I Am All In…Again: She’s Going to Have the First Cup of Tea (Season 3 E5 “Eight O’Clock at the Oasis”)

You remember him from the spring break episode in Season 4, now Colin Egglesfield is back to recap Season 3 E5 “Eight O’Clock at the Oasis.”
 
Jon Hamm aka Peyton dates Lorelai…Colin has a hot take on why they didn’t work out. 
 
Plus, we have a simple solution for Emily when Lorelai asks her for Peyton’s info.

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:00):
I am all in again.

Speaker 2 (00:09):
I am all in again with Scott Patterson and iHeartRadio Podcast.

Speaker 1 (00:22):
Hey everybody, Scott Patterson, I am all in Podcast one
eleven productions, iHeartRadio Media, iHeart Podcast and with our special guest,
Colin Egglesfield. He's someone you might recognize from All My Children,
melrose Place, a little film called Something balld in a
guest role in Gilmore Girls Season four. Welcome Colin. How

(00:44):
are you doing? Pal?

Speaker 3 (00:45):
I'm doing well, Scott. Good to see you.

Speaker 1 (00:47):
Good, good good. Emily and Laurel I and Peyton? What
are we think in here? Emily invites Laurel I to
an auction for her society, Matrons League and Antiques. Shell
wants to go. There's an auction, there's all kinds of
things happening. John Hamm shows up. It's total in Sanity's
drinking wine. I didn't know John Hamm was a wine

(01:09):
drinker that that early in his career. So she meets
Peyton at Emily's event. Should she have been more cautious
about pursuing this turkey? He turns out to be a
real dud? Was this a careless oversight? Colin? In your estimation? Please?

Speaker 4 (01:26):
No?

Speaker 3 (01:26):
Come on, it's John Ham, dude, Like, why would you
How could you say no to John Ham?

Speaker 1 (01:32):
It was a huge day. No, you just say they.

Speaker 3 (01:35):
Madmen and Don Draper. So it's cool to see him
in early version of him before he got his big break.
But no, man, how could you say no to to
to charming Peyton slash John Ham?

Speaker 1 (01:52):
I was named Peyton? What Peyton Sheridan Peyton Shell? Peyton
wasn't I can't remember something Peyton Sherwood yeacked at anyway, Uh.

Speaker 3 (02:04):
I don't believe her though, I from how he met
her at the bar. I mean he's got his jet,
invited her to David Bowie. I mean, I I have
a sneaking suspicion that he wasn't the drip that she
made him sound out to be.

Speaker 1 (02:21):
I think you think he tanked it on purpose because
he didn't want to see her again.

Speaker 3 (02:26):
I don't know. Maybe it was because she talked so fast.

Speaker 1 (02:28):
I mean, that's sacrilegious, really to say something like that.
You better be careful, man. I know, no, but you
know it's a it's a it's a possibility. But I
think I think by the way she look they just
they didn't connect. I kind of believed her.

Speaker 3 (02:46):
Yeah, I mean she she has so much charisma. She
is more of a I mean, how can you not
fall in love with Loralai? Obviously she's got she's charming,
she's beautiful, she's she's witty, she's cute, endearing, and I
could see where Peyton probably being a little more of

(03:10):
a upper crust kind of a stiff where it wouldn't
necessarily work out. But here's the thing, you know, there's
the physical attraction. So obviously they look good together. And
I think this is what happens in relationships, where you
physically fall for someone and you kind of overlook some
of the things that maybe are red flags in the beginning,

(03:30):
but because you're so attracted to them, you overlook them,
and then before you know it, you're in a relationship
physically and not speaking from experience or anything, and you're like,
you wake up one day and you're like, maybe I
really don't know this person as well as I thought
I did. Even though they are beautiful and I'm attracted
to them, some of the things that are coming out

(03:52):
of their mouth are not so attractive.

Speaker 1 (03:54):
You know what. She was just too smart for him.
He couldn't care. Probably all right, So Laura I cantinues
to fight for her independence from Emily and Richard's world.
Do you think this reassures why she separates herself from
their community?

Speaker 3 (04:12):
You know it was. The episode raised a really good point,
and I really liked the way that Loralai brought up that, look, mom, dad,
it's nothing that I'm doing intentionally to hurt you guys.
I'm just I went on a date, Like why are
you putting all of your baggage onto me? And I

(04:33):
think that's a very common thing where parents have maybe
certain expectations about what we do and what they think.

Speaker 1 (04:42):
We should be doing.

Speaker 3 (04:43):
But I honestly I thought it was I mean, I
could see both ways. I think it was unfair that
they put that kind of onus on Lauraai when she
was just trying to go on a date. But I
could also see in certain circles where there's a protocol,
like her father said. And what I did like about

(05:04):
what her father said was your mother drinks gets her
tea first, and she's used to getting her tea first.
And I don't understand her world. You may not understand
her world, but because she's my wife, I am damn
well going to make sure that my wife gets her
tea first, And I think that is what maybe is

(05:26):
missing in a lot of relationships.

Speaker 1 (05:28):
Do you think Laura Lean was being selfish by not
considering Emily in the first place.

Speaker 3 (05:33):
I think her parents should have have talked to her
at dinner when she first asks for the phone number.
I think her mom should have said, by the way,
if you do go out with him, please keep this
in mind that his mom is in my social circle,

(05:54):
and so please, whatever you do, just be polite and
know that if if anything go sideways or whatever, this
may have a detrimental effect. Yeah.

Speaker 1 (06:04):
But wouldn't Laura I already assume that because Peyton was
on we know.

Speaker 3 (06:10):
What happens when you assume.

Speaker 1 (06:13):
I don't know. That's a tight little circle there with
the people that she invited, those are all our friends.

Speaker 3 (06:27):
Did your parents ever place expectations on you that you
thought were unrealistic.

Speaker 1 (06:32):
Not only every day twenty four to seven? Yeah? Yeah?

Speaker 3 (06:36):
And did they communicate them clearly to you or were
they just assumed?

Speaker 1 (06:41):
Oh? No, they were very specific about what they expected
in terms of grades and behavior and social behavior and
even you know, behavior at the dinner table. Sure. Yeah,
yeah mm hmm, yeah, yep. And you have kids, right,
uh huh, I I have a son I do.

Speaker 3 (07:01):
And do you feel that you guys have open communication
and where you can clearly oh god? Yet absolutely yeah, yeah,
they're you know, kids.

Speaker 1 (07:12):
Yeah, you have to teach him, yeah, and then they
and he's teaching us, I think more than we're teaching him.

Speaker 3 (07:18):
But I think some parents only teach when they get
angry at their kids after they've already done something wrong.
And it's like, well, I'm a kid. I didn't know
or I kind of like, yeah, you know, don't yell
at me, teach me, like right exactly.

Speaker 1 (07:38):
But anyway, all right, so yeah, so she she made
a simple decision. She didn't happen. Why waste time, not
going to force it. We're done the just causes the
usual loo kerfuffle over at the Emily's house. All right,
now we have Dwaite. What'd you think of this guy
asking her to you know, the water lawn and water

(08:01):
the African geraniums whatever they were called, go inside the house.
Spent thirty minutes a day doing this for this guy.
Didn't even what do you think of this guy's a
little too much of an imposition, would you have done it? Oh?

Speaker 3 (08:12):
Man? I felt for her because I guess I feel
like I've been in that situation where you reluctantly say
yes to something and then they just keep asking for more.
And a certain point when it came to the going
inside the house to water the plans or when he

(08:34):
then asked, I need you to water the lawn three
times a day instead of ten by myself on my own,
I probably would have said, you know, listen, dude, this
is a little ridiculous. But you know, Rory being as
sweet as he is, that's why it's great to have.

(08:54):
That's why it started people around you who are like,
you know what, let's just do this.

Speaker 1 (08:59):
Just think of the lie ability inside his house though,
I mean they didn't sign away, he didn't sign a
waiver again well nowadays, yeah, you know, right, exactly right,
something happens to somebody inside the house and it's trouble
but good stuff. And I think you know the setup
for that was just to get just to get soaked,
run into h Jess and have Jess come in and

(09:23):
have that scene.

Speaker 3 (09:24):
And I loved how he turned the sprinkler back on
after he heard that. Who was the other kid that
was going to come home and help Dean.

Speaker 1 (09:33):
Dean the boyfriend.

Speaker 3 (09:34):
Yeah, yeah, and uh, I guess yeah, I thought that
was Milo. Then Amilia and I had to go watch
the credits or at the beginning rewatch it to make
to see if it really was him. But yeah, it's
really cool to see actors get their start on Gilmore Girls.
I mean, Gilmore Girls was one of the first major

(09:56):
shows that I ever was on and just blessed to
have been a part of it. And was that the
fan event that you and I saw each other again?
Was that like two months ago in New Milford, which
is great. So just very honored and blessed to be
a part of the Gilmore Girls community. I will say though,

(10:17):
I was curious to see if John Ham appeared in
the next episode because she agreed to go on the
next date with him. So I was thinking that, Okay,
well let's see the David Bowie concert and then it
was nothing like John hamm and Peyton was. It was
just an afterthought, like what was he even brought up?

Speaker 1 (10:38):
Peyton Sanders Peyton s Yeah, yeah, they can't go to
a Boie concert thing. Imagine the royalty payment that I
have to make for Franny Bowie song.

Speaker 3 (10:45):
Yeah, but it was just like it was very I
was very curious, why just all of a sudden.

Speaker 1 (10:50):
Yeah, don't tease me with Bowie and then and then
right exactly. I didn't like that at all because I
knew there wasn't going to be another I knew there
wasn't going to be a Bowie. So you don't tease
a Bowie concert and then deny people of Boi concert
that that in itself, I believe that's actionable and I'm
consulting my attorney anyway. You know, you think Dwight fits in.

(11:11):
He's a quirky kind of guy, right, he kind of
fits right in there. And uh, you know, Bett liberally
like giving him loreleized cell number. Thanks a lot. But
you know that's that's the charm of the show, right
m hm. You know who stole the whole episode for
me was that giant fish at the end when when

(11:35):
it was just like listening to his ex wife's abusive
message and ran out of there, and then the camera
pans to the aquarium and you just see that giant
well I don't know what kind of fish it was,
but it was just like staring at us, you know, like, geez.

Speaker 3 (11:52):
What I like the I like the cuckoo person like
that was like eight o'clock at the awayssince.

Speaker 1 (12:03):
I've never seen a fish steal a scene that was
a scene stealing fish actually rewounded a couple of times
and cracked up just what I did with my mornings.
This is what it's come to. But I'll tell you,
if it's going to come to something, it's a good
thing to have this show to make you laugh.

Speaker 5 (12:21):
Man.

Speaker 3 (12:22):
I liked your scene in the beginning when you were
complaining about the lactating lady at the table.

Speaker 1 (12:27):
You know, that was odd. That is so. And here's
people ask me this question all the time, you know,
are you like Luke in this circumstance. No, not even close.
And I have actually intervened in public in situations where
somebody is giving a woman who's breastfeeding her child a

(12:49):
hard time about it, and I I'm I've stepped in
and say, yo, back off, stop it, stop stressing her out,
and stop stressing her baby out. Just walk. You know,
it really really pisses me off when people, you know,
get all offended, and it's.

Speaker 3 (13:10):
Like, I agree, that just makes refer to your your performance.

Speaker 1 (13:15):
I thought you were No, no, I know, but but
I'm answering the fan question, like, are you like, look
in this situation, it was uncomfortable to watch that. That's
the character, that's how he feels. Fine, but I don't
feel that way in any way, shape or form. You know,
you got to feed your kid. You gotta feed your kid.
I mean it's the most you know, natural, natural, natural
thing you could do, is feed your child. I mean,

(13:35):
how dare anybody try to interrupt that?

Speaker 3 (13:38):
You know, I mean just go to Europe and you
see it all over the place.

Speaker 1 (13:42):
Oh yeah, yeah, I don't. I don't get why people
are so. I don't get it. Yeah, providing nourishment to
a baby angers people. Okay, yeah, that's weird.

Speaker 3 (13:53):
I'm offended. That's well, that's my own people say, oh
that I'm offended.

Speaker 1 (13:59):
Well, yeah, that's your problem. Okay. So now laurel I
and Roy are back for Friday night dinner after the
Peyton debacle. Emily is predictably cold with laurel I now
because all her hopes are dashed of maybe traveling in
Peyton's private jets to Maui as a as an extended family.

(14:21):
For some birthdays or weddings, who knows. Laura Lai actually
apologizes and she explains that she had a bad time,
but she's willing to go to the Bowie concert. What
do you think about that? You think she should have
stood her ground or.

Speaker 3 (14:40):
I think she did the right thing. Yeah again, I
think her parents should have.

Speaker 1 (14:46):
Prefaced take one for the team before.

Speaker 3 (14:49):
Even going on the date. Listen, Yeah, this is maybe
not a normal situation. Just please be aware of like
what happens with the dates so that h this was
avoided from the get go. But I did think it
was sweet. And I think this is what happens in

(15:11):
relationships where people dig into whether they think they are
right and they will not acquiesce and they'll just dig
their heels in. And this is where I think it
can cause major riffs in relationships and families. Whereas I
think Loralai shared with us a very important lesson that
if you really care about the people and your family,

(15:32):
that sometimes you may have to choose between being right
and doing something that is loving for the people that
you care about.

Speaker 1 (15:44):
Yeah, well said taking one for the team, Right, She
took one for the team. Good for her, she did,
and she had a great last line, very funny line
she takes. She says, Yeah, what was her last line
to tell are to borrow a sweater for the concert?
Borrow Rory's sweater for the concert because she liked Rory's

(16:06):
blue sweater and she should wear blue more often, you know,
in the first time they come in.

Speaker 3 (16:11):
What was the last she said? I think it was
a David Bowie lyric at the very end when she
grabs round, control the major town, control the major top.

Speaker 1 (16:20):
Yeah. Colin, let's talk about you a little bit. You're
in the season four episode seventeen Girls in bikinis, boys
doing the Twist, and we had you on a few

(16:40):
years ago. Talk about it. Yeah, And you've had a
lot of roles in TV shows. Is this one of
your fondest memories of being on set for a day? Absolutely.
I was new to Hollywood.

Speaker 3 (16:53):
I think I was maybe twenty seven or twenty eight
years old, and my agent called me up that morning
and said, Hey, I'm sending you an audition for Gilmore Girls.
It's down in I think it was like Manhattan Beach
or Redondo, And he said, the audition is this morning,
and if you get the role, you're working today.

Speaker 1 (17:16):
No, I quickly printed a lunch. Oh yeah.

Speaker 3 (17:18):
So I was like, oh yeah, thanks a lot for
the heads up. But that's how TV and film works.
It works very quickly, and as you know, and so
I printed out the sides and I jumped in, you know, shower,
jumped in my car and driving down from West Hollywood
to to I think it was Redondo, you know, looking
trying to memorize my lines while I'm like making sure

(17:39):
I'm not running through red lights. And finally got down
there and I walked into where they had rented this
little motel right on the beach, and so they brought
us up to where the casting was and there was like,
I don't know, it must have been like fifteen or
twenty other guys. So we're all sitting there waiting, and
one by one they brought us in and audition came

(18:00):
back out. And then it was one of those moments
where I mean it was it was magical because the
casting director comes out and she says, okay, everyone can
leave except for Colin. I was like, all right, amazing.

Speaker 1 (18:13):
This is cool.

Speaker 3 (18:14):
And then she comes up and says, hey, Colin, thanks
so much for your audition. You know you were great.
But we have one more actor that's on his way
over here, so if you wouldn't mind just sticking around.
And I'm like, oh, I'm sitting there waiting, And it
must have been like fifteen or twenty minutes, and finally
this guy walks in. And I had been studying with

(18:34):
this acting coach named Chris Fields. And in Chris Field's
acting class, there was this guy named Dan and he
was like this more experienced, really good looking guy, super confident,
like everyone wanted to be like Dan in acting class.
And so when Dan then Dan walks in and I'm
just like, oh, I mean, I might as well leave

(18:55):
right now. Here's Dan. He's gonna smoke this audition and
I might as well just like head back to West Hollywood.
So he's like, hey, man, what's going on. I'm like, hey, Dan,
good to see you. So he goes in audition, comes
back out, and you know, he's got a smile on
his face when he comes back out and sits down,
and then she comes back out and says, all right, Dan,

(19:18):
thanks so much, Colin, you can go to wardrobe. And
I was like, holy crap, man, like so it was
it was pretty special and just to be on that,
you know, obviously a hit show. So early on in
my career, I'd come from soap opera, but that was
my first I had done Law and Order SVU. I

(19:41):
played a mail escort. But other than other than that,
not so much on my resume.

Speaker 1 (19:45):
And how did Dan end up doing? How's he been doing?
Did he did he book some stuff?

Speaker 3 (19:51):
You know? I I think I saw him in an
episode of something else, but I have I've lost touch
with him. But uh yeah, I'm not I'm not quite sure.
I'm sure he's I'm sure he's doing all right.

Speaker 1 (20:03):
Yeah, Well that's a that's a great story. Yeah, you
had there, that was stressful for you?

Speaker 3 (20:08):
Oh yeah, I mean, how was your audition for Gilmore Girls?

Speaker 1 (20:11):
Though? Pretty easy, breezy. You know, it was just to
be a guest star in the pilot. And I just
went in and did a scene. And you know, I
was supposed to prep two scenes, but there was a
type all on the sides that said duke on the
other scene. So I didn't prep it and they told
me to prep it outside five minutes, came back and

(20:31):
did it. Left. I wasn't. I felt a good vibe
in the room, right, you know, you know, you feel
the vibe or not right. Usually it's like pretty awkward
sometimes you know, and it's like, you know, it's not right. Yep.
But this one felt really right. The part felt really right. Whatever.
But I hadn't invested everything in it. I had three

(20:52):
auditions that day. I was running around town. I was
on the west side. I had to get back to
I was teaching an acting class. So I had to
get back and I do the second audition, i'd do
the third audition. I had to drive all the way
across town and bumper to bumper traffic. I was going
to be late, so I I, you know, I didn't
really you know, I was just like I went in

(21:12):
there and I was a little impatient with him. I
was cool with him, but I was like, all right,
let's go. I gotta do this. I gotta get out
of here.

Speaker 3 (21:20):
And so that was the audition that did they bring
you back to tests?

Speaker 1 (21:24):
No, no, no, it was just that was the only
audition I got on the back door. And then you know,
worked out on set when we shot the pilot, and
then they offered two episodes, and they offered four episodes,
and we just you know, held firm and said just
give us a deal. And they gave us a deal,
so awesome. Bought a bing, bought a boom, right, yeah, yeah,

(21:46):
one of those things. One of those things.

Speaker 3 (21:48):
Do you miss the the in person auditions and doing that?

Speaker 1 (21:53):
I do, Yeah, I do, I really really do. I
just I just did an audition that I you know,
you put on tape. Now. Yeah, so the first time,
and I've been doing this for a couple of years,
right that this has been happening for for you know,
five six, seven years now that you're you're doing it
on your cell phone. And but this last one was

(22:14):
for a Sydney Sweeney film and so I, you know,
I set up the camera and I, you know, I
put the wardrobe on, I did the whole thing. But
you know, you can do good work. It doesn't really matter, right,
They just need to see the work. But I don't know.
And in a lot of ways, it's it's far more

(22:34):
convenient you get you don't A big chunk of your
day isn't taken. And uh, you know, driving and parking
and sitting because it's always a long walk from the
parking lot. It's one hundred degrees.

Speaker 3 (22:48):
You have to park at Warner Brothers Lot seven and then.

Speaker 1 (22:52):
Crush right, take a taxi down bar Ham.

Speaker 3 (22:57):
And then walk through you know, giant studios to get
to the one little casting office.

Speaker 1 (23:05):
Yeah right, you pass like five movie stars and fourteen
TV stars and you feel smaller. And by the time
you get there, yeah, Paul.

Speaker 3 (23:12):
And a gladiator and a dwarf, and.

Speaker 5 (23:16):
You just it's it's, I don't know, yeah, like running
the gauntlet, right, yeah, it's like, well, then you get there,
you're sweaty, you don't feel too good, and.

Speaker 3 (23:28):
You see seven other guys from hit TV shows and
you're like, I'm never gonna get right.

Speaker 1 (23:37):
Yeah. Yeah, you know, I learned how to be you know,
if if you're a little bit obnoxious in the room
and you throw them off their game, you know you
can get the edge, you know. Guess you're kind of
loud and sort of happy. Yeah, you take one innocent victim,
you said, I said, what's up?

Speaker 2 (23:55):
Man?

Speaker 1 (23:55):
How you you know, you just start chattering and everybody
just looks, you know, they give you.

Speaker 3 (23:59):
Reach and grab potato chips out of there.

Speaker 1 (24:02):
Right, you gotta have audition room game. Yeah right, it's
a thing. It is a thing. It is a thing, man,
that's a it's a whole war.

Speaker 4 (24:12):
Man.

Speaker 1 (24:12):
It's like, I'm getting this role, and I'm gonna jack
you up to get this.

Speaker 3 (24:16):
Role, or at least I'm gonna make you remember me.

Speaker 1 (24:19):
How many how many times have you been sitting there
nervously waiting, waiting, waiting, and then some boisterous idiot walks
in right and he throws you off your gain? You
don't want to Oh, hey man, good to see you.

Speaker 4 (24:31):
Bro.

Speaker 3 (24:31):
Well you're looking wow, man, you look so handsome. And
what have you been dude, you've been working out?

Speaker 4 (24:37):
Wow?

Speaker 3 (24:37):
I'm like, shut the f up.

Speaker 1 (24:40):
Just go over there. But he's in your head now,
and so that works that I was, that's intentional, my.

Speaker 3 (24:47):
Head down, looking at my sides, pretending I was like
studying them so and I wouldn't even look at whoever
would walk in the room until I would walk out.
And then cause, yeah, some guys just like to chit chat,
and I think they literally do that to try to
throw you off your game.

Speaker 1 (25:02):
Oh there's no question. Yeah, no, it's it's you gotta
have game. But no, no, no, I didn't do that on
that one on the on the Gilmore audition, it was
just you know, I didn't wait very long. They saw
me right away. That's good. Yeah, yeah, it was pretty quick.
It's not like they were waiting for me or anything.

(25:23):
But it was like I signed in and then I
sat down for like seems like a minute, and they said,
all right, they're writing and I went in, Yeah, no
big deal, mm hmm.

Speaker 4 (25:32):
Yeah.

Speaker 1 (25:32):
I wish they were all like that, right. Yeah.

Speaker 3 (25:36):
I started producing my own projects so they don't have
to do that process because it's just so annoying having
to audition and wait until you get chosen. So I
just produced a film in Chicago a couple of months ago,
and it's fun being on the other side getting to
choose the other actors, and it's just amazing just watching

(25:59):
when actor submit, you can definitely tell the actors that
have done the work and have prepared and the other
ones that are just kind of like trying to figure
out the like have you read this? Did you even
look at this before you turn the camera on. It's
it's incredible, like how unprepared some actors are.

Speaker 1 (26:16):
But I understand, you know, auditioning is an acting, it's
just a it's a show. You just put on your
gun slinger. You're a gunslinger and you go in and
you flip the psychology and you take the room. And
that's that's what you have to learn how to do
shots on right, because it's not about act I mean,
it's like and if you're the if you have a process,

(26:37):
if you have any kind of process in place, right,
don't want to make choices right away, and you really can't,
and you and auditioning forces you to make choices. And
that's why I was bad at it for for a
long time until I figured out, you know what, let
them see your process. Don't give them something complet lee,

(27:00):
but let them see that you have a process, you know,
and that you have an idea here.

Speaker 3 (27:05):
So what would that look like for you?

Speaker 1 (27:08):
Going with my first impressions, like trusting my instincts, my
initial instincts when I read the script and then you
get a feeling, you get a vibe, and then something
happens when you just sort of read the dialogue you know, flatly,
and then you go oh, and then choices are kind
of made for you instinctually. And I go with that.

Speaker 3 (27:30):
So how would you show them that process when you
walked in.

Speaker 1 (27:33):
The room, turn around, you tell them I just want
to take a minute. Okay, yeah, then you turn around,
turn your back on him. You count to about thirty seriously, seriously,
and then you turn around and you go all right,
I'm ready because now you have their attention.

Speaker 2 (27:54):
Yeah.

Speaker 3 (27:54):
I would do that, just not that long.

Speaker 1 (27:57):
But that's oh yeah, thirty second.

Speaker 3 (27:59):
Oh yeah, that's that's ballard.

Speaker 1 (28:01):
Sometimes it doesn't work though, like, okay, come on, it's like,
do you mind we have a lot of twenty.

Speaker 3 (28:10):
Other actors out there. Come on, and you turn around
to be not to.

Speaker 1 (28:17):
Be anything, to get their minds off of the fact
that they have multiple offers out to big names. Yeah,
whose agents are giving them headaches, and now they have
to deal with you, a total unknown right when you
were unknown, and it's like they're not interested. You got

(28:39):
to get there. How do you get their attention? You
got it? That's the game. It's like, how do you
get their attention? How do you get them to focus
on you and stop thinking about you know, mister Superstar
rejected their first two offers.

Speaker 3 (28:53):
I would do things like I auditioned for I remember
Tarzan was being made at WB and I in the
middle of one of the scenes, I just did a
cartwheel and like landed to like to start the scene,
like I was like, landing as Tarzan. That's great from
a rock and then and you can tell like they
all start smiling.

Speaker 1 (29:14):
That's fantastic.

Speaker 3 (29:15):
Yeah, because you had to do something.

Speaker 1 (29:17):
I remember, get that energy going.

Speaker 3 (29:19):
I brought a six pack of coronas to uh the
head of casting at Warner Brothers.

Speaker 1 (29:26):
Who is it, Marian Dherty and for film or TV
for a film. I don't know if Marion was still there, not.

Speaker 3 (29:32):
Sure if she's still there, but things like that because
I I auditioned for I think it was Badman, like
years later and she was like, she was like, thanks
for those six packs for the coronas. And I was like,
you I go, you remembered.

Speaker 1 (29:48):
She was like A don't huh. That's good, right, you
gotta do something different, right, that's brilliant. All right, So
we're kind of out of time. You got to come back, Colin.
Thanks so much, nice child. Put it up with you, buddy,
and luck with everything, and please thank you do come
back because this is these shorter segments about forty minutes.
It's not enough time.

Speaker 3 (30:09):
By the way, can I plug my latest film that
just came please do. It's called Where the Wind Blows.
And it stars myself, Ashley Elaine, Trevor Donovan, Rob Mays,
Michelle Hurd, Lachlan Murdoch and c Thomas Howell. And it's
set in eighteen ninety in the Old Pioneer West. It's written,

(30:31):
it's based on a best selling novel by Carolyn Fife,
and it's a it's a romancy old Western cowboy type film.

Speaker 1 (30:43):
Where the Wind Blows Colin Egglesfield and you have your
own podcast, Beyond Impact Podcast That's Right, which helps professionals
with public speaking. Colin, thank you for your time. Thanks Scott,
it's great to see it. We will see you again
in the not too distant future. Be well, my friend.

Speaker 3 (30:59):
Thanks.

Speaker 1 (31:00):
We're gonna wrap this up here. Thanks to the best
fans on the planet. Keep the cards and letters coming,
uh we need them, We want them. Love the feedback,
and remember where you lead, we will follow.

Speaker 4 (31:11):
Stay safe, everyone, Everybody talks again.

Speaker 1 (31:42):
Follow us on Instagram at I Am all In podcast
and email us at Gilmour at iHeartRadio dot com.