23):
So I'm really is.

Speaker 3 (34:24):
Your dialogue similar to like when you were those mermaid
dogs in Paw Patrols like that all that ship.

Speaker 5 (34:39):
Yeah.

Speaker 3 (34:39):
You know what, when my kid was younger, I had
to watch that stupid show all the time. Oh my god,
Chasing on the Case.

Speaker 2 (34:50):
The Case Rider Needs Us. Yeah, biggest, biggest preschool show
in the world. It's crazy. Seriously, Yeah, buy some Canadian dudes.

Speaker 3 (35:02):
When I was in uh I was in Portugal twenty seventeen.
My son was five, and when I was there, I
found out Paw Patrol was second in the world at
that time, only to Star Wars in the most bootlegged merchandise.

Speaker 2 (35:20):
Wow. Wild, Yeah, he's crazy. I made it. You know
you've made it.

Speaker 4 (35:26):
When yeah, they were getting ripped year, there was at
least a good solid year where you couldn't go anywhere.
I mean it was on every single shelf was a
different Paw Patrol thing in Walmart. They you know, the
branding with the with the fast food. As soon as
you get branding into fast food restaurants. Oh yeah, it's
a rap, right, Okay, So.

Speaker 3 (35:45):
Talk to me about this piece. When they're merchandising and
doing all that kind of shit. If they're making merpops,
are you getting a cut of that cake? You need
a new agent, sweetie, I know, hook.

Speaker 2 (35:56):
Me up, Donnie what the hell do you know anybody?

Speaker 4 (35:59):
He gets paid on the back end. Okay, she gets
New's back end. She goes and does these appearances at
these comic cons as like, what do they call it
against murpups?

Speaker 5 (36:09):
Yeah, they're never like, please come be the murppup, Please
we beg you.

Speaker 2 (36:18):
It's so cute when you do that.

Speaker 5 (36:20):
Uh yeah, newsletters.

Speaker 2 (36:23):
I get her out of here. Okay.

Speaker 3 (36:25):
But if I booked a roll, if I was Chase,
am I getting some of that Chase toy money?

Speaker 2 (36:30):
No? No, the actors don't get toy money.

Speaker 5 (36:32):
You get royalties, but not for like ten years.

Speaker 3 (36:38):
That's a shit deal.

Speaker 2 (36:40):
Spin Oh, I shouldn't say that.

Speaker 5 (36:43):
The companies, they're looking out for themselves, you know. They
the producers, the guys at the top there, they're.

Speaker 2 (36:50):
Doing very well.

Speaker 3 (36:52):
I remember speaking to someone who I won't name his name,
but he's a less prominent member of the Marvel Cinematic universe,
and he talked about when they started coming out with
this new line of action figures, my kids got a
whack of them over across from where I'm sitting right now.
They didn't just make like a new Iron Man. They

(37:13):
made it look like Robert Downey Jr. Yeah, and Ardie
j Is like, that's great, it looks awesome. Where's my slice?
And all those guys held out, you know, and then
people like, what's his name? Chris Evans now the star
Lord Guardians of the Galaxy, Born Again Christian God, Chris Pratt, Pratt.

Speaker 5 (37:40):
Oh, yeah that one, yeah, yeah, yeah.

Speaker 3 (37:42):
There's so many Chris is in the MCU god damn it.
Chris Pratt refused because they offered him such a lousy
deal that he said, you can just make my action
figure with the stupid helmet on and not show my
damn face because I'm not playing your game. Because the
deal they offered him was bullshit.

Speaker 2 (38:02):
Yeah, this is why you need to band together. You
need solidarity.

Speaker 3 (38:06):
See that.

Speaker 4 (38:07):
That's a visual thing now for you who does voices
for like a cartoon character and then the character gets
made into a toy perhaps right, But if they do
something where they use your voice, you know, pull the
string and hear the hear the voice, you get cut
out of that too.

Speaker 2 (38:25):
Yeah.

Speaker 5 (38:25):
So what they normally do is they'll have union actors
in the show, and then for the toy they get
a non union actor.

Speaker 4 (38:34):
So they have they have a voice actor, voice act
the voice actor.

Speaker 5 (38:41):
Yeah, they have a like you shouldn't call them a scat,
but it's like someone who's not in the union to
do the voice so that they can pay them nothing
and not owe them anything. Oh my god, many times
many a cayu doll?

Speaker 3 (38:56):
I have not voiced how many of these? Wait?

Speaker 4 (38:59):
Does that mean that there's an entire series of like
maybe voice actors who work for less money that are
maybe from like south of the border.

Speaker 2 (39:08):
Yeah, there are lots in Canada too, like Mexicans.

Speaker 5 (39:12):
Oh that far south. There are non union actors all
over North America.

Speaker 2 (39:18):
Yeah, there's they'll always be someone willing to unform. Yeah.

Speaker 5 (39:22):
I'm very pro union because if we were all in
the union, then they couldn't get anybody.

Speaker 3 (39:26):
You know, if I ever did dip my giant foot
into that water, that would be me. I'd be the
non union guy because I don't have I don't have
any credits to my name to be unionized, so that
would be me scabbing away. The only thing I've ever
done in that space was back in two thousand and
three or two thousand and four. I had a friend
that was doing a film and I got asked to

(39:49):
come in and do adr Oh cool. And so for
anyone who doesn't know, I'm doing like voiceover dubs for
shit that needs to be re recorded and the act
or wasn't available, so I'm his.

Speaker 2 (40:02):
Bitch, so you had to voice match him.

Speaker 3 (40:06):
Yeah, but I mean a lot of it was grunting
and groaning, and a lot of it was like ooh,
it was easy. He was Helen Keller. Yes, that was
my role. Yeah, okay, yeah, so okay, let me ask
you this. When you're at a convention or you're talking

(40:26):
to people that know what you do, who do you
get requested to just pull out of your hat? The
most like what voice is? Are people saying just do it?
Just do it, just do it.

Speaker 2 (40:37):
People love Cayu. It's really funny.

Speaker 5 (40:41):
I was seven when I did that, so I don't
sound the same, like my Cayu is bad now.

Speaker 2 (40:47):
Kyu's a big one.

Speaker 5 (40:48):
Yeah, but I just normally go no, I don't want you,
and people.

Speaker 2 (40:53):
Are like.

Speaker 3 (40:56):
And that cuts it. I would think because of the
six of the films and the TV series, I would
think Mavis would be right up there.

Speaker 2 (41:05):
Yeah, people Navius too, for sure.

Speaker 5 (41:07):
Yes, my dad's made the vampire cancel, so ern In
Chuge Boom jack a Lacca.

Speaker 4 (41:13):
See.

Speaker 3 (41:13):
Now, I wish I could do an Adam Sandler, but
I can't.

Speaker 2 (41:17):
I did this with Eric Bousa, and I know he
just like launched right in.

Speaker 5 (41:24):
He's the most wildly talented person I've ever met.

Speaker 3 (41:28):
I know, and Booza gives me suicidal ideations because he's
so talented. He has so much talent coming out of
his ass. I have none. I have no discernible talent whatsoever.
And I look at him and I go, you just
sit there, listen to someone and pull that shit out
of your mouth two seconds later like a savant. And

(41:49):
I'm sitting here going I could maybe do a little
Louis Armstrong.

Speaker 2 (41:54):
Please, Tony please, No, it's.

Speaker 3 (41:57):
Okay, what it is, that's it. I do micro impression.
That's it for. Don't ever do that again.

Speaker 4 (42:10):
You're gonna get us so canceled you start doing so No,
don't do it.

Speaker 3 (42:17):
I can't do.

Speaker 2 (42:20):
But it's really good. People don't get upset. This is
what I've noticed.

Speaker 3 (42:25):
You gotta practice that first. I don't think you just.

Speaker 5 (42:29):
Eric Bowsa does Chris Rock, and he does it so
well that you're like this is incredible.

Speaker 4 (42:36):
But I mean that's always a thing that has always
baffled me right out the gate. As anybody who can
do voice impersonations. It's one thing like Okay, you can
see a character and you can kind of go, oh
this this character would sound like this and make up
your own, you know, voice for that character. But to
mail impersonations the way that some people do, to me,

(42:57):
that is that is a completely different kind of art.
Like that is like people are like, oh, you should
be able to draw blah blah blah. Listen, I can
make a stick figure. Look fat. I don't understand that
side of the brain, you know what I mean. So like,
when do you realize that, like this is a thing,
you know what I mean, that you're down with just

(43:18):
making voices and this is what you're gonna do.

Speaker 5 (43:22):
I think most people have to practice a lot like
Bosa is an anomaly. When I first met him, I
was like, so, do you like really grind and really hustle?

Speaker 3 (43:34):
And he was like, no, that's a weird way of
asking are you single?

Speaker 4 (43:39):
Yeah, yeah, maybe that's the dating issue. Maybe that's the
dating issue. You gotta get your questions better, Brent.

Speaker 2 (43:49):
Between the lines, please. Are you a breadwinner? This is
what I'm trying to ask you, And.

Speaker 3 (43:55):
The jacket goes back, are.

Speaker 2 (43:59):
You gonna at home for dinner? This is what I
need to know.

Speaker 3 (44:03):
I love that.

Speaker 2 (44:04):
Uh yeah, no, he's.

Speaker 5 (44:06):
But the thing is with him, he's been doing these
impressions since he was like eight, you know. He started
doing them of his teachers and always did them. And
then I think most people are so scared of them
being bad that they don't try. But really, like, when
I'm working on impressions, it's like, okay, you just have

(44:27):
to be willing to be so bad until it sounds
remotely like the character if.

Speaker 3 (44:33):
You've ever heard this show, I'm definitely willing to be bad.

Speaker 2 (44:37):
Yeah, I had no issue with that, but your little
Armstrong is good.

Speaker 3 (44:42):
I realized when I was very young that I do
have an ear when it comes to picking up on cadences,
when it comes to picking up on intonation of people's voices.
So I can imitate someone in terms of their delivery pace,
maybe even get somewhere in their range right their pitch.

(45:05):
But when it comes to nailing that ship to the wall,
forget it. Like I'm dog shit so and I and
I recognize that. But I can pick up on cadences
enough so that if I'm if I'm doing that micro
impression for someone, they'll be like, oh, I hear it.
I get who you're doing because you just match a

(45:26):
very famous way of speaking. Is that how you started
or were you just voice matching right from the from
the get go?

Speaker 5 (45:33):
No, definitely starting with what they call prosody, which is
what is the musicality of this person's voice.

Speaker 2 (45:41):
Oh, like Nicky Mouse.

Speaker 5 (45:43):
Nicky Mouse has like the most identifiable prosody because like,
who else goes?

Speaker 1 (45:52):
You know?

Speaker 5 (45:56):
I know a guy, when is he going to be
a guest.

Speaker 2 (46:01):
On the show?

Speaker 4 (46:03):
He's actually a guest all the time on the Law.
His name is kJ and that's how he talks naturally.

Speaker 3 (46:08):
Oh god, we should introduce Britain to kJ.

Speaker 2 (46:12):
Is this a setup? No?

Speaker 3 (46:14):
Like, well would she like kJ? I don't know. He's
a wild dude and he's a wild dude and he's
he's like his normal speaking voice is super high falsetto like.

Speaker 4 (46:30):
But he is he is not afraid to pull down barriers.

Speaker 3 (46:35):
He is the man that base forgot.

Speaker 5 (46:43):
Hi, guys, this prison should be on the Prank Call Show.

Speaker 2 (46:50):
We're gonna do.

Speaker 5 (46:51):
Uh what do you mean by pull down barriers, like
physical barriers or.

Speaker 4 (46:58):
Like like he's not afraid to you know what I mean,
like here's the here's the thing. And with a lot
of guys anyways, I don't know how it is from
because I've never lived my life as a woman. But
for guys, you have these, you know, they they put
up a fence, a barrier in front of it. They're afraid.
They're afraid of like getting on the other side of
that and exposing any kind of vulnerability.

Speaker 3 (47:20):
He is not, dude.

Speaker 4 (47:21):
He is like, you know, shirt off, life of the party,
like let's have a good time type of guy I love.

Speaker 5 (47:28):
Hey okay, no, yeah, no, toxic masculinity there he's he's vulnerable.

Speaker 3 (47:36):
Like this me, what's so toxic?

Speaker 2 (47:44):
Well masculinity and done to be honest.

Speaker 3 (47:50):
No call me call me uh you know, negamous prime,
Like I'm just gonna neg everyone to death. We're back
to Yeah, that's going to be my superpower now, yes, Okay.
So you start off by understanding the musicality of a voice.
So I guess that's kind of what I was doing,

(48:12):
because to me, I just call it something else. I'm
paying attention to the cadence, their delivery, their rhythm. So yeah,
I guess that's all the same thing. And then how
does that evolve into that voice matching process for you?

Speaker 5 (48:25):
Well, okay, so finding like the vocal tics is another
thing too. So like for Lois Griffin, you don't really
hear this when she's talking, but the way that I
find her is like this hiss because it's like very nasal.
But it's kind of like placement is another big thing.

(48:46):
It's kind of like in front of my teeth. He's
a september already. Wow, I guess I've got nothing to
do with quite an excuse to try to touch the
target cashier lady. I want to run away with like HiT's.

Speaker 2 (48:59):
Hall of Here.

Speaker 5 (49:01):
And it's kind of messy too, so like that's a
part of it. This is like her tick and then
it goes a little bit higher and a little bit faster,
and that's the other thing. It's actually really high in
your nose, pada, you know.

Speaker 3 (49:16):
Would you say Lois is very very demure? No, Lois
has had.

Speaker 2 (49:23):
A character arc.

Speaker 5 (49:24):
Lois started very demure and now she's like a little
psycho sometimes, which I really like.

Speaker 3 (49:32):
I love that so much.

Speaker 2 (49:34):
Freak outs.

Speaker 3 (49:35):
Okay, So you kind of gave us a little bit
of like a tease there, So can you rapid fire
some of the some of the voices you do for us?

Speaker 2 (49:43):
Yeah? Sure, Okay, who else do we have?

Speaker 3 (49:47):
Well?

Speaker 5 (49:47):
I love Freese with herspoon because she's also like really
far forward, and she loves talking about books and women
you know, like and she especially loves talking about books
about women you know, and she's really inspiring. People just
love all of her quotes from Legally Blonde, like you're
breaking up with me because my boobs are too big?

Speaker 2 (50:10):
So funny, like, she's so funny and so charming. We
love read.

Speaker 3 (50:14):
I love that so much because I just started rewatching
The Morning Show Yes with recent Jennifer Anderson, which is,
by the way, if you've never seen this show, it's
fucking amazing.

Speaker 5 (50:24):
I haven't seen it, and I need to watch it
because those women.

Speaker 3 (50:28):
You need to sit down and watch this show. Okay, yeah,
binge that shit. Season four is coming out soon, so
you need to just knock out the first three seasons.
You will, you will call me and go thank.

Speaker 2 (50:39):
You, thank you, Johnny, Yeah, thank you so much.

Speaker 3 (50:44):
Okay, So you got Reese any other Hollywood starlets in
your back pocket.

Speaker 5 (50:50):
I really liked Selena Gomez because when I was when
I was playing Maphis, they wanted me at first to
be a sound alike.

Speaker 2 (50:57):
They wanted me to sound like her.

Speaker 5 (50:59):
Dad said that when I turned one hundred and eighteen,
I could go into the world just like everyone else
that gets to come and go from this hotel. So
she's like Selena's really funny because she's like, she's like
an La girl. So she actually talks like really slowly.
But you can't do that when you're doing an impression
because people will get bored.

Speaker 2 (51:19):
But yeah, we will.

Speaker 3 (51:20):
Is the Beab's a good kisser.

Speaker 2 (51:23):
Yes, I have to be honest with you. I can't.
I can't get him out of my head. He's amazing.

Speaker 4 (51:31):
It's funny because all I hear where you say like
Hollywood starlet and you go slow like that, I'm like, oh,
she's pilled up.

Speaker 3 (51:40):
She's all piled up, a little pulled up a little bit.
Maybe a couple of nights at Boom Boom Room. We'll
do that to you.

Speaker 5 (51:47):
It's funny because that was kind of my in for her.
I was like, oh, she's medicated.

Speaker 3 (51:55):
I mean, I feel like that's the starting point for
a lot of people.

Speaker 5 (51:58):
Yeah, interestingly, like Judy Garland is actually kind of the same.

Speaker 4 (52:04):
I wonder why, well, well, anybody who knows anything about
that family story?

Speaker 2 (52:13):
Yeah, you're like. I was like, what is the thing
that I'm missing?

Speaker 5 (52:16):
And it's like, oh, this like kind of like the
room is moving in front of her.

Speaker 2 (52:22):
That's the piece I don't have yet.

Speaker 3 (52:25):
Oh my god, do you do Judy.

Speaker 5 (52:29):
No, Lenna, this was a real, truly life place, and
I remember that some of it wasn't very nice, but
most of it was beautiful.

Speaker 3 (52:37):
Your Judy Garland is bordering on Ariana Grande.

Speaker 2 (52:41):
This is the other thing. They have a similar placement.

Speaker 3 (52:44):
Yeah, they do. I just heard that for the first time.

Speaker 2 (52:47):
Yeah.

Speaker 5 (52:47):
She's also really high and like kind of soft palette
here she's up here here.

Speaker 4 (52:55):
I feel like you would be very intimidating in role play.

Speaker 3 (53:02):
Now we're getting to the heart of the dating issue. Yeah.

Speaker 7 (53:06):
Yeah, they're like dumb and like no problem, Like yeah.

Speaker 4 (53:12):
No problem, Yeah, okay, okay, now do her, Okay, now
do her.

Speaker 3 (53:16):
I'll be that person next.

Speaker 2 (53:19):
Yeah, I'm like, what about you?

Speaker 3 (53:20):
Who are you going to be I'll be Pete Davidson
and you break my heart.

Speaker 2 (53:27):
Okay, that was.

Speaker 3 (53:31):
One of the saddest interviews I ever heard in my life.
Was Pete Davidson when on The Howard Stern Show about
six weeks after he was on glowing about his relationship
with Arianna, going, I can't believe I'm dating Ariana Grande.
Six weeks later, Howard hasn't back on. He goes, she
broke my heart. I'm a loser.

Speaker 4 (53:52):
I'm sure the first interview he did after nine to
eleven was probably a little sadder.

Speaker 5 (53:58):
Dude, he makes those jokes all the time, he makes
about his dad, he does. Yeah, yeah, No, that was
a very public, very rough breakup.

Speaker 3 (54:13):
Yeah yeah, that was not That was not pretty on
any level. I mean that would be the scary thing,
right about celebrity dating to begin with. You've got a
microscope on you, like if I'm if, I'm what's his name, uh,
the football player in Kansas City, Kelsey. I'm just waiting
for Taylor Swift to put out a whole new album
like I'm gonna leave, I'm gonna leave the milk out,

(54:35):
and she's gonna be like, fuck you said, fuck you
you left my milk out like it's coming. I don't
think it. I don't think it would matter.

Speaker 4 (54:46):
I don't know if you guys heard or not that
him and his brother just ain't a deal one hundred
million dollars for their podcast.

Speaker 3 (54:55):
It's not a good deal. They've only been out for
two years. It's not even good. I've listened to their podcast.
But I think this is this is the effect of
This is the Swift effect.

Speaker 5 (55:07):
Yeah, oh my god, Yeah, wait what who is paying
them one hundred million dollars Apple, Spotify?

Speaker 3 (55:14):
Who? How was it? Swift?

Speaker 2 (55:18):
Taylor Swift? Yes, yes, yes.

Speaker 3 (55:23):
You don't need to be playing football. You sit here
at your computer and you talk nice about me.

Speaker 2 (55:28):
Yes, exactly, she's just listening Holy Ship.

Speaker 3 (55:33):
One hundred million.

Speaker 4 (55:35):
Amazon Amazon one hundred million dollar podcasts deal with Amazon
for their new We.

Speaker 3 (55:40):
Need to be we need to be less entertaining and
get paid.

Speaker 4 (55:45):
This is it.

Speaker 2 (55:45):
Sometimes you're like, do I need to dumb it down?

Speaker 3 (55:48):
Yeah? I couldn't. More people will like me, That's impossible.
I am what date One of Taylor's siblings pleased Toad
like like, I'm literally I'm literally one odd of higher
than sling Blade kind of dumb right now.

Speaker 2 (56:02):
That's I don't know. You came up with the plot.
You came up with the plot get the kids out
of the business.

Speaker 3 (56:09):
So I've been running on that Marinaming. Hey, I want
to rewind because I want to hear a couple more
of these voices that you got in your back pocket.

Speaker 2 (56:20):
Oh yeah, sure, Okay, who else do we have? Who
did we do? Oh? This one's always hard for me,
but I do love her.

Speaker 7 (56:27):
Oh my god, friend Dresher, Okay, sag after a president here.
It is so good to be here talking about our
YOUNGI in.

Speaker 3 (56:39):
That's really impressing. Okay, wait, if you can do Fran Dresher,
I know I'm putting on the spot. But because they
have a similar range, can you do Janice from Friends?

Speaker 2 (56:49):
Yeah, she's a little bit higher? How am I?

Speaker 1 (56:52):
No?

Speaker 2 (56:52):
She's not aware?

Speaker 5 (56:53):
Is she?

Speaker 2 (56:53):
Maybe she's here? Tell me, God, Jana.

Speaker 3 (56:57):
Thing, I love that. I just put your ass on
the spot and you hit a goddamn she found it,
found it quick. They put you on that search and
rescue team. They find everybody.

Speaker 5 (57:13):
We got Janie, we got brand, we got Selena, I got.

Speaker 3 (57:19):
Did do Celene?

Speaker 2 (57:21):
Oh? Oh Selene? No, I can't I can't. I can't,
I said, Selena. But that's a good one.

Speaker 5 (57:26):
To work because because yeah I can't a qui accent,
I should get on that, thank you.

Speaker 2 (57:33):
Yeah yeah yeah.

Speaker 5 (57:34):
Arianna Grande does her so well so well.

Speaker 3 (57:38):
Yeah there's another one, right. She's kind of in that
Eric Bowser realm of so much talent falling out of
her ass that she just like knocks out impressions without
even trying.

Speaker 2 (57:51):
Yeah, he too, Like it's so annoying.

Speaker 5 (57:54):
I was like for Coolidge, so good everything, she does
everything everything.

Speaker 3 (58:00):
Yeah, I feel like almost every female voice impression impressionist
has a Coolidge in her pocket. You don't.

Speaker 5 (58:09):
It isn't good yet.

Speaker 2 (58:10):
See, you're making me do this. What did you go?

Speaker 5 (58:12):
Have you ever dated a guy with no? It isn't good.

Speaker 2 (58:20):
I tried. I tried publicly.

Speaker 5 (58:23):
Ariana's is like really here when she does it?

Speaker 2 (58:26):
Yeah, it's here. It's not good yet. I'll let you know.
I'll let you know you have that's.

Speaker 3 (58:32):
Okay, it's a really good Owen Wilson. Wow.

Speaker 2 (58:40):
Yeah, yeah, thank you.

Speaker 3 (58:43):
Nailed your Owen Wilson, put that shit in your repertoire.

Speaker 2 (58:47):
Thank you.

Speaker 5 (58:48):
I will come back with the Jennifer Coolidge, if you'll
let me just to do that.

Speaker 2 (58:52):
And then get out.

Speaker 3 (58:53):
When I was younger, I used to think I could
do and this is a really dated reference and you
probably won't understand because you're like eighteen years old, but
I used to do a thing back in school. When
I was in college, we used to do these little
shorts and I did Bobby from Howie Mandel's Bobby's World.

Speaker 2 (59:15):
Okay, don't know what that sounds like.

Speaker 3 (59:18):
So it's a super high It's like hello, and what
is Bobby? And sometimes I said on the pot about
that was that was Bobby's World.

Speaker 5 (59:27):
I've heard him do that in interviews because he does
that and then he does Gizmo, right, he does them
all back to back, and he's like, they're all the
same it's the same voice.

Speaker 3 (59:36):
Yeah, yeah, it's just the same shit. It's like Fozzy
Bear and Yoda. It's all the same shit.

Speaker 2 (59:42):
Yes, yes, yeah.

Speaker 4 (59:43):
And he did listening to Mark Hamill do the Joker,
you know that that's Mark Hamill totally.

Speaker 3 (59:49):
He's not voice acting. He's just Mark hammeling all over
the place.

Speaker 2 (59:54):
Though some people can do that when I have their
thing that they do.

Speaker 3 (59:58):
When I started doing Louis arm Strong. I was like, Oh,
I think I can do claw from Inspector Gadget where
it's like, oh, get your gadget next time.

Speaker 5 (01:00:07):
Hey, hey, you know you're saying you have no talent.

Speaker 3 (01:00:11):
I don't agree none.

Speaker 2 (01:00:13):
I don't think this is true.

Speaker 3 (01:00:14):
It's just a filter on the mic. He's waiting.

Speaker 4 (01:00:17):
He's so waiting for the reboot of these two things
in his life, and he's set for them.

Speaker 3 (01:00:23):
If they do an Inspector Gadget Bobby's World collab, they
better hire my ass.

Speaker 4 (01:00:28):
Right right, yes, song written and sang by Louis Armstrong.

Speaker 2 (01:00:38):
Got him in the boom. You can do this. I
believe in you.

Speaker 3 (01:00:42):
I believe in you. That's the problem.

Speaker 2 (01:00:45):
You just have to take some classes this.

Speaker 5 (01:00:47):
I will say this, like anybody who wants to do this,
you just have to work really hard.

Speaker 2 (01:00:51):
It's like anything else you want.

Speaker 3 (01:00:53):
Cool man, I didn't like to see when I was young.
Screw that.

Speaker 4 (01:01:00):
Is there schools out there for it? Or is it
all just like you know privates?

Speaker 5 (01:01:05):
There are programs, not really schools. Like Kim Hurdon is
a casting director who has like an academy.

Speaker 2 (01:01:13):
In Toronto.

Speaker 5 (01:01:15):
It's mostly online, but yeah, a lot of it's a
lot of private coaching.

Speaker 3 (01:01:19):
When I was a teenager, I don't know if I've
ever talked about this on air. When I was a teenager,
I enrolled at a place that is now no longer
in existence. It was it was based out of Toronto,
was called the National Institute of Broadcasting. It was supposed
to be for people that wanted to work in radio. Yeah,
and you could sign up and it was it was

(01:01:40):
like six grand to sign up for the year, which
back in those days might as well have been a
million dollars. My dad went with me when I did
my audition because I was like fifteen or sixteen and
all I wanted to do since I was five was
being radio. So my dad went with me to my audition.
I nailed my audition, and then I'm thinking, this is
not a fucking audition because now I gotta pay. They

(01:02:03):
just tell you if you can come here. It's not
an audition. That's a gimmick. But regardless, I did it.
So I had a whole bunch of classes. I went
down there five days a week after school, and one
of my classes was cartoon voices, so we had to
do shorts and we had to do a series of
cartoon voices. Oh my god, it was so intimidating. It

(01:02:25):
was so intimidating because first of all, I'm the only
teenager in the group. Everyone else is like in their
late forties trying to work on their fourth career, and
I'm a kid, Like I'm literally a kid. And it
was so mind blowing. And I was starting to feel
like I was getting somewhere, and then I think the
National Institute of Broadcasting just went under, you know, like

(01:02:45):
they just went out of business. My instructor was Jungle
Jay Nelson, who was a ten to fifty chum DJ legend.

Speaker 4 (01:02:55):
Like nobody has the name jungle anything unless they work
in radio.

Speaker 3 (01:03:00):
Right, Jungle Jane Nelson, you know, tan and fifty chum
coming up, We've got all the oldies. Yeah, he was
my mentor. The only good thing that came out of
that was I got to go and sit in a
private box when the Toronto Blue Jays won a world
series as a guest of the National Institute of Broadcast.

Speaker 4 (01:03:22):
That was the one big perk. I never got a job.
I never booked a gig, And now we know why
they went out of business. They spent all the money
they got off a students for that box and.

Speaker 3 (01:03:34):
Then nobody booked anything. And then see it later we
out what a weird thing though, right, Like I was
such a rube.

Speaker 2 (01:03:43):
No internship, no nothing, nothing like that. No.

Speaker 3 (01:03:48):
I What I did do, though, was I took a
lot of the stuff. I learned that there was a
lot of stuff there that I learned that was super useful.
Like that's where I learned how to mark a script,
for example, and I still do that to this day.
I get a script I printed out, I take a
stupid little red pen and I mark that shit. I
mark where I want to put emphasis, I mark where
I want to pause, I mark where I want to

(01:04:08):
do something stupid, and I mark that shit up. And
I still do it to this day. And then when
I went to broadcasting school at Humber College, when I
did the radio TV course there, I took a lot
of that stuff with me. So as a first year student,
I felt like I had a handle on things.

Speaker 2 (01:04:27):
Yeah, you were like been there, done that six years
at NIV.

Speaker 3 (01:04:30):
Yeah, But at the same time, like not one gig,
not one.

Speaker 5 (01:04:36):
Gig, Yeah, that's bad, that's bad, Like a program like
that should have practical applications like that should be like
the reason why you go yeah, I suck.

Speaker 3 (01:04:48):
I booked an internship on my own. I started working
at the top forty station, getting coffee and grabbing the
cart decks to put in the machine to play the
new back Street Boys single.

Speaker 5 (01:05:02):
Well you also did become the originator of podcasts.

Speaker 3 (01:05:06):
How that nobody cares about that ship and nobody trust me,
nobody cares. That's a dollar we can get you over coffee.
It was an oversized studio in a basement. It was
a nice It was a nice studio, though it's a
fantastic studio often filled with very scantily clad women. If
I remember correctly.

Speaker 2 (01:05:26):
What kind of studio as a music.

Speaker 3 (01:05:28):
Studio, No, it was, it was. It was a recording
studio to do radio. But see Tidd, we had we
had the only show on the station that was making money.
And the reason we were making money is because Tidd
walked his ass down the street, down on King Street
to where they had this twenty four hour a day

(01:05:49):
live streaming porn site called smut land dot com. And
he said, you guys are broadcasting twenty four hours, we're
podcasting twenty four hours let's get your chocolate in our
peanut butter, and let's do some business the next thing.

Speaker 2 (01:06:07):
You know, right here, I'm.

Speaker 4 (01:06:08):
Just saying, he's not just a pretty face. Nineteen ninety six,
the show pulled in five grand a month.

Speaker 3 (01:06:17):
Which might as well have been a million dollars.

Speaker 4 (01:06:21):
That was the only show pulling in any money in
the entire station.

Speaker 5 (01:06:25):
So the girls would come over and like talk about
their jobs.

Speaker 4 (01:06:29):
Yeah, they'd come over, they'd do voiceovers for us. We
would link to all of their site stuff. They would
come and tell stories on the show. It was a
very It was the wild West back then. You think
it's it's it's like that now. It was wacky wild
back then. Like we got away with stuff that should
never ever see the light of day.

Speaker 3 (01:06:50):
Back then. Yeah, Like we had donkeys in there. No,
I'm just kidding. No, buzz intil that was our vacation.
There was another station in the state. There was another
station in the stage shortly after we had started that
tried to do the same thing. So when Donnie was
talking earlier, you know, you would make those prank phone calls.
We would do those phone calls to the other shows

(01:07:13):
when they were on the air. Well we got to no, no,
we would just.

Speaker 4 (01:07:21):
We call them up straight up and just to viscerate
them with like you guys, suck your horrible get out
of here. I wish you would do horrible things to yourselves,
like just getting into these weird wrestling podcast wars online.

Speaker 3 (01:07:36):
It was like what are we doing? But it was funny.
You know what. The funny part about that is Tod,
the guy that we were battling the most. I just
had an hour long chat with him on the phone yesterday. Briton.
You ever watched Survivor. You know the name Johnny Fairplay.

Speaker 2 (01:07:51):
No, don't know him, but.

Speaker 3 (01:07:53):
He's considered the greatest villain in the history of reality TV.
He's the guy that lied about his grandmother dying so
he wouldn't get it off the island. But his grandmother
was alive and well, and she still is to this day. Yeah,
so that son of a bitch was the one that
we were a lot a lot. Johnny's good though.

Speaker 4 (01:08:13):
He's a good guy, is he not?

Speaker 3 (01:08:18):
Really, he's a good ship. None of us were good
humans back then. Like, fair Play's got a new show
coming out in October. I think it's called Villain House
Season two, and he's going to be one of the
villains in the house along with like, uh, like Amrosa

(01:08:39):
and like a whole bunch of other people that are
like villains in reality TV history. I don't know, but
I know Fair plays on there because he's a piece
of shit. Brin. If people want to find you online,
I don't want to take up too much of your
time because we've been doing this for way too long
and we're at this point we're just talking it. So
if people want to, yeah, we're just being out of control.

(01:09:00):
This ship is off the rails. If people want to
find you, if they want to learn more about you,
where do they go?

Speaker 5 (01:09:07):
You can go to act Brin McCauley on Instagram or
brinmccauley dot com on the Internet.

Speaker 3 (01:09:15):
Internet is googleable. Donnie. That's how you become a voice actor. Kids.

Speaker 5 (01:09:22):
Annunciation must enunciate, and everyone please stay tuned for Donnie's
via voice acting debut, and let's all continue to encourage
you because you can do it, dude, if you.

Speaker 3 (01:09:34):
Want to, I put all the emphasis on the incorrect slables.

Speaker 2 (01:09:41):
You mark up your script.

Speaker 5 (01:09:42):
You got your Louis Armstrong, and also stay tuned for
our crank calling show on TikTok's.

Speaker 3 (01:09:48):
Yeah, we're gonna work on that. You think I'm kidding
that bit has legs.

Speaker 4 (01:09:52):
I don't think you're getting We got puppets. We got
puppets that you so all the voices are hidden?

Speaker 3 (01:09:59):
God, I forgot about your puppets, right, Like, yeah, we
could do this. Do you have a puppet? Do you
have a puppet nearby? Can can bring voice a puppet
before we go?

Speaker 2 (01:10:08):
I have a puppet?

Speaker 4 (01:10:10):
What do you want to what do you want? You
want an old man, a devil.

Speaker 3 (01:10:13):
Or a cop?

Speaker 2 (01:10:15):
No, you don't tell me. You just surprised me. Yeah, yeah,
I like I'm like Donnie, I like it prov.

Speaker 3 (01:10:24):
I just need to prepare. It's such a dick. What
are we doing?

Speaker 5 (01:10:33):
This is we're doing We're doing improv. We're doing a
puppet improv.

Speaker 3 (01:10:38):
This improv is off the rails. It is back right now.
He just sat back down. For those of you that
are listening not watching, oh.

Speaker 5 (01:10:45):
Yeah, sorry, we're waiting for the big puppet reveal. But
then you guys have to describe it.

Speaker 3 (01:10:49):
Yeah, what do you got there?

Speaker 2 (01:10:56):
Okay, are you gonna describe it? We're just gonna go
right now it's it's.

Speaker 3 (01:10:59):
A little red devil that looks like it just ate
everyone on Sesame Street.

Speaker 2 (01:11:06):
Yes, welcome. I just devoured the cookie Monster and the Count.

Speaker 3 (01:11:14):
One two.

Speaker 2 (01:11:19):
Guess what else is in my belly? Oh, I've got
Big Bird two.

Speaker 5 (01:11:27):
There you go.

Speaker 3 (01:11:28):
I heard Big Bird was kinky as fuck. That's all
I'm saying. How can you not be? Yeah, but you
got some skeletons in his closet. I used to throw
serious heat.

Speaker 2 (01:11:39):
We're talking about like the actor.

Speaker 5 (01:11:41):
We're talking about the bird. No big Bird Okay, yeah, okay, yeah, perfum.

Speaker 3 (01:11:46):
Yeah him and stuffle up against man who that's something
going on because we've never called him that to his face.
Thank you. That's fine. Oh he cares not like.

Speaker 2 (01:12:07):
I've been here in that one since I was seven.

Speaker 3 (01:12:09):
Yeah, he's like, get more creative fellas. Yeah, then, McCauley,
you are an absolute gem. We are now best friends,
whether you like it or not, and we will definitely
be in touch and we'll have you back on the.

Speaker 2 (01:12:20):
Show with my Jennifer Coolidge. I'll be ready.

Speaker 3 (01:12:24):
Yeah, we're gonna work on that. I'm gonna try and
do one too. I'll try to get a coolage either
that or it's gonna be a really bad one. Wilson.
I'm not sure one of the two. Thanks Britt, thank
you so much. All Right, there she goes. Everybody, that's
brit McCauley. How do you not like that? Girl? Tid
throw out your last plugs before we wrap this shit up,
because we are a way over time.

Speaker 4 (01:12:44):
Listen, you can always check it out over it the
Law live audio wrestling, that is the Law Dash live
audio wrestling on YouTube. Content going up all of the
time as well, you know, any of the stuff over
at tid Talk and I mean at Notorious t Idea
on all of the other socials. Please go check out everybody,
Get ready, set your whatever it is for radio, whatever

(01:13:06):
it is, stay up till eleven o'clock Eastern time on Sunday.
Right check out Donnie's News Show on TSN with Jimmy
corderis special guest Mark Henry. Unbelievable stuff coming up, guys.
I couldn't be more proud of you. Thank you so much.
That's all you.

Speaker 3 (01:13:23):
And just a point of clarification, We're debuting on TSN
on September eighth, but on September first, we will be
live all over the internets and you can find us,
you can download us. You can hear a really great
clip if you go to Huge Pop Radio on Instagram
right now or Twitter, you can see a quick thirty
second teaser of Mark Henry crying talking about how Jimmy

(01:13:46):
corderis actually once saved his life. This is unbelievable stuff.
That's notorious Tid Chris Tedwell, I'm Donnie DeSilva. We are
think Godfather's the podcasting. Put that in your pipe and
smoke it. We'll see you next time. Share.

Speaker 5 (01:14:00):
I'm mount, but this share, I'm mount.

Speaker 3 (01:14:03):
No thanks, don't mammy.

Speaker 1 (01:14:05):
I'm gonna just grab my STLF and lease, excuse me, please, but.

Speaker 2 (01:14:10):
This share, I'm mount, help but this ship I'm mouth.

Speaker 7 (01:14:14):
All right, then, I don't know what the butcher's happened,
but I don't really care.

Speaker 2 (01:14:18):
I'm gonna get the fucker patty.

Speaker 3 (01:14:20):
He