909: Our Stuff Gets Real

On this week's episode, JD tries to do something special for a very pregnant Elliot while Lucy tries to dissect the heart of a former patient. In the real world, we've become espresso experts. 

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Episode Transcript

Speaker 1 (00:00):
Look at my you, guys, I got a new setup.

Speaker 2 (00:03):
You're in New York, Brook, Listen. Not only are you
in New York right now, your camera is four to
the fucking K.

Speaker 1 (00:13):
Yeah, bro, this is what you're supposed to have. Because
we talked about it privately.

Speaker 2 (00:17):
Shooting dropped the new show, yet I'm still in beta.

Speaker 1 (00:22):
Well I can't. I can only lead a beautiful horse
to water, I can't make him drink. I have switched
all my recording audience to four K because we'd hoped
to put this on YouTube, but Donald refuses. He has
the camera, but will not do it.

Speaker 2 (00:37):
I want to do us appropriately right now. You know what.
The camera is somewhere in like one of my camera
bags right now, and I've listened.

Speaker 1 (00:45):
If you don't, if you don't want to do the thing,
you don't have to do the thing. I don't. We
were going to put this show on YouTube and shoot,
it doesn't sound like you want to do the thing.

Speaker 2 (00:55):
I really want to do the thing I'm trying to get.

Speaker 1 (00:58):
It would take you like four minutes.

Speaker 2 (01:02):
A little bit longer than that, but not real.

Speaker 1 (01:04):
I want to do the thing, all right, Well, we
don't have to do the audience doesn't have to be
bored with this bullshit.

Speaker 2 (01:09):
It's not bullshit, Zach.

Speaker 1 (01:10):
Well, the audience doesn't care if we shoot this on
four K or not. I just happened to care.

Speaker 2 (01:15):
That's that's the that's the director in you. You're always
looking at the new gadget like it's it's a new toy.

Speaker 1 (01:22):
Well, speaking of new gadgets, I have a whole. I
want to thank Daniel. It's Daniel, right, I want to
thank I want to thank Daniel. He came over here
to my apartment Donald and he set up a whole.
I got a whole situation here.

Speaker 2 (01:34):
I got the outside of work.

Speaker 1 (01:36):
Yeah, we did. He came over, Zach made me an espresso.
It was delicious. I made him espresso.

Speaker 2 (01:43):
You made it from scratcher to the machine made it
for you?

Speaker 1 (01:47):
Well, the machine involved. The machine was either.

Speaker 2 (01:51):
Way, you know exactly what I'm talking about. Don't act
like you don't know. Multiple did you have to freaking.

Speaker 1 (02:05):
It meant the same to me either way. I I
I aspire to be like have a realist russel machine
and like do all the techniques that I see people
doing on Instagram. But no, I just made him an
espresso pod. But it was delicious.

Speaker 2 (02:18):
Every time I walk into Williams Sonoma, I peruse by.

Speaker 1 (02:22):
The Yeah, but you got to learn. Actually found it
on Instagram. I actually found this guy on Instagram whose
whole thing is like he'll teach you like you you
you d m him and then he gives you like
a one hour workshop, like everything you need to know
to like do it right. And I was about to
do it, but I didn't buy the machine.

Speaker 2 (02:40):
I'm so shiny and beautiful. Come on, now, do you
know how beautiful that thing is?

Speaker 1 (02:45):
My problem is already. My problem is I already have
so much fucking caffeine in my life, Like do I
need a reason to have more?

Speaker 2 (02:51):
But you're making it yourself. You're grinding the beans.

Speaker 1 (02:55):
I know you got to grind the beans. You gotta
get Oh, you know about waiting ship, Daniel. He's saying,
eighteen grams this fucking Smokeyeah, because there's a scale. I'll
look at that.

Speaker 2 (03:08):
Did you fucking make that? Yeah?

Speaker 1 (03:10):
I mean I have been getting into making my own espresso.

Speaker 2 (03:12):
Yeah, Okay, you're a gentleman. You're a gentleman, Daniel. You're
a gentleman because this nigga made you pod fucking express espresso?

Speaker 1 (03:23):
Are you judging me?

Speaker 2 (03:24):
You and you were very very nice about it. You
were very very nice about it, especially because you can
make your.

Speaker 1 (03:31):
Own Daniel, it's Daniel. I have a question. Did you
did you feel like because I thought I was making
a nice gesture, but did you did you feel like,
oh this, this motherfucker has an espresso? It's bullshit. I
don't want it, not at all, not even for a
split second.

Speaker 3 (03:46):
Also, you're so lovely. That's actual espresso cups, the actual
espresso cups. You should have seen the presentation with Oh yeah,
I also put it on us. Not only did I
give him a espresso cup, I put it on the
little mini dish.

Speaker 2 (03:58):
But you did the thing how Daniel felt this is.

Speaker 1 (04:00):
How this is how Daniel felt.

Speaker 4 (04:01):
You honored me. You honor me truly.

Speaker 1 (04:04):
But Daniel, like Donald's saying, I didn't know, like was
there judgment because you're sort of an espresso snob.

Speaker 3 (04:10):
No, that's the thing. It's to me, like for me,
this is you.

Speaker 2 (04:15):
Said the exact amount of weight.

Speaker 1 (04:19):
You said, grand grind eighteen.

Speaker 2 (04:21):
Guns to be that's a double shot into nice. You
honor me a double chef.

Speaker 4 (04:27):
Look interesting and you honor me.

Speaker 3 (04:28):
This is this is one of my personal interests. I
love coffee. I found myself spending way too much money
at your Starbucks's or whatever. I love making lattes. It
was just something that I was like, the espresso machine
was on sale for Cyber Monday. It was one of
these things I was.

Speaker 1 (04:41):
Like, you know, I'm just gonna do this.

Speaker 2 (04:44):
You gotta invest. You gotta invest after you buy because
it's such an expensive machine, you know what I mean.
It's not one of those I mean, look at it's
like three ninety nine at you know what I mean.
The low is three ninety nine for expresso machines, right,
so you look at that. That's not Come on, man,
you know what I could do it three nights. I
could buy a lot of week for three ninety nine, bro,

(05:05):
Like I could get down for Donald.

Speaker 1 (05:07):
Looks into Donald doesn't look at cash in terms of cash.
He looks at it in terms of how much weaed
he could buy well.

Speaker 2 (05:12):
In the budget. That shit's for real, man. You look
at that shit. You know what I'm saying, that's a
lot of week. You're like, all right, I'm for a month,
two months, I'm unless you're.

Speaker 1 (05:20):
Unless you're donald. Then you're like, that's a week. Two weeks.

Speaker 2 (05:22):
Yeah, you know sometimes that it is like that sometimes.
But my point is you have to invest after you
buy that machine, you have to invest.

Speaker 1 (05:31):
And you gotta get a good grinder too. It's like,
you got to get a good grinder, Daniel. I went
down the wormhole on Instagram, and it's all about the grind.

Speaker 3 (05:38):
Really fine grind. You gotta get a good one.

Speaker 1 (05:40):
And it's all about the quality of the There's a
the cinematographer for shrinking has this whole setup on the
camera truck and he one of his assistants will be like,
you look a little tired. You want one, And I'm like,
I'll have one. And then one of his assistants, like
five minutes later, brings you like the most beautiful you know,
homemade espresso with fucking oat milk and maize rules.

Speaker 2 (06:05):
It's got to be soothing for your mental you know
what I mean. Like, if I'm at work all day
and I need a break, I don't want to break
in my on the toilet in my I mean, that's
nice too. Don't get it twisted.

Speaker 1 (06:18):
I'm not following. Start this paragraph over.

Speaker 2 (06:20):
I exactly what I mean sometimes you're like, I'm gonna
go take a shit, and all you really do at work,
don't everybody out there does it is you go in
the bathroom and you sit on the toilet and you
just take a fucking break. Everybody does it no matter what. Now,
imagine if your break could be creative, like you know
you're being, you're being an artist as well. I'm gonna

(06:40):
make you a fucking coffee, or I'm gonna make myself
a fucking coffee. Not only is it gonna be a coffee,
it's gonna be a coffee that's gonna fucking zip you
or myself awake, and we're gonna be back up in
this bitch again.

Speaker 1 (06:51):
Dan, How long does it take you from start to finish?
How long does it take you to make a beautiful cappuccino?
Right now, it takes me forty five minutes.

Speaker 2 (07:01):
I lie better at it.

Speaker 3 (07:02):
It takes me five minutes.

Speaker 1 (07:04):
So you put the scale on the grinder and then
the beans, the grinded ground beans come out, and then
you do a certain amount of grams eighteen you said eighteen,
and then you have to tamp it. What's it called
tamp it? You have to just tamp it down. Yeah,
you the vice distribution technique where you take like a

(07:24):
very thin pin and break up. Because what happens is
when you grind the beans, they tend to clump up,
and when you put that into your espresso machine, even
after you tamp it, you can have what's called channeling
and it doesn't really fully infuse.

Speaker 3 (07:35):
Oh my god, I don't need the guy. Damn, I'm
just going to hire you. You just mix it up.
You mix it up with like they make these really
thin pins. Imagine like a bunch of little needles on
like a little like cork thing. Yeah, mix it up
to mix up the beans and so that there's no
clumps in there. Then you tamp it down. Then you
put it in your machine. Double shot. You're going for
like a two to one ratio of weight of beans
to the yield of espresso. So it's like eighteen grams

(07:57):
of beans you want thirty six grams of espresso, just
about thirty five thirty second extraction ish and then you
got yourself cup of coffee.

Speaker 2 (08:04):
Dan, you could steal casey from me. You could steal
it right now with this conversation, I'm gonna tell you
ain't none like coffee in the morning, especially when taken
when made with love. It sounds like you're making it
with love. Every time I got these needles, I stick
it in there. Fucking come on, bro.

Speaker 1 (08:24):
The more he talks about the the more he talks
about the weight of it, Donald, the more I feel
like how much he must have been looking down on
mine espresso pod.

Speaker 2 (08:31):
After I'm trying to say, man, not at all. He
was even looking at the brand of machine it was.
He was like, what is that?

Speaker 1 (08:38):
Yeah, I gotta say the kitchen did you? Did you ask?
Were you wondering if I weighed min espresso pods?

Speaker 2 (08:51):
That skill?

Speaker 1 (08:51):
I don't know how many grams it is, but I
can weigh it for you. I gotta tell you, guys,
the sweet Sorry, what go ahead?

Speaker 2 (08:57):
You go first? And then I got three things I
got to talk about this.

Speaker 1 (09:00):
It's so pretty today in New York City. It's like
the day listen if you ever want to see. If
you like New York City, walk around in May on
a beautiful day. It is seventy five degrees and sunny,
and everyone is so excited. The sun dresses are out,
the fucking tank tops are out. Everyone's feeling themselves. Everyone's

(09:20):
got a little pep in their step. The tulips are
out right, Daniel, you know, it's gorgeous. And I'm walking
around and it's so beautiful. And I'm sitting in the
park and I'm listening to some music and a guy
walks by me and he doesn't tap my shoulder, he
doesn't try to get my attention. He just turns his
phone around to show me that he's listening to fake
Doctor's real friends. And then he taps, and then he

(09:43):
just taps his heart and keeps walking.

Speaker 5 (09:45):
I've burst into tears. So that's so beautiful.

Speaker 1 (09:49):
It was so sweet because he wasn't asking anything. He
wasn't like, let's get a selfie. He was just like
showed me, then tapped his heart and kept moving. I
love that. That's appreciation right there.

Speaker 4 (10:00):
Wow, I loved it.

Speaker 2 (10:01):
We have that's appreciation homes.

Speaker 1 (10:04):
That was That's felt really nice and like, I just
like And also the fact that I was coming home
to do an episode, it just made me feel really nice.

Speaker 2 (10:13):
I'm actually going to record it now.

Speaker 1 (10:16):
Yeah, I'm gonna go do the thing. Wait, okay, go ahead,
you go first, Go ahead, No, you go first.

Speaker 2 (10:24):
I don't want to go ahead, bay, No, I don't
want to, baby, girl. I want you to have your.

Speaker 1 (10:29):
G u r L girl. Did you watch that Tom
Brady roast? My god, that was crazy? Did you watch
the whole thing? I told you to watch the whole time.

Speaker 2 (10:40):
I've just watched, uh what you called segments?

Speaker 1 (10:44):
You just watched.

Speaker 2 (10:45):
But we need to sit down, my wife and I
and watch this ship because this sounds like it's up
my alley.

Speaker 1 (10:51):
It is crazy. I love I never would never want
to be anywhere near one, but I love to watch one.
I like to watch one with my with my hand
over my eyes and with one eye peeking out. I
like to watch a roast. All right, what else you
want to talk about?

Speaker 2 (11:04):
Okay? So there was that second thing is, Look, I've
been in movies before and they have gone on to
do very well, but then when re released twenty years later,
and they don't necessarily perform like they did when they

(11:25):
were released.

Speaker 1 (11:26):
The original What got re released it was the Phantom
Minutscout re released it did fourteen.

Speaker 2 (11:32):
Point five million in the fucking box office.

Speaker 6 (11:34):
Dude, This shit comes from TBS and TNT weekly weekly,
and they put it into fucking theaters and fourteen point
five million dollars was made for Disney.

Speaker 1 (11:48):
Well that's your shows. That just shows how many people
out there are like you, Donald. I'm surprised you didn't,
Oh you don't like one of the movies, But there's
so many people out there.

Speaker 2 (11:56):
It's listen. If anything, it's it's it's it's promising for
fucking movie theaters. If you have product that everybody wants
to see, you can freaking make some movies can still
be released in theaters.

Speaker 1 (12:11):
I think that that's I don't know that that anecdote
is really gonna going to prove that there's that many
properties that can do. Now, it's just the Star Wars,
as you know, is a religion for people like you,
and so it's like making a pilgrimage to the theater
to honor the film. I mean, I don't know that
there's that many films that are going to get re
released and make fifteen million dollars.

Speaker 2 (12:31):
Well, there are a lot of movies that are like
that for people, though, is what I'm trying to say
as well. There are a lot of movies that could.

Speaker 1 (12:37):
Be really on the level of the Star Wars. You know, religion.

Speaker 5 (12:44):
Absolutely, they just did a twenty fifth anniversary release of
the Mummy as well, didn't do Star Wars. Box office numbers.
Was sold out in every theater in my area for
like the three showings they had across the league end.
So I think releases are definitely we'reeeing it like a
resurgency did one for Alien and a bunch of others.

(13:06):
But I don't think we're going to see frequently like
a number two blocks. That's like a Lord of the
Rings Harry Potter sort of.

Speaker 2 (13:12):
That's what I'm trying. There's if it's the right property,
people will definitely go and see like I would see,
you know what I would see in theaters again, I
fucking go see Jaws in theaters. Fucking are you kidding me?
Right now? Are you kidding? That would be fucking dope
to watch right now?

Speaker 5 (13:26):
That was my best film experience ever. I saw it
on a beach in can and it.

Speaker 4 (13:30):
Was, Oh, that's amazing.

Speaker 5 (13:33):
It was wonderful. I love a rescreening, They're great.

Speaker 4 (13:35):
You know.

Speaker 3 (13:36):
To Donald's point about the rescreenings, one of my favorite
events that happens every year, and I think it's mostly
New York and LA, but there's a Jibbly Fest every
year where they re rescreen a lot of the Hyo
Miyazaki library and you can just go and see my
neighbor Totoro. You can see from this moonon. Okay, you
can go see Castle in the Sky in a theater again.
And every time that one of those showings happen, it
happens for like a week or two every year. But

(13:58):
like those showings sell out and it doesn't again, like
those are pretty like totemic in the space of like anime.
He is important, he's a huge director. But like I
think there might be a space for these kinds of
like collection type rescreenings where it may not be one movie,
but like if there was like all, like how many

(14:18):
Jaws are there like three to remember?

Speaker 2 (14:20):
I don't necessarily you know what I'm saying.

Speaker 1 (14:25):
I'm saying if there was like some sort of collection
that might be like a like a Spielberg collection. Sure, yeah, exactly, director.

Speaker 2 (14:34):
Man, that should make a lot of money. Man, I
want to tell you that in theaters again right now.

Speaker 1 (14:40):
I wanted to also tell you that Daniel, because he
delivered a whole setup to in New York. He also
programmed a couple New jams and the sound machine. Donald,
are you ready?

Speaker 7 (14:51):
I want to meet Scrubs and I want to meet
Black Scrubs too, Donald, you have we finally have it.

Speaker 2 (15:01):
I love that.

Speaker 7 (15:02):
I want to meet Scrubs and I want to meet
Black Scrubs too, and I want to eat Black Scrubs too.

Speaker 1 (15:10):
And he also gave me this so I can queue
it on my own. All right, let's get in the show.
What's your third thing?

Speaker 4 (15:22):
Go ahead, all right?

Speaker 2 (15:23):
My third one is this. I know Joe Well has
been watching it because she has it on her chest.
But have you been watching X Men? The new people
out there? Have you been watching this cartoon? What is
it called?

Speaker 8 (15:39):
Yeah?

Speaker 2 (15:41):
This might be the best. This is holy fucking ship, dude.
This is like the best soap opera I've ever watched
in my life.

Speaker 5 (15:48):
Truly, so true life. Watch it.

Speaker 2 (15:54):
No, it's not for kids. This is like the best.
Oh my gosh.

Speaker 5 (15:59):
Crazy doing. I was really really.

Speaker 9 (16:04):
To this.

Speaker 2 (16:04):
Motherfucker. Everything happens to the mutants in this everything. This
is like I can't wait to see how this translates
to the Marvel universe because this is supposed to be
the entrance. This is Deadpool and all of that stuff.

Speaker 1 (16:18):
So they made sort of like an they made sort
of like an R rated cartoon kind of thing.

Speaker 5 (16:22):
You know.

Speaker 2 (16:23):
The cartoon was always like four teenagers meant four teenagers.
When it was on television, I think it was like
eight seasons of the X Men some shit like that.

Speaker 5 (16:33):
Uh yeah, they're six or seven, I think.

Speaker 2 (16:35):
Six or some shit like that, right, And it's a
lot of stories, but it's but it's it's uh, it
was stories that people cared about, you know what I mean.
People followed. Once you followed it, once you were in,
you were in you know what I mean.

Speaker 5 (16:49):
Yeah, for some context, this is in the nineties, this
is around Batman, the animated series, so we see a
lot of like superhero stuff making their way into animation,
which sort of was feeding off the boom of the
movies that were coming out Batman eighty nine and so forth.
And it was great as a Fox show, so it
was a Saturday morning it was actually like it was
geared towards children, but it's definitely fo an older audience.
But yeah, yeah, when Bodameo came back and wanted to

(17:12):
relaunch it, he was like, I'm tired of X Men
always just being about Wolverine. That's boring. Let's do an
X Men ninety seven common comic style show that is
about the X Men. So you get like storm storylines
in here. They turned her into a total badass, gave
her her best costume. Amazing. You get the Phoenix storyline
in a new way. That's fun.

Speaker 2 (17:33):
I didn't know she was a clone.

Speaker 5 (17:36):
She's totally clone. It's great. It's a great It's a
great show, super well written, lots of fun, created by
a black queer person. Very enjoyable. Highly recommend.

Speaker 2 (17:45):
Watch crushing it. I mean it's so easy to watch. Man,
It's like, you know, I didn't think I was gonna
because I wasn't, you know. I watched a little bit
of it, but once it started getting into like Mystique
was the mom of all of these kids and all
of that shit, I was like, this is like everything
happens to the X Men and this ship. They get kidnapped,
they get freaking you know what I mean, everything happens,

(18:08):
but now but this one they got me. They got me.

Speaker 10 (18:14):
She looks so good. It's it's so good too.

Speaker 5 (18:16):
Beautiful animation.

Speaker 2 (18:17):
Yeah, man, yeah, it's yeah. That Invincible. I liked Invincible too,
although this last season was too short.

Speaker 7 (18:24):
I want to meet scrubs. Oh, I want to eat
black scrubs.

Speaker 1 (18:27):
Okay, six seven stories. I'm not sure we made about
a bunch of.

Speaker 7 (18:34):
Dogs and nurses.

Speaker 8 (18:37):
He said, here's the stories, so YadA here yeadare scuff.

Speaker 1 (18:52):
All right, everyone, this is the last episode of JD
in ever in the series Scrups. I noticed that it's
called it's called my last episode, right, Oh no, no, no
it's not. It should be called my last episode. What's
it called, Joe?

Speaker 5 (19:08):
Our stuff gets real?

Speaker 1 (19:10):
Damn dude, Our stuff gets what You should.

Speaker 2 (19:13):
Watch the show.

Speaker 1 (19:14):
It's don't say it's good. Our stuff gets real.

Speaker 2 (19:20):
You want to talk about it?

Speaker 4 (19:22):
Yeah?

Speaker 1 (19:22):
It starts with JD poorly building a crib, and.

Speaker 2 (19:25):
That was fair. I left my ass up because what
the fuck is the wheel doing?

Speaker 1 (19:29):
Why is there a wheel?

Speaker 2 (19:29):
Why is there a wheel?

Speaker 4 (19:31):
Yeah?

Speaker 1 (19:31):
He found the wheel.

Speaker 2 (19:33):
What I'm gonna put the wheel here? This?

Speaker 1 (19:37):
You know, listen, I always wanted long distance walkie talkies.
You know, I think there's an app for your phone
where you can like actually have a long distance walkie talkie.
And I saw I got an ad like for walkie talkie.
This is like a separate unit. That really is what

(19:57):
this is in the show, meaning like you can walk
you talk to someone anywhere in the country. But I
feel like you and I would have so much fun
with that Donald in real life.

Speaker 2 (20:07):
I don't think. I think I would go to bed
with it, and.

Speaker 1 (20:10):
I feel like you wouldn't pick up. If I was like,
come in, we would come Jacobra. What did you call me?
You call me Jacobra and I call you panther Claw.
Come in, panther Claw.

Speaker 2 (20:22):
We'd have so we'd have nothing to say, but so
much to do, and like, what do you do?

Speaker 1 (20:27):
What do you What are you watching?

Speaker 2 (20:29):
I'm watching Aha, I'm watching SOA right now.

Speaker 1 (20:32):
Yeah, And I'd be like, put Casey on.

Speaker 2 (20:37):
He's in here watching Ahsoka Hamshm is in here watching Ahska.

Speaker 1 (20:45):
Him is in here watching the Soka.

Speaker 2 (20:48):
When did she become the freaking the prospector? Watching A?

Speaker 1 (20:58):
He's here watching and now he's watching that new X
Man thing. He sure does love it.

Speaker 2 (21:08):
He sure does love the SPA.

Speaker 1 (21:11):
He loves I can't get him to watch anything but
The X Man Cardoon. I tried to get him to
watch one of those shows where a psycho killer kills
people and it's a documentary series. But he just likes
the Sophi and what she sounds like.

Speaker 2 (21:45):
That's my wife, does not sound like that. I would
never be able to have sex with her, That's what
she said. So much.

Speaker 1 (21:55):
Are you going to give it to me? I sure
would like some D. No, maybe I'm longriffer some.

Speaker 2 (22:06):
D No, you know what I'm alright tonight, honey.

Speaker 1 (22:13):
If you get to talk like that, you can put
on the X Men in the background while you hit
it from the back.

Speaker 10 (22:23):
I couldn't do it, all right, fuck yah, harder.

Speaker 1 (22:35):
Just let me know when you're fixing the bust.

Speaker 4 (22:46):
Oh my god, all right, friends, very handy.

Speaker 1 (23:01):
J D Kid is not handy.

Speaker 2 (23:02):
Okay.

Speaker 1 (23:03):
He gets a long distance walkie talking with Turk, calls
him Jacobra. He calls Turk panther claw.

Speaker 2 (23:08):
Yes, Lucy and Cole is still again.

Speaker 1 (23:12):
We're talking about their sex. Every single episode of the
show opens without fail talking about Cole and Lucy's sex life.

Speaker 2 (23:18):
They're still doing it. She's ashamed, but apparently this dude.
I don't know what it is that the ladies like
because I'm a man and y'all don't ever really express
your ship to me, honey.

Speaker 1 (23:32):
What are you talking about? I think that was meant.
That was like when you when you accidentally post a
d M. I think that was meant for your wife,
But you said it to millions of people.

Speaker 2 (23:42):
Did I do that once?

Speaker 1 (23:44):
No?

Speaker 5 (23:44):
No?

Speaker 1 (23:44):
But did that Barbara Streisand did it?

Speaker 3 (23:47):
Barbara is so funny.

Speaker 1 (23:50):
She meant Yeah. Melissa McCarthy posted a beautiful picture of
herself and I guess Barbara streisand meant to DM her
because she put in the comments like you look so great?
Are you taking a z empic?

Speaker 2 (24:01):
Oh my gosh.

Speaker 1 (24:02):
And then she went and put on her stories like
I'm so sorry, I'm meant to like send that privately
or something.

Speaker 5 (24:07):
Melissa was very chill about it. She was like, I
just love barbarstizing anp. She's barbarizing. He can't be bad.

Speaker 2 (24:14):
No, I was just saying. I was just saying, every
guy believes that they know what women want, but they
don't necessarily do, and we'll not like women are given
the secret out. That's what I was saying.

Speaker 1 (24:23):
I think it's safe to say that Dave Franco must
be skilled in bed. I mean, sorry, not the character Cole. Yeah,
I mean I'm sure Dave franco is too. But the
character Cole must be good in bed because Lucy really
puts up. He has nothing about him. He's handsome, nothing,
he's very handsome. There's nothing redeemable about him.

Speaker 2 (24:40):
Nothing.

Speaker 1 (24:41):
I thought through this deep into the season he was
going to start becoming more likable.

Speaker 2 (24:47):
No, I mean, at least he's trying now, though, at
least he's trying. He's trying to be a better student,
you know, even though he's he's piggybacking on what everybody
else is doing so he can get his jet ski
and stuff like that.

Speaker 1 (25:00):
He wants to get a jet ski. That's his only motivation.

Speaker 2 (25:02):
But he's at least he's trying, you know. I mean,
I don't know, man, I don't get it. I would
have thought by this point there would be some redeeming
something about the character. Yeah.

Speaker 1 (25:13):
The only thing I know about him, the only thing
we really know about him, it's pretty you know, is it?
Lucy loves having sex with them. In fact, we know
that they learned they had sex twice this morning before
coming to class.

Speaker 2 (25:23):
Right, She's very communicative as a lover, you know what
I mean? Because he knows and she knows exactly what
they want. It's really weird for somebody to hate somebody
so much but give them that much information about what
gets them. I don't know, man, it really makes no

(25:45):
sense that the relationship that I really like in this
show is fucking Drew and Denise. Man. That like, even
the whole thing with them getting caught kissing and him
and Cock saying, you know you guys are I need
somebody who's going to be my confident on who I
can talk to and not say anything, just let me talk.
And they do the whole nose thing and she's late

(26:05):
with it in the closet. I really enjoyed that, and
he escapes it. She's like, you're dead to me. I
like that. I thought that was such a I find
their relationship refreshing. I wish that the stories revolved around
them more than it did around Cole and Lucy, because

(26:25):
all they talk about is sex. That's it. That's their relationship.
Let's take a break.

Speaker 1 (26:30):
We'll be right back after these fine words. We should
tease the audience, doyals. That's what good podcasters do. We're
gonna have both Carrie Bsha and Eliza Coop on the
next episode, Right, Joe.

Speaker 2 (26:51):
I just saw Carrie BChE and Madam Webb.

Speaker 1 (26:55):
She's in it.

Speaker 2 (26:56):
She plays the mom, she has his mom. No, she's
not Peter Parker, she's Madam Webb's mom.

Speaker 5 (27:02):
Oh, she's in the jungle with spiders.

Speaker 1 (27:05):
Yeah, she's the one in the jungle with the spiders.

Speaker 2 (27:08):
She's the one with the monologue in the beginning.

Speaker 1 (27:11):
What is the what is the line exactly in the
in the jungle with his shit?

Speaker 5 (27:15):
It's so long, hold on.

Speaker 1 (27:17):
Just find it. We need to reference it. So Carrie
Bosche is actually the person that's being discussed in this sentence.

Speaker 5 (27:23):
Yes, he was in the Amazon with my mom when
she was researching spiders, right before she died.

Speaker 1 (27:30):
So Carrie Boscha is the mom that was researching spiders. Yes,
good for her. Well, she's coming on the show with
Eliza Coop Donald. You're not showing much enthusiasm about this.

Speaker 2 (27:40):
I can't. I just said I saw her on Madam Webb.
What are you talking?

Speaker 1 (27:43):
No, but let me let me try it. Let me
take where I tell you that they're coming on.

Speaker 2 (27:48):
Okay, go all right.

Speaker 1 (27:49):
You represent the audience we want to like in this scenario,
you have to like react and I want to announce
something very exciting.

Speaker 2 (27:55):
Uh.

Speaker 1 (27:56):
Next episode we have both Eliza Coop and Carrie Bash.
Holy shit, yep, got I got a lot of yep, yep.

Speaker 2 (28:07):
I'm tuning in in the next episode.

Speaker 1 (28:09):
Your acting was as good as this.

Speaker 2 (28:11):
You haven't gone the live I thought. I thought I've
grown a bit. No, you crusted thrown a bit.

Speaker 1 (28:19):
Anyway, it's gonna be fun to talk to Eliza and Cabouchet.
I'm so glad we worked that out.

Speaker 2 (28:23):
That's great. I would love to hear how they feel
about this season of Scrubs, what their experience was, because
they were very I felt like they were very clique
like the younger cast, because I didn't get invited out
like back in the day when we used to go out.

Speaker 1 (28:39):
Zach, Well, we can bring that up. We can bring
it up and say, why did you guys not invite
Donald to your young people hangouts?

Speaker 2 (28:45):
Yeah? I was only thirty.

Speaker 1 (28:47):
Yeah, you were probably over it. They were they were
being young people and you were probably like, I'm going on,
I was only thirty, like eight, did you did you
have times where you felt like all the kids are
all going and they didn't invite thirty five?

Speaker 2 (29:04):
Yeah, you know, I don't care, man, you know I do.

Speaker 1 (29:07):
I want to bring it up with Kerry. Fuck is man,
I'm going to bring it up with them.

Speaker 2 (29:12):
Because I don't like going out no more anyway, So
fuck them, you know what I'm.

Speaker 1 (29:15):
Saying, right, Yeah, Okay, it feels like something you might
want to work out with them. Cole gets a jet ski.
The kids all have to this med students have to
dissect the chamber of the heart that's going to be
their the one of their final exams.

Speaker 2 (29:29):
And this actually, this episode actually goes all the way
back to the first episode with Ben, the her Lucy's
first patient, which is weird because she shouldn't have a patient,
but her first patient was this man Ben, And it
also is the cadaver that she's experimenting on and dissecting.

Speaker 1 (29:51):
And I don't know if you would ever have a
cadaver that was one of somebody you dealt with. I
don't know if that's a real thing or not.

Speaker 2 (29:57):
I don't know. I don't know. The I mean, it.

Speaker 1 (30:00):
Feels like feels like they wouldn't do that too, Like,
here's the guy who died when you first got here,
Now dissect him. But it's good for TV drama.

Speaker 2 (30:09):
Yeah, I liked it. I actually liked this too, that
the dead body came back to life and was having
conversations with her. I thought that was kind of cool.
I didn't like the fact that the dead body was like,
please don't hurt me, and all of a sudden started
whining and bitching. I thought it would have been better
if it was like, Nope, that's not it, or you
know what I mean, or something like that, but.

Speaker 1 (30:29):
Or if he was like, come on, you gotta do this,
like talking or into doing it.

Speaker 2 (30:33):
Right exactly, but instead the body, it starts off where
Ben is like, you can totally do this. We're gonna
we're in this together, and then all of a sudden,
don't cut me, Please don't cut me open, and she
can't do it, and it just didn't. But I liked
the idea of her being able to talk to the
first person she met when yea, the first sick person

(30:57):
she met when she was in the hospital as a
student for the first time.

Speaker 1 (31:02):
JD really wants pregnancy sex and he's limbering up for it. Uh,
loose limbs make limber lovers, is what he's saying as
he stretches loose, loose limbs, make limber lovers, and he's
put rose petals all over the place. I don't stretch

(31:22):
before copulation.

Speaker 2 (31:24):
Do you No?

Speaker 1 (31:26):
Maybe I should try it.

Speaker 2 (31:27):
I wonder, I wonder after a nice little yoga.

Speaker 1 (31:31):
Yeah, but I'm not. You know, when you get in
the mood and it's happening, you're not like, hold on,
let me stretch.

Speaker 4 (31:39):
It might. It might.

Speaker 2 (31:40):
That's how it works.

Speaker 1 (31:42):
You might ruin the mood. How hold on, Let me
just get my just want to get my quads, Let
me get my.

Speaker 2 (31:51):
Hammies, let me get Okay, okay.

Speaker 1 (31:55):
Okay, pull on that, babe, pull on that. Okay, I'm ready.

Speaker 2 (31:57):
There we go.

Speaker 1 (31:59):
Track my back? Can you crack my back?

Speaker 2 (32:02):
Right?

Speaker 1 (32:03):
But she swats away the rose pedal. She doesn't care.
She's not paying attention to any of the romantic gests. Beef, yeah,
she's eating just beef. What is it, Cambodian food.

Speaker 2 (32:13):
A Cambodian beef salad. There's no greens in it, it's
just beef. Yeah.

Speaker 1 (32:18):
And she says that he can't touch her boobs because
he tries to go in from the top and she's like,
no boobs, And she's like, don't touch my thighs because
they're chafing. She's really not in the mood.

Speaker 2 (32:29):
Not only is she not in the mood, but she
makes it so that he's not in the mood.

Speaker 1 (32:32):
Really, he's still in the mood. And she offers him
the beef salad and he's like, no, thank you, I've
already had diarrhea.

Speaker 2 (32:39):
Let me hold your hair back.

Speaker 1 (32:43):
No thank you, I've already had diarrhea. Yeah, I mean,
Elliot's certainly not making she's making it clear that she's
not interested in sex with JD.

Speaker 2 (32:57):
Well, she's just not she doesn't feel sexy. She has
She's not saying she has one to with JD. She's saying,
I don't feel sexy, is what she says.

Speaker 1 (33:03):
Right now, that's pretty far into I mean, she's about
to pop. Is there is there any when you've had babies?
Is there any like time where you're supposed to stop
having sex or you can have sex right up to
sex whenever you want, oh, right up until the end.

Speaker 2 (33:15):
Yeah. They never say, actually, du semen from your your
semen is? Uh. I don't know the is, but apparently
it does something. I don't know a doctor, I'm a
fake doctor, exactly I know.

Speaker 1 (33:28):
But I want to hear. But that has well, we
can google it. That's why we have Daniel and Joel
to look.

Speaker 2 (33:34):
Up someone them to go into their Google the seaman.

Speaker 1 (33:37):
Now this is in pornographic, it's informational for the audience.
So someone listening now is very pregnant and they're wondering
how long can I have sex up until and then
apparently you're telling people that the semen is good for
making the baby come out.

Speaker 2 (33:51):
No, I don't know if it's the I don't know
if that's what it is, or if.

Speaker 1 (33:54):
It's maybe just the intercourse helps loosen up the area
and the baby.

Speaker 2 (33:58):
Can't and relax m or some shit like that that's released.

Speaker 1 (34:02):
My guess is that if the baby's ready to come out,
having sex, you know, makes things wriggle around. Gohead, Joel.

Speaker 5 (34:11):
Okay, so this is from parents dot com.

Speaker 1 (34:13):
Now we trust them.

Speaker 5 (34:17):
Some experts believe semen and spur may be able to
help prevent preclampsia and even decrease morning sickness.

Speaker 1 (34:24):
Yes, really, wow, Well there.

Speaker 2 (34:27):
You got a seed in the morning.

Speaker 1 (34:31):
I prescribe some semen.

Speaker 2 (34:34):
Are you having morning sickness?

Speaker 1 (34:37):
Do you want to imagine can imagine you go up
to your wife, she's like puking the toil, Like, honey,
you know what it says on parents dot Com. I
don't think it's honey. I know that you're puking right now.
And this may seem crazy, but look at this, parents,
I'm just gonna put this parents dot Com article in

(34:59):
the bowl in front of you.

Speaker 2 (35:02):
Feel free.

Speaker 1 (35:04):
Yeah, I'll scroll for you, honey, since you're using both
hands to cup the bowl, I'll just scroll.

Speaker 2 (35:10):
Well, look at that.

Speaker 1 (35:12):
I don't want to do it. I personally don't want
to do it. Joell, Can you also look up if
if I thought I heard the intercourse itself? Can like
if you're really ready to go and really read a
pop and you're trying to get labor inducing labors the term.
I was looking for that too.

Speaker 2 (35:28):
I did a whole movie where there was a scene
in it where the couple bangs to try to induce labor.

Speaker 1 (35:38):
It doesn't work, though, Okay, okay, you all go ahead again.

Speaker 5 (35:42):
Parents dot Com really coming through for us.

Speaker 1 (35:44):
I love them. It's where I go. It's where I
go for everything, and not even just this.

Speaker 5 (35:49):
They have all the good information there, so they say
experts generally agree that having sex will not kickstart labor
if your body isn't ready. But if your body is
already preparing for labor, whether you know it or not,
it may help things along by supporting the changes that
are already in progress. It may also help prime the
body for labor.

Speaker 2 (36:07):
Everybody wants to be primed for labor.

Speaker 1 (36:09):
Yeah, I think it's good. I think it's probably good
for priming the body for labor. Prime, prime for labor,
Prime for labor.

Speaker 2 (36:21):
Baby, Okay, let's get ready.

Speaker 1 (36:24):
I just want to know if you would ever say
to Casey, Casey, are you ready to prime for labor?

Speaker 2 (36:32):
No, because we ain't having no more kids?

Speaker 4 (36:34):
Really?

Speaker 1 (36:35):
Oh you got tied up. Listen, man, did you get
you tied it up?

Speaker 2 (36:39):
You tied it up.

Speaker 1 (36:39):
I love my children, Yeah you do.

Speaker 2 (36:43):
I don't want any more of them.

Speaker 1 (36:45):
I know you did a double knot in your vast deference.

Speaker 2 (36:50):
And I don't want anymore and I know anymore. Listen. Yeah,
they turn on you.

Speaker 1 (37:00):
Their kids turn on you.

Speaker 2 (37:01):
Hold on.

Speaker 1 (37:01):
Let me write this.

Speaker 2 (37:02):
Listen, write it down, parents.

Speaker 1 (37:03):
I'm writing down.

Speaker 2 (37:04):
I got a parents, young parents who are hugging their
children listening to our podcast.

Speaker 1 (37:09):
Right and they think there and they think their child
is sweet.

Speaker 2 (37:11):
And they think it's wonderful. Look at look at your child.

Speaker 1 (37:15):
Okay, I'm gonna just do I'm gonna hold this stuff down.
I'm gonna hold my water bottle and pretend I'm looking
in the eyes.

Speaker 2 (37:20):
Look at the child. Know that that child, that beautiful,
sweet little baby that's in your arms right now.

Speaker 1 (37:28):
Hold on, I'm pretend I'm breastfeeding it.

Speaker 4 (37:29):
Go ahead.

Speaker 2 (37:30):
Oh god, it's gonna one day tell you to shut up.
Oh tell you, Oh God, you make you you You're
so annoying. It's gonna say some of the most meanest things.
I never loved you. I hate.

Speaker 1 (37:46):
Oh this is horrible.

Speaker 2 (37:48):
They're gonna turn on you. Wow and your spouse.

Speaker 1 (37:53):
Wouch. Are there any positivest having a child?

Speaker 2 (37:56):
They're so cute?

Speaker 1 (38:00):
You can take them to Disneyland.

Speaker 2 (38:02):
You have a Yeah, you have a reason to go
to Disneyland.

Speaker 1 (38:04):
All right, we're gonna take a break. When we come back,
we're gonna talk more about the TV show Scrub.

Speaker 7 (38:09):
I want to meet Scrubs, and I want to meet
Black Scrubs too.

Speaker 2 (38:21):
Don't don't, don't, All right, circle gurgle. I missed those days.

Speaker 1 (38:25):
Elliott has a plan for post pregnancy. She's got a
whole system. She's telling who is she telling that to?

Speaker 2 (38:30):
Uh, Denise's telling it to Denise, and Denise is like,
let's next time we go around, maybe you don't talk anymore.

Speaker 1 (38:40):
Yeah, So she's giving her all this. She's got everything,
like Elliott, neurotically planned out for when she's gonna have
sex and when she's gonna have postpartum, thinking that she's
got it all under control. There's an old couple that
are both have cancer and are terminal and are kind
of competing with each other for saying whose cancer is worse.

(39:00):
Jordan comes to the hospital very upset, and.

Speaker 2 (39:03):
Jordan for the first time this season.

Speaker 1 (39:05):
Yes, well they were across at another stage making Cougartown,
so this you're right, this is the first time that
Jordan's come to the season nine. Yeah. Anyway, she wants
Cox to make sure he does his will, and she
wants everything and because.

Speaker 2 (39:22):
It would have been better, I think they would have
been better if Lucy and Denise, I'm sorry, if Denise
and and uh Drew were around for the Jordan return situation,
so that they could see what they look like and
see the parallels and everything like that.

Speaker 1 (39:42):
That's funny.

Speaker 2 (39:43):
And they and they didn't, and I think they missed
that opportunity. Drew was there, but Drew didn't find her
attractive or anything like that, And I think he should
have found everything that she was saying to.

Speaker 1 (39:52):
Cox, Oh, that's clever, you know what I mean.

Speaker 2 (39:54):
That should have been like, holy shit, dude, your wife
is hot, you know what I mean.

Speaker 1 (39:58):
I Meanwhile, they had Cole there, who right, isn't Cole
there or is that later?

Speaker 2 (40:02):
Yeah, col Cole is there. Cole's there too, but he's
the one that comments on how hot I.

Speaker 1 (40:09):
See Cole is attracted to her. Yeah, and then she's
like saying, I know your your mom's a hoe. I
know her because they're all from like old money. All right, Todd,
here's the JD. JD is telling Turk and Todd that
he's not going to have sex for the end of
the pregnancy, and Todd's like, he doesn't take it well,

(40:30):
he can't fathom, he doesn't understand what's happening. And he
goes She's she's you mean she's gonna watch while you
do other chicks.

Speaker 4 (40:37):
Yeah.

Speaker 1 (40:38):
JD's like no, no, Todd neither one of us is
going to be having sex. And he's like, I gotta
take a walk five and then and then Turk's like
he's not handling it well.

Speaker 2 (40:52):
He didn't handle it well.

Speaker 1 (40:54):
And then they're told that. JD says that he's told
that he can have normal sex in six weeks. That's
what I assume the gynecologist has told him. Is that
what you were told when you had your babies.

Speaker 2 (41:08):
No, it was told don't have sex immediately after because
she is very, very, very It's not because she's going
to get hurt or anything like that. It's because there's
a chance she's going to get pregnant again, a high
chance you'll get pregnant again at this moment.

Speaker 1 (41:24):
Really, I never knew that. I never knew that. I
thought it was because, like I imagine, obviously someone is
very sore.

Speaker 2 (41:32):
No, you could be you can, you can theoretically have
sex after you deliver.

Speaker 1 (41:39):
That's like Irish what do they call that? Irish twins?

Speaker 2 (41:41):
Irish twins.

Speaker 5 (41:42):
Yeah, they're born in the same year, not the same
year really, yeah, yeah, yeah, the same calendar year.

Speaker 1 (41:51):
That's how you would have an Irish twin, I guess.

Speaker 2 (41:53):
Yeah, So like if you're born in January and then
your brother is born in October or December.

Speaker 1 (42:01):
Right or November. I like when he's going through the
sex games they have, he says, you mean we can't
play me girl, you boy. That's one of their sex games.

Speaker 2 (42:15):
Yeah, they played sex No.

Speaker 1 (42:19):
I thought you boy, no, but I thought it was
I thought it was more like like gender swapping. Like
JD's saying they have a sex game where he's like, me, girl,
you boy, that's not what you thought.

Speaker 2 (42:35):
So you get so JD gets pegged.

Speaker 1 (42:37):
Yeah, maybe he gets pegged or she's sicking digits in there.
I don't know, but I just know that, like it's
a gender thing.

Speaker 2 (42:43):
Hm hmm.

Speaker 1 (42:46):
You didn't say receiving like that's.

Speaker 5 (42:47):
No, That's exactly what I thought. I was like the
way for JD to phrase this, because he doesn't say
it with like a caveman like, you know, stereotypical dialect
that we think of.

Speaker 10 (42:56):
It was like me.

Speaker 1 (42:58):
Girl, you boy.

Speaker 5 (42:58):
I was like, are they swapping?

Speaker 2 (43:00):
It sounds like it sounds like, but doesn't that sound
cave man ish?

Speaker 8 (43:04):
Me?

Speaker 2 (43:04):
Girl?

Speaker 1 (43:04):
You? It could be both. It could be both. Why
can't be both?

Speaker 2 (43:07):
Why? And as a question after it too me girl,
you boy.

Speaker 1 (43:12):
Yeah, they don't know. Oh you're saying that's why you
thought it was cave Man. Yeah, that's funny. I read
it as it is, like they have many sex games,
and one is that they switched chenders.

Speaker 2 (43:26):
That probably that probably tracks a little bit better than
cave Man. But okay.

Speaker 1 (43:31):
JD says that he's racing against the clock like Harrison
Ford in some kind of Harrison Ford movie.

Speaker 2 (43:37):
Yeah. I thought that was pretty.

Speaker 1 (43:38):
I thought you'd like that because you love all things
Harrison Ford.

Speaker 2 (43:41):
And he does race against the clock a lot.

Speaker 1 (43:43):
He's good at racing against the clock.

Speaker 2 (43:45):
He's very good at racing.

Speaker 1 (43:46):
There's nobody better at racing against the clock. I mean,
who's better racing against the clock.

Speaker 2 (43:52):
Liam Neeson can the race against the clock. Liam Neeson's
could race against the clock also, and so can Bruce Willie.
Bruce Willy could race against the clock pretty well, Diehard,
Bruce Willy could race against the motherfucking clock. The planes
were about to lose gas in the sky, No petrow.

(44:15):
It was about terrain planes across the United States of America.

Speaker 1 (44:21):
Which which which movie you're talking about?

Speaker 2 (44:23):
Diehard too?

Speaker 1 (44:25):
Oh, I only know Diehard one.

Speaker 2 (44:27):
Oh, Diehard two is good too? Really, Diehard two is good?
Is good?

Speaker 1 (44:33):
Three is not good? Diard three? Which one is the
one where they where they has to walk through Harlem
with the sign Diehard three. I don't remember liking that one.

Speaker 2 (44:43):
Oh, you got to go back and watch it. It's
better than the ones after that because then he becomes
a freaking superhero.

Speaker 1 (44:47):
Wait, they may die Head four.

Speaker 2 (44:50):
Yeah, look there's one with him and and justin Long
that I actually like a lot. I think one's that
Live Free die Hard.

Speaker 1 (44:59):
I think die Hard two is the one that you're
talking about, because Diehard three with a vengeance?

Speaker 2 (45:04):
Right. Die Hard two is the plane Okay, it is
all right. Diehard two is the planes. Die Hard one
is the taka Gnomi Plaza Pato sorry, knockatomy.

Speaker 1 (45:17):
Plazatomy plaza in Century City.

Speaker 2 (45:21):
Diehard two is the planes coming down.

Speaker 1 (45:24):
You drive through Century City, right, every time you drive
through Century City, don't you think there's nochotomy plaza?

Speaker 2 (45:29):
No, because there's so many freaking buildings now.

Speaker 1 (45:31):
No knocking tony plaza stands out.

Speaker 2 (45:33):
Which one is it?

Speaker 1 (45:34):
It's the one that looks like.

Speaker 2 (45:38):
Okay, which one do you know?

Speaker 1 (45:39):
Which I don't know the real name is, but they should.

Speaker 2 (45:42):
You know what building it is when you're driving by
that the dude jumps off the building that they jump
off the.

Speaker 5 (45:47):
Building a big red hotel.

Speaker 2 (45:50):
It's the white one.

Speaker 3 (45:51):
That's not the point. The point is the building in
die Hard is super iconic. Yes, and no, I can't
recognize it.

Speaker 4 (45:59):
Are you serious?

Speaker 2 (46:00):
I don't.

Speaker 1 (46:01):
I can't recognize it. Listeners, When you drive through Century City,
if you're going to visit l A, there's not much
street is it on?

Speaker 2 (46:07):
What street?

Speaker 5 (46:07):
Is it on?

Speaker 1 (46:08):
Century? Century Park East? Type thing?

Speaker 2 (46:10):
Okay?

Speaker 1 (46:12):
I mean it's on. There's only two major streets there,
Avenue of the Stars and Century Park East. And I'm
telling you, listeners, if you if you visit LA you're
gonna want to drive through Century City solely to seek
not Gonzi Plaza.

Speaker 2 (46:25):
I know exactly where it is. Actually, I take it back,
do do do?

Speaker 5 (46:29):
Do?

Speaker 2 (46:30):
Take it back? I take it back.

Speaker 1 (46:33):
Well, I just want to say that I drive through
there all the time and I've never once gone not
thought there's Nochntell Plaza. They should rename it Knockings Plaza.

Speaker 4 (46:46):
All right.

Speaker 1 (46:46):
So the idea of a baby moon is introduced, JD
is a fantasy. It's really lame. Think of two babies
on a honeymoon on a green screen.

Speaker 4 (46:57):
Boo.

Speaker 1 (47:00):
It's sad that JD has to go out with a
fantasy like that. JD's last fantasy is that well.

Speaker 2 (47:06):
Also, Cole suggests a baby morn. He also suggests that
jazz makes babies gay.

Speaker 1 (47:12):
Yeah. I don't know why they chose jazz to make
babies gay. I mean, it's such a non PC twenty
twenty four humor. But if you were gonna have to
choose one with a gun to your head, I don't
think it would be jazz. Why because why is jazz?
I mean I can understand the jokes. Abby's joke would
be musical theater or like you know, like you know,

(47:35):
I will survive. I don't know insert a song here,
but jazz. I wouldn't have choosed jazz.

Speaker 2 (47:41):
Would you have chosen? What song? Would you have?

Speaker 1 (47:44):
First? I was afraid? I was petrified.

Speaker 2 (47:48):
Is that a gay song? I don't think that's why.

Speaker 4 (47:49):
I think it's like A.

Speaker 1 (47:50):
Isn't it like A? Isn't it like I would think.

Speaker 2 (47:52):
I'm coming out? I won't through the world too.

Speaker 5 (47:57):
No, I don't know also a very queer anthem. I mean,
pick a disco song.

Speaker 1 (48:02):
I was going to say disco would be the era
that I would associate. Well, I wonder what's the most
popular jowell. Can you google what is the most popular
song for drag performers to sing?

Speaker 2 (48:13):
I bet it's queer anthem? What is the queer asking.

Speaker 1 (48:17):
Two separate questions. One is what's the most popular queer anthem?

Speaker 4 (48:21):
And one is the.

Speaker 5 (48:23):
Amazing it's the queer anthem of last year, Kylie Minogue
dropped the new song and it's just very fun and
very gay.

Speaker 1 (48:35):
Or can you tell us another popular queer anthem this year?
Just let me know if it's this what you're trying
to get into one day, what you're trying to do.

Speaker 2 (48:46):
I like that that that's a pretty queer anthem.

Speaker 1 (48:48):
I wish someone remixed that and make it a queer anthem.

Speaker 5 (48:51):
That would be amazing. I invite our fans to make
that a queer anthem.

Speaker 1 (48:55):
Yeah, if you're one of our fans who knows how
to make a queer anthem, you should remix this.

Speaker 2 (49:00):
Everybody likes a little ass flay. Don't even act like
you don't, all right, I will say this one of
my favorite songs ever, and I think it's everybody's favorite song,
but I feel like this was a queer anthem at
one point. It's one of my favorite songs ever. Dancing
on my own, It's one of my favorite songs ever made.

(49:20):
It's one of the best songs ever made in the
history of songs.

Speaker 1 (49:23):
Dancing on my own? Who sings that?

Speaker 2 (49:26):
It's literally one of the best. If you listen to
the lyrics.

Speaker 9 (49:28):
I just want to dance all night. I'm all messed up.
I'm so out of line.

Speaker 2 (49:42):
That's the fire.

Speaker 6 (49:44):
Come on now, still letters and brokecking bottles.

Speaker 2 (49:49):
I'm spinning it around in circles.

Speaker 1 (49:53):
That's a queer anthem.

Speaker 5 (49:54):
Joelle Robin is a queer like icon artist, so like folks,
she have songs in the same way. I kind of
a Nogue or Britney Spears or Madonna drops the song.
The gays are gonna check in.

Speaker 2 (50:07):
That song as old as fuck, that song is like.
That song is like almost ten years old, and for
like years, for years, that shit pops on the radio
and you see everybody, I don't care where you are,
you could be in the motherfucking gap.

Speaker 1 (50:22):
What happens when you hear the gap, you start dancing.

Speaker 2 (50:25):
That shit is fired on your own?

Speaker 1 (50:26):
Do you dance on your own?

Speaker 2 (50:27):
You dance on your own?

Speaker 1 (50:29):
Joelle? Can you do another anthem? Another queer anthem that's
very popular?

Speaker 5 (50:36):
Sure, Madonna's Vogue is probably one of the most popular.
Janet Jackson's Together Again is actually dedicated to queer friends
of hers who died during the AIDS epidemic. So that's
like a really good one. What's a Hero Hero by
Mariah Carey also very popular?

Speaker 10 (50:54):
Real anthem?

Speaker 2 (50:55):
Yes, and then a hero comes alone.

Speaker 5 (50:58):
You can see the drag queens performing on a ready.

Speaker 1 (51:00):
Right, all right?

Speaker 2 (51:02):
Have you ever been to a drag shows? Ach?

Speaker 1 (51:04):
No, but I actually drew by it. Why are you
yelling at me?

Speaker 5 (51:07):
I'm so sorry I've never been.

Speaker 1 (51:12):
Why didn't you invite me?

Speaker 5 (51:13):
The Hamburger Mary girls would love you?

Speaker 4 (51:15):
Oh wait?

Speaker 2 (51:16):
I want to want to rage. I want to rage
one back in the day. Rage doesn't exist anymore, I
don't believe.

Speaker 1 (51:23):
So there's no reason for you to be this upset.
Don't get this upset about rage closing. Calm down.

Speaker 2 (51:29):
It was a staple in West Hollywood.

Speaker 1 (51:31):
And I know we went there for research for Broken
Hearts Club.

Speaker 2 (51:34):
It's the only gay club that I had been in
well that I know that I've been other than the
Abbey in Hollywood.

Speaker 1 (51:41):
I went with Dean Kine, Andrew Keagan, Billy Porter to
to Rage Amazing. It was hilarious.

Speaker 2 (51:49):
Did you ever go to the Abbey?

Speaker 1 (51:51):
Yeah, I've been to the Abbey, but Hamburger Mary's. Sorry
audience for if you're confused. These are all West Hollywood,
Uh spots along Santa Monica Boulevard. Now, I've passed that place,
and they have they have a drag brunch. I believe
right because I just hosted it.

Speaker 5 (52:07):
It's very fun.

Speaker 1 (52:08):
Really, I would love to go to. Well, why don't
you do Why don't you organize a fake doctor's real
friends field trip to to a drag brunch?

Speaker 4 (52:16):
Wow?

Speaker 5 (52:17):
Okay, you asked for this object. I'm very excited.

Speaker 2 (52:21):
About love that, right, I would love that. Are you
kidding there?

Speaker 1 (52:27):
All right, we should probably take a break, and we
should probably keep going with the show because we're off
on so many tangents today. We'll be right back after
these fine words. What you're trying to get into a
day show, what you're trying to do, and we're back

(52:52):
all right, continue on the show. All right, So Cole
doing Edward scissor Hands right, because I don't know why
he's doing Edward scissor hands.

Speaker 4 (53:00):
I like that.

Speaker 2 (53:01):
I like that he got to the fine tuning at
the end with the let snip, snip and the snip.
Just it's ready now.

Speaker 1 (53:10):
Yeah, mahoney, Denise will be Cox's sounding board because he
wants to rant to her. Missus Foster dies. They were
married for forty seven years and Elliott cries at the
thought of Cox dying at the very thought. Sarah's very
good with that spontaneous tears.

Speaker 2 (53:28):
That shit was very funny, and she got really emotional
and she got angry face cry too, and that was
very funny.

Speaker 1 (53:34):
She always she said that, you know, back in the
day she has had to listen to a sad song,
but now she can do it without even listening to
a sad song. She just thinks about the right thing.

Speaker 2 (53:44):
Yeah, it's when when you have kids.

Speaker 1 (53:47):
Yeah, I imagine that you just think about.

Speaker 2 (53:49):
Things that you can think about that are like and
it's not even about them, it's about you letting them
down and automatically.

Speaker 4 (53:56):
Yeah.

Speaker 1 (53:57):
Well, Turk and Jad keep playing hide and Seek with
the walkie talkies. JD is a doctor, but he refers
to birth as right before your baby comes out of
your special area. Lucy can't cut Ben, She's afraid. Cole
says the jet ski is the motorcycle of the sea.

Speaker 2 (54:16):
I thought that was funny, Elliott says, noted a baby moon. Yeah,
I thought she'd be into it.

Speaker 1 (54:24):
She doesn't want it, And the answer is the worst
thing ever. Let's have the baby moon in the hospital.
Who'd ever want a baby And it's not even like
in a private room, it's like in like it looks
like the smoking area.

Speaker 2 (54:36):
I remember me and Michael Mosley doing loving You Is
he easy because your beauty for your baby moon and
him playing the guitar and me singing that Elliott and.

Speaker 1 (54:56):
Or maybe they couldn't afford it or something.

Speaker 2 (54:58):
And they cut it and now there's something else there. Oh,
I do remember that.

Speaker 1 (55:03):
That's definitely not in there.

Speaker 2 (55:04):
That's definitely not in there.

Speaker 1 (55:06):
Cox says a wife cannot hear logic from her husband.
It must come from a friend, a stranger, or oprah.
I thought that was funny.

Speaker 5 (55:15):
Donald, Is that true?

Speaker 1 (55:16):
Donald? Is that true?

Speaker 4 (55:18):
No?

Speaker 2 (55:18):
I don't think my wife necessarily agrees with what Oprah
has to say, maybe what Beyonce has to say, but
not necessarily what Oprah got to say.

Speaker 1 (55:25):
But do you think that she can hear logic from
a friend, a stranger or Beyonce better than you?

Speaker 2 (55:31):
Fuck yeah, she don't even got to know, right, a stranger. Yes,
the stranger could be like, Yo, that seemed pretty fucked up,
and she'd be like, did it? Fuck? I gotta go
fucking apologize to him.

Speaker 1 (55:49):
I hate him, but I love him.

Speaker 2 (55:51):
But I did laugh at this, you know, in the
part and Can't Buy Me Love when it opens with
Patrick Dempsey and you're like, Elliott, do you think there's
a Patrick Dempsey movie I haven't seen. Fuck yeah that well,
first of all, can't buy Me love? Because it can't
buy me love. I went on a tangent and watched

(56:11):
a bunch of different Patrick Dempsey movies. There's one where
he was like a pizza delivery guy and and he
becomes a hold Yeah, same thing.

Speaker 1 (56:23):
Yeah, I don't think I ever saw that one, but
he's like a Jiggielow pizza man.

Speaker 2 (56:26):
Yeah, there's one of those. And then there was what
else was there? I'm trying to think that he do action.

Speaker 1 (56:33):
Don't you think I know the pats Should Dempsey catalog
as well as he did.

Speaker 2 (56:37):
It was always like a romantic comedy. But the best
one by far is Can't Buy Me Love? That one
to this day, Cindy Mancini and Ronald Miller will go
down in history as one of my favorite high school movies.
It's up there with all of the John Hughes movies.
Which movie Can't Buy Me Love? Okay, Gerardo's in it?
Rico Suave, the Motherfucker's in it. There was three of them,

(57:01):
Anthony Michael Hall, John Cryer, and Patrick Dempsey. Patrick Dempsey
was more of the geek to sheet dude always, but
John Cryer and Anthony Michael Hall as youths, you always
like the outcast.

Speaker 1 (57:20):
Elliott watches anime pornography.

Speaker 2 (57:23):
She watches like Legend of the Legends of the over
Fiend and shit like that. She watches crazy.

Speaker 1 (57:28):
Dark What's Legends of the Overfiend?

Speaker 2 (57:30):
You gotta this is something when I was a kid,
and it's anime porn. It's not really porn, but it's
like porn. Man, It's like it is porn but it's
not porn. There's a I don't know how to it's
like a demon, but the demon is like this sect.
Just look it up, Legends of the Overpiend. It's nothing
you can I think it's even R rated or NC seventeen.

(57:54):
But because it's it's like the demon turns into a
freaking penis hand and shoves it in a woman's mind.
Like it's crazy.

Speaker 1 (58:02):
Dude, how do I spell overpiend?

Speaker 2 (58:05):
I have no idea. I think over and then fiend.

Speaker 1 (58:09):
Oh, Legends of the over Fiend. Okay, let me just
see what's happening with this. Have you seen this?

Speaker 5 (58:17):
I don't know anything about this. This is outside of
my wheelhouse.

Speaker 2 (58:20):
It's a long time ago. This is when I was
very I'm like ninety two.

Speaker 1 (58:23):
Well, it's on YouTube. It can't be pornographic. If it's
on YouTube, WHOA.

Speaker 5 (58:29):
Pieces on it and can if the censors didn't, can
I catch it?

Speaker 4 (58:35):
Oh?

Speaker 1 (58:35):
This is like interviews about it. But when I was
and here it is the anime you should not have watched.

Speaker 2 (58:46):
Okay, that's probably what fucked me up. That's probably what
fucked me up.

Speaker 1 (58:51):
Oh yeah, I can see why this could be. This
could be twisted. So you think this is what Elliott's watching?

Speaker 2 (58:58):
Yes, Oh, I got to whoa, yes, exactly exactly, Yes,
did the arm turned into like a freaking bunch of
penises and stuff like that.

Speaker 1 (59:09):
I don't think I can describe on a family podcast
what's happening?

Speaker 2 (59:12):
This is not a family podcast. This is not my locker.

Speaker 10 (59:17):
This is not my locker.

Speaker 1 (59:20):
That's Beverly Hills cup too. Yes, I'm so jealous that
I'm not in the new one one.

Speaker 2 (59:27):
No, this is not my locker Part one.

Speaker 1 (59:30):
Oh, then he redoes the joke in too this is
not my office, this is not my office. They literally
gave him on what you're talking about, willis this is
not my office. They were like, you had such a
funny line in one, can we repeat it with office?

Speaker 2 (59:43):
Yeah. Al Bronson pinch Show is in this new one.
Of course he is Serge.

Speaker 1 (59:49):
I think Joseph Gordon Levitt got the got the part
I would have wanted dreamed of. I would have been
ex Hacket's kid. I don't know what the part is,
but there was one part for someone like someone like
Joseph Gordon Levitt. But I told my agent, I was like, literally,
I'll have one. I'll be the al of one line.
I'll be like your check. Yeah, here, mister here, mister Foley,

(01:00:15):
you take these bananas. Well, the buffet, the buffet, take
the bananas. You take these bananas.

Speaker 2 (01:00:30):
For no reason too, for no reason, for no reason,
he goes, Well, a buffet is twelve dollars, such and
such as, Oh I needed some bananas. You go ahead
and take these bananas, just so the plot couldn't move on.

Speaker 1 (01:00:50):
Is this the man who right at the Harold Club
this morning?

Speaker 2 (01:00:54):
All right?

Speaker 1 (01:00:55):
Sorry, sorry, one, Sometimes that happens. We were we were
long overdue for Beverly Hills.

Speaker 2 (01:00:59):
Cop, that's the man who wrecked to keep it down? Please,
why can you hear me? Yes?

Speaker 1 (01:01:11):
Is this the man who incapacitated one of our cars
by sticking up.

Speaker 2 (01:01:20):
Marked No, he goes, just a man who incapacitated an
unmarked car with a banana. You've never seen this movie?
You have?

Speaker 5 (01:01:38):
You?

Speaker 2 (01:01:39):
I have not what you've never seen.

Speaker 3 (01:01:44):
I guess I just don't remember that line. I guess
I haven't seen it in a really long time. I
have to see it again. But it's been years and
years and years.

Speaker 5 (01:01:51):
I saw I had a rerelease in theaters and it
holds up. Audience was dying.

Speaker 2 (01:01:57):
I was like, I don't know what you're talking When
he throws that dude over the buffet table, that's Richard
Pryor stunt man. That ain't fucking Eddie Murphy's time.

Speaker 1 (01:02:07):
I gotta watch Beverly Hills cop again. I definitely forgot
Please does the.

Speaker 2 (01:02:11):
Front dive roll over some stairs and then lands on
his knees and bucks two cats down? Are you kidding me?
Do you know how much that would hurt my back
doing that shit?

Speaker 1 (01:02:26):
What about when Cole this maybe laugh out loud, when
Cole goes up to Elliott and goes, what's the situation
with those big old d's an milk?

Speaker 2 (01:02:37):
And then when he walks away in the background, he's
still looking over his shoulder with the face of I
wouldn't suck the ship out of him?

Speaker 1 (01:02:45):
He says, what the line is, what's the situation with
those big old d's? Any milk? Cat?

Speaker 2 (01:02:53):
Does Howard Johnson still exist?

Speaker 1 (01:02:55):
Hojo's Hojo's I.

Speaker 2 (01:02:58):
Haven't seen a hojos in a really long time.

Speaker 1 (01:03:00):
I'm sure it does. I just want to point out
the very last moment of of JD on Scrubs Forever
is lying in a in a coffin next turk.

Speaker 2 (01:03:10):
Yeah, yeah, we went out.

Speaker 1 (01:03:13):
We went out in coffins, right next to each other.

Speaker 2 (01:03:16):
We killed it.

Speaker 1 (01:03:18):
We ended with the bang, we died.

Speaker 2 (01:03:20):
They hide right next to each other. Yeah, and say
the exact same thing. Come, what is it? What I say? Pull?
Pull it up, never find me, You'll never find But
before that, they're saying, pull pull it down quickly close.

Speaker 1 (01:03:38):
Well that's it everyone, that's the episode. That was fun.

Speaker 9 (01:03:43):
That's fun.

Speaker 1 (01:03:44):
Can see anything you.

Speaker 2 (01:03:46):
Want wrap battle battle, Oh my god?

Speaker 5 (01:03:51):
Locked in here we go. What do you want to say?

Speaker 2 (01:03:53):
I don't want to say anything.

Speaker 5 (01:03:54):
There's a clear winner.

Speaker 2 (01:03:55):
I'm well, there's come on now.

Speaker 1 (01:03:57):
Wait you have to see the audience context because I
barely know what you're talking about. There's a there's a
rap battle going on.

Speaker 2 (01:04:03):
There's a rap battle going on between Drake and Kendrick Lamar.

Speaker 1 (01:04:06):
Okay, why do they why do they not like each other?

Speaker 10 (01:04:09):
I have I have no clue, or do we have
the time.

Speaker 5 (01:04:13):
I can summarize it.

Speaker 2 (01:04:14):
Like this, it's too hard.

Speaker 10 (01:04:16):
No, I can do I can do it.

Speaker 5 (01:04:17):
I can do it, and it's super quick.

Speaker 9 (01:04:20):
Uh a rap?

Speaker 5 (01:04:22):
Frequently you have a mentor. This beef goes back like
four to five mentors of beef like your mentor, are
like my mentor, I like I like that producer, Da
da da. It's like a long chain of hate that
has finally reached its apex where these two guys are like, Oh,
we're just gonna have it out in the streets then,
and that's where we're at. But okay, there's a lot again,

(01:04:43):
we don't have to go into all the gritty details.
That's the broad strokes of it. You can find a
TikTok that explains it well, right, but.

Speaker 2 (01:04:50):
It's I'm not on.

Speaker 1 (01:04:51):
I'm not on TikTok joell. That's why I have you.

Speaker 2 (01:04:53):
It's a lot they they they it started off like
oh oh, and now it's just like oh ship.

Speaker 1 (01:05:05):
So they go back and forth. They release tracks that
diss each other, back and forth.

Speaker 2 (01:05:10):
Yeah, how many how many tracks tracks?

Speaker 4 (01:05:13):
Now?

Speaker 5 (01:05:14):
Eight tracks so far? It is crazy.

Speaker 1 (01:05:16):
And if this may be a dumb question, but like,
are the tracks good?

Speaker 2 (01:05:20):
Yes?

Speaker 5 (01:05:21):
Yes, artist has green tracks?

Speaker 2 (01:05:23):
Fie, well, hold on, come on now, both are hold on,
hold on, listen. Both artists are being very creative with
what they're doing.

Speaker 5 (01:05:32):
Let's let's say that first one that is being a genius. Okay,
choosing sides or anything sides by side choion.

Speaker 2 (01:05:42):
I'm not choosing. I'm just here for the good music.

Speaker 5 (01:05:47):
Is one of the best rappers alive. But I can't
follow su. It's just Ken Drake has been just slam
dunking everywhere.

Speaker 1 (01:05:54):
For example, it's just.

Speaker 5 (01:05:57):
The levels, the levels, the fact and the mental games
he's playing, the fact that he released a song like
literally an hour after Dude dropped his disc. He was like,
I predicted everything you were gonna say, and he was
correct broad no and then and then he reallys like
his third track was such it was like very heavy
and kind of somber and a lot of like intense
accusations to follow that up with a club banger that

(01:06:19):
turns New York out a West Coast rapporturn in New
York club about two hours after a song drops, like
it's the game is done because this is.

Speaker 2 (01:06:28):
Where I don't want it to turn. I don't want
it to turn East coast, West Coast because that's not real.

Speaker 5 (01:06:32):
It's going to be all that. Another one of them
is into gunplay.

Speaker 2 (01:06:34):
I just think that the well, something happened last night,
you know what I mean, at somebody's house, you know.

Speaker 1 (01:06:40):
Anyway, My point is my favorite part of my favorite
part of that disc track.

Speaker 5 (01:06:45):
Wasn't gone so lot?

Speaker 1 (01:06:49):
All right, everyone, that has been our summary of the
latest in rap Beef's. Thank you the three of you
for educating me and I'm sure some of our listeners
on what's happening in rap beef world.

Speaker 2 (01:07:01):
Everybody is everywhere, This ship's on Good Morning America. This
ship is.

Speaker 1 (01:07:05):
Everywhere, and we don't have musical theater beefs.

Speaker 2 (01:07:11):
I know, lion King never goes up against fucking uh right, right,
I got beef with all you all over. Dear Reverend Hansen,
who is you? We're the Lion King?

Speaker 1 (01:07:22):
You never heard the Simba disc track? All right, well
that's our show. Next week. We're gonna have exactly. We're
gonna have Eliza Coop and Carrie Biche and and that's
gonna be fun.

Speaker 2 (01:07:39):
We're gonna talk a lot about the show scrubs not
like today.

Speaker 4 (01:07:43):
No, we we hit it.

Speaker 1 (01:07:43):
We hit all the bullet points of that wonderful episode.
Thank you audience for tuning in. We appreciate you, We
really do. We know there's many podcasts you could choose,
there's so many and uh and you choose us, So
thank you.

Speaker 2 (01:07:58):
It's crazy, but I appreciate it.

Speaker 1 (01:08:00):
We appreciate you Donald to say those magic dollars.

Speaker 8 (01:08:07):
Stories that show we made about a bunch of talks
and nurses in Canada whole me. I said, here's the
stories network should know. So gadda round you here, gadder
round you here, our swift free shows an