Pop Culture Minisode (S6 E1 New and Improved Lorelai)

This is your pop culture for S6 E1 New and Improved Lorelai.

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Episode Transcript

Speaker 1 (00:00):
I am all in.

Speaker 2 (00:04):
All it's you.

Speaker 3 (00:16):
I am all in with Scott Patterson and iHeartRadio Podcast.

Speaker 1 (00:20):
Hey everybody, Scott Patterson, I am all in pop Culture,
Season six, Episode one, New and Improved, Lorelei, iHeart Radio
one eleven productions. I am here with my Intrepid crew.
Part of my Intrepid crew. Uh Tar sued and we
don't see her, but we do hear her.

Speaker 3 (00:38):
I know my camera's broken.

Speaker 1 (00:40):
She's in the cloud. She's coming. She's AI voice generated.

Speaker 3 (00:46):
It's not even the real me.

Speaker 1 (00:48):
It's not even the real Amy's sugarman.

Speaker 3 (00:49):
I still laugh. I wish people knew like I get
in the best mood because the behind the scenes right
before we start is actually so funny. We talk about
like fifty things, everyone has technical problems, and then we're
just like, all right, let's just go.

Speaker 4 (01:04):
It's like, let's just start.

Speaker 3 (01:08):
Anyone that things were like an organized professional group is
so mistaken.

Speaker 4 (01:14):
And you would think, like, after all this time, we'd
have like all the tech stuff figured out.

Speaker 3 (01:19):
Scott's like, why is this cordal curly? Why is this
cordal curly?

Speaker 4 (01:23):
Let me try and straight and do I sound good?

Speaker 3 (01:26):
Do I sound good?

Speaker 1 (01:27):
Whatever?

Speaker 4 (01:28):
Scott's defense. He just he just went to canvas.

Speaker 3 (01:32):
Yeah, he's got all new equipment.

Speaker 1 (01:34):
I got this fancy new mic though this this mic
yeah sounds good. Yeah, and I'm and now we've got
using my own computer now. So yeah, Actually, your hackers
come on in. Oh you teen hackers in Europe and Australia,
go ahead the way.

Speaker 3 (01:53):
I won't even talk about it right now because people
get so irritated when we side talk. But that Vegas
hacking was crazy.

Speaker 4 (02:01):
Oh my, my dad was there the weekend it happened,
so he we had it. We have a condo in
Vegas and with all that flooding, the roof caved in.

Speaker 3 (02:10):
Oh, so he had to go deal with it.

Speaker 4 (02:11):
So we had to go deal with it. And he
was staying at I don't know which resort. It was
an MGM resort and he was there for one night
and he got a five hundred dollars charge for the
mini bar and he was like, he's like what in
the world. So we called and he's like, hey, this
is a mistake and they were like, no worries, like
we'll take care of it. And then that's when the
day of the the news came out that the hack.

Speaker 3 (02:30):
Oh my gosh, yeah, bananas. Anyway, we digress. Don't write
us letters?

Speaker 1 (02:35):
All right? Kids? You want to get you want to
you want to start digging into this?

Speaker 3 (02:39):
Definitely you want me to start this. I'm not at
doing funky town.

Speaker 1 (02:45):
Come on, man.

Speaker 3 (02:46):
This was actually one of my favorite parts of the
episode because so Loralai rushes Luke out of the diner
to celebrate their engagement and lives to this, where are
we going to funky town? And then tell the best
part of it is the couple lines after when she's like,
was it the funky tone? Was it fun?

Speaker 1 (03:04):
So?

Speaker 3 (03:04):
Funky Down is a song by Lips Inc. And it
was released by Casablanca Records in March nineteen eighty. Laurelai
makes this reference because the lyrics of the song pine
for a metaphorical place that will keep me moving, keep
me grooven with some energy. I never I mean, I
just always think about won't you take me too? Funky?

Speaker 1 (03:25):
Yeah? Man, that song doesn't get you move in your
battery powered laurel I telling Taylor that she and Luke
are engaged. Taylor, I thought there was a better chance
of all for the Beatles getting back together than you
two ever calming down long enough to get engaged. In
nineteen seventy McCartney Paul McCartney said in a press release

(03:48):
that he was no longer working with the group, which
sparked a widespread media reaction and worsened a tension between
him and his bandmates. Let's just call it what it is.
John Lennon Leal and you know at that time George
Harrison wanted out too. He couldn't because they weren't using
his songs.

Speaker 3 (04:06):
You know this, didn't he write some of the best songs.

Speaker 1 (04:10):
I think they rejected songs like my guitar gently weeps
and like really like massive songs. And they didn't. They
just dominated. John and Paul dominated the songwriting. Georgia had
enough anyway, legal disputes he got so well. Legal disputes
continued long after his announcement, and the disillusion was not

(04:31):
formalized until December twenty ninth, nineteen seventy four. After Lenin's
murder tragic murder in nineteen eighty I'll never forget that day.
The surviving members reunited for the Anthology project in nineteen
ninety four, using the unfinished Lenin demos Free as a
Bird and Real Love as the basis for new songs
recorded and released as the Beatles. Interesting, yeah, I mean

(04:59):
they were together. They were together since. I mean they
were together fourteen fifteen years since, like fifty five or
something like that.

Speaker 3 (05:08):
I saw Paul McCartney live who did You Really? Yeah?
At my in Berkeley at the Football Stadium, and it
was rad. I'm not gonna lie. It was very rare.
You know.

Speaker 1 (05:17):
They made a demo tape for a record company after
I think after they'd played in Hamburg for a little while,
because they went to Hamburg all as like teenagers except
for I think Ringo was twenty and they were so
tight as a band. They went make this demo tape
I think in London and they didn't get the record deal.
And you should hear the demo tape. Oh my god,

(05:38):
it's fantastic.

Speaker 3 (05:39):
Can you imagine the people to turn them down?

Speaker 1 (05:42):
Oh god, can you imagine? Did they have jobs after that? Well?
Who knows? Tyr you want to grab one? Are you
busy producing a.

Speaker 4 (05:52):
Little multitasking here today?

Speaker 1 (05:54):
Let's do it all right?

Speaker 4 (05:56):
So Luke is looking for alcohol to toast with. Luke
says nothing, no wine, no beer, no cooking Sherry. It's
like Dylan Thomas just blew through town. Dylan Thomas was
a Welsh poet and writer whose works include the poems
do Not Go Gentle Into That good Night and Death
Shall Have No Dominion, as well as the play for
Voices Under milk Wood, The Bikers in Town Wipe tailor Supply.

(06:21):
So Luke compares the bikers to Dylan Thomas because he
was an alcoholic.

Speaker 1 (06:26):
Huh.

Speaker 4 (06:28):
I wouldn't have got that one. I didn't get that one.

Speaker 3 (06:32):
Rory asked how Laura Lai handled the news. You know
your mother, Rory. Everything's the end of the world, so
dramatic ladies and gentlemen. Lauraai Barrymore, which I actually did
laugh because I got this reference because it has to
do with It's not Drew Barrymore, it's actually her.

Speaker 1 (06:51):
Father, I think also Lionel.

Speaker 3 (06:55):
No her father, it's all the barrymorees. I think they
all kind of had drama. So this one might in
fact be referencing Drew, but when I took it, I
took it as the other Barrymore. But anyway, we'll talk about.

Speaker 1 (07:08):
Drew Wellore was that great Shakespearean actor or the grandfather
or the great grandfather. But yeah, they were yeah.

Speaker 3 (07:18):
Oh yeah, that's the that's the grandfather. I think we
had to go through the family tree. But they might
have been referencing Drew Barrymore because she had sort of
that tumultuous, dramatic teenage years. So she was an et
as everybody knows, she was girty, and then she went
on to do more I think fire Starter, I can't

(07:39):
remember which came first, but then she had those rough
teenage years where she was kind of bad. And remember
she was like in clubs. She was at oh my god,
what's that big famous club that was in New York
something fifty.

Speaker 1 (07:53):
Two of Studio fifty four, Studio.

Speaker 3 (07:55):
Fifty more when she was like six years old. And
then remember she flash David Letterman. So anyway, it's in
references sort of to me, the Barrymore sort of family
and all the drama, which is ironic because through Barrymore
just recently got herself into a little hot water. I
was going to say with the strike, because she was

(08:16):
going to bring her show back. Then she apologized but
was still going to bring it back. Then people kind
of dragged her so much that now she didn't bring
it back.

Speaker 4 (08:25):
I feel like her intentions were there though, because she
was saying, like her staff, you know, needs to get
paid and stuff like that. Wasn't that the main Yeah,
I think it's.

Speaker 3 (08:32):
Tough because these people don't know what to do. It
seems like people are much happier with this decision.

Speaker 1 (08:37):
I mean, you know, we were shooting on Sullivan's crossing,
but it's because it's Canadian show, right, and.

Speaker 3 (08:44):
You have a waiver which people shouldn't know.

Speaker 1 (08:46):
Well, sure, and they gave way. They give waivers to
a lot of productions that are foreign, right, but maybe
have one or two Americans in the cares the American strike, right,
if Chad and I struck, you know, if we went
on strike, this production would shut down.

Speaker 3 (09:04):
And it's unstruck work because it's not right. It's not
a sag it's a Canadian.

Speaker 1 (09:10):
Show correct, correct, But it would if we if we
went on strike, you know, that would put you know,
hundreds of Canadians out of work. But you want to
have solidarity, and then you know, it's just like walking
that fine line. What's what do you do?

Speaker 3 (09:25):
That's exactly right? It's very kind of confusing what you're
supposed to do. I mean, luckily you guys are not
You've got you're good to do it. H Yeah, and
we will be watching it.

Speaker 1 (09:38):
Yeah. But you know, to our brothers and sisters out there,
we support you one percent. Yeah.

Speaker 3 (09:45):
It's tough. It's really tough. And it's going on a
really long time.

Speaker 1 (09:50):
I mean, they have a fund where people you know,
have to stand in line for you know, hours to
get a couple hundred bucks worth of groceries. It's it's
in burbankers in the sweltering heat. It's really tough out there. Yeah,
and I hope we can get a fair deal. I
really do. It's really important for so many people, so

(10:10):
many creatives, you know, it really really is. So anyway,
well on to start.

Speaker 4 (10:17):
I was gonna say, Amy, this one I just did.

Speaker 3 (10:21):
I think this is Scott.

Speaker 1 (10:22):
I want to do one story the intercom Emily would
just push a button away like Star Tracks. Star Trek
is an American science fiction media franchise created in the sixties.
The television series became a worldwide pop culture phenomenon and
expanded into various films, video games, novels, and comic books,
becoming one of the most recognizable and highest grossing media

(10:45):
franchise of all time. On on ship communications achieved via
communicator panels.

Speaker 3 (10:54):
On this it was legit. It was legit. It was
you know how they would talk to each other.

Speaker 1 (10:59):
What a show?

Speaker 3 (11:00):
Uh?

Speaker 1 (11:00):
And sometimes to the use of video phones. Well offship,
the crew carried handheld communicators that flipped.

Speaker 3 (11:07):
Those were pretty legit too. Wait did you watch Star Trek?

Speaker 1 (11:11):
Oh? Sure everybody did.

Speaker 3 (11:12):
Yeah, And did you watch did you watch any of
the other ones since, like Star Trek the Next Generation?
Like all the millions that there are now? I watched
Star Trek the Next Generation? Not really, and I watched
all the movies, and I watched the Chris Pine version
of the movies.

Speaker 1 (11:27):
Yeah, I think I saw that one.

Speaker 3 (11:29):
Yeah, I'm into this. I love Star Trek. They obviously
they use a lot of Star Trek pop culture references
on Gilmour Girls. There's definitely somebody that's a big fan
in the writing team, because.

Speaker 1 (11:42):
I think it's I think it's Dan. Yeah. Between that,
I don't think Amy grew up a Trecky. I think
grew up a Trek.

Speaker 4 (11:50):
I was gonna say, between that and Charlie and the
Chocolate Factory.

Speaker 3 (11:54):
Yeah, there's a few that definitely Oh my gosh, the
irony is the next one.

Speaker 4 (11:59):
Well, that's why I'll go on this one, ye. Paris
tells Rory she's meeting more of Doyle's family and he's
the tallest in his family. Paris says, yep, family get
together is like a Lollipop Guild convention. I have to
stop myself from asking how it's going at the Chocolate Factory.

(12:21):
Paris is referring to the movie The Wizard of Oz.
The Lollipop Guild was a group of munchkins in the
Munchkin Country who welcomed Dorothy Gail to Oz with song
and dance upon her arrival. The munchkins are very short.
Paris is referring to the nineteen sixty four novel Charlie
and the Chocolate Factory by Roald Dahl, which was adapted
into the films Willy Wonka the Chocolate Factory in nineteen

(12:44):
seventy one, as well as Charlie and the Chocolate Factory
in two thousand and five. In the film, Willy Wonka
has several oop balloompas working in the factory who are
very short, and Paris is comparing Doyle's family to the
umballumpas and the Munchkins. My goodness, and there's a new
there's a new one with Timothy Shallomey coming out.

Speaker 1 (13:02):
Oh really, Yeah, that's great?

Speaker 4 (13:04):
Is he he's Yonka Willie Wonka?

Speaker 1 (13:07):
Yeah? Yeah, so he's the new Johnny Depp.

Speaker 4 (13:10):
Yeah, basically, yeah. I feel like it's gonna be good.
Like I can see him in that character. I mean
him in the character.

Speaker 3 (13:18):
I love the whole story, and there's parts that kind
of creep me out. Yeah, And I got that found
thing where I'm like, you know what I mean, I just.

Speaker 4 (13:27):
Don't know if we need an I didn't know if
we need another out of picture of the movie.

Speaker 3 (13:36):
Paris asks Rory if Rory wants to move in with
Paris and Doyle, Very, Bob, Carrol, Tedanalice minus Bob, Bob
and Carol and Ted and Alice were It was in
nineteen sixty nine American comedy drama, which I have never
heard of, really, Natal never I know, and I know
Natalie Wood and Robert Coulpe to me is from the

(13:58):
Greatest American Hero Think Elliott Gould, who is Ross and
Rachel's dad on Friends, and Diane Cannon, who is a
famous Lakers fan. Those are sort of my at least
I know all the players.

Speaker 1 (14:10):
Diane Cannon was one of the most dynamic and glamorous
actresses of her time.

Speaker 3 (14:17):
Yeah, Elliott also was in Ocean's Eleven.

Speaker 1 (14:20):
Yes, Elliot Cole was in at Elliott Goule was a
movie star in the sixties and seventies.

Speaker 3 (14:25):
And Robert Colp was also.

Speaker 1 (14:26):
In These were these were the biggest names of their day. Yeah,
what was the film.

Speaker 3 (14:33):
What was that Bill Cosby show that he was in
with Robert Colp?

Speaker 1 (14:36):
Oh sure that was, oh that detective thing?

Speaker 3 (14:39):
Yeah, what was that called? It's not Yet Smart? It's
the other one?

Speaker 1 (14:43):
Something with a spy in it. I spy, I spy.

Speaker 3 (14:47):
Yeah, and then Natalie would obviously we know and then
which is still very kind of confused.

Speaker 1 (14:56):
Yeah, Diane Cannon. I used to see her gym all
the time and no when I lived in La Yeah.

Speaker 3 (15:02):
And okay, keep me honest, but I think Diane Cannon's
daughter m hmm, with Carrie Grant. Is that is that
possibly right, Jennifer Grant? That was on nine o two
on us.

Speaker 1 (15:12):
That is correct.

Speaker 3 (15:13):
Thank you for my facts, all right. Capturing the sexual
revolution of the late sixties, this comedy presents two married couples,
Bob and Carroll, and they're best friends, more traditional, Ted
and Alice, who are free thinking and are ready for
an open marriage, or so they think. Eventually, some latent
sexual tension and long buried desires among the four come

(15:35):
bubbling to the surface, or as making the joke that
her living with Doyle in Paris would feel like an
open relationship. Wait, this makes me want to watch Bob
and Carroll.

Speaker 1 (15:43):
Oh no, it's classic film. It's good.

Speaker 3 (15:48):
And I'm already wondering how it ends.

Speaker 1 (15:50):
But yeah, we'll have to see you. That was in
the era of like partner swapping. Oh my god, wife
and husbands.

Speaker 4 (15:57):
Do you remember that show wife Swap?

Speaker 3 (16:00):
Yes?

Speaker 1 (16:01):
Is that a recent show?

Speaker 3 (16:02):
Yeah, it would be like, okay, this is what wife
swap would be if you and your wife switched places
with like, uh, Sally Struthers and her husband, I don't
know if she has a husband, and you would be
married to Sally Struthers just for a week, like no
funny business, but like you would have to just learn
to like kid and cook with Sally's strothers. So they'd

(16:24):
have celebrities doing it.

Speaker 1 (16:26):
Yeah, but that's the the scrubbed up version of it. Yeah, it's.

Speaker 4 (16:35):
Okay. So Kirk is talking about the old woman's the
old Woman's ring, Kirk says, old widow Mason thought she
was free to call O towards the end. Free to
Call It was a Mexican painter known for her many portraits,
self portraits, and works inspired by the nature and artifacts
of Mexico. Inspired by the country's popular culture, she employed
a native folk art style to explore questions of identity,

(16:58):
post host colonialism, gender, class, and race in Mexican society.

Speaker 3 (17:06):
Hm.

Speaker 1 (17:07):
Hm, anybody see that one?

Speaker 3 (17:09):
I did not, but I familiar with Free to Call,
though I am very I miss that. This was that? No,
you know, was that the Palma Hyak did Salma Hiak?

Speaker 1 (17:18):
Yeah, that's the one she fought for for twenty years
to get made or something. Yeah, I missed that one.
Or we're gonna have to, you know, let's let's do
a double feature. We'll do We'll do this one too.

Speaker 3 (17:33):
The next one I did not miss, although in hindsight
I kind of wish I had.

Speaker 1 (17:37):
Yeah, I think you're I think is it mean?

Speaker 3 (17:41):
I think Paris Helen Ali that Rory can't quit Yale
it's logan that Christopher Atkins want to be is the
reason she's suddenly Blue lagooning it right out of here.
So this made me laugh because there is something kind
of Christopher Atkins about Matt Zugree. So if you're young,
you might not be as familiar with Christopher Atkins. If

(18:02):
you're my age, you definitely had a crush on him.
So Christopher Atkins is an American actor. He had this
blonde hair and he starred in nineteen eighties The Blue
Lagoon with Brookshields. At the time, every teenager was like
watching this movie, But after watching the Brookshields documentary, I'm
like it was creepy, Like it was not appropriate. Blue

(18:25):
Lagoon is about two children who are shipwrecked on a
tropical island in the South Pacific with no adults to
guide them. The two make a simple life together, unaware
that sexual maturity will eventually intervene, Like they eventually have
a baby together, and like were they cousins, Like I
don't know, I don't want to speak incorrectly, but can
someone Like it was a little much and they were
like way too young to be Like I don't know.

(18:47):
The whole thing now looking back, I'm like, why did
I watch this? Paris is making the blue Lagoon reference
as Rory and Logan stole the yacht. He thinks they
want to run off together and have their own life
and no one to intervene. I'm not even sure if
that's right, like quite on the nose there, but I
don't know. Watch the Brookshields documentary.

Speaker 1 (19:05):
Mm hmmmuh okay, Paris telling Laurel I that Rory can't
quit Yale. Paris. I need her to be at Yale.
Rory has been my only real competition since she showed
up at Chilton. She is the only one who ever
challenged me. She's a pace car. She's Bjorn Borg. Bjorn

(19:25):
Borg is a Swedish former number one tennis player between
seventy four and eighty one. Nineteen seventy four nineteen eighty
well he became the first man in the Open era
to win eleven Grand Slam single titles, with six at
the French Open and five consecutively at.

Speaker 3 (19:41):
Did he wear Fela or no? Who were yes?

Speaker 1 (19:44):
Yes? And a headband and a long brown Paris and
he just stayed on the baseline and just hit it back.

Speaker 3 (19:49):
Was he did he have the big competition with Connor's
Jimmy Connor.

Speaker 1 (19:52):
No, he well, yeah, but it was really McEnroe.

Speaker 3 (19:55):
It was Macenroe. O.

Speaker 1 (19:56):
It was mac and they had epic battles and tennis,
so it was it was so the Borg and McEnroe
finals in Wimbledon the US Open were classic.

Speaker 3 (20:10):
In our text. So we obviously have like a group
text with all of us, and lately every time text
Scott something like can you do one o'clock and instead
of a thumbs up, he sends us a tennis ball?

Speaker 4 (20:22):
Is it tennis or is it like.

Speaker 3 (20:27):
A tennis ball?

Speaker 1 (20:28):
Because I'm trying to express through emojis, how how happy
the text made me, Like, I'm so happy I could
play badminton.

Speaker 4 (20:38):
I honestly thought that like you were gonna send like
a tappy face and then accidentally hit like the emoji.

Speaker 1 (20:43):
Next, my manager's trying to schedule a call with me today.
You know, she's in California, and yeah, so she says,
how's uh, I'm gonna call you at like one o'clock.
We got to talk about some things. So I sent her.
I sent her a badminton racket and a shuttle, and
she she types back, She goes I have no idea

(21:04):
what this means, but I'll try you around.

Speaker 3 (21:07):
I'm going to just every time in our group text
now when there's something instead of putting like thumbs up,
I'm just gonna literally send the randomnest emoji I can find,
like a sandwich and.

Speaker 1 (21:16):
Yes, that's that's what you do. That's what you do anyway.
Bjorn Borg was coined as unbeatable and was a fierce component,
you mean, competitor. He was a fierce component in the
in the wheels of the engine of professional tennis. He was,
you know, maybe the the crankshaft. I don't know, but

(21:39):
he apparently. The rumor is he was in such great shape.
His heart rate was around forty beats per minute. Oh wow, yeah, impressive.
Oh yeah. He just used to wear people down. He
never got tired. Yes, the unbeatable Swede. I like it.

Speaker 4 (22:02):
Rosemary's talking about her bad haircut. Rosemary says it was
a tragic haircut. It was apocalyptic highlights. I looked like
a Tim Burton character.

Speaker 3 (22:11):
So.

Speaker 4 (22:12):
Tim Burton is an American filmmaker, animator, and artists. He's
known for the gothic fantasy and horror films such as Beetlejuice,
Edward Scissorhands, and The Nightmare for Christmas. His characters are
defined by the exaggerated features long frizzled hair, baggy eyes,
gaggly limbs, etc. And didn't he do the Charlie and
the Chocolate Factory with Johnny Depp?

Speaker 1 (22:33):
I'm sure he did. He's done all those things, hasn't he. Yeah,
he's done a lot of yea great movies.

Speaker 4 (22:38):
I do you like Tim Burton?

Speaker 1 (22:40):
A visionary? A true visionary?

Speaker 3 (22:43):
Amy Michelle complaining about the sweaty biker another like literally
just relatable for me. I have no intention of catching
jocket on my forearm because mister breaking Away over there
can't shower before I invade my den's face. Breaking Away
is a nineteen seventy nine American film that follows a

(23:04):
group of four male teenagers in Bloomington, Indiana, who have
recently graduated from high school. Dennis Christopher, Dennis Quaid, Daniel Stern,
Jackie Earl Haley, Barbara Barry, Paul Dooley, and Robin Douglas
all starred in the film. The main character, Dave, played
by Dennis Christopher, is obsessed with competitive bicycle racing. The
four friends face opposition from all corners as they decide

(23:26):
to make Dave's dreams come true in the university's annual
bicycle endurance race.

Speaker 1 (23:31):
Wasn't he That wasn't the lead character. He was obsessed
with being Italian. I never saw this movie ever breaking Away.
It's like he saw it like he would He would
speak in Italian maybe, but I don't know, but he
had an Italian accent. He wanted to be a great
Italian biker.

Speaker 3 (23:51):
To watch this movie too, there's so many like.

Speaker 1 (23:54):
Ram Well, that's a great but I think that maybe
it was a different movie. Okay. Michelle answers the door
at Loralized House. Michelle, I am here and not at
the Dragonfly, in which I theoretically run when I am
not busy answering phones like Benson. Benson is an American

(24:15):
television sitcom that originally aired on ABC from nineteen seventy
nine to nineteen eighty six. The show stars Robert Gillome
in the title role of Benson Dubois, the head of
the household for Governor Eugene.

Speaker 3 (24:29):
X, but in the run of the series, he went
from that to being Lieutenant Governor. What Yeah, Benson In
the show Benson. He started out as the head of
household affairs. Then he became state budget director and eventually
became Lieutenant governor.

Speaker 2 (24:50):
And I watched this show back then, in the show,
in the show, Yeah, Robert Gillome went on to do
sport He was in Sports Night, which was such a
good shows, an Aaron Sorkin show before.

Speaker 3 (25:05):
West Wing, and it was really good, really good.

Speaker 1 (25:08):
Yeah, I read for that. I remember Sports Night. I
read for that, did you. Yeah, everybody read for these things.
Everybody read for him. Yeah, Robert, are you want to
finish the things I could tell you that I read
for you wouldn't believe.

Speaker 3 (25:25):
Oh my god. Yeah, I wish you would have gotten
Sports Night. Sorry not to be an ass, but.

Speaker 1 (25:31):
Well I do too. At the time, I really wanted it.

Speaker 3 (25:33):
You could have been on West Wing if you got
Sports Night, because a lot of the Sports Night people
he then brought back for West Wing.

Speaker 1 (25:39):
I read from Modern Family too. I didn't get that one.

Speaker 3 (25:42):
Who were you supposed to be.

Speaker 1 (25:43):
The lead guy? The husband?

Speaker 4 (25:46):
Oh, Tyberrell Tybrew?

Speaker 3 (25:48):
Yes, so you're going to be married to Julie Bowen.

Speaker 1 (25:51):
Well, I mean I didn't get the role, did I? Well?

Speaker 3 (25:55):
Oh, my god, that would be a funny show, just
all the parts I never got.

Speaker 1 (25:58):
Oh my god, exactly, boy, I tell you, that would
be a much longer show than the than the show
that the parts that I did get, Oh my god, longer.

Speaker 3 (26:12):
But you'll always have Saw.

Speaker 1 (26:21):
I did not read for that. I was I was
die in Saw.

Speaker 3 (26:24):
Just tell me, did you die and Saw?

Speaker 1 (26:26):
Oh?

Speaker 3 (26:26):
Yeah, okay, I'm gonna have to watch it. I always
end up watching Saw one again. You know it's coming back.
There's gonna be a new Saw.

Speaker 1 (26:34):
Yeah.

Speaker 3 (26:35):
Those movies are the scariest breaking movies.

Speaker 1 (26:40):
Truly, tell you. I tell you, make sure you watch
those films before you have a meal.

Speaker 3 (26:48):
First. I actually had a panic attack. It was so scary.
I was like, this is so uncomfortable.

Speaker 4 (26:56):
They're all like, all right, and then we have one more.
You do it, Tara, Okay. Lorelai drops off the rest
of Rory's stuff. Lorlai says, The Scorpion and the Frog,
it's an old tale. The Scorpion and the Frog is
an animal fable that teaches that vicious people cannot resist
hurting others, even when it is not in their own interests.

(27:18):
This fable seems to have emerged in Russia in the
early twentieth century.

Speaker 3 (27:22):
Hmm, man, all right, kids, great stuff, guys, that.

Speaker 1 (27:29):
Is gonna do it.

Speaker 3 (27:30):
It was a good one, really good. I'm only jumping
off because I have a meeting. Talk to y'all later.

Speaker 1 (27:36):
Okay, nice talking to you, Bye bye anyway, that's gonna
wrap it up. Here for pop culture for season six episodes,
Oh no, Episode one new and improved Loralai Uh, thank
you everybody. Thank you Amy, who just had to click
off because she has a big important meeting with big
important people and big important building somewhere in a big

(27:57):
important city. Ah Tarasuit, thank you so much. You're also
producing this episode, so man, you got your work cut
out for you. Don't show. Oh my gosh. Thanks everybody,
best fans on the planet. Keep those cards and letters coming,
and remember we and I am all In.

Speaker 5 (28:18):
Stay safe everyone, everybody, and

Speaker 1 (28:48):
Also again, follow us on Instagram at I Am all
In podcast and email us at Gilmore at iHeartRadio dot com.