July 23, 2025 • 59 mins
🔥 THE MOST DANGEROUS CONSPIRACY HIDING IN PLAIN SIGHT 🔥
What happens when the world's richest individuals decide democracy is too important to leave to voters? Meet the shadow network of billionaire philanthropists who use tax-exempt foundations and charitable giving as weapons to reshape entire political systems while the public believes they're saving the world. This isn't just another political documentary - this is the shocking exposé of how ultra-wealthy elites have weaponized generosity to buy governments, manipulate elections, and control the future of human civilization. 💀 ENTER THE SHADOW GOVERNMENT where billionaire philanthropists operate a parallel power structure that makes elected officials look like middle management in their own countries. From funding activist organizations to bankrolling judicial campaigns, these financial titans have created a system where your vote matters less than their checkbook. The hidden networks, the calculated influence campaigns, the systematic erosion of democratic processes - it's all here in spine-chilling detail. ⚡ THE PUPPET MASTERS REVEALED when we expose how these so-called philanthropists use charitable foundations to funnel billions into political causes while avoiding taxes and accountability that ordinary citizens face. Picture this: individuals with more power than most world leaders operating in complete secrecy while reshaping laws, policies, and entire societies according to their personal vision. The dark money flows, the coordinated campaigns, the manufactured grassroots movements - witness how democracy itself has been hijacked by those who can afford to buy it. 🩸 EVERY CALCULATED DONATION, EVERY MOMENT OF MANIPULATION, EVERY PURCHASED POLITICIAN is exposed as we uncover how this philanthropic industrial complex has created a new form of oligarchy that operates above the law and beyond democratic accountability. The psychological warfare, the media manipulation, the systematic destruction of national sovereignty - experience how a handful of billionaires have turned charity into the ultimate political weapon. 💥 WARNING: This documentary contains revelations so explosive that they will fundamentally change how you view elections, charitable giving, and the very nature of democratic government. These methods are so sophisticated, so perfectly disguised as altruism, that they represent the ultimate evolution of political control in the modern era. 🔓 THE OLIGARCH VAULT IS CRACKED OPEN and the most powerful shadow government in history is about to be exposed in all its manipulative glory. Are you ready to discover who really controls your country? Hit play now - because some conspiracies are too real to ignore. 🎧💣
What happens when the world's richest individuals decide democracy is too important to leave to voters? Meet the shadow network of billionaire philanthropists who use tax-exempt foundations and charitable giving as weapons to reshape entire political systems while the public believes they're saving the world. This isn't just another political documentary - this is the shocking exposé of how ultra-wealthy elites have weaponized generosity to buy governments, manipulate elections, and control the future of human civilization. 💀 ENTER THE SHADOW GOVERNMENT where billionaire philanthropists operate a parallel power structure that makes elected officials look like middle management in their own countries. From funding activist organizations to bankrolling judicial campaigns, these financial titans have created a system where your vote matters less than their checkbook. The hidden networks, the calculated influence campaigns, the systematic erosion of democratic processes - it's all here in spine-chilling detail. ⚡ THE PUPPET MASTERS REVEALED when we expose how these so-called philanthropists use charitable foundations to funnel billions into political causes while avoiding taxes and accountability that ordinary citizens face. Picture this: individuals with more power than most world leaders operating in complete secrecy while reshaping laws, policies, and entire societies according to their personal vision. The dark money flows, the coordinated campaigns, the manufactured grassroots movements - witness how democracy itself has been hijacked by those who can afford to buy it. 🩸 EVERY CALCULATED DONATION, EVERY MOMENT OF MANIPULATION, EVERY PURCHASED POLITICIAN is exposed as we uncover how this philanthropic industrial complex has created a new form of oligarchy that operates above the law and beyond democratic accountability. The psychological warfare, the media manipulation, the systematic destruction of national sovereignty - experience how a handful of billionaires have turned charity into the ultimate political weapon. 💥 WARNING: This documentary contains revelations so explosive that they will fundamentally change how you view elections, charitable giving, and the very nature of democratic government. These methods are so sophisticated, so perfectly disguised as altruism, that they represent the ultimate evolution of political control in the modern era. 🔓 THE OLIGARCH VAULT IS CRACKED OPEN and the most powerful shadow government in history is about to be exposed in all its manipulative glory. Are you ready to discover who really controls your country? Hit play now - because some conspiracies are too real to ignore. 🎧💣
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:15):
There is at least one species that is not endangered.
Billionaires In nineteen eighty there were only one hundred of them.
Today there are more than two thousand, five hundred, not
counting the royal families and dictators, and altogether they own
more than ten thousand billion dollars since antiquity. Whenever fortunes
(00:36):
become disproportionate on the human scale, philanthropists multiply like mushrooms.
Why do they give away part of their wealth to
gain affection, to exert influence, to protect their own interests.
In an attempt to find out, we're going on a
quest to find billionaire philanthropists. We start in California because
(01:01):
that's where they are the most common. At Stanford, one
family stands out for its great influence. The father, John Ariaga,
a Silicon Valley real estate developer, has supported this university
with millions of dollars in regular donations. His daughter, the
(01:22):
High Priestess of Philanthropy, is Laura Ariaga Andreessen, the daughter
of a billionaire and wife of a billionaire. She has
written a book on the art of giving, which includes
recipes for charity. For the past ten years, she has
indoctrinated hundreds of students at this university in the philanthro
(01:43):
capitalist religion.
Speaker 2 (01:45):
In the last decade, we have seen some rather significant
changes in philanthropy, not just in terms of how we
practice philanthropy, but also in terms of rising trends in
people's areas of interest, including the emergence of effective altruism's
(02:12):
utilitarian methodology, as well as.
Speaker 3 (02:17):
The burgeoning field of impact investing.
Speaker 4 (02:23):
Thank you, thank you so much, I really appreciate.
Speaker 3 (02:31):
Okay, okay.
Speaker 1 (02:32):
Missus Ariaga invites us to an evening of our donor
circle called SV two. It is a social enterprise that
claims to practice targeted charity to alleviate certain inequalities. The
purpose of these meetings is to attract new capital. Lara
Agiaga didn't show up. We don't know why, and we
(02:54):
are asked not to film anymore. But here, as in
our book, the same belief is spread. Silicon Valley philanthropy
will surely eradicate poverty through technology. We returned to Stanford
to meet Rob Reisch. He has just written a book
that explains the dangers of billionaire philanthropy. It is surprising
(03:20):
because he criticizes the very people who fund his research. Indeed,
it was Laura Ariaga, who founded the Philanthropy Center headed
by Rob Reisch. At least Stanford is not the kingdom
of one track thinking.
Speaker 5 (03:35):
And what I worry about big philanthropy, among other things,
is that someone like Bill Gates has enormous power of
the United States. He has education philanthropy that tries to
shift education policy United States. One of his critics, not me,
calls him the unelected superintendent of American public schools. You
(03:56):
can't unelect Bill Gates from the president of the foundation.
He's the only person really who matters. And of course
the Gates Foundation has spending programs or philanthropic programs across
the world, in global health and in other places. And
Bill Gates appears in meetings as if he were a
head of state. He shows up to the meetings in
(04:22):
which it's politicians as if the Gates Foundation were a country.
And in certain respects it is like a country in
terms of its GDP. It has an enormous amount of money.
So simply in virtue of his wallet, he's treated as
if he were on a par with representing an entire country.
Now that gives him extraordinary power. Power in and of
(04:45):
itself is not bad. There is no society in which
we will eliminate power. The question is to what end
is the power put And if the power is directed
to sustain the advantage of the wealthy rather than to
help promote democracy or help sustain democratic institutions, then we
should criticize that power.
Speaker 1 (05:10):
Criticism of America's billionaire philanthropists is growing. Like Laura Ariaga,
the other billionaires we contacted all refused to appear in
an independent film over which they had no control. But
fortunately it's not just the USA that has billionaires. On
the other side of the world, some of Bill Gates's
(05:31):
relations have shown an interest in our film. Among them
is Missus Lee. In nineteen eighty two, she and her
husband's family, the Liu Brothers, founded the company New Hope.
New Hope became the first private agribusiness group in China
and then invested all over the world. Missus Lee's family
(05:52):
owns its fortune to Dang Xiaoping, who encouraged a few
entrepreneurs to get rich. First, we have to pay, says
Missus Lee, has become the richest woman in such one.
She came to meet us at a friends home in
France to consider her presence in this film.
Speaker 6 (06:21):
Don't worry who Buddhist.
Speaker 7 (06:29):
Buddhist she won out you have, she said, you'll be kind.
(06:57):
They are thinking they are.
Speaker 1 (07:33):
To explain to us what a great philanthropist she is.
Missus Lee wanted to tell us about the charity she
is most proud of. During a trip to the United States,
she noticed orange yellow flowers that did not exist in China.
They were marigolds, from which a die lutine is extracted.
She brought some seeds and distributed for free to poor
(07:55):
peasants to plant them in the mountains of Una.
Speaker 3 (08:00):
And Julius.
Speaker 6 (08:00):
Some of the suns name Bully that I hot, so
he ded the woman just to trat me equation with
now they are now, I want my boys aller June
more deep your so side some quite handers into his chair.
Speaker 3 (08:13):
That's a didn't go it's hunting this out to take
a chair.
Speaker 6 (08:16):
That's an only that's suji food, so right, you hope
to zuji your foodtal tongue, but tajui juil don't leave
you so hot soil, I don't watman. The ones of
j even more declared so there are ten quite hands,
so we worman. That's how it was u Joju, it
didn't take a push you outside, don't catch true. Take
(08:37):
a shamo beer bosom and go turn the hant door chair.
That's not I'm watch it the hun gaushan the show.
Take the shamo get going down. No me died out
the hunter house.
Speaker 3 (08:46):
That's what we wait.
Speaker 6 (08:47):
Walk Suji the well, then take it look Suji. Then
she hold a thirty dollars. The quiet, just a hun
quiet r Henna. Then send the jade sing.
Speaker 1 (09:01):
To illustrate this wonderful story. We propose to go and
meet the peasants missus Lee had helped, But after a
lengthy exchange of emails, it seems that the two heavy
rains had damaged the harvest, so our trip was canceled.
Several months later, we still had no news for missus Lee.
(09:24):
Fortunately we have a new lead. Our contact in Moscow
arranged a meeting with a Russian journalist who will introduce
us to her editor. Ina Bajenova Inabagenova is a businesswoman
an industrialist whose fortune is linked to Gasprom, the Russian
gas and oil Empire. With her fortune, she has become
(09:47):
an art collector, a patron of the arts, and owns
the largest network of art magazines in the world.
Speaker 8 (10:01):
Who's this.
Speaker 9 (10:16):
Gush It's in the NASA.
Speaker 10 (10:26):
Cousins.
Speaker 11 (10:28):
Yeah, no way, you move to Simes Press that you
wanted to deal with Cow in serious sway with them.
Speaker 1 (10:37):
At the moment, Missus Bashanova is attending the Cannes Film Festival.
She watches three to four films a day to prepare
her own film festival.
Speaker 10 (10:45):
On art and Moscow.
Speaker 12 (10:47):
Never you're here, never.
Speaker 13 (10:51):
Never, It is not the.
Speaker 1 (11:04):
Best time for an interview, but she invites us to
a party in Moscow.
Speaker 3 (11:11):
Every year in a.
Speaker 1 (11:12):
Bashanova organizes a sumptuous party. Her magazine hands out awards
to art professionals from across the world.
Speaker 9 (12:09):
I'm gonna you.
Speaker 2 (12:20):
Would you need to pay me?
Speaker 13 (12:21):
Their newspaper in.
Speaker 3 (12:34):
Let see.
Speaker 11 (12:37):
The nearby shirt cheese previous to its sixties. Yeah to
move mister, it's na Monoka yet have pre crass and
the brimm emotional British it's Papa lub Mouse emotion map
shirts which it's when you might drop Drooker. So now
(12:59):
you my now vid you schools to mir.
Speaker 3 (13:05):
Mitch ti.
Speaker 9 (13:11):
Gies.
Speaker 11 (13:11):
Now you're technique at Crypto Products and Statty School in
store with gram attacked casual glass a new bookistry corost
(13:38):
version of stu.
Speaker 9 (13:41):
Penulations and.
Speaker 10 (13:47):
Sagst uh the institute when you state and no papa.
Speaker 11 (14:08):
Not an if to smoothly prevocally on a raboto nasa
vui thenmal engineer, no dogs nature constructors, k Burro.
Speaker 10 (14:20):
Chief party on the premier which reed and the premier.
Speaker 11 (14:28):
Seberalitid is a period of border yet.
Speaker 10 (14:32):
Nuts to.
Speaker 11 (14:36):
No paton sluchilis premium austrain year very storical, snat masi
business and yats nematsi business.
Speaker 9 (14:51):
Yeah frost the yeah no the quartier.
Speaker 1 (14:59):
In fifty years a few works to decorate the new
house have become twelve hundred. So to highlight her immense
collection in a Bashanova set up a foundation. Unlike Western patrons.
She does not get any tax benefits from it, but
she did enter the prestigious circle of international philanthropists.
Speaker 10 (15:21):
Font status to press poisons to no Virginia to small bit.
Speaker 11 (15:51):
Amio when you were to chest but the felix and
send too. Is this career you look up the privlicos,
the resists usually boys to dio just yea glass but
(16:18):
no mine even a probation.
Speaker 10 (16:21):
After my.
Speaker 11 (16:27):
Natural cocots old business pat yeah, what streets dimitris sas
the business even tax the form of mister, if business
give me a levet, so now you have to get
us tosti premier or data vertelles premil capparatum, lariats interiors,
(16:55):
no provilnic interiors. Now no provini diagnostically diagnostic to the diagnosticus.
Speaker 1 (17:13):
Thanks to the money earned in the industry and Neva
Schanova expanded her network of newspapers and her influence in
the art world. She has just created the French edition
of her newspaper and will now meet the editor.
Speaker 14 (17:27):
We have a lot of advertisement and a lot of
subscribers on all the coasts are very contained, so I
think we will make some money this year.
Speaker 11 (17:43):
Nations of Mediakov Nakitai Schools.
Speaker 1 (18:00):
After several months of silence, surprise, missus Lee Rey Services,
our Chinese billionaire comrade, agrees to be filmed. She even
seems to be an excellent mood. She came with her
assistant Minnie to look for companies where she could invest
(18:22):
and participate in a charity ball Le bal de la rose.
Speaker 8 (18:29):
Hwhere down.
Speaker 10 (19:20):
That's name?
Speaker 11 (19:30):
Uh from one who I can use from Finois said,
then it.
Speaker 15 (19:38):
Is missus Leeway was born in nineteen fifty two. She
was the doctor and founded with her husband you Hope,
the first agro business group in China. She's the head
of the group's investments, is the director a Shrintan Gas
corporation and also che There's several charitable foundations. Her fortune
(20:03):
is estimated two billion euros.
Speaker 1 (20:11):
Except chopping them, Missus Lee and Margie are getting along well.
They are already working on a plan to open up
a new kind of beauty salon in China.
Speaker 3 (20:25):
Mm we all with our last reson.
Speaker 11 (20:47):
What a.
Speaker 16 (20:55):
Come on.
Speaker 3 (20:58):
Do you tomorrow? Ten?
Speaker 4 (21:00):
Yeah?
Speaker 3 (21:00):
Okay, okay.
Speaker 1 (21:10):
Margie and Madame Lee decided to escape from official visits
to discuss their project.
Speaker 10 (21:25):
Well that shall come to that.
Speaker 6 (21:27):
Don't want to f shall just a paisization my own slash.
Speaker 3 (21:34):
I want to teach them new techniques, the good techniques.
Speaker 15 (21:38):
Much then.
Speaker 3 (21:48):
Some more she's, yes, okay, I didn't know that.
Speaker 6 (21:57):
You need you're afraid time, fraid hair, no money exactly,
isn't the dam And they play don't know, yeah you
doesn't come without them like yeah, yes, of course she's
She's says, don't have the tech.
Speaker 17 (22:24):
Sorry us that go u Z just loud only don't know, yeah,
but hear god yeah has.
Speaker 3 (22:35):
It's like twenty years ago China, Oh my god. Mm
so it's great to do spad business.
Speaker 10 (22:43):
It's fantastic.
Speaker 7 (22:44):
Australia, the water Many Company in Australia.
Speaker 9 (22:49):
There's zoomball once.
Speaker 18 (22:52):
A moon.
Speaker 17 (23:02):
One.
Speaker 3 (23:03):
Uh take a dog attack.
Speaker 8 (23:06):
Four thousand hundred?
Speaker 19 (23:09):
Oh hog hap take a face down? Hop well sure wan,
that's a say do.
Speaker 3 (23:28):
What's the holloway? Don't you do that? You'd like to
take these boys?
Speaker 9 (23:42):
I want you to be.
Speaker 1 (23:45):
The baddlas whose profits go to help disadvantage monogasque families,
attracts high society from all over the world every year.
Speaker 13 (24:02):
That's take some sound up.
Speaker 6 (24:06):
The lad gunness sagle comes old yard arrow one says.
Speaker 10 (24:11):
Is h you like mysel?
Speaker 3 (24:15):
Don't you.
Speaker 18 (24:39):
Look made out of that?
Speaker 11 (24:41):
She's looking mad all of that.
Speaker 18 (24:46):
Her will be an.
Speaker 10 (24:49):
I don't love it. I don't say it.
Speaker 6 (24:50):
One here her.
Speaker 9 (25:18):
Wait, that's a poll the quid come up?
Speaker 10 (25:21):
Hell you?
Speaker 9 (25:22):
Okay?
Speaker 17 (25:23):
Okay's the summer that night, I'll call it up.
Speaker 20 (25:26):
I uh was.
Speaker 1 (26:37):
We have an appointment with Annabajanova and Venice. She has
just created a new journal, Russian Art Focus to promote
contemporary Russian artists. She has chosen a spectacular setting to
celebrate the launch.
Speaker 7 (26:59):
Hmm okay, yes, may.
Speaker 9 (27:21):
I have a few minutes of your attention.
Speaker 3 (27:25):
A few words from.
Speaker 11 (27:26):
The prouders of the Russian Art Focus, the mediacciener Man.
Speaker 21 (27:32):
The main reason why we're here is the I think.
Speaker 3 (27:37):
Love to the language of culture.
Speaker 21 (27:39):
I think culture has bad and better future in upcoming
decades because artificial intelligence will leave us all idle. We
don't have to go to offices anymore. So we have
to enjoy ourselves and culture is the answer, and it
becomes more and more accessible.
Speaker 3 (27:58):
Due to the technology.
Speaker 21 (27:59):
So please enjoy today's time with us, all friends sharing
the same ideas and interest.
Speaker 11 (28:08):
If you haven't yet signet the Rational Art Focus, it,
it's time to do it.
Speaker 21 (28:16):
It's time to do it, and please tell your friends.
So this is the payment which you have to pay
for the set thing. So came friends signed today? Please
call them.
Speaker 20 (28:33):
If I want to thank our hostess of today in
a Bava and her fellow collector demarks for their enormous courage,
the love of adventure and their faith in what in
Russian contemporary art. So I raise a glass to that
to you.
Speaker 3 (28:56):
Than m hm, so.
Speaker 14 (29:03):
I get oh my god, but I email yeah, okay.
Speaker 1 (29:29):
In fifteen years, an Abasova has earned credibility in the
art world. She is using it to develop a financial
project that is likely to shake up the market.
Speaker 11 (29:46):
No, I should say Acoustic Killing, Democratic Zero schools to
story story schools to it the story calliac City History,
super Pits, Presidens, cost A great Kaliacs, pret Is Pulz
(30:06):
Norwichnology blog Chain, Arganzavid Platform sav Ladina.
Speaker 10 (30:14):
Ladinia is costumed to pass vull trust.
Speaker 11 (30:20):
Time, pass trust, Kruken vestrovlv.
Speaker 10 (30:27):
Tim pritonomy that Unipoloden.
Speaker 11 (30:33):
After reaching the finance Vrinko is Polska active the Rasch
finance instrument of the premier derivative publicaszim Ittak dialed.
Speaker 1 (30:49):
After long and numerous negotiations, missus Lee will finally receive
us in China. When we arrive in Changdu, surprise, we
learned that missus Lee commissioned a Chinese TV crew to
film her life in charitable actions and she will direct
the shooting herself.
Speaker 17 (31:19):
Oh that.
Speaker 3 (31:25):
To the next show, y'all So your na.
Speaker 10 (31:29):
She's a.
Speaker 3 (31:32):
Would she nine?
Speaker 10 (31:33):
Nine?
Speaker 3 (31:35):
Oh? So I told her she had, y'all. Yeah, it's
helped aver. Okay, action for kaw well hire Zama suicide y'all,
so you got suicide?
Speaker 8 (31:54):
Uh?
Speaker 3 (31:55):
I house up the whole so you can eagle.
Speaker 1 (32:01):
After making her fortune, missus Lee decided to set up
an educational foundation. She began by funding the education of
children of single mothers and what if the hotels she
owns she has summoned one of her proteges with her mother.
Speaker 22 (32:17):
Okay, God, oh send I cut you off ef.
Speaker 9 (32:28):
You call her.
Speaker 3 (32:30):
Allow? O?
Speaker 18 (32:37):
Mm what about what little hole h al call hans
de door a hoastle.
Speaker 8 (32:55):
Conte.
Speaker 13 (32:59):
You know you were tell to your hand chair, I'll
have DRONGI your mom?
Speaker 6 (33:02):
Mm well just so you could have gotten only mama,
it's uh well, so it's at hot door. That's the
next time the mama, the the ba the you had
your gossom wall so I may me be yellow that
whole lo wo y'all Drillon with white hair?
Speaker 17 (33:18):
Well yah?
Speaker 18 (33:18):
Yeah, the need the rooms all uh huh adrenal tang
rye hair.
Speaker 6 (33:22):
So the young as they're in this, what what's all
of them go yell over a suddenly y'all you're dress
on itcens hardly a itankay.
Speaker 1 (33:33):
This morning, missus Lee is going to play her role
as CEO. What that she takes us to visit her
animal feed factory like your dogs. It is here that
the famous flowers of U nine are transformed into powder.
Speaker 22 (33:52):
That like good do she'll do don't remember because then
the woods she shall do males and like her stuff.
Speaker 3 (34:06):
You sall co pay check pop paint the top pay
but two chop.
Speaker 8 (34:13):
Uh huh? How'm lo like it?
Speaker 2 (34:15):
How lam.
Speaker 20 (34:17):
Kay?
Speaker 6 (34:27):
They's just a there's a hua ma kinda nigga a
far tighter. Uh so he hold us on gun tight
p this sigger they go, I found out landa y'all
leat men just to wait so the school and about
them can leave me in just three yeah and gin
they're like far I said, he's gonna can I look
can ken yaji? But then then they'll sell the door.
I tell that.
Speaker 3 (34:47):
Send y'all get me out something.
Speaker 17 (34:51):
Uh toy jati?
Speaker 3 (34:55):
How hold y'all keen chocolate.
Speaker 23 (34:56):
Bar filmed that you sho so turn down and back
in such a ship?
Speaker 3 (35:03):
Oh turn.
Speaker 23 (35:05):
You go here and back then wormen you you're too sangars?
Who are you pull the show that gets far better sians.
Speaker 8 (35:10):
Too and.
Speaker 23 (35:13):
Some pins uh because you know that isn't don't done
about who woman do without that family on the social
stramata that they were putting that back into ours certain
soon time don't bub strong Yeah sure least you shoot
all the whole the leaven the per say take a
(35:34):
title quite a cold that time of sansual, just so
we're friendly that you when you go out doors have one.
Speaker 3 (35:43):
Sang some shoe your time and quiet having who has a.
Speaker 23 (35:50):
Higher teaches number lying kind of on the social something.
Speaker 6 (35:56):
Like actually say science wid the magna until yeah boing
guy into mcgonda.
Speaker 3 (36:05):
The h tell you that you fee you on, but
you're a cheer yall. Had you got mail on the
black bole weapon you got me. I'm young, guys. Is
a bamanons w that's just in new sapless thunder and
this is my older that that then come young.
Speaker 6 (36:27):
Guys, is fundas that batanza wa dousss or your s
topo all the yous like a guy name old woman
us to take a guy names all news go. So
my older sibnd may may tree holler mm okay, wow,
I don't know how long you joy that's selling jings
outside winder huh okay, how.
Speaker 8 (36:46):
Did you guys your.
Speaker 3 (36:50):
Nose? I got your bike?
Speaker 6 (36:53):
Go hollder on cause you know, horder they'll I'm quite
at your shop. Boy, you're gonna fish out with kod
Yeah it sounds godd time.
Speaker 3 (37:07):
So you had a sister and wow? Uh oh say
ursula bite.
Speaker 7 (37:20):
Y Yeah it's five hold off two one?
Speaker 12 (37:23):
When do you see time?
Speaker 7 (37:24):
You nayati fifty?
Speaker 3 (37:27):
You have no news?
Speaker 18 (37:29):
Yeah anything?
Speaker 3 (37:29):
Only you have seven?
Speaker 10 (37:30):
Yeah, the thirteen, thirty, the twelfth on again.
Speaker 23 (37:34):
Oh that's o'm uh shot whitest.
Speaker 6 (37:37):
Some times droops says said those O one sister m
sus Susan's silius tenny.
Speaker 3 (37:45):
Do you find you on my thow.
Speaker 7 (37:48):
Y'all see got syng job.
Speaker 6 (37:53):
And now she's had my own house it out? So't
lord look at household? Hun us out it's tall holler.
Speaker 3 (38:02):
Huh oh, I got don't you want a jog?
Speaker 1 (38:08):
Madame Lee takes us now to visit one of her
houses and in a luxurious residential district closed to the public.
Speaker 8 (38:23):
Oh that's true.
Speaker 3 (38:31):
Yeah, oh wall, what kind of call you?
Speaker 22 (38:36):
It's a wall?
Speaker 3 (38:37):
I do that, I'm telling you do you? M?
Speaker 24 (38:39):
I know that or you you.
Speaker 3 (38:42):
House up. This one's thin that quans.
Speaker 6 (38:45):
That's the way this eltia n caquara Uh to your golla.
This is kwangas I'm just hung in gonda.
Speaker 18 (38:55):
This a la jaya loa ja.
Speaker 17 (39:03):
This is home, says Hang Jiang Doo.
Speaker 3 (39:10):
The kaw and newer zepangl do mijare.
Speaker 6 (39:19):
Douarda mmen the yolun hung.
Speaker 24 (39:33):
Well go.
Speaker 1 (39:34):
Missus Lee's husband, You Jong How, is the president of
the New Hope Group, an empire with seventy thousand employees
and six hundred subsidiaries in thirty countries. New Hope's first
business was agriculture, but the group has diversified into the
chemical industry, real estate, hotels, banking, insurance, and private clinics.
(39:57):
Missus Lee's husband is also a member of the People
Was Assembly. His fortune is estimated at thirteen million dollars.
Speaker 6 (40:04):
Hold on five tago. She told me that don't world.
That is her uh decision was chop well dances. The
male told me that that's not a tutomeo go and
she or clean my man dug. I will tour now
that he just sent him to that Marcus chop Shoo.
She'll say it was a young guy, young guy, see
(40:26):
your gunn somewhere out the to uh done it go
so so doing bearing double then so ye died and
twenty she bar you know wars fashi, the gouls heads
and the whole sodianity and the whole chelio was a
g the whole boys are being married down years by
(40:49):
the zones were now going to bill wars.
Speaker 1 (40:51):
Out several times a year. Madame Lee gathers high society
women in one of her hotels. She likes to talk
about her life and give them advice on how to
fulfill their role as wife and mother. All Hyu Chung,
(41:47):
missus Lee's daughter, studied in the United States from the
age of fifteen to twenty two. She is the president
of the family's group's food business. She has two children,
and of course she has also to a billionaire.
Speaker 6 (42:01):
Can out the sea.
Speaker 25 (42:05):
To make one names shoots have been jigger when all
the nouns holla, you may eat shopping mind when man
chess and watching a commanded.
Speaker 19 (42:19):
By the usual, they have to have a demanded ten.
Speaker 3 (42:22):
Pounds and the cards show progressing. We are we are
man total total woman than that was.
Speaker 4 (42:40):
That?
Speaker 3 (42:41):
What is to handle the IQ?
Speaker 8 (42:45):
That what.
Speaker 3 (42:50):
Was the Yeah you turned up.
Speaker 10 (42:53):
No, that's.
Speaker 3 (42:56):
I'm trying to talk the nigga. We were trying tonock
down to wander.
Speaker 13 (43:20):
So you know.
Speaker 3 (43:26):
Because was sent to you.
Speaker 13 (43:28):
There were the peering them.
Speaker 3 (43:42):
Because some intelligension.
Speaker 10 (43:53):
Then went.
Speaker 1 (43:57):
Today missus Lee will play the role of the grandmother.
She's waiting for the heirs of her dynasty in this
huge park owned by her family.
Speaker 13 (44:06):
I'm in.
Speaker 12 (44:15):
Hydro quick than.
Speaker 16 (44:19):
Uh say to say the choir woman to the parabaha
that your quick come to oah, she's no woman shouting.
Speaker 4 (44:32):
Where where are you?
Speaker 10 (44:34):
Pa shirt?
Speaker 6 (44:35):
So yeah, that's how I shout Hello, Hello, bigger Hello, Hello,
your tone Hello, save me the.
Speaker 13 (44:45):
Hall he showed the kilo landina mm yeah okay, m.
Speaker 16 (45:03):
Y oh.
Speaker 17 (45:18):
So I'm going to con you know, sugar thro the
mot motor.
Speaker 18 (45:24):
No, I'm mothers so ho lana I.
Speaker 3 (45:35):
So mana how ye na Hamela begin I hallo hallow
me not.
Speaker 13 (45:51):
Not not not.
Speaker 18 (45:57):
Y hold.
Speaker 7 (46:09):
Whatever?
Speaker 10 (46:13):
She us?
Speaker 3 (46:20):
What is tang shot for the night net that has
a chow seize on quiet and.
Speaker 15 (46:27):
Do you what?
Speaker 6 (46:27):
I M just going so quiet that whole gm for
the sending jo the uh you from what going to
the war what you like going to Sally, so you
should go.
Speaker 3 (46:45):
Then she but that I gon the tumble sure, so
we can't make.
Speaker 20 (46:53):
Mhm.
Speaker 1 (46:57):
It is a big day for Ana Ganova.
Speaker 17 (47:00):
This year.
Speaker 1 (47:01):
The jury chosen by her newspaper will award a prize
to the richest billionaire in Russia, mister Vladimir Potanin. When
he was Minister of Economy in nineteen ninety six, he
was the one who privatized the Soviet industry for the
benefit of a few oligarchs. He owns most of his
fortune to nickel from Siberia. Over the past twenty years
(47:23):
he has spent millions in many countries promoting Russian art
and trying to give a more positive image of Russia abroad.
Speaker 12 (47:44):
Man that magas padan morenavit and mitsunatam Kadan goshim viz
no invit Kargada and youka on your deal with Ska
(48:09):
le mas samoi rabot. But the most possible premium is
cost spaci.
Speaker 3 (48:37):
That's it.
Speaker 1 (48:38):
The financial project of Annabashanova is on the internet. Not
only is it now possible to buy or sell just
a share of a work of art, but also to
bet on the price that a work will reach in
an auction and more over, the use of crypto money
guarantees total discretion.
Speaker 11 (48:59):
Why should I chest auditory manga was in the sabad.
Speaker 9 (49:04):
Schools to the schools.
Speaker 11 (49:06):
Then you're reaching up a mush when you're married, h
then you had to you know, she could told me
las done and I when you married to Poco po
by the chips, sadness and orguster and then with you
got over tragis that nation platform and most liberal in
(49:26):
this stir with p inval shu move with the press
d liber yes right in.
Speaker 10 (49:33):
Finance of crime.
Speaker 11 (49:34):
Most of the sport is the finances trebian now boy
in farmats supposed to know what I did in past
press and schools to be tack that the look you
know prat oh yeah, and ideas that as well. Thrush
retailed the tokay I takes nephilizis fistwo miters ago.
Speaker 9 (50:01):
Could this is.
Speaker 10 (50:28):
That less.
Speaker 1 (50:31):
Would Annabashanova's passion for art led her from philanthropy to
the most speculative finance, but she has never had the
pretension to save the world. We go back to missus Lee,
who agreed to be filmed in her favorite philanthropist role,
President of Love Tree. Thanks to this association, all over China,
(50:54):
hundreds of women volunteers try to teach children some fundamentals
of moral education.
Speaker 8 (51:03):
Yeah you.
Speaker 3 (51:14):
Don't don't dance the apart talking your slow learn this
(51:36):
you're going?
Speaker 18 (51:36):
Why you why donald.
Speaker 19 (51:45):
That?
Speaker 18 (51:50):
What's that?
Speaker 3 (51:51):
What's that?
Speaker 22 (51:52):
What?
Speaker 4 (51:53):
What?
Speaker 8 (51:53):
What?
Speaker 4 (51:53):
What?
Speaker 12 (51:53):
What?
Speaker 24 (51:53):
What?
Speaker 10 (52:10):
You should.
Speaker 3 (52:14):
Audio? That's like what she or Easter said or so.
Speaker 6 (52:20):
That's totally mean said that couldn't did you just get
here and how you get your food?
Speaker 3 (52:29):
See here doesn't so losses doesn't mean I'm told what
is it?
Speaker 15 (52:36):
You that just a.
Speaker 3 (52:40):
Need the cut the shop watch waits and lady what lady?
I should need my need mon gate need get the
wahful need get the didn't do that? Yeah, doesn't mean funn't.
Speaker 8 (52:57):
Do but I she.
Speaker 3 (53:09):
Oh tell me so don't what I borty now my
my well I live? Is that chap? Is that chan
that tah doctor? Don't help we need jeff im clare,
Oh yeah some.
Speaker 7 (53:46):
Comba uh comb uh yes it help it is it
those life?
Speaker 5 (53:56):
Yeah?
Speaker 9 (53:56):
Uh just take your.
Speaker 18 (54:03):
Y.
Speaker 3 (54:03):
You don't have to be answer about.
Speaker 24 (54:17):
What time he toy and we don't see how just
you show you on it woman trying me eating shooting
and then shone and that could juice shooting sh Yeah,
i'mma no take it. Take it's a woman just something
Chary the show hair human luis woman doing the the
legatine you don't want how I into the negar too,
(54:38):
She legatin ti.
Speaker 9 (54:39):
That since she said, what.
Speaker 24 (54:41):
Are you're itching to in the chains show your in
your life.
Speaker 9 (54:44):
I'm taking sure you uh some Hi said that Tony,
and that's here half.
Speaker 3 (54:48):
Chose to taste your path, chose.
Speaker 24 (54:51):
The nucletics, some the nd and you cannot something to
do so some of my wanting then Gandina to you
quite your.
Speaker 6 (54:57):
Name so that Hamma, that's a if you can shows
up woman your nega then Simon joy mateen s.
Speaker 1 (55:12):
Jo missus Lee finances the publication of these school books
that teaches children a joyful mix of Chinese and Western
moral values.
Speaker 3 (55:24):
Dear heart, your heart for the show.
Speaker 13 (55:44):
Mama, Mama.
Speaker 8 (56:01):
At my soup and pay hol she.
Speaker 13 (56:09):
I'm so.
Speaker 3 (56:12):
I'm gonna go to her.
Speaker 8 (56:13):
She see she said go yet you guys say she.
Speaker 25 (56:27):
Let's see that season's helmet.
Speaker 8 (56:36):
Try gets help. Lady had got yet see a lady cut.
Speaker 10 (56:48):
She can't tell ye.
Speaker 8 (56:50):
She goes still because she SI, don't she going lady?
Speaker 1 (57:33):
In the United States, despite the millions spent by billionaire
philanthropists to improve their image, it continues to deteriorate. They
are not very much liked poor people. A rather moderate observer,
David Callahan, who founded the site Inside Philanthropy, explains the
(57:57):
major flaw in billionaire's charity.
Speaker 4 (58:01):
There's a lot of these big philanthropists, these billionaire titans
of industry who are being called out. People are saying, hey,
if you wanna make the world a better place, there's
stuff you can do with your business, and it's not
just philanthropy, uh. And philanthropy is maybe the smallest thing
you could do to make the world a better place.
(58:23):
And so it's utter hypocrisy for some billionaire who's paying
workers well below a living wage to go out and
position themselves as some great savior uh of humanity here,
or some big solver of social problems when they're complicit
in that kind of exploitation.
There is at least one species that is not endangered.
Billionaires In nineteen eighty there were only one hundred of them.
Today there are more than two thousand, five hundred, not
counting the royal families and dictators, and altogether they own
more than ten thousand billion dollars since antiquity. Whenever fortunes
(00:36):
become disproportionate on the human scale, philanthropists multiply like mushrooms.
Why do they give away part of their wealth to
gain affection, to exert influence, to protect their own interests.
In an attempt to find out, we're going on a
quest to find billionaire philanthropists. We start in California because
(01:01):
that's where they are the most common. At Stanford, one
family stands out for its great influence. The father, John Ariaga,
a Silicon Valley real estate developer, has supported this university
with millions of dollars in regular donations. His daughter, the
(01:22):
High Priestess of Philanthropy, is Laura Ariaga Andreessen, the daughter
of a billionaire and wife of a billionaire. She has
written a book on the art of giving, which includes
recipes for charity. For the past ten years, she has
indoctrinated hundreds of students at this university in the philanthro
(01:43):
capitalist religion.
Speaker 2 (01:45):
In the last decade, we have seen some rather significant
changes in philanthropy, not just in terms of how we
practice philanthropy, but also in terms of rising trends in
people's areas of interest, including the emergence of effective altruism's
(02:12):
utilitarian methodology, as well as.
Speaker 3 (02:17):
The burgeoning field of impact investing.
Speaker 4 (02:23):
Thank you, thank you so much, I really appreciate.
Speaker 3 (02:31):
Okay, okay.
Speaker 1 (02:32):
Missus Ariaga invites us to an evening of our donor
circle called SV two. It is a social enterprise that
claims to practice targeted charity to alleviate certain inequalities. The
purpose of these meetings is to attract new capital. Lara
Agiaga didn't show up. We don't know why, and we
(02:54):
are asked not to film anymore. But here, as in
our book, the same belief is spread. Silicon Valley philanthropy
will surely eradicate poverty through technology. We returned to Stanford
to meet Rob Reisch. He has just written a book
that explains the dangers of billionaire philanthropy. It is surprising
(03:20):
because he criticizes the very people who fund his research. Indeed,
it was Laura Ariaga, who founded the Philanthropy Center headed
by Rob Reisch. At least Stanford is not the kingdom
of one track thinking.
Speaker 5 (03:35):
And what I worry about big philanthropy, among other things,
is that someone like Bill Gates has enormous power of
the United States. He has education philanthropy that tries to
shift education policy United States. One of his critics, not me,
calls him the unelected superintendent of American public schools. You
(03:56):
can't unelect Bill Gates from the president of the foundation.
He's the only person really who matters. And of course
the Gates Foundation has spending programs or philanthropic programs across
the world, in global health and in other places. And
Bill Gates appears in meetings as if he were a
head of state. He shows up to the meetings in
(04:22):
which it's politicians as if the Gates Foundation were a country.
And in certain respects it is like a country in
terms of its GDP. It has an enormous amount of money.
So simply in virtue of his wallet, he's treated as
if he were on a par with representing an entire country.
Now that gives him extraordinary power. Power in and of
(04:45):
itself is not bad. There is no society in which
we will eliminate power. The question is to what end
is the power put And if the power is directed
to sustain the advantage of the wealthy rather than to
help promote democracy or help sustain democratic institutions, then we
should criticize that power.
Speaker 1 (05:10):
Criticism of America's billionaire philanthropists is growing. Like Laura Ariaga,
the other billionaires we contacted all refused to appear in
an independent film over which they had no control. But
fortunately it's not just the USA that has billionaires. On
the other side of the world, some of Bill Gates's
(05:31):
relations have shown an interest in our film. Among them
is Missus Lee. In nineteen eighty two, she and her
husband's family, the Liu Brothers, founded the company New Hope.
New Hope became the first private agribusiness group in China
and then invested all over the world. Missus Lee's family
(05:52):
owns its fortune to Dang Xiaoping, who encouraged a few
entrepreneurs to get rich. First, we have to pay, says
Missus Lee, has become the richest woman in such one.
She came to meet us at a friends home in
France to consider her presence in this film.
Speaker 6 (06:21):
Don't worry who Buddhist.
Speaker 7 (06:29):
Buddhist she won out you have, she said, you'll be kind.
(06:57):
They are thinking they are.
Speaker 1 (07:33):
To explain to us what a great philanthropist she is.
Missus Lee wanted to tell us about the charity she
is most proud of. During a trip to the United States,
she noticed orange yellow flowers that did not exist in China.
They were marigolds, from which a die lutine is extracted.
She brought some seeds and distributed for free to poor
(07:55):
peasants to plant them in the mountains of Una.
Speaker 3 (08:00):
And Julius.
Speaker 6 (08:00):
Some of the suns name Bully that I hot, so
he ded the woman just to trat me equation with
now they are now, I want my boys aller June
more deep your so side some quite handers into his chair.
Speaker 3 (08:13):
That's a didn't go it's hunting this out to take
a chair.
Speaker 6 (08:16):
That's an only that's suji food, so right, you hope
to zuji your foodtal tongue, but tajui juil don't leave
you so hot soil, I don't watman. The ones of
j even more declared so there are ten quite hands,
so we worman. That's how it was u Joju, it
didn't take a push you outside, don't catch true. Take
(08:37):
a shamo beer bosom and go turn the hant door chair.
That's not I'm watch it the hun gaushan the show.
Take the shamo get going down. No me died out
the hunter house.
Speaker 3 (08:46):
That's what we wait.
Speaker 6 (08:47):
Walk Suji the well, then take it look Suji. Then
she hold a thirty dollars. The quiet, just a hun
quiet r Henna. Then send the jade sing.
Speaker 1 (09:01):
To illustrate this wonderful story. We propose to go and
meet the peasants missus Lee had helped, But after a
lengthy exchange of emails, it seems that the two heavy
rains had damaged the harvest, so our trip was canceled.
Several months later, we still had no news for missus Lee.
(09:24):
Fortunately we have a new lead. Our contact in Moscow
arranged a meeting with a Russian journalist who will introduce
us to her editor. Ina Bajenova Inabagenova is a businesswoman
an industrialist whose fortune is linked to Gasprom, the Russian
gas and oil Empire. With her fortune, she has become
(09:47):
an art collector, a patron of the arts, and owns
the largest network of art magazines in the world.
Speaker 8 (10:01):
Who's this.
Speaker 9 (10:16):
Gush It's in the NASA.
Speaker 10 (10:26):
Cousins.
Speaker 11 (10:28):
Yeah, no way, you move to Simes Press that you
wanted to deal with Cow in serious sway with them.
Speaker 1 (10:37):
At the moment, Missus Bashanova is attending the Cannes Film Festival.
She watches three to four films a day to prepare
her own film festival.
Speaker 10 (10:45):
On art and Moscow.
Speaker 12 (10:47):
Never you're here, never.
Speaker 13 (10:51):
Never, It is not the.
Speaker 1 (11:04):
Best time for an interview, but she invites us to
a party in Moscow.
Speaker 3 (11:11):
Every year in a.
Speaker 1 (11:12):
Bashanova organizes a sumptuous party. Her magazine hands out awards
to art professionals from across the world.
Speaker 9 (12:09):
I'm gonna you.
Speaker 2 (12:20):
Would you need to pay me?
Speaker 13 (12:21):
Their newspaper in.
Speaker 3 (12:34):
Let see.
Speaker 11 (12:37):
The nearby shirt cheese previous to its sixties. Yeah to
move mister, it's na Monoka yet have pre crass and
the brimm emotional British it's Papa lub Mouse emotion map
shirts which it's when you might drop Drooker. So now
(12:59):
you my now vid you schools to mir.
Speaker 3 (13:05):
Mitch ti.
Speaker 9 (13:11):
Gies.
Speaker 11 (13:11):
Now you're technique at Crypto Products and Statty School in
store with gram attacked casual glass a new bookistry corost
(13:38):
version of stu.
Speaker 9 (13:41):
Penulations and.
Speaker 10 (13:47):
Sagst uh the institute when you state and no papa.
Speaker 11 (14:08):
Not an if to smoothly prevocally on a raboto nasa
vui thenmal engineer, no dogs nature constructors, k Burro.
Speaker 10 (14:20):
Chief party on the premier which reed and the premier.
Speaker 11 (14:28):
Seberalitid is a period of border yet.
Speaker 10 (14:32):
Nuts to.
Speaker 11 (14:36):
No paton sluchilis premium austrain year very storical, snat masi
business and yats nematsi business.
Speaker 9 (14:51):
Yeah frost the yeah no the quartier.
Speaker 1 (14:59):
In fifty years a few works to decorate the new
house have become twelve hundred. So to highlight her immense
collection in a Bashanova set up a foundation. Unlike Western patrons.
She does not get any tax benefits from it, but
she did enter the prestigious circle of international philanthropists.
Speaker 10 (15:21):
Font status to press poisons to no Virginia to small bit.
Speaker 11 (15:51):
Amio when you were to chest but the felix and
send too. Is this career you look up the privlicos,
the resists usually boys to dio just yea glass but
(16:18):
no mine even a probation.
Speaker 10 (16:21):
After my.
Speaker 11 (16:27):
Natural cocots old business pat yeah, what streets dimitris sas
the business even tax the form of mister, if business
give me a levet, so now you have to get
us tosti premier or data vertelles premil capparatum, lariats interiors,
(16:55):
no provilnic interiors. Now no provini diagnostically diagnostic to the diagnosticus.
Speaker 1 (17:13):
Thanks to the money earned in the industry and Neva
Schanova expanded her network of newspapers and her influence in
the art world. She has just created the French edition
of her newspaper and will now meet the editor.
Speaker 14 (17:27):
We have a lot of advertisement and a lot of
subscribers on all the coasts are very contained, so I
think we will make some money this year.
Speaker 11 (17:43):
Nations of Mediakov Nakitai Schools.
Speaker 1 (18:00):
After several months of silence, surprise, missus Lee Rey Services,
our Chinese billionaire comrade, agrees to be filmed. She even
seems to be an excellent mood. She came with her
assistant Minnie to look for companies where she could invest
(18:22):
and participate in a charity ball Le bal de la rose.
Speaker 8 (18:29):
Hwhere down.
Speaker 10 (19:20):
That's name?
Speaker 11 (19:30):
Uh from one who I can use from Finois said,
then it.
Speaker 15 (19:38):
Is missus Leeway was born in nineteen fifty two. She
was the doctor and founded with her husband you Hope,
the first agro business group in China. She's the head
of the group's investments, is the director a Shrintan Gas
corporation and also che There's several charitable foundations. Her fortune
(20:03):
is estimated two billion euros.
Speaker 1 (20:11):
Except chopping them, Missus Lee and Margie are getting along well.
They are already working on a plan to open up
a new kind of beauty salon in China.
Speaker 3 (20:25):
Mm we all with our last reson.
Speaker 11 (20:47):
What a.
Speaker 16 (20:55):
Come on.
Speaker 3 (20:58):
Do you tomorrow? Ten?
Speaker 4 (21:00):
Yeah?
Speaker 3 (21:00):
Okay, okay.
Speaker 1 (21:10):
Margie and Madame Lee decided to escape from official visits
to discuss their project.
Speaker 10 (21:25):
Well that shall come to that.
Speaker 6 (21:27):
Don't want to f shall just a paisization my own slash.
Speaker 3 (21:34):
I want to teach them new techniques, the good techniques.
Speaker 15 (21:38):
Much then.
Speaker 3 (21:48):
Some more she's, yes, okay, I didn't know that.
Speaker 6 (21:57):
You need you're afraid time, fraid hair, no money exactly,
isn't the dam And they play don't know, yeah you
doesn't come without them like yeah, yes, of course she's
She's says, don't have the tech.
Speaker 17 (22:24):
Sorry us that go u Z just loud only don't know, yeah,
but hear god yeah has.
Speaker 3 (22:35):
It's like twenty years ago China, Oh my god. Mm
so it's great to do spad business.
Speaker 10 (22:43):
It's fantastic.
Speaker 7 (22:44):
Australia, the water Many Company in Australia.
Speaker 9 (22:49):
There's zoomball once.
Speaker 18 (22:52):
A moon.
Speaker 17 (23:02):
One.
Speaker 3 (23:03):
Uh take a dog attack.
Speaker 8 (23:06):
Four thousand hundred?
Speaker 19 (23:09):
Oh hog hap take a face down? Hop well sure wan,
that's a say do.
Speaker 3 (23:28):
What's the holloway? Don't you do that? You'd like to
take these boys?
Speaker 9 (23:42):
I want you to be.
Speaker 1 (23:45):
The baddlas whose profits go to help disadvantage monogasque families,
attracts high society from all over the world every year.
Speaker 13 (24:02):
That's take some sound up.
Speaker 6 (24:06):
The lad gunness sagle comes old yard arrow one says.
Speaker 10 (24:11):
Is h you like mysel?
Speaker 3 (24:15):
Don't you.
Speaker 18 (24:39):
Look made out of that?
Speaker 11 (24:41):
She's looking mad all of that.
Speaker 18 (24:46):
Her will be an.
Speaker 10 (24:49):
I don't love it. I don't say it.
Speaker 6 (24:50):
One here her.
Speaker 9 (25:18):
Wait, that's a poll the quid come up?
Speaker 10 (25:21):
Hell you?
Speaker 9 (25:22):
Okay?
Speaker 17 (25:23):
Okay's the summer that night, I'll call it up.
Speaker 20 (25:26):
I uh was.
Speaker 1 (26:37):
We have an appointment with Annabajanova and Venice. She has
just created a new journal, Russian Art Focus to promote
contemporary Russian artists. She has chosen a spectacular setting to
celebrate the launch.
Speaker 7 (26:59):
Hmm okay, yes, may.
Speaker 9 (27:21):
I have a few minutes of your attention.
Speaker 3 (27:25):
A few words from.
Speaker 11 (27:26):
The prouders of the Russian Art Focus, the mediacciener Man.
Speaker 21 (27:32):
The main reason why we're here is the I think.
Speaker 3 (27:37):
Love to the language of culture.
Speaker 21 (27:39):
I think culture has bad and better future in upcoming
decades because artificial intelligence will leave us all idle. We
don't have to go to offices anymore. So we have
to enjoy ourselves and culture is the answer, and it
becomes more and more accessible.
Speaker 3 (27:58):
Due to the technology.
Speaker 21 (27:59):
So please enjoy today's time with us, all friends sharing
the same ideas and interest.
Speaker 11 (28:08):
If you haven't yet signet the Rational Art Focus, it,
it's time to do it.
Speaker 21 (28:16):
It's time to do it, and please tell your friends.
So this is the payment which you have to pay
for the set thing. So came friends signed today? Please
call them.
Speaker 20 (28:33):
If I want to thank our hostess of today in
a Bava and her fellow collector demarks for their enormous courage,
the love of adventure and their faith in what in
Russian contemporary art. So I raise a glass to that
to you.
Speaker 3 (28:56):
Than m hm, so.
Speaker 14 (29:03):
I get oh my god, but I email yeah, okay.
Speaker 1 (29:29):
In fifteen years, an Abasova has earned credibility in the
art world. She is using it to develop a financial
project that is likely to shake up the market.
Speaker 11 (29:46):
No, I should say Acoustic Killing, Democratic Zero schools to
story story schools to it the story calliac City History,
super Pits, Presidens, cost A great Kaliacs, pret Is Pulz
(30:06):
Norwichnology blog Chain, Arganzavid Platform sav Ladina.
Speaker 10 (30:14):
Ladinia is costumed to pass vull trust.
Speaker 11 (30:20):
Time, pass trust, Kruken vestrovlv.
Speaker 10 (30:27):
Tim pritonomy that Unipoloden.
Speaker 11 (30:33):
After reaching the finance Vrinko is Polska active the Rasch
finance instrument of the premier derivative publicaszim Ittak dialed.
Speaker 1 (30:49):
After long and numerous negotiations, missus Lee will finally receive
us in China. When we arrive in Changdu, surprise, we
learned that missus Lee commissioned a Chinese TV crew to
film her life in charitable actions and she will direct
the shooting herself.
Speaker 17 (31:19):
Oh that.
Speaker 3 (31:25):
To the next show, y'all So your na.
Speaker 10 (31:29):
She's a.
Speaker 3 (31:32):
Would she nine?
Speaker 10 (31:33):
Nine?
Speaker 3 (31:35):
Oh? So I told her she had, y'all. Yeah, it's
helped aver. Okay, action for kaw well hire Zama suicide y'all,
so you got suicide?
Speaker 8 (31:54):
Uh?
Speaker 3 (31:55):
I house up the whole so you can eagle.
Speaker 1 (32:01):
After making her fortune, missus Lee decided to set up
an educational foundation. She began by funding the education of
children of single mothers and what if the hotels she
owns she has summoned one of her proteges with her mother.
Speaker 22 (32:17):
Okay, God, oh send I cut you off ef.
Speaker 9 (32:28):
You call her.
Speaker 3 (32:30):
Allow? O?
Speaker 18 (32:37):
Mm what about what little hole h al call hans
de door a hoastle.
Speaker 8 (32:55):
Conte.
Speaker 13 (32:59):
You know you were tell to your hand chair, I'll
have DRONGI your mom?
Speaker 6 (33:02):
Mm well just so you could have gotten only mama,
it's uh well, so it's at hot door. That's the
next time the mama, the the ba the you had
your gossom wall so I may me be yellow that
whole lo wo y'all Drillon with white hair?
Speaker 17 (33:18):
Well yah?
Speaker 18 (33:18):
Yeah, the need the rooms all uh huh adrenal tang
rye hair.
Speaker 6 (33:22):
So the young as they're in this, what what's all
of them go yell over a suddenly y'all you're dress
on itcens hardly a itankay.
Speaker 1 (33:33):
This morning, missus Lee is going to play her role
as CEO. What that she takes us to visit her
animal feed factory like your dogs. It is here that
the famous flowers of U nine are transformed into powder.
Speaker 22 (33:52):
That like good do she'll do don't remember because then
the woods she shall do males and like her stuff.
Speaker 3 (34:06):
You sall co pay check pop paint the top pay
but two chop.
Speaker 8 (34:13):
Uh huh? How'm lo like it?
Speaker 2 (34:15):
How lam.
Speaker 20 (34:17):
Kay?
Speaker 6 (34:27):
They's just a there's a hua ma kinda nigga a
far tighter. Uh so he hold us on gun tight
p this sigger they go, I found out landa y'all
leat men just to wait so the school and about
them can leave me in just three yeah and gin
they're like far I said, he's gonna can I look
can ken yaji? But then then they'll sell the door.
I tell that.
Speaker 3 (34:47):
Send y'all get me out something.
Speaker 17 (34:51):
Uh toy jati?
Speaker 3 (34:55):
How hold y'all keen chocolate.
Speaker 23 (34:56):
Bar filmed that you sho so turn down and back
in such a ship?
Speaker 3 (35:03):
Oh turn.
Speaker 23 (35:05):
You go here and back then wormen you you're too sangars?
Who are you pull the show that gets far better sians.
Speaker 8 (35:10):
Too and.
Speaker 23 (35:13):
Some pins uh because you know that isn't don't done
about who woman do without that family on the social
stramata that they were putting that back into ours certain
soon time don't bub strong Yeah sure least you shoot
all the whole the leaven the per say take a
(35:34):
title quite a cold that time of sansual, just so
we're friendly that you when you go out doors have one.
Speaker 3 (35:43):
Sang some shoe your time and quiet having who has a.
Speaker 23 (35:50):
Higher teaches number lying kind of on the social something.
Speaker 6 (35:56):
Like actually say science wid the magna until yeah boing
guy into mcgonda.
Speaker 3 (36:05):
The h tell you that you fee you on, but
you're a cheer yall. Had you got mail on the
black bole weapon you got me. I'm young, guys. Is
a bamanons w that's just in new sapless thunder and
this is my older that that then come young.
Speaker 6 (36:27):
Guys, is fundas that batanza wa dousss or your s
topo all the yous like a guy name old woman
us to take a guy names all news go. So
my older sibnd may may tree holler mm okay, wow,
I don't know how long you joy that's selling jings
outside winder huh okay, how.
Speaker 8 (36:46):
Did you guys your.
Speaker 3 (36:50):
Nose? I got your bike?
Speaker 6 (36:53):
Go hollder on cause you know, horder they'll I'm quite
at your shop. Boy, you're gonna fish out with kod
Yeah it sounds godd time.
Speaker 3 (37:07):
So you had a sister and wow? Uh oh say
ursula bite.
Speaker 7 (37:20):
Y Yeah it's five hold off two one?
Speaker 12 (37:23):
When do you see time?
Speaker 7 (37:24):
You nayati fifty?
Speaker 3 (37:27):
You have no news?
Speaker 18 (37:29):
Yeah anything?
Speaker 3 (37:29):
Only you have seven?
Speaker 10 (37:30):
Yeah, the thirteen, thirty, the twelfth on again.
Speaker 23 (37:34):
Oh that's o'm uh shot whitest.
Speaker 6 (37:37):
Some times droops says said those O one sister m
sus Susan's silius tenny.
Speaker 3 (37:45):
Do you find you on my thow.
Speaker 7 (37:48):
Y'all see got syng job.
Speaker 6 (37:53):
And now she's had my own house it out? So't
lord look at household? Hun us out it's tall holler.
Speaker 3 (38:02):
Huh oh, I got don't you want a jog?
Speaker 1 (38:08):
Madame Lee takes us now to visit one of her
houses and in a luxurious residential district closed to the public.
Speaker 8 (38:23):
Oh that's true.
Speaker 3 (38:31):
Yeah, oh wall, what kind of call you?
Speaker 22 (38:36):
It's a wall?
Speaker 3 (38:37):
I do that, I'm telling you do you? M?
Speaker 24 (38:39):
I know that or you you.
Speaker 3 (38:42):
House up. This one's thin that quans.
Speaker 6 (38:45):
That's the way this eltia n caquara Uh to your golla.
This is kwangas I'm just hung in gonda.
Speaker 18 (38:55):
This a la jaya loa ja.
Speaker 17 (39:03):
This is home, says Hang Jiang Doo.
Speaker 3 (39:10):
The kaw and newer zepangl do mijare.
Speaker 6 (39:19):
Douarda mmen the yolun hung.
Speaker 24 (39:33):
Well go.
Speaker 1 (39:34):
Missus Lee's husband, You Jong How, is the president of
the New Hope Group, an empire with seventy thousand employees
and six hundred subsidiaries in thirty countries. New Hope's first
business was agriculture, but the group has diversified into the
chemical industry, real estate, hotels, banking, insurance, and private clinics.
(39:57):
Missus Lee's husband is also a member of the People
Was Assembly. His fortune is estimated at thirteen million dollars.
Speaker 6 (40:04):
Hold on five tago. She told me that don't world.
That is her uh decision was chop well dances. The
male told me that that's not a tutomeo go and
she or clean my man dug. I will tour now
that he just sent him to that Marcus chop Shoo.
She'll say it was a young guy, young guy, see
(40:26):
your gunn somewhere out the to uh done it go
so so doing bearing double then so ye died and
twenty she bar you know wars fashi, the gouls heads
and the whole sodianity and the whole chelio was a
g the whole boys are being married down years by
(40:49):
the zones were now going to bill wars.
Speaker 1 (40:51):
Out several times a year. Madame Lee gathers high society
women in one of her hotels. She likes to talk
about her life and give them advice on how to
fulfill their role as wife and mother. All Hyu Chung,
(41:47):
missus Lee's daughter, studied in the United States from the
age of fifteen to twenty two. She is the president
of the family's group's food business. She has two children,
and of course she has also to a billionaire.
Speaker 6 (42:01):
Can out the sea.
Speaker 25 (42:05):
To make one names shoots have been jigger when all
the nouns holla, you may eat shopping mind when man
chess and watching a commanded.
Speaker 19 (42:19):
By the usual, they have to have a demanded ten.
Speaker 3 (42:22):
Pounds and the cards show progressing. We are we are
man total total woman than that was.
Speaker 4 (42:40):
That?
Speaker 3 (42:41):
What is to handle the IQ?
Speaker 8 (42:45):
That what.
Speaker 3 (42:50):
Was the Yeah you turned up.
Speaker 10 (42:53):
No, that's.
Speaker 3 (42:56):
I'm trying to talk the nigga. We were trying tonock
down to wander.
Speaker 13 (43:20):
So you know.
Speaker 3 (43:26):
Because was sent to you.
Speaker 13 (43:28):
There were the peering them.
Speaker 3 (43:42):
Because some intelligension.
Speaker 10 (43:53):
Then went.
Speaker 1 (43:57):
Today missus Lee will play the role of the grandmother.
She's waiting for the heirs of her dynasty in this
huge park owned by her family.
Speaker 13 (44:06):
I'm in.
Speaker 12 (44:15):
Hydro quick than.
Speaker 16 (44:19):
Uh say to say the choir woman to the parabaha
that your quick come to oah, she's no woman shouting.
Speaker 4 (44:32):
Where where are you?
Speaker 10 (44:34):
Pa shirt?
Speaker 6 (44:35):
So yeah, that's how I shout Hello, Hello, bigger Hello, Hello,
your tone Hello, save me the.
Speaker 13 (44:45):
Hall he showed the kilo landina mm yeah okay, m.
Speaker 16 (45:03):
Y oh.
Speaker 17 (45:18):
So I'm going to con you know, sugar thro the
mot motor.
Speaker 18 (45:24):
No, I'm mothers so ho lana I.
Speaker 3 (45:35):
So mana how ye na Hamela begin I hallo hallow
me not.
Speaker 13 (45:51):
Not not not.
Speaker 18 (45:57):
Y hold.
Speaker 7 (46:09):
Whatever?
Speaker 10 (46:13):
She us?
Speaker 3 (46:20):
What is tang shot for the night net that has
a chow seize on quiet and.
Speaker 15 (46:27):
Do you what?
Speaker 6 (46:27):
I M just going so quiet that whole gm for
the sending jo the uh you from what going to
the war what you like going to Sally, so you
should go.
Speaker 3 (46:45):
Then she but that I gon the tumble sure, so
we can't make.
Speaker 20 (46:53):
Mhm.
Speaker 1 (46:57):
It is a big day for Ana Ganova.
Speaker 17 (47:00):
This year.
Speaker 1 (47:01):
The jury chosen by her newspaper will award a prize
to the richest billionaire in Russia, mister Vladimir Potanin. When
he was Minister of Economy in nineteen ninety six, he
was the one who privatized the Soviet industry for the
benefit of a few oligarchs. He owns most of his
fortune to nickel from Siberia. Over the past twenty years
(47:23):
he has spent millions in many countries promoting Russian art
and trying to give a more positive image of Russia abroad.
Speaker 12 (47:44):
Man that magas padan morenavit and mitsunatam Kadan goshim viz
no invit Kargada and youka on your deal with Ska
(48:09):
le mas samoi rabot. But the most possible premium is
cost spaci.
Speaker 3 (48:37):
That's it.
Speaker 1 (48:38):
The financial project of Annabashanova is on the internet. Not
only is it now possible to buy or sell just
a share of a work of art, but also to
bet on the price that a work will reach in
an auction and more over, the use of crypto money
guarantees total discretion.
Speaker 11 (48:59):
Why should I chest auditory manga was in the sabad.
Speaker 9 (49:04):
Schools to the schools.
Speaker 11 (49:06):
Then you're reaching up a mush when you're married, h
then you had to you know, she could told me
las done and I when you married to Poco po
by the chips, sadness and orguster and then with you
got over tragis that nation platform and most liberal in
(49:26):
this stir with p inval shu move with the press
d liber yes right in.
Speaker 10 (49:33):
Finance of crime.
Speaker 11 (49:34):
Most of the sport is the finances trebian now boy
in farmats supposed to know what I did in past
press and schools to be tack that the look you
know prat oh yeah, and ideas that as well. Thrush
retailed the tokay I takes nephilizis fistwo miters ago.
Speaker 9 (50:01):
Could this is.
Speaker 10 (50:28):
That less.
Speaker 1 (50:31):
Would Annabashanova's passion for art led her from philanthropy to
the most speculative finance, but she has never had the
pretension to save the world. We go back to missus Lee,
who agreed to be filmed in her favorite philanthropist role,
President of Love Tree. Thanks to this association, all over China,
(50:54):
hundreds of women volunteers try to teach children some fundamentals
of moral education.
Speaker 8 (51:03):
Yeah you.
Speaker 3 (51:14):
Don't don't dance the apart talking your slow learn this
(51:36):
you're going?
Speaker 18 (51:36):
Why you why donald.
Speaker 19 (51:45):
That?
Speaker 18 (51:50):
What's that?
Speaker 3 (51:51):
What's that?
Speaker 22 (51:52):
What?
Speaker 4 (51:53):
What?
Speaker 8 (51:53):
What?
Speaker 4 (51:53):
What?
Speaker 12 (51:53):
What?
Speaker 24 (51:53):
What?
Speaker 10 (52:10):
You should.
Speaker 3 (52:14):
Audio? That's like what she or Easter said or so.
Speaker 6 (52:20):
That's totally mean said that couldn't did you just get
here and how you get your food?
Speaker 3 (52:29):
See here doesn't so losses doesn't mean I'm told what
is it?
Speaker 15 (52:36):
You that just a.
Speaker 3 (52:40):
Need the cut the shop watch waits and lady what lady?
I should need my need mon gate need get the
wahful need get the didn't do that? Yeah, doesn't mean funn't.
Speaker 8 (52:57):
Do but I she.
Speaker 3 (53:09):
Oh tell me so don't what I borty now my
my well I live? Is that chap? Is that chan
that tah doctor? Don't help we need jeff im clare,
Oh yeah some.
Speaker 7 (53:46):
Comba uh comb uh yes it help it is it
those life?
Speaker 5 (53:56):
Yeah?
Speaker 9 (53:56):
Uh just take your.
Speaker 18 (54:03):
Y.
Speaker 3 (54:03):
You don't have to be answer about.
Speaker 24 (54:17):
What time he toy and we don't see how just
you show you on it woman trying me eating shooting
and then shone and that could juice shooting sh Yeah,
i'mma no take it. Take it's a woman just something
Chary the show hair human luis woman doing the the
legatine you don't want how I into the negar too,
(54:38):
She legatin ti.
Speaker 9 (54:39):
That since she said, what.
Speaker 24 (54:41):
Are you're itching to in the chains show your in
your life.
Speaker 9 (54:44):
I'm taking sure you uh some Hi said that Tony,
and that's here half.
Speaker 3 (54:48):
Chose to taste your path, chose.
Speaker 24 (54:51):
The nucletics, some the nd and you cannot something to
do so some of my wanting then Gandina to you
quite your.
Speaker 6 (54:57):
Name so that Hamma, that's a if you can shows
up woman your nega then Simon joy mateen s.
Speaker 1 (55:12):
Jo missus Lee finances the publication of these school books
that teaches children a joyful mix of Chinese and Western
moral values.
Speaker 3 (55:24):
Dear heart, your heart for the show.
Speaker 13 (55:44):
Mama, Mama.
Speaker 8 (56:01):
At my soup and pay hol she.
Speaker 13 (56:09):
I'm so.
Speaker 3 (56:12):
I'm gonna go to her.
Speaker 8 (56:13):
She see she said go yet you guys say she.
Speaker 25 (56:27):
Let's see that season's helmet.
Speaker 8 (56:36):
Try gets help. Lady had got yet see a lady cut.
Speaker 10 (56:48):
She can't tell ye.
Speaker 8 (56:50):
She goes still because she SI, don't she going lady?
Speaker 1 (57:33):
In the United States, despite the millions spent by billionaire
philanthropists to improve their image, it continues to deteriorate. They
are not very much liked poor people. A rather moderate observer,
David Callahan, who founded the site Inside Philanthropy, explains the
(57:57):
major flaw in billionaire's charity.
Speaker 4 (58:01):
There's a lot of these big philanthropists, these billionaire titans
of industry who are being called out. People are saying, hey,
if you wanna make the world a better place, there's
stuff you can do with your business, and it's not
just philanthropy, uh. And philanthropy is maybe the smallest thing
you could do to make the world a better place.
(58:23):
And so it's utter hypocrisy for some billionaire who's paying
workers well below a living wage to go out and
position themselves as some great savior uh of humanity here,
or some big solver of social problems when they're complicit
in that kind of exploitation.
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