Episode Transcript
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Speaker 1 (00:00):
This is he said, a yadiho with Eric Winter and
Rosalind Fantag. Hey, welcome back. Thank you. You have an
actual episode of he said, A yado not he said,
He said, I know, that's why I named it without you.
How long has it been two and a half months. Wow,
(00:21):
I think anybody ever saw or heard from you again? Oh,
I mean hanta was dan?
Speaker 2 (00:27):
He said, O listeners, I am so happy to be back.
Speaker 1 (00:31):
Yeah, it was a this was This was a long one,
not as long as Fantasy Island. But you were much
more unreachable during this project. Yeah, you were very, very busy.
Why don't you talk to everybody share your experience a
little bit?
Speaker 2 (00:43):
So God really, Oh that's so sweet. I went to
Puerto Rico to film my movie The Audio Moherica fe.
You guys have heard about it for years now that
I have been trying to put this thing together, I
think for four years, and finally it happened. I am
directing my first long feature and it was incredible.
Speaker 1 (01:05):
Eric has a.
Speaker 2 (01:05):
Character, he plays chef Matthew. This is a movie in
Spanish with like thirty percent English seventy Spanish. I'm in
the process of post so I'm editing every single day,
eight nine hours a day, and it is glorious.
Speaker 1 (01:18):
Yeah. I talked a lot about how difficult that was
for me to do it, But you did. What did
you say, Well, she wanted me to. She keeps wanting
to show me clips of me acting and saying Spanish,
and I get I start cringing. I can't, I can't watch.
I don't like watching myself, especially when I felt uncomfortable
doing it, like it was challenging. But she did a
great job, great job directing, and we talked about that before.
(01:40):
She was crushing it over there, and it's it.
Speaker 2 (01:42):
Was really really interesting to see Eric very nervous, Like
everybody was like, oh, Eric Winter is going to be
in the movie, and the expectation was amazing and I failed.
And then Eric shows up, but he's like fumbling, I like,
getting all nervous, and he couldn't say the lines.
Speaker 1 (01:56):
It was a trip to.
Speaker 2 (01:56):
Watch, but everybody thought it was very cute. Wow, you
know what everybody understood because you were speaking in Spanish.
You don't speak Spanish, and it was like you're freaking
out and the whole scene is in Spanish, so you
don't know what they're saying, but you have to act
on cue. And then you were like, how did you
do it? You would you listen to the last word
of the person.
Speaker 1 (02:14):
Yeah, when they stopped moving their lips. And then you
told me smile at this one. This one is giving
me bad news. This was doing this, and I was like, oh,
oh ah, but you have you're also leaving a big
factor out, which maybe you didn't share with everybody. I
hadn't slept, No everybody knew. I flew working in twelve
hours in the sun and then flew and he went
to it. I didn't even tell you guys.
Speaker 2 (02:34):
He went to an airport and the airport they had
canceled the flight side and they had really that he
had to move to another airport. They didn't say telling
you did is anything to me until he landed because
I think I would have lost my bananas.
Speaker 1 (02:45):
And then I got there, was zero sleep and did
the movie, so I had a lot of things. Then
he shows up with a with his eye. He had
a little vein of that vein burst in my eye.
Speaker 2 (02:56):
And he's basically telling me, the director, can you make
sure that whatever angle you use only only showed me
from this side and.
Speaker 1 (03:03):
Or imposed take it out. We don't have the budget.
Speaker 2 (03:05):
Well then I don't think it's possible that you're just
going to act from your left side and I cannot
play the camera and do no coverage. And guess what,
this is not a Marvel movie.
Speaker 1 (03:15):
So we don't have the.
Speaker 2 (03:16):
Budget to go frame by frame and get rid of
your red vein that.
Speaker 1 (03:21):
Popped out of your eye. Yeah it was. It was.
Speaker 2 (03:23):
You still look amazing and the scenes are great, and
the chemistry with Angelica Ballet.
Speaker 1 (03:28):
I just had a horrible eye.
Speaker 2 (03:29):
No, but it was good, So thank you.
Speaker 1 (03:31):
Ditched me for the Olivia Rodrigo concert, which was crazy.
We didn't talk about that, I don't think on the podcast.
I was happy, you know, Dad, with two teen girls
going to Olivia Rodrigo. Did you love it? It was great
watching them have fun, and I think Olivia did a
great job. It was a good concert, you know, it
was entertaining. I know all the songs because of Sabella,
so I I couldn't theory sing along in my head.
Speaker 2 (03:53):
Guys, you have no idea how happy I am that
I didn't have to go.
Speaker 1 (03:58):
Nothing against Olivia.
Speaker 2 (03:59):
I think she's a fantastic talent, but I didn't want
to have to go to a concert. So thank you
the ad, Thank you Puerto Rico.
Speaker 1 (04:07):
Not cool. Talk about the hurricane. You guys had a
hurricane during that whole production as well. We had a
hurricane that bad. No, I mean you guys were bracing
like it was World War two.
Speaker 2 (04:18):
Well, because everybody in Puerto Rico has PTSD because of Maria.
Maria destroy the island. So every time there's some kind
of like a formation of water happening in the Atlantic,
everybody freaks out. But you know what, no eric in
industries a flooding. You know, the power greating Puerto Rico
is a disaster. And we have this company in Luma
that is just laughing stocking Puerto Rico because they brought
(04:42):
this Canadian company to basically save the day.
Speaker 1 (04:44):
And it's been power for like a great complex, beautiful condo.
Speaker 2 (04:49):
I'm paying that fortune at this villa right that we
love that we go too mad and for a whole week, guys,
I have to go to a hotel because I don't
have any power. So yeah, it stopped production for two days.
So of course we you know, that's money that was
not allocated and within the budget because we just we
need you need to continue paying crew, and you have
(05:10):
to move all the equipment back to the vendors because
if we keep them at a warehouse and something happens
because of the hurricane, then then we're responsible.
Speaker 1 (05:20):
So they all.
Speaker 2 (05:22):
Giving it back and bringing it back. It's a cost.
So yeah, it sucked that for two days we had
to brace ourselves for this storm. That Thank god it
didn't affect anybody in the crew in terms of like
their houses. But yeah, a lot of people didn't have
any power.
Speaker 1 (05:37):
What do you think was this is funny? Guys? I
mean maybe we don't talk. We talked about it in
the past. You know, she's gone for two and a
half months. I got the house running the way I
run it, which is which is how No, just it
was smooth for me. And then she came in. Why
is that there? Why is that there? Move that? Why
do those boxes there? Because and everything I was gone
one day from work, I came back and everything that
I knew where it was was gone. Guys.
Speaker 2 (05:59):
You know I have a pet peeve that I don't
like things misplaced. So misplaced, Eric, when we walked when
you walked into the house, the first thing you see
you open the door, you walk, walk, walk, and there's
a dining room, right. So I don't think I have
ever seen anything on top of my dining room table
other than the two beautiful cherries that I have ceramic,
(06:19):
beautiful or whatever, whatever whatever. So I walk in and
you know, Palm Republic has been very much consuming our
lives because it's a new brand, is a new business.
So there's a lot of gift boxes that we're sending out.
And so I walk into my house and the dining
table is basically a warehouse.
Speaker 1 (06:37):
It's a little.
Speaker 2 (06:38):
Factory of of him making all this, all this gift boxes.
It was packed corner to corner. I wanted to pass out,
So of course, what did I do. I got off
the next morning.
Speaker 1 (06:50):
I said, don't don't touch I know everything's that. Let
me get over from work. I'm going crazy at work.
Let me just get home and I'll organize what happened.
I came home and everything'sved. And then the problem is,
I have no issue with it. If you know where
you put things, I know you don't because I'll come
back and say, I don't know, I've never seen that before,
and it's gone forever.
Speaker 2 (07:07):
Anyways, the houses.
Speaker 1 (07:09):
Back to how we can triangle. I'm gonna call you
the Porto Rican triangle. In the triangle, you're the Porto
Wecan triangle. Everything just goes into your hands and disappears
for disappears forever. I never find it.
Speaker 2 (07:22):
Can I do something about? Do you think I smell?
Do I ever smell?
Speaker 1 (07:25):
What? Do I ever smell? Do I have body? Old?
Body odor? How body body odor? Body odor? Body odor?
Body odor? Yeah?
Speaker 2 (07:36):
Oh that was that was rough? Okay body?
Speaker 1 (07:39):
No, you don't you stunk the whole time when you're
in Porto.
Speaker 2 (07:42):
Guys, I have never experienced.
Speaker 1 (07:44):
Why are we talking about this?
Speaker 2 (07:45):
This is a delicate flower?
Speaker 1 (07:47):
Whoa delicate? Yes? Because you break easily? Wow? Anyways, stinky.
Speaker 2 (07:56):
I don't do the odor run because I don't smell
thet because my limb notes, you know, I have lymph notes.
Speaker 1 (08:01):
By aluminum free goodness. No, I don't like putting anything
on my armpit. Anyways, A great deodand gift, don't I don't.
Speaker 2 (08:08):
I'll talk about that very soon. So, guys, I am.
I'm in Puerto Rico summer. I learned something shooting in
Puerto Rico August. I don't think I'm gonna. I'm never
gonna do it again.
Speaker 1 (08:17):
Anyways. I'm in Puerto Rico. I am sweating.
Speaker 2 (08:19):
It's ninety five degrees every single day and humid, working
fourteen hours a day.
Speaker 1 (08:23):
I have never, in fifty one.
Speaker 2 (08:25):
Years of life experienced the amount of sweat that came
out of my body. I will be like, I feel
like I stink, but I'm like, no, there's no way,
I don't stink. And I'll go back to the villa
and I will take my socks and my underwear and
my clothes off, and I'm going, oh my.
Speaker 1 (08:42):
God, can we talk about this? It was horrific.
Speaker 2 (08:45):
Did I use the odorant? I don't have to use
the odorance?
Speaker 1 (08:48):
Yes? You do? No, I don't you use clean You've
been with me for nineteen years. I've seen theodorance sticks Tom's.
Speaker 2 (08:55):
But I don't use them. But why because of my
lymph notes?
Speaker 1 (08:58):
Your limp notes are going to be a acted by
healthy They are there?
Speaker 2 (09:02):
You know you know my arm swallen.
Speaker 1 (09:05):
Do I smell but use deodoring this years?
Speaker 2 (09:09):
It doesn't affeit your life because you have never anything
but flowers, flowers, gardens, natural gardenias. Odor coming from down there.
Listen anyways, let me do something.
Speaker 1 (09:22):
But then I guess right now.
Speaker 2 (09:24):
No, it's just not ho.
Speaker 1 (09:25):
I smell something put on.
Speaker 2 (09:30):
So guys, I walk into my bathroom after two and
a half months, and you know, there's like his sink,
my singing.
Speaker 1 (09:37):
You know that you have the person who likes things
put away. Her sink is stat I mean there are
I have to be items on the counter, Like what
do you have to go through it?
Speaker 2 (09:45):
No? No, no, you just have to go through it. Anyways,
because I've been editing, I don't even have time. Anyways,
it's like this you left.
Speaker 1 (09:54):
I looked at it because because where is my wife?
I don't know, but there's all her stuff.
Speaker 2 (10:00):
So I walk in the bathroom and Eric has like
eight No, I actually didn't even pay attention to. The
funny thing is that the first three days he wakes
up to go to work, right and I'm sleeping and
he's like spider in the morning, and I hear like
the shower and whatever, and he'll leave and then the
smell of perfume, and every day it was like a
(10:21):
fashion show of perfumes. It was a different smell every day.
I was like, okay, that I haven't never smelled that
one before, I'm gonna let it go.
Speaker 1 (10:29):
The next day a new a new smell.
Speaker 2 (10:31):
Oh, that's interesting. I've never had smel that one before.
Then the third day and I was like, the hag
is going on. That's good, that's pretty. So I look
into the bathast side of the bathroom and I see
like eight new bottles of perfume.
Speaker 1 (10:43):
And I'm going, who the heck? Why are you?
Speaker 2 (10:46):
What are you trying to impress with your smell?
Speaker 1 (10:49):
What are you doing? Since when I don't like to stick,
it's hot and it's sweaty.
Speaker 2 (10:53):
Is it necessary to have a new smell coming out
of your pores every single day?
Speaker 1 (10:57):
Well? I got all these new things I'm trying.
Speaker 2 (10:59):
And you're getting compliment No, actually.
Speaker 1 (11:02):
Like from nobody, and I kind of want somebody to
be like, well that's nice because I like some of them.
I'm like, oh, this is good.
Speaker 2 (11:08):
So that's interesting because every day he has taken upon
himself to smell good.
Speaker 1 (11:12):
No, because it's also one hundred degree hundred and six.
We're sweaty at work.
Speaker 2 (11:16):
You know that it's toxic.
Speaker 1 (11:16):
What's toxic?
Speaker 2 (11:17):
All these colognes and this smells like your brand?
Speaker 1 (11:20):
It's probably fine toxic. No, well, you don't even did.
Speaker 2 (11:24):
Because it's toxic.
Speaker 1 (11:25):
So I got, you know, into this gifting thing that
a friend was putting together, and they gave me it
was called the Man whatever gifting thing, and they gave
me like a crazy amount of products to try. And
so I came back and I had like new shoes
and new pajamas and she's like, what what are those
pajamas you're wearing? Like not not even a compliment? What
are those like? She thought that I'm doing something funny
(11:46):
with these, like pajamas that I'm wearing.
Speaker 2 (11:48):
No pajama sneaking out my new pajama smells.
Speaker 1 (11:52):
I said, it's Cosabella, some brand.
Speaker 2 (11:54):
The game.
Speaker 1 (11:55):
I don't even know about all my new stuff. It
was actually wasn't there, So I, you know, I had
to keep myself entertained. And how did it feel? Lonely?
Speaker 2 (12:04):
Oh?
Speaker 1 (12:04):
My god, it was lonely. I missed my wife? What's
wrong with that? Okay? Wow? I miss my husband? I did?
Speaker 2 (12:14):
How nice?
Speaker 1 (12:15):
Was I?
Speaker 2 (12:16):
How nice?
Speaker 1 (12:18):
I actually said this. She was nicer to me there
for the one week I saw her than when she
came back home. It's like you came back home and
went I'm in home mode. I'm stressed out.
Speaker 2 (12:28):
I am.
Speaker 1 (12:29):
Immediately you were super stressed out there. I was. She
made time for me. I felt paid attention to Like
she was really I mean, she was busy as heck,
but she was checking on me, I having lunch with me.
It was great. I was like, Wow, this this, this
woman really missed me. And I was unsure what I
was going to come back come into. I thought she's
gonna be super stressed out. Yeah. I was like, I'm
(12:49):
not even gonna bugger at it. She's gonna be too
stressed out of whatever. She was really tuned into me.
I was like, this is amazing. Then another month goes
by and she came home and it was like, what happened?
She stressed out again? Yeah, like super different type of stress.
Speaker 2 (13:09):
And I'm doing posed and I know it's.
Speaker 1 (13:12):
Harder what you were doing there, And you seemed stressed
but more attentive to me. And then you came home
and you feel stressed and like extremely overwhelmed. I am.
And then I'm just chopliver.
Speaker 2 (13:26):
At all. Nothing happened. I'm sorry that you feel like that.
Speaker 1 (13:28):
When you come that stress is it does it bring
in another level of stress. Do you need to go
to therapy? No? But is it is it another level
of stress that you felt coming home? I mean the kids.
Obviously there's a lot more work and there's things to do.
And I guess she thought the house was a wreck,
which it was.
Speaker 2 (13:43):
It wasn't a wreck.
Speaker 1 (13:44):
It was very well organized in my opinion. Well it
was not organized, but it was very well organized. No,
but she's doing good. She's overwhelmed. She has working hard,
still doing post and editing, which has been crazy. It's
been all consuming every day. But I'm proud of her.
(14:04):
Like I said before, I'm super proud of her, and
she made her dream come true of doing this movie.
Speaker 2 (14:08):
And yeah, it feels so good, guys, because I worked
so hard and the experience was absolutely surreal.
Speaker 1 (14:15):
It's interesting. I tell people, this movie got the.
Speaker 2 (14:18):
Best out of me and the worst out of me,
because it is so stressful to direct something that you
are basically the foundation and the head and every single
level and all in between. Because especially because I wrote
it and I'm producing it, it was really intense to
(14:39):
have one hundred and fifty something I think it was
exactly one hundred and sixty six people under your command.
You know, and a lot of times things don't move
the way you want them to move, or things don't
happen the way you expect, and the sense of responsibility
is so immense that you lose your ship. And I did,
like four or five times, and I wasn't very happy
(14:59):
about it. It was just it's just a big responsibility.
But through it all, even at the moments that it
was very, very hard, the sense of accomplishment and the
sense of knowing that, oh my god, it's actually happening, happening,
the universe conspired a you know, like it really made
this happen for me. It was to this day, I
(15:21):
am overwhelmed with joy and eternally grateful to every single
person involved.
Speaker 1 (15:26):
On here's a great question from our producers. What does
time of part like that do for the relationship? Do
you see each other differently? Do you respect each other
a little bit more? Do you become more intimate as
a couple than when you were before? What are your thoughts?
Speaker 2 (15:42):
M Well, according to my mother is disastrous.
Speaker 1 (15:47):
Why did she say that? Why is she the bearer
of bad news? What did she say? No?
Speaker 2 (15:51):
Because she's like, you're living again?
Speaker 1 (15:54):
Are you're living again? That's how I feel everything. You
need to go back home.
Speaker 2 (15:57):
You need to go back home.
Speaker 1 (15:58):
Your kids need you, you d needs you. He's like,
what are you doing? Just go home? Just go home.
She's not wrong.
Speaker 2 (16:05):
Advice now is this is the this is the thing
with this is the thing with Olga.
Speaker 1 (16:11):
Right.
Speaker 2 (16:11):
If I'm not working, she makes me feel like I'm
a loser. And if I'm working, what are you doing?
You did to go back home, so he said, But
you know what, Mom, what makes you happy?
Speaker 1 (16:20):
I think it's the balance, right, I think it's the balance.
And you have been home for quite a while because
we were on striking. We had a lot going on.
So it's true you have to get back to work.
And for this you had all of my support. You
know that I was all in for you. I was
not happy when you left early, that's for sure.
Speaker 2 (16:36):
But to go do an all the movie, I know.
Speaker 1 (16:39):
I wasn't happy about that, that for sure, because again,
like your mom, like pick and choose, like when you're
gonna go for the right reasons. But you needed to
do it. It's fine you did it. But I will say,
you have all my support on this, and I think
it is hard. There's no question when somebody travels a
lot or too much or takes jobs that make it
difficult on the family. And you know, I say you
an article. I never even responded yesterday. Did you get
(17:01):
the article I sent you about Michael Keaton, Yeah, but
I haven't read it. It's just a really cool article.
Like I've respected him as an actor for a long time.
I always have, and look at it, He's had a
heck of a career. He's still a megastar. But he
apparently turned down a crazy amount of movies and says
like I could have been exponentially more wealthy, like from movies.
(17:23):
But I and I didn't know this about him. It
meant so much to him. He always wanted to be
a father, and he said for him, it was just
more important to me to spend more time with my
son in those years because I'm never going to have
that back. And I could always have a job back
at some point, but I would never have that time
back with my son, so he said. Through the years
he passed, he became known as it was like mister
(17:44):
no in the business that he said no to everything
and just want to spend time with his son, and
then later still makes selective decisions to see his grandkids,
to be able to spend time with his son and
his wife and the grandkids. I guess his son is
a super successful person of the business, like rights for
a bunch of major artists, all these things. But it
(18:04):
made me respect him so much more, and I love
him as an actor, but it made him even more
human to me. Of like, instead of just being a major,
major movie star, he turned down huge, huge movies that
he literally said sometimes it would sting because I go, wow,
that was a good movie that turned out great. But
he goes, I always knew it was the right decision.
I never questioned my decision. So it's a cool article
(18:26):
she read it. I'm not saying you're that. I'm just
saying it was a fascinating article for an actor in
that position to be to really maybe not become as
big as some of his peers, because he's pretty big. Yeah,
but I'm sure at that time, if you look at
a lot of his peers of where they're at, maybe
they took on some bigger movies and he had to
have a resurgence with Birdman. Remember that was like a
big deal Michael. That was like Michael Keaton's coming back, yeah,
(18:48):
because he wasn't the Michael Keaton he was back then,
So I thought it was fascinating.
Speaker 2 (18:52):
It's interesting because I was like, you know what, I
think my second the second stage of my career.
Speaker 1 (18:57):
I love acting.
Speaker 2 (18:58):
I love it, It's my life and I enjoy it incredibly,
but at my age and because I've been doing it
for so long and I just want to reimpiment myself,
so I think directing is the next step. And I
actually absolutely I'm obsessed with it.
Speaker 1 (19:11):
I love it.
Speaker 2 (19:12):
But I and I always saw it as Okay, it's
going to be my way to take more control so
I don't have to work as much and depend on
acting and being and being gone for so long. But
then after directing this one, guys, now I understand that
if you do a movie like this one, this is
independent filmmaking.
Speaker 1 (19:31):
It's small.
Speaker 2 (19:32):
So I did it in a month, but I had
to be there a month before to prep and now
the post is going to be three more months. So
what I thought was going to be, oh, I just
direct and I just do that and come home and
I'll be with my kids. It's like a five month
process that I have never worked this much in my
entire life's very hard.
Speaker 1 (19:55):
I have a lot of close director friends and they're
gone from their families a lot. Yeah, it's to me.
One of the reasons, I'll be honest, it's one of
the reasons that I don't have a huge passion to
direct is that I struggle being away for so long
that as an actor, taking a job to take you
away is one thing, but at least you come and
you can come and go at times because you're not
always needed, so you have days off. As a director,
(20:16):
you don't have a day on, no single moment, it
doesn't exist and you're just go, go, go, Like.
Speaker 2 (20:20):
It's interested my nanny. They came to visit me. The
kids were there for three weeks. And usually when I
like I'm doing Fantasy Island for example, right, and the
kids will come to Puerto Rico and all my downtime
when there's another scene that I'm not a part of,
I'm just in my trailer or lunchtime. Oh, guys, come
to my trailer, so I will have the kids are
in Puerto Rico. I'm busy, but I'm actually able to
spend a lot of time with them. This time around,
(20:43):
even my lunchtime. I am at meetings and working and
rewriting things, so I couldn't even have lunch with them.
And it was kind of like, oh my God, is
like I don't have time, guys. I was sleeping four
hours a day. Oh I was a mess. But I
I love it like there's no there's I freaking love
(21:03):
it like I to see something that you wrote and
see it on its feet and people delivering the lines
and nailing it, and you're able to go there and say,
because I'm you know, when you write something, you already
have the voice in your head, so I know exactly
what delivery I'm looking for.
Speaker 1 (21:17):
And to be able to.
Speaker 2 (21:18):
Direct people and them doing it and just composing a
scene and blocking eye.
Speaker 1 (21:23):
You understand what Marcherry was like when you were working
with them on Devous Space, so passionate about what he wrote,
voice in his head saying this is how I want it,
So you understand that that's how it can be. And
it was so annoying.
Speaker 2 (21:34):
And now when as as a director that wrote the
material and they change lines or they.
Speaker 1 (21:41):
Take it up and you can get they take it upon.
Speaker 2 (21:44):
Themselves to omit some stuff or start improvising.
Speaker 1 (21:48):
When I'm not asking them to do that. It is
annoyed the ship because you say what I wrote and writers, I.
Speaker 2 (21:54):
Am notorious as an actress like I never want to
say whatever was written. I change the lines all the time.
So now I'm going to be more respectful.
Speaker 1 (22:00):
Well, before we wrap up, you didn't finish answering these questions.
Do you see each other differently when when we go away? Yeah?
For being gone for so long? Do you see me different?
I'm asking you, I'm asking you. I'm already asked you
to answer.
Speaker 2 (22:12):
I answered the first question questions hard.
Speaker 1 (22:15):
You said your mom said it was difficult.
Speaker 2 (22:16):
And I had a whole speech about it.
Speaker 1 (22:17):
I don't see you differently. I see it. There is
a groove you have to find to get back into
when somebody's been gone from the the run of the
house for a while. But when I saw you in
Puerto Rico, was it felt totally normal. It felt great,
you know what I mean. It was like to me,
it was reinvigorated. It was a nice boost to see you,
and it was able to give me the legs to
finish the run for you, you know, on the movie, and
(22:39):
be not be stressed out even though I still got
stressed out at moments because I was dealing with the
I came home and respect for each other. You have
a little bit more respect for each other.
Speaker 2 (22:52):
I always respect you because I feel like you're incredible.
Respect Yes, because I appreciate that. Am I able to
do what I do because I have a very loving,
supporting husband and that when I'm gone, I know that
I can go and focus on something else. Because my kids,
my family Isabella, Dylan, Banded, Archie, I know everybody's going
to be well taken care of. And I know it's
(23:12):
hard for you to do that, and it's stressful for
you to do that because you also have a life,
and you have a business, and you have and you
have a job, and you have a lot of responsibilities.
And for you to be able to still go ahead
and say, you know what, do your thing. We're going
to be fine back home. Of course, I have a
lot of respect for that.
Speaker 1 (23:27):
Do you become more intimate as a couple than you
were before? You're like, well, no.
Speaker 2 (23:37):
I mean yeah, we go back to normal, We go back.
Speaker 1 (23:39):
To seen somebody for alf know, we go back to intimate.
It should It was more intimate in Puerto Rico, but
now we're back home. No, but because but I came back.
Speaker 2 (23:51):
I came back with some I've been dining with some
hell stop guys that I'm addressing. That not that dangerous,
but no, nothing they there's just little things that I
think it is. You know, we we're for two and
a half months. It was non stop and it was
almost like autopilot. And I was having symptoms and now
but I'm too busy. So I was like, I can't
even think about this. Now I'm home and I just go.
Speaker 1 (24:11):
I feel like a go.
Speaker 2 (24:13):
So you know, it's hard then to be like I
am way, I'm here, I'm vibrant. Hopefully she feeling like
I feel like so that it's just it's just stress, guys.
Stress is the worst.
Speaker 1 (24:24):
Hopefully that will all go away so everything can be
back on track or good or better.
Speaker 2 (24:29):
We're doing good.
Speaker 1 (24:30):
Yeah, Wow, we needed to feel better. She doesn't feel great,
so we're praying for her to feel better. It's great
that we're back together on the podcast now. She leaves
again in about a month, so guys, get ready. But
we'll embrace every moment we have. I'm going to go
back to acting. I'm gonna act in a movie. I
have everything set up and everybody. Thank you for listening.
(24:53):
If you have something you want to talk to us about,
send it to our d MS and he said ado
or email us at Eric and Roziyeheart Radio. Till next time,
next time, I love you, Love you, thanks for listening.
Don't forget to write us a review and tell us
what you think.
Speaker 2 (25:06):
If you want to follow us on Instagram, check us
out at e said JAB or sens at email Eric
and Ross at iHeartRadio dot com.
Speaker 1 (25:13):
He said.
Speaker 2 (25:14):
Jab is part of iHeartRadio's Mikultuda podcast network.
Speaker 1 (25:18):
See you next time.
Speaker 2 (25:18):
Bye,