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November 3, 2023 โ€ข 218 mins

N.O.R.E. & DJ EFN are the Drink Champs. In this episode the Champs chop it up with the legendary group, M.O.P.!
Billy Danze & Fame of Mash Out Posse join us to share their Hip-Hop story! M.O.P. shares stories of creating their legendary catalog and working with artists like Busta Rhymes, Remy Ma, 50 Cent and much much more!
Lots of great stories that you donโ€™t want to miss!
Listen as we continue to celebrate 50 Years of Hip-Hop!!
Make some noise for M.O.P.!!! ๐Ÿ’๐Ÿ’๐Ÿ’๐Ÿ†๐Ÿ†๐Ÿ†

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ย DJ EFN

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ย N.O.R.E.

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Transcript

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:11):
He is drinks chants, motherfucking podcast man.

Speaker 2 (00:14):
He's a legendary queens rapper.

Speaker 1 (00:17):
He ain't sagreed. That's your boy in O R e.
He's a Miami hip hop mioneer, put up as d
J e f N. Together they drink it up with
some of the biggest players, you know what I mean.

Speaker 3 (00:26):
And the most professional unprofessional podcast and your number one
source for drunk drink chans.

Speaker 1 (00:33):
Days New Year's c That's it's time for drink champions.
Drink up, motherfuck mother. Would a good be hoping that
Shooter should be This your boy in O R eight?
What up is DJ e f N?

Speaker 4 (00:48):
That's Minna take me Crazy War, drink champs, y Happy Hour.

Speaker 1 (00:51):
All of that make some right now.

Speaker 4 (00:56):
Where you talk about legends, we talk about two man group.
We talk about some of the best back and forth lyricists,
paint pictures, real artists.

Speaker 1 (01:07):
Real hard core shit.

Speaker 4 (01:09):
You cannot listen to the music sitting down. You gotta
saying your ass up and get hype. This is one
of the best groups of all times. Health influence mar
Deep who mar Deep? He influenced us so in a
lot of ways. It wasn't for them.

Speaker 1 (01:27):
This show or this person might not even be here.
They are the impeccables. They are. I love love to
see them in verses.

Speaker 4 (01:38):
But in case you don't know who the fuck we're
talking about, were talking about the one the only. Let
just let's just leg just man, I ain't gonna lie
to you. I was going through your discography, yo, y'all
got some music, man.

Speaker 1 (01:57):
Yo, man, Like it's like real art, Like like I
remember me.

Speaker 4 (02:03):
Hearing it and not going to Brownsville at that time,
and me just like I'm knowing that y'all painted like
I felt like I was that Sarah Toolda.

Speaker 1 (02:12):
That's you know what I mean.

Speaker 4 (02:14):
Like, So, how did y'all come up with that?

Speaker 1 (02:18):
All that music?

Speaker 5 (02:22):
It's all organic b Like we don't even for shows
anything we do, Like, there's no rehearsing.

Speaker 1 (02:29):
The way y'all go back and forth.

Speaker 6 (02:31):
It's just it's just feeling, just feeling.

Speaker 5 (02:35):
So you know, I thought about this on the flight
here and in my room and everything, and you know,
people ask the question like how did y'all come up
with it? And it's different with us than other rap groups,
right because we're not really a group, right, that's the
big difference because we go back so far that we

(02:56):
don't even know how we met, where we met, when
we met.

Speaker 4 (02:59):
That was my next question.

Speaker 5 (03:01):
I knew, I.

Speaker 3 (03:05):
Remember that on stage, we we got fucking sign language.
We could just look at each other, like, catch me, nigga,
you know what I mean.

Speaker 4 (03:12):
Foster told me about swim Star. He said, swim Star
do that, and.

Speaker 3 (03:15):
I always, yeah, you just look at the nigga, you know.

Speaker 5 (03:20):
What I mean. You know, catch me, catch me right,
you know what I mean.

Speaker 4 (03:23):
But now you did the BT Awards with Steve Rifkin.

Speaker 1 (03:25):
Yeah, how was that?

Speaker 3 (03:27):
Experience? Was amazing? I mean, shout out to Steve Rifkins
to shout out Steve.

Speaker 4 (03:33):
Signed Aloud, right, yeah, Steve Rifkin signed a Loud Yeah okay,
so how how how was that? I'm dealing with Steve
y'all signed autang was there?

Speaker 7 (03:45):
Yeah?

Speaker 1 (03:46):
That was legendary.

Speaker 3 (03:48):
Yeah, a lot of great groups, the man, it was
just good. It was like being home Loud Records because
you have so many amazing artists doing our condo music,
you know what I mean, nigga music.

Speaker 5 (03:59):
You know what I mean.

Speaker 3 (04:00):
You're comfortable in that environment, right.

Speaker 5 (04:03):
That was that, uh, that friendly competition era that we
were in right. So if you're on the label, you
got Old Tang, you got Nahs, you got I mean,
excuse me, Mob Deep, you got all these amazing fucking
artists on everybody right, Yo, everybody over. Everybody's over there.
It's that that friendly competition that that we was having.

(04:23):
Like you know, you hear a fucking Mob Deep album
or Mob Deep record, You're like, we're all in the
same place.

Speaker 6 (04:30):
So it's like kept everybody on the keep keep you.

Speaker 3 (04:33):
On your toes. Plus you fans like I'm a fan
of all of them allists. He's just everybody on a
Loud Records I was a fan of.

Speaker 5 (04:39):
You know, I'm a music nerd.

Speaker 4 (04:40):
But yeah, I watched the documentary on You and you
was naming mass.

Speaker 1 (04:45):
Like different music. He's like, Yo, people think make hard music.
Listen to you. I was like, wow, that's different, you.

Speaker 3 (04:51):
Know what I mean? So that that keeps you on
your feet, keep you going and ship.

Speaker 1 (04:55):
What's something that you listen to that.

Speaker 3 (04:59):
I listened to reggae music, dance hall because you turned
it down, you know, Okay.

Speaker 5 (05:02):
Calypso listen to Soaka like a motherfucker. I used to
want to get up through tour bus Nigga, that's nigga
bam like a motherfucker, all of that, all of that ship.

Speaker 3 (05:20):
Sometimes you got to get away from from the hip
hop ship. Even when I'm listening to us like I'm working,
I don't feel like working, you know what I mean.

Speaker 5 (05:27):
You gotta change.

Speaker 1 (05:27):
Because you're too close to you gotta back.

Speaker 3 (05:29):
And like, you know, too much hip hop is like
your fucking brain need a fucking break, you know what
I mean.

Speaker 1 (05:35):
So I put them from.

Speaker 3 (05:36):
Reggae and vibe out, you know what I mean.

Speaker 4 (05:38):
I put on old school reggae, like like you can
play that music loud anywhere.

Speaker 8 (05:43):
Yeah, you feel nobody. I can't go wrong with nineties
dance at South So too. I'm sorry, I look at that.

Speaker 5 (05:55):
I don't know what you talk about like sound like
I know, let's take it from the begetting how about
some hardcoref Look that's.

Speaker 4 (06:03):
Back then, yo, that's Joe Because it says on the
back of it it says ninety three.

Speaker 1 (06:14):
But what did we google and it said ninety two? No,
it's well, it's said ninety four. The album came out.

Speaker 4 (06:21):
Here, that came out ninety four, okay, but the single
came out ninety ninety three.

Speaker 1 (06:24):
Was this the first single? Was it something?

Speaker 6 (06:25):
Before this first single?

Speaker 3 (06:27):
I had a joint call the Hell That's Real, It's about.

Speaker 5 (06:30):
My neighborhood, okay.

Speaker 3 (06:33):
Project. Yeah, that was a shout out to Silver D
shout the lazy Ladies lay.

Speaker 9 (06:38):
Yeah.

Speaker 3 (06:39):
It was really a compilation right well, he happened to
put me on the compilation and ship. I had like
three joints on it, okay. And one of the joints
I made was called it Hill That's real.

Speaker 1 (06:47):
Hell, that's real, And that's my neighborhood. And that's in
ninety two.

Speaker 4 (06:50):
That's ninety two, yeahy two sixteen, Okay, So how do
you get to how about some hard core d all period.

Speaker 5 (06:55):
Is from my neighborhood.

Speaker 3 (06:57):
That nigga. It's like a block away. You can hit
through the vacant lot. You can hear sucking mute bumping
through the lock.

Speaker 1 (07:04):
Yeah.

Speaker 4 (07:04):
That his crib.

Speaker 3 (07:05):
Yeah, we made out his crib in the not in
the ville, okay? Was it was?

Speaker 5 (07:08):
It had a cross yeah, no, more like best style,
but right across folkkm.

Speaker 3 (07:14):
Yeah. But he used to live right right across the
street from me.

Speaker 1 (07:17):
Wow, so he just was.

Speaker 3 (07:19):
I used to go to this crib and ship. Actually
it was him and the sister rhyming on the beach,
just bugging out. Yeah it was.

Speaker 5 (07:28):
Queen right, Queen, Yeah yeah, I heard the beat.

Speaker 3 (07:31):
I'm like, that's that motherfucker bring it? You know when
we on that joint, Billy Billy came up with this ship.
He started he started rhyming this ship all right, rhyn
was how about some mall core? Yeah, we like in
r the street. I'm like, Yo, that's the hook, right,
you know.

Speaker 5 (07:46):
What I mean?

Speaker 3 (07:48):
Right?

Speaker 1 (07:48):
That was that was the first line in your verse?

Speaker 4 (07:50):
Yeah, yeah, wow, he said that's the hook.

Speaker 7 (07:53):
Right there is Actually, like you said, you guys weren't
I can't remember when.

Speaker 1 (07:57):
You started the group.

Speaker 7 (07:57):
So it's like y'all just started rhyming on the record
and we wasn't.

Speaker 3 (08:01):
Really it was a crew a crew m P before
we was wrapping it like that, you know what I mean?
We just represented through music.

Speaker 5 (08:09):
Yeah yeah, that's crazy.

Speaker 3 (08:11):
Yeah.

Speaker 4 (08:15):
So and then let's let's take it to that video.
How about some hardcore? Where was that video?

Speaker 5 (08:19):
App? And on the hell on the block building and
a half fast banded building and ship?

Speaker 1 (08:29):
But you remember who filmed the video?

Speaker 5 (08:31):
Hype really yea over that car.

Speaker 1 (08:36):
Come on. That was a good grimy video, Like those
were the best videos. Man ain't gonna lie. I would
never think Hype did that video that.

Speaker 5 (08:47):
That was one of Hype's first videos. Get the first videos. Wow,
paid a small bag of money to get it done.
We can say, really a small bag of money in
comparison to what we had started doing videos and ship.
But you see the video, it's it's you know, you

(09:07):
got the black and white, you got color, which was
common at the time.

Speaker 6 (09:10):
But the whole video was black and white.

Speaker 5 (09:12):
When it was done, and we ran into Hype on
Bleaker Street, it's like, yo, dude, you know we need
you to kind of do make some adjustments. Head and
Ship took on back down to the veil, called the
camera crew out and we got the color shots.

Speaker 6 (09:25):
Now, I mean it was we had a dope time.

Speaker 5 (09:29):
It was the first time we yeah, the first time
we ever did anything like this, anything anything up do.
We stayed up all night. We stayed up all night.
It's like, what the fuck are we about to do?
This is something different?

Speaker 1 (09:42):
And height was it Hollywood was did he feel out
of place being in Brooklyn?

Speaker 5 (09:46):
I don't know if you felt ause right now, right right,
it was real Brooklyn. He yeah, I mean, he held
up pretty good.

Speaker 3 (09:56):
And he was saying he was saying, he was yeah.

Speaker 4 (09:59):
And the bill is like one of at that time too,
like that was probably one of the worst wildest places
in America.

Speaker 5 (10:05):
Yeah, ridiculous, ridiculous when when when I think back about
this ship, it's like, how the fuck do we make
it through that ship?

Speaker 3 (10:12):
Right?

Speaker 5 (10:12):
You know what I mean? And you know, I mean
everybody's I mean, you got these neighborhoods everywhere, you know
what I mean, And and everybody that live in these neighborhoods.
Everybody's not tough, everybody's not killers, everybody's not stupid, but
it's a lot of people who are.

Speaker 3 (10:26):
And that's the.

Speaker 5 (10:27):
Ship that you got to face when you come outside
every day, you know what I mean. You got to
figure out how to navigate through that ship, which it
was hell, but you know we pulled it off.

Speaker 1 (10:35):
You know, you think gentrification is good.

Speaker 5 (10:37):
Or bad like this something about that.

Speaker 3 (10:42):
I think it's bad in a way where you got like, say,
for instance, you have like Latino neighbor you know that's
Latino community, Like they separate them and they moved their
stores and stuff like that, you know what I.

Speaker 7 (10:53):
Mean, places everybody, Yeah yeah, and it changes the fabric
of that neighborhood. If they would invest in those people,
yeah right right, that would be different. Like I went
to this neighborhood in Columbia called and it's the hood.
It's like where they had all the crazy gangs and
gang wars and hip hop. Transformed it and the government
put money into it. And they just put escalators because

(11:14):
the higher you go in the mountain, the crazier it gets, right,
So they put escalators to give them access to the
ground level. And then they told all the graffitos do
murals everywhere, and the whole neighborhood's changed.

Speaker 1 (11:24):
They invested in the neighbors. It's the same people that
I much the.

Speaker 5 (11:26):
Way it was.

Speaker 3 (11:27):
Man. You know, you want some motherfucking jerk chicken or something,
you go to flatworsh right, you know, I mean you
can still go now, you know where to goes. You
know exactly where the coat you know what I mean.

Speaker 1 (11:35):
You got your favorite rote spot.

Speaker 3 (11:37):
Yeah, you got your roo right right right right.

Speaker 5 (11:41):
I think the gentrification, the only thing I dislike about
it is pushing our people out. You know what I'm
saying because when they gentifyed the ship, they boost up
all the prices, and unfortunately, most of our people can't
afford these prices, so they got to be you know,
displaced and put somewhere else.

Speaker 3 (12:01):
On the other hand, it's good for the kids though.
We threw for yeah, throwing rocks, having rock, taking lots.

Speaker 5 (12:08):
And shipping the band of building the buildings like that.

Speaker 3 (12:10):
These niggas got parks and all this beautiful ship that
you didn't have.

Speaker 5 (12:14):
You didn't know.

Speaker 1 (12:14):
These kids don't got winging.

Speaker 3 (12:16):
We didn't have.

Speaker 4 (12:16):
No, that was a dirt bomb.

Speaker 1 (12:27):
So we got we got them ready, We got ready.
Our show was about giving people flowers.

Speaker 4 (12:33):
Man. We wanted to give you your flowers face to
face man, the man, tell y'all, how.

Speaker 1 (12:37):
Great y'all come, long overdue.

Speaker 3 (12:49):
From the beginning, we tried to.

Speaker 4 (12:50):
Get y'all year one. So you know what, the show
got bigger and bigger and bigger and bigger than the platform.
So maybe guard waited for this very moment, so you
know what I mean. So yea, yeah, go ahead, you
got that. So we wanted to, you know, tell y'all man,
how dope y'all.

Speaker 1 (13:08):
This morning?

Speaker 4 (13:08):
Because I said, I'm drinking. We're gonna go hard so Google,
but I'm going through. Yeah, the photography. I've noticed that
you had a lot of records with Google. What was
the relationship with Google and Gang Star.

Speaker 5 (13:23):
I mean it happened again, happened organically. There were fans
of m O P that record right there. Premiere tells
the story how he was seeing the stickers of the
posters or seeing the album and seeing the knife going
through this. How he tells, I've seen the knife stuck
in the in the in the album that was so hot,
so fire. And one day me and my man Boo

(13:44):
Bang God bless him, we were on a train.

Speaker 6 (13:47):
This record was out already.

Speaker 5 (13:48):
We're on the train and we're looking down the car
and we see who looks like ja rue the damage.
I'm looking at him. He looking He almost like what
what kind of ship?

Speaker 3 (13:59):
Right? I'm like, yo, I think that's the nigga.

Speaker 5 (14:02):
So men, Boo go down there. We introduced our stuff,
be like oh ship yo, We're like yo. Premier loved
y'all and it kind of started right there. All right, cool,
We got a link and we you know, Premier had
the radio show at the time. We went up there
to do the radio show and then the first time
we got in the studio was to do a remix
to how by some hardcore, which turned into the first
Downtown Swinger.

Speaker 3 (14:25):
Yeah, yeah, years old.

Speaker 7 (14:27):
Yeah, it was such a natural fit his production.

Speaker 5 (14:31):
With you guys like yeah Primo, Yeah, that bounced that
drum ship that he locked the door.

Speaker 3 (14:37):
Nobody can't go on that motherfucker.

Speaker 5 (14:39):
But the artist back in the days.

Speaker 3 (14:41):
D D was the ship a broom here, knocking room
over there, and knocking room over the Niggasus ship, niggasiroom.

Speaker 2 (14:53):
Yeah.

Speaker 4 (14:53):
Like I remember I had a session with Premier and
d n D. He he destroyed like six of them
craziest beats in front of my face.

Speaker 3 (15:02):
I was so bad.

Speaker 4 (15:03):
He kept going, He'll make the beat and the like
it's not right, and then they race it and I'm
looking at him like I just want a whole What
do you mean? That's all that joint invisible, that's that's
the second fen And he wouldn't remember back then there
was no sinning and no records, so we have to
go there physically, go there, and you had dn D.

Speaker 1 (15:24):
He want you to.

Speaker 4 (15:26):
Watch this analog to me because like a digital record
is cool.

Speaker 1 (15:30):
But when we're in the same.

Speaker 4 (15:32):
Room together, you you we drinking handy you you know
what I'm saying, like we were smoking and vibing. You
know what I'm saying. You can smell my cologne, I
can smell your you know what I mean. If we're
getting that fucking studio together.

Speaker 3 (15:44):
Nowadays, they do they do their hook, they fly hook. Yeah,
back in the day, we had to say every fucking hook.
We had to say every hook.

Speaker 1 (15:52):
We had the two inch.

Speaker 2 (15:55):
Flat back didn't want you to punch in the waste
of the tape to you start in the table.

Speaker 3 (16:01):
Yeah, it was hard to punch him back then. Yeah.

Speaker 1 (16:04):
Hell yeah. If you had one producer, if you had
to make one beat, one last song, who will produced
that record?

Speaker 5 (16:15):
You're on your own right there. You can't say, though,
because there's so many dope producers, especially from our era.
Even the newcasts is dope too. It's just so many
of them motherfuckers. But yeah, yeah, I can't say.

Speaker 1 (16:30):
I can't say I think that was smart. Yeah, right,
I think that.

Speaker 5 (16:36):
How did I say premiere without saying they'll period, without
saying yeah too many?

Speaker 3 (16:41):
Without saying just how many things I'm saying too many things,
too many don't produce you know what I mean? Right?

Speaker 1 (16:48):
So you know going through ya the socrophy.

Speaker 3 (16:52):
Uh.

Speaker 4 (16:53):
I also noticed you guys got two records with jay
Z more than that, about three or four, three or
four and did y'all make was in the studio together?

Speaker 3 (17:01):
We did yeah four long four long Blade did yeah.

Speaker 5 (17:05):
Yeah, yeah, yea yeah four a long which was produced
by Lazy Las.

Speaker 3 (17:09):
He got his glass in air?

Speaker 4 (17:11):
Where's we got you?

Speaker 3 (17:22):
Yeah?

Speaker 5 (17:22):
About four, about three or four records with Jay four
long Blade.

Speaker 3 (17:26):
Four loong Blade. You don't know, you don't know. Well
we started, you don't know. I was there when he
finished it. It was put in the air, put.

Speaker 5 (17:34):
It in the area in the air, rock Live familiar,
Yeah yeah, maybe another one or too.

Speaker 3 (17:41):
You don't know.

Speaker 1 (17:41):
You don't know what's in the in the soundtrack.

Speaker 5 (17:43):
Right, you don't know?

Speaker 3 (17:44):
That was on the album?

Speaker 1 (17:46):
Which one was on his on the that was on
Blueprint too. But wasn't it the soundtrack to his joint.

Speaker 3 (17:53):
O sheets was watching that was all joint up?

Speaker 6 (17:55):
Okay, okay, but that wasn't You don't.

Speaker 1 (17:58):
Know, no, no, I know, So I'm I'm bouncing around
a little.

Speaker 3 (18:03):
Go ahead, do it let's go.

Speaker 4 (18:05):
It's how many fucking movies is that ship in?

Speaker 3 (18:12):
I love?

Speaker 6 (18:13):
Yeah, thank god, the.

Speaker 1 (18:17):
Whitest, the whitest movies and video. I be wondering, like,
do they know what y'all saying?

Speaker 3 (18:23):
Probably not, probably not. You know, keep going, We're going.
That record is a gift that keep on giving, bro,
And just what I'm like, I'm record, I'm like, thank you.

Speaker 1 (18:34):
It doesn't it doesn't get on with the remix of
it to his creator.

Speaker 4 (18:38):
Yeah, yeah, And what was that originally? That was on
you for y'all album?

Speaker 1 (18:42):
Okay?

Speaker 5 (18:42):
Yeah, we was doing that album and stopped.

Speaker 3 (18:48):
To do.

Speaker 5 (18:50):
Handle your Business to ep handle your business, okay, to create.

Speaker 3 (18:54):
A little more a little more excitement and ship.

Speaker 5 (18:57):
But we had some issues with the label at the time,
like the motherfuckers wanted to like we ain't got no
more money for We had a lot of issues with labeled,
but that at that time they wanted to kind of
like maybe get rid of us and ship like them
pa worth having, Like fuck are you talking about? But
so we stopped the album and did handle your Business.

Speaker 3 (19:17):
That's the joint.

Speaker 5 (19:18):
When we had the tank in the middle of the
street and all of that ship put that out, you know.

Speaker 1 (19:23):
Was that still relativity?

Speaker 3 (19:25):
Was it was relativity any as was relative?

Speaker 5 (19:31):
Yeah, yeah, and we did We did that ourselves because
they tried to drop the group very much.

Speaker 4 (19:36):
So who do you think is more? What is more famous?
Any of the original or any of the remix?

Speaker 5 (19:42):
I think, well, this ship that's moving the most, right, that's.

Speaker 3 (19:47):
Already in the movies. The original in the movie is
the the rig.

Speaker 7 (19:51):
But I think it's hard the same beats yea yeah yeah,
but you hear it off rip. You don't need to
hear the whole song just to get.

Speaker 5 (19:59):
Into so like we needed extra energy right like we
actually need it, but we did go yeah, buster killed it.
Remy came in and bullied her away on the record.

Speaker 4 (20:11):
How does she get on the record?

Speaker 5 (20:12):
Bull say the ship right here? The first time I
have heard her saying she bullied away in the records.
I had no idea she was going to be on
the record. We can't. I came to the studio and
I can hear the run that run that, which is
from my original verse, but it's not my voice.

Speaker 3 (20:32):
As I'm walking into the studio, I can hear the ship.

Speaker 5 (20:35):
I'm going it don't sound like me when I walk
in the studio, it's blaring. She's sitting on the up
on the top of the couch and ship she's just
sitting there bobbing to us.

Speaker 3 (20:44):
Ship.

Speaker 5 (20:45):
I could play it back. Ship fire though, I'm like fire.
She bullied away on the record.

Speaker 3 (20:51):
You know what I'm saying. I'm I'm glad she bullied.

Speaker 4 (20:56):
Away on the rightfully the same thing to TV. But
ship okay, And then tell the people. Tell the people
what is Sarah toog?

Speaker 3 (21:07):
What is that?

Speaker 4 (21:07):
That's the block, the block.

Speaker 3 (21:10):
The street, the strip, the main strip. Yeah, run all
the way from say Broadway from Broadway all the way
down to yeah, both from through again both for the
same block.

Speaker 5 (21:25):
I'm telling you, we don't we don't remember where we
met and how we met. That's how long we've been
friends and ship right, So like there was times where
I could if I'm in my house, like he's in
my house, if I'm not there, you know what I mean,
I could walk in. I could walk in and be
fucking tired. And if he's sleeping like on that couch,
that little green couch my mama had over there, which

(21:45):
was my favorite spot, I couldn't wake him up. She
gets your go your ass back there somewhere, you know
what I mean. It's that kind of relationship kind of
your mom took care of me, bro. Yeah I mean yeah, yeah,
other ship, but she she was did for me, brother,
that's right.

Speaker 4 (22:01):
Yeah, you had a fight.

Speaker 6 (22:02):
No, no, not even a decent argument.

Speaker 1 (22:05):
Really is.

Speaker 3 (22:08):
All the time.

Speaker 1 (22:10):
That's on my nerves.

Speaker 5 (22:13):
It's him, right, So you weren't getting on my nerves
my entire life. If you didn't get on my nerves,
that ship would be out of the ordinary. You know
what I'm saying.

Speaker 6 (22:22):
So do what you always know the nurse.

Speaker 3 (22:24):
It's the thing where you when you cherish your friendship,
you know, you don't say a certain thing. You don't
frust the lines, the line that you can't cross. That's right.
When you got good friends, you know what I mean,
You don't funk that up right, And that's what we do, man,
we you know what I mean, Keep for it like that.

Speaker 4 (22:39):
I'll make some noise for that guy. You hear that
home home snuffing in Japan. I had the body slamming.

(23:05):
Only one physical fight.

Speaker 1 (23:07):
Bom somebody else from the crew. Yeah, that's the easier.
Let's talk about field figures with Ray Kwan couji rat.
How did that that was?

Speaker 5 (23:17):
That was me?

Speaker 3 (23:18):
You know, I do my beat ship too. So I
was working with uh Bob Perry and E one Records
and ship like that doing production and they was working
on the wool chain project. So they brought me in
the cold, you know, to listen over some of the
ship and here and there I get a chance to
do my little thing. So I did the joint and
someone was missing on the record. So they're like, yo,

(23:38):
get you know, see if y'all y' y'all niggas want
to jump on it. So I started to joint. The
billy came and lady Ship, i'mnna be honest. I don't remember.

Speaker 5 (23:49):
This is just what happened. Even if you remember me
way back. Yes, I am the original drink chance. That's right,
animal your animals, soho back then all that half of
that ship I remember, drink Ship.

Speaker 1 (24:07):
Was in Germany.

Speaker 4 (24:07):
I don't know if you remember me, and you drink
for like twelve hours. See, like we didn't move the
ball like and unhealthy. I feel so bad because somebody
went somewhere and they came back and then went again
and came back and then went again. And we was
in the same exactly me and you.

Speaker 6 (24:25):
I remember that just with it.

Speaker 5 (24:26):
But you know, I'm glad that that we're finally here
because I wanted to say that.

Speaker 3 (24:31):
Right.

Speaker 6 (24:32):
So to the MOP soldiers.

Speaker 5 (24:33):
Out there that keep going your ymoping on Drink Championship
got some bullshit, bullshit.

Speaker 3 (24:40):
I gotta be honest.

Speaker 5 (24:41):
It was all me.

Speaker 1 (24:43):
Right, We've been trying.

Speaker 5 (24:44):
I've been dunking you niggas because.

Speaker 1 (24:49):
The last time we hung out you.

Speaker 5 (24:50):
Mentioned that's time like when we did stomped the ship
out there. Dude, we had our own bar in the
store here and you walked in with a bottle when
we drank whole fucking time. It's not gonna kill me.
I'm not going. And a getting to the MOP soldiers
out there that keep on the internet with this year

(25:12):
while we ain't there. We were invited to Drink champs
on yeah, year one when it first started. So so
you know, like I said, but let me.

Speaker 4 (25:28):
Tell you something pause, it was worth the rate. It's
worth the time. You know our show, that's what we
started about. It is giving people they flowers while they're alive,
you know what I mean. And you guys are one
of the best gooster all time. Man, like you, I'm
not saying that because I'm your friends, you know, because
I say that to the people that was worth it.
It's like, because I'm your friend, doesn't dumb down my fanness.

(25:50):
That's right, you know what I'm saying. So I just because,
like I said, it felt like ninety two to me
when I was listening to it. But what but I'm
like that ship just reminded me of that era, like
you had to be a rapper to come out back then,
like you had to have you had to.

Speaker 1 (26:08):
Make And I was just listening to it.

Speaker 4 (26:10):
I was just so amazed, and I was like, yo, man,
I'm so glad that y'all brothers came mancu man deserve
your Okay, do do quick? Thomas Slant.

Speaker 7 (26:25):
Yeah, you know you know what I think it's a
sleeper joint that that I always I love this record
is the joint with Heather.

Speaker 5 (26:32):
Be Oh my yeah.

Speaker 3 (26:34):
We did two of them right yeah.

Speaker 7 (26:36):
And what blocks down I think is the other one
right now? That's that and then the other one with
you guys. I think that that joint is a class.
How did y'all connect with her?

Speaker 3 (26:46):
Yeah?

Speaker 5 (26:47):
Shot the video force, Yeah, shot the video. He's actually
in the video too with the radio. Yeah, he's a
deal with the radio, sitting in the corner on the
train hundred years ago. Ye. Well, yeah, hell, it used
to be at D and D. You know, D and
D was with the Grounds, you know. She used to
be at D and D hanging out with Pream. We
got cool from there, and she was like, yeah, I

(27:09):
need y'all on the record, no problem, you know what
I'm saying. So, and she killed it. The second one
she body Body though, Oh my god.

Speaker 3 (27:15):
She Yeah.

Speaker 5 (27:17):
First one was produced by the Beat minus uh mister Walker, No, no, no,
Kenny Parker, and the second one was produced by the
Beat miners did mister Walk?

Speaker 3 (27:27):
So he did the first one, yeah.

Speaker 7 (27:29):
Because it was dope because she was on the Reality
on the.

Speaker 1 (27:32):
Real World and MTV.

Speaker 7 (27:34):
I didn't even know that, yeah for that record, and
it came out around the same time.

Speaker 6 (27:37):
But once she on that Reality showed the into I think.

Speaker 7 (27:41):
I think I think she was around It was around
the same time, right, but you know, people watching it
probably didn't take her series of MC. But then those
records came out and you guys, out of here.

Speaker 3 (27:50):
She was dope. She was fire yeah, I'm still trying
to get her to get on the record.

Speaker 1 (27:54):
She's yeah, I'm sure she can still spit.

Speaker 6 (27:57):
Of course.

Speaker 4 (27:58):
Of course, of course as a record label, Ever came
to you and say, look, guys, hardcore, we doe it.

Speaker 1 (28:06):
Now it's time for commercial.

Speaker 5 (28:08):
Uh yeah, they tried. They even try to sit away
with yet cruise man.

Speaker 3 (28:21):
About it.

Speaker 4 (28:21):
Regulate weether said, yo, let's make a commercial record. Let's
go to Antigua and film the video.

Speaker 3 (28:27):
Not even a commercial record.

Speaker 5 (28:29):
They just try to get us to pull it down
a little bit, you know what I mean. It's like,
turn it down just a little bit. But what the
fuck did we say? I'm saying, we gotta we gotta
make records the way we.

Speaker 3 (28:39):
Know how to.

Speaker 6 (28:39):
You know, this is our reality, so we may records.

Speaker 3 (28:41):
I grew up in the house my mom, My mom
cursed that ship out you.

Speaker 5 (28:45):
Yeah, my mother, you are my mother, my mother.

Speaker 3 (28:55):
So I get that ship from you know what I mean?
I get that from her, bro you know what I mean? Energy?

Speaker 5 (29:00):
And then and then what else do you talk about
if you don't know anything else?

Speaker 3 (29:05):
Right?

Speaker 6 (29:05):
This is this is what we knew.

Speaker 3 (29:06):
Man with New Sundard, just get Bill good though, bro,
just to be you instead of trying to do it.
You can't. I can't do other ship. I can only
do what I know they do when I'm so good
at it, you know what I mean.

Speaker 5 (29:16):
You're amazing, You're amazing.

Speaker 3 (29:19):
Come on, let's be up.

Speaker 5 (29:27):
This dude wrap his ass off man YouTube.

Speaker 4 (29:29):
Bro.

Speaker 5 (29:29):
It's funny though, because I never seen somebody so on
beat right, and here's the curve.

Speaker 6 (29:37):
Nigga can't even.

Speaker 1 (29:38):
Dance right, dance?

Speaker 5 (29:42):
How is he always on beat?

Speaker 2 (29:45):
This ship?

Speaker 6 (29:45):
Crazy?

Speaker 1 (29:46):
You know what I mean?

Speaker 3 (29:46):
But that's that's what amazing is. You know what I'm saying.
Just take a voice. This nigga voice, he leads the
fucking soon as his voice. Come on, you know it's
on a nigga, you know what I mean. This nigga
voice is so fucking power. So many niggas try to
limit him. So many niggas try to mimic you.

Speaker 5 (30:01):
Bro, ain't this ain't this you niggas?

Speaker 6 (30:04):
Ain't this with a camera?

Speaker 5 (30:07):
Right?

Speaker 1 (30:09):
So let's talk about the new record. A season with
buster rhymes, that crazy shout, the bust of rhymes.

Speaker 5 (30:19):
He doing it, still doing this ship, but that's our record.
Fucking maybe two or three years before it even came out.
We flew out to La just to shoot the video.
So that's why we're just in the original, right, we're
just in the in the video and it's a sample
of He used a sample, so he flew us out

(30:39):
to La to be in the video. Then when the
song came out, my opinion, I think the public forced
that remix to happen, you know what I mean, because
they kept saying because I think it was put out
like a bust A Rounds featuring Mop and we weren't
actually on the record sample, so the public was like, yo,
where mopa. So you know, he called like, come on,

(31:01):
let's do it. So I was happy as fun because
that be by.

Speaker 10 (31:05):
The way, you got you got some got some listen, listen, listen.

Speaker 4 (31:15):
Every interview I do, I go on Twitter and I'll
be like, Yo.

Speaker 1 (31:18):
We got this guest, the good this guest. They this
was like the fastest ever.

Speaker 4 (31:23):
Like when I said they got questions for MP, these
motherfuckers went in so fast. I was like, Oh, I'm
looking like this shit is just going down my Twitter line.
I'm like, Yo, your fan, you got real fast.

Speaker 1 (31:35):
Do y'all realize that?

Speaker 3 (31:37):
Yeah?

Speaker 5 (31:37):
I mean, after so many years in the business, and
not not that we don't fuck with everybody, but just
not being connected and being connected in so many ways
to other people. But our fans kept us going. You
know what I'm saying. We traveled the world like five times,
bro Brownsville, Brooklyn, right demand for that ship, you know
what I'm saying. So doing that that really that really

(32:01):
came from the from the fans, you.

Speaker 3 (32:02):
Know what I mean. The love that we get, it's
genuine love too, you know.

Speaker 1 (32:05):
And the place to what you got to say, No, just.

Speaker 3 (32:09):
The work, just the footwork, traveling, you know what I mean,
traveling the world Like you said that. You know, you
build your people. You see the people that love you,
that fuck with your music. That shit is energy that
you I'm going back to school.

Speaker 1 (32:20):
I don't even speak the language, and they.

Speaker 3 (32:24):
Know that ship word for word.

Speaker 5 (32:27):
Just before the pandemic was we were torn. We We
had started a tour and this dude came. He showed
me a picture of himself and a twenty year old
billy dance right Wow, smallest ship right drunkest fucked me
and him in the picture. The dude had his wife,
he had now had two kids. He brought them all
to the show. So he's been following since then. You

(32:51):
know what I'm saying. So that's the ship that keep
us going right there, make noise for that.

Speaker 1 (32:58):
What's your favorite place to perform?

Speaker 3 (33:00):
Saud?

Speaker 1 (33:00):
The United States?

Speaker 5 (33:02):
You can't say, because that energy, that energy is everywhere.

Speaker 3 (33:07):
I can't pick one me myself. I can't pick one.

Speaker 1 (33:10):
You know, you can we narrow it down, You really.

Speaker 2 (33:15):
Can't, You really can't.

Speaker 4 (33:17):
I how about the difference. What's the weirdest place you perform?

Speaker 3 (33:25):
We did some ship that I could say we we
did like a holy holy country. Uh Mamitania, Mariita, Maraitana.

Speaker 7 (33:34):
Bro.

Speaker 3 (33:34):
That was like holy, like yeah, Africa, it's Africa. Yeah, yes, Africa, Maritia, Yeah, Marthionia, Christy.

Speaker 5 (33:43):
Land of the of the the one ninety Mercy, every one.
That was yeah right, there's all the cabs, everybody's driving them. Yeah,
yeah it was. It was so strict.

Speaker 3 (34:01):
You can't drink, you're nothing, you can't do nothing, nothing, You.

Speaker 4 (34:06):
Can't im say, how do you can curse?

Speaker 3 (34:11):
Yeah that's an instrumental.

Speaker 1 (34:17):
Because wow, that's crazy. They let you curse. Couldn't drink, smoke?

Speaker 3 (34:22):
Yeah, I can't smoke and it's getting the fun about
it that we're doing. But there was also.

Speaker 5 (34:29):
At one time we were performing and and you wouldn't
know it when you're inside of it was like bomb
shelters in Germany, like.

Speaker 1 (34:38):
Bombsholls, like World War two.

Speaker 5 (34:39):
Yeah yeah, yeah, yeah yeah like that. This this is
my alcohol days. I was just sitting there sucking stone.
But when you when you realize it, like you're in
the you're really in a in a bombshell. So that
was that was kind of strange to performing. And you know,
some spots like that ship.

Speaker 1 (34:55):
Okay, we got a quick time.

Speaker 4 (34:57):
Yeah, you got explaining them.

Speaker 2 (35:00):
Game all right, Well, we gotta sub you're subbing for so
he's gonna be drinking for you.

Speaker 1 (35:06):
He's gonna drink for you.

Speaker 4 (35:07):
Okay, you gotta designate to hit us.

Speaker 7 (35:12):
All right, We're gonna give you two choices. This is
a game we play here. It's a drinking game. I
give you two choices, and you pick one, and nobody drinks.
But if you say both are neither. So basically, if
you don't answer the question, we're drinking.

Speaker 3 (35:23):
Gotcha, I'm gonna have youtubes fucked up. Ask me all the.

Speaker 1 (35:26):
Questions we're drinking with you. We're drinking.

Speaker 5 (35:31):
God damn you, nigga, ain't.

Speaker 4 (35:36):
Yours be to bro.

Speaker 3 (35:41):
That ship?

Speaker 1 (35:44):
What you want to do watching? You don't go after.

Speaker 7 (35:49):
Show and before we start because people think it's a
set up on this and somebody it's not this. No, no,
we want people to be mentioned, like talk a bunch
of it.

Speaker 4 (36:00):
Don't tell you you got kiss oh ship.

Speaker 5 (36:06):
Both so we drink.

Speaker 1 (36:10):
I gotta take.

Speaker 3 (36:14):
You.

Speaker 1 (36:14):
You can simp it like that like that if you want.
This is what we get sucked up.

Speaker 3 (36:22):
Had nigga crying up here and ship, Hell no it happened.

Speaker 5 (36:27):
Don't catch me, motherfucker.

Speaker 1 (36:29):
O D b or BISMARKI wow, why are you doing that? Crazy?
And I've seen this before. I've seen you do this.

Speaker 2 (36:37):
You'll got stories like like my story with you you.

Speaker 5 (36:41):
You made it a little lighter fannybody else that was here?
Why are you doing this?

Speaker 2 (36:53):
They said, both, Yeah you got ready, Yeah, lades got me.

Speaker 5 (37:03):
All right, cool cool.

Speaker 1 (37:05):
This is so you could answer the question though.

Speaker 4 (37:07):
Yeah, yeah, I got a good one.

Speaker 5 (37:12):
But it's impossible answers.

Speaker 3 (37:16):
Jay Z or Big Daddy Kane. I love them both,
love them both. I grew up Big daddy came bro. Yeah, yeah, yeah, yeah,
I will go. Kane is my error, you know what
I mean. James my era too, but Kane is you
know before that I can't Yeah, what say, can.

Speaker 1 (37:36):
Rock a Fella or G Unit?

Speaker 3 (37:50):
I'm gonna say I'll say I'll say I'll say unit.

Speaker 5 (37:56):
Because because of their run, like right, like as and
not just because we was out with him and we
did business with him, but it was like almost everything
was in line, you know what I mean, everything that
I mean, starting with fifty right, like the first record
with the most amazing, one of the most amazing hip

(38:16):
hop records ever made, cannot front on get Richard die
Trump album, I mean a fucking whole album. And then
he brought everybody else into it like he was supposed to,
you know what I'm saying. And they all did well,
not saying everybody at Rockefeller didn't do well, but they
all platinum, multi platinum, every everybody and the whole ship

(38:37):
it was, it was, it was well put together, you
know what I'm saying. But shout out to Rockefeller because
you know, Dame is my guy. Fuck with j I
love fucking Beanie and you know that whole statement. The crew,
but I think I think G Unit kind of got
him on that. And when the G Unit record was
coming out, I guess I could tell this when the

(38:57):
G Unit record was coming out and they said to himself,
how he kind of everybody was kind of scrambling at
Rockefeller like them niggas is coming.

Speaker 3 (39:07):
So you know what I'm saying, do.

Speaker 5 (39:08):
Something, And I think there, I think there was a record.

Speaker 6 (39:11):
There was a Rockefeller record.

Speaker 5 (39:13):
That came out around the same time, so they was
kind of competing for the space for that first week
sales and I think, Je, you want to beat them out,
so you.

Speaker 1 (39:22):
Know, you know, it's crazy.

Speaker 7 (39:24):
Have you did you guys realize because you've been on
several situations labels, have you realized it? We part, not
that part, but the fact that you had all those
opportunities where people kept wanting you, how revered you were
by not just the culture, even the indy, of the
folks that were in the industry side of.

Speaker 1 (39:45):
Bringing you into these places.

Speaker 6 (39:46):
That's weird, Like we thought, yeah, we no, we appreciate it.

Speaker 3 (39:49):
Man.

Speaker 5 (39:51):
I think it took me after I stopped, you know,
hitting hit. He's so hard to actually realize drink to
realize that.

Speaker 3 (40:00):
You know what I'm saying.

Speaker 5 (40:02):
Most of the labels, with exception of the first Select Records, right,
everybody else was a fan. It took everybody at fifty
I'll tell you that. Jay, You'll tell you that Steve,
Steve Rifkin. Jay and Dame used to come when we
were working on the second album that we put on, Relativity.
Jay and Dame used to come and try to get

(40:23):
us to be a part of Rockefeller. This when when
I like, I like to say it, when the rock
was a pebble, right, there was nobody there. They had
a they had a they had an office probably this size, right,
there was a young lady at the front desk. It
was just Jay and Dame, right, And they would always
try to they would I never met bigs at the time,
don't I Just remember Jay and Dame and they would

(40:43):
show up to Gabriella Studio. We were working on twenty
sixth Street. They would show up every other day. They'll
come rock with us, come rock with us. We didn't
you know what I mean, At the time, we went
uh Relativity, Relativity, which we were supposed to go to
Loud then, but we went to Relativity.

Speaker 1 (40:59):
And beating us is that Relativity at that time?

Speaker 3 (41:01):
Yeah as well.

Speaker 5 (41:02):
Yeah, okay six three six three six yea was jo Yeah,
Relativity had the popping.

Speaker 1 (41:10):
I think even if Joe, Joe was over there, Joe
was over there.

Speaker 4 (41:12):
Tellus one MV came out over there. Yeah, remember Chilo. Yeah,
they denied me Relativity.

Speaker 5 (41:18):
Then't want to they.

Speaker 4 (41:22):
They missed out right, they lost Bro Premier or Pete Rock,
Jesus Christ.

Speaker 3 (41:32):
Take a shot.

Speaker 5 (41:33):
Look I love both of them.

Speaker 3 (41:34):
Niggas mhm yeah, yeah, this is the heart. This is
the hardest ship.

Speaker 1 (41:38):
Now this is gonna be.

Speaker 3 (41:39):
I grew up on both of them.

Speaker 1 (41:41):
You want to explain that.

Speaker 3 (41:42):
You want to explain I grew up on both of them, man,
I let them niggas. Man, motherfucking Pete Rock. That fucking
that boy was on fire, fire, fire, fire, like this
nigga mixes that fucking shut him down.

Speaker 2 (41:56):
Hold it now, everything you everything was crazy, fucking brand Nubian,
fucking Pete Rocks.

Speaker 1 (42:06):
He smooth boy, sal smooth.

Speaker 4 (42:09):
I don't know what it's like someone who want to
spread the rumor that see how smooth?

Speaker 3 (42:13):
Was it?

Speaker 4 (42:13):
Welcome on drink chance. That's not the truth.

Speaker 1 (42:15):
No, that's not true at all. He is definitely welcome
see that nigga.

Speaker 3 (42:19):
Bro. Definitely Pete Rocks out to Pete Rock and see
people out to DJ form my brother. That's my nigga
for me. Is one of my favorites in the world. Bro,
He's one of my favorites in the world.

Speaker 6 (42:33):
I love him, love him.

Speaker 5 (42:34):
I'll be a little not mad at him, but there's
some things I wanted to get off my chest at
times with Premier, Like there's certain beats that he that
certain people have that I go, God, damn.

Speaker 3 (42:50):
Why you want everything you make?

Speaker 1 (42:55):
He doesn't make Doe.

Speaker 3 (42:57):
You don't what he does though?

Speaker 5 (42:59):
Is he he makes He's not like a lot of
other producers. They just got a bunch of beat. When
you come to the studio, he make the beat.

Speaker 4 (43:09):
It's almost like how we mean down with Slime, Like
you know how like has and mister Lee listening to
like the first five questions and then they come up
with the questions. It's the same thing like Premire to me,
like we would have conversations and he would make the
beat based on our conversations, Like he'll be like yo
and then just start.

Speaker 1 (43:27):
Making the beat and then that that beat and just talked
to me again. I was like, this is a genius ship.

Speaker 4 (43:36):
I was just mad and he kept throwing throwing the
beats away. That's how talenty it is. He just make another.

Speaker 2 (43:41):
One or yeah, all right, this is gonna be a
tough one, Guru, big l hell.

Speaker 3 (43:47):
No, y'all, niggas gonna need new livers in.

Speaker 4 (43:51):
This okay, so what yah?

Speaker 1 (43:57):
What the fuck?

Speaker 3 (43:59):
Fan?

Speaker 4 (44:00):
Enjoy the.

Speaker 5 (44:03):
By the way, you over my ass.

Speaker 1 (44:06):
Listen, listen rest the piece of them both though you
can do light shots were gilt. Okay, good, excuse this
light shot? This one, this one like this.

Speaker 4 (44:17):
One is gonna be real too, Big Pun or DMX
resting Peace.

Speaker 1 (44:21):
I'm gonna take the show.

Speaker 3 (44:22):
Wow, that's cold. I love them both, bro, all right,
so taking is my motherfucker bro. Punt is my brother
brother brother Bro. So I sat in the studio with
Pun like we was doing that the New York Giants,
Giant Bro. We for like a week. We used to
go up there. Never got nothing done, never got.

Speaker 5 (44:43):
No this nigga was ship around.

Speaker 3 (44:47):
It's just joke and joke.

Speaker 5 (44:50):
We were just leaning out basically, this nigga burning story,
you know what I mean, got his family there.

Speaker 3 (44:57):
Ship this nigga just pun pun. It's one of the
fortiest niggas. So you pick your mind.

Speaker 5 (45:03):
No, love this and this and this.

Speaker 1 (45:06):
Like it's hot.

Speaker 3 (45:07):
Yeah, I can't both for lyrics. I ain't even that.

Speaker 1 (45:13):
Both both.

Speaker 3 (45:15):
Yeah that X drink Yeah x X have me.

Speaker 5 (45:21):
I remember first, like actually hanging out with when I
first met him. We were doing but everybody, everybody know
we did the Callo together and wow have that.

Speaker 1 (45:31):
You know I was drunk.

Speaker 5 (45:35):
But this is when he first when he first came out,
when he was first coming out, right, this m p
that we're not cocky, right, but you know, I work,
We know, we.

Speaker 3 (45:43):
Get busy or whatever.

Speaker 5 (45:45):
We meet him, he's like, what's up, you know, good
to meet you whatever, All right, cool, This nigga gets
on the stage by himself and fucking destroyed the Apollo.

Speaker 6 (45:56):
I'm never I'm never really nervous.

Speaker 3 (45:57):
Ship.

Speaker 5 (45:58):
Yeah we made that's when the snow in the Apollo.
But he get on his stage by himself and destroy
the Apollo. Then the next I hadn't I saw him
that time, and obviously we'll pass each other and kick
it whatever whatever. Then some years later I saw him
in Germany. No, we were we toured with him a

(46:19):
couple a couple of Actually last time was just in Germany.

Speaker 3 (46:22):
He was there with us, but.

Speaker 5 (46:25):
He he not stole the car, but he had he
had got the car, and he gone, come on, get
a car.

Speaker 3 (46:34):
I'm not. I'm not getting car.

Speaker 5 (46:36):
Now because the story just happened like three weeks ago.
How you was in a fucking card so much. You
was the FBI and all ship. I'm like, I'm not
getting that culture. You're gonna get on the auto barn
at two hundred miles and now when ship you drunk,
I'm drunk, now, bro, this.

Speaker 3 (46:53):
Ship ain't gonna work.

Speaker 5 (46:55):
I had to decline, wasn't drunk. No, I wasn't that drunk.
I wasn't that drunk.

Speaker 3 (47:00):
Say, Extra is a good dude, extra solid dude, Same
same person every time, every time we see each other,
the same same nigga.

Speaker 5 (47:07):
You know what I mean.

Speaker 3 (47:08):
So shout out to DMX man. It's an honest due
to a niggas. Yeah, I'm a.

Speaker 5 (47:15):
To be honest like every record he made, I didn't
like every record, right to be honest, So no, he
was right, But I was more of a Simmons fan,
right the person this nigga felt so familiar. I mean, funk,
what kind of records you make? How big they y'all.

(47:35):
But if it's like it's you like, I can, I
can you know what I mean, zone in on you like.
That's why I love that nigga. That's why I love him.
D N D Acquad Studios, Fast Mob Deep or Swift
Smith and Wesson Alan Why you drinking?

Speaker 3 (48:03):
Yeah, that's crazy. I love them both, bro.

Speaker 5 (48:07):
You know, Mab Deep is the like the first artist
that we started dealing with in the industry, really, the
first like just just ran into and we kind of
got cool with the very first for me, the very first.

Speaker 3 (48:22):
I love Mab, I love Smith and Western Shout the Smoky.

Speaker 5 (48:25):
Yeah yeah, yeah them them, dude them do it a dope.

Speaker 3 (48:29):
Yeah.

Speaker 5 (48:30):
By the way, just so you know, Prodigy was supposed
to be on any remix, oh yeah, but obviously Prodigy
recipes of Prodigy, but obviously Prodigy being Prodigy, he started
taking shots at he was taking shots at day. That's
when they was going through They That's why.

Speaker 1 (48:48):
I didn't hear about this record.

Speaker 5 (48:49):
Use it right, yeah yeah, yeah, Now we didn't use
it because I mean, you know, if y'all got y'all
little whatever issue. Yeah, don't put me involved. And that's
what anything right, some music ships, some streets any thing,
like it's you know what I mean, I had to
learn the house. Don't come shoot at a nigga out
my windows.

Speaker 4 (49:04):
Yeah shoot, it's y'all be for you shooting at him
out Michael.

Speaker 5 (49:09):
Yeah, come on and that and and I'm good. I'm
good with him too.

Speaker 4 (49:14):
And those are the days where you had to go
to mix, so you knew you had enough time to
think about this when you're mixing this record, like he's kind.

Speaker 3 (49:21):
Of going like, what are you doing?

Speaker 4 (49:26):
He was at him, He was at him.

Speaker 1 (49:30):
Toufuc are easy?

Speaker 3 (49:33):
Wow, you have to fee shoot Fox. I love easy, motherfucker.
Rest and peace to both of them. Yeah, but easy, motherfucker. Yeah,
I'm going.

Speaker 5 (49:44):
I mean, I mean easy because of what he did
right for man, what do you want?

Speaker 2 (49:51):
Bro?

Speaker 3 (49:51):
West Coast hip hop?

Speaker 1 (49:53):
But I mean his tree is crazy.

Speaker 3 (49:54):
Yeah, you can't.

Speaker 7 (49:55):
You can't go from his tree to yeah easy if
you think about it, because Bro.

Speaker 1 (50:01):
That tree goes there.

Speaker 5 (50:02):
Yeah and pop just the passion pockets, just pockets of Ashley.

Speaker 3 (50:06):
I can't even compare them. But if I had to
choose one. I'm gonna pick easy.

Speaker 5 (50:11):
You know what I mean.

Speaker 1 (50:13):
I would say easy. It's just that's the way I
always think about it.

Speaker 3 (50:17):
And drinking more, I say, I drink water.

Speaker 5 (50:23):
So you're saying both, Yeah, I say both. I was
just trying to give him that's for next. Nigga wouldn't
let me get an explanation of that. I could have
said both, Okay, I got the next.

Speaker 1 (50:37):
We gotta drink.

Speaker 4 (50:37):
He said, okay, yeah, okay.

Speaker 1 (50:44):
E P m D or m O P.

Speaker 3 (50:51):
Yeah, m O P.

Speaker 5 (50:52):
But that's that shout out to all of these questions
is hard man like, I mean, the kind of birthed
m O P. Right like we got it from them,
you know what I mean. But I gotta go with
the whole team, right. I love E P m D,
but gotta go with the home.

Speaker 1 (51:07):
Which I do versus against E M D.

Speaker 3 (51:10):
I wouldn't do versus you.

Speaker 5 (51:15):
I wouldn't do versus. I wouldn't do it. I speaking
about EPMD. Why would you do versus this Nigga's interviewing me.

Speaker 3 (51:26):
But no, no, the reason, the reason, the reason why
I don't.

Speaker 5 (51:29):
I don't like and shout out to Swiss and Tim.
I just I feel like somebody got to come out
on the on the on the bottom, right, somebody, somebody
someone loses and they and they potentially lose what they
built for so many years, but not.

Speaker 4 (51:47):
Read and Meth kind of celebrated each other. They have
read in Meth.

Speaker 5 (51:51):
You know what I'm saying.

Speaker 7 (51:52):
But who do you think lost in that way that
you're thinking, because I think everybody's kind of won.

Speaker 1 (51:56):
They reminded the fans of I don't. I don't like
so I'm not.

Speaker 5 (52:00):
I'm not I'm not a good gambler, right, I'm not
really willing.

Speaker 3 (52:03):
No, I'm not.

Speaker 5 (52:04):
I'm not willing to put up something that I built
for thirty years just for that hour, right, And people go, yo,
always put a love of hip hop. But no, bro,
I'm not losing what the fuck I got fucking kids
and grandkids.

Speaker 3 (52:17):
And eat later on down the pipe. You know what
I'm saying.

Speaker 5 (52:20):
I'm gonna fuck up what I got just for that,
for that moment moment, because you.

Speaker 1 (52:24):
Know, I totally understand what you're saying.

Speaker 4 (52:26):
And I think that the only people who kind of
made it like that is the New Yorkers. Like everybody
else was kind of celebrating each other. I believe in
particular it was Dipset and that.

Speaker 1 (52:41):
Was very in particular that that situation. Yes, I mean,
and they turned it into that was a good versus.
It was a great verse. They still both woman in
a way.

Speaker 4 (52:50):
To me, I say that, Well, Dipset went on tour
after that, yep.

Speaker 1 (52:56):
And I won't see anybody dragging Dipsett's name.

Speaker 3 (52:58):
Do you know what?

Speaker 1 (53:00):
How about Gucie Man and jeez whoa.

Speaker 6 (53:04):
I think that one was almost a little dangerous.

Speaker 4 (53:07):
Yeah, I didn't feel safe watching it.

Speaker 3 (53:11):
I think that one was.

Speaker 4 (53:14):
And uh, but that was from the beginning.

Speaker 1 (53:19):
And I remember, I ain't gonna lie to you.

Speaker 4 (53:22):
I remember them having beef on tour, and I was
from the beginning. I was like, this is not gonna
work right right right, So, but you wouldn't do it now.

Speaker 3 (53:32):
I wouldn't do it. I wouldn't. I wouldn't be comfortable
with doing it for that reason. I walked up from
that we ain't doing the verses just I said, I'm
not doing it. We ain't doing.

Speaker 5 (53:47):
We ain't doing the verses. I just I just don't
like the feel of it, you know what I'm saying.
I think that everybody could haul into the side and
said that.

Speaker 3 (54:03):
Drink champion.

Speaker 1 (54:06):
DMX still in the car and I'm not.

Speaker 2 (54:07):
Doing Oh my god, straight, this is the uh Ellmatic
or ready to die?

Speaker 1 (54:16):
Well, I mean we'll go back to I didn't drink.

Speaker 4 (54:18):
Bro okay, Nomatic, just drink all let's go.

Speaker 1 (54:21):
No, I just did. Okay, that's what we do.

Speaker 4 (54:24):
Okay, don't worry about we set up breaking champs. Ellmatic
are ready to die.

Speaker 7 (54:30):
He said both baby without saying it, but he said it.

Speaker 4 (54:36):
I've been taking my shots like genuine. Now that's how genuine.
Remember he was like he was taking this shot. I
didn't taking a sip of Coca cola on the side.
Dall period or lazy lads. Oh man, don't look to
the side. Laser is dope, Laziers dope. And we're talking
about production. Yeah, I'm about to say the same thing.

(54:57):
Lazier is dope.

Speaker 5 (54:58):
But just dr does dr is the perfect well rounded
right like he can do. We're back in the studio
with d All right now we're working on m O.
PR just started.

Speaker 1 (55:17):
Independent wing into that.

Speaker 3 (55:21):
Yeah, nigga talking about we just got the studio, niggah.

Speaker 4 (55:28):
My man always big up the all period.

Speaker 1 (55:32):
I was in jail.

Speaker 4 (55:33):
He jabrew the damage you or Master Ace.

Speaker 5 (55:43):
Wow, you wouldn't ask these kind of questions if the camera.

Speaker 3 (55:48):
Was off for you.

Speaker 5 (55:50):
Yeah you wouldn't, you know, you wouldn't. J's dope. That's
my bro, that's my guy. But I mean since the
kid I was a age fans, The man said, yeah, yeah,
since you know Master age from Brownfield. I didn't know
he's from Brooklyn.

Speaker 1 (56:07):
I didn't know what from.

Speaker 3 (56:09):
Yeah, browns fill the j rug shot the math yea
in Germany.

Speaker 4 (56:16):
I believe you picking Master Yeah, you picking Master browns Field.
That can't go Okay, I respect it. Who'd you rapple
rock him?

Speaker 1 (56:26):
That was high school?

Speaker 3 (56:27):
That was junior high school?

Speaker 5 (56:29):
High school argument?

Speaker 1 (56:31):
I don't know who?

Speaker 3 (56:33):
Yeah, I know.

Speaker 1 (56:35):
What are you gonna do?

Speaker 3 (56:37):
There's no there's no you gotta junior high school, bro,
junior high school. We used to fucking go back or
if this day is sucking g this is rah. Yeah yeah, bro.
We never got the answer to that one.

Speaker 5 (56:52):
Bro taking a shot Yeah, yeah, And I want I
want to say, don't y'all go and take y'all shot?

Speaker 9 (56:59):
Man.

Speaker 5 (56:59):
I want to say rock him to me, rock him
is the best rapper ever, I don't think we'll never
find anohing right.

Speaker 3 (57:09):
That's I'm not. I'm not without the comparison.

Speaker 5 (57:12):
MG rap right, Rock Him is the greatest rapper ever,
that's my opinion. And if anybody else have a have
another patience, he don't, don't.

Speaker 1 (57:26):
It feels like he's person.

Speaker 5 (57:30):
It sounds like he's right.

Speaker 3 (57:33):
Sound. Yeah, I'm both for different reasons. Bro. Yeah, yeah,
me too, for different reasons. And they're both my favorites,
both of there equally, and they super legend Cube or
scar Face. That's the same ship. Bro.

Speaker 1 (57:56):
That's your man who writes.

Speaker 5 (58:00):
I love botham Bro both mother fucker.

Speaker 3 (58:05):
Yeah, I'm going for both. I love them both, Bro,
I love them both.

Speaker 1 (58:12):
Bro.

Speaker 5 (58:12):
I mean I mean, face Face is my number two
right for me, it's Rock Him than the Scarface Face.

Speaker 3 (58:18):
Let me tell you that motherfucking Scarface album, motherfucking the Diary, Bro,
That shit got me through so much ship. Yeah, you
know what I mean.

Speaker 5 (58:27):
We used to.

Speaker 3 (58:27):
Steal tapes from each other. You have a nigga call
you forget to tape and ship.

Speaker 5 (58:32):
You know you tape pop your tape twisted at a certain.

Speaker 3 (58:34):
Part you hear next time, Nigga, that's my fucking tape.
You stole that Scarface album CDs from each other so
many times that she can passed around the circle, you
know what I mean.

Speaker 5 (58:44):
So that's that's that's Scarface.

Speaker 3 (58:47):
That fucking the Diary, untouchable. Scarface is just a bad motherfucker. Yeah. Yeah.

Speaker 5 (58:54):
And the and the eyes.

Speaker 1 (58:59):
You said was you.

Speaker 3 (59:03):
Was dope a bad motherfucker, yo, Ice that So I
just drank to a nigga.

Speaker 5 (59:09):
I drank to every everything it did from from early on.
Ice Cube is crazy. But then scar Face, like you
can't there's no way to.

Speaker 4 (59:16):
Come his argument. It was an argument, brother, No, it
was it was. It was scar Face and who else? No, no, no, no.

Speaker 1 (59:24):
Yeah.

Speaker 7 (59:25):
When Yale asked me who my favorite artist was, I've
always been a Cube fans attended, So I said Cube.

Speaker 1 (59:32):
He said Biggie. I said cool, and he didn't like
I would, and he started arguing I would.

Speaker 3 (59:37):
I would have won with Cube over big.

Speaker 7 (59:40):
Became a career to me, it became a career thing.
Unfortunately Biggie didn't didn't have the career. Unfortunately, right of course, Biggie,
come on, it's undeniable with Bigger, but Cube had the career.
N W lineage like you can't argue that man, No, no, no,
I'm sorry.

Speaker 4 (59:54):
This is like a real hip.

Speaker 5 (59:55):
I'm sorry to keep saying both both both both what
it's the truth? Brow you can't you can't. I can't
pick ice.

Speaker 3 (01:00:01):
Cube over over scarf face scarf face over ice Q.

Speaker 5 (01:00:05):
You're ready.

Speaker 3 (01:00:06):
You just can't. That's real.

Speaker 4 (01:00:07):
Can you pick Kicking pre over funk faster?

Speaker 1 (01:00:10):
Flex?

Speaker 3 (01:00:12):
I want a.

Speaker 5 (01:00:12):
Kid, I'll kids a bad mother another superle Not to
take anything from Flex.

Speaker 1 (01:00:22):
Just my opinion.

Speaker 4 (01:00:24):
Is I think Flex is the best radio DJ that
ever happened, and I think Kicking pri is one of
the best club DJ party that happened. Like there's no
part of a Caprix party. But when Flex got a
good record, he makes.

Speaker 3 (01:00:41):
Me like it right, yeah, your head.

Speaker 7 (01:00:45):
The way he bombs and bringing it back.

Speaker 1 (01:00:53):
I'm about to hear. So one time I missed my
flight because you know the meat, the meat mal dre.
But one time you did pull off. Yea, I swig off,
I pulled off. I'll be hype.

Speaker 3 (01:01:08):
I like.

Speaker 4 (01:01:09):
Then he said, yo, go in there and go to the
store and grab some cash.

Speaker 1 (01:01:12):
I said, hold up, that's where we stopped. You're telling
niggas to go on into New York City. Yeah, okay,
and put your hands in the cash.

Speaker 4 (01:01:20):
I said youre gonna get somebody killed, you know what
I mean? But yeah, I love I love that ship.
All right, let's move on, okay, boom yeah black Moon
or Onyx.

Speaker 6 (01:01:31):
Hmm, I'll say black Moon.

Speaker 3 (01:01:36):
Yeah.

Speaker 4 (01:01:36):
Brooklyn Niggas is loyal.

Speaker 3 (01:01:42):
The style of music for me, right, like I like
their style of music.

Speaker 1 (01:01:46):
I love honest, but Brooklyn is loyal.

Speaker 7 (01:01:48):
We've had Brooklyn, we say, they say, they just say Brooklyn.

Speaker 1 (01:01:52):
They won't even answer the quest. Brooklyn. We know what
you're saying, so expect the Brooklyn.

Speaker 3 (01:02:00):
Yeah, thank you, yea.

Speaker 1 (01:02:07):
Fab and push your tea.

Speaker 5 (01:02:10):
Wow, fab, I say, I say, they both nice, the
motherfucker they both don't, I say, pushing.

Speaker 2 (01:02:19):
I feel like that's kind of like both No, no, no, no,
We're like, you're relax, mister, you're not even drinking, all right,
m light of Queen Latifa.

Speaker 3 (01:02:28):
Wow, get your cups, don't get your cups ready.

Speaker 11 (01:02:33):
Siggas, bro you can't show.

Speaker 1 (01:02:43):
Neither neither one of them.

Speaker 2 (01:02:44):
So it is damn like both both both got we
need both don't drink chances please, Yeah awesome.

Speaker 5 (01:02:56):
Yeah, we're talking about Queen like Tea for though, bro,
we're talking about MC like, MC like got the most.

Speaker 3 (01:03:02):
I still, I still, I still, I M like record
nigga when I was, when I was a kid nigga,
which which one percent? Dish?

Speaker 4 (01:03:10):
I still you and I t.

Speaker 2 (01:03:13):
Yep, that's what I saying.

Speaker 1 (01:03:16):
Both hot, damn hot damn who.

Speaker 3 (01:03:22):
I don't know the beat? Oh you have it now.

Speaker 7 (01:03:26):
I want to show your girl like she was, Man
gets better.

Speaker 5 (01:03:31):
Female with that like her voice, her voice, like her
voice so fucking crazy.

Speaker 6 (01:03:38):
I don't think i've heard of female.

Speaker 2 (01:03:39):
And she when she said she was the saying right
now she and she's doing all the voiceovers.

Speaker 5 (01:03:47):
Every paper, third that paper, then paper.

Speaker 3 (01:03:50):
Then with you know, God, come on, nigga, I want
to see NERD when to come to this.

Speaker 1 (01:03:57):
His hands down one of the best records ever.

Speaker 4 (01:03:59):
Yeah, yeah, I want them to do versus. We're gonna
bring you in a little while, Lace, were gonna bring
you in a little while.

Speaker 1 (01:04:08):
Let us see you for a little while.

Speaker 5 (01:04:09):
You like the hell right.

Speaker 2 (01:04:10):
Now, we gotta make you from over there bringing it
in a little while.

Speaker 1 (01:04:18):
Hold on, I promise, uh pop smoke or Nipsey.

Speaker 3 (01:04:23):
Hustle mm hmm. I know. I know a little more
about nipsy like music wise. So I gotta.

Speaker 5 (01:04:34):
Say shot and we try to take a shower, take
a shot, I take a shot.

Speaker 3 (01:04:41):
I take a shot.

Speaker 1 (01:04:42):
Yeah, I got you look peace both see or Chuck Rock,
I love you?

Speaker 3 (01:04:51):
Oh see Chuck Rock.

Speaker 4 (01:04:54):
Ninety n you Bro with the glean you win the
pocket pull of Green?

Speaker 3 (01:04:58):
Yeah? We yes, oh ce oh see oh see. If
my memory is correct, o see is the first person
we chub Rock?

Speaker 6 (01:05:14):
Never but is the first person we asked.

Speaker 3 (01:05:17):
To be on that.

Speaker 4 (01:05:18):
You can't even match that though you can't match.

Speaker 3 (01:05:20):
That's two different errors though really I'm not telling you
what to do.

Speaker 5 (01:05:24):
You know what I mean.

Speaker 3 (01:05:25):
But that's two different errors. So slew o C I
love you brother?

Speaker 1 (01:05:29):
Did you so chub Rock?

Speaker 3 (01:05:30):
Was that the record?

Speaker 5 (01:05:32):
Yeah?

Speaker 3 (01:05:34):
What was? What was the name of the record? We did?

Speaker 1 (01:05:35):
We o s I forgot it was one of the first.

Speaker 3 (01:05:39):
On the first Fantaslave.

Speaker 5 (01:05:40):
But that's the first if if I remember correctly, is
the first artist that we asked to get on the record.

Speaker 4 (01:05:47):
OPI records still Oh is fire Bro? Yeah man or
red Man?

Speaker 5 (01:05:59):
I swear to god, I thought in my head yesterday
I'm standing in front of my fucking house. I said,
watch these niggas ask that question, sweaty, I said, watch.

Speaker 1 (01:06:09):
They asked that obvious. You have to take a drink.

Speaker 9 (01:06:12):
K Man.

Speaker 1 (01:06:17):
Both is loocively because he's not dreaming for we Rizzo
or d J.

Speaker 5 (01:06:24):
Muggs.

Speaker 3 (01:06:28):
I say, I says, said, have.

Speaker 1 (01:06:31):
Y'all worked with Mugs? No, don't like you crazy?

Speaker 3 (01:06:36):
Yeah?

Speaker 1 (01:06:36):
The Muggs record that.

Speaker 5 (01:06:37):
I don't like.

Speaker 4 (01:06:40):
Very dope your TV raps or video music box, video box.

Speaker 1 (01:06:45):
Yeah, I knew I was gonna say that.

Speaker 4 (01:06:48):
Yeah, yeah, right, Sean Price a prodigy.

Speaker 1 (01:06:55):
You skip book.

Speaker 5 (01:06:55):
I just took a shot that question.

Speaker 4 (01:06:58):
Both Yeah, Dave Peace, rest in peace, a Peace, Sharan
Price Recidpeace Prodigy. The Tunnel or Latin Quarters Tunnel land
Quarters was a ship, but we weren't there.

Speaker 3 (01:07:14):
We weren't quarter the tunnel, lady said, l Q land Quarters.

Speaker 4 (01:07:20):
So you got to nigga, I.

Speaker 3 (01:07:21):
Ain't never been there, nigga the tunnel.

Speaker 1 (01:07:29):
All right? Buster eminem, Oh hell no, what.

Speaker 3 (01:07:32):
The funk y'all doing?

Speaker 5 (01:07:33):
Bro?

Speaker 1 (01:07:34):
This is your man? Yeah, but when we give your flower,
when we.

Speaker 5 (01:07:42):
I mean that, we talk about careers right like both bro, Bro,
Bro Brush I think song choices right, like the songs
that busted me. Eminem made some big powerful but I
don't know if his his catalog is rounded as well

(01:08:06):
rounded as buster ship.

Speaker 3 (01:08:08):
You know what I'm saying. But we say both drinking.

Speaker 5 (01:08:13):
You know, I'm like the ball tender and I sit
back the board and watching niggas walk out of here.

Speaker 4 (01:08:17):
Sideway psychoanalyzer, young m a or scarlet.

Speaker 3 (01:08:25):
Younger man.

Speaker 4 (01:08:26):
You know what I mean, younger man, lost boys dy
by nature.

Speaker 5 (01:08:33):
You you you.

Speaker 3 (01:08:34):
You come with the right, You go with the right.
Fucking two that it's hard to that's crazy.

Speaker 1 (01:08:43):
Well I'm going with NODI.

Speaker 3 (01:08:44):
Yeah, I go with but Cheecks is my bro. But
that's my dude. You know what I'm saying.

Speaker 4 (01:08:52):
Now that you don't drink, said again, still hang with
checks now that you don't drink.

Speaker 5 (01:08:56):
No, I don't think nobody really want to stick with me.

Speaker 9 (01:08:58):
No more.

Speaker 1 (01:09:00):
He don't want to stick with me.

Speaker 4 (01:09:05):
Kink's boys. He's a long drinker, like like he starts
out long and then he starts.

Speaker 3 (01:09:11):
Speaking queens and these yo, brot me. I know hemes
really well. I had Cheeks meet me in a.

Speaker 5 (01:09:20):
Spot in his neighborhood that he didn't know about just
my drinking days, little hole and rocking withy Boulevard. Wow, dude,
we drank so motherfucking much. I don't remember the spot closing.
I just remember being somewhere else, right, I know we
got in the car. I'm not sure who was driving
which way we went. We went somewhere else, started drinking more,

(01:09:41):
even out here years and you know years ago.

Speaker 4 (01:09:44):
Ship yeah, because he's yeah, yeah, out here, me and him.

Speaker 5 (01:09:49):
I mean, dude, we walk up and down the strip
one time. It's like like fucking animals. So but no,
he he don't really stick with me no more because
I don't drink.

Speaker 3 (01:09:57):
But that's that's my that's my love him.

Speaker 5 (01:10:00):
I love I love it.

Speaker 1 (01:10:02):
He's speaking queens and the queen. I was like, wait
a minute, I don't even know that word.

Speaker 7 (01:10:10):
Shout out shout as well.

Speaker 1 (01:10:13):
This is one of my favorite questions.

Speaker 4 (01:10:15):
Wu Tang clan or n w A.

Speaker 5 (01:10:22):
I almost I'm a damn bro. I'm I'm gonna say
wool tank. I'm gonna say wool Tang. I got different
things in my head and why I'm choosing or I'm.

Speaker 1 (01:10:32):
Choosing tell us.

Speaker 5 (01:10:34):
I mean, I musa say wang because came out, they're
still would you like to, I say, because they still

(01:10:56):
a unit right after all of this time and all
of this six Unfortunately with n w A, we sort
of broke up the breakup, right, Okay.

Speaker 3 (01:11:05):
That's why? Yeah, yeah, yeah.

Speaker 6 (01:11:08):
So WHU time.

Speaker 1 (01:11:09):
That's a good analog or digital?

Speaker 3 (01:11:12):
Analog?

Speaker 4 (01:11:13):
AG Let's make me sonoy because I'm an analog.

Speaker 2 (01:11:19):
For different reasons, though for different reasons.

Speaker 4 (01:11:22):
Analog because, like he said, like we made the record together.

Speaker 1 (01:11:26):
Look how good that recond? That record sound like we made.

Speaker 4 (01:11:28):
It yesterday when I was just listening to it, because
I haven't heard it in these many years. Even when
I was listening to y'all for a whole week, knowing
that I had y'all coming up, I didn't listen to
that record. I just listened to that record just now.
And when I heard it just now, I couldn't tell
if we made it yesterday.

Speaker 1 (01:11:42):
That's because we was in the studio together.

Speaker 7 (01:11:43):
Gus to him, when analog is about the being personally
together where they talk to the people with the equipment,
they're like the analog equipment.

Speaker 1 (01:11:50):
I want an analog record, digital mixed, but analog.

Speaker 4 (01:12:02):
You don't want to wait for the listen. Let me
tell you something that was the good thing. I was
coming from being five per center. So I would never
go to the studio without knowing my rhymes. Right here,
I had never during the analog days, I never wrote
in the studio. I always had that ship in my
motherfucking brain, so I didn't play no times. I would
go in there and record, record, record, record, record, record

(01:12:24):
and record.

Speaker 3 (01:12:25):
Right. Well, some people use the digital ship. Well it's
just they don't do no work. They don't put no
they don't put no time into the ship, right, so.

Speaker 1 (01:12:33):
They it's despicable. They can just keep doing it.

Speaker 5 (01:12:36):
What I think, the digital is good.

Speaker 3 (01:12:39):
I love the analogue. The digital is good for artists
like you, artists like us.

Speaker 5 (01:12:44):
You know what I mean.

Speaker 3 (01:12:46):
You could just punch in. You ain't gotta rewind.

Speaker 1 (01:12:48):
Yeah you know what I mean.

Speaker 3 (01:12:50):
You tape pop off and all that shape. Yeah yeah, yeah,
you know what I mean.

Speaker 1 (01:12:52):
I don't know that pain.

Speaker 3 (01:12:55):
I think the digital coming would have came in handy
for those time.

Speaker 5 (01:12:59):
But besides the analogue.

Speaker 4 (01:13:02):
I always give that the tras man. I know, I
probably never said that trage would make sure, like yo,
you're gonna do three records? Make sure you got all
your rhymes, and I would four weeks straight before I
went to the studio.

Speaker 1 (01:13:14):
I had the rhymes in there. So when I that's why.

Speaker 4 (01:13:16):
If you look at listen to the word report, I'm
always the first one on the motherfucking record is because.

Speaker 5 (01:13:20):
I had my.

Speaker 1 (01:13:23):
Going that album.

Speaker 3 (01:13:24):
Yes one of my.

Speaker 5 (01:13:31):
Listen to the album nig Yes good Looking, I Got you,
I Got you.

Speaker 4 (01:13:39):
All Eyes on Me or Life after Death. That's two
parking biggies out. Wow, I'm actually gonna go to Life
after Death. Yeah, I'm gonna go with that one.

Speaker 3 (01:13:53):
Man, I got it. I go with a lives on me. Wow,
we're not drinking. Yeah, I'm trying to say you niggas
you know.

Speaker 5 (01:14:06):
But the truth thing is like to two different kind
of artists to me, right and for me, I like
the passion that to podcast, I could respect that, you
know what I'm saying.

Speaker 3 (01:14:18):
So that's why I.

Speaker 1 (01:14:19):
Never got to meet Tupac.

Speaker 3 (01:14:22):
I was drunk, bro, so I really remember. But for
what you got a picture on?

Speaker 1 (01:14:29):
Yeah?

Speaker 4 (01:14:29):
Yeah I did.

Speaker 3 (01:14:30):
I did.

Speaker 5 (01:14:30):
I know I did, but but I met him with Big.
I met him with Biggie, but I can't remember with Big.
Yeah you got to remember this. Bro just says that
I met him. He said, so nonchalot. Yeah, I mean
everybody know that what they were good, they were they
were friends at one time, so that's at all. Yeah, yeah, yeah,

(01:14:55):
but that that's how I met him. But being, you know,
drunk is fuck. But I always always get you know,
slack for people asked me about in comparison to to
Biggie Pot. I love being. I love him as an artist.
I think the lyrically this thinking was nuts. But what
I more towards Park's passion, you know what I mean.

Speaker 3 (01:15:18):
So it's two different artists, human artists. What I told you,
I'm going with big like.

Speaker 4 (01:15:25):
That's right, that's right. He said that radio or podcast podcast?

Speaker 1 (01:15:35):
How you gonna ask the.

Speaker 5 (01:15:36):
Nigga that never got no radio playing radio? Right?

Speaker 4 (01:15:42):
Has mister Lee making these questions?

Speaker 1 (01:15:46):
Talk?

Speaker 3 (01:15:46):
After this?

Speaker 1 (01:15:48):
You line up had New Jack City, King of New
York movies, Jack City.

Speaker 3 (01:16:02):
King of New York. M hm, I go King of
New York. Okay, New Jack City.

Speaker 1 (01:16:09):
Purpose now we're.

Speaker 3 (01:16:10):
Trying to save.

Speaker 1 (01:16:12):
I got two shots. I'm just take him anyway.

Speaker 4 (01:16:14):
At some point, Tony Yea or Lloyd Banks going queens
against queens.

Speaker 3 (01:16:24):
Oh no, bro, I got a drink. Drink bro, my
own boys.

Speaker 4 (01:16:28):
Yeah, this is the only one to me, that's that question.
It's not a trick question, but kind of a trick question.
The only one that I always feel like you should
say both.

Speaker 2 (01:16:41):
I mean, you can't say that and then that that's
some crazy ship.

Speaker 1 (01:16:45):
Loyalty or respect, I mean really loyalty lawyerty is everything.

Speaker 5 (01:16:55):
But the lawyers with loyalty gonna come to respect anyway. Right,
If you're loyal to somebody, you're loyal to the feelings,
You're loyal to who they are. You know what I'm saying,
You loyal to that person. So you would respect somebody
that you're loyal to. Am I right or wrong?

Speaker 3 (01:17:13):
Yep?

Speaker 1 (01:17:13):
I mean it's really an individuals respect.

Speaker 3 (01:17:16):
In case you ain't no this, Nigga the Harbord student.

Speaker 7 (01:17:23):
I would say, the easy way out is to say both,
give me both of that ship.

Speaker 3 (01:17:28):
That is all right?

Speaker 5 (01:17:30):
What if somebody respects you, That don't mean they're going
to be loyal to your right because if it respects you,
that could mean he even fails you in your face.
But nigga may do some underhanded ship that you can't see.
But if a nigga's loyal to you. It's not doing
anything underhanded, am I right? Right?

Speaker 7 (01:17:49):
But if you get the option as we're giving loyalty
or respect, and you could have both, I'm taking both.

Speaker 1 (01:17:56):
Give me both, but you got both for one.

Speaker 3 (01:17:58):
If you pick the right.

Speaker 1 (01:17:58):
One, you're taking a shot for that. I picked one,
got it.

Speaker 5 (01:18:10):
But you know.

Speaker 1 (01:18:14):
What's so great?

Speaker 3 (01:18:14):
That's what?

Speaker 1 (01:18:16):
Oh man?

Speaker 3 (01:18:17):
All right?

Speaker 4 (01:18:17):
Cool, we getting back to the interview. Boom oh okay,
I will be your head boy. You know what.

Speaker 1 (01:18:31):
The what did you get that call? And he said,
I need you on with your head?

Speaker 5 (01:18:36):
But when I don't remember Famous, I don't remember what
I'm saying. I don't remember getting a call. I remember Famous.

Speaker 3 (01:18:46):
Actually staying at fifty Crab in Connecticut, Connecticut.

Speaker 5 (01:18:51):
He had the studio over there.

Speaker 4 (01:18:53):
We score up there just chill, you know, like like
the stunt you just did. That was staying at the
Big Boy career.

Speaker 3 (01:19:01):
I try to flex. I reported that record. I started
to recording that record in fifty crib So that was
your record. No, that's fifty Records. It's the reading. They
pulled up the fucking beat and you know what I mean,
I just I just went in on it.

Speaker 5 (01:19:20):
You know what I mean. First, you know what I mean?

Speaker 1 (01:19:24):
Then we built you said you said first to say
you not?

Speaker 3 (01:19:29):
You know, to me, I'm gonna stamp your ass out
with the Gore text feet from Broccoli. Yeah history, because
back then we were just we were just signed to you.
Then right when you walked through flat Bolls, we had
to wear the ship that you know them nigga was
going through ship out there, you know what I mean.
So you you gotta think like yo, g in it?

Speaker 5 (01:19:51):
You know, yeah, what up? You know what I mean.

Speaker 3 (01:19:53):
Then I had a situation where niggas kept playing with
me with that gun ship, you know what i You
know what I mean. Yeah, the nigga play fighting and
ship and nigga he ran and left his homeboy, took off.
How you don't leave your homeboy took off on boom
stopped playing me because.

Speaker 5 (01:20:11):
You know what I mean.

Speaker 3 (01:20:12):
So that's why I put that in that in that record.
So I'm like, first we had to wear that ship.

Speaker 1 (01:20:17):
Too, you know, you know what I mean.

Speaker 5 (01:20:19):
Thank you for saying that because a lot of people
say thing was going at games right because you said
the first nigga that says.

Speaker 3 (01:20:27):
You you not to me?

Speaker 5 (01:20:29):
He was talking about every other nigga that said you
not to him and had nothing to do with game
Bro just be him, jid.

Speaker 3 (01:20:39):
I didn't know it, just being affiliated with gu and
it them nigga was going through ship Bro, you walk
through the ship nigga, you know what I mean? Like,
what the fucker?

Speaker 5 (01:20:49):
You know what I mean?

Speaker 3 (01:20:51):
I gotta wear it. I gotta wear it. So now yeah,
I guess, so yeah, let's go, mother fucker, you know
what I mean. So that's how I came.

Speaker 1 (01:20:59):
About what record you said? He said murderer one of
y'all said it.

Speaker 3 (01:21:06):
I don't remember. I got it written down somewhere home.

Speaker 7 (01:21:10):
Did y'all have a relationship with fifty before that, before
y'all had to deal?

Speaker 6 (01:21:14):
No, not, no, no.

Speaker 7 (01:21:17):
So was it a surprise to you when that came
to you guys? Yeah, Yeah, it was a surprise.

Speaker 3 (01:21:22):
Yeah it was. It was a surprise.

Speaker 5 (01:21:26):
It's I mean at the time and again, and that's
another situation where we did business with this person because
there was a fan of m op Fi right crazy.
I used to be in all through South to make
a lot. But I don't know him from the street man,
so I only know him from from in the business.

Speaker 1 (01:21:46):
But he signed y'all because he really was a.

Speaker 3 (01:21:48):
Fan of Mobile and son his son.

Speaker 5 (01:21:51):
When he tells the story he tells, he tells how
his son was was really.

Speaker 3 (01:21:55):
Like stuck on Andy up and he was an actual fan.

Speaker 5 (01:21:58):
And my family member us all from from South Jamaica.
When I go, if I'm going through God Briel or
some more up and down something whatever, always running to summer, Yo,
you need to do something with Fifty just before ship
got hot, before it before the for the mixtape and
all that ship. But I never I had never met
him out there, you know.

Speaker 3 (01:22:17):
What I mean.

Speaker 5 (01:22:18):
So so now just you know, once we got once
he got into the business, then we started.

Speaker 3 (01:22:22):
Mingling or whatever.

Speaker 4 (01:22:23):
And earlier I had actually a Rockefeller or g unit.
And I find that interesting because a lot of people
say that Fifty is like a good business man, like.

Speaker 1 (01:22:32):
Like he like calls you in all types of nights.

Speaker 4 (01:22:34):
I remember reading the interview somewhere and I think that
he said that y'all call, he called you out to
the hotel room and was acting like, what's y'all single
or something like that? Is that true?

Speaker 3 (01:22:45):
You know?

Speaker 5 (01:22:46):
You know my answer, I was drunk. I was drunk.
I was drunk back then too. I was drunk as
fuck back then, but that was I was.

Speaker 3 (01:22:56):
I was twisted back then.

Speaker 5 (01:22:57):
But uh all the first the first thing I remember
is going to a video shoot. I remember what song
it was, but yeah, mom, yeah, yeah, yeah, you know
it was one before that, before before they song, before
they put that song together. But we went to a
video shoot, and that's where I met him. Man, I

(01:23:19):
think y'all had already met you and the ladies had
already up with him or something like that.

Speaker 3 (01:23:22):
We went to video shoot fifty.

Speaker 5 (01:23:24):
Yeah, went to the video shoot link with fifty, and
he's telling us his plans and all of this. And
first thing I said to him listening to him talk,
he's a great guy, by the way. I once I
listened to him talk, I'm like, what motherfucker is saying
about him? It's not that he's not that, you know what,

(01:23:44):
because everybody try to make him look a certain way.
But he's talking and talking. I'm listening, I'm listening, I'm
paying attention. But so I asked him, what was his
problem with the fact Joe and jadakiss right, Because he's.

Speaker 3 (01:23:58):
A friend of mine and this is the time that
they beef it.

Speaker 5 (01:24:01):
Yeah, they're beefing because and they wasn't beefing. It was
just whatever on the records and ship and he and
he gave me. He gave me a.

Speaker 3 (01:24:09):
Clear answer, straight answer.

Speaker 5 (01:24:12):
When I asked him the first time, he kind of
overlooked it, went back to talking. Then I asked him
the game. He goes, you see what I'm saying. I go, yeah,
but what is your problem with Fat Joe and Jada
kiss Nigga said, I do what I gotta do to
sell records and then turn around and walk away and
finish doing whatever fuck he was doing over there. So

(01:24:32):
I said, I respect him for that, you know what
I mean. So they didn't have no beef basically is
what he said, you know what I mean. I just
wanted to get it clear because sometimes in the business,
you know, niggas start going yo. You running with them,
those your peoples, whatever issues y'are they dealing with, you
gotta deal with too.

Speaker 3 (01:24:48):
You know how that shit go with g and it.

Speaker 5 (01:24:51):
They didn't sign them op to be hired guns, you.

Speaker 3 (01:24:54):
Know what I'm saying.

Speaker 5 (01:24:54):
Or whatever problems they had, they already was dealing with it.
They didn't really need us for that, you know, under saying,
so you we just came through the you know, we
were doing business. We came through you know, did whatever
we were supposed to.

Speaker 3 (01:25:05):
Do over the artist one. Yeah, we were.

Speaker 6 (01:25:07):
We were this business.

Speaker 3 (01:25:09):
You know, we always going to be MPs regardless to
where we act.

Speaker 1 (01:25:12):
But jay Z said different. Jay Z said, now it's
more now the mops higher. Yeah, but.

Speaker 5 (01:25:19):
He said, but JA said, and that's the whole that's
a whole other thing too, like you.

Speaker 3 (01:25:24):
Know, we would.

Speaker 1 (01:25:27):
We say how more now?

Speaker 4 (01:25:32):
Yeah, he was saying, I got the niggas with me,
y'all back up.

Speaker 5 (01:25:36):
But that's a song that's lyrics, right, and that kind
of issue that and we don't know Jay for being
in that kind of it anyway, like like that, you
know what I'm saying, You don't bring that to his
music anyway, to his career. But even then, like we're
dealing with with Rockefeller, that whole break up with them
should hurt us, bro.

Speaker 4 (01:25:53):
With did you know that was coming?

Speaker 3 (01:25:56):
No, neither.

Speaker 5 (01:25:58):
And the reason why I heard the because, like I said,
when the rock was a pebble, we watched them build
this entire ship. You were there too, niggas, you know, you.
We watched them build this entire ship so to get
to toward the ending, towards the end of Rockefeller. I
couldn't believe it because we grew up with this loyal thing.

(01:26:21):
Not saying that they You know what I'm saying, We
don't know what was going on with them and what
and and the way I feel about it has nothing
to do with them.

Speaker 3 (01:26:28):
Or not saying anything about them. It's saying about us.

Speaker 5 (01:26:31):
But so Jay offered us a deal, right, No, first
they Dame offered the deal. Mmm, right now, we don't
we don't want to do that. A week later we
go up to death Jam. Jay offered the.

Speaker 4 (01:26:46):
Deal and Jay is on he's the president.

Speaker 3 (01:26:49):
The president of Death Jam.

Speaker 5 (01:26:51):
So so I go, I go.

Speaker 3 (01:26:58):
Right, so to read.

Speaker 5 (01:27:00):
And the reason why is because we watched them build
something together. Right, they made millions together. Right, they came
from the bottom together. Y'all break up. Now in my head,
I'm going, if you could do that to your man,
what could you do to me? You know what I'm saying,
Like to me, niggas ain't ain't disposable like this nigga,

(01:27:24):
he ain't disposable, you know what I'm saying, Like a
nigga that I come up with my entire life or
turned ship into sugar. They ain't disposable. I'm not saying
anything about them. I'm saying that turn into sugar. Yeah,
I like that, you.

Speaker 3 (01:27:36):
Know what I'm saying.

Speaker 5 (01:27:37):
So I felt I felt like I wouldn't have been
comfortable doing like this.

Speaker 3 (01:27:46):
Put me in coach, That's what I was waiting for, nigga.

Speaker 6 (01:27:54):
Let's go to that was that's scary to me. That
that's scary.

Speaker 5 (01:27:59):
Right, If you can't if you can't trust somebody that
that that helped you do something so so grand, so big, right,
you know what I'm saying, that's scary.

Speaker 3 (01:28:10):
So I don't. I didn't want to deal with that
kind of situation.

Speaker 6 (01:28:13):
You know what I'm saying. I don't know, and I
don't know.

Speaker 5 (01:28:16):
I don't know what their situation was either, you know
what I'm saying. But that's that's there there there, You
know what I mean, y'all, Just.

Speaker 4 (01:28:24):
Yeah, I ain't he just skipped the line.

Speaker 1 (01:28:31):
You didn't want us involved. I didn't make no rooms.

Speaker 3 (01:28:35):
Room.

Speaker 4 (01:28:36):
I'm so on this. I got you, yo, but you
but you but do you understand how important you guys
are the hip hop.

Speaker 1 (01:28:44):
Absolutely. I mean, we know, bro, I mean y'all know.

Speaker 4 (01:28:48):
Like the other day I interviewed Leo cohms right, and
I was telling him the amazing things that he did
in my life.

Speaker 1 (01:28:53):
The Leon life is so dope. He didn't even remember it.
So he regretted you like me want you regretted it.

Speaker 3 (01:29:02):
Listen.

Speaker 7 (01:29:02):
He said that he regrets not filming ship, not taking
pictures of ship, not living in that moment because you
think you're just thinking about the next moment. And it's true, man,
because it should be so fast paced and you hustling,
you forget to live in that moment right there, and
then then those moments are legendary, but you don't remember it.

Speaker 4 (01:29:20):
Like I'm not gonna lie, Like my Uncle Wires came
with me my whole beginning.

Speaker 1 (01:29:28):
Of Uncle the legend.

Speaker 4 (01:29:30):
Yeah, so he did.

Speaker 1 (01:29:32):
He did the War Report n R.

Speaker 4 (01:29:33):
E album, But at that time we thought it was
corny to take pictures. So this is the compenident around
the world with me. He got nothing to prove. You
don't guys complaining ticket stops.

Speaker 7 (01:29:45):
The way it was back then, you didn't take pictures,
you didn't take put up picture. I met you guys
at the first how can I be down?

Speaker 1 (01:29:50):
We got to drop? How could I be? I gotta
drive and there's a drop. My boy's getting to drop
from fame. And back then we didn't say.

Speaker 7 (01:29:57):
Can we take a picture, So the only picture we
got is him getting the drop from fame because we
would ask corner.

Speaker 2 (01:30:03):
You don't ask for a picture. Yeah, you don't post
for a picture, but we should. Yeah, y'all got man,
how could I be down?

Speaker 5 (01:30:13):
Angle you?

Speaker 3 (01:30:13):
I've been on that ship for when I was coming
up to broke.

Speaker 1 (01:30:16):
What not taking pictures? It wasn't It wasn't the thing
filming picture.

Speaker 5 (01:30:20):
Ask nobody for ship.

Speaker 2 (01:30:21):
Like man, I just in retrospect. We could have been
documentary history. We could have documentary pictures in video and
all kinds like that.

Speaker 4 (01:30:31):
That first World Tour went on. We got one picture ship.

Speaker 1 (01:30:36):
We got Amsterdam.

Speaker 4 (01:30:40):
Like this, like like I think it's one in Denmark, Copenhagen,
and like two in Germany. We were in a world tour.
We didn't document ship.

Speaker 3 (01:30:52):
Wow, we didn't know, like you said, we were just
in that in the moments.

Speaker 4 (01:30:57):
Right back to my original question, do you know how
you guys are to hip hop?

Speaker 1 (01:31:02):
Like there's not a party.

Speaker 4 (01:31:04):
If I'm in, If I'm not a party and they
don't play at least three to five mop songs, I don't.
I don't like this party. That's very fun out of here.
Yeah that's no.

Speaker 5 (01:31:16):
I don't like we're we're real, like, we're humble, right,
we're humble dudes, man, So we don't look at it
like you know, other people see it.

Speaker 3 (01:31:25):
It's just look look like your kids.

Speaker 5 (01:31:26):
At home, right, you're just dad, right, But you're not
noring my kids, don't. You know what I'm saying. You're
not normal, You're just that. So we just we humble dudes,
so we don't see it like that. We appreciate it,
but we don't you know what I'm saying.

Speaker 1 (01:31:38):
We don't.

Speaker 6 (01:31:38):
We don't look at it like that.

Speaker 4 (01:31:40):
Well, the fact that you humble, I'm gonna stunt for you.
You guys are one of the best two man groups
all time.

Speaker 3 (01:31:47):
Thank you.

Speaker 4 (01:31:52):
And by the way, I swear to God, I'm not
lying because, like I said, yeah, my friends, but I
tried to look for.

Speaker 1 (01:31:58):
A whack record, like try to like I really wanted
to be like, let me catch them slipping once I
couldn't find one. Yeah, I couldn't.

Speaker 4 (01:32:07):
I couldn't find a let me be honest with you,
I couldn't even find.

Speaker 1 (01:32:10):
A half assed record. Like every record to me, the
energy is unmatched.

Speaker 2 (01:32:15):
Yeah, like even like the one thing with MP is
that even up to beat is up to part. You
guys are right, that's the ill ship and individually, you
guys are monsters individually and then coming together out of control.

Speaker 4 (01:32:27):
Make some noise for that. And I do think y'all reheard.
I think, yeah, fright, we've never reheard. We're looking at
this camera, y'all ain't this.

Speaker 3 (01:32:40):
That's what's up. I shout you for bigging us up. Bro. Man,
I'm trying to being on motherfucking joints, but they'd be
like such and such such a such a stupid more.

Speaker 4 (01:33:08):
Yes, nah man, y'all been deserve your flowers, man. And
and like I said, man, it takes nothing away from
me to big up another another.

Speaker 3 (01:33:17):
People serve you you know what I mean?

Speaker 4 (01:33:19):
To make me less of a man in no way
shape form of fashion. So let me ask you for
alarm blaze?

Speaker 3 (01:33:24):
Right?

Speaker 1 (01:33:25):
Is that the eye of the tiger sample?

Speaker 3 (01:33:26):
Yeah?

Speaker 1 (01:33:27):
Yeah, how to your clear, Rocky?

Speaker 3 (01:33:29):
I don't know la lais with the beat together.

Speaker 1 (01:33:32):
He was trying to get the dirt man from m
O P. Come on, come on, here is the dots
and the m O P.

Speaker 4 (01:33:46):
Over.

Speaker 1 (01:33:49):
Yeah, I'm telling you right now, drink sham.

Speaker 4 (01:33:56):
We're drinking you with you.

Speaker 3 (01:33:57):
Baby.

Speaker 1 (01:33:58):
Look, Billy is like, man, thisdrunk niggas next.

Speaker 5 (01:34:02):
When I made that beats, my man, you're gonna put your.

Speaker 1 (01:34:09):
No no, no, no no.

Speaker 12 (01:34:10):
What's my man name from the little the little white
boy they hanging with.

Speaker 1 (01:34:15):
Mugs back in the days. Alchemists Alchemist? Yeah, okay, he
hung out the studio with me that day. I mean
that beat shout Alchemist shot Alchemy my brother ship Alchemists,
definitely brother What be we talking about?

Speaker 3 (01:34:28):
Okay?

Speaker 4 (01:34:28):
So okay, okay, no, no, no, because he was all,
you know, you're a little bit on the road, but
you're a point though, hang on front. You drunk and
on point shopping.

Speaker 1 (01:34:36):
Hold on. So how the fuck he drunk? Point? How
the fuck did y'all clear? Rocky? So what I did
was I played it? You played it over? That's the
original eating.

Speaker 3 (01:34:46):
Sample I play.

Speaker 1 (01:34:47):
I played blood, sweat and tears. That's in the Belly movie.
If you and I played, I.

Speaker 12 (01:34:53):
Played keyboards, So what I did was I just took
the note and I played it.

Speaker 1 (01:34:58):
So that's nobody could clear a lot Rocky, I played it.
I played it so I did it as an interpolation.

Speaker 4 (01:35:03):
That's okay, that's the interpolation. Yeah, you want of them
smart niggas. You went to Harvard.

Speaker 1 (01:35:13):
There's a lot of Harvard.

Speaker 4 (01:35:16):
And then how to get hold on it?

Speaker 5 (01:35:19):
That record was already out full on, got the original.

Speaker 4 (01:35:23):
That the original without recorded it.

Speaker 1 (01:35:28):
Move over looking like a little bit, so you look
like Philly, you go over a little bit.

Speaker 3 (01:35:34):
So okay, yes, the song was already you.

Speaker 1 (01:35:39):
Know what, there's a mixtape vision without hove on it.

Speaker 3 (01:35:42):
No, but.

Speaker 5 (01:35:44):
I remember I was doing the record, bro, I can't
have it, and this nigga in and D n.

Speaker 3 (01:35:48):
D studio and he hit in the record. Yeah he's like, yo,
it's a four long place only three. Y'all want the record?

Speaker 5 (01:35:55):
You know what I mean? That's that's what I remember.

Speaker 3 (01:35:58):
You remember.

Speaker 1 (01:35:59):
I want to know the story?

Speaker 3 (01:36:01):
Wait wait, wait, wait wait, I got.

Speaker 1 (01:36:04):
You just drunk Satan.

Speaker 3 (01:36:07):
So here here's here's what happened.

Speaker 1 (01:36:09):
Say the story.

Speaker 3 (01:36:09):
We all take a bathroom. This is what happened.

Speaker 5 (01:36:11):
Okay, The record was already out right again. Now Jah
is popping. Now he's coming up. He's coming up. They
still building Rockefeller me Tef Sam is already on the record.
Jay come to the studio about a week straight. Yo, Yo,

(01:36:32):
open the record, man, Can I get on the record?
Let me get on the record a week straight?

Speaker 3 (01:36:38):
No, this is this is right, okay, a week straight?

Speaker 1 (01:36:43):
He comes, he comes, he comes. This is still relativity
if I'm not wrong.

Speaker 11 (01:36:47):
Yeah.

Speaker 5 (01:36:47):
He comes to the studio about a week straight and
asked to get on the record. Yo, he said. I'm
listening to him. I can