Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

When Cynthia Cruz describes Joan Naviyuk Kane’s latest collection as a series of poems that “both shows and enacts how a self is brought to being through the abyss,” I think of Kane’s own words about poetry: as “a place of refuge and possibility, a generative space. Not a space of loss, but contingence.” What is a home in the face of dispossession? Inheritance in the face of rupture and colonial ...

Today’s episode is a classic from the archives, a conversation from 2019 with Brandon Shimoda about his book The Grave on the Wall. While the book centers on an exploration of Shimoda’s grandfather’s internment at Fort Missoula during World War II, it is really an interrogation of America that extends both directions in time from that moment. Forts such as these, that imprisoned Japanese and Japanese-Americans during the war,...

What if we were to take seriously that we, as humans, aren’t the sole authors of our world, that there are other intelligences at play, that we are only one of many agents of change and transformation, and that “we” aren’t even entirely ourselves given that “we” are composed of many “others,” many strangers that nevertheless make up what we call a “self”—what would a philo...

Canisia Lubrin returns to Between the Covers for a live conversation in downtown Portland, at Powell’s Bookstore, about her latest poetry collection The World After Rain. A private book, that Canisia never intended to publish, we explore what it means to write elegy beyond personal biography, what it means that “metaphors unmake the too-made,” what it means to write against the literal, with a folk sensibility and...

Today’s episode is a classic from the archives, a conversation from 2019 with current Navajo Nation Poet Laureate Jake Skeets about his debut poetry collection Eyes Bottle Dark with a Mouthful of Flowers. Winner of the Whiting Award in poetry and the Kate Tufts Discovery Award, there is no better time to revisit this remarkable collection, and this unforgettable conversation with Skeets, as we await his new book Horses coming...

“When I tell you a story about my body, I cannot separate it from a story about water. And a story about water is also a story about family. And a story about family is rooted in the earth…,” opens Sangamithra Iyer’s Governing Bodies. What does it mean for a memoir to assume the elusive, ever-changing shape of water, to be the story of family but where the notion of family crosses the boundaries of blood, cu...

In Into Being Lily Dunn explores the ways in which writing one’s life has the potential to transform it; how writing, if done well,  can produce “symbolic repair.” We look at Virginia Woolf’s notion of “moments of being” as a means and method to find the form that best fits your specific story to tell. We look at different ways memoirists have used the imagination within their own work, and the v...

Randa Abdel-Fattah’s new novel Discipline is set in Sydney, Australia in 2021 during Ramadan. Discipline follows two Palestinians there, one in media and one in academia, where each has to confront questions of silence and complicity in their respective fields. As Israel intensifies its bombardment of Gaza, and as an eighteen-year-old student at a local Islamic school is arrested for protesting a university’s investment...

Jorge Luis Borges called her the “Tolstoy of Mexico” and César Aira the “greatest novelist of the 20th century,” so why is it likely that you haven’t read or even heard of Elena Garro before now? And given that Garro was, like her fantastical stories,  not beholden to the truth when accounting her own life, and given that her own life was, in its radical shifts and contradictions, so wildly resistant t...

Caren Beilin’s first appearance on the show, in 2022 to discuss her book Revenge of the Scapegoat, was so unforgettable, and spurred so much enthusiasm and electrifying conversation in its wake, that I couldn’t say “no” to being in conversation with her again, this time live at Powell’s Bookstore, to discuss her latest book Sea, Poison out with New Directions. So get ready, as if you were a donkey drag...

Painter Stephen Hayes latest exhibition, “Elegy,” consists of twelve abstract paintings that engage with the genocide in Gaza. One of the twelve paintings was created while listening to the Between the Covers conversation with Omar El Akkad about his book One Day Everyone Will Have Always Been Against This. Because of this, instead of asking, as he usually does, an art curator or fellow painter to be in a public convers...

Archive of Desire: A Poem in Four Parts for C.P. Cavafy began as a collaborative multidisciplinary project between the poet Robin Coste Lewis, the composer Vijay Iyer, the cellist Jeffrey Zeigler and the visual artist Julie Mehretu. This multimedia quartet traveled to Athens together to engage with the Cavafy archives as part of the composition of their performance, a performance now rendered anew on the page in Robin’s new p...

As an artist, how does one dive into the wreck of an archive, a canon, a shared collective memory, a history—one filled with silenced voices, distorted accounts, erasures and elisions—on behalf of those wronged by it? Poet Dionne Brand says “the salvage is the life which exceeds the wreck” and Diana Arterian’s work seems animated by this work of salvage and recovery. We look at her new poetry collection, Agrippina...

Set during the 17th century witch trials in Denmark, and relayed to us through the voice of a magically animated wax child of one of the accused, Olga Ravn’s new book, which creates something uncannily other from primary sources, has been heralded as a “devilishly subversive feminist anthem” and speaks as much to the present moment as it does to the time of the witches. We explore how the witch hunts and trials we...

Ten years in the making, poet Rickey Laurentiis joins us to talk about her much-anticipated remarkable new collection Death of the First Idea. “In the past decade, as Laurentiis has transitioned, her ideas of the lyric and poetry have transformed, as has the America in which she lives,” says the back copy on this book, whose poetry fittingly resists easy categorization. Oracular and lyrical, mythic and confessional, arc...

What does it mean to write toward or under the aura of another poet one admires, to write in homage, as a celebration of another? What happens to language when it hovers between two writers, between how they each separately inhabit it? What does it say about the self, or is discovered about it—within the poem and in the world at large—when that self works through a devotional practice of homage? Today we look at one of Laynie Brown...

Today’s guest is writer and critic Martha Anne Toll. Through a discussion of her latest novel Duet for One we explore the perennial mystery of writing and art-making, namely how to render something that lives beyond representation, and how words can become a vehicle to evoke what words themselves cannot adequately describe. In this case, we look at how to bring music into language, the experience of making it and hearing it i...

Today’s conversation with Rob Macaisa Colgate is about two books, his poetry collection Hardly Creatures and his verse drama My Love is Water. You could say these two books are approaching the same questions, but from opposite, if complementary vantage points. Questions of care and disability, of accessibility and community, of Filipino-American identity and the afterlives of colonialism, of queerness and its intersections wi...

Don’t miss today’s conversation with Robert Macfarlane. A polyvocal deep dive into the mysteries of words and rivers, of speech acts as spells, whorls as worlds, of grammars of animacy, of what it means to river, and to be rivered. From the Epic of Gilgamesh to Virginia Woolf’s wave in the mind to Ursula K. Le Guin’s fellow feeling to Leanne Betasamosake Simpson’s notion of theory as embodied and  kine...