Boston film critics Evan Crean, Megan Kearns, and David Riedel help you decide what to watch by sharing spoiler-filled reviews of the latest blockbusters and independent films, across genres, including films by women, nonbinary, LGBTQ+, and BIPOC filmmakers. Opening music: "My Life as a God" by Augean Stables. Closing music: "Pants Party" by Oilhead. Show edited by Otto Klammer. Logo design by Rita Csizmadia.
Evan sat in on legacy sequel I KNOW WHAT YOU DID LAST SUMMER (2:37) and fills Megan and Dave in on whether it's good, bad (or ugly), or in between. Then Megan and Evan talk about queer romance UNICORNS (20:25), and all three of them get down to brass tacks on DANIELA FOREVER (40:38), a film that smacks of RUBY SPARKS, ETERNAL SUNSHINE OF THE SPOTLESS MIND, and TRULY, MADLY, DEEPLY, to name a few, and not in a good way. Over on Patr...
It's that time, gang! James Gunn's SUPERMAN is finally here, and Evan and Megan saw it. Is it good? Is it an origin story? Is it better than SUPERMAN IV: THE QUEST FOR PEACE? Do they like the dog? Does David Corenswet hold his own against Christopher Reeve's legacy? Evan and Megan have lots to say, and they also have some observations about Richard Donner's SUPERMAN (1978) and Richard Lester's SUPERMAN II (1980). Then Dave joins E...
Megan and Dave are a duo again this week (Evan returns next week!), and they tackle SWEET RELIEF (2:57), a movie being marketed as "mumblegore." Like mumblecore! (Get it?) What did we think? Here's the short version: Could have used a lot more gore and a lot less mumble. And then Megan and Dave move on to SORRY, BABY (23:48), Eva Victor's debut as writer-director. And here's the CliffsNotes on it: Best movie of 2025 thus far. No hy...
On this week's episode, Megan talks about M3GAN 2.0 (2:58), the sci-fi action sequel which sees the return of the murderous robotic doll, directed by Gerard Johnstone and starring Allison Williams, Violet McGraw, and Jenna Davis. Flawed yet intermittently fun, it's inferior to the sharply crafted and delightful original horror film.
Then, Megan talks about RENT FREE (17:17), Fernando Andrés's indie comedy about two queer best frien...
Evan is off this week, so it's Dave and Megan as a duo. First, Megan discusses THE QUEEN OF MY DREAMS (1:42), Fawzia Mirza's comedy-drama about a Bollywood-loving queer Pakistani-Canadian woman (Amrit Kaur) navigating her complicated relationship with her mother (Nimra Bucha) after a tragedy. It's a lovely film with great performances, vibrant costumes and production design, and a clever narrative structure.
Then, Dave delves into ...
This week, Megan took in MATERIALISTS, written and directed by Celine Song. Don't be fooled by the poster: It's not a romcom (though it does have some of those elements); it's much more than that. Megan really loved it. Then Evan and Dave joined her for BEST WISHES TO ALL, a bizarro Japanese horror film about what one family does to maintain it happiness, and whether one of the family members will accept the horrifying realities o...
This week Dave braved writer-director Mike Flanagan's adaption of Stephen King's THE LIFE OF CHUCK (3:19) and deems it strangely affecting despite not being in love, generally, with the weird maudlin nostalgia of King's non-horror work. Then Megan, Evan, and Dave weigh in on (this is actually its full title) FROM THE WORLD OF JOHN WICK: BALLERINA (20:47). It largely works for Evan, kind of works for Dave, and Megan didn't like it m...
Megan is off this week, so Evan and Dave tackle LOST IN STARLIGHT (2:14), an animated romantic sci-fi drama about a dedicated scientist determined to go to space - but she meets the love of her life just before her departure. Then it's TORNADO (19:13). Set in the 1860s Scottish highlands, it's part western, part Samurai film, part heist flick, and all killin'. Over on Patreon, our second May poll movie is FRACTURE (2007) starring ...
This week, Dave and Megan talk about FOUNTAIN OF YOUTH (2:47), Guy Ritchie's incredibly derivative and frustrating adventure film, starring John Krasinski and Natalie Portman as siblings on a globe-trotting trek for (you guessed it) the mythical Fountain of Youth.
Then, we all (Evan, Dave, and Megan) discuss FEAR STREET: PROM QUEEN (29:21), a slasher horror film and the latest entry in the franchise based on the R.L. Stine novel. D...
This week, we review two international films featuring unconventional women protagonists. First, Evan and Megan talk about SISTER MIDNIGHT (1:56), Karan Kandhari's "genre-bending" dark comedy (from the UK and India) about a woman in India (Radhika Apte) in an arranged marriage who experiences strange events. One of us loved the weird and bold film for Radhika Apte's excellent performance as the defiant protagonist, Kandhari's assur...
This week, the whole gang is back together! Yay! Evan and Megan start out by reviewing Paul Feig's whodunnit dark comedy, ANOTHER SIMPLE FAVOR (2:33), a sequel to you guessed it, A SIMPLE FAVOR. While it retains the crackling chemistry between its leads, Anna Kendrick and Blake Lively, the movie doesn't have much going for it other than its gorgeous location and fashions; its writing and dialogue are abysmal, and it's glacially pac...
Dave can't make it this week, so Megan and Evan review this week's very different films as a duo. First, Megan covers the Ami Canaan Mann's biopic AUDREY'S CHILDREN (2:32), which chronicles a period in the life of world-renowned children's doctor Dr. Audrey Evans (Natalie Dormer), as she works to revolutionize treatment of childhood cancer during the late 1960s and helps co-found the first Ronald McDonald House. Come for Natalie Do...
Unfortunately, Dave can't make it this week (we miss you), but we (Evan and Megan) carry on in his stead. First we cover Michael Angarano's dramedy SACREMENTO (2:14), where a free-spirited guy (Angarano) cons his anxiety-ridden best friend (Michael Cera) into taking a road trip to, you guessed it, Sacramento. The movie, which co-stars the vastly underused Maya Erskine and Kristen Stewart, has the occasional poignant moment or funny...
This week Evan and Megan watched (and Dave partly watched) the micro budget thriller GAZER (2:22), directed by Ryan J. Sloan, and written by Sloan and star Ariella Mastroianni. Frankie (Mastroianni) has dyschronometria, a neurological condition where an individual struggles to perceive and track the duration of time. So when Frankie accepts a high-risk ...
Sometimes we accidentally stumble into a theme at Spoilerpiece, and this week's theme is movies that make us dissolve into choking sobs. First, Megan and Dave weigh in on THE PENGUIN LESSONS, a movie that should be slight; a high school English teacher in politically fraught 1972 Argentina (Steve Coogan) rescues a pengiun and then everyone learns something. Megan and Dave agree: This movie should not work. It should be treacly and...
Evan, Megan, and Dave take in two derivative films this week: ASH (2:37), a horror/sci-fi hodgepodge headed up by Eiza González and Aaron Paul about an astronaut who wakes up to find her crew killed, features just about every horror/sci-fi trope since ALIEN hit screens in 1979. Then there's LOCKED (25:17), a thriller starring Bill Skarsgård as a petty criminal trapped and tortured in an impenetrable SUV owned by bad-dude Anthony Ho...
This week Evan, Megan, and Dave watched one dud and one banger. The dud: THE ELECTRIC STATE (1:55), the latest crap-fest from the Russo brothers. This unfunny sci-fi comedy stars Millie Bobby Brown, Chris Pratt, and Ke Huy Quan. The banger: NOVOCAINE (26:00). Assistant bank manager Jack Quaid has a genetic condition in which he can't feel pain. So when bank robbers kidnap his would-be girlfriend (Amber Midthunder), he uses the con...
It's a week for horror on Spoilerpiece. Megan and Dave talk about THE RULE OF JENNY PEN (2:10), featuring Geoffrey Rush as a judge recovering from a stroke, John Lithgow as a sadist, and Jenny Pen as Lithgow's evil puppet cohort. Then Evan joins in for STARVE ACRE (20:59), in which two grieving parents find a mummified oak tree and tend to a reanimated rabbit that may or may not be malevolent. Yeah, it's weird. Over on Patreon, w...
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