Weirdhouse Cinema: Horror Rises From the Tomb

There’s no keeping THIS occult power couple down! In today’s episode of Weirdhouse Cinema, watch as Spanish horror icons Paul Naschy and Helga Liné spice things up across the centuries in 1973’s “Horror Rises From the Tomb.”

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Episode Transcript

Speaker 1 (00:02):
Welcome to stuff to blow your mind. A production of
My Heart Radio just finished rewatching it and made it
to the end where the there's a really good stunt fall.
I don't know if you cut that when the headless
body of the Warlock rolls down the steps and it's
it's obviously not a dummy, it's a stunt man, headless suit.

(00:24):
He's getting the legs going all of us, so we
obviously can't see. I think the effects in this movie
are better than they should have been. Um in some regards,
like I like the scenes where there's the lifting of
the head. You know, I'm something of no I wouldn't
say I'm a connoisseur, but I I put I pay

(00:46):
a lot of attention whenever there's a beheading and there's
a head being handled in a film, because I'm always curious,
like how good is it going to look? Um, how
are they going to do? What are they gonna do
the dummy head? Are they going to do? Like? Um,
you know, shooting an act will head the right way
and making it look like it's detached. And they did
a mix here that mostly worked pretty well. I've seen

(01:07):
it look rougher in more expensive movies. Well, it depends
what you mean by well. I do agree, though, I
found I think literally every scene with the severed head hilarious. Well,
it is inherent Yeah, there's something inherently hilarious about it too,
especially given the seriousness with which it is approached. Did

(01:27):
we already start the episode? Hey? Hello, are you listening? Oh? Hey,
welcome to Weird House Cinema. My name is Rob Lamb
and I'm Joe McCormick. Yeah. We were just talking a
little bit about about beheadings and movies, disembodied heads, the
living head, um off the beheaded, because that's what we
have in today's film. In ninety three's horror Rises from

(01:49):
the Tomb, Rob, I feel like this is the third
or fourth early seventies Spanish horror movie you have picked?
What What? What? What's got you going down this road? How?
How did you end up in in seventies Spain? Oh?
Don't There's just something about this, this whole realm of
of horror filmmaking. There's just some really there's some great

(02:11):
stuff here, and there's a lot of great stuff that
I haven't seen. So um, it's it's exciting to me
because the film we're talking about Here to Today hor
Rises from the Tomb. He is considered a classic of
seventies Spanish horror, like this is uh, this film is
a big deal. So um, I had not seen it previously.
So it was it was, it was one I was,
it was interested in. I was reading the synopsis and

(02:33):
I was like, all right, as long as this one
sort of stays within the parameters, Uh, this could be
the film for this week and lo and behold it was. So.
I didn't know anything about this movie going in, but
I was. I was certainly tempted when you when you
shared with me, I think a user review you came
across on some website that uh essentially made it seem

(02:54):
like this may in fact have also been an ego
trip for a particular writer slash actor. Yeah, there are
accounts of Paul Nashy, the star and writer here and
um in his um, his his ego. I have I
have seen that written about, and yeah, this is uh.
I ran across this this particular right up on Letterboxed
letterboxed dot com. That's l E T T E R

(03:17):
B O x D. That's a great UH website to
go to if you want listings of films, lists of films,
and hey, we are on there. We have an account
under the user name weird House, and you can go
there and see all the films that we've talked about
UH in a nice visual display. And I also have
links to the podcast episodes on there. But anyway, this
particular review, yeah UH a user by the name of UH.

(03:41):
Their name is spelled like lou l o U, but
then it says rhymes with wow, so I guess it's
lal um Lal writes, when Paul Nashy wrote this movie
about medieval Paul Nashy getting decapitated because of alleged Satanist practices,
he knew it was really about the executioners being jealous
of medieval Paul Nashy's good looks slash him being irresistible

(04:03):
to women everywhere. When it came time for Paul Nashy
to write a hero into the story to save everyone
and their wives from the clutches of medieval Paul Nashy,
he conjured up dreamy present day hunk Paul Nashi. He
knew that even if Dreamy Paul Nashi wouldn't be able
to defeat medieval Paul Nashi, he would at least be
recognized as the hero dreamy Paul Nashi really is. I'd

(04:24):
say that's about right. So this movie was not directed
by Paul Nashi, but written by Paul Nashy and starring
Paul Nashi in at least three different roles. That's right. Um.
Now I think that I would critique this, uh. This this,
this review is hilarious and I love it, uh, but
it's not accurate in terms in terms of of what

(04:45):
we get out of the Paul Nashy's and we'll get
into that the different Paul Nashy characters. There's really one
dreamy Paul Nashy character in this film, uh, and he's
pretty magical. So I was watching this movie on a
streaming service that is support or did by ad breaks,
and I was deeply intrigued by the fact that the
movie has major themes of a floating severed warlock head

(05:09):
dripping neck blood on things, including like a painting in
the process of being painted, and so so we'd have
the head, it would dribble some neck blood, and then
we would cut to commercial and the commercials are all
for paper towels and other cleaning products. Is this a coincidence?
Or has ad targeting got this good? Like they can
detect the contents of the film and adjust ads accordingly.

(05:34):
I don't know. I mean, you know, when stains are
at their worst, such as from dripping heads, you need
a quality paper towel. The other thing about the streaming
service that I thought was funny was that it said
this movie is rated TV fourteen despite it being absolutely
wall to wall severed heads, gratuitous nudity, and dripping blood

(05:57):
all over the place. Maybe that's like euro rating standards.
I don't know. Maybe, so, yeah, this is not a
film for for the children. Um. Though I have read
that there is a quote unquote clothed cut of this
Uh so they might have shot some alternate scenes in
which various characters are clothed instead of in various states
of nudity. Um, But it would be an entirely different

(06:19):
film that way, So I'm not sure I can recommend
that even if you can find that cut. Another thing
I will say about my experience of watching the horror
Rises from the Tomb is that it had two features
which may seem at odds with each other, but we're
both simultaneously true. One is that the plot is extremely simple.
There are not a lot of like twist and turns
and machinations. And at the same time, at least half

(06:44):
of the scenes in this movie, I had no idea
what was going on. By that, I mean I could
not tell you who some at least some of the
characters on screen were, how they arrived at, what they're doing,
why they're doing it, or what it means. Yeah, there
were there were a few scenes in this where I
think I watched than three times and then consulted a
plot summary to figure out exactly what the characters were

(07:05):
attempting to do. Uh huh. Yeah, I had really in
the first half had a hard time keeping the different
characters in their relationships straight. I did not know who
was who until until the Warlock magic really starts happening
in the second half. Then I guess it gets easier
to follow. Yeah, I mean, ultimately, this is a movie
about the ultimate occult power couple coming back from the dead. Uh,

(07:28):
to just tear it up. And so once they're back
in in action, you're you're one on board. Uh you
can you basically know where things are going and you
can follow the chaos, but you have to get up
to that point and it can be a little confusing
but never boring. Getting It's like the sunny and share
of Satanism rise from the grave in order to get

(07:49):
revenge on the what the descendants of the inquisitors who
put them to the sword? Yes, but also I think
they just they just want to consume human hearts, drink blood,
worship Satan and so forth. Yeah, but in the parts
where I had no idea what was going on, I
think part of that is dialogue and dubbing. Like this
movie did have that quality of I would literally be

(08:11):
watching a scene with my full attention. I'm not on
my phone, I'm not distracted, full attention. But then afterwards
I could not summarize what anybody said in the scene.
So there's a bit of that. But then another part
I think that made it a little hard to follow
is that the cinematography drifts more towards that dreamy style
that you would see in like a full chy movie,

(08:32):
where I think often our brains are trained, we pick
up on certain cues of how a scene looks and sounds,
and like, ah, this feels more like a dream sequence.
I don't need to pay close attention to the plot
because it's you know it's it's it's dreamy mode, except
this actually is just the physical reality of the narrative.
The world of the living is a dream of the dead,

(08:54):
which is probably not true, but that sounds like the
logic you would hear in the seventies horror trailer. Right, yes, yes, yeah,
I think when it comes to like, this movie is
very memorable, I think, but there is in terms of
like remembering lines. The most memorable lines for me are
some of the dumb things that the Painter character Maurice says,
um are occult power couple. Here. They have plenty of

(09:16):
times where they basically just say occult things, And while
I don't recall the details, the feel of it resonates.
So I would say this is a movie that is
more to be felt than comprehended. Uh. And again I
had I had to go back and watch something several
times just to make sure I was understanding what they
were doing. But to be clear, UH, this film rocks.
You should see it if you want to see it.

(09:38):
If if you're like, well I want to I want
to see this from myself before we get into the
main episode, Well let me tell you where you can
get it. Um, First of all, as far as physical
media goes, Shout Factory has the Paul Nashy collection out
on on Blu Ray that in that that has the
films in it Horror Rises from the Tomb, Vengeance of
the Zombies, Blue Eyes of the Broken, All Night of

(10:00):
the Werewolf, and Human Beasts. You can also pick up
Horror Rizes from the Tomb on DVD. I watched it
on Prime, but it was not great quality and it
was formatted for television. I think that the version you
watched was on to BE. It was letterbox edition, but
of course you're gonna have ads that way, so you know,

(10:22):
it depends how you want to play it. I ended
up going back on to BE and watching some of
the scenes again that I needed to revisit. I mean,
I'd say it's worth it just for the hilarious ad cutaways,
but who knows how the machines working there and they
pick up on something else with somebody else's experience, right, yeah, yeah, alright, Well,
the basic elevator pitch here is, yeah, I mean, Horror

(10:43):
Rises from the Tomb. Don't worry if you watch this film,
Horror will Rise from the Tomb. The Ultimate occult power
couple won't let death stand in their way. It's a
tender love story about a warlock and his head. Boy
meets girl, Boy loses head, boy regains head, Boy gets revenge.
Boy loses head. Well, boy loses Boy loses head, Boy

(11:05):
loses girl, Boy regains head, Boy regains girl, Boy loses girl,
Boy loses his head. That's the full platte source Eat Boy.
Woman inherits the Earth from the dark and mysterious Middle Ages,
full of mystery and violence. There now comes to the screen.

(11:28):
Fear rises from the tomb, a curse which would bring
these people to the most terrifying situations. Fear rises from
the tomb with all the mystery and terror of medieval
rights and witchcraft, the infernal powers of evil persecuting these
defenseless beings. Fear rises from the Tomb, a Pro Films

(11:53):
production directed by Carlos out ends of Past Today. We
shall take them ire want when the supreme day comes,
that they are sufficiently prepared for the sacrifice. All right, Well,

(12:14):
let's let's talk about about the humans involved in this
before we get back into the plot. So, as we
we mentioned already, Paul Nashy did not direct this. It
was directed by Carlos Arid who lived n seven through
two thousand and eight. Uh. He was a Spanish director
of various erotic dramas and Paul Nashy horror films, including

(12:35):
Curse of the Devil from seventy three, Blue Eyes of
the Broken Doll from seventy four, and The Mummies Revenge
from seventy five. As a producer, he helped bring the
films Alien Predator from six uh not Alien versus Predator,
but not just Alien Predator Alien Predator. He also produced
or was one of the producers on Claudio Fragasso of

(12:58):
Troll two themes film Monster Dog starring Alice Cooper. What.
I don't think I knew about that, or if I did,
I haven't seen it, but I've seen that the posters
and some skills from it. It looks it looks wonderfully awful.
And as you as we were, we might recall from
our episode on Troll to I mean, Claudio Fergasso took

(13:19):
this very seriously, this filmmaking thing, and so he's exactly
the sort of director you want directing a film called
Monster Dog starring Alice Cooper. So if Troll two was
a film about how he believed that meat eaters were
being persecuted by vegetarians. What is the meaning of monster dog.

(13:39):
I'm not sure, but if the poster is any indication,
he pursues this um, this topic, this subject matter via
some sort of like fleshless killer doberman. Gross. Yeah, all right,
so that's the director technically, but I don't know the vibe.
I gets the pretty much top to bottom. This is
the pole Nashy show, That's right. So who is this guy?

(14:02):
So Paul Nashy, Yeah, who has story and screenplay credits
on this. He plays our Warlock character Alaric Dimarnac. He
also plays this is complicated but Oli rexx um traitorous
brother Armand Demarnac. And he also plays Armand's uh descendant,

(14:23):
Hugo Demarnak in the present. So three different roles um,
and all of them have a different feel to them. Though.
It's weird because his descendant character is not like the
inheritor of the Warlock throne. He in fact, he basically
just treats his own descendant as another enemy. Yeah. Yeah,
and uh, and you know there's there's a I feel

(14:47):
like there's a different energy to Hugh. I mean Hugo
the modern day Paul Nashy character in this, which I mean,
I mean the nineteen seventies. You know, he's still kind
of a stylish dude, but he's also uh, I mean,
he's he's he's doomed. He can't stand up to the Warlock.
He's not like, I am the descendant of of Valeric,
and therefore I'm the one who can defeat him. No, no,

(15:07):
it's it's not going to go that way at all. Now.
In fact, he's a doomed skeptic, and he's the guy
who like doesn't believe in the power of spirit mediums.
So you know, things are not going to end well
for him. Movies like this do not reward people who
don't believe in the supernatural, and so nash But also
I would say about Nashi's character, this is not unique

(15:27):
to him, but he is. This movie has multiple contemporary
characters who are very much like turtleneck sweater tucked into
pants guys. Yeah, yeah, uh and and yeah. They they
just sort of wander into all this where they're like, yeah,
let's have a seance at this old this oldest state.
Let's call by let's see what we can call the

(15:47):
spirit of this dead warlock. That sounds like a good time.
We'll have some wine, we'll smoke a little bit. Um,
what could possibly go wrong? I would say Paul Nashi's
energy as an actor is a st range combination, something
I'm not really used to. In one sense, he has
very traditional, almost kind of like boxy or rectangular, uh

(16:10):
masculine movie star energy. I'm trying to think of who
to compare, you know, like a like an Ed Begley
senior or something um. But then on the other half,
kind of a weirdo worminess that is almost the likes
of Peter Lori. Yeah, yeah, he has his His physicality
is um is interesting to behold. Yeah, because because on

(16:32):
on one level, I mean he's he's clearly ripped as
well discussed he was. He's a former professional weightlifter, so
so he's uh, you know, he's quite a physical specimen.
And yes he he but yet he can he does
have this kind of wormy quality to him. He is
the natural energy for playing this eternal outside, this warlock

(16:53):
that was beheaded in the past and now has to
uh murder his way into being again in the present.
So some of you might be wondering well, who is
Paul Nashi. We're talking about him? He sounds pretty great.
Um well, he is, in many people's words, the Lawn
Cheney Jr. Of Spanish horror cinema. So he was born uh,
Jacinto Molina, but he assumed the name Paul Nashi for

(17:19):
for for acting and yeah, he plays three separate characters
in this film. Also wrote wrote the screenplay. And this
is a guy. We can't really appreciate the full richness
of Paul Nashi in a single episode of Weird House Cinema,
but I feel like this is a really fun film
and a great introduction to him at least. So this
is a guy who was born into a successful furrier's

(17:39):
family during the Spanish Civil War, who then began to
pursue a serious adult life of professional weightlifting and architecture.
But deep down he only wanted one thing. He wanted
to be the Wolfman, the Wolfman, the Wolfman. Yeah, I mean,
what if from what I've read that he grew up
you know, idolizing, uh, these these old horror movies and

(18:00):
especially the Wolfman roles, the Lon Cheney Jr. Sort of roles,
and uh and and fate would deliver him in that direction,
So he started out in various uncredited and sometimes rumored
roles in various nineteen sixties Spanish productions, stuff like El
sid Um, an episode of the TV show I Spy.

(18:21):
But then in he wrote and starred in a film
that was originally titled Mark of the Werewolf but then
on the American groundhouse circuit and had the name Frankenstein's
Bloody Terror, in which he played a werewolf of Valdemar
Danyinski for the first of many, many times. So this

(18:41):
was a franchise, Yeah, yeah, he did. I think it's
like a dozen of these, with titles like Assignment Tear,
the Werewolf Versus The Vampire Woman, The Fury of the Wolfman,
Dr Jackal versus the Werewolf, Curse of the Devil, Night
of the Howling Beast, Night of the Werewolf, the Beast
and the Magic Sword, Howl of the Devil, like Cantrapass,

(19:01):
The Moonlight Murders, and Tomb of the Werewolf. Most of
these films are from the seventies and eighties, but they
ultimately spanned five decades, and they're They're not a continuous
narrative by any means, with the plots varying wildly like
there's somewhere he goes to Asia and like goes to
Tibet in Japan to try and treat his lecanthropy. Um.

(19:24):
But a number of them look phenomenal and they're just
total werewolf features. Well, I feel like this sheds new
light on a major flub in the movie that really
seems like it should have been caught, which is that
in the English dub, at least, there's one part where
they try to say the word liking thropes, but instead

(19:44):
they say, I think lincoln thropes like President Lincoln. Yeah, yeah,
I noticed that that was I actually went back and
looked at that on to be with the captions on
and the captions for this one said you have empires
in Lincoln's robes instead of you are vampires and Lincoln
tropes lincoln thropes, but they said lincoln thropes. Yeah, Lincoln thropes,

(20:09):
Lincoln thrope. The dubs has lincoln thropes. They mean like
like they're talking about lecantrope. But yeah, but we'll come
back to the formal charges against Alaric in a bet.
But back to back to Nashi here Um. Mostly it
was this werewolf character that he returned to but the
warlock character in this oleric he does come back in

(20:31):
a later two film called Panic Beats apparently and plays
the character once More's that about does he become a
disco warlock? What's the Beats refer to? I'm not sure
comes back from the grave. But and it may not
even be connected because, like I said, much of many
of these werewolf films. It's not like it's a concise narrative.
It's like, let's bring let's bring this this guy back again,

(20:53):
let's have another adventure. It doesn't mean it has to
actually makes sense or be stitched into the grand fabric
of the thing. Okay, Like you can have many Dracula movies,
but they're not like all direct sequels to each other
with continuous or plot continuity exactly. Yeah. Well now, but
I am thinking beats that because you look at Nashi
is the warlock in this movie, and he does look

(21:15):
like he could tear up the dance floor, like he
would get out there in the lights. I mean, he'd
be doing the whole what's the you know, the pointing dance,
the John Travolta one, I know, the one. I don't
know what it's called. Okay, So just just a little
more more on Nashy here. I I looked into him
a bit. I was reading an article, uh, actually a
chapter in a book titled an Icon Rises from the

(21:36):
Grave The twenty one century Cult Stardom of Paul Nashi,
written by Andy Willis. Willis writes that Nashy was central
to quote the development, revival, and reinvention of horror cinema
in Spain. The paper mostly centers around the cult like
revival of appreciation for for Nashi late in his life
and career, as film fans and filmmakers in Spain and

(21:58):
beyond began to reevaluate his film, but it does put
a point out that, yeah, he was very much operating
in a time when horror was seen as very low
brow in Spanish cinema. Like, if you've had any self respect,
you'd be working in serious cinema. And if you were
doing horror, than like what are you doing? But what
was serious cinema at the time. Peplin movies like The

(22:19):
Sword and Sandal stuff. Yeah, yeah, just serious dramas about
history and and so forth. You know nothing about I mean,
this is about history, though, this is about an historic warlock.
So I don't know I don't know why the the
industry was so down in this film at the time.

(22:44):
All right, well, we'll come back. We'll discuss more about this, uh,
this wonderful performance as we continue. But there are there
are other human beings we need to mention, at least
in passing. Okay, we mentioned earlier. This is a power couple.
It's not just ol Eric, it's all Eric and Mobile.
He has to bring Mobile, uh back to life. Mobile
is played by Helga Lena. Helga is back. She was

(23:08):
the titular Laura Lie from the luralized Grasp, you know,
the gorgeous redhead German born actor who made a name
for herself mostly in Spanish cinema. Um. Both of these
films came out in seventy three, so if you want
to hear more about her, go back to that episode.
But she was born in as of this recording is
still still alive and um she worked from one through

(23:32):
two thousand and six and played a lot of fifatals
characters and horror movies, various genre films, and yeah, it
was pretty pretty big in Spanish cinema. And in this
she once more gets to absolutely slay multiple people and
also consume their hearts. Yeah, I was noticing incredible amounts
of overlap with the lower Lies Grasp. I was not

(23:55):
prepared for how much these movies would have in common,
even down to what looks like it could be just
a coincidence, but what looked like the same shooting locations. Coastline,
that really dreary coastline, the dreary lakeside. It looked exactly
like the lake in lauraized Grasp, and I would almost
be surprised if it was not shot in the same place.

(24:17):
But maybe I don't know. I think the actual I
don't know about the about the lake, but the actual
estate that we see I believe was was in Paul
Nashi's family, like that was that was his family's a
state there that they filmed on. But it's not just that. Okay,
So both movies feature Helga Lena as a kind of

(24:38):
I don't know, loosely a vampires of sorts, some kind
of you know, the creature that comes back from the
grave or comes back through history to slash people with
fingernails like in ways that leave these like you know,
parallel slashes on their bodies and then extract their hearts
and eat them. That Both movies are about this, right
though in the Laura Ie she changes into an actual

(25:00):
monster and in this movie she just gets more naked,
that's true, but she still does the fingernail slashes there.
This movie has has Wolverine style slashing. But she's great
and she really vamps it up. Yeah, they're great scenes
where she and uh and the Warlock are arguing about
you know, when they're gonna eat hearts? Are we're gonna
eat hearts now or we're gonna have to eat them later? Yeah?

(25:23):
What is the plan? When do we when? When? When
are we praising Satan right now? Uh? No, we need
to wait. There's so many moons we need to wait.
The exact details of their plan or maybe a little vague.
But she makes a good point. I mean, he's like, no,
we need to we'll do the sacrifice to to Satan
later and then we'll eat hearts then. And I think

(25:44):
she makes the point that but if we were angry
until then, we're gonna be making bad decisions. So we
need to eat at least one heart now. Yeah, And
she's like, honey, we've been dead for a long time.
We we've got to eat. Yeah. All right, though, So
these are These are the two most impressive actors in
the film, but we have some other roles worth mentioning.
Uh Emma Cohen plays, who lived nineteen forty six through

(26:06):
twenty sixteen, plays the character Elvira, not to be confused
with Elvira the Horror host. So Emma Cohen was a
Spanish actor as well as a writer and director. In fact,
in two eleven she apparently directed a short film adaptation
of Jorge Luis Borges the The Aleph. She was also

(26:26):
the longtime partner of Peruvian born Spanish director Fernando Fernan
Gomez until his death, but she before this, she did
a lot of B movies and horror films in the seventies,
including seventy five Night of the Walking Dead, Jeff Franco's
Five Count Dracula. That's one that starred Christopher Lee as Dracula,

(26:48):
Herbert Lom as Van Helsing, and Klaus Kinski as quote unquote,
uh Wrin feared. I don't know why Wren feared in
the the IMDb credits, but he is uh co and
also had an uncredited role in nineteen seventies Nicholas and
Alexandria and uh yeah, she in this she is she basically,

(27:09):
she's she's our final girl. She's one of the two
daughters of one of the villagers in the place that
they go to. Yeah. Now I'm gonna admit that I
again had a hard time keeping the different characters and
there the human characters in their relationships straight. So if
you're asking, like who's married to who or whatever, I

(27:31):
don't know. Yeah, I had to go back and I like,
at first, I was like, I guess this was Hugo's wife,
but it's not. No, it's not Hugo's wife. That's a
different character entirely. Uh. Well, we'll summarize all that in
a bit. Okay, there were a number of laugh out
loud moments uh for me in this movie. But I
would say the biggest one, the best one, is a

(27:52):
scene where we have a guy who's been seeing visions
of dark eyes staring at him, uh in the night,
and and he's and he can't stop seeing them when
he closes his eyes. So he's got to paint. He's
a painter, and he's like painting on a canvas and
then suddenly above the canvas appears a laughing, severed head

(28:12):
that's just going oh and it and dripping blood all
over the painting, and it's so good. But this painter,
like his dopiness makes it so much better. Yes, he's
haunted by the head of Aliric, and he's like, I
don't know what it is. I keep seeing his head.
I gotta paint it, I gotta paint it. And he's
and he's painting this like sub night Gallery quality painting

(28:35):
you know of of this headless body holding not Alaric's
head but modern Paul Nashy character's Hugo's head. Uh, pretty great,
But yeah, this, this is the This painter character, Maurice
was played by Victor Berrera. I couldn't find any dates
for for this actor, but yeah, he's a wonderful doom

(28:56):
idiot in this. The character is the the The actor.
Berrera appeared in such Spanish films as nineteen seventies in
the Folds of the Flesh, the seventy three Nashy film
Count Dracula's Great Love, and also the Nashi film Hunchback
of the Morgue, as well as the nineteen seventy three
film Green Inferno. Who was Count Dracula's Great Love? I

(29:19):
don't know, I haven't. I'm guessing. I mean, it could
be his career. You know, he married to his word.
But I imagine it's it's some it's some woman. Generally,
that's probably gonna be the I'm married to the blood. Yeah. Um, now,
one more thing about Brera. He was also in the

(29:39):
seventy three Judy Geeseon film A Candle for the Devil,
and as a director and writer, he did the ninety
eight film The Terrorist. He also tucks his turtlenecks into
his pants. He does. Yes. Now we're gonna skip on
the rest of the actors here, though there are some
other fun performances, but skip into the music. Carmelo a

(30:00):
Ornala did the music. He lived through two thousand and two,
and all I have to say is I hope you
like creepy organ music and weird percussion sounds, because this
film is loaded with it. Yeah. It's got this steady, slow,
ascending organ melody that just repeats and repeats and repeats. Honestly,

(30:21):
it got a little monotonous for me. I I thought
it fit this film like a glove. I'm not saying
it would work in every film. I'm not saying I
need a copy of it or I'm looking for a
high grade vinyl release. But for this film, I thought
it worked. Yeah, it's the appropriate vibe, but yeah, I

(30:41):
mean you'll hear it quite a few times now. Burnalla
here He was a long time Spanish composer of many films,
including Torment and seventy three's Count Dracula's Great Love. Oh
he wrote the love theme from Count Dracula's Great Love.
One assumes Uh. One more note about a person in
this Uh, there's a special effects The special effects were

(31:04):
by Antonio Molina and I don't have dates for him,
but he This is a guy that apparently has been
working in special effects since the nineteen sixties, starting with
nineteen sixty four's Uh. This is actually the very Sullivan
film Pyro the Thing without a Face that we referenced
in um Our Fiend without a Face uh episode. But

(31:24):
Molina here is apparently still working today in Spanish productions
and even worked on six episodes of Game of Thrones.
Also served as an armor or supervisor in the Spain
unit for such big films as Wonder Woman and Terminator
Dark Fate. So kind of a cool connection there. This
is not a film that you watch and you think, Wow,
I guess they had just tons of money to spend

(31:46):
on special effects. So I guess, as I kind of
alluded to earlier, I feel like the effects in this film,
such as they are, look pretty good. Though it is
that that early seventies Eero style of like very bright
red almost orange blood. Yeah, yeah, it's it's it's alarming.
Maybe that's why I got the TV fourteen. That what

(32:07):
you perhaps, Yeah, all right, well, let's bust into the
plot a little bit, Joe, take us back to the
mid fifteenth century. Is that when it is mid fifteenth century,
I think they say, I think that's what the narration says. Yeah,
this movie begins with the World's Most Depressing Parade. You're
watching like some people kind of tromp through a vast

(32:28):
We see them like on a plane with mountains in
the background. So it's the kind of landscape that maybe
looks like if it had been the true colors, it
would have been beautiful, but instead it looks just profoundly,
deeply unhappy and uh. And it kind of reminds me
of some of the landscapes in Monty Python and the
Holy Grail in that way that like something about the

(32:50):
film style and the way the colors come through just
makes the landscape very drab and unpleasant, but it's fitting,
especially when we find out what the um procession is about.
It's about killing and tormenting people accused of sorcery and witchcraft. Right,
we were here for the execution of a warlock and

(33:11):
a witch, and there's some there's some narration. You get
a voice over. I think that's saying like I don't
remember the exact words, but it's basically like France, you know,
before indoor plumbing. Wow, do you think war and disease
are bad? How about satan? Yeah, superstition, um, ignorance, violence,

(33:32):
They prepare you for all of it here and the
inquisitors troops here look to me like two faces Henchman
and Batman forever. They've got these goofy red sock masks
over their heads. That that that was really kind of nice.
And this is also where we get it's so the
you know, the warlock and the witch are taken to
the place of execution. I don't know why it needed

(33:53):
to be in the middle of this vast field with
the mountains and the stream, but but yeah, that's where
they take them and then there's some kind of you know,
church official or something who reads out the charges to them. Yeah,
and I think Maurice's ancestor is one of these people
as well, so he technically has a double role. Also,
one of these people's is olriks brother, who's kind of

(34:16):
like this one eyed Paul Nashy character with like a
smug grin on his face and a scar. Uh. That
is Olrik's brother Armand who is it's implied here that
he kind of helped do his brother in here. So yeah,
they're but they're both played by Nashi, So it's Nashy
punishing Nashi. Yeah, and they read out a full list
of charges, which in addition to you are vampires and lycanthropes.

(34:39):
There's you have drunk human blood of both the living
and the dead. You have eaten flesh. You have celebrated
the Black Mass with bloody sacrifices of the newborn and
of young girls who have adored Satan and all followers
of his Sabbath. Yes, verbatim, I believe. So. Yeah, they
put the sorcerer's to death, Warlog gets his head opped off.

(35:01):
They like, I don't know how they kill the witch.
They like hang her upside down or something, and they
they she screams. It seems like they're convincing to flog
her and then cut. She's presumed dead. Now here's the
thing we discover, like, I don't know why. This is
when we find their bodies later in the movie. So
this is gonna be hundreds of years later. Obviously they

(35:22):
want to be resurrected from the dead. But Paul Nashy's body,
he's like an incorruptible saint, Like his body is all there.
It still looks like, you know, totally fresh, and his
head looks totally fresh. Meanwhile, Helga Linay's body is a
skeleton with a wig on it. Yeah, different, different, supernatural. Well,
I guess here's the thing. He is the warlock. He

(35:44):
is the one whose body is is flowing with unnatural energies. Um.
She is his, his great love and therefore she benefits
from this sorcery. But she and she herself is a
different type of entity. And later on in the film,
we we had spelled out directly that they're they're slightly
different rules for for killing one versus the other. By

(36:07):
the way that opening execution is carried out via a
decree from Carcasson, which is was a French fortified city,
and of course is also the name of a great
German tile based board game which absolutely does not have
a Warlock execution expansion, but I think clearly needs one.
Oh never played it. What's a German style? Is that
like Settlers of Catan kind of stuff? Yeah? Yeah, this

(36:31):
one is one. It's a very calming, very relaxing board game.
It's all about building walled cities and uh connecting them
with roads with tiles, so it kind of you build
it as you go, and then it began you score everything,
and yeah, it's it's very cool. Okay, cut to the
present day and then Robert, I'm gonna need some help here.

(36:51):
Who who are the people? Are main characters? We we
have the Paul Nashy guy, and we have Maurice the painter,
and then we have two women and then some other people. Yeah,
this was that I had to go back and put
all this together again. But okay, we have we have
all a Rex descendant um and well technically Urmand's descended,

(37:12):
but also like his all Rex descendant, this is modern
day contemporary Paul Nashi Hugo and his gal is Sylvia
then we have Hugo's painter friend Maurice, who is also
he's a descendant of one of the witch hunters or
executors here, and his gal is Paula. Okay, is so
is our Sylvia and Hugo the ones where Sylvia is like,

(37:37):
why don't we get married? And Hugoes like, because I'm
paul Nashi basically yeah, and I don't really remember what
Maurice and Paula's whole vibe is other than they love
each other. Yeah, and and so basically they're all like like, hey,
we should uh. I forget exactly how they reached this point.
Maybe this little is going on, but they're like, we
should go out to the country to um to Hugo's

(38:00):
of chalis out there, and we should have we should
get this. We should hire somebody to do a seance
so we can get in touch with his head, which,
by the way, Maurice keeps seeing in his dreams and
in his visions as he's drawn to paint grotesque scenes
of decapitation. Well, now, wait, I thought they did the
seance before they went to the chalets, don't they do? Well,

(38:21):
they're still hanging out there, still in the city, I
think that's right. Okay, so they do the Yes, they
do the seance first, and that's the inspiration to then
go out into the country and try to find the
body and the head of Alric, which are which are
deposited in different places. Yeah. So I think Maurice is like,
I'm seeing this head in my dreams and I'm painting

(38:43):
it and I'm not very smart. And Hugh goes like,
I don't believe in heads. And then they're like, well,
let's have a seance and that that'll tell us what
to do. And then the medium at the seance is like,
there's a severed head that you must dig up, and
it's up at your up in the village, at your chale,
and that's he's buried in the cloisters. Head is in
the crypt of the monastery, and yeah, our our our city,

(39:06):
humans here are here, Like, well, we got to get
these two back together again. Let's get the head in
his body back together. And so they set out only
good can come from it. Yeah, I remember they argue
about this is one of the scenes where Hugo is
skeptical because they're like, you must believe what Madame Arena said,
because you know, a spirit was obviously choking her from

(39:29):
beyond the grave, and um, Hugo is like, oh, it
must have been she must have put on makeup to
show those bruises. But then why are they trying to
resurrect a spirit that was choking somebody? That seems like,
I don't know that that's red flag number one that like,
you should not resurrect the spirit. Yeah, I think so,
But what do they do? They jump in the car

(39:49):
that they head out into the countryside, and uh, and
here we kind of get into the We initially get
into sort of the Texas chainsaw masker territory of up
the city folks have come out into of the country
and now they're encountering country folk who are suspicious and dangerous.
Well and yeah, and it was weirdly more, I don't know,
there's politics within this village or something. So like they

(40:11):
get attacked on the road by bandits, and then some
other guys show up too, and they're like, hey, these
are the bandits, and they catch the bandits and just
like vigilanty justice murder them. But then also I think
the vigilanties then are essentially bandits also, and they tried
to extort money from from the heroes. Yeah, and end

(40:32):
up selling them a car because they think the when
the bandits initially attacked, end up wrecking the car and
they're like, whoa, so you one for three thousand. And
of course the lead bandit is is watching as a
Hugo busts out this big roll of money, and you know,
he's eyeball and it' like, oh, I'm definitely gonna rob
these people later. Yeah, and that is indeed what they're
plotting to do later. We'll come so here, I got

(40:54):
I got really confused about how this was happening. But
do if I'm gonna do like he go and the
rest of them hire the villagers to just dig up
all around this ancient church and find they're looking for
a box that has a warlock head in it. Yeah. Yeah,
and I think the villagers um are kind of interested

(41:15):
in it because there's also talk of there being some
sort of a treasure, so they're like, yeah, we'll help
you dig this up. He will even go to that
place where they say a demon stalks at night, so
they're this weird mix of of very superstitious but also
you know, up for whatever. Um. One of the villagers
here that we meet is this umm, this this Alan character. Uh,

(41:36):
and this is the he has two daughters. He has
two daughters. One is Chantal and the other is el Vidra.
Oh okay, okay, yeah, I didn't know where some of
these characters came from. But so some of the villagers
they find a box they like, dig it up, and
they again correct me if I'm wrong. I think they
think it's treasure. So they get real excited and they

(41:57):
open it up like they blow torch the law and
crack it open. But when they crack it open, it's
not treasure. It is a warlock head. And then the
warlock head hypnotizes them and turns them into like like murderers. Yeah,
olris head hypnotizes them and particularly hypnotizes Alan here the

(42:19):
father of Elvira, and has him go around with this
huge scary scythe uh this this wonderful crooked cutting implement
that that again, I think it's quite scary, and has
him going around butchering people with that. Yeah. So for
a while here there just seems to be kind of
like random roaming sickle guys, and they are there. Some

(42:41):
people are just getting killed and other people are getting
hypnotized to go work for the warlock head the head right,
because it's not a full warlock yet. It's in fact,
the most hilarious detail is that they there's like a
scene where they literally go down into the crypt and
they start taking orders from the warlock head. He's like
he can't move his head. So it's really funny, like

(43:02):
how far his eyes moved back and forth when he's
looking at the different people, Like what's this? Now? You
know you must do this very uh you know, templar
esque in terms of, you know, the charges that were
leveled against the Templars about the worship of decapitated heads,
and reminds me a little bit of the treatment of
this idea in C. S. Lewis's that hideous strength as well.

(43:35):
But but yeah, the head needs the body and needs
people to help with the body, and some blood needs
to be spilled on along the way, and so we
do get a series of sickle murders, including Alan killing
his own daughter Chantel here in a pretty terrifying scene.
This is a scene I had to watch a couple
of times because I thought it ended up being uh,
you know, blocked and you know in a way that

(43:57):
and shot in a way that that I found rather effective. Uh.
There's there's a certain art to having your your brutal
you know, Jallow style murders in a film and uh,
and they don't always work. Sometimes they come off very fake,
or they come off more about showing the blood than
sort of you know, teasing the idea of the violence.

(44:18):
So this is not one of those scenes where we
see a lot of like parting of flesh and see
heart getting ripped out and so forth. But there's just
like this sudden attack and then the sickle comes out
and there's a sound effect. I thought it worked really well.
Oh but there is the ladder in this movie. There's
plenty of that. But there's one where Helga Leanna literally
just like reaches into a guy's chest cavity with her

(44:41):
fingers and prizes chest apart to get that heart. Yeah,
the chest cat. This is one of those films where
you human flesh is just like putty to the undead. Uh,
and they can just rip right in there and pull
out any organ they want. This is another sequence though,
where I was like, when people were getting sickled, I
did not know who was who, and I was confused
when somebody like it seems like somebody turns up dead

(45:04):
and then the next scene somebody goes, well, she's sleeping now,
and I was like, but wasn't she dead? But then
I think maybe they're talking about another character who was present,
So I don't know. Yeah, this is one of those
films too, where on one hand the script was allegedly
written in like two days, But on the other hand too,
it's like we're dealing with the Grindhouse era dubbing, where

(45:25):
it wasn't really about uh, necessarily making sure that all
the intricacies of the of the original dialogue are maintained,
it's about getting that product out right. So at some
point after this, there is a scene where both Sylvia
and Maurice get hypnotized to go work for the Warlock. Right, So, like,
Maurice goes out walking and then he gets hypnotized by

(45:46):
hypnotized Sylvia and they all end up going down into
the crypt and that's where the Warlock head starts talking
to them. This was another laugh out loud scene for me. Again,
anytime the head is talking without the body on it
very funny, and he gives a full Bond villain monologue.
But as a severed head sitting in a box talking

(46:08):
and I had to transcribe this. I thought it was great.
So is like you, Maurice, Uh, he says the last name.
I don't remember what it is. You know, you, Maurice,
with the blood of my enemies running through your veins,
you will serve and help me accomplish my vengeance. Today
the faithful companion mobile de Lacrex will return and in

(46:29):
the space of seven moons, and when the heavens are propitious,
our power will be at its maximum strength, so that
we can exterminate all those who executed us, and our
unbounded hatred will make all mankind tremble, and thereby we
will thus be avenged. It sounds like a plan, and

(46:50):
thereby we will thus be avenged. I think this warlock
in his day job may have been a lawyer. It's
very contract de kind of language. Well you know, back
I mean, I think that's that's fair back in the day,
Like what was a warlock but a lawyer who dealt
mainly with one client, that being the the lord of

(47:14):
the pit himself, Lord Satan. But also in the scene
that this is I think the resurrection scene where where
the Warlock and Mobile are sort of brought back, so
like they put the Warlock's head back on his body,
and somehow they turned Mobile from a skeleton with a
wig on into hell gall and a oh god, this
is seen as great. Yes, So the the resurrected um

(47:37):
olirek here, but he's one piece again. He places the
unconscious Sylvia upon the skeletal remains in the casket, slices
open her chest, and any kind of um necro philadically
resurrects Mabel. Mabel, she like kind of like lays on
top of these two bodies in the casket, and in

(47:57):
the next shot is uh, Mabel is rising up out
of the casket, like the bones of her old bones
like spilling to the side, and she's back baby. And
then Alaric kills um Alan and cuts out his heart.
So just a great sequence of events here. I guess,
like I said, they're they're a power couple. You can't

(48:19):
help you feel their energy and get behind him here. Yeah,
they're then they're clearly happy to be reunited. They're ready
to go do copious evil together. Yes, So I think
there's like a scene where they're they're getting it was
not clear but they're like getting revenge on the descendants
of the people who who executed them. I think they're
just going in like attacking random villagers. I guess. I

(48:42):
guess this was part of the vengeance, or it might
have just been a situation with like we gotta power
up and eat more hearts. But yeah, there's they're these
wonderful scenes where Alaric and Mabel go off to love
up and kill other characters. I'm not sure these are
necessarily characters that we had met before. Mabel finds a
young villager dude, she strips nude and he gets nude,

(49:03):
and then she backscratches him to death. And then Alaric's
occult charisma causes a villager woman to strip nude, so
he strips nude, and this is when we get to
see physique by Nashi here, and then they climb into
bed together. Cut to villager dude with his back slashed
cut two nude woman dead with her heart cut out.
I think this is a John Saxon situation though, where

(49:26):
like Nashy, clearly he's like, I gotta show my chest
in this movie. People need to see these muscles. Um,
So he found ways to work it in I had.
It may also made me look up, as with John Saxon,
I had to look up old bodybuilding photographs and yeah,
you see something. I found some old Paul Nashy shots
of him in like full bodybuilding mode and uh yeah,

(49:46):
pretty impressive. Okay, Now there's some like Magic Dynamics where
there's like a magical amulet that pops up sometime around
here in the movie, and I was trying my hardest
to figure out did we already know something about about
this or is this just out of nowhere? Like, oh, yeah,
there is a an amulet that will defeat the warlock. Yeah,
this kind of comes out of nowhere. As I recall Elvira,

(50:09):
the local girl and ultimately she's gonna be our our
final girl here, she's like, oh, by the way, I
just remembered something. There's this Thor's hammer and hammer amulet
and it can destroy powerful undead creatures. Oh, so useful
information to suddenly have. And um and also we later
learn and I don't remember how we learned this, but

(50:29):
we learned that Thor's Hammer will not outright destroy a
female undead a female resurrected being. No, for that, you
need a long silver needle. Right, so yeah, the hammer
only works on Paul Nashi, the warlock. Paul Nashy. I
I remember how they find this out. They open up
a book and they're reading the book and I'm like,

(50:50):
what is this book? I don't wrote if they ever
explained what the book is. They just have a book
that tells you how to kill the warlock. This was
the research portion of the movie. I forgot about this.
But so there is a scene where after this, like,
the remaining humans include Hugo, who is unhypnotized at this point.
That's that's normal, that's regular. Paul Nashi um and uh

(51:14):
and Elvira and I think maybe somebody else, I don't know.
Those zombies attack the house and uh, and it's really
This was also very funny because I think we get
Alan or Ellen, the guy from the village, talking to
Elvira and he's like, Elvira, my daughter opened the door
and he sounds like Dracula, but she's like, oh dad.

(51:39):
But when the zombies get into the house, they are
vocal fry zombies. They're just wandering the hall is going
uh NonStop until there's a torch stand off. Paul Nashi
lights up a torch and waves it at them. He
does an awful lot of waving that torch. That goes
on for a while, and eventually he gets him out

(52:00):
of the house. He's like shoo, shoot and then you know,
they get out of the door, and then he I
think tries to burn them, but I don't know if
it exactly works, because later he's like looking for their
bodies in the lake or something he kept. There's a
there's a brief burning man stunt here where he catches
one of the one of the zombies on fire, or

(52:22):
at least catches the pants in the back on fire.
So yeah, basically Night of Living Dead scenario here with
dead villageers. They're able to successfully successfully fight them off
until dawn. After this, Maurice comes back the painter guy
and he's like, well I'm not hypnotized by the warlock anymore. Um,
and Hugh goes like, oh great, well, then I need

(52:44):
you to go help me do something. We're gonna need
an axe and some wood, and then he says to Elvira.
So they're leaving the house and he's like, you stay here.
It's going this is a direct quote. It's going to
be disagreeable. You'll be in no danger even if you're alone.
What's the base this for that? I guess it's because
it's it's daytime. The sun is Oh yeah, that could

(53:05):
be it, and she shouldn't see what they're going to do.
What they are going to do? This is the same
the following sequence. I think I watched three different times
and finally consulted a summary to to really nail down
what they were trying to do in this sequence, what well,
what are they trying to do? So they go to
the lake and the lake is making bubbling tar pit sounds,

(53:26):
and I don't know why, but they have to live
an axe and they have firewood, and they have like
a big long pole with a hook on it, like
they're going to drag the lake. Apparently they have come
out here to find the bodies of the zombies from
last night, any remaining bodies, and burn them. But they
don't quite get to do that because Maurice was not

(53:48):
so unpossessed after all. Looks like this was all a trap,
that's right, a brutal betrayal in which Maurice possessed Maurice
kills Hugo with a shotgun. So this is regular Paul
Nashy is dead. Now only Warlock Paul Nashy remains, right,
And again I was kind of surprised by this because
I thought it was going to ultimately be Nashy versus Nashy,

(54:08):
but instead, no, only Olirek remains. But however, I think
Maurice is genuinely awakened from his his hypnotized state by
the Thor's hammer amulet, like I think, what's her name?
Elvira presses that against him and then he's like, oh,
I'm good now, and then that's when they read the

(54:30):
book they find. They just start reading a book and
it tells them how to kill warlocks and zombies and
the silver Needle and all that. Meanwhile, this is when
we get the argument between the warlock and Helga Lana
about when they should eat hearts. You know, I will
eat hearts later, but I'm hungry now. And they settled
this by going out to find the bandits or the

(54:50):
vigilantes from earlier who were camped out with a fire
by the river bank, and they just say, Hi, We're
gonna eat your hearts now, and they do. This is
where Mobile like rips the dude's chest open with her hands. Nice.
So many chests get ripped open in this film, and
this all leads up to our final showdown. So on
one hand we have we have Maurice, and we have Elvira,

(55:13):
and then we also have Oliriic and mabel Um and
Elvira and Uh and Maurice. They have the weapons now
they feel like they know what they need to do.
They have the amulet, they have the needle, and so
the battle begins UH basically the way this is. I
thought thought this was a nice final showdown, but ultimately
Maurice and Olieric both throw items at each other at

(55:35):
the same time. Maurice is throwing the thor amulet UH
and Olric is throwing an axe, so Maurice is killed
by the axe H. Meanwhile, the amulet hits Alric and
wounds him. Elvira is fighting Mabelle and stabs her with
a silver needle, which just destroys her. And then Elvira
picks up the amulet and presses it to the wounded

(55:57):
Olric's head and this results in a nice dramatic death
sequence for Paul Nashi's Oleric, so el Viraus survives the
Warlock Horror that's right, Alaric, he like falls to his knees,
his head falls off his body, and his head tumbled
down some stairs and then just burned to a crisp.
They end up looking at they're kind of like a

(56:18):
smoldering orange newspapers. It looks like yeah, and then uh.
And then Elvira, in kind of a daze, she wanders
back down to the lake and she throws the thor
amulet into the water, and that's the end of the movie.
Now that's the I was confused by that. Why did
she throw the amulet in the water. The amulet wasn't bad,

(56:39):
The amulet protected them from evil. How does she know
that there isn't that she's not gonna need that again,
I don't know. I mean, she seemed to think it
belonged there. I don't know. If she was like I've
had enough of this and throwing this into the water.
If this is like throwing Goose's dog tags into the
ocean and top gun, I don't know, if this is
like ex Caliber needs to be rich turned to the

(57:00):
lake and so she's throwing those thrown in into the lake.
I'm not sure exactly what the rationale was here. Other
than to have a kind of haunting, ambiguous ending to
the whole affair, which is sort of what we had
in the Lore I Grasp. We had a haunting, ambiguous
ending by the by the lake shore. That's right. Yeah,

(57:21):
except this movie, unlike Lorealized Grasp, does not have a
doomed monster romance component. It does not have like the
human falls in love with a monster. If there is
a love story, it's the love story between two evil
monsters and uh and unfortunately they're both they're both thwarted
by by bumbling humans in the end. Well, Aleric is

(57:42):
clearly upset when his loved one dies again, like we
do get a moment of him reacting to that, and
I felt bad for him because again I was behind
this power couple. Um, I'm not sure what they're their
their modern power couple name would be combining Aleric and Mabel. Um.
I'll he met for Malari Malarik, Team Malik. Yeah, I

(58:04):
was on team Malarek. So yeah, I was a little
a little sad when when when, when things went down
the way they did. I think Nashy's look as the
warlock is far superior to his look as a modern
day man, So yeah, definitely. Yeah. On one day, he's
wearing this gross, pale makeup and he always looks sweaty,
and he's got this fake beard and he's got the

(58:25):
cool cape and everything, and that all just gels. That works.
And the other version there's an actual gel too, there's
that red gel or purple gel. So he has this
demonic light to him and yeah, he's just got his
sardonic look on his face. Absolutely love this look. That look.
That look works, and when you compare that to his
look as the modern man who tucks his turtleneck in,

(58:47):
it's just it's not the same. Right, one before we
close out, one more Maurice moment that I love. There's
a part earlier in the film where they've gone out
into the country and he comes back from town. I'm
not sure what he was doing in town, but he's
talking to Hugo and he's like, yeah, this place sucks,
like I went into town and that the kids were
throwing rocks at me. Yeah, I love that. I did

(59:09):
not know what that meant, but it was funny, all right.
The movie is Horror Rises from the Tomb. Uh, Yeah,
it's a lot of fun. At some point in the future,
I may have to come back and and look around
at some of these Paul Nashy werewolf films and figure
out what might be the Paul Nashy werewolf film to watch.
I'm not sure, but if anyone out there has any ideas,

(59:32):
feel free to write in and let us know. All right.
In the meantime, if you want to listen to other
Weird House Cinema episodes, you'll find them in the Stuff
to Blow your Mind podcast feed every Friday. We're mainly
a science podcast, but once a week we like to
set aside everything that's serious and just talk about a
weird film. Uh so, yeah, I get that wherever you
get your podcast. If you want a full list of

(59:53):
the movies we've covered, there are two places you can
go for that, aside from the episode feed. You can
go to letterbox. It's l E T T E R
B O x D, and if you look up the
account Weird House, you'll find a list there with all
the movies in there. So you can give this nice
visual of everything that we've covered and sometimes a glimpse
at what we're going to cover. I also blog about

(01:00:14):
these at a personal blog titled some Muta Music. So
you can go there as well. Huge thanks as always
to our excellent audio producer Seth Nicholas Johnson. If you
would like to get in touch with us with feedback
on this episode or any other, to suggest topic for
the future, or just to say hello, you can email
us at contact at stuff to Blow your Mind dot com.

(01:00:42):
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