Castle Bravo: A Godzillaverse Retrospective

We're back with Matt and Jayson one last time as we bring Mothra's 90s movie trilogy to a close. It's a movie that was unfairly kept from western audiences for an unreasonably long time, especially when you consider just how good this final entry retroactively makes the entire Rebirth of Mothra trilogy. Moths are good, actually.

Yes, we have technically broken our continuity slightly, as a certain movie did finally rele...

Mothra's standalone film series continues as our baby boy Leo fights an aquatic jet plane dragon that is also a starfish parasite factory that is also an ancient garbage disposal created by Not-Atlantis. A furby pees on people. Leo turns into an underwater X-wing. It's a weird movie, but more than that, it's a movie that feels like it was shotgunned through an edit bay so it could be over with already.

We're jo...

Godzilla is dead and signed over to Hollywood, but Toho still needs to make money, so they dusted off some old script ideas and set to make Mothra a solo star again. The first of a trilogy aimed much more squarely at kids and families, Rebirth of Mothra is often overlooked but not lacking in charm. Come for Mothra and a goth Ghidorah doing fighting game special moves, stay for an evil camp fairy icon.

We’re joined this week by two ...

It's the end of an era, the end of several careers, and the end of more than a couple lives (not all of them fictional) as the Heisei period of Godzilla movies draws to a close. One of the most beloved entries in the franchise, Godzilla vs Destoroyah ties the end to the beginning by centering the legacy of the Oxygen Destroyer, Dr Serizawa, and the Yamane family. Also, Crab Satan. Crab Satan is pretty cool.

For the first time, ...

And so we're back! From outer space! It's a moment we have been dreading as the Heisei era finally loses the plot. Godzilla vs Spacegodzilla is a fun spectacle, and basically an early Dragonball Z arc in Godzilla form, but it's a case study in how good filmmaking can't overcome basic structural script problems. Derek does a script rewrite live even, a Castle Bravo first (and hopefully a Castle Bravo last).

We're...

No, it's not a sequel to Godzilla vs Mechagodzilla. This entry in the Heisei era is the most interested in continuity so far, the most jam-packed with returning monsters, and the least thematically interesting (in that there is no real theme to speak of). But it's big, flashy, and fun, and they managed to make some version of Minilla that doesn't make me physically ill, so that's gotta be worth some points.

We'r...

With the previous two movies barely managing to break even, the decision was made to Break Glass In Case Of Emergency; it was time to bring back Mothra. The resulting film was not only incredibly faithful to Mothra's original film appearances, but also more smartly reimagined elements of her story to fit into the modern day (especially in comparison to Ghidorah's radical reinvention just one movie ago). It also marks as a s...

In the wake of Godzilla vs Biollante's middling box office performance, Toho decided to break out a secret weapon that would ensure a box office draw: King Kong. Except that got messy and complicated quick, so they went back to the workshop and brought out Godzilla's most recurring villain instead: King Ghidorah. What follows is the dumbest, smartest, dumbest again, maybe smartest again movie about time travel we've see...

Return of Godzilla was a critical and commercial success, so Toho wanted to strike while the iron was hot. The best way to do this? Find a talented director and force him to work with a script you got in a contest. A tumultuous behind-the-scenes story led us to a movie wildly beloved by fans: Godzilla vs Biollante. Starring a guest appearance by infamous Dragon Quest series composer Koichi Sugiyama.

We're joined this week ...

We're back with a brand new season! After an almost 10 year break, Toho would attempt to go back to the franchise's roots with a new direct sequel to the original 1954 film, ignoring everything since and attempting to hew closer to its darker and more political tone. The end result is arguably the best movie in the franchise since its first outing.

We're joined once again this week by fellow Super Deluxe GamesCast ...

The Showa era of Godzilla comes to a powerful close with the immediate return of Mechagodzilla and the unexpected return of director Ishiro Honda and composer Akira Ifukube. It's Honda's last time in the director's seat ever, and he makes the most of it with several writing choices and production elements we've never seen in a Godzilla film before.

We're joined this week by the final sibling, Bradley Van Dy...

The last of the big five, and arguably Godzilla's most famous enemy, arrives on the scene! We say farewell to director Jun Fukuda with the strange, endearing, ass-kicking movie that introduced the first incarnation of the infamous Mechagodzilla.

We're joined this week by writer and friend of the show Andréa Mason, who came uniquely prepared to talk about the inspiration this movie took from Italian cinema.

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Godzilla fully embraces it's transition into rubber suit wrestling with Godzilla vs Megalon, which sees the return of Gigan and the introduction of two cult fan favorites. You probably saw this movie on Mystery Science Theater 3000 back in the day. There is no heterosexual explanation for this battle of the big boys.

We're joined this week by Matt Storm, longtime friend of the show and they of many podcasts. Derek and Charlotte hav...

Director Jun Fukuda is back with a vengeance and putting on his best Honda impersonation in this alien invasion story, bringing back Godzilla's most famous nemesis (King Ghidorah) and introducing a new monster that would go on to be one of the fandom's all time favorites. The 70s are here, and Fukuda knows how to party.

We're joined this week by Josh Fagundes (aka Anoriand), a creator with more talents and passions than we have tim...

A first-time director was handed a miniscule budget and told to make a Godzilla movie in a month. The result is predictably messy, but would go on to be a cult classic regardless. Despite being ostensibly a family movie, we think we probably weren't supposed to watch this one sober.

We're joined this week by friend and fellow SDGC host Brittney aka Peachia. This was her first Godzilla movie ever. It's possible we owe her a better f...

Dang y'all who's ready for a downer episode? Honda made a movie that should have ranked among his finest if it wasn't just a little bit off, devoid of the love and passion normally found in these movies. Turns out making movies is hard when your workplace is falling apart and one of your closest collaborators dies right as you start making it.

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It's time for the most infamous Godzilla movie ever made: All Monsters Attack, aka Godzilla's Revenge. Director Ishiro Honda returns for this *explicitly made for children* movie about standing up to bullies and getting your money's worth out of old footage. During the process, we come to a final head against the miserable and frequently racist dubbing practices these movies endured for their original American releases, and thank g...

For like the fifth time now... it's time. If Ghidorah the Three Headed Monsters was a coming together moment for Toho's most popular giant movie monsters, Destroy All Monsters was a coming together moment for every monster they could feasibly cram into the thing. Starring 11 or 12 monsters (do we count Kamacuras' webbed up corpse?), the Showa era's intended finale is the version of the alien invasion story Honda has told to date. I...

We'll never be able to go back to a time before Minilla. Godzilla returns to the hands of director Jun Fukuda for another island adventure and finds himself an unwilling adoptive parent. It's the first appearance of the most infamous and widely-hated character in the Godzilla franchise, but certainly not the last. At least Godzooky could fly.

We're joined this week by Lewis White, deputy editor at StealthOptional. Lewis is very fun...