December 17, 2025 • 28 mins
In this edition of Something Like A Trendnomenon, Jack and Miles discuss Dan Bongino's last day at the FBI, the Bari Weiss/Erika Kirk town hall being a complete flop, the 'Home Alone' house getting de-renovated, the trailer for the new Melania movie, Trump bing-binging it up and much more!
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Episode Transcript
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Speaker 1 (00:00):
Hello the Internet, and welcome to this episode of Trednomena,
but also accept something like amenon yeah, Trednomena, Kurt Is
he had next emper trannus.
Speaker 2 (00:17):
Uh. We were just.
Speaker 1 (00:18):
Talking about how maybe we don't have to give up
the old Diddy, like the old bad boy stuff.
Speaker 3 (00:25):
Starting it off like that is very odd. Maybe we
don't have to.
Speaker 1 (00:29):
Because he literally wasn't involved in it.
Speaker 2 (00:31):
He didn't make that music.
Speaker 3 (00:33):
He didn't do a fucking thing, is what we're learning.
I mean, everyone knew he he didn't have a musical
bone in his body. But like I'm sure you probably
saw that clip of Mark Curry where he talks about
the come with Me guds and this song was like
close your eyes, no surprise, come with Me, And like
Mark Curry wrote that song and he's like, but then
did he got in this seat? He's like, my eyes,
(00:54):
no surprise, my eyes, and he's like it took us
eight months to record that first.
Speaker 2 (01:01):
But anyway, just all bad, bad instincts.
Speaker 3 (01:06):
Yeah, because things that even before the documentary, there were
always these clips of P Diddy's on unaltered vocals from
recording sessions and you're like, oh, he he's on drugs.
He's on drugs the whole time. Yeah, the whole time.
Speaker 2 (01:21):
Yeah, and it turns out he was Yep, we're far off.
All right.
Speaker 1 (01:26):
My name is Jack O'Brien. That over there is Miles Gray.
This is the episode where we tell you what is
trending on this Wednesday, December seventeenth. I'm here eight days
out Christmas morning. Yeah, yeah, oh and oh shit, Miles
ran out of the room.
Speaker 3 (01:42):
Miles sized hole mile hole in the wall. H you
get your kids gifts already?
Speaker 1 (01:46):
Yeah, yeah, we're well, so we got to be down
in Florida, so we're like sending stuff down there.
Speaker 2 (01:52):
It's oh they sing.
Speaker 3 (01:54):
Oh so it's like ship that you can't really it's like,
I know, it's trick on the way back because it's like.
Speaker 1 (01:59):
A sh and you know how like I'm real Christmas magic,
like want them to have a great Christmas morning, but
my wife's like, we're not getting a mat. They're not
gonna want to bring that back in a suitcase and
just like real, you know, like nuts and bolts about
that and makes sense. I mean, he's right, but I'm
I'm sick with it.
Speaker 3 (02:19):
I just but what if we put straps on the
power wheels and we call it a bag. Maybe they
let us on with it.
Speaker 1 (02:27):
All right, let's talk about some of the things that
are trending on this Wednesday morning. We gotta bid a
do to one. Dan Bongino.
Speaker 3 (02:39):
God, he's gone. It turns out that being just wholly
unfit for the job of Deputy Director of the FBI
is a quick way to not have that job anymore.
But also working for Donald Trump in this era, I think, yeah,
it looks like his ass is grass. The tie will roll, yeah,
(02:59):
exactly with.
Speaker 1 (03:00):
The song and we yeah, I mean we're at the
latest in the investigation into the Brown mass shooter is
that they've like we've got a got an enhanced image
of the shooter and it comes through and it just
looks it looks like an image from like a Capshaw
(03:21):
where they're like, is there is there a bis Is
there a motorcycle in this the.
Speaker 3 (03:25):
One that looks human? Yeah? Cool, cool, Yeah, the looks
from the time, said Bongino. I said he has he
has plans to leave his job as soon as this week,
as late as mid January. So that's where I'm like, Okay,
what's usually you know, when you're out a lot of
people point out They're like, he's always like this, but
(03:45):
this probably feels like it's happening because well, one sign
it might be sooner than rather than later. Mister Bongino
has been sending office nick Knacks, Patty Wax, and other
possessions back to Florida, where he intends to resume his
lucrative career as pro tru media broadcaster just in time
for the midterm election.
Speaker 1 (04:03):
Hell yeah, welcome back, brother, Yeah to the podcasting fold.
Speaker 3 (04:09):
That sad. He's just great example of a maga fuck
with that flew too close to the deep state, Like
his whole career was about getting people hopped up on
Epstein conspiracies, and then he just only ends up being
the guide who had to be the deep state and
be like nothing to see here, folks, nothing to see here,
and just like shaking uh and yeah, well, good good
(04:31):
luck to you, Dan Bongino.
Speaker 1 (04:33):
It's like they put Candace el Ones in charge of
the prosecution of Charlie Kirk's assassin, and she was just like, actually,
nothing to see here.
Speaker 3 (04:43):
Nothing to see here. It's this whole other thing that
Oh god.
Speaker 2 (04:47):
I was, I was way off.
Speaker 3 (04:49):
Do you remember this song by this comedian musician Nick
Lutsko where he said I want to be at the
RNC with Dan Bongino. It's like this was the thing
that created just everyone needs to sun.
Speaker 4 (05:01):
All right, I want to see That was the lady
from Saint Louis from the twenty twenty holding the gun
like a loosener hand.
Speaker 3 (05:14):
Damn Bongino. Just oh man, what a time to be alive.
But anyway, so he's out, just we just don't know
will be this week or will be mid January, because
it depends on how long it takes him to get
his like big commemorative trophies or whatever the fuck out
of there.
Speaker 1 (05:34):
Yeah, And like we've talked about, like the intentional incompetence,
the designed incompetence, that is the Trump administration's platform of
the like just putting incompetent people in positions of power
so that they have to be loyal above everything else,
and then it creates chaos and bad things happening, which
allows him to.
Speaker 2 (05:54):
Grab more power.
Speaker 1 (05:57):
But like that, it's also just a byproduct of that
is that everybody since nobody's focused on doing their job
because that's just like out of the question and they're
not going to be good at it. Everybody's just sniping
each other and like Cash Battel is just like, I
gotta tell you, this Brown thing is no good and
it's fucking bongino.
Speaker 2 (06:18):
Man. This guy's sticking up the works place.
Speaker 3 (06:22):
He was just on fucking Katie Miller's podcast yesterday or
the day before, like I don't know when they recorded it,
but like in light of the fuck up at Brown,
the fact that you're on Steven Miller's wife's podcast with
your Gina friend no cash cash money, really caire, Oh was.
Speaker 2 (06:41):
He doing that with his girlfriend?
Speaker 3 (06:43):
Yeah? Yeah, yeah, there's there's just a clip.
Speaker 2 (06:46):
Good time.
Speaker 3 (06:47):
He kind of gets emotional about like people talking about
his fake relationship.
Speaker 5 (06:52):
On a personal level, of course, I wish we didn't
have to deal with the attacks. Like she should be
out there touring and crushing it on the country music stage.
She has been, and she shouldn't have to deal with
the collateral consequence of just being the FBI director's girlfriend.
But I think with the hyper sensitive nature of the media,
especially the social media space, people come at you because
(07:15):
it takes me back.
Speaker 3 (07:16):
You're a fascist, I mean, what do you want? What
do you say?
Speaker 1 (07:19):
He also has that mic like inside his mouth, Like, bro,
take a sip of water, put a fucking mint in there.
You can hear his mouth opening and closing.
Speaker 3 (07:30):
How is this a podcast? And you guys have the
fucking clip on TikTok Street Interview Lavalier microphone, right, why
don't you have Where are the fucking microphones? But anyway, Uh,
I just.
Speaker 6 (07:42):
Wish that like people didn't like judge our relationship, like
the social media environment toxic because like I'm a fucking
fake ass coup and like I don't know what the
law is even though I'm actually literally a lawyer.
Speaker 1 (07:54):
An unsolved major shooting that's happening right now that we
totally fucked up and lost a day of the investigation
because we arrested the wrong guy based on absolutely no
evidence and that's kind of my mo o. And then
so we do that, the killer gets real comfortable and
(08:14):
then their dad turns them.
Speaker 6 (08:17):
That's my method, just lull them into a false sense
of security and then hopefully they let it slip in
front of their dad who's a detective.
Speaker 3 (08:25):
Well hopefully works at the FBI. I don't know, man,
wouldn't that.
Speaker 2 (08:30):
Would actually be sick? It was like Bongino's Kid or something.
Speaker 1 (08:38):
We do have the ratings, the official ratings and for
that Erica Kirk special, which we talked recently about how
the views on the YouTube were looking pretty light. But
that's never been CBS News's strengths, right, CBS News is
(08:58):
like old people still tuning in to the Lady Years.
Speaker 2 (09:06):
Jag back in the day.
Speaker 3 (09:07):
This was, yes, this is for the old people.
Speaker 1 (09:10):
And they were blowing it out on CBS like they
the lead in was that Army Navy football game, which
you know, that's that's their bread, that's the bread and butters.
Speaker 2 (09:21):
And people who were like, I want to hear from
Aker Kirk.
Speaker 3 (09:25):
Like what is this going to be. That feels like
a perfect setup where it's like if you're passively watching
the Army, if you're into the Army Navy game, right,
probably a good chance. Have you heard it up next
this freak show? Yeah? Yeah, you'd be like, all right, well,
I guess I'll have to turn it off now.
Speaker 2 (09:41):
Yeah. Yeah, so very hype.
Speaker 1 (09:43):
You know, they tweeted about it over the weekend more
than the Bondai Beach mass shooting, more than the Brown
Mass shooting.
Speaker 2 (09:53):
This was like they're like, yes, those are stories, but
this is history. Get ready.
Speaker 1 (10:00):
And the ratings came in and it was a quote
total bomb. Oh god, oh god, no, no, it's the
show average one point five million viewers, which is a
twenty percent decline in viewers compared to the year to
date average for that time period. So it's not just
like twenty percent below their last major media spectacle, it's
(10:22):
twenty percent below what's normally on at the worst time
slot of the week, which is like very late Saturday.
What usually runs there that they didn't even get close
to was the third hour of forty eight hours the
TV show like in presably mostly in reruns and in
(10:43):
the twenty five to fifty four year demographic, which with CBS,
the you know, everybody actually wants like twenty five to
thirty five or forty four, but with CBS they're like,
we're actually interested in fifty four year. They really stretch
it out to try and make it as wide as possible.
Speaker 3 (11:00):
To be sure they got money.
Speaker 1 (11:01):
So yeah, in that demographic, the ratings tanked forty four
percent to just two hundred and thirty seven thousand people
watch that shit.
Speaker 3 (11:10):
So people were like, get this shit off my TV.
Speaker 1 (11:13):
Yeah, it had a higher lead in than usual. Oh right,
which is like the most important thing in TV you have.
You know, people are watching it linearly, so you know
that's why they put like the big new shows that
their debut, and they put the debut of Survivor back
in the day right after the super Bowl because like
you're just catching people who like leave the TV on
(11:34):
and then they're like, oh what is this? As mentioned,
they had the Army Navy game, so people were just
like actively fleeing who avoid watching this shit. It wasn't
just it wasn't just like they had a bad time slot.
They had a good time slot and people got the
fuck out of there, like no thank you.
Speaker 2 (11:53):
It was it was a big no thank you.
Speaker 3 (11:55):
Probably ingested about ten minutes total of it. Yeah, and
that was I mean, like my nose started bleeding because
like the psychic damage that was happening as I was
watching it. So, oh man, well, hey Bari, look you
got to you got a big project over there. You
get your were best for you, you give your best
because nobody's fucking with CBS.
Speaker 2 (12:17):
That's right, do people?
Speaker 3 (12:20):
Yeah?
Speaker 1 (12:21):
Like it? She feels really like a media creation to me,
Like she was just a thing that everybody was like,
she obviously is able to get people talking by saying
wild shit, but like the thing she does is she
likes says things that offend the sensibilities of you know,
normal people, and it makes a big stink with normal people.
(12:45):
But it's not like she's a person who has a
huge following among like right wing people.
Speaker 3 (12:51):
Right, oh, right, right, Like you're talking about like a
like a celebrity.
Speaker 2 (12:54):
Yeah right, she's not, Like she doesn't have like a
YouTube channel with ten million Remember.
Speaker 3 (12:58):
Her fucking university thing that shit fucking tanked too.
Speaker 2 (13:01):
Yeah, she's just like she's one of the available.
Speaker 3 (13:05):
I think she's one of these people who's because of
her proximity to all of these like oligarchs, she does
really well in the room with them, and they're like,
you know what, I can trust her. I can trust her.
We're on the same page. She's down to oppress the
same people. She's down to keep the same sort of
like rigid structures of oppression intact. Right now, with that money,
(13:25):
let me put you as the figurehead here because you can.
You're useful, you know, she's I think she's useful. And
I think also because of her presentation. She can say
like odious shit, and most people like aren't like huh.
Speaker 2 (13:37):
Yeah, yeah, all right, let's take a quick break. We'll
come back.
Speaker 1 (13:40):
We'll talk about the Home Alone House and uh oh
yeah the favorite favorite ad lib these days and the
new Millennia trailer just dropped.
Speaker 3 (13:51):
We'll be right back, and we're back, We're back.
Speaker 1 (14:04):
The Home Alone House was sold last year for five
point five million dollars, which is wild because the listing
showed what the house looks like now, and it's like
they've replaced the warm Christmas y vibe with like an
icu ward aesthetic. It's just like it's all white. I mean,
(14:27):
it just looks like they just did the standard you know,
house flipper, house flipper thing, paint everything white and.
Speaker 3 (14:34):
So ray flooring.
Speaker 2 (14:35):
Yeah yeah, yeah, yeah, just real. No, it's anything.
Speaker 3 (14:40):
It's called up. It's fucked up. To look at that
iconic staircase from the movie and it just be like
this sterile yeah thing.
Speaker 2 (14:48):
Now it's like beach on chic.
Speaker 1 (14:50):
They're trying to make everything look like a beach house.
Speaker 3 (14:53):
I was I was actually in the market for a
five point five million dollar house.
Speaker 1 (14:57):
This no, thank you, you're you're in luck because the
people who bought it are re renovating. They're unrenovating it.
Oh my god, what this time to transform it back
to the way it looked in nineteen ninety, so presumably
more color on the walls, with the occasional splash of
fresh burglar blood.
Speaker 3 (15:18):
Oh yeah, yeah, yep, yep, yeah, yep.
Speaker 1 (15:20):
But okay, I like I like the idea of like
having this be just a house that looks like it
did in Home Alone, just burning burning electricity all through
the night.
Speaker 3 (15:30):
What is like, what's going on? Like when you compare
the photo from the film and the new one, Like
did they just add it an insane addition to the
back yeah?
Speaker 2 (15:39):
Or they knocked out a wall you know that's open
low yeah yeah, open floor.
Speaker 3 (15:45):
Yeah, it's a little bit differently.
Speaker 2 (15:48):
You just want to be able to see all the
way through the house.
Speaker 1 (15:51):
You want you want no privacy, you want when a
light turns on somewhere in the house, it goes on everywhere.
Speaker 2 (15:58):
Nouse, that's why you're looking for they're.
Speaker 3 (16:01):
Going to turn it into like a because I remember
remember the a few years ago Airbnb, like you could
go sit story yeah, yeah, you could stay at that
house and like it was sort of similar in styling.
Probably they're like they have it like as in they're like, ooh, broll,
We're gonna rent this shit out, you know, people want
to fucking I guess it really only matters and during Christmas, right, I.
Speaker 1 (16:21):
Don't know, as we talked about in our upcoming holiday
episode where we Rewatch Home Alone with Chris Croft, and
that it did incredibly well in the lead up to
the holiday, but then it like kept going. It was
like number one of the box office and like fucking April.
Speaker 3 (16:36):
I guess if it was, I'm down. Yeah yeah, and.
Speaker 1 (16:39):
It's Chicago, so it's always cold, all right, all right,
from a past Christmas classic to a new Christmas classic.
They just dropped the trailer for the upcoming Milania.
Speaker 3 (16:54):
Movie, which documentary is a total misnomer here.
Speaker 2 (16:57):
Yeah, yeah, this is they that seems to be like
part of the appeal.
Speaker 1 (17:02):
I don't know.
Speaker 2 (17:02):
Did you watch the trailer?
Speaker 3 (17:03):
Yeah yeah, yeah, yeah, what what the fuck was?
Speaker 7 (17:06):
Like?
Speaker 3 (17:06):
What the fuck is this?
Speaker 1 (17:07):
It's a lot of clashing messages, like they're trying to
make it seem like she's like the guy behind the
guy here, like they show.
Speaker 3 (17:15):
Her like walk in well he's you're behind this this one. Oh,
that's not a good look, miss, You're behind this.
Speaker 1 (17:22):
So I think they also recognize that because so there's
one part where like she walks in while he's preparing
a speech and he says, my greatest legacy will be
that a peacemaker, and she interrupts and says peacemaker and unifier,
and then it kind of sounds like it does kind
of sound like she's saying betrayer because you can't really
hear her, but I did turn on the subtitles and
(17:45):
it says unifier. That would have been sick if she
was like and betrayer. I've got you on tape, motherfucker.
Like that's how she got him.
Speaker 3 (17:52):
The way she interjected felt so forced, forced and staged. Yeah,
peace maker and unifier, Like, first of all, okay, so
you're you're in there like that to help punch up
a speech, but you weren't even with him on election night.
Speaker 7 (18:07):
Yeah.
Speaker 1 (18:07):
They show her calling him on election night being like, hey, hello,
mister president, and he's like did you watch did you
see it? And she's like, I'll get I'll catch it
on the news. Bro.
Speaker 3 (18:18):
That shit was fake as hell.
Speaker 1 (18:20):
Bro.
Speaker 3 (18:20):
I think I don't even I don't even I doubt
that was even on election night probably. I mean, it
feels like a thing because imagine if they lost and
they'd be like.
Speaker 8 (18:28):
Holy shit, babe, we have to leave. They're going to
arrest everyone. I don't know what the what would the
vibes been like then? But it was just a bunch
of hero shots like stitched together.
Speaker 3 (18:40):
It didn't there was really no I got no feel
for what you were actually going to get from this
in terms of like any intimate look at who this is.
Speaker 1 (18:52):
It's all just like you know, like sometimes the NFL
will have like cinematic cameras, like so you like see
he's like big swooping cameras coming in and like NFL films,
it just feels like a lead up to the super Bowl,
like NFL films thing where it's just these cameras like
(19:12):
swinging around her as she like walks out in her
Carmen San Diego villain outfit to the inauguration, and that
that's the like opening, the cameras like swinging around.
Speaker 2 (19:22):
Then she goes here we.
Speaker 1 (19:23):
Go again, but it's not documentary sound. It's like she's
been miked up on the set of a film.
Speaker 3 (19:30):
It's a full It's just it's a highlight reel. It's
not a documentary. It's a glamorous shot highlight reel with
some words being said in between.
Speaker 1 (19:40):
She doesn't have pores, as far as I can tell.
That's one thing that can be said for her. She's
done it. She's really she got rid of all her pores.
Speaker 3 (19:49):
You got to do you. I wonder if we'll see
I don't even know, Like I don't it's gonna fuck.
I mean, I know people are going to go to this.
It was so jarring to see the MGM logo at
the front, like I know, bring Lion to be like
that used to mean something holy shit, but that's it's
Bezos Bot Amazon, but our MGM. But I just don't
the audience. I mean, I almost want to go to
(20:10):
the theater, like on opening night, just to be like,
what the fuck is.
Speaker 1 (20:14):
Just like sit down under the screen with your back
to the screen and watch people watch you.
Speaker 3 (20:18):
No, no, I went my ticket to that. I would
just like hang out just like at the door of
the theater and be like, I mean, I guess I
could just weird everyone out and just sit at the
just stand in front of the screen looking at them.
Speaker 1 (20:29):
Yeah, oh wow, interesting, she doesn't like I could see
if this was promising something where it's like you see
her behind the scenes and she really like has a
completely different vibe from what you were used to seeing,
which is like distant person floating through the background like
(20:49):
a dracula. Then I could see that maybe doing something
because people are like, oh so she's like an actual human,
but this just gives off like one hundred percent be
best vibes.
Speaker 2 (21:03):
Oh, like, there's there's nothing here, She's just a cipher.
Speaker 3 (21:07):
There's like and you'll you're never going to see them
at like quote at home, you know what I mean.
Speaker 2 (21:13):
There was no that's never happened.
Speaker 3 (21:15):
What I mean like, there's like you won't even see
so like you're really only seeing the moments when they
are really publicly presenting themselves, at least in this documentary,
right to the point where like I'm like, I don't
even what is she does she wear a tuxedo at
home too?
Speaker 7 (21:29):
What is?
Speaker 3 (21:30):
What is this thing?
Speaker 1 (21:32):
Always looks like she's in the Putting on the Wrist video, Yeah, exactly,
reference all right, And then over to her husband, he's
just continuing to be normal and again just seem like
a child who want to make a wish thing, where
when he's talking about like a military operation, he's not
talking about anything with strategy or like broad perspective. He's
(21:56):
talking about how cool it looks when the bombs go off. Yep,
exactly again, I made it do that. In many ways,
that's that's me. I made it go bing bing.
Speaker 3 (22:06):
I don't if I don't know if I said this
on the show or if this is for one of
the holiday recordings, but anyway, his whole speaking style is
I'm killing it, bro, and I'm bawling, and you don't.
None of y'all have it like me. And in this one,
he's hosting a Honika reception at the White House and
he's like, y'all, I got to tell you about my
favorite movie I see at the new my favorite new
movie theater, the Situation Room. It's called bombing Innocent people.
(22:29):
All right, y'all, let me hear it from you. And
here there's he's talking about how like the plane is.
Speaker 2 (22:35):
Stuck, and then it's that stuff anymore.
Speaker 3 (22:37):
When they get the bombs come out, here's just unstealthed
when it goes, I explained that to Mark Levin.
Speaker 7 (22:43):
Once you're going in, you go like this, and as
soon as it goes like this, for some reason, the
plane is totally visible.
Speaker 3 (22:52):
Not good.
Speaker 7 (22:53):
And I watched it happening just it's like I'm sitting
home watching it. You know, it's amazing. The situation room
is an amaz.
Speaker 3 (23:01):
I'm just sitting home, like I'm watching what we would say,
like TV.
Speaker 1 (23:04):
I think he was gonna say, like, I'm watching like
a movie like Kickbox or blood Sport. Oh my god,
but you're he's doing with his hands and then the
thing goes like this, which is he's just doing what
how bomb doors open or like any bottom of a
plane door, like the doors that open outward to let
the landing gear down.
Speaker 7 (23:26):
But I watched him go bing bing, she went bing bing,
Two massive one hundred thousand pound bombs come pouring out.
Speaker 3 (23:35):
He goes on. He's like, it was the greatest military operations.
You're like, because you dropped a bomb on a boat
like a non combatants.
Speaker 2 (23:44):
Is that what he's talking about, the boat bombing?
Speaker 3 (23:46):
I'm pretty sure or no, you know what, you know
he might be saybody iron, it's probably iron. Yeah, if
that makes more sense for the tonicide, so he was
he was trying to keep it limited to like Israel
Israel stuff too, because Miriam Adams and was also there.
He's like, she's given me a lot of many folks
two hundred and fifty million, and she like whispers in
his ears like she said, if I run again, so
(24:07):
give me another two hundred and fifty million.
Speaker 1 (24:09):
So wow, yeah, I mean that he's gonna run again.
I guess like if we've if we learned anything from Biden,
it's the yeah, you can't tell these motherfuckers shit.
Speaker 3 (24:21):
I'm sure they're probably trying to put something in front
of him that's like, look, dude, let JD take over
and you will be you will be protected, you'll be
you'll still be God.
Speaker 1 (24:31):
Yeah, but you know, I'm gonna they're gonna need to
blackmail him to get him out of there, and it'll
just be it'll just be a matter of like how
bad the ship in the Epstein documents are right where
they'll be like, we'll hold this back, it goes out
unless you agree to let JD Vance move in. Yeah,
or he's not doing that on his own valet, like
(24:52):
Biden wouldn't do it on his own balot.
Speaker 3 (24:54):
I don't know, Jack, we have pretty good examples of
the elderly empower letting go.
Speaker 1 (24:58):
I don't know, yeah, right, with their fucking fingernails still
embedded in the thing that's helping it.
Speaker 3 (25:05):
Man, holy shit. So anyway, bing bing wowie.
Speaker 1 (25:09):
He loves to say bing bing, And this clip is
starting to give me a sense of why, because like
the crowd when he says bing bing is like wow,
oh wow, that's they're like shocked, and that's what the
reaction is. But he gets a pop from saying the
doors go bing bing.
Speaker 3 (25:26):
Yeah, well, I think that that was like a little
bit of seasoning on an otherwise dull and inane and
meandering senile monologue.
Speaker 1 (25:37):
Very presidential. Have you seen these things? The bombs, They're
so big a situation. It's like the movie Big where
like a twelve year old inhabits an adult's body and
is like the coolest part of the job is though, like,
let me watch the super Bowl during lunchtime.
Speaker 2 (25:54):
He's just like, it's.
Speaker 1 (25:55):
Cool you get to see the bombs go boom boom
and the doors go bing being exactly.
Speaker 3 (26:01):
I mean god, it's even like in the movie King Ralph,
I f he like ended up on the better on
the other side of it, right, the John Goodman classic.
Speaker 2 (26:11):
Fucking classic dude.
Speaker 3 (26:13):
Uh and uh.
Speaker 1 (26:15):
Just on the subject of the Epstein documents, the they're
apparently this is this is unprecedented, trying to drop this
ship when nobody's paying attention. They're apparently planning to drop
it on Christmas Eve, which is very cold.
Speaker 3 (26:31):
Yeah, and guess what, that's not gonna fuck it there,
They're they're that's not gonna stop it. I think they're
they probably just don't want to have the people's attention,
won't be probably glued to their TV sets to hear
about what terrible pedal you know, nonsense is going on.
Speaker 1 (26:51):
And then by the time people come back and Jane where,
they're gonna be like that's old ship, man, that's old news.
Speaker 9 (26:57):
Oh yeah, the White House, Like you still talking about that,
dude that came out, Like, oh my god, I'm hers
that's so cringe bro, Like that's so old dog, Like
I didn't even I can't even believe you're talking about that.
Speaker 3 (27:07):
Like now, oh my god, that's so embarrassing. Bro. Oh
my god, dude, there's like new stuff going on. We're
at war with Venezuela. Have you heard of it?
Speaker 2 (27:15):
Are you talking about the files that were released last year?
Speaker 1 (27:18):
Yeah, that's well, that was that's twenty twenty five, shit.
Speaker 3 (27:21):
Bro, actually nine days ago. Ah, dear, I keep bringing
up old shit.
Speaker 2 (27:27):
Mm hmm.
Speaker 3 (27:28):
All right.
Speaker 1 (27:29):
Those are some of the things that are trending on
this Wednesday, December seventeenth. We're back tomorrow with a whole
last episode of the show. Until then, be kind to
each other, be kind to yourselves, and get your vaccines
while you still can't get your flu shots. Don't do
nothing about white supremacy, and we will talk to you
all tomorrow.
Speaker 3 (27:45):
Bye bye.
Speaker 8 (27:46):
The Daily Zeite Guys is executive produced by Catherine Law,
co produced by Bae.
Speaker 2 (27:50):
Wayne, co produced by Victor Wright, co written by Jam McNab,
and edited and engineered by Brian Jeffries.
Speaker 1 (28:00):
Never Got a
Hello the Internet, and welcome to this episode of Trednomena,
but also accept something like amenon yeah, Trednomena, Kurt Is
he had next emper trannus.
Speaker 2 (00:17):
Uh. We were just.
Speaker 1 (00:18):
Talking about how maybe we don't have to give up
the old Diddy, like the old bad boy stuff.
Speaker 3 (00:25):
Starting it off like that is very odd. Maybe we
don't have to.
Speaker 1 (00:29):
Because he literally wasn't involved in it.
Speaker 2 (00:31):
He didn't make that music.
Speaker 3 (00:33):
He didn't do a fucking thing, is what we're learning.
I mean, everyone knew he he didn't have a musical
bone in his body. But like I'm sure you probably
saw that clip of Mark Curry where he talks about
the come with Me guds and this song was like
close your eyes, no surprise, come with Me, And like
Mark Curry wrote that song and he's like, but then
did he got in this seat? He's like, my eyes,
(00:54):
no surprise, my eyes, and he's like it took us
eight months to record that first.
Speaker 2 (01:01):
But anyway, just all bad, bad instincts.
Speaker 3 (01:06):
Yeah, because things that even before the documentary, there were
always these clips of P Diddy's on unaltered vocals from
recording sessions and you're like, oh, he he's on drugs.
He's on drugs the whole time. Yeah, the whole time.
Speaker 2 (01:21):
Yeah, and it turns out he was Yep, we're far off.
All right.
Speaker 1 (01:26):
My name is Jack O'Brien. That over there is Miles Gray.
This is the episode where we tell you what is
trending on this Wednesday, December seventeenth. I'm here eight days
out Christmas morning. Yeah, yeah, oh and oh shit, Miles
ran out of the room.
Speaker 3 (01:42):
Miles sized hole mile hole in the wall. H you
get your kids gifts already?
Speaker 1 (01:46):
Yeah, yeah, we're well, so we got to be down
in Florida, so we're like sending stuff down there.
Speaker 2 (01:52):
It's oh they sing.
Speaker 3 (01:54):
Oh so it's like ship that you can't really it's like,
I know, it's trick on the way back because it's like.
Speaker 1 (01:59):
A sh and you know how like I'm real Christmas magic,
like want them to have a great Christmas morning, but
my wife's like, we're not getting a mat. They're not
gonna want to bring that back in a suitcase and
just like real, you know, like nuts and bolts about
that and makes sense. I mean, he's right, but I'm
I'm sick with it.
Speaker 3 (02:19):
I just but what if we put straps on the
power wheels and we call it a bag. Maybe they
let us on with it.
Speaker 1 (02:27):
All right, let's talk about some of the things that
are trending on this Wednesday morning. We gotta bid a
do to one. Dan Bongino.
Speaker 3 (02:39):
God, he's gone. It turns out that being just wholly
unfit for the job of Deputy Director of the FBI
is a quick way to not have that job anymore.
But also working for Donald Trump in this era, I think, yeah,
it looks like his ass is grass. The tie will roll, yeah,
(02:59):
exactly with.
Speaker 1 (03:00):
The song and we yeah, I mean we're at the
latest in the investigation into the Brown mass shooter is
that they've like we've got a got an enhanced image
of the shooter and it comes through and it just
looks it looks like an image from like a Capshaw
(03:21):
where they're like, is there is there a bis Is
there a motorcycle in this the.
Speaker 3 (03:25):
One that looks human? Yeah? Cool, cool, Yeah, the looks
from the time, said Bongino. I said he has he
has plans to leave his job as soon as this week,
as late as mid January. So that's where I'm like, Okay,
what's usually you know, when you're out a lot of
people point out They're like, he's always like this, but
(03:45):
this probably feels like it's happening because well, one sign
it might be sooner than rather than later. Mister Bongino
has been sending office nick Knacks, Patty Wax, and other
possessions back to Florida, where he intends to resume his
lucrative career as pro tru media broadcaster just in time
for the midterm election.
Speaker 1 (04:03):
Hell yeah, welcome back, brother, Yeah to the podcasting fold.
Speaker 3 (04:09):
That sad. He's just great example of a maga fuck
with that flew too close to the deep state, Like
his whole career was about getting people hopped up on
Epstein conspiracies, and then he just only ends up being
the guide who had to be the deep state and
be like nothing to see here, folks, nothing to see here,
and just like shaking uh and yeah, well, good good
(04:31):
luck to you, Dan Bongino.
Speaker 1 (04:33):
It's like they put Candace el Ones in charge of
the prosecution of Charlie Kirk's assassin, and she was just like, actually,
nothing to see here.
Speaker 3 (04:43):
Nothing to see here. It's this whole other thing that
Oh god.
Speaker 2 (04:47):
I was, I was way off.
Speaker 3 (04:49):
Do you remember this song by this comedian musician Nick
Lutsko where he said I want to be at the
RNC with Dan Bongino. It's like this was the thing
that created just everyone needs to sun.
Speaker 4 (05:01):
All right, I want to see That was the lady
from Saint Louis from the twenty twenty holding the gun
like a loosener hand.
Speaker 3 (05:14):
Damn Bongino. Just oh man, what a time to be alive.
But anyway, so he's out, just we just don't know
will be this week or will be mid January, because
it depends on how long it takes him to get
his like big commemorative trophies or whatever the fuck out
of there.
Speaker 1 (05:34):
Yeah, And like we've talked about, like the intentional incompetence,
the designed incompetence, that is the Trump administration's platform of
the like just putting incompetent people in positions of power
so that they have to be loyal above everything else,
and then it creates chaos and bad things happening, which
allows him to.
Speaker 2 (05:54):
Grab more power.
Speaker 1 (05:57):
But like that, it's also just a byproduct of that
is that everybody since nobody's focused on doing their job
because that's just like out of the question and they're
not going to be good at it. Everybody's just sniping
each other and like Cash Battel is just like, I
gotta tell you, this Brown thing is no good and
it's fucking bongino.
Speaker 2 (06:18):
Man. This guy's sticking up the works place.
Speaker 3 (06:22):
He was just on fucking Katie Miller's podcast yesterday or
the day before, like I don't know when they recorded it,
but like in light of the fuck up at Brown,
the fact that you're on Steven Miller's wife's podcast with
your Gina friend no cash cash money, really caire, Oh was.
Speaker 2 (06:41):
He doing that with his girlfriend?
Speaker 3 (06:43):
Yeah? Yeah, yeah, there's there's just a clip.
Speaker 2 (06:46):
Good time.
Speaker 3 (06:47):
He kind of gets emotional about like people talking about
his fake relationship.
Speaker 5 (06:52):
On a personal level, of course, I wish we didn't
have to deal with the attacks. Like she should be
out there touring and crushing it on the country music stage.
She has been, and she shouldn't have to deal with
the collateral consequence of just being the FBI director's girlfriend.
But I think with the hyper sensitive nature of the media,
especially the social media space, people come at you because
(07:15):
it takes me back.
Speaker 3 (07:16):
You're a fascist, I mean, what do you want? What
do you say?
Speaker 1 (07:19):
He also has that mic like inside his mouth, Like, bro,
take a sip of water, put a fucking mint in there.
You can hear his mouth opening and closing.
Speaker 3 (07:30):
How is this a podcast? And you guys have the
fucking clip on TikTok Street Interview Lavalier microphone, right, why
don't you have Where are the fucking microphones? But anyway, Uh,
I just.
Speaker 6 (07:42):
Wish that like people didn't like judge our relationship, like
the social media environment toxic because like I'm a fucking
fake ass coup and like I don't know what the
law is even though I'm actually literally a lawyer.
Speaker 1 (07:54):
An unsolved major shooting that's happening right now that we
totally fucked up and lost a day of the investigation
because we arrested the wrong guy based on absolutely no
evidence and that's kind of my mo o. And then
so we do that, the killer gets real comfortable and
(08:14):
then their dad turns them.
Speaker 6 (08:17):
That's my method, just lull them into a false sense
of security and then hopefully they let it slip in
front of their dad who's a detective.
Speaker 3 (08:25):
Well hopefully works at the FBI. I don't know, man,
wouldn't that.
Speaker 2 (08:30):
Would actually be sick? It was like Bongino's Kid or something.
Speaker 1 (08:38):
We do have the ratings, the official ratings and for
that Erica Kirk special, which we talked recently about how
the views on the YouTube were looking pretty light. But
that's never been CBS News's strengths, right, CBS News is
(08:58):
like old people still tuning in to the Lady Years.
Speaker 2 (09:06):
Jag back in the day.
Speaker 3 (09:07):
This was, yes, this is for the old people.
Speaker 1 (09:10):
And they were blowing it out on CBS like they
the lead in was that Army Navy football game, which
you know, that's that's their bread, that's the bread and butters.
Speaker 2 (09:21):
And people who were like, I want to hear from
Aker Kirk.
Speaker 3 (09:25):
Like what is this going to be. That feels like
a perfect setup where it's like if you're passively watching
the Army, if you're into the Army Navy game, right,
probably a good chance. Have you heard it up next
this freak show? Yeah? Yeah, you'd be like, all right, well,
I guess I'll have to turn it off now.
Speaker 2 (09:41):
Yeah. Yeah, so very hype.
Speaker 1 (09:43):
You know, they tweeted about it over the weekend more
than the Bondai Beach mass shooting, more than the Brown
Mass shooting.
Speaker 2 (09:53):
This was like they're like, yes, those are stories, but
this is history. Get ready.
Speaker 1 (10:00):
And the ratings came in and it was a quote
total bomb. Oh god, oh god, no, no, it's the
show average one point five million viewers, which is a
twenty percent decline in viewers compared to the year to
date average for that time period. So it's not just
like twenty percent below their last major media spectacle, it's
(10:22):
twenty percent below what's normally on at the worst time
slot of the week, which is like very late Saturday.
What usually runs there that they didn't even get close
to was the third hour of forty eight hours the
TV show like in presably mostly in reruns and in
(10:43):
the twenty five to fifty four year demographic, which with CBS,
the you know, everybody actually wants like twenty five to
thirty five or forty four, but with CBS they're like,
we're actually interested in fifty four year. They really stretch
it out to try and make it as wide as possible.
Speaker 3 (11:00):
To be sure they got money.
Speaker 1 (11:01):
So yeah, in that demographic, the ratings tanked forty four
percent to just two hundred and thirty seven thousand people
watch that shit.
Speaker 3 (11:10):
So people were like, get this shit off my TV.
Speaker 1 (11:13):
Yeah, it had a higher lead in than usual. Oh right,
which is like the most important thing in TV you have.
You know, people are watching it linearly, so you know
that's why they put like the big new shows that
their debut, and they put the debut of Survivor back
in the day right after the super Bowl because like
you're just catching people who like leave the TV on
(11:34):
and then they're like, oh what is this? As mentioned,
they had the Army Navy game, so people were just
like actively fleeing who avoid watching this shit. It wasn't
just it wasn't just like they had a bad time slot.
They had a good time slot and people got the
fuck out of there, like no thank you.
Speaker 2 (11:53):
It was it was a big no thank you.
Speaker 3 (11:55):
Probably ingested about ten minutes total of it. Yeah, and
that was I mean, like my nose started bleeding because
like the psychic damage that was happening as I was
watching it. So, oh man, well, hey Bari, look you
got to you got a big project over there. You
get your were best for you, you give your best
because nobody's fucking with CBS.
Speaker 2 (12:17):
That's right, do people?
Speaker 3 (12:20):
Yeah?
Speaker 1 (12:21):
Like it? She feels really like a media creation to me,
Like she was just a thing that everybody was like,
she obviously is able to get people talking by saying
wild shit, but like the thing she does is she
likes says things that offend the sensibilities of you know,
normal people, and it makes a big stink with normal people.
(12:45):
But it's not like she's a person who has a
huge following among like right wing people.
Speaker 3 (12:51):
Right, oh, right, right, Like you're talking about like a
like a celebrity.
Speaker 2 (12:54):
Yeah right, she's not, Like she doesn't have like a
YouTube channel with ten million Remember.
Speaker 3 (12:58):
Her fucking university thing that shit fucking tanked too.
Speaker 2 (13:01):
Yeah, she's just like she's one of the available.
Speaker 3 (13:05):
I think she's one of these people who's because of
her proximity to all of these like oligarchs, she does
really well in the room with them, and they're like,
you know what, I can trust her. I can trust her.
We're on the same page. She's down to oppress the
same people. She's down to keep the same sort of
like rigid structures of oppression intact. Right now, with that money,
(13:25):
let me put you as the figurehead here because you can.
You're useful, you know, she's I think she's useful. And
I think also because of her presentation. She can say
like odious shit, and most people like aren't like huh.
Speaker 2 (13:37):
Yeah, yeah, all right, let's take a quick break. We'll
come back.
Speaker 1 (13:40):
We'll talk about the Home Alone House and uh oh
yeah the favorite favorite ad lib these days and the
new Millennia trailer just dropped.
Speaker 3 (13:51):
We'll be right back, and we're back, We're back.
Speaker 1 (14:04):
The Home Alone House was sold last year for five
point five million dollars, which is wild because the listing
showed what the house looks like now, and it's like
they've replaced the warm Christmas y vibe with like an
icu ward aesthetic. It's just like it's all white. I mean,
(14:27):
it just looks like they just did the standard you know,
house flipper, house flipper thing, paint everything white and.
Speaker 3 (14:34):
So ray flooring.
Speaker 2 (14:35):
Yeah yeah, yeah, yeah, just real. No, it's anything.
Speaker 3 (14:40):
It's called up. It's fucked up. To look at that
iconic staircase from the movie and it just be like
this sterile yeah thing.
Speaker 2 (14:48):
Now it's like beach on chic.
Speaker 1 (14:50):
They're trying to make everything look like a beach house.
Speaker 3 (14:53):
I was I was actually in the market for a
five point five million dollar house.
Speaker 1 (14:57):
This no, thank you, you're you're in luck because the
people who bought it are re renovating. They're unrenovating it.
Oh my god, what this time to transform it back
to the way it looked in nineteen ninety, so presumably
more color on the walls, with the occasional splash of
fresh burglar blood.
Speaker 3 (15:18):
Oh yeah, yeah, yep, yep, yeah, yep.
Speaker 1 (15:20):
But okay, I like I like the idea of like
having this be just a house that looks like it
did in Home Alone, just burning burning electricity all through
the night.
Speaker 3 (15:30):
What is like, what's going on? Like when you compare
the photo from the film and the new one, Like
did they just add it an insane addition to the
back yeah?
Speaker 2 (15:39):
Or they knocked out a wall you know that's open
low yeah yeah, open floor.
Speaker 3 (15:45):
Yeah, it's a little bit differently.
Speaker 2 (15:48):
You just want to be able to see all the
way through the house.
Speaker 1 (15:51):
You want you want no privacy, you want when a
light turns on somewhere in the house, it goes on everywhere.
Speaker 2 (15:58):
Nouse, that's why you're looking for they're.
Speaker 3 (16:01):
Going to turn it into like a because I remember
remember the a few years ago Airbnb, like you could
go sit story yeah, yeah, you could stay at that
house and like it was sort of similar in styling.
Probably they're like they have it like as in they're like, ooh, broll,
We're gonna rent this shit out, you know, people want
to fucking I guess it really only matters and during Christmas, right, I.
Speaker 1 (16:21):
Don't know, as we talked about in our upcoming holiday
episode where we Rewatch Home Alone with Chris Croft, and
that it did incredibly well in the lead up to
the holiday, but then it like kept going. It was
like number one of the box office and like fucking April.
Speaker 3 (16:36):
I guess if it was, I'm down. Yeah yeah, and.
Speaker 1 (16:39):
It's Chicago, so it's always cold, all right, all right,
from a past Christmas classic to a new Christmas classic.
They just dropped the trailer for the upcoming Milania.
Speaker 3 (16:54):
Movie, which documentary is a total misnomer here.
Speaker 2 (16:57):
Yeah, yeah, this is they that seems to be like
part of the appeal.
Speaker 1 (17:02):
I don't know.
Speaker 2 (17:02):
Did you watch the trailer?
Speaker 3 (17:03):
Yeah yeah, yeah, yeah, what what the fuck was?
Speaker 7 (17:06):
Like?
Speaker 3 (17:06):
What the fuck is this?
Speaker 1 (17:07):
It's a lot of clashing messages, like they're trying to
make it seem like she's like the guy behind the
guy here, like they show.
Speaker 3 (17:15):
Her like walk in well he's you're behind this this one. Oh,
that's not a good look, miss, You're behind this.
Speaker 1 (17:22):
So I think they also recognize that because so there's
one part where like she walks in while he's preparing
a speech and he says, my greatest legacy will be
that a peacemaker, and she interrupts and says peacemaker and unifier,
and then it kind of sounds like it does kind
of sound like she's saying betrayer because you can't really
hear her, but I did turn on the subtitles and
(17:45):
it says unifier. That would have been sick if she
was like and betrayer. I've got you on tape, motherfucker.
Like that's how she got him.
Speaker 3 (17:52):
The way she interjected felt so forced, forced and staged. Yeah,
peace maker and unifier, Like, first of all, okay, so
you're you're in there like that to help punch up
a speech, but you weren't even with him on election night.
Speaker 7 (18:07):
Yeah.
Speaker 1 (18:07):
They show her calling him on election night being like, hey, hello,
mister president, and he's like did you watch did you
see it? And she's like, I'll get I'll catch it
on the news. Bro.
Speaker 3 (18:18):
That shit was fake as hell.
Speaker 1 (18:20):
Bro.
Speaker 3 (18:20):
I think I don't even I don't even I doubt
that was even on election night probably. I mean, it
feels like a thing because imagine if they lost and
they'd be like.
Speaker 8 (18:28):
Holy shit, babe, we have to leave. They're going to
arrest everyone. I don't know what the what would the
vibes been like then? But it was just a bunch
of hero shots like stitched together.
Speaker 3 (18:40):
It didn't there was really no I got no feel
for what you were actually going to get from this
in terms of like any intimate look at who this is.
Speaker 1 (18:52):
It's all just like you know, like sometimes the NFL
will have like cinematic cameras, like so you like see
he's like big swooping cameras coming in and like NFL films,
it just feels like a lead up to the super Bowl,
like NFL films thing where it's just these cameras like
(19:12):
swinging around her as she like walks out in her
Carmen San Diego villain outfit to the inauguration, and that
that's the like opening, the cameras like swinging around.
Speaker 2 (19:22):
Then she goes here we.
Speaker 1 (19:23):
Go again, but it's not documentary sound. It's like she's
been miked up on the set of a film.
Speaker 3 (19:30):
It's a full It's just it's a highlight reel. It's
not a documentary. It's a glamorous shot highlight reel with
some words being said in between.
Speaker 1 (19:40):
She doesn't have pores, as far as I can tell.
That's one thing that can be said for her. She's
done it. She's really she got rid of all her pores.
Speaker 3 (19:49):
You got to do you. I wonder if we'll see
I don't even know, Like I don't it's gonna fuck.
I mean, I know people are going to go to this.
It was so jarring to see the MGM logo at
the front, like I know, bring Lion to be like
that used to mean something holy shit, but that's it's
Bezos Bot Amazon, but our MGM. But I just don't
the audience. I mean, I almost want to go to
(20:10):
the theater, like on opening night, just to be like,
what the fuck is.
Speaker 1 (20:14):
Just like sit down under the screen with your back
to the screen and watch people watch you.
Speaker 3 (20:18):
No, no, I went my ticket to that. I would
just like hang out just like at the door of
the theater and be like, I mean, I guess I
could just weird everyone out and just sit at the
just stand in front of the screen looking at them.
Speaker 1 (20:29):
Yeah, oh wow, interesting, she doesn't like I could see
if this was promising something where it's like you see
her behind the scenes and she really like has a
completely different vibe from what you were used to seeing,
which is like distant person floating through the background like
(20:49):
a dracula. Then I could see that maybe doing something
because people are like, oh so she's like an actual human,
but this just gives off like one hundred percent be
best vibes.
Speaker 2 (21:03):
Oh, like, there's there's nothing here, She's just a cipher.
Speaker 3 (21:07):
There's like and you'll you're never going to see them
at like quote at home, you know what I mean.
Speaker 2 (21:13):
There was no that's never happened.
Speaker 3 (21:15):
What I mean like, there's like you won't even see
so like you're really only seeing the moments when they
are really publicly presenting themselves, at least in this documentary,
right to the point where like I'm like, I don't
even what is she does she wear a tuxedo at
home too?
Speaker 7 (21:29):
What is?
Speaker 3 (21:30):
What is this thing?
Speaker 1 (21:32):
Always looks like she's in the Putting on the Wrist video, Yeah, exactly,
reference all right, And then over to her husband, he's
just continuing to be normal and again just seem like
a child who want to make a wish thing, where
when he's talking about like a military operation, he's not
talking about anything with strategy or like broad perspective. He's
(21:56):
talking about how cool it looks when the bombs go off. Yep,
exactly again, I made it do that. In many ways,
that's that's me. I made it go bing bing.
Speaker 3 (22:06):
I don't if I don't know if I said this
on the show or if this is for one of
the holiday recordings, but anyway, his whole speaking style is
I'm killing it, bro, and I'm bawling, and you don't.
None of y'all have it like me. And in this one,
he's hosting a Honika reception at the White House and
he's like, y'all, I got to tell you about my
favorite movie I see at the new my favorite new
movie theater, the Situation Room. It's called bombing Innocent people.
(22:29):
All right, y'all, let me hear it from you. And
here there's he's talking about how like the plane is.
Speaker 2 (22:35):
Stuck, and then it's that stuff anymore.
Speaker 3 (22:37):
When they get the bombs come out, here's just unstealthed
when it goes, I explained that to Mark Levin.
Speaker 7 (22:43):
Once you're going in, you go like this, and as
soon as it goes like this, for some reason, the
plane is totally visible.
Speaker 3 (22:52):
Not good.
Speaker 7 (22:53):
And I watched it happening just it's like I'm sitting
home watching it. You know, it's amazing. The situation room
is an amaz.
Speaker 3 (23:01):
I'm just sitting home, like I'm watching what we would say,
like TV.
Speaker 1 (23:04):
I think he was gonna say, like, I'm watching like
a movie like Kickbox or blood Sport. Oh my god,
but you're he's doing with his hands and then the
thing goes like this, which is he's just doing what
how bomb doors open or like any bottom of a
plane door, like the doors that open outward to let
the landing gear down.
Speaker 7 (23:26):
But I watched him go bing bing, she went bing bing,
Two massive one hundred thousand pound bombs come pouring out.
Speaker 3 (23:35):
He goes on. He's like, it was the greatest military operations.
You're like, because you dropped a bomb on a boat
like a non combatants.
Speaker 2 (23:44):
Is that what he's talking about, the boat bombing?
Speaker 3 (23:46):
I'm pretty sure or no, you know what, you know
he might be saybody iron, it's probably iron. Yeah, if
that makes more sense for the tonicide, so he was
he was trying to keep it limited to like Israel
Israel stuff too, because Miriam Adams and was also there.
He's like, she's given me a lot of many folks
two hundred and fifty million, and she like whispers in
his ears like she said, if I run again, so
(24:07):
give me another two hundred and fifty million.
Speaker 1 (24:09):
So wow, yeah, I mean that he's gonna run again.
I guess like if we've if we learned anything from Biden,
it's the yeah, you can't tell these motherfuckers shit.
Speaker 3 (24:21):
I'm sure they're probably trying to put something in front
of him that's like, look, dude, let JD take over
and you will be you will be protected, you'll be
you'll still be God.
Speaker 1 (24:31):
Yeah, but you know, I'm gonna they're gonna need to
blackmail him to get him out of there, and it'll
just be it'll just be a matter of like how
bad the ship in the Epstein documents are right where
they'll be like, we'll hold this back, it goes out
unless you agree to let JD Vance move in. Yeah,
or he's not doing that on his own valet, like
(24:52):
Biden wouldn't do it on his own balot.
Speaker 3 (24:54):
I don't know, Jack, we have pretty good examples of
the elderly empower letting go.
Speaker 1 (24:58):
I don't know, yeah, right, with their fucking fingernails still
embedded in the thing that's helping it.
Speaker 3 (25:05):
Man, holy shit. So anyway, bing bing wowie.
Speaker 1 (25:09):
He loves to say bing bing, And this clip is
starting to give me a sense of why, because like
the crowd when he says bing bing is like wow,
oh wow, that's they're like shocked, and that's what the
reaction is. But he gets a pop from saying the
doors go bing bing.
Speaker 3 (25:26):
Yeah, well, I think that that was like a little
bit of seasoning on an otherwise dull and inane and
meandering senile monologue.
Speaker 1 (25:37):
Very presidential. Have you seen these things? The bombs, They're
so big a situation. It's like the movie Big where
like a twelve year old inhabits an adult's body and
is like the coolest part of the job is though, like,
let me watch the super Bowl during lunchtime.
Speaker 2 (25:54):
He's just like, it's.
Speaker 1 (25:55):
Cool you get to see the bombs go boom boom
and the doors go bing being exactly.
Speaker 3 (26:01):
I mean god, it's even like in the movie King Ralph,
I f he like ended up on the better on
the other side of it, right, the John Goodman classic.
Speaker 2 (26:11):
Fucking classic dude.
Speaker 3 (26:13):
Uh and uh.
Speaker 1 (26:15):
Just on the subject of the Epstein documents, the they're
apparently this is this is unprecedented, trying to drop this
ship when nobody's paying attention. They're apparently planning to drop
it on Christmas Eve, which is very cold.
Speaker 3 (26:31):
Yeah, and guess what, that's not gonna fuck it there,
They're they're that's not gonna stop it. I think they're
they probably just don't want to have the people's attention,
won't be probably glued to their TV sets to hear
about what terrible pedal you know, nonsense is going on.
Speaker 1 (26:51):
And then by the time people come back and Jane where,
they're gonna be like that's old ship, man, that's old news.
Speaker 9 (26:57):
Oh yeah, the White House, Like you still talking about that,
dude that came out, Like, oh my god, I'm hers
that's so cringe bro, Like that's so old dog, Like
I didn't even I can't even believe you're talking about that.
Speaker 3 (27:07):
Like now, oh my god, that's so embarrassing. Bro. Oh
my god, dude, there's like new stuff going on. We're
at war with Venezuela. Have you heard of it?
Speaker 2 (27:15):
Are you talking about the files that were released last year?
Speaker 1 (27:18):
Yeah, that's well, that was that's twenty twenty five, shit.
Speaker 3 (27:21):
Bro, actually nine days ago. Ah, dear, I keep bringing
up old shit.
Speaker 2 (27:27):
Mm hmm.
Speaker 3 (27:28):
All right.
Speaker 1 (27:29):
Those are some of the things that are trending on
this Wednesday, December seventeenth. We're back tomorrow with a whole
last episode of the show. Until then, be kind to
each other, be kind to yourselves, and get your vaccines
while you still can't get your flu shots. Don't do
nothing about white supremacy, and we will talk to you
all tomorrow.
Speaker 3 (27:45):
Bye bye.
Speaker 8 (27:46):
The Daily Zeite Guys is executive produced by Catherine Law,
co produced by Bae.
Speaker 2 (27:50):
Wayne, co produced by Victor Wright, co written by Jam McNab,
and edited and engineered by Brian Jeffries.
Speaker 1 (28:00):
Never Got a
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