April 6, 2024 • 24 mins
La nacida en la Ciudad de México compartió emocionantes detalles sobre su participación en la próxima telenovela de Televisa Univision, «Marea de Pasiones».Con una carrera destacada que abarca casi cinco décadas, Guerra se prepara para cautivar a la audiencia con su papel en esta apasionante producción.
See omnystudio.com/listener for privacy information.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
O genous audio.
Speaker 2 (00:02):
I suppose the Cassie scoring and your diet be hinted
a man profession.
Speaker 1 (00:11):
Okay, man, you are hitting from Togaho.
Speaker 2 (00:18):
Not necess that the because as personalists, but the garcilla
sus personal.
Speaker 1 (00:26):
You care get your tota.
Speaker 2 (00:28):
Being comparato public cop public popular would become sibo case
as pellicular.
Speaker 1 (00:36):
They sent the numbers.
Speaker 2 (00:39):
You were that's appardicular equals and intend used to be
a per not lak.
Speaker 1 (00:48):
Okay, your nood.
Speaker 3 (00:50):
Aamy goes mondo now in numbers also and you're just
thamos conte largus pork superson represent a historia and seeing
the reat television and Mexico and American y rapport and
(01:14):
person read that's a lost he in the penis les
ma makeic career is a solar you know is the
chickam partam and talent was he a yeah poco avea
cala me job that starts to.
Speaker 4 (01:34):
See embargo in the rubio pork.
Speaker 3 (01:36):
When as directress you Metallas and present career it talents
have Blanka Racon stars and so just.
Speaker 2 (01:43):
Gracia or fort in the isoin content history presentation see
the least libroke is the moment Africa Recoy Victoria Purga
is perosi effectivemente for for Tuna and Joe. Notice the
(02:05):
ch P is when you use the chickam sactri is
maybe not the contract The teatro Yeah, I standing at
SPA in the Philosophia dramatic theater okay, the parasi and
(02:25):
pray supposed the processor for Matibo and the Central University
the teatro, the supposed casi scoring Tayo and the trajectory
Waki be hinted Amanda profession Okay, you are the onraajo,
(02:47):
the prest, the cue, the la.
Speaker 1 (02:51):
Area and public.
Speaker 3 (02:55):
Preficial alectora, the crockets Premier to Premier live no well.
Speaker 2 (03:04):
See Loo prepare okay okay, in.
Speaker 5 (03:21):
Like a the.
Speaker 3 (03:25):
W and l K and l CA party pass Maria
pas K who strainer Stella Marso and Mexico and the
main proxy my man pest Perk. That's on history standing
Coronel mo Winter something.
Speaker 2 (03:46):
See they don't splain the story original the pros, the
when when I story you know when dramas personal okase,
various famili as a personal historia moda Moe attractiva okay,
(04:10):
the paper cel is Amia and yes productor antoss historian
guano manolos have these ands is okay trapstoria e alt
cover post okay tambi and that's an i storia as
(04:31):
he spoil negro pero perotet t n a or the
perspective is as historias alamo pero vista yes.
Speaker 3 (04:49):
Is in.
Speaker 2 (04:53):
Seven joba conovers and tamb entifer cars per okay.
Speaker 1 (05:00):
Alasquez called marine person a m muja.
Speaker 2 (05:07):
Guerda la versas lanteers personalty and called tambos on the
(05:31):
castin riparto yes sorique per que los experimentaldos from los
medio los masjo.
Speaker 1 (05:44):
Amos continue.
Speaker 2 (05:47):
Damos as horns and in instance ilan and so sambi
and a versa and as soon as a project on
the com peto okay.
Speaker 1 (06:01):
In media okay, but.
Speaker 3 (06:12):
Oh you like he can to persona the mariness com common,
the preparation and the cast okay n capers.
Speaker 4 (06:20):
Okay they as come on the is the toal and
towel and the red.
Speaker 3 (06:26):
P come come on to preparationion and come to preparasitical
mariness and the connected the connected onto persona.
Speaker 2 (06:36):
No not necessary a mene okayl lok represent the mariness
with claro saying us ldamente motivas with the elements loc
is my storia comprendo okay loc and the okay located
(07:00):
with the projectors as yeh as bulas not necessida the
val costs personalist par the garcilla slus personais those miss
most personal loss mis most loss looks yes.
Speaker 1 (07:20):
Crito case.
Speaker 2 (07:23):
In persons interpreters in sky gaos persons tell miss no
texto and and asas la drama in universal com melodrama
simple telenovela.
Speaker 3 (07:44):
Guando ultra con con i was talentos and significant formatter
requa quando to do the wood plan local lot milaros puando.
Speaker 1 (08:01):
You're not correct?
Speaker 2 (08:02):
Premier, can me p me pelliculars the picula los you
know thatlar equals and Nintendo they used to be not
la pork okay, your no pods Biendo.
Speaker 1 (08:24):
Rail and is a.
Speaker 2 (08:25):
Participate in his historia in person and the group cap
market is the lap and they used to the end
professional mindy cee, your ami classes a stud and thses
(08:55):
your known pp mirstown missus studios, the premiers to processor
for nativo la party professional premier okay, you never see
on the pedal par never see on the pedal passa
(09:21):
Manuel and the paramo patris pindlia is marta lusco, the actors,
the pre medic man and a an a if we
premier ecu primer said Sally.
Speaker 1 (09:40):
The the over me over, the me over, the examining profession.
Speaker 4 (09:46):
It came as a premier forststos the required and as a.
Speaker 1 (09:56):
Moment nominal required much inta to go and stour case
no no represent lecos yes with lecos.
Speaker 3 (10:10):
Albums pellicula meant at the train records cases, the chose
camiento major corlos mi grants and al who needles help
power it's the fort then you too, caf. The cop
(10:33):
represents a communal latina stambi and.
Speaker 2 (10:39):
Tho, yes it's an appliculaplicula conna intention on the lapelicula
is career cons Yeah they can need those is the
whore the lasa colla colo is mast is masters in
kay juntos camos the porto and says so no cant
(11:11):
and the spices and migrant is the mechicanos super is
buenos personas responsible acus familias in thses this is the
(11:33):
the is better, theos the is anidos horristondition sparatons.
Speaker 3 (11:41):
Christopol platforms name and my hostajo U.
Speaker 1 (12:01):
Fall time pero you okay? Are you as condition as the.
Speaker 2 (12:09):
Pcremental production cinematographica more important case and a similar physical
vis as a stimular physical permitted and press with the
with the pisa the loss in postos are you limited
(12:29):
posto yeah, you limited and limited para canac pstos as
as predicto cinematographico so incremental much cinematographica falta and crema
public amicanchrimester public local mist the public you can corresponds.
Speaker 1 (12:58):
Mexicanos and the public mass.
Speaker 2 (13:05):
Mass publico paratist sine ke naxio pro p seems pos
and lo cas semos andos mass he los the mast
sibing law law is the when not is entering there
(13:25):
with bas and look condition yea and the las grandis
managers thoss as burkistan and benetemayes ok as falta majority
(13:49):
that is dubrico caprimero that isadore lo and pero croquet
common Mexicanos okay, the most compro premiumican it is, I
(14:12):
mean because the super intelligent comedias t smug SATs I
cause as I as tour I seen my commercial, I
seen a getting a major complexit problem as Moody versols
in thses crocus prevamus and contralt uh Materialican blank tss
(14:43):
travas television.
Speaker 3 (14:46):
Parati the t carum masses special requires on mascarinum.
Speaker 2 (14:57):
Mm hm, youre get your Setamian comparato public para popular
publio as pellicular vicente fernandez connas verdia and normamente.
Speaker 1 (15:15):
And in as callicul as grupo.
Speaker 2 (15:19):
The doora is the itamins represented and represented by can
present all by val.
Speaker 1 (15:35):
In repart.
Speaker 2 (15:39):
On conna you're a busy on the contendocatami is on
umercialist actually too, he told us, Yeah, intos publiccause and
position in the story est jandosi the verca.
Speaker 1 (16:09):
The because and see okay okay is the toll.
Speaker 2 (16:19):
Theatro just causes most as in theatre hue the pas
production amente h s is plataformas produce caliculas incremental malagustoke
(16:44):
Clark mascuit and also see Italian the politic as public
as part this day is as plataforms senut the to
probably gokey to be ustambinet team pas paratolas look raki
(17:09):
and you like the cinematographic with one the tambien on
tamin ms participation, the all okay, the leg on me
and it's all okay us see if mass n partile
Tamian and.
Speaker 4 (17:29):
Guan dot com form one.
Speaker 3 (17:30):
Most is the malorando crescendola stetes like cavelas and master.
Speaker 4 (17:39):
Significant as al.
Speaker 3 (17:42):
Momento coms significant part i.
Speaker 2 (17:48):
Scritos la mote novi and j Alexander is the philippe
and ya see commas in la filas and is as.
Speaker 1 (18:09):
The hart plan This is the brother this yeah make
m hmm and those is tambi no i this yes
(18:37):
see I plas epic y.
Speaker 5 (18:45):
Is not.
Speaker 2 (18:52):
Yes youngster, yes yes, yes, yeah yes with all yeah
yeah you know not sado see I know optimisal.
Speaker 5 (19:08):
Responsibility that equal less as a signature an estallmental.
Speaker 1 (19:21):
Why not sir.
Speaker 2 (19:24):
Segir conssco they star there dist planeta.
Speaker 1 (19:33):
Se segir alas as.
Speaker 2 (19:41):
As well as calls a slamre no no they have
the egos kamous no notice as the peris.
Speaker 1 (19:55):
Andoses see se cendo looko does in that and participle
alien jova meditation comment yes, the yes mo mo importante
me just caused us.
Speaker 2 (20:20):
Canalyst yes, no not articles nicolinarios lok yes.
Speaker 4 (20:35):
And there.
Speaker 2 (20:39):
Supposed to me are you pesterday, lynch President, It is the.
Speaker 1 (20:49):
Yes as.
Speaker 2 (20:54):
Much il I in Plantano as well as in California, say.
Speaker 1 (21:03):
In Waka Mills.
Speaker 2 (21:06):
The alumnuss common is indigenous includes as well as public
as yes, previous to me kiss and meditation ant is
l scholars a key Joe and approximate ministers course doesn't
(21:32):
I said, of course, as we probably the mass courses
because Kevin, who's another comparative, and thus is the last
kid getting the cossu sabes like casa just in the kid.
(21:54):
There will be as personal bea so nasalsba yea juda
okey toc and major i ket in teleto mad is
(22:16):
a well the mass.
Speaker 1 (22:18):
Mass precis in in mass major.
Speaker 3 (22:23):
Blank verte west and important lamor la mare forma part the.
Speaker 2 (22:37):
Look see the well be a mental baldos. Yes, so
they will be on the persona I mean you okay
to a parisia cambia, I mean sure the major prodiction
looking vita in this says the al.
Speaker 1 (23:03):
But recommended tlenovela and psar your scol.
Speaker 2 (23:14):
Is the CIA transmission slunis.
Speaker 3 (23:20):
Start school is in Lanka to teppo SNA the Thousand
Needles or the tolos Spanos sat Mexicana ma liven azela
movie and the require thos PCs mariestament.
Speaker 2 (23:44):
We set los Banos Los and Dominicanos span and thousand
NEOs or recommend ar list Maria the Passionist Basil experience
in the Parato Los k La Croque lost Los by
the loss is a historian, he lets a comundom marines
(24:11):
for cigando yamdi rants.
Speaker 1 (24:15):
Less no.
Speaker 4 (24:18):
Black coustas plats that movie glassies, for there is bye
bye Glass and yah
O genous audio.
Speaker 2 (00:02):
I suppose the Cassie scoring and your diet be hinted
a man profession.
Speaker 1 (00:11):
Okay, man, you are hitting from Togaho.
Speaker 2 (00:18):
Not necess that the because as personalists, but the garcilla
sus personal.
Speaker 1 (00:26):
You care get your tota.
Speaker 2 (00:28):
Being comparato public cop public popular would become sibo case
as pellicular.
Speaker 1 (00:36):
They sent the numbers.
Speaker 2 (00:39):
You were that's appardicular equals and intend used to be
a per not lak.
Speaker 1 (00:48):
Okay, your nood.
Speaker 3 (00:50):
Aamy goes mondo now in numbers also and you're just
thamos conte largus pork superson represent a historia and seeing
the reat television and Mexico and American y rapport and
(01:14):
person read that's a lost he in the penis les
ma makeic career is a solar you know is the
chickam partam and talent was he a yeah poco avea
cala me job that starts to.
Speaker 4 (01:34):
See embargo in the rubio pork.
Speaker 3 (01:36):
When as directress you Metallas and present career it talents
have Blanka Racon stars and so just.
Speaker 2 (01:43):
Gracia or fort in the isoin content history presentation see
the least libroke is the moment Africa Recoy Victoria Purga
is perosi effectivemente for for Tuna and Joe. Notice the
(02:05):
ch P is when you use the chickam sactri is
maybe not the contract The teatro Yeah, I standing at
SPA in the Philosophia dramatic theater okay, the parasi and
(02:25):
pray supposed the processor for Matibo and the Central University
the teatro, the supposed casi scoring Tayo and the trajectory
Waki be hinted Amanda profession Okay, you are the onraajo,
(02:47):
the prest, the cue, the la.
Speaker 1 (02:51):
Area and public.
Speaker 3 (02:55):
Preficial alectora, the crockets Premier to Premier live no well.
Speaker 2 (03:04):
See Loo prepare okay okay, in.
Speaker 5 (03:21):
Like a the.
Speaker 3 (03:25):
W and l K and l CA party pass Maria
pas K who strainer Stella Marso and Mexico and the
main proxy my man pest Perk. That's on history standing
Coronel mo Winter something.
Speaker 2 (03:46):
See they don't splain the story original the pros, the
when when I story you know when dramas personal okase,
various famili as a personal historia moda Moe attractiva okay,
(04:10):
the paper cel is Amia and yes productor antoss historian
guano manolos have these ands is okay trapstoria e alt
cover post okay tambi and that's an i storia as
(04:31):
he spoil negro pero perotet t n a or the
perspective is as historias alamo pero vista yes.
Speaker 3 (04:49):
Is in.
Speaker 2 (04:53):
Seven joba conovers and tamb entifer cars per okay.
Speaker 1 (05:00):
Alasquez called marine person a m muja.
Speaker 2 (05:07):
Guerda la versas lanteers personalty and called tambos on the
(05:31):
castin riparto yes sorique per que los experimentaldos from los
medio los masjo.
Speaker 1 (05:44):
Amos continue.
Speaker 2 (05:47):
Damos as horns and in instance ilan and so sambi
and a versa and as soon as a project on
the com peto okay.
Speaker 1 (06:01):
In media okay, but.
Speaker 3 (06:12):
Oh you like he can to persona the mariness com common,
the preparation and the cast okay n capers.
Speaker 4 (06:20):
Okay they as come on the is the toal and
towel and the red.
Speaker 3 (06:26):
P come come on to preparationion and come to preparasitical
mariness and the connected the connected onto persona.
Speaker 2 (06:36):
No not necessary a mene okayl lok represent the mariness
with claro saying us ldamente motivas with the elements loc
is my storia comprendo okay loc and the okay located
(07:00):
with the projectors as yeh as bulas not necessida the
val costs personalist par the garcilla slus personais those miss
most personal loss mis most loss looks yes.
Speaker 1 (07:20):
Crito case.
Speaker 2 (07:23):
In persons interpreters in sky gaos persons tell miss no
texto and and asas la drama in universal com melodrama
simple telenovela.
Speaker 3 (07:44):
Guando ultra con con i was talentos and significant formatter
requa quando to do the wood plan local lot milaros puando.
Speaker 1 (08:01):
You're not correct?
Speaker 2 (08:02):
Premier, can me p me pelliculars the picula los you
know thatlar equals and Nintendo they used to be not
la pork okay, your no pods Biendo.
Speaker 1 (08:24):
Rail and is a.
Speaker 2 (08:25):
Participate in his historia in person and the group cap
market is the lap and they used to the end
professional mindy cee, your ami classes a stud and thses
(08:55):
your known pp mirstown missus studios, the premiers to processor
for nativo la party professional premier okay, you never see
on the pedal par never see on the pedal passa
(09:21):
Manuel and the paramo patris pindlia is marta lusco, the actors,
the pre medic man and a an a if we
premier ecu primer said Sally.
Speaker 1 (09:40):
The the over me over, the me over, the examining profession.
Speaker 4 (09:46):
It came as a premier forststos the required and as a.
Speaker 1 (09:56):
Moment nominal required much inta to go and stour case
no no represent lecos yes with lecos.
Speaker 3 (10:10):
Albums pellicula meant at the train records cases, the chose
camiento major corlos mi grants and al who needles help
power it's the fort then you too, caf. The cop
(10:33):
represents a communal latina stambi and.
Speaker 2 (10:39):
Tho, yes it's an appliculaplicula conna intention on the lapelicula
is career cons Yeah they can need those is the
whore the lasa colla colo is mast is masters in
kay juntos camos the porto and says so no cant
(11:11):
and the spices and migrant is the mechicanos super is
buenos personas responsible acus familias in thses this is the
(11:33):
the is better, theos the is anidos horristondition sparatons.
Speaker 3 (11:41):
Christopol platforms name and my hostajo U.
Speaker 1 (12:01):
Fall time pero you okay? Are you as condition as the.
Speaker 2 (12:09):
Pcremental production cinematographica more important case and a similar physical
vis as a stimular physical permitted and press with the
with the pisa the loss in postos are you limited
(12:29):
posto yeah, you limited and limited para canac pstos as
as predicto cinematographico so incremental much cinematographica falta and crema
public amicanchrimester public local mist the public you can corresponds.
Speaker 1 (12:58):
Mexicanos and the public mass.
Speaker 2 (13:05):
Mass publico paratist sine ke naxio pro p seems pos
and lo cas semos andos mass he los the mast
sibing law law is the when not is entering there
(13:25):
with bas and look condition yea and the las grandis
managers thoss as burkistan and benetemayes ok as falta majority
(13:49):
that is dubrico caprimero that isadore lo and pero croquet
common Mexicanos okay, the most compro premiumican it is, I
(14:12):
mean because the super intelligent comedias t smug SATs I
cause as I as tour I seen my commercial, I
seen a getting a major complexit problem as Moody versols
in thses crocus prevamus and contralt uh Materialican blank tss
(14:43):
travas television.
Speaker 3 (14:46):
Parati the t carum masses special requires on mascarinum.
Speaker 2 (14:57):
Mm hm, youre get your Setamian comparato public para popular
publio as pellicular vicente fernandez connas verdia and normamente.
Speaker 1 (15:15):
And in as callicul as grupo.
Speaker 2 (15:19):
The doora is the itamins represented and represented by can
present all by val.
Speaker 1 (15:35):
In repart.
Speaker 2 (15:39):
On conna you're a busy on the contendocatami is on
umercialist actually too, he told us, Yeah, intos publiccause and
position in the story est jandosi the verca.
Speaker 1 (16:09):
The because and see okay okay is the toll.
Speaker 2 (16:19):
Theatro just causes most as in theatre hue the pas
production amente h s is plataformas produce caliculas incremental malagustoke
(16:44):
Clark mascuit and also see Italian the politic as public
as part this day is as plataforms senut the to
probably gokey to be ustambinet team pas paratolas look raki
(17:09):
and you like the cinematographic with one the tambien on
tamin ms participation, the all okay, the leg on me
and it's all okay us see if mass n partile
Tamian and.
Speaker 4 (17:29):
Guan dot com form one.
Speaker 3 (17:30):
Most is the malorando crescendola stetes like cavelas and master.
Speaker 4 (17:39):
Significant as al.
Speaker 3 (17:42):
Momento coms significant part i.
Speaker 2 (17:48):
Scritos la mote novi and j Alexander is the philippe
and ya see commas in la filas and is as.
Speaker 1 (18:09):
The hart plan This is the brother this yeah make
m hmm and those is tambi no i this yes
(18:37):
see I plas epic y.
Speaker 5 (18:45):
Is not.
Speaker 2 (18:52):
Yes youngster, yes yes, yes, yeah yes with all yeah
yeah you know not sado see I know optimisal.
Speaker 5 (19:08):
Responsibility that equal less as a signature an estallmental.
Speaker 1 (19:21):
Why not sir.
Speaker 2 (19:24):
Segir conssco they star there dist planeta.
Speaker 1 (19:33):
Se segir alas as.
Speaker 2 (19:41):
As well as calls a slamre no no they have
the egos kamous no notice as the peris.
Speaker 1 (19:55):
Andoses see se cendo looko does in that and participle
alien jova meditation comment yes, the yes mo mo importante
me just caused us.
Speaker 2 (20:20):
Canalyst yes, no not articles nicolinarios lok yes.
Speaker 4 (20:35):
And there.
Speaker 2 (20:39):
Supposed to me are you pesterday, lynch President, It is the.
Speaker 1 (20:49):
Yes as.
Speaker 2 (20:54):
Much il I in Plantano as well as in California, say.
Speaker 1 (21:03):
In Waka Mills.
Speaker 2 (21:06):
The alumnuss common is indigenous includes as well as public
as yes, previous to me kiss and meditation ant is
l scholars a key Joe and approximate ministers course doesn't
(21:32):
I said, of course, as we probably the mass courses
because Kevin, who's another comparative, and thus is the last
kid getting the cossu sabes like casa just in the kid.
(21:54):
There will be as personal bea so nasalsba yea juda
okey toc and major i ket in teleto mad is
(22:16):
a well the mass.
Speaker 1 (22:18):
Mass precis in in mass major.
Speaker 3 (22:23):
Blank verte west and important lamor la mare forma part the.
Speaker 2 (22:37):
Look see the well be a mental baldos. Yes, so
they will be on the persona I mean you okay
to a parisia cambia, I mean sure the major prodiction
looking vita in this says the al.
Speaker 1 (23:03):
But recommended tlenovela and psar your scol.
Speaker 2 (23:14):
Is the CIA transmission slunis.
Speaker 3 (23:20):
Start school is in Lanka to teppo SNA the Thousand
Needles or the tolos Spanos sat Mexicana ma liven azela
movie and the require thos PCs mariestament.
Speaker 2 (23:44):
We set los Banos Los and Dominicanos span and thousand
NEOs or recommend ar list Maria the Passionist Basil experience
in the Parato Los k La Croque lost Los by
the loss is a historian, he lets a comundom marines
(24:11):
for cigando yamdi rants.
Speaker 1 (24:15):
Less no.
Speaker 4 (24:18):
Black coustas plats that movie glassies, for there is bye
bye Glass and yah
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