The Rough Cut

Editor - Nena Erb ACE and Asst. Editor Gioia Caruso

Wonder Man editor Nena Erb and her assistant Gioia Caruso first worked together on the R-rated road trip comedy, Joy Ride. A film that could not be more different than the grounded, character driven tv series, Wonder Man.  Making the dramatic jump in tone and style from Joy Ride to Wonder Man might have been a daunting task for other editorial duos, but Nena's skills as a...

Editor - Joel Negron ACE, Sound Designers - Erik Aadahl and Ethan Van der Ryn

Project Hail Mary editor Joel Negron says that one of the first calls that he makes when he signs on to a new film is to his trusted colleagues in audio post, Erik and Ethan.  And for more than fifteen years the trio has collaborated on a wide variety of films, including the Transformers franchise, Jungle Cruise and Cocaine Bear.  But their lates...

Editor - Tim Squyres, ACE

Mike & Nick & Nick & Alice editor Tim Squyres has over three decades of experience working with directors such as Ang Lee, Robert Altman and Jonathan Demme.  But his latest film marks the first time collaborating with writer/director BenDavid Grabinski.  Together the two navigated the tonal minefield of blending action, comedy, romance and a little time travel, to deliver a raucous romp that spans...

Axel Geddes ACE, Tony Greenberg, Chloe Kloezeman, Geoff Sledge, Ayesha Johannes

The Hoppers editing team of Axel, Tony, Chloe, Geoff and Ayesha understand better than anyone, that in the world of animation, creating a captivating film involves more than just drawing and animating characters. It requires a deep understanding of storytelling, editing, and collaboration.  Not to mention the occasional party in the cutting roo...

Editor - Nigel Williams

How to Get to Heaven From Belfast editor Nigel Williams once again finds himself cutting with showrunner Lisa McGee.  Having first worked with McGee on her hit series, Derry Girls, the two are back together for a show that features Lisa's well-known witty dialogue and quirky characters, but this time all wrapped up in a mystery.

How to Get to Heaven From Belfast is an eight-part series that follow...

Editors - Arthur Tarnowski ACE, CCE and Véronique Barbe CCE

After years of working in different cutting rooms across Montreal, Heated Rivalry editors Arthur Tarnowski and Véronique Barbe are finally skating on the same line for showrunner Jacob Tierney. But bringing the "spicy" subject matter of Rachel Reid's book series to tv audiences would be no small feat. It required the editors to find the right balance of tension, c...

Editor - Michael P. Shawver

Sinners editor Michael Shawver has enjoyed a long and productive relationship with his former USC classmate, director Ryan Coogler.  Together the two have collaborated on Fruitvale Station, Creed, Black Panther, Black Panther: Wakanda Forever and now Sinners.  Their past experience on both VFX-heavy films like Black Panther, as well as socio-political dramas like Fruitvale Station, would prove i...

Editors - Skip Macdonald ACE, Chris McCaleb ACE and Joey Liew

The PLUR1BUS editing team of Skip, Chris and Joey have worked together for 15 years on Vince Gilligan's Breaking Bad, Better Call Saul and now his new sci-fi hit for Apple TV+.  With that kind of shared experience the three have established a creative "hive mind" of their own, while still demonstrating their individual talents as storytellers.  Despite PLUR1BUS ...

Editor - Stacey Schroeder ACE

Editor Stacey Schroeder ACE admits she knows nothing about magic, but you wouldn't know it from the amazing slight of hand she demonstrates when cutting a movie.  Coming into this film never having worked with director Ruben Fleischer before, and also being new to the franchise, Stacey had to rely upon her past experiences in comedy and action to hit all the right notes for this "magic-heist-a...

Editors - Esther Sokolow, Glenn Garland ACE and Matthew V. Colonna ACE

IT: Welcome to Derry editors Esther, Glenn and Matt had never worked together prior to the new HBO series, but quickly formed a family bond that translated into a fun and creative cutting room.  Their antics included scaring unsuspecting tourists taking the Warner Brothers tram tour past their offices.  And you know what Jack Torrance says about "all wo...

Editor, Myron Kerstein ACE

WICKED: FOR GOOD editor, Myron Kerstein ACE finds himself in familiar post-production territory after taking a short break to enjoy the success of the first film in this two-part adaption of the musical megahit.  This brief respit included Myron receiving an Oscar® nomination and an ACE Eddie win for his efforts.  But this time out, Myron faces the challenge of closing out this story with a movie...

Editor - Evan Schiff ACE

Frankenstein editor Evan Schiff ACE first began his journey as an assistant editor on Del Toro's Pan's Labyrinth (2006). Over the next, nearly two decades, Evan would establish himself as an action movie editor to be reckoned with.  He would flex his cutting chops on films like John Wick: Chapter 2 (2017), John Wick: Chapter 3 - Parabellum (2019) and Bob Odenkirk's action debut, Nobody (2021).  Eva...

Editor - Nathan Schauf

KPop Demon Hunters editor Nathan Schauf was already a trusted teammember at Sony Pictures Animation (SPA) when has was asked to "lend a hand for a bit" on this new action-comedy musical. Not long after, lending a hand turned into leading the way, with Nathan leaning on his years of experience cutting animation to help craft the film into a worldwide hit that would become Netflix's most streamed conte...

Editor - Andy Jurgensen

One Battle After Another editor Andy Jurgensen came into his new film already "battle" tested with director Paul Thomas Anderson's unique film-based workflow.  Shoot film.  Print film dailies.  Screen film dailies.  Create digital workprint.  Cut in Avid.  Conform negative.  But Paul loves a challenge, so he decided to not only make "One Battle" the first IMAX film presented entirely in the 1.43:1 r...

Editors - Vikash Patel, Cedric Nairn-Smith and Kyle Reiter ACE

Black Rabbit editors Viks, Ced and Kyle worked independently during post but still managed to collectively craft a complex narrative that stayed consistent in tone and style throughout the run of the series.  And while new guy Reiter described feeling like a "bench player" on the team, Viks and Ced benefited from a long working relationship that began with Viks...

Editors - Julie Cohen ACE and David Rogers ACE

The Paper editors Julie Cohen and David Rogers first began collaborating on another Greg Daniels series, Space Force.  Although that series was not in the same "mock doc" format as The Paper, David's first show with Daniels was. And that series was The Office, where he served as both editor and director.  Both Julie and David felt at home with The Paper's faux documentary form...

Editor - Joe Murphy

Weapons editor Joe Murphy probably had no idea when he interviewed with Zach Cregger over a Zoom call that, in a relatively short amount of time, they would collaborate on not one, but two hit horror films.  Regardless, Joe says that call wasn't just about getting to know each other, but also about ensuring a supportive and frank collaboration; key ingredients for him in being able to articulate the dir...

Director, Richard Shepard and Editor, Adam Lichtenstein

FILM GEEK isn't just another notch on the IMDB belts of director, Richard Shepard and his friend and editor, Adam Lichtenstein.  This is the story of Richard's cinematic "life" and the mysterious father who was his guide into that world.  Deftly incoroporating clips from over 200 movies of the 70's and early 80's, FILM GEEK chronicles Richard's introduction and absorp...

Editors - Chris Patterson and Dirk Westervelt ACE

EENIE MEANIE editors Chris Patterson and Dirk Westervelt reunite after a six-year break from their first co-editing effort, ZOMBIELAND: DOUBLE TAP.  From its indie vibe to its seventies-inspired aesthetic, EENIE MEANIE doesn't shy away from its influences. Chris shares how both he and writer/director Shawn Simmons gravitated towards filmmakers like Steven Soderbergh, drawin...