December 22, 2025 • 60 mins
Aaron Cadieux is a paranormal researcher and investigator who focuses on the mysteries of the Bridgewater Triangle, one of North America’s most active and perplexing regions of unexplained phenomena. His work explores reports of UFO sightings, cryptid encounters, Bigfoot activity, hauntings, strange lights, and other high-strangeness events that have been documented in southeastern Massachusetts for decades. Drawing from eyewitness accounts, regional history, and field investigation, Aaron examines how geography, folklore, and human experience intersect to create a persistent hotspot of paranormal activity. His research invites deeper discussion about why certain locations appear to attract repeated and varied anomalies.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
This is the excellone Broadcast.
Speaker 2 (00:05):
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For more information on the X Zone Broadcast Network, visit
us at www dot x CBN dot net.
Speaker 3 (00:47):
Welcome back everyone. Aaron Cadg is our special guest. He
is the co producer co director of The Bridgewater Triangle Documentary.
His website is WWT The Bridgewater Triangle Documentary dot com.
First of all, Ern, thanks so much for joining us
to night. Great pleasure talking to you. Congratulations three years,
(01:09):
four years after at premiered, it's still out there doing well. Congratulations.
Speaker 4 (01:14):
Yeah. You know, we can take pride in the fact
that if you go onto Amazon right now and type
in paranormal documentary, the Bridgewater Triangle Documentary comes up number
one in the search and ask so much more than that.
Speaker 3 (01:25):
Yeah, you can a super big deal with one of
the networks that would work too.
Speaker 4 (01:30):
Yeah, exactly. Yeah. And that was unsolicited too. We weren't
even shopping around it. Just to all of a sudden,
we got an email from discovery and you got to
take that deal when it presents itself.
Speaker 3 (01:38):
For sure, exactly exactly, So what are you working on
in a while ride? What are you working on now?
Speaker 4 (01:46):
We are I'm collaborating with a couple of other partners
on what will be the first of a documentary film
about an unsolved serial murder case that focused on the
city of New Bedford, Massachusetts, called the New Bedford Highway Murders,
which occurred in nineteen eighty eight, and to this date
it remains an unsolved serial murder case and one of
the most well known unsolved serial murder cases in the
(02:07):
history of the United States.
Speaker 3 (02:09):
Why did you decide to focus on this.
Speaker 4 (02:12):
Well, we interviewed Freetown Detective Alan Alves, who was involved
in the Highway murders investigation because three of the bodies
were dumped within his jurisdiction in the town of Freetown,
and he said, you know, if you're looking for another topic,
you should do the Highway murders. And of course, living
around here, I know what the Highway murders are and
I thought it would be an interesting topic. And lo
and behold, we started doing the research and it's a very,
(02:35):
very much a hot button topic. There's a lot at
stake and a lot involved here with the eleven victims
that were murdered as part of this killer, and so
we tackled that subject. We try to pick subjects that
we have local access to but could also gone our
national audience. So that's why we picked the Highway murders,
and we're glad that we did, and it's building a
lot of momentum and it's going to be released as
(02:56):
a three part series rather than just a single documentary film.
Speaker 3 (03:00):
For any aspiring film makers listening tonight, what advice would you,
as a pro give them?
Speaker 4 (03:09):
Be able to wear a lot of hats in this industry,
For example, with the Bridgewater Triangle. I wrote the film,
I shot the film, I was the director of photography,
I co directed it, co produced it, I edited it
from the first frame to the last. I handled the website,
the marketing, the merchandising myself. You have to be able
to wear a lot of hats. I mean, we made
the Bridgewater Triangle documentary on a very very modest budget. Basically,
(03:33):
I mean I run a video production company, so we
didn't have to outsource a lot of tasks with that,
but if you're able to do all of those things
and you have the obsessive personality to get the thing done,
you can accomplish a lot. And you know, the Bridgewater
Triangle was a prime example of that. You Know, we had,
like I said, a very very modest budget. We made
back what we spent on the film with just the premiere.
(03:55):
We are already in the black and that is achievable.
It's not a dream. So that's that's the thing.
Speaker 1 (04:02):
You know.
Speaker 4 (04:02):
It's kind of cliche to say that you can accomplish
anything you set your mind to, but in the realm
of filmmaking, if you can wear enough hat and perform
enough of the tasks yourself, it is really feasible, especially
with documentary.
Speaker 3 (04:14):
Let's say you're driving from one location to a shooting location.
It's at nighttime, You're traveling on a lone highway, it's
pitch blackout. All of a sudden, you see a light
in the sky. It comes down and lands in front
of you. Lo and behold, it's a UFO out comes
(04:35):
an extraterrestrial. What would you do.
Speaker 4 (04:41):
Well, Hopefully, in my line of work, I'd have a
camera with me, because that would be the first thing
I've been trying to do if I you know, but
I mean, that's easy enough to say, but then when
it's actually happening, you're probably us. But I'd like to
think that I would try to capture some sort of documentation.
Speaker 3 (04:58):
What would your questions be to the visitor?
Speaker 4 (05:01):
Well, that's assuming that we could communicate with one another,
But i'd ask them where they're from, I guess, and
how long it took them to get here, and why
they have an interest in this planet. And I think
that that those would be my first questions.
Speaker 3 (05:18):
That raises a question that I often ask our guests
here on the X Zone. Why do you think that
there hasn't been a major landing in Red Square the
lawn to the White House since the Secret Service can't
catch anybody there apparently, uh, Parliament Hill and Ottawa, Buckingham
(05:42):
Palace in the Great Britain, and the list goes on
and on and on. Why do you think contact hasn't
been made yet? Official contact hasn't been made yet.
Speaker 4 (05:52):
Well, we don't know what the thought process would be
of an extraterrestrial We don't know if they have an
understanding of power structure and command structure, if they would
even realize that those are the places where our command
chain of command leads to. They might have no interest
in that kind of thing. They might not have any
concept of that. So maybe instead of landing on the
(06:13):
White House lawn, they're landing down in the ice of Antarctica,
you know, out in the frozen fields of Siberia. We
don't know what interests them. We're just assuming that they'd
be interested in the White House or the or Red
Square because that's what we would be interested in. But
they might have a completely different consciousness that would not
(06:33):
direct them to those things.
Speaker 3 (06:35):
As a member of the media, how do you feel
about the way that the media is being looked upon
by by citizens and other members of the media, as
well as fake news?
Speaker 4 (06:53):
I think all news has a bit of a bias. Now,
whether there's there are fringe news out that regularly publish
articles that make their way into social media that are
by and large debunked as bogus, and there's a lot
of that going around. But as far as the mainstream
outlets like a CNN or a Fox News or whatever,
(07:16):
you know, they both have their political leanings with you know,
I think CNN leans left. I think Fox News leans right,
but whether anything they're saying is outright fake, I wouldn't
necessarily say that they may one side of the other
try to slant something a certain way, but by and large,
I think the mainstream media is less likely to publish
(07:36):
fake quote unquote fake news. I think that's kind of
a buzz term that's gotten a little out of control.
I think you just have to go into watching a
certain network one or the other, knowing what their leanings
are and to be able to research the other side
of the argument that they might not be presenting.
Speaker 3 (07:52):
How do you see the growing technology like the computer
of the iPhone, the tablet, how do you see that
changing the face of filmmaking and video production.
Speaker 4 (08:07):
Well, it's a major benefit to the independent filmmaker like myself.
You know, the reason that we're on Amazon is because
they launched a new platform called Amazon Video Direct, which
opens up the door for independent filmmakers to submit their
own content without having to go through an aggregator or
a distributor or some sort of a third party agent.
I mean, as long as they approve of the content
(08:28):
that you're uploading, you upload it and then you're often running.
So I think that the advancing technology has benefited independent
filmmakings such as myself. You know, very very well, that's
not exactly the term I was looking for, but I
mean we were able to upload our content without having
to send a single tape. You know. It was just
all done electronically from the comfort of my office, without
(08:49):
having a really lifted finger. And so the technology is
helping us, and eventually, I think you'll see the collapse
of traditional mainstream cave or satellite because people are finding
alternative routes to view content. I mean, you've got Netflix,
you've got Amazon Prime or Amazon Streaming, you've got Sling TV,
(09:11):
and people are watching things on demand. People are less
likely to watch commercials and advertisements. So it's changing things.
It's not necessarily changing things for the worst. I think
it's changing things for the better.
Speaker 3 (09:22):
What are your final thoughts for the x O Nation
tonight around the world.
Speaker 4 (09:26):
I was just an honor to be here tonight, and
you know, I'll shamelessly plug the next project, you know,
the Highway Murders documentary. I think that's going to be
a landmark film and I hope people take the time
to check it out. But other than that, I appreciate
the listenership, and these are the people that are the
ones that take the time to view films like The
Bridgewater Triangle. And without these people, there would be no
(09:48):
Bridgewater Triangle Documentary. So, you know, we're honored to have
made the film and had it be a moderate success
and be able to talk about it.
Speaker 3 (09:57):
Did you was the It was the Bridgewater Triangle Documentary
showing at the Oh My Gosh Sundance Festival.
Speaker 4 (10:10):
No, we actually were not all that successful in film festivals.
Of the twelve to thirteen we submitted to, we were
only accepted into four. And I don't know if it's
a content thing or what, or maybe it just didn't
stack up to some of the other material out there.
But out of all those festivals that we were in,
how many of the films in those festivals can say
that they sold to a major network.
Speaker 3 (10:28):
Probably not many exactly.
Speaker 4 (10:30):
So we have that said of the stick in our cap.
But you know, the festival circuit, we showed it a
few different festivals.
Speaker 3 (10:37):
Listen, give our listeners your website one more time.
Speaker 4 (10:41):
It's the www dot the Bridgewater Triangle Documentary dot com.
It's a very long url, but it's easy to remember.
The Bridgewater Triangle Documentary dot com.
Speaker 3 (10:51):
And it's available on Amazon Prime.
Speaker 4 (10:54):
It's available on Blu Ray DVD on Amazon Prime, or
even on Vimeo, which is another video streaming service, but
predominantly everybody's been viewing it through Amazon. Nowadays, the DVD
and Blu Ray fields have plummeted now that we're on Amazon,
but that's okay. And if you've got Amazon Prime, you
can watch it for free. It's out there.
Speaker 3 (11:13):
Aaron continued success. Thank you so much for taking time
out of your busy day to join us, and I
look forward to the next time. Look, I look forward
to the next time you join us down here in
the XIT to talk about your present project. Good luck
with it.
Speaker 4 (11:26):
Oh, thank you very much, Thank you very much. Thank you.
Speaker 3 (11:28):
Good night, Aaron, good night, X all nation. Aaron kads
You was our special guest this hour. His website is
www dot the Bridgewater Triangle Documentary dot com. That's www
dot the Bridgewaterdocumentary dot com. I'll be back on the
other side of this commercial break as we continue here
in the X Zone from our broadcast center in beautiful Hamilton, Ontario, Canada.
(11:53):
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And to find out about all the great programming we
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(12:16):
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Speaker 3 (16:49):
Welcome back everyone. If you would like to send me
an email suggesting a guest, or if you have any
comments on a show that we've done, or if you'd
just like to say hi, let us know where you're
listening to us from. My email address is xon at
xxone Radio TV dot com. Aaron Kadze is our special guest.
He is the co producer co director The Bridgewater Triangle.
(17:12):
The website is www dot The Bridgewater Triangle Documentary dot com.
Tell us about the filming. How long did it take you, guys,
to from the time you decided to do the film
until the time it had been totally edited and you
had the finished copy in the can.
Speaker 4 (17:31):
That was probably about a four year process. Now keep
in mind you know, we were doing this as a
labor of love. We didn't get paid for this documentary
was something that we worked on in their spare time.
You know, I do video production for a living, so
I had my regular clients and regular duties as a
video production specialist who adhere to and then this was
something that we devoted time to when we could. The
(17:51):
edit process took about ten months, wow, But when it
was all said and done, it was just under a
four year process. And we premiered the film in October
of two thousand and thirteen.
Speaker 3 (18:01):
What has been some of the feedback you've been getting
from viewers of the film.
Speaker 4 (18:06):
It's been universally pretty much positive. I mean, there's always
going to be critics and there's always going to be
some negativity, but it was widely more successful than we anticipated.
I mean, we we permitted this thing on October twenty
of twenty thirteen to a sellout crowd of a crowd
of eight hundred and fifty people, and a week after
that we played it to another sold out crowd of
(18:26):
four point fifty and by December of eighty eight I
mean eighty eighties. By December of twenty thirteen, we had
been contacted by Discovery Communications and they were interested in
the US broadcast rights, and so it's been It's made
its premier national television under the title America's Bermuda Triangle,
which is an edited down version of the same film.
(18:48):
It's only a broadcast hour, so they basically cut the
film in half for TV. But you know, since then,
we've also gotten it up on Amazon Prime and Amazon
Streaming Video, where you know, close to three million minutes
so more of the documentary have been streamed in four
different countries. So it's been well received. The feedback has
been largely positive and it's far exceeded our expectations.
Speaker 3 (19:15):
So after having completed this is it's obviously been been
a great success. It's still making the rounds. Viewers are
still watching it. Interest is being generated about not only
the Bridgewater Triangle, but I'm sure other areas of mystery
throughout the United States and other countries. Are you going
(19:36):
to be doing a sequel? Are you going to be
doing another documentary on another mysterious triangle in the world.
Speaker 4 (19:44):
At this point, I'm kind of I'm wrapped up in
a massive project right now that is not a paranormal documentary.
I mean it actually is a result of the Bridgewater
Triangle documentary. At a roundabout way, one of the witnesses
that we interviewed in the Bridgewater tru had recommended this
other topic as something that we should tackle. So but
(20:05):
as far as another documentary in the paranormal realm, it's
not something that I'm opposed to. I mean, we've got
a lot of uh submitted people have submitted a lot
of firsting accounting stories to us after the fact because
we did this documentary, So it's always possible that we
could do more within the Bridgewater Triangle or maybe, like
you suggested, tackle another region in another part of the
country and do a similar project.
Speaker 3 (20:25):
Why do you think the Power Normal is so popular
even today in the year twenty seventeen.
Speaker 4 (20:33):
Because you know, every town, every community across the country
has their own stories about you know, the haunted house
down the street, of the creepy woods, or you know
the legends and folklore. So it's something that everybody can
relate to, and it's something that I think people go
into it knowing that, yeah, they're probably not going to
(20:55):
prove the existence of this or that, but to watch
these programs, it's part of the fun to see, you know,
crews and ghost hunters go into these locations and to
see people trapes around in the woods looking for bigfoot.
There's something exciting about it, even if in the back
of people's minds they really think, yeah, they're probably not
going to prove anything. But like I said, I think
it's just a fun topic. It's fun to think about.
It's fun to hope that something like that does exist.
(21:16):
It's more exciting to think bigfoot exists than it is
to think that it doesn't. So I think that's why
it's so popular. I mean, every single major network on
television has some sort of a ghost hunting or UFO
at bigfoot hunting show, and they have them for a reason.
They get ratings and people watch them.
Speaker 3 (21:34):
That's one reason. But you know as well as I
do being in the industry, that with the deregalization of
the networks and the opening up of new channels, program
directors need programming and one of the cheapest venues to
buy media from is the paranormal people.
Speaker 4 (21:52):
Yeah, I mean people we sold to a network. And
when I tell people that, they think, well, you should
be on a yacht down in the Caribbean living out
your retirement and it's just not the case. You know.
It was one of those things where we were we
were offered the deal and we hadn't sold anything else
to national television. We had no leverage, so we took
what we could get. You can't turn that down if
you get that opportunity. But yeah, it's not it's not
(22:14):
in you know, you don't get paid, you know, ten
tens of thousands, of hundreds of thousands or millions of dollars.
You know, it's you just expect, you know, to have
to do it again and try to try to have
a little bit more leverage the second time around. I
guess yeah.
Speaker 3 (22:28):
Plus plus with the ability of people to take high
definition video with their phones or there, you can go
out and buy a three hundred dollars handheld camera, make
your own.
Speaker 4 (22:42):
Life's absolutely true. Yeah, the digital a the digital revolution
has completely changed the filmmaking process. I mean, for a
couple thousand dollars, you can get yourself a halfway decent camera,
a couple more thousand, gets yourself a post production editing system,
and then you're off and running. We're in the old days,
it was a quarter of a million dollars just to
walk into just to have access to an editing suite.
(23:04):
So it's it's changing the industry tremendously.
Speaker 3 (23:08):
Do you think that the television shows on TV, the
reality TV shows are an asset or a hindrance to
the paranormal community?
Speaker 4 (23:18):
Largely a hindrance. We watched a lot of those program
not to speak badly of those kind of progress, but
we watched a lot of those to learn what not
to do with this documentary, right, And we tried to
make this documentary for the intelligent viewer of somebody that
would watch it and say it was refreshing in a
refreshing change from what they see on TV largely, and
that's that's the approach that we took, and we think
we struck a chord with that. It was it was
(23:40):
it's something that was a breath of fresh air in
an otherwise see of sensationalized, over dramatic nonsense.
Speaker 3 (23:49):
When you were doing your premiere, were any of the
people that you interviewed at your at your premiere and
if so, what were their comments about your final product?
Speaker 4 (23:59):
Oh, they were all very very supportive and very excited.
There wasn't anybody that was in the film that regretted
being in the film or had anything bad to say
about what we had done. You know, they are they
all they've all benefited from it as well, especially the
people that are you know, we had eyewitnesses, but then
we also had experts in the field and researchers who
you know, saw upticks and visits to their websites and
(24:22):
they were able to sell books at the premiere and everything,
so it benefited everybody.
Speaker 3 (24:29):
What was the most popular topic of your of your documentary?
Was it Bigfoot?
Speaker 1 (24:37):
Was it the UFOs?
Speaker 3 (24:38):
Was it the curses?
Speaker 4 (24:39):
It probably was Probably was the half hour segment of
the film that deals with the just under half hour
should say, the freetown follower of a state forest, because
that a lot of that ties into incidents of true
crime and uh, you know, alleged instances of ritualistic sacrifice
of an animals and really gruesome stuff like that. But
(25:02):
that's something that's a little more tangible than some of
the other concepts that we covered, and I think that
that segment of the film holds people's attention better. And
not that not that the film doesn't hold people's attention,
but that segment particular is the one that really grabs people.
Speaker 3 (25:16):
Were there any ghost or haunting stories in your film?
Speaker 4 (25:21):
Oh? Yeah, absolutely, and particularly there are two towns within
the triangle that have a very long history of reports
of ghostly encounters. One is a Rehobus, Massachusetts, and the
other one is East Bridgewater, Massachusetts, both of those towns,
and we covered some hauntings in those locations as well.
The only problem with covering hauntings is, you know, like
(25:42):
I said, every single community has its haunted house or
haunted graveyard or something like that. So to cover all
the hauntings in the Bridgewater triangle would require a multi
episode series in and of itself, never mind all the bigfoot,
UFO and true crime stuff that we were trying to
cover as well.
Speaker 3 (26:00):
Do you think that the let me see how I
can besphrase this, with the advent of all these paranormal shows,
ghosts shows, UFO shows that certain towns are monopolizing on
the the ability to increase tourism, whether or not the
paranormal activity is real or not.
Speaker 4 (26:22):
I I'm not really well versed enough in that to
say to a degree possibly, you know, and I can't
say I've always thought that that these towns, these some
of these communities could benefit from attaching themselves to the
Bridgewater Triangle and trying to to maybe have some sort
of tourism attached to it, especially a town like Rehoboth.
(26:45):
They had such a long history of these kind of occurrences.
I thought that they could potentially do that without coming
across as really trying to take advantage of it too much.
But I think there's a there's a fine line there
between between, you know, taking pride in a history like that,
but then also taking advantage of something like that.
Speaker 3 (27:04):
Okay, you shot the film in twenty thirteen. Here we
are in twenty seventeen. Prior to your shooting the film.
When was the last actual paranormal account that you guys
were able to research that didn't make the film?
Speaker 4 (27:23):
Well, there was There's been a few UFO sightings that
have happened after we released the film, But in terms
of the last paranormal occurrence within the context of the
time before the film came out, I don't really know,
to be honest with you. I think we tried to
get some of the more recent stuff in there. There
may have been a couple of UFO sightings that happened
(27:44):
in the late nineties nineties that we weren't able to
get to specifically, but by and large, I think we
covered a lot of ground.
Speaker 3 (27:52):
If you were to redo your film today, or let's say,
if there was a time machine that could take you
back to twenty thirteen, would you change anything?
Speaker 4 (28:01):
Possibly a couple of things, one of them. And to
be honest with you, one of the things that we
do receive criticism for is whenever we interviewed an expert
in the field, if they had published the book of
any kind or done any kind of a publication, we
made sure to mention that. I mean, people weren't getting
paid to be in this documentary and they were giving
us their time, and we were kind of using it
as credentials. But some people have seen it as we
(28:22):
were trying to boost sales for these people, book people,
people's books, and you know, we thought, you know, if
they get a couple of books sales because of being
in this documentary, it's not the worst thing in the world.
But we have caught some criticism for that, so maybe
we would have toned that down.
Speaker 3 (28:34):
Who are some of the experts that you had in
your film?
Speaker 4 (28:38):
Lauren Coleman, First and foremost Jeff Blandrew who writes for
Ghost Adventures on the Travel Channel. He lives here in Massachusets.
Speaker 3 (28:47):
He also has his own website, ghost Village dot com.
Speaker 4 (28:50):
Yep, those village dot com. Yet Jeff Blander is probably
the second highest profile guy. Tim Wiseberg from Spooky South
Coast of Radio program down here in Massachusetts. Christopher Pittman
who's been on Ancient Aliens a few times, John Brightman,
who's been on Ghost Lab and My Ghost Story I Believe,
(29:10):
and Christopher Balzano who's an accomplished author in this field.
So quite a few guys with with Coleman and bland
are probably taking the lead.
Speaker 3 (29:19):
Did you know that, uh that, my gosh, Jeff blanche
was a was a song songwriter.
Speaker 4 (29:28):
I did. I did know that he gabbled in music.
I did know that he's a He's a fantastic indusview
He's very witty. Yeah, he's very quick on his feet.
He's very engaging and very entertaining, and we were very
excited when he agreed to be interviewed.
Speaker 3 (29:41):
He's he's a great guy. I've had the pleasure of
meeting and working with Jeff over the years, and he's
a breath of fresh air in the industry as well.
Aaron stand by you and I have to take our
final break explanation. Aaron Kadzio is our special guest and
he is website all right, do you have your pens
on paper ready?
Speaker 1 (29:58):
Okay?
Speaker 3 (29:59):
Here we go www dot the Bridgewater Documentary, The Bridgewater
Triangle Documentary dot com again Www dot the Bridgewater Triangle
Documentary dot com. And we'll be back on the other
side of this shortbreak as we wrap up this hour
(30:20):
here in the X Zone from our broadcast center in Hamilton, Ontario, Canada.
Don't go await hi everyone. Rob McConnell here and I
(30:42):
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(34:21):
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Speaker 3 (35:26):
Welcome back everyone. Aaron kads here is our special guest.
Www dot The Bridgewater Triangle Documentary dot com. And if
you go on to YouTube and just put in the
search engine Bridgewater Triangle, you'll find a number of great documentaries.
But make sure that that the ones you're looking for
(35:48):
are the Bridgewater Trianglestore dot Big Cartel dot com. And
just give me a second here exonation, I'll find some
other h I guess the best way we're just going
to be to go on to YouTube and and search
for the Bridgewater Triangle documentary.
Speaker 4 (36:05):
Right, Yeah, that's correct. And I don't know how many
how many listen as you have down in the US.
I'm sure there's some we've got there. If there are members.
If people are members for Amazon Prime, which is similar
to Netflix, you can watch the film for free on
Amazon Prime. Right now. You can just search Bridgewater Triangle
on Amazon and it'll be the first thing that pops up.
Speaker 3 (36:26):
Super Okay, let's get down to the basics. When was
the Bridgewater Triangle first discovered and by who and how?
Speaker 4 (36:37):
I wouldn't say discovered so much as defined, Okay, And
you know the stories about this region date back to
colonial times and the region was first defined by the
world are now cryptozoologist Lauren Coleman, who had moved to
Massachusetts from California. He settled in the Boston area, and
naturally he started doing investigations for unix blained occurrences and
(37:01):
particularly cryptid animal sightings in Massachusetts, and he kept getting
a lot of reports surrounding an area in southeastern Massachusetts
called the Hackamock Swamp, and he kind of expanded that
area to other reports that were coming from that region
and the Bermuda Triangle was a hot topic at that time,
and he kind of defined this area as the Bridgewater Triangle.
(37:21):
So whether or not it's really a triangle or not,
it's kind of something that's up for debate. It's more
or less just like a hot spot or a light
hot spot for unexplained occurrences. So he first coined the
phrase Bridgewater Triangle back in the late seventies.
Speaker 3 (37:35):
Do you have any reason or during the filaming of
your documentary or during the research phase of the of
the script for the Bridgewater Triangle, were there any hypothesis
on why this area is so active with paranormal activity.
Speaker 4 (37:56):
Well, the most popular theory is that there was a
major war between the indigenous people of the Wampanog tribe
and the English settlers back in sixteen seventy five and
sixteen seventy six, where on a per capita basis, it
still remains the bloodiest war in American history. Now, obviously
not nearly as many people were killed as say during
(38:16):
the Civil War, but for the amount of people that
were in the area at the time, you know, we're
talking about five percent of the New England's combined population
was wiped off. The map as a result of this conflict,
and a lot of the major engagements and initial battles
in that war took place in the vicinity of the
Bridgewater Triangle region, and there's rumors that the Native Americans
(38:36):
possibly placed a curse on the land after they were
cheated out of their land. So that's probably the primary
theory is to where some of the odd occurrences are
coming from with the Bridgewater Triangle, whereas other people say
maybe the area had a reputation for the odd and
the unexplained, the bizarre before that, and maybe the war
was a result of that as well. So it's kind
(38:56):
of a chicken or an egg thing that you never
really get the answer to.
Speaker 3 (39:00):
You know, I, how did being a skeptic affect your
involvement in the film and how did it affect the
film itself?
Speaker 4 (39:09):
Well, you know, like I said, I walked into this project.
I walked into this project probably about a ninety nine
percent skeptic and still walked away ninety six. But there
were a few things that took place during that took
place during the film, or things that we talked about
in the film that even made me take a step
back and question that but I think being a skeptic
helps in the production of the documentary because we weren't
As a result, we weren't trying to shove any of
(39:29):
this down anybody's throats as one indisputable fact. We felt
it was our job to just relay the information, collect
the stories from the first hand eyewitness accounts, and just
let them tell their stories and basically let the viewer
decide whether they think the people are telling them the
truth or not.
Speaker 3 (39:45):
You know what, I applaud that type of creative filmmaking
and video. It seems today that so called reality TV
is anything but reality TV, and what you just described,
in my opinion, is the way it should be done.
Let the viewer or the listener or the reader make
(40:08):
up your mind. I see my job as a broadcaster,
whether I'm doing the TV show or whether I'm doing
the radio show or writing, is to bring as much
information as I can to the venue, get it out there,
and let the listener or the reader or the viewer
make up their mind.
Speaker 4 (40:30):
That's exactly that's correct. I mean, the paranormal is a
virtually impossible thing to to prove, right. I mean, people
have been studying the paranormal for hundreds of years and
nothing's ever been proven, and so we knew we weren't
going to prove anything with this documentary. We would just
relay the information.
Speaker 3 (40:45):
More than that was you were giving your view You
are giving your viewers a history lesson.
Speaker 1 (40:52):
That's see.
Speaker 4 (40:52):
That's that's something I was going to mention to kind
of gap my mind. But when people watch this documentary,
this is there's a lot of history woven into the story,
and a lot of true history woven into the story,
and it's very different from what people are expecting. People
I think they hear paranormal documentary, they automatically get visions
of kids running around in the woods with cameras, kind
of like a Blair Witch Project types of a thing,
(41:13):
and this is very different from that.
Speaker 3 (41:17):
When you were doing your documentary, what was the one
story that made you scratch your head and say, not
the experience with the lights, but the story itself.
Speaker 4 (41:32):
We tracked down a gentleman named Bill Russo who had
a bizarre encounter in nineteen ninety just outside of the
Hackamock Swamp in a town called Raynham. Used to work
the night shift and he got home from his shift
and he took his dog out for a walk and
he and his dog encountered this three foot tall, hair
covered creature that tried to communicate verbally with him and
(41:53):
his dog, and actually at one point beckoned them to
come closer, and he claims that he and his dog
were paralyzed with fear. The thing that struck struck me
with that story was, you know, I went up alone
to interview Bill Russo. He was at that point, He's
living out on Cape Cod in Massachusetts, and I drove
to his house and interviewed him there, and when he
was telling that story, he just came across. It's so credible,
(42:14):
so genuine that I absolutely believe he saw something that
he cannot explain.
Speaker 2 (42:20):
Now.
Speaker 4 (42:20):
What he saw, I can't say, but it was the
most convincing story I've ever told in a documentary. And
while we were shooting, I can remember just the hair
in my arms standing up, the hair in the back
of my neck, and to this day it probably remains
one of the most rememorable segments in the documentary film.
Speaker 3 (42:36):
You know, there are a lot of reports of bigfoot.
Laurene Coleman has done a magnificent job of trying to
bring enough evidence on proof without having to bring a
cadaver of a Bigfoot to the public to prove that
Bigfoot does exist. And yet there are so many researchers
that are trying their very best to find Bigfoot, and
(43:00):
even with all the technology we have available today, erin
it seems that Bigfoot is smarter than we are, because
to this very day, there is no evidence or proof
that Bigfoot does exist.
Speaker 4 (43:13):
Well, you know, the skeptica he's going to say add
to that and say, you know, every time there is
a photo, alleged photograph and our alleged video of Bigfoot
always happens to be blurry or grainy and impossible to
see even with the state of the art cameras that
are equipped on every cell phone nowadays. So you know,
I there's a there's a There's a guy we intervened
in documentaries names Derrek Gunn, and he he has a
(43:35):
theory that Bigfoot might be an interdimensional type phenomena where
when it's there, you're physically seeing it because it's there,
but when it can choose to to cross dimensions and vanish,
and you know, it's kind of an outda of theory,
but it's more it's one of the more interesting ones
that would give you some sort of an explanation as
to why a bigfoot has never been you know, proven
(43:56):
to exist, or why one has never been why we've
never found the dead bigfoot, or why you know, we've
never captured one, because it's some sort of an interdimensional thing.
Speaker 3 (44:05):
Let me throw this at you. Sure, you know, with
the modern technology we have with drones and flare and helicopters,
you know, it wouldn't be very hard if somebody wanted
to take a serious, I mean a serious look into
the bigfoot phenomenon, just to do a grid using a
(44:26):
flair camera on a drone like what you know, what
am I missing here? What am I missing?
Speaker 4 (44:35):
Maybe it's maybe it's a matter of the people that
are looking to do that are not the ones that
have the tools to do it. I don't really have
an explanation for you. You know, maybe it's a maybe it's
a funding issue. To have a drone that could could
do that kind of a flight pattern for that long
of a period of time would be you know, more
costly than you know flying a drone up in the
sky for fifteen minutes, which is usually the average flight
(44:57):
time of a consumer drone, So I you know, I
I don't have much more of an explanation for me
other than.
Speaker 3 (45:03):
That, what is your take on UFOs?
Speaker 4 (45:06):
I absolutely one believe that we are not alone in
the universe. The universe is too vast. There's too many
how many billions of galaxies they've estimated in the observable
universe to suggest that this one tiny speck in this
corner of our galaxy is the only place where his
life is ridiculous. And whether whether extraterrestrials have actually visited
(45:29):
us or not, I can't say. But I absolutely believe
in life on another planet, and it would not surprise
me if there's a race of being somewhere else that
have the technology to send craft that are far more
advanced than anything we have here on this planet, and
they have visited the outer reaches of our of our atmosphere,
or even flown over of cities and towns. Is there's
a lot of encounters that just defy logic and defy explanation.
Speaker 3 (45:55):
What I can't understand is why people think that these
extraterrestrial must be carbon based units and that we would
easily recognize them as aliens.
Speaker 4 (46:07):
Well, it plays into the whole concept of life as
we know it.
Speaker 1 (46:10):
That's right.
Speaker 4 (46:10):
We don't know everything about the universe, and even things
are within our own galaxies, so there may be some
form of life that is different from what we know life.
Speaker 3 (46:19):
To be part of your documentary entitled the Bridgewater Triangle
documentary deals with Indian curses. Do you think, as a skeptic,
as a filmmaker and someone who has researched the curses
within the area, do you think that curses are real?
Speaker 4 (46:42):
No, I, as far as you know the Native Americans,
you know, I mean you go back to King Phillips. Well, yes,
a lot of the engagements in battles took place within
the boundaries of southeastern Massachusetts, but the war spread there
were towns out in western Massachusetts that would burn down
that are well outside of the Bridgewater Triangle. And some
of those towns took seventy years to be reinhabited by settlers.
(47:04):
That's how bad the damage was. So why the Native
Americans would place a curse just on this little corner
of Massachusetts doesn't really make a lot of sense to me.
And the thing with the Bridgewater trial is a skeptic
that I kind of say is that people that live
here are living in an area that they know has
been defined as an area for unexplained occurrences. So people
(47:27):
that are here have a heightened awareness to that. So
if somebody's walking in the woods in the Bridgewater Triangle
and they hear something crashing through the trees, or if
they see a light that they can't explain or something
like that, they automatically are going to attribute it as
to being paranormal unexplained in part of the whole phenomenon
of the Bridgewater Triangle, where if you took that same
person and they experienced that in an area where there
(47:47):
wasn't a reputation for that, they might attribute it to
a deer running through the woods or a plane in
the sky. So I think there is a propensity for
people to attribute things that aren't necessarily paranormal to two
things that you know, they think, I don't know what
I'm trying to say, but attributing the paranor things to
the paranormal. They aren't necessarily paranormal, It's what I'm trying
(48:09):
to say. And I think it's because they're living in
an area where they have this heightened awareness.
Speaker 3 (48:14):
Aaron play Stand by you and I have to take
another break for the news at the bottom of the
hour explanation. Aaron Kadzie is our special guest and he
is the co director co producer of The Bridgewater Triangle Documentary.
You can go on to YouTube and type that in
and get a preview his website www dot The Bridgewater
(48:34):
Triangle Documentary dot com. And Erin and I will be
back on the other side of this break with the
news as we continue investigating in the world of the
paranormal and the science of parapsychology right here in the
X Zone from our broadcast center in Hamilton, Ontario, Canada.
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just go to XZBN dot net. All right, exponation. Everybody's
(55:33):
heard of the Bermuda Triangle, everybody's heard about the Great
Lakes Triangle. Today we're going to be talking to Aaron
Kadu about the Bridgewater Triangle, which refers to an area
of about two hundred square miles or for US Canadians,
five hundred and twenty square kilometers within southern Massachusetts and
(55:54):
the United States, claimed to be the site of alleged
paranormal phenomena ranging from uf to Poltergeist orbs, balls of fires,
and other spectral phenomenon various Bigfoot like sightings, giant snakes,
and thunderbirds. Now just some of the historic places and
landmarks within the Bridgewater Triangle include Hakkamuck Swamp, Digton Rock,
(56:22):
Freeton Fall River, State Forest and Profile Rock. Some of
the other paranormal claims include bigfoot sightings, thunderbird sightings, animal mutilations,
as well as Indian curses. My guess this hour as
Aaron Kadjeu and Aaron is the gentleman behind the Bridgewater
Triangle documentary. His website is the Bridgewater Triangle Documentary dot com.
(56:45):
And Aaron, welcome back to the x O on and
it's been a long time since you've been with us.
Speaker 4 (56:49):
Oh, thank you very much for having me.
Speaker 3 (56:51):
I appreciate that Aaron, tell us a little bit about
yourself and how you became so interested in the Bridgewater Triangle.
Speaker 4 (57:00):
I'm a documentary filmmaker by trade, but when I was
in college for video production and filmmaking, I was looking
for a document a topic for a documentary researching allegedly
haunted locations in Massachusetts. Came across information about the Bridgewater Triangle.
Learned that where I grew up in North Dotmuth was
about six miles down the road from the Freetown State Forest,
(57:22):
which I was very well aware of as a kid
in the stories that came out of there. Once I
saw that that tied into the overall concept of this
two hundred square my Bridgewater Triangle. I thought it would
be an interesting topic for a documentary, and I had
done a short thirty minute student film in college about
the Bridgewater Triangle, but always thought that, you know, it
would make for a good topic for, you know, a
legitimate ninety minute feature documentary when I had a little
(57:43):
bit more experience under my belt. So fast forward to
about twenty ten, I met up with a guy from
East Bridgewater named Many Famolare who was into the Bridgewater
Triangle and we kind of pooled our resources and did
the first of a documentary film about the Bridgewater Triangle.
Speaker 3 (57:58):
Well, first of all, congratulations on your DVD, your video,
and well thank you. While you guys were shooting, and
I've got about two minutes before I have to take
my first break. While you guys were shooting, did you
experience any paranormal phenomenon yourselves.
Speaker 4 (58:14):
There was one incident that took place while filming an
interview in the freetown full of a state forest where
the lights shut off during one of the one of
the interviews that we were shooting. And the interesting thing
about it was the light shooting off a second time
during the interview and it was in direct response to
the interviewee basically teasing the spirits or alleged spirits. I
(58:37):
could say he turned as if he was like addressing
a ghost, and as soon as he did that, the
light shut off the second time. And even as a skeptic,
that's the closest thing I've ever had to a paranormal
occurrence in my life.
Speaker 3 (58:48):
Well, I have to tell you I was with A
Creepy Canada for three years as the consultant to the
producers as well as the voiceover artist, and I'll tell
you some of the stories that I heard from the
tech staff that I that grew to be friends, as
well as the producer and director Bill Burke. You know,
they'd go to alleged haunted locations and during the during
(59:10):
the shooting of the episode, the batteries would drain, the
lights would go out unexpected, unexpected technical problem. So this
seems to be something that is quite common women shooting
something within the paranormal.
Speaker 4 (59:24):
Yeah, I've run into other people that have experienced that
kind of thing as well. I mean, I don't consider
myself a paranormal research or an investigator. This was a
you know, one off topic. Then the project I'm working
on now has nothing to do with the paranormal. But
you know, I've never experienced a technical issue like that. Again,
since I mean, this was an interview that was kind
of impromptu. We shot it out in the woods with
a battery operated light. Yeah, but we put brand new
(59:46):
batteries in the light before we started the interviews, so
there was no real explanation for what happened.
Speaker 3 (59:50):
Aaron, please stand by you and I have to take
our first break explanation. Aaron Kadgia is our special guest www.
Dot The Bridgewater Triangle Documentary dot com, and Erin and
I will be back on the other side of this break.
I am Rob McConnell. This is the X Zone, and
you're listening to us on the Xzone Broadcast Network, Talkstar
Radio and Radio XM
This is the excellone Broadcast.
Speaker 2 (00:05):
Network, broadcasting worldwide on broadcast affiliates and satellite program providers
including CNN Broadcast Network, Serious Satellite Network, Star Media, Good
News Radio Network, Angel Broadcast Network.
Speaker 1 (00:20):
WIKI Broadcast Network, and WPBNTV.
Speaker 2 (00:24):
For more information on the X Zone Broadcast Network, visit
us at www dot x CBN dot net.
Speaker 3 (00:47):
Welcome back everyone. Aaron Cadg is our special guest. He
is the co producer co director of The Bridgewater Triangle Documentary.
His website is WWT The Bridgewater Triangle Documentary dot com.
First of all, Ern, thanks so much for joining us
to night. Great pleasure talking to you. Congratulations three years,
(01:09):
four years after at premiered, it's still out there doing well. Congratulations.
Speaker 4 (01:14):
Yeah. You know, we can take pride in the fact
that if you go onto Amazon right now and type
in paranormal documentary, the Bridgewater Triangle Documentary comes up number
one in the search and ask so much more than that.
Speaker 3 (01:25):
Yeah, you can a super big deal with one of
the networks that would work too.
Speaker 4 (01:30):
Yeah, exactly. Yeah. And that was unsolicited too. We weren't
even shopping around it. Just to all of a sudden,
we got an email from discovery and you got to
take that deal when it presents itself.
Speaker 3 (01:38):
For sure, exactly exactly, So what are you working on
in a while ride? What are you working on now?
Speaker 4 (01:46):
We are I'm collaborating with a couple of other partners
on what will be the first of a documentary film
about an unsolved serial murder case that focused on the
city of New Bedford, Massachusetts, called the New Bedford Highway Murders,
which occurred in nineteen eighty eight, and to this date
it remains an unsolved serial murder case and one of
the most well known unsolved serial murder cases in the
(02:07):
history of the United States.
Speaker 3 (02:09):
Why did you decide to focus on this.
Speaker 4 (02:12):
Well, we interviewed Freetown Detective Alan Alves, who was involved
in the Highway murders investigation because three of the bodies
were dumped within his jurisdiction in the town of Freetown,
and he said, you know, if you're looking for another topic,
you should do the Highway murders. And of course, living
around here, I know what the Highway murders are and
I thought it would be an interesting topic. And lo
and behold, we started doing the research and it's a very,
(02:35):
very much a hot button topic. There's a lot at
stake and a lot involved here with the eleven victims
that were murdered as part of this killer, and so
we tackled that subject. We try to pick subjects that
we have local access to but could also gone our
national audience. So that's why we picked the Highway murders,
and we're glad that we did, and it's building a
lot of momentum and it's going to be released as
(02:56):
a three part series rather than just a single documentary film.
Speaker 3 (03:00):
For any aspiring film makers listening tonight, what advice would you,
as a pro give them?
Speaker 4 (03:09):
Be able to wear a lot of hats in this industry,
For example, with the Bridgewater Triangle. I wrote the film,
I shot the film, I was the director of photography,
I co directed it, co produced it, I edited it
from the first frame to the last. I handled the website,
the marketing, the merchandising myself. You have to be able
to wear a lot of hats. I mean, we made
the Bridgewater Triangle documentary on a very very modest budget. Basically,
(03:33):
I mean I run a video production company, so we
didn't have to outsource a lot of tasks with that,
but if you're able to do all of those things
and you have the obsessive personality to get the thing done,
you can accomplish a lot. And you know, the Bridgewater
Triangle was a prime example of that. You Know, we had,
like I said, a very very modest budget. We made
back what we spent on the film with just the premiere.
(03:55):
We are already in the black and that is achievable.
It's not a dream. So that's that's the thing.
Speaker 1 (04:02):
You know.
Speaker 4 (04:02):
It's kind of cliche to say that you can accomplish
anything you set your mind to, but in the realm
of filmmaking, if you can wear enough hat and perform
enough of the tasks yourself, it is really feasible, especially
with documentary.
Speaker 3 (04:14):
Let's say you're driving from one location to a shooting location.
It's at nighttime, You're traveling on a lone highway, it's
pitch blackout. All of a sudden, you see a light
in the sky. It comes down and lands in front
of you. Lo and behold, it's a UFO out comes
(04:35):
an extraterrestrial. What would you do.
Speaker 4 (04:41):
Well, Hopefully, in my line of work, I'd have a
camera with me, because that would be the first thing
I've been trying to do if I you know, but
I mean, that's easy enough to say, but then when
it's actually happening, you're probably us. But I'd like to
think that I would try to capture some sort of documentation.
Speaker 3 (04:58):
What would your questions be to the visitor?
Speaker 4 (05:01):
Well, that's assuming that we could communicate with one another,
But i'd ask them where they're from, I guess, and
how long it took them to get here, and why
they have an interest in this planet. And I think
that that those would be my first questions.
Speaker 3 (05:18):
That raises a question that I often ask our guests
here on the X Zone. Why do you think that
there hasn't been a major landing in Red Square the
lawn to the White House since the Secret Service can't
catch anybody there apparently, uh, Parliament Hill and Ottawa, Buckingham
(05:42):
Palace in the Great Britain, and the list goes on
and on and on. Why do you think contact hasn't
been made yet? Official contact hasn't been made yet.
Speaker 4 (05:52):
Well, we don't know what the thought process would be
of an extraterrestrial We don't know if they have an
understanding of power structure and command structure, if they would
even realize that those are the places where our command
chain of command leads to. They might have no interest
in that kind of thing. They might not have any
concept of that. So maybe instead of landing on the
(06:13):
White House lawn, they're landing down in the ice of Antarctica,
you know, out in the frozen fields of Siberia. We
don't know what interests them. We're just assuming that they'd
be interested in the White House or the or Red
Square because that's what we would be interested in. But
they might have a completely different consciousness that would not
(06:33):
direct them to those things.
Speaker 3 (06:35):
As a member of the media, how do you feel
about the way that the media is being looked upon
by by citizens and other members of the media, as
well as fake news?
Speaker 4 (06:53):
I think all news has a bit of a bias. Now,
whether there's there are fringe news out that regularly publish
articles that make their way into social media that are
by and large debunked as bogus, and there's a lot
of that going around. But as far as the mainstream
outlets like a CNN or a Fox News or whatever,
(07:16):
you know, they both have their political leanings with you know,
I think CNN leans left. I think Fox News leans right,
but whether anything they're saying is outright fake, I wouldn't
necessarily say that they may one side of the other
try to slant something a certain way, but by and large,
I think the mainstream media is less likely to publish
(07:36):
fake quote unquote fake news. I think that's kind of
a buzz term that's gotten a little out of control.
I think you just have to go into watching a
certain network one or the other, knowing what their leanings
are and to be able to research the other side
of the argument that they might not be presenting.
Speaker 3 (07:52):
How do you see the growing technology like the computer
of the iPhone, the tablet, how do you see that
changing the face of filmmaking and video production.
Speaker 4 (08:07):
Well, it's a major benefit to the independent filmmaker like myself.
You know, the reason that we're on Amazon is because
they launched a new platform called Amazon Video Direct, which
opens up the door for independent filmmakers to submit their
own content without having to go through an aggregator or
a distributor or some sort of a third party agent.
I mean, as long as they approve of the content
(08:28):
that you're uploading, you upload it and then you're often running.
So I think that the advancing technology has benefited independent
filmmakings such as myself. You know, very very well, that's
not exactly the term I was looking for, but I
mean we were able to upload our content without having
to send a single tape. You know. It was just
all done electronically from the comfort of my office, without
(08:49):
having a really lifted finger. And so the technology is
helping us, and eventually, I think you'll see the collapse
of traditional mainstream cave or satellite because people are finding
alternative routes to view content. I mean, you've got Netflix,
you've got Amazon Prime or Amazon Streaming, you've got Sling TV,
(09:11):
and people are watching things on demand. People are less
likely to watch commercials and advertisements. So it's changing things.
It's not necessarily changing things for the worst. I think
it's changing things for the better.
Speaker 3 (09:22):
What are your final thoughts for the x O Nation
tonight around the world.
Speaker 4 (09:26):
I was just an honor to be here tonight, and
you know, I'll shamelessly plug the next project, you know,
the Highway Murders documentary. I think that's going to be
a landmark film and I hope people take the time
to check it out. But other than that, I appreciate
the listenership, and these are the people that are the
ones that take the time to view films like The
Bridgewater Triangle. And without these people, there would be no
(09:48):
Bridgewater Triangle Documentary. So, you know, we're honored to have
made the film and had it be a moderate success
and be able to talk about it.
Speaker 3 (09:57):
Did you was the It was the Bridgewater Triangle Documentary
showing at the Oh My Gosh Sundance Festival.
Speaker 4 (10:10):
No, we actually were not all that successful in film festivals.
Of the twelve to thirteen we submitted to, we were
only accepted into four. And I don't know if it's
a content thing or what, or maybe it just didn't
stack up to some of the other material out there.
But out of all those festivals that we were in,
how many of the films in those festivals can say
that they sold to a major network.
Speaker 3 (10:28):
Probably not many exactly.
Speaker 4 (10:30):
So we have that said of the stick in our cap.
But you know, the festival circuit, we showed it a
few different festivals.
Speaker 3 (10:37):
Listen, give our listeners your website one more time.
Speaker 4 (10:41):
It's the www dot the Bridgewater Triangle Documentary dot com.
It's a very long url, but it's easy to remember.
The Bridgewater Triangle Documentary dot com.
Speaker 3 (10:51):
And it's available on Amazon Prime.
Speaker 4 (10:54):
It's available on Blu Ray DVD on Amazon Prime, or
even on Vimeo, which is another video streaming service, but
predominantly everybody's been viewing it through Amazon. Nowadays, the DVD
and Blu Ray fields have plummeted now that we're on Amazon,
but that's okay. And if you've got Amazon Prime, you
can watch it for free. It's out there.
Speaker 3 (11:13):
Aaron continued success. Thank you so much for taking time
out of your busy day to join us, and I
look forward to the next time. Look, I look forward
to the next time you join us down here in
the XIT to talk about your present project. Good luck
with it.
Speaker 4 (11:26):
Oh, thank you very much, Thank you very much. Thank you.
Speaker 3 (11:28):
Good night, Aaron, good night, X all nation. Aaron kads
You was our special guest this hour. His website is
www dot the Bridgewater Triangle Documentary dot com. That's www
dot the Bridgewaterdocumentary dot com. I'll be back on the
other side of this commercial break as we continue here
in the X Zone from our broadcast center in beautiful Hamilton, Ontario, Canada.
(11:53):
If you'd like to send me an email x on
at xon Radio TV dot com, on all social media
sites xone Radio TV and our website Xonradio TV dot com.
And to find out about all the great programming we
have available for you. Twenty four seven, three sixty five
on the Xzone Broadcast Network www dot Xzone, XZBN dot net.
(12:16):
Too many xons www dot XEDBN dot net. I am
Rob McConnell. This is the X Zone. We'll be back
on the other side of the news. Hi, everyone, Rob
(12:40):
McConnell here, and I wanted to spend a moment on
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Well?
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(13:24):
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affiliates and savoid program providers including CNN Broadcast Network, Serious
Satellite Network, Star Media, Good News Radio Network, Angel Broadcast Network,
Wiki Broadcast Network.
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And WPBMTV.
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For more information on the his own broadcast network, visit
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Speaker 3 (16:49):
Welcome back everyone. If you would like to send me
an email suggesting a guest, or if you have any
comments on a show that we've done, or if you'd
just like to say hi, let us know where you're
listening to us from. My email address is xon at
xxone Radio TV dot com. Aaron Kadze is our special guest.
He is the co producer co director The Bridgewater Triangle.
(17:12):
The website is www dot The Bridgewater Triangle Documentary dot com.
Tell us about the filming. How long did it take you, guys,
to from the time you decided to do the film
until the time it had been totally edited and you
had the finished copy in the can.
Speaker 4 (17:31):
That was probably about a four year process. Now keep
in mind you know, we were doing this as a
labor of love. We didn't get paid for this documentary
was something that we worked on in their spare time.
You know, I do video production for a living, so
I had my regular clients and regular duties as a
video production specialist who adhere to and then this was
something that we devoted time to when we could. The
(17:51):
edit process took about ten months, wow, But when it
was all said and done, it was just under a
four year process. And we premiered the film in October
of two thousand and thirteen.
Speaker 3 (18:01):
What has been some of the feedback you've been getting
from viewers of the film.
Speaker 4 (18:06):
It's been universally pretty much positive. I mean, there's always
going to be critics and there's always going to be
some negativity, but it was widely more successful than we anticipated.
I mean, we we permitted this thing on October twenty
of twenty thirteen to a sellout crowd of a crowd
of eight hundred and fifty people, and a week after
that we played it to another sold out crowd of
(18:26):
four point fifty and by December of eighty eight I
mean eighty eighties. By December of twenty thirteen, we had
been contacted by Discovery Communications and they were interested in
the US broadcast rights, and so it's been It's made
its premier national television under the title America's Bermuda Triangle,
which is an edited down version of the same film.
(18:48):
It's only a broadcast hour, so they basically cut the
film in half for TV. But you know, since then,
we've also gotten it up on Amazon Prime and Amazon
Streaming Video, where you know, close to three million minutes
so more of the documentary have been streamed in four
different countries. So it's been well received. The feedback has
been largely positive and it's far exceeded our expectations.
Speaker 3 (19:15):
So after having completed this is it's obviously been been
a great success. It's still making the rounds. Viewers are
still watching it. Interest is being generated about not only
the Bridgewater Triangle, but I'm sure other areas of mystery
throughout the United States and other countries. Are you going
(19:36):
to be doing a sequel? Are you going to be
doing another documentary on another mysterious triangle in the world.
Speaker 4 (19:44):
At this point, I'm kind of I'm wrapped up in
a massive project right now that is not a paranormal documentary.
I mean it actually is a result of the Bridgewater
Triangle documentary. At a roundabout way, one of the witnesses
that we interviewed in the Bridgewater tru had recommended this
other topic as something that we should tackle. So but
(20:05):
as far as another documentary in the paranormal realm, it's
not something that I'm opposed to. I mean, we've got
a lot of uh submitted people have submitted a lot
of firsting accounting stories to us after the fact because
we did this documentary, So it's always possible that we
could do more within the Bridgewater Triangle or maybe, like
you suggested, tackle another region in another part of the
country and do a similar project.
Speaker 3 (20:25):
Why do you think the Power Normal is so popular
even today in the year twenty seventeen.
Speaker 4 (20:33):
Because you know, every town, every community across the country
has their own stories about you know, the haunted house
down the street, of the creepy woods, or you know
the legends and folklore. So it's something that everybody can
relate to, and it's something that I think people go
into it knowing that, yeah, they're probably not going to
(20:55):
prove the existence of this or that, but to watch
these programs, it's part of the fun to see, you know,
crews and ghost hunters go into these locations and to
see people trapes around in the woods looking for bigfoot.
There's something exciting about it, even if in the back
of people's minds they really think, yeah, they're probably not
going to prove anything. But like I said, I think
it's just a fun topic. It's fun to think about.
It's fun to hope that something like that does exist.
(21:16):
It's more exciting to think bigfoot exists than it is
to think that it doesn't. So I think that's why
it's so popular. I mean, every single major network on
television has some sort of a ghost hunting or UFO
at bigfoot hunting show, and they have them for a reason.
They get ratings and people watch them.
Speaker 3 (21:34):
That's one reason. But you know as well as I
do being in the industry, that with the deregalization of
the networks and the opening up of new channels, program
directors need programming and one of the cheapest venues to
buy media from is the paranormal people.
Speaker 4 (21:52):
Yeah, I mean people we sold to a network. And
when I tell people that, they think, well, you should
be on a yacht down in the Caribbean living out
your retirement and it's just not the case. You know.
It was one of those things where we were we
were offered the deal and we hadn't sold anything else
to national television. We had no leverage, so we took
what we could get. You can't turn that down if
you get that opportunity. But yeah, it's not it's not
(22:14):
in you know, you don't get paid, you know, ten
tens of thousands, of hundreds of thousands or millions of dollars.
You know, it's you just expect, you know, to have
to do it again and try to try to have
a little bit more leverage the second time around. I
guess yeah.
Speaker 3 (22:28):
Plus plus with the ability of people to take high
definition video with their phones or there, you can go
out and buy a three hundred dollars handheld camera, make
your own.
Speaker 4 (22:42):
Life's absolutely true. Yeah, the digital a the digital revolution
has completely changed the filmmaking process. I mean, for a
couple thousand dollars, you can get yourself a halfway decent camera,
a couple more thousand, gets yourself a post production editing system,
and then you're off and running. We're in the old days,
it was a quarter of a million dollars just to
walk into just to have access to an editing suite.
(23:04):
So it's it's changing the industry tremendously.
Speaker 3 (23:08):
Do you think that the television shows on TV, the
reality TV shows are an asset or a hindrance to
the paranormal community?
Speaker 4 (23:18):
Largely a hindrance. We watched a lot of those program
not to speak badly of those kind of progress, but
we watched a lot of those to learn what not
to do with this documentary, right, And we tried to
make this documentary for the intelligent viewer of somebody that
would watch it and say it was refreshing in a
refreshing change from what they see on TV largely, and
that's that's the approach that we took, and we think
we struck a chord with that. It was it was
(23:40):
it's something that was a breath of fresh air in
an otherwise see of sensationalized, over dramatic nonsense.
Speaker 3 (23:49):
When you were doing your premiere, were any of the
people that you interviewed at your at your premiere and
if so, what were their comments about your final product?
Speaker 4 (23:59):
Oh, they were all very very supportive and very excited.
There wasn't anybody that was in the film that regretted
being in the film or had anything bad to say
about what we had done. You know, they are they
all they've all benefited from it as well, especially the
people that are you know, we had eyewitnesses, but then
we also had experts in the field and researchers who
you know, saw upticks and visits to their websites and
(24:22):
they were able to sell books at the premiere and everything,
so it benefited everybody.
Speaker 3 (24:29):
What was the most popular topic of your of your documentary?
Was it Bigfoot?
Speaker 1 (24:37):
Was it the UFOs?
Speaker 3 (24:38):
Was it the curses?
Speaker 4 (24:39):
It probably was Probably was the half hour segment of
the film that deals with the just under half hour
should say, the freetown follower of a state forest, because
that a lot of that ties into incidents of true
crime and uh, you know, alleged instances of ritualistic sacrifice
of an animals and really gruesome stuff like that. But
(25:02):
that's something that's a little more tangible than some of
the other concepts that we covered, and I think that
that segment of the film holds people's attention better. And
not that not that the film doesn't hold people's attention,
but that segment particular is the one that really grabs people.
Speaker 3 (25:16):
Were there any ghost or haunting stories in your film?
Speaker 4 (25:21):
Oh? Yeah, absolutely, and particularly there are two towns within
the triangle that have a very long history of reports
of ghostly encounters. One is a Rehobus, Massachusetts, and the
other one is East Bridgewater, Massachusetts, both of those towns,
and we covered some hauntings in those locations as well.
The only problem with covering hauntings is, you know, like
(25:42):
I said, every single community has its haunted house or
haunted graveyard or something like that. So to cover all
the hauntings in the Bridgewater triangle would require a multi
episode series in and of itself, never mind all the bigfoot,
UFO and true crime stuff that we were trying to
cover as well.
Speaker 3 (26:00):
Do you think that the let me see how I
can besphrase this, with the advent of all these paranormal shows,
ghosts shows, UFO shows that certain towns are monopolizing on
the the ability to increase tourism, whether or not the
paranormal activity is real or not.
Speaker 4 (26:22):
I I'm not really well versed enough in that to
say to a degree possibly, you know, and I can't
say I've always thought that that these towns, these some
of these communities could benefit from attaching themselves to the
Bridgewater Triangle and trying to to maybe have some sort
of tourism attached to it, especially a town like Rehoboth.
(26:45):
They had such a long history of these kind of occurrences.
I thought that they could potentially do that without coming
across as really trying to take advantage of it too much.
But I think there's a there's a fine line there
between between, you know, taking pride in a history like that,
but then also taking advantage of something like that.
Speaker 3 (27:04):
Okay, you shot the film in twenty thirteen. Here we
are in twenty seventeen. Prior to your shooting the film.
When was the last actual paranormal account that you guys
were able to research that didn't make the film?
Speaker 4 (27:23):
Well, there was There's been a few UFO sightings that
have happened after we released the film, But in terms
of the last paranormal occurrence within the context of the
time before the film came out, I don't really know,
to be honest with you. I think we tried to
get some of the more recent stuff in there. There
may have been a couple of UFO sightings that happened
(27:44):
in the late nineties nineties that we weren't able to
get to specifically, but by and large, I think we
covered a lot of ground.
Speaker 3 (27:52):
If you were to redo your film today, or let's say,
if there was a time machine that could take you
back to twenty thirteen, would you change anything?
Speaker 4 (28:01):
Possibly a couple of things, one of them. And to
be honest with you, one of the things that we
do receive criticism for is whenever we interviewed an expert
in the field, if they had published the book of
any kind or done any kind of a publication, we
made sure to mention that. I mean, people weren't getting
paid to be in this documentary and they were giving
us their time, and we were kind of using it
as credentials. But some people have seen it as we
(28:22):
were trying to boost sales for these people, book people,
people's books, and you know, we thought, you know, if
they get a couple of books sales because of being
in this documentary, it's not the worst thing in the world.
But we have caught some criticism for that, so maybe
we would have toned that down.
Speaker 3 (28:34):
Who are some of the experts that you had in
your film?
Speaker 4 (28:38):
Lauren Coleman, First and foremost Jeff Blandrew who writes for
Ghost Adventures on the Travel Channel. He lives here in Massachusets.
Speaker 3 (28:47):
He also has his own website, ghost Village dot com.
Speaker 4 (28:50):
Yep, those village dot com. Yet Jeff Blander is probably
the second highest profile guy. Tim Wiseberg from Spooky South
Coast of Radio program down here in Massachusetts. Christopher Pittman
who's been on Ancient Aliens a few times, John Brightman,
who's been on Ghost Lab and My Ghost Story I Believe,
(29:10):
and Christopher Balzano who's an accomplished author in this field.
So quite a few guys with with Coleman and bland
are probably taking the lead.
Speaker 3 (29:19):
Did you know that, uh that, my gosh, Jeff blanche
was a was a song songwriter.
Speaker 4 (29:28):
I did. I did know that he gabbled in music.
I did know that he's a He's a fantastic indusview
He's very witty. Yeah, he's very quick on his feet.
He's very engaging and very entertaining, and we were very
excited when he agreed to be interviewed.
Speaker 3 (29:41):
He's he's a great guy. I've had the pleasure of
meeting and working with Jeff over the years, and he's
a breath of fresh air in the industry as well.
Aaron stand by you and I have to take our
final break explanation. Aaron Kadzio is our special guest and
he is website all right, do you have your pens
on paper ready?
Speaker 1 (29:58):
Okay?
Speaker 3 (29:59):
Here we go www dot the Bridgewater Documentary, The Bridgewater
Triangle Documentary dot com again Www dot the Bridgewater Triangle
Documentary dot com. And we'll be back on the other
side of this shortbreak as we wrap up this hour
(30:20):
here in the X Zone from our broadcast center in Hamilton, Ontario, Canada.
Don't go await hi everyone. Rob McConnell here and I
(30:42):
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(34:21):
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Speaker 3 (35:26):
Welcome back everyone. Aaron kads here is our special guest.
Www dot The Bridgewater Triangle Documentary dot com. And if
you go on to YouTube and just put in the
search engine Bridgewater Triangle, you'll find a number of great documentaries.
But make sure that that the ones you're looking for
(35:48):
are the Bridgewater Trianglestore dot Big Cartel dot com. And
just give me a second here exonation, I'll find some
other h I guess the best way we're just going
to be to go on to YouTube and and search
for the Bridgewater Triangle documentary.
Speaker 4 (36:05):
Right, Yeah, that's correct. And I don't know how many
how many listen as you have down in the US.
I'm sure there's some we've got there. If there are members.
If people are members for Amazon Prime, which is similar
to Netflix, you can watch the film for free on
Amazon Prime. Right now. You can just search Bridgewater Triangle
on Amazon and it'll be the first thing that pops up.
Speaker 3 (36:26):
Super Okay, let's get down to the basics. When was
the Bridgewater Triangle first discovered and by who and how?
Speaker 4 (36:37):
I wouldn't say discovered so much as defined, Okay, And
you know the stories about this region date back to
colonial times and the region was first defined by the
world are now cryptozoologist Lauren Coleman, who had moved to
Massachusetts from California. He settled in the Boston area, and
naturally he started doing investigations for unix blained occurrences and
(37:01):
particularly cryptid animal sightings in Massachusetts, and he kept getting
a lot of reports surrounding an area in southeastern Massachusetts
called the Hackamock Swamp, and he kind of expanded that
area to other reports that were coming from that region
and the Bermuda Triangle was a hot topic at that time,
and he kind of defined this area as the Bridgewater Triangle.
(37:21):
So whether or not it's really a triangle or not,
it's kind of something that's up for debate. It's more
or less just like a hot spot or a light
hot spot for unexplained occurrences. So he first coined the
phrase Bridgewater Triangle back in the late seventies.
Speaker 3 (37:35):
Do you have any reason or during the filaming of
your documentary or during the research phase of the of
the script for the Bridgewater Triangle, were there any hypothesis
on why this area is so active with paranormal activity.
Speaker 4 (37:56):
Well, the most popular theory is that there was a
major war between the indigenous people of the Wampanog tribe
and the English settlers back in sixteen seventy five and
sixteen seventy six, where on a per capita basis, it
still remains the bloodiest war in American history. Now, obviously
not nearly as many people were killed as say during
(38:16):
the Civil War, but for the amount of people that
were in the area at the time, you know, we're
talking about five percent of the New England's combined population
was wiped off. The map as a result of this conflict,
and a lot of the major engagements and initial battles
in that war took place in the vicinity of the
Bridgewater Triangle region, and there's rumors that the Native Americans
(38:36):
possibly placed a curse on the land after they were
cheated out of their land. So that's probably the primary
theory is to where some of the odd occurrences are
coming from with the Bridgewater Triangle, whereas other people say
maybe the area had a reputation for the odd and
the unexplained, the bizarre before that, and maybe the war
was a result of that as well. So it's kind
(38:56):
of a chicken or an egg thing that you never
really get the answer to.
Speaker 3 (39:00):
You know, I, how did being a skeptic affect your
involvement in the film and how did it affect the
film itself?
Speaker 4 (39:09):
Well, you know, like I said, I walked into this project.
I walked into this project probably about a ninety nine
percent skeptic and still walked away ninety six. But there
were a few things that took place during that took
place during the film, or things that we talked about
in the film that even made me take a step
back and question that but I think being a skeptic
helps in the production of the documentary because we weren't
As a result, we weren't trying to shove any of
(39:29):
this down anybody's throats as one indisputable fact. We felt
it was our job to just relay the information, collect
the stories from the first hand eyewitness accounts, and just
let them tell their stories and basically let the viewer
decide whether they think the people are telling them the
truth or not.
Speaker 3 (39:45):
You know what, I applaud that type of creative filmmaking
and video. It seems today that so called reality TV
is anything but reality TV, and what you just described,
in my opinion, is the way it should be done.
Let the viewer or the listener or the reader make
(40:08):
up your mind. I see my job as a broadcaster,
whether I'm doing the TV show or whether I'm doing
the radio show or writing, is to bring as much
information as I can to the venue, get it out there,
and let the listener or the reader or the viewer
make up their mind.
Speaker 4 (40:30):
That's exactly that's correct. I mean, the paranormal is a
virtually impossible thing to to prove, right. I mean, people
have been studying the paranormal for hundreds of years and
nothing's ever been proven, and so we knew we weren't
going to prove anything with this documentary. We would just
relay the information.
Speaker 3 (40:45):
More than that was you were giving your view You
are giving your viewers a history lesson.
Speaker 1 (40:52):
That's see.
Speaker 4 (40:52):
That's that's something I was going to mention to kind
of gap my mind. But when people watch this documentary,
this is there's a lot of history woven into the story,
and a lot of true history woven into the story,
and it's very different from what people are expecting. People
I think they hear paranormal documentary, they automatically get visions
of kids running around in the woods with cameras, kind
of like a Blair Witch Project types of a thing,
(41:13):
and this is very different from that.
Speaker 3 (41:17):
When you were doing your documentary, what was the one
story that made you scratch your head and say, not
the experience with the lights, but the story itself.
Speaker 4 (41:32):
We tracked down a gentleman named Bill Russo who had
a bizarre encounter in nineteen ninety just outside of the
Hackamock Swamp in a town called Raynham. Used to work
the night shift and he got home from his shift
and he took his dog out for a walk and
he and his dog encountered this three foot tall, hair
covered creature that tried to communicate verbally with him and
(41:53):
his dog, and actually at one point beckoned them to
come closer, and he claims that he and his dog
were paralyzed with fear. The thing that struck struck me
with that story was, you know, I went up alone
to interview Bill Russo. He was at that point, He's
living out on Cape Cod in Massachusetts, and I drove
to his house and interviewed him there, and when he
was telling that story, he just came across. It's so credible,
(42:14):
so genuine that I absolutely believe he saw something that
he cannot explain.
Speaker 2 (42:20):
Now.
Speaker 4 (42:20):
What he saw, I can't say, but it was the
most convincing story I've ever told in a documentary. And
while we were shooting, I can remember just the hair
in my arms standing up, the hair in the back
of my neck, and to this day it probably remains
one of the most rememorable segments in the documentary film.
Speaker 3 (42:36):
You know, there are a lot of reports of bigfoot.
Laurene Coleman has done a magnificent job of trying to
bring enough evidence on proof without having to bring a
cadaver of a Bigfoot to the public to prove that
Bigfoot does exist. And yet there are so many researchers
that are trying their very best to find Bigfoot, and
(43:00):
even with all the technology we have available today, erin
it seems that Bigfoot is smarter than we are, because
to this very day, there is no evidence or proof
that Bigfoot does exist.
Speaker 4 (43:13):
Well, you know, the skeptica he's going to say add
to that and say, you know, every time there is
a photo, alleged photograph and our alleged video of Bigfoot
always happens to be blurry or grainy and impossible to
see even with the state of the art cameras that
are equipped on every cell phone nowadays. So you know,
I there's a there's a There's a guy we intervened
in documentaries names Derrek Gunn, and he he has a
(43:35):
theory that Bigfoot might be an interdimensional type phenomena where
when it's there, you're physically seeing it because it's there,
but when it can choose to to cross dimensions and vanish,
and you know, it's kind of an outda of theory,
but it's more it's one of the more interesting ones
that would give you some sort of an explanation as
to why a bigfoot has never been you know, proven
(43:56):
to exist, or why one has never been why we've
never found the dead bigfoot, or why you know, we've
never captured one, because it's some sort of an interdimensional thing.
Speaker 3 (44:05):
Let me throw this at you. Sure, you know, with
the modern technology we have with drones and flare and helicopters,
you know, it wouldn't be very hard if somebody wanted
to take a serious, I mean a serious look into
the bigfoot phenomenon, just to do a grid using a
(44:26):
flair camera on a drone like what you know, what
am I missing here? What am I missing?
Speaker 4 (44:35):
Maybe it's maybe it's a matter of the people that
are looking to do that are not the ones that
have the tools to do it. I don't really have
an explanation for you. You know, maybe it's a maybe it's
a funding issue. To have a drone that could could
do that kind of a flight pattern for that long
of a period of time would be you know, more
costly than you know flying a drone up in the
sky for fifteen minutes, which is usually the average flight
(44:57):
time of a consumer drone, So I you know, I
I don't have much more of an explanation for me
other than.
Speaker 3 (45:03):
That, what is your take on UFOs?
Speaker 4 (45:06):
I absolutely one believe that we are not alone in
the universe. The universe is too vast. There's too many
how many billions of galaxies they've estimated in the observable
universe to suggest that this one tiny speck in this
corner of our galaxy is the only place where his
life is ridiculous. And whether whether extraterrestrials have actually visited
(45:29):
us or not, I can't say. But I absolutely believe
in life on another planet, and it would not surprise
me if there's a race of being somewhere else that
have the technology to send craft that are far more
advanced than anything we have here on this planet, and
they have visited the outer reaches of our of our atmosphere,
or even flown over of cities and towns. Is there's
a lot of encounters that just defy logic and defy explanation.
Speaker 3 (45:55):
What I can't understand is why people think that these
extraterrestrial must be carbon based units and that we would
easily recognize them as aliens.
Speaker 4 (46:07):
Well, it plays into the whole concept of life as
we know it.
Speaker 1 (46:10):
That's right.
Speaker 4 (46:10):
We don't know everything about the universe, and even things
are within our own galaxies, so there may be some
form of life that is different from what we know life.
Speaker 3 (46:19):
To be part of your documentary entitled the Bridgewater Triangle
documentary deals with Indian curses. Do you think, as a skeptic,
as a filmmaker and someone who has researched the curses
within the area, do you think that curses are real?
Speaker 4 (46:42):
No, I, as far as you know the Native Americans,
you know, I mean you go back to King Phillips. Well, yes,
a lot of the engagements in battles took place within
the boundaries of southeastern Massachusetts, but the war spread there
were towns out in western Massachusetts that would burn down
that are well outside of the Bridgewater Triangle. And some
of those towns took seventy years to be reinhabited by settlers.
(47:04):
That's how bad the damage was. So why the Native
Americans would place a curse just on this little corner
of Massachusetts doesn't really make a lot of sense to me.
And the thing with the Bridgewater trial is a skeptic
that I kind of say is that people that live
here are living in an area that they know has
been defined as an area for unexplained occurrences. So people
(47:27):
that are here have a heightened awareness to that. So
if somebody's walking in the woods in the Bridgewater Triangle
and they hear something crashing through the trees, or if
they see a light that they can't explain or something
like that, they automatically are going to attribute it as
to being paranormal unexplained in part of the whole phenomenon
of the Bridgewater Triangle, where if you took that same
person and they experienced that in an area where there
(47:47):
wasn't a reputation for that, they might attribute it to
a deer running through the woods or a plane in
the sky. So I think there is a propensity for
people to attribute things that aren't necessarily paranormal to two
things that you know, they think, I don't know what
I'm trying to say, but attributing the paranor things to
the paranormal. They aren't necessarily paranormal, It's what I'm trying
(48:09):
to say. And I think it's because they're living in
an area where they have this heightened awareness.
Speaker 3 (48:14):
Aaron play Stand by you and I have to take
another break for the news at the bottom of the
hour explanation. Aaron Kadzie is our special guest and he
is the co director co producer of The Bridgewater Triangle Documentary.
You can go on to YouTube and type that in
and get a preview his website www dot The Bridgewater
(48:34):
Triangle Documentary dot com. And Erin and I will be
back on the other side of this break with the
news as we continue investigating in the world of the
paranormal and the science of parapsychology right here in the
X Zone from our broadcast center in Hamilton, Ontario, Canada.
Speaker 1 (48:50):
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(54:08):
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just go to XZBN dot net. All right, exponation. Everybody's
(55:33):
heard of the Bermuda Triangle, everybody's heard about the Great
Lakes Triangle. Today we're going to be talking to Aaron
Kadu about the Bridgewater Triangle, which refers to an area
of about two hundred square miles or for US Canadians,
five hundred and twenty square kilometers within southern Massachusetts and
(55:54):
the United States, claimed to be the site of alleged
paranormal phenomena ranging from uf to Poltergeist orbs, balls of fires,
and other spectral phenomenon various Bigfoot like sightings, giant snakes,
and thunderbirds. Now just some of the historic places and
landmarks within the Bridgewater Triangle include Hakkamuck Swamp, Digton Rock,
(56:22):
Freeton Fall River, State Forest and Profile Rock. Some of
the other paranormal claims include bigfoot sightings, thunderbird sightings, animal mutilations,
as well as Indian curses. My guess this hour as
Aaron Kadjeu and Aaron is the gentleman behind the Bridgewater
Triangle documentary. His website is the Bridgewater Triangle Documentary dot com.
(56:45):
And Aaron, welcome back to the x O on and
it's been a long time since you've been with us.
Speaker 4 (56:49):
Oh, thank you very much for having me.
Speaker 3 (56:51):
I appreciate that Aaron, tell us a little bit about
yourself and how you became so interested in the Bridgewater Triangle.
Speaker 4 (57:00):
I'm a documentary filmmaker by trade, but when I was
in college for video production and filmmaking, I was looking
for a document a topic for a documentary researching allegedly
haunted locations in Massachusetts. Came across information about the Bridgewater Triangle.
Learned that where I grew up in North Dotmuth was
about six miles down the road from the Freetown State Forest,
(57:22):
which I was very well aware of as a kid
in the stories that came out of there. Once I
saw that that tied into the overall concept of this
two hundred square my Bridgewater Triangle. I thought it would
be an interesting topic for a documentary, and I had
done a short thirty minute student film in college about
the Bridgewater Triangle, but always thought that, you know, it
would make for a good topic for, you know, a
legitimate ninety minute feature documentary when I had a little
(57:43):
bit more experience under my belt. So fast forward to
about twenty ten, I met up with a guy from
East Bridgewater named Many Famolare who was into the Bridgewater
Triangle and we kind of pooled our resources and did
the first of a documentary film about the Bridgewater Triangle.
Speaker 3 (57:58):
Well, first of all, congratulations on your DVD, your video,
and well thank you. While you guys were shooting, and
I've got about two minutes before I have to take
my first break. While you guys were shooting, did you
experience any paranormal phenomenon yourselves.
Speaker 4 (58:14):
There was one incident that took place while filming an
interview in the freetown full of a state forest where
the lights shut off during one of the one of
the interviews that we were shooting. And the interesting thing
about it was the light shooting off a second time
during the interview and it was in direct response to
the interviewee basically teasing the spirits or alleged spirits. I
(58:37):
could say he turned as if he was like addressing
a ghost, and as soon as he did that, the
light shut off the second time. And even as a skeptic,
that's the closest thing I've ever had to a paranormal
occurrence in my life.
Speaker 3 (58:48):
Well, I have to tell you I was with A
Creepy Canada for three years as the consultant to the
producers as well as the voiceover artist, and I'll tell
you some of the stories that I heard from the
tech staff that I that grew to be friends, as
well as the producer and director Bill Burke. You know,
they'd go to alleged haunted locations and during the during
(59:10):
the shooting of the episode, the batteries would drain, the
lights would go out unexpected, unexpected technical problem. So this
seems to be something that is quite common women shooting
something within the paranormal.
Speaker 4 (59:24):
Yeah, I've run into other people that have experienced that
kind of thing as well. I mean, I don't consider
myself a paranormal research or an investigator. This was a
you know, one off topic. Then the project I'm working
on now has nothing to do with the paranormal. But
you know, I've never experienced a technical issue like that. Again,
since I mean, this was an interview that was kind
of impromptu. We shot it out in the woods with
a battery operated light. Yeah, but we put brand new
(59:46):
batteries in the light before we started the interviews, so
there was no real explanation for what happened.
Speaker 3 (59:50):
Aaron, please stand by you and I have to take
our first break explanation. Aaron Kadgia is our special guest www.
Dot The Bridgewater Triangle Documentary dot com, and Erin and
I will be back on the other side of this break.
I am Rob McConnell. This is the X Zone, and
you're listening to us on the Xzone Broadcast Network, Talkstar
Radio and Radio XM
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