Filmspotting

Adam and Josh catch up with the summer's surprise hit Obsession, the “monkey’s paw” update from YouTube creator turned first-time feature-director Curry Barker. Then, it’s John Carney’s Power Ballad, with Paul Rudd as a down-on-his-luck wedding singer who has a chance encounter with a former boy band star played by Nick Jonas. Plus, poll results and li...

Matt and Jordan review Netflix's massive true crime tabloid horror hit, The Crash, a direct-to-streaming look at the tragic Mackenzie Sherilla case. Jordan walks away feeling like he needs a shower for his soul, while Matt thanks his lucky stars that social media didn't exist when he was a youngster.

For Rec Seg, Matt challenges the "drek" of the true crime genre by recommending an Oscar-nominated Netflix doc and Jordan counters wi...

Adam and Josh step into the uncanny world of eerie, empty spaces to ask whether 2026 is the year of liminal horror. First up: YouTube curiosity turned box office phenom Backrooms. Then, Exit 8, an inspired video game adaptation from Japan that’s equal parts Groundhog Day and The Shining. Plus, Massacre Theatre.

This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself ...

Matt and Jordan review Prime Video’s Tom Clancy’s Jack Ryan: Ghost War, a straight-to-streaming title they are branding "movie Toferky." For Rec Seg, the duo finds comfort in the Paramount Plus vaults, with Jordan revisiting the Tom Clancy masterpiece that started it all, and Matt countering with a series sequel featuring Harrison Ford's bookworm Boy Scout desk-jockey.

Then, a personalized recommendation request from li...

In anticipation of Disclosure Day, Steven Spielberg’s two most beloved alien films face off in the inaugural Filmspotting Movie Death Match. Representing Close Encounters of the Third Kind is Dr. Margaret A. Weitekamp, Chair of Space History at the National Air and Space Museum. Making the case for E.T. the Extra‑Terrestrial is longtime critic and author Jen Chaney. Host Chris Klimek presides.

Vulture critic Roxana Hadadi joins Adam to break down the first theatrical Star Wars feature in eight years, The Mandalorian and Grogu. They discuss whether its wall-to-wall action reveals true character, how the helmet creates a literal performance straitjacket, and if the film works for anyone walking into the theater without three seasons of television homework. Then, they pivot to a very different kind of crew in Boots Riley&rs...

From the suffocating tension of open-ocean survival and alcohol-fueled marital warfare, to the isolated terrors of demonic cabins and haunted bedrooms, Adam and Josh break down their Top 5 Single Location Movies.

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Matt and Jordan punch their tickets to an alternate reality to review Ladies First, the new Netflix comedy starring Sacha Baron Cohen and Rosamund Pike. They break down the film's (mostly good!) relentless barrage of gags, its terrifyingly plausible marketing pitches, and whether it successfully navigates the edgy tightrope of workplace comedy.

But before they talk Ladies First, they have to talk about leaving the couch. Matt recou...

Adam sits down with legendary actor Tony Leung (In the Mood for Love, Chungking Express) to discuss his brilliant career and his new starring role in Ildiko Enyedi’s Silent Friend. Then Adam and Josh share their thoughts on the meditative multi-era drama itself, followed by reviews of Alberto Vasquez’s Spanish animated feature Decorado and Olivier Assayas's The Wizard of the Kremlin, which features Jude Law's terrifying...

From the timeless, unadorned perfection of early cinematic icons to the textured, battle-tested tactical gear of modern blockbusters, Adam and Josh (and some special guests) share their Top 5 Superhero Costumes and explore what makes a costume truly legendary.

Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.

See omnystudio.com/listener for privacy information.

In the first installment of a semi-regular series, Matt and Jordan take a break from reviewing a single film in order to interrogate an entire streaming platform: the industry juggernaut, Netflix. They dissect it across five crucial categories—library size, playback interface, reliability, originals, and price. The goal? Nothing less than determining the greatest service of all time.

15 years after its release, Adam and Josh return to the 1950s Waco of Terrence Malick’s The Tree of Life. They discuss Malick’s bold attempt to voice the divine, mapping the books of Job and Genesis onto his narrative, and his attempt to reconcile the beauty of creation with the reality of suffering. Plus, details about Filmspotting Fest II: 68 Weeks Later, and a new poll that attempts to gauge listeners' enthusiasm for...

Adam and Josh review Sophy Romvari’s debut feature Blue Heron, a semi-autobiographical "memory piece" that follows a Hungarian immigrant family on Vancouver Island in the late 1990s. They discuss Romvari’s distinct "observational elegance," the film’s striking meta-elements, and how it stacks up against other recent memory-focused masterworks like

From the outlaw poetry of Badlands to the cosmic spirituality of The Tree of Life, this week's Archive episode has Adam and Josh counting down the five most indelible moments from one of cinema's most elusive auteurs. Expect plenty of hushed voiceovers and magic-hour cinematography.

This week, Matt and Jordan flip for the conch to discuss the BBC’s new four-part adaptation of The Lord of the Flies, now streaming on Netflix. The duo dives deep into Jack Thorne’s "cinematic" take on the classic novel, debating the effectiveness of its character-focused structure and its haunting visual palette.

Adam and Josh continue Filmspotting’s Dissident Cinema Marathon with its second entry, Roberto Rossellini’s Rome, Open City. Made in the immediate aftermath of Nazi occupation and against the backdrop of a country still in crisis, the film merges neorealist observation with the tension and structure of a spy thriller. The conversation explores how the movie captures resistance not as myth but as lived experience, examin...