October 14, 2024 • 29 mins
We’re proud to share a handful of recent interviews from our guests. The Grind is dedicated to exceptional conversation, and will always go above and beyond to make sure you have a platform to tell your story. If you’ve had experience you want to share with with us, please get in touch - we’d love to hear it. This is a throwback interview from 2015 when Jamie Rhodes provided an interview when I was getting started as Preface Media back then. This interview holds a great memory for me and thank you.
Host: DJ Retro
Instagram: @DJRETRO1990
Instagram: @THEGRINDLV
Website: www.thegrind.online (AD Space Available)
Song Credit: Dizzy Delta AKA Shawn B.
Guest: Jamie Rhodes
Socials: www.instagram.com/jrsilk7/
YouTube: www.youtube.com/watch?v=Sv2ARgQJVPM (Short film Sebastian's Pen)
Playwright, screenwriter, director, novelist and producer. Checkout my lauded short film Sebastian's Pen now playing on YouTube.
Retro interview from DJ Retro (AKA JD and James Parriett) just got started in podcasting in 2015, whe nodbody was doing it. Just started interviews with the podcast formerly known as Preface Media to be later rebranded to The Grind under PCG, LLC.
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-grind-podcast-w-host-dj-retro--3511504/support.
Host: DJ Retro
Instagram: @DJRETRO1990
Instagram: @THEGRINDLV
Website: www.thegrind.online (AD Space Available)
Song Credit: Dizzy Delta AKA Shawn B.
Guest: Jamie Rhodes
Socials: www.instagram.com/jrsilk7/
YouTube: www.youtube.com/watch?v=Sv2ARgQJVPM (Short film Sebastian's Pen)
Playwright, screenwriter, director, novelist and producer. Checkout my lauded short film Sebastian's Pen now playing on YouTube.
Retro interview from DJ Retro (AKA JD and James Parriett) just got started in podcasting in 2015, whe nodbody was doing it. Just started interviews with the podcast formerly known as Preface Media to be later rebranded to The Grind under PCG, LLC.
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-grind-podcast-w-host-dj-retro--3511504/support.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Here we are another episode of The Grind. Thanks for
joining us, kame I mean, host James periads this podcast
is gonna take us on the trip, trips and places
and moments in my life where I discovered hip hop artists.
Speaker 2 (00:16):
And new sound.
Speaker 3 (00:18):
You all ready to go strap in.
Speaker 2 (00:21):
Let's hit it.
Speaker 4 (00:23):
Life.
Speaker 5 (00:27):
I got your perier ya, So this Perier press play
the Grind starts, the rhyme starts. We come together like
car parts to make you move. Y'alls are life gonna
help you out on this little grooves.
Speaker 4 (00:44):
The purpose to enlighten you.
Speaker 5 (00:46):
With all we do, floods exposure you if you see
can get Jim closer to poster.
Speaker 4 (00:51):
We post help each other out, no doubt it.
Speaker 5 (00:54):
For disclosure, Get tune into the Grind. It's time we
take it over and it's.
Speaker 4 (00:58):
It's life on your line.
Speaker 2 (01:00):
Tonight we have a very special guests returning actually on
the show. His name is mister Jamie Rhose. We can
call him a play writer, we can call him a screenwriter.
He is both. Actually he writes plays and directs movies
and writes movies. So you know we're gonna have a
good time here on the Jamie Roads Interview Park. Duh.
Part two there, that's what we can call it.
Speaker 6 (01:22):
Right Jamie, So yeah, yeah, that's sounds good to name.
Speaker 2 (01:27):
We had a good time the uh the first time
I know right that I.
Speaker 6 (01:31):
Might have to great time lives a lot of fun.
I wish the folks could have heard it. But we'll
capture some of that and and take it to the
Nate Shave and in part two.
Speaker 2 (01:47):
Our standing our standing there and those who don't know
what me and Jamie are talking about, we actually uh.
Jamie is the playwriter for a play called tom Kat
that has been shown here at the Art Station located
at five three four Manor Drive and Historic Stone Mountain Village.
So we got to give a shout out to the
Art Station there for supporting Jamie hosting the play. And
(02:11):
it was a very uh, it was an awesome atmosphere there.
They had you know, intermission, music, live, live guitarist, place
to eat, little cafe. Jamie, your play was outstanding. I'm
glad you actually had us come down, and I appreciate
you so publicly. I'm saying thank you for that. There's
(02:34):
not a problem, man, and I just want to you know, tonight,
everybody in preface media Land. We're gonna give you a
backstory and we'll revisit the play and then Jamie's gonna
tell us about some other projects that he's working on.
So and just interviews about you. So once to give
you want to reintroduce yourself. I know you're back on
the Indianapolis right now.
Speaker 6 (02:55):
Yeah, give us a quick quick backstory. Okay, hekay, Well,
I'm Indianapolis President and by day I'm in the insurance SIOD,
but aspiring writer, producer, director as you pointed out, and
had the privilege to have my production Tom kat in
(03:16):
that market for a couple of times and the most
recently at the Art Station. Shout out to them. It
was really a shout out to the people that came
out towarded us, and I really appreciate it, and I
hope you got your money's worth, because that's what we
wanted everyone to get their money's worth and beyond. And
we think Tom Katt is a really you know, great production.
(03:38):
The people mostly is my director sheet of a standing
job and took it in a different direction which I
really loved. The audience went on the journey and James
was a part of the audience. Thank you for coming.
Speaker 4 (03:51):
It was a.
Speaker 6 (03:54):
Very interesting interesting time there Friday before we premiered that's
Saturday when actually had a group of seniors then and
to do a dress rehearsal. And the seniors they loved it.
It was a diverse crowd of seniors. It was mostly
consistent of white women. They loved to play. And then
we had discussion about race afterwards, where we had some
(04:16):
confessions from a few of the UH audience members who stated, hey, look,
you know these were these are white ladies that uh
one of their sons had married a black woman had
a child, and another one and uh a daughter had
married a black man, had a child, and another lady
had fine bland children that were adopted and one of
them was African American. So we had a, you know,
(04:37):
the really nice discussion about that. So it kind of
opened those doors up. And these are and if the
you know, seniors, we have them what they think, and
of course seniors did. They don't mince words and they
don't have time for that, so they just tell you
what they think. And they already UH enjoyed the show
out a lot, so they got us up to a
good start, and you know, Saturday had a you know
(04:57):
really good shows, uh to show and then Sunday we
finished up there for this run of Tom Cab. We
had people they were asking, hey, what are you gonna
do it again? And well, I think we may come
back there again. It makes several months, but it's a
story that resonates with a lot of people cause it
(05:18):
does deal with the love triangle a white man, a
black man, a black woman in rural Mississippi, and part
of the story also takes place at Indianapolis, Indiana, and.
Speaker 4 (05:29):
You know, we got these.
Speaker 6 (05:32):
Lovers. It's just, you know, it's just. But it's also
a story that deals with you know, sexism, racism, clastism.
It's really also a very strong story about fathers and
sons and their love for fathers and their sons and
sometimes the disagreement that fathers and sons can have and
how folks can come to gain to give each other.
(05:52):
So it has it has those types of themes in there.
And we have some really great acting. We have some
singing in the play, we have some dancing. We have
choreographer to get a fantastic job. So I think the audience,
you know, you got drama, you got the dance. You
know the places also has quite a bit of humor
into it. But you got to have their humor in
there because you know how when we're going through something
(06:13):
that's really really tough on this that people can deal
with every day, you know, you gotta laugh about it
to keep from crying sometimes. So and so the stage
player has invokes a lot of humor because the uh,
it's quite a heavy theme. The time period is a
very intense time uh race relations and segregation and uh
(06:36):
black men. You know, the the protagonets wanting to ascend
beyond those boundaries imposed by race just be uh be
his own man. So it's uh, but you know, I'm
very proud of it, Like I said, looking forward to
sort of want to get it to other markets, you know,
Uh James shout out to Chicago, you know you look
(06:58):
only look at that and maybe also Detroit, but definitely
want to come back to Atlanta because I feel like
we're building. We had some people that came out for
the fourth time to see the show, and when they
came out, show going around. Yeah. We had a one
gentleman thing that twice at a quarter of Southord uh
in June, and then it came back out and was
(07:20):
surprised by it, like I didn't know what to anticipate.
But he liked this version much better and he was
just really it brought people in the next day for
the Sunday show. They came back to but we had
I recognized like at least three or four other people
that came back. And you know, because we all see
(07:40):
something a little different with the actors each time they
perform anyway, but to show the way it's been tweeked
by Latifa, Uh to me just made it. Uh, it
slowed and made it really entertaining. But it was a
really great experience. And like I said, I I like it. Well,
I say I love it, and I think the folks
in Atlanta, Uh, if they get to know it a
(08:01):
little bit more, and we're going to keep driving. We've
got actors, they're very committed to it. They love it.
It's an actor's dream because all the actors, James, you
can see that they all had their time to shine.
They all had their moment. So as an actor, one
more can you have asked for than they have your
own monolog So.
Speaker 4 (08:19):
But that's.
Speaker 6 (08:21):
That's what I do. Did you ask me earlier, James,
I'm a playwright also when I am a screenwriter as well,
and I do the rect I tend to direct my
short films. In my films and I kind of us
the stage plays to just more to state stage veterans. Also,
I've written a novel from the day back in the
(08:43):
day called Pray Messiah.
Speaker 4 (08:45):
In this p R E.
Speaker 6 (08:46):
Y Comment Messiah and uh, it's a supernatural thriller that
takes place in the nineteen sixties. So it was the
book that went over very well, especially with male readers
because James is I have to get it copetit. It's
one hundred and fifty pages, but it all takes time
in like an eight to ten hour period, so it's
(09:08):
like for ten hours. That's the NonStop action, you know.
The premises a what would happen if a child was
born sort of like when Jesus was born and the
child is considered to be a threat by different groups
and they converted in this little small town in Mississippi.
I don't know what I have. It's infatuation Mississippi, but
(09:31):
it's so that's really an intense novel that readers tended
to really enjoy. Did well with the book clubs. They
have folks as far as Taiwan enjoying it. So I've
had chances, you know, you know, do a novel some
more mediums. I want to coss into the graphic novel eventually,
(09:51):
but right now, what I've got going on too is
it's almost Halloween, and when you think of Halloween, when
you think of scary mood, and I have a horror
film coming out, uh next month, I'm gonna be having
sneak pre previews and disser markets where we have a
theater partner in Indianapolis, you know we're gonna present it,
(10:15):
and also looking at a location in Atlanta for the
actual Man of Halloween as well. And it's a it's
a fun I call it a hip hop, sexy, supernatural
thriller because uh, that's kind of what it is. But
so those are some of the things that I enjoy,
(10:35):
so I just I do more. Also, I have a
screenplay for a murder mystery, sort of my coner lines
in the Heat of the night. It would be like
the heat of the night, and it means kind of
a hip hop generation, but it's a it's a murder
mystery in terms of who've done it. So it's like
you know, uh, the protagonist goes down and tries to
(10:55):
figure out what happened, you know, to his brother. You know,
why did somebody kill his brother? So that's one of
the pleasant productions by companies looking at producing for that year.
So you know, we go from players to horror movies,
to dramas to supernatural fillers. So I like writing all
(11:16):
kinds of stuff because I like this.
Speaker 2 (11:18):
That's what I like too, Jamie.
Speaker 6 (11:20):
Yeah, that's you know what.
Speaker 2 (11:22):
And sorry to interject when you're one thing. One thing
that I like is the from talking to you is
that you are very diverse, be with the novel, the play,
the horror movie. You like to cross genres, and you're
not You're not you know, put in a box, so
(11:44):
to speak. You have a very open way of thinking
and and and getting these ideas out to everybody and
these visions. So that's what makes it enjoyable. And I
can see the diversity how you write too, because just
sitting in the audience and then one thing I won't
let you know, just I was just sitting in the
crowd when they were when the play was going on,
(12:06):
and the intention that you had taken and everybody listened, Jamie,
he just doesn't say here's a play for you. From
the minute I walked in the door, he's like, hey,
I'm Jamie, how you doing. Let's take care of you boom.
And it wasn't just me, it was everybody else that
walked in. So you could tell that the time and
effort and he cares about the product that he's giving
(12:29):
you and everybody on the stage, like you said, they
had a Each character had an equal time to shine
and it was balanced every character that was on that stage.
You wrote that play where they had a story too,
and it was very cohesive. So I wanted to let
you know that. So in the crowd reaction to everybody
(12:52):
in the crowd was reacting into play.
Speaker 6 (12:54):
Like oh my god, did you see that?
Speaker 2 (12:55):
Did you hear that? You know we're talking like why
is this nag?
Speaker 6 (13:00):
Well, I appreciate that, and I did. I did take
my time writing into us every word. I wanted every
word to kind of mean something, and uh, it's a
lot of It's like you know, it's layers. Each character
has layers. So I don't like writing the stereotypes, not
even for my horror film. I don't deal with horror
films in my stereotype, you know, stereotypes of my hornse film.
I should say so uh so with the play though,
(13:22):
you know, we're dealing with some serious topics here, but
I wanna make it fun and entertainment for people to
get into it. But at the same time, you know,
I figure everybody on that stage is probably got something
they wanted to say. And every character that this in
this production has a point of view that I wanted
the audience to be able to get where they're coming from,
(13:43):
you know, from Melvin, the conniving one who sets us
just train wreck in motion. You know, let's peel back
his layers, but what what is he all about? So
we get a chance to to even see somebody like that.
And also to the players interracial you know, I have
a diverse cast. I lived that. We live in a
diverse country. You know, it's predominantly white, you know, so
the South was dominated by white folks for a long
(14:06):
time down there, and that's just how it is. Why
I should say how it was, so you know, I
had to take any consideration one thing, you know, uh,
the great play.
Speaker 4 (14:17):
A by.
Speaker 6 (14:20):
Oh my gosh, Raising in the Sun Lorraine School.
Speaker 2 (14:28):
Yes, great glute.
Speaker 6 (14:32):
Yeah, it's a it's a fantastic player that you give
me for you know, uh her last name uh. But
she does interject, you know, a white character who basically
tells the folks, Hey, you gotta get out of here.
We don't want you here in our community. But would
be a nice sport to give you some money to
have you move out. So my plays a little different
(14:53):
than that. We go inside the white household. We want
to know what makes them take what makes Riley thinks
he can have and control this black woman. Uh, let's
meet his father. Let's meet his father, Reee. Where is
Ree's ev what's his ambition? You know, where's he coming from?
Speaker 7 (15:09):
Why?
Speaker 6 (15:10):
How does he influence his son Riley to make him
think he can do these things that he does. So
I wanted to get into that and get the audience
a peak in there too, and let's see what's going on.
You know what. You know, people go into their own
households and we don't know exactly what's going to those households. Well,
in my play, you get to go into everyone's household,
so to speak, and find out what's going on with
(15:32):
all of them. So my favorite scene of the m
uh of the play is James and new and recall
when when Tommy goes to his father's house at the
fifteen years and he has to him and his father,
they all embrace, they love each other. Then him and
his father they have issues. You know, Tommy good said
that his father send him away to be raised, and
(15:55):
knowing that they're he got in trouble by pushing down
the rich little white boy. Why and you know what
happened in Mississippi or black man put his hands on
a white child. Well he was a kid too, but
you know still, and the story takes place before the
Emmitt tell story, but it would be sort of like that.
So they got him the heck out of there, put
him on a trainment, you know. So he comes back.
He was resentful to his father. He's like, you know, daddy,
(16:16):
why do you protect me? Why do you stand up
to them? And essentially he ends up insulting his father
in his own house, and his mother sends his father
out right, and then she slaps him and brings him
to a sense of that just lectures him so that
actually there she got to have her moment and she
broke it down and then they come back together. There's
(16:38):
two men who have a better understanding of each other
there as was. They both are heartbroken that they could
not be together in those fifteen years. So he lost
out on being with his father, he lost out being
with his son. So they've steeled that pain and they
kind of lash out on one another to a degree.
But after that scene they did a better understanding and
(17:00):
John the minister is transformed. He's like, you know, he's
never gonna do let somebody dictate that he has to
put his fell on the train again. So we see
that at the end. So a lot of characters transford.
You know, Tom kat goes from uh being a woman
ager to a one man woman, you know by the
end of the play, you know, right before the end
of the play, because he loves Rubianne, you know, the
(17:21):
lady that he had to leave in the South. So
if he would, you know, you think what would have
happened if he didn't have to leave. You know, they
probably would be married and have a family, or they
probably had to move away, probably had to still away
from the in the night. Because Riley is so obsessive,
the character was brilliant portraying him. Nathan was fantastic in
his obsession with Rubian and so, but it just deals
(17:47):
with that and even the in the in the White household,
the father, the son, the son trying to the father
trying to teach the certain some lessons back and forth,
and just and then Tommy's relationship with with Sadie or Rubyanne,
and then we'll be in in her relationship. We're early
in the girlfriends how they support one another in those times.
So there's a lot of dynamics there. So I do
(18:08):
appreciate the compliments. And yeah, the story is written in
such a way that everything arcs and kind of goes
together and flows together. And like I said, it's a
train ride. It's like, get on board this train. Start
out as a reasonable speed, but by the second act,
(18:30):
you know that thing is probably gonna come off the tracks.
Speaker 2 (18:34):
And yeah, and I really enjoyed it, really enjoyed it.
And we have you know, we have video up on
Facebook book, we have video up of the interviews and
parts of the play for you to view. And by
the end of this week, we're gonna have all related
videos loaded. First first videos being loaded for the Preface
(18:55):
Media video channel, So your videos will be the first
one that's gonna go up so everybody can view those
as well and share the experience that we share. So
by Friday that will be up and running so people
can look that's not that's what we're here for.
Speaker 3 (19:09):
Men.
Speaker 2 (19:09):
You know, we're here for exposure. And I let people
know the reason why Preface Media got started, and I'll
synopsis real quick, is that I'm a business owner. I
was a business owner, I still am a business owner.
And the one thing that I found is that every
time I wanted exposure for my business, people were more
concerned about, you know, what they were going to get
(19:32):
out of it, and then helping me expose my business.
And I'm not going to say that that applies to
everybody because that'd be very unfair, but I will say
that was the fair share of those.
Speaker 4 (19:44):
All they was.
Speaker 2 (19:44):
Concerned about was the money. I'm saying, I have a
vision to get on board, I just need some help
to get exposure because everybody don't have they don't have
budgets to get this stuff out. So, to make a
long story sort of, preface came about where just like
you read a book, there's a preface, there's a beginning,
there's a reason why this book was being written, and
you find that every time you open any book. Here's
(20:05):
the preface why this book had come about, perfect name
for the show, and bam it was born. God gave
me the vision. And I had a friend Jules Nobles,
still one of my best friends. She told me, hey,
you need to you need to get out you You're
very good at talks. So that's why I like doing
what I'm doing and getting that out there, because I
saw the other side. You know, it's not we want
(20:29):
to give everybody equal playing field.
Speaker 6 (20:32):
So you know, I think I think you were spot
on there and preference is a perfect name for us
as you explain it, and then it this, the light
bulb just went on over my head. I'm like, man,
I truly get it now, and that makes a lot
of sense. And you are a really good interviewer. I
like talking to you. You know, you have your genuinely
(20:54):
enthusiastic about what we're doing out here and and not
just showing up on the show. And you know, you're
you're asking good questions, You're you're engaged, You're engaging me
and engaging the audience. So you know, kudo kudos to
you of I mean, uh, as far as I'm concerned.
I always want to come and do an interview with
your own presence. It's like, uh, I hope to keep growing,
(21:17):
you know, uh in terms of a playwright and you
know the movies and books and all that sort of thing.
But you know, I do want to give a shout
out to Preface then there you always have the place
uh special to me in terms of the support you know,
provided by Preface Media, which has been you know, excellent
and wonderful. Even in the interview here that's a worm
(21:37):
over a week and a half after the show, you know,
came out. So we had love before the show and
we're get in love after the show. So a lot
of times when the show's over with, you don't hear anything,
so you know, but you know, with James and Prefence,
they're there. You know, he's he's still give me a
platform to to talk about it and to say what
I'm doing. So I really appreciate that and in his
(21:59):
intech and right on. So Janz, keep up the good
work and looking forward to, you know, having more talk
with you and bringing more projects to that market.
Speaker 2 (22:13):
And I look forward to because, like you said at
the end of the month in October, you have an
event that's possibly gonna happen. You still have to work
out and the iron ups.
Speaker 6 (22:21):
Yeah, we're still working out and we I know you'll.
Speaker 2 (22:26):
Be back for that, so you're more than welcome and say, hey, James,
I need to talk. I'm like, all right, we set
it up. We'll make sure we'll set it up and
get it going again, so I'll.
Speaker 6 (22:38):
Look forward to it before I do too.
Speaker 2 (22:41):
And we have about five minutes left in the show,
so and we if we're gonna pay some bills with
some sponsors that we need to fit in real quick.
At the last part of the show was about four minutes.
So the last couple of minutes that we have, Damy,
how can we locate here? Where can we find the
book that you have written? Just let us know what
can we what can we expect from you? Or where
(23:02):
can we find your product so we can we can
be well informed and stay in touch with you.
Speaker 6 (23:08):
Okay, Well, hey, thanks James for asking. And uh right now,
I'm I'm on Facebook Jamie rose Ja and my R
H O. D Yes. Facebook also have a page for
tom Kat you know too them see C A T
two words tom Kat you know. Stage play is out there,
and just recently you put up a site for for
(23:30):
the name of the horror movie is Night of the
Unspeakable or no too, So we got a brand new site.
That's just what uh it's for a page, I should say.
Eventually I'll be moving to setting up a website.
Speaker 4 (23:44):
You know.
Speaker 6 (23:44):
That's sort of thing. If somebody is interested in the
book Premisiah, you know, you can view it, uh see
it discription if you Google it. But if you're interested
in the copy of it, just inbox me and I
can send you a copy for nights you know, a
reasonable amount of money, and then we can discuss that
and cruse shipping and handling for it. But when I
(24:05):
come down there, I may bring some books if we're
able to get things going. So hoping to bring my
horror film to Atlanta for a sneak preview Halloween, which
would be great, James, that'd be just one good time man.
So Tomcab was fun and this is gonna be fun.
Speaker 2 (24:23):
Too, and we look forward here at Preface Media. Jamie,
thank you very much for joining us again. I know
you were a very busy individual. You're a little under
the weather too, but you still need time to talk
about that night as very much appreciated. You mean you
got my information, you got nothing beloved from from Preface Media.
Speaker 6 (24:44):
So and then thank you, and Preface Media's got no
love for me as well too, James. Keep up the
great work. We don't think I can do to support
your efforts. You know, I'm over your I phone away,
you know, just letting me know. I'm happy to do
whatever you know you may want me to to help out,
you know, so I'm good with that.
Speaker 2 (25:06):
All right. And as me and Jamie always says, you
have not heard the last of us. But we're gonna
do is paybo. We're gonna ride out to a song
from a new artist. His name is Disney Delta, coming
out of Rockford, Illinois. You can also find his music
at dizzey Delta d i z z y d e
l t a dot bang camp dot com. We also
(25:27):
want to give a shout out to to Salon de
Wit to Raid the Wick. It was also made a
donation to the Preface Media Fund and we appreciate that too,
so we want to make sure that you are recognized.
She was a guest on the Shoe a couple of
weeks ago, and she wanted to contribute to keep the
efforts going to discover new artists, new dreams, new possibilities.
So with that, we're gonna ride out to Disney Delta.
(25:49):
You've just listened to another episode in the books here
at Preface Media. Good night to everyone, and please listen
to the song on the way out. It's called sometimes.
Speaker 7 (26:07):
Yeah huh. Cause see I started with my team and
thought we probably come up overnight. Weaty's about when things
gonna go the way you thought them out, like towing
around the world. Are these offers took so long to right?
People say they with you, but they motive. It's control
your life. I ain't understood, but it's all good when
I control the mic, accordinate my steps to have me
preps so I can flow it right, scheduling open a
(26:29):
set and maybe I could be the leader heights. We
should get it started by tonight because I'm gonna make
a bounce and I don't gonna give this money.
Speaker 4 (26:40):
And I'm gonna make them dollars.
Speaker 7 (26:43):
And I'm gonna give this money mine and I'm gonna
get this paper rent do what most of these rappers
would think they couldn't do. Focus on these kids. To
probably make up program after school, make my own success
and care less about what I menswered to. I ain't
for the drama. If you can miss me with the abitue,
it's not averages type of talent would cause no damage
for as long as I did, just to make sure
(27:04):
that business is handled because on average mostly these rappers
they even got no talent. But but much as I did,
these niggas can't come and grab me, see me.
Speaker 4 (27:22):
And let that be spread.
Speaker 7 (27:24):
This niggas out the show so thinking they was holding
I'm coming with my own shoes. They think our own son,
all my people was up in here. You know I'm
the same me again that they so hold up, gonna
be so retarded. If it ain't done what you call
they find, I might gonna e bay. I've already looked
what my vocal was gonna start it. Now I'm on
them the club with no card and looking for the
(27:44):
girls that their party. And baby, that's what you're about.
You didn't no doubt what is Mama.
Speaker 4 (27:47):
You're gonna make your pounce. You're not gonna get this money,
and you gonna make your pounce and you might get
this money and let that boots bree Bree.
Speaker 2 (28:27):
Not any way you.
Speaker 3 (28:28):
Can the company. You'll give it a name.
Speaker 1 (28:32):
So vote to go on.
Speaker 3 (28:34):
So full away, Lady Bow and past.
Speaker 2 (28:39):
Many go and say.
Speaker 3 (28:43):
Hello everyone. My name is Valerie Perier and I'm the
founder of the One Kidney Club Las Vegas, Nevada. You
can find us on Facebook at one Kidney Club Las Vegas,
Nevada or Instagram. Our Instagram handle is one Kidney Club
l v N. Our email address is one Kidney Club
LVN at gmail dot com. If you would like to
learn more information on how you can become a living
(29:04):
kidney donor, please visit the National Kidney Registry at Kidney
Registry dot com
Speaker 2 (29:12):
For you to a skill
Here we are another episode of The Grind. Thanks for
joining us, kame I mean, host James periads this podcast
is gonna take us on the trip, trips and places
and moments in my life where I discovered hip hop artists.
Speaker 2 (00:16):
And new sound.
Speaker 3 (00:18):
You all ready to go strap in.
Speaker 2 (00:21):
Let's hit it.
Speaker 4 (00:23):
Life.
Speaker 5 (00:27):
I got your perier ya, So this Perier press play
the Grind starts, the rhyme starts. We come together like
car parts to make you move. Y'alls are life gonna
help you out on this little grooves.
Speaker 4 (00:44):
The purpose to enlighten you.
Speaker 5 (00:46):
With all we do, floods exposure you if you see
can get Jim closer to poster.
Speaker 4 (00:51):
We post help each other out, no doubt it.
Speaker 5 (00:54):
For disclosure, Get tune into the Grind. It's time we
take it over and it's.
Speaker 4 (00:58):
It's life on your line.
Speaker 2 (01:00):
Tonight we have a very special guests returning actually on
the show. His name is mister Jamie Rhose. We can
call him a play writer, we can call him a screenwriter.
He is both. Actually he writes plays and directs movies
and writes movies. So you know we're gonna have a
good time here on the Jamie Roads Interview Park. Duh.
Part two there, that's what we can call it.
Speaker 6 (01:22):
Right Jamie, So yeah, yeah, that's sounds good to name.
Speaker 2 (01:27):
We had a good time the uh the first time
I know right that I.
Speaker 6 (01:31):
Might have to great time lives a lot of fun.
I wish the folks could have heard it. But we'll
capture some of that and and take it to the
Nate Shave and in part two.
Speaker 2 (01:47):
Our standing our standing there and those who don't know
what me and Jamie are talking about, we actually uh.
Jamie is the playwriter for a play called tom Kat
that has been shown here at the Art Station located
at five three four Manor Drive and Historic Stone Mountain Village.
So we got to give a shout out to the
Art Station there for supporting Jamie hosting the play. And
(02:11):
it was a very uh, it was an awesome atmosphere there.
They had you know, intermission, music, live, live guitarist, place
to eat, little cafe. Jamie, your play was outstanding. I'm
glad you actually had us come down, and I appreciate
you so publicly. I'm saying thank you for that. There's
(02:34):
not a problem, man, and I just want to you know, tonight,
everybody in preface media Land. We're gonna give you a
backstory and we'll revisit the play and then Jamie's gonna
tell us about some other projects that he's working on.
So and just interviews about you. So once to give
you want to reintroduce yourself. I know you're back on
the Indianapolis right now.
Speaker 6 (02:55):
Yeah, give us a quick quick backstory. Okay, hekay, Well,
I'm Indianapolis President and by day I'm in the insurance SIOD,
but aspiring writer, producer, director as you pointed out, and
had the privilege to have my production Tom kat in
(03:16):
that market for a couple of times and the most
recently at the Art Station. Shout out to them. It
was really a shout out to the people that came
out towarded us, and I really appreciate it, and I
hope you got your money's worth, because that's what we
wanted everyone to get their money's worth and beyond. And
we think Tom Katt is a really you know, great production.
(03:38):
The people mostly is my director sheet of a standing
job and took it in a different direction which I
really loved. The audience went on the journey and James
was a part of the audience. Thank you for coming.
Speaker 4 (03:51):
It was a.
Speaker 6 (03:54):
Very interesting interesting time there Friday before we premiered that's
Saturday when actually had a group of seniors then and
to do a dress rehearsal. And the seniors they loved it.
It was a diverse crowd of seniors. It was mostly
consistent of white women. They loved to play. And then
we had discussion about race afterwards, where we had some
(04:16):
confessions from a few of the UH audience members who stated, hey, look,
you know these were these are white ladies that uh
one of their sons had married a black woman had
a child, and another one and uh a daughter had
married a black man, had a child, and another lady
had fine bland children that were adopted and one of
them was African American. So we had a, you know,
(04:37):
the really nice discussion about that. So it kind of
opened those doors up. And these are and if the
you know, seniors, we have them what they think, and
of course seniors did. They don't mince words and they
don't have time for that, so they just tell you
what they think. And they already UH enjoyed the show
out a lot, so they got us up to a
good start, and you know, Saturday had a you know
(04:57):
really good shows, uh to show and then Sunday we
finished up there for this run of Tom Cab. We
had people they were asking, hey, what are you gonna
do it again? And well, I think we may come
back there again. It makes several months, but it's a
story that resonates with a lot of people cause it
(05:18):
does deal with the love triangle a white man, a
black man, a black woman in rural Mississippi, and part
of the story also takes place at Indianapolis, Indiana, and.
Speaker 4 (05:29):
You know, we got these.
Speaker 6 (05:32):
Lovers. It's just, you know, it's just. But it's also
a story that deals with you know, sexism, racism, clastism.
It's really also a very strong story about fathers and
sons and their love for fathers and their sons and
sometimes the disagreement that fathers and sons can have and
how folks can come to gain to give each other.
(05:52):
So it has it has those types of themes in there.
And we have some really great acting. We have some
singing in the play, we have some dancing. We have
choreographer to get a fantastic job. So I think the audience,
you know, you got drama, you got the dance. You
know the places also has quite a bit of humor
into it. But you got to have their humor in
there because you know how when we're going through something
(06:13):
that's really really tough on this that people can deal
with every day, you know, you gotta laugh about it
to keep from crying sometimes. So and so the stage
player has invokes a lot of humor because the uh,
it's quite a heavy theme. The time period is a
very intense time uh race relations and segregation and uh
(06:36):
black men. You know, the the protagonets wanting to ascend
beyond those boundaries imposed by race just be uh be
his own man. So it's uh, but you know, I'm
very proud of it, Like I said, looking forward to
sort of want to get it to other markets, you know,
Uh James shout out to Chicago, you know you look
(06:58):
only look at that and maybe also Detroit, but definitely
want to come back to Atlanta because I feel like
we're building. We had some people that came out for
the fourth time to see the show, and when they
came out, show going around. Yeah. We had a one
gentleman thing that twice at a quarter of Southord uh
in June, and then it came back out and was
(07:20):
surprised by it, like I didn't know what to anticipate.
But he liked this version much better and he was
just really it brought people in the next day for
the Sunday show. They came back to but we had
I recognized like at least three or four other people
that came back. And you know, because we all see
(07:40):
something a little different with the actors each time they
perform anyway, but to show the way it's been tweeked
by Latifa, Uh to me just made it. Uh, it
slowed and made it really entertaining. But it was a
really great experience. And like I said, I I like it. Well,
I say I love it, and I think the folks
in Atlanta, Uh, if they get to know it a
(08:01):
little bit more, and we're going to keep driving. We've
got actors, they're very committed to it. They love it.
It's an actor's dream because all the actors, James, you
can see that they all had their time to shine.
They all had their moment. So as an actor, one
more can you have asked for than they have your
own monolog So.
Speaker 4 (08:19):
But that's.
Speaker 6 (08:21):
That's what I do. Did you ask me earlier, James,
I'm a playwright also when I am a screenwriter as well,
and I do the rect I tend to direct my
short films. In my films and I kind of us
the stage plays to just more to state stage veterans. Also,
I've written a novel from the day back in the
(08:43):
day called Pray Messiah.
Speaker 4 (08:45):
In this p R E.
Speaker 6 (08:46):
Y Comment Messiah and uh, it's a supernatural thriller that
takes place in the nineteen sixties. So it was the
book that went over very well, especially with male readers
because James is I have to get it copetit. It's
one hundred and fifty pages, but it all takes time
in like an eight to ten hour period, so it's
(09:08):
like for ten hours. That's the NonStop action, you know.
The premises a what would happen if a child was
born sort of like when Jesus was born and the
child is considered to be a threat by different groups
and they converted in this little small town in Mississippi.
I don't know what I have. It's infatuation Mississippi, but
(09:31):
it's so that's really an intense novel that readers tended
to really enjoy. Did well with the book clubs. They
have folks as far as Taiwan enjoying it. So I've
had chances, you know, you know, do a novel some
more mediums. I want to coss into the graphic novel eventually,
(09:51):
but right now, what I've got going on too is
it's almost Halloween, and when you think of Halloween, when
you think of scary mood, and I have a horror
film coming out, uh next month, I'm gonna be having
sneak pre previews and disser markets where we have a
theater partner in Indianapolis, you know we're gonna present it,
(10:15):
and also looking at a location in Atlanta for the
actual Man of Halloween as well. And it's a it's
a fun I call it a hip hop, sexy, supernatural
thriller because uh, that's kind of what it is. But
so those are some of the things that I enjoy,
(10:35):
so I just I do more. Also, I have a
screenplay for a murder mystery, sort of my coner lines
in the Heat of the night. It would be like
the heat of the night, and it means kind of
a hip hop generation, but it's a it's a murder
mystery in terms of who've done it. So it's like
you know, uh, the protagonist goes down and tries to
(10:55):
figure out what happened, you know, to his brother. You know,
why did somebody kill his brother? So that's one of
the pleasant productions by companies looking at producing for that year.
So you know, we go from players to horror movies,
to dramas to supernatural fillers. So I like writing all
(11:16):
kinds of stuff because I like this.
Speaker 2 (11:18):
That's what I like too, Jamie.
Speaker 6 (11:20):
Yeah, that's you know what.
Speaker 2 (11:22):
And sorry to interject when you're one thing. One thing
that I like is the from talking to you is
that you are very diverse, be with the novel, the play,
the horror movie. You like to cross genres, and you're
not You're not you know, put in a box, so
(11:44):
to speak. You have a very open way of thinking
and and and getting these ideas out to everybody and
these visions. So that's what makes it enjoyable. And I
can see the diversity how you write too, because just
sitting in the audience and then one thing I won't
let you know, just I was just sitting in the
crowd when they were when the play was going on,
(12:06):
and the intention that you had taken and everybody listened, Jamie,
he just doesn't say here's a play for you. From
the minute I walked in the door, he's like, hey,
I'm Jamie, how you doing. Let's take care of you boom.
And it wasn't just me, it was everybody else that
walked in. So you could tell that the time and
effort and he cares about the product that he's giving
(12:29):
you and everybody on the stage, like you said, they
had a Each character had an equal time to shine
and it was balanced every character that was on that stage.
You wrote that play where they had a story too,
and it was very cohesive. So I wanted to let
you know that. So in the crowd reaction to everybody
(12:52):
in the crowd was reacting into play.
Speaker 6 (12:54):
Like oh my god, did you see that?
Speaker 2 (12:55):
Did you hear that? You know we're talking like why
is this nag?
Speaker 6 (13:00):
Well, I appreciate that, and I did. I did take
my time writing into us every word. I wanted every
word to kind of mean something, and uh, it's a
lot of It's like you know, it's layers. Each character
has layers. So I don't like writing the stereotypes, not
even for my horror film. I don't deal with horror
films in my stereotype, you know, stereotypes of my hornse film.
I should say so uh so with the play though,
(13:22):
you know, we're dealing with some serious topics here, but
I wanna make it fun and entertainment for people to
get into it. But at the same time, you know,
I figure everybody on that stage is probably got something
they wanted to say. And every character that this in
this production has a point of view that I wanted
the audience to be able to get where they're coming from,
(13:43):
you know, from Melvin, the conniving one who sets us
just train wreck in motion. You know, let's peel back
his layers, but what what is he all about? So
we get a chance to to even see somebody like that.
And also to the players interracial you know, I have
a diverse cast. I lived that. We live in a
diverse country. You know, it's predominantly white, you know, so
the South was dominated by white folks for a long
(14:06):
time down there, and that's just how it is. Why
I should say how it was, so you know, I
had to take any consideration one thing, you know, uh,
the great play.
Speaker 4 (14:17):
A by.
Speaker 6 (14:20):
Oh my gosh, Raising in the Sun Lorraine School.
Speaker 2 (14:28):
Yes, great glute.
Speaker 6 (14:32):
Yeah, it's a it's a fantastic player that you give
me for you know, uh her last name uh. But
she does interject, you know, a white character who basically
tells the folks, Hey, you gotta get out of here.
We don't want you here in our community. But would
be a nice sport to give you some money to
have you move out. So my plays a little different
(14:53):
than that. We go inside the white household. We want
to know what makes them take what makes Riley thinks
he can have and control this black woman. Uh, let's
meet his father. Let's meet his father, Reee. Where is
Ree's ev what's his ambition? You know, where's he coming from?
Speaker 7 (15:09):
Why?
Speaker 6 (15:10):
How does he influence his son Riley to make him
think he can do these things that he does. So
I wanted to get into that and get the audience
a peak in there too, and let's see what's going on.
You know what. You know, people go into their own
households and we don't know exactly what's going to those households. Well,
in my play, you get to go into everyone's household,
so to speak, and find out what's going on with
(15:32):
all of them. So my favorite scene of the m
uh of the play is James and new and recall
when when Tommy goes to his father's house at the
fifteen years and he has to him and his father,
they all embrace, they love each other. Then him and
his father they have issues. You know, Tommy good said
that his father send him away to be raised, and
(15:55):
knowing that they're he got in trouble by pushing down
the rich little white boy. Why and you know what
happened in Mississippi or black man put his hands on
a white child. Well he was a kid too, but
you know still, and the story takes place before the
Emmitt tell story, but it would be sort of like that.
So they got him the heck out of there, put
him on a trainment, you know. So he comes back.
He was resentful to his father. He's like, you know, daddy,
(16:16):
why do you protect me? Why do you stand up
to them? And essentially he ends up insulting his father
in his own house, and his mother sends his father
out right, and then she slaps him and brings him
to a sense of that just lectures him so that
actually there she got to have her moment and she
broke it down and then they come back together. There's
(16:38):
two men who have a better understanding of each other
there as was. They both are heartbroken that they could
not be together in those fifteen years. So he lost
out on being with his father, he lost out being
with his son. So they've steeled that pain and they
kind of lash out on one another to a degree.
But after that scene they did a better understanding and
(17:00):
John the minister is transformed. He's like, you know, he's
never gonna do let somebody dictate that he has to
put his fell on the train again. So we see
that at the end. So a lot of characters transford.
You know, Tom kat goes from uh being a woman
ager to a one man woman, you know by the
end of the play, you know, right before the end
of the play, because he loves Rubianne, you know, the
(17:21):
lady that he had to leave in the South. So
if he would, you know, you think what would have
happened if he didn't have to leave. You know, they
probably would be married and have a family, or they
probably had to move away, probably had to still away
from the in the night. Because Riley is so obsessive,
the character was brilliant portraying him. Nathan was fantastic in
his obsession with Rubian and so, but it just deals
(17:47):
with that and even the in the in the White household,
the father, the son, the son trying to the father
trying to teach the certain some lessons back and forth,
and just and then Tommy's relationship with with Sadie or Rubyanne,
and then we'll be in in her relationship. We're early
in the girlfriends how they support one another in those times.
So there's a lot of dynamics there. So I do
(18:08):
appreciate the compliments. And yeah, the story is written in
such a way that everything arcs and kind of goes
together and flows together. And like I said, it's a
train ride. It's like, get on board this train. Start
out as a reasonable speed, but by the second act,
(18:30):
you know that thing is probably gonna come off the tracks.
Speaker 2 (18:34):
And yeah, and I really enjoyed it, really enjoyed it.
And we have you know, we have video up on
Facebook book, we have video up of the interviews and
parts of the play for you to view. And by
the end of this week, we're gonna have all related
videos loaded. First first videos being loaded for the Preface
(18:55):
Media video channel, So your videos will be the first
one that's gonna go up so everybody can view those
as well and share the experience that we share. So
by Friday that will be up and running so people
can look that's not that's what we're here for.
Speaker 3 (19:09):
Men.
Speaker 2 (19:09):
You know, we're here for exposure. And I let people
know the reason why Preface Media got started, and I'll
synopsis real quick, is that I'm a business owner. I
was a business owner, I still am a business owner.
And the one thing that I found is that every
time I wanted exposure for my business, people were more
concerned about, you know, what they were going to get
(19:32):
out of it, and then helping me expose my business.
And I'm not going to say that that applies to
everybody because that'd be very unfair, but I will say
that was the fair share of those.
Speaker 4 (19:44):
All they was.
Speaker 2 (19:44):
Concerned about was the money. I'm saying, I have a
vision to get on board, I just need some help
to get exposure because everybody don't have they don't have
budgets to get this stuff out. So, to make a
long story sort of, preface came about where just like
you read a book, there's a preface, there's a beginning,
there's a reason why this book was being written, and
you find that every time you open any book. Here's
(20:05):
the preface why this book had come about, perfect name
for the show, and bam it was born. God gave
me the vision. And I had a friend Jules Nobles,
still one of my best friends. She told me, hey,
you need to you need to get out you You're
very good at talks. So that's why I like doing
what I'm doing and getting that out there, because I
saw the other side. You know, it's not we want
(20:29):
to give everybody equal playing field.
Speaker 6 (20:32):
So you know, I think I think you were spot
on there and preference is a perfect name for us
as you explain it, and then it this, the light
bulb just went on over my head. I'm like, man,
I truly get it now, and that makes a lot
of sense. And you are a really good interviewer. I
like talking to you. You know, you have your genuinely
(20:54):
enthusiastic about what we're doing out here and and not
just showing up on the show. And you know, you're
you're asking good questions, You're you're engaged, You're engaging me
and engaging the audience. So you know, kudo kudos to
you of I mean, uh, as far as I'm concerned.
I always want to come and do an interview with
your own presence. It's like, uh, I hope to keep growing,
(21:17):
you know, uh in terms of a playwright and you
know the movies and books and all that sort of thing.
But you know, I do want to give a shout
out to Preface then there you always have the place
uh special to me in terms of the support you know,
provided by Preface Media, which has been you know, excellent
and wonderful. Even in the interview here that's a worm
(21:37):
over a week and a half after the show, you know,
came out. So we had love before the show and
we're get in love after the show. So a lot
of times when the show's over with, you don't hear anything,
so you know, but you know, with James and Prefence,
they're there. You know, he's he's still give me a
platform to to talk about it and to say what
I'm doing. So I really appreciate that and in his
(21:59):
intech and right on. So Janz, keep up the good
work and looking forward to, you know, having more talk
with you and bringing more projects to that market.
Speaker 2 (22:13):
And I look forward to because, like you said at
the end of the month in October, you have an
event that's possibly gonna happen. You still have to work
out and the iron ups.
Speaker 6 (22:21):
Yeah, we're still working out and we I know you'll.
Speaker 2 (22:26):
Be back for that, so you're more than welcome and say, hey, James,
I need to talk. I'm like, all right, we set
it up. We'll make sure we'll set it up and
get it going again, so I'll.
Speaker 6 (22:38):
Look forward to it before I do too.
Speaker 2 (22:41):
And we have about five minutes left in the show,
so and we if we're gonna pay some bills with
some sponsors that we need to fit in real quick.
At the last part of the show was about four minutes.
So the last couple of minutes that we have, Damy,
how can we locate here? Where can we find the
book that you have written? Just let us know what
can we what can we expect from you? Or where
(23:02):
can we find your product so we can we can
be well informed and stay in touch with you.
Speaker 6 (23:08):
Okay, Well, hey, thanks James for asking. And uh right now,
I'm I'm on Facebook Jamie rose Ja and my R
H O. D Yes. Facebook also have a page for
tom Kat you know too them see C A T
two words tom Kat you know. Stage play is out there,
and just recently you put up a site for for
(23:30):
the name of the horror movie is Night of the
Unspeakable or no too, So we got a brand new site.
That's just what uh it's for a page, I should say.
Eventually I'll be moving to setting up a website.
Speaker 4 (23:44):
You know.
Speaker 6 (23:44):
That's sort of thing. If somebody is interested in the
book Premisiah, you know, you can view it, uh see
it discription if you Google it. But if you're interested
in the copy of it, just inbox me and I
can send you a copy for nights you know, a
reasonable amount of money, and then we can discuss that
and cruse shipping and handling for it. But when I
(24:05):
come down there, I may bring some books if we're
able to get things going. So hoping to bring my
horror film to Atlanta for a sneak preview Halloween, which
would be great, James, that'd be just one good time man.
So Tomcab was fun and this is gonna be fun.
Speaker 2 (24:23):
Too, and we look forward here at Preface Media. Jamie,
thank you very much for joining us again. I know
you were a very busy individual. You're a little under
the weather too, but you still need time to talk
about that night as very much appreciated. You mean you
got my information, you got nothing beloved from from Preface Media.
Speaker 6 (24:44):
So and then thank you, and Preface Media's got no
love for me as well too, James. Keep up the
great work. We don't think I can do to support
your efforts. You know, I'm over your I phone away,
you know, just letting me know. I'm happy to do
whatever you know you may want me to to help out,
you know, so I'm good with that.
Speaker 2 (25:06):
All right. And as me and Jamie always says, you
have not heard the last of us. But we're gonna
do is paybo. We're gonna ride out to a song
from a new artist. His name is Disney Delta, coming
out of Rockford, Illinois. You can also find his music
at dizzey Delta d i z z y d e
l t a dot bang camp dot com. We also
(25:27):
want to give a shout out to to Salon de
Wit to Raid the Wick. It was also made a
donation to the Preface Media Fund and we appreciate that too,
so we want to make sure that you are recognized.
She was a guest on the Shoe a couple of
weeks ago, and she wanted to contribute to keep the
efforts going to discover new artists, new dreams, new possibilities.
So with that, we're gonna ride out to Disney Delta.
(25:49):
You've just listened to another episode in the books here
at Preface Media. Good night to everyone, and please listen
to the song on the way out. It's called sometimes.
Speaker 7 (26:07):
Yeah huh. Cause see I started with my team and
thought we probably come up overnight. Weaty's about when things
gonna go the way you thought them out, like towing
around the world. Are these offers took so long to right?
People say they with you, but they motive. It's control
your life. I ain't understood, but it's all good when
I control the mic, accordinate my steps to have me
preps so I can flow it right, scheduling open a
(26:29):
set and maybe I could be the leader heights. We
should get it started by tonight because I'm gonna make
a bounce and I don't gonna give this money.
Speaker 4 (26:40):
And I'm gonna make them dollars.
Speaker 7 (26:43):
And I'm gonna give this money mine and I'm gonna
get this paper rent do what most of these rappers
would think they couldn't do. Focus on these kids. To
probably make up program after school, make my own success
and care less about what I menswered to. I ain't
for the drama. If you can miss me with the abitue,
it's not averages type of talent would cause no damage
for as long as I did, just to make sure
(27:04):
that business is handled because on average mostly these rappers
they even got no talent. But but much as I did,
these niggas can't come and grab me, see me.
Speaker 4 (27:22):
And let that be spread.
Speaker 7 (27:24):
This niggas out the show so thinking they was holding
I'm coming with my own shoes. They think our own son,
all my people was up in here. You know I'm
the same me again that they so hold up, gonna
be so retarded. If it ain't done what you call
they find, I might gonna e bay. I've already looked
what my vocal was gonna start it. Now I'm on
them the club with no card and looking for the
(27:44):
girls that their party. And baby, that's what you're about.
You didn't no doubt what is Mama.
Speaker 4 (27:47):
You're gonna make your pounce. You're not gonna get this money,
and you gonna make your pounce and you might get
this money and let that boots bree Bree.
Speaker 2 (28:27):
Not any way you.
Speaker 3 (28:28):
Can the company. You'll give it a name.
Speaker 1 (28:32):
So vote to go on.
Speaker 3 (28:34):
So full away, Lady Bow and past.
Speaker 2 (28:39):
Many go and say.
Speaker 3 (28:43):
Hello everyone. My name is Valerie Perier and I'm the
founder of the One Kidney Club Las Vegas, Nevada. You
can find us on Facebook at one Kidney Club Las Vegas,
Nevada or Instagram. Our Instagram handle is one Kidney Club
l v N. Our email address is one Kidney Club
LVN at gmail dot com. If you would like to
learn more information on how you can become a living
(29:04):
kidney donor, please visit the National Kidney Registry at Kidney
Registry dot com
Speaker 2 (29:12):
For you to a skill
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