Soundrolling.com

Soundrolling.com

Hey it's Matt Price the London Sound Mixer from Soundrolling.com and this is all about my journey as a Location Sound professional in film and branded content and opening up a broader conversation about location sound from the business aspects to technical explanations.

Episodes

March 17, 2019 • 22 mins
In the last 365 days my youtube made more daily than the bottom 10.9% of the world population.
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Mark as Played
Making yourself accountable for your wins and losses is a key part in owning and controlling your destiny
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Mark as Played
March 8, 2019 • 2 mins
Instagram @soundrolling and email matt@soundrolling.com
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Mark as Played
February 21, 2019 • 4 mins
I dont have a routine for any of ky work unoess its features where ots 30 days of the same thing 6 days a week. So these are tips to get up and feel awake too!
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Mark as Played
February 13, 2019 • 4 mins
This is all about the relationship of when and what I talk about with dorectora and forst ADs to keep getting what I need
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Mark as Played
February 11, 2019 • 5 mins
This strategy also works for other social sites with search functions :) like twitter.
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Mark as Played
February 9, 2019 • 8 mins
If you want to be successful quicker than speed is more important than almost anything else.
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Mark as Played
This is from my chat with Mark Weingarten about his work on House of Cards. They Used a slateless system and lots of metadata :)
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Mark as Played
February 8, 2019 • 4 mins
This is an extract from a chat i did with Mark Weingarten who has worked on epics like Insterstellar and if he always mics actors just to be safe?
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Mark as Played
February 8, 2019 • 11 mins
Jeff wexler and his dad had a big impacton our industry and especially Jeffs dad with championing safer hours and turnaround times in an industry that wants you to never sleep.
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Mark as Played
This is a question I got nearly a year ago from one of my live youtube hangouts on why I was feeding both audio and timecode for sync to a Camera
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Mark as Played
Directors often want to cue actors while a scene is going on and encouraging them to click and clap is much easier to edit.
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Mark as Played
February 7, 2019 • 3 mins
This is abkut keeping my audio rushes orgnaised in a way that the editors can find relevant extras as needed and what mic is what, even if its just to triple check.
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Mark as Played
This is from a lengthy sound chat with Simon Hayes and covers a part about special large scale hollywood FX like Rain Machines and Wind when it comes to getting clean dialogue
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Mark as Played
This is from my experience doing Carnet for doing part of a feature film in Morocco and Spain last year
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Mark as Played
This is an extract about an intangible art of developing a style with your post production projects when they are so different. Like Wayne with movies like The Great Gatsby and Mad Max
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Mark as Played
This is from a few years ago with Wayne Pashley and he gives me a glimpse into the raw performance of dialogue to change and bring characters to life
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Mark as Played
This is from my sound chat with Wayne Pashley a few years ago now about his post work on the Great Gatsby with Leoardo De Caprio
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Mark as Played
Here is a little trick you can do if you need to triple check the audio level on a camera where the meters arent accurate
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Mark as Played
February 7, 2019 • 3 mins
This showcases the various ways i treat back ups for projects and when i decide to delete them
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Mark as Played

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