The Letterboxd Show

The podcast hosts of summer a back! This time around ⁠⁠⁠⁠⁠⁠Slim⁠⁠, Mia, and Mitchell discuss the upcoming SUMMER slate of movies and why you might need to add them to your own watchlists including MaXXXine, Kinds of Kindness, Furiousa: A Mad Max Saga, and Longlegs just to name a few*.* They also look ahead outside the most popular movies and shuffle their watchlists just like old times.

⁠⁠⁠⁠Weekend Watchlist – Updated Weekly list⁠⁠...

For our grand finale, the Best in Show crew heads to the 96th Academy Awards! Brian, who had a golden ticket to the ceremony itself, recaps how it felt for his eyes to see Al Pacino announce, “My eyes see Oppenheimer!”, while Gemma and Mia recount their hectic day on the red carpet and evening in the press room—plus dancing with the Anatomy of a Fall lawyers at the afterparty. Finally, we invite our London correspondent/Best in Sho...

This week, Gemma chats with Academy President Janet Yang and CEO Bill Kramer about the importance of the Oscars to the global film community, plus its engaging impact on theater-going in a constantly changing industry. Also, Mia and Brian debrief about the Dune: Part Two hype (Space melodrama! More worms! All hail Denis Villeneuve!) and its entry into the Letterboxd Top 250 at a miraculous number six. For the grand finale, riot grr...

This week, the Best in Show crew is full of Indie Spirit as they mingle on the carpet and out the back of the Film Independent Spirit Awards, where Zoe Lister-Jones, Jordan Firstman and the teams from Kokomo City and The Zone of Interest all stop by for chats about Cassavetes versus Altman, the secrets to a great director-producer relationship and epic movie dog moments. Brian meets his sporting hero Marshawn Lynch, and Mia settles...

This week, the Best in Show crew finds out what they’re made for with Grammy-winning special guests Billie Eilish and Finneas. The superstar sibling duo is behind the Best Original Song Oscar nominee ‘What Was I Made For?’, and Mia chats with them about hiding secrets in their devastating-but-hopeful tune, the music and movies that make them feel emotionally validated and Billie’s directing aspirations. There’s also some queening o...

This week, Brian, Gemma and Mia break down the art of visual effects with a little help from our friends: The Creator director Gareth Edwards and his visual effects on-set supervisor Andrew Roberts. More ‘Help!’ arrives in the form of Sean Lennon, co-writer of the Oscar-nominated short War Is Over!, via his chat with our New York correspondent, Julia Barrett-Mitchell. Mia and Brian also recap their Oscars Luncheon experience, which...

Bonjour! The Best in Show crew digs into the Best International Feature race, with an entrée of an interview between Brian, Juliette Binoche and Tran Anh Hung about their César-nominated collaboration, The Taste of Things. Gemma, Mia and Brian also divulge the recipe for the International Feature category and how its submissions work—and briefly bring in Perfect Days director Wim Wenders and Society of the Snow's J.A. Bayona as...

The Best in Show team welcomes our East Coast correspondent Adesola Thomas to chat about her best of the Park City fest, among them the raucous Irish-language rap-musical Kneecap, sisterly drama In the Summers and coming-of-age charmer Dìdi (弟弟). Then, Mia and Gemma head to Osage County with five-time Oscar-nominated costume designer Jacqueline West for an in-depth interview on her “method costuming” techniques for Killers of the F...

The 96th Academy Award nominations have been announced, and the Best in Show crew have both axes to grind (Charles Melton of May December, you will be avenged!) and champagne bottles to pop (Justine Triet of Anatomy of a Fall, you will be fêted!). Plus, Spider-Slim swings Across the Spider-Verse to chat with the directors behind Letterboxd’s highest rated film of 2023: Joaquim Dos Santos, Kemp Powers and Justin K. Thompson.

Chapter...

The BAFTA nominations are in—Lily Gladstone and Andrew Scott are out. What’s that about? London Editor Ella Kemp joins Mia and Gemma for a rant. Plus: the invisible but visceral art of sound design with The Zone of Interest and Poor Things sound designer Johnnie Burn, Society of the Snow director JA Bayona, and Killers of the Flower Moon sound mixer Mark Ulano.

Chapters:

• Opening credits (00:00:00)
• BAFTAs (00:02:39)
• Sound de...

We are so temporarily back. This time around ⁠⁠⁠⁠⁠⁠Slim⁠⁠, Mia, and Mitchell discuss the upcoming slate of movies and why you might need to add them to your own watchlists including Challengers, Nosferatu, Dune: Part Two, and also tease new podcast plans. They also look ahead outside the most popular movies and shuffle their watchlists just like old times. ⁠⁠⁠⁠Weekend Watchlist – Updated Weekly list⁠⁠⁠⁠ > movies mentioned in thi...

In this art direction-focused episode of Best in Show, Mia chats with the production designers behind the mad world of Poor Things—James Price and Shona Heath—about their human anatomy-inspired sets, and Gemma catches up with an old friend: Grant Major, Academy Award-winning production designer of a little film saga called The Lord of the Rings. The crew also hears from a few contenders at the Governors Awards (including a serenade...

The Letterboxd crew pops the champagne and rounds up a roundtable for a celebration of 2023 cinema! We detail the results of our annual Year in Review, highlight the highest rated films of the year across categories and continents, reflect on the controlled chaos of our own personal stats and anticipate what 2024 has in store (the returns of Robert Pattinson and Bong Joon-ho). Plus, a New Year’s present from the creative team behin...

This week, the Best in Show crew dives deep into two documentaries that just made the 96th Academy Awards shortlist. After answering some mailbag questions about pesky release dates and Oscars eligiblity rules, London Editor Ella Kemp swoops in to take us in front of the camera with Jon Batiste—the composer and subject at the center of American Symphony—then Gemma goes behind the camera with Maciek Hamela, director of In the Rearvi...

This special episode includes interviews with two renowned film editors: first up, Letterboxd’s own video editor AJ tells us what makes good editing and lists his favorite examples of movie cutting from 2023. And then, one of AJ’s 2023 picks, Jennifer Lame, joins Mia Lee Vicino and Brian Formo for a chat about working with Christopher Nolan, Greta Gerwig, Noah Baumbach and Ari Aster. Lame breaks down why she loves editing talking s...

Season’s greetings! Join us as the Letterboxd crew sits down with their hot chocolate for a roundtable discussion about Love Actually.

Slim⁠ watches this “classic” for the first time in preparation and welcomes ⁠Gemma⁠, ⁠Mia⁠, and Ella into the Letterboxd Studio to walk down memory lane on their first-time watches, how viewings of certain movies change over time, favorite moments, and much more. Ella explaining the haunted inner wo...

This special episode features multiple interviews with award-winning actors: first up, London editor Ella Kemp speaks with Oscar nominee and Letterboxd pal Paul Mescal about All of Us Strangers, his wider reflections on awards season and his “shady” Letterboxd account. Meanwhile in Los Angeles, our birthday girl Mia enjoyed a casual chat about movies with Paul’s co-star Andrew Scott at the film’s premiere, and in Atlanta, our East ...

May December screenwriter Samy Burch joins Mia and Gemma for a chat, fresh from her New York Film Critics Circle win for Best Screenplay. Topics range from Melanie Lynskey to Sister Act to Persona (and Burch’s favorite Letterboxd review), and how the presence of major tabloid figures such as Monica Lewinsky informed her themes of media obsession, performance and agency. We also welcome our London editor Ella Kemp and Best in Show n...

The season two premiere of Best in Show kicks off with a very special guest: Sean Fennessey, Head of Content at The Ringer, co-host of The Big Picture podcast and fellow awards obsessive. Gemma, Mia and Brian interrogate Sean about his favorite films of the year so far, and he talks about finding Letterboxd more useful than Wikipedia (his words!) for the sheer encyclopedic knowledge of awards season available—all thanks to your lis...