The String

Episode 326: Andrea Zonn has been on my list of possible Music City star musicians to be a guest on the show for some time, but her new project the HercuLeons and their debut album of the same name sealed the deal. She’s been a leading studio and road musician since the 1990s, when she sweet talked her way into a touring spot with burgeoning country star Vince Gill. Her background is in classical violin, so she’s respected in town ...

Episode 325: In 1972, a 19-year-old bass player and natural born singer from Kentucky and Indiana auditioned for an emerging band called New Grass Revival. Over almost 20 years, John Cowan would be the voice of that ensemble, through mega tours supporting Leon Russell, improbable country radio success, and the emergence of a whole new genre of roots music they gave a name to. NGR got Cowan into the Bluegrass Hall of Fa...

Episode 324: It’s hard to believe that Nashville’s SteelDrivers have been making their unique brand of hard-core string band music for nearly twenty years. They were the vehicle through which many of us were introduced to the epic voice of Chris Stapleton, back when he and Mike Henderson co-wrote that band’s high impact debut album of 2008. When Henderson and Stapleton had to move on, the band pulled its greatest trick, bringing on...

Special Episode: The story of how global banjo explorer Joe Troop (formerly of Che Apalache) met Venezuelan harpist and all-around folk music master Larry Bellorín is testimony to the magic of global culture and a cautionary tale about the stark turn US policy has taken against working asylum seekers this year. Over three years as the bilingual, genre-fusing, and multi-instrumental duo Larry & Joe, they’ve toured widely and made tw...

Episode 323: This episode of The String is a field report from the city that raised me in the 1970s and 80s and gave me my foundation in music, from college rock radio, to youth orchestra at Duke University, to jazz tutelage at a Black Muslim community center. It’s an arts-forward city that in the past decade has become something of a magnet for roots music, building on a history of gospel, blues and string band music, while Biscui...

Episode 322: Texas songwriter Vincent Neil Emerson graduated from playing on the streets and in the bars of Fort Worth to tours with Colter Wall and American Aquarium and then a well-received debut album (2019’s Fried Chicken And Evil Women). That inspired none other than Rodney Crowell and Shooter Jennings in turn to take an interest in producing the young country troubadour, resulting in a self-titled release in 2021...

Episode 321: Atlanta native Kristina Murray moved to Nashville in 2014 with a fresh and original debut album and steely determination. The country singer and songwriter carved out a respected space at honky tonks like Santa’s Pub and the American Legion. When hard work and critical acclaim for her two releases didn’t launch her career to a new orbit, it felt like defeat. That, plus the pandemic, fueled some challenging times and em...

Episode 320: JD Clayton is one of the first emerging artists to release music in an era of new leadership at the historic Rounder Records in Nashville. He’s an open-hearted guy who got the songwriting bug growing up in Fort Smith, AR and who then found his songs and his way on stage led to organic growth. His 2023 album Long Way From Home got him out on the road in a big way and led to some high profile opening shows. ...

Episode 319: This week’s split episode looks at songwriting and musicianship from two very different points of view. Toronto’s Jeremie Albino is a powerful roots rock singer/writer whose early love of blues and old rock and roll comes through in his self-effacing, easy grooving songs. A call from Dan Auerbach opened up new avenues for him through the production of his late 2024 album ‘Our Time In The Sun’. Champion guitarist Tyler ...

Episode 318: Over a 15-year career that began in Boston’s jazz and old-time scene, Nashville-based Miss Tess has distinguished herself with a hybrid blend of contemporary songwriting and vintage, swinging Americana. On her newest, the widely traveled artist taps a long love affair with Cajun country in Louisiana, yet it’s her own blend rather than a traditional homage. Our conversation spans her upbringing in Maryland, her passion ...

Episode 317: As the new year dawned, the first emerging artist that started buzzing on our radar was a California native living in Nashville with an emotional country-noir debut album called Silver Rounds. She was Olivia Wolf, and now months later, her album has proven its staying power, with critical acclaim and a long run on the Americana chart. She’s no youngster, so our conversation dives into her background and he...

Episode 316: Sean McConnell was born to do this. His parents were working songwriters who helped him get started as a teen in Atlanta. He landed a long-term song publishing deal while still in school at MTSU and earned cuts by Tim McGraw, Martina McBride, Brett Young, and the TV show Nashville. Over 15 recordings - his latest is the lovely and agonizingly honest Skin - McConnell has become a beloved troubadour on the indie folk cir...

Episode 315: Adam Wright is one of the most thoughtful wordsmiths in the Nashville songwriting community, one who’s seen all sides of the Music Row machine. Working for a dozen years with Carnival Music, he’s carved a niche for himself, scoring a couple of Grammy Award nominations and landing cuts by Lee Ann Womack, Alan Jackson, Garth Brooks, Brandy Clark and Bruce Robison, among others. When he sets aside time to wri...

Episode 314: The Devil Makes Three has been one of roots music’s outstanding if quiet success stories of the past twenty years. Formed in Santa Cruz, CA in 2001, they got out ahead of the O Brother phenomenon and built a unique, crowd-pleasing sound through a renegade admixture of early blues, hard country, gospel and punk rock. In this hour, founding singer and songwriter Pete Bernhard reflects on a career that’s surprised him and...

Episoded 313: Sierra Hull brings a measure of small-town delight and innocence to roots and bluegrass that perfectly compliments her innate gifts and her formal schooling in high level music-making. The mandolinist, songwriter, singer, and band leader has emerged, since her youthful debut in 2008, as a star of her field and an inspiring figure in Americana. Her four IBMA Mandolin Player of the Year awards are part of t...

Episode 312: In one of the big surprise stories in roots music of the past six months, bluegrass star and IIIrd Tyme Out founder Russell Moore was named the newest member of Alison Krauss and Union Station, taking over the male vocal and guitar role held by Dan Tyminski for years. Moore is on the upcoming album Arcadia and set to go on extensive tours in 2025 and ‘26. It’s a big move for this fan favorite.  Moore got h...

Epidode 311: When I met lifelong musician Red Young on board Delbert McClinton’s Sandy Beaches Cruise, I knew I had to interview him. He’s had one of those journeyman’s careers that ties together all the threads of American music, from pop to R&B to jazz. He’s a pianist, Hammond organ specialist, singer, arranger and producer, and at 76 years old, he’s seen it all. He’s worked with Kinky Friedman, Joan Armatrading, Dolly Parton, So...

Episode 310: It would be hard to name any songwriter in Nashville’s long history whose work has been recorded by more stars across more genres of music than Gary Nicholson. The Texas native came to Nashville in 1980 after stints in Ft. Worth and Los Angeles, and not only did he amass an impressive string of country music hits with Vince Gill, Patty Loveless, and more, he became Music City’s go-to soul and R&B man, conjuring songs f...

Episode 309: Sam Grisman, the 35-year-old son of mandolin icon David “Dawg” Grisman, grew up in a unique and supercharged musical environment, to put it mildly. Jerry Garcia was coming over all the time to the family home to pick and record old-time folk music with the elder Grisman. Bluegrass legends came and went, rehearsing and recording, and giving Sam something to aspire to when he picked up the bass as a little kid. After a d...