October 18, 2024 • 55 mins
Well folks, after 4 and half years - this may very well be the last episode of this show.
While we love doing it for you, the fact that both hosts are tied up with a multitude of other projects has made this one difficult to keep up with. Donnie and Tid are planning to regroup and potentially revamp this thing, but for now, we want to say thanks for sticking with us all these years. But before we go, here's one more episode with a super talented young voice actor and puppeteer. His name is Jayden Libran, and he trained at the Jim Henson company, and has voiced a ton of cool animated shows.
Please enjoy!
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-godfathers-of-podcasting--4303576/support.
While we love doing it for you, the fact that both hosts are tied up with a multitude of other projects has made this one difficult to keep up with. Donnie and Tid are planning to regroup and potentially revamp this thing, but for now, we want to say thanks for sticking with us all these years. But before we go, here's one more episode with a super talented young voice actor and puppeteer. His name is Jayden Libran, and he trained at the Jim Henson company, and has voiced a ton of cool animated shows.
Please enjoy!
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-godfathers-of-podcasting--4303576/support.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:18):
Welcome to the Godfathers and Podcasting.
Speaker 2 (00:21):
Now.
Speaker 3 (00:21):
If you shall didn't know, they've been podcasting since before
podcasting was even called podcasting. Archives of this show are
available on every major podcast provider, and can find video archives,
merch and more on their website, Godfathers.
Speaker 1 (00:36):
The Podcasting dot Com.
Speaker 4 (00:38):
Now you're your hosts.
Speaker 3 (00:39):
You guys have been broadcasting online since nineteen ninety six.
The Godfathers of podcasting themselves, Donnie Pazobab and Kristen Rove.
Speaker 4 (01:03):
Hello, ladies and gentlemen, and welcome to the Godfathers of Podcasting.
It is October seventeenth, and it's been a few weeks
since we've been here. We'll talk about that a little
bit later on, but we are here now. Enjoy it.
Donnie de Silva, my brother from another mother, Notorious Tid
(01:24):
Chris Tidwell, Tid, how the hell you doing?
Speaker 5 (01:29):
You know what? It has been a few weeks, but
it hasn't been uneventful. I mean, schedules, life, it's crazy,
you know, people starting new careers, people hating old careers.
It's just, you know, it's wild times out there, man,
and I mean listen, Halloween is coming up. Let's face facts.
(01:52):
It's the coolest holiday of all the holidays, tid Christmas,
especially of all the holidays that you don't get off
from work. I mean, not what you were thinking, you have,
filthy pig. I understand you completely, I know you. Yeah,
So a lot's been going on. We'll talk a little
bit more about that towards the end. Towards the end
(02:14):
of the program, I will say everything's been super busy,
thanks to everyone who's been supporting us with our new
projects tid over at the Law. Myself very busy with
Huge Pop and everything that's going on over there with
my partner Jimmy Corderis. It has been super, super intensely
(02:34):
busy over the last little while, but we really appreciate
everyone who has made the trip over to our other
projects and been supporting over there. Before we get to
our guest tied, I just want to throw this out
there for the audience and for you a couple of
quick because you know, we love talking pop culture around here,
and I need to make a couple of quick recommendations
because this past week I saw not one, but two
(02:57):
new movies in theater with my kid. It's been a
minute since I've actually been out to the theater. But
you know, it's one of my favorite things to do
and one of your least favorite things to do. But
I did go out and check out a couple of
new films. The first one you're gonna scoff, but I'm
telling you, this is way better a movie than it
had any business being, and that is The Transformers one film.
(03:23):
It is a first Transformers.
Speaker 4 (03:25):
Essentially, it is a prequel slash origin story to the
entire Transformer's lore. It is really really well done, and
it's got some heavyweights in the film as voice actors
Chris Hemsworth, Scarlett Johansson, Lawrence Fishburn, Keing, and Michael Key. Like,
(03:48):
there's some real heavyweights in this thing, and it is
really good. A lot of inside jokes for the for
the older generation that that kids are just not going
to get. They even drop a few cuss words, which
was surprising, right, yeah, for a PG rated film. Kind
(04:09):
of surprising, but really well done. I mean they they
show you like billions of years ago before the Transformers
became the Transformers, Optimus Prime and Megatron were homies. They
were BFFs, and they didn't have transforming cogs, meaning they
(04:29):
could they could not transform into anything. They were slave bots.
Come on for who for an evil overlord? They were
slave bots, were working in the minds, mining for energy,
and they were homies. Say it isn't so it's so
well done, man, it's so well And the other film
(04:50):
I'm gonna highly recommend to everyone the new Pharrell Williams
biography called Peace by Peace entire presented in Lego.
Speaker 5 (05:04):
Yeah, that one I did see the uh the ad
for come up on my TV, And that one actually
does interest me. Listen, none of these lego movie art.
That's I can't get through the lego movies themselves. I
don't know. Maybe it's just me, like I enjoy animation.
I enjoy all sorts of it, just for some reason,
I don't know. I like my Spider Man movies to
(05:24):
be my spider Man movies. I like my Batman movies
to be my Batman movies. I don't need them to
be turned into toys and then try to do another
movie with it. It's too much for this brain to handle.
And as you can see, the brain can't handle a
heck of a lot, as you know what I'm saying.
Speaker 4 (05:38):
So, yeah, well, this documentary is not a documentary this
is This is a next level piece of performance art
and it is so well done. A million celebrity appearances
in this film, as you can imagine, because Pharrell has
worked with everyone. You know how when you read a
celebrities autobiography and like, I've said this for years, right,
(06:02):
I know you don't read I'm speaking to the audience,
but if you someone has said to me in the past, like, oh,
you read so and So's book, how was it, I'm
like it was mildly entertaining with many glaring omissions. You know,
that's kind of what you get from an autobiography. Pharrell
goes in on himself, like he fully outs himself as
(06:25):
being selfish and narcissistic and kind of and it's I
I plan on. My twelve year old walked away from
this saying that was really motivational inspiring. I'm like, what, well,
you know what, I I too am.
Speaker 5 (06:41):
Also, there's a movie out there that's very motivationally inspiring.
I kind of look at it as an autobiography, well
not of myself but of art, and I will be
checking it out. It's called Terrifier three out in theaters
right now, so you know it is that is an autobiography.
(07:03):
It is art the clown more clown than art. Trust me,
Jesus wow. But speak speaking speaking of people that have
artistic abilities and abilities that I, for one beyond our
own woo man. If there was ever a thing to
describe me as nothing, it's anything artful whatsoever. So this
(07:26):
guy is like twelve steps ahead of me.
Speaker 4 (07:29):
It's time right now, Liz, gentlemen to bring him in.
It's time for the big hello. Our guest this week
is a very very patient man, not just because he
sat through our ridiculous opening banter, but because for the
last three weeks he was scheduled to be our guest,
and unfortunately, as we mentioned off the top, competing priorities
(07:49):
got in the way and we ended up giving him
the Matt Damon treatment. A couple of times are bad,
but here we are now an opportunity to chat with
this guy who's a voice actor and puppeteer from Los Angeles, CA.
He started out as a teenager working for the Jim
Henson Company and has since performed in a bunch of
screen projects, stage productions, all kinds of things, working his
(08:13):
puppet magic. He's actually one of the puppeteers in my
favorite movie to watch with an edible, it's The Happy
Time Murders. That's one of those films we sit there
and go what's happening. In his early twenties, he made
the transition from full time puppeteer to voice actor, and
he's been heard on Beavis and Butthead, Hell of a Boss, Duncanville,
(08:36):
and a whole ton of others. He popped up on
my social media feed just a few weeks ago with
his Simpsons impressions recreating quotes from the presidential debate. Ted,
do we have that handy, Let's take a listen.
Speaker 6 (08:54):
I have a concept of a plan, dude.
Speaker 7 (08:57):
In Springfield.
Speaker 2 (08:58):
They're eating the dogs, people that came in here, doing
the kids, doing the pits, the people that live here.
Speaker 7 (09:06):
Yeah.
Speaker 8 (09:06):
Now she wants to do transgender operations on illegal aliens
of prison.
Speaker 1 (09:12):
Oh.
Speaker 7 (09:13):
I got involved with your tally, Ben, and then I
read that she was black.
Speaker 1 (09:19):
I had the way.
Speaker 6 (09:20):
It's okay with me. Execution after the bath. It's like
Fourchentien is like run spot run.
Speaker 4 (09:31):
And I toll love doo, don't do it.
Speaker 7 (09:36):
Our country is going to hell.
Speaker 4 (09:39):
Thank you, ladies, Gentleen, give it up for the extremely
talented and very patient. Jaden Lebron, what's up man.
Speaker 1 (09:47):
Thank you, thank you for having me. Donnie Chris. Good
to see you, guys, Yeah, good to be seen.
Speaker 4 (09:52):
Tell you, dude, you are absolutely super talented and impressive.
I was saying to Tid before you join, Like, we've
had a whole bunch of voice actors on this show
over the years, and it's one of my favorite. It's
one of my favorite talents to dive into, you know,
(10:12):
whether it was way back on like episode three of
this program when we had our pal Andrew Kashino, whose
voice has been heard in everything, Eric Bousa, who's also
been in everything, Bryn McCauley, who was on a month
or so ago. She is the voice of many Canadian
children's tortured past. Yeah, yeah, yeah, they all have PTSD
(10:37):
hearing her voices, the Brady French Canadian child Kaiu, which
was torturous at the best of times. And dude, your
work is so unbelievably crisp. I mean, I watched that
Simpson's clip that we just shared with the audience. I
(10:58):
watched it in my video editing software so I could
try to determine is this guy, is this guy like
lip sinking, Like is this is this just production magic? Like?
What's going on here? I'm trying because it's so on
point it almost seems unfair. Dude.
Speaker 2 (11:21):
Yeah, I've been doing Simpson's impressions publicly for the last
four years or so. It's funny you mentioned Eric Bowza.
I met him a few years ago at Los Angeles
Comic Con, and now we share a voiceover agency.
Speaker 1 (11:36):
So wow, I just got signed with SBV.
Speaker 2 (11:39):
They're my agents now, so they represent him and Rob Paulson,
who is Jacko Warner on Animaniacs and right Johnny Bravo's
voice actor Jeff Bennett, and the host of other character
actors and people who I've grown up watching for many
years now, and now I'm in a position where I
get to work with them.
Speaker 1 (11:58):
I get to see these people, I get to run
into them in the booth.
Speaker 2 (12:01):
So that's been very exciting, and you know, that's that's
what I look forward to as my career blossoms and
moving forward.
Speaker 4 (12:09):
At what point?
Speaker 5 (12:11):
At what point? I got to ask though, because you
talk about these agencies, you start working together, you see
each other in the booth, in and out of the
different projects, all of the time. At what point do
you start doing impersonations of each other.
Speaker 2 (12:27):
It sort of relies on you to know the person
well for them to for you to do an impression
of them, and vice versa.
Speaker 1 (12:34):
I don't know that I could do an Eric impression.
Speaker 2 (12:36):
But one of the difficult things is, you know, they
do so many different voices you kind of forget what
their real voice sounds.
Speaker 4 (12:43):
It's so true, it's so true. He's been on this
show a bunch of times in the past. He's a friend,
and he's from the same town that I'm I'm from
here in the Toronto area. Super talented guy, and yeah, dude,
your stuff stands right up there with his, really super
impressive when I see. I'm a huge fan of the
(13:07):
whole animation genre, right, not just the thing that's been
on vogue ever since The Simpsons with the adult themed animation.
I like everything, you know, Like I'm a kid at heart,
and I mentioned in the open, I went this past
week and saw Transformers with my kid. He wanted to
go see it. I hadn't even seen an ad for
(13:28):
this thing. I hadn't seen a trailer. I didn't know
what to expect, and I walk into a Transformers film,
and I'm all getting amped up because I was a
Transformer's geek as a kid. And I'm like, all right,
Peter Cullen, Optimist Prime, let's go. And my son looks
at me and goes, it's Chris Hemsworth. I'm like, what
what are we talking about? That's sacrilege. Peter Cullen is
(13:49):
always optimist Prime. It like, am I the only one
that gets that triggered by a change like that for
an iconic character?
Speaker 1 (13:58):
I mean no, it happened all the time.
Speaker 2 (14:00):
You know, when you get accustomed to hearing a voice
for many years, decades or so, sometimes you know, half
a century with these people, it can be shocking to
hear somebody that's not, you know, the voice that you
grew up with. But I think Hollywood right now has
a more of a gravitation towards celebrity A listers as
opposed to people who are one older but two voice
(14:24):
actors in general, people that do voices as a living
and don't necessarily show their face. So when Hollywood is
putting out these new movies, animated movies, it's always Ariana Grande,
it's always Chris Pratt, it's always you know, the big
names of the day, but you know, that's that's what sells,
is what the idea is. But I think, you know,
(14:46):
there's plenty of room for traditional voice actors to do
it too, Not that you know, Hollywood actors are bad,
but it shouldn't be depended on you know, one success
still a movie.
Speaker 4 (14:57):
No. But I get that because when I was younger,
one of my big passions in life, aside from broadcasting
and all that stuff, one of my big passions in
life is basketball. And for more than twenty years I
was coaching kids at a very very high level. I've
worked with you know, top prep schools, I've done you know,
work with junior colleges and traveling all over the world
(15:19):
with basketball teams. And there was a time, Jaden where
I was like, man, I'd love a job as a
college coach. I would love a job like, you know,
in the NCAA. I would love a job as an
assistant in the NBA. You know, because I had friends
that had made that jump, had made that transition. I'm like, Wow,
that'd be really cool. That would be a dream job.
(15:40):
And then I start looking and I'm like, oh, Jason
Kidd just got hired years of coaching experience zero. Patrick
Ewing just got hired years of coaching experience zero. Like,
and this is a trend that just kept going and
going and going, and it's got to kind of feel
that way for you as a trained voice actor who's
(16:00):
auditioning for gigs, looking for plum opportunities. It's like, oh,
Scarlett Johansson got it. Oh oh thank you.
Speaker 6 (16:07):
Right.
Speaker 2 (16:08):
Yeah, I've had auditions like that where it's like, oh crap.
Like I'll just throw an example like, oh, look, I
got a joker audition, that's awesome, Or I've got you know,
this popular cartoon character that's.
Speaker 1 (16:19):
Been a while, it's been around a while, and.
Speaker 2 (16:21):
I put myself in for it, and then months ago
by and I see who's announced as the actor, and
it's a Hollywood a lister, So you know, that's.
Speaker 1 (16:29):
I guess that's that's part of the game. When it
comes to acting.
Speaker 2 (16:32):
You're always going to be up against somebody who's well known,
somebody who's little known. Tends to favor people who are
well known, But there is no animosity towards that. I
would say, Uh, it's just sort of how it works
out a lot of the time. It's who you know
as opposed to you know who might be right for
the job. You saw the uproar that Mario got when that,
(16:55):
you know, Chris Pratt was announced the voice of Mario,
and then Garth Yeah, probably Fred Flintstone neck.
Speaker 9 (17:01):
It tends to be based on who you know, who's
a Hollywood household name, and not you know who can
do an authentic Mario sounding voice.
Speaker 4 (17:12):
The Super Mario movie had all kinds of uproar, not
just Chris Pratt playing Mario. But I don't know if
you're aware of this one or not, but an actor
who I actually love, John Leguizamo, he came out saying, well,
they're taking roles away from Hispanics because Luigi should be
a Hispanic. Because I played Luigi in the original live
(17:33):
action Super Mario movie. It's like he's still Italian.
Speaker 1 (17:37):
Yeah, it's confusing, but I think I kind of get
what he's saying.
Speaker 2 (17:43):
I think he feels a more personal connection to that
because he played it. But you know, when it comes
down to casting, I think there needs to be certainly
a better reflection of diversity in the roles that people play.
And I think that you know, oftentimes roles get overlooked
in favor of Hollywood A listers and people we know.
But I sense that there's a change happening, and I
(18:03):
think we're seeing names that no one's heard before appearing
in animation in TV and movies and they're becoming the
new faces.
Speaker 5 (18:12):
Well, I think there's got to be like because recently,
I just watched the latest Planet of the Apes, the
Kingdom of the Conquest of the whatever of the planet, right,
the worst title, it's really bad, But I'm sitting here
watching this and I'm like amazed. The whole thing, obviously
is cgi and just the way the way that they've
(18:34):
been able to humanize something that isn't human and then
just put the voice over. And I'm like, yo, some
of these actors, Like, Hollywood is going to be screwed,
blued and tattooed if they don't get it together because
stuff like as soon as they figure out how to
do that with a human I mean, that's going to
open everything up for strictly nothing but voice actors.
Speaker 8 (18:56):
I would think, right, uh see, that's sort of a
gray area because right now Hollywood, and we just got
over a major strike last year, is more concerned about
the money saving aspect, especially when it comes to voice actors,
where now if they just record your voice once, they
could repurpose it in any kind of possible way digitally
(19:20):
through AI.
Speaker 2 (19:21):
So it is sort of a you know that sounds
like a great idea, like, oh, there's this boom booming
amount of work for voice actors, But in reality, I
many of us actors will tell you that Hollywood is
trying to pinch every penny possible so as to not
pay voice actors a livable wage, so as to not
dish out residuals so as to not bring them back
(19:44):
for recordings when this is a character that they played
for many years.
Speaker 4 (19:48):
Well to that end, I have seen a trend over
the last year with a lot of films reverting back
to using practical effects as opposed to CGI. There's a
lot of films out there where you see characters in
the film that could have been, or in the past,
would have been completely CGI generated, and now you're realizing
(20:11):
they are either in part or in whole puppeteered. So
I'm wondering if for you, as a longtime puppeteer, if
you see that trend and go, someone might be calling me.
Someone might be calling me to do a little puppet work.
Speaker 2 (20:28):
Well, I have noticed that, yeah, and you know, I
do think that for I guess the last twenty years
or so, we saw a major shift away from practical effects.
Speaker 1 (20:38):
And as a result, movies did a lot worse than
they used to.
Speaker 2 (20:42):
Movies aren't as iconic, movies aren't as memorable as they
were with the oversaturation of big CGI characters. You go
into a Marvel movie that's sort of what you expect
is a big CGI fight of sorts with big CGI
looking characters, and you know, that's fun for a while.
It's impressive even in many cases, but how often how
much can you truly push the boundaries of CGI when
(21:05):
everything can just be compositive into a computer and rendered
out in forty five minutes or what have you, and
then you've got a movie bing bang boom. But I
think people have taken a step back and they've said,
you know, this was impressive what we used to do
and how we used to do it, and it's amazing
how we were able to achieve such shots and such
ideas without having to use computers.
Speaker 1 (21:27):
And certainly there's a level of.
Speaker 2 (21:32):
Appreciation towards the more tangible as opposed to something you
can't see. Because when you're in a studio covered in
ping pong balls in a blue suit, you're looking at nothing.
You're looking at a stick basically that somebody's waving in
front of you for you to act in front of.
But when you've got this big suit or a monster,
is something the audience connects with that.
Speaker 1 (21:51):
They feel some tangibility there.
Speaker 2 (21:53):
They feel as though this is something that can exist
in the real world and as a result, we sympathize
with that. You look at Pa Labron, all of those
were costumes. Doug Jones is a is in a skin suit.
He's in a suit, and that feels like something that
one would would see vividly. But you know, you take
something that's been rendered and generated, it doesn't have that
(22:15):
same level of believability in my opinion.
Speaker 4 (22:18):
Yeah, and then you see two. There's there is use
case scenarios now for a marriage of the two right
where you get the technology and the practical. A show
that my kid and I love watching together and we
can't wait for the next season is The Mandalorian and
that baby Yoda Grogu character. When it first popped on
(22:42):
screens a few years ago, I thought the thing was
one hundred percent CGI. Yeah, and then I watched Favreau
talk about it, and it is super sophisticated robotics. That is,
as he said, puppeteered by about six different people, which
wild because they make that little fucker charming as hell,
(23:05):
you know, and it's wild to see how it's done
and how intricate it is. You know, they can move
little individual muscles in his face in order to make
his eyes more expressive. I mean to me, that's that's
kind of a cool combination of those two different art forms,
where in the past it was kind of like it
was binary, right, it was on or off right, Yeah,
(23:27):
and it's kind of cool to see that. Yeah, it's neat.
Speaker 1 (23:30):
I've liked seeing that.
Speaker 2 (23:31):
If you've seen the New Dark Crystal Show on h
well it's canceled now, but the Newest Dark Crystal Show
on Netflix, they sort of did the same thing where
they have all physical puppets, just like the original movie
Jim Minsen did. But every now and then you might
need like a snarl or something, or a light flash
or a glare or dripping or blood or something, and
(23:52):
there's only so much you can do with a puppet.
But you know, now that you've got those added effects,
you can bring a whole new level of life to
this character that's already very vivid up to a next scale.
And I think that's sort of where we should be
approaching this. I think that is how movies should be
going about how creatures should look. I did not like
(24:13):
personally the you know, the two thousand and five King
Kong that had the big cgi one that didn't look believable.
But you look at the old one that looks like
a monster that would storm the streets. Do you look
at the old movies that looks like a believable thing.
Speaker 4 (24:25):
Yeah. I've watched Happy Time Murders more times than I
want to admit in public. It is super enjoyable, so
inappropriate on so many levels. So can you tell me
so that the next time I grab an edible and
sit down to watch it, I can go, Ah, that
(24:46):
one's Jaden.
Speaker 1 (24:49):
So the characters that I played is that one?
Speaker 4 (24:51):
Yeah?
Speaker 2 (24:51):
Yeah, it was an assortment of background characters. Uh, okay,
I'm trying to thank here. There is a scene where
there at this strip club, and yes, Elizabeth Thanks is
on the pool with those gaggle of porny rabbits, and
I played one of the there's this ape character that
turns his head around and then he's docking.
Speaker 1 (25:10):
He's got his mouth white open. Uh. And that was
one that I played. I'm trying to remember.
Speaker 2 (25:17):
I honestly can't quite remember, but I just remember that
one because I was seeing Elizabeth Thanks dancing and that
was pretty cool.
Speaker 4 (25:24):
So not the masturbating Octopus.
Speaker 2 (25:27):
Oh yeah, yeah, I was one of the tentacles on that.
That was a two day shoot for that one. They
had they had white paint mixed with water for the
squirting of the the utters for that one.
Speaker 1 (25:42):
Thank god.
Speaker 2 (25:43):
I did all sorts of crazy stuff on that.
Speaker 4 (25:46):
That is that is an insane film. It was one
of the masturbating tentacles. Yeah, such a wacky film.
Speaker 5 (25:55):
Go ahead to what has been the like, I mean,
is that the most outrage just like ejaculating tentacles or
have you showed up on set you know what I mean,
or read through something and been like, well, okay, this
is completely out there. What's been the craziest thing that
You've had to deal with so far?
Speaker 1 (26:15):
Craziest thing I've had to deal with?
Speaker 2 (26:17):
Well, that movie was very fun, but there were some
crazy onset stories.
Speaker 1 (26:20):
For that one.
Speaker 2 (26:22):
There was a car accident for one, and we had
you know, the puppet, the main character Phil.
Speaker 1 (26:28):
He drives a sixty six thunderbird, I think.
Speaker 2 (26:32):
And for that the puppet teers have to be below
the dashboard, you know, the engine is carved out so
that the people can go you know, past the pedals
and lie on the floor on the car and somebody
else is driving the car electronically by remote control, so
they're off on the distance and if you're passing by
that car, you'll just see a puppet driving a car.
(26:55):
And I think people got distracted by that on the
day and they rammed into it. They weren't you know, looking,
they rammed into the car and we had to cancel
a day of shooting for that one. I know somebody
had fallen at some point and broke their leg.
Speaker 1 (27:12):
For puppets, they have the sets.
Speaker 2 (27:14):
Raised up like that at least you know, four or
five six feet off the ground so that the puppeteers
can stand up and walk freely. And one of the
I can't remember what her role was, one of the
I think costumers or something was not noticing that there
was a huge six foot gap in the floor and
walked straight into it and broke.
Speaker 1 (27:35):
Her leg into different spaces.
Speaker 2 (27:37):
So those are some things that happened. Nothing that you know,
affected me.
Speaker 4 (27:42):
Personally because you know, there's a hole, damn.
Speaker 1 (27:48):
Puppets could be quite deadly.
Speaker 2 (27:50):
But other than that, it was it was a pretty
fun shoot. Everyone was okay and happy to say that,
and we had a good time with that one. But
you know, I can't say that. There's many crazy things
that happened to me on set that I remember.
Speaker 4 (28:05):
So yeah, as my dad used to say, she had
to pay the ignorant tax. She was ignorant to the
hold and she paid for it. Help me deal with
this rumor that is in the pop culture zeitgeist, although
(28:27):
I'm realizing that there's a very good possibility that if
the rumor is true, you may be signed to a
contract and unable to properly answer it anyway, So just
give us a wink. There is a story that in
the New Year, in twenty twenty five, there will be
a King of the Hill reboot, and Mike Judge is
(28:49):
a massive fan of your Hank Hill, and that you
may in fact have been tapped on the shoulder to
be the new Hank Hill.
Speaker 2 (28:57):
No, no, no, that's Mike's creation, that's his character. I
am not playing Hank Hill. I'm not involved in the show.
But Mike is a great guy. We still keep in touch.
I just did Beavis and butthead we recorded for new
episodes for season three. But no, I'm not involved with
(29:18):
the New King of the Hill. I don't know what
the release date is for that. I do know it's
twenty twenty five. I think it's Q one or Q two.
It'll be on Hulu.
Speaker 1 (29:28):
It'll be a Hulu original, and.
Speaker 2 (29:31):
I think that's sort of what we can expect from
that is older Hank Hill, older Bobby Hill. He's twenty
one years old, and the rest of the characters. I
did want to be on that show. When they had
announced Johnny Hardwick, who's the voice of Dale, had passed away,
I posted Dale Gribble Dale Gribble videos and nothing came
(29:52):
about from that. But you know, I hope whatever they
decided to do or whomever they got does a serviceable job.
Speaker 4 (30:00):
Yeah, let's let's hear your hand kill just in case
someone tragically falls ill.
Speaker 6 (30:07):
Yeah, I tell you what this here is a happen
die cost me about a buck fifty over here might
cost you a buck twenty five at the michel O Mark,
but it's approximately two centimeters smaller in diameter. That's the
shrink inflation for you.
Speaker 4 (30:26):
I tell you what, And I'm Beavis and butt Head.
Who do you do?
Speaker 10 (30:33):
So?
Speaker 1 (30:34):
I have their manager at Burger World.
Speaker 2 (30:37):
These guys are always slacking off here, but I'm not
legally allowed to fire the mentally deficient.
Speaker 1 (30:44):
And I play their classmate Cody.
Speaker 10 (30:47):
These guys suck. I mean, they stole all my games.
They stole my Xbox I want it back, they stole
my PlayStation. They just suck. Yeah, yeah, yeah, yeah, this
guy fuck.
Speaker 4 (31:04):
You can do the whole cast, really, I mean it's ridiculous.
Who are your most requested characters? Like what's the party
trick that people are always come on Jade and do
this one?
Speaker 1 (31:15):
Oh definitely my Simpsons voices.
Speaker 6 (31:17):
Yeah, I love doing my Homo voice much do se Montgomery, Burns.
Speaker 1 (31:26):
Smithers, Professor, Frank.
Speaker 7 (31:30):
Bernie Gombo, Hey, hey crusting the clown Here be fifty
five bucks, side show mel and of course side Choe bub.
Speaker 2 (31:43):
And uh yeah, it's usually the Simpsons voices. Uh family guy.
Sometimes in Hank, those are the big three.
Speaker 4 (31:52):
You know, those impressions are so good that like, let's
be honest. Okay, I've been a fan of The Simpsons
since sees in one before you were born. Man, Okay,
I've been a fan of that show since season one,
and that cast is aging out. I mean there's probably
a few people on there, Like, Okay, time to cash
(32:14):
in the four oh one k and go gently into
that good night. Like have you ever been in touch
with anyone from the show, Like, hey, I can be
an understudy.
Speaker 2 (32:23):
Well, here's the thing I I on for the show.
When they okay casting in twenty twenty, they put out
a few roles. I wanted to have actors of color
playing them. Carl Dredrick Tatum, doctor Hibbert Blew the cop
I audition for all those guys. Didn't get them, but
I did get relationships out of that. Practically all of
(32:44):
the old showrunners and writers had seen my work and
had contacted me. Some of them I work with. I'm
working now with Michael Price, who's a writer on the Simpsons,
and he's doing a new show coming very soon that
I can't quite talk about yet. But and I've worked
with my Grease. I worked with Mike Scully on Duncanville
Bill Oakley, I did a short with and I've talked
(33:07):
to a.
Speaker 1 (33:07):
Number of the people on the show. And I got
to meet the voice of Homer Simpson. I met Matt Greening.
Speaker 2 (33:13):
I met all the writers last year during the strikes
and we were ad a strike at the Fox lot
in Los Angeles, the Fox Studios lot, and everyone was
there except for you know, mainly the voice actors.
Speaker 1 (33:27):
But Dan, who plays Homer.
Speaker 2 (33:28):
Was there and I walked up to him and I
said to him, Oh, Dan, I love your voices. And
Matt Groening was standing next to us, and he said
that he didn't even know which one of us said that,
so that was a huge compliment. And I rattle off
and I did my crusty voice, and I did a
bunch of other voices for Dan, and Dan had a
(33:50):
sore throat so he couldn't do his krusty laugh for me.
Speaker 1 (33:53):
That was the only one I requested, but he did.
He was gracious enough.
Speaker 2 (33:58):
To walk over to anuts stand, uh funnily enough, and
he got me an autograph on a blank sheet of paper,
and I have that frame in my living room now.
Speaker 4 (34:07):
That's wild.
Speaker 5 (34:08):
That's amazing. That's amazing. Have you ever done have you
ever done one of those, like, you know, dueling banjos
back and forth, like recorded a full set yet you
know what I mean? But you go back and forth
with somebody in their voices.
Speaker 2 (34:22):
Uh, not recording uh, not that I can think of.
But I did do that with Eric Bowza And.
Speaker 5 (34:29):
Is there okay? So is there is there like rap
battles like like, guys, I'm saying, that's a hell of
a video concept, guy, But this issue done before.
Speaker 2 (34:43):
There's a there's actually a documentary called I Know That
Voice is from twenty thirteen and you'll see Mark Hambell
and Kevin Michael Richardson, who have both played the Joker
at some point go back and forth with their Joker
voices with the battle. But I did that with the
Looney Tunes characters when I met Eric, and it.
Speaker 1 (34:59):
Was funny, Uh I was getting it was so back
and forth.
Speaker 2 (35:02):
I was doing Sylvester and he was doing Tweety and
then I was doing Daffy and then he told me.
Speaker 1 (35:07):
All right, slow down to it. Doc. I still want
my job.
Speaker 5 (35:12):
But I'm telling you, if you were to do rap battles,
but as the characters back and forth dissing one another.
Right thing.
Speaker 1 (35:20):
I don't know why it's not a thing. Actually it's
a good idea.
Speaker 5 (35:24):
Somebody needs to do it, buzzing.
Speaker 4 (35:27):
I feel like that's a Netflix show, and you know
what that needs to be everyone listening, fuck off, we're
producing it right Listen.
Speaker 5 (35:34):
If they just put two dudes eating hot dogs up
on there, I'm like, come on, this is way better.
Speaker 4 (35:40):
I'm filing the IP right now so everyone can fuck off.
That's a money concept. Yeah, man, that's it's super impressive.
I've always secretly dreamt of being a voice actor doing impressions.
I don't have that gift, I believe. I've said this
to other voice actors on the show, and they I
(36:00):
think I have the ear right because I can pick
up really stupid little nuances in someone's cadence or their delivery,
and I think that's I think that's part one, right,
the musicality of their voice. But it's the it's the
finding the pitch and all of that.
Speaker 5 (36:18):
Like, man, that is that is an art, and I
know that it's not something that is just a born
talent that you just woke up one day and you're
Homer Simpson like you put a lot of effort and
work into it, and clearly you work at your craft.
Speaker 4 (36:33):
Maybe that's the problem. Maybe I'm just too lazy. Maybe
I could do it. But maybe I'm a great voice actor.
I'm just lazy. That could be it.
Speaker 2 (36:40):
I mean, everybody does voices throughout their day. They just
don't notice it. But you know, I've talked to so
many people with the same ideas, such as yourself, that
say that they want to do it, but they don't
know that they can.
Speaker 1 (36:52):
But subconsciously, everybody does a voice during their day.
Speaker 2 (36:56):
When you see a cute dog or a baby, Oh
how cute, Oh my god, waking up in.
Speaker 1 (37:00):
The morning, God, what do you want?
Speaker 2 (37:04):
You know, everybody has that voice that they can do.
It's just being able to fine tune it, maintain it
and know where it lies in the throat where people
get lost.
Speaker 1 (37:14):
But you know, whenever you wake up, everybody yawns. We
know you've got Patrick Starr here.
Speaker 2 (37:20):
You know you could do a character right there that
automatically becomes a voice.
Speaker 1 (37:24):
Or when you say, oh what.
Speaker 5 (37:24):
A little baby, you got your little tweety bug here?
Speaker 1 (37:28):
Oh I got I got it? Get so it's like,
you know, everybody can do the voices.
Speaker 2 (37:33):
It's just focusing in on where that voice lies and
how to manifest it.
Speaker 4 (37:39):
Everybody doesn't have those voices.
Speaker 1 (37:40):
Though.
Speaker 4 (37:40):
Tid has two voices. He has normal Tid and angry Tidd.
And that's it.
Speaker 1 (37:44):
Well, there's character that can be a character.
Speaker 5 (37:48):
It's a character, all right.
Speaker 4 (37:50):
Speaking of characters, do you have your I know I'm
putting on the spot, Tid, but do you have your
little puppets nearby? No?
Speaker 1 (37:57):
I do have some of them nearby.
Speaker 6 (37:58):
Yeah.
Speaker 4 (37:59):
I was asking if he did, because he's got his
own puppets. Yeah, do you? But here you did too.
That's that's fine, dear.
Speaker 5 (38:06):
Here's here's a question for you. Here's a question for you.
Does this also work with singing?
Speaker 9 (38:13):
Uh?
Speaker 1 (38:13):
Does what works?
Speaker 4 (38:14):
In? Like?
Speaker 5 (38:15):
Like your your ability to take a voice like a
Homer Simpson voice that that wasn't something that you created,
but you you nail it. Can you do the same
thing with singing?
Speaker 4 (38:25):
You know what I mean?
Speaker 9 (38:27):
Uh?
Speaker 2 (38:27):
If you have a similar vocal quality to your favorite
singers or what have you, many people can match or
come close to that. But uh, it's a little bit
harder to mimic a singer, you know, everybody or just
that everybody can do a Michael Jackson, you.
Speaker 5 (38:44):
Know, they do the little Michael Jackson like that.
Speaker 2 (38:47):
But everyone's voice is so unique when they sing, and
it's actually a different part of the brain when you
sing versus when you speak. You know, there's people that
have major stutters that sing so beautifully without a single
you know, slip up, And I don't know that it's
you know, something that people can mimic per se. But
(39:08):
with effort and with classes and with so much dedication,
you certainly could match up boys.
Speaker 4 (39:15):
When I was in high school. You just reminded me
of something funny. When I was in high school, I
had a English teacher who I loved and adored, and
he said something to me that tripped me the hell out,
And to this day it's in my head and it's
the stupidest thing to pay attention to. But he's like,
you ever notice how singers that have really thick accents
(39:38):
don't have an accent when they sing.
Speaker 1 (39:40):
Yeah? Yeah. See.
Speaker 2 (39:43):
When I was a kid, I it baffled me how
many people were British because I write, I didn't know that,
you know, like Elton John or the Beatles, the Beatles,
Oasis like it.
Speaker 5 (39:58):
No, they just sound American and all of them they
just like it's so I still don't get that phenomenon.
You know, you listen to like whoever it is, some
Irish singer, Scottish singer they start singing. Now if it's
a some.
Speaker 4 (40:12):
Irish jig, then yeah, because you don't know what the
fuck they're saying.
Speaker 1 (40:18):
But it's a different money coming here.
Speaker 6 (40:20):
I'm going to sing this old song here from neighborhood.
Speaker 1 (40:23):
Oh this is a wonderful day.
Speaker 4 (40:26):
Yeah, it's like the accent just vanished.
Speaker 5 (40:30):
I don't I'm sure that there's there's something in the
brain that makes that the way it.
Speaker 4 (40:36):
Is, you know what I mean, because it's just so bizarre.
I know. It's like, yeah, I'm gonna write a thesis
on it.
Speaker 1 (40:43):
I'm gonna do something because.
Speaker 4 (40:45):
I'm fascinated how you talk with and like you're from
Liverpool and you've got that thick, unmistakable Liverpool accent and
then you start singing. It's like, oh, Danny boy, where
the fuck did this ship come from? You know, I
don't know. And then you talk to me and go, hey,
can you do an American accent. No, mate, I can't
(41:08):
score roll.
Speaker 1 (41:09):
Is that how you say it?
Speaker 6 (41:10):
There?
Speaker 1 (41:12):
Yes, that's interesting.
Speaker 2 (41:14):
Wow, Adele Adele has a very I thought she was
black first off, so she sings. I saw her right
when I saw her for the first time about a
decade ago, as wow, this is a little white woman. Okay,
I honestly don't know. I don't know what that phenomenon
is called. I couldn't tell you.
Speaker 4 (41:32):
It's wild.
Speaker 5 (41:34):
Speaking of phenomenons, I'm gonna say this as as we
say good night to you if you if you missed
it in my introduction, off the top, lots of good
voice acting in this film, and I highly recommend it
to you if you have not already seen it, go
watch the Farrell Williams Piece by piece film, because my god,
that is a piece of art that is more art
(41:55):
than movie. And it is so well done.
Speaker 4 (41:59):
Like I usually don't don't glaze this much over a
stupid movie, but it is just unbelievably well done, and
I highly highly recommend it, especially to people that work
in entertainment. I think it's just so so interesting.
Speaker 5 (42:17):
Do you have a do you have a guilty pleasure?
Speaker 10 (42:19):
Like?
Speaker 5 (42:19):
Cause you do so much voiceover stuff with animation and
everything like that, and sometimes you know, you don't want
to watch work so to speak, you know what I mean?
So like is it like are you are you like
an underground pro wrestling fan or do you like watching
like like women's basketball from Europe at three o'clock in
the morning, Because because you're a degenerate gambler, like like
(42:40):
myself on the TAM, it's been known to happen a
time or two, like do you have like what is
your what is your get away from it all to
relax type of deal?
Speaker 6 (42:52):
Uh?
Speaker 2 (42:52):
You know when if it's video stuff, then it's a
little bit. It's a weird niche. But I do like
seeing backcracking videos for some reason. It just looks so
I don't know why. I don't know why, but what
is that people getting their backs adjusting?
Speaker 4 (43:09):
No, I get it, but I'm saying, what is that fascination?
Speaker 2 (43:12):
I don't know, but just hearing people crack their neck,
I'm like, oh, that sounded good.
Speaker 1 (43:17):
You know.
Speaker 4 (43:17):
Do you watch pimple Poppers too?
Speaker 2 (43:19):
Not that, but I do watch Tonsilstone removals and that's
an even more weird niche. I don't know why, but
who didn't hug you as a child my dentist apparently, right.
Speaker 1 (43:35):
I don't know that does it for me? That you know?
Speaker 2 (43:39):
That's That's like when I'm barely able to sleep at
three o'clock in the morning, I'm like, all right, let's
pull up some backcracking and fucking Tonsilstone, remove the videos
and then I'll do it.
Speaker 4 (43:49):
You know, other dudes, other dudes your age, just go
to porn hubb. Maybe he's maybe he's finished porn hub. Right,
Sometimes you got to relax. It's a backcracking.
Speaker 2 (44:02):
I like to watch, you know, old Muppet stuff. I
like classical music and old animation. Simpsons is my comfort show.
And I'll put on something that I've watched a thousand
times already to knock them in the middle, or American
Dad or something King.
Speaker 1 (44:17):
Of the Hill.
Speaker 2 (44:18):
It's pretty much all the shows that I've imitated. Here, Yeah,
I should pick up And you know, that just brings
me comfort. It just brings me memories. I don't care
how many Christmases. I'll watch a certain show a year
in a row or so. It's you know, it's that
time in the year again. It's time to watch that
Simpsons Christmas episode or whatever, and you know it's it's good.
Speaker 5 (44:39):
I'm the same way. I'm the same way every year.
A Year without Santa Claus is one of my favorite
go tos, and it's only because of the heat Miser
and the freeze Miser and this that goes along with it.
It's the best part of Christmas. After that food, I'm
done and done with it, you know what I'm saying.
Speaker 4 (44:56):
Yeah, it's fun.
Speaker 5 (44:58):
Go ahead.
Speaker 1 (44:58):
Yeah.
Speaker 2 (44:59):
I discovered the the Year Without Santa Claus thing like
two Christmases ago. It just was mesmerized by it. I
had never seen it before. I didn't grow up with it,
but like, wow, these characters are so enjoyable, it's so entertaining.
I was singing the Snowmisers song up until February. It's
just so charming, and we just don't I don't see
(45:21):
that in media these days. It's just these characters that,
even if it's like twelve minutes of screen time, exist
so far beyond that are just so iconic and memorable
and enjoyful.
Speaker 5 (45:34):
So yeah, yeah, I think the day and the days
of Like you mentioned it earlier, the Muppet Show like
an entire program that everybody at the time and it
was out like this was go to television like you
had to. Oh shit, got to be home and ready
in time. You know Muppet Show is going to be on.
And this was fantastic. And then you know, Jim Henson
tried to do some stuff on Saturday Night Live when
(45:56):
they first started out and everybody went, yo, this is
this is way too.
Speaker 10 (46:03):
Yeah.
Speaker 4 (46:05):
Okay, before we go, I want to ask you this.
If you were a betting man, obviously you're a big
fan of the Simpsons. They just started season thirty six. Wow.
And by the way, if y'all out there have slept
on the Simpsons new season, it starts, oh yeah, it
starts brilliantly with an appearance by Conan O'Brien hosting like
(46:29):
a dinner with a bunch of celebrities, almost like an
Awards night, and they're talking about ladies, gentlemen, it's time
for the final episode of the Simpsons. And then they
bring out an AI machine to write the final episode
of the Simpsons, and then they finally decide, oh no,
it's not the final episode. We're just getting started. It's
so good, it's brilliantly done. It makes you think because
(46:52):
they've joked for more than a decade and a half, Like,
how much longer can we do this shit? You know?
So here here's my question. If you're a betting man,
how much longer does the Simpsons go for?
Speaker 1 (47:06):
Do?
Speaker 10 (47:07):
Well?
Speaker 6 (47:07):
If see Montgomery Burns would a bit a billion dollars
on the Simpsons.
Speaker 10 (47:11):
I'd say all eternity, certainly, sir.
Speaker 4 (47:19):
I mean, let's be honest. If they got talented assholes
like you'd running around, they could run this thing forever.
They really could. Pretty wild that after thirty six years,
Bart finally turned eleven.
Speaker 1 (47:32):
Well, that's it's a non canon when it was ai,
So I guess, so, I guess still curiousness.
Speaker 2 (47:37):
I do think that they'll aim for forty h forty
is just about I think they're trying to do a
thousand episodes of the show, So around forty forty five seasons,
I think is the is the amount that they reach
for that, So it'll be in its forties. The show
will hit forty something and life will go on. We
(47:59):
will die with sin still airing episodes past our death,
past the worms devouring our corpses, and it'll just exist.
Speaker 4 (48:07):
It's pretty friggin wild, and there's so many people out there. Oh,
I used to like the Simpsons when it was good.
It's still good. It's still good.
Speaker 1 (48:17):
Yeah.
Speaker 2 (48:17):
You know, I always say no true Simpsons fan only
likes one fifth of the show. There's still so much
that's been slept on, so many great episodes. The way
I mentioned is one of my new favorites. It's so funny.
Oh my thirty three and thirty four amazing stuff, and
people have been sleeping on it. So you know, when
people say new Simpsons is bad, ask him to name
(48:37):
a new episode.
Speaker 3 (48:39):
Yeah.
Speaker 4 (48:40):
Yeah. Dan Castelenada trips me out too. That guy's worth
like almost ninety million dollars and when he walks around
he looks like a shlub.
Speaker 2 (48:49):
He had on a hat and glasses and shorts. Actually,
Cargo shits when I met bro.
Speaker 4 (48:55):
You're rich, dress the part he can.
Speaker 1 (48:58):
Afford to dress that way.
Speaker 5 (48:59):
Yeah, he dresses however the hell he wants. Sorry, tid
go ahead, We'll wrap this up. Uh No, I was
just gonna. I was just gonna make the comment about,
like with the Simpsons, you look at like how the
Flintstones ran for so damn long as well, things can
change so much. What would it take at this point,
(49:21):
like to make something even better. And even more so,
I think that The Simpsons has fallen into our our
everyday life so much that I'll be honest with you,
there is not a day that goes by it. It's
almost become mandatory in your psyche that you have to
make at least one Simpson's reference at some point in
(49:44):
a conversation. Organically. It has to come up or my
day is ruined. That's simple.
Speaker 2 (49:51):
Yeah, right, I agree, there has to be, like some
part of my life is related to The Simpsons. Every
time I answer the phone, it's Yello, just like that.
It's a part of us. You know, this show cannot
escape us.
Speaker 5 (50:06):
Amazing.
Speaker 4 (50:07):
I feel like the Simpsons and Curb your Enthusiasm are
a good path to living a good life. If you
just use those as your guardrails and barometer, you're gonna
be happy. Jaden, thanks so much for hanging out with us. Man.
We kept you longer than we said we were going to,
but you're a lot of fun and thanks a lot.
Speaker 2 (50:24):
Thank you so much, Donnie, Chris, take care, it's been
wonderful being here.
Speaker 4 (50:28):
All right. We will post his socials up on the
website and let everyone know where you can find out more.
Thanks a lot, man, He's got them off real quick. There,
didn't you Sorry, he's still back there. We can just
wrap this up. If you want to have a talk
with him, sure, we can wrap this up. So ladies,
(50:49):
job quick programming. Notice that we're going to share with everybody.
We did mention off the top last few weeks. We
did have to postpone the episodes because of just competing
priorities in life and everything else that's been going on.
And obviously I'm busy with the new show that I'm
doing with Jimmy Corderis, and there are a number of
(51:10):
offshoots related to that show. I feel like I'm in
my home studio five days a week now, you know
where it used to be one day a week.
Speaker 5 (51:18):
And it's the same way with everything he's doing on
his end. We're all under the same umbrella, working with
the same team, and we're having a lot of fun
doing it. But because of that, we've sort of made
the decision at this point with this show, we're gonna
put it on the shelf for a little bit. We're
gonna we're gonna take a little break.
Speaker 4 (51:36):
We're gonna go on a little bit of a hiatus,
you know, we started.
Speaker 5 (51:43):
We're literally a vacation because we've fucking deserve it.
Speaker 4 (51:48):
Yeah, and we started this particular show. I mean, Tid
and I have been broadcasting together since the internet started,
but this particular show started in March of twenty twenty
when the whole world lockdown and we just had nothing
else to do. And life has become significantly busier since
that time. And you know, we're not saying this is it,
(52:10):
you know, we're just we're figuring out how we're going
to how we're going to present this moving forward so
that it's not a burden on anyone's time. We kind
of always said when this becomes a burden, then we
have to pull the plug on it. And it's not
that it's a total burden, but right now, it's just
finding the time to do this, as evidenced by the
(52:30):
fact that we weren't able to do this the last
three weeks, which is the longest we've ever gone without
doing an episode ever. Yeah, that's just the reality of it, folks.
So for those of you that have stuck with us
for the last four years, thank you so much. We
really appreciate it. You can keep up with everything that
I have going on and a lot of what Kid's
got going on by going to Huge Pop Radio dot com.
(52:52):
You can still follow us on all our socials, Notorious
Tid on everything, Donnie dot da Silva on Instagram because
I don't use everything, but Huge Pop Radio is on everything,
so you can look that up as well. And yeah,
it's not it's not goodbye, it's just goodbye for now.
Speaker 5 (53:09):
Absolutely.
Speaker 4 (53:10):
Yeah.
Speaker 5 (53:11):
Listen, this has all been absolute killer times. It's been fun.
I think that going forward, because we have so many
different things pulling us in different directions, it means that
this has to this has to be revamped. Yeah, you
know what I mean, that's all.
Speaker 4 (53:31):
Listen.
Speaker 5 (53:32):
You're still gonna see this face over on at Ted
Talk on YouTube sorry at What's a work over on YouTube?
Two YouTube channels over there. You're still gonna see Donnie
or at least hear Donnie's voice on TSN Radio. And
you know, the hub, the family unit doesn't change in
(53:56):
any way, shape or form. I mean, you know, it's
we're all kind of indebted to that little Brady bastard
for some stupid reason anyway, so you know, he owns
us all slave driver. But listen, it just means that
when we decide to pick up the reins again with
the next project, because there's gonna be one. There always
(54:18):
seems to fucking be one with this guy, it's it's
going to it's gonna be fun again. That's all.
Speaker 4 (54:27):
Yeah, that's yeah, it's just you know what, that's life, man.
So listen, thank you for hanging out with us, Thanks
for everything, and uh, we'll see you.
Speaker 5 (54:36):
Like they say, fuck.
Speaker 1 (54:38):
This shit, I'm Mount.
Speaker 6 (54:40):
Fuck this shit, I'm Mount Mount.
Speaker 4 (54:42):
Thanks, don't mumy.
Speaker 10 (54:44):
I'm gonna just grab myself and lease, excuse me, please.
Speaker 5 (54:48):
Fuck this shit.
Speaker 4 (54:49):
I'm Mount. Help fuck this shit.
Speaker 5 (54:52):
I'm Mount. All right, then, I don't.
Speaker 1 (54:54):
Know what the buck just happened, but I don't really get.
I'm gonna get the fucking batty he now Mount
Welcome to the Godfathers and Podcasting.
Speaker 2 (00:21):
Now.
Speaker 3 (00:21):
If you shall didn't know, they've been podcasting since before
podcasting was even called podcasting. Archives of this show are
available on every major podcast provider, and can find video archives,
merch and more on their website, Godfathers.
Speaker 1 (00:36):
The Podcasting dot Com.
Speaker 4 (00:38):
Now you're your hosts.
Speaker 3 (00:39):
You guys have been broadcasting online since nineteen ninety six.
The Godfathers of podcasting themselves, Donnie Pazobab and Kristen Rove.
Speaker 4 (01:03):
Hello, ladies and gentlemen, and welcome to the Godfathers of Podcasting.
It is October seventeenth, and it's been a few weeks
since we've been here. We'll talk about that a little
bit later on, but we are here now. Enjoy it.
Donnie de Silva, my brother from another mother, Notorious Tid
(01:24):
Chris Tidwell, Tid, how the hell you doing?
Speaker 5 (01:29):
You know what? It has been a few weeks, but
it hasn't been uneventful. I mean, schedules, life, it's crazy,
you know, people starting new careers, people hating old careers.
It's just, you know, it's wild times out there, man,
and I mean listen, Halloween is coming up. Let's face facts.
(01:52):
It's the coolest holiday of all the holidays, tid Christmas,
especially of all the holidays that you don't get off
from work. I mean, not what you were thinking, you have,
filthy pig. I understand you completely, I know you. Yeah,
So a lot's been going on. We'll talk a little
bit more about that towards the end. Towards the end
(02:14):
of the program, I will say everything's been super busy,
thanks to everyone who's been supporting us with our new
projects tid over at the Law. Myself very busy with
Huge Pop and everything that's going on over there with
my partner Jimmy Corderis. It has been super, super intensely
(02:34):
busy over the last little while, but we really appreciate
everyone who has made the trip over to our other
projects and been supporting over there. Before we get to
our guest tied, I just want to throw this out
there for the audience and for you a couple of
quick because you know, we love talking pop culture around here,
and I need to make a couple of quick recommendations
because this past week I saw not one, but two
(02:57):
new movies in theater with my kid. It's been a
minute since I've actually been out to the theater. But
you know, it's one of my favorite things to do
and one of your least favorite things to do. But
I did go out and check out a couple of
new films. The first one you're gonna scoff, but I'm
telling you, this is way better a movie than it
had any business being, and that is The Transformers one film.
(03:23):
It is a first Transformers.
Speaker 4 (03:25):
Essentially, it is a prequel slash origin story to the
entire Transformer's lore. It is really really well done, and
it's got some heavyweights in the film as voice actors
Chris Hemsworth, Scarlett Johansson, Lawrence Fishburn, Keing, and Michael Key. Like,
(03:48):
there's some real heavyweights in this thing, and it is
really good. A lot of inside jokes for the for
the older generation that that kids are just not going
to get. They even drop a few cuss words, which
was surprising, right, yeah, for a PG rated film. Kind
(04:09):
of surprising, but really well done. I mean they they
show you like billions of years ago before the Transformers
became the Transformers, Optimus Prime and Megatron were homies. They
were BFFs, and they didn't have transforming cogs, meaning they
(04:29):
could they could not transform into anything. They were slave bots.
Come on for who for an evil overlord? They were
slave bots, were working in the minds, mining for energy,
and they were homies. Say it isn't so it's so
well done, man, it's so well And the other film
(04:50):
I'm gonna highly recommend to everyone the new Pharrell Williams
biography called Peace by Peace entire presented in Lego.
Speaker 5 (05:04):
Yeah, that one I did see the uh the ad
for come up on my TV, And that one actually
does interest me. Listen, none of these lego movie art.
That's I can't get through the lego movies themselves. I
don't know. Maybe it's just me, like I enjoy animation.
I enjoy all sorts of it, just for some reason,
I don't know. I like my Spider Man movies to
(05:24):
be my spider Man movies. I like my Batman movies
to be my Batman movies. I don't need them to
be turned into toys and then try to do another
movie with it. It's too much for this brain to handle.
And as you can see, the brain can't handle a
heck of a lot, as you know what I'm saying.
Speaker 4 (05:38):
So, yeah, well, this documentary is not a documentary this
is This is a next level piece of performance art
and it is so well done. A million celebrity appearances
in this film, as you can imagine, because Pharrell has
worked with everyone. You know how when you read a
celebrities autobiography and like, I've said this for years, right,
(06:02):
I know you don't read I'm speaking to the audience,
but if you someone has said to me in the past, like, oh,
you read so and So's book, how was it, I'm
like it was mildly entertaining with many glaring omissions. You know,
that's kind of what you get from an autobiography. Pharrell
goes in on himself, like he fully outs himself as
(06:25):
being selfish and narcissistic and kind of and it's I
I plan on. My twelve year old walked away from
this saying that was really motivational inspiring. I'm like, what, well,
you know what, I I too am.
Speaker 5 (06:41):
Also, there's a movie out there that's very motivationally inspiring.
I kind of look at it as an autobiography, well
not of myself but of art, and I will be
checking it out. It's called Terrifier three out in theaters
right now, so you know it is that is an autobiography.
(07:03):
It is art the clown more clown than art. Trust me,
Jesus wow. But speak speaking speaking of people that have
artistic abilities and abilities that I, for one beyond our
own woo man. If there was ever a thing to
describe me as nothing, it's anything artful whatsoever. So this
(07:26):
guy is like twelve steps ahead of me.
Speaker 4 (07:29):
It's time right now, Liz, gentlemen to bring him in.
It's time for the big hello. Our guest this week
is a very very patient man, not just because he
sat through our ridiculous opening banter, but because for the
last three weeks he was scheduled to be our guest,
and unfortunately, as we mentioned off the top, competing priorities
(07:49):
got in the way and we ended up giving him
the Matt Damon treatment. A couple of times are bad,
but here we are now an opportunity to chat with
this guy who's a voice actor and puppeteer from Los Angeles, CA.
He started out as a teenager working for the Jim
Henson Company and has since performed in a bunch of
screen projects, stage productions, all kinds of things, working his
(08:13):
puppet magic. He's actually one of the puppeteers in my
favorite movie to watch with an edible, it's The Happy
Time Murders. That's one of those films we sit there
and go what's happening. In his early twenties, he made
the transition from full time puppeteer to voice actor, and
he's been heard on Beavis and Butthead, Hell of a Boss, Duncanville,
(08:36):
and a whole ton of others. He popped up on
my social media feed just a few weeks ago with
his Simpsons impressions recreating quotes from the presidential debate. Ted,
do we have that handy, Let's take a listen.
Speaker 6 (08:54):
I have a concept of a plan, dude.
Speaker 7 (08:57):
In Springfield.
Speaker 2 (08:58):
They're eating the dogs, people that came in here, doing
the kids, doing the pits, the people that live here.
Speaker 7 (09:06):
Yeah.
Speaker 8 (09:06):
Now she wants to do transgender operations on illegal aliens
of prison.
Speaker 1 (09:12):
Oh.
Speaker 7 (09:13):
I got involved with your tally, Ben, and then I
read that she was black.
Speaker 1 (09:19):
I had the way.
Speaker 6 (09:20):
It's okay with me. Execution after the bath. It's like
Fourchentien is like run spot run.
Speaker 4 (09:31):
And I toll love doo, don't do it.
Speaker 7 (09:36):
Our country is going to hell.
Speaker 4 (09:39):
Thank you, ladies, Gentleen, give it up for the extremely
talented and very patient. Jaden Lebron, what's up man.
Speaker 1 (09:47):
Thank you, thank you for having me. Donnie Chris. Good
to see you, guys, Yeah, good to be seen.
Speaker 4 (09:52):
Tell you, dude, you are absolutely super talented and impressive.
I was saying to Tid before you join, Like, we've
had a whole bunch of voice actors on this show
over the years, and it's one of my favorite. It's
one of my favorite talents to dive into, you know,
(10:12):
whether it was way back on like episode three of
this program when we had our pal Andrew Kashino, whose
voice has been heard in everything, Eric Bousa, who's also
been in everything, Bryn McCauley, who was on a month
or so ago. She is the voice of many Canadian
children's tortured past. Yeah, yeah, yeah, they all have PTSD
(10:37):
hearing her voices, the Brady French Canadian child Kaiu, which
was torturous at the best of times. And dude, your
work is so unbelievably crisp. I mean, I watched that
Simpson's clip that we just shared with the audience. I
(10:58):
watched it in my video editing software so I could
try to determine is this guy, is this guy like
lip sinking, Like is this is this just production magic? Like?
What's going on here? I'm trying because it's so on
point it almost seems unfair. Dude.
Speaker 2 (11:21):
Yeah, I've been doing Simpson's impressions publicly for the last
four years or so. It's funny you mentioned Eric Bowza.
I met him a few years ago at Los Angeles
Comic Con, and now we share a voiceover agency.
Speaker 1 (11:36):
So wow, I just got signed with SBV.
Speaker 2 (11:39):
They're my agents now, so they represent him and Rob Paulson,
who is Jacko Warner on Animaniacs and right Johnny Bravo's
voice actor Jeff Bennett, and the host of other character
actors and people who I've grown up watching for many
years now, and now I'm in a position where I
get to work with them.
Speaker 1 (11:58):
I get to see these people, I get to run
into them in the booth.
Speaker 2 (12:01):
So that's been very exciting, and you know, that's that's
what I look forward to as my career blossoms and
moving forward.
Speaker 4 (12:09):
At what point?
Speaker 5 (12:11):
At what point? I got to ask though, because you
talk about these agencies, you start working together, you see
each other in the booth, in and out of the
different projects, all of the time. At what point do
you start doing impersonations of each other.
Speaker 2 (12:27):
It sort of relies on you to know the person
well for them to for you to do an impression
of them, and vice versa.
Speaker 1 (12:34):
I don't know that I could do an Eric impression.
Speaker 2 (12:36):
But one of the difficult things is, you know, they
do so many different voices you kind of forget what
their real voice sounds.
Speaker 4 (12:43):
It's so true, it's so true. He's been on this
show a bunch of times in the past. He's a friend,
and he's from the same town that I'm I'm from
here in the Toronto area. Super talented guy, and yeah, dude,
your stuff stands right up there with his, really super
impressive when I see. I'm a huge fan of the
(13:07):
whole animation genre, right, not just the thing that's been
on vogue ever since The Simpsons with the adult themed animation.
I like everything, you know, Like I'm a kid at heart,
and I mentioned in the open, I went this past
week and saw Transformers with my kid. He wanted to
go see it. I hadn't even seen an ad for
(13:28):
this thing. I hadn't seen a trailer. I didn't know
what to expect, and I walk into a Transformers film,
and I'm all getting amped up because I was a
Transformer's geek as a kid. And I'm like, all right,
Peter Cullen, Optimist Prime, let's go. And my son looks
at me and goes, it's Chris Hemsworth. I'm like, what
what are we talking about? That's sacrilege. Peter Cullen is
(13:49):
always optimist Prime. It like, am I the only one
that gets that triggered by a change like that for
an iconic character?
Speaker 1 (13:58):
I mean no, it happened all the time.
Speaker 2 (14:00):
You know, when you get accustomed to hearing a voice
for many years, decades or so, sometimes you know, half
a century with these people, it can be shocking to
hear somebody that's not, you know, the voice that you
grew up with. But I think Hollywood right now has
a more of a gravitation towards celebrity A listers as
opposed to people who are one older but two voice
(14:24):
actors in general, people that do voices as a living
and don't necessarily show their face. So when Hollywood is
putting out these new movies, animated movies, it's always Ariana Grande,
it's always Chris Pratt, it's always you know, the big
names of the day, but you know, that's that's what sells,
is what the idea is. But I think, you know,
(14:46):
there's plenty of room for traditional voice actors to do
it too, Not that you know, Hollywood actors are bad,
but it shouldn't be depended on you know, one success
still a movie.
Speaker 4 (14:57):
No. But I get that because when I was younger,
one of my big passions in life, aside from broadcasting
and all that stuff, one of my big passions in
life is basketball. And for more than twenty years I
was coaching kids at a very very high level. I've
worked with you know, top prep schools, I've done you know,
work with junior colleges and traveling all over the world
(15:19):
with basketball teams. And there was a time, Jaden where
I was like, man, I'd love a job as a
college coach. I would love a job like, you know,
in the NCAA. I would love a job as an
assistant in the NBA. You know, because I had friends
that had made that jump, had made that transition. I'm like, Wow,
that'd be really cool. That would be a dream job.
(15:40):
And then I start looking and I'm like, oh, Jason
Kidd just got hired years of coaching experience zero. Patrick
Ewing just got hired years of coaching experience zero. Like,
and this is a trend that just kept going and
going and going, and it's got to kind of feel
that way for you as a trained voice actor who's
(16:00):
auditioning for gigs, looking for plum opportunities. It's like, oh,
Scarlett Johansson got it. Oh oh thank you.
Speaker 6 (16:07):
Right.
Speaker 2 (16:08):
Yeah, I've had auditions like that where it's like, oh crap.
Like I'll just throw an example like, oh, look, I
got a joker audition, that's awesome, Or I've got you know,
this popular cartoon character that's.
Speaker 1 (16:19):
Been a while, it's been around a while, and.
Speaker 2 (16:21):
I put myself in for it, and then months ago
by and I see who's announced as the actor, and
it's a Hollywood a lister, So you know, that's.
Speaker 1 (16:29):
I guess that's that's part of the game. When it
comes to acting.
Speaker 2 (16:32):
You're always going to be up against somebody who's well known,
somebody who's little known. Tends to favor people who are
well known, But there is no animosity towards that. I
would say, Uh, it's just sort of how it works
out a lot of the time. It's who you know
as opposed to you know who might be right for
the job. You saw the uproar that Mario got when that,
(16:55):
you know, Chris Pratt was announced the voice of Mario,
and then Garth Yeah, probably Fred Flintstone neck.
Speaker 9 (17:01):
It tends to be based on who you know, who's
a Hollywood household name, and not you know who can
do an authentic Mario sounding voice.
Speaker 4 (17:12):
The Super Mario movie had all kinds of uproar, not
just Chris Pratt playing Mario. But I don't know if
you're aware of this one or not, but an actor
who I actually love, John Leguizamo, he came out saying, well,
they're taking roles away from Hispanics because Luigi should be
a Hispanic. Because I played Luigi in the original live
(17:33):
action Super Mario movie. It's like he's still Italian.
Speaker 1 (17:37):
Yeah, it's confusing, but I think I kind of get
what he's saying.
Speaker 2 (17:43):
I think he feels a more personal connection to that
because he played it. But you know, when it comes
down to casting, I think there needs to be certainly
a better reflection of diversity in the roles that people play.
And I think that you know, oftentimes roles get overlooked
in favor of Hollywood A listers and people we know.
But I sense that there's a change happening, and I
(18:03):
think we're seeing names that no one's heard before appearing
in animation in TV and movies and they're becoming the
new faces.
Speaker 5 (18:12):
Well, I think there's got to be like because recently,
I just watched the latest Planet of the Apes, the
Kingdom of the Conquest of the whatever of the planet, right,
the worst title, it's really bad, But I'm sitting here
watching this and I'm like amazed. The whole thing, obviously
is cgi and just the way the way that they've
(18:34):
been able to humanize something that isn't human and then
just put the voice over. And I'm like, yo, some
of these actors, Like, Hollywood is going to be screwed,
blued and tattooed if they don't get it together because
stuff like as soon as they figure out how to
do that with a human I mean, that's going to
open everything up for strictly nothing but voice actors.
Speaker 8 (18:56):
I would think, right, uh see, that's sort of a
gray area because right now Hollywood, and we just got
over a major strike last year, is more concerned about
the money saving aspect, especially when it comes to voice actors,
where now if they just record your voice once, they
could repurpose it in any kind of possible way digitally
(19:20):
through AI.
Speaker 2 (19:21):
So it is sort of a you know that sounds
like a great idea, like, oh, there's this boom booming
amount of work for voice actors, But in reality, I
many of us actors will tell you that Hollywood is
trying to pinch every penny possible so as to not
pay voice actors a livable wage, so as to not
dish out residuals so as to not bring them back
(19:44):
for recordings when this is a character that they played
for many years.
Speaker 4 (19:48):
Well to that end, I have seen a trend over
the last year with a lot of films reverting back
to using practical effects as opposed to CGI. There's a
lot of films out there where you see characters in
the film that could have been, or in the past,
would have been completely CGI generated, and now you're realizing
(20:11):
they are either in part or in whole puppeteered. So
I'm wondering if for you, as a longtime puppeteer, if
you see that trend and go, someone might be calling me.
Someone might be calling me to do a little puppet work.
Speaker 2 (20:28):
Well, I have noticed that, yeah, and you know, I
do think that for I guess the last twenty years
or so, we saw a major shift away from practical effects.
Speaker 1 (20:38):
And as a result, movies did a lot worse than
they used to.
Speaker 2 (20:42):
Movies aren't as iconic, movies aren't as memorable as they
were with the oversaturation of big CGI characters. You go
into a Marvel movie that's sort of what you expect
is a big CGI fight of sorts with big CGI
looking characters, and you know, that's fun for a while.
It's impressive even in many cases, but how often how
much can you truly push the boundaries of CGI when
(21:05):
everything can just be compositive into a computer and rendered
out in forty five minutes or what have you, and
then you've got a movie bing bang boom. But I
think people have taken a step back and they've said,
you know, this was impressive what we used to do
and how we used to do it, and it's amazing
how we were able to achieve such shots and such
ideas without having to use computers.
Speaker 1 (21:27):
And certainly there's a level of.
Speaker 2 (21:32):
Appreciation towards the more tangible as opposed to something you
can't see. Because when you're in a studio covered in
ping pong balls in a blue suit, you're looking at nothing.
You're looking at a stick basically that somebody's waving in
front of you for you to act in front of.
But when you've got this big suit or a monster,
is something the audience connects with that.
Speaker 1 (21:51):
They feel some tangibility there.
Speaker 2 (21:53):
They feel as though this is something that can exist
in the real world and as a result, we sympathize
with that. You look at Pa Labron, all of those
were costumes. Doug Jones is a is in a skin suit.
He's in a suit, and that feels like something that
one would would see vividly. But you know, you take
something that's been rendered and generated, it doesn't have that
(22:15):
same level of believability in my opinion.
Speaker 4 (22:18):
Yeah, and then you see two. There's there is use
case scenarios now for a marriage of the two right
where you get the technology and the practical. A show
that my kid and I love watching together and we
can't wait for the next season is The Mandalorian and
that baby Yoda Grogu character. When it first popped on
(22:42):
screens a few years ago, I thought the thing was
one hundred percent CGI. Yeah, and then I watched Favreau
talk about it, and it is super sophisticated robotics. That is,
as he said, puppeteered by about six different people, which
wild because they make that little fucker charming as hell,
(23:05):
you know, and it's wild to see how it's done
and how intricate it is. You know, they can move
little individual muscles in his face in order to make
his eyes more expressive. I mean to me, that's that's
kind of a cool combination of those two different art forms,
where in the past it was kind of like it
was binary, right, it was on or off right, Yeah,
(23:27):
and it's kind of cool to see that. Yeah, it's neat.
Speaker 1 (23:30):
I've liked seeing that.
Speaker 2 (23:31):
If you've seen the New Dark Crystal Show on h
well it's canceled now, but the Newest Dark Crystal Show
on Netflix, they sort of did the same thing where
they have all physical puppets, just like the original movie
Jim Minsen did. But every now and then you might
need like a snarl or something, or a light flash
or a glare or dripping or blood or something, and
(23:52):
there's only so much you can do with a puppet.
But you know, now that you've got those added effects,
you can bring a whole new level of life to
this character that's already very vivid up to a next scale.
And I think that's sort of where we should be
approaching this. I think that is how movies should be
going about how creatures should look. I did not like
(24:13):
personally the you know, the two thousand and five King
Kong that had the big cgi one that didn't look believable.
But you look at the old one that looks like
a monster that would storm the streets. Do you look
at the old movies that looks like a believable thing.
Speaker 4 (24:25):
Yeah. I've watched Happy Time Murders more times than I
want to admit in public. It is super enjoyable, so
inappropriate on so many levels. So can you tell me
so that the next time I grab an edible and
sit down to watch it, I can go, Ah, that
(24:46):
one's Jaden.
Speaker 1 (24:49):
So the characters that I played is that one?
Speaker 4 (24:51):
Yeah?
Speaker 2 (24:51):
Yeah, it was an assortment of background characters. Uh, okay,
I'm trying to thank here. There is a scene where
there at this strip club, and yes, Elizabeth Thanks is
on the pool with those gaggle of porny rabbits, and
I played one of the there's this ape character that
turns his head around and then he's docking.
Speaker 1 (25:10):
He's got his mouth white open. Uh. And that was
one that I played. I'm trying to remember.
Speaker 2 (25:17):
I honestly can't quite remember, but I just remember that
one because I was seeing Elizabeth Thanks dancing and that
was pretty cool.
Speaker 4 (25:24):
So not the masturbating Octopus.
Speaker 2 (25:27):
Oh yeah, yeah, I was one of the tentacles on that.
That was a two day shoot for that one. They
had they had white paint mixed with water for the
squirting of the the utters for that one.
Speaker 1 (25:42):
Thank god.
Speaker 2 (25:43):
I did all sorts of crazy stuff on that.
Speaker 4 (25:46):
That is that is an insane film. It was one
of the masturbating tentacles. Yeah, such a wacky film.
Speaker 5 (25:55):
Go ahead to what has been the like, I mean,
is that the most outrage just like ejaculating tentacles or
have you showed up on set you know what I mean,
or read through something and been like, well, okay, this
is completely out there. What's been the craziest thing that
You've had to deal with so far?
Speaker 1 (26:15):
Craziest thing I've had to deal with?
Speaker 2 (26:17):
Well, that movie was very fun, but there were some
crazy onset stories.
Speaker 1 (26:20):
For that one.
Speaker 2 (26:22):
There was a car accident for one, and we had
you know, the puppet, the main character Phil.
Speaker 1 (26:28):
He drives a sixty six thunderbird, I think.
Speaker 2 (26:32):
And for that the puppet teers have to be below
the dashboard, you know, the engine is carved out so
that the people can go you know, past the pedals
and lie on the floor on the car and somebody
else is driving the car electronically by remote control, so
they're off on the distance and if you're passing by
that car, you'll just see a puppet driving a car.
(26:55):
And I think people got distracted by that on the
day and they rammed into it. They weren't you know, looking,
they rammed into the car and we had to cancel
a day of shooting for that one. I know somebody
had fallen at some point and broke their leg.
Speaker 1 (27:12):
For puppets, they have the sets.
Speaker 2 (27:14):
Raised up like that at least you know, four or
five six feet off the ground so that the puppeteers
can stand up and walk freely. And one of the
I can't remember what her role was, one of the
I think costumers or something was not noticing that there
was a huge six foot gap in the floor and
walked straight into it and broke.
Speaker 1 (27:35):
Her leg into different spaces.
Speaker 2 (27:37):
So those are some things that happened. Nothing that you know,
affected me.
Speaker 4 (27:42):
Personally because you know, there's a hole, damn.
Speaker 1 (27:48):
Puppets could be quite deadly.
Speaker 2 (27:50):
But other than that, it was it was a pretty
fun shoot. Everyone was okay and happy to say that,
and we had a good time with that one. But
you know, I can't say that. There's many crazy things
that happened to me on set that I remember.
Speaker 4 (28:05):
So yeah, as my dad used to say, she had
to pay the ignorant tax. She was ignorant to the
hold and she paid for it. Help me deal with
this rumor that is in the pop culture zeitgeist, although
(28:27):
I'm realizing that there's a very good possibility that if
the rumor is true, you may be signed to a
contract and unable to properly answer it anyway, So just
give us a wink. There is a story that in
the New Year, in twenty twenty five, there will be
a King of the Hill reboot, and Mike Judge is
(28:49):
a massive fan of your Hank Hill, and that you
may in fact have been tapped on the shoulder to
be the new Hank Hill.
Speaker 2 (28:57):
No, no, no, that's Mike's creation, that's his character. I
am not playing Hank Hill. I'm not involved in the show.
But Mike is a great guy. We still keep in touch.
I just did Beavis and butthead we recorded for new
episodes for season three. But no, I'm not involved with
(29:18):
the New King of the Hill. I don't know what
the release date is for that. I do know it's
twenty twenty five. I think it's Q one or Q two.
It'll be on Hulu.
Speaker 1 (29:28):
It'll be a Hulu original, and.
Speaker 2 (29:31):
I think that's sort of what we can expect from
that is older Hank Hill, older Bobby Hill. He's twenty
one years old, and the rest of the characters. I
did want to be on that show. When they had
announced Johnny Hardwick, who's the voice of Dale, had passed away,
I posted Dale Gribble Dale Gribble videos and nothing came
(29:52):
about from that. But you know, I hope whatever they
decided to do or whomever they got does a serviceable job.
Speaker 4 (30:00):
Yeah, let's let's hear your hand kill just in case
someone tragically falls ill.
Speaker 6 (30:07):
Yeah, I tell you what this here is a happen
die cost me about a buck fifty over here might
cost you a buck twenty five at the michel O Mark,
but it's approximately two centimeters smaller in diameter. That's the
shrink inflation for you.
Speaker 4 (30:26):
I tell you what, And I'm Beavis and butt Head.
Who do you do?
Speaker 10 (30:33):
So?
Speaker 1 (30:34):
I have their manager at Burger World.
Speaker 2 (30:37):
These guys are always slacking off here, but I'm not
legally allowed to fire the mentally deficient.
Speaker 1 (30:44):
And I play their classmate Cody.
Speaker 10 (30:47):
These guys suck. I mean, they stole all my games.
They stole my Xbox I want it back, they stole
my PlayStation. They just suck. Yeah, yeah, yeah, yeah, this
guy fuck.
Speaker 4 (31:04):
You can do the whole cast, really, I mean it's ridiculous.
Who are your most requested characters? Like what's the party
trick that people are always come on Jade and do
this one?
Speaker 1 (31:15):
Oh definitely my Simpsons voices.
Speaker 6 (31:17):
Yeah, I love doing my Homo voice much do se Montgomery, Burns.
Speaker 1 (31:26):
Smithers, Professor, Frank.
Speaker 7 (31:30):
Bernie Gombo, Hey, hey crusting the clown Here be fifty
five bucks, side show mel and of course side Choe bub.
Speaker 2 (31:43):
And uh yeah, it's usually the Simpsons voices. Uh family guy.
Sometimes in Hank, those are the big three.
Speaker 4 (31:52):
You know, those impressions are so good that like, let's
be honest. Okay, I've been a fan of The Simpsons
since sees in one before you were born. Man, Okay,
I've been a fan of that show since season one,
and that cast is aging out. I mean there's probably
a few people on there, Like, Okay, time to cash
(32:14):
in the four oh one k and go gently into
that good night. Like have you ever been in touch
with anyone from the show, Like, hey, I can be
an understudy.
Speaker 2 (32:23):
Well, here's the thing I I on for the show.
When they okay casting in twenty twenty, they put out
a few roles. I wanted to have actors of color
playing them. Carl Dredrick Tatum, doctor Hibbert Blew the cop
I audition for all those guys. Didn't get them, but
I did get relationships out of that. Practically all of
(32:44):
the old showrunners and writers had seen my work and
had contacted me. Some of them I work with. I'm
working now with Michael Price, who's a writer on the Simpsons,
and he's doing a new show coming very soon that
I can't quite talk about yet. But and I've worked
with my Grease. I worked with Mike Scully on Duncanville
Bill Oakley, I did a short with and I've talked
(33:07):
to a.
Speaker 1 (33:07):
Number of the people on the show. And I got
to meet the voice of Homer Simpson. I met Matt Greening.
Speaker 2 (33:13):
I met all the writers last year during the strikes
and we were ad a strike at the Fox lot
in Los Angeles, the Fox Studios lot, and everyone was
there except for you know, mainly the voice actors.
Speaker 1 (33:27):
But Dan, who plays Homer.
Speaker 2 (33:28):
Was there and I walked up to him and I
said to him, Oh, Dan, I love your voices. And
Matt Groening was standing next to us, and he said
that he didn't even know which one of us said that,
so that was a huge compliment. And I rattle off
and I did my crusty voice, and I did a
bunch of other voices for Dan, and Dan had a
(33:50):
sore throat so he couldn't do his krusty laugh for me.
Speaker 1 (33:53):
That was the only one I requested, but he did.
He was gracious enough.
Speaker 2 (33:58):
To walk over to anuts stand, uh funnily enough, and
he got me an autograph on a blank sheet of paper,
and I have that frame in my living room now.
Speaker 4 (34:07):
That's wild.
Speaker 5 (34:08):
That's amazing. That's amazing. Have you ever done have you
ever done one of those, like, you know, dueling banjos
back and forth, like recorded a full set yet you
know what I mean? But you go back and forth
with somebody in their voices.
Speaker 2 (34:22):
Uh, not recording uh, not that I can think of.
But I did do that with Eric Bowza And.
Speaker 5 (34:29):
Is there okay? So is there is there like rap
battles like like, guys, I'm saying, that's a hell of
a video concept, guy, But this issue done before.
Speaker 2 (34:43):
There's a there's actually a documentary called I Know That
Voice is from twenty thirteen and you'll see Mark Hambell
and Kevin Michael Richardson, who have both played the Joker
at some point go back and forth with their Joker
voices with the battle. But I did that with the
Looney Tunes characters when I met Eric, and it.
Speaker 1 (34:59):
Was funny, Uh I was getting it was so back
and forth.
Speaker 2 (35:02):
I was doing Sylvester and he was doing Tweety and
then I was doing Daffy and then he told me.
Speaker 1 (35:07):
All right, slow down to it. Doc. I still want
my job.
Speaker 5 (35:12):
But I'm telling you, if you were to do rap battles,
but as the characters back and forth dissing one another.
Right thing.
Speaker 1 (35:20):
I don't know why it's not a thing. Actually it's
a good idea.
Speaker 5 (35:24):
Somebody needs to do it, buzzing.
Speaker 4 (35:27):
I feel like that's a Netflix show, and you know
what that needs to be everyone listening, fuck off, we're
producing it right Listen.
Speaker 5 (35:34):
If they just put two dudes eating hot dogs up
on there, I'm like, come on, this is way better.
Speaker 4 (35:40):
I'm filing the IP right now so everyone can fuck off.
That's a money concept. Yeah, man, that's it's super impressive.
I've always secretly dreamt of being a voice actor doing impressions.
I don't have that gift, I believe. I've said this
to other voice actors on the show, and they I
(36:00):
think I have the ear right because I can pick
up really stupid little nuances in someone's cadence or their delivery,
and I think that's I think that's part one, right,
the musicality of their voice. But it's the it's the
finding the pitch and all of that.
Speaker 5 (36:18):
Like, man, that is that is an art, and I
know that it's not something that is just a born
talent that you just woke up one day and you're
Homer Simpson like you put a lot of effort and
work into it, and clearly you work at your craft.
Speaker 4 (36:33):
Maybe that's the problem. Maybe I'm just too lazy. Maybe
I could do it. But maybe I'm a great voice actor.
I'm just lazy. That could be it.
Speaker 2 (36:40):
I mean, everybody does voices throughout their day. They just
don't notice it. But you know, I've talked to so
many people with the same ideas, such as yourself, that
say that they want to do it, but they don't
know that they can.
Speaker 1 (36:52):
But subconsciously, everybody does a voice during their day.
Speaker 2 (36:56):
When you see a cute dog or a baby, Oh
how cute, Oh my god, waking up in.
Speaker 1 (37:00):
The morning, God, what do you want?
Speaker 2 (37:04):
You know, everybody has that voice that they can do.
It's just being able to fine tune it, maintain it
and know where it lies in the throat where people
get lost.
Speaker 1 (37:14):
But you know, whenever you wake up, everybody yawns. We
know you've got Patrick Starr here.
Speaker 2 (37:20):
You know you could do a character right there that
automatically becomes a voice.
Speaker 1 (37:24):
Or when you say, oh what.
Speaker 5 (37:24):
A little baby, you got your little tweety bug here?
Speaker 1 (37:28):
Oh I got I got it? Get so it's like,
you know, everybody can do the voices.
Speaker 2 (37:33):
It's just focusing in on where that voice lies and
how to manifest it.
Speaker 4 (37:39):
Everybody doesn't have those voices.
Speaker 1 (37:40):
Though.
Speaker 4 (37:40):
Tid has two voices. He has normal Tid and angry Tidd.
And that's it.
Speaker 1 (37:44):
Well, there's character that can be a character.
Speaker 5 (37:48):
It's a character, all right.
Speaker 4 (37:50):
Speaking of characters, do you have your I know I'm
putting on the spot, Tid, but do you have your
little puppets nearby? No?
Speaker 1 (37:57):
I do have some of them nearby.
Speaker 6 (37:58):
Yeah.
Speaker 4 (37:59):
I was asking if he did, because he's got his
own puppets. Yeah, do you? But here you did too.
That's that's fine, dear.
Speaker 5 (38:06):
Here's here's a question for you. Here's a question for you.
Does this also work with singing?
Speaker 9 (38:13):
Uh?
Speaker 1 (38:13):
Does what works?
Speaker 4 (38:14):
In? Like?
Speaker 5 (38:15):
Like your your ability to take a voice like a
Homer Simpson voice that that wasn't something that you created,
but you you nail it. Can you do the same
thing with singing?
Speaker 4 (38:25):
You know what I mean?
Speaker 9 (38:27):
Uh?
Speaker 2 (38:27):
If you have a similar vocal quality to your favorite
singers or what have you, many people can match or
come close to that. But uh, it's a little bit
harder to mimic a singer, you know, everybody or just
that everybody can do a Michael Jackson, you.
Speaker 5 (38:44):
Know, they do the little Michael Jackson like that.
Speaker 2 (38:47):
But everyone's voice is so unique when they sing, and
it's actually a different part of the brain when you
sing versus when you speak. You know, there's people that
have major stutters that sing so beautifully without a single
you know, slip up, And I don't know that it's
you know, something that people can mimic per se. But
(39:08):
with effort and with classes and with so much dedication,
you certainly could match up boys.
Speaker 4 (39:15):
When I was in high school. You just reminded me
of something funny. When I was in high school, I
had a English teacher who I loved and adored, and
he said something to me that tripped me the hell out,
And to this day it's in my head and it's
the stupidest thing to pay attention to. But he's like,
you ever notice how singers that have really thick accents
(39:38):
don't have an accent when they sing.
Speaker 1 (39:40):
Yeah? Yeah. See.
Speaker 2 (39:43):
When I was a kid, I it baffled me how
many people were British because I write, I didn't know that,
you know, like Elton John or the Beatles, the Beatles,
Oasis like it.
Speaker 5 (39:58):
No, they just sound American and all of them they
just like it's so I still don't get that phenomenon.
You know, you listen to like whoever it is, some
Irish singer, Scottish singer they start singing. Now if it's
a some.
Speaker 4 (40:12):
Irish jig, then yeah, because you don't know what the
fuck they're saying.
Speaker 1 (40:18):
But it's a different money coming here.
Speaker 6 (40:20):
I'm going to sing this old song here from neighborhood.
Speaker 1 (40:23):
Oh this is a wonderful day.
Speaker 4 (40:26):
Yeah, it's like the accent just vanished.
Speaker 5 (40:30):
I don't I'm sure that there's there's something in the
brain that makes that the way it.
Speaker 4 (40:36):
Is, you know what I mean, because it's just so bizarre.
I know. It's like, yeah, I'm gonna write a thesis
on it.
Speaker 1 (40:43):
I'm gonna do something because.
Speaker 4 (40:45):
I'm fascinated how you talk with and like you're from
Liverpool and you've got that thick, unmistakable Liverpool accent and
then you start singing. It's like, oh, Danny boy, where
the fuck did this ship come from? You know, I
don't know. And then you talk to me and go, hey,
can you do an American accent. No, mate, I can't
(41:08):
score roll.
Speaker 1 (41:09):
Is that how you say it?
Speaker 6 (41:10):
There?
Speaker 1 (41:12):
Yes, that's interesting.
Speaker 2 (41:14):
Wow, Adele Adele has a very I thought she was
black first off, so she sings. I saw her right
when I saw her for the first time about a
decade ago, as wow, this is a little white woman. Okay,
I honestly don't know. I don't know what that phenomenon
is called. I couldn't tell you.
Speaker 4 (41:32):
It's wild.
Speaker 5 (41:34):
Speaking of phenomenons, I'm gonna say this as as we
say good night to you if you if you missed
it in my introduction, off the top, lots of good
voice acting in this film, and I highly recommend it
to you if you have not already seen it, go
watch the Farrell Williams Piece by piece film, because my god,
that is a piece of art that is more art
(41:55):
than movie. And it is so well done.
Speaker 4 (41:59):
Like I usually don't don't glaze this much over a
stupid movie, but it is just unbelievably well done, and
I highly highly recommend it, especially to people that work
in entertainment. I think it's just so so interesting.
Speaker 5 (42:17):
Do you have a do you have a guilty pleasure?
Speaker 10 (42:19):
Like?
Speaker 5 (42:19):
Cause you do so much voiceover stuff with animation and
everything like that, and sometimes you know, you don't want
to watch work so to speak, you know what I mean?
So like is it like are you are you like
an underground pro wrestling fan or do you like watching
like like women's basketball from Europe at three o'clock in
the morning, Because because you're a degenerate gambler, like like
(42:40):
myself on the TAM, it's been known to happen a
time or two, like do you have like what is
your what is your get away from it all to
relax type of deal?
Speaker 6 (42:52):
Uh?
Speaker 2 (42:52):
You know when if it's video stuff, then it's a
little bit. It's a weird niche. But I do like
seeing backcracking videos for some reason. It just looks so
I don't know why. I don't know why, but what
is that people getting their backs adjusting?
Speaker 4 (43:09):
No, I get it, but I'm saying, what is that fascination?
Speaker 2 (43:12):
I don't know, but just hearing people crack their neck,
I'm like, oh, that sounded good.
Speaker 1 (43:17):
You know.
Speaker 4 (43:17):
Do you watch pimple Poppers too?
Speaker 2 (43:19):
Not that, but I do watch Tonsilstone removals and that's
an even more weird niche. I don't know why, but
who didn't hug you as a child my dentist apparently, right.
Speaker 1 (43:35):
I don't know that does it for me? That you know?
Speaker 2 (43:39):
That's That's like when I'm barely able to sleep at
three o'clock in the morning, I'm like, all right, let's
pull up some backcracking and fucking Tonsilstone, remove the videos
and then I'll do it.
Speaker 4 (43:49):
You know, other dudes, other dudes your age, just go
to porn hubb. Maybe he's maybe he's finished porn hub. Right,
Sometimes you got to relax. It's a backcracking.
Speaker 2 (44:02):
I like to watch, you know, old Muppet stuff. I
like classical music and old animation. Simpsons is my comfort show.
And I'll put on something that I've watched a thousand
times already to knock them in the middle, or American
Dad or something King.
Speaker 1 (44:17):
Of the Hill.
Speaker 2 (44:18):
It's pretty much all the shows that I've imitated. Here, Yeah,
I should pick up And you know, that just brings
me comfort. It just brings me memories. I don't care
how many Christmases. I'll watch a certain show a year
in a row or so. It's you know, it's that
time in the year again. It's time to watch that
Simpsons Christmas episode or whatever, and you know it's it's good.
Speaker 5 (44:39):
I'm the same way. I'm the same way every year.
A Year without Santa Claus is one of my favorite
go tos, and it's only because of the heat Miser
and the freeze Miser and this that goes along with it.
It's the best part of Christmas. After that food, I'm
done and done with it, you know what I'm saying.
Speaker 4 (44:56):
Yeah, it's fun.
Speaker 5 (44:58):
Go ahead.
Speaker 1 (44:58):
Yeah.
Speaker 2 (44:59):
I discovered the the Year Without Santa Claus thing like
two Christmases ago. It just was mesmerized by it. I
had never seen it before. I didn't grow up with it,
but like, wow, these characters are so enjoyable, it's so entertaining.
I was singing the Snowmisers song up until February. It's
just so charming, and we just don't I don't see
(45:21):
that in media these days. It's just these characters that,
even if it's like twelve minutes of screen time, exist
so far beyond that are just so iconic and memorable
and enjoyful.
Speaker 5 (45:34):
So yeah, yeah, I think the day and the days
of Like you mentioned it earlier, the Muppet Show like
an entire program that everybody at the time and it
was out like this was go to television like you
had to. Oh shit, got to be home and ready
in time. You know Muppet Show is going to be on.
And this was fantastic. And then you know, Jim Henson
tried to do some stuff on Saturday Night Live when
(45:56):
they first started out and everybody went, yo, this is
this is way too.
Speaker 10 (46:03):
Yeah.
Speaker 4 (46:05):
Okay, before we go, I want to ask you this.
If you were a betting man, obviously you're a big
fan of the Simpsons. They just started season thirty six. Wow.
And by the way, if y'all out there have slept
on the Simpsons new season, it starts, oh yeah, it
starts brilliantly with an appearance by Conan O'Brien hosting like
(46:29):
a dinner with a bunch of celebrities, almost like an
Awards night, and they're talking about ladies, gentlemen, it's time
for the final episode of the Simpsons. And then they
bring out an AI machine to write the final episode
of the Simpsons, and then they finally decide, oh no,
it's not the final episode. We're just getting started. It's
so good, it's brilliantly done. It makes you think because
(46:52):
they've joked for more than a decade and a half, Like,
how much longer can we do this shit? You know?
So here here's my question. If you're a betting man,
how much longer does the Simpsons go for?
Speaker 1 (47:06):
Do?
Speaker 10 (47:07):
Well?
Speaker 6 (47:07):
If see Montgomery Burns would a bit a billion dollars
on the Simpsons.
Speaker 10 (47:11):
I'd say all eternity, certainly, sir.
Speaker 4 (47:19):
I mean, let's be honest. If they got talented assholes
like you'd running around, they could run this thing forever.
They really could. Pretty wild that after thirty six years,
Bart finally turned eleven.
Speaker 1 (47:32):
Well, that's it's a non canon when it was ai,
So I guess, so, I guess still curiousness.
Speaker 2 (47:37):
I do think that they'll aim for forty h forty
is just about I think they're trying to do a
thousand episodes of the show, So around forty forty five seasons,
I think is the is the amount that they reach
for that, So it'll be in its forties. The show
will hit forty something and life will go on. We
(47:59):
will die with sin still airing episodes past our death,
past the worms devouring our corpses, and it'll just exist.
Speaker 4 (48:07):
It's pretty friggin wild, and there's so many people out there. Oh,
I used to like the Simpsons when it was good.
It's still good. It's still good.
Speaker 1 (48:17):
Yeah.
Speaker 2 (48:17):
You know, I always say no true Simpsons fan only
likes one fifth of the show. There's still so much
that's been slept on, so many great episodes. The way
I mentioned is one of my new favorites. It's so funny.
Oh my thirty three and thirty four amazing stuff, and
people have been sleeping on it. So you know, when
people say new Simpsons is bad, ask him to name
(48:37):
a new episode.
Speaker 3 (48:39):
Yeah.
Speaker 4 (48:40):
Yeah. Dan Castelenada trips me out too. That guy's worth
like almost ninety million dollars and when he walks around
he looks like a shlub.
Speaker 2 (48:49):
He had on a hat and glasses and shorts. Actually,
Cargo shits when I met bro.
Speaker 4 (48:55):
You're rich, dress the part he can.
Speaker 1 (48:58):
Afford to dress that way.
Speaker 5 (48:59):
Yeah, he dresses however the hell he wants. Sorry, tid
go ahead, We'll wrap this up. Uh No, I was
just gonna. I was just gonna make the comment about,
like with the Simpsons, you look at like how the
Flintstones ran for so damn long as well, things can
change so much. What would it take at this point,
(49:21):
like to make something even better. And even more so,
I think that The Simpsons has fallen into our our
everyday life so much that I'll be honest with you,
there is not a day that goes by it. It's
almost become mandatory in your psyche that you have to
make at least one Simpson's reference at some point in
(49:44):
a conversation. Organically. It has to come up or my
day is ruined. That's simple.
Speaker 2 (49:51):
Yeah, right, I agree, there has to be, like some
part of my life is related to The Simpsons. Every
time I answer the phone, it's Yello, just like that.
It's a part of us. You know, this show cannot
escape us.
Speaker 5 (50:06):
Amazing.
Speaker 4 (50:07):
I feel like the Simpsons and Curb your Enthusiasm are
a good path to living a good life. If you
just use those as your guardrails and barometer, you're gonna
be happy. Jaden, thanks so much for hanging out with us. Man.
We kept you longer than we said we were going to,
but you're a lot of fun and thanks a lot.
Speaker 2 (50:24):
Thank you so much, Donnie, Chris, take care, it's been
wonderful being here.
Speaker 4 (50:28):
All right. We will post his socials up on the
website and let everyone know where you can find out more.
Thanks a lot, man, He's got them off real quick. There,
didn't you Sorry, he's still back there. We can just
wrap this up. If you want to have a talk
with him, sure, we can wrap this up. So ladies,
(50:49):
job quick programming. Notice that we're going to share with everybody.
We did mention off the top last few weeks. We
did have to postpone the episodes because of just competing
priorities in life and everything else that's been going on.
And obviously I'm busy with the new show that I'm
doing with Jimmy Corderis, and there are a number of
(51:10):
offshoots related to that show. I feel like I'm in
my home studio five days a week now, you know
where it used to be one day a week.
Speaker 5 (51:18):
And it's the same way with everything he's doing on
his end. We're all under the same umbrella, working with
the same team, and we're having a lot of fun
doing it. But because of that, we've sort of made
the decision at this point with this show, we're gonna
put it on the shelf for a little bit. We're
gonna we're gonna take a little break.
Speaker 4 (51:36):
We're gonna go on a little bit of a hiatus,
you know, we started.
Speaker 5 (51:43):
We're literally a vacation because we've fucking deserve it.
Speaker 4 (51:48):
Yeah, and we started this particular show. I mean, Tid
and I have been broadcasting together since the internet started,
but this particular show started in March of twenty twenty
when the whole world lockdown and we just had nothing
else to do. And life has become significantly busier since
that time. And you know, we're not saying this is it,
(52:10):
you know, we're just we're figuring out how we're going
to how we're going to present this moving forward so
that it's not a burden on anyone's time. We kind
of always said when this becomes a burden, then we
have to pull the plug on it. And it's not
that it's a total burden, but right now, it's just
finding the time to do this, as evidenced by the
(52:30):
fact that we weren't able to do this the last
three weeks, which is the longest we've ever gone without
doing an episode ever. Yeah, that's just the reality of it, folks.
So for those of you that have stuck with us
for the last four years, thank you so much. We
really appreciate it. You can keep up with everything that
I have going on and a lot of what Kid's
got going on by going to Huge Pop Radio dot com.
(52:52):
You can still follow us on all our socials, Notorious
Tid on everything, Donnie dot da Silva on Instagram because
I don't use everything, but Huge Pop Radio is on everything,
so you can look that up as well. And yeah,
it's not it's not goodbye, it's just goodbye for now.
Speaker 5 (53:09):
Absolutely.
Speaker 4 (53:10):
Yeah.
Speaker 5 (53:11):
Listen, this has all been absolute killer times. It's been fun.
I think that going forward, because we have so many
different things pulling us in different directions, it means that
this has to this has to be revamped. Yeah, you
know what I mean, that's all.
Speaker 4 (53:31):
Listen.
Speaker 5 (53:32):
You're still gonna see this face over on at Ted
Talk on YouTube sorry at What's a work over on YouTube?
Two YouTube channels over there. You're still gonna see Donnie
or at least hear Donnie's voice on TSN Radio. And
you know, the hub, the family unit doesn't change in
(53:56):
any way, shape or form. I mean, you know, it's
we're all kind of indebted to that little Brady bastard
for some stupid reason anyway, so you know, he owns
us all slave driver. But listen, it just means that
when we decide to pick up the reins again with
the next project, because there's gonna be one. There always
(54:18):
seems to fucking be one with this guy, it's it's
going to it's gonna be fun again. That's all.
Speaker 4 (54:27):
Yeah, that's yeah, it's just you know what, that's life, man.
So listen, thank you for hanging out with us, Thanks
for everything, and uh, we'll see you.
Speaker 5 (54:36):
Like they say, fuck.
Speaker 1 (54:38):
This shit, I'm Mount.
Speaker 6 (54:40):
Fuck this shit, I'm Mount Mount.
Speaker 4 (54:42):
Thanks, don't mumy.
Speaker 10 (54:44):
I'm gonna just grab myself and lease, excuse me, please.
Speaker 5 (54:48):
Fuck this shit.
Speaker 4 (54:49):
I'm Mount. Help fuck this shit.
Speaker 5 (54:52):
I'm Mount. All right, then, I don't.
Speaker 1 (54:54):
Know what the buck just happened, but I don't really get.
I'm gonna get the fucking batty he now Mount
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