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February 2, 2023 21 mins

Wizdom forces Adelita to decide what she really wants out of her career.

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Speaker 1 (00:00):
As a dad, actor, producer for an activist, my schedule
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can be unpredictable. That's why good help is always welcome.
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(00:20):
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(01:46):
I got your coffee ready and I'm gonna make you
some old meal. Yes, yes, I don't know if I
can eat anything this morning. After that visit last night
with Adelita, that girl is going to be the end
of me. Keep us so she doesn't know what she's doing.
Ista Sea, you too. She's so talented, Senyoda, I think

(02:11):
she can do anything, So I should just let her
risk it all, let her you know what I mean,
I Losma, If that girl only knew everything I gave
up for her, all the sacrifices I made to make
sure that she had the career that she's had. Sometimes

(02:35):
I feel like she doesn't even care. No, Senyoda. Our
kids never really understand the sacrifices that we make for them,
and sometimes they even resent us for them. But you
know the funny thing is I came to this side
of the border so that I could make more money
and give my kids a better life. All these years later,

(02:57):
all grown up and the only title whom at us
from our pueblito with a college degree, and they're still
upset that they only get to see me on weekends.
I'm sorry that must be hard, but I did what
I had to do, and here I am complaining about
a daughter who has never left my side. You know

(03:21):
what we need to do? Switch rolls. I know too
late for that. We need to find you a man.
Definitely too late for that. I send you. You're not
even fifty. Don't tell who has time. It's time that

(03:47):
your life be more than just about Adelita. Hey man,
thanks for coming over, Alita Wisdom here? What is Wisdom

(04:17):
doing here? I called him, told that you needed an
extra bush. Oh you real? You go just hear him out.
If the answer still know, I'll back off. I promise
I'll be down in a few God ya man, I

(04:38):
gotta say I never thought at Elite would be so
hard to get man to be honest. This side of
Alita has surprised me too. I mean, the woman asked
me to marry her to take show up for good.
About that? That's crazy? What up? Yo? But tell me,
tell me real talk. How do you want to handle it?
Because you know I tarred double for therapy, says, so

(05:00):
you eat that. I can't. I don't just talk to
her an artist, artist, you know what you're doing. I
guess my husband had to bring in reinforcements, whatever it takes. Right,
At least you're not running away from me this time.
I know. I'm sorry. Yeah, I don't know what happened

(05:23):
at the studio. Come here, bab sit I mean adelite.
I usually can't get the ladies to leave me alone,
but then you ran away. I'm like, what happened? Oh? Well,
there's a first time for everything. Look, there's just so
much I didn't consider about this crossover thing. Was I

(05:45):
got caught up in what I thought was a good idea,
you know, an easy fix, but never thought beyond that
that's not the smartest way to launch a new career.
Oh that's one way to look at it. Another way
is when an opportunity lands on your lap, take that ship, like,
what's up? Okay, look at Alita. I'm not just here

(06:08):
to convince you to do the Grammars with me. That's
not what this is about at all, because you know
that getting someone to perform with me would only take
a phone call. You know that, right? Yeah? I do know.
But believe it or not, there was a time when
I couldn't get anyone to return my calls. No, you
mean to tell me you weren't always the biggest hip
hop artist in the world. I know it's hard to believe,

(06:30):
right because I mean, you know what, but the truth is, Man,
for years I try to get a record deal and
no one would sign me. Is that really true? And
the God I sent my demo tapes to every big,
medium size, and small record label in the country more
than once, and they ain't hit back from a single one. Wow.
I mean once in a while they would be like

(06:51):
an and all guy showing up at one of my
gigs in New York, but you know, small club showcases.
Nothing would ever come from that until it did. Till
it did when I stopped copying everybody else, there wasn't
an original. I did any of my tracks then. I mean,
I thought if I replicated what Yay or Wayne or
jay Z was doing, I get signed ship. I even

(07:13):
tried copying eminem after Relapse came out and sold five
million plus world Why so what changed? Happened? On January
two thousand and nine, just a few days after Oscar
Grant was killed by a cop, when I wrote that
song Emmin and Oscar. Oh wow, that song was huge.

(07:34):
Just like emminate Oscar, they see me and monster twenty
two years young. A brother looked like me, won't ever
see twenty three till his head took a knee, gunned
down with his hands locked while cops sit and watch.
Just like Emmin and Oscar, they see us as monsters.
The skin. We didn't get us sent to the pen
like Immedate Oscar. Two black angels taking way too soon.

(07:59):
I dedicate this to you. Wow, man, I ain't even
bother to produce the song. It was just so raw motional.
Let me think about it. Oscar was the exact age
I was at the time, twenty two years old. Man.
I just needed to get that shit out there, like

(08:21):
I uploaded it to SoundCloud. Video take myself doing the song,
then uploaded the video to YouTube and people started to
find it and share it, and you know the rest.
I mean from not alone. I made enough money to
self produce my first album, no record label, no manager,
and I'm gonna tell you this, for the first time,
I didn't want anyone to influence what I was doing.

(08:41):
I was gonna fail or succeed doing my own thing.
To my surprise, shit blew up. That's what got you
signed by Rizzle at a A g right yep em
in Oscar and everything that has come after that song
is what drives me to this day. Not the label,
not my agent's, not my manager, death nearly, not Marcos,
wanting my music to say something, to find who I

(09:03):
would be as an artist, and it gave me clarity.
Now your situation is a little different. I mean, you've
had great albums, you're an incredible songwriter, and you brought
this this new dope energy to say hand on music
after Selina. You know, I love Selina, but look, man,
you should be proud of all of that. But if

(09:26):
that's not what you want to be doing anymore, then
you really shouldn't be forced to ad leite to come on.
You've got a lot of people pulling strings for you,
but no one, and I mean no one, but you
should be making this decision him. As a dad, actor, producer,
and activist, my schedule fills up fast, and as we

(09:47):
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We're changing the locks if she keeps doing that. Prodrigo.

(12:41):
The door was open, so don't kill me. Hey, miss
pass so right, it's good to see you, Wisdom. Hi,
this is a surprise. What are you doing here? He was?
He just came bright. He's stopping and say hello. They've
been taking care of me. Atalita was afraid I'd get
lonely with my break up for whatever reason. And rod

(13:01):
Riego just want to feed me. And you know him.
He thinks a whole made mill is a kill foot.
Everything he's cooking does tend to make me feel better. Hey,
maybe you don't get cocky. Your the money making skills
still need some work. So how are you doing? Wisdom?

(13:22):
Is the press leaving you alone? A man? Let's just say,
I'm glad I came back to El Paso. I'm sorry
to hear it didn't work out with Zoya. I hope
it was for the best. Why be with someone who
don't want to be with you? Have you found her
replacement by the Grammys? I mean I'm thinking about just
having portion stepping, you know, one of my backup singers.

(13:44):
I like that idea. Keep it low key, not bring
any more attention to the break up. I think you're
making the right decision. Well thanks, Well, I'm sorry I
barged in. I just need to discuss a couple of
quick things with you, Adelita and so have you signed
some documents? All right, why don't we all move to

(14:04):
the kitchen. Rodrigo was about to make lunch, right, babe? Yeah?
Any requests wisom except the mals apparently? Listen, man, I'll
eat anything you make, yeah, even the nasty as. I'm
just playing. I'm just playing. I got you back so good,

(14:28):
a ra you need a head, Nah, that's it. Relax
I'll keep it simple, Lance Plice tomatoes. Okay, So first
things first, you need to talk to Marcos. I think
it will appease everyone at the label if you assure
him you'll be delivering the two the Hano albums left

(14:50):
on your contract. I told him you would, but I
think it would be nice if you heard it from you. Obviously,
this will all be after your vacation, but just call him,
all right, Sure, as long as the conversation includes a
plan for me to transition out of the Hannah Musa. Okay,
but you know me, that's still going to be a

(15:10):
couple of years away. Are you sure you want to
bring that up now? Well, you did say I hadn't
thought through all the implications of my announcement, So let's
do it right, Let's give everyone enough time. You do
know that this is not just a label and Marco's conversation, though,
what do you mean? Well, let me remind you you're
not only at the Handle Singer, You're at the Hanu brand.

(15:34):
And as you know, the brands were also alarmed by
your announcement. So we'll have to set up meetings with
the cosmetic line, the clothing line, the Cowboy boots company,
the salsa company, the publishing company that those are Mother
Daughter cooking books, and the publishing company that's about to
go to Prinds on the children's book series. Damn, really,

(15:55):
Adelita would never say this, wisdom, But my daughter is
as big in it the handle world as you are
in the hip hop world. Oh God, please don't listen
to her. Our careers are not even close in equal
comparison what they could be. Prodrico, your onions are burning.
Let's just start setting up those brand meetings as well.

(16:16):
We'll look at every contract and get a sense of
how long we have left on each one. Then we
can decide which ones we don't renew and which ones
might be able to transition with me. You want to
do all this now? At the same time, we might
as well have it all laid out and deal with it. Weha.
I don't know. Here's the thing, Mom. Don't you think

(16:40):
it's kind of crazy that I've never made most of
the recipes in our cookbooks Prodrico does all the cooking
around here, Or that I'm writing a children's book series
and I don't even have kids. Well, what's done is done,
and what's done can be undone. All right, I'll pull

(17:01):
the contracts and we can see where we are. Great,
lunch is served? How about time? Great, I'll go wash
my hands, be right back. Wow, that was interesting. What
the fact that none of what you guys talked about
had anything to do with music? It makes me wonder.

(17:24):
I mean you an artist or a product. If you're
enjoying a Thelita Changing the Key, please subscribe, rate and
review our show wherever you're listening are. Thelita Changing the

(17:47):
Key is a production of Sonoro in partnership with Our
Hearts Michael Tura Network. Created and written by Lesia ViOS,
Produced by Luca Guardo Castillo, Get In Such it Is
and b Na Lopez Mendoza. Directed by Javier Perrazza. Developed
by Jasmine Romero, Betina Lopez and Christian Catar Executive produced

(18:10):
by Gisel Benzes and Conald Byrne for iHeart and Camilla
Victoriano and Josia Weinstein for Sonoro. Executive produced by Dayangerero
and li Jiavianobos. This episode written by Li Jieviaalobos with
help from Daniela Sarkis, Petina Lopez, Rodrigo, Bravo, Moniza Hinrich
Barriana Martinez Gomez and Ed Garesteva. Performances in this episode

(18:33):
by Diangerero, Carla Jimenez, An Artis, Jessie Garcia and Lamarque Chasten.
Recording and engineering by Andres Bayena and Emiliano Quintanao, with
sound designed by Andres Baiena, Armando Gutino, Lunirigoce, Emiliano quintana
and Cassandra Tinajero. Additional editing by Daniel Padilla and Fernando Glaviz.

(18:58):
Casting and coordination by Arli Day, Mike Paige, Christina Blevins,
Andres Chaitis, Alexandra Gonzalez, get In such Chitis, Christian Hata
and Nick Milaness. Original songs by Laura Cruz, Ector Fernandez,
Sean Meta, Miranda Johnson and Blaze Adam. Music director Kamara

(19:18):
Kamba as a dad actor producer for an activist, My
schedule feels up fast and as we all know, life
can be unpredictable. That's why good help is always welcome.

(19:42):
Hey everyone, it's warmer about drama when it comes to insurance.
Let's Stay Farms support. You switch to Stay Farm and
you feel better knowing their expertise will have your feeling
taken care of. Don't understand policy details. They've got your cover.
With Stay Farm, you can call your agent or connect
with them twenty four seven apprentde mass and as punto
state farm punto kom like a good neighbor. Stay Farm

(20:04):
is there. Hey, it's Mala and Diosa, co hosts of
Look Radio. Listen. Life is too much these days. We
all have to learn to take care of business and
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(20:27):
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it's less than five seconds true or false. The five
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(20:47):
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(21:08):
It's your journey.
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