August 18, 2025 • 30 mins
Kyng Kilo 🎤🔥 is here to bring the fun back to music—without losing the grit that shaped him. His new single “Flex The Best” 💪🚗💃 featuring Jimmy Rocket is pure energy, made for the gym, the streets, and the pre-game. But behind the beats lies a story of survival—from overcoming a devastating fire 🩹 to redefining himself in the independent music game. In this conversation, Kyng Kilo opens up about resilience, creativity, and the importance of keeping music real. Get ready for an inspiring ride filled with laughs, lessons, and head-nod moments. 🎶✨
https://x.com/kyngkilo_
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https://open.spotify.com/artist/2OJIc7LQDjFl5V5pCQBPI0
https://music.apple.com/us/artist/kyng-kilo/1204419279
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Episode Credits:
Produced, edited, mixed, and written by Demetrius "Whodini Blak" Reynolds, Sr.
Artwork designed by Demetrius "Whodini Blak" Reynolds, Sr.
Show Introduction by Kate
Segment jingles composed & produced by Demetrius "Whodini Blak" Reynolds, Sr.
Additional music licensed through 7th Sign Recordings
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https://x.com/kyngkilo_
https://www.tiktok.com/@kyngkilo_
https://www.instagram.com/kyngkilo
https://www.facebook.com/kyng.kilo.2025
https://www.youtube.com/channel/UCbSem9ABHrVMzA8FPYDKEqw
https://open.spotify.com/artist/2OJIc7LQDjFl5V5pCQBPI0
https://music.apple.com/us/artist/kyng-kilo/1204419279
Become a supporter of this podcast: https://www.spreaker.com/podcast/vigilantes-radio-live--2166168/support.
Vigilantes Radio Live! by The Only One Media Group ℗©2025
Episode Credits:
Produced, edited, mixed, and written by Demetrius "Whodini Blak" Reynolds, Sr.
Artwork designed by Demetrius "Whodini Blak" Reynolds, Sr.
Show Introduction by Kate
Segment jingles composed & produced by Demetrius "Whodini Blak" Reynolds, Sr.
Additional music licensed through 7th Sign Recordings
Links:
onlyonemediagroup.com
https://www.instagram.com/vigilantesradio/
https://www.iheart.com/podcast/966-vigilantes-radio-live-29999229/
https://www.instagram.com/whodiniblakin3d/
https://www.imdb.com/title/tt26009230/
To support our show, please leave reviews, ratings, or you can help fuel the passion over at buymeacoffee.com/vigilantesradio
Email us at onlyonemgt@gmail.com or vradio@onlyonemediagroup.com
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
You are now listening to Vigilantes Radio, presented by the
only one media group. This is the people's choice but
quality interviews celebrities and special guests, hosted by Demitrius Denny Reynolds.
Call in to join the mix at seven oh one
eighth one, nine eight one three. For the complete archive
of episodes, visit only onemediagroup dot com and be sure
(00:24):
to like us on Facebook at Vigilantes Radio. We welcome all.
Enjoy the show. Ladies and gentlemen. Please welcome your host,
Demitrius who Demi Black Reynolds. Enjoy the show.
Speaker 2 (00:43):
Hey, Hey, Hey, what's going on guys again? Welcome to
the show. You're listening to VRL. That's Vigilantes Radio live
right here on iHeart Radio and I am your host, Beanie.
We have a very special guest for you, guys. You
could definitely want to stick around for that. And as
a matter of fact, takes your buddies. Family members are
even shared on social media right now and let them
(01:04):
know that we are about to dive deep into another interview.
Speaker 3 (01:07):
Before I bring my guests.
Speaker 2 (01:09):
On, I do want to say that you know, this
is the frequency of the fearless life has a way
of testing your limits, throwing fire, sometimes literally.
Speaker 3 (01:19):
At your path.
Speaker 2 (01:20):
But the ones who rise from the ashes don't just survive,
They shine brighter, walk stronger, and leave a mark that's
impossible to erase. Today's guests took pain and turned it
into rhythm, pressure and turned it into present. His story
isn't about just making music. It's about making moments that
(01:41):
move people. You're not just here for a talk show.
And this isn't just radio. This is revival for your mind, body,
and spirit. This is Vigilantes Radio Live. My name is Kachdini,
and change is possible. Are you ready?
Speaker 4 (02:03):
Are huge ready? Are you ready? Are you ready?
Speaker 2 (02:20):
Well, let's go, let's go, all right, all right again,
Welcome to the show. You're listening to VRL. That's Vigilantes
Radio Live right here on iHeart Radio, and I am
your host, Deni. Our interviews are designed to go beyond
the music, news, books, art, acting, films, technology, education, entrepreneurship,
entertainment and spirituality, and sometimes even past that thing that
(02:46):
we call the ego. Our interviews are designed to go
behind the scenes into the minds of these brilliant human beings,
you know, the ones who are out there giving it.
Speaker 3 (02:53):
They're all for me, for you, and for the world.
Speaker 2 (02:57):
Well, ladies and gentlemen, today's get This isn't just making music,
He's moving energy. King Kilo blends the raw edge of
old school trap with a modern drive that keeps his
sound fresh and his message real. From surviving the life
alter and fire to collaborating with some of the most
(03:17):
respected names in the game, his story is one of.
Speaker 3 (03:21):
Resilience, authenticity, and pure hustle.
Speaker 2 (03:24):
His latest single flex the Best with Jimmy Rocket Cruise.
He's here to motivate and electrify, So please join me
in saying welcome friend.
Speaker 5 (03:35):
To King Kilo.
Speaker 3 (03:39):
Hey, hey, welcome to the show.
Speaker 6 (03:41):
Man.
Speaker 3 (03:41):
He's going, you know pretty good, man, are you?
Speaker 5 (03:46):
I'm all right, all right, all right man?
Speaker 2 (03:48):
Before we dive in. Man, what's been weighing on you?
Are inspiring you the most of these past few weeks.
Speaker 5 (03:58):
Not being entrapped in the environment.
Speaker 7 (04:03):
I can't can say that it's going giving me a
lot of boosts and a lot of edge. I don't
want to be, you know, stuck stationary for too long. Yeah,
you never know whether life's gonna throw another curve battle,
and don't want to be stuck sitting there at what
could have been?
Speaker 3 (04:18):
And so how do you prepare prepare for stuff like that?
Speaker 7 (04:24):
I would I would sit here and say take it
day by day, but nah, you know, you just gotta.
I be prepared for the worst. I know it may
sound crazy. I'm more prepared for the worst than a
good outcome because if i'm if I'm already prepared for it, I.
Speaker 5 (04:39):
Know how I can avoid the next step that come
with it.
Speaker 7 (04:42):
So I just, you know, I guess I always prepare
for the worst, and when it does go right, I'm
thanking God.
Speaker 5 (04:49):
I don't I don't have to.
Speaker 7 (04:51):
Do the worst way, you know, to route, I wrap
myself out of it.
Speaker 5 (05:00):
All right.
Speaker 2 (05:01):
You said you want people to have fun with your music.
What does fun sound like to you? Uh?
Speaker 5 (05:12):
Fun is like.
Speaker 7 (05:16):
Not incriminating or not you know too, I guess on
topic like real life things people don't People don't really
like tuning into real life things that's going on. So
I would like to keep it fun, you know, where
people is enjoying music, not having to listen and wondering,
(05:38):
know what this bar about?
Speaker 5 (05:39):
Who's they talking about?
Speaker 3 (05:40):
Oh?
Speaker 5 (05:40):
What's going on?
Speaker 7 (05:41):
And try to look farther into stuff now it's just
you know, it's music. We're having fun, We're putting words together,
you know, getting people up out of their feelings if
they're in their feelings. You know, that's what I like about.
That's my definition of fun. You know, when you hear this,
you're intually getting a better move. You know, it ain't
necessarily got to be a happy mood, but you're in
a better mood than you just was.
Speaker 5 (06:01):
Yeah, I like that.
Speaker 3 (06:04):
I like that. Man. You just want people to have
a good time.
Speaker 2 (06:08):
I mean, the world is full of you know, tragedies, travesties, setbacks, mishaps, misfortunes,
bad days.
Speaker 3 (06:18):
And you just want people to have a good time
in the midst.
Speaker 5 (06:21):
Of all that.
Speaker 8 (06:22):
And I, as a.
Speaker 2 (06:24):
Person who coached through the life's journeys up and down,
that I can appreciate that From an artist who is
looking out for the listeners, you know, giving us something
to you hardy to hope and have fun and boost
the moves. I can appreciate that, all right, all right,
But how do you make sure that comes through every song?
Speaker 5 (06:47):
You know, I've like, I've.
Speaker 7 (06:50):
Been through a lot of situations. I feel I could
I could relate a lot of people to. So I
just put my minds into if it's not my situation something,
or I hang around people and you know, listen to
problems and I'm like, yeah, that's crazy, you know. And
I could think a ways like hey man, we we
(07:10):
can we could do something, you know, let's let's put
on put on something, get us going. So you know,
it just really come from relating.
Speaker 5 (07:19):
I guess I relate.
Speaker 7 (07:21):
Then I feel like what would I do to change
that situation?
Speaker 5 (07:26):
Sure?
Speaker 2 (07:27):
Flex the best was a last minute creation which I heard,
can you walk us through the chaos or the pressure
or the exact moment you knew this song would work?
Speaker 5 (07:39):
Uh? It was? It was actually crazy. I didn't.
Speaker 7 (07:43):
I wasn't anticipating on the song. I actually recorded two songs,
believe it or not. It was a hook in averse
both songs, and like less than an.
Speaker 5 (07:53):
Hour of completely being.
Speaker 7 (07:57):
Poorly timed, I let time to get away and it
was getting closer time to the studio session, and I
was at a partner's house and I was just I
was like, yo, it's you know, it's almost getting time.
I ain't even got a song, like I had songs,
so I was like, I want something new. I want
something fresh, you know. To me, not gonna say this
was a big breakout moment. This was like more of
(08:19):
sort of a hey.
Speaker 5 (08:21):
I've been working my ass.
Speaker 3 (08:22):
I was like, I I.
Speaker 7 (08:24):
Got I need to bring my eight game because I'm
not about to go around people that's you know, that's
making this in a closet or in a you know,
in a house with seven other people in there, and nah,
I'm going to somewhere professional. So I recorded two songs
I have.
Speaker 5 (08:40):
I sent it out.
Speaker 7 (08:41):
So I got a group trap full of of trusted
friends and producers, and I was like, yo, what y'all
think of this?
Speaker 5 (08:48):
And before they could even give me a response to that,
I sent the Flecks.
Speaker 7 (08:52):
The Best one, and without it out, three of them
instantly like Flecks the Best.
Speaker 5 (08:57):
And I was like, okay, well, you know, I hope
I can hope. I hope you like him. I hope
you like it. And so we got in the trump my,
you know, we on the way to the studio.
Speaker 7 (09:05):
I sent a sniffet of the song, you know, because
I didn't want to get all the way there and
I think this song, yeah, and he's not messing with it,
and he messing me back, right, away with fire emotion,
and he was like, oh yeah, come on, you know,
let's let's lock in.
Speaker 5 (09:20):
And I'm already here.
Speaker 7 (09:22):
And new to say, I was still like fifteen minutes
late to the studio session, but it was. It was
a pretty amazing one because the night before I was
just in there as a as a random face in
the room. You know, from where I'm from, I don't
supposed to see that. I don't supposed to be in
the room with those type of people, that type of energy,
that that much sussists. That's what I think. Where I'm from,
(09:47):
we want we don't supposed to see that type of stuff.
And when I was around it, I was like, hey,
you know, close mouth, old get fed. I left the
studio and hit him up the same night. It was like, yep, man,
how much you charged for a feature bucket?
Speaker 5 (10:00):
I got it?
Speaker 7 (10:00):
You know, I need to make a big break and
he we negotiated some stuff, came up with a price,
came back the next night.
Speaker 5 (10:09):
Everybody that was in there the night before, I was like, Yo,
what's up?
Speaker 7 (10:12):
And I just walked in there and they was like
what are you doing? And did the song? Told me
to cut the lights off? Only me and the engineer
could hear. And when I was done, I walked out
to cut it up and everybody that was in.
Speaker 5 (10:23):
There just start looking around like what the world is hard?
You know, who's this? Who's this to you?
Speaker 7 (10:28):
And I'm like yeah, And so that was like, it
was like a big moment for me because these people
had produced an engineer number one track, platinum tracks, you know,
diamond tracks, and you know they bombing.
Speaker 5 (10:42):
Their head to it, and I'm out of a little
small town.
Speaker 7 (10:44):
So I was like, yeah, I.
Speaker 3 (10:45):
Loved his energy.
Speaker 5 (10:46):
It was a big moment for me, no doubt.
Speaker 3 (10:50):
Nice that dope.
Speaker 7 (10:51):
Man.
Speaker 3 (10:51):
Did you get that on film?
Speaker 7 (10:54):
H I got the night before on film. I captured
some moments the night before, but the night actually of,
since I was running late.
Speaker 5 (11:03):
I wasn't thinking.
Speaker 7 (11:04):
The hat pulled my phone out and the thing was,
like I said, I hang around these people.
Speaker 5 (11:10):
I hang around him like.
Speaker 7 (11:11):
This ain't my That wouldn't been my first saken time
being around them, per se. It's just my first time
actually working with them, like saying, hey, okay, I wrapped too.
The whole time days I'm just a friend of the
family that's always around.
Speaker 2 (11:24):
Yeah, you had your Kanye moment right, so to speak. Man,
that's cool, It's super cool. He took advantage of that.
Speaker 5 (11:36):
Why were you late?
Speaker 3 (11:37):
That's funny.
Speaker 7 (11:38):
Ah, Man, Uh, well, my friend, he's a he's like
a brother. I'm not even gonna call my friend like
my brother.
Speaker 3 (11:46):
He uh.
Speaker 5 (11:48):
He had a lot going on, man.
Speaker 7 (11:50):
And when I'm when I'm in the city networking and
working with him, I'm not on his time. But at
the same time, he knows the city a little better
than me, so I really have.
Speaker 5 (11:59):
To wait on him. And I think he was handling
some stuff with his his folks.
Speaker 3 (12:05):
So it wasn't really your fault.
Speaker 7 (12:08):
Nah, it wasn't really my fault. And he was He
was reassured me. He was like, nah, man, you're okay.
He'll understand. He'll understand. He see walking with me and understand.
I was like, all right, man, I don't want to
blow that.
Speaker 5 (12:18):
I know that's pretty much nothing to you. But me,
you know, I only seem a little punctual.
Speaker 2 (12:23):
Yeah, yeah, man. Working with Jimmy Rockett, first major feature,
what was your mindset before stepping in that studio that day?
Speaker 5 (12:39):
Really just having fun but at also at the same
time showing why.
Speaker 7 (12:51):
Why I felt like I could have just why I
feel like I can compete or not even compete.
Speaker 5 (12:57):
I wouldn't say compete.
Speaker 7 (12:59):
Staying nick to people that's already been on that stage
and that heighten that level. Like my only mindset that
they was, Hey, I got a you know, this is
this is that point you're about to be in front
of people and the more lollygags and this is this
is you know, in my head this American idle times.
(13:20):
I'm not even this American idol.
Speaker 3 (13:22):
Time.
Speaker 7 (13:22):
You either get to you know, get the Golden buzzer
or you get Tom get those Hey are not feeling it?
Speaker 5 (13:27):
Not feeling your dog? Yeah?
Speaker 3 (13:30):
Man? But what surprised you the most about the process?
Speaker 2 (13:34):
I mean you came in there like a stupid superstar
does turn out the lights?
Speaker 3 (13:37):
Nobody can hear it, but you're in an engineer and
then you're like, all right, all right, now you guys
can hear it, Like that's a superstar move bro.
Speaker 7 (13:47):
Yeah, I mean it's not it's not my first time,
like I said, it's not this this is like my
first big feature with a known artist, no name, yes,
but first time being like in front of people with
status and been in this, you know, this rap hip
hop game for a minute. Now, It's not my first time,
you know, I've had plenty moments where I had to
(14:09):
shake that shy moment, but this one it was pretty
crazy because he got the song what twenty five minutes
thirty minutes before he before I ever got there, And
he went in there and laid down a fire track
right after me having heard the song. But maybe he
played it twice and that was once when I came
(14:30):
out of the studio, and then he looked around just
like I did, so everybody was missing with it. So
the engineer run it back one more time and he
walked in and did the same thing I did. Cut
the lights off on him and the enginet.
Speaker 3 (14:42):
Wow, and now we have this sit that's cool man,
all right?
Speaker 2 (14:48):
So and in the beginning I mentioned some things about
a fire and you survived one that left you.
Speaker 5 (14:55):
Unable to walk for a year.
Speaker 3 (14:57):
How did music fill the space that recovery?
Speaker 5 (15:00):
Love?
Speaker 3 (15:01):
And what did it teach you about patients?
Speaker 5 (15:06):
Really? It just helped on those days where I felt
like given up.
Speaker 7 (15:12):
Because I don't I don't know, And I went and
comparing my struggles to anyone else. But for the ones
who have lost the privilege to walk or told that hey,
you're not gonna be able to walk right now, but
you you can regain your you know, the ability to
walk again if you put in the time and effort
and the hard work.
Speaker 5 (15:32):
And I'm not gonna lie. A lot of days.
Speaker 7 (15:35):
Was more tough, more stressful, and more challenging, way challenging
than others.
Speaker 5 (15:44):
And you know, music was just there.
Speaker 7 (15:47):
I could say, I listen to TI and d O
B at the time, like heavy and trips back and
forth to Augusta to the burn Unit when whenever I
could go home, those rides just long, you know, being
away from my brother, being away from my friends, you know,
it was nobody could see me and having to basically
(16:11):
stretch out my legs and make myself walk day by day.
Speaker 5 (16:17):
Music just was there. It was helping to take my
mind off stuff. For listening to the beats played.
Speaker 7 (16:21):
The played a major part days where I just was upset.
Speaker 5 (16:26):
I just listened to a beat and whatever came to
my head, I just say it out loud and make
the words rhyme, and it's it's it's it's a it's
a touchy subject.
Speaker 7 (16:40):
But at the same time, I'm glad I went through it,
and I'm glad music was there because at those times
you don't even want to talk to nobody. You feel
like no one understands, which you know, people just offer
their predulces and sympathy. But at the same time, you
know you you know, it's just because the situation you're
(17:01):
going through.
Speaker 5 (17:02):
So music just was like a way out. It was
just like, hey, I don't want to talk nobody. The
music got me.
Speaker 7 (17:07):
Give me like thirty minutes, thirty forty minutes, and I'll
be okay, I'll be back normal again.
Speaker 4 (17:12):
Yeah.
Speaker 3 (17:15):
Sure, man.
Speaker 2 (17:17):
So you love old school trap like two like two
thousand's early twenty tens. What's one thing that era got
right about the sound that today's music is missing.
Speaker 5 (17:34):
The rock.
Speaker 7 (17:36):
They got rock right, How it blended into hip hop,
How they added electric guitars, how they the whole auto
tune sound and the AA eights mixed together.
Speaker 5 (17:49):
They got it.
Speaker 7 (17:50):
That's the only thing that really stuck in this I
can say now in twenty twenty five, is still.
Speaker 5 (17:54):
Going on strump from a great.
Speaker 7 (17:56):
Some young boy Doug he got gonna All those guys
are using rock instrumental instrumentals and instruments in the in
their music, and that was a big leap because everybody
looked at Lil Wayne when he did Lollipop and the
whole Rebirth album, like, Yo, this never gonna work. You're crazy,
(18:17):
you step outside the bubble. You took it too far.
But he was right, yeah, and it was right.
Speaker 3 (18:25):
Yeah.
Speaker 8 (18:27):
Man.
Speaker 2 (18:27):
You went from being signed to going independent, which I
think is a very courageous move. It's more self sufficient,
you know, And I applaud anybody who go independent.
Speaker 3 (18:39):
After being signed to a label. What was the scariest
change though for you?
Speaker 2 (18:44):
And what what kind of freedom made it worth it?
Speaker 5 (18:52):
Freedom worth isn't going independent?
Speaker 7 (18:54):
Yeah, the scariest change was I did not have a
a person who knew their way around social media more
than I did. That was the scariest thing because that
was how a lot of my fans hurting me is
(19:15):
because I had someone when if I got ready to drive,
they were like, okay, we can do a media release.
Speaker 5 (19:21):
To me having to go find it myself.
Speaker 7 (19:26):
That was probably the best thing ever, because I see
now that a lot of it was, Hey, what I
was paying was twice tests so they can get theirs
off top.
Speaker 5 (19:37):
So I think the whole me having total control.
Speaker 7 (19:43):
Of how my stuff is getting put out.
Speaker 5 (19:46):
What's the biggest thing I liked?
Speaker 2 (19:51):
Yeah, all right, all right, guys, it's time for some music.
We have flexed the best in key low feature in
Jimmy Rocket, and then we'll be right back to put
you put him in our traditional hot seats where he
could performed for us rap scene. Do some porns, spoken word,
tell the joe, tell the story, give some advice, or
(20:12):
do nothing at all.
Speaker 3 (20:13):
That is cool as.
Speaker 2 (20:14):
Well, but for right now here, it is flex the best.
We'll be right back, stay tuned.
Speaker 9 (20:21):
Turns off the pop up out their.
Speaker 6 (20:23):
Card with that three hundred. That's that blackout. He talking like.
Speaker 7 (20:25):
He's stupid here this block, and he got papped out.
That boy ain't no real games, as though the true bell.
He gonna come out a little bitch on.
Speaker 6 (20:31):
Me for a six.
Speaker 7 (20:31):
I told her, Hold, he use your damn mouth a
little bitch.
Speaker 6 (20:33):
I flips the bitch bv zices on my chest. She
sayd my water good away. I'm just like Nike.
Speaker 7 (20:38):
You buy the chick the bullets, make him key sweat,
psycho tetting on my name, eb trolling out all these
boys right here on post three. I treat you a
bitches like a Pippin Cursons person. So why you pretending
we at for the face, no need for the bitch.
You're thinking, no yoga, how we leave them straight. My
dogs are sicking. They don't need a fit. I'm hanging
with us. It's looking for fis and give them the word.
I tell him to go. They don't with the money,
Just give him respect.
Speaker 6 (20:55):
I got not nig fucker Nicks that'll probably get it
off your chests. Money gonna make the little hoe fuck.
But right now, I just want the nigg This chopper
like the NDA, that's.
Speaker 7 (21:03):
What he get. First round piece, hit your black and
hit you and whoever you hang around with.
Speaker 6 (21:07):
Hop up out that car with that three hundred. That's
that blackout.
Speaker 7 (21:10):
He talking like he's stupid here this block and he
got papped out there.
Speaker 6 (21:13):
Boy, ain't no real games that though. The two bell
he gonna.
Speaker 7 (21:15):
Cop out a little bitch on me for a since
I told her, hold he use your damn mouth a
little bitch hot flips the bitch BB's asses on my chest.
Speaker 6 (21:21):
She said, my water good or with I'm just like Nike.
Speaker 7 (21:23):
You buy the chick these bullets make on key sweat
psycho tatling on my ag e b trolling all these
boys right here on post the three.
Speaker 10 (21:29):
The niggas be ht the name dropping no loads like bro,
when you wat I came out of the mud, let
my name was stripping man it's head out of test.
Come my young niggas taped down to come and working
on the stef. You got to be telling my young
niggas what he said. Someone listen, he was there. I
just shoot this swimming like they get drifted around. Shoot
at the real step that shit from the three like stuff.
The niggas funny shit like my yelps with your ship
in the street. The niggas don't want no be from
a motherfucker chefs cuts you, nigga, wouldn't be towing that
k You don't think you was rushing, nigga, You better
(21:50):
be mad at by no bitch that no she fucking nigga.
Niggas with like some fucking barbers. What you can cut
us with us on back of the I gotta spicchure impediment,
make shiituther nigga call that one reason. A lot of
poss trying to come sucking, trying to fucking shock it
with that like Chris fucking Nigga. I ain't even playing
for a nigga refro the chain. You know him, nigger,
you can't have him bro there nigga slick just like
some butter.
Speaker 6 (22:09):
Up about that Colt with that three hundred.
Speaker 7 (22:11):
That's that black He talking like he's stupid here this
block and he got papped out. That boy ain't no
real games that though the two bell he gonna come
out a little bitch on me for a since I
told her, hold he use your damn mouth a little bitch.
Speaker 6 (22:21):
I flips the bitch b b zices on my check.
She send my water.
Speaker 5 (22:24):
Good away.
Speaker 6 (22:24):
I'm just like Nike, you buy the check.
Speaker 7 (22:26):
These bullets make on key Switt, Psycho tatling on my name,
eb trolling out all these boys right here on post
A three.
Speaker 3 (22:32):
All right, all right, all right, welcome back again. That
was Flexed the Best.
Speaker 2 (22:36):
By keen Key Low featuring Jimmy Rocken jo Jo Dope.
Let's go ahead and bring them back. So you have
a new project coming out or just releasing a single.
Speaker 7 (22:51):
I got a project of coming right, I want to
do next month like a little EP. But right now
I'm just releasing singles. I got one more single that's dropping.
Speaker 5 (23:04):
Before the EP.
Speaker 7 (23:08):
I guess I'll go ahead and get out the title
of the dais again featuring uh, featuring one of my artists.
Speaker 5 (23:18):
And Uh, A lot of people are gonna grow to
like him.
Speaker 7 (23:22):
I say that, I mean, I know it's about me,
but when people hear him, it's gonna open up.
Speaker 5 (23:28):
Their ears to a whole new sound. Yeah, how so.
Speaker 7 (23:34):
Because not only is this other person MO gonna say, Mo,
not only is he my little brother, and that's not
me just boasting them, but he's actually once I got
out the hospital and actually started taking his music more serious,
(23:54):
he sat there and watched the whole step of the way.
I wouldn't say mirrored my style, but when it came
to him learning his own style and figuring out his
own way, he'll often come to me and be like, hey,
how does this sound? And he'll take what I you know,
take the constructive criticism I give him, and he'll mold
it into his own way.
Speaker 5 (24:15):
And he found a lot of.
Speaker 7 (24:17):
A lot of you know, a lot of ways to
put his on twist to music and make you feel
and where he's coming.
Speaker 2 (24:23):
From nice And this is your your blood brother.
Speaker 5 (24:30):
Yeah, it's my blood brother.
Speaker 7 (24:31):
I only only have one real biological sibling and that's him.
Speaker 5 (24:36):
Nice man.
Speaker 2 (24:39):
So pretty soon we'll have a collaboro album.
Speaker 5 (24:41):
Uh. That's uh, that's what it's looking like.
Speaker 7 (24:45):
Uh could give you another sneak peek. The mixed the
EP I'm dropping in uh September will feature mainly just him.
Speaker 5 (24:59):
It's a colleget having.
Speaker 7 (25:00):
Fun and I'm taking a lot of the classics and
put my own spin to it. You know, I know
that people have been doing that a lot, but you
know it's so serious. I'm just having fun with this.
We're just having fun.
Speaker 2 (25:15):
You say classics, you mean like what we used to
call like mistake tracks, songs that are already out there.
Speaker 7 (25:22):
Yeah, it's like I guess you'd say jack and for
beats or a little way and no ceiling type things. Yeah,
this is this is like the classics. That's you know,
back in the days were you know cutlass, you know,
three twelves in your back, you know, your trunk beating
down coming down the street.
Speaker 5 (25:44):
Nice, I love it all right.
Speaker 2 (25:47):
So, if a young artist came to you saying that
they're burnt out from chasing their dream, what's the first
thing that you will tell them.
Speaker 5 (25:59):
Uh, honestly, take a.
Speaker 7 (26:04):
Take a a two week mental reality check. If you're
burnt out, that means you don't have you don't have
anything new to talk about. You haven't went nowhere, You've
been stuck inside of a box, you've been stuck inside
of your writing stage too long, or you're you're just
getting the booth and snap mode.
Speaker 5 (26:24):
Take her, take her take a week or two.
Speaker 7 (26:26):
You know, go touch some grass, go outside, walk to
the store, go revisit old friends, visit old place that
made you feel some type of way. You know, just
give yourself, don't burn yourself out.
Speaker 3 (26:40):
It's good advice, man. And where can our listeners connect
with you.
Speaker 2 (26:44):
Online or on the internet?
Speaker 7 (26:47):
Uh king kilo, k y n G space k I
l O on Twitter, on Instagram, on Facebook, the same
at handles, only different. One I do have is Snapchat.
You know a lot of my fans, I know a lot.
Speaker 5 (27:06):
Of people use that.
Speaker 7 (27:06):
You can connect with me there at the letter D
long way l g N I mean l O N
g W A Y seven to two. You know that's
how y'all can get at me. I'm always you know, responses,
I don't respond that day. You know I'm not stuck
up in and I will respond.
Speaker 5 (27:24):
I love. I love when people come talk to me.
Speaker 7 (27:26):
I love, you know, to meet a new fan every day,
or somebody I can help musically.
Speaker 2 (27:32):
Right, all right, listenings, Just in case you need those links,
we will have them in the description of this episode
and in the show notes. So all you guys have
to do is just click those links. Oh man, keen
Key Low came through today and showed us that music
isn't just entertainment, it's just.
Speaker 3 (27:50):
Revival, it's strategy, it's so it's a good time.
Speaker 9 (27:54):
We talked about the story behind Flex the Best, the
lessons of independence and the joy of old school trap
g and the resilience it turns it takes to turn
scars into symbols of sprint. King, your passion and purpose
are undeniable, and I can't wait to see the world's
reactions to your next project. Listeners, make sure you subscribe
to Vigilances Radio Live and to King Kilo's music. Leave
(28:17):
us a rating, share this episode, and keep the energy alive.
You can also fuel our mission at buy meo Coffee
dot com, Forward Slash Vigilantis Radio, and until next time.
Speaker 3 (28:27):
Keep flexing your best. Thank you so much, King Klo.
Speaker 5 (28:31):
All right, man, it's all I love man, Yes, sir,
take care bro too. I am the host of I
think that we are beyond.
Speaker 6 (28:52):
Responsible.
Speaker 8 (28:54):
I think that we are here as provide can do
things different outside of the expectations because some of us.
Speaker 5 (29:07):
Simply we're not into the club.
Speaker 8 (29:09):
But there is perhaps a door, windows or back of
the game that we can leave a food for you
to get into. Life is sure, but there are plenty
of moments to try and get it right. Pursuing your
dreams and learning from mistakes maybe tough.
Speaker 6 (29:29):
Or recret's tough too.
Speaker 8 (29:31):
Your interview email us at the radio, at them only
one media dot com that's a as a victorious or
visit only one video boot count all are count step
into your purpose and your passion. You were listening to
(29:55):
Vigilant Radio Liveeart Radio providing you niggas don't want.
Speaker 10 (30:02):
You nigga win me to you don't think you was
Russian nigga, You better be mad about no bitch did
no she fucking nig niggas.
Speaker 6 (30:08):
Likes some fucking mark. That's what you can cut us
with us.
Speaker 10 (30:10):
Pots on back and I got a speech and shut
the one read trying to suck nig, fucking shock you.
Speaker 1 (30:17):
With that like chrisucker you and now listening to vigil
Lancy's Radio, the People's choice for quality interviews, art, music
and hunt topics, hosted by Demetrius Hoziny Black Reynolds. All
episodes of this podcast are available for free download at www.
(30:38):
Dots only one media gree dot com
You are now listening to Vigilantes Radio, presented by the
only one media group. This is the people's choice but
quality interviews celebrities and special guests, hosted by Demitrius Denny Reynolds.
Call in to join the mix at seven oh one
eighth one, nine eight one three. For the complete archive
of episodes, visit only onemediagroup dot com and be sure
(00:24):
to like us on Facebook at Vigilantes Radio. We welcome all.
Enjoy the show. Ladies and gentlemen. Please welcome your host,
Demitrius who Demi Black Reynolds. Enjoy the show.
Speaker 2 (00:43):
Hey, Hey, Hey, what's going on guys again? Welcome to
the show. You're listening to VRL. That's Vigilantes Radio live
right here on iHeart Radio and I am your host, Beanie.
We have a very special guest for you, guys. You
could definitely want to stick around for that. And as
a matter of fact, takes your buddies. Family members are
even shared on social media right now and let them
(01:04):
know that we are about to dive deep into another interview.
Speaker 3 (01:07):
Before I bring my guests.
Speaker 2 (01:09):
On, I do want to say that you know, this
is the frequency of the fearless life has a way
of testing your limits, throwing fire, sometimes literally.
Speaker 3 (01:19):
At your path.
Speaker 2 (01:20):
But the ones who rise from the ashes don't just survive,
They shine brighter, walk stronger, and leave a mark that's
impossible to erase. Today's guests took pain and turned it
into rhythm, pressure and turned it into present. His story
isn't about just making music. It's about making moments that
(01:41):
move people. You're not just here for a talk show.
And this isn't just radio. This is revival for your mind, body,
and spirit. This is Vigilantes Radio Live. My name is Kachdini,
and change is possible. Are you ready?
Speaker 4 (02:03):
Are huge ready? Are you ready? Are you ready?
Speaker 2 (02:20):
Well, let's go, let's go, all right, all right again,
Welcome to the show. You're listening to VRL. That's Vigilantes
Radio Live right here on iHeart Radio, and I am
your host, Deni. Our interviews are designed to go beyond
the music, news, books, art, acting, films, technology, education, entrepreneurship,
entertainment and spirituality, and sometimes even past that thing that
(02:46):
we call the ego. Our interviews are designed to go
behind the scenes into the minds of these brilliant human beings,
you know, the ones who are out there giving it.
Speaker 3 (02:53):
They're all for me, for you, and for the world.
Speaker 2 (02:57):
Well, ladies and gentlemen, today's get This isn't just making music,
He's moving energy. King Kilo blends the raw edge of
old school trap with a modern drive that keeps his
sound fresh and his message real. From surviving the life
alter and fire to collaborating with some of the most
(03:17):
respected names in the game, his story is one of.
Speaker 3 (03:21):
Resilience, authenticity, and pure hustle.
Speaker 2 (03:24):
His latest single flex the Best with Jimmy Rocket Cruise.
He's here to motivate and electrify, So please join me
in saying welcome friend.
Speaker 5 (03:35):
To King Kilo.
Speaker 3 (03:39):
Hey, hey, welcome to the show.
Speaker 6 (03:41):
Man.
Speaker 3 (03:41):
He's going, you know pretty good, man, are you?
Speaker 5 (03:46):
I'm all right, all right, all right man?
Speaker 2 (03:48):
Before we dive in. Man, what's been weighing on you?
Are inspiring you the most of these past few weeks.
Speaker 5 (03:58):
Not being entrapped in the environment.
Speaker 7 (04:03):
I can't can say that it's going giving me a
lot of boosts and a lot of edge. I don't
want to be, you know, stuck stationary for too long. Yeah,
you never know whether life's gonna throw another curve battle,
and don't want to be stuck sitting there at what
could have been?
Speaker 3 (04:18):
And so how do you prepare prepare for stuff like that?
Speaker 7 (04:24):
I would I would sit here and say take it
day by day, but nah, you know, you just gotta.
I be prepared for the worst. I know it may
sound crazy. I'm more prepared for the worst than a
good outcome because if i'm if I'm already prepared for it, I.
Speaker 5 (04:39):
Know how I can avoid the next step that come
with it.
Speaker 7 (04:42):
So I just, you know, I guess I always prepare
for the worst, and when it does go right, I'm
thanking God.
Speaker 5 (04:49):
I don't I don't have to.
Speaker 7 (04:51):
Do the worst way, you know, to route, I wrap
myself out of it.
Speaker 5 (05:00):
All right.
Speaker 2 (05:01):
You said you want people to have fun with your music.
What does fun sound like to you? Uh?
Speaker 5 (05:12):
Fun is like.
Speaker 7 (05:16):
Not incriminating or not you know too, I guess on
topic like real life things people don't People don't really
like tuning into real life things that's going on. So
I would like to keep it fun, you know, where
people is enjoying music, not having to listen and wondering,
(05:38):
know what this bar about?
Speaker 5 (05:39):
Who's they talking about?
Speaker 3 (05:40):
Oh?
Speaker 5 (05:40):
What's going on?
Speaker 7 (05:41):
And try to look farther into stuff now it's just
you know, it's music. We're having fun, We're putting words together,
you know, getting people up out of their feelings if
they're in their feelings. You know, that's what I like about.
That's my definition of fun. You know, when you hear this,
you're intually getting a better move. You know, it ain't
necessarily got to be a happy mood, but you're in
a better mood than you just was.
Speaker 5 (06:01):
Yeah, I like that.
Speaker 3 (06:04):
I like that. Man. You just want people to have
a good time.
Speaker 2 (06:08):
I mean, the world is full of you know, tragedies, travesties, setbacks, mishaps, misfortunes,
bad days.
Speaker 3 (06:18):
And you just want people to have a good time
in the midst.
Speaker 5 (06:21):
Of all that.
Speaker 8 (06:22):
And I, as a.
Speaker 2 (06:24):
Person who coached through the life's journeys up and down,
that I can appreciate that From an artist who is
looking out for the listeners, you know, giving us something
to you hardy to hope and have fun and boost
the moves. I can appreciate that, all right, all right,
But how do you make sure that comes through every song?
Speaker 5 (06:47):
You know, I've like, I've.
Speaker 7 (06:50):
Been through a lot of situations. I feel I could
I could relate a lot of people to. So I
just put my minds into if it's not my situation something,
or I hang around people and you know, listen to
problems and I'm like, yeah, that's crazy, you know. And
I could think a ways like hey man, we we
(07:10):
can we could do something, you know, let's let's put
on put on something, get us going. So you know,
it just really come from relating.
Speaker 5 (07:19):
I guess I relate.
Speaker 7 (07:21):
Then I feel like what would I do to change
that situation?
Speaker 5 (07:26):
Sure?
Speaker 2 (07:27):
Flex the best was a last minute creation which I heard,
can you walk us through the chaos or the pressure
or the exact moment you knew this song would work?
Speaker 5 (07:39):
Uh? It was? It was actually crazy. I didn't.
Speaker 7 (07:43):
I wasn't anticipating on the song. I actually recorded two songs,
believe it or not. It was a hook in averse
both songs, and like less than an.
Speaker 5 (07:53):
Hour of completely being.
Speaker 7 (07:57):
Poorly timed, I let time to get away and it
was getting closer time to the studio session, and I
was at a partner's house and I was just I
was like, yo, it's you know, it's almost getting time.
I ain't even got a song, like I had songs,
so I was like, I want something new. I want
something fresh, you know. To me, not gonna say this
was a big breakout moment. This was like more of
(08:19):
sort of a hey.
Speaker 5 (08:21):
I've been working my ass.
Speaker 3 (08:22):
I was like, I I.
Speaker 7 (08:24):
Got I need to bring my eight game because I'm
not about to go around people that's you know, that's
making this in a closet or in a you know,
in a house with seven other people in there, and nah,
I'm going to somewhere professional. So I recorded two songs
I have.
Speaker 5 (08:40):
I sent it out.
Speaker 7 (08:41):
So I got a group trap full of of trusted
friends and producers, and I was like, yo, what y'all
think of this?
Speaker 5 (08:48):
And before they could even give me a response to that,
I sent the Flecks.
Speaker 7 (08:52):
The Best one, and without it out, three of them
instantly like Flecks the Best.
Speaker 5 (08:57):
And I was like, okay, well, you know, I hope
I can hope. I hope you like him. I hope
you like it. And so we got in the trump my,
you know, we on the way to the studio.
Speaker 7 (09:05):
I sent a sniffet of the song, you know, because
I didn't want to get all the way there and
I think this song, yeah, and he's not messing with it,
and he messing me back, right, away with fire emotion,
and he was like, oh yeah, come on, you know,
let's let's lock in.
Speaker 5 (09:20):
And I'm already here.
Speaker 7 (09:22):
And new to say, I was still like fifteen minutes
late to the studio session, but it was. It was
a pretty amazing one because the night before I was
just in there as a as a random face in
the room. You know, from where I'm from, I don't
supposed to see that. I don't supposed to be in
the room with those type of people, that type of energy,
that that much sussists. That's what I think. Where I'm from,
(09:47):
we want we don't supposed to see that type of stuff.
And when I was around it, I was like, hey,
you know, close mouth, old get fed. I left the
studio and hit him up the same night. It was like, yep, man,
how much you charged for a feature bucket?
Speaker 5 (10:00):
I got it?
Speaker 7 (10:00):
You know, I need to make a big break and
he we negotiated some stuff, came up with a price,
came back the next night.
Speaker 5 (10:09):
Everybody that was in there the night before, I was like, Yo,
what's up?
Speaker 7 (10:12):
And I just walked in there and they was like
what are you doing? And did the song? Told me
to cut the lights off? Only me and the engineer
could hear. And when I was done, I walked out
to cut it up and everybody that was in.
Speaker 5 (10:23):
There just start looking around like what the world is hard?
You know, who's this? Who's this to you?
Speaker 7 (10:28):
And I'm like yeah, And so that was like, it
was like a big moment for me because these people
had produced an engineer number one track, platinum tracks, you know,
diamond tracks, and you know they bombing.
Speaker 5 (10:42):
Their head to it, and I'm out of a little
small town.
Speaker 7 (10:44):
So I was like, yeah, I.
Speaker 3 (10:45):
Loved his energy.
Speaker 5 (10:46):
It was a big moment for me, no doubt.
Speaker 3 (10:50):
Nice that dope.
Speaker 7 (10:51):
Man.
Speaker 3 (10:51):
Did you get that on film?
Speaker 7 (10:54):
H I got the night before on film. I captured
some moments the night before, but the night actually of,
since I was running late.
Speaker 5 (11:03):
I wasn't thinking.
Speaker 7 (11:04):
The hat pulled my phone out and the thing was,
like I said, I hang around these people.
Speaker 5 (11:10):
I hang around him like.
Speaker 7 (11:11):
This ain't my That wouldn't been my first saken time
being around them, per se. It's just my first time
actually working with them, like saying, hey, okay, I wrapped too.
The whole time days I'm just a friend of the
family that's always around.
Speaker 2 (11:24):
Yeah, you had your Kanye moment right, so to speak. Man,
that's cool, It's super cool. He took advantage of that.
Speaker 5 (11:36):
Why were you late?
Speaker 3 (11:37):
That's funny.
Speaker 7 (11:38):
Ah, Man, Uh, well, my friend, he's a he's like
a brother. I'm not even gonna call my friend like
my brother.
Speaker 3 (11:46):
He uh.
Speaker 5 (11:48):
He had a lot going on, man.
Speaker 7 (11:50):
And when I'm when I'm in the city networking and
working with him, I'm not on his time. But at
the same time, he knows the city a little better
than me, so I really have.
Speaker 5 (11:59):
To wait on him. And I think he was handling
some stuff with his his folks.
Speaker 3 (12:05):
So it wasn't really your fault.
Speaker 7 (12:08):
Nah, it wasn't really my fault. And he was He
was reassured me. He was like, nah, man, you're okay.
He'll understand. He'll understand. He see walking with me and understand.
I was like, all right, man, I don't want to
blow that.
Speaker 5 (12:18):
I know that's pretty much nothing to you. But me,
you know, I only seem a little punctual.
Speaker 2 (12:23):
Yeah, yeah, man. Working with Jimmy Rockett, first major feature,
what was your mindset before stepping in that studio that day?
Speaker 5 (12:39):
Really just having fun but at also at the same
time showing why.
Speaker 7 (12:51):
Why I felt like I could have just why I
feel like I can compete or not even compete.
Speaker 5 (12:57):
I wouldn't say compete.
Speaker 7 (12:59):
Staying nick to people that's already been on that stage
and that heighten that level. Like my only mindset that
they was, Hey, I got a you know, this is
this is that point you're about to be in front
of people and the more lollygags and this is this
is you know, in my head this American idle times.
(13:20):
I'm not even this American idol.
Speaker 3 (13:22):
Time.
Speaker 7 (13:22):
You either get to you know, get the Golden buzzer
or you get Tom get those Hey are not feeling it?
Speaker 5 (13:27):
Not feeling your dog? Yeah?
Speaker 3 (13:30):
Man? But what surprised you the most about the process?
Speaker 2 (13:34):
I mean you came in there like a stupid superstar
does turn out the lights?
Speaker 3 (13:37):
Nobody can hear it, but you're in an engineer and
then you're like, all right, all right, now you guys
can hear it, Like that's a superstar move bro.
Speaker 7 (13:47):
Yeah, I mean it's not it's not my first time,
like I said, it's not this this is like my
first big feature with a known artist, no name, yes,
but first time being like in front of people with
status and been in this, you know, this rap hip
hop game for a minute. Now, It's not my first time,
you know, I've had plenty moments where I had to
(14:09):
shake that shy moment, but this one it was pretty
crazy because he got the song what twenty five minutes
thirty minutes before he before I ever got there, And
he went in there and laid down a fire track
right after me having heard the song. But maybe he
played it twice and that was once when I came
(14:30):
out of the studio, and then he looked around just
like I did, so everybody was missing with it. So
the engineer run it back one more time and he
walked in and did the same thing I did. Cut
the lights off on him and the enginet.
Speaker 3 (14:42):
Wow, and now we have this sit that's cool man,
all right?
Speaker 2 (14:48):
So and in the beginning I mentioned some things about
a fire and you survived one that left you.
Speaker 5 (14:55):
Unable to walk for a year.
Speaker 3 (14:57):
How did music fill the space that recovery?
Speaker 5 (15:00):
Love?
Speaker 3 (15:01):
And what did it teach you about patients?
Speaker 5 (15:06):
Really? It just helped on those days where I felt
like given up.
Speaker 7 (15:12):
Because I don't I don't know, And I went and
comparing my struggles to anyone else. But for the ones
who have lost the privilege to walk or told that hey,
you're not gonna be able to walk right now, but
you you can regain your you know, the ability to
walk again if you put in the time and effort
and the hard work.
Speaker 5 (15:32):
And I'm not gonna lie. A lot of days.
Speaker 7 (15:35):
Was more tough, more stressful, and more challenging, way challenging
than others.
Speaker 5 (15:44):
And you know, music was just there.
Speaker 7 (15:47):
I could say, I listen to TI and d O
B at the time, like heavy and trips back and
forth to Augusta to the burn Unit when whenever I
could go home, those rides just long, you know, being
away from my brother, being away from my friends, you know,
it was nobody could see me and having to basically
(16:11):
stretch out my legs and make myself walk day by day.
Speaker 5 (16:17):
Music just was there. It was helping to take my
mind off stuff. For listening to the beats played.
Speaker 7 (16:21):
The played a major part days where I just was upset.
Speaker 5 (16:26):
I just listened to a beat and whatever came to
my head, I just say it out loud and make
the words rhyme, and it's it's it's it's a it's
a touchy subject.
Speaker 7 (16:40):
But at the same time, I'm glad I went through it,
and I'm glad music was there because at those times
you don't even want to talk to nobody. You feel
like no one understands, which you know, people just offer
their predulces and sympathy. But at the same time, you
know you you know, it's just because the situation you're
(17:01):
going through.
Speaker 5 (17:02):
So music just was like a way out. It was
just like, hey, I don't want to talk nobody. The
music got me.
Speaker 7 (17:07):
Give me like thirty minutes, thirty forty minutes, and I'll
be okay, I'll be back normal again.
Speaker 4 (17:12):
Yeah.
Speaker 3 (17:15):
Sure, man.
Speaker 2 (17:17):
So you love old school trap like two like two
thousand's early twenty tens. What's one thing that era got
right about the sound that today's music is missing.
Speaker 5 (17:34):
The rock.
Speaker 7 (17:36):
They got rock right, How it blended into hip hop,
How they added electric guitars, how they the whole auto
tune sound and the AA eights mixed together.
Speaker 5 (17:49):
They got it.
Speaker 7 (17:50):
That's the only thing that really stuck in this I
can say now in twenty twenty five, is still.
Speaker 5 (17:54):
Going on strump from a great.
Speaker 7 (17:56):
Some young boy Doug he got gonna All those guys
are using rock instrumental instrumentals and instruments in the in
their music, and that was a big leap because everybody
looked at Lil Wayne when he did Lollipop and the
whole Rebirth album, like, Yo, this never gonna work. You're crazy,
(18:17):
you step outside the bubble. You took it too far.
But he was right, yeah, and it was right.
Speaker 3 (18:25):
Yeah.
Speaker 8 (18:27):
Man.
Speaker 2 (18:27):
You went from being signed to going independent, which I
think is a very courageous move. It's more self sufficient,
you know, And I applaud anybody who go independent.
Speaker 3 (18:39):
After being signed to a label. What was the scariest
change though for you?
Speaker 2 (18:44):
And what what kind of freedom made it worth it?
Speaker 5 (18:52):
Freedom worth isn't going independent?
Speaker 7 (18:54):
Yeah, the scariest change was I did not have a
a person who knew their way around social media more
than I did. That was the scariest thing because that
was how a lot of my fans hurting me is
(19:15):
because I had someone when if I got ready to drive,
they were like, okay, we can do a media release.
Speaker 5 (19:21):
To me having to go find it myself.
Speaker 7 (19:26):
That was probably the best thing ever, because I see
now that a lot of it was, Hey, what I
was paying was twice tests so they can get theirs
off top.
Speaker 5 (19:37):
So I think the whole me having total control.
Speaker 7 (19:43):
Of how my stuff is getting put out.
Speaker 5 (19:46):
What's the biggest thing I liked?
Speaker 2 (19:51):
Yeah, all right, all right, guys, it's time for some music.
We have flexed the best in key low feature in
Jimmy Rocket, and then we'll be right back to put
you put him in our traditional hot seats where he
could performed for us rap scene. Do some porns, spoken word,
tell the joe, tell the story, give some advice, or
(20:12):
do nothing at all.
Speaker 3 (20:13):
That is cool as.
Speaker 2 (20:14):
Well, but for right now here, it is flex the best.
We'll be right back, stay tuned.
Speaker 9 (20:21):
Turns off the pop up out their.
Speaker 6 (20:23):
Card with that three hundred. That's that blackout. He talking like.
Speaker 7 (20:25):
He's stupid here this block, and he got papped out.
That boy ain't no real games, as though the true bell.
He gonna come out a little bitch on.
Speaker 6 (20:31):
Me for a six.
Speaker 7 (20:31):
I told her, Hold, he use your damn mouth a
little bitch.
Speaker 6 (20:33):
I flips the bitch bv zices on my chest. She
sayd my water good away. I'm just like Nike.
Speaker 7 (20:38):
You buy the chick the bullets, make him key sweat,
psycho tetting on my name, eb trolling out all these
boys right here on post three. I treat you a
bitches like a Pippin Cursons person. So why you pretending
we at for the face, no need for the bitch.
You're thinking, no yoga, how we leave them straight. My
dogs are sicking. They don't need a fit. I'm hanging
with us. It's looking for fis and give them the word.
I tell him to go. They don't with the money,
Just give him respect.
Speaker 6 (20:55):
I got not nig fucker Nicks that'll probably get it
off your chests. Money gonna make the little hoe fuck.
But right now, I just want the nigg This chopper
like the NDA, that's.
Speaker 7 (21:03):
What he get. First round piece, hit your black and
hit you and whoever you hang around with.
Speaker 6 (21:07):
Hop up out that car with that three hundred. That's
that blackout.
Speaker 7 (21:10):
He talking like he's stupid here this block and he
got papped out there.
Speaker 6 (21:13):
Boy, ain't no real games that though. The two bell
he gonna.
Speaker 7 (21:15):
Cop out a little bitch on me for a since
I told her, hold he use your damn mouth a
little bitch hot flips the bitch BB's asses on my chest.
Speaker 6 (21:21):
She said, my water good or with I'm just like Nike.
Speaker 7 (21:23):
You buy the chick these bullets make on key sweat
psycho tatling on my ag e b trolling all these
boys right here on post the three.
Speaker 10 (21:29):
The niggas be ht the name dropping no loads like bro,
when you wat I came out of the mud, let
my name was stripping man it's head out of test.
Come my young niggas taped down to come and working
on the stef. You got to be telling my young
niggas what he said. Someone listen, he was there. I
just shoot this swimming like they get drifted around. Shoot
at the real step that shit from the three like stuff.
The niggas funny shit like my yelps with your ship
in the street. The niggas don't want no be from
a motherfucker chefs cuts you, nigga, wouldn't be towing that
k You don't think you was rushing, nigga, You better
(21:50):
be mad at by no bitch that no she fucking nigga.
Niggas with like some fucking barbers. What you can cut
us with us on back of the I gotta spicchure impediment,
make shiituther nigga call that one reason. A lot of
poss trying to come sucking, trying to fucking shock it
with that like Chris fucking Nigga. I ain't even playing
for a nigga refro the chain. You know him, nigger,
you can't have him bro there nigga slick just like
some butter.
Speaker 6 (22:09):
Up about that Colt with that three hundred.
Speaker 7 (22:11):
That's that black He talking like he's stupid here this
block and he got papped out. That boy ain't no
real games that though the two bell he gonna come
out a little bitch on me for a since I
told her, hold he use your damn mouth a little bitch.
Speaker 6 (22:21):
I flips the bitch b b zices on my check.
She send my water.
Speaker 5 (22:24):
Good away.
Speaker 6 (22:24):
I'm just like Nike, you buy the check.
Speaker 7 (22:26):
These bullets make on key Switt, Psycho tatling on my name,
eb trolling out all these boys right here on post
A three.
Speaker 3 (22:32):
All right, all right, all right, welcome back again. That
was Flexed the Best.
Speaker 2 (22:36):
By keen Key Low featuring Jimmy Rocken jo Jo Dope.
Let's go ahead and bring them back. So you have
a new project coming out or just releasing a single.
Speaker 7 (22:51):
I got a project of coming right, I want to
do next month like a little EP. But right now
I'm just releasing singles. I got one more single that's dropping.
Speaker 5 (23:04):
Before the EP.
Speaker 7 (23:08):
I guess I'll go ahead and get out the title
of the dais again featuring uh, featuring one of my artists.
Speaker 5 (23:18):
And Uh, A lot of people are gonna grow to
like him.
Speaker 7 (23:22):
I say that, I mean, I know it's about me,
but when people hear him, it's gonna open up.
Speaker 5 (23:28):
Their ears to a whole new sound. Yeah, how so.
Speaker 7 (23:34):
Because not only is this other person MO gonna say, Mo,
not only is he my little brother, and that's not
me just boasting them, but he's actually once I got
out the hospital and actually started taking his music more serious,
(23:54):
he sat there and watched the whole step of the way.
I wouldn't say mirrored my style, but when it came
to him learning his own style and figuring out his
own way, he'll often come to me and be like, hey,
how does this sound? And he'll take what I you know,
take the constructive criticism I give him, and he'll mold
it into his own way.
Speaker 5 (24:15):
And he found a lot of.
Speaker 7 (24:17):
A lot of you know, a lot of ways to
put his on twist to music and make you feel
and where he's coming.
Speaker 2 (24:23):
From nice And this is your your blood brother.
Speaker 5 (24:30):
Yeah, it's my blood brother.
Speaker 7 (24:31):
I only only have one real biological sibling and that's him.
Speaker 5 (24:36):
Nice man.
Speaker 2 (24:39):
So pretty soon we'll have a collaboro album.
Speaker 5 (24:41):
Uh. That's uh, that's what it's looking like.
Speaker 7 (24:45):
Uh could give you another sneak peek. The mixed the
EP I'm dropping in uh September will feature mainly just him.
Speaker 5 (24:59):
It's a colleget having.
Speaker 7 (25:00):
Fun and I'm taking a lot of the classics and
put my own spin to it. You know, I know
that people have been doing that a lot, but you
know it's so serious. I'm just having fun with this.
We're just having fun.
Speaker 2 (25:15):
You say classics, you mean like what we used to
call like mistake tracks, songs that are already out there.
Speaker 7 (25:22):
Yeah, it's like I guess you'd say jack and for
beats or a little way and no ceiling type things. Yeah,
this is this is like the classics. That's you know,
back in the days were you know cutlass, you know,
three twelves in your back, you know, your trunk beating
down coming down the street.
Speaker 5 (25:44):
Nice, I love it all right.
Speaker 2 (25:47):
So, if a young artist came to you saying that
they're burnt out from chasing their dream, what's the first
thing that you will tell them.
Speaker 5 (25:59):
Uh, honestly, take a.
Speaker 7 (26:04):
Take a a two week mental reality check. If you're
burnt out, that means you don't have you don't have
anything new to talk about. You haven't went nowhere, You've
been stuck inside of a box, you've been stuck inside
of your writing stage too long, or you're you're just
getting the booth and snap mode.
Speaker 5 (26:24):
Take her, take her take a week or two.
Speaker 7 (26:26):
You know, go touch some grass, go outside, walk to
the store, go revisit old friends, visit old place that
made you feel some type of way. You know, just
give yourself, don't burn yourself out.
Speaker 3 (26:40):
It's good advice, man. And where can our listeners connect
with you.
Speaker 2 (26:44):
Online or on the internet?
Speaker 7 (26:47):
Uh king kilo, k y n G space k I
l O on Twitter, on Instagram, on Facebook, the same
at handles, only different. One I do have is Snapchat.
You know a lot of my fans, I know a lot.
Speaker 5 (27:06):
Of people use that.
Speaker 7 (27:06):
You can connect with me there at the letter D
long way l g N I mean l O N
g W A Y seven to two. You know that's
how y'all can get at me. I'm always you know, responses,
I don't respond that day. You know I'm not stuck
up in and I will respond.
Speaker 5 (27:24):
I love. I love when people come talk to me.
Speaker 7 (27:26):
I love, you know, to meet a new fan every day,
or somebody I can help musically.
Speaker 2 (27:32):
Right, all right, listenings, Just in case you need those links,
we will have them in the description of this episode
and in the show notes. So all you guys have
to do is just click those links. Oh man, keen
Key Low came through today and showed us that music
isn't just entertainment, it's just.
Speaker 3 (27:50):
Revival, it's strategy, it's so it's a good time.
Speaker 9 (27:54):
We talked about the story behind Flex the Best, the
lessons of independence and the joy of old school trap
g and the resilience it turns it takes to turn
scars into symbols of sprint. King, your passion and purpose
are undeniable, and I can't wait to see the world's
reactions to your next project. Listeners, make sure you subscribe
to Vigilances Radio Live and to King Kilo's music. Leave
(28:17):
us a rating, share this episode, and keep the energy alive.
You can also fuel our mission at buy meo Coffee
dot com, Forward Slash Vigilantis Radio, and until next time.
Speaker 3 (28:27):
Keep flexing your best. Thank you so much, King Klo.
Speaker 5 (28:31):
All right, man, it's all I love man, Yes, sir,
take care bro too. I am the host of I
think that we are beyond.
Speaker 6 (28:52):
Responsible.
Speaker 8 (28:54):
I think that we are here as provide can do
things different outside of the expectations because some of us.
Speaker 5 (29:07):
Simply we're not into the club.
Speaker 8 (29:09):
But there is perhaps a door, windows or back of
the game that we can leave a food for you
to get into. Life is sure, but there are plenty
of moments to try and get it right. Pursuing your
dreams and learning from mistakes maybe tough.
Speaker 6 (29:29):
Or recret's tough too.
Speaker 8 (29:31):
Your interview email us at the radio, at them only
one media dot com that's a as a victorious or
visit only one video boot count all are count step
into your purpose and your passion. You were listening to
(29:55):
Vigilant Radio Liveeart Radio providing you niggas don't want.
Speaker 10 (30:02):
You nigga win me to you don't think you was
Russian nigga, You better be mad about no bitch did
no she fucking nig niggas.
Speaker 6 (30:08):
Likes some fucking mark. That's what you can cut us
with us.
Speaker 10 (30:10):
Pots on back and I got a speech and shut
the one read trying to suck nig, fucking shock you.
Speaker 1 (30:17):
With that like chrisucker you and now listening to vigil
Lancy's Radio, the People's choice for quality interviews, art, music
and hunt topics, hosted by Demetrius Hoziny Black Reynolds. All
episodes of this podcast are available for free download at www.
(30:38):
Dots only one media gree dot com
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