Episode Transcript
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Speaker 1 (00:03):
Ah Hnry.
Speaker 2 (00:13):
Welcome to the X Zone, a place where fact is
fiction and fiction is reality.
Speaker 3 (00:20):
Now here's your host, Robert konnell.
Speaker 1 (00:29):
You do in that thing YouTube breaking my heart into
a million pieces like you always do.
Speaker 2 (00:43):
And you don't need to be cool in there.
Speaker 4 (00:50):
E can do about the body I answers, try try
to get you again.
Speaker 3 (01:14):
And Welcome to the x On everyone. I am Rob McConnell,
and for the next two hours, I'm your host and
your guide as together we will cross this time space
continuum to a place that I call the X Zone.
It's a place where people dare to believe and dare
to be heard. It's a place where fact is fiction
and fiction is reality. And the xtone comes to Monday
through Friday from ten pm Eastern until midnight right here
(01:36):
on the Xzone Broadcast Network and on your hometown radio
Classic twelve twenty, streaming around the world on Classic twelve
twenty dot CA. My guest this our x ou Nation
in the first hour of tonight show is Mahal Lewis
and she is in Austin, Texas, and Mahaal, welcome to
the X Zone.
Speaker 4 (01:56):
Welcome, thank you, thank you for tving me.
Speaker 2 (02:00):
I love what you just said, fact becomes fiction fiction
fact where we dare to dream lovely to be your guest.
Speaker 3 (02:10):
Thank you, Oh it's our pleasure. Tell us a little
bit about yourself and how you got involved in that
thing you do in including the supernatural and extraterrestrials.
Speaker 2 (02:23):
Well, I will claim I always wanted to expand that somehow.
That's how I moved out of friends and came to America.
I wanted a bigger perspective on life itself, and I
(02:49):
could say that I've always sought for something bigger than
the material to man, another world, another way of being,
something that defies the imagination and brings us to a
(03:12):
greater version of who we can be. So that's always
felt like my first and foremost motivation.
Speaker 3 (03:25):
Now I understand you've had some paranormal experiences. Can you
share them with us?
Speaker 4 (03:31):
The experience of another world? Is that the question?
Speaker 3 (03:38):
Yes?
Speaker 4 (03:40):
Well, when I came to.
Speaker 2 (03:43):
America, and that was about forty decades ago, I was.
Speaker 4 (03:51):
In my mid twenties and I didn't speak a single
word of English.
Speaker 2 (03:59):
I just I had studied ancient languages, symbolic languages, but
English was not part of my currigorum. So here I
am in America, not knowing anyone, not specifically having any
(04:20):
money to help in that situation, and.
Speaker 4 (04:26):
Unable to communicate, and.
Speaker 2 (04:30):
That was really new for me. This was a huge
cultural shock. I mean it would have been for anyone,
but when communication, when you are a communicator at heart,
to be mute was a transcendental experience. And so what
(04:56):
eventually happened is I I started painting, and I had
never studied art formally. But then, besides an uncanny gift
that unfolded, what was another cultural shock was to realize
(05:20):
that when I was painting, I would go through a portal.
I would actually be teleportage to a different world. And
in that other world, it was only beauty, only love.
There was no judgment, there was no pettiness, there was
(05:44):
no fear, and it was a very different way of
feeling who I am and who I was in relationship
to life.
Speaker 4 (06:01):
It was.
Speaker 2 (06:03):
I had lost all my points of reference, basically, and
so now I was evolving on a very different canvas
to use this metaphor, and it became even a bigger question,
like how can I function.
Speaker 4 (06:26):
From that level of awareness in every life?
Speaker 2 (06:34):
Can I bring back that knew world in the limited reality.
I was most of the time experiencing. So that's how
that was the first step.
Speaker 4 (06:53):
Into my transition.
Speaker 2 (06:55):
It was through art, through this gift that revealed itself completely.
Speaker 4 (07:02):
Out of the blue.
Speaker 3 (07:04):
Now, how many times in your lifetime do you estimate
that you've gone through this portal to this other world
and back again.
Speaker 2 (07:14):
Oh, as a famoussite painted and then wrote, there was
this sense of peace and of again something so much greater.
(07:35):
It's like it was a mystical experience, you.
Speaker 1 (07:38):
Know, it was.
Speaker 4 (07:39):
It was like the vell was lifted.
Speaker 2 (07:47):
And so the only problem I have was I couldn't
paint or write twenty four to seven.
Speaker 4 (07:59):
So the difference between.
Speaker 2 (08:04):
Being like completely focused and present and at the some
time not here at all, and then every day life
where ego was the only thing I knew and limitation judgment,
(08:24):
the difference was striking, and so yes that there was
no other option than to.
Speaker 4 (08:36):
Look for a door that would be permanently open.
Speaker 3 (08:42):
This other place, this other reality on the other side
of the porthole. Where was it? Did you ever find
the name or the identity of this new and wondrous
world that you had stumbled across through this porthole?
Speaker 2 (08:58):
Well, I like your communicator exon, that's so perfect.
Speaker 4 (09:09):
Hm.
Speaker 3 (09:12):
Well, let me ask you this. While you were over
in this other reality on the other side of the porthole,
were there other beings? There were there cities. Were you
communicating with other people, either verbally or telepathically? What was
it like?
Speaker 2 (09:29):
Yes, there was most certainly tell aboutic communication and those
communication happened with I. I want to call them supreme
being higher forms of incarnation. I mean I didn't perceive
(09:51):
that they had a body. I just perceived their magnificence,
their magnitude. I were to give them a body, it
would be like ten times bigger than.
Speaker 4 (10:09):
We are. Certainly that I am as in my human form.
Speaker 2 (10:16):
So there were there were those presences. There were symbols
as well.
Speaker 4 (10:23):
I saw it was it was more like a matrix,
like there was like all those languages that interacted and.
Speaker 2 (10:38):
Then somehow just beautiful patterns like patterns within patterns within
patterns of geometry and order and beauty and them. So
that's that's what I saw, the geometry, the symbol, and
(11:01):
what I heard and felt was tell about the communication. Definitely,
it was as if I was downloaded a whole lot
of information that I was to transcribed and make I
(11:26):
want to say, palatable, make digestible.
Speaker 3 (11:32):
It sounds it sounds like it was a wonderful experience.
Speaker 4 (11:36):
It was, and.
Speaker 2 (11:39):
Yes, and it continues to be a wonderful experience. And
now it's more reconciled. I would say, there's not as much.
Speaker 4 (11:56):
Before and after. There's not as much as.
Speaker 2 (11:59):
It's easier to see through the vel without getting lost
into delusion, that sort that there is.
Speaker 3 (12:13):
All right, stand by mahale You and I have to
take our first break and explanation. Our guest this hour
is Mahal Lewis. And if you'd like to find out
more about Mahal, visit empoweringnow dot com. That's www dot
empoweringnow dot com and her Facebook page is Facebook dot
com forward slash Mahaleene and that's m A h A
(12:35):
L E N E. This is the x O. I
am Rob McConnell, and we're here Monday through Friday from
ten pm Eastern until midnight from the Broadcast Center and
studio so the x ALL Broadcast Network on your hometown
radio Classic twelve twenty dot ca A and Mahaleen and
I will be back on the other side of this
very short break. So whatever you do, don't go away
(13:30):
dream into carry me uber, lead me, hold my t.
Speaker 1 (13:40):
Till me when that praise is blooming, taking me hold.
Speaker 4 (13:47):
To my.
Speaker 3 (14:06):
When I'm making your discos, it's.
Speaker 4 (14:10):
A lomit just pees in my hall.
Speaker 1 (14:15):
In my childhood days were a differentis me.
Speaker 2 (14:21):
We have.
Speaker 4 (14:24):
Now moon Andre Comedy. You are.
Speaker 2 (14:33):
Emina Yous at WoT.
Speaker 1 (14:42):
Wisconsin Cloud.
Speaker 3 (14:47):
And welcome back every one. Mahal Lewis is our special
guest this hour and she is in Austin, Texas. And
if you'd like to find out more about maul af
the other show, visit her website www dot empowering Now
dot com. And she also has another website, the Code
of Opposites dot com. Mahull, I'm intrigued by this, this
(15:10):
this place where you went to on the other side
of the porthole. What what was it that you did
the very first time to be able to enter through
the porthole to this other dimension? How did you how
did you make it manifest itself?
Speaker 4 (15:29):
Well, that's a.
Speaker 2 (15:30):
Great question and a question I asked myself many times,
and only answer that made.
Speaker 4 (15:40):
Any sense.
Speaker 2 (15:43):
Is that I did something completely foolish or extremely courageous,
however you want.
Speaker 4 (15:52):
To look at it.
Speaker 2 (15:54):
In other words, I left my family, my country of ourgin,
came to this new land.
Speaker 4 (16:03):
Was just one suit case. I had nothing to my name,
and that.
Speaker 3 (16:11):
I I could.
Speaker 4 (16:15):
I imagine that.
Speaker 2 (16:18):
I placed myself in such a dire terminal situation psychologically,
that's something I had to give. And what gave was
this gift of art and dyspooral opening. It was it
(16:43):
was the result, I believe, of this extreme.
Speaker 4 (16:49):
Act of courage. And again I'm not even sure whether
it's courage or foolishness, but that's how I explain it.
It's it's like it was too much. There was so
much power that something had to break up and it didn't.
Speaker 3 (17:17):
Now, Now, before you became an artist, and before you
immigrated into the United States, what were you doing? What
was your your your profession.
Speaker 2 (17:28):
I was a journalist, so accused my writing skills as
a journalist. I also top literature, and both those options
were a catastrophe.
Speaker 4 (17:50):
So as a journalist I got fired.
Speaker 2 (17:54):
Many times because I would say the wrong thing at
the right time, and so I got myself fired.
Speaker 4 (18:05):
For that reason. Or I remember once doing an article
on a Mari Rana being grown on.
Speaker 2 (18:18):
The fancist hotel in the city of flee on Friends
and I had the photograph, I had the article.
Speaker 4 (18:30):
Well, the people owning the paper didn't think it was
too funny, so I got fired.
Speaker 2 (18:38):
And so that was my experience as a journalist of
doing journalistic work, true journalistic work, and betting fired for it.
Speaker 4 (18:54):
So that didn't work too well. And then as.
Speaker 2 (19:00):
Teaching literature, there was a certain curriculum that was imposed,
and I remember that.
Speaker 4 (19:10):
Russo was a French philosopher and author, was part of
this curriculum. I happened to not share his ideas at all.
I didn't like the guy, and so I chose not
to teach teach him, and.
Speaker 2 (19:34):
The director of the school eventually told me while either
you teach him or you're fired.
Speaker 4 (19:40):
So that's how I got myself fired.
Speaker 5 (19:43):
So then it was like everything I really loved to do,
which was the written word and writing and exploring and
teaching literature, all of that was like all options were
closing one after the other, and so I thought.
Speaker 2 (20:07):
This is not working, this is absolutely not working. At
the same time, I had this friend in Leone who
was a baker.
Speaker 4 (20:23):
Made French brand, French croissant who.
Speaker 2 (20:28):
Found a job in New York City to make French
bread and French croissant, and he asked me to come
with him.
Speaker 4 (20:39):
So it was my passport to America. That's actually how
I came here.
Speaker 2 (20:47):
And that's how I made the decision to come because
my life was such a scent, like such a giant
disaster that I needed new rison clearly.
Speaker 3 (21:04):
Let me let me ask you this. Do you think
that what happened in your past, getting fired, and you know,
coming to America to work for your friend who was
making the Cross croissants and the French bread was all
part of the master plan to get you to where
you are and to get you into the porthole to
(21:25):
to do the wonderful things you're doing today. I, in
my perception.
Speaker 4 (21:31):
I have no doubt this was such a good setup and.
Speaker 2 (21:40):
It was just being led to making the choices I made,
because I probably wouldn't have made those decisions. I certainly
wouldn't have made the decision if I had been successful
journalist orwards the teacher.
Speaker 4 (22:02):
There's no way I would have just decided to get
it or up. So yes, I think it.
Speaker 2 (22:12):
Was distinct that way. And if we think in terms
of higher intelligence and forces and giant being that.
Speaker 4 (22:26):
Direct the world more than what seems to be the
power here in this world.
Speaker 2 (22:35):
Then yes, I do believe that it was meant to be,
and it was orchestrated in order for me to do
what I do.
Speaker 4 (22:49):
Now.
Speaker 3 (22:51):
The paintings that you do, what are they? What is
a subject matter?
Speaker 4 (22:57):
Languages, some the other world, the world.
Speaker 2 (23:06):
That is immaterial, where communication happens through the heart, where
there where dishonesty is unthinkable, where beauty is the signature elegance,
you know, where where there's harmony and coherence and.
Speaker 4 (23:32):
Order. So that's what I paint, and and it's it's
it felt.
Speaker 2 (23:44):
Like the theme that manifested very quickly, actually felt inspired
and channeled by those high beings.
Speaker 4 (24:03):
Like they seem even.
Speaker 2 (24:08):
In my work in the way that my work un
forged my artwork I'm speaking of.
Speaker 4 (24:18):
There there seemed to be a bigger intention. Then I
was aware of.
Speaker 2 (24:27):
A plan to get me step by step, to up
my commitment to bring forth in your form of communication.
Speaker 3 (24:40):
It almost sounds as if what you painted could be
classified as sacred geometry.
Speaker 2 (24:46):
Absolutely, yes, yes, it's definitely is and was sacred art.
And you know, yeah, you just different ancient languages like Chinese,
(25:07):
or Rooms or Egyptian. I remember opening a show I
had called The Physical and the Metal.
Speaker 6 (25:22):
And just there were like four beast holding four dimensions,
four directions as watch towers. Each beast in occupying a
direction an invoking an element. So for example, fire was
(25:44):
given to a dragon, water was given to dolphin, earth
to a rhino, air to an owl, and on each
each of those animals square super imposed and speaking themselves
(26:10):
for languages.
Speaker 3 (26:12):
Mahal, We have to take another break, so please stand by.
Interesting story and thanks very much for joining us. Mahal.
We'll look forward to speaking to you and we come
back in a few minutes. Ex Oonation. Mahal Lewis is
my special guest and her websites are empoweringnow dot com
and the Code of Opposites dot com. I'm Rob McConnell.
(26:33):
This is the X Zone, a place where people dare
to believe and dare to be heard. And you were
coming to you from the broadcast center and studios of
the xone Broadcast Network in Saint Catharine's, Ontario, Canada, on
your hometown Radio Classic twelve twenty streaming around the world
on Classic twelve twenty dot CA.
Speaker 1 (27:26):
I have just closed my eyes again, climbed aboard the
dream weed, the chain drive and take away my worries home.
Speaker 3 (27:43):
To take.
Speaker 4 (27:46):
And lead tomorrow be her hid Weed.
Speaker 1 (27:55):
I'll be least you can get dream.
Speaker 3 (28:07):
Welcome back to me one. Mahala Lewis is our special
guest and the Mahall is in Austin, Texas. And if
you'd like to find out more about Mahala and the
work that she does, visit Empoweringnow dot com and the
Code of Opposites dot com. Mahall, what's so extraterrestrial in
your opinion about the Hebrews.
Speaker 4 (28:31):
Well, it's just, you know, if you look at the
story for humanity, it's very hard to avoid the.
Speaker 2 (28:44):
Library of the Bible because basically it informs the entire
won't the collective unconscious?
Speaker 4 (28:54):
Now, what was and is unexpected is that Hebrew could.
Speaker 2 (29:05):
Actually be a metal language, that a medal language would
be hiding in plain sight in Hebrew. And a metal
language to me is a language that is behind all languages,
behind all form of knowledge.
Speaker 4 (29:27):
And if that is the case, accepting.
Speaker 2 (29:31):
That that may be the case, then Hebrew is no
longer belonging to religion nor to people. It becomes like
music and mathematics, a language that belongs to humanity.
Speaker 4 (29:52):
And now that's an amazing perspective.
Speaker 2 (29:57):
And it's just the more I dive into it, the
more I see how strange this language is. Like if
I may give an example, well, we know currently that
(30:20):
about the brain, that the amygdalah is the place where
the fight and flight.
Speaker 4 (30:30):
Response occurs.
Speaker 2 (30:33):
That's where we go into defense or attack, that's where
we become protective. Well, accepting that there is a language
that is the language of nature, then it would give
(30:56):
the americadala a sense that existed before scientists said okay,
this is the part of the brain.
Speaker 4 (31:06):
This is what we're gonna call it as it happens.
Speaker 2 (31:12):
There are two myths that cross culturally are everywhere, two
myth that every culture repeats.
Speaker 4 (31:23):
The first myth is the story of the flood.
Speaker 2 (31:28):
Whether you're in Missopould, tell me you're in Africa or
in America. In Europe, every story will speak of the flood.
The other cross cultural mythology is the story of Babble,
the tower that somehow people erect and that's the result
(31:54):
they lose the comprehension that there is a language, a
metal language possibly that could is that transition into other worlds.
Speaker 4 (32:08):
Could lift the velt, could allow us to hear ourselves
an eachonder well, to think about the story of the
tower and the tower itself is the name of the
tower is McDowell Magdala.
Speaker 2 (32:29):
And there it is.
Speaker 4 (32:31):
This is where we're going to defense adult.
Speaker 2 (32:35):
This is the cause of our losing judge with the
language of the heart with other dimension is because we
are playing such a small victim game.
Speaker 4 (32:48):
That we lose track of the magnificence that exists.
Speaker 2 (32:53):
Now, how is it that in a document that has
been existing for milnia a number of millienia, that that
name is what scientists picked to call the part of
the brain that does exactly out creates a big crisis
(33:17):
for us.
Speaker 4 (33:18):
And this is just one tiny example.
Speaker 3 (33:22):
But isn't it possible when you look at the Tower
of Babel story that this is the way that the
ancients would would try to make sense of why there
are so many languages and because back then there was
no internet, there was no semblance of creation, there was
(33:44):
no idea that that there were so many gods, so
many religious philosophies that the that the Tower of Babel
was a way of trying to make to make sense
of something so wide that we needed to have a reason.
(34:06):
And like the flood, is it possible that the flood
was also a metaphor that was successful in one philosophy,
so was carried to the next. Are we looking at
reality or are we looking at metaphors when it comes
to the tales from the ancients?
Speaker 4 (34:27):
Well, I metaphorce to me is very real. I love
what you're bringing forth.
Speaker 2 (34:36):
Now, if you look at the language Hebrew itself, the
way that you say Hebrew in Hebrew is ifferent and no,
if it it means metaphor, it is that which carries
us beyond.
Speaker 4 (34:58):
That's what ifrit.
Speaker 2 (35:00):
Means in Hebrew, besides naming the language Hebrew.
Speaker 4 (35:06):
And it is exactly that you nailed it. It's a metaphor.
That's the name, that's the power, that's the racket that
it has to travel.
Speaker 2 (35:23):
And again, I do hear what you're hearing that there
was bequest on the part of the builders of the
Tower for this transcendental place where they could be they
could access to something greater.
Speaker 3 (35:44):
So yes, yes, yes, So where did the extraterrestrials come in.
Speaker 4 (35:55):
To me. There.
Speaker 2 (35:56):
The letters themselves, the letters of this alphabet are multi dimensional.
They have so many facets that many artists, occultists have
(36:17):
tried to illustrate them.
Speaker 4 (36:21):
Their esoteric side as terror. That's exactly what the terror is.
There's twenty two terror.
Speaker 2 (36:30):
Cards in the major are canal, and those are an
illustration of the esoteric dimension of each of the twenty
two Hebrew letters. So to me, they are animated by powers,
(36:52):
by definitely artificial intelligence. By it's stractarian. So it is
my sense that this library called the Bible is based
on an alphabet that gives us the key to other worlds,
(37:18):
and it comes from structure history. If not, how could
it be the only symbolic language that humanity has besides Chinese?
Speaker 4 (37:31):
The Chinese doesn't have an alphabet that never changed.
Speaker 3 (37:37):
But what about But what about other languages, other religious philosophies,
the Hindu philosophy and the writing of a Hindus. You've
got the the the book that the that the Muslims revered, right,
So so why is it that you believe that only
(38:01):
the Hebrew letters are this code or the Rosetta stone
too existence when there are these other religious philosophies who
have their own distinct method of writing and symbology as well.
Speaker 4 (38:18):
Well, that's a great question, and it's a very biasy
place to be. I mean, obviously there's so.
Speaker 2 (38:29):
Much treasure and beauty into the urbanishad the Sanskrit language.
Speaker 4 (38:38):
You know, there's studies in sematics where.
Speaker 2 (38:43):
It's been proven that the Sanskrit letters animate matter.
Speaker 4 (38:50):
So I am not saying we are not saying this
is it only one way in just.
Speaker 2 (38:59):
As there's just an array of coincidence, a structural and
slug the language itself is sacred geometry.
Speaker 3 (39:15):
All right, stand by, we've got to take our final
break and exonation. I guess this hour is Mahelene Lewis,
and she is in Austin, Texas. And if you'd like
to find out more about our guest, Mahal, this hour
empoweringanow dot Com and the Code of the Opposites dot com.
And we'll both be back on the other side of
(39:35):
this break trying to understand whether this is a coincidence,
is the symbology extraterrestrial or is this just something that
occurred naturally around the world at various times throughout our history.
These and many other questions as we continue hearing the
(39:56):
ex zone from our broadcast center and studios in saying
Catherine's Ontario, Canada on the on your hometown radio Classic
twelve twenty and streaming at Classic twelve twenty dot C.
Speaker 4 (40:27):
I have just closed my eyes, kid. I used to
sit at home and grow the touch show law head
(40:50):
pass me by.
Speaker 1 (40:56):
Then you came along.
Speaker 4 (40:58):
With all those.
Speaker 3 (41:26):
Welcome back ever you one. This is the excelle mahal
Lewis is our special guest and she is in Austin, Texas.
Her websites are you've got your pencils and paper ready,
I hope empowery now dot com and the Code of
Opposites dot com. Before I ask you questions on your
your books that you have. We were talking before about
(41:50):
how life can be a plan and that if we
do not follow life's plan, things happen to make sure
that we get on the path we're supposed to get.
Am I right?
Speaker 4 (42:01):
I believe as you do?
Speaker 2 (42:04):
Yes?
Speaker 3 (42:05):
All right? So how can that be a coincidence if
a plan is in place?
Speaker 2 (42:13):
Well, there's only coincidence. There's only in goodnessity. It's just
at times we lose truck of the fact that of
the perfection of what just happened. Which, yes, it is
(42:34):
my sense that there is a cosmic plan that is
stretching a soul to love.
Speaker 3 (42:45):
All right, a cosmic plan. Is this a plan that
is part of any one religious philosophy or part of
them all?
Speaker 4 (42:55):
It's part of them all.
Speaker 2 (42:58):
I mean it is sustain the religious impulse to begin with.
I you know, it's like your dignoistics of different traditions,
and no one will argue. They will all agree on
the spirit of love and wonness. It's only the the
(43:24):
unfelt religions that.
Speaker 4 (43:28):
Go into argument and separation and fights.
Speaker 2 (43:35):
But there is a sense there is against some ideal
that is stretching us towards the sacred. And the sacred
has no denomination. It doesn't belong to any caste or gender,
(43:59):
or origin or.
Speaker 4 (44:01):
Race or people.
Speaker 2 (44:02):
It's just it's our nature, our human nature that and
our divine nature saying that.
Speaker 4 (44:13):
We're here to embody.
Speaker 3 (44:17):
So what do you think our mission is in life?
Why are we here.
Speaker 4 (44:23):
To wake up.
Speaker 2 (44:25):
From the illusion that the material world the soul there
is and to stop.
Speaker 4 (44:33):
Giving our power to it.
Speaker 3 (44:37):
But why now at this very point in history, if
in fact, that was the reason why we are here.
Why wasn't this recognized many hundreds and thousands of years ago?
Why just now?
Speaker 2 (44:53):
I believe it was recognized. That's what profits would speak
of out, That's what moved them to attempt to share
this other reality beyond greed with the people didn't coounter now?
Speaker 4 (45:16):
Why now? Why is there? What is? Has it become
so much more present?
Speaker 2 (45:25):
Whereas before it was my minerity and now it's it's
touching the collective, I believe if we need to wake
up fast because the earth doesn't have much.
Speaker 4 (45:42):
More time to be healthy. So it's like each each
of us.
Speaker 2 (45:53):
Must become responsible for our own awaken and each person
that opens their heart fully now touches a number of people,
so that as a sisterhood and brotherhood of flight and love,
(46:17):
we could just upen.
Speaker 4 (46:19):
The portal and transition into you know, it's like the
Biddles song.
Speaker 2 (46:28):
Imagine all the people. I wonder if you can no need.
Speaker 4 (46:34):
For greed or hunger? You know, So that's it's it's time.
Why now? Because it's now or never?
Speaker 3 (46:46):
But would it not have been to the advantage of
humanity thousands of years ago if the prophets were able
to get this message across. Then then we wouldn't have
had the crusades, we would not have had the wars
in Europe, we would not have had World War one,
World War two, the Korean conflict, the let's see Gulf
(47:11):
War one, Gulf War two, the Adam Baum, we wouldn't
have had Aschwitz. Why wasn't it done? Then? I find
it hard to understand that if this message was so important,
and it was known so many thousands of year, back
years back in history, why it wasn't established, Why it
(47:32):
wasn't heated so that we could have saved all this hurt,
all this pain that people have suffered all these thousands
of years, I assure you.
Speaker 2 (47:46):
And what this reminds me of is a discussion Dutch
farmer has Wiscott that it says, you know.
Speaker 4 (48:00):
Nothing about farming. Just let me handle the weather and
I'll give the proper amount of frame.
Speaker 2 (48:09):
I'll save the grain from the winds, and you will
see that the harvest will be so much better than
what we've got with you.
Speaker 4 (48:20):
So God said to the farmer, okay, here do you
have all the controls?
Speaker 2 (48:26):
And the farmer gave the exact perfect quantity of water
and of sun every day, and just the grain grew
in the best possible condition.
Speaker 4 (48:41):
And then when came down to harvest it, it revealed
that the grain was empty. It was nothing into the wheat.
And so the farmer went back to God and said,
I don't get it.
Speaker 2 (48:58):
I gave the best possible whether the best water, the
best sun.
Speaker 4 (49:05):
Why are the wheat? Is the wheat empty? And now
God to call it? That said, well, the.
Speaker 2 (49:16):
Friction is necessary, the challenge is needed for the wheat
to grow.
Speaker 4 (49:25):
So yes, all the worst and the worst that are.
Speaker 2 (49:31):
Still continuing, all the catastrophes that we experience as the
human race, they were a part of the plan. At
least that's how I understand it. To radius to accept
the gift, be humble enough that we can be great.
(49:56):
So that's how I hear it.
Speaker 4 (49:59):
How does that to you?
Speaker 3 (50:01):
It sounds as if we're looking for reasons to find
the failures that humanity has been involved with. You know,
we're always looking for a reason for failure. We're looking
for reasons for war, we're looking for reasons for riches,
We're looking for reasons for everything. And yet we're not
(50:22):
able to understand that we humans have caused all this.
And when it comes to the power of God or
a deity, I have problems with that because let's just
take the God of the Bible. You know, he teaches love,
he teaches honor, he teaches respect, he teaches us to
(50:43):
be kind to one another, you know, honor thy Father
and thy mother. And yet look what he has done
throughout biblical time, especially in the Old Testament. You had
the destruction of Sodom and Gomorrah, you had the big flood,
everybody died except God's chosen people on the arc. Then
(51:04):
you had all the Egyptians that were drowned on the
Red Sea, as well as the other plagues that God
brought onto the to Egypt. So I have a hard
time trying to put all my faith in a God
who has dual standards.
Speaker 4 (51:21):
Totally hear you en trying, you your preaching to the choir.
Speaker 2 (51:27):
And this is the part that is so difficult to understand,
is that the wisdom of the Bible is not in
its stories. This is not Jupanisha, this is not other
religious texts. The wisdom is in the Code, and when
you get.
Speaker 4 (51:47):
To Cote, the story is completely different, very very very different.
Speaker 2 (51:56):
So yeah, I agree with you, and that's the her
histories and why I wanted away from my tradition.
Speaker 4 (52:07):
It was so absurd to me and cruel and senseless.
But then.
Speaker 2 (52:15):
I was given the keys in the form of the alphabet,
and that it's sort of like comparing Newtonian science to
the atom makes no sense.
Speaker 4 (52:30):
So yes, you can look at.
Speaker 2 (52:32):
The Bible in a Newtonian manner and that's horrifying, or
you can look at the atom and the real, tiny, tiny,
tiny part, the tiniest part of the Bible is its alphabet,
and that's where there's a metal language.
Speaker 4 (52:55):
That's where there's a path to love and to X zone,
and it's quite clear and it's very well protected. Me
leaning up here in some complete injustice.
Speaker 3 (53:11):
Mahal you and I have to say so long for tonight.
I do want to thank you so much for joining us.
Continued success and X Nation. If you'd like to find
all about our guest, please visit her website's Empowering Now
dot com and the second site is the Code of
Opposites dot com. I'll be back on the other side
of this break has our Number two of the X
(53:32):
Zone starts right now. I'm Rob McConnell. This is the
X Zone. We're coming to you on the Xzone Broadcast
network from your hometown radio, Classic twelve twenty and streaming
at Classic twelve twenty dot CA