The Rough Cut
The Rough Cut features in-depth interviews with the film and tv industry's top post production professionals on the topics of film editing, video editing, sound design and more. Hosted by @MattFeury.
Episodes
Axel Geddes ACE, Tony Greenberg, Chloe Kloezeman, Geoff Sledge, Ayesha Johannes
The Hoppers editing team of Axel, Tony, Chloe, Geoff and Ayesha understand better than anyone, that in the world of animation, creating a captivating film involves more than just drawing and animating characters. It requires a deep understanding of storytelling, editing, and collaboration. Not to mention the occasional party in the cutting roo...
Editor - Nigel Williams
How to Get to Heaven From Belfast editor Nigel Williams once again finds himself cutting with showrunner Lisa McGee. Having first worked with McGee on her hit series, Derry Girls, the two are back together for a show that features Lisa's well-known witty dialogue and quirky characters, but this time all wrapped up in a mystery.
How to Get to Heaven From Belfast is an eight-part series that follow...
Editors - Arthur Tarnowski ACE, CCE and Véronique Barbe CCE
After years of working in different cutting rooms across Montreal, Heated Rivalry editors Arthur Tarnowski and Véronique Barbe are finally skating on the same line for showrunner Jacob Tierney. But bringing the "spicy" subject matter of Rachel Reid's book series to tv audiences would be no small feat. It required the editors to find the right balance of tension, c...
Editor - Michael P. Shawver
Sinners editor Michael Shawver has enjoyed a long and productive relationship with his former USC classmate, director Ryan Coogler. Together the two have collaborated on Fruitvale Station, Creed, Black Panther, Black Panther: Wakanda Forever and now Sinners. Their past experience on both VFX-heavy films like Black Panther, as well as socio-political dramas like Fruitvale Station, would prove i...
Editors - Skip Macdonald ACE, Chris McCaleb ACE and Joey Liew
The PLUR1BUS editing team of Skip, Chris and Joey have worked together for 15 years on Vince Gilligan's Breaking Bad, Better Call Saul and now his new sci-fi hit for Apple TV+. With that kind of shared experience the three have established a creative "hive mind" of their own, while still demonstrating their individual talents as storytellers. Despite PLUR1BUS ...
Editor - Stacey Schroeder ACE
Editor Stacey Schroeder ACE admits she knows nothing about magic, but you wouldn't know it from the amazing slight of hand she demonstrates when cutting a movie. Coming into this film never having worked with director Ruben Fleischer before, and also being new to the franchise, Stacey had to rely upon her past experiences in comedy and action to hit all the right notes for this "magic-heist-a...
Editors - Esther Sokolow, Glenn Garland ACE and Matthew V. Colonna ACE
IT: Welcome to Derry editors Esther, Glenn and Matt had never worked together prior to the new HBO series, but quickly formed a family bond that translated into a fun and creative cutting room. Their antics included scaring unsuspecting tourists taking the Warner Brothers tram tour past their offices. And you know what Jack Torrance says about "all wo...
Editor, Myron Kerstein ACE
WICKED: FOR GOOD editor, Myron Kerstein ACE finds himself in familiar post-production territory after taking a short break to enjoy the success of the first film in this two-part adaption of the musical megahit. This brief respit included Myron receiving an Oscar® nomination and an ACE Eddie win for his efforts. But this time out, Myron faces the challenge of closing out this story with a movie...
Editor - Evan Schiff ACE
Frankenstein editor Evan Schiff ACE first began his journey as an assistant editor on Del Toro's Pan's Labyrinth (2006). Over the next, nearly two decades, Evan would establish himself as an action movie editor to be reckoned with. He would flex his cutting chops on films like John Wick: Chapter 2 (2017), John Wick: Chapter 3 - Parabellum (2019) and Bob Odenkirk's action debut, Nobody (2021). Eva...
Editor - Nathan Schauf
KPop Demon Hunters editor Nathan Schauf was already a trusted teammember at Sony Pictures Animation (SPA) when has was asked to "lend a hand for a bit" on this new action-comedy musical. Not long after, lending a hand turned into leading the way, with Nathan leaning on his years of experience cutting animation to help craft the film into a worldwide hit that would become Netflix's most streamed conte...
Editor - Andy Jurgensen
One Battle After Another editor Andy Jurgensen came into his new film already "battle" tested with director Paul Thomas Anderson's unique film-based workflow. Shoot film. Print film dailies. Screen film dailies. Create digital workprint. Cut in Avid. Conform negative. But Paul loves a challenge, so he decided to not only make "One Battle" the first IMAX film presented entirely in the 1.43:1 r...
Editors - Vikash Patel, Cedric Nairn-Smith and Kyle Reiter ACE
Black Rabbit editors Viks, Ced and Kyle worked independently during post but still managed to collectively craft a complex narrative that stayed consistent in tone and style throughout the run of the series. And while new guy Reiter described feeling like a "bench player" on the team, Viks and Ced benefited from a long working relationship that began with Viks...
Editors - Julie Cohen ACE and David Rogers ACE
The Paper editors Julie Cohen and David Rogers first began collaborating on another Greg Daniels series, Space Force. Although that series was not in the same "mock doc" format as The Paper, David's first show with Daniels was. And that series was The Office, where he served as both editor and director. Both Julie and David felt at home with The Paper's faux documentary form...
Editor - Joe Murphy
Weapons editor Joe Murphy probably had no idea when he interviewed with Zach Cregger over a Zoom call that, in a relatively short amount of time, they would collaborate on not one, but two hit horror films. Regardless, Joe says that call wasn't just about getting to know each other, but also about ensuring a supportive and frank collaboration; key ingredients for him in being able to articulate the dir...
Director, Richard Shepard and Editor, Adam Lichtenstein
FILM GEEK isn't just another notch on the IMDB belts of director, Richard Shepard and his friend and editor, Adam Lichtenstein. This is the story of Richard's cinematic "life" and the mysterious father who was his guide into that world. Deftly incoroporating clips from over 200 movies of the 70's and early 80's, FILM GEEK chronicles Richard's introduction and absorp...
Editors - Chris Patterson and Dirk Westervelt ACE
EENIE MEANIE editors Chris Patterson and Dirk Westervelt reunite after a six-year break from their first co-editing effort, ZOMBIELAND: DOUBLE TAP. From its indie vibe to its seventies-inspired aesthetic, EENIE MEANIE doesn't shy away from its influences. Chris shares how both he and writer/director Shawn Simmons gravitated towards filmmakers like Steven Soderbergh, drawin...
Editor - Brian Scott Olds
The Naked Gun editor Brian Scott Olds knows that comedy thrives on the elements of surprise and timing. He applied this philosophy to every aspect of the film—from physical gags to witty word play and silly sound design. But making a film that respects the legacy of its predecessor while updating its essence for today is no laughing matter. Brian and director Akiva Schaffer had a clear mission: ...
Editors - Nona Khodai ACE and Tim Roche
The Fantastic Four: First Steps sees editors Nona Khodai and Tim Roche reunite for the 37th film in the Marvel Cinematic Universe (MCU) and the second reboot of the Fantastic Four film series. The film also marks the first time the two have worked together since Marvel's live action series debut, WandaVision. Although each had worked with him separately before, WandaVision was the ...
Editor - Yan Miles ACE, BFE
Andor editor Yan Miles partly attributes the decision not to extensively use the Stagecraft "volume" technology as the reason why his series has a distinctly different look and feel to other shows under the Star Wars banner. Instead, Andor leans into real-world environments, capturing the grit and authenticity that Yan believes enhances the narrative. Another significant factor in that different...
Editors - William Hoy, ACE and Craig Alpert, ACE
Superman editors William Hoy ACE and Craig Alpert ACE didn't need to be told there was a lot riding on this movie. Not only does it represent James Gunn's view on who Superman needs to be for modern movie-going audiences, it also kicks off Gunn's vision of the new DCU. From the first minute of the film, viewers encounter a Superman who bleeds and is grappling with not just...
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