Follow the start of an improv team in Chester, England. David Escobedo has been performing improv since 1995 and has directed/produced 100's of improv shows ranging from Long Form to Short Form, and from Street Performances to Happenings. This podcast will give you the Warm-Up's, Exercises and some of the challenges that arise from promoting, producing an improv team consisting of many people who have never heard of improv before! This documentation occurs as a requirement from his Master's Thesis from University of Chester and in conjunction with his internship at Storyhouse
First day? Let's tackle the Harold.
The first three warm-ups we did in the Harry Potter Improv Workshop were:
We also did Story, some general scene work ... then wasted no time and jumped right into the Harold.
A high tide raises all boats.
The two Warm-Ups we did this time were:
Talked about the challenge of retaining and attracting people to the workshops. Also, about the philosophy about more improv shows and workshops helps improv everywhere. It increases awareness and provides more opportunities to learn the skill of improv.
My own theory on improv.
The three Warm-Ups we did this time were:
I solemnly swear I'm up to no good. Touched on the concept of "ironic detachment" during the warm-ups. Opened up on my own personal theory of improv a bit, and my start in improv. I believe that one way to attack an improv scene or set is by recognizing the patterns or behavior. The first pattern or behavior cou...
There are different types of people in the world.
The three Warm-Ups we did this time were:
I solemnly swear I'm up to no good. We went over the 5 major ways to edit scenes in a long form set and we also went over The Quest, The Slacker and The Movie format. I also discuss a person who attended who may have been on the spectrum, and how this challenges teaching an improv workshop/drop-i...
We went over the Armando, Living Room and Montage.
The four Warm-Ups we did this time were:
I solemnly swear I'm up to no good. In this rehearsal we learned about entering scene without having an idea and discovering the scene instead of inventing. Then for the rest of the rehearsal I introduced the improv performers to three long form formats: the Armando, the Li...
"Too cool for school" attitudes.
The two Warm-Ups we did this time were:
I solemnly swear I'm up to no good. We ran through the Harold 3X's including five people who have never done improv before. I'll tell you how it went in the episode. Also, something we all deal with: people who feel like they are too cool for the class, and how it tends to be their insecurity more than anything. I get...
Justify, don't normalize.
The four Warm-Ups we did this time were:
I solemnly swear I'm up to no good. I talk about trying to win the game, but the goal is not to "win" the game the goal is "trying" to win the game. The drama is not in the "win" but the "trying" to win. Once you win the scene is over. I also touch on the philosophies o...
"I like that I can go on stage and have no idea what I'm doing and every one figures it out, including me."
The three Warm-Ups we did this time were:
I solemnly swear I'm up to no good. Yes, and … this was the first time I ever mentioned the concept of "yes, and" in improv and it was 8 classes in. We did three different Harolds. The final set, with 12 people and they did excellent. ...
This was the online show (which you can see on our Facebook Page), and I feel as if they did such incredible work.
We worked on names in scenes, and how emotionally evocative names are a better offer than more polite names. At the top of scenes is the best time for evocative gifts.
The ensemble work was incredible and I talk about interviewing two people after the show.
I've decided to start every season with the explanation/dissection of a format or move in improv. Formats are the Harold, Armando, Living Room, Camershrapnel, etc. Moves will be things like mapping, Canadian Cross, split scenes, monologues, etc.
And I'll call these Episode 0 of the season. We start off with a dissection of The Harold!
Sometimes in scenes we aren't playing people. How do you train improv performers to support offers that aren't people?
I went over warm-ups that encourage people to accept the reality, instead of judge the offer. The choice we make as a team are always so much more impressive than the unsupported choices of an individual. There is this African Proverb that says,...
We had some good experiences getting bad suggestions!
I solemnly swear I'm up to no good. Here are the warm ups!
This rehearsal we went over some great improv mechanics! We worked on warping the reality of the scene with Split Scenes. And within those split scenes we would hand stuff back and forth to each other. We also worked on how to initiate it.
Then we rehearsed and discussed...
Much like Episode 0 where I discussed and explained the Harold, I thought I would explain another long form format. I discussed the Pretty Flower, sometimes called the Family Guy Format. There is a flow-through scene which incorporates all the players. Then cut-to's or tagout runs branch off this, but we always come back to the main flow-through scene.
Because of how shows and rehearsals landed there were no rehearsals between ...
Kate Swift is my guest, co-host for this episode.
We dissect the rehearsal and a bit of the show in Leeds. Kate is a brilliant student of improv, and has some observations that even people who have been doing this for years normally don't notice.
We talk about how trust comes from support. We mention a moment of great support in the rehearsal where Kate supported me with "oh that's ...
I sol- WE BOTH solemnly swear we're up to no good! I have another guest! Our warm-ups:
George Smith is my guest co-host for this episode. We deconstruct the last rehearsal and talk about some specific improv tactics. George and I touch on "justify and don't normalize" and how relationship is more important than plot – because it will help you out more when the energy seems to dip in ...
Le Rhonde is an improv format where the performers edit and enter scenes in a specific order. All their storylines are related to one another, but never cross over – unless your team decides to do so. The order creates a circle and you at some point come back to the first person.
I also go over how Long Form Formats typically capitalize on a few elements that are found across most long forms. Also, how practicing both Short Form a...
A tough rehearsal, where I take credit for all the challenges. The team still rocked through it and trusted each other. All teams will have a tough rehearsal – a rehearsal where people just don't jell. Even through a tough rehearsal my team took big risks and trusted each other.
I am beginning to train someone to teach improv. This allows me to define what virtues I think make a good teacher. I get into that, which explores the...
I have an excellent guest on this episode. Phaedra is on the Mischief Managed team and has been a part of it from the beginning. We explore her background and some of the excellent moves she has made in scenes. It's fascinating to hear what she does in her field (DNA) and how that is juxtaposed with her talent in performing improv.
This will be one of the highlights to those of you who teach improv – hearing someone new to the fie...
Let's explore another format! The Funeral Service, is a controlled long form show that highlights relationships and is best served when you play the reality of the scene instead of making it wacky.
Didn't have a rehearsal due to the holiday weekend, but looking forward to our next one! Thank you for listening and please share!
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