September 12, 2025 • 11 mins
This week was.. dark. The Supreme Court says racial profiling is okay, a women was stabbed on a train and a school was shot up within minutes of Charle Kirk being murdered.
The song this week is Mayan Ruins: https://music.apple.com/us/album/mayan-ruins/1835385848?i=1835385858
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
A media.
Speaker 2 (00:05):
The racist snake is eating itself. Tap in with me.
Speaker 1 (00:11):
A lot of y'all don't like my tone.
Speaker 3 (00:26):
I can live with that, but I can't live with
the piece workers being hit by drones and civilian voats
in Venezuela mine in a own business and a man
made lightning strike where eleven all die. I can't live
with purpose starvation while begging for peace prizes. This snake
eating itself? What upside down world is this? When the
(00:50):
voice of logic is Margie Taylor Green. Of course Trump
wrote that note to Epstein, this is obvious.
Speaker 2 (00:58):
The snake is eating itself.
Speaker 3 (01:00):
Supreme Court say, yo, you can't discriminate in college recruitment.
You not posted to consider color or origins, but ice
if y'all see someone that don't talk right, ruin their life.
The same court that said Trump can't take away Harvard's
funding said you could look at brown skin and if
they talk funny, they probably gotta go. The snake is
(01:21):
eating its tail. You know that Handai battery plant that
got raided with all the Korean workers. You know the
plant wasn't open yet. It wasn't supposed to be open
until twenty twenty six. You understand that when a company expands,
they don't just hire new people, they send their own
workers who are already there to get it started, as
(01:44):
in people that already live in the said country of origin.
Speaker 2 (01:48):
That don't make sense to you.
Speaker 3 (01:49):
This racist snake is eating itself because this plant's probably
going to hire so many of the very people that
you said you was trying to make jobs for. Speaking
of jobs, Heartland farmers are saying, Yo, tariff wars are
making us poor, and this is unacceptable. It's racist what
we voted for. This snake is eating itself. There was
(02:10):
a lady that was stabbed in chard in a broad daylight. Tragic,
But don't she got a accent to why I say't
try to bag her? Ain't she Ukrainian? Why y'all not
saying that she shouldn't have been here in the first place. Nah,
it's because the killer was black on bail, which means
now that's a problem for all black men. Yes, he
(02:31):
should be locked up. This was evil, unthinkable, deranged, But
y'all gotta pick y'all poison. I thought y'all ain't want immigrants.
I thought them Ukrainian lives are just casualties in a war,
and they was okay to be sacrificed. Listen which one
you hate more? Immigrants are black people, but I guess
(02:52):
since she was blonde, her status ain't a question. Right.
What that means is listen to me carefully. Death only
matters if it benefits them. The snake is eating its
own tail. Lindsey Halligan is the attorney assigned to help
remove improper ideology from our national museums. A white lady
(03:13):
that's about to tell us what should be inside of
the African American Museum. I thought y'all didn't believe in DEEI.
The snake is eating itself. Charlie Kirk splashed on in Utah,
his life taken at.
Speaker 2 (03:30):
The very moment he was dismissing the taking of other lives.
Speaker 3 (03:35):
They asked that man about trans people in mass shootings.
Somehow he conflated that to gang violence, A little sneak
dish to people of color. Victim blaming is beneath me.
But honestly, my heart is somewhere between. No one should
ever experience this and fuck around and find out for real.
These are the conversations we have with these little y ns.
(03:57):
You keep talking that gang talk talk a lot of
shit for somebody that ain't bulletproof, a desperate attempt to
stop impending doom. I wish this on no one. I
empathize with him deeply, and with those who feel the
lack of empathy. You're the ones saying alligator lives matter,
(04:18):
and there are sixty five million meals waiting for the
alligator's hint. There are sixty five million latinos in our country,
and now you are desperately in need of the very
thing that you denied others, and that, my friend, is heartbreaking.
Speaker 2 (04:32):
I'm sorry.
Speaker 3 (04:34):
I'm sorry my children are grays in a world like this.
More death, more guns, I'm sorry at school shooting happened
within minutes. More parents having to go back to clean
out a fifth grader's room. I'm sorry. These are not
days of celebration. There are days of internal confliction, because
(04:54):
I am a human. Seeing blood gush from a neck
is grotesque esque, even when that same neck would have
no problem putting nooses around my ancestors.
Speaker 2 (05:05):
I'm sorry. I don't want to live in a world.
Speaker 3 (05:07):
Where Charlie Kirk's ideas are being perpetuated. I also do
not want to live in the world where violence is
so normal, where public executions turn into day bus we bus.
I lived through the nineties and gang violence. I wish
this on nobody. The snake is eating itself. There's a
(05:28):
second dread that y'all probably not thinking about. But it's
where black and trans and Muslim experience become a venn diagram,
a meme of Rocky and Apollo Creed shaking hands. It's
that fear that that shooter might be black or trans Muslim,
because that turns that manhood into a green light on
(05:50):
our people.
Speaker 2 (05:50):
We can't just be in shock like y'all.
Speaker 3 (05:53):
Now, we got to defend our existence, justify our right
to be alive. The snake is eating its own tail.
This tap in is a mourning of a death, of
our pretense. Can we stop pretending?
Speaker 1 (06:07):
Now?
Speaker 3 (06:09):
Kids died in school the same day, but sure two
a rights right all day. You got to sacrifice a
couple souls right.
Speaker 2 (06:21):
Same day. Snake is eating itself.
Speaker 3 (06:25):
I remember Pat Robinson saying nine to eleven was God
punishing us for the gayness. I remember James Dobson saying
Sandy Hook was because gay marriage. You can miss me
with that. He was a Christian, He probably was. I
don't know that, man, I just know the snake is
eating its own tail. I'm mourn for us, I'm more
(06:46):
in for the next few days. I'm mourn for his family.
I'm more in for the families all over the world.
It really ain't gotta be like this, really ain't gotta
be like this. For today's poem on the Beautiful Endling,
I'd like to listen to Mayan Ruins. It's a poem
(07:07):
about considering your choices, the things you choose to say
while you're around, and how you might be thought of
when you're gone.
Speaker 2 (07:16):
I'm sorry this is where we are.
Speaker 3 (07:29):
Yeah, I will one day be Mayan Ruins. Man, that's
something you should think about. What's so important about the
things you're doing?
Speaker 1 (07:38):
Why you poke your little.
Speaker 2 (07:39):
Chested out and one day be Mayan Ruins.
Speaker 3 (07:43):
Give us something to be proud about.
Speaker 1 (07:46):
I think twice about the way you move it.
Speaker 2 (07:49):
You will one day be Mayan Ruins.
Speaker 1 (07:52):
Yeah.
Speaker 3 (07:52):
That's where everything I known of me to be sacred
to be called ruins, and all of my best practices
and silliness and secrets and even the obvious flatten into
a field trip. Huh, guided by people who are so
sure that they know they known' will absolutely mangle and misinterpret,
reading themselves into the fraction of what's left of me.
Speaker 2 (08:13):
Ruined rops. Mysterious is druids.
Speaker 3 (08:16):
Rud's mysterious is druids serious ruids. And I don't even
know which parts of me, which bricks of mine will
stand on top of each other. I know which ones
I wish were I build these to last and those
not to be seen.
Speaker 2 (08:32):
But who knows?
Speaker 3 (08:34):
No entire chunks of my person gone into the ash
heep of the ages. There's still other parts of me,
reclaimed by the jungles flora, reimagined by its fauna.
Speaker 2 (08:44):
Things I thought were.
Speaker 3 (08:45):
Permanent had small cracks, and these plants pop through.
Speaker 1 (08:48):
It's leaving my temple.
Speaker 3 (08:49):
Ruins, h intangible meanings and functions fault, victim to the
irrosiveness of memory and the corrosiveness of time.
Speaker 2 (08:59):
One day be an ancient city.
Speaker 3 (09:01):
People will try to piece together your personality and politics,
looking through the crumbs under your couch, and you'll try
to tell them that's just what they are, crumbs.
Speaker 2 (09:11):
You're thinking about it all wrong.
Speaker 3 (09:13):
They'll hang forks and balls and blankets and museum and
muse over its total powers.
Speaker 2 (09:18):
Yo, you will one day be Mayan Ruins.
Speaker 3 (09:21):
They're gonna marvel over dinner bulls. It's gonna seem so obvious,
but obvious.
Speaker 2 (09:28):
It's culture obvious.
Speaker 3 (09:30):
Will one day be Mayor Ruins, just a little k drawing,
You will one day be Maya Ruins.
Speaker 1 (09:39):
Everything you know will be gone. It's so weird.
Speaker 2 (09:42):
You're gonna try to screep the time and just the.
Speaker 1 (09:44):
Four, just the word yeah.
Speaker 3 (09:47):
And all that I had hoped and believed to be
what will remain is completely overlooked. What's left of me
is this discolored and water logged. And they can't tell
them drawings or centuries of from whole other families. And
they don't know doggy stylind damn or decades apart to
just a hip hop playlist. They'll only see me in
(10:09):
two dimensions, not knowing that I've changed over time, good
moments and bad. My ruins are not telling the story
you think they are. Well, they're telling a part of it,
but not the part I wish it told. The part
I wish it told is grown cold. One day my
whole temple will be ruined. One day, my whole temple
(10:32):
will be ruins. Reclaimed by the jungle, that came from
reclaimed by the younger, that came.
Speaker 1 (10:41):
From, that came from a scare.
Speaker 3 (11:03):
Screswere slops. Strett
A media.
Speaker 2 (00:05):
The racist snake is eating itself. Tap in with me.
Speaker 1 (00:11):
A lot of y'all don't like my tone.
Speaker 3 (00:26):
I can live with that, but I can't live with
the piece workers being hit by drones and civilian voats
in Venezuela mine in a own business and a man
made lightning strike where eleven all die. I can't live
with purpose starvation while begging for peace prizes. This snake
eating itself? What upside down world is this? When the
(00:50):
voice of logic is Margie Taylor Green. Of course Trump
wrote that note to Epstein, this is obvious.
Speaker 2 (00:58):
The snake is eating itself.
Speaker 3 (01:00):
Supreme Court say, yo, you can't discriminate in college recruitment.
You not posted to consider color or origins, but ice
if y'all see someone that don't talk right, ruin their life.
The same court that said Trump can't take away Harvard's
funding said you could look at brown skin and if
they talk funny, they probably gotta go. The snake is
(01:21):
eating its tail. You know that Handai battery plant that
got raided with all the Korean workers. You know the
plant wasn't open yet. It wasn't supposed to be open
until twenty twenty six. You understand that when a company expands,
they don't just hire new people, they send their own
workers who are already there to get it started, as
(01:44):
in people that already live in the said country of origin.
Speaker 2 (01:48):
That don't make sense to you.
Speaker 3 (01:49):
This racist snake is eating itself because this plant's probably
going to hire so many of the very people that
you said you was trying to make jobs for. Speaking
of jobs, Heartland farmers are saying, Yo, tariff wars are
making us poor, and this is unacceptable. It's racist what
we voted for. This snake is eating itself. There was
(02:10):
a lady that was stabbed in chard in a broad daylight. Tragic,
But don't she got a accent to why I say't
try to bag her? Ain't she Ukrainian? Why y'all not
saying that she shouldn't have been here in the first place. Nah,
it's because the killer was black on bail, which means
now that's a problem for all black men. Yes, he
(02:31):
should be locked up. This was evil, unthinkable, deranged, But
y'all gotta pick y'all poison. I thought y'all ain't want immigrants.
I thought them Ukrainian lives are just casualties in a war,
and they was okay to be sacrificed. Listen which one
you hate more? Immigrants are black people, but I guess
(02:52):
since she was blonde, her status ain't a question. Right.
What that means is listen to me carefully. Death only
matters if it benefits them. The snake is eating its
own tail. Lindsey Halligan is the attorney assigned to help
remove improper ideology from our national museums. A white lady
(03:13):
that's about to tell us what should be inside of
the African American Museum. I thought y'all didn't believe in DEEI.
The snake is eating itself. Charlie Kirk splashed on in Utah,
his life taken at.
Speaker 2 (03:30):
The very moment he was dismissing the taking of other lives.
Speaker 3 (03:35):
They asked that man about trans people in mass shootings.
Somehow he conflated that to gang violence, A little sneak
dish to people of color. Victim blaming is beneath me.
But honestly, my heart is somewhere between. No one should
ever experience this and fuck around and find out for real.
These are the conversations we have with these little y ns.
(03:57):
You keep talking that gang talk talk a lot of
shit for somebody that ain't bulletproof, a desperate attempt to
stop impending doom. I wish this on no one. I
empathize with him deeply, and with those who feel the
lack of empathy. You're the ones saying alligator lives matter,
(04:18):
and there are sixty five million meals waiting for the
alligator's hint. There are sixty five million latinos in our country,
and now you are desperately in need of the very
thing that you denied others, and that, my friend, is heartbreaking.
Speaker 2 (04:32):
I'm sorry.
Speaker 3 (04:34):
I'm sorry my children are grays in a world like this.
More death, more guns, I'm sorry at school shooting happened
within minutes. More parents having to go back to clean
out a fifth grader's room. I'm sorry. These are not
days of celebration. There are days of internal confliction, because
(04:54):
I am a human. Seeing blood gush from a neck
is grotesque esque, even when that same neck would have
no problem putting nooses around my ancestors.
Speaker 2 (05:05):
I'm sorry. I don't want to live in a world.
Speaker 3 (05:07):
Where Charlie Kirk's ideas are being perpetuated. I also do
not want to live in the world where violence is
so normal, where public executions turn into day bus we bus.
I lived through the nineties and gang violence. I wish
this on nobody. The snake is eating itself. There's a
(05:28):
second dread that y'all probably not thinking about. But it's
where black and trans and Muslim experience become a venn diagram,
a meme of Rocky and Apollo Creed shaking hands. It's
that fear that that shooter might be black or trans Muslim,
because that turns that manhood into a green light on
(05:50):
our people.
Speaker 2 (05:50):
We can't just be in shock like y'all.
Speaker 3 (05:53):
Now, we got to defend our existence, justify our right
to be alive. The snake is eating its own tail.
This tap in is a mourning of a death, of
our pretense. Can we stop pretending?
Speaker 1 (06:07):
Now?
Speaker 3 (06:09):
Kids died in school the same day, but sure two
a rights right all day. You got to sacrifice a
couple souls right.
Speaker 2 (06:21):
Same day. Snake is eating itself.
Speaker 3 (06:25):
I remember Pat Robinson saying nine to eleven was God
punishing us for the gayness. I remember James Dobson saying
Sandy Hook was because gay marriage. You can miss me
with that. He was a Christian, He probably was. I
don't know that, man, I just know the snake is
eating its own tail. I'm mourn for us, I'm more
(06:46):
in for the next few days. I'm mourn for his family.
I'm more in for the families all over the world.
It really ain't gotta be like this, really ain't gotta
be like this. For today's poem on the Beautiful Endling,
I'd like to listen to Mayan Ruins. It's a poem
(07:07):
about considering your choices, the things you choose to say
while you're around, and how you might be thought of
when you're gone.
Speaker 2 (07:16):
I'm sorry this is where we are.
Speaker 3 (07:29):
Yeah, I will one day be Mayan Ruins. Man, that's
something you should think about. What's so important about the
things you're doing?
Speaker 1 (07:38):
Why you poke your little.
Speaker 2 (07:39):
Chested out and one day be Mayan Ruins.
Speaker 3 (07:43):
Give us something to be proud about.
Speaker 1 (07:46):
I think twice about the way you move it.
Speaker 2 (07:49):
You will one day be Mayan Ruins.
Speaker 1 (07:52):
Yeah.
Speaker 3 (07:52):
That's where everything I known of me to be sacred
to be called ruins, and all of my best practices
and silliness and secrets and even the obvious flatten into
a field trip. Huh, guided by people who are so
sure that they know they known' will absolutely mangle and misinterpret,
reading themselves into the fraction of what's left of me.
Speaker 2 (08:13):
Ruined rops. Mysterious is druids.
Speaker 3 (08:16):
Rud's mysterious is druids serious ruids. And I don't even
know which parts of me, which bricks of mine will
stand on top of each other. I know which ones
I wish were I build these to last and those
not to be seen.
Speaker 2 (08:32):
But who knows?
Speaker 3 (08:34):
No entire chunks of my person gone into the ash
heep of the ages. There's still other parts of me,
reclaimed by the jungles flora, reimagined by its fauna.
Speaker 2 (08:44):
Things I thought were.
Speaker 3 (08:45):
Permanent had small cracks, and these plants pop through.
Speaker 1 (08:48):
It's leaving my temple.
Speaker 3 (08:49):
Ruins, h intangible meanings and functions fault, victim to the
irrosiveness of memory and the corrosiveness of time.
Speaker 2 (08:59):
One day be an ancient city.
Speaker 3 (09:01):
People will try to piece together your personality and politics,
looking through the crumbs under your couch, and you'll try
to tell them that's just what they are, crumbs.
Speaker 2 (09:11):
You're thinking about it all wrong.
Speaker 3 (09:13):
They'll hang forks and balls and blankets and museum and
muse over its total powers.
Speaker 2 (09:18):
Yo, you will one day be Mayan Ruins.
Speaker 3 (09:21):
They're gonna marvel over dinner bulls. It's gonna seem so obvious,
but obvious.
Speaker 2 (09:28):
It's culture obvious.
Speaker 3 (09:30):
Will one day be Mayor Ruins, just a little k drawing,
You will one day be Maya Ruins.
Speaker 1 (09:39):
Everything you know will be gone. It's so weird.
Speaker 2 (09:42):
You're gonna try to screep the time and just the.
Speaker 1 (09:44):
Four, just the word yeah.
Speaker 3 (09:47):
And all that I had hoped and believed to be
what will remain is completely overlooked. What's left of me
is this discolored and water logged. And they can't tell
them drawings or centuries of from whole other families. And
they don't know doggy stylind damn or decades apart to
just a hip hop playlist. They'll only see me in
(10:09):
two dimensions, not knowing that I've changed over time, good
moments and bad. My ruins are not telling the story
you think they are. Well, they're telling a part of it,
but not the part I wish it told. The part
I wish it told is grown cold. One day my
whole temple will be ruined. One day, my whole temple
(10:32):
will be ruins. Reclaimed by the jungle, that came from
reclaimed by the younger, that came.
Speaker 1 (10:41):
From, that came from a scare.
Speaker 3 (11:03):
Screswere slops. Strett
Host
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