The Ambition Effect w/ Ebony Mystique

Episode Transcript

Speaker 1 (00:01):
This is brother of the Mysfit Effect, and of course
I'm joining with my wonderful, beautiful, spectacular, always juicy co host,
the Lovely Mysteria Relates.

Speaker 2 (00:12):
Hey, that's right, I am back in my bedroom forming again.

Speaker 3 (00:18):
Right now.

Speaker 2 (00:19):
My camera is limits, but I am still here and today, honestly,
I am bringing you a goddess. Okay, not just a goddess,
but the goddess, miss E Mistique. I don't know you,
and they know me, to be honest.

Speaker 3 (00:39):
So that everybody, we for everybody, We for the universe,
so they all know.

Speaker 1 (00:46):
For mistake, you know, for the poor souls out there
that that that person has been under a rock for
the last few years who need to need to know better?
Tell us who are you?

Speaker 3 (01:00):
I haven't even seek the mother, the Mother and God?
Is that's what I Yeah, I'm the barb you know,
I'm the barber of the era. You know I have
my own trends. I'm in my own lane. I love everybody.
I'm not the drama queen, but I am the queen.
You know. I just love. I just love love, and

(01:21):
I love with the industry we're talking about, the adult
industry has brought to me and my life and my
peers and it's just an amazing time. So I guess
I'm the fairy. I'm the fairy.

Speaker 4 (01:34):
I'm a fairy, absolutely, And I do remember hearing that
I think it used to be a nurse before this,
so there used.

Speaker 3 (01:44):
To be a nurse. I'm retired now, but once a nurse,
always a nurse. So I'm still I still hold my licensure.
I just don't practice anymore.

Speaker 2 (01:55):
Still, absolutely, But honestly, I feel like that's what makes
it greater. When we go to like events, you see,
we get like, we get shy, and some of us
will get like panic attacks and stuff like that, and
it's great knowing that a fellow performer is actually there
and is able to help.

Speaker 5 (02:14):
If at any point we need it.

Speaker 2 (02:15):
You know, it makes it a safer environment knowing that
like we have not just like veterans and stuff like that,
we actually have medical professionals who are on the scene
as well.

Speaker 3 (02:28):
That's amazing. I never thought about it like that, which
I should because legally, if anything was to go down,
I'm still obliged to have to first line things because
I held the license. Sure, So it has happened to
me on the plane, it has happened to me at
an amusement park, but never in me a deal industry. Yeah,

(02:51):
when you're not at work, and do they have anybody
that's a medical professional, nurse or doctor on the plane,
you'd be like, goddamn it, I just had a goddamn mimosa.

Speaker 5 (03:00):
Right, I haven't even think of that.

Speaker 3 (03:02):
But yes, like you still have to. I don't know
have to, but.

Speaker 1 (03:07):
You still hypocritical, right exactly.

Speaker 3 (03:13):
Yeah, And it is something you have to do legally
if something was to happen and you didn't respond, because
you are a first responder, whether you on work or
off work. Even in retirable you see sometimes where the
police be retired police are off duty police and they
still do police work. It's just one of the things
that you swear into. So why I haven't had to

(03:35):
save a life, but I do take them and I
give those to give it back. And I know I
know anatomy.

Speaker 2 (03:45):
Absolutely, but see, one of the reasons why you haven't
had to do this at a convention is, first of all,
they're always gonna have medical staff there. For example Xotica
and Avien, they're really big about perform more safety.

Speaker 1 (04:01):
But we don't really have.

Speaker 5 (04:02):
To think about our own safety.

Speaker 2 (04:04):
But at the end of the day, it's great to
think like, oh, if anything happens, bam, we've got nurse.

Speaker 1 (04:14):
We got this mystique right here.

Speaker 5 (04:19):
Exactly.

Speaker 1 (04:20):
So there's a few things that I wanted to talk about,
but what I did want to hit on this first
because I want to know what all you're doing here?
So what is studio space? And tell us about studio space.
It's called studio space, is what That's what it's called.
That's what he was called your place down downtown l A.

Speaker 3 (04:42):
Oh no, it's called Luxury Journey Studios. That's what I
was like, huh right here, very well, it was doing
very well, very well. I have so before I did
the entertainment, just to kind of back up a little
bit and why it maybe did better than than if
I didn't I have. I already had connections in LA
because I used to do celebrity fashion design. And with

(05:04):
that being said, a few of my clients were able
to use my space when I first started in a
system with promotion. Promotion is very important, I think, especially
when you're trying to get off the ground on something
and utilize the money that you made into marketing. So
that's what I decided to do, so, but it did
very well in LA. However, I had moved to Las

(05:27):
Vegas about a year later. My lease was up in
LA at that warehouse, so I moved it to Las
Vegas in a home that I was also utilizing as
a content home, and companies were running it out. It
was just a good thing, but that lease was up,
so right now at the moment I packed it all up,
I have spending a lot of money on storage because

(05:49):
I'm back in LA and I'm right now trying to
cultivate whether or not how I wanted to look like.
I think I might do it in the Airbnb spectrum
and still utilize it as like a content like a
peer space, but it's hard to kind of put those
both things in practice because if you have a full booking,
as like a all day booking, it's different from the

(06:10):
same day booking. So I'm just trying to figure out
how I want to go with this. But it was
very very much. It was so much fun for me,
and it gave people a place where they could not
only do a day work because I didn't mind a
dealt work in my studios. It also gave people just
a really nice look at things because I love aesthetics

(06:31):
and details and it's just a gag for me. It
did well love that.

Speaker 5 (06:36):
I'm very big into aesthetics, so I love it.

Speaker 2 (06:40):
Find a shoot house that has the look that I'm
going for, you know, and we don't have to move
things around this part.

Speaker 3 (06:47):
And I think that if you think about just anything
in consumerism, I mean, if you think about a restaurant,
or if you think about if it's a salon that
you go to, or a vacation or a hotel while
you're on vacation, people usual book things that look good exactly, Yeah,
make them feel happy or they they spending their money. Well,

(07:08):
so that's really important to me.

Speaker 1 (07:10):
M One of that idea I do like about that
is it is like because people come to my home
and shoot sometimes, but it's like, you know, sometimes you
don't want everybody to know where you live at this
so and like, don't get me wrong, like there haven't
been anyone that there's never been a requested somewhere. I
don't like to come to my crip. But it's just
like someone who I know shot here the other day.

(07:33):
This is gonna be a month later. So it might
be a while for y'all, but like I'm like, uh,
you can shoot here with this person, but you have
to get a whole like, yeah, talk to me about
anybody else, because like I love people in the industry,
but some of some of these people, like I don't
want to have to like wash my cameras every day

(07:55):
because because of it, you know.

Speaker 3 (07:57):
Yeah, So just to piggyback on that I did, I
was very successful in Las Vegas, and that was my home.
I had a sixth bedroom home. You know, it's Vegas.
You pay for the square footage, very nice, and you know,
I even had companies in contract with me to shoot
like for instance, browsers, those type of things, especially if

(08:17):
you share this space like they have that on Airbnb. Now,
they'd be like book with Johnny, like you can book
a room in somebody's house that they live in. My
thing was always to keep a space where I can
lock things up or take things that were super super
sentimental to me because I had the I had already
made the decision that I'm opening up my space to

(08:39):
these people because you can get if you're thinking that
my thought was this is personal. My thought was I
can get robbed when I'm on vacation and not home,
but I can make and I'm not making no money
as a matter of fact, they taking it from me.
Or I could create a space where you know, I
like it, but I'm also sharing it. So I'm not

(08:59):
going to put materialistic things that are super sentimental to
me in this home because I'm sharing it with people.
So the way I decorate now, to them, it looked fly.
But to me, I know that I'm not gonna put
my one thousand percent and put my most priced possessions
in this space because there is a possibility that someone
can adorn it enough to take it from me, and

(09:21):
I don't like that. I don't like that. So that's
another reason why I said, like EARB and b and
things were like, if you were to get into like
booking your home and letting people enter it, they will
They have like an assurance for your shit. So it's
just about you documenting your stuff before and after a

(09:42):
booking and being able to show it was there and
now it's gone and needs the motherfuckers that took it.
They usually recuperate your money for you. Sometimes things can't
be recuperated sentimental things and stuff, but at least you
don't walk away just with a thief and nothing. So
I would think if you ever are thinking about only
like studio work or maybe sharing your home for monetization,

(10:05):
you just put things in practice where you protect yourself
because things happen. It's just the risk. It's just the
risk of.

Speaker 2 (10:11):
It, absolutely, and the same with everything. There's always a
risk anything that even if it's minimal risk, there's always
at least some kind of risk. And it's great to
actually have an environment that is safe and is adult
friendly by adults, by adult.

Speaker 5 (10:32):
Entertainers, you know.

Speaker 2 (10:33):
And I feel like that's one of the things is
like one of the things I try to find when
I'm looking for a shoot house is like, Okay, are
they performers or like, you know, with it industry adjacent
or is it just a civilian who is just like,
oh yeah, you can do whatever.

Speaker 5 (10:51):
There's still a kind of like balance to that as well.

Speaker 3 (10:55):
It's important if you want to have a successful production
and not get it interrupted or tooking down because a
lot of people when they do have these spaces, you
have to make sure that they allow adult productions, you know,
because it can get sticky, you can lose your accounts
and the way they it's hard to get them back,

(11:16):
even if you try to make a new email. It's
like they got your computer. What is that? I pr Yeah,
that's how only our Airbnb is. It's a lot of creators.
They just want to go and have a nice time.
They may put in together and got a nice space,
and the next thing you know, they can't even book
no more, and no matter what they do, because you
got to show your ID.

Speaker 1 (11:36):
And that's why I like Gigster. You actually click adults
phil together there and it'll break down what you can do.
And I think it's like, even though I don't record
a lot of sex, even if I'm just doing like
a dude follow shoot and I'm using their services, I'm

(11:59):
like adult feeling taking pictures because I want to be
on the safe side. I want them to look. Do
some have cameras in there? Some don't. I don't want
to someone like to just show the show their titty.
It's like girl filming unity girl feeling sex.

Speaker 3 (12:16):
This is not a good look. Your whole production, your
time's the vibe be off. They telling you that you
got to get out. They're gonna call it. It's just
a mass, it's a mass.

Speaker 1 (12:28):
Too much something. It's just like I can't. And then
you guys talk to them about what do they consider
adult filming because you can say, okay, well we allow
new pictures, Well we don't allow sex, we don't allow penetration.

Speaker 3 (12:46):
So what I have found though, but maybe it's just
la I don't know. But I got in a way
with it in Miami too, not to try to not
to try to put any horns out there, but usually
if they allow nudity stipulated, they will allow. Now I'm not.
I'm not like I've gotten away with four gown boy
girl girl girl girl, like I just said, fuck it,

(13:08):
But I'm not. I'm not advising that. But I'm saying,
usually if it's like a solo thing or just like
if you want to do some solo content with yourself
boy girl, you know, a boy or girl. I'm saying solo,
you know, and they allow unity. Usually you can get
away with doing like a cool solo. But like, I
don't know, I push it to the limit.

Speaker 1 (13:29):
I do, I do, I do.

Speaker 3 (13:31):
It's I'm not advising that. I'm not. You have I've
gotten some good luck with this ship. I've gotten some
real good luck and I don't know, I don't advise it,
but just be careful when since we was talking about it,
might as well give a disclaimer. Just read and if
you can be a little bit more verbal in what

(13:52):
the production is, because it is hell when you're in
the middle of doing something and you got it and
they mess it up. It's like there you can.

Speaker 1 (14:01):
Tell sometimes because like if they have like because some
places that I've used on Gigster have cameras like you know,
placed it and you can see them, and then some don't,
and you could tell like they're more relaxed with it,
but others, like you feel if it feels like they're
sitting there the entire entire time you're there, like watching

(14:22):
you that's.

Speaker 3 (14:23):
Sitting or like that right the.

Speaker 5 (14:28):
Right, probably both, And you.

Speaker 1 (14:32):
Know it is what it is, what it is, But
I know that it's always a risk to cut with it,
you know.

Speaker 2 (14:38):
But Lily, I have been kicked out of B and
B's before, and I honestly saying anything too crazy. We
were just doing uh we started out just doing bikini
photos outside and then just you know, went topless and stuff,
and the neighbors complained and.

Speaker 5 (14:55):
Bam, got kicked out.

Speaker 2 (14:57):
The person who booked that B m B did get
batter hands, but luckily it was a group of us,
so someone else was able to to get one right after,
and we were able to like just move on. But
they had just done the intro of like a pool
boy scene, and basically they were gonna go inside, you know,

(15:18):
because this when they got kicked out. Mind you, I
was on set, I was filming somewhere. They were like,
we're gonna pack up your stuff really quick because we
gotta go.

Speaker 5 (15:26):
I was like, what what what were y'all doing?

Speaker 1 (15:30):
Though, Like so you so you're you're in a position yeah,
like literally.

Speaker 3 (15:45):
No when it happened, and you'd be like, what the fun? Yeah?

Speaker 2 (15:49):
I saw the footage and they didn't do anything crazy.
She was just like this in a fool be kating everything,
and he was just, you know, fake cleaning the pool.
He went over to her, and then they walked inside
and that was it. Luckily they got that intro, so
when they moved to the second BnB, they were able
to do the rest of them stuff inside.

Speaker 5 (16:10):
But they were already.

Speaker 2 (16:10):
Thinking like, damn, what if we didn't even what if
we didn't even get this intro. You know, they're like,
we would have been just completely.

Speaker 3 (16:19):
Share of luck. That's what I want to do. That's
why I really enjoyed. And I don't think that it
was only the fact that it was successful. I think
people were just really comfortable in the space, yeah, and
able to like and I had so many different sets,
like if you wanted to be like a nineties girl,

(16:40):
I had like I just went in and I think
that that what drove me to like want to do
more and keep it going. So that's where I'm at
right now with it. It's just sometimes at least I
think it's better, especially when you do like you gotta
consider that tool like moving. For me with LA, I
would kept it in LA. I was doing very well.

(17:02):
It's just like the building owners changed and they had
a different vision and it's like, but I need another year,
come on. So that'd be the other thing when you
when you're doing things and you don't own things and
now you got to relocate things. So that's another thing
that was all That's like a whole nother a whole

(17:24):
nother story. But it's just like longevity and consistency and
people uh being able to recognize and come back to this, like, Okay,
I know this space. That's comfort too, because we we
could say that's the like shooting when I'm when I'm booked,
and it's a location that I know, I'm not anxious
about getting there on time, if I'm getting uber or not,

(17:44):
if I'm driving or not, because I kind of know
where it's at. It's to it be more to like
the anxiety about like because you don't want to be late,
and it'd be like you gotta kind of track things
because you gotta.

Speaker 5 (17:55):
Do right exactly, like not trying to stay all models
are late. But like LA traffic, we forget something you
could never.

Speaker 3 (18:04):
Tell it'd be a Sunday and this shit is two hours,
like because they done got in and took it off
because it's the Oscars night, so that you couldn't you
never killed my gauge.

Speaker 2 (18:14):
LA because last time I flew into LA, I didn't
realize that this was happening. But I was like, why
is there so much traffic? And people were complaining so
much and they're like, oh, yeah, the marathon's going on,
everything's like shut down around here.

Speaker 5 (18:29):
I was like, oh okay, yeah, like that's not something
that you can really like plan.

Speaker 2 (18:37):
Ahead unless you know what events are happening there, you know.
So I ended up being like thirty minutes late for something.
But it was just like I was like, I'm sorry.
I tried to be twenty minutes early and I ended
up thirty minutes late speaking.

Speaker 3 (18:54):
On that net, like I learned the biggest I don't
know if I'm gonna get sober into it, but I
learned the biggest lesson yesterday, Like late is late, like
late is like I learned the biggest lesson yes say,
and it like took over my mind and my body
and my soul. That's how I know I learned the
lesson because I was consumed and what happened, and it

(19:15):
was like it don't even have to be that you
It could be like a human error, you know. Sometimes
you put something wrong in your phone, like a time,
or you might be in a different part of the world,
like a state which is on PST but this is
for est so but your phone sees PST right now,
you ge know what I mean. So log's wrong. And

(19:36):
my point is like in our industry, thank god, they're
a little bit more lenient because like in other industries,
like twenty minutes is super super super detrimental, like and
sometimes you don't want to lie because you're gonna lie
and be like, I'm late because I got COVID or

(19:56):
I'm late because I just took it to es. It's
called a car accident, but that's not like how many
times hopefully you're not late like that worre it beat
too many times? But my point is where do you
just be like human about the fucking shit, like like
like responsible, like no, I have sucked it up, but
I'm on my way. Sometimes I should do not it

(20:19):
don't make like even if they need you, you do
the feature girl, and it can't nobody else place Sarah,
but Sarah, like it'd be like where can't like something
like I learned it. I learned it. I learned it.
So time is very important, exactly. Time is very important.
You'll learn when you miss a flight, like but.

Speaker 5 (20:38):
It's out absolutely wait the plane is still right there.

Speaker 3 (20:42):
We close the doors, man, But you don't understand I'm five,
I'm three minutes late.

Speaker 1 (20:47):
Like that happened to me in December, And I call
that BS because what I fought because I was coming
from a small city airport and like it was the
only one I could take it too, from this one
to Atlanta and Atlanta you know, it's huge as e
f and then it gives They were just lollygagging around
and Montgomery and it was like, okay, we're on the

(21:10):
tarmac for like forty five minutes. And when I got
the big old Atlanta and we had to rush to
get to the other side, they said, oh, three minutes ago.
And I'm like, it's not my fault. I can't. I
can't make a plane take off and it do was
it like that, And y'all could have held it for
four more minutes. You know, I was on my way.

Speaker 3 (21:29):
I had already said right here.

Speaker 1 (21:31):
I'm like, I'm like, yeah, we're still sitting there. I'm like,
I had already landed when it for this plane took off,
y'all were boarding, yes, But I came. I came up
like I had to from that. Like you know how
big Atlanta is, Atlanta Airport is, It's crazy.

Speaker 2 (21:47):
And I just flew through there a couple of days ago,
and I was like, this is insane.

Speaker 1 (21:54):
Like when I got on the on the train, I
had to get off with the like two stops down.
Then it was on the I'm like, this is nonsense
and it's like miss one plane. And they were like, well,
we can get you on in the morning. And I'm like,
I don't feel like standing, Like I don't mind. I can.
I got people, I got my fucking that I know

(22:14):
in Atlanta, but I'm not trying to say the night
here and then and then and then on my bags.
And I'm like that means like I can't take a
shower right now, because like, uh so I won't be
on the on here all. I mean, I can take
a shower at the as the whatever, but I gotta
put the clothes back on so I'll be all FUNKTI

(22:34):
fied uh at the like looking at that, people were like, oh,
you were in the sand clothes you will Yeah, like no, don't,
don't look at me, no you and then yeah it
was and I'm like, oh my god. And then and
then I pay for first class. I really, I really
pay for first class, but I paid I actually pay

(22:55):
for first class this time. Well, well, we can put
you in in the first line of coach. It was.

Speaker 5 (23:02):
Like, no, unless you reimbursing that money.

Speaker 1 (23:06):
I think they're going to reimburse me like half of it.
I'm like like, like, it's not work like I said,
because it's I'm not gonna say the airline, but I
don't like the airline already, and only did it because
it was it was the one that went into the
small city and that was the only reason I paid
for it all the way through, because it went into Montgomery,

(23:28):
and I'm like, oh my god, I'm sorry.

Speaker 3 (23:31):
I haven't made me feel any better. I missed a
flight in Atlanta too.

Speaker 1 (23:37):
Is the biggest.

Speaker 5 (23:41):
I was, honestly one of the words. I feel like.

Speaker 2 (23:47):
One of the worst things that at least have gone
through in a sense was I was sprinting towards that gate.
I saw that gate close as I was there, and
they were like I'm sorry. They were literally saying I'm
sorry as they're closing the gate, and I'm.

Speaker 5 (24:05):
Like, what, just still going come on, come on, please
please please, I'm telling you.

Speaker 3 (24:13):
So. The biggest lesson I learned was like time time,
and you see how in the moments it's like, girl,
we'll put you on another flight. They're not about to.
It's just like bitch open and then you you can't
even act like that because now you want to tell
exactly nothing you could do, and nothing you can do
but take that lit.

Speaker 6 (24:32):
Take that lit exactly, and it could have even not
even been up for you could have been up at
four am, had your coffee was there.

Speaker 3 (24:44):
Did everything right, but.

Speaker 1 (24:45):
Still it make it worse, you know how to take
it to the airport two hours early. I got to
this small town airport and like when I got there,
they said, oh that it is a big cup. I'm
sorry when I got there. When I got there, they said, oh,
no one's working the desk. Now we'll we'll start opening

(25:11):
opening the door, like uh hour before. So I did
get through everything and then like we were just on
the turn back before a freaking ever. So I'm man,
I wrote a bad report about it. I was mad
because it was it was Deceember twenty.

Speaker 2 (25:26):
Third, and I just.

Speaker 1 (25:29):
I'm just trying to get home. So anyway, I'm sorry. Yeah,
it's just been fun. So what do you do for fun?
What what is a fun day in mistake world?

Speaker 3 (25:44):
Okay, Like from start to finish, I was like, what
do you.

Speaker 1 (25:48):
Do for fun? Like, you know, you wake up, you
you know what? I want to have some fun today.
I don't want I don't want to think about porn.
I just want to have a me day.

Speaker 3 (26:00):
Okay, well I was gonna do start to finish because
I have a few of those. I'm giving them to myself.
So like I'll like not even fuck on my phone
when I wake up, Like I won't if it's a
fun day for me, Like I'm not seeing no phones,
none of them. I'm not doing none of that shit
for like at least an hour or two. It's hard
to do, but I don't mess with it. If anything,

(26:22):
I'll turn on YouTube, or I'll get on my I'll
trade a stock or two. I'll do something that is
like stimulating my mind and it be about me. This
is a fun day for me. I like will put
go get my shot er, put my makeup on, make
myself feel real cute, and then I'll probably be taking
it off because I'll book a I do things backwards.

(26:42):
I'll book a face show and a massage massage day.
But I'll go out to eat, like somewhere.

Speaker 1 (26:52):
I like that.

Speaker 3 (26:53):
I like to eat and just go home and just relax.
That is really a good day for me, like a
fun day, like very much, pay very much. Like my
senses are being activated. I'm being touched I'm feeling pampered.
I feel like I'm doing something for myself. I'm eating
the type because I'm a foodie. I'm eating like at
one of my favorite restaurants.

Speaker 2 (27:12):
It's a me date.

Speaker 3 (27:15):
And yeah, all kinds. I like African food, I like
Asian food, Italian food. It's just I'm a seafood girl too.
So it just depends on how I'm feeling. But maybe
i'll uh, maybe I'll like watch something because I don't
really watch TV. But that's how I know it's a
fun day, like relaxing day about me, if I'm turning

(27:36):
the TV on and like binge watching square games or
something like, Yeah, that is that is fun. That that's
what I would consider fun, just like I was like
a fulfilling day. Yeah, a feeling day. That's fun to me.
We're no like, but it's hard. There is a There
is not a day where I don't work in some

(27:56):
aspect or for so, there is no like date where
I don't work.

Speaker 1 (28:00):
I work every day. Well, I mean, because I'm saying
way like she can tell you because I'm always you know,
like I like I have fun. I sit back with everybody,
but I'm always on my phone. Like doing side things.
I'm like, uh like, because I do something outside of
this this whatever, So I got to make sure that

(28:20):
that that is, you know, together. So But like I
was trying to say earlier, like I love seafood, but
I am probably the most anti Italian food person you
may meet, and I hate I hate anything with a noodle.
It might be the texture person, like I taste the

(28:42):
starch in every noodle, Like I can't eat spaghetti rev
only Roman noodles. It's like I taste the like I
would tell I would take garlic bread and I would
dip it in the pasta, sauce and all this stuff
like that, But when it comes to the freaking noodle,
it's the most disgusting thing.

Speaker 3 (29:03):
In the world of me that works. You might just
be like a meatball person, or like I cook we bolls.
I just can't you like a sauce person.

Speaker 1 (29:13):
Yeah, Like, I think it's the majority of Italian food
has some sort of a noodle to.

Speaker 3 (29:18):
It, but are like flat breads, like real authentic Italian
food is more about bread and sauce, not so much
the noodle.

Speaker 5 (29:27):
That's true, then I need my Italian restaurant.

Speaker 3 (29:31):
Hear, like a good pot a pizza or like blat bread.

Speaker 1 (29:34):
Or something, since like my friend is forcing me. I'm sorry,
I mean I'm forcing my friend to cook with me.
I got a whole bunch of cookbooks and I told him,
I said, okay, since you're Italian, give me like an
Italian cook like a give me a link for one.
And I'm thinking they sent me a link for like
a tiny year a tiny cookbook they had probably like

(29:56):
you know, thirty recipes is really saying they me a
book that. It's like that the size of this box
of oatmeal oatmeal girls got cookies. It's a little bit
thicker if you like the one, the one that was
on my really thick, thick, thick one for no damn reason.

(30:17):
And it's like, like, Okay, you know I don't like Italian.
Why you make the Italian book bigger than all my
cookbooks together, because.

Speaker 5 (30:27):
You're bound to find at least one, we'll see.

Speaker 1 (30:31):
I haven't looked at it. I haven't thor looked at
it yet.

Speaker 3 (30:33):
I love food.

Speaker 1 (30:35):
I love like like but like I am, I'm a
seafood person, like I love seafood more than anything else.
But everybody isn't, like, you know, the same seafood I
enjoy because I wish, I wish I could get some
alligator out here out here in l a some good alligator,
not bad alligator. Like there's someone who used to make

(30:55):
this alligator chili and they don't make it anymore so
good and they like it was random too, because it's
a it was a black, soulful place in the middle
of Korea town. Yes, like I'm like, ah, I miss that.
But then then like I like frog blades, you know,
I like stuff like that, Like I would eat that before.

(31:19):
A lot of people don't like that stuff at all,
So it's.

Speaker 3 (31:22):
Like okay until they try and don't know what blades
and talking about this chicken is good.

Speaker 1 (31:26):
Yeah, it tasts like chicken. And it's like and like,
uh like I don't even know where I can get
some like hard hard shell uh hard shell crab. That's
delicious to me. I get the thing. The only thing
I hate to do is when I'm trying to get
some dango crawfish. It's a crawfish crab. Uh where where
you got? Where you where? You got to spend like

(31:47):
thirty thirty minutes just to get a little piece of
down meat that's this big.

Speaker 3 (31:51):
Bowish and it's like it's like, you know, I'm.

Speaker 1 (31:57):
You spent all your energy up. You're trying to get
the little a little. Yeah.

Speaker 3 (32:03):
There's a really good restaurant in La called Crustaceans. They
actually take the crab me out and put it on
like your noodles or your food. You should try it.
They so you don't have to water.

Speaker 1 (32:14):
Oh.

Speaker 3 (32:15):
I love that place, Crustaceans.

Speaker 1 (32:17):
I know when it comes to crab in general, I
just because like my mom loves it too. It's crazy too,
because all my siblings are allergic the crab, and my
niece isn't so me and we all just hit They
just look at them while they can't even because they'll
they'll die. But I just bought her a whole, a

(32:40):
whole kit. I'm like, look, I'm tired of coming to
your house and you make crab legs and I have
to fight with the crabs. So I bought our whole
opening kit just so I can enjoy.

Speaker 3 (32:54):
It. Is a task. You get a little bit of nothing,
mind you.

Speaker 2 (32:59):
I'm the kind of person that has like big eyes
and a little stomach, So I like going out to
eat with certain people who at least understand that and
let me pick like one or like two things basically,
and we will share as a table.

Speaker 1 (33:14):
You know.

Speaker 5 (33:15):
I love doing that where it's like everyone picks something
and we're all just gonna like share. That way we
can taste the different flavors that restaurant has too.

Speaker 1 (33:25):
Mm hmm.

Speaker 5 (33:26):
I love doing that where sometimes it'll be where everyone
orders like two appetizers.

Speaker 2 (33:32):
If it's like one of those places that have like
a ton of like appetizers or like tapas vibes.

Speaker 5 (33:39):
We just we just go foody.

Speaker 1 (33:43):
Okay, I will say this the place you just said,
they have this, uh they have this flipped beyond that
looks so good right now. And I'm getting good get here,
Yeah I was. I wasn't hunger I had and then

(34:05):
and then miss miss came on here and showing me
some flipman young. Now I'm home head.

Speaker 3 (34:12):
We I think enough a lot of I think it's
a good idea to roll into that type of content,
just lifestyle content. So do cook. They just eat it up.
They want to know what we eat. They want to
know what we how we live, what we do. If
we fart, you know, girls, we fart. Glitter baby just glitter,

(34:37):
but literally we're just girls, but they're really into it.
Just like not to bring her up because I don't
know if this has anything to do our conversation, but
like with cooking with Kaya, the thing about it was
it was just showing somebody in their natural state cooking
something presented it in a nice way. And food is poorn.
Have you ever seen like an Instagram real come up

(34:59):
and then somebody cooking and the prison and you be like,
how we hungry as hell? I'm hungry, is right?

Speaker 5 (35:06):
I have to try that.

Speaker 1 (35:09):
And I say this with no disrespect to any culture,
race or whatever. So there is this lady on Instagram
and like she she's Caucasian, but her accent is so
damn Southern.

Speaker 3 (35:23):
It's like she was like she was raised boyfriend.

Speaker 1 (35:27):
Uh cake cake crossed something like that, and like like
it just she just sounds really really really like like
she like she has been through some do some things
in the South, and like I've made some of the
stuff that she's that she's cooked in her Instagram right
really quick and it's so good and it is the

(35:48):
only it's the besides Snoop Doggs is the only like
chef like real Chef cookbook that I have in my
house because I do have. I do have, I do
have Snoop Doggs Cookbook.

Speaker 3 (36:00):
How is it I have?

Speaker 1 (36:01):
I've looked at it, I haven't well, I well Snoop
and what's what's my guy named the goon? Literally, uh, well,
I have, Like I've looked at it. I haven't had
a chance to cook cook out of it yet. And
I've looked at it and it looks it looks like

(36:23):
some everyday recipes that anybody can make. But but it's like,
I'm sorry, so cookbooks cookbook and then this random white
lady who's on Instagram who has a real Southern accent,
and it just sounds like, oh, you know you like

(36:44):
you know, you listen to someone like people cook on Instagram.
They don't sound like they're they see snake food and
she he's heavy handed, which he's white, and it's like, okay, this.

Speaker 3 (36:56):
Is like.

Speaker 2 (36:57):
And it's like.

Speaker 3 (37:00):
I'm a big bag, Like I'm not even gonna lie,
Like I'm going to Japan on Monday. Do you want
to know the first thing I'm gonna do in Iiland
go to these ramen put there's one ramen place that
I've been looking at for the past six months. I
want to eat, and they like, girl, go to seven
eleven when you go to Japan, cause it's a whole
different type of big Oh yeah. So I'm just like, Okay,

(37:20):
I'm gonna I'm gonna have my Petstar Baseball with me
all the stuff I have need from America for your stomach,
because babe, I'm not playing no games. I might get
some frog place something.

Speaker 1 (37:30):
One thing I do want to do if I ever
go to Japan is I want to get some I
can pus. Yeah, because like I try to hear and
it's like so so, but I've heard it. It's so
much better over there, and I'm like, oh, I want
to try. I want to try. It is a mother

(37:50):
stuff that they cook over there. They don't cook here
because the way they slice everything. Because I'm not the biggest.
It's like some raw fish. I can do, but there's
some raw fish and I just it just doesn't with me.

Speaker 3 (38:03):
That's why I'm going to bring my stomach medicine because
I don't.

Speaker 1 (38:06):
Know it's called h where they call it when they
fry it. I loved, I love and ill. Oh my god,
I want me some ill.

Speaker 3 (38:20):
The ill sauce, the ill sauce.

Speaker 2 (38:22):
Yeahself while with shark that actually is really good.

Speaker 1 (38:33):
I haven't had charko in a while either. Oh my god,
we went. We don't win data. We don't win that
rabbit hole of food. But no, like I love a
lot of food, but because like I don't like one
certain food, it like eliminates so many darn things. And

(38:53):
like I like I have I have this like I
don't like chocolate, but I have stuff like that's chocolate
at my holl for other people. Yeah, I don't like chocolate, mistake.
Mm hmmm.

Speaker 3 (39:05):
You know I don't like dark chocolate.

Speaker 1 (39:06):
It's a little bit.

Speaker 3 (39:08):
Yeah, like it was something that I have to be
in a mood for chocolate.

Speaker 1 (39:14):
Taste up so much that I don't taste it.

Speaker 3 (39:18):
You're right, I have to like I like for raal rochet.
You know, I like my little my little few little
what is it lifting a little a little red? They
like balls and they come to a little.

Speaker 5 (39:27):
Favorite, right, they like melow your mouth.

Speaker 3 (39:31):
I have to, but I still have to be in
the mood like if you bring me a chocolate cake
for my birthday, I'm about to be pissed, Like I'm
noting that like, thank you, but where is the or
like like it just depends on what kind of chocolate
it is because it's so rich, it's so like it
hits you in your face.

Speaker 1 (39:52):
Yeah, so like, uh, because anybody knows I don't like chocolate.
And I was having a birthday party at a strip
club and they made about me whatever, and someone else
bought the cake. But then when it came time to
for the cake, it was a big old chocolate cake.
They brought me on stage just because someone give me
a lap dance, and bless herself took the car and

(40:13):
she just smashed it in my face because she knew
good and well I wasn't gonna eat it.

Speaker 3 (40:19):
So it worked.

Speaker 1 (40:21):
It worked perfectly. But it's just it's just weird because
I'm getting like, there's a picture that I'm getting a
lap dance. I can't see anything because the cake is
all over my face. It is just dripping down on
my shirt now at this point, and it's like I
can't see who's dancing on me. I know, at least
at least I know that it's no it is And

(40:44):
I had to say thank you because you know, I
wasn't gonna eat this crap. But yeah, I get that.
For me.

Speaker 2 (40:51):
I think like the only thing that I won't try
is live food, you know, because I've seen somewhere. I'm
just like, Okay, that's not happening. I know that there's
a certain octopus. Yeah, serve it in Japan.

Speaker 3 (41:07):
I've seen it. I'm just rolling up there was.

Speaker 1 (41:10):
Just the what about seeing it? What about seeing it
getting boiled to death?

Speaker 3 (41:16):
I don't want to justus making lobster. They make noise.
It's sad. I don't.

Speaker 2 (41:22):
Yeah, well, I mean there's a there's a way to
kill it humanly, you know, right between killed it right
away and then bam.

Speaker 3 (41:31):
I'm not about to be no suspect or no and
no murders like I don't like.

Speaker 1 (41:36):
I don't like. I wasn't there go to restaurants and
getting lobster or whatever, because like some places let you
pick up the lobster and you walk in you say, yeah,
I want that one. It's like the lobster walk in
and see you point at him and he's like, really
be working.

Speaker 3 (41:53):
Here's the thing. When you spend all the money going
to get all that stuff, we could literally do that
ship at home. Yeah, and we can be feeling it
and making some money. That's how I feel about it,
as long as I like and the recipes. The world.
The world is set up now there is You could
change a tire on going on YouTube. You can literally
start your card from YouTube. Like the world is so

(42:16):
information no, like it's just ridiculous. You can learn how
to do eyelashes. You don't even need a class. You
can learn how to do stop trading it like anything,
everything and everybody. What that shows me is that people
are not only willing to learn, willing to teach. People
are willing to learn. Before we just thought we knew everything.

(42:38):
I don't know, it wasn't so accessible information Like you
could literally you can literally learn a new trade for free.
It just depends on how obsessive you are. And just
keep watching the videos. Just keep you don't got to
pay a dime. You just gotta pay on you, you
know in that'st in yourself. It's just crazy. The only
thing I will say about that, though, just to kind

(43:00):
of flip the switch a little bit, is there is
no recipe for being a porn star, Like if y'all
don't fucking stop excent like if this is probably the
only like music probably is different because you can do
a feature with somebody, like if me and you and
him was doing the feature and we said, Okay, we're

(43:22):
gonna have Cardi b or like Bruno Mars or Drake
I don't know, Kendrick. You know it's gonna get some
play because we made the right play exactly like that,
Like you can shoot with Sarah, you can shoot with I.
We think you fly, we think you're great, but we cannot.
We could promote it to death God, but it's the

(43:43):
fans gonna gonna go with what they go with. So
I just want to flip the switch a little bit
because it all ties into everything.

Speaker 1 (43:53):
It's just like because you're right, you're right, because it's
hard sometimes because some people might of blah blah performer.
But then you're like, I don't really want to say
he'll work with.

Speaker 2 (44:05):
Her though yeah I've heard that too, And I will
say another thing. As far as the learning how to
get into the industry, males penis habers, stop asking the
pussy habers like I don't know how to brand a penis,

(44:26):
you know, like I know how to sell what I have,
So if another like if another girl or whatever.

Speaker 5 (44:32):
Asked me to like, oh, how do I get in?

Speaker 3 (44:36):
What do I do?

Speaker 5 (44:37):
I can tell her or them, you know, but if
they don't have a pussy, I'm just like, I honestly
I don't know, you know.

Speaker 2 (44:46):
I feel like that's one of the things where people
have to realize is like, find someone who looks like
you and is in the niches that you actually want
to do, and honestly pay them to learn from them.
You know, yeah exactly, because it's like I don't know,

(45:09):
like I don't know how to so so cocked, but
I know how to sow pussy.

Speaker 3 (45:14):
And don't need no help selling it neither. So stop
asking the manager.

Speaker 1 (45:18):
Yeah exactly, yeaher is graz And then and then you
ask them for for for for references, Yeah, I have
uh this girl. And then you look the girl up
whatever and like she does nothing at all.

Speaker 3 (45:37):
He's been nowhere facts. And then it's like, all right,
if you're my manager, you must have some management up
fees for this, so you must go out to do
these next three productions that costs. Okay, have you ever
thought about manage Okay, you.

Speaker 5 (45:51):
Can manage me.

Speaker 3 (45:52):
Okay, you once got some goddamn I need to put
up friends so I can get this work done, because
this shit costs money, Honey, exactly. Locations make up her outfits.
People don't like, we don't wear the same outfits twice.
If we do, that's just because nobody's seen it. It's
like this scene not coming out. I'm about to go
on LIVEE tonight.

Speaker 1 (46:13):
So and like what you just said, it's like like
I take pictures of humans, and it's like sometimes I
purchased the outfits and it's mainly because I don't want
you to use something that I'm shooting with you, like
uh like to bring something that you know you might
might want to save for an actual scene whatever. And

(46:36):
then and then I'm like, and then you could take
it like like you want to use it again somewhat
that's on you. But I had like after you put
it after it, Like I was talking to my friend
who because I have a box of just of outfits
that pile up because for example, let's let's say I'm
shooting you. Okay, you're wearing black right now, So let's
how I wanted to shoot you in the outfit you're

(46:56):
wearing right now. I would buy black, pink, white, and yellow,
so you have three or four different depict from and
we might only use the black one, So that means
I have three other ones that are just there now
I have no use for them, so I put them
in a in a box and like I'm like, I
have this big old box. Please take from here and
use it somewhere else because I have no use for

(47:18):
them now, you know. And it's like, but I think
is like, please use it on a scene somewhere so
people can say, oh, that looks sexy.

Speaker 3 (47:29):
You know.

Speaker 1 (47:30):
You know.

Speaker 3 (47:32):
That people don't consider I just feel like cause it's
be like, well, can you put me on? I want
to be a porn star? First of all, that's so
cliche to me to be like porn star. Like, first
of all, let's start like what you just getting in
the industry, Like you want to do porn? Like a
scene or two. Because the porn star language has gotten

(47:52):
so watered down, everybody is a porn star. There was
a time you could not be considered a porn star
unless you have you didne did your work, You don't grinded,
you done, You're a star. Now everybody do one scene.
It's like I'm a porn star. So the word in itself.
The terminology in itself has been watered down, and I
just feel like a lot of people don't understand what

(48:13):
it really takes for longevity and like for you to
continue to like for y'all, at one point, your name
make you money, not so much the action of you
having sex. And it's just like your name in itself
brings you opportunities and money because at some point, I mean,
it's okay to be free and want to feel good
and it fuck and it feels great, you know, But

(48:35):
it is a business. And I think people some at
some point maybe they think it's easy. It's it's still
a job, there's a it's a profession. So I think
people think they don't know or they just like overlooked
that part of it exactly right.

Speaker 1 (48:50):
I think this is upset this before, like because people
come on here, like majority of porn performers. I use
that word when they're on the podcast performers, and that's
a porn stars. But when I'm talking about this, I
say porn stars. It's because like people don't want to
feel like they're lesser than if you say performer. And

(49:10):
it's just like back because like I started in porn
doing stuff in the industry in two thousand and eight,
when you had like a big distinction between people who
were considered stars in star Lits or whatever, and they
made a like say, they made a distension and saying
this is a new star Lit and someone like you know,

(49:32):
coming up whatever in the ranks, and then it's just like,
so now you got everybody. It's like, Okay, I'm a
porn star even though I've only shot one scene with who,
And like you don't get me wrong, I'm not. I'm
not gonna down anybody's agency or a company whatever, and
it's a it's an independent company. It's like you shot
one scene with one independent company and you're saying you're

(49:54):
this and that whatever. But if you walk up to
a random person on the street who's an avid porn
watch her. They've never heard of you. They've never you
act for ten people who ever porn starts from around
the USA, whatever, they've never heard of you. You're not
a porn star yet you're a performer, and you gotta
get you gotta get your you know, get your p's

(50:15):
and q's in in order to get to where you
just said. Where Like people say, oh, okay, we got
to give, like give her all the money in the
world because she used the s h I T.

Speaker 5 (50:28):
Because that's a star right there.

Speaker 1 (50:30):
You know that's a star.

Speaker 3 (50:31):
Same for you, Sair. How do you feel about that?
Just like the I don't know. I just like to
give dudes when it's paid. The one is when it's due.
Like I don't know, like me, per Se, I don't
call myself no legend. I don't even call myself no star.
It's just I'm ebity mistik. I feel like the people
that I'm around and not to take nothing from me
are my worst. It's just it's just flowers, it's levels.

(50:53):
It's like courteous and I respect of the game because.

Speaker 2 (50:58):
That's how I think it's like. Both porn performer and
porn star for me is kind of the same thing,
as long as it's not someone who is being I've
had someone be rude about it and see that I
have been that I'm a porn star and they're going
be like, go and film a scene, not even a

(51:19):
real scene, and then post that on porn Hub and
like I'm a porn star now this this and that.
I'm like, honey, let me sit you down and explain, like,
filming one sex tape does not make you a porn star. Yes, either, absolutely,
but this person, mind you, she was. She was a

(51:43):
dancer at the same club that I was at. I
had just come back from uh from traveling, and I
was filming a lot. And then basically she overheard that
I was a porn star and stuff. She went and
took a customer home with him, just on her phone
and stuff. Obviously didn't clean up the background or anything.

(52:07):
So he is a military service member, or at least
he was. That uniform was on the floor, his last
name was on that uniform.

Speaker 5 (52:18):
So she got him in trouble. And I'm like, I'm sorry,
but I understand what you're doing, but you have to
understand that they there's so much more to just turning on.

Speaker 3 (52:28):
The camera and fucking somebody.

Speaker 5 (52:31):
Much.

Speaker 2 (52:32):
Yeah, So I'm just like, girl, because of what you
just did, he lost his benefits, you know, he lost
he lost.

Speaker 5 (52:41):
Out on his career.

Speaker 3 (52:43):
So we have to.

Speaker 5 (52:45):
Even as i'mateure people that you have to understand that
there is so much that does go to this, Like
the backgrounds are set up a certain way. You know,
there's no logos for a reason. You know stuff like that,
and I'm just like, okay, just understand that filming things
doesn't necessarily make you a star. You're a performer and you're.

Speaker 3 (53:09):
An independent contractor. Absolutely absolutely people think you gotta pay
taxes on that, because that was.

Speaker 5 (53:20):
The only time I was like, wait, no, no, no,
you're not a portant star. You're not a portant star.
You're actually someone who got someone else legally in trouble.

Speaker 1 (53:29):
Well's just like some people will like come come in
and think, Okay, I'm gonna get rich quick. I'm gonna
do one scene, two scenes, make make a cool meal,
and then I'm done.

Speaker 5 (53:41):
No, we're not.

Speaker 2 (53:43):
No, I'm sure you heard that before. People think that
it's that easy, they really do. At the end of
the day, it's a job like any other, and it
is a career career unlike any other.

Speaker 1 (54:03):
I've heard dudes, and I've heard dudes say I got
a big dick, I could do porn. Yeah, it's a
lot of dicks in the world. But just because you
got a dick doesn't mean you can. You can act
on camera with your dick, and like you might, you
might put it you dick into some porn performers and

(54:23):
the way that you know you're supposed to do and
you're you don't know how to cheat out. You don't
know how to you know, play to the camera and
then and then like you can have a big dick,
but can you But can you keep it hard when
you have to? You know, pose and stuff like that.

Speaker 5 (54:37):
And like you know, and then stop and go and
stop and go. Just they don't understand that.

Speaker 3 (54:46):
You be doing that.

Speaker 1 (54:47):
Do you do you.

Speaker 3 (54:49):
Through? Do you do? You do you do?

Speaker 1 (54:51):
You know? Like you know, uh yeah, how much? How much?
How much? How much test costs?

Speaker 5 (55:00):
Exactly? You don't know how much test costs.

Speaker 2 (55:04):
You're not really a full performer yet absolutely, I mean
unless it's solo content.

Speaker 3 (55:11):
That's a little different.

Speaker 1 (55:12):
Okay for a test recently, so I'm a little bitter
about that. How much fact that was?

Speaker 3 (55:17):
Oh yeah, we gotta do every seven or fourteen days?

Speaker 5 (55:20):
Yeah, exactly. I just got retested today.

Speaker 3 (55:23):
The sparks stay stayed out there. Well. I definitely love
talking to y'all. It's we've spent so much time having
so much fun. I love your podcasts.

Speaker 1 (55:35):
So where can everybody find you? Get all your stuff
and everything? Oh?

Speaker 3 (55:40):
You guys can google me I'm not too far away,
but everything Mistique, that's my name, and you can just
google me you I'm not too I'm not too far
away and I love love. So if you need some
I got something to give. No need to be greedy.
I got enough to be the needy.

Speaker 1 (56:00):
Yeah, yess where can you find you? List?

Speaker 5 (56:04):
You guys can find me on Sarah dot com. All
of my links and my social media's will be on there.

Speaker 1 (56:10):
Everybody, make sure you've looked at all that stuff. It's
on bird breakvis dot com. This is everything we do,
and uh, we look forward to seeing all the great
things that miss Bestique does because she's great. She's a goddess,
and everybody who recognize the goddessness that.

Speaker 3 (56:25):
She is, thank you. That's amazing. You guys are so amazing.
Sarah is that girl. You're definitely that guy, and I
love to come back soon. Hopefully I'll see you all
in Chicago, for example.

Speaker 5 (56:38):
I'll definitely see I promise everybody.

Speaker 1 (56:42):
Stay blessed. BSG. Think you're very much to setting this
up and be with everybody. We'll talk to you all
next week