Past Present Future

Past Present Future

Past Present Future is a bi-weekly History of Ideas podcast with David Runciman, host and creator of Talking Politics, exploring the history of ideas from politics to philosophy, culture to technology. David talks to historians, novelists, scientists and many others about where the most interesting ideas come from, what they mean, and why they matter. Ideas from the past, questions about the present, shaping the future. New episodes every Wednesday and Sunday.

Episodes

July 12, 2026 56 mins
Today’s bad idea is a way of doing history: David talks to historian Alec Ryrie about the seductions and pitfalls of narrative history. Why do we need more Herodotus and less Thucydides? What makes so many historians believe that the meaning of a story is determined by its end? How does narrative history distort our understanding of contemporary events? And how can podcasts do it better? Out tomorrow on PPF+ a bonus episode ...
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For the first in a new set of episodes about bad ideas with interesting histories David talks to the writer and broadcaster Helen Lewis about hysteria, an ancient idea that became a very modern diagnosis. Why was hysteria associated with both madness and saintliness? How did Charcot and then Freud use hysteria to rationalise otherwise baffling female behaviour? What happens when group hysteria takes hold? And why do we still find i...
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In the second part of their conversation about what has happened to our ideas of the future David and Ivan Krastev explore where the future is going next. Why do our expectations of what comes after us shift as we live longer and our societies age? What changes in the human understanding of the future as humans get displaced by machines? And where might we end up if we continue to fixate on end-of-the-world scenarios? From future u...
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Today’s episode is the first of two with writer and political scientist Ivan Krastev exploring what has happened to our ideas of the future. When did thinking about the future become the way we defined our present? What goes wrong with democracy when we start to lose our faith in the future? Why did the end of history turn out to be an illusion? And how has Trump changed the way we experience political time? You can find out...
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Today’s episode was recorded in front of a live audience at the Regent Street Cinema in London: David talks to the geneticist and science writer Adam Rutherford about Mark Romanek’s 2010 film of Kazuo Ishiguro’s 2005 novel Never Let Me Go. A story of cloning and organ donation that explores the meaning of mortality, is it science fiction, speculative fiction or something else entirely? How can a film set in a...
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Today’s episode in our occasional series looking at significant political anniversaries explores the causes and consequences of the Brexit Referendum, which took place 10 years ago this week. David talks to historian Robert Saunders about why the referendum was called, how the vote was won and how it was lost, and what made it such a difficult decision to implement. Did the referendum change who we were or did it reveal who w...
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Today’s episode was recorded in front of a live audience at the Cheltenham Science Festival: David talks to Wikipedia founder Jimmy Wales about what we can learn from the astonishing success of an encyclopaedia built by its users. When and how did people realise they could trust Wikipedia? What makes Wikipedia different from Uber, Airbnb and other online businesses that depend on public trust? Are there wider lessons for how ...
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June 17, 2026 58 mins
Our final great political fiction (for now!) is a meta-fiction and auto-fiction that is also a compelling work of historical reconstruction. Laurent Binet’s HHhH (2010) tells the story of Operation Anthropoid, the mission that led to the assassination of Reinhold Heydrich, the architect of the Final Solution. Why was Binet so eager to recast history as a struggle between good and evil? How does he deal with all the evil ...
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The penultimate great political fiction in this series is not strictly a fiction: it’s Annie Ernaux’s retelling of her own life in The Years (2008), thereby recapturing the story of France in the second half of the twentieth century. How can one woman’s story stand in for all the others? What does this book tell us about the passing of political time? Why do the years 1968 and 1981 mark the end of ideali...
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Today’s political fiction is a spy novel, a Cold War comedy and a meditation on the nature of good and evil: Graham Greene’s The Human Factor. Why has Greene so fallen out of fashion? What made the South African secret police his idea of pure evil? Was this book shaped by Greene’s own experiences with ‘the third man’ Kim Philby? And how did Greene prefigure the world of Slow Horses? Out now ...
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Today’s great political fiction is a path-breaking work of science fiction: David explores Ursula Le Guin’s The Dispossessed (1974), which imagines a world without the need for government or coercive authority. What makes this the most realistic of all utopias? How was Le Guin’s vision of anarchism shaped by nineteenth-century Russia and twentieth-century Israel? Why was her imagined version of political...
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In the second of two episodes about Doris Lessing’s The Golden Notebook, David talks to critic and memoirist Catherine Taylor about the novel’s place in the history of feminism. Is its idea of ‘free women’ meant to be ironic? Why are the things that shocked its original readers not the things that shock its readers today? What makes Lessing so much more angry about male hypocrisy than she is about male ...
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In today’s episode David explores Doris Lessing’s bold and brilliant The Golden Notebook (1962), a book about female emancipation, political disillusionment and much, much more. Why did Lessing insist that the novel’s original critics misunderstood what the book was about? What makes her description of joining and then leaving the Communist Party in 1950s London different from any other account? How...
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For the first in a new set of episodes about some of the great political fictions of the past hundred years David explores Aldous Huxley’s much misunderstood dystopian masterpiece Brave New World (1932). How did Huxley imagine that a future society could be both horribly regimented and crazily libertarian? Why is it Pavlovian conditioning and not genetic engineering that builds the humans of the future? What makes t...
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Today’s episode was recorded in front of a live audience at the Regent Street Cinema in London: David talks to the writer and broadcaster Helen Lewis about George Clooney’s Good Night, and Good Luck (2005). A film about the golden age of journalism and the grim years of McCarthyism, it tells the story of Ed Murrow’s attempt to take down scaremongering and conspiracy theories. Where is McCarthyism at work...
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Today it’s the second of our episodes trying to make sense of what’s happening in British politics with a bit of historical perspective: this time asking what is likely to follow from the current crisis. David talks to historians Robert Saunders and David Klemperer, Hannah White from the Institute for Government and political scientist Rob Ford. Can the current electoral system survive? Are either – or both &ndash...
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Today it’s the first of two episodes in which we try to make sense of what’s happening in British politics with a bit of historical perspective: how did we arrive at the current crisis and what might come next? David talks to five experts to get their perspectives on the seemingly endless chaos and the deeper causes that lie behind it. You’ll hear from historians Robert Saunders, Anthony Seldon and David Klemperer...
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David talks to author and journalist Sarah O’Connor, who writes about the changing character of work for the Financial Times, to explore what is happening to the world of jobs and employment in the twenty-first century. What does work mean and why do we do it? What changed when efficiency became the primary measure of human labour? How is the age of AI changing the kind of work we all do? What comes next? Out tomorrow o...
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Today’s episode was recorded in front of a live audience at the Regent Street Cinema in London: David talks to the writer and broadcaster Misha Glenny about Carol Reed’s 1949 masterpiece The Third Man, written by Graham Greene and featuring a notorious film-stealing performance from Orson Welles. It’s a film about friendship and betrayal, double-crosses and double lives, divided loyalties and dubious moraliti...
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Today it’s the second part of David’s conversation with historian Robert Saunders about the meaning of the 1926 General Strike on its hundredth anniversary. How did the strike end and was its outcome a foregone conclusion? Why did the government’s political victory turn so quickly into electoral defeat? How close did Britain come to another general strike in the miners’ disputes of the 1970s and 1980s? And w...
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