January 22, 2024 • 42 mins
In Season 5 Episode 18 "Hazardous to your Health"...Dylan pulls off a caper on the Mexican Riviera with the help of Valerie Malone...but why does she put up with his disrespect? We examine their toxic relationship. And speaking of relationships, Jennie and Amy totally forgot that Luke used to date a MEGASTAR!! Plus Brandon casually shows us his freaky side and we kind of like it!
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Episode Transcript
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Speaker 1 (00:00):
It's nine o G one with Jenny Garth and Tory Spelling.
Speaker 2 (00:09):
Oh okay, you guys.
Speaker 3 (00:12):
Hello, are you ready for this?
Speaker 4 (00:15):
Are you ready for this?
Speaker 2 (00:19):
In case you didn't know, it's nine or two on
OMG and we're very very happy you're here with us.
Speaker 3 (00:24):
Thank you.
Speaker 1 (00:25):
Mm.
Speaker 2 (00:27):
We have another episode this week, imagine Matt. They just
keep coming.
Speaker 1 (00:30):
They do amazing episode.
Speaker 2 (00:34):
This one was called what was it Your Health?
Speaker 1 (00:40):
It was a real caper, guys.
Speaker 3 (00:42):
I know, no, no, okay, it's just.
Speaker 2 (00:51):
You know, you can't tell because the reason I'm a
little sick today, so I sound a little, I sound
a little hazardous to my help.
Speaker 3 (01:02):
When we are on zoom, so no one laking of
her health?
Speaker 1 (01:07):
Did it lift both your spirits to watch this? This
Bond movie?
Speaker 3 (01:11):
Nope?
Speaker 4 (01:11):
Uh nope, you know what.
Speaker 3 (01:13):
I gotta be honest. I don't like Bond esque movies
except for the Hot Chick. So I guess I liked
us in this, but that's it.
Speaker 1 (01:21):
I'd love to see three.
Speaker 2 (01:22):
Episode eighteen Hazardous to Your Health air January eighteenth, Weird, nineteen.
Speaker 3 (01:28):
Ninety five, Synops, I'm still in Heads to Mexico and
recruits Valerie to help recover his millions. Kelly is starting
to turn on Brandon over her adoration for Professor Finley. Meanwhile,
Claire and David are clashing over what lands to book
at the peach Pit.
Speaker 2 (01:42):
After Dark directed by James Whitmore, written by Larry Molin.
Speaker 3 (01:49):
I love his name. Second, Larry, Wait.
Speaker 4 (01:54):
You're saying you liked it.
Speaker 1 (01:55):
I love it.
Speaker 3 (01:56):
She loves every ringing episode.
Speaker 2 (01:59):
Wait, no, I think there's only been one that Amy
has not like.
Speaker 1 (02:02):
Oh, yeah, there was a There's been a couple. There's
a couple this one, though, I understand it's not nine
O two one. Oh, I get that. But Luke Perry
was so hot in this episode. He looked so good
riding on a horse and literally becoming a spy of
(02:24):
a Bond guy. The whole thing was so off the
wall that I just couldn't help but.
Speaker 3 (02:30):
Like it the wall. I guess you could say that.
Speaker 1 (02:36):
Like when did he even learn how to like beat
people up like that?
Speaker 3 (02:41):
I guess he can do anything.
Speaker 1 (02:42):
He's sword fight, not even nervous. There's a gun just
pointed out him. He's not the slightest bit.
Speaker 3 (02:50):
Nervous, doesn't give enough. Nope, No, but that's why we
love him, right, oh, we love.
Speaker 2 (02:58):
Wait, I just want to start it out by saying
that I'm feeling a little bit angry. I'm feeling a
little bit mad. Oh do tell hell us why why
did Luke Perry get to go to Mexico New York?
Speaker 4 (03:13):
They're not just with Perry?
Speaker 1 (03:16):
Did you an Tiffany and Suzanne and Kevin and Erica? Yeah,
a bunch of guest stars.
Speaker 3 (03:29):
And cast It's not ever about them, though. You just
are mad that you never get to go anywhere. She
was locked in a warehouse, locked in for ten years.
I didn't leave you there, you did you? I was
right by your side for ten years.
Speaker 4 (03:50):
Not for this episode. Yeah, you left me at one point.
Speaker 2 (03:55):
I went to Hawaii, but we're not there yet.
Speaker 1 (03:57):
Immediately, were you like there in my Mexico? You mean
my spirit, like basically just everything your life? Because I
immediately was like, yeah.
Speaker 4 (04:08):
That's how I knew that obviously went.
Speaker 1 (04:13):
But it was not a backlot pretending to be Paris.
Immediately I was like, oh wow, he's the.
Speaker 3 (04:18):
Airport in I forgot to go to Paris.
Speaker 4 (04:22):
And you know what, who else got to go?
Speaker 3 (04:24):
Who?
Speaker 2 (04:26):
Paul Wagner got to go? And Nanette Moore because I
saw them in the shot at the airport.
Speaker 1 (04:31):
And wait, who is that?
Speaker 2 (04:34):
Paul Wagner was our producer who never left his office
ever until to go to Mexico with Luke and also
my makeup artist who I guess they put picked to go.
She did Luke too, so yeah, and they had a
Louis went.
Speaker 4 (04:53):
Did you notice Louis was in Mexico?
Speaker 1 (04:55):
Wait? Did they all have cameos? Because we wouldn't know
who that was?
Speaker 4 (05:00):
M Louis Nova. He was Parco.
Speaker 2 (05:03):
Yeah, he welcomed them to the to the to the hotel.
No worked with us for years and years and years,
and he was one of our stand.
Speaker 3 (05:11):
Ins, right and an eating dancer.
Speaker 2 (05:14):
And a dancer, and I had a great actor. I
believed that this guy was named Marco. From wherever they
were see mm hmm, I felt like they were checking
into like.
Speaker 3 (05:28):
Yeah, where was it? Like what's that Brava?
Speaker 4 (05:32):
But what's that.
Speaker 2 (05:33):
Hotel where the weird music and weird think Mike White show?
Speaker 4 (05:38):
What's it called?
Speaker 2 (05:38):
Oh Loadush whitead. I thought they were checking into that
hotel when Louie was like, welcome.
Speaker 1 (05:45):
That was a nicer hotel than the pile that Jonesy
was in.
Speaker 3 (05:50):
At first, Yes, that was rot.
Speaker 1 (05:55):
You guys didn't love this.
Speaker 2 (05:57):
I liked the scene with Jonesy when he was sleeping
in that. I really liked it, Like I liked watching it,
but I was like, wait, which show is this is
a small show?
Speaker 1 (06:07):
Yes, yes it was not yea non a tonoi, but.
Speaker 2 (06:12):
It was cool to watch. I mean, wings Houser was
great in this episode. I thought I didn't love that
angle on him in that scene, but it was like
kind of like another little up the butt shots. I'm
not really sure about that.
Speaker 1 (06:25):
And then he was just so sort of like nakedy,
kind of like not naked, but like there was a
lot of like skin when he got up, and I
just was like, oh no.
Speaker 2 (06:35):
Waiting for something to come out that you didn't want
to see.
Speaker 1 (06:39):
Nope, I will say that Luke Berry slash Dylan McKay
would go from zero to one hundred in this episode
like he would be fine, and then he's like.
Speaker 2 (06:49):
Yeah, he didn't like the Leonardo DiCaprio scream more than once.
You know you ever watched Leo in a movie, He
has to raise his voice like that at least one
time you put your money back? How about Luke went
there a few times.
Speaker 3 (07:04):
Could look at either of them all day long. Any
movie show, true.
Speaker 2 (07:08):
But then with with Jonesy and Dylan yelling at each
other all the time, I was like, okay, make it stop.
Speaker 1 (07:14):
But how about in the very beginning, we're at the
airport and we see Dylan sort of looking at the
lady with one red.
Speaker 2 (07:23):
Shoe as he can always spot a hot babe.
Speaker 1 (07:25):
And if you're like, what is that where he is
one red shoe, then of course she's back. You know,
she becomes pivotal because she was supposed to be the
you know.
Speaker 2 (07:40):
I loved that part, like that like storytelling without storytelling,
like just with the shoe reference.
Speaker 4 (07:47):
I guess that was really cool.
Speaker 3 (07:48):
That was good because you did.
Speaker 2 (07:50):
She does never come back for her shoe, No, she
was just gone running to get away from him.
Speaker 1 (07:56):
But we needed some reason to have to get Valerie there, right,
So it was because the woman with one red shoe
was mad at Jonesy and she was not going to
be a part of this shenanigans.
Speaker 4 (08:09):
I mean it's bad like this, Yeah, it was bad enough.
Speaker 2 (08:12):
The way Dylan talked to Valerie, you know, back in
Beverly Hills, like he treats her like crap and she
loves mind.
Speaker 1 (08:22):
Yeah, but she's kind of weird to him. Like I
also get look, he should not be so sort of
how he is, but he's frustrated and it's like, you
know he's trying, and then you know she's so playing
him too and off with Steve and this and that
and always sort of using things against him.
Speaker 3 (08:41):
I'm just say she's not innocent in it. So it's like
if both parties are kind of on board to treat
each other that way and take it, then you gotta
let him be. Are they together now?
Speaker 1 (08:52):
For no?
Speaker 2 (08:54):
No? So because he got out of rehab and he
was like, no, thank you?
Speaker 3 (08:59):
I know, right, don't they? They like go back and
forth off and on for a long time.
Speaker 1 (09:03):
First of all, he shouldn't be dating anyway fresh out
of rehab. That's like rules.
Speaker 2 (09:06):
They're just like friends with benefits, or maybe like not
even friends, they're just benefits.
Speaker 3 (09:12):
I mean, they'll both say they're not attached. They're both
semi attached to each other, but I don't.
Speaker 2 (09:16):
Think Dylan's attached to her at all. Maybe after this,
maybe after she put herself on the line.
Speaker 1 (09:21):
For him, right right, How's he feelings for her. How
cute was he in that beginning? And that linen blazer.
He's got that sort of linen shirt and the linen blazer,
and then he's got his Duffel. He's liked weird Duffel
when he was the oh when he's getting ready to
get off guy or the chauffeur. No, but he's getting
(09:42):
ready to go. And then he's on the horse with
that same linen shirt unbuttoned, because.
Speaker 2 (09:48):
He always ride a horse with your shirt up button
in Mexico, first one does.
Speaker 1 (09:53):
I did think it was a funny line though, when
he says he's being very mean to Valerie, but he says,
how many people are on this big re ro oute
this morning? And she's like, I brought you a muffin?
She really just barges in. Though she so barges in
and plops herself down. It's like, I don't know.
Speaker 3 (10:11):
I like you guys know, I like it when the
two of them are together. I just do big fan
of those two together.
Speaker 4 (10:18):
Well then you should have liked this episode.
Speaker 3 (10:20):
Well, I like them together. I like watching him, I
like watching her with him. I did not like the story.
It's just you know, it's not you don't like it.
Speaker 2 (10:31):
Is Jim Walsh really doesn't like Valerie.
Speaker 1 (10:34):
Oh my gosh, that was aggressive.
Speaker 3 (10:39):
Yeah, you're right, you know what, It's way more than
what meets the eye, Like deep down he he just
really because he's not like that to anyone, Like he
really doesn't like her.
Speaker 1 (10:48):
No, she has no shame.
Speaker 4 (10:52):
I don't know.
Speaker 2 (10:53):
They never never explained why I like her.
Speaker 3 (10:57):
I feel like, oh, can we make up some sick
thing right now?
Speaker 1 (11:01):
You probably could in your mind, of course I could.
Speaker 3 (11:04):
I keep it in there in my mind. Yeah, you know,
I can't. I feel like at some point there was
some interaction between Jim Walsh and Valerie Malone and something happened.
They inappropriately blurted with her. At some point.
Speaker 1 (11:26):
You looked cool in that black outfit, right, Kenny Kelly?
What you looked cool? You all looked cool, but you
particularly looked cool in that black and it was almost
like you had like the black blazer over. That was
a good look, even though it was just a very
short scene. We never got to see anymore where y'all went.
Speaker 3 (11:46):
But was something cut Yeah?
Speaker 2 (11:50):
Was Ray Prue in this episode? And a song got
cut out?
Speaker 4 (11:52):
Again?
Speaker 3 (11:53):
I didn't see him can we ask someone about this?
Speaker 1 (11:58):
Yeah, they say we're all a bunch of fools for
not watching it on the DVD or the original version
with the music.
Speaker 3 (12:05):
Like, how is that part?
Speaker 1 (12:06):
Well, I read it has spoken, I read it in
the comments.
Speaker 3 (12:11):
What did the comments say?
Speaker 1 (12:12):
Do tell y'all are a bunch of fools for not
watching it with the original music.
Speaker 3 (12:16):
And then literally said, y'all are a bunch of fools?
Speaker 2 (12:20):
Well, I think hya apostrophe LLL y'all paraphras?
Speaker 3 (12:25):
Is that what it said? Asking for a friend? I
want to know for Jen.
Speaker 1 (12:30):
I got sidetracked because they were definitely saying that. And
then they said I dressed like a sixties secretary, which
I thought was yeah, I know, I feel like I
dressed like somebody that's wearing their pajamas to work. I
don't know what that means.
Speaker 3 (12:42):
Thank you.
Speaker 2 (12:42):
You can only see like from here up?
Speaker 4 (12:45):
How do they know what you're wearing?
Speaker 1 (12:47):
That's why I try to be a little bit more
sassy today.
Speaker 3 (12:49):
Do There's like, how many comments do you think we
get a week? Approximately? Hundreds hundreds. She always will reference
one negative thing about herself.
Speaker 4 (12:59):
She's a newbie, that's why.
Speaker 1 (13:00):
Yeah, but yes, they definitely say. They definitely say, we're
not doing ourselves a favor. And then then there's a
whole conversation like, well, how do I watch it with
the music? And then you know, because some people don't
have the DVDs, so it's a problem.
Speaker 4 (13:17):
I have the DVDs.
Speaker 2 (13:18):
I just don't know how to make them work because
you don't have the place.
Speaker 1 (13:23):
I can't find it.
Speaker 3 (13:24):
I can't find mine either. You guys were so generous
and goddess players, and there m I as come back.
Speaker 1 (13:43):
To this episode. Sorry, okay, okay, but there's so much
to talk about with Kelly. But I feel like we're
not done with Dylan, like play that through.
Speaker 2 (13:52):
Well, we all agree that he looks the horse so.
Speaker 1 (13:55):
Amazing, and then there's just there's the antics, right we
have then yeah and Carl.
Speaker 2 (14:01):
Wait, their names are Cabinache, Cabinash, Cabinache.
Speaker 3 (14:09):
You're gone anch Cabinache. Can I watch?
Speaker 1 (14:14):
The whole thing is just crazy, right, Like they're living
nice on the beach there in that house with all
their servants.
Speaker 2 (14:21):
And their right anny's and the whole Erica though she
doesn't have any parents anymore.
Speaker 1 (14:28):
But she does that is her mom, So technically all
I could think about is like, if he takes her,
he's kidnapping.
Speaker 4 (14:35):
Yeah, totally kidnapping.
Speaker 1 (14:37):
But I guess now that she's arrested, the mom's arrested.
I don't know. The whole thing is so like unhinged,
a little bit like, I'm not sure that's really how
you solve a crime.
Speaker 3 (14:47):
Really, why are we solving crimes on nine or two?
And o oh good millions?
Speaker 4 (14:52):
Millions? Yes?
Speaker 1 (14:54):
And I love when he calls Valerie and he's like,
I really need you, okay, and then she's like I
didn't want to Ken and Hilly and then.
Speaker 2 (15:02):
She shows up and gets off the airplane and goes
directly into character. It's like did he explain to her
the game plan or was this new information? And she
just was so good at it that she was like
Jonesy then starts kissing him.
Speaker 3 (15:16):
It's just role play, like she loves it so iconic.
Speaker 1 (15:21):
Can I make one important note?
Speaker 3 (15:23):
Of course?
Speaker 1 (15:24):
Before that, did you guys notice who Valerie said she
was on the phone with. No When she bails the
Jim and Cindy honoree, Jim's being honored and she's.
Speaker 2 (15:36):
Like her old Tricksy or what's her name?
Speaker 1 (15:39):
Ginger lo Monica. I'm on my friend with Ginger, on
the phone with my friend Ginger and she's in a
bad way. Wait is that Elisa Donovan. It's like our
pal who we love play. Oh god, Monica. So I
was happy that. You know, there might have been one
previous mention, but we definitely got a.
Speaker 3 (15:59):
Strong horn name which writer wrote that it was what
I thought it.
Speaker 1 (16:05):
When they're on the horse, and of course Jonesy's like,
let me get my binoculars so I can see up
in the you know, mansion.
Speaker 2 (16:15):
They were very far away. I was a little concerned
they were going to be made.
Speaker 4 (16:19):
You know, we've been made, they.
Speaker 2 (16:21):
Is, We're like beed olden days made.
Speaker 1 (16:27):
I've been made. Really, in all my ci A fantasies,
I don't want to be made because then you just
ruined your chances of catching them. About that, he was
so obvious when he was getting the glass, the mystery
sea glass that I loved. Also like a plot point, Jenny,
like the shoe, there's the glass. And then did you
(16:50):
see Valerie wink at her?
Speaker 3 (16:52):
She's that good.
Speaker 4 (16:56):
Yeah, she's a good winker. That's talent. That's it.
Speaker 2 (16:59):
Are you a good winker?
Speaker 4 (17:02):
Me?
Speaker 3 (17:02):
I've had botox for so many years. I can't you
think I can wink? Still, I'm trying right now. Do
you see me winking?
Speaker 2 (17:08):
No?
Speaker 3 (17:09):
Wait, let me try harder. No, is my face moving?
Speaker 4 (17:12):
Can you close your eyes at all?
Speaker 3 (17:14):
This is just me? This is of course I can
wink you guys, I'm making a joke. Everyone's gonna be
like you've had so much bowtox. Nope, let's see.
Speaker 1 (17:23):
I want to see you guys do your wink.
Speaker 3 (17:24):
Actor Jenny, you know I've never been a good winker.
Though she is.
Speaker 4 (17:28):
I can't see you. But what.
Speaker 3 (17:33):
Wait wait, put part of our clip because otherwise they
don't get to see this. Jenny, you can, Jenny can
do both eyes on mystery girls? What would we do?
Would you? Would we wink at each other?
Speaker 1 (17:45):
Jenny? Let's see can you do it?
Speaker 3 (17:47):
We'd be oh wait, good.
Speaker 4 (17:49):
Wink both uys? Nice? Hey you're good?
Speaker 3 (17:53):
Wait?
Speaker 1 (17:55):
Can you can you do the knowing wink? Like Valerie?
Like I like I need some acting in this action.
Speaker 4 (18:04):
I can't do it. I can't like getting paid enough
to do that.
Speaker 1 (18:09):
Oh god, I love everything about this episode. It's so ridiculous.
Also because Kevin slash Carl is just gonna First of all,
it was sort of the beginning of the Internet, Like
he's like the way to hide your money. I thought
he was gonna say cryptocurrency for a second, and then
he just shows her his account, like let me just
(18:30):
pull up my account and like show it to you.
He is the worst criminal on the plan.
Speaker 3 (18:37):
That's like a fake one, right, Like you got.
Speaker 1 (18:40):
The money because that fool pulled his account up just
because she was a pretty girl.
Speaker 2 (18:46):
Oh how gross was it the way Carl cabin Nature
was looking at Valerie. It was like disgusting and Susan
Kitty was not having it.
Speaker 4 (18:58):
He didn't like it. Those gross. He is gross, you guys,
I can gross.
Speaker 3 (19:06):
He's been gross from the beginning.
Speaker 4 (19:07):
I feel it's like about all time. Does he is
a set for him?
Speaker 3 (19:11):
We never seen them amy he has been coming back.
Speaker 1 (19:16):
No, I think that I think they're kind of I
don't mind Kitty.
Speaker 5 (19:19):
I liked that Kitty is the worst because she's the
mother and she's dragged her daughter into this crime spree
thereon Awful.
Speaker 2 (19:31):
It's awful.
Speaker 1 (19:33):
I gotta say, I I do love me some Wingshouser though,
because he's so like just his first of all, he's
so sort of sweaty and drunk, but then he gets
his like self together and I love He's like, sweetie pie,
this is major league bad. I'm gonna give her a
test really like all the lingo.
Speaker 3 (19:52):
If this is a feature film, like that role would
have been cast with Bruce Willis.
Speaker 2 (19:58):
It was, Yeah, he's so good though, like he's all
over the place.
Speaker 1 (20:03):
Though it's so crazy. He's Colhauser's dad, like Yellowstones Cole Hauser.
Speaker 3 (20:08):
Though.
Speaker 1 (20:09):
It was like all over TikTok for just being hot.
So I have another question. Did you guys notice when
they're going into the hotel and there's sort of a
ginormous chessboard outside by the ocean. Did you see the
frozen shirtless background actor And that was just like so frozen.
Speaker 4 (20:26):
Was he on the chessboard?
Speaker 1 (20:28):
Yep, he was on the edge of the chessboard shirtless.
It looked like he was pantiless, but I think it
was shorts. But he was sitting and he was He
just didn't move, and it was like, oh, yeah, what's happening.
Speaker 4 (20:40):
It would have been really funny if he was.
Speaker 1 (20:41):
What resort was that.
Speaker 3 (20:47):
It was not that that would make me more mad
that we want.
Speaker 2 (20:51):
What about when he goes Yeah, what about when he
goes to into the town and he goes he finds.
Speaker 4 (20:59):
Erica immediately I know, I mean, come in the town.
Speaker 2 (21:02):
Like he knows exactly where she is and he goes
straight to her. Then he hides so terribly behind the
corner behind and he's like, don't look at me, just
look straight ahead. Meanwhile he's poking his little we font
hairdoo out to talk to her.
Speaker 3 (21:17):
Would you want to do behind a plant?
Speaker 4 (21:20):
Yeah, a little bit.
Speaker 1 (21:24):
It was the one and only Polemia.
Speaker 4 (21:27):
Oh, shut your face, shut your really, you guys, why
he went to the.
Speaker 1 (21:36):
Nicest resort in all of Mexican?
Speaker 3 (21:38):
What are you talking about right now? This is infuriating,
Like you don't understand.
Speaker 1 (21:43):
It says this is a caper, but then it says
it was filmed at the one and Only Palma.
Speaker 2 (21:48):
Which is, oh my god, and my favorite hotel in
Mexico in Cabo.
Speaker 1 (21:53):
Yeah it's in San Jose del Cabo.
Speaker 2 (21:57):
Wow.
Speaker 1 (21:58):
Wow Wow, or.
Speaker 3 (22:00):
Even been there?
Speaker 1 (22:00):
I mean, how did Luke Perry get that?
Speaker 3 (22:04):
Because he's because Perry, Hello Perry.
Speaker 1 (22:08):
How about the good spillage when Jonesy spills all over
Kitty good good spill acting.
Speaker 2 (22:18):
Very good acting, very good acting.
Speaker 1 (22:21):
A lot of extreme close ups in this sorry glurry too.
Speaker 2 (22:25):
Did you notice where the folks I don't think they
took the focused guy to Mexico with them because nobody
was pulling Louis.
Speaker 3 (22:34):
The stand in went and played Marco, but the focused
guy didn't know. You didn't go, wait, who is the
focused guy was?
Speaker 4 (22:41):
Oh god, oh please remember.
Speaker 2 (22:45):
I don't know.
Speaker 1 (22:45):
There was an actual focus job.
Speaker 3 (22:47):
Wait, Jen, Jen, wait, what do you look like?
Speaker 4 (22:49):
Can you just one was blonde and looked like a
surfer dude.
Speaker 3 (22:52):
Okay, and he got a little Do you remember someone
dated him?
Speaker 4 (22:55):
Yes, one of the Cat's members.
Speaker 2 (22:58):
And yeah there was the other guy who was really nice,
had a wife and a kid, Jim we remember, yeah, right, Yeah,
he would get a little saucy if it was late though.
Speaker 4 (23:14):
Yeah, he got a busy.
Speaker 2 (23:16):
This was back in the day when when they were
usually like a real film camera and shooting like you know,
on those big They had to have a guy that
would come in and switch the giant rolls of film
like everybody had a different job. And we're talking about
the focus car who would sit right next to the
he would measure with this little measuring thing. He come
over and put the little measuring thing right to your eye,
(23:38):
right like wherever he needed to do it, and then
he would remember those measurements and write him down on
his little thing, and then he would have to pull
focus wherever the shot went, and he would do it
from like right next to the lens, so he was
always his face was always right next to the lens.
Speaker 1 (23:54):
WHOA, I didn't even know this was a job.
Speaker 3 (23:57):
It was intense. You see what happened. If it doesn't work,
it's like crucial.
Speaker 2 (24:02):
Yeah, wow, but he was pretty good. If this isn't
only gup, then he's pretty good. But yeah, you got
really close with those guys because they were always with you.
Speaker 3 (24:14):
Yeah, came you were off camera, like you had to
be right off camera. You were right next to them.
Speaker 2 (24:19):
Basically, yeah, sitting on top of them.
Speaker 1 (24:22):
Does anyone want to know the cringiest line in the
whole episode?
Speaker 3 (24:26):
Yes?
Speaker 1 (24:26):
Yes, I bet you guys know, come on, just hold me.
Speaker 4 (24:33):
No, I was just gonna say that, Amy.
Speaker 2 (24:35):
I was going to say, just hold me, because I
have herritten down here, just hold me. And then she
falls into the most awkward hold me position ever done, Like.
Speaker 3 (24:46):
Wait, that was the most cringey, it wasn't she She
could lie like a rug and tease like a sleeze.
Speaker 2 (24:54):
Yeah, she's got a point there, damn.
Speaker 3 (24:57):
Oh whatever you guys think.
Speaker 2 (24:59):
So the whole.
Speaker 1 (25:01):
Thing was just like bananas, Like first of all, how
was he tapping into the other computer? Number one? Crazy?
Number two? He's like it's like Pong and pac Man,
Like I just got this.
Speaker 4 (25:13):
And it's like.
Speaker 1 (25:17):
It's like the evening doesn't the FBI account?
Speaker 4 (25:20):
Like what cheap?
Speaker 2 (25:22):
He bashes through the window, what guys? What?
Speaker 1 (25:27):
Of course? Great dollars the best. It was so like
I didn't know what I was watching, Like six million
dollar man writer, I don't know.
Speaker 2 (25:36):
That was like a big setup too, Like they had
to replace the real glass with the shattered glass, and
the hotel had to approve, you know, Paul me I
had to let him do that.
Speaker 3 (25:47):
On the sword fights, why Paul Wagner had to be there,
you know, the guys were so pumped to do that.
Speaker 4 (25:53):
Like this is a big A lot of fun for that, a.
Speaker 3 (25:56):
Lot of testosterone.
Speaker 1 (25:59):
Yeah, it was a movie like I was like, this
is I'm just watching die Hard? Like and then the
sword fight and suddenly Karl.
Speaker 2 (26:07):
Walks in like they walk in because they know Dylan's there,
so they come with he come, Carl Itchy back or
whatever his name is, comes in with a gun and
he's like not a first like Jim pointing at everybody.
Speaker 4 (26:19):
You'd like, it's so casual with a handgun in it.
Speaker 1 (26:23):
Oh, and they just sent Erica to her room. Just
the child should just go to their room to avoid
the guns.
Speaker 3 (26:28):
Sit in the naughty corner. Well, we take care of business.
Speaker 1 (26:32):
It was so crazy and Valerie looked like she got
bopped in the eye. Was I to see that? It
looked like the hat her in the car and then
he cracked her one the gun comes out.
Speaker 3 (26:44):
I want to see that.
Speaker 1 (26:46):
And then she's like, I'm sorry. It was just the
whole thing was so crazy. I loved it. It's just
totally bananas.
Speaker 3 (26:53):
It would have been cool if it was like me
and Jen doing this whole.
Speaker 4 (26:56):
Thing, we would have liked it more.
Speaker 3 (26:58):
Been fun. Smash through windows.
Speaker 4 (27:01):
Oh, real good.
Speaker 1 (27:03):
And just God bless Jonesy for coming back.
Speaker 2 (27:07):
Yeah.
Speaker 1 (27:08):
Oh and it was because they told him Eric Estrada
was in danger.
Speaker 4 (27:12):
Oh yeah, that was funny.
Speaker 1 (27:13):
Yeah, Like, oh my God, will never leave my last reference.
Should we switch to the I feel like if.
Speaker 3 (27:35):
You're done yet, are you?
Speaker 2 (27:36):
I feel like we might be done with that story.
I mean, I honestly enjoyed watching it, but again it
didn't feel like our show.
Speaker 4 (27:42):
But I could have watched some more of it.
Speaker 1 (27:44):
Probably me too. I was like, this is this.
Speaker 2 (27:46):
Cake Jonesie's pretty engaging and Valerie was fun and she
looked cute.
Speaker 1 (27:51):
She did look cute.
Speaker 3 (27:53):
This is when nine O, two and O is going
to kind of become you guys, what.
Speaker 6 (27:57):
Like so much drama capers and like, yeah, weird extreme
like distortion storyline.
Speaker 3 (28:06):
I love it, like it's gonna happen, like babe, Yeah,
just wait for it.
Speaker 1 (28:11):
Really quickly before we move on. Two things. The station
wagon cab driver was the worst driver. That was scary.
And the lady at the hotel just smoking and just
letting Dylan into the room, no problem, just go on in.
Like I was like, this is crazy.
Speaker 4 (28:32):
It's set that, it set the tone.
Speaker 3 (28:34):
Yeah, who directed this?
Speaker 4 (28:37):
James Wentworth?
Speaker 1 (28:39):
Yeah he did a great job.
Speaker 3 (28:43):
He loved him.
Speaker 2 (28:44):
Now to Kelly, to Beverly Hills, back to boring Beverly Hills.
Speaker 1 (28:49):
Oh Kelly.
Speaker 3 (28:50):
I never thought Beverly Hills would be so boring.
Speaker 1 (28:53):
Okay, Kelly, Yeah, things are bad between you and Brandon
because you're.
Speaker 4 (29:02):
Thing. They have this family.
Speaker 2 (29:04):
Binley be a teacher at the school, so because Kelly
was in his class, right, right, and then well Brandon
goes and starts talking to the new dean.
Speaker 4 (29:16):
I don't understand.
Speaker 2 (29:17):
If they had these allegations, these kinds of allegations, why
would they then let this guy be teaching a course?
Speaker 4 (29:24):
So weird, it made no sense, It made no sense, right.
Speaker 1 (29:27):
The only thing he didn't get was tenure. It's like
what happy.
Speaker 2 (29:31):
In jail if he would have these kind of allegations,
like or he would be whatever it is for a teacher,
but like disbarred for a teacher, whatever that is, takeingure.
Speaker 1 (29:40):
Brandon Walsh has like a weird amount of power. It's
like very odd. Why is he like campus guy, He's
just going to the dean and then suddenly the dean's
going to reconsider, and then he's going to talk to
the teacher, like what.
Speaker 2 (29:57):
And then the teacher is talking to him. He's the
student body president. Okay, that's what they do, power you guys,
That's right, they do.
Speaker 1 (30:08):
It's your hair getting longer. I'm noticing you and Claire.
Your hair is getting longer. Whose hair yours? And Claire
going out?
Speaker 4 (30:18):
But I think I cut it again, so don't worry.
Speaker 3 (30:21):
I don't want to talk about this.
Speaker 2 (30:23):
See.
Speaker 3 (30:25):
So this is the point in the program when you're like,
you don't like my hair short. I loved it short.
I thought it looked great, and then you should it
was great.
Speaker 4 (30:38):
You love my hair short? You never love my hair short.
Speaker 3 (30:41):
That's not it. You always think I don't like your
hair short.
Speaker 1 (30:45):
I said, I don't think it told me it.
Speaker 3 (30:48):
I'm talking about the soccer mom time soon, and I'll
continue to tell you to your face. I never liked
that cut. It was the wrong move. But we haven't
gotten there yet.
Speaker 4 (31:00):
But it ruined my career.
Speaker 3 (31:02):
WHOA, that's extreme.
Speaker 4 (31:04):
WHOA.
Speaker 2 (31:07):
I don't know.
Speaker 3 (31:08):
If anyone could pull it off, it would be you.
I personally wasn't a fan. And I've told her this
for thirty years.
Speaker 2 (31:14):
Yeah she has, and it's going out.
Speaker 3 (31:17):
Because it just hurts my soul.
Speaker 2 (31:19):
What about you don't like the way it is now?
Speaker 3 (31:23):
I do on the show.
Speaker 4 (31:25):
Yes, it's like a long bob.
Speaker 1 (31:27):
The long bob is.
Speaker 3 (31:28):
Cool when you have to its wispy it still.
Speaker 4 (31:32):
Looks like a goat. Shoot it a little like a little.
Speaker 3 (31:35):
Like it's not that it's the one that comes next
that just took you down.
Speaker 2 (31:42):
Okay, well I can't wait to see it.
Speaker 1 (31:44):
I just like you on the floor with your boombox
sort of meditating to Finley's something or other, and then
then Brandon is kind of creepily staring. Then you're like,
why are you staring? And then he sort of says
something like.
Speaker 3 (31:56):
I always liked you on the floor in weird positions.
Speaker 4 (32:00):
Eh what?
Speaker 3 (32:01):
I was just happy that, like, oh cool, like Brandon Walsh,
there's more than meets thy. Maybe he is a little kinky,
great never pegged him for that.
Speaker 2 (32:11):
These two characters have been so not like connecting for
a while that way physically or emotionally. So, but this
is how those kind of things happen. I think these
like mind takeovers. I guess when somebody gets brainwashed, like.
Speaker 1 (32:28):
And you said you even called him an extern.
Speaker 2 (32:31):
A extern, which is like using Finley's language. Yeah, but
that's what happens when you go to these like courses
or when you go to these lectures or weekend seminars.
Speaker 4 (32:42):
You I don't know.
Speaker 2 (32:45):
If that's what's happening with Kelly, but it must be
because you do, you get brainwashed and you leave there
using their their terminology, and you I buy it that
she would be listening to totally.
Speaker 3 (33:01):
Even if it's like an inspirational like self help meditation weekend,
you do start to kind of be like, yes, everything
they say somehow you respond to and you're like it's
like they're talking directly to you and everyone feels that way. Yeah,
(33:21):
and you're like it hits home on some level. They're
very good at this.
Speaker 1 (33:25):
Well that's why Finley is so creepy. He's super good
at this creepy creepy, and she's fallen for it.
Speaker 4 (33:34):
I mean, make us think about it.
Speaker 2 (33:35):
She's never had any sort of like personal growth in
her life, I don't think, other than the growth that
she's done on her own through you know, the relationships
that she's had.
Speaker 1 (33:49):
And it's causing a rift between her and Brandon, which
is exactly what.
Speaker 3 (33:54):
Happens though, like they were getting stale. This can only help.
Speaker 4 (33:59):
Oh, oh, I don't think so. I don't know. I
think that this is not going to end well.
Speaker 3 (34:04):
Oh, I just remembered.
Speaker 1 (34:07):
Oh, not good, I know, but it's good. And then
we just had a brief moment with Steve with his
like easy schedule, and we literally I think we only
had one scene with Claire and David and the Defender
because he wants it to be a hip hop club
(34:27):
and she doesn't.
Speaker 3 (34:28):
I know, I feel bad, you know, you know, visually
I love watching her, but like their storyline and each
time I'm like, I just don't care about them running
the peach bit after dark and who they're booking.
Speaker 1 (34:40):
This was like one of the most expensive episodes ever
a stunt action movie on location.
Speaker 3 (34:46):
See that's when I start to be like, why put
the money there? I loved it, Yeah, but then put
our put more of the regulars and take.
Speaker 1 (34:55):
Luke Perry was like a movie star in this episode.
Speaker 3 (34:58):
He actually was a movie star.
Speaker 4 (35:00):
Yeah.
Speaker 2 (35:00):
I feel like they were really like putting, you know,
their focus on Luke at the at this current moment
in time, he was so.
Speaker 1 (35:12):
Full and we haven't had a lot of Luke because
he was so drunky, unhinged drug addict. So now we're
kind of like he's all cleaned up and here's the movies,
Like we're getting him back. So Maybe that's why I
loved it so much, because it's like I kind of
been missing I've been missing the good version of him.
Speaker 3 (35:28):
All leading men are broken somehow, then they always make
a comeback.
Speaker 1 (35:33):
I'm seeing if Luke was working on a movie at
this time.
Speaker 3 (35:35):
Yeah, he been and dating Madonna? Was this that point?
Speaker 4 (35:40):
Wait? What Luke was dating Madonna?
Speaker 3 (35:44):
I will never forget him pulling me into his dressing
room and being like telling me and I felt so
confided in like, oh my god, he's telling me about Madonna.
And then okay, remember there's like, oh wow, you're string machines,
you guys. He played me a message from her and
(36:06):
I was like, you're the coolest person in the whole world.
One because you're Luke Perry and two because Madonna wants.
Speaker 1 (36:14):
You left you Hello, you're right.
Speaker 3 (36:18):
Wow.
Speaker 1 (36:19):
I did not remember that at all? Which part that
he dated Madonna a little bit?
Speaker 4 (36:24):
Did?
Speaker 1 (36:25):
He presented her an award?
Speaker 3 (36:26):
And maybe that's so we kept these things from you,
like something that you would want to hear.
Speaker 1 (36:34):
So oh seems short lived?
Speaker 3 (36:38):
Maybe very I don't think, yeah, dating you know what,
there was something something going on. Wow.
Speaker 1 (37:00):
So I love this whole episode. I mean I really did.
I was shocked by it, Like, this is so random,
but I'm into it.
Speaker 4 (37:10):
What do you give it? What kind of grade school grade?
Speaker 6 (37:15):
Nine point eight we start grading people, would you just
say nine point eight?
Speaker 1 (37:23):
Maybe like a couple of points of deduction for just
sort of like ridonculousness, but otherwise, yeah, nine point eight.
Speaker 2 (37:33):
I would have to say, if I detach myself from
my anger about not being in it, that I would say.
Speaker 4 (37:42):
I would I give it.
Speaker 2 (37:43):
Like a eight and a half nine yeah, because it
was fun to watch.
Speaker 1 (37:48):
It was fun to watch.
Speaker 2 (37:50):
It wasn't watching nine or two and oh but I
was watching something.
Speaker 1 (37:53):
Yeah, you're watching like hard to heart, not.
Speaker 3 (37:55):
Really hard hard in that I just want to be
in that. So, like I want to fast forward the
scenes in Beverly Hills only because I'm totally into the story.
But it's just like if you're going to do that,
and I know we can't do that, but that's like
it jars me each time you go back and forth. Okay, so,
(38:16):
just based on the hotness of Dylan slash Luke Luke
slash Dylan, I'm going to give it an wow.
Speaker 2 (38:31):
Well, I think we all like gave it a respectable
score only Luke based on look, based on the cinematography
and the excitement of Mexico, the action seeing you know,
Paul Mia and everything.
Speaker 1 (38:47):
So he could ride horses and motorcycles.
Speaker 3 (38:49):
Yeah, he could do more than that. Wow, he could
do everything. And then he could even light his parts
on fire. Like the guy had talents like I'm talking,
and he was that guy that no matter what he did,
nothing was gross about him. Does that make sense?
Speaker 4 (39:09):
That was gross? I'm sorry, but that was gross.
Speaker 3 (39:12):
Hearts on fire.
Speaker 4 (39:14):
It is not only gross, it's very dangerous.
Speaker 1 (39:16):
Oh is that true? I don't know.
Speaker 3 (39:19):
Don't do this at home, but Luke would, and he'd
make all of us giggle and laugh so hard we'd
be crying. And he would sit on the dressing on
your dressing room floor and he would light his fart
on fire, and I would laugh till the point I
was crying and peeing my pants. Yeah.
Speaker 1 (39:37):
Oh, oh gosh.
Speaker 3 (39:39):
No one did it like him anything like him?
Speaker 4 (39:43):
Thank you for that much.
Speaker 3 (39:45):
It's okay, Luke Perry.
Speaker 4 (39:50):
He was well rounded, is what you're saying.
Speaker 1 (39:52):
I could maybe watch this episode again, Like I kind
of think I might just watch it again.
Speaker 3 (39:59):
Really, like in your free time.
Speaker 1 (40:01):
Yeah, do I have? Are you I might?
Speaker 3 (40:05):
What's next?
Speaker 1 (40:05):
Little background when I'm doing some emails or some ironing,
and just see that shirtless horse shot? Pretty good?
Speaker 3 (40:13):
Yeah, that is so funny. She said. Emails and ironing
two completely different eximes of you, like business and then just.
Speaker 4 (40:24):
Those are the things.
Speaker 1 (40:25):
I couldn't say vacuum because I wouldn't be able to
hear it enough. But like ironing. Yeah, Cory, I have
a little bit of bad news for you. Next week
your nemesis returns Ariel.
Speaker 3 (40:40):
Why do you have to give me PTSD? Why do
you have to ride?
Speaker 1 (40:44):
I just wanted you to know. I wanted you to know.
Speaker 3 (40:46):
Being riled up my job.
Speaker 1 (40:48):
To warn you of these things.
Speaker 3 (40:49):
And Jonesy fire within.
Speaker 1 (40:51):
Jones will be back. Jonesy will be back.
Speaker 4 (40:54):
What about the Cavendishes.
Speaker 1 (40:55):
I think they're gone.
Speaker 3 (40:57):
Wait, Ariel's coming back. So now she's gonna up Claire's relationships.
So now she's gonna say a little.
Speaker 1 (41:03):
You forget who's dating a musician.
Speaker 3 (41:06):
No, she's gonna come and take another one of my men.
Speaker 1 (41:09):
I'm not saying what's gonna happen.
Speaker 4 (41:11):
I'm in shock right now. I think you don't remember
I don't.
Speaker 1 (41:16):
I'm just saying.
Speaker 3 (41:17):
Because I wasn't in love with Jamie Walters, like, so
there wasn't like a person whatever. I wasn't in love
with Brian at this time. But obviously you guys know
he was one of my first loves, like in real life,
so like it's a personal thing when it's David and Brian,
like Jamie and I were just friends. So I guess
(41:37):
I'm not too like riled up the Ariel is gonna
swoop in and take another man. Wait, who's she taken next?
Speaker 4 (41:44):
I don't know if she's swooping into our next episode.
Speaker 3 (41:47):
If she's I'm gonna be pissed just saying I.
Speaker 4 (41:50):
Don't even know who that is.
Speaker 3 (41:51):
But okay, I knew you were gonna say I don't
know who that is, so I was not to tell
you that's Vince.
Speaker 2 (41:56):
Okay, I'm saying it now our next episode of season five,
episode nineteen, Little Monsters. That's your homework, everybody,
It's nine o G one with Jenny Garth and Tory Spelling.
Speaker 2 (00:09):
Oh okay, you guys.
Speaker 3 (00:12):
Hello, are you ready for this?
Speaker 4 (00:15):
Are you ready for this?
Speaker 2 (00:19):
In case you didn't know, it's nine or two on
OMG and we're very very happy you're here with us.
Speaker 3 (00:24):
Thank you.
Speaker 1 (00:25):
Mm.
Speaker 2 (00:27):
We have another episode this week, imagine Matt. They just
keep coming.
Speaker 1 (00:30):
They do amazing episode.
Speaker 2 (00:34):
This one was called what was it Your Health?
Speaker 1 (00:40):
It was a real caper, guys.
Speaker 3 (00:42):
I know, no, no, okay, it's just.
Speaker 2 (00:51):
You know, you can't tell because the reason I'm a
little sick today, so I sound a little, I sound
a little hazardous to my help.
Speaker 3 (01:02):
When we are on zoom, so no one laking of
her health?
Speaker 1 (01:07):
Did it lift both your spirits to watch this? This
Bond movie?
Speaker 3 (01:11):
Nope?
Speaker 4 (01:11):
Uh nope, you know what.
Speaker 3 (01:13):
I gotta be honest. I don't like Bond esque movies
except for the Hot Chick. So I guess I liked
us in this, but that's it.
Speaker 1 (01:21):
I'd love to see three.
Speaker 2 (01:22):
Episode eighteen Hazardous to Your Health air January eighteenth, Weird, nineteen.
Speaker 3 (01:28):
Ninety five, Synops, I'm still in Heads to Mexico and
recruits Valerie to help recover his millions. Kelly is starting
to turn on Brandon over her adoration for Professor Finley. Meanwhile,
Claire and David are clashing over what lands to book
at the peach Pit.
Speaker 2 (01:42):
After Dark directed by James Whitmore, written by Larry Molin.
Speaker 3 (01:49):
I love his name. Second, Larry, Wait.
Speaker 4 (01:54):
You're saying you liked it.
Speaker 1 (01:55):
I love it.
Speaker 3 (01:56):
She loves every ringing episode.
Speaker 2 (01:59):
Wait, no, I think there's only been one that Amy
has not like.
Speaker 1 (02:02):
Oh, yeah, there was a There's been a couple. There's
a couple this one, though, I understand it's not nine
O two one. Oh, I get that. But Luke Perry
was so hot in this episode. He looked so good
riding on a horse and literally becoming a spy of
(02:24):
a Bond guy. The whole thing was so off the
wall that I just couldn't help but.
Speaker 3 (02:30):
Like it the wall. I guess you could say that.
Speaker 1 (02:36):
Like when did he even learn how to like beat
people up like that?
Speaker 3 (02:41):
I guess he can do anything.
Speaker 1 (02:42):
He's sword fight, not even nervous. There's a gun just
pointed out him. He's not the slightest bit.
Speaker 3 (02:50):
Nervous, doesn't give enough. Nope, No, but that's why we
love him, right, oh, we love.
Speaker 2 (02:58):
Wait, I just want to start it out by saying
that I'm feeling a little bit angry. I'm feeling a
little bit mad. Oh do tell hell us why why
did Luke Perry get to go to Mexico New York?
Speaker 4 (03:13):
They're not just with Perry?
Speaker 1 (03:16):
Did you an Tiffany and Suzanne and Kevin and Erica? Yeah,
a bunch of guest stars.
Speaker 3 (03:29):
And cast It's not ever about them, though. You just
are mad that you never get to go anywhere. She
was locked in a warehouse, locked in for ten years.
I didn't leave you there, you did you? I was
right by your side for ten years.
Speaker 4 (03:50):
Not for this episode. Yeah, you left me at one point.
Speaker 2 (03:55):
I went to Hawaii, but we're not there yet.
Speaker 1 (03:57):
Immediately, were you like there in my Mexico? You mean
my spirit, like basically just everything your life? Because I
immediately was like, yeah.
Speaker 4 (04:08):
That's how I knew that obviously went.
Speaker 1 (04:13):
But it was not a backlot pretending to be Paris.
Immediately I was like, oh wow, he's the.
Speaker 3 (04:18):
Airport in I forgot to go to Paris.
Speaker 4 (04:22):
And you know what, who else got to go?
Speaker 3 (04:24):
Who?
Speaker 2 (04:26):
Paul Wagner got to go? And Nanette Moore because I
saw them in the shot at the airport.
Speaker 1 (04:31):
And wait, who is that?
Speaker 2 (04:34):
Paul Wagner was our producer who never left his office
ever until to go to Mexico with Luke and also
my makeup artist who I guess they put picked to go.
She did Luke too, so yeah, and they had a
Louis went.
Speaker 4 (04:53):
Did you notice Louis was in Mexico?
Speaker 1 (04:55):
Wait? Did they all have cameos? Because we wouldn't know
who that was?
Speaker 4 (05:00):
M Louis Nova. He was Parco.
Speaker 2 (05:03):
Yeah, he welcomed them to the to the to the hotel.
No worked with us for years and years and years,
and he was one of our stand.
Speaker 3 (05:11):
Ins, right and an eating dancer.
Speaker 2 (05:14):
And a dancer, and I had a great actor. I
believed that this guy was named Marco. From wherever they
were see mm hmm, I felt like they were checking
into like.
Speaker 3 (05:28):
Yeah, where was it? Like what's that Brava?
Speaker 4 (05:32):
But what's that.
Speaker 2 (05:33):
Hotel where the weird music and weird think Mike White show?
Speaker 4 (05:38):
What's it called?
Speaker 2 (05:38):
Oh Loadush whitead. I thought they were checking into that
hotel when Louie was like, welcome.
Speaker 1 (05:45):
That was a nicer hotel than the pile that Jonesy
was in.
Speaker 3 (05:50):
At first, Yes, that was rot.
Speaker 1 (05:55):
You guys didn't love this.
Speaker 2 (05:57):
I liked the scene with Jonesy when he was sleeping
in that. I really liked it, Like I liked watching it,
but I was like, wait, which show is this is
a small show?
Speaker 1 (06:07):
Yes, yes it was not yea non a tonoi, but.
Speaker 2 (06:12):
It was cool to watch. I mean, wings Houser was
great in this episode. I thought I didn't love that
angle on him in that scene, but it was like
kind of like another little up the butt shots. I'm
not really sure about that.
Speaker 1 (06:25):
And then he was just so sort of like nakedy,
kind of like not naked, but like there was a
lot of like skin when he got up, and I
just was like, oh no.
Speaker 2 (06:35):
Waiting for something to come out that you didn't want
to see.
Speaker 1 (06:39):
Nope, I will say that Luke Berry slash Dylan McKay
would go from zero to one hundred in this episode
like he would be fine, and then he's like.
Speaker 2 (06:49):
Yeah, he didn't like the Leonardo DiCaprio scream more than once.
You know you ever watched Leo in a movie, He
has to raise his voice like that at least one
time you put your money back? How about Luke went
there a few times.
Speaker 3 (07:04):
Could look at either of them all day long. Any
movie show, true.
Speaker 2 (07:08):
But then with with Jonesy and Dylan yelling at each
other all the time, I was like, okay, make it stop.
Speaker 1 (07:14):
But how about in the very beginning, we're at the
airport and we see Dylan sort of looking at the
lady with one red.
Speaker 2 (07:23):
Shoe as he can always spot a hot babe.
Speaker 1 (07:25):
And if you're like, what is that where he is
one red shoe, then of course she's back. You know,
she becomes pivotal because she was supposed to be the
you know.
Speaker 2 (07:40):
I loved that part, like that like storytelling without storytelling,
like just with the shoe reference.
Speaker 4 (07:47):
I guess that was really cool.
Speaker 3 (07:48):
That was good because you did.
Speaker 2 (07:50):
She does never come back for her shoe, No, she
was just gone running to get away from him.
Speaker 1 (07:56):
But we needed some reason to have to get Valerie there, right,
So it was because the woman with one red shoe
was mad at Jonesy and she was not going to
be a part of this shenanigans.
Speaker 4 (08:09):
I mean it's bad like this, Yeah, it was bad enough.
Speaker 2 (08:12):
The way Dylan talked to Valerie, you know, back in
Beverly Hills, like he treats her like crap and she
loves mind.
Speaker 1 (08:22):
Yeah, but she's kind of weird to him. Like I
also get look, he should not be so sort of
how he is, but he's frustrated and it's like, you
know he's trying, and then you know she's so playing
him too and off with Steve and this and that
and always sort of using things against him.
Speaker 3 (08:41):
I'm just say she's not innocent in it. So it's like
if both parties are kind of on board to treat
each other that way and take it, then you gotta
let him be. Are they together now?
Speaker 1 (08:52):
For no?
Speaker 2 (08:54):
No? So because he got out of rehab and he
was like, no, thank you?
Speaker 3 (08:59):
I know, right, don't they? They like go back and
forth off and on for a long time.
Speaker 1 (09:03):
First of all, he shouldn't be dating anyway fresh out
of rehab. That's like rules.
Speaker 2 (09:06):
They're just like friends with benefits, or maybe like not
even friends, they're just benefits.
Speaker 3 (09:12):
I mean, they'll both say they're not attached. They're both
semi attached to each other, but I don't.
Speaker 2 (09:16):
Think Dylan's attached to her at all. Maybe after this,
maybe after she put herself on the line.
Speaker 1 (09:21):
For him, right right, How's he feelings for her. How
cute was he in that beginning? And that linen blazer.
He's got that sort of linen shirt and the linen blazer,
and then he's got his Duffel. He's liked weird Duffel
when he was the oh when he's getting ready to
get off guy or the chauffeur. No, but he's getting
(09:42):
ready to go. And then he's on the horse with
that same linen shirt unbuttoned, because.
Speaker 2 (09:48):
He always ride a horse with your shirt up button
in Mexico, first one does.
Speaker 1 (09:53):
I did think it was a funny line though, when
he says he's being very mean to Valerie, but he says,
how many people are on this big re ro oute
this morning? And she's like, I brought you a muffin?
She really just barges in. Though she so barges in
and plops herself down. It's like, I don't know.
Speaker 3 (10:11):
I like you guys know, I like it when the
two of them are together. I just do big fan
of those two together.
Speaker 4 (10:18):
Well then you should have liked this episode.
Speaker 3 (10:20):
Well, I like them together. I like watching him, I
like watching her with him. I did not like the story.
It's just you know, it's not you don't like it.
Speaker 2 (10:31):
Is Jim Walsh really doesn't like Valerie.
Speaker 1 (10:34):
Oh my gosh, that was aggressive.
Speaker 3 (10:39):
Yeah, you're right, you know what, It's way more than
what meets the eye, Like deep down he he just
really because he's not like that to anyone, Like he
really doesn't like her.
Speaker 1 (10:48):
No, she has no shame.
Speaker 4 (10:52):
I don't know.
Speaker 2 (10:53):
They never never explained why I like her.
Speaker 3 (10:57):
I feel like, oh, can we make up some sick
thing right now?
Speaker 1 (11:01):
You probably could in your mind, of course I could.
Speaker 3 (11:04):
I keep it in there in my mind. Yeah, you know,
I can't. I feel like at some point there was
some interaction between Jim Walsh and Valerie Malone and something happened.
They inappropriately blurted with her. At some point.
Speaker 1 (11:26):
You looked cool in that black outfit, right, Kenny Kelly?
What you looked cool? You all looked cool, but you
particularly looked cool in that black and it was almost
like you had like the black blazer over. That was
a good look, even though it was just a very
short scene. We never got to see anymore where y'all went.
Speaker 3 (11:46):
But was something cut Yeah?
Speaker 2 (11:50):
Was Ray Prue in this episode? And a song got
cut out?
Speaker 4 (11:52):
Again?
Speaker 3 (11:53):
I didn't see him can we ask someone about this?
Speaker 1 (11:58):
Yeah, they say we're all a bunch of fools for
not watching it on the DVD or the original version
with the music.
Speaker 3 (12:05):
Like, how is that part?
Speaker 1 (12:06):
Well, I read it has spoken, I read it in
the comments.
Speaker 3 (12:11):
What did the comments say?
Speaker 1 (12:12):
Do tell y'all are a bunch of fools for not
watching it with the original music.
Speaker 3 (12:16):
And then literally said, y'all are a bunch of fools?
Speaker 2 (12:20):
Well, I think hya apostrophe LLL y'all paraphras?
Speaker 3 (12:25):
Is that what it said? Asking for a friend? I
want to know for Jen.
Speaker 1 (12:30):
I got sidetracked because they were definitely saying that. And
then they said I dressed like a sixties secretary, which
I thought was yeah, I know, I feel like I
dressed like somebody that's wearing their pajamas to work. I
don't know what that means.
Speaker 3 (12:42):
Thank you.
Speaker 2 (12:42):
You can only see like from here up?
Speaker 4 (12:45):
How do they know what you're wearing?
Speaker 1 (12:47):
That's why I try to be a little bit more
sassy today.
Speaker 3 (12:49):
Do There's like, how many comments do you think we
get a week? Approximately? Hundreds hundreds. She always will reference
one negative thing about herself.
Speaker 4 (12:59):
She's a newbie, that's why.
Speaker 1 (13:00):
Yeah, but yes, they definitely say. They definitely say, we're
not doing ourselves a favor. And then then there's a
whole conversation like, well, how do I watch it with
the music? And then you know, because some people don't
have the DVDs, so it's a problem.
Speaker 4 (13:17):
I have the DVDs.
Speaker 2 (13:18):
I just don't know how to make them work because
you don't have the place.
Speaker 1 (13:23):
I can't find it.
Speaker 3 (13:24):
I can't find mine either. You guys were so generous
and goddess players, and there m I as come back.
Speaker 1 (13:43):
To this episode. Sorry, okay, okay, but there's so much
to talk about with Kelly. But I feel like we're
not done with Dylan, like play that through.
Speaker 2 (13:52):
Well, we all agree that he looks the horse so.
Speaker 1 (13:55):
Amazing, and then there's just there's the antics, right we
have then yeah and Carl.
Speaker 2 (14:01):
Wait, their names are Cabinache, Cabinash, Cabinache.
Speaker 3 (14:09):
You're gone anch Cabinache. Can I watch?
Speaker 1 (14:14):
The whole thing is just crazy, right, Like they're living
nice on the beach there in that house with all
their servants.
Speaker 2 (14:21):
And their right anny's and the whole Erica though she
doesn't have any parents anymore.
Speaker 1 (14:28):
But she does that is her mom, So technically all
I could think about is like, if he takes her,
he's kidnapping.
Speaker 4 (14:35):
Yeah, totally kidnapping.
Speaker 1 (14:37):
But I guess now that she's arrested, the mom's arrested.
I don't know. The whole thing is so like unhinged,
a little bit like, I'm not sure that's really how
you solve a crime.
Speaker 3 (14:47):
Really, why are we solving crimes on nine or two?
And o oh good millions?
Speaker 4 (14:52):
Millions? Yes?
Speaker 1 (14:54):
And I love when he calls Valerie and he's like,
I really need you, okay, and then she's like I
didn't want to Ken and Hilly and then.
Speaker 2 (15:02):
She shows up and gets off the airplane and goes
directly into character. It's like did he explain to her
the game plan or was this new information? And she
just was so good at it that she was like
Jonesy then starts kissing him.
Speaker 3 (15:16):
It's just role play, like she loves it so iconic.
Speaker 1 (15:21):
Can I make one important note?
Speaker 3 (15:23):
Of course?
Speaker 1 (15:24):
Before that, did you guys notice who Valerie said she
was on the phone with. No When she bails the
Jim and Cindy honoree, Jim's being honored and she's.
Speaker 2 (15:36):
Like her old Tricksy or what's her name?
Speaker 1 (15:39):
Ginger lo Monica. I'm on my friend with Ginger, on
the phone with my friend Ginger and she's in a
bad way. Wait is that Elisa Donovan. It's like our
pal who we love play. Oh god, Monica. So I
was happy that. You know, there might have been one
previous mention, but we definitely got a.
Speaker 3 (15:59):
Strong horn name which writer wrote that it was what
I thought it.
Speaker 1 (16:05):
When they're on the horse, and of course Jonesy's like,
let me get my binoculars so I can see up
in the you know, mansion.
Speaker 2 (16:15):
They were very far away. I was a little concerned
they were going to be made.
Speaker 4 (16:19):
You know, we've been made, they.
Speaker 2 (16:21):
Is, We're like beed olden days made.
Speaker 1 (16:27):
I've been made. Really, in all my ci A fantasies,
I don't want to be made because then you just
ruined your chances of catching them. About that, he was
so obvious when he was getting the glass, the mystery
sea glass that I loved. Also like a plot point, Jenny,
like the shoe, there's the glass. And then did you
(16:50):
see Valerie wink at her?
Speaker 3 (16:52):
She's that good.
Speaker 4 (16:56):
Yeah, she's a good winker. That's talent. That's it.
Speaker 2 (16:59):
Are you a good winker?
Speaker 4 (17:02):
Me?
Speaker 3 (17:02):
I've had botox for so many years. I can't you
think I can wink? Still, I'm trying right now. Do
you see me winking?
Speaker 2 (17:08):
No?
Speaker 3 (17:09):
Wait, let me try harder. No, is my face moving?
Speaker 4 (17:12):
Can you close your eyes at all?
Speaker 3 (17:14):
This is just me? This is of course I can
wink you guys, I'm making a joke. Everyone's gonna be
like you've had so much bowtox. Nope, let's see.
Speaker 1 (17:23):
I want to see you guys do your wink.
Speaker 3 (17:24):
Actor Jenny, you know I've never been a good winker.
Though she is.
Speaker 4 (17:28):
I can't see you. But what.
Speaker 3 (17:33):
Wait wait, put part of our clip because otherwise they
don't get to see this. Jenny, you can, Jenny can
do both eyes on mystery girls? What would we do?
Would you? Would we wink at each other?
Speaker 1 (17:45):
Jenny? Let's see can you do it?
Speaker 3 (17:47):
We'd be oh wait, good.
Speaker 4 (17:49):
Wink both uys? Nice? Hey you're good?
Speaker 3 (17:53):
Wait?
Speaker 1 (17:55):
Can you can you do the knowing wink? Like Valerie?
Like I like I need some acting in this action.
Speaker 4 (18:04):
I can't do it. I can't like getting paid enough
to do that.
Speaker 1 (18:09):
Oh god, I love everything about this episode. It's so ridiculous.
Also because Kevin slash Carl is just gonna First of all,
it was sort of the beginning of the Internet, Like
he's like the way to hide your money. I thought
he was gonna say cryptocurrency for a second, and then
he just shows her his account, like let me just
(18:30):
pull up my account and like show it to you.
He is the worst criminal on the plan.
Speaker 3 (18:37):
That's like a fake one, right, Like you got.
Speaker 1 (18:40):
The money because that fool pulled his account up just
because she was a pretty girl.
Speaker 2 (18:46):
Oh how gross was it the way Carl cabin Nature
was looking at Valerie. It was like disgusting and Susan
Kitty was not having it.
Speaker 4 (18:58):
He didn't like it. Those gross. He is gross, you guys,
I can gross.
Speaker 3 (19:06):
He's been gross from the beginning.
Speaker 4 (19:07):
I feel it's like about all time. Does he is
a set for him?
Speaker 3 (19:11):
We never seen them amy he has been coming back.
Speaker 1 (19:16):
No, I think that I think they're kind of I
don't mind Kitty.
Speaker 5 (19:19):
I liked that Kitty is the worst because she's the
mother and she's dragged her daughter into this crime spree
thereon Awful.
Speaker 2 (19:31):
It's awful.
Speaker 1 (19:33):
I gotta say, I I do love me some Wingshouser though,
because he's so like just his first of all, he's
so sort of sweaty and drunk, but then he gets
his like self together and I love He's like, sweetie pie,
this is major league bad. I'm gonna give her a
test really like all the lingo.
Speaker 3 (19:52):
If this is a feature film, like that role would
have been cast with Bruce Willis.
Speaker 2 (19:58):
It was, Yeah, he's so good though, like he's all
over the place.
Speaker 1 (20:03):
Though it's so crazy. He's Colhauser's dad, like Yellowstones Cole Hauser.
Speaker 3 (20:08):
Though.
Speaker 1 (20:09):
It was like all over TikTok for just being hot.
So I have another question. Did you guys notice when
they're going into the hotel and there's sort of a
ginormous chessboard outside by the ocean. Did you see the
frozen shirtless background actor And that was just like so frozen.
Speaker 4 (20:26):
Was he on the chessboard?
Speaker 1 (20:28):
Yep, he was on the edge of the chessboard shirtless.
It looked like he was pantiless, but I think it
was shorts. But he was sitting and he was He
just didn't move, and it was like, oh, yeah, what's happening.
Speaker 4 (20:40):
It would have been really funny if he was.
Speaker 1 (20:41):
What resort was that.
Speaker 3 (20:47):
It was not that that would make me more mad
that we want.
Speaker 2 (20:51):
What about when he goes Yeah, what about when he
goes to into the town and he goes he finds.
Speaker 4 (20:59):
Erica immediately I know, I mean, come in the town.
Speaker 2 (21:02):
Like he knows exactly where she is and he goes
straight to her. Then he hides so terribly behind the
corner behind and he's like, don't look at me, just
look straight ahead. Meanwhile he's poking his little we font
hairdoo out to talk to her.
Speaker 3 (21:17):
Would you want to do behind a plant?
Speaker 4 (21:20):
Yeah, a little bit.
Speaker 1 (21:24):
It was the one and only Polemia.
Speaker 4 (21:27):
Oh, shut your face, shut your really, you guys, why
he went to the.
Speaker 1 (21:36):
Nicest resort in all of Mexican?
Speaker 3 (21:38):
What are you talking about right now? This is infuriating,
Like you don't understand.
Speaker 1 (21:43):
It says this is a caper, but then it says
it was filmed at the one and Only Palma.
Speaker 2 (21:48):
Which is, oh my god, and my favorite hotel in
Mexico in Cabo.
Speaker 1 (21:53):
Yeah it's in San Jose del Cabo.
Speaker 2 (21:57):
Wow.
Speaker 1 (21:58):
Wow Wow, or.
Speaker 3 (22:00):
Even been there?
Speaker 1 (22:00):
I mean, how did Luke Perry get that?
Speaker 3 (22:04):
Because he's because Perry, Hello Perry.
Speaker 1 (22:08):
How about the good spillage when Jonesy spills all over
Kitty good good spill acting.
Speaker 2 (22:18):
Very good acting, very good acting.
Speaker 1 (22:21):
A lot of extreme close ups in this sorry glurry too.
Speaker 2 (22:25):
Did you notice where the folks I don't think they
took the focused guy to Mexico with them because nobody
was pulling Louis.
Speaker 3 (22:34):
The stand in went and played Marco, but the focused
guy didn't know. You didn't go, wait, who is the
focused guy was?
Speaker 4 (22:41):
Oh god, oh please remember.
Speaker 2 (22:45):
I don't know.
Speaker 1 (22:45):
There was an actual focus job.
Speaker 3 (22:47):
Wait, Jen, Jen, wait, what do you look like?
Speaker 4 (22:49):
Can you just one was blonde and looked like a
surfer dude.
Speaker 3 (22:52):
Okay, and he got a little Do you remember someone
dated him?
Speaker 4 (22:55):
Yes, one of the Cat's members.
Speaker 2 (22:58):
And yeah there was the other guy who was really nice,
had a wife and a kid, Jim we remember, yeah, right, Yeah,
he would get a little saucy if it was late though.
Speaker 4 (23:14):
Yeah, he got a busy.
Speaker 2 (23:16):
This was back in the day when when they were
usually like a real film camera and shooting like you know,
on those big They had to have a guy that
would come in and switch the giant rolls of film
like everybody had a different job. And we're talking about
the focus car who would sit right next to the
he would measure with this little measuring thing. He come
over and put the little measuring thing right to your eye,
(23:38):
right like wherever he needed to do it, and then
he would remember those measurements and write him down on
his little thing, and then he would have to pull
focus wherever the shot went, and he would do it
from like right next to the lens, so he was
always his face was always right next to the lens.
Speaker 1 (23:54):
WHOA, I didn't even know this was a job.
Speaker 3 (23:57):
It was intense. You see what happened. If it doesn't work,
it's like crucial.
Speaker 2 (24:02):
Yeah, wow, but he was pretty good. If this isn't
only gup, then he's pretty good. But yeah, you got
really close with those guys because they were always with you.
Speaker 3 (24:14):
Yeah, came you were off camera, like you had to
be right off camera. You were right next to them.
Speaker 2 (24:19):
Basically, yeah, sitting on top of them.
Speaker 1 (24:22):
Does anyone want to know the cringiest line in the
whole episode?
Speaker 3 (24:26):
Yes?
Speaker 1 (24:26):
Yes, I bet you guys know, come on, just hold me.
Speaker 4 (24:33):
No, I was just gonna say that, Amy.
Speaker 2 (24:35):
I was going to say, just hold me, because I
have herritten down here, just hold me. And then she
falls into the most awkward hold me position ever done, Like.
Speaker 3 (24:46):
Wait, that was the most cringey, it wasn't she She
could lie like a rug and tease like a sleeze.
Speaker 2 (24:54):
Yeah, she's got a point there, damn.
Speaker 3 (24:57):
Oh whatever you guys think.
Speaker 2 (24:59):
So the whole.
Speaker 1 (25:01):
Thing was just like bananas, Like first of all, how
was he tapping into the other computer? Number one? Crazy?
Number two? He's like it's like Pong and pac Man,
Like I just got this.
Speaker 4 (25:13):
And it's like.
Speaker 1 (25:17):
It's like the evening doesn't the FBI account?
Speaker 4 (25:20):
Like what cheap?
Speaker 2 (25:22):
He bashes through the window, what guys? What?
Speaker 1 (25:27):
Of course? Great dollars the best. It was so like
I didn't know what I was watching, Like six million
dollar man writer, I don't know.
Speaker 2 (25:36):
That was like a big setup too, Like they had
to replace the real glass with the shattered glass, and
the hotel had to approve, you know, Paul me I
had to let him do that.
Speaker 3 (25:47):
On the sword fights, why Paul Wagner had to be there,
you know, the guys were so pumped to do that.
Speaker 4 (25:53):
Like this is a big A lot of fun for that, a.
Speaker 3 (25:56):
Lot of testosterone.
Speaker 1 (25:59):
Yeah, it was a movie like I was like, this
is I'm just watching die Hard? Like and then the
sword fight and suddenly Karl.
Speaker 2 (26:07):
Walks in like they walk in because they know Dylan's there,
so they come with he come, Carl Itchy back or
whatever his name is, comes in with a gun and
he's like not a first like Jim pointing at everybody.
Speaker 4 (26:19):
You'd like, it's so casual with a handgun in it.
Speaker 1 (26:23):
Oh, and they just sent Erica to her room. Just
the child should just go to their room to avoid
the guns.
Speaker 3 (26:28):
Sit in the naughty corner. Well, we take care of business.
Speaker 1 (26:32):
It was so crazy and Valerie looked like she got
bopped in the eye. Was I to see that? It
looked like the hat her in the car and then
he cracked her one the gun comes out.
Speaker 3 (26:44):
I want to see that.
Speaker 1 (26:46):
And then she's like, I'm sorry. It was just the
whole thing was so crazy. I loved it. It's just
totally bananas.
Speaker 3 (26:53):
It would have been cool if it was like me
and Jen doing this whole.
Speaker 4 (26:56):
Thing, we would have liked it more.
Speaker 3 (26:58):
Been fun. Smash through windows.
Speaker 4 (27:01):
Oh, real good.
Speaker 1 (27:03):
And just God bless Jonesy for coming back.
Speaker 2 (27:07):
Yeah.
Speaker 1 (27:08):
Oh and it was because they told him Eric Estrada
was in danger.
Speaker 4 (27:12):
Oh yeah, that was funny.
Speaker 1 (27:13):
Yeah, Like, oh my God, will never leave my last reference.
Should we switch to the I feel like if.
Speaker 3 (27:35):
You're done yet, are you?
Speaker 2 (27:36):
I feel like we might be done with that story.
I mean, I honestly enjoyed watching it, but again it
didn't feel like our show.
Speaker 4 (27:42):
But I could have watched some more of it.
Speaker 1 (27:44):
Probably me too. I was like, this is this.
Speaker 2 (27:46):
Cake Jonesie's pretty engaging and Valerie was fun and she
looked cute.
Speaker 1 (27:51):
She did look cute.
Speaker 3 (27:53):
This is when nine O, two and O is going
to kind of become you guys, what.
Speaker 6 (27:57):
Like so much drama capers and like, yeah, weird extreme
like distortion storyline.
Speaker 3 (28:06):
I love it, like it's gonna happen, like babe, Yeah,
just wait for it.
Speaker 1 (28:11):
Really quickly before we move on. Two things. The station
wagon cab driver was the worst driver. That was scary.
And the lady at the hotel just smoking and just
letting Dylan into the room, no problem, just go on in.
Like I was like, this is crazy.
Speaker 4 (28:32):
It's set that, it set the tone.
Speaker 3 (28:34):
Yeah, who directed this?
Speaker 4 (28:37):
James Wentworth?
Speaker 1 (28:39):
Yeah he did a great job.
Speaker 3 (28:43):
He loved him.
Speaker 2 (28:44):
Now to Kelly, to Beverly Hills, back to boring Beverly Hills.
Speaker 1 (28:49):
Oh Kelly.
Speaker 3 (28:50):
I never thought Beverly Hills would be so boring.
Speaker 1 (28:53):
Okay, Kelly, Yeah, things are bad between you and Brandon
because you're.
Speaker 4 (29:02):
Thing. They have this family.
Speaker 2 (29:04):
Binley be a teacher at the school, so because Kelly
was in his class, right, right, and then well Brandon
goes and starts talking to the new dean.
Speaker 4 (29:16):
I don't understand.
Speaker 2 (29:17):
If they had these allegations, these kinds of allegations, why
would they then let this guy be teaching a course?
Speaker 4 (29:24):
So weird, it made no sense, It made no sense, right.
Speaker 1 (29:27):
The only thing he didn't get was tenure. It's like
what happy.
Speaker 2 (29:31):
In jail if he would have these kind of allegations,
like or he would be whatever it is for a teacher,
but like disbarred for a teacher, whatever that is, takeingure.
Speaker 1 (29:40):
Brandon Walsh has like a weird amount of power. It's
like very odd. Why is he like campus guy, He's
just going to the dean and then suddenly the dean's
going to reconsider, and then he's going to talk to
the teacher, like what.
Speaker 2 (29:57):
And then the teacher is talking to him. He's the
student body president. Okay, that's what they do, power you guys,
That's right, they do.
Speaker 1 (30:08):
It's your hair getting longer. I'm noticing you and Claire.
Your hair is getting longer. Whose hair yours? And Claire
going out?
Speaker 4 (30:18):
But I think I cut it again, so don't worry.
Speaker 3 (30:21):
I don't want to talk about this.
Speaker 2 (30:23):
See.
Speaker 3 (30:25):
So this is the point in the program when you're like,
you don't like my hair short. I loved it short.
I thought it looked great, and then you should it
was great.
Speaker 4 (30:38):
You love my hair short? You never love my hair short.
Speaker 3 (30:41):
That's not it. You always think I don't like your
hair short.
Speaker 1 (30:45):
I said, I don't think it told me it.
Speaker 3 (30:48):
I'm talking about the soccer mom time soon, and I'll
continue to tell you to your face. I never liked
that cut. It was the wrong move. But we haven't
gotten there yet.
Speaker 4 (31:00):
But it ruined my career.
Speaker 3 (31:02):
WHOA, that's extreme.
Speaker 4 (31:04):
WHOA.
Speaker 2 (31:07):
I don't know.
Speaker 3 (31:08):
If anyone could pull it off, it would be you.
I personally wasn't a fan. And I've told her this
for thirty years.
Speaker 2 (31:14):
Yeah she has, and it's going out.
Speaker 3 (31:17):
Because it just hurts my soul.
Speaker 2 (31:19):
What about you don't like the way it is now?
Speaker 3 (31:23):
I do on the show.
Speaker 4 (31:25):
Yes, it's like a long bob.
Speaker 1 (31:27):
The long bob is.
Speaker 3 (31:28):
Cool when you have to its wispy it still.
Speaker 4 (31:32):
Looks like a goat. Shoot it a little like a little.
Speaker 3 (31:35):
Like it's not that it's the one that comes next
that just took you down.
Speaker 2 (31:42):
Okay, well I can't wait to see it.
Speaker 1 (31:44):
I just like you on the floor with your boombox
sort of meditating to Finley's something or other, and then
then Brandon is kind of creepily staring. Then you're like,
why are you staring? And then he sort of says
something like.
Speaker 3 (31:56):
I always liked you on the floor in weird positions.
Speaker 4 (32:00):
Eh what?
Speaker 3 (32:01):
I was just happy that, like, oh cool, like Brandon Walsh,
there's more than meets thy. Maybe he is a little kinky,
great never pegged him for that.
Speaker 2 (32:11):
These two characters have been so not like connecting for
a while that way physically or emotionally. So, but this
is how those kind of things happen. I think these
like mind takeovers. I guess when somebody gets brainwashed, like.
Speaker 1 (32:28):
And you said you even called him an extern.
Speaker 2 (32:31):
A extern, which is like using Finley's language. Yeah, but
that's what happens when you go to these like courses
or when you go to these lectures or weekend seminars.
Speaker 4 (32:42):
You I don't know.
Speaker 2 (32:45):
If that's what's happening with Kelly, but it must be
because you do, you get brainwashed and you leave there
using their their terminology, and you I buy it that
she would be listening to totally.
Speaker 3 (33:01):
Even if it's like an inspirational like self help meditation weekend,
you do start to kind of be like, yes, everything
they say somehow you respond to and you're like it's
like they're talking directly to you and everyone feels that way. Yeah,
(33:21):
and you're like it hits home on some level. They're
very good at this.
Speaker 1 (33:25):
Well that's why Finley is so creepy. He's super good
at this creepy creepy, and she's fallen for it.
Speaker 4 (33:34):
I mean, make us think about it.
Speaker 2 (33:35):
She's never had any sort of like personal growth in
her life, I don't think, other than the growth that
she's done on her own through you know, the relationships
that she's had.
Speaker 1 (33:49):
And it's causing a rift between her and Brandon, which
is exactly what.
Speaker 3 (33:54):
Happens though, like they were getting stale. This can only help.
Speaker 4 (33:59):
Oh, oh, I don't think so. I don't know. I
think that this is not going to end well.
Speaker 3 (34:04):
Oh, I just remembered.
Speaker 1 (34:07):
Oh, not good, I know, but it's good. And then
we just had a brief moment with Steve with his
like easy schedule, and we literally I think we only
had one scene with Claire and David and the Defender
because he wants it to be a hip hop club
(34:27):
and she doesn't.
Speaker 3 (34:28):
I know, I feel bad, you know, you know, visually
I love watching her, but like their storyline and each
time I'm like, I just don't care about them running
the peach bit after dark and who they're booking.
Speaker 1 (34:40):
This was like one of the most expensive episodes ever
a stunt action movie on location.
Speaker 3 (34:46):
See that's when I start to be like, why put
the money there? I loved it, Yeah, but then put
our put more of the regulars and take.
Speaker 1 (34:55):
Luke Perry was like a movie star in this episode.
Speaker 3 (34:58):
He actually was a movie star.
Speaker 4 (35:00):
Yeah.
Speaker 2 (35:00):
I feel like they were really like putting, you know,
their focus on Luke at the at this current moment
in time, he was so.
Speaker 1 (35:12):
Full and we haven't had a lot of Luke because
he was so drunky, unhinged drug addict. So now we're
kind of like he's all cleaned up and here's the movies,
Like we're getting him back. So Maybe that's why I
loved it so much, because it's like I kind of
been missing I've been missing the good version of him.
Speaker 3 (35:28):
All leading men are broken somehow, then they always make
a comeback.
Speaker 1 (35:33):
I'm seeing if Luke was working on a movie at
this time.
Speaker 3 (35:35):
Yeah, he been and dating Madonna? Was this that point?
Speaker 4 (35:40):
Wait? What Luke was dating Madonna?
Speaker 3 (35:44):
I will never forget him pulling me into his dressing
room and being like telling me and I felt so
confided in like, oh my god, he's telling me about Madonna.
And then okay, remember there's like, oh wow, you're string machines,
you guys. He played me a message from her and
(36:06):
I was like, you're the coolest person in the whole world.
One because you're Luke Perry and two because Madonna wants.
Speaker 1 (36:14):
You left you Hello, you're right.
Speaker 3 (36:18):
Wow.
Speaker 1 (36:19):
I did not remember that at all? Which part that
he dated Madonna a little bit?
Speaker 4 (36:24):
Did?
Speaker 1 (36:25):
He presented her an award?
Speaker 3 (36:26):
And maybe that's so we kept these things from you,
like something that you would want to hear.
Speaker 1 (36:34):
So oh seems short lived?
Speaker 3 (36:38):
Maybe very I don't think, yeah, dating you know what,
there was something something going on. Wow.
Speaker 1 (37:00):
So I love this whole episode. I mean I really did.
I was shocked by it, Like, this is so random,
but I'm into it.
Speaker 4 (37:10):
What do you give it? What kind of grade school grade?
Speaker 6 (37:15):
Nine point eight we start grading people, would you just
say nine point eight?
Speaker 1 (37:23):
Maybe like a couple of points of deduction for just
sort of like ridonculousness, but otherwise, yeah, nine point eight.
Speaker 2 (37:33):
I would have to say, if I detach myself from
my anger about not being in it, that I would say.
Speaker 4 (37:42):
I would I give it.
Speaker 2 (37:43):
Like a eight and a half nine yeah, because it
was fun to watch.
Speaker 1 (37:48):
It was fun to watch.
Speaker 2 (37:50):
It wasn't watching nine or two and oh but I
was watching something.
Speaker 1 (37:53):
Yeah, you're watching like hard to heart, not.
Speaker 3 (37:55):
Really hard hard in that I just want to be
in that. So, like I want to fast forward the
scenes in Beverly Hills only because I'm totally into the story.
But it's just like if you're going to do that,
and I know we can't do that, but that's like
it jars me each time you go back and forth. Okay, so,
(38:16):
just based on the hotness of Dylan slash Luke Luke
slash Dylan, I'm going to give it an wow.
Speaker 2 (38:31):
Well, I think we all like gave it a respectable
score only Luke based on look, based on the cinematography
and the excitement of Mexico, the action seeing you know,
Paul Mia and everything.
Speaker 1 (38:47):
So he could ride horses and motorcycles.
Speaker 3 (38:49):
Yeah, he could do more than that. Wow, he could
do everything. And then he could even light his parts
on fire. Like the guy had talents like I'm talking,
and he was that guy that no matter what he did,
nothing was gross about him. Does that make sense?
Speaker 4 (39:09):
That was gross? I'm sorry, but that was gross.
Speaker 3 (39:12):
Hearts on fire.
Speaker 4 (39:14):
It is not only gross, it's very dangerous.
Speaker 1 (39:16):
Oh is that true? I don't know.
Speaker 3 (39:19):
Don't do this at home, but Luke would, and he'd
make all of us giggle and laugh so hard we'd
be crying. And he would sit on the dressing on
your dressing room floor and he would light his fart
on fire, and I would laugh till the point I
was crying and peeing my pants. Yeah.
Speaker 1 (39:37):
Oh, oh gosh.
Speaker 3 (39:39):
No one did it like him anything like him?
Speaker 4 (39:43):
Thank you for that much.
Speaker 3 (39:45):
It's okay, Luke Perry.
Speaker 4 (39:50):
He was well rounded, is what you're saying.
Speaker 1 (39:52):
I could maybe watch this episode again, Like I kind
of think I might just watch it again.
Speaker 3 (39:59):
Really, like in your free time.
Speaker 1 (40:01):
Yeah, do I have? Are you I might?
Speaker 3 (40:05):
What's next?
Speaker 1 (40:05):
Little background when I'm doing some emails or some ironing,
and just see that shirtless horse shot? Pretty good?
Speaker 3 (40:13):
Yeah, that is so funny. She said. Emails and ironing
two completely different eximes of you, like business and then just.
Speaker 4 (40:24):
Those are the things.
Speaker 1 (40:25):
I couldn't say vacuum because I wouldn't be able to
hear it enough. But like ironing. Yeah, Cory, I have
a little bit of bad news for you. Next week
your nemesis returns Ariel.
Speaker 3 (40:40):
Why do you have to give me PTSD? Why do
you have to ride?
Speaker 1 (40:44):
I just wanted you to know. I wanted you to know.
Speaker 3 (40:46):
Being riled up my job.
Speaker 1 (40:48):
To warn you of these things.
Speaker 3 (40:49):
And Jonesy fire within.
Speaker 1 (40:51):
Jones will be back. Jonesy will be back.
Speaker 4 (40:54):
What about the Cavendishes.
Speaker 1 (40:55):
I think they're gone.
Speaker 3 (40:57):
Wait, Ariel's coming back. So now she's gonna up Claire's relationships.
So now she's gonna say a little.
Speaker 1 (41:03):
You forget who's dating a musician.
Speaker 3 (41:06):
No, she's gonna come and take another one of my men.
Speaker 1 (41:09):
I'm not saying what's gonna happen.
Speaker 4 (41:11):
I'm in shock right now. I think you don't remember
I don't.
Speaker 1 (41:16):
I'm just saying.
Speaker 3 (41:17):
Because I wasn't in love with Jamie Walters, like, so
there wasn't like a person whatever. I wasn't in love
with Brian at this time. But obviously you guys know
he was one of my first loves, like in real life,
so like it's a personal thing when it's David and Brian,
like Jamie and I were just friends. So I guess
(41:37):
I'm not too like riled up the Ariel is gonna
swoop in and take another man. Wait, who's she taken next?
Speaker 4 (41:44):
I don't know if she's swooping into our next episode.
Speaker 3 (41:47):
If she's I'm gonna be pissed just saying I.
Speaker 4 (41:50):
Don't even know who that is.
Speaker 3 (41:51):
But okay, I knew you were gonna say I don't
know who that is, so I was not to tell
you that's Vince.
Speaker 2 (41:56):
Okay, I'm saying it now our next episode of season five,
episode nineteen, Little Monsters. That's your homework, everybody,
Hosts And Creators
Tori Spelling
Jennie Garth
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