Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Hey, mister, what time is it?
Speaker 2 (00:05):
Gentlemen, Let's broaden our minds. Lawrence, shall we for Cain?
Speaker 3 (00:13):
Shall we backer?
Speaker 4 (00:22):
Ladies and gentlemen, I think something is happening.
Speaker 5 (00:25):
Stand by to receive our transmission.
Speaker 6 (00:27):
We have come to.
Speaker 7 (00:28):
Visit you in peace and with goodwill.
Speaker 8 (00:33):
Ten ten, nine, nine, eight, eight, seven, seven, six, six.
Speaker 9 (00:38):
Five, five four four two one one one zero zero.
Speaker 10 (00:46):
Ladies, ladies and gentlemen, please.
Speaker 11 (00:48):
Welcome Uncle Vince.
Speaker 3 (00:52):
The Tampa is here.
Speaker 12 (00:55):
The Tampa is hare, The Tampa is hare. Tap is here,
the Tampa here, the Tampa here, the Tampa here, The
Tampa is here, the Tampa here, the Tampa here, the
(01:18):
Tampa here.
Speaker 13 (01:23):
Good evening, ladies and gentlemen.
Speaker 14 (01:26):
We are tonight's entertainment.
Speaker 2 (01:29):
I've heard quite a lot about you. You're quite a fire,
aren't you. Batas djil Tuton Tables Welcome.
Speaker 15 (01:45):
Good evening to all my old school and dusty music
lovers everywhere in the universe. I'm your host, you're defender
of old school music everywhere, your favorite DJ Uncle Fince,
and you're locked into the magical mystical music show here
on springs dot com also on mixed Clouds. So for
the next few hours, kick back and enjoys. I play
the greatest old school music in the whole universe.
Speaker 16 (02:06):
Heym.
Speaker 3 (02:06):
Be sure to check out all.
Speaker 15 (02:07):
The music and artists postings on my Facebook page, Vincent
mart for Brothers, a Facebook dot com.
Speaker 3 (02:13):
Shows fan page.
Speaker 15 (02:14):
Friends who like the Triple Lip Show, which is also
on Facebook Like and all your favorites.
Speaker 3 (02:18):
Also stick around for the cover song Helen from last week.
Speaker 15 (02:24):
Now we kick things off there with John Fred and
his playboy band and Judy and the Skies.
Speaker 17 (02:29):
Here on the Trip Blue Show.
Speaker 18 (03:01):
I love the name.
Speaker 2 (03:10):
Joy that fi people wearing your grass?
Speaker 19 (03:23):
You come.
Speaker 18 (03:26):
Home?
Speaker 2 (03:28):
You don't let me.
Speaker 1 (03:32):
Jas with that?
Speaker 20 (03:37):
fIF tell me to night, the Strange.
Speaker 1 (03:57):
Judy and the.
Speaker 18 (04:00):
What do you call.
Speaker 2 (04:05):
Your family called.
Speaker 18 (04:43):
Night?
Speaker 21 (04:45):
Take the side.
Speaker 5 (04:48):
Of the strangers of my fa.
Speaker 11 (05:04):
Judy in the series.
Speaker 2 (05:13):
What's You.
Speaker 22 (05:16):
Mees? I'll just take your glasses.
Speaker 15 (05:26):
John Fred and this boy boy Band, Judy and the
Guys here on the Magical Mystical Music Show.
Speaker 3 (05:31):
Here on spreaker dot com.
Speaker 15 (05:32):
Boss one, mister Clown, I'm your host, your favorite DJ
Uncle Vince. How's everybody doing?
Speaker 3 (05:38):
Happy Friday night, everyone, Thank you for joining us. Got
some helloes to get out here.
Speaker 15 (05:42):
Let me Hello over, Clinton Hamilton Junior, Elizabeth and Betty Cannon.
Speaker 3 (05:47):
Hello, Ernest Streeter, greeting for you, Christian the.
Speaker 15 (05:51):
Emphis, Hello, Madonna Bass, Manuel and Kevin Judah Virginia is,
Sissy King, Hello, my dear Colvid, Hello, cousins, Alan Wright
and Dayne.
Speaker 3 (06:02):
Wilson and Greed Ags, Triple.
Speaker 15 (06:05):
T, Theresa Morales, Hello, my little brother mel and love
Bernie Rodger, Hello there family, Hello to Cookie McPherson, favorite.
Speaker 3 (06:16):
Niece, Doctor O'Riley.
Speaker 23 (06:18):
Hello there, Ramona Hutton, Hello there, Barbara Washington, Greetings the
world travelers, Sally Morales, h my man Hammered Breeds, Hello,
t Sir the House Horstead, We sayload of Angie and
Tim Harstead and Babylan also hello Tom, Michael Wright and
wife Carl Lena and hello there, devil Boy in the house,
(06:39):
My guys, Joey and Marco's Morales was up men, And
we also say a load of Tans and Bankston out
there in Vegas and Bankston Destinations Travel Agency.
Speaker 3 (06:48):
Yeah, Hello, Violet Smith.
Speaker 15 (06:51):
And Renee Bailey mal and Calvido Vincent's Hello.
Speaker 3 (06:56):
Willie Hooker and Natitia.
Speaker 24 (06:57):
Davis, Bobby Hill and Michael Simmons and.
Speaker 3 (06:59):
Everybody, Willias Barbershop, what's going on?
Speaker 15 (07:02):
Hello to Susie Stein, Russell and Joan Marine Dupon's Hello,
Sammy Wilson and Jerome Williams.
Speaker 3 (07:09):
Hello there, Alicia Coleman and Kendrick Smith. Greetings to you, Senior.
Speaker 15 (07:14):
Circuit represented by Ralph and Mary Oldman.
Speaker 3 (07:17):
Also we say hello to Karen Wilson and Sony Wilson.
So the young folks Katherine and David jaw Potts. Hell
does Steve and Benjamin Stein Junior. Hello, they are young folks.
I hope you have a good time and enjoyed show.
Speaker 15 (07:30):
Coming out to our first musical request of the evening,
Going out to my big brother Gary Carruthers. I wanted
to hear hallo Oates.
Speaker 3 (07:37):
You make my dreams field brand new here on the
Triple Young Show.
Speaker 12 (07:54):
What album.
Speaker 2 (08:00):
Turns a candle? A kind of fl.
Speaker 25 (08:06):
What I got?
Speaker 2 (08:07):
Full stop, a full stream scattered?
Speaker 26 (08:10):
When you pull all together and you're.
Speaker 2 (08:15):
Gonna say, I get well, will you? Did you make
a man too.
Speaker 21 (08:28):
Well?
Speaker 27 (08:28):
Well?
Speaker 2 (08:29):
Well you again? You make a man so true You're well.
Speaker 25 (08:40):
On the night, my man the cup screaming, when the
man's wheels streaming love.
Speaker 28 (08:48):
In his face, The president, shut away out about yourself
around me because I way abound me, and I say again.
Speaker 2 (09:03):
Welcome, you.
Speaker 1 (09:07):
Make my d.
Speaker 2 (09:14):
Well, well, well you alone you make a mody true.
But listen, is this.
Speaker 3 (09:40):
I'm don.
Speaker 2 (09:43):
All that sting shutting me over my now know, yeah,
you make my true.
Speaker 21 (10:01):
The girl make this.
Speaker 2 (10:27):
Make by the games.
Speaker 29 (10:43):
A long long time ago, I can still remember how
that music used to make me smile.
Speaker 11 (10:55):
And I knew, if I had my chance.
Speaker 30 (10:58):
That I could make those people dance and maybe they'd
be happy for a while.
Speaker 11 (11:08):
But February made me shiver.
Speaker 18 (11:12):
With every paper.
Speaker 30 (11:14):
Ride deliver bad news on the doorstep, I couldn't take
one more step.
Speaker 2 (11:24):
I can't remember.
Speaker 31 (11:25):
If I cried when I read about his widowed bride.
Speaker 30 (11:32):
Something touched me deep inside my day.
Speaker 2 (11:38):
The music.
Speaker 32 (11:41):
Die so By by Miss American Pie drove my chevy
to the levee, But the levee was dried, and then
good old boys would drinking whiskey and right singing this
(12:01):
sub the day that I died, This so be the day.
Speaker 18 (12:07):
That I died.
Speaker 2 (12:12):
Did you write the Book of And do you have
faith in God? Loved?
Speaker 33 (12:19):
The Bible tells a soul.
Speaker 29 (12:23):
How do you believe in rock and roll and music,
save your model soul?
Speaker 11 (12:30):
Then can you teach me how to dance? Reezelove? Well,
I know that you're in love with him, because I
saw you dancing in the gym.
Speaker 34 (12:45):
You both kicked off his shoes.
Speaker 35 (12:48):
Then I dig those rind of the blood hours alone
to gen h Brock.
Speaker 29 (12:54):
And Buck with a pink carnation and a pickup truck.
Speaker 2 (12:58):
But I knew I I was out luck.
Speaker 36 (13:01):
To the day the new music died, I started singing
by by this American pie broke my vity to the levee.
Speaker 2 (13:14):
By the levee was dried.
Speaker 11 (13:16):
Them good old boys were drinking whiskey.
Speaker 18 (13:18):
And rise singing, this will be the day that I died.
Speaker 11 (13:23):
This will be the day that I died.
Speaker 29 (13:28):
Now for ten years we've been on our own, and
moss grows fat on.
Speaker 2 (13:34):
A rolling stone.
Speaker 34 (13:35):
But that's not how it used to be.
Speaker 29 (13:40):
When the Jester sang for the King and Queen and
a coach he borrowed.
Speaker 37 (13:45):
From James Dean in a voice.
Speaker 19 (13:49):
To the James from you and me.
Speaker 29 (13:54):
Oh, and while the King was looking down the jester
stone party crown the cartoon was a German.
Speaker 35 (14:05):
Now Berdy Birth returned and while letting read.
Speaker 31 (14:10):
Above con marks the courtet breakfast in the park, and
we sang dirges in the dark.
Speaker 22 (14:19):
The day the mus music died, we was singing.
Speaker 2 (14:26):
By by Miss America.
Speaker 11 (14:28):
By Dolt Michelle to the leather.
Speaker 21 (14:31):
The leather was dried.
Speaker 11 (14:33):
Them good old boys.
Speaker 18 (14:34):
Were thinking, we see it rise, singing this will be the.
Speaker 38 (14:37):
Day that I died, This will be the day that
I'd died.
Speaker 29 (14:46):
Helped the sculptor and the summer swell th birds flew
off to the full up show, eight miles high and
falling bear.
Speaker 2 (14:58):
Land bow on the grass. The players tried for a
forward past the jest.
Speaker 39 (15:06):
On the sidelines in a past.
Speaker 21 (15:11):
Now.
Speaker 29 (15:11):
The halftime air was sweet, perfumed, while sergeants played a marchingtone.
Speaker 2 (15:19):
We all well got up to dance. I've been never got.
Speaker 36 (15:24):
The chance, the players trying to change the field, the
marshing man who refused to hear.
Speaker 11 (15:33):
Do you recall what was the feel of the day.
Speaker 36 (15:38):
The next day and we started singing by Samerican, I.
Speaker 40 (15:46):
Don't sad tune, better d better start than doing all
the goods, to think and to see the prize, singing
by today that I died, This would be the day
that I'd died.
Speaker 29 (16:03):
When there we were all in mind place, the generation
lost in space with the north time.
Speaker 34 (16:11):
Left start again.
Speaker 22 (16:14):
Some time on Jack by nimble Jack be quick.
Speaker 31 (16:18):
Jack flashed sad in a candlestick cos.
Speaker 11 (16:23):
Fire as the devil's dong.
Speaker 31 (16:25):
The brand, And as I watched him on the stage,
my hands were clenched in fifty rage.
Speaker 41 (16:36):
No angel born and el could break that satan spell.
Speaker 2 (16:42):
And a flames im high and.
Speaker 32 (16:45):
Till the night to light the stack the sugar ride,
I saw my safe laughing with delight to day.
Speaker 2 (16:57):
Y he was singing by by.
Speaker 22 (17:02):
Some mary hide all slitude.
Speaker 25 (17:05):
Then letters died in.
Speaker 40 (17:07):
The alloy, and the same by said to me today
that I died, and told me today that I died.
Speaker 29 (17:21):
I met a girl who sang the blues, and I
asked for some happy news, but she just smiled and
turned away. I went down to the sacred store where
I'd heard the music years before, but the man there
(17:42):
said the music wouldn't play.
Speaker 1 (17:48):
In the streets.
Speaker 32 (17:50):
The children's screamed, the lovers cried, and the poets dreamed.
Speaker 34 (17:56):
Not a word was spoken.
Speaker 2 (18:00):
Church bells all were broken, and the three men id.
Speaker 41 (18:06):
My most, the father Son and the Holy host.
Speaker 11 (18:12):
They caught the last train for the coast.
Speaker 21 (18:16):
The day.
Speaker 19 (18:18):
The music.
Speaker 11 (18:21):
Die, and they were singing.
Speaker 2 (18:26):
Bye bye Miss American Pie. Drove my chvy to the levee,
but the levy was dried.
Speaker 30 (18:37):
Them good old boys were drinking whiskey and rye singing
this SOUDI the day that I died, Misudi.
Speaker 42 (18:49):
The day that I.
Speaker 1 (18:51):
Died, they was singing by.
Speaker 11 (18:57):
Bye miss American Pie. Machete to the heavy but guy
then with drinking whiskey, seeing.
Speaker 14 (19:09):
In this sub.
Speaker 1 (19:16):
I fish.
Speaker 43 (19:17):
I also clean local waterways so others can fish and swim.
I help build public boat ramps for easy access to
the water. I provide fishing and water safety education for kids.
I maintain a healthy fish population so tomorrow's anglers can
enjoy a catch. I prevent unwanted species from spreading into
(19:39):
waters where they don't belong. I restore the condition of
rivers to help fish and wildlife thrive. I fund long
term plans to protect our lakes and streams.
Speaker 18 (19:51):
I do all of these.
Speaker 43 (19:52):
Things and more, all because I buy a fishing license.
Speaker 18 (19:57):
When you buy a fishing.
Speaker 43 (19:58):
License, you do a lot. At Every dollar from a
license purchase protects and maintains your local waterways for future
generations to enjoy. To learn more about how you can
get your fishing license, go to take Me Fishing dot org.
That's take me Fishing dot org.
Speaker 13 (20:16):
If you're listening to your favorite DJ Uncle Vince on
the Magical Mystical Music Show.
Speaker 11 (20:44):
Robin.
Speaker 18 (20:53):
Give me.
Speaker 44 (21:01):
My Green sail Bury, watch the gen James start to shine.
Speaker 11 (21:11):
Collections at the music in mind.
Speaker 2 (21:16):
When you talk about you say, how listen why I play.
Speaker 11 (21:25):
My greensil brewy.
Speaker 2 (21:50):
Drop a diving bot away and it's on you. What
I play?
Speaker 21 (21:59):
Money be.
Speaker 45 (22:07):
My green Sambury, the lemon pipers, green tambourine from nineteen
(22:46):
sixty eight.
Speaker 15 (22:46):
Before that, we heard from Don McLean and American Pie.
You're listening to the Magical Miscomal Music Show here on
breaker dot com.
Speaker 3 (22:53):
Also a mixed cloud coming out. Our next miserical request
is going out to Bridget Jones, Hey, where are the one?
Last weekend? She wanted to request this one this.
Speaker 15 (23:02):
Week Evelyn Champagne King and a song of shame here
on the Triple Lip Show.
Speaker 3 (23:07):
That's a party now, hal pick those hands together back
that floor.
Speaker 2 (24:00):
Storm shame, keep my paying fad.
Speaker 25 (24:13):
Got shame. Some big a boys.
Speaker 9 (24:20):
Stare on the base in your hot Babe, that's.
Speaker 2 (24:36):
Shame, a mother bad and where the mede shame up
the tail mound the same.
Speaker 25 (24:56):
Babe, that's I shouldn't.
Speaker 21 (25:11):
Say that.
Speaker 2 (25:17):
That is the route the water.
Speaker 21 (25:23):
Can you say.
Speaker 25 (25:25):
Only I can be a baby?
Speaker 2 (25:29):
I'm gonna move out. Man, it was why the aba you.
Speaker 21 (25:43):
Want?
Speaker 25 (25:43):
BABEA O can be the bab.
Speaker 2 (25:58):
I wanna move out. I say shame with the.
Speaker 25 (26:14):
Shame, shame shame mom. Then ah, man, it's.
Speaker 21 (26:42):
With a shame shame shame.
Speaker 2 (27:06):
We will w don't know, don't know that sun man a.
Speaker 5 (28:52):
Reason your favorite DJ dropping the beats so you can dance.
Speaker 46 (29:38):
Uncle, that's my favorite DJ.
Speaker 17 (29:42):
You want me on that wall?
Speaker 2 (29:44):
You need me on that wall. When a dark doesn't highway.
Speaker 35 (30:41):
Cooled in my hair, walt well a bly dust rising
up through the air.
Speaker 47 (30:51):
But the head in the distance, I saw a shimmer light.
I hit the heavy and my side grew. Days had
to stop bother night. Then she stood in the doorway
with the mission map.
Speaker 2 (31:11):
I was thinking to myself, this could be happened.
Speaker 21 (31:14):
And this could be there.
Speaker 37 (31:17):
Then she lived up a kindom and.
Speaker 2 (31:20):
Then she showed me to win. There were bosses down
this corner door. I gotta linsay, Welcome to.
Speaker 22 (31:31):
The Hotel California.
Speaker 2 (31:36):
Such a love, such a lovely.
Speaker 21 (31:38):
Place, such a love of the things.
Speaker 25 (31:43):
Ready a room.
Speaker 2 (31:44):
At the Hotel California. Any time of him, any time
of you, you can find him. Her MYSTI really twisted.
She got. Come, I say these mands. She got a
lot of pretty by bus. She called.
Speaker 47 (32:07):
Men, we have the dance in the good yard, swim
and some will sweat.
Speaker 2 (32:16):
Some that's to remember. Some that's you forget. So I
call him the captain. It's Billy. My friend then.
Speaker 47 (32:28):
Said, we haven had that spirit in here since nineteen
sixty nine, and still all those bunches are gone.
Speaker 2 (32:38):
And come fine.
Speaker 25 (32:39):
When you have been the middle of the night, just
a little man said, Welcome to.
Speaker 20 (32:49):
The Hotel California.
Speaker 2 (32:54):
It's such a love race, such.
Speaker 20 (32:56):
A lovely race, such a loved face.
Speaker 2 (33:01):
Live up to californing surprise, a nice support.
Speaker 25 (33:14):
Mirors on the steiling, the big champagne on us.
Speaker 1 (33:20):
She said.
Speaker 2 (33:21):
We are all just business here of our own device.
In the master's chambers. They gathered from the feast, stabbed
with their stealing nice but they just can't kill the beast.
(33:43):
I was running from the job.
Speaker 47 (33:47):
Had to find a passage back to the place the
light sending night man be wanting scene. You can check
out it inside your.
Speaker 48 (35:25):
Dat Maul Murray from nineteen sixty eight Love and Blue.
Speaker 15 (38:46):
Before that, we heard from the Eagles in a hotel California.
Still to come this hour we hear from Leonard skinnerd
and of course we'll hear a nice steppers cut from
Harold Melvine in the windows round out the hour of
right now we have a music requests going out to
a desk.
Speaker 3 (39:00):
Go Bankston from.
Speaker 15 (39:00):
Nineteen seventy six is to Doobie Brothers as they're taking
it to the streets here on the Triple M show.
Speaker 35 (39:18):
M you don't know me, but I'm your bro, almost
wasted blueve me.
Speaker 2 (39:33):
You don't know my God you.
Speaker 37 (39:39):
Well soon the time will tell.
Speaker 22 (39:45):
You.
Speaker 35 (39:48):
Telling me the things you're going to me. I'm not
I know my mot taking it.
Speaker 2 (40:00):
Too street speak nor money for.
Speaker 25 (40:06):
Speak about.
Speaker 35 (40:12):
To take this SMA Saves to Moron, you will find
m Robert people I too, can chin and parties spell
(40:37):
made chilling me the.
Speaker 25 (40:42):
Things about you for me, I don't because.
Speaker 2 (40:52):
Taking it to the street speaking normal, taking.
Speaker 21 (40:59):
It to stuff who are you.
Speaker 2 (41:31):
Following me.
Speaker 25 (41:32):
The things do move.
Speaker 18 (41:38):
I got that.
Speaker 25 (41:39):
I don't do anybody disclast to take dis last, taking it,
toss last, not last, nobottstst.
Speaker 37 (43:47):
I fly there, Tom, but you still love.
Speaker 2 (44:03):
But I must speed traveling on.
Speaker 49 (44:11):
It is too many ways.
Speaker 1 (44:13):
As I've got to see.
Speaker 34 (44:20):
You must stay with.
Speaker 25 (44:23):
Bird. Thanks just goodn't you say.
Speaker 50 (44:36):
Some ass free as word now.
Speaker 37 (44:44):
And the spird.
Speaker 2 (44:46):
You cannot change.
Speaker 25 (44:55):
Change, sir, you cannot shack.
Speaker 51 (45:47):
Ba ba baby bsmas sweetnack.
Speaker 34 (46:03):
Please don't take so bad.
Speaker 31 (46:12):
No sounds.
Speaker 34 (46:19):
If I stay with you, it's just good in the same.
Speaker 1 (46:36):
Sum ass breed.
Speaker 25 (46:38):
As a bird.
Speaker 21 (46:44):
And bird.
Speaker 25 (46:46):
Change Chang.
Speaker 37 (47:24):
Chap, watch a bad.
Speaker 18 (47:30):
Breeze.
Speaker 25 (48:29):
S USh.
Speaker 21 (52:24):
Touch me.
Speaker 22 (52:28):
You know just how to touch me, kiss me.
Speaker 52 (52:38):
You know.
Speaker 22 (52:40):
Just weear to kiss me, car.
Speaker 21 (52:46):
Me, and you know.
Speaker 2 (52:57):
How make me.
Speaker 19 (53:00):
Make it thing so.
Speaker 21 (53:07):
Home.
Speaker 2 (53:10):
I feel secure when you hold me, talk to me.
I understand when.
Speaker 18 (53:24):
You talk to me.
Speaker 25 (53:27):
You know how to make me.
Speaker 2 (53:32):
Make thing so.
Speaker 52 (53:37):
And you.
Speaker 2 (53:41):
Know how mad meeting make you so so good.
Speaker 25 (53:48):
I'm wait.
Speaker 2 (53:51):
All love my life so night so load.
Speaker 4 (54:02):
I'm count with that.
Speaker 37 (54:04):
I'm so glad a man.
Speaker 3 (54:11):
Touch me wow like the way you touch me.
Speaker 2 (54:19):
No good.
Speaker 19 (54:31):
If you know how made me.
Speaker 2 (54:36):
Anything?
Speaker 27 (54:37):
So well?
Speaker 35 (54:40):
Where are you.
Speaker 2 (54:45):
No think.
Speaker 21 (54:48):
S like me?
Speaker 2 (54:52):
I'm way.
Speaker 25 (54:55):
All the man sob, I'm so.
Speaker 37 (55:05):
Glad, I song glad, I got your name.
Speaker 2 (55:08):
Forgive me. I'll try your mind on.
Speaker 3 (55:14):
Well touch me like the way you touch me.
Speaker 18 (55:23):
And cute?
Speaker 2 (55:27):
Oh god, you know how do do?
Speaker 21 (55:38):
Do you know how?
Speaker 2 (55:49):
You really know how? Any so you really know how?
Speaker 18 (55:55):
No, let me feed so.
Speaker 19 (56:06):
You don't have you really don't have, make me feed so.
Speaker 2 (56:19):
Love me all make so.
Speaker 21 (56:24):
You can know happen you.
Speaker 3 (56:25):
Youna know hop you know?
Speaker 19 (56:31):
Make me fit so shoes the two you know you
know shoes and every time when together shs like you're
know the world right hand? This one more with us.
Speaker 21 (57:00):
In a world.
Speaker 2 (57:03):
Ruled by rhythm.
Speaker 16 (57:05):
One name commands the sound. This is not a set,
This is a story. Feel the pulse, Embrace the journey.
(57:32):
Now make way.
Speaker 19 (57:36):
For the one.
Speaker 21 (57:39):
The only.
Speaker 16 (57:43):
Your favorite DJ.
Speaker 2 (57:46):
Uncle Vin's.
Speaker 42 (57:56):
Sitting in a mall song m I'll be sitting and
dagg and come.
Speaker 1 (58:06):
Watching the ships rolling.
Speaker 2 (58:10):
Then I watch him roll away again.
Speaker 3 (58:14):
Yeah, I'm sitting on the docker the bay watching.
Speaker 19 (58:19):
The tie roadway.
Speaker 2 (58:23):
Who's sitting on.
Speaker 3 (58:25):
The dock of the bay waste the time?
Speaker 53 (58:33):
I left my home in Georgia, head and father Christal
bed cause I've had nothing to be hall and look.
Speaker 2 (58:47):
Like nothing's gonna come out way.
Speaker 3 (58:51):
So I'm just gonna sit on.
Speaker 37 (58:53):
The dock of the bay, watching the tie road away.
Speaker 19 (59:01):
And sitting on a.
Speaker 54 (59:03):
Dock of her bed, wasting time, looking like nothing's gonna change.
Speaker 53 (59:16):
Everything still remains the same.
Speaker 47 (59:21):
I can't do what ten people tell me to do,
so I guess I made the same.
Speaker 3 (59:29):
Listen sitting here resting my.
Speaker 2 (59:32):
Bones and this longe and that won't leave me alone.
Speaker 42 (59:38):
It's two thousand dollars I wrong, just to make this
stop my home.
Speaker 22 (59:47):
Now.
Speaker 42 (59:47):
I'm just gonna sit at the dock of a beg
watching the tie Ie roll Away, sitting on the dock of.
Speaker 34 (01:00:01):
Waste Time.
Speaker 3 (01:00:23):
Classic by Otis Redding, sitting on the Doctor Your.
Speaker 55 (01:00:27):
Band here on the Magical Mystery Music.
Speaker 15 (01:00:30):
Show on screaker dot com. I also on mix cloud,
which your favorite DJ me Uncle Vince Jamming, the greatest
old school in Dusty's.
Speaker 3 (01:00:37):
Music in universe. I got some hellos got here.
Speaker 15 (01:00:40):
Let me sayllo to cousins Jeff, Fannie Jenkins, Nancy Natal
and a Happy Birthday Tea Brooke.
Speaker 3 (01:00:46):
Brighton Hello there, my dear Henry Jadam Hello.
Speaker 19 (01:00:49):
O famous dj.
Speaker 3 (01:00:52):
Oly Day found in Canada. Charisa Charmagne has.
Speaker 24 (01:00:54):
Hello, my brother is broadcasting, Chris Bass, Barbara do Mysello
then STEPPI finger Allo to Stacy Fields, Greetings, Marien Berney, Hello,
and of course a happy lated birthday to Geninger Campbell
and hello.
Speaker 3 (01:01:13):
To Holly Campbell. Hello, Hello, Hello, the chef of Melody
Sullivan and just supporter.
Speaker 15 (01:01:22):
Hello, Chi you sir, now coming up on our first
before re quest of this hour, going out to Timodichi
jam Evans, I want to.
Speaker 3 (01:01:30):
Hear a little bit of cameo song called time, Fire
and Space here on the triple is.
Speaker 2 (01:02:21):
I've all missed all that love could be quite enough
girl to help me through me of a brook and
heart life. It can be soo.
Speaker 56 (01:02:45):
This is all that I need to get me by
by your bit birds, and.
Speaker 49 (01:02:50):
The heart.
Speaker 57 (01:02:55):
Just never seems to beave me that feeling you left
becking me meeple nool.
Speaker 2 (01:03:04):
I find it hard.
Speaker 33 (01:03:08):
In my life when a chief and my bo girl more.
Speaker 2 (01:03:15):
If I had my way mom with you by my side,
I can.
Speaker 18 (01:03:23):
Not the.
Speaker 25 (01:03:38):
Never siege to him reade.
Speaker 2 (01:03:42):
Don't know, never be repaid.
Speaker 25 (01:04:12):
Bout the game, bah for you.
Speaker 21 (01:04:31):
A little.
Speaker 2 (01:04:44):
Space we never been. That's mother in a world.
Speaker 35 (01:05:36):
It's not sure a door a boy, I'm a girl there.
Speaker 2 (01:05:42):
That's all right, the babe, it's so last night that
thing that I like him.
Speaker 57 (01:05:50):
All were like thatancing that we look by. You know
fans when they say is go you what go? And
your morty gous.
Speaker 22 (01:06:04):
Now say I'm long secondary.
Speaker 18 (01:06:09):
The mom.
Speaker 2 (01:06:12):
Be on your dress, ve, don't make it ans ravel
after day, No.
Speaker 11 (01:06:22):
Hot tram, I love you soul.
Speaker 2 (01:06:42):
That's a mother in all world. Not so if you're
a boy or a girl.
Speaker 58 (01:06:49):
Y bay, there's all right, hey babe, let's stay out tonight.
Speaker 22 (01:06:57):
You like me and I like it all.
Speaker 2 (01:07:00):
We like dance. Now we're looking mine. You love thence
and the claiming part.
Speaker 35 (01:07:08):
You want more everyone in part to the say our road,
execon thing you put them.
Speaker 2 (01:07:20):
Ravel, revel, put on your.
Speaker 35 (01:07:22):
Dress, revel level your physics a pass, ravel revel.
Speaker 2 (01:07:28):
Couple of days lo.
Speaker 57 (01:07:31):
Hot tram I love you soul, ravel, revel on your dress,
(01:07:54):
revel level, the faces on.
Speaker 22 (01:07:56):
The mass, ravel tak.
Speaker 2 (01:08:02):
Hot trap other your soul.
Speaker 25 (01:08:13):
Don't tails to make you some mass you can't get enough.
Rather thought like the test.
Speaker 2 (01:08:20):
To transmission making.
Speaker 25 (01:08:22):
Did you have a nose?
Speaker 35 (01:08:27):
And one when they cannot get too sad of the tails?
Your two will not a tail? Listens the couple pass
the nails and.
Speaker 21 (01:08:43):
So had the.
Speaker 35 (01:08:46):
Tread going to watch a mother god like job job
wait to wat go?
Speaker 2 (01:08:58):
You can't told you.
Speaker 13 (01:09:30):
If you're listening to your favorite DJ Uncle Vince on
The Magical Mystical Music Show.
Speaker 1 (01:09:50):
You see this guy, this guy?
Speaker 14 (01:09:55):
You're in love with you?
Speaker 59 (01:10:01):
Yes, I've been love.
Speaker 14 (01:10:06):
Who looks at you the way I do.
Speaker 3 (01:10:12):
When you smile?
Speaker 2 (01:10:15):
I can't we know?
Speaker 1 (01:10:18):
We job very well? Okay, I show you.
Speaker 37 (01:10:29):
I'm glad.
Speaker 59 (01:10:32):
I got to know you cos I've heard sometimes they
say you think I'm fine.
Speaker 5 (01:10:47):
Yes, I love.
Speaker 16 (01:10:52):
It well.
Speaker 47 (01:10:53):
I do to make you?
Speaker 2 (01:10:56):
MANE tell me?
Speaker 21 (01:11:01):
Is it so?
Speaker 2 (01:11:03):
Don't let me.
Speaker 1 (01:11:06):
Let my hand.
Speaker 21 (01:11:12):
A shake.
Speaker 1 (01:11:15):
The man?
Speaker 37 (01:11:18):
My, I'm so love.
Speaker 3 (01:11:33):
Sail in love with this.
Speaker 18 (01:11:45):
If not, I'll just die?
Speaker 60 (01:12:15):
Doe'll me?
Speaker 52 (01:12:18):
Is it so?
Speaker 2 (01:12:20):
Don't let me.
Speaker 11 (01:12:24):
Least don't know my hand.
Speaker 2 (01:12:30):
Shaken my back.
Speaker 21 (01:12:45):
My t.
Speaker 18 (01:12:50):
Say them?
Speaker 5 (01:13:03):
If not, I'll just die.
Speaker 15 (01:13:25):
Song written by Burt Bacarek, sung by Herb Albert. This
Guy's in love with you here on the Triple Show
before that we heard from David Boy and Rebel Rebel
coming out our next musical request going out.
Speaker 3 (01:13:38):
To Benjamin sin Ah. What's the guy today?
Speaker 15 (01:13:42):
You want to hear Tom Cochran And life is a
highway here on the Triple Im Show.
Speaker 3 (01:14:08):
It looks like a ro that you child where this one.
Speaker 19 (01:14:10):
Day here and the next day gone.
Speaker 61 (01:14:12):
Sometimes you bed, sometimes you stand, sometimes you turn me
back to the wind. It's the world that's happen to bed.
I can girl, were blues, won hant you to anymore?
With the brave I breeze love and soul can rise
with me into.
Speaker 62 (01:14:25):
The distance show you won't.
Speaker 34 (01:14:28):
Here's a tad break down the guy that get this
not outstanding to day.
Speaker 35 (01:14:48):
Way, all these cities and all these times, it's in.
Speaker 2 (01:14:57):
My blood and it's all little reference.
Speaker 1 (01:14:59):
I liked you like I loved you.
Speaker 2 (01:15:01):
Then this is the road and these and the isms
that think of the man. This day's the kind of
fat to think. The lads knock it down, back up,
begin in my third am not a morning man. You
don't know what I get home ruts around this. I
know I'll be there when the light comes in. Just
tell me stop that way.
Speaker 21 (01:15:28):
Long way.
Speaker 2 (01:15:35):
I want to try it A long.
Speaker 21 (01:15:42):
Way.
Speaker 25 (01:15:53):
I want to try it.
Speaker 2 (01:16:01):
Was a deadly school speedtween million.
Speaker 35 (01:16:10):
There's dandy woods, but now were looking hurd.
Speaker 2 (01:16:39):
There ain't no more that I can't hold.
Speaker 27 (01:16:42):
So long this I know I'll be there when.
Speaker 2 (01:16:45):
The night comes in, and just stand where it's survivor
I be's a hallway.
Speaker 63 (01:16:54):
I want to ride all night long. You're going the
ways you want to drive all man.
Speaker 2 (01:17:07):
Can give a game again, Oh.
Speaker 21 (01:17:22):
Jo, No want to drive on.
Speaker 64 (01:18:20):
If I could save time in a bottle, the first
thing that I'd like to do.
Speaker 41 (01:18:31):
Is to save every day to eternity passes away, just
to spend them with you.
Speaker 65 (01:18:41):
If I could make days.
Speaker 41 (01:18:44):
Last forever, if words could make wishes come true, but
it'd save every day like a treasure, And then again
I would spend.
Speaker 2 (01:19:00):
Them with you.
Speaker 64 (01:19:03):
But they never seems to be enough time to do
the things won't do once your father, I've looked around no.
Speaker 18 (01:19:15):
Often know you're the one.
Speaker 34 (01:19:18):
I wanted to go through time with.
Speaker 2 (01:19:36):
If I had a box just for the shies.
Speaker 41 (01:19:42):
And dreams that had never come true, the box would
be empty except for the memory.
Speaker 19 (01:19:52):
Of how they were answered by you.
Speaker 34 (01:19:58):
What they never see be enough time to.
Speaker 18 (01:20:01):
Do the things.
Speaker 41 (01:20:09):
Looked around enough to know.
Speaker 19 (01:20:14):
Through the time.
Speaker 66 (01:20:30):
There's an old saying the only true wisdom is knowing
that you know nothing. But when it comes to COPD,
knowing the signs can mean the difference between life and death.
COPD is a chronic lung disease that may be caused
by genetics, frequent lung infections, or irritants like smoke, fumes, dust,
or chemicals. The most common cause of COPD is cigarette smoke,
(01:20:52):
but anyone can get COPD. Despite being the third leading
cause of death worldwide, millions of people have COPD symptoms
but still go undiagnosed. Wisdom might come with aging, but
symptoms like shortness of breath, tightness in your chest, coughing,
and wheezing shouldn't. If you find yourself struggling to keep
up with other people your age, or if you get
(01:21:14):
shorter breath walking up the stairs, it's time to talk
to your doctor. COPD does not yet have a cure,
but it is treatable. Early diagnosis and proper care can
add years of better breathing to your life. For more information,
visit COPD Foundation dot org.
Speaker 16 (01:21:31):
This is schools.
Speaker 67 (01:24:06):
You master Kayla Raising in the Grass Before that, we
heard from Jim Croachey and Time in the Bottle still
to come this hour, we're here from the Steve Miller Band, Lakeside,
the Gap Band, Print some New Power Generation Elo and
Fast Domino.
Speaker 15 (01:24:21):
But right now we have a music request going out
to dear O'Reilly a little bit of hip.
Speaker 68 (01:24:25):
Hop with Foxy Brown and Drew Hill and called Big
Bad Mama Hair on the Triple M showed.
Speaker 69 (01:24:51):
The eight minute want to stop my no never young
menne want to rock my fluor no nevery third minute,
y'all want.
Speaker 2 (01:24:57):
To swerve in it squipt like a virgin so far
keeps through the shed.
Speaker 18 (01:25:02):
With no crawl.
Speaker 43 (01:25:03):
She ha shirt chicken, but no of his hair hurts.
Speaker 2 (01:25:05):
Got him strung.
Speaker 3 (01:25:06):
Let him know.
Speaker 2 (01:25:06):
I'm like the icy for the best effect. You got
the huge tongue so much.
Speaker 70 (01:25:10):
She used the bike.
Speaker 2 (01:25:10):
Give me hot, I'm fox shot. The man got milk
shake it.
Speaker 69 (01:25:15):
It's like you just don't care, because y'all just to
be kid who like you wanted to block flo handle
the pote chicken U or white pearl sticks on the
study look getting them up like girl.
Speaker 2 (01:25:45):
Playing hayed badmen.
Speaker 70 (01:25:46):
Don't want to see your clothes.
Speaker 69 (01:25:47):
I never young man. Want to know what you drove
every third minute? I want to know what's the first rented.
That's why I got the time book. It's the brown Fox,
the brown fly. Now I'm not see me dressing me
yes brown rock see me check played the flop prop
got these rests chicks in the basically you wait, Tom
hating me. I'm like one point five, I can make
it three. My name will forever bring got them screaming
(01:26:10):
damn fox on the age that hell gain put the
paper behind dress only put the right note.
Speaker 43 (01:26:15):
Surety you got that?
Speaker 2 (01:26:16):
Still it hey unders down when you're going broke.
Speaker 7 (01:26:18):
It was not a matter of track like toning poke
and so shywhere.
Speaker 69 (01:26:41):
And every youther minute behind your back? Get every third minute?
Won the rock he rent it's the third fin and
I ain't got time for that. I fake snope, Jacks,
I got chips the game. I'm like both jack Baby,
I'm hipps of the game. My up for well rock
provider over shitnel the h class with the h ron
people for awhere be a speaker like I'll leave one
in a million. Listen see in this wrap coming to
(01:27:03):
ill it like God did. Let the ground work with bucket.
Remember when I told y'all for week out, just a
half of men, freak out, love yourself, put no one
above thee.
Speaker 2 (01:27:13):
Ain't nobody like me? Let's tell.
Speaker 19 (01:28:22):
Some people call me the space cowboy.
Speaker 21 (01:28:26):
Yeah.
Speaker 19 (01:28:28):
Some call me the gangster of love.
Speaker 2 (01:28:34):
Some people call me more reason.
Speaker 19 (01:28:38):
As I speak of the properties of the.
Speaker 22 (01:28:46):
People talk about me.
Speaker 71 (01:28:48):
Baby, say I'm doing you wrong, doing wrong.
Speaker 2 (01:28:57):
Don't you worry?
Speaker 71 (01:28:59):
No, baby, no, don't worry because don't.
Speaker 2 (01:29:02):
Write you write, write writing.
Speaker 19 (01:29:04):
It because I'm a bigger. I'm a grinner, I'm a
bather and I'm a sil Play my music again the sun.
Speaker 21 (01:29:19):
I'm a joker.
Speaker 19 (01:29:20):
I'm a smoker.
Speaker 2 (01:29:22):
I'm mom in night joker.
Speaker 19 (01:29:26):
I get my babe.
Speaker 2 (01:29:57):
You're a cute.
Speaker 34 (01:29:58):
This thing now about Disie.
Speaker 2 (01:30:03):
I really love yall be to want to.
Speaker 71 (01:30:06):
Shake your trees. Love me, love me, love me all
the time. I should show you a good time.
Speaker 19 (01:30:20):
Because I'm a picker. I'm a printer, I'm a lover,
I'm a sinner. Play my musicgain letten. I'm a joker,
I'm a smoker, I'm on in night joker.
Speaker 3 (01:30:39):
Be sure the one you.
Speaker 21 (01:30:40):
Are the one.
Speaker 71 (01:31:12):
People keep talking about me, baby, shame I'm doing you
a home.
Speaker 39 (01:31:23):
Don't you work, don't worry, no doororry.
Speaker 71 (01:31:26):
Mama, because I'm righty, rady rady right here at home.
Speaker 2 (01:31:35):
You' all the kiddest thing I ever did see.
Speaker 19 (01:31:39):
Really, love your beaches.
Speaker 2 (01:31:42):
Mona, shake your tre love me, love me, love me
all the time.
Speaker 71 (01:31:52):
Come on, baby, and I'll show you a good time.
Speaker 47 (01:31:57):
I'm a bigger, I'm a printer, I'm my love and
I'm a center.
Speaker 19 (01:32:03):
I blame my music again.
Speaker 18 (01:32:05):
Listen.
Speaker 21 (01:32:08):
I'm a joker.
Speaker 19 (01:32:10):
I'm a smoker.
Speaker 2 (01:32:11):
I love man night joke girl, I give him my.
Speaker 22 (01:32:16):
Love and all the world.
Speaker 70 (01:32:20):
I'm a boker, I'm a grinner, I'm a love an,
I'm a center.
Speaker 19 (01:32:27):
I blame my music again.
Speaker 21 (01:32:32):
I'm a joker.
Speaker 13 (01:32:33):
The greatest hits of all time on The Magical Mystical
Music Show.
Speaker 2 (01:32:38):
Yeah baby, you.
Speaker 21 (01:33:02):
Please, it's a it's a.
Speaker 2 (01:33:26):
Man and daughter art the them get together. They'ren care
about the web.
Speaker 1 (01:33:33):
We're bout to say, so.
Speaker 21 (01:33:49):
It's f your face.
Speaker 72 (01:33:58):
Oh your wan.
Speaker 2 (01:34:10):
Some those leaders.
Speaker 27 (01:34:15):
Moves that father, that was crazy when those lows explosive.
Speaker 21 (01:34:19):
Girl, and you know that.
Speaker 2 (01:34:22):
You even got to see clone.
Speaker 21 (01:34:44):
Stop stop.
Speaker 19 (01:34:52):
Stop man, it's.
Speaker 21 (01:36:04):
Something something.
Speaker 18 (01:36:21):
To your b so so.
Speaker 35 (01:36:38):
Thats greats except the room and it makes you the.
Speaker 2 (01:36:46):
Pot. It's something, you know, it's.
Speaker 21 (01:37:09):
Something my it's something you sing.
Speaker 25 (01:37:19):
Don't care about weather.
Speaker 21 (01:37:25):
It's something and I'm gonna think it.
Speaker 2 (01:37:32):
Too.
Speaker 21 (01:37:33):
It's something. It's something, so.
Speaker 1 (01:39:58):
Put it back down.
Speaker 26 (01:40:00):
Oh yeah a fly?
Speaker 3 (01:40:05):
Oh I don't took out? It is hot in the steps?
Speaker 2 (01:40:11):
Where's ill?
Speaker 21 (01:40:11):
Hum?
Speaker 3 (01:40:12):
You lad?
Speaker 2 (01:40:13):
Where saying?
Speaker 21 (01:40:15):
Now?
Speaker 25 (01:40:17):
Now?
Speaker 21 (01:40:22):
Say that?
Speaker 2 (01:40:25):
Saying now.
Speaker 37 (01:40:31):
A hong for one, a humble for two?
Speaker 14 (01:40:33):
Something to do this thing to do?
Speaker 49 (01:40:36):
Now?
Speaker 2 (01:40:39):
I say six th pucks of Hold what are you again?
You're a hump in your backs?
Speaker 73 (01:40:52):
Now you bakes around and the fish is hung. Why
not hump be plad way up? Say it now, min
night and move tick you up a bass shows indeed,
(01:41:39):
I got a new dance.
Speaker 1 (01:41:40):
You want to see it? Take it down.
Speaker 73 (01:41:46):
I'll put your back down and raise your run into
the bishous heart you gay keep ing.
Speaker 2 (01:41:57):
It up.
Speaker 73 (01:42:04):
See he din't meet him miney more. Set your mom
on by. If he's not better, let him go. He
he didn't need anybody more now, Oh then night, night
(01:42:42):
and day.
Speaker 2 (01:42:42):
I even hu own holiday.
Speaker 1 (01:42:47):
IMMAA said thirty days like this. Put your back down.
Speaker 2 (01:42:54):
Something and baize your brother to the O.
Speaker 73 (01:43:07):
That'n be quick, that jumped over the homesteak, Yeah, a.
Speaker 11 (01:43:11):
Hum in his back.
Speaker 2 (01:43:13):
No, get into yump where a lot of homey people
last where he at?
Speaker 56 (01:43:34):
Stop stop stop.
Speaker 74 (01:43:52):
Stop stop.
Speaker 37 (01:44:05):
Hoping and the key one?
Speaker 2 (01:44:07):
Can you be?
Speaker 74 (01:44:08):
Where's not the harbins be saved? What my father said, Jack,
that Jill went up.
Speaker 1 (01:44:23):
To here and Jim here.
Speaker 2 (01:44:25):
I'm a while Jack got down until came around now
and have a son and a dog gets made see
times of cold?
Speaker 56 (01:44:41):
What do you get get a humping you back.
Speaker 2 (01:44:49):
Where not? Other people are.
Speaker 75 (01:44:56):
Sure mohawk is beating us twelve years in a row.
Speaker 11 (01:45:00):
Sure they're terrific athletes.
Speaker 75 (01:45:02):
They've got the best equipment that money can buy. Hell,
every team they're sending over here has their own personal
Messuse not.
Speaker 38 (01:45:09):
Sir massuse tune in, vibe out with your favorite DJ
in command.
Speaker 22 (01:45:14):
You're listening to Uncle Vince.
Speaker 2 (01:45:17):
I tell you it just doesn't matter.
Speaker 25 (01:45:20):
It just doesn't matter.
Speaker 26 (01:45:22):
He just doesn't matter.
Speaker 25 (01:45:24):
And John don't there.
Speaker 18 (01:45:28):
And God.
Speaker 74 (01:45:32):
If we win, if we win, even if we win,
even if we play.
Speaker 75 (01:45:39):
So far over our heads that our noses bleed for
a week to ten days, even if God in heaven
above comes down and points his hand at our side
of the field. Even if every man, woman and child
held hands together and prayed.
Speaker 12 (01:45:57):
For us to win, that wouldn't matter because all.
Speaker 35 (01:46:02):
The really good looking girls would still go out with
a guy from.
Speaker 37 (01:46:06):
A lot because they got all the money.
Speaker 76 (01:46:18):
Love me, Yet, I get up in a way so
(01:47:10):
not to afen, no unnerve the room and going all
around that you may being given served.
Speaker 11 (01:47:18):
She said, it you win, you know what?
Speaker 34 (01:47:20):
And baby, who knows how long shauld I believe her?
Speaker 6 (01:47:24):
Say what's right?
Speaker 62 (01:47:25):
When all I want to do is wrong?
Speaker 77 (01:47:27):
We get off twenty three positions in a one next time,
yet Holy call you after it the self?
Speaker 31 (01:47:36):
Can yet up?
Speaker 70 (01:47:42):
Get up if you want to?
Speaker 3 (01:47:44):
Baby here, I am.
Speaker 2 (01:47:46):
Here, I got the giz I.
Speaker 19 (01:47:49):
I'm a friend of your name.
Speaker 2 (01:47:50):
And that's a bed.
Speaker 62 (01:47:52):
She said, you got up fantasye that got her all wet.
Speaker 20 (01:47:57):
Then to box fieldom living coming inside.
Speaker 1 (01:48:02):
But she told me that got me?
Speaker 3 (01:48:03):
So how does that?
Speaker 1 (01:48:04):
We could slide get up.
Speaker 77 (01:48:07):
Twenty three positions in a one night stand Get up only.
Speaker 11 (01:48:13):
Clodia after the staff can get up?
Speaker 5 (01:48:20):
Get up if you want to, baby here, I am.
Speaker 2 (01:48:25):
Come on, get.
Speaker 62 (01:48:40):
Up, one, two, three, nine, little kittie, I ain't drinking.
Speaker 20 (01:48:47):
Let's go piss.
Speaker 62 (01:48:48):
I wish just thinking.
Speaker 21 (01:48:49):
You wass me what a ride?
Speaker 62 (01:48:52):
If you was thinking the same, we could continue outside.
Speaker 77 (01:48:55):
Everybody gets the fucking me up street dressed down like
I was stripping a pig uns.
Speaker 62 (01:49:00):
I'm enjoyed. Let me show your baby, I'm a talented boy.
Speaker 17 (01:49:21):
Oh yeah, you want somebody.
Speaker 76 (01:49:46):
Snything bout you just screams over real sexy a bear.
Now where you walk them, where you flip your hair,
baby on my veins wo from that body.
Speaker 62 (01:50:00):
Well imagine I'm a pack of lunch and spendo while there.
Speaker 77 (01:50:06):
Yet positions in a wee night stands get I don't
want they caught you after the.
Speaker 18 (01:50:17):
Little one for your.
Speaker 2 (01:50:21):
Get up.
Speaker 62 (01:50:22):
If you want to, I'm gonna keep on everybody.
Speaker 65 (01:50:27):
I don't care.
Speaker 19 (01:50:28):
That's right.
Speaker 37 (01:50:28):
I'm wanted to dress up.
Speaker 34 (01:50:30):
Ship.
Speaker 62 (01:50:30):
You ain't got no underwear on. I should have known.
I should have known.
Speaker 2 (01:50:35):
Let us start when she has some jaws on the stone,
preacher the phone.
Speaker 8 (01:50:42):
I can't believe it's going home, cradle.
Speaker 6 (01:50:48):
You want somebody, you want somebody.
Speaker 58 (01:51:03):
So here we so here, we so here, we have.
Speaker 62 (01:51:05):
We are a pasty crib.
Speaker 19 (01:51:07):
But you want to get rid too.
Speaker 62 (01:51:08):
I don't serve rig. You gotta be happy that dress
is still on. I heard the rip when you sat down.
Speaker 5 (01:51:15):
The rips is gone.
Speaker 62 (01:51:17):
But aside, I clocked him that way.
Speaker 5 (01:51:20):
Mind me of something James.
Speaker 21 (01:51:21):
Used to say. I love you, fat, I love you.
Speaker 2 (01:51:28):
Gotta have a mother from me.
Speaker 69 (01:51:30):
Number your big ass around that way so I can
work on that zepp up big bag.
Speaker 2 (01:51:35):
Tonight.
Speaker 62 (01:51:36):
You're a star.
Speaker 19 (01:51:39):
And I'm a big tip.
Speaker 78 (01:51:44):
Grab rock.
Speaker 21 (01:51:46):
You want some part?
Speaker 52 (01:51:55):
Uh?
Speaker 21 (01:51:56):
You want somebody?
Speaker 2 (01:51:59):
Oh?
Speaker 8 (01:52:00):
Oh, I think I got it with the dress a bone,
I said before I n the seat up, cracker, don't
don't worry about the buttom on.
Speaker 19 (01:52:06):
A lock a vebad door.
Speaker 62 (01:52:07):
Then we're gonna do it right in the kitchen, on
the floor, in the bathroom, standing on a tub and
holding on the rocks. You're in the closet underneath the clothes,
and oh my god, the dress you.
Speaker 65 (01:52:18):
See in the drawers.
Speaker 2 (01:52:19):
Let's shot if I guarantee you for.
Speaker 62 (01:52:22):
Yeah, moved the stick to the eighth ball, were shut
a stick?
Speaker 19 (01:52:26):
Tell me do your row tonight.
Speaker 5 (01:52:28):
It they're just letting him kicken.
Speaker 19 (01:52:52):
Do it and look.
Speaker 21 (01:52:56):
All around that drink, he said.
Speaker 6 (01:53:00):
If you wait you know what this thing?
Speaker 21 (01:53:03):
Who knows how long he's telling me to.
Speaker 19 (01:53:06):
Say what's right?
Speaker 2 (01:53:07):
When all I want to do is wrong?
Speaker 77 (01:53:09):
Yes, twenty three positions and al that stand.
Speaker 3 (01:53:14):
Yeah, I want to call you after this assay can yet.
Speaker 40 (01:53:24):
Yet if you want to say here I.
Speaker 5 (01:53:27):
Am, come on.
Speaker 70 (01:54:57):
You mad a bollow me.
Speaker 2 (01:55:01):
From free got you.
Speaker 29 (01:55:27):
Where he's got foucause you ain't got no one aft.
Speaker 2 (01:55:34):
There said nothing wrong? That's meeds no.
Speaker 79 (01:55:37):
Way to just make your master tenius there he's a
home in my head were wine?
Speaker 2 (01:55:47):
You think my body and let me.
Speaker 37 (01:55:50):
By quiet shame?
Speaker 2 (01:55:54):
Do you think I know nobody else?
Speaker 50 (01:55:56):
Please?
Speaker 18 (01:56:02):
Who robbing the town?
Speaker 3 (01:56:20):
And some not too home? To settle down?
Speaker 21 (01:56:24):
Now that the.
Speaker 2 (01:56:25):
Lands mon go separately?
Speaker 33 (01:56:29):
Mother the line a day?
Speaker 11 (01:56:34):
What don't do destroy all the b start the buggat
stopping that you pain?
Speaker 2 (01:56:44):
Did you better get your best on boat the very
next time. Don't you don't want a dime?
Speaker 37 (01:57:59):
Come now you trying away and get.
Speaker 1 (01:58:03):
The song.
Speaker 18 (01:58:06):
It had rub me up?
Speaker 2 (01:58:09):
You make a one now you drinks up him around
a different times. That stout.
Speaker 1 (01:58:22):
There has a note.
Speaker 2 (01:58:24):
Let you make your nomson.
Speaker 33 (01:58:36):
World.
Speaker 1 (01:59:08):
I want to walk you home.
Speaker 34 (01:59:14):
Be let me walk you home.
Speaker 2 (01:59:19):
I want to walk you home.
Speaker 34 (01:59:25):
Let me walk you home.
Speaker 1 (01:59:31):
You look so good to me.
Speaker 14 (01:59:34):
Oh, I wish I wasn't lacking God.
Speaker 2 (01:59:39):
You could walk you right on dot ya.
Speaker 1 (01:59:41):
I look to me your walk.
Speaker 4 (01:59:47):
I look to him you talk.
Speaker 39 (01:59:52):
I love to wake you walk.
Speaker 2 (01:59:58):
I look to him.
Speaker 1 (02:00:04):
I'm not trying to this sport.
Speaker 18 (02:00:06):
I'm not trying to.
Speaker 16 (02:00:07):
Break your heart.
Speaker 14 (02:00:09):
Or if I ask you for a deed, will you
tell me that I'm not too like.
Speaker 11 (02:00:14):
I wanna hold your hand.
Speaker 2 (02:00:19):
Re let me wove your hand. I wanna hold your hand.
Speaker 11 (02:00:30):
We let me wore your hand.
Speaker 1 (02:00:36):
You look so good to me. Oh, I saw you
walking all alone that I want to walk.
Speaker 16 (02:00:45):
You want to let me walk home?
Speaker 2 (02:00:52):
Let me walk you home.
Speaker 34 (02:00:57):
I want to walk you came.
Speaker 1 (02:01:02):
Pa, Let me walk you home.
Speaker 14 (02:01:08):
You look so good to me.
Speaker 60 (02:01:11):
Oh, you walk in all That's why I wanna walk
you home. That's why I wanna walk you home. That's
why I wanna playing the best old school music from
the musical vault here on the Triple M show.
Speaker 22 (02:01:53):
You think that I don't feel what I feel the
Israel and I was always asking.
Speaker 21 (02:02:00):
I heard a school.
Speaker 2 (02:02:01):
I just did a lot of child never mention to me.
Speaker 80 (02:02:07):
Then all child born in the commentary. Then our child
never mess to me and I child, so say I.
Speaker 81 (02:02:19):
Got me and then started my life in an old
corn room downtown the sun and my father love he
never he's another Mama.
Speaker 70 (02:02:31):
I shared the gift.
Speaker 2 (02:02:32):
My mama knew so afraid that my listen you, I
had no name Mom.
Speaker 22 (02:02:38):
This now way contemplated.
Speaker 18 (02:02:41):
It's worth a pain of.
Speaker 25 (02:02:42):
Wake well boy end up paying.
Speaker 2 (02:02:45):
A jolly maid in our child never means to.
Speaker 26 (02:02:50):
Be life, and our child.
Speaker 80 (02:02:54):
Society and our child always has not chop.
Speaker 21 (02:03:04):
The lord.
Speaker 25 (02:03:08):
M don't need this m I start at school in
a warm tone.
Speaker 82 (02:03:19):
And somebody's who.
Speaker 81 (02:03:22):
I knew the way with those who always live and
those to be without those simple things.
Speaker 2 (02:03:27):
So I read my friends would see the guilt in me.
Speaker 22 (02:03:32):
I don't think that I don't need joke.
Speaker 2 (02:03:35):
I don't think I don't want a baby. But don't
tell them my movie.
Speaker 25 (02:03:39):
The name of change name quite as good a shake.
Speaker 18 (02:03:53):
Like about.
Speaker 15 (02:04:41):
Dona Ross seven the Supremes kicking us off in the
third hour with love Child, he'll become. This hour we'll
hear from Parliament, Andre Simone verry Man, a little Victacy Robinson,
Phoebe King and a host of others. Right now, We've
got some loose get out of here, Kimberly.
Speaker 3 (02:04:58):
High Tower, Cindy Holloman, Hello, Viva, Joe Hasna, Tracyker Brothers
a cousin, Kelly Hugh, Hello there, Dear Eric and Rockhill Right, Hey, Families,
Susan Chadwell, Hello.
Speaker 24 (02:05:13):
To you, Corner Ramirez, Hello.
Speaker 15 (02:05:15):
Lillian Oliver and Jory Jean and Hello, Hello, Hello, And
now has promised the results of last week's cover song challenge.
Speaker 3 (02:05:24):
If you remember, it was Shep and the Line Lights against.
Speaker 15 (02:05:30):
Jermaine Jackson the song Daddy's Home and.
Speaker 3 (02:05:33):
Jermaine Jackson eat out a win twelve to ten. Twelve
to ten. Jermaine Jackson was the winner for last week.
Speaker 15 (02:05:38):
And of course tomorrow night we will have a new
cover song challenger. Right now, ours request goes out to
nephew Billy Covinger Junior with a great slow jam from
Luther Vandros And danced.
Speaker 3 (02:05:52):
With my father here on the match of Mystical Tuesday Show.
Speaker 50 (02:06:12):
Back when I was a child, before I removed all
the acess, my father would lift me her and dance
with my mother and me and then spin me around her.
Speaker 37 (02:06:37):
My father sleep.
Speaker 2 (02:06:41):
Then up the stairs he would carry me.
Speaker 3 (02:06:45):
And I knew for sure I was loved.
Speaker 83 (02:06:52):
If I could get another chance, another another dance with.
Speaker 2 (02:07:04):
Him, I'd dance. I'll ever never ever, any how, I
love love.
Speaker 50 (02:07:13):
To dance with my father again. When I and my
mother I would disagree to get my way, I would
(02:07:37):
run from her to him. He make me laugh, just
to confront me. Yeah, then finally make me do just
what my mama said.
Speaker 21 (02:07:52):
Lead on that name.
Speaker 2 (02:07:54):
When I was asleep. Mm hm, he.
Speaker 50 (02:08:00):
Under my sheet. Never dream that he would be gone
from me. If I could stay one final dance, one
final old step, one final dance with.
Speaker 1 (02:08:21):
Him, I pray song that I would never.
Speaker 50 (02:08:26):
Because I'd love lover to dance with my father again.
Sometimes I listen outside.
Speaker 49 (02:08:39):
And I hear how my mother cried for him. I
pray for her, even all me.
Speaker 39 (02:08:54):
I pray for her, even all me, and know'm way
(02:09:17):
far much too much.
Speaker 2 (02:09:20):
But could you send back the only man she loves.
Speaker 84 (02:09:27):
I know you don't do any usually, but de lot,
she's dying to dance with my father.
Speaker 2 (02:09:39):
Kay, every man, I father sleep, and this is I.
Speaker 21 (02:09:49):
Ever talking about.
Speaker 70 (02:10:16):
You may take him for the sake.
Speaker 2 (02:10:22):
Shut fucking down, father.
Speaker 21 (02:10:27):
Said the body.
Speaker 25 (02:10:29):
Yeah, father down said about.
Speaker 21 (02:10:33):
Up, father said the body get up about shad Abad.
Speaker 18 (02:10:43):
Get up.
Speaker 26 (02:10:48):
Again, shall you again?
Speaker 21 (02:11:00):
Yes?
Speaker 25 (02:11:04):
Yes, yeah, yeah yeah, get up, yeah.
Speaker 26 (02:12:06):
Yeah.
Speaker 65 (02:12:30):
I'm going to happen.
Speaker 78 (02:12:32):
But behind you have look at what you got.
Speaker 18 (02:12:39):
I know about the.
Speaker 21 (02:12:40):
Roll to happen.
Speaker 2 (02:12:44):
Your hat, look at what you got.
Speaker 57 (02:12:49):
I don't care about the roll, bab your happen your hat.
Speaker 21 (02:12:59):
I don't.
Speaker 2 (02:13:01):
When your hat.
Speaker 85 (02:13:04):
When your hat, I don't say about the Okay, what
your that, I don't say about when your hat, I
(02:13:30):
don't say about it.
Speaker 21 (02:13:51):
Kay, you.
Speaker 14 (02:14:43):
Must the magical music.
Speaker 65 (02:15:26):
That's take a look at your window.
Speaker 5 (02:15:37):
I will miss a most time ago.
Speaker 86 (02:15:48):
Then the Dame's a lecture them is Love's love.
Speaker 65 (02:15:55):
Love your enemies.
Speaker 21 (02:15:57):
There is a much.
Speaker 87 (02:15:58):
Times I wouldn't even startle a.
Speaker 21 (02:16:07):
Reading.
Speaker 38 (02:16:08):
This House of blinding be.
Speaker 20 (02:16:12):
A magical gardens.
Speaker 18 (02:16:16):
This season.
Speaker 22 (02:16:17):
The one whe when you lost.
Speaker 86 (02:16:20):
To dance that selection, Listen to the mumbles dance that selection.
Speaker 18 (02:16:34):
You better love it.
Speaker 8 (02:16:35):
Ja's almost time to go all done.
Speaker 22 (02:16:40):
The more get happened, even love that someone.
Speaker 10 (02:16:44):
That that was my.
Speaker 21 (02:16:47):
Dance that selection.
Speaker 8 (02:16:51):
Never mind your hatred child Nu style and a dance
that select. Listen to the Mudo soul take dance got
a lecture. They love each other.
Speaker 21 (02:17:11):
Some must time to go.
Speaker 2 (02:17:22):
Let be back Belah mean by lucky and love that.
Speaker 11 (02:17:31):
When you use this, let it go to the light
of duke.
Speaker 8 (02:17:36):
Will shining about right at dance. That's lecture. Listen to
them with the mule soul.
Speaker 2 (02:17:48):
To dance, that's lecture.
Speaker 8 (02:17:54):
Chatta some must time gosling inside us, stopping the way
lift a loveless but.
Speaker 2 (02:18:06):
Never think you don't you let.
Speaker 22 (02:18:08):
Your like go down my love so way.
Speaker 21 (02:18:11):
Life that you will.
Speaker 25 (02:18:12):
Let you dance Dan select.
Speaker 2 (02:18:19):
Listen to your breathing my l soul.
Speaker 22 (02:18:25):
Bean select.
Speaker 87 (02:18:28):
Better love each other So my family dance. Jack dance,
(02:19:27):
that's a love chas.
Speaker 2 (02:19:35):
That's a love Jack.
Speaker 78 (02:19:42):
Dance.
Speaker 21 (02:19:44):
That's a JA. Listening to the.
Speaker 22 (02:19:51):
Dance dance Jack.
Speaker 79 (02:19:56):
Love Ja, better love it, Jump better love is Jumper,
Better love it Jumper, Better love it Jumper, Better love
it Jumper, domost go.
Speaker 2 (02:20:16):
We'll get pass.
Speaker 19 (02:20:25):
It easy.
Speaker 88 (02:21:12):
We're going with Hammon. We're going with Hammon today. Thinks
of Harmin Budla del w a way. We're going to
drumming drum. I don't know the music they play.
Speaker 11 (02:21:20):
I don't know fans stands fans. We're going with swinging swing.
We're going to swing in the crowd or will be clinging.
I'm going hide the clouds. I'm going to ringing.
Speaker 86 (02:21:29):
My mom my dad is so proud.
Speaker 88 (02:21:30):
I'm on a fans stand, dans and don't jump ban pey.
Speaker 11 (02:21:34):
I maybe even over my hands stand.
Speaker 77 (02:21:37):
Yeah, baby, you're gonna sign off.
Speaker 88 (02:21:40):
The American fans stand when we dance Bill Folk show old.
Speaker 2 (02:21:46):
The guys the the grand stand on a swinger.
Speaker 22 (02:21:50):
I am.
Speaker 2 (02:21:50):
I am on American fans stand.
Speaker 11 (02:21:54):
We're going with Hammon. They're going with Hammond today thinks
of harming.
Speaker 88 (02:21:58):
The wiladelv a way we're going to dry. I'm a
fan stand fanstand.
Speaker 19 (02:22:06):
Fand stand.
Speaker 21 (02:22:08):
Fan stand.
Speaker 78 (02:22:11):
Fast stand.
Speaker 88 (02:22:13):
Bringing on that ready to stand by.
Speaker 2 (02:22:18):
I'll make my mother.
Speaker 89 (02:22:21):
See this joint is still fans They need such cause
he's a ride.
Speaker 11 (02:22:28):
It's just a big Clark.
Speaker 88 (02:22:30):
What a place you've got here, Swell, spot down the
music hot.
Speaker 11 (02:22:34):
Here, Fatty East given at least.
Speaker 2 (02:22:36):
The seventy five now for Aghill Juicy.
Speaker 88 (02:22:41):
It goes by American handstand because I'm on, because I'm on.
Speaker 11 (02:22:46):
The American fans stand. As we danced, we'll slow the show.
Speaker 88 (02:22:51):
When the guys on a brand stand that I like
my girl Bud.
Speaker 89 (02:22:56):
I love American fans stand the singers it either grade
my baby porn it growing up.
Speaker 2 (02:23:09):
All the TV so were doing it my baby and me.
Speaker 11 (02:23:12):
I'm a fan stand and I'm a momma.
Speaker 2 (02:23:17):
You know I think the Bomby's away and you could
come in school day.
Speaker 88 (02:23:23):
I'm a fan standstand little Buck and pool Land school
on American lendy hop and slopping.
Speaker 11 (02:23:30):
Is American doing it?
Speaker 21 (02:23:31):
I'm on throw it on. I mean, I'm on.
Speaker 78 (02:23:44):
Fan stands.
Speaker 58 (02:24:09):
Next tarn the beda around. Let you here, bastcast shot
chid it upside down, love you Bascus shot.
Speaker 21 (02:24:28):
Let you hear it?
Speaker 2 (02:24:30):
Oh what did just up? Pretty nor by the key
moving to the new day?
Speaker 22 (02:24:35):
Prity when I hear the scot jumping job scratching.
Speaker 2 (02:24:40):
But then you know what I brand. I'm carrying Bobby
as shot.
Speaker 25 (02:24:44):
Whoada round, turn it around to Bascus.
Speaker 10 (02:24:51):
Shut your head.
Speaker 2 (02:24:52):
Child, yet upside down he Plascus shot Ma come.
Speaker 78 (02:25:00):
To its.
Speaker 2 (02:25:08):
Feel with your upside.
Speaker 22 (02:25:18):
Players playing your blue drums.
Speaker 2 (02:25:21):
I know you to give up. I'm not that day
are made up. The fat got to be the rhythm,
no doubt.
Speaker 78 (02:25:31):
Fad.
Speaker 90 (02:25:33):
You want to get to play back playing to get
a pair. Make you want to put my brother? I
want to drum a topic, nag didn't know that being
a better.
Speaker 2 (02:25:43):
Really when the mast on the drum, happy.
Speaker 90 (02:25:50):
To talk about the bait that come matter upside.
Speaker 70 (02:25:59):
Yes, the sad.
Speaker 21 (02:26:42):
Love to it past.
Speaker 91 (02:26:48):
The sah ron thanks let he who hold.
Speaker 2 (02:27:06):
Upside Yes? I don't want to get top at that time?
(02:27:27):
Want to think a better.
Speaker 90 (02:27:30):
Make you don't want to put my body? Yeah, you're
the one that come without kid that baby know that bake?
Were you think about it?
Speaker 2 (02:27:36):
When one that that a drum thinking you.
Speaker 90 (02:27:41):
Turn around round around upside yours?
Speaker 2 (02:27:47):
I don't want to be turned upside whoa whoa bash
(02:28:10):
that side.
Speaker 21 (02:28:16):
Of my cha.
Speaker 2 (02:28:22):
Side side.
Speaker 58 (02:28:28):
His back and Jim.
Speaker 2 (02:28:57):
Dcast oh my dad.
Speaker 4 (02:29:32):
Three days of store running limonad not you lond where an.
Speaker 35 (02:29:41):
Ran out a number all night long, there's no.
Speaker 4 (02:29:46):
Coping on the table, ran out and come a mid
time SPI.
Speaker 2 (02:29:55):
Bottled in love to make every thing all right.
Speaker 3 (02:30:00):
Man in the old school here spreak dot.
Speaker 35 (02:30:04):
Come, I love bullying you beaut me look out baby,
it might have made your move.
Speaker 14 (02:30:12):
Do soon.
Speaker 1 (02:30:18):
Love me with it?
Speaker 2 (02:30:20):
You know God this knife in pagas she hain't hard.
Speaker 4 (02:30:27):
I ran it up to about fifty.
Speaker 2 (02:30:30):
Bad casting Dad and Helen. Then in my hand.
Speaker 35 (02:30:36):
That kind of work can get around and make a
lost love come up down.
Speaker 2 (02:30:45):
By hearing you knocking. Baby had the door. You know
you ain't living here? No, all, it's too bad. I
think you made your move do so.
Speaker 4 (02:31:48):
I'm buna bank the talking yo from.
Speaker 21 (02:31:55):
Hard.
Speaker 4 (02:31:57):
I never thought to make No, I'm talking mad. Please,
I'm backing everywhere I come taking then you still care?
You know, wander my best one dove behind want in
(02:32:19):
my home.
Speaker 25 (02:32:21):
One on my bad.
Speaker 2 (02:32:22):
It's one thing, man it.
Speaker 35 (02:32:25):
I never make my boom.
Speaker 5 (02:33:00):
O good.
Speaker 35 (02:33:07):
I bent to things fucking go down down, Oh, never
to make you know I'm talking a man boom.
Speaker 2 (02:33:25):
I take the coming everywhere.
Speaker 35 (02:33:29):
I come backing all the steal out cap one mother
had and one behind one in my arm, you know,
one on my mind.
Speaker 4 (02:33:41):
I have one thing people, I never make.
Speaker 18 (02:33:45):
My mood to So.
Speaker 21 (02:34:18):
Don't I.
Speaker 2 (02:34:24):
There, kay, do do it do.
Speaker 14 (02:34:40):
Till kill it kill do till I make it too soon.
Speaker 35 (02:34:45):
Baby, I'll come down from the town like a run.
(02:35:26):
But it's all right, Like a moon in the back
that's trying to see dry stray free say come stay
(02:35:46):
away from mecuse some nights night and night.
Speaker 22 (02:36:02):
I'm going make tonight tonight tonight.
Speaker 2 (02:36:24):
I'm gonna tell you the down my care. But it's
all right. I'm trying to pick yourself that we just
chance see.
Speaker 19 (02:36:39):
But did you know it's all.
Speaker 35 (02:36:43):
It's like count just starts up, coming down to the town,
down and round, but just getting away from me.
Speaker 21 (02:36:58):
It comes to night to night and to.
Speaker 2 (02:37:06):
What remaining to night to night to night.
Speaker 35 (02:37:17):
I got so lonely, an reman go awhere.
Speaker 2 (02:37:24):
I got it a car identity, so rays and so.
Speaker 21 (02:37:35):
Because I can't go but j.
Speaker 22 (02:37:47):
To night to to night, I'm gonna remain tonight to
night to.
Speaker 38 (02:38:07):
Any any a.
Speaker 25 (02:38:19):
A a a any.
Speaker 72 (02:38:32):
Y any an any any ad.
Speaker 38 (02:38:55):
Any anna?
Speaker 2 (02:39:58):
Everything you say, did you get to me? Job you
(02:40:20):
see this time? So start the same, Please get me.
Speaker 21 (02:40:34):
Just tell me out to anything.
Speaker 92 (02:41:03):
Coming down coming down, Lissa, it's not kind of word
on it r did you can see?
Speaker 21 (02:41:18):
Did you know.
Speaker 93 (02:41:19):
Lasso jatashi kids, But as getting away from me.
Speaker 21 (02:41:37):
Has to me not to not to.
Speaker 2 (02:41:57):
Please give me up.
Speaker 18 (02:42:02):
Just so.
Speaker 25 (02:42:07):
Just tell me anything.
Speaker 2 (02:42:12):
If you just tell.
Speaker 22 (02:42:19):
Tonight yes to night, I can't.
Speaker 2 (02:43:47):
To show how much I love you.
Speaker 21 (02:43:51):
Oh, I am.
Speaker 2 (02:43:56):
To show how much I love.
Speaker 1 (02:44:00):
You were always around while I went to my changes.
O time I call you to be a fool. What
could you purpose speak?
Speaker 2 (02:44:22):
What did you see me?
Speaker 22 (02:44:31):
Me?
Speaker 2 (02:44:36):
Watch to show.
Speaker 21 (02:44:49):
To show I love.
Speaker 37 (02:44:55):
Deep in my heart?
Speaker 52 (02:44:56):
I know one.
Speaker 3 (02:44:59):
Lor we are jamming the old school here on a sprink.
Speaker 46 (02:45:05):
My food, the hard break, I've called you the wrong.
I can't unto.
Speaker 2 (02:45:33):
Show how much.
Speaker 1 (02:45:41):
To show how I love.
Speaker 25 (02:46:12):
I love.
Speaker 34 (02:46:12):
It means up.
Speaker 21 (02:46:19):
I'll like you. I love you.
Speaker 2 (02:46:24):
Rock.
Speaker 19 (02:46:28):
We'll take a lifetime to London.
Speaker 14 (02:46:32):
But I stand this.
Speaker 53 (02:46:35):
To prove by love.
Speaker 21 (02:46:37):
No no, no, no no no.
Speaker 17 (02:47:09):
Butter my.
Speaker 16 (02:47:15):
So my.
Speaker 21 (02:47:22):
Man back so.
Speaker 52 (02:47:45):
Ball at first day.
Speaker 18 (02:48:39):
The telting.
Speaker 52 (02:48:44):
The alta would be by T B.
Speaker 25 (02:48:53):
Sadiles belay show these fish neck black panioes, catts.
Speaker 11 (02:49:09):
Cooshirt, I can't see.
Speaker 22 (02:49:14):
It, drops off, took my bags.
Speaker 2 (02:49:18):
She can't meeting me, think of moving cats.
Speaker 10 (02:49:25):
Can bat were not the fish neck black pennihos deep
plays shot through the boss of fish neck black pannils.
Cat don't miss.
Speaker 21 (02:49:44):
Fish nets, black pantyhose.
Speaker 44 (02:49:48):
Don't get to take the wins whizzles, fish neck black
pennihosm cat.
Speaker 2 (02:50:03):
You know I always wondered what it feels like to
be hunted.
Speaker 5 (02:50:08):
Kind of makes you feel like a fish in the seat.
Speaker 19 (02:50:12):
Oh the way you're looking.
Speaker 18 (02:50:14):
At the bushiness.
Speaker 2 (02:50:15):
Mama, you can track me.
Speaker 1 (02:50:55):
That's gonna be serious.
Speaker 2 (02:50:59):
But I must be into my own famous one. They
both Man, what didn't want to do that? You can
do most anything.
Speaker 52 (02:51:08):
Just come do to.
Speaker 27 (02:51:13):
Someone talk about your face.
Speaker 38 (02:51:30):
That Fanny say, show.
Speaker 44 (02:51:38):
That post the bigness piles.
Speaker 25 (02:51:49):
Sanhoydays shows.
Speaker 2 (02:51:56):
That you bab.
Speaker 21 (02:52:27):
Bo bog dot.
Speaker 94 (02:52:31):
Ba dot dot dot down dot dot dot dot dot dot.
Speaker 2 (02:52:51):
Do but look at something like.
Speaker 35 (02:53:06):
Looking as that he love his step.
Speaker 25 (02:53:20):
This slave nimals lay show step enables not Scar.
Speaker 5 (02:54:22):
You've been listening to the Magical Mystical Music Show every
Friday Saturday night.
Speaker 82 (02:54:28):
Eighteen man, al right, great way to end up our
Friday show having a blast out here.
Speaker 3 (02:54:36):
In the musical boult have few people. I want to
thank you and thank my sacking, the producer of.
Speaker 95 (02:54:39):
My brother from another mother of my turntable brother.
Speaker 3 (02:54:41):
Mister Charles Chuck Twillie Junior. I also wanted to thank
my computer.
Speaker 82 (02:54:45):
Engineer extraordinary, my big brother mister Gary brothers our cyber
chef is Melody Sullivant is the leader of the Jedi
vand Mistood Darryl Riley, and of course the Jedi Van themselves,
and of course all the scenons that.
Speaker 61 (02:54:58):
Is out there in the universe.
Speaker 55 (02:55:00):
Said, tune in a jam with us every Friday and
Saturday night.
Speaker 92 (02:55:02):
Here is the.
Speaker 95 (02:55:03):
Musical on the Magical Mystical Us Show here on spreaker
dot com, also on mixed cloud. So I want you
to have a nice sake rest of your evening, Check
on your beat, check on your family.
Speaker 3 (02:55:15):
Can you say chutch us tomorrow?
Speaker 95 (02:55:16):
And we open to Musical vult at leash more of
the greatest Old School of music universe.
Speaker 55 (02:55:20):
Right here on the Triple M Show at seven o
eight pm eight pm Central Time, which is nine pm Eastern,
seven pm Mountains six pm Pacific time, saying Hey, I'm going.
Speaker 18 (02:55:39):
We have to go.
Speaker 5 (02:55:51):
If you've enjoyed this episode, share it with your friends.
Speaker 78 (02:55:56):
The four Tram.
Speaker 18 (02:56:11):
No hell, I didn't want to say.
Speaker 2 (02:56:50):
You're never going to eat.
Speaker 22 (02:57:00):
Ain't no easy way to say it.
Speaker 18 (02:57:04):
Don't come back. Fuck you know, just get the message.
Speaker 2 (02:57:12):
You're sending them my head West.
Speaker 18 (02:57:21):
What you don't say. I'm trying to make it easy.
Speaker 2 (02:57:29):
So I get him him breathing.
Speaker 22 (02:57:50):
Don't you think okay to smile, but you might creak
your face up.
Speaker 2 (02:57:58):
I shouldn't have to take that.
Speaker 18 (02:58:00):
I'll go with you.
Speaker 2 (02:58:07):
Thinking I love you.
Speaker 18 (02:58:12):
I don't know what to say.
Speaker 2 (02:58:17):
You're never going to wake my hair, You're never going away.
(02:58:43):
You never got away. No lie, wait where are you going?
(02:59:56):
I was gonna make a stress, kay,