October 2, 2023 • 59 mins
This episode is jam packed!
Even though we're Dog Tired of Rory and Lorelai's estrangement...they have a dramatic confrontation.
Hot Diggity Dog, did you see that Frisbee catch?
Lorelai and Luke had a little fight, Luke isn't in the Dog House, we love that he knew she didn't want the Twickham house.
Even though TJ IS in the Dog House after the hole in the house, it's hard not to love him.
Dog Gone It...should Luke have spilled the beans about the engagement to Rory?
It's a Dog Eat Dog world when you have community service, right Rory?
Oh...and PAUL ANKA join the family!
See omnystudio.com/listener for privacy information.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
I am all in you.
Speaker 2 (00:16):
I am all in with Scott Patterson and iHeartRadio Podcast.
Speaker 1 (00:21):
Hey everybody, Scott Patterson, I am all in podcast. I
Heart Radio one eleven productions. We are joined by my
partial intrepid cru Suseyn French are newbie and and you
know where you lover are Stalwart, Amy Sugarman. Tara sued
is on an airplane right now. Danielle Romo may be
(00:44):
in labor right now, so we are we're praying for
a beautiful outcome.
Speaker 3 (00:50):
There before we start fight face. This is a do
you know what you might not know because you're in
canad working.
Speaker 2 (01:01):
Yeah, we get to see Sullivan's crossing.
Speaker 1 (01:03):
Oh my gosh, right October fourth, Yes, c W at
eight seventh Central, so you can stream it on the
CWP too.
Speaker 2 (01:14):
So yeah, so this Wednesday, if you're listening on Monday,
this Wednesday. And word on the street is it's very
good A.
Speaker 1 (01:22):
Word on the street. Yeah, we're pretty proud of it,
pretty exciting. It's very exciting. It's nice to be back
home at the CW. I started there in two thousand
and you know, it turned in it was the WB
and then it became the CW. What two thousand and
five or six. Yeah, and we were there at the
launch of the CW and it was a big deal
and it was everything was green and there was a
(01:43):
frog and there was you know, we did a whole
photo campaign and it was fun. It was just fun
launching a new network. And I'm still friends with a
bunch of the people that used to work over there.
Speaker 2 (01:54):
So it's funny. Some people are still there. You and
I were talking about that. Some of the people that
were there with Gilmore Girls are still there.
Speaker 1 (02:02):
Yeah, and you know, Next Stars taking a position here
with the CW, and it's a big relaunch and they've
got a sports division and they do football, and they
do golf, and they do they do nightly news and
they're really a major network now.
Speaker 2 (02:17):
And yeah, that's true.
Speaker 1 (02:18):
It's quite something to see the growth from two thousand
and sixty today. Very very proud of these folks. They're
doing a great job over there. So anyway, yeah, so
Wednesday night, ye October fourth, c W, eight o'clock, seventh Central,
Sullivan's Crossing.
Speaker 2 (02:33):
Check it out and everyone should watch because we will
be doing some special podcast episodes.
Speaker 1 (02:40):
So yes, we will, and I'm excited. We're going to
drop them into the feed and we're going to be
talking to the stars. Yep. And can I announce who
the first guest is?
Speaker 2 (02:51):
Yeah, actually, sure, yes you can.
Speaker 1 (02:53):
It's going to be the actual star of the show,
Morgan Cohen. And I think you're all going to love her.
We all do up here, and we're going to get
to know her a little bit and just look out
for that podcast episode. So anyway, aweso, let's get started here.
What did everybody think of the episode?
Speaker 2 (03:14):
Well, should we have Suzanne to our big synopsizing?
Speaker 1 (03:17):
Well, that's right, we got a synopsisizations from Susanne French.
You're on care right.
Speaker 4 (03:24):
This is a season six, episode two, fight Face. It
aired on September twentieth, two thousand and five. Feeling a
little lonely, Lorelai adopts a dog. Luke agrees to repair
Lorelei's house rather than buy the Twiguam house. This so
soon turns into trouble as TJ does some unwanted construction
on the house. Rory starts her community service assignment. Feeling
(03:45):
neglected and unhappy with how things are going. Rory visits
Luke at his diner and Luke lets it slip that
he and Laurlai are engaged.
Speaker 2 (03:53):
What do you think of this episode?
Speaker 1 (03:55):
I loved it. I really enjoyed it. It was very
very light and fun and delightful and breezy, and it
was a Dan Paladino written and directed episode. And you know,
I really, I really am digging on the Dan Palladino
writing style and the directing style. Not that I don't
love everybody else, but there's there's something a little different
(04:16):
about his episodes, and there's it's just kind of amazes
me every time I see it. Dan.
Speaker 2 (04:23):
I could be an idiot saying this, but it seems
like he really likes to write for you and Lauren,
you know, Luke and Laura Lai, to have there. There
was a lot of that in this episode, and I thought,
I loved it.
Speaker 1 (04:39):
It's some of the best. You know, what I really
saw in this episode was I really saw the relationship
between those two and it was just kind of a
delightful little journey there to see how they interact and
see how they are together. It's the best. I was
so comfortable in their presence and with their dialogue. And
another thing I noticed is it's it's really a wonderful thing.
(05:03):
And to have a scene partner like Lauren who you
can trust because we're doing all that fast dialogue back
and forth. And I always trusted that she was going
to be there timing wise, because it's all timing as
you see, right, And you know, I know she could
trust me too to keep the ball in the air,
because if there's a little too much of a pause
(05:24):
here and there, then there goes right out of the scene.
And it's like it's like pumping up a tire or
a balloon or something. It's the same.
Speaker 2 (05:30):
Principle, even when you're standing on a roof, when you're.
Speaker 1 (05:33):
Standing exactly, the timing was always there. She always delivered,
and she's just so great, so great at that so
and it really made those scenes. It was all timing
and and and pace and all that stuff. Difficult stuff
to do, but when you have a scene partner like that,
it's fun. You know, it's really fun.
Speaker 2 (05:53):
I'm sure we'll get to it. But two things, even
when you were arguing, it was great right and for
me because you still saw the love there totally. And
just even like the moment where Luke says we're good,
we're good, and you're like, oh, yeah, they are good,
(06:15):
Like they can have that and be good five seconds
later and I know what, we'll talk about it when
we get to it. But the fact that Luke realized
I'm not buying the Twickham house. She wants to stay
in this house was for me the moment of the episode.
Speaker 1 (06:33):
Really being in tune with her to that degree. What
does she want? Let me deliver what she wants? And
I love that roof scene too. I thought that roof
scene really defined their relationship to the point where they're
so comfortable with each other he can kind of, you know,
do a yellie thing like a lunatic on a roof,
(06:54):
but there's still love there. Yeah, and she understands what
it is and dissipated that that she was going to
ask her are we still good? No, we're good. She
didn't have to ask a.
Speaker 2 (07:05):
Question, and he was upset. It's like, you were upset
because Rory really threw you off. And we'll debate it.
I get why he told her. I mean the whole thing, Well,
we'll go through it, because that was sort of a
moment when you're like, oh, no, you told her, but
you kind of had to tell her and how could
(07:26):
you not tell her? And oh no, like.
Speaker 1 (07:29):
Just oh boy, yeah, great stuff, really great stuff. Thank you, Dan,
appreciate it.
Speaker 2 (07:40):
So we start with the Twickham House and Suki and
Laura liar in front of the Tickham House, and I
actually thought that scene was really funny because Suki knows
Laura life so well that she's like it's sticking right,
like the engagement and then they had It was just
a good scene.
Speaker 4 (07:58):
It was good to see Suki and I don't think
she had was in the episode before. I felt like
I hadn't seen her for a while.
Speaker 2 (08:04):
I totally agree. I totally agree, And I like how
she calls her out like are you gonna bolt? I'm
not gonna bolt, and then they sort of have their
flirty moment. It was a little dirty. It just got bigger,
that's what she said, you know, like they definitely throw
those sort of I don't know double entendre a little bit.
Speaker 1 (08:22):
I didn't understand what they were talking about. Y'all have
to fill me in later.
Speaker 4 (08:26):
It was good best friend time, like we did.
Speaker 2 (08:30):
Yeah, I mean one of them is is good greed.
It was just that was great. Then I think, do
we go to the community service. We see we go
to the community service right away, and the like leader
of the community service is kind of like that guy,
that guy that you see and everything. I have to
(08:50):
look up what his name was while you guys talk,
because that guy's in everything.
Speaker 1 (08:56):
Oh he was great.
Speaker 2 (08:57):
Yeah, and he's in it great.
Speaker 1 (09:00):
He you know, that was one of the best pieces
of casting I've seen on the show. I mean, he
really made me believe that she was in that situation.
That's exactly the type of guy that's going to be
employed at that level doing that in the Department of Corrections,
you know, you know what I mean. He was perfect,
(09:20):
and the casting for those extras was perfect. All these
shady looking people and then Rory.
Speaker 4 (09:29):
He really hit like every stereotype as they you know,
kind of panned across the room.
Speaker 1 (09:34):
Ye what was his name? What was Oh? John Capellos?
Speaker 5 (09:38):
He was he.
Speaker 2 (09:40):
Is in so many He's so good.
Speaker 1 (09:44):
He was so good.
Speaker 2 (09:45):
Oh man, I know I'm jumping ahead, but when she
says anyone need to smoke like, I was just like,
oh my god, I'd love to.
Speaker 1 (09:53):
I'd love to interview him, you know, if you get
him on.
Speaker 2 (09:56):
Yeah, I'm sure we can.
Speaker 1 (09:58):
Yeah, that'd be cool. He really hit it out of
the park, saying there's no there's no such thing as
small scenes, just small actors. This guy's a big actor.
You know. He really made it his own, really great.
Speaker 2 (10:10):
I agree. I think that's important for it to be believable,
and I actually sort of do even though she had
like fake dirt on her face. I do believe that
she did have a lot of fake dirt on her face.
Speaker 4 (10:23):
First of all, I.
Speaker 2 (10:25):
Know we're not there yet, but when she when the
person's mad, when she goes for the trash and the
person goes for the trash at the same time, and
then she takes the trashaw like the community service stuff
is actually kind of funny and laying better than I
even thought it would. Oh my god, you know what
(10:46):
I just realized as I'm looking him up. He's in
the breakfast club.
Speaker 1 (10:51):
Oh yeah, that.
Speaker 2 (10:52):
Guy's in the He's totally that.
Speaker 1 (10:54):
Guy, like he's like, he's like a badass in the
breakfast club. He was was heither janitor or something?
Speaker 2 (11:02):
I think, so I have to look it up, but yes,
now it's totally coming back.
Speaker 1 (11:05):
It's like they could they couldn't put one over on him,
and he just like, oh, he schooled he schooled the judge. Yeah.
Speaker 2 (11:15):
Anyway, Okay, so we go into the diner and that
was sort of interesting, Like at first I couldn't figure
out what you two were talking about, but you're talking
about Star Wars obviously last and that was that was funny.
(11:36):
That was a funny bit. And then you know, she
throws in George Lucas own San Francisco, and then you
go into Bewitched, which I actually also thought because I
they did sort of screw up Bewitched with that movie.
Speaker 1 (11:48):
Do you know why George Lucas got so rich?
Speaker 2 (11:52):
Don't tell me, hold on them. Let's think merchandise.
Speaker 1 (11:56):
Yes, because the studios at the time, what was it,
the seventies, Yeah, mid seventies, late seventies were not hep
to uh what merchandising could bring in, and George knew
that this was going to be a real windfall merchandising wise,
(12:17):
and so they cut him in. I don't know, I
think he got all of it. Whoa, I think he
got one hundred percent of the merchandising. I might be wrong.
Maybe the studios got a little bit, but he got
the lion's share of the merchandising in that and that's.
Speaker 4 (12:30):
Imperfectly Yeah, smart move.
Speaker 1 (12:33):
Yeah yeah, billions.
Speaker 4 (12:36):
Did you notice in that diner scene that they had
the windows covered, No, so you could like the blinds,
the blinds were partially closed, but you couldn't see through
them like they had the windows covered.
Speaker 1 (12:51):
In that first in that first the Star Wars.
Speaker 4 (12:54):
Yeah, the first diners, he's talking to TJ. I don't know.
I wasn't sure why that was if I thought maybe
the scene was shot possibly at night, and so they
had to cover the windows so they could blast them
with light and make it look like daylight outside.
Speaker 1 (13:09):
Yeah, that's they do do that sometimes. I do not recall.
All I know is that there we are as soon
as we see Michael day Lewis, we're laughing. The posture,
the attitude, and it's just like the guy. He's a
great physical comedian, yes, great physical comedic actor. He just
(13:30):
owns that character.
Speaker 2 (13:31):
We see more of the diner, and there was some
interesting shots of the diner in this episode where you
see more because obviously we see where the shelves went
and that wasn't something that I've ever like. I didn't
really know that it went around like that. There's sort
of that little alcove there, and then later there's another
scene where we see the two tables shot just differently.
(13:53):
We just saw more of the diner in this episode.
Speaker 4 (13:57):
I love it when TJ said he was going to
give Luke one of the shelves is a wedding gift,
but then he raised the price on the other two shelves,
so it came out the same.
Speaker 2 (14:09):
Oh man, it's a good scene. It's a good it's
all good. Their banter's good right from the start. And
then does she say bye doll? Did I mishear that
or does she say bye doll? I'm oh, I think
so cute. It was cute.
Speaker 1 (14:25):
It's just everything between those two, Luke and Laural ives
just a delight to watch. It really solidified and and
and showed how easy their relationship is and how comfortable
they are. Yeah, they've found, they've found, they've both found
their north stars.
Speaker 2 (14:44):
Should we stop going to movies? She said? Should we
stop going? She said, should should we stop going to movies?
Because they just argue and banter about the movies. It's
just they have a great relationship.
Speaker 1 (14:55):
Yeah.
Speaker 2 (14:57):
I love in this scene when.
Speaker 1 (14:58):
They're both highly critical people Yeah, they like to go
to things, you know how it's kind of fun to
go with go to the movies and then pick them
apart at totally totally.
Speaker 4 (15:09):
I also love how you just kind of what we're
doing do a podcast about it.
Speaker 2 (15:13):
Exactly, good one, Susan, exactly. Is this the scene where
he says I think he says like both our ladies
were squiring them or something like he's kind of doing that.
Oh my god, and Luke's like, that's my sister, Like stop.
It was just a good bit. It was just all good. Yeah,
(15:37):
and then he gives that random couple's card.
Speaker 1 (15:40):
Oh god, that was funny. He's just so you don't
want to seem to end, you know, It's like you
know it's going to end, and you just sort of
feel it's gonna end any minute. But it's like, no,
I hope there's I hope Luke comes back and there's
more engagement, but you can go. I just want to
see I just want to see Dailuise on screen more,
you know.
Speaker 2 (16:01):
Yeah, I mean I I love him, and I actually
liked seeing Liz back again. We haven't seen them in
a bit, so I was happy about it.
Speaker 4 (16:09):
Then we go to the hilarious.
Speaker 2 (16:11):
Then we go to the scene in the center of
town town square, and we see the animals and we
meet paul Anka for the first time. I never I mean,
I had forgotten that sort of her history with animals.
That was a funny bit that like I'd slipped my mind.
Speaker 1 (16:33):
It was, it was, and it was good to see
Liz Torres come in there and deliver yeah, some great stuff,
you know, and uh yeah, that was that was a
nice setup for what came later, you know, because it
because we mentioned there was a Luke and Laurel. I
seen in there when he's meeting the dog for the
first time where it pays off in there.
Speaker 2 (16:52):
And that was even better because it's like very subtle
at that point when he's like should should you?
Speaker 1 (16:58):
She just jumped off. Was so funny.
Speaker 2 (17:02):
Speaking of the timing, like that's where you guys are
just like home runs, because that's not easy and it
only works because you're so subtle about it, and she's
so it was a hamster was defective. There's like a
pig in town, the rabbits, it's just the turtle, the
(17:25):
whole It was just really good. And then we see
now this was the first time I have noticed Loralai
really wearing her ring, her engagement ring. I don't know
if I missed it sort of at the end of
the other episode, but I definitely was noticing it, and
then we bump into Liz and they're talking about being engaged.
Speaker 4 (17:49):
Yeah, because the last episode ended with Luke coming in
and saying, you know, time's here, let's go, like, so
she hadn't didn't even have the ring yet, yeah, at
the end of the last episode, So that was the
first time we saw her wearing it.
Speaker 2 (18:03):
It's great. Now, Okay, this is something that I've been
excited to talk about. Should she change her name?
Speaker 1 (18:12):
Well she if she proposed to him, oh god, then
probably not.
Speaker 2 (18:19):
You know, can you see her being Laura I can Danes?
Speaker 1 (18:25):
I can? I can?
Speaker 2 (18:26):
I can see her hyphenating oh, Gilmore Dan because she
already has kind of, you know, her professional career going,
and people know her as Laura Gilmore who.
Speaker 4 (18:36):
Owns the Inn, and I see her as a hyphenator.
Speaker 1 (18:41):
That's a good that's a good flow of a name,
Laura Gilmore Danes.
Speaker 2 (18:44):
It's not. Yeah, it's pretty good.
Speaker 1 (18:45):
That's kind of cool.
Speaker 2 (18:47):
But I had never thought about that before until you know,
because we have this, we're able to talk about it.
I was like, oh my god, she wouldn't be Laura
like Gilmore and I love that. Liss is like we're
sister in law's like, you know, it's just everything's perfect
in this episode so far. It's moving fast, there's new things.
(19:08):
She takes the dog and you're like it was almost
so like quick and subtle that you're just like, did
she just get a dog?
Speaker 4 (19:17):
Oh my god?
Speaker 1 (19:18):
Why does Luke hate dogs?
Speaker 2 (19:20):
I don't know. He doesn't seem to type.
Speaker 4 (19:24):
He gave a pretty good list. They smell. They know
he gave a whole list about why he hates dogs.
Speaker 1 (19:31):
But that doesn't that seems a bit out of character
for me.
Speaker 2 (19:35):
I agree. He seems like he would have a dog
in that truck to take.
Speaker 1 (19:38):
Fishing absolutely, you know, especially God, Yeah, yeah, I love dogs. Yeah.
Speaker 2 (19:48):
It seems like, yeah, then you'd think that they would
have had Luke be a dog guy. I don't know
why they're not, because it doesn't really change anything. If
he was a dog guy. I guess you'd have to
be more.
Speaker 1 (19:57):
Like, yeah, it was anyway.
Speaker 2 (20:02):
So we go to the Gilmours and the breakfast spread
was so amazing that I literally was like, can I
live there?
Speaker 1 (20:14):
Right? Yeah?
Speaker 4 (20:15):
I loved when Emily when they were leaving and Emily says,
finish the rest of this, and Barye's like, I'll try.
Speaker 1 (20:21):
Amy, you would have You would last about five minutes
with Emily.
Speaker 2 (20:26):
Would not go well.
Speaker 1 (20:28):
It would not go well. You would get in her
face and you would storm out. Give me a break.
Speaker 2 (20:33):
Come on, I would enjoy I would enjoy the food.
But yeah, she's yeah, but she's very you get in
this episode why she drives Lorlai crazy because she's subtle
with her controllingness, if that's a word. It's so passive
aggressive and it's like, oh yuck.
Speaker 1 (20:57):
Yeah, she was particularly rough with Rory was and.
Speaker 2 (21:00):
She in a passive aggressive way, like suddenly Rory's joining
the da R Like what in the heck?
Speaker 1 (21:07):
H Well, now she's got her under her roof, so
you know, it's easy pickings. Now she doesn't even have
to go through Lorela anymore. Yeah, she can just you know,
she can just be her her horrible self. I mean,
she walks into the room with that. They want to
talk to her, and she's like sit, sit, like she's
a you know, like she's a domesticated house pet or something.
(21:32):
A couple of questions your granddaughter like that, you know, when.
Speaker 2 (21:35):
You steal a yacht, why do they impound your car,
because like, it's if her car was in the parking lot,
it's not.
Speaker 1 (21:43):
Like they used the car and the commission of the crime.
Speaker 2 (21:46):
Like that didn't really make sense to me, because I'm like,
but yes.
Speaker 1 (21:49):
I just explained it. She they used, she used her car,
and the commission of that crime. Did she Yeah, she
drove to the dock, right, How did she get that?
Speaker 2 (22:00):
Not a lawyer nor police officer.
Speaker 4 (22:03):
No, it's probably like some private parking lot for the
harbor or something. And when she was in jail.
Speaker 2 (22:08):
They came and told her car. That all makes sense,
but they also have money, like they could have gotten
her car back. The thing. I kind of liked in
that scene. And I don't know, I want to hear
what you guys say. She talks about the car being
and impounded, and they sort of say it's forgotten. It's forgotten,
(22:32):
like the yacht, the whole thing, it's forgotten. I don't
know if that's good parenting and quotes are bad, but
I sort of thought, Okay, I'm gonna give them some
points for that. They're not beating her.
Speaker 1 (22:45):
Up over it.
Speaker 4 (22:46):
I felt a little bit differently about that. I felt
it was because Emily literally said, She's like, oh, it
didn't happen, Like you're not gonna have to face any
consequences for what you did, Like we're just basically they
kind of replace Lorelai as their daughter and now the
three of them are going to move on with their
lives together. I did notice that because they were completely
(23:10):
dismissive of the whole thing, like she hadn't just done this.
And Emily makes a comment about the orientation and she says, oh,
you're bearing this angelically like like.
Speaker 2 (23:24):
Rory's the victim.
Speaker 4 (23:26):
I just I thought that was a weird take.
Speaker 1 (23:29):
So what more can they do? I mean, she's already
getting three hundred hours and she's got to do it
in six months. That's almost a full time job. I
mean she's putting in, you know, a lot of hours
per day to get that down to zero. So it's like,
I don't, Yeah, this state has stepped in and meet
(23:50):
it out there justice and you know.
Speaker 4 (23:52):
Yeah, I mean I can see that too. I don't
think they should necessarily keep punishing her over and over
again for it. But I just thought it was interesting
how they really kind of had the attitude that, you know,
none of this was Rory's fault and she was the
victim in the hole.
Speaker 2 (24:07):
So yeah, I think both takes are kind of interesting
because I sort of liked how sweet they were and
that they weren't beating her up over it. But then
I also get your point where you're like, she committed
a total felony, Like what what are we doing? So
we go back to we see her in the chair
with the TV on, and then she's got the bathing
(24:30):
suit on, and all of a sudden, I'm like, oh
my god, she's totally bored.
Speaker 4 (24:35):
It was so symbolic, right, like she's sitting in this
empty room. There's nothing in the room, there's nothing in
her life, Like she doesn't have her mom, she doesn't
have school, Like she's just literally sitting in an empty
room symbolically as well as physically.
Speaker 1 (24:52):
Yeah, but she does have the graduate, she does have
Mike Nichols and Tustin Haman and that great scene.
Speaker 2 (24:59):
I'm so I'm so happy you're saying that, because I
was like, is this Jacques Cousteau like she was watching.
Speaker 1 (25:06):
That was exactly the scene where he took some time
off from his getting his PhD. He or no a
fast great remember, and then he's he's on the He
hadn't started the I don't think he'd started the affair yet. No, no,
he had started the affair. Uh oh no, that was
(25:29):
his birthday present. Okay. And Anne Bancroft and her husband
came over that that great actor who was in Jaws. Gosh,
his name escapes me.
Speaker 2 (25:38):
Schneider. No, no, the main guy in Jaws.
Speaker 1 (25:44):
No, no, no, I'm talking about the graduate, right, but he
was in Jaws. Uh, Anne Bancroft's husband in the Graduate. Yes,
he was in Jaws as the town mayor.
Speaker 2 (25:56):
Oh not Roy Schneider, okay, hold Robert Shaw now the mayor,
the mayor, Murray Hamilton.
Speaker 1 (26:03):
Murray Hamilton, that's him. Fantastic actor. Wow, he was in
the Graduate. So anyway, so that's the scene in the
Graduate where he put on his They were all waiting
for him to put on his his deep diving equipment
and test it out in the pot. And he felt
like he he he just felt like, what is my
(26:27):
life turning into? And then he starts up the affair
with the bankroft friend's wife. I'm that's the but I'm
let me get to the scene. So the scene is
he's laying on the raft after and his father comes
by and says, Benjamin, Benjamin, have you thought about graduate school?
Have you thought about this? And he goes, no, I'm
(26:49):
just sort of taking some time off, and and his
father says, well, you would think a person who's put
in some good hard work and has earned some accolades
would want to get off his but he says, there's
no problem with a young man taking a couple of
weeks off. It's great, you've earned it, but now it's
time to get off your ass. And so that's what
(27:11):
the reference was.
Speaker 2 (27:13):
But that's so it's so major, and like I'm bummed
I didn't get it because it's so parallel. So it
was really actually genius. I just didn't get it because
I was like, is a joque custa? Like I didn't
understand what was happening. But it's the parallel to Rory.
Speaker 4 (27:30):
Yeah, So she's literally watching.
Speaker 2 (27:33):
Her own thing.
Speaker 1 (27:35):
She's watching her I think it.
Speaker 2 (27:36):
Just popped into my head. If she's got three hundred
hours of community service in six months, she actually couldn't
go to school.
Speaker 1 (27:44):
Right, right, yeah, yeah.
Speaker 2 (27:48):
I mean I guess if she was still in school,
maybe they give you a longer time. I don't know.
Speaker 1 (27:57):
I guess it is odd that they gave her three
hundred hours if they If did the judge know that
she was in school.
Speaker 4 (28:05):
You would think the judge didn't know that said you're
a student at Yale, and Rory said yes, so she knew.
Speaker 1 (28:11):
Although technically back again, giving a student, any student anywhere
trying to get by, you know, trying to do their studies,
giving them three hundred hours of community service, it's just
it's just like overkill. It's like you're ruined that kid's
school year. They're gonna they're gonna fail. Right, they don't
have that much free time. How's she supposed to study exactly?
Speaker 2 (28:31):
So anyway, I mean, I think that's kind of an
interesting thing. Interesting and that she's bored and she's, you know,
happy to polish silver. I don't understand why she's not
realizing I need to go back to you. What am
I doing?
Speaker 5 (28:48):
So?
Speaker 4 (28:48):
A fun fact on the silver polishing scene, where Rory
is speaking beginner Spanish with the Maid people, fans, some
fans probably already know this, but Spanish was actually Alexis's
first language. Yes, she didn't learn English until she went
to school, so I forgot that.
Speaker 2 (29:13):
So yes she should have.
Speaker 4 (29:15):
She didn't speak Spanish when she did that scene. I
always thought that was kind of a fun.
Speaker 2 (29:19):
That's a great note. That's a great note. So I
want to talk about the scene now after this where
Luke meets paul Anka. So Segott, tell us about your
thoughts with that full scene where you come in and
you're meeting paul Anka for the first time.
Speaker 1 (29:36):
Well, it's always it's always takes a lot longer when
you're working with an animal or a baby, even at
Rubber Baby. But you know, it's nice to see a
dog on set. I'm a dog person, so I really
enjoy when when dogs are on set, and this was
a I remember this being a particular well behaved dog
(29:58):
and well trained, and they all are because you know,
the Warner Brothers only brings in the best animals. And
uh yeah, that was a very lovely, loving dog who
was very professional and didn't freak out and picked up
did all that it was supposed to do, and the
trainer the trainer was really great and you know, we
(30:21):
we we didn't like seeing that dog go. We wanted to.
It's rare that any actors want more animals on the
set because it just takes to so much time wrangling
them and handling that right. You know, they call they
cause a lot of delays because well, you know they're animals,
and you know people cause delays too, so uh but
(30:43):
it was Yeah, that was a particularly enjoyable experience. I
remember just really loving that scene and loving the work
we were doing.
Speaker 2 (30:50):
And there's a lot of movement. There's a lot of
movement in that scene. You're in the house, you're out
of the house on the one door, you come around
to the porch, you're back in the house. It was
a it's a good scene. And then there's major stuff
because we really start to get the vibe that Loralai
does not want to sell her house.
Speaker 1 (31:11):
You mean the movement from the living room to the
kitchen and then outside.
Speaker 2 (31:14):
Yep.
Speaker 1 (31:15):
Yeah, it's all shot separately, right, no, or with a
steady cam. They follow us into the You got Steve
with a steady cam strapped to him. That those things
are like eighty pounds ninety pounds hundred pounds. They're really heavy.
And Steve was always great. I guess he followed us
into that scene. If it was a continuous scene, we
(31:35):
just didn't just cut to it, and that's how you
get that master shot. But with the steady cam, you
can come in and get close ups, and you can
get two shots, you can get all kinds of things,
and sometimes they like to do that, I think, especially
to keep a scene flowing like that. And I'll go
back and watch it, but I think I think they did.
I do remember Steve with his steady cam, Steve we
called him, who even directed a really wonderful episode as well.
(31:59):
He earned his stripes man, you know, because that guy, yeah,
putting in a lot of work, a lot of legwork
doing that.
Speaker 2 (32:06):
So we go from that scene and then I think
we get to the scene where Rory's in a pretty
dress drinking club soda, and we learned that they're going
to help her find a job, and it was just oh, no, Suzanne,
were you like here we go?
Speaker 4 (32:24):
I thought Alexis did a great job in that scene.
The face acting. I know Scott says there is no
such thing as face acting, but when they were telling
her that they're going to find her a job. She's like,
oh really, Like she's you could see the wheels turning
inside her head. I thought that was a great scene
(32:45):
because she's like, oh, my gosh, how am I going
to do this?
Speaker 2 (32:47):
And I think she isn't standing up for herself because
she knows she's screwed up so bad and they've taken
her in and they're paying for everything that she feels
like she has to do what they say, right, you know,
I get that same vibe in the DAR thing, right,
and she she.
Speaker 4 (33:06):
Knows that she needs to keep them on her side
because otherwise she'll have nothing. So I agree that she
kind of felt like, I don't have any choice. I'm
going to have to do this.
Speaker 2 (33:18):
You see her face in that scene, and you see
her face with the ladies of the luncheon, which is
of a scene, but she feels like she's just going
along with it because she has no choice.
Speaker 5 (33:32):
Yeah.
Speaker 4 (33:32):
I agreed with that. And when the one at that
where they're sitting out on the patio and the one
woman asks when she joined the DAR, and she has
this look on her face like, Oh, that hadn't even
occurred to me to join the dar But then she's like, Okay, well,
I guess I'm joining right.
Speaker 2 (33:49):
She's just literally going to do whatever. Emily says. Although
those ladies.
Speaker 5 (33:54):
Talking about which forefather was the hottest, I thought that
was pretty funny because I personally I don't know what
any of them look like, so I that would not
even be something that I would think.
Speaker 4 (34:10):
To form an opinion.
Speaker 2 (34:11):
Not typically super attracted to George Washington or Ben Franklin,
just saying, oh my god, John Adams, I have no
idea what he looks like. Is that his name? Yes? Yes, Scott,
do you have a forefather that you thought was the hottest?
Speaker 1 (34:31):
I'm sorry, I just I don't think those terms regarding
forefathers crazy. But I've never sort of.
Speaker 2 (34:46):
Thing I love about it, isn't.
Speaker 1 (34:48):
It in that that way? That's a that's an odd
conversation for me to be engaged in.
Speaker 2 (34:53):
So I was like, who's ever had that conversation?
Speaker 4 (34:58):
It's so good, it's so da R.
Speaker 1 (35:02):
Yeah. I mean the Fellows were sitting around, Hey, hey, John,
glad you showed up. Listen, we're talking about the founding follows,
which one you know, get your motor runner? Can you
imagine Scott's like, once you think of the hottest.
Speaker 2 (35:13):
If you're the reverse. Scott's like, you know, Martha Washington,
she really did it for me.
Speaker 1 (35:21):
That's why it's That's why it's any funny face.
Speaker 2 (35:28):
The only bone to pick I have with that scene
is and Scott, you may be able to correct me.
You can tell when they're outside, and you can tell
when they're inside pretending they're outside.
Speaker 1 (35:41):
Right.
Speaker 2 (35:42):
It's like the juxtaposition between the DA R Luncheon where
you're like, you're acting like you're outside, but you're definitely inside,
and then the jeep pulling up and you're like, oh,
she's outside.
Speaker 1 (35:53):
Mm hmmm. Actually the jeep pulling up is inside.
Speaker 2 (35:59):
No, don't say that to me.
Speaker 1 (36:01):
To the to the Gilmore House. Yeah, it's inside. Stop,
that's not outside.
Speaker 4 (36:07):
What but at her house it's it was outside because
you could see the shadow.
Speaker 1 (36:11):
Oh okay, okay, it is outside Gilmore House.
Speaker 2 (36:14):
Okay, okay, Gilmore.
Speaker 1 (36:16):
House is on a sound stage.
Speaker 2 (36:18):
Oh my god, you panicked me there that when the
jeep pulls up to Laurelize House that it was inside.
I was like, well, then.
Speaker 1 (36:24):
That's definitely outside.
Speaker 2 (36:25):
So then we get to the scene my favorite scene
in this episode is you're all on the roof. Oh no,
not yet. This is where George, this is where we learn.
This is one of my favorite things. This is where
we learn that you, Luke slash Scott, figured out her
(36:45):
vibe that she doesn't want to sell the house. So
you're taking the measurements and figuring out how you're going
to remodel this house to make it work. Oh, it's
the sweetest.
Speaker 1 (36:55):
It's a great example of a relationship where you know everybody.
He's in tune with everybody, you know. It's like they
just kind of vibe each other. They feel each other.
Definitely feels her and what she needs and what she wants.
And I think he's right a good amount of the time.
I'm sure there's examples where he's been dead wrong and
(37:17):
he's been off the mark, and he's just a human
being like everybody else. But yeah, in this, in this regard,
he's really tuned into what she wants, which really makes
it appealing, you know, for me to watch, and I
think everybody else great character, great character.
Speaker 4 (37:32):
I love that scene. It was great between Luke and Lorelei.
And then you had the comic relief with TJ not
knowing how to work the screwdriver and paul Anka locks
himself in the car somehow. Like I just loved everything
about that scene. I thought it was good. And then
the frisbee. She caught the frisbee. How many takes did
(37:52):
that take?
Speaker 2 (37:53):
Oh my god, that was amazing. That was amazing. I
can't decide if we're blurring the two scene with the roof.
Oh maybe because this is but that's fine, everybody gets it.
There's two major scenes. This is just the preliminary one
where she learns they're not TJ hasn't made the hole yet.
Speaker 4 (38:11):
Oh, you're right, you're right.
Speaker 2 (38:12):
But that's fine. That's fine. But the frisbee, Oh my god,
the frisbee was epic, and she gets credit for the catch.
But good throw, dude, good throw.
Speaker 1 (38:22):
Huh he you know I still got it or had
it back then.
Speaker 2 (38:26):
You know, I just wrote in this particular scene, the
first house one, I just wrote, cute, really cute Luke,
Like he just is a great boyfriend, fiance husband, knowing
what she wants and not making a big old stink
out of it, just going I'm good with Like he.
Speaker 4 (38:44):
Just scheduled the guys to come over and start talking,
like he didn't even ask her.
Speaker 2 (38:49):
He's like, I'm just going to take care of this.
Speaker 4 (38:51):
And he gets the architect over there, and yeah, he
just starts moving forward because he knows that's what she's
gonna want.
Speaker 1 (38:57):
Yeah, and he's fully comfortable within the relationship now that yeah,
fully be himself. Not that he was hiding any part
of himself before, but now he's demonstrably Yeah, Loop dings right.
Speaker 2 (39:12):
Then to jump to the other roof scene, because we
might as well talk about it here since we're talking
about it. I love the scene. I love their sort
of fight that they work out. The only flag I
have is like, come on, TJ's that big of an
idiot that he's going to make a ginormous ole in
the house.
Speaker 1 (39:29):
Like, yeah, I don't know. I didn't really, It didn't
really track a register for me then, But now that
you say it, hmmm, that's a what kind yeah, exactly
what kind of a person would make create a hole
in somebody's master bedroom and then leave it like that
plastic putting plastic over or something. It just left a
(39:50):
giant hole.
Speaker 2 (39:50):
Well, and maybe if you had a misfire with a hammer,
right like you got someone I mean, I guess the
idea is he was trying to start the project to
like expand the bedroom. But it's just like what But anyway,
I mean I can susp what's it called suspend belief?
Speaker 4 (40:09):
Yeah, suspend disbelief, Yes, suspend disbelieve. But now we see
why he keeps failing the contractor exam.
Speaker 2 (40:15):
Right, it's terrible. So anyway, we jumped over a scene
that I love so much, which is Rory and Emily
in the Jaguar and she's giving her her rules for
community service. Two you guys, lunchbox. Lunchbox, she says, turned out,
(40:44):
turned out, she's I don't know what that is. And
the shift and the whole I just was like, I
am dying. This is so funny. Here's your cigarettes to barter.
Speaker 4 (40:59):
I can just see Emily walking into a liquor store
to buy cigarettes, the whole.
Speaker 2 (41:04):
Thing, and then she's like, I don't know that it's
helping us here in the jag which I also just like, yeah,
oh my god, that's so good. Anyway, Okay, so we
should talk about the scene where Rory comes into the
diner and Scott I really want to just sort of
(41:25):
hear you because I don't know what Luke was supposed
to do.
Speaker 1 (41:33):
You know, he's you know, he's in that strange kind
of in between place where you know, he's not her
stepfather yet, right, he's not. He's just been there her
whole life. He's just been there for her. So it's like,
(41:53):
you know, they have a closeness, but there's also a
bit I think he's so I think he's always been
so respectful of the closeness between mother and daughter that
he doesn't intervene without it being appropriate or asking permission
or you know, getting the go ahead from Laurele I.
(42:14):
So now that he's in a situation where clearly, you know,
she's in need of a little comfort, you know, a
shoulder to lean on or something. Yeah, because it's well,
you know, she didn't where else to go, yeah, right,
I mean he was the only one that has never
(42:36):
he's always been had her back and he's never been
judgmental of her. And yeah, I mean where else could
she go?
Speaker 4 (42:45):
Yeah, Like she couldn't. She knew she couldn't go to
talk to laurel I. So Luke's was kind of that
buffer zone where she could be loral I adjacent and yeah,
kind of scope out the situation without having to actually
talk to Laurai.
Speaker 2 (43:02):
What do you guys think she was going to say
to him?
Speaker 1 (43:06):
Like?
Speaker 2 (43:07):
What? What?
Speaker 1 (43:07):
What?
Speaker 2 (43:08):
What did she want to talk about?
Speaker 1 (43:09):
Like is she going to say to I don't think
she knew what she was going to say. I think
she was just seeking some comfort and a familiar place
that was going to put her mind at ease or
a different She wanted to come back to Star's Hall.
I think this is a way. It's like the waiting
room for getting back into her mom's house and her
house and she grew up in, and maybe she was
(43:31):
hoping that her mother would be there. I don't know,
but interesting, comforting, warm place that's in Star's Hollow because
she had to get out of that poolhouse. I think she.
Speaker 4 (43:42):
Wanted to know if Laura I was feeling as lost
as she was feeling, and so she was trying to
kind of figure that out without having to, you know,
just call Lorelai. And that's I think that's probably she
was just kind of putting her feelers out there to
to see what the what the environment was because she
was kind of feeling awkward and weird in this new
(44:06):
place in her life, and she was just trying to
see where Laurel I was with all of it.
Speaker 1 (44:10):
Yeah, growing pains right, just lonely. She just needed a
she needed some stars hollow, She needed a dose of
stars hollow and yeah, she just needed to relax and
be able to breathe a little bit. Do you think
he will not feel so out of place because I
think she now feels really out of place. Yeah.
Speaker 5 (44:29):
Yeah.
Speaker 2 (44:30):
Do you think there's anything Luke? Do you think there's
anything Luke could have done? Like, could he have said, Rory,
you need to get it together. This isn't you. You
should go. Should he have been more firm with her
and said, you need to go back to Yale, you
need to finish your community service, you need to make
up with your mom. Like, I don't know, I don't
know him, He's that's not him.
Speaker 4 (44:52):
Yeah, I don't see him saying that directly to Rory.
I could because he always has let Laurel I drive
that bus, so I he may have been thinking it.
I think she caught him off guard when she should.
It was late at night, he was closing the diner,
and I think she just kind of caught him off guard,
and he was like, uh, I don't know what to
do with her, and yeah, yeah, but I don't know
(45:16):
that he would say that directly to her because he
always was kind of behind, you know, lined up behind Laurlai.
Speaker 1 (45:24):
Yeah.
Speaker 2 (45:25):
Yeah, yeah, It's not him to do it. Do you
how do you think Lorelai should have reacted with Luke
when she finds out he did tell her they're engaged,
And I get why he did. It just sort of
came out.
Speaker 1 (45:41):
M hm.
Speaker 4 (45:44):
I felt bad for Luke because he was right when
he said that he was caught in the middle. And
you know, laurel I in her mind it's just between
her and Rory, and she was kind of forgetting that
Luke has a stake in this too, because that affects
him as well, and so I think she needed to
(46:04):
take that into account. So I was glad that he
said that and pointed that out to her because then
she realized, oh, wait, you're right, this does affect you,
So then she could see his side a little bit more.
Speaker 2 (46:16):
So, Scott, like, if you were.
Speaker 1 (46:19):
Luke, I am Luke, not were I am?
Speaker 2 (46:25):
Do you think he handled it right on the roof
sort of their little I call it a tiff? He
had handled it differently kind of telling her how he
told Rory about the engagement.
Speaker 1 (46:40):
No, otherwise you wouldn't have had that great scene.
Speaker 2 (46:47):
And this is where we have the frisbee.
Speaker 1 (46:49):
Are you it's not it's not Seventh Heaven? Okay?
Speaker 2 (46:56):
Are you?
Speaker 1 (46:57):
It was on brand.
Speaker 2 (46:59):
Known as a frisbee, an excellent frisbee player in frisbee circles.
Speaker 1 (47:04):
My frisbee abilities are known throughout the universe. Yes, that's
why they wrote that in It's well known.
Speaker 2 (47:11):
I wish you could remember how many times you had
to shoot that for her to catch it. Uh.
Speaker 1 (47:17):
I think it was the first take, and then we
just went home rather standing ovation and off I went
into my frisbee glory yet again, So.
Speaker 4 (47:27):
Were you really standing on the roof or was that
just to create a camera angle?
Speaker 1 (47:33):
No? No, no, yeah, how do you recreate that?
Speaker 2 (47:36):
That seems dangerous?
Speaker 1 (47:38):
No, it's not that high.
Speaker 2 (47:41):
It seems dangerous.
Speaker 1 (47:42):
Well, yeah, they you know, they have stunt people on there,
and they have safety people and and they check out
the roof or any loose shingles, and you know, I
don't know that there was a an air bag below
us if somebody had fallen off.
Speaker 2 (47:58):
Oh my gosh.
Speaker 1 (47:59):
Yeah, I don't know that they went to that extent.
Speaker 2 (48:01):
But or what if you were harnessed somehow maybe No,
I don't know who. They look dangerous and Stars Hollow.
Speaker 1 (48:08):
Wo. We do the risky stuff, man, That's why we
get the big bucks.
Speaker 2 (48:14):
So then we then have the scene that actually, I
it was pretty intense. So Laura lies driving by and
she sees Rory picking up the trash, which for any
mother that would be rough, right, that's rough, and she
you turns it, pulls over and they kind of go
at it.
Speaker 1 (48:36):
Were it both? Yeah, it's it's listen. They have they're
best friends and their mother and daughter, and now we're
seeing where that isn't working out well for either one
of them. But I think mothers and daughters and fathers
and sons that you know, have conflict. It's not uncommon, right,
(48:58):
And they're both you know that is Rory is uh
you know, grew up with that. She's got the same
sort of strength, right, She's her own Rory has been
always been her own person. She was taught to be
that way. She had that that glowing example of Laurel I,
(49:18):
you know, sticking her flag in the ground and Stars
Hollow and being independent and strong. Yeah, and so of
course you know she's going to be independent and strong,
which is what Laurel I wants wants for her daughter
to make her way through the world. So it was
one of my favorite scenes between those two because it
again showed an aspect of the relationship that is completely
(49:42):
uh right on I mean on brand. As I've said before,
that that's what you're going to get, these two strong
women standing up to one another, and it's a necessary
step in a relationship, in any relationship is standing your ground.
So it just is a little more fraught with you know,
(50:05):
feelings when it's a mother and a daughter. Yeah, especially
for the audience to watch, because we've all been there
with our parents.
Speaker 2 (50:13):
So you make great points. Yeah, I mean you're right, Like,
even though it's sort of like awkward and sort of
ouch to watch, right, you're right. She's not going to
pull over the car and be like, oh no, you're
picking up trash, and she's not gonna say I miss you, mommy,
you know, like, yeah, I mean.
Speaker 1 (50:31):
It shows how far the mighty have fallen and how
Rory is not fulfilling her potential and how quickly life
can change for you. Just the nature of life, and
it also is also emblematic of a right of passage
for mother and daughter. It's a necessary, necessary situation.
Speaker 2 (50:51):
And do you think Rory, though she says, I can't
believe you got engaged and didn't tell me, I think
she's a little bit upset in the sense that Laurels thriving,
or at least it's perceived she's thriving. She's got you know,
she's she's happy, she's engaged. You know, her life is
(51:12):
going well. And Rory's is in the pooper right, like
she's just picking up trash on the side of the road.
She's bored now she's in the daar like. Maybe it's
partially she's like jealous in a sense that Laurela is
able to move on without her.
Speaker 4 (51:27):
Yeah, that's what I got from that whole thing too,
is you know, she's a little bitter that Larela is
not as unhappy as she is, which, of course we
know underneath that Larela I is right sad about the riff,
but at least too from Rory's point of view, she
(51:47):
sees Laurel I moving on and so that would be distressing.
Speaker 1 (51:52):
Yeah, I think I think in a micro sense, Laurel.
I feels like, hey, kid, you didn't listen to me
about this huntsper thing. It's not the world you want
to be in. I warned you. I told you so,
now look at you. In the macro sense, it's her
Laurla having to come with terms with allowing her daughter
(52:12):
to make her own mistakes and then deal with the consequences.
So doesn't negate the fact that everybody's going to have
very strong feelings about it. Yeah, it's going to cause
some tension in the relationship, but that's that's life. They're
just living there. Everybody's living their lives, you know. So yeah,
it's it's a really really sort of uh dead on
(52:37):
portrayal that Dan wrote, you know, very very good writing,
very very good psychology.
Speaker 2 (52:44):
So what do you think of the whole episode?
Speaker 1 (52:49):
I just loved it. I just it's one of my
favorites because it was just so easy, breezy and I
just filled with the right kind of drama. There were
different levels of drama there was. It was all relationship
be drama, mother daughter, Luke, Laurele drama, sister drama. Yeah,
(53:11):
you know that all that stuff was was was there.
I don't know it just felt very full for me.
Speaker 2 (53:19):
It was that.
Speaker 1 (53:21):
Yeah, it felt yeah totally. There was no interesting that,
there was no tailor, no Kirk right right, it was
just it was just they sort of focused on these
powerful relationships. It was it was a Luke, Laurel I, Rory,
Emily Richard, Emily Richard.
Speaker 2 (53:43):
Yeah, you're right, no Logan.
Speaker 1 (53:45):
Not a slugfest, no Logan. You know, it was just
sort of.
Speaker 2 (53:50):
You're right, Yeah, it almost every scene is really about
those five people. Every scene. In fact, I don't know
why I'm saying almost it's really an episode that focus
is on the core five. Yeah, and I think that's
one reason I like it. Those are the five I
care about the most. I mean, I'm not saying I
don't love the others, but like obviously I love Logan,
(54:11):
but those five are what makes the show, especially now
that we're in season six.
Speaker 1 (54:17):
Mm. Yeah, it was it was, it felt it felt really.
Speaker 2 (54:22):
It's hard for me to have a favorite one. I
love this whole thing. I would say maybe the scene
where they're in the jag. Every single line there is great,
every single line TJ. I mean I don't really I
can't have one because I thought this script was really
really really good.
Speaker 1 (54:44):
Yeah.
Speaker 2 (54:44):
I love them all, but this one for me, just
the whole thing, every zinger, every line, every everything.
Speaker 4 (54:52):
So yeah, yeah, I think my favorite line was that
Hamster was defective.
Speaker 1 (55:07):
What about Amy? What do you think I'm gonna I'm gonna,
I'm gonna ride on Susanne Susanne's coattails. I laughed out
loud on that line. I thought it was the best.
The best laugh in that whole episode was Laurel I
jumping on that one.
Speaker 4 (55:23):
Yeah, the timing was perfect.
Speaker 2 (55:25):
How about when Luke finds out about the hole and
he's all him kill t J, like not even sentences
like it was so that whole.
Speaker 4 (55:34):
Bit about garrotting him and taking him to a ballgame like.
Speaker 2 (55:37):
That was really and I forgot I do. I also
love when you Rory comes into the diner and you're
so awkward and you're like, you know, yeah, he wanted
to spiff it up. Spiff j.
Speaker 1 (55:54):
Yeah, one one of my favorite episodes. Yeah, i'd say
top top five or which.
Speaker 2 (56:01):
Is allegedly a bit of a miracle for season six
because people do not love season six, right.
Speaker 1 (56:08):
Another word I would use for is very compact. You know,
it was air tight episode.
Speaker 2 (56:15):
I'm giving it ten frisbees.
Speaker 1 (56:17):
I am too, I'm giving it ten massive holes in
the master bedroom.
Speaker 4 (56:23):
Yeah, this was a great episode. I'll just to be different.
I'll give it a nine point nine nine point nine
t J shops.
Speaker 2 (56:35):
When you said how dare you? It made me want
to do and flashlight thingies. It was very Darth.
Speaker 1 (56:40):
Bagerh Suzanne, you know exactly what to say. Talk about
stealing spotlight love it. Next episode, Season six, episode three,
The Ungraduate. So we're continuing our homage to Mike Nichols
(57:04):
wonderfully the graduate. Good good, good. Can't wait to see
it anyway. Uh, that's it. Thanks to say thank you, Amy, Uh.
Speaker 2 (57:12):
Good performance, Scott good. Good performance in this episode.
Speaker 1 (57:16):
Thank you really good, Thank you really good. Yeah. I
thought it was good. Yeah. I wasn't uncomfortable with any
of it.
Speaker 2 (57:21):
And you had to do a lot, like you had
to be sweet and cute, you had to be romantic,
you had to deal with the dog. You have the
awkward scene with Alexis, you have the fight with Laura,
like you do it a lot, and it was good.
Speaker 1 (57:34):
Yeah. I got to show a little bit of range
in this. Yeah, you know, and so thank you Dan
uh and uh that's going to do with best fans
on the planet. Keep those cards and letters coming, uh
and the emails and the d ms and all that
wonderful stuff, and we will see you next time. Remember
(57:55):
I'm gonna be at MotorCity Comic Con November ten, eleven,
and twelve.
Speaker 2 (58:03):
That's pretty rad, that's rare.
Speaker 1 (58:05):
I'm also going to be a Columbus Galaxy Con Columbus,
Ohio on December two and three, So come on out
and let's party. That's going to do it all the best,
and remember we I am all in. Stay safe everyone, everybody,
(58:54):
and also again follow us on Instagram at I Am
all In podcast and email us at Gilmour at iHeartRadio
dot com.
I am all in you.
Speaker 2 (00:16):
I am all in with Scott Patterson and iHeartRadio Podcast.
Speaker 1 (00:21):
Hey everybody, Scott Patterson, I am all in podcast. I
Heart Radio one eleven productions. We are joined by my
partial intrepid cru Suseyn French are newbie and and you
know where you lover are Stalwart, Amy Sugarman. Tara sued
is on an airplane right now. Danielle Romo may be
(00:44):
in labor right now, so we are we're praying for
a beautiful outcome.
Speaker 3 (00:50):
There before we start fight face. This is a do
you know what you might not know because you're in
canad working.
Speaker 2 (01:01):
Yeah, we get to see Sullivan's crossing.
Speaker 1 (01:03):
Oh my gosh, right October fourth, Yes, c W at
eight seventh Central, so you can stream it on the
CWP too.
Speaker 2 (01:14):
So yeah, so this Wednesday, if you're listening on Monday,
this Wednesday. And word on the street is it's very
good A.
Speaker 1 (01:22):
Word on the street. Yeah, we're pretty proud of it,
pretty exciting. It's very exciting. It's nice to be back
home at the CW. I started there in two thousand
and you know, it turned in it was the WB
and then it became the CW. What two thousand and
five or six. Yeah, and we were there at the
launch of the CW and it was a big deal
and it was everything was green and there was a
(01:43):
frog and there was you know, we did a whole
photo campaign and it was fun. It was just fun
launching a new network. And I'm still friends with a
bunch of the people that used to work over there.
Speaker 2 (01:54):
So it's funny. Some people are still there. You and
I were talking about that. Some of the people that
were there with Gilmore Girls are still there.
Speaker 1 (02:02):
Yeah, and you know, Next Stars taking a position here
with the CW, and it's a big relaunch and they've
got a sports division and they do football, and they
do golf, and they do they do nightly news and
they're really a major network now.
Speaker 2 (02:17):
And yeah, that's true.
Speaker 1 (02:18):
It's quite something to see the growth from two thousand
and sixty today. Very very proud of these folks. They're
doing a great job over there. So anyway, yeah, so
Wednesday night, ye October fourth, c W, eight o'clock, seventh Central,
Sullivan's Crossing.
Speaker 2 (02:33):
Check it out and everyone should watch because we will
be doing some special podcast episodes.
Speaker 1 (02:40):
So yes, we will, and I'm excited. We're going to
drop them into the feed and we're going to be
talking to the stars. Yep. And can I announce who
the first guest is?
Speaker 2 (02:51):
Yeah, actually, sure, yes you can.
Speaker 1 (02:53):
It's going to be the actual star of the show,
Morgan Cohen. And I think you're all going to love her.
We all do up here, and we're going to get
to know her a little bit and just look out
for that podcast episode. So anyway, aweso, let's get started here.
What did everybody think of the episode?
Speaker 2 (03:14):
Well, should we have Suzanne to our big synopsizing?
Speaker 1 (03:17):
Well, that's right, we got a synopsisizations from Susanne French.
You're on care right.
Speaker 4 (03:24):
This is a season six, episode two, fight Face. It
aired on September twentieth, two thousand and five. Feeling a
little lonely, Lorelai adopts a dog. Luke agrees to repair
Lorelei's house rather than buy the Twiguam house. This so
soon turns into trouble as TJ does some unwanted construction
on the house. Rory starts her community service assignment. Feeling
(03:45):
neglected and unhappy with how things are going. Rory visits
Luke at his diner and Luke lets it slip that
he and Laurlai are engaged.
Speaker 2 (03:53):
What do you think of this episode?
Speaker 1 (03:55):
I loved it. I really enjoyed it. It was very
very light and fun and delightful and breezy, and it
was a Dan Paladino written and directed episode. And you know,
I really, I really am digging on the Dan Palladino
writing style and the directing style. Not that I don't
love everybody else, but there's there's something a little different
(04:16):
about his episodes, and there's it's just kind of amazes
me every time I see it. Dan.
Speaker 2 (04:23):
I could be an idiot saying this, but it seems
like he really likes to write for you and Lauren,
you know, Luke and Laura Lai, to have there. There
was a lot of that in this episode, and I thought,
I loved it.
Speaker 1 (04:39):
It's some of the best. You know, what I really
saw in this episode was I really saw the relationship
between those two and it was just kind of a
delightful little journey there to see how they interact and
see how they are together. It's the best. I was
so comfortable in their presence and with their dialogue. And
another thing I noticed is it's it's really a wonderful thing.
(05:03):
And to have a scene partner like Lauren who you
can trust because we're doing all that fast dialogue back
and forth. And I always trusted that she was going
to be there timing wise, because it's all timing as
you see, right, And you know, I know she could
trust me too to keep the ball in the air,
because if there's a little too much of a pause
(05:24):
here and there, then there goes right out of the scene.
And it's like it's like pumping up a tire or
a balloon or something. It's the same.
Speaker 2 (05:30):
Principle, even when you're standing on a roof, when you're.
Speaker 1 (05:33):
Standing exactly, the timing was always there. She always delivered,
and she's just so great, so great at that so
and it really made those scenes. It was all timing
and and and pace and all that stuff. Difficult stuff
to do, but when you have a scene partner like that,
it's fun. You know, it's really fun.
Speaker 2 (05:53):
I'm sure we'll get to it. But two things, even
when you were arguing, it was great right and for
me because you still saw the love there totally. And
just even like the moment where Luke says we're good,
we're good, and you're like, oh, yeah, they are good,
(06:15):
Like they can have that and be good five seconds
later and I know what, we'll talk about it when
we get to it. But the fact that Luke realized
I'm not buying the Twickham house. She wants to stay
in this house was for me the moment of the episode.
Speaker 1 (06:33):
Really being in tune with her to that degree. What
does she want? Let me deliver what she wants? And
I love that roof scene too. I thought that roof
scene really defined their relationship to the point where they're
so comfortable with each other he can kind of, you know,
do a yellie thing like a lunatic on a roof,
(06:54):
but there's still love there. Yeah, and she understands what
it is and dissipated that that she was going to
ask her are we still good? No, we're good. She
didn't have to ask a.
Speaker 2 (07:05):
Question, and he was upset. It's like, you were upset
because Rory really threw you off. And we'll debate it.
I get why he told her. I mean the whole thing, Well,
we'll go through it, because that was sort of a
moment when you're like, oh, no, you told her, but
you kind of had to tell her and how could
(07:26):
you not tell her? And oh no, like.
Speaker 1 (07:29):
Just oh boy, yeah, great stuff, really great stuff. Thank you, Dan,
appreciate it.
Speaker 2 (07:40):
So we start with the Twickham House and Suki and
Laura liar in front of the Tickham House, and I
actually thought that scene was really funny because Suki knows
Laura life so well that she's like it's sticking right,
like the engagement and then they had It was just
a good scene.
Speaker 4 (07:58):
It was good to see Suki and I don't think
she had was in the episode before. I felt like
I hadn't seen her for a while.
Speaker 2 (08:04):
I totally agree. I totally agree, And I like how
she calls her out like are you gonna bolt? I'm
not gonna bolt, and then they sort of have their
flirty moment. It was a little dirty. It just got bigger,
that's what she said, you know, like they definitely throw
those sort of I don't know double entendre a little bit.
Speaker 1 (08:22):
I didn't understand what they were talking about. Y'all have
to fill me in later.
Speaker 4 (08:26):
It was good best friend time, like we did.
Speaker 2 (08:30):
Yeah, I mean one of them is is good greed.
It was just that was great. Then I think, do
we go to the community service. We see we go
to the community service right away, and the like leader
of the community service is kind of like that guy,
that guy that you see and everything. I have to
(08:50):
look up what his name was while you guys talk,
because that guy's in everything.
Speaker 1 (08:56):
Oh he was great.
Speaker 2 (08:57):
Yeah, and he's in it great.
Speaker 1 (09:00):
He you know, that was one of the best pieces
of casting I've seen on the show. I mean, he
really made me believe that she was in that situation.
That's exactly the type of guy that's going to be
employed at that level doing that in the Department of Corrections,
you know, you know what I mean. He was perfect,
(09:20):
and the casting for those extras was perfect. All these
shady looking people and then Rory.
Speaker 4 (09:29):
He really hit like every stereotype as they you know,
kind of panned across the room.
Speaker 1 (09:34):
Ye what was his name? What was Oh? John Capellos?
Speaker 5 (09:38):
He was he.
Speaker 2 (09:40):
Is in so many He's so good.
Speaker 1 (09:44):
He was so good.
Speaker 2 (09:45):
Oh man, I know I'm jumping ahead, but when she
says anyone need to smoke like, I was just like,
oh my god, I'd love to.
Speaker 1 (09:53):
I'd love to interview him, you know, if you get
him on.
Speaker 2 (09:56):
Yeah, I'm sure we can.
Speaker 1 (09:58):
Yeah, that'd be cool. He really hit it out of
the park, saying there's no there's no such thing as
small scenes, just small actors. This guy's a big actor.
You know. He really made it his own, really great.
Speaker 2 (10:10):
I agree. I think that's important for it to be believable,
and I actually sort of do even though she had
like fake dirt on her face. I do believe that
she did have a lot of fake dirt on her face.
Speaker 4 (10:23):
First of all, I.
Speaker 2 (10:25):
Know we're not there yet, but when she when the
person's mad, when she goes for the trash and the
person goes for the trash at the same time, and
then she takes the trashaw like the community service stuff
is actually kind of funny and laying better than I
even thought it would. Oh my god, you know what
(10:46):
I just realized as I'm looking him up. He's in
the breakfast club.
Speaker 1 (10:51):
Oh yeah, that.
Speaker 2 (10:52):
Guy's in the He's totally that.
Speaker 1 (10:54):
Guy, like he's like, he's like a badass in the
breakfast club. He was was heither janitor or something?
Speaker 2 (11:02):
I think, so I have to look it up, but yes,
now it's totally coming back.
Speaker 1 (11:05):
It's like they could they couldn't put one over on him,
and he just like, oh, he schooled he schooled the judge. Yeah.
Speaker 2 (11:15):
Anyway, Okay, so we go into the diner and that
was sort of interesting, Like at first I couldn't figure
out what you two were talking about, but you're talking
about Star Wars obviously last and that was that was funny.
(11:36):
That was a funny bit. And then you know, she
throws in George Lucas own San Francisco, and then you
go into Bewitched, which I actually also thought because I
they did sort of screw up Bewitched with that movie.
Speaker 1 (11:48):
Do you know why George Lucas got so rich?
Speaker 2 (11:52):
Don't tell me, hold on them. Let's think merchandise.
Speaker 1 (11:56):
Yes, because the studios at the time, what was it,
the seventies, Yeah, mid seventies, late seventies were not hep
to uh what merchandising could bring in, and George knew
that this was going to be a real windfall merchandising wise,
(12:17):
and so they cut him in. I don't know, I
think he got all of it. Whoa, I think he
got one hundred percent of the merchandising. I might be wrong.
Maybe the studios got a little bit, but he got
the lion's share of the merchandising in that and that's.
Speaker 4 (12:30):
Imperfectly Yeah, smart move.
Speaker 1 (12:33):
Yeah yeah, billions.
Speaker 4 (12:36):
Did you notice in that diner scene that they had
the windows covered, No, so you could like the blinds,
the blinds were partially closed, but you couldn't see through
them like they had the windows covered.
Speaker 1 (12:51):
In that first in that first the Star Wars.
Speaker 4 (12:54):
Yeah, the first diners, he's talking to TJ. I don't know.
I wasn't sure why that was if I thought maybe
the scene was shot possibly at night, and so they
had to cover the windows so they could blast them
with light and make it look like daylight outside.
Speaker 1 (13:09):
Yeah, that's they do do that sometimes. I do not recall.
All I know is that there we are as soon
as we see Michael day Lewis, we're laughing. The posture,
the attitude, and it's just like the guy. He's a
great physical comedian, yes, great physical comedic actor. He just
(13:30):
owns that character.
Speaker 2 (13:31):
We see more of the diner, and there was some
interesting shots of the diner in this episode where you
see more because obviously we see where the shelves went
and that wasn't something that I've ever like. I didn't
really know that it went around like that. There's sort
of that little alcove there, and then later there's another
scene where we see the two tables shot just differently.
(13:53):
We just saw more of the diner in this episode.
Speaker 4 (13:57):
I love it when TJ said he was going to
give Luke one of the shelves is a wedding gift,
but then he raised the price on the other two shelves,
so it came out the same.
Speaker 2 (14:09):
Oh man, it's a good scene. It's a good it's
all good. Their banter's good right from the start. And
then does she say bye doll? Did I mishear that
or does she say bye doll? I'm oh, I think
so cute. It was cute.
Speaker 1 (14:25):
It's just everything between those two, Luke and Laural ives
just a delight to watch. It really solidified and and
and showed how easy their relationship is and how comfortable
they are. Yeah, they've found, they've found, they've both found
their north stars.
Speaker 2 (14:44):
Should we stop going to movies? She said? Should we
stop going? She said, should should we stop going to movies?
Because they just argue and banter about the movies. It's
just they have a great relationship.
Speaker 1 (14:55):
Yeah.
Speaker 2 (14:57):
I love in this scene when.
Speaker 1 (14:58):
They're both highly critical people Yeah, they like to go
to things, you know how it's kind of fun to
go with go to the movies and then pick them
apart at totally totally.
Speaker 4 (15:09):
I also love how you just kind of what we're
doing do a podcast about it.
Speaker 2 (15:13):
Exactly, good one, Susan, exactly. Is this the scene where
he says I think he says like both our ladies
were squiring them or something like he's kind of doing that.
Oh my god, and Luke's like, that's my sister, Like stop.
It was just a good bit. It was just all good. Yeah,
(15:37):
and then he gives that random couple's card.
Speaker 1 (15:40):
Oh god, that was funny. He's just so you don't
want to seem to end, you know, It's like you
know it's going to end, and you just sort of
feel it's gonna end any minute. But it's like, no,
I hope there's I hope Luke comes back and there's
more engagement, but you can go. I just want to
see I just want to see Dailuise on screen more,
you know.
Speaker 2 (16:01):
Yeah, I mean I I love him, and I actually
liked seeing Liz back again. We haven't seen them in
a bit, so I was happy about it.
Speaker 4 (16:09):
Then we go to the hilarious.
Speaker 2 (16:11):
Then we go to the scene in the center of
town town square, and we see the animals and we
meet paul Anka for the first time. I never I mean,
I had forgotten that sort of her history with animals.
That was a funny bit that like I'd slipped my mind.
Speaker 1 (16:33):
It was, it was, and it was good to see
Liz Torres come in there and deliver yeah, some great stuff,
you know, and uh yeah, that was that was a
nice setup for what came later, you know, because it
because we mentioned there was a Luke and Laurel. I
seen in there when he's meeting the dog for the
first time where it pays off in there.
Speaker 2 (16:52):
And that was even better because it's like very subtle
at that point when he's like should should you?
Speaker 1 (16:58):
She just jumped off. Was so funny.
Speaker 2 (17:02):
Speaking of the timing, like that's where you guys are
just like home runs, because that's not easy and it
only works because you're so subtle about it, and she's
so it was a hamster was defective. There's like a
pig in town, the rabbits, it's just the turtle, the
(17:25):
whole It was just really good. And then we see
now this was the first time I have noticed Loralai
really wearing her ring, her engagement ring. I don't know
if I missed it sort of at the end of
the other episode, but I definitely was noticing it, and
then we bump into Liz and they're talking about being engaged.
Speaker 4 (17:49):
Yeah, because the last episode ended with Luke coming in
and saying, you know, time's here, let's go, like, so
she hadn't didn't even have the ring yet, yeah, at
the end of the last episode, So that was the
first time we saw her wearing it.
Speaker 2 (18:03):
It's great. Now, Okay, this is something that I've been
excited to talk about. Should she change her name?
Speaker 1 (18:12):
Well she if she proposed to him, oh god, then
probably not.
Speaker 2 (18:19):
You know, can you see her being Laura I can Danes?
Speaker 1 (18:25):
I can? I can?
Speaker 2 (18:26):
I can see her hyphenating oh, Gilmore Dan because she
already has kind of, you know, her professional career going,
and people know her as Laura Gilmore who.
Speaker 4 (18:36):
Owns the Inn, and I see her as a hyphenator.
Speaker 1 (18:41):
That's a good that's a good flow of a name,
Laura Gilmore Danes.
Speaker 2 (18:44):
It's not. Yeah, it's pretty good.
Speaker 1 (18:45):
That's kind of cool.
Speaker 2 (18:47):
But I had never thought about that before until you know,
because we have this, we're able to talk about it.
I was like, oh my god, she wouldn't be Laura
like Gilmore and I love that. Liss is like we're
sister in law's like, you know, it's just everything's perfect
in this episode so far. It's moving fast, there's new things.
(19:08):
She takes the dog and you're like it was almost
so like quick and subtle that you're just like, did
she just get a dog?
Speaker 4 (19:17):
Oh my god?
Speaker 1 (19:18):
Why does Luke hate dogs?
Speaker 2 (19:20):
I don't know. He doesn't seem to type.
Speaker 4 (19:24):
He gave a pretty good list. They smell. They know
he gave a whole list about why he hates dogs.
Speaker 1 (19:31):
But that doesn't that seems a bit out of character
for me.
Speaker 2 (19:35):
I agree. He seems like he would have a dog
in that truck to take.
Speaker 1 (19:38):
Fishing absolutely, you know, especially God, Yeah, yeah, I love dogs. Yeah.
Speaker 2 (19:48):
It seems like, yeah, then you'd think that they would
have had Luke be a dog guy. I don't know
why they're not, because it doesn't really change anything. If
he was a dog guy. I guess you'd have to
be more.
Speaker 1 (19:57):
Like, yeah, it was anyway.
Speaker 2 (20:02):
So we go to the Gilmours and the breakfast spread
was so amazing that I literally was like, can I
live there?
Speaker 1 (20:14):
Right? Yeah?
Speaker 4 (20:15):
I loved when Emily when they were leaving and Emily says,
finish the rest of this, and Barye's like, I'll try.
Speaker 1 (20:21):
Amy, you would have You would last about five minutes
with Emily.
Speaker 2 (20:26):
Would not go well.
Speaker 1 (20:28):
It would not go well. You would get in her
face and you would storm out. Give me a break.
Speaker 2 (20:33):
Come on, I would enjoy I would enjoy the food.
But yeah, she's yeah, but she's very you get in
this episode why she drives Lorlai crazy because she's subtle
with her controllingness, if that's a word. It's so passive
aggressive and it's like, oh yuck.
Speaker 1 (20:57):
Yeah, she was particularly rough with Rory was and.
Speaker 2 (21:00):
She in a passive aggressive way, like suddenly Rory's joining
the da R Like what in the heck?
Speaker 1 (21:07):
H Well, now she's got her under her roof, so
you know, it's easy pickings. Now she doesn't even have
to go through Lorela anymore. Yeah, she can just you know,
she can just be her her horrible self. I mean,
she walks into the room with that. They want to
talk to her, and she's like sit, sit, like she's
a you know, like she's a domesticated house pet or something.
(21:32):
A couple of questions your granddaughter like that, you know, when.
Speaker 2 (21:35):
You steal a yacht, why do they impound your car,
because like, it's if her car was in the parking lot,
it's not.
Speaker 1 (21:43):
Like they used the car and the commission of the crime.
Speaker 2 (21:46):
Like that didn't really make sense to me, because I'm like,
but yes.
Speaker 1 (21:49):
I just explained it. She they used, she used her car,
and the commission of that crime. Did she Yeah, she
drove to the dock, right, How did she get that?
Speaker 2 (22:00):
Not a lawyer nor police officer.
Speaker 4 (22:03):
No, it's probably like some private parking lot for the
harbor or something. And when she was in jail.
Speaker 2 (22:08):
They came and told her car. That all makes sense,
but they also have money, like they could have gotten
her car back. The thing. I kind of liked in
that scene. And I don't know, I want to hear
what you guys say. She talks about the car being
and impounded, and they sort of say it's forgotten. It's forgotten,
(22:32):
like the yacht, the whole thing, it's forgotten. I don't
know if that's good parenting and quotes are bad, but
I sort of thought, Okay, I'm gonna give them some
points for that. They're not beating her.
Speaker 1 (22:45):
Up over it.
Speaker 4 (22:46):
I felt a little bit differently about that. I felt
it was because Emily literally said, She's like, oh, it
didn't happen, Like you're not gonna have to face any
consequences for what you did, Like we're just basically they
kind of replace Lorelai as their daughter and now the
three of them are going to move on with their
lives together. I did notice that because they were completely
(23:10):
dismissive of the whole thing, like she hadn't just done this.
And Emily makes a comment about the orientation and she says, oh,
you're bearing this angelically like like.
Speaker 2 (23:24):
Rory's the victim.
Speaker 4 (23:26):
I just I thought that was a weird take.
Speaker 1 (23:29):
So what more can they do? I mean, she's already
getting three hundred hours and she's got to do it
in six months. That's almost a full time job. I
mean she's putting in, you know, a lot of hours
per day to get that down to zero. So it's like,
I don't, Yeah, this state has stepped in and meet
(23:50):
it out there justice and you know.
Speaker 4 (23:52):
Yeah, I mean I can see that too. I don't
think they should necessarily keep punishing her over and over
again for it. But I just thought it was interesting
how they really kind of had the attitude that, you know,
none of this was Rory's fault and she was the
victim in the hole.
Speaker 2 (24:07):
So yeah, I think both takes are kind of interesting
because I sort of liked how sweet they were and
that they weren't beating her up over it. But then
I also get your point where you're like, she committed
a total felony, Like what what are we doing? So
we go back to we see her in the chair
with the TV on, and then she's got the bathing
(24:30):
suit on, and all of a sudden, I'm like, oh
my god, she's totally bored.
Speaker 4 (24:35):
It was so symbolic, right, like she's sitting in this
empty room. There's nothing in the room, there's nothing in
her life, Like she doesn't have her mom, she doesn't
have school, Like she's just literally sitting in an empty
room symbolically as well as physically.
Speaker 1 (24:52):
Yeah, but she does have the graduate, she does have
Mike Nichols and Tustin Haman and that great scene.
Speaker 2 (24:59):
I'm so I'm so happy you're saying that, because I
was like, is this Jacques Cousteau like she was watching.
Speaker 1 (25:06):
That was exactly the scene where he took some time
off from his getting his PhD. He or no a
fast great remember, and then he's he's on the He
hadn't started the I don't think he'd started the affair yet. No, no,
he had started the affair. Uh oh no, that was
(25:29):
his birthday present. Okay. And Anne Bancroft and her husband
came over that that great actor who was in Jaws. Gosh,
his name escapes me.
Speaker 2 (25:38):
Schneider. No, no, the main guy in Jaws.
Speaker 1 (25:44):
No, no, no, I'm talking about the graduate, right, but he
was in Jaws. Uh, Anne Bancroft's husband in the Graduate. Yes,
he was in Jaws as the town mayor.
Speaker 2 (25:56):
Oh not Roy Schneider, okay, hold Robert Shaw now the mayor,
the mayor, Murray Hamilton.
Speaker 1 (26:03):
Murray Hamilton, that's him. Fantastic actor. Wow, he was in
the Graduate. So anyway, so that's the scene in the
Graduate where he put on his They were all waiting
for him to put on his his deep diving equipment
and test it out in the pot. And he felt
like he he he just felt like, what is my
(26:27):
life turning into? And then he starts up the affair
with the bankroft friend's wife. I'm that's the but I'm
let me get to the scene. So the scene is
he's laying on the raft after and his father comes
by and says, Benjamin, Benjamin, have you thought about graduate school?
Have you thought about this? And he goes, no, I'm
(26:49):
just sort of taking some time off, and and his
father says, well, you would think a person who's put
in some good hard work and has earned some accolades
would want to get off his but he says, there's
no problem with a young man taking a couple of
weeks off. It's great, you've earned it, but now it's
time to get off your ass. And so that's what
(27:11):
the reference was.
Speaker 2 (27:13):
But that's so it's so major, and like I'm bummed
I didn't get it because it's so parallel. So it
was really actually genius. I just didn't get it because
I was like, is a joque custa? Like I didn't
understand what was happening. But it's the parallel to Rory.
Speaker 4 (27:30):
Yeah, So she's literally watching.
Speaker 2 (27:33):
Her own thing.
Speaker 1 (27:35):
She's watching her I think it.
Speaker 2 (27:36):
Just popped into my head. If she's got three hundred
hours of community service in six months, she actually couldn't
go to school.
Speaker 1 (27:44):
Right, right, yeah, yeah.
Speaker 2 (27:48):
I mean I guess if she was still in school,
maybe they give you a longer time. I don't know.
Speaker 1 (27:57):
I guess it is odd that they gave her three
hundred hours if they If did the judge know that
she was in school.
Speaker 4 (28:05):
You would think the judge didn't know that said you're
a student at Yale, and Rory said yes, so she knew.
Speaker 1 (28:11):
Although technically back again, giving a student, any student anywhere
trying to get by, you know, trying to do their studies,
giving them three hundred hours of community service, it's just
it's just like overkill. It's like you're ruined that kid's
school year. They're gonna they're gonna fail. Right, they don't
have that much free time. How's she supposed to study exactly?
Speaker 2 (28:31):
So anyway, I mean, I think that's kind of an
interesting thing. Interesting and that she's bored and she's, you know,
happy to polish silver. I don't understand why she's not
realizing I need to go back to you. What am
I doing?
Speaker 5 (28:48):
So?
Speaker 4 (28:48):
A fun fact on the silver polishing scene, where Rory
is speaking beginner Spanish with the Maid people, fans, some
fans probably already know this, but Spanish was actually Alexis's
first language. Yes, she didn't learn English until she went
to school, so I forgot that.
Speaker 2 (29:13):
So yes she should have.
Speaker 4 (29:15):
She didn't speak Spanish when she did that scene. I
always thought that was kind of a fun.
Speaker 2 (29:19):
That's a great note. That's a great note. So I
want to talk about the scene now after this where
Luke meets paul Anka. So Segott, tell us about your
thoughts with that full scene where you come in and
you're meeting paul Anka for the first time.
Speaker 1 (29:36):
Well, it's always it's always takes a lot longer when
you're working with an animal or a baby, even at
Rubber Baby. But you know, it's nice to see a
dog on set. I'm a dog person, so I really
enjoy when when dogs are on set, and this was
a I remember this being a particular well behaved dog
(29:58):
and well trained, and they all are because you know,
the Warner Brothers only brings in the best animals. And
uh yeah, that was a very lovely, loving dog who
was very professional and didn't freak out and picked up
did all that it was supposed to do, and the
trainer the trainer was really great and you know, we
(30:21):
we we didn't like seeing that dog go. We wanted to.
It's rare that any actors want more animals on the
set because it just takes to so much time wrangling
them and handling that right. You know, they call they
cause a lot of delays because well, you know they're animals,
and you know people cause delays too, so uh but
(30:43):
it was Yeah, that was a particularly enjoyable experience. I
remember just really loving that scene and loving the work
we were doing.
Speaker 2 (30:50):
And there's a lot of movement. There's a lot of
movement in that scene. You're in the house, you're out
of the house on the one door, you come around
to the porch, you're back in the house. It was
a it's a good scene. And then there's major stuff
because we really start to get the vibe that Loralai
does not want to sell her house.
Speaker 1 (31:11):
You mean the movement from the living room to the
kitchen and then outside.
Speaker 2 (31:14):
Yep.
Speaker 1 (31:15):
Yeah, it's all shot separately, right, no, or with a
steady cam. They follow us into the You got Steve
with a steady cam strapped to him. That those things
are like eighty pounds ninety pounds hundred pounds. They're really heavy.
And Steve was always great. I guess he followed us
into that scene. If it was a continuous scene, we
(31:35):
just didn't just cut to it, and that's how you
get that master shot. But with the steady cam, you
can come in and get close ups, and you can
get two shots, you can get all kinds of things,
and sometimes they like to do that, I think, especially
to keep a scene flowing like that. And I'll go
back and watch it, but I think I think they did.
I do remember Steve with his steady cam, Steve we
called him, who even directed a really wonderful episode as well.
(31:59):
He earned his stripes man, you know, because that guy, yeah,
putting in a lot of work, a lot of legwork
doing that.
Speaker 2 (32:06):
So we go from that scene and then I think
we get to the scene where Rory's in a pretty
dress drinking club soda, and we learned that they're going
to help her find a job, and it was just oh, no, Suzanne,
were you like here we go?
Speaker 4 (32:24):
I thought Alexis did a great job in that scene.
The face acting. I know Scott says there is no
such thing as face acting, but when they were telling
her that they're going to find her a job. She's like,
oh really, Like she's you could see the wheels turning
inside her head. I thought that was a great scene
(32:45):
because she's like, oh, my gosh, how am I going
to do this?
Speaker 2 (32:47):
And I think she isn't standing up for herself because
she knows she's screwed up so bad and they've taken
her in and they're paying for everything that she feels
like she has to do what they say, right, you know,
I get that same vibe in the DAR thing, right,
and she she.
Speaker 4 (33:06):
Knows that she needs to keep them on her side
because otherwise she'll have nothing. So I agree that she
kind of felt like, I don't have any choice. I'm
going to have to do this.
Speaker 2 (33:18):
You see her face in that scene, and you see
her face with the ladies of the luncheon, which is
of a scene, but she feels like she's just going
along with it because she has no choice.
Speaker 5 (33:32):
Yeah.
Speaker 4 (33:32):
I agreed with that. And when the one at that
where they're sitting out on the patio and the one
woman asks when she joined the DAR, and she has
this look on her face like, Oh, that hadn't even
occurred to me to join the dar But then she's like, Okay, well,
I guess I'm joining right.
Speaker 2 (33:49):
She's just literally going to do whatever. Emily says. Although
those ladies.
Speaker 5 (33:54):
Talking about which forefather was the hottest, I thought that
was pretty funny because I personally I don't know what
any of them look like, so I that would not
even be something that I would think.
Speaker 4 (34:10):
To form an opinion.
Speaker 2 (34:11):
Not typically super attracted to George Washington or Ben Franklin,
just saying, oh my god, John Adams, I have no
idea what he looks like. Is that his name? Yes? Yes, Scott,
do you have a forefather that you thought was the hottest?
Speaker 1 (34:31):
I'm sorry, I just I don't think those terms regarding
forefathers crazy. But I've never sort of.
Speaker 2 (34:46):
Thing I love about it, isn't.
Speaker 1 (34:48):
It in that that way? That's a that's an odd
conversation for me to be engaged in.
Speaker 2 (34:53):
So I was like, who's ever had that conversation?
Speaker 4 (34:58):
It's so good, it's so da R.
Speaker 1 (35:02):
Yeah. I mean the Fellows were sitting around, Hey, hey, John,
glad you showed up. Listen, we're talking about the founding follows,
which one you know, get your motor runner? Can you
imagine Scott's like, once you think of the hottest.
Speaker 2 (35:13):
If you're the reverse. Scott's like, you know, Martha Washington,
she really did it for me.
Speaker 1 (35:21):
That's why it's That's why it's any funny face.
Speaker 2 (35:28):
The only bone to pick I have with that scene
is and Scott, you may be able to correct me.
You can tell when they're outside, and you can tell
when they're inside pretending they're outside.
Speaker 1 (35:41):
Right.
Speaker 2 (35:42):
It's like the juxtaposition between the DA R Luncheon where
you're like, you're acting like you're outside, but you're definitely inside,
and then the jeep pulling up and you're like, oh,
she's outside.
Speaker 1 (35:53):
Mm hmmm. Actually the jeep pulling up is inside.
Speaker 2 (35:59):
No, don't say that to me.
Speaker 1 (36:01):
To the to the Gilmore House. Yeah, it's inside. Stop,
that's not outside.
Speaker 4 (36:07):
What but at her house it's it was outside because
you could see the shadow.
Speaker 1 (36:11):
Oh okay, okay, it is outside Gilmore House.
Speaker 2 (36:14):
Okay, okay, Gilmore.
Speaker 1 (36:16):
House is on a sound stage.
Speaker 2 (36:18):
Oh my god, you panicked me there that when the
jeep pulls up to Laurelize House that it was inside.
I was like, well, then.
Speaker 1 (36:24):
That's definitely outside.
Speaker 2 (36:25):
So then we get to the scene my favorite scene
in this episode is you're all on the roof. Oh no,
not yet. This is where George, this is where we learn.
This is one of my favorite things. This is where
we learn that you, Luke slash Scott, figured out her
(36:45):
vibe that she doesn't want to sell the house. So
you're taking the measurements and figuring out how you're going
to remodel this house to make it work. Oh, it's
the sweetest.
Speaker 1 (36:55):
It's a great example of a relationship where you know everybody.
He's in tune with everybody, you know. It's like they
just kind of vibe each other. They feel each other.
Definitely feels her and what she needs and what she wants.
And I think he's right a good amount of the time.
I'm sure there's examples where he's been dead wrong and
(37:17):
he's been off the mark, and he's just a human
being like everybody else. But yeah, in this, in this regard,
he's really tuned into what she wants, which really makes
it appealing, you know, for me to watch, and I
think everybody else great character, great character.
Speaker 4 (37:32):
I love that scene. It was great between Luke and Lorelei.
And then you had the comic relief with TJ not
knowing how to work the screwdriver and paul Anka locks
himself in the car somehow. Like I just loved everything
about that scene. I thought it was good. And then
the frisbee. She caught the frisbee. How many takes did
(37:52):
that take?
Speaker 2 (37:53):
Oh my god, that was amazing. That was amazing. I
can't decide if we're blurring the two scene with the roof.
Oh maybe because this is but that's fine, everybody gets it.
There's two major scenes. This is just the preliminary one
where she learns they're not TJ hasn't made the hole yet.
Speaker 4 (38:11):
Oh, you're right, you're right.
Speaker 2 (38:12):
But that's fine. That's fine. But the frisbee, Oh my god,
the frisbee was epic, and she gets credit for the catch.
But good throw, dude, good throw.
Speaker 1 (38:22):
Huh he you know I still got it or had
it back then.
Speaker 2 (38:26):
You know, I just wrote in this particular scene, the
first house one, I just wrote, cute, really cute Luke,
Like he just is a great boyfriend, fiance husband, knowing
what she wants and not making a big old stink
out of it, just going I'm good with Like he.
Speaker 4 (38:44):
Just scheduled the guys to come over and start talking,
like he didn't even ask her.
Speaker 2 (38:49):
He's like, I'm just going to take care of this.
Speaker 4 (38:51):
And he gets the architect over there, and yeah, he
just starts moving forward because he knows that's what she's
gonna want.
Speaker 1 (38:57):
Yeah, and he's fully comfortable within the relationship now that yeah,
fully be himself. Not that he was hiding any part
of himself before, but now he's demonstrably Yeah, Loop dings right.
Speaker 2 (39:12):
Then to jump to the other roof scene, because we
might as well talk about it here since we're talking
about it. I love the scene. I love their sort
of fight that they work out. The only flag I
have is like, come on, TJ's that big of an
idiot that he's going to make a ginormous ole in
the house.
Speaker 1 (39:29):
Like, yeah, I don't know. I didn't really, It didn't
really track a register for me then, But now that
you say it, hmmm, that's a what kind yeah, exactly
what kind of a person would make create a hole
in somebody's master bedroom and then leave it like that
plastic putting plastic over or something. It just left a
(39:50):
giant hole.
Speaker 2 (39:50):
Well, and maybe if you had a misfire with a hammer,
right like you got someone I mean, I guess the
idea is he was trying to start the project to
like expand the bedroom. But it's just like what But anyway,
I mean I can susp what's it called suspend belief?
Speaker 4 (40:09):
Yeah, suspend disbelief, Yes, suspend disbelieve. But now we see
why he keeps failing the contractor exam.
Speaker 2 (40:15):
Right, it's terrible. So anyway, we jumped over a scene
that I love so much, which is Rory and Emily
in the Jaguar and she's giving her her rules for
community service. Two you guys, lunchbox. Lunchbox, she says, turned out,
(40:44):
turned out, she's I don't know what that is. And
the shift and the whole I just was like, I
am dying. This is so funny. Here's your cigarettes to barter.
Speaker 4 (40:59):
I can just see Emily walking into a liquor store
to buy cigarettes, the whole.
Speaker 2 (41:04):
Thing, and then she's like, I don't know that it's
helping us here in the jag which I also just like, yeah,
oh my god, that's so good. Anyway, Okay, so we
should talk about the scene where Rory comes into the
diner and Scott I really want to just sort of
(41:25):
hear you because I don't know what Luke was supposed
to do.
Speaker 1 (41:33):
You know, he's you know, he's in that strange kind
of in between place where you know, he's not her
stepfather yet, right, he's not. He's just been there her
whole life. He's just been there for her. So it's like,
(41:53):
you know, they have a closeness, but there's also a
bit I think he's so I think he's always been
so respectful of the closeness between mother and daughter that
he doesn't intervene without it being appropriate or asking permission
or you know, getting the go ahead from Laurele I.
(42:14):
So now that he's in a situation where clearly, you know,
she's in need of a little comfort, you know, a
shoulder to lean on or something. Yeah, because it's well,
you know, she didn't where else to go, yeah, right,
I mean he was the only one that has never
(42:36):
he's always been had her back and he's never been
judgmental of her. And yeah, I mean where else could
she go?
Speaker 4 (42:45):
Yeah, Like she couldn't. She knew she couldn't go to
talk to laurel I. So Luke's was kind of that
buffer zone where she could be loral I adjacent and yeah,
kind of scope out the situation without having to actually
talk to Laurai.
Speaker 2 (43:02):
What do you guys think she was going to say
to him?
Speaker 1 (43:06):
Like?
Speaker 2 (43:07):
What? What?
Speaker 1 (43:07):
What?
Speaker 2 (43:08):
What did she want to talk about?
Speaker 1 (43:09):
Like is she going to say to I don't think
she knew what she was going to say. I think
she was just seeking some comfort and a familiar place
that was going to put her mind at ease or
a different She wanted to come back to Star's Hall.
I think this is a way. It's like the waiting
room for getting back into her mom's house and her
house and she grew up in, and maybe she was
(43:31):
hoping that her mother would be there. I don't know,
but interesting, comforting, warm place that's in Star's Hollow because
she had to get out of that poolhouse. I think she.
Speaker 4 (43:42):
Wanted to know if Laura I was feeling as lost
as she was feeling, and so she was trying to
kind of figure that out without having to, you know,
just call Lorelai. And that's I think that's probably she
was just kind of putting her feelers out there to
to see what the what the environment was because she
was kind of feeling awkward and weird in this new
(44:06):
place in her life, and she was just trying to
see where Laurel I was with all of it.
Speaker 1 (44:10):
Yeah, growing pains right, just lonely. She just needed a
she needed some stars hollow, She needed a dose of
stars hollow and yeah, she just needed to relax and
be able to breathe a little bit. Do you think
he will not feel so out of place because I
think she now feels really out of place. Yeah.
Speaker 5 (44:29):
Yeah.
Speaker 2 (44:30):
Do you think there's anything Luke? Do you think there's
anything Luke could have done? Like, could he have said, Rory,
you need to get it together. This isn't you. You
should go. Should he have been more firm with her
and said, you need to go back to Yale, you
need to finish your community service, you need to make
up with your mom. Like, I don't know, I don't
know him, He's that's not him.
Speaker 4 (44:52):
Yeah, I don't see him saying that directly to Rory.
I could because he always has let Laurel I drive
that bus, so I he may have been thinking it.
I think she caught him off guard when she should.
It was late at night, he was closing the diner,
and I think she just kind of caught him off guard,
and he was like, uh, I don't know what to
do with her, and yeah, yeah, but I don't know
(45:16):
that he would say that directly to her because he
always was kind of behind, you know, lined up behind Laurlai.
Speaker 1 (45:24):
Yeah.
Speaker 2 (45:25):
Yeah, yeah, It's not him to do it. Do you
how do you think Lorelai should have reacted with Luke
when she finds out he did tell her they're engaged,
And I get why he did. It just sort of
came out.
Speaker 1 (45:41):
M hm.
Speaker 4 (45:44):
I felt bad for Luke because he was right when
he said that he was caught in the middle. And
you know, laurel I in her mind it's just between
her and Rory, and she was kind of forgetting that
Luke has a stake in this too, because that affects
him as well, and so I think she needed to
(46:04):
take that into account. So I was glad that he
said that and pointed that out to her because then
she realized, oh, wait, you're right, this does affect you,
So then she could see his side a little bit more.
Speaker 2 (46:16):
So, Scott, like, if you were.
Speaker 1 (46:19):
Luke, I am Luke, not were I am?
Speaker 2 (46:25):
Do you think he handled it right on the roof
sort of their little I call it a tiff? He
had handled it differently kind of telling her how he
told Rory about the engagement.
Speaker 1 (46:40):
No, otherwise you wouldn't have had that great scene.
Speaker 2 (46:47):
And this is where we have the frisbee.
Speaker 1 (46:49):
Are you it's not it's not Seventh Heaven? Okay?
Speaker 2 (46:56):
Are you?
Speaker 1 (46:57):
It was on brand.
Speaker 2 (46:59):
Known as a frisbee, an excellent frisbee player in frisbee circles.
Speaker 1 (47:04):
My frisbee abilities are known throughout the universe. Yes, that's
why they wrote that in It's well known.
Speaker 2 (47:11):
I wish you could remember how many times you had
to shoot that for her to catch it. Uh.
Speaker 1 (47:17):
I think it was the first take, and then we
just went home rather standing ovation and off I went
into my frisbee glory yet again, So.
Speaker 4 (47:27):
Were you really standing on the roof or was that
just to create a camera angle?
Speaker 1 (47:33):
No? No, no, yeah, how do you recreate that?
Speaker 2 (47:36):
That seems dangerous?
Speaker 1 (47:38):
No, it's not that high.
Speaker 2 (47:41):
It seems dangerous.
Speaker 1 (47:42):
Well, yeah, they you know, they have stunt people on there,
and they have safety people and and they check out
the roof or any loose shingles, and you know, I
don't know that there was a an air bag below
us if somebody had fallen off.
Speaker 2 (47:58):
Oh my gosh.
Speaker 1 (47:59):
Yeah, I don't know that they went to that extent.
Speaker 2 (48:01):
But or what if you were harnessed somehow maybe No,
I don't know who. They look dangerous and Stars Hollow.
Speaker 1 (48:08):
Wo. We do the risky stuff, man, That's why we
get the big bucks.
Speaker 2 (48:14):
So then we then have the scene that actually, I
it was pretty intense. So Laura lies driving by and
she sees Rory picking up the trash, which for any
mother that would be rough, right, that's rough, and she
you turns it, pulls over and they kind of go
at it.
Speaker 1 (48:36):
Were it both? Yeah, it's it's listen. They have they're
best friends and their mother and daughter, and now we're
seeing where that isn't working out well for either one
of them. But I think mothers and daughters and fathers
and sons that you know, have conflict. It's not uncommon, right,
(48:58):
And they're both you know that is Rory is uh
you know, grew up with that. She's got the same
sort of strength, right, She's her own Rory has been
always been her own person. She was taught to be
that way. She had that that glowing example of Laurel I,
(49:18):
you know, sticking her flag in the ground and Stars
Hollow and being independent and strong. Yeah, and so of
course you know she's going to be independent and strong,
which is what Laurel I wants wants for her daughter
to make her way through the world. So it was
one of my favorite scenes between those two because it
again showed an aspect of the relationship that is completely
(49:42):
uh right on I mean on brand. As I've said before,
that that's what you're going to get, these two strong
women standing up to one another, and it's a necessary
step in a relationship, in any relationship is standing your ground.
So it just is a little more fraught with you know,
(50:05):
feelings when it's a mother and a daughter. Yeah, especially
for the audience to watch, because we've all been there
with our parents.
Speaker 2 (50:13):
So you make great points. Yeah, I mean you're right, Like,
even though it's sort of like awkward and sort of
ouch to watch, right, you're right. She's not going to
pull over the car and be like, oh no, you're
picking up trash, and she's not gonna say I miss you, mommy,
you know, like, yeah, I mean.
Speaker 1 (50:31):
It shows how far the mighty have fallen and how
Rory is not fulfilling her potential and how quickly life
can change for you. Just the nature of life, and
it also is also emblematic of a right of passage
for mother and daughter. It's a necessary, necessary situation.
Speaker 2 (50:51):
And do you think Rory, though she says, I can't
believe you got engaged and didn't tell me, I think
she's a little bit upset in the sense that Laurels thriving,
or at least it's perceived she's thriving. She's got you know,
she's she's happy, she's engaged. You know, her life is
(51:12):
going well. And Rory's is in the pooper right, like
she's just picking up trash on the side of the road.
She's bored now she's in the daar like. Maybe it's
partially she's like jealous in a sense that Laurela is
able to move on without her.
Speaker 4 (51:27):
Yeah, that's what I got from that whole thing too,
is you know, she's a little bitter that Larela is
not as unhappy as she is, which, of course we
know underneath that Larela I is right sad about the riff,
but at least too from Rory's point of view, she
(51:47):
sees Laurel I moving on and so that would be distressing.
Speaker 1 (51:52):
Yeah, I think I think in a micro sense, Laurel.
I feels like, hey, kid, you didn't listen to me
about this huntsper thing. It's not the world you want
to be in. I warned you. I told you so,
now look at you. In the macro sense, it's her
Laurla having to come with terms with allowing her daughter
(52:12):
to make her own mistakes and then deal with the consequences.
So doesn't negate the fact that everybody's going to have
very strong feelings about it. Yeah, it's going to cause
some tension in the relationship, but that's that's life. They're
just living there. Everybody's living their lives, you know. So yeah,
it's it's a really really sort of uh dead on
(52:37):
portrayal that Dan wrote, you know, very very good writing,
very very good psychology.
Speaker 2 (52:44):
So what do you think of the whole episode?
Speaker 1 (52:49):
I just loved it. I just it's one of my
favorites because it was just so easy, breezy and I
just filled with the right kind of drama. There were
different levels of drama there was. It was all relationship
be drama, mother daughter, Luke, Laurele drama, sister drama. Yeah,
(53:11):
you know that all that stuff was was was there.
I don't know it just felt very full for me.
Speaker 2 (53:19):
It was that.
Speaker 1 (53:21):
Yeah, it felt yeah totally. There was no interesting that,
there was no tailor, no Kirk right right, it was
just it was just they sort of focused on these
powerful relationships. It was it was a Luke, Laurel I, Rory,
Emily Richard, Emily Richard.
Speaker 2 (53:43):
Yeah, you're right, no Logan.
Speaker 1 (53:45):
Not a slugfest, no Logan. You know, it was just
sort of.
Speaker 2 (53:50):
You're right, Yeah, it almost every scene is really about
those five people. Every scene. In fact, I don't know
why I'm saying almost it's really an episode that focus
is on the core five. Yeah, and I think that's
one reason I like it. Those are the five I
care about the most. I mean, I'm not saying I
don't love the others, but like obviously I love Logan,
(54:11):
but those five are what makes the show, especially now
that we're in season six.
Speaker 1 (54:17):
Mm. Yeah, it was it was, it felt it felt really.
Speaker 2 (54:22):
It's hard for me to have a favorite one. I
love this whole thing. I would say maybe the scene
where they're in the jag. Every single line there is great,
every single line TJ. I mean I don't really I
can't have one because I thought this script was really
really really good.
Speaker 1 (54:44):
Yeah.
Speaker 2 (54:44):
I love them all, but this one for me, just
the whole thing, every zinger, every line, every everything.
Speaker 4 (54:52):
So yeah, yeah, I think my favorite line was that
Hamster was defective.
Speaker 1 (55:07):
What about Amy? What do you think I'm gonna I'm gonna,
I'm gonna ride on Susanne Susanne's coattails. I laughed out
loud on that line. I thought it was the best.
The best laugh in that whole episode was Laurel I
jumping on that one.
Speaker 4 (55:23):
Yeah, the timing was perfect.
Speaker 2 (55:25):
How about when Luke finds out about the hole and
he's all him kill t J, like not even sentences
like it was so that whole.
Speaker 4 (55:34):
Bit about garrotting him and taking him to a ballgame like.
Speaker 2 (55:37):
That was really and I forgot I do. I also
love when you Rory comes into the diner and you're
so awkward and you're like, you know, yeah, he wanted
to spiff it up. Spiff j.
Speaker 1 (55:54):
Yeah, one one of my favorite episodes. Yeah, i'd say
top top five or which.
Speaker 2 (56:01):
Is allegedly a bit of a miracle for season six
because people do not love season six, right.
Speaker 1 (56:08):
Another word I would use for is very compact. You know,
it was air tight episode.
Speaker 2 (56:15):
I'm giving it ten frisbees.
Speaker 1 (56:17):
I am too, I'm giving it ten massive holes in
the master bedroom.
Speaker 4 (56:23):
Yeah, this was a great episode. I'll just to be different.
I'll give it a nine point nine nine point nine
t J shops.
Speaker 2 (56:35):
When you said how dare you? It made me want
to do and flashlight thingies. It was very Darth.
Speaker 1 (56:40):
Bagerh Suzanne, you know exactly what to say. Talk about
stealing spotlight love it. Next episode, Season six, episode three,
The Ungraduate. So we're continuing our homage to Mike Nichols
(57:04):
wonderfully the graduate. Good good, good. Can't wait to see
it anyway. Uh, that's it. Thanks to say thank you, Amy, Uh.
Speaker 2 (57:12):
Good performance, Scott good. Good performance in this episode.
Speaker 1 (57:16):
Thank you really good, Thank you really good. Yeah. I
thought it was good. Yeah. I wasn't uncomfortable with any
of it.
Speaker 2 (57:21):
And you had to do a lot, like you had
to be sweet and cute, you had to be romantic,
you had to deal with the dog. You have the
awkward scene with Alexis, you have the fight with Laura,
like you do it a lot, and it was good.
Speaker 1 (57:34):
Yeah. I got to show a little bit of range
in this. Yeah, you know, and so thank you Dan
uh and uh that's going to do with best fans
on the planet. Keep those cards and letters coming, uh
and the emails and the d ms and all that
wonderful stuff, and we will see you next time. Remember
(57:55):
I'm gonna be at MotorCity Comic Con November ten, eleven,
and twelve.
Speaker 2 (58:03):
That's pretty rad, that's rare.
Speaker 1 (58:05):
I'm also going to be a Columbus Galaxy Con Columbus,
Ohio on December two and three, So come on out
and let's party. That's going to do it all the best,
and remember we I am all in. Stay safe everyone, everybody,
(58:54):
and also again follow us on Instagram at I Am
all In podcast and email us at Gilmour at iHeartRadio
dot com.
Hosts And Creators
Amy Sugarman
Danielle Romo
Scott Patterson
Tara Soudbaksh
Popular Podcasts
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
24/7 News: The Latest
The latest news in 4 minutes updated every hour, every day.
Therapy Gecko
An unlicensed lizard psychologist travels the universe talking to strangers about absolutely nothing. TO CALL THE GECKO: follow me on https://www.twitch.tv/lyleforever to get a notification for when I am taking calls. I am usually live Mondays, Wednesdays, and Fridays but lately a lot of other times too. I am a gecko.