Best of Rory & Mal: Week of 4/28

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
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(00:23):
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com to find your cable channel.

Speaker 2 (00:37):
The volume.

Speaker 3 (00:41):
Remies you.

Speaker 4 (00:43):
I'm all, I'm Rory, and we are starting for the
first time the best of the week new Rory and
Mall because they need more, Yes Rory, and more all
of our amazing moments. We understand people are busy. If
it gets to those weeks. On Sundays, you can come
right here and get the best of what happened from
this entire week Monday through Sunday.

Speaker 5 (01:03):
The best of us, Yes, the best of the best
of me, the best of me, Yes, because there's two
of us, pressure bust pipes exactly every Sunday. Best of Us,
best of Us, best of Rory, mal best of us,
the best of us. We'll give you the best of us. Yeah, Mom,
only the best. This is only for the best, for
the best.

Speaker 3 (01:19):
Peas drop that beat.

Speaker 4 (01:23):
Well.

Speaker 5 (01:23):
The one thing that happened is this, this this one
hundred men versus one gorilla, shit really took off again.

Speaker 3 (01:29):
I'd like my flowers. This one is just all to
the team for whatever reason.

Speaker 5 (01:34):
I just don't know why this is taken off again
and why everybody seems to be still debating this one hundred.
Let me explain something to people that I think people
don't understand because I see people with theories like, no,
we'll send the first twenty five in and then we'll
send the second wave in, and this that when y'all
see what that gorilla do to the first three niggas,

(01:55):
and when they start that gorilla start throwing niggas around
like nunchucks, just picking ning up by his leg is
just start doing whatever, and all his guts fall out
of his ears, and shit, I want to know who's
gonna keep charging the gorilla after that?

Speaker 4 (02:07):
So the only I was raising I'm not a spartan.
I was not raised some birth to be this. If
you I am going to leave, this is wise bullshit.

Speaker 5 (02:15):
If it was one hundred men in a park, same
Central Park, Million Man March.

Speaker 3 (02:20):
If they said it's a gorilla.

Speaker 5 (02:22):
Loose, every nigga in that park would start running for cover.
Niggas ain't gonna say where's that it start charging that.

Speaker 3 (02:33):
That defeats all of that shit.

Speaker 5 (02:35):
You could say it's a pit bull loose at the
Million Mare March, and niggas.

Speaker 3 (02:39):
As run a gorilla.

Speaker 4 (02:40):
Imagine somebody Mama and Muhammad Ali would get along, Yeah,
we got it.

Speaker 5 (02:45):
Look gorilla, yo, come on, man, we gotta let's have
fun with it. Would come on, man, y'all not doing
nothing with no gorilla.

Speaker 2 (02:53):
So to be fair, to be fair, these men would
be signing up, so it wouldn't just do dad, that's fine, right,
But the only thing.

Speaker 3 (03:02):
Signed up for Afghanistan. He wasn't prepared.

Speaker 4 (03:05):
That mean just sign up, don't mean you ready, no,
But he got shot in the leg in North Africa
and was like, I'm going to Temple University.

Speaker 3 (03:12):
It's over a gorilla, right, go ahead baby, Okay.

Speaker 2 (03:15):
But the only theory that I saw that made sense
is that if a gorilla saw one hundred men, because
he doesn't usually come into contact with men in the wild.
If he saw one hundred men, he might be afraid.
That's it might scare.

Speaker 3 (03:29):
Him a little bit. That's all I'm saying.

Speaker 5 (03:31):
Okay, that's great point right when you, Oh, hold, I
got this, I got this great point right now? What
you what you didn't factor in is they have that
gen at some point because it's one hundred minute versus
of meaning, these one hundred men are trying to get
this gorilla to submit and beat the gorilla. Right, It's like, basically,
kill the gorilla is what you're gonna have to do. Yes,
when that gorilla figures out where it's at on the

(03:54):
food chain, you don't want to be around when the
gorilla find out like, oh, I can kill all of
you niggas right now. You don't want to be around
when the gorilla figures because you're right, the gorilla might
be thrown off at first, like yo, what is this?
But when the gorilla, when that light bulb goes off
and the gorilla figures out like oh, like I can
kill each and every one of y'all, you just don't

(04:14):
want to be around. Like when the first you've never
seen a man split in half like his limbs pulled
off of his body. Nah, if you were to see
that happen twenty feet from you, the one thing I
can promise you is you're not going to keep engaging
the animal that just did that. You're going to retreat.
That's just a natural thing in your body that's gonna say,
get the fuck out of here. One hundred men versus
one gorilla, it would be ninety seven deaths. Three niggas

(04:37):
would get away.

Speaker 4 (04:38):
Five if Joe Fraser was around in the prime to
throw the first chin shot and everyone realized that that
did nothing but make the gorilla go wish. I yeah,
everybody is be like I never never mind.

Speaker 5 (04:55):
I think that people don't know what a gorilla is.
I think they kind of nosiously. I think people because
some people might think of it's probably a chimp or
just a monkey, you know what I'm saying. Like they're like, oh,
not a little cute, No, we're talking about like a
silver back.

Speaker 3 (05:06):
No.

Speaker 2 (05:06):
Then they then they upped it. This is when I
this is when niggas lost me. They said, all right,
what about two hundred niggas versus a full grown polar bear.

Speaker 3 (05:15):
Bitch. I'm cool. It's just getting this getting crazy. I'm cool.

Speaker 4 (05:19):
It's getting crazy, and I assume we're in his environment.

Speaker 5 (05:23):
Well, naturally, Park niggas don't like the cold. First of all,
we got to start there.

Speaker 4 (05:31):
It's gonna be slipping slided tickets to the house. We're
cooked on a fucking.

Speaker 2 (05:35):
So somebody came up with their dream team for beating
the gorilla maul.

Speaker 3 (05:40):
Can you read that for me? Please? Who is this? All? Right?
Fuck it, let's go.

Speaker 5 (05:44):
So this gentleman says, give me three Baltimore niggas, thirty
some oens, twelve Chicago niggas, five Nola punks, and.

Speaker 2 (05:55):
By punk told he needs punks, he meant them niggas.

Speaker 3 (05:57):
That Rory was just about.

Speaker 4 (05:58):
To say, I want I want to add this gentleman's
that if you gave me five of those transgenders with
the automatic rifles outside of poor boy, we might just
need five.

Speaker 3 (06:09):
No weapons, no weapons, there's no weapons. It's hands. If
it's weapons, you can shoot a gorilla and killer. Yeah,
we know that. It's on a hand in hand combat. Nah,
everybody anyone else has guns?

Speaker 5 (06:21):
Five Nola punks, the two thousand and four Detroit Pistons,
Draymond Green two thousand eight Lebron the Baby salon An
The baby comes with guns though, that's what I'm saying,
that's funny.

Speaker 4 (06:31):
The only one that's really proven on this entire thing
is Clanne. The only one I've seen hands work before
on this list is Salaune.

Speaker 3 (06:38):
The baby is frying. The twelve from Chicago will be
on Perks Yo, this is just bad.

Speaker 2 (06:45):
Ninety seven Mike Tyson. Floyd Mayweather ain't gonna do shit.

Speaker 3 (06:49):
It's twenty He's a finesse fighter. He ain't not doing
twenty Florida men slash women. Yeah, because Floyda is a counterpuncher,
so that means the gorilla.

Speaker 4 (06:57):
They will figure out how to capitalize on this fight
and get out of dodge.

Speaker 1 (07:00):
Yeah.

Speaker 6 (07:01):
Yeah.

Speaker 3 (07:02):
This will be promoted by moneyboy promotions.

Speaker 5 (07:05):
And then it says in some here toity and we
bring home a Javanci silver Back for cod.

Speaker 4 (07:08):
Not not even a tiny bit, fam I just not
even a tiny bit.

Speaker 5 (07:12):
This is why, this is why you just gotta love
the social media, Because everybody that jumped in on this
and had fun with this, if they were in an
enclosed fucking location with one gorilla, they would literally pass
the fuck out. I'm talking about where you know the
gorilla is faced like eye level like not you're up
above a pit looking down. No, you're in the pit
with the gorilla. You're not doing nothing with that fucking gorilla.

Speaker 3 (07:35):
Man.

Speaker 4 (07:35):
I still think, three years later, since we were the
first people to have this conversation, my strategy, after watching
everyone's strategy this weekend, I think still stands.

Speaker 3 (07:46):
They're ticklers. Who is gonna get that's trying to understand.

Speaker 4 (07:50):
It sacrificing at least six of the guys from Chicago
and the other six can tickle, Like while he's tearing
apart everyone from O block.

Speaker 3 (07:59):
You know we can somebody get You think they thumb
up his ass.

Speaker 5 (08:05):
That's not enough. Y'all not listening. That's affecting. Y'are not listen.
You don't even know what his ass, y'all are. Y'all
are gonna die, man, y'all are gonna fucking die.

Speaker 3 (08:19):
He just said ya yo, a gorilla. Yo. I would
pay to see a hundred niggas fight a girl.

Speaker 5 (08:25):
I would pay top dollar to see a hundred stupid
niggas jump in the pit with a gorilla.

Speaker 3 (08:31):
They would have to get on.

Speaker 5 (08:32):
That gorilla is gonna take you niggas apart like mister
potato heads some.

Speaker 3 (08:35):
Russell Crome maximum Ship.

Speaker 4 (08:37):
But I mean he even had weapons, Like he's be
some strategy. What we said, go back to her old clip.
I was like, all right, ten at the time, maybe
there could be a shot.

Speaker 3 (08:46):
Fam is no shot, bro, No, the.

Speaker 4 (08:48):
First thirty getting sacrificed, like everybody's dying.

Speaker 5 (08:53):
The only people that's gonna survive is the people that
were smart enough tough, like yo, get me out of here.
And that's after seeing ninety seven ninety at least ninety
people limbs ripped apart, blood everywhere, guts everywhere, and the
gorilla just sitting there playing, putting makeup on his face
with your blood like.

Speaker 4 (09:10):
And my shit, I just don't know what when I
was reading, like everyone not even the jokes, like people
that were serious, like trying to put strategies together, like
all right, we'll take twenty just to get him down,
and then two people get him in a headlock. I say, so,
y'all know where a gorilla's windpipe is. Nobody tell y'all
get into a gorilla's win wind fight. Well, I mean,
if we organize him a bulletproof vest on regularly you

(09:33):
know it's nothing happened. If you could put a gorilla
in a choke hold, your arm is breaking, not his neck.

Speaker 3 (09:40):
Yeah, it's not happening, Okny, y'all read this tweet had
me fucking crying.

Speaker 4 (09:44):
Bro.

Speaker 2 (09:44):
Twitter has had me in tears between Sinners and this
gorilla shit.

Speaker 3 (09:49):
Twitter is back old, Twitter is back. Lay mass nigga
got the ops tatted because he got a gorilla on
his arm. Yo, Twitter Yo.

Speaker 2 (09:59):
Somebody said, now we're down to ninety nine niggas because
this nigga w on Dick Ride.

Speaker 3 (10:05):
I just don't get.

Speaker 5 (10:06):
I just don't get how people are really trying to
break down how they can really do this.

Speaker 4 (10:09):
I hit shot money and denounce my g unit affiliation.

Speaker 3 (10:12):
I can't rock with him anymore. Hen't do no gorilla unit.

Speaker 5 (10:15):
Fam Listen, let me tell you something. Y'all go ahead
and keep playing his one hundred dude Roysus is a
gorilla shit. If y'all want to, they're gonna end up
setting it up, you know what. I just who jo fam.
Let me tell you something. They need to go to
an exhibit, like go to a zoo or somewhere where
you could just see like a fake gorilla outside that
like and just stand next to it, you know what,

(10:36):
Put your hand in the palm of a real gorilla
hand and just rethink this thing again.

Speaker 4 (10:41):
See I didn't like this because all the women were
getting their kikey laughs off, putting us in the field
about some entire thing.

Speaker 3 (10:48):
Do a pop the balloon with a gorilla then?

Speaker 1 (10:51):
What?

Speaker 2 (10:51):
Rory?

Speaker 3 (10:52):
Yeah, let him walk in that room and pop the balloon.
What he won't care?

Speaker 5 (10:57):
What the fuck are you.

Speaker 3 (10:59):
Tearing all them up? So disrespect him? You niggas never
want to fight, no fight. I'm not fighting a gorilla
like fight. Like you see what I'm saying. You see
how he running here a little scared so many of.

Speaker 4 (11:10):
Us you missed Paul when he came back, he was
in other body parts to beat up other body parts.

Speaker 5 (11:18):
Yeah, he gonna kill you swinging somebody else at you.
That's what you're not understanding, Like y'all, y'all are crazy, man.

Speaker 4 (11:25):
And this is how sick demeris is now she really
not popping the balloon after she saw this, She like him?

Speaker 2 (11:30):
Now, you Wow, that was I don't know something about
that felt racist?

Speaker 3 (11:33):
What do you what do you think? Mam? All right?

Speaker 4 (11:36):
See if y'all just because I'm wearing the shirt, I
know it seems crazier.

Speaker 3 (11:39):
Yeah, but I don't think.

Speaker 5 (11:41):
That we gotta take the duck Dynasty shirt off. You
gotta take that off.

Speaker 3 (11:45):
It was to buy what does that say?

Speaker 6 (11:47):
You got to?

Speaker 3 (11:47):
They were definitely racist. There, don't do that.

Speaker 2 (11:54):
Oh that was like the company I thought, you know,
you know Dynasty, the way you guys.

Speaker 4 (11:59):
Go out to the sun and wear less clothes. I
have to put on like rubbery long sleeves.

Speaker 3 (12:05):
Put on breathable fabric. Yeah, no, I was.

Speaker 4 (12:07):
I was head to toe in my garments to be got.
But it is beautiful and I feel like it's it's
racist that demors thought that that was racist.

Speaker 3 (12:20):
But yeah, yeah he tried it. It's way worse with
that said, do we avoids? You have got mal yo?
What's up?

Speaker 6 (12:32):
Rory mal De marriage the whole pod crew. My name
is c J and I need some relationship advice. I
need you all perspective. So you know, recently got engaged.
You know, me and my fiance I've been together.

Speaker 3 (12:46):
For a little while.

Speaker 6 (12:47):
Now I trust her completely. My only issue right now
is when she goes home to our home state. We
live away from our home state. Right now, she'll go
home a couple of times, you know, throughout the year herself,
and when she goes home, she hangs out with her
single friends. And when they hang out, they go out

(13:07):
to bars and all that. But also they're staying out
super late, so they'll stay out til four sometimes five am.
And I feel like, especially now as a fiance, like
there's certain boundaries and things you should do differently, especially
around single friends. Like you know, like I'm sure there's
guys around at the crib. They're hanging out, you know,

(13:31):
late hours. So my question to you is, like, in
a relationship, do you have any like set time, like
you got a curfew for your partner or you to
be home by Also, you know, would you address it
in a certain way?

Speaker 3 (13:45):
I know in New York, like.

Speaker 6 (13:46):
You can stay out heller late and maybe it's not
that big of a deal, but I don't know, I
feel a way about it, Like how should I approach it?

Speaker 3 (13:53):
My bugging? Should I just let her do her?

Speaker 6 (13:55):
I appreciate any advice.

Speaker 4 (13:57):
Thank you shouldn't be engaged with some do you think
would be fucking somebody at some late hours?

Speaker 3 (14:03):
Like what I like the voicemail, But come on, like,
what are we doing here? Is that your advice? Yo?
You already My advice is this is stupid.

Speaker 4 (14:16):
You don't try, Like why why did you get engaged
with somebody that you would feel that the very few
times that she goes up, very few which I believe
was quoted there, that she goes out, she stays out
late with her friend. But I'm if you think your
girl is gonna fuck somebody, why'd you?

Speaker 3 (14:31):
Like? What are we doing? I don't think that's what
he's He's just saying.

Speaker 4 (14:33):
What's wrong if your girl goes out till six am
every now and then we're her single friend.

Speaker 3 (14:37):
First of all, that doesn't mean that it's an orgy.

Speaker 5 (14:39):
First of all, first of all, ain't nothing outside till
six am but the devil and prostitutes.

Speaker 3 (14:46):
So you think it's girl is getting prostitutes. I don't
know what or maybe they want.

Speaker 5 (14:49):
I'm just saying, maybe they were to Wendy's and I'm
just passed out on her friends call that Wendy ship
passed out on the bitch couch, woke up with egg
yolk and ass I know how it goes.

Speaker 3 (14:58):
What I'm saying is when you engaged.

Speaker 4 (15:02):
You when you are engaged, you don't serve that at
Wendy's should getting her asked.

Speaker 5 (15:06):
I'm talking about the lube, the lube in the butt,
when I'm talking about if you are engaged, there's no
reason for you to be out till six in the morning. Why,
because what the fuck is happening at in the morning?
What is going on the morning?

Speaker 3 (15:18):
He does this consistently, the club thing.

Speaker 5 (15:22):
First of all, my fiance ain't closing no club down
there for you. And let's get to that. That's number one,
first of all. So what are you doing till six am.

Speaker 3 (15:29):
In the morning.

Speaker 4 (15:29):
Well, we're adding these numbers in, he said. It's not
New York, so we assume it probably closed.

Speaker 3 (15:32):
Probably two, he said, a specific time. He said five. Yeah,
but the club probably closes at two or three. I
don't care. What your girl not supposed to be in.

Speaker 4 (15:45):
The streets in the morning is that her friends, her
high school friends, she never really goes out like that,
and they want to go to the club till one
two am and then go back to her own girl's
house and just fucking kick it and eat, and she
passes out.

Speaker 3 (15:55):
I don't care. It is a regular thing where every setting,
every time she goes home, he said that from.

Speaker 4 (16:03):
There, and rarely she goes by herself without him. If
that happens a few times, like you really think she's
doing something. You think she's trying to fuck old boy
from freshman year. Listen, listen. They ain't got nothing to
do with that, because women could fuck in the daytime too.

Speaker 2 (16:15):
I was just about to say, if she fucking is
during the daytime and they at five am when she drunk.

Speaker 5 (16:19):
I'm just saying it's a respect thing because if he
was walking in the crib at Foxics in the morning,
she would have a problem with that. What come on, man,
cut the ship. Women have a problem. You walk in
the house, you get up at five, You need to
be home at five oh three.

Speaker 3 (16:33):
What kind of women are you dating?

Speaker 5 (16:35):
Women in America? American women, it's who I'm dating. Yes,
if you have you have a time to get up.
If you have a time, If you get up for
work at five and you ain't home by eight and
you didn't tell your spouse like y'all got plans, I'm stopping,
which is talking about eight to eight pm and you

(16:55):
ain't home, your phone is ringing, you know where you at.

Speaker 4 (16:57):
You're proving my point more of the this is a consistent
thing or some weird shit. If she once or twice
a year goes back home without you and hangs out
with her high school friends whatever the fuck and they
go out, Now, why would you think your girl doing that?
If she's consistently trustworthy the entire time. No, if she
said some weird shit, he said, you caught her talking

(17:18):
to somebody from back there, like you get, then there's
some different factors in there.

Speaker 3 (17:21):
Yeah, but you're missing what he's saying. He's just saying
to be out that late.

Speaker 5 (17:26):
He's like, yo, like to find out not in your bed?

Speaker 3 (17:33):
Is this his daughter?

Speaker 5 (17:34):
It's his girl? Like with you, it's his fiance. He
just like, Yo, at six am, why are you not
in the.

Speaker 3 (17:41):
House and she asleep?

Speaker 4 (17:43):
If she is in bed with her best friend from
fucking could start about going back home from this big Yeah,
go ahead, sleep at your fucking homegirl in her bed,
I don't care the fuck so nice And and you
also are like, they don't live there, so where supposed
to say? The who?

Speaker 3 (18:00):
That ship sound good? Coming from him? That sound good?
He ain't going. He ain't going, like he ain't gonna
be smart with his bitch, leave him alone. Matter of fact,
do you stay the week? All right?

Speaker 4 (18:13):
But if she's going there, she's probably either staying with
her parents or family or staying with her friends. Like, so,
what's the big If she out till six am and
the club's closed at one, what the fuck is you doing?
You out champing Black and Miles. If she's going I'm
gonna wonder what's going on. But if you back with
your friends and you left the club at one and

(18:33):
y'all are just at the crib being drunk, stupid and
laughing and like pass out, I don't give a fuck.
I'm going to sleep. You think I'm waiting up at
six am? If you think your girls cheating, that's a
different thing.

Speaker 3 (18:45):
But if you trust your girl, he's just pardon right now,
that's all.

Speaker 5 (18:49):
No, I'm not. I'm telling you exactly. Let his bitch
stay out past.

Speaker 3 (18:55):
Don't do that because I'm not that guy.

Speaker 5 (18:56):
But till six am, you bugging the fuck out because
we could both play the six am game. And I
promise you I'm a vet ma, I'm not shot. I
could do from eight pm to six am. I'm a legend.
I listen, I'll be you just go to Dairy Queen
with your friends.

Speaker 3 (19:16):
Know that's gay ship.

Speaker 5 (19:17):
You go, I'll be in motherfucking I could go from
Beverly Hills to Tarzana back.

Speaker 3 (19:22):
I could do a bunch of it from APM.

Speaker 4 (19:23):
It sounds like some fucking hometown hold on Middle American ship.

Speaker 3 (19:27):
That's what the niggas is at. But this is the
thing of may no offense.

Speaker 5 (19:32):
I'm talking about any nigga that my girls out till
six am with her single and a single for a reason. Oh,
that's such a bullshit. Like every single chicken ship, that's
such bullshit. I'm not saying every chickens fucking. I'm just
saying niggas, chicks get fucked.

Speaker 4 (19:48):
That's what I'm saying, not disagreeing. I'm not saying every
chicken speak for every girl. No, I've had sex before.
I know I would never speak for every woman. But
women be out here fucking. I'm aware of that, all right,
So so let's let's then that's now.

Speaker 5 (20:02):
What I'm saying is, if your girl is out till
six am, I just want to know what y'all doing
till six am.

Speaker 3 (20:09):
Well, I can chime in.

Speaker 2 (20:11):
This is you know, as the woman in the I
can chime in as the woman who is from a
small town and who goes home and often don't be
getting home to like four am.

Speaker 3 (20:19):
When you're with your like.

Speaker 2 (20:20):
Homegirls and you're like her hometown. She probably running around
in jeans and sneakers, probably pissy drunk because she know
the area, she feels safe. She's around a bunch of people,
she knows, she's having fun. They're probably doing dumb shit
waiting in the fucking McDonald's line, drunk, torking out the
fucking window, trying to get.

Speaker 3 (20:37):
Cold out to be doing that.

Speaker 5 (20:39):
Why my fiance don't like a year like at McDonald
If she's not doing.

Speaker 4 (20:44):
That every Saturday, that a conversation, but like keV one
fucking night with her her friend from home.

Speaker 2 (20:51):
Of course, also will probably be a different age than
his fiance. He sounds a little younger than you, so
his fiance is probably in her twenties, maybe early thirties.
Like if she's out, goes home every once in a while,
once or twice a year, and gets super drunk where
her friends having fun.

Speaker 3 (21:07):
That's what girls do.

Speaker 5 (21:08):
Yeah, I'm not saying I'm not saying she can't hang
out with her girls and get drunk and have fun.

Speaker 3 (21:11):
That's not what I'm saying.

Speaker 5 (21:13):
I'm saying he's saying that this is something that seems
to be happening every time she goes home.

Speaker 3 (21:19):
So there's a pattern here a lot few times.

Speaker 5 (21:21):
What are y'all doing till six in the morning every
time you go back home? Why is it you out
till six in the morning?

Speaker 4 (21:28):
And I know you, I know you're iller than us
and like any chick that sees you like she fucking
But like not every girl just goes out and just
like fucks it, dude.

Speaker 5 (21:37):
But who Sometimes girls go out and you keep saying fucking.
I've never said she was fucking anybody. I never said that.

Speaker 3 (21:43):
It's recorded, I said she I said she fucks somebody.

Speaker 2 (21:46):
No, he said you said women be fucking. No, yeah,
because women be fucking Are we talking about it?

Speaker 6 (21:52):
Small?

Speaker 3 (21:52):
But like some women really just go out and go home,
and someone would really go out and get fucked and
go back you that often he's now doing. You think
that that's what his fiance is doing.

Speaker 5 (22:03):
I think that he feels like something is going on.
I'm not saying he feels like his fiance is fucking
but he feels he called here. He called me, He
called me job stop giggling. They called me and asked
the question. So let me give him concern here, because
he did call concern this.

Speaker 3 (22:22):
It came on my back like I'm just put these papers.

Speaker 2 (22:29):
The fact his call is, do you think it's inappropriate?
His call was never that he thinks something's going on.

Speaker 3 (22:35):
That's why I never said that.

Speaker 2 (22:36):
That's why inappropriate for a woman in a relationship to do, Yes.

Speaker 3 (22:41):
It is. That's what it is. Inappropriate for a woman
in relationship to be out of suction.

Speaker 2 (22:44):
If it happens more than three times a year, more
than twice a year, I think that it's I'll say
three times. I think that it's inappropriate. If she's coming
home past three four o'clock more than three times a year,
I think that it might be inappropriate because that shows
a pattern. But if it happens every once in a
while while she's with her girls, you know what she doing,
You got the location she's you.

Speaker 3 (23:05):
You don't know. He probably knows what his shit. He
called him because he don't know.

Speaker 2 (23:11):
That's not what he did. He never said he didn't
know what she was doing. He just said that she
was out late. For example, Alex, y'all know Alex, y'all
have met my best friend Alex. Alex is in a loving,
healthy relationship. I had Alex at Sahara East till four
o'clock in the morning.

Speaker 3 (23:25):
And her man don't like you.

Speaker 2 (23:26):
Oh no, he loves me because he know he has
her location.

Speaker 3 (23:29):
He sees she has Sahara.

Speaker 2 (23:31):
Now, usually we leave Saharah about twelve o'clock, right, we're
never at Sahara till four.

Speaker 3 (23:35):
But it was just one of them nights.

Speaker 2 (23:36):
We was just chilling, like we didn't pay attention to
how far along the time was. So at four he
texted her, was like, ah, it's time for you to
get your ass home.

Speaker 3 (23:43):
She did not get in trouble. He was not mad.
It was like.

Speaker 7 (23:47):
That.

Speaker 3 (23:47):
It was just like, okay, girl's time for you to
come home.

Speaker 2 (23:50):
But he knows what she was doing, where she at,
who she's with, because that's a safety issue. That's the
first thing I thought. Your girl also six am, where
is she at? Do you have a location?

Speaker 3 (23:58):
Stuff? So much about the girl.

Speaker 5 (23:59):
I don't know who you it, I don't know who
they invited, so I don't know who's around, Like, if
it's guys.

Speaker 3 (24:06):
Around, I don't know. He never said I can't vouch
guys around.

Speaker 4 (24:11):
He said that if you're getting engaged, you at least
have a pretty good grasp on her friend group and
which friends are, which I'll even speak to when I
was engaged. You're saying three times a year is crazy.
If we're in New York City, if you stay out
till five am three times, I don't think that's crazy.

Speaker 3 (24:27):
Even that ain't ship in New York. It's same as
with Noel thought.

Speaker 4 (24:31):
I know she Yeah, I don't want to get into
uber with some creepy fucking guy, or get on the train,
go fucking crash there y'all going to the bar till
two am and then going to her crib in Brooklyn
stay there like what the fuck?

Speaker 2 (24:42):
Oh, I didn't even tell y'all are crazy at all.
I didn't even tell y'all how Rory had me out
till four o'clock in the morning. Fast know what never
find no recently. But we ain't even got to talk
about it. I'll completely forgot about that to tell mal
completely forgot Rory had me in a rapper section at
Starlit's at four clocking the motherfucking morning.

Speaker 3 (25:01):
Oh man, nasty times. Who whould you sing?

Speaker 2 (25:04):
Didn't want to do sing though I didn't want to
do it, you convinced me. I didn't want to do it.
I didn't want to do it. I was about to
go home, but you were my right to Jersey Rory,
don't fucking lie.

Speaker 3 (25:15):
I did not want to do that ship No Rory
lying he'd be wanting to go sit with rappers and
stall its. I didn't even know that. I didn't even
say a word. I didn't know who the rapper was.
So y'all was in a rapper section and neither one
of y'a knew. I knew the rebel. I don't know
Justice like I was with Justice shout out to Justice rapper.
No no, but like.

Speaker 4 (25:35):
They signed Gucci Gang whatever like that whole ship. I
don't you think I wanted to go there because of
him Justice and the Embers.

Speaker 5 (25:41):
That's different, Justices, that's family. Yeah, that's different. I thought
you were saying, like, y'all just went to some rapper section.

Speaker 3 (25:47):
No no, no, no, no, drove in my car, okay,
So yeah, that's cool. Four am no, this my second
four am night with Rory.

Speaker 5 (25:56):
Alright, So now if you had a boyfriend, do you
think he would have had a problem with that.

Speaker 2 (26:00):
Yes, because of where I was, Because of where I was.

Speaker 3 (26:03):
Okay, So now we're getting somewhere we don't know where
his fiance was at.

Speaker 2 (26:06):
That's because your guests, I guarantee you his fiance was
not in a rappers section at Starlets.

Speaker 4 (26:10):
You can, okay, because y'all would have been mad, because
you know you was.

Speaker 5 (26:16):
But what if he was with if his fiance was
with one of her girls that be with rappers in
their sections till six in the morning, if he.

Speaker 2 (26:24):
If he, if it was that, he would have said that.
I fully believe he would have said that. I don't
think it's that. I don't think it's that.

Speaker 5 (26:29):
You don't trust one of them friends. He knows something
about one of them friends that.

Speaker 3 (26:34):
He might be. I'm not fighting it with that. Yeah,
he knows something about one of them girls.

Speaker 4 (26:38):
He's except that as girl has a passed and they
did some missions and she'd still be around him.

Speaker 5 (26:43):
One of them girls probably looked her pussy before, like
when they was in high school college. You know, it
would be that type of ship. You know, y'all be
looking each other pussy. Sometimes y'all be looking at each
other pussy on the friendly head tip, like I'm gonna
give a friendly little lick.

Speaker 3 (26:55):
Girls do that, y'all do that. We'll never talk about that, Demarius,
the girls. I'm just saying. It's women.

Speaker 5 (27:01):
We don't never talk about the women that like had
a gay experience, like one time with their best friend,
like in high school college. Like, but what does that
have to do with anything though, because he probably know
about it. Okay, but that's he over there, think his
girl getting licked like a motherfucking stamp till six.

Speaker 3 (27:15):
In the morning. Just send me the video, yeah, just because.

Speaker 5 (27:19):
It ain't a god don't mean a girl and she
ain't nobody having a gay experience. Yeah, because if my
gay experience, I'm just saying, because if my girl tell me,
you're in college. In college, one night, me and my
homegirl went out and you know, girls go to the
bathroom together, and she came into store with me and
I was using the bathroom and then she basically forced
like she forced herself down on me, like licked me
a little bit. I don't want my fiance spending the

(27:40):
night at that girl out now just because we adults. Now,
I'll never forget you ate my girl out when they're like, nah,
we ain't doing that complete side. Want to come to
the birth please? No, she's come to the birthday dinner.
But you're not every time you go home. You're not
just staying out.

Speaker 3 (27:54):
Of the bread. We're not sharing a glass.

Speaker 5 (27:55):
Yeah, she want to fuck you, Like, just because she
ain't a man, don't mean she don't want to fuck you.
She went just because it's gay. Go over there and
just let y'all bump pussies all night.

Speaker 3 (28:05):
Nah, fam, But we debate before that bothers you. That
doesn't bother me. What the bumping up the pussy? Just
send me the video? Nah, you tripping not letting my girl.
I will say, we need to get rid of arrogance
that we have.

Speaker 4 (28:19):
Because at one of the spots in New Orleans, they
was bumping pussies in the bathroom, and I got like nervous.
I thought, New York, we have seen everything. They just
fucking each other in bathrooms, Like.

Speaker 3 (28:29):
So you got nervous to that.

Speaker 4 (28:30):
But absolutely he's crazy.

Speaker 5 (28:34):
He was scared of the bathroom two exactly had to
peep bumping pussies. He's scared of that, but he cool
with his girl getting licked.

Speaker 4 (28:42):
It wasn't my girl bumping pussies in the bathroom, so.

Speaker 3 (28:46):
You would have been okay with that bathroom. No, go
back to the hotel.

Speaker 4 (28:52):
Yeah, Production, production house, Like you know the germs that
are on this fucking sink.

Speaker 3 (28:58):
Production, has you got your wife an open wound?

Speaker 4 (29:01):
Because if a giant at the end of the day
is an open womb, you bumping pussy's on Like.

Speaker 5 (29:04):
It's not an open wom it's an open wound.

Speaker 4 (29:08):
It's an entry to your body. It's the entry to
where life comes back out. So don't put that nasty
ass fucking backbar germs and rub it together.

Speaker 3 (29:19):
That's all okay. But if you do send me the video.

Speaker 2 (29:22):
Production has just informed me that the caller has an
DU email and production is assuming that they're probably young
and fresh out of college.

Speaker 4 (29:30):
Oh, I mean you should have got engage.

Speaker 3 (29:35):
I'm telling you, man, he knows something about his girl's friends.

Speaker 4 (29:37):
Man, No, he don't know anything yet because he had
engaged with an EU email.

Speaker 3 (29:41):
He knows, he knows something. He didn't give us. He
adin't give us all the info, but he knows something.

Speaker 2 (29:45):
But some men also, I feel like, I feel like
sometimes there's a certain there's a spoken rule of your
girl shouldn't do this, your girl should't do that, your
girl should do this, your girl should do that. So
I think he was mainly calling to say, I don't
think that anything is going on, but just is this appropriate, right,
because you could not think your girls cheating on you
and just think that some things are inappropriate.

Speaker 3 (30:04):
And I think that's what he was calling for. Like YO,
because if you say.

Speaker 2 (30:07):
To somebody, yeah, my fiance was out till five am,
I'm like, oh, what the fuck she doing? But in reality,
what's what's really going on is nothing wrong? But just
by standards, that sounds crazy. It sounds crazy that your
fiance is out till five am. But anytime I've ever
been out till five am, I was like, it's if
I'm doing some shit I have no business doing. Whether
I'm in a relationship or single, it ain't happening at

(30:28):
five am. If I'm still out at five am, Like
I'm out with my friends, usually in the McDonald's line,
trying to get a smoothie nuggets and talking out the
summer off drunk. That's usually what's happening at five am
with women. Just be honest, or happened at five am
with you won't stay with women?

Speaker 5 (30:45):
You that's what you're doing at five point that I've
known what some women have been doing at five am
because I was doing it with them.

Speaker 3 (30:51):
Oh my bad, shit, exactly, my bad.

Speaker 4 (30:54):
I just my bad, even when I was like five am,
six am, who's fucking at that time?

Speaker 5 (31:00):
You see you never fucked that five. Definitely fucked that
five then, so that's who's fucking you.

Speaker 4 (31:05):
But I will say anytime it's been club related or
going out, That's why I preferred every city but New York.
The ship ends at two o'clock. If we shutting down
a spot at four am and then we grabbing food
the sun coming up, I'm going to fuck to sleep,
even when I'm twenty three years old, I'm going to sleep, though.

Speaker 3 (31:23):
You go.

Speaker 5 (31:25):
If you're going to sleep, it's because if you're going
to sleep, it's because five minutes and rolling to sleep
like it's not even if.

Speaker 3 (31:29):
You going to work.

Speaker 5 (31:30):
If you're going to sleep after the minon in my
house with a girl, it's because she shut the fact
down and I'm not fucking you tonight, but you ain't.

Speaker 3 (31:38):
You ain't tell her to go home. You're trying to it. Yeah,
you're trying to fuck. Yeah. I'm not saying I had
a conscious brother. There you go. That's all. I'm saying.
Somebody to fuck your girl at five six in the morning.

Speaker 4 (31:48):
There's going to be somebody trying to fuck your girl
for the rest of that's why.

Speaker 5 (31:52):
Then, that's why you need to have your ass in
the house, niggas, drunker and hornia as the night goes.

Speaker 4 (31:57):
All right, So I handed her fucking mc nugget. That's
that's what you pressed about. No offense to anyone.

Speaker 3 (32:03):
If your girl with cheat on you at five am,
she was cheat on you at twelve o'clas. That's what
I'm saying, just because she's in line.

Speaker 2 (32:07):
As long as you have her location, it doesn't happen often.
And y'all are still like semi young, y'all don't have
any kids, y'all, don't.

Speaker 3 (32:15):
This location ship what you mean?

Speaker 5 (32:17):
Because as long as you have a location, I know
girl that her man got her location and she fucking
wherever she at.

Speaker 3 (32:24):
So why y'all, So y'all, why.

Speaker 5 (32:25):
Y'all he has the young Map're like, why y'all hanging
your hat on? As long as you got the location,
I'm not saying that there will funk right where that
dot is at.

Speaker 4 (32:35):
Also, remember I came on here when was that serious?
And I found out that the girls be putting their
location on their laptop or iPad that they leave in
the crib and off their phone so they'll keep their
eye message on their laptop as long as there didn't
go out. So yeah, that location ship, but that means
nothing to me.

Speaker 3 (32:55):
Okay.

Speaker 2 (32:55):
My point is if she isn't fucking, if you trust
that she isn't fucking like you know or a fact
she isn't fucking, my point is, do you have her
location for safety reasons? Because what I'm assuming again is
he's just thinking that this is inappropriate.

Speaker 3 (33:08):
I don't think that he did. That's I need to
know where she's at exactly, so you know where she's
at due to safety reasons.

Speaker 2 (33:14):
That's why I think it's important at the location, not
because it's stopping her from fucking.

Speaker 5 (33:17):
Okay, not because it was just sound like yall was
Paul laying at together, had the location. She's good, she
ain't doing nothing, that's what it's. That's what you read like.
It read like you was trying to say, Yo, he
got a location, Like.

Speaker 3 (33:30):
Okay, anytime I fucked, it's been at a location. Every
time I fed, I was somewhere I could have been
located a location. I'm glad they did hit that door.
Wasn't the matrix. I was at a location. Just lock
the location. You got to get a hotel that's next
to the waffle house, no mall. Harkening back to family

(33:55):
matters are mal Do you.

Speaker 2 (33:59):
Think domestic abuse allegations are too far in a battle,
especially if they're unproven.

Speaker 5 (34:05):
Do I think domestic abuse allegations in a battle are
too far.

Speaker 3 (34:09):
Unproven, unproven, unproven?

Speaker 4 (34:11):
Yes, I think everyone can say proven domestic violence is
fair in a battle.

Speaker 5 (34:19):
Maybe yeah, I guess I think that anything you start
talking about, you know, when you start talking about somebody's
family and things like that, may be a line that
may be too far.

Speaker 3 (34:30):
But then again, this is rap hip hop.

Speaker 5 (34:32):
But I don't think that there's any line as far
as calling somebody a pedophile. I think that's the worst
thing you can put on anybody's.

Speaker 3 (34:39):
We're gonna get to that.

Speaker 4 (34:39):
I'll get to that, But how do you think that
domestic violence allegations.

Speaker 3 (34:43):
Are okay in a rab battle? It's nuanced to define
nuance in this situation.

Speaker 7 (34:49):
It depends on what the line is and what and
where and what the rules of engagement are.

Speaker 4 (34:54):
Drake, I think directly said that Kendrick had beat his girl.

Speaker 3 (35:02):
Then to me, then was it warranted? I don't know, jeez,
I don't know. Yeah.

Speaker 4 (35:08):
Do you think you think I'm proven domestic violence is okay?
To put?

Speaker 7 (35:12):
I think anything is okay as long as both parties
are cool with what the outcome, like, you know how
like the yan would be like, hey, let's meet up
and die.

Speaker 3 (35:19):
Yeah, if both y'are are cool with dying. No, I'm
just saying like, no, I get your point.

Speaker 7 (35:25):
Me and you are okay with dying, then nothing's a
good table. So good, you know what I'm saying. It's
only a problem if one party disagrees to the terms.

Speaker 3 (35:31):
Okay. With that said, do you think Drake is a pedophile?
Do I think he's a what? Do you think Drake
is a pedophile? By definition? No? Okay, by what? So
not by definition, but by what?

Speaker 5 (35:46):
Because it sounds like you think he's a pedophile by
something of that's not what I said.

Speaker 3 (35:50):
I said. It sounds like.

Speaker 7 (35:52):
That's not what I said. I don't take credit for
anything I don't say.

Speaker 5 (35:54):
Okay, So you don't think Drake is a pedophile by
the definition of a pedophile, correct, Okay.

Speaker 4 (36:00):
Okay, I hate this is just going to demonetize us immediately,
and it's going to make my algorithms crazy. The definition
of pedophile is sexual perversion in which children are the
preferred sexual object. I'm going to close my laptop and
hope defense don't rate here.

Speaker 7 (36:15):
And and the defined and the definitive definition of a
child is what.

Speaker 3 (36:21):
Uh all right?

Speaker 4 (36:22):
See, don't don't whack one hunder me where you know
the age of consent in every state?

Speaker 3 (36:27):
Okay? I think, I think answer.

Speaker 4 (36:32):
We also know, as like moral fiber, what a kid
is and what a kid is? The layman answer is no, okay, okay,
And I believe you did answer it. And if everyone's
ready to die, everything's off the table. But you think
pedophilia is okay to be brought up in a battle.

Speaker 7 (36:47):
I think once if I do discuss with you, hey,
let's this is a line. My ear lobes are off
limits and I violate the sanctity of that.

Speaker 3 (36:59):
Let's meet up and die. Okay, that on what he
just said.

Speaker 5 (37:05):
I mean, you know that's fair if he feels like,
you know, again, if there was a conversation and you know,
certain things were deemed off limits. If somebody violates, you know,
the terms of the conversation, I think all bets are
off there's no rules of engagement.

Speaker 3 (37:21):
Everything is, you know, fair game. I just think you know.

Speaker 5 (37:25):
Just where your I think your moral compass kicks in
at some point, and it's just certain things. I just
certain energies I just wouldn't invite into you know, my
music and things like that.

Speaker 3 (37:36):
And I just think, you know, just that word is.

Speaker 5 (37:39):
Something that I just would never throw around unless it
was absolutely definitively true like then. But if not, I
don't think you play with that word at all. I
think that's the difference.

Speaker 1 (37:51):
Though.

Speaker 3 (37:51):
What the nuance of.

Speaker 7 (37:55):
The nuance of I want to say, like cultural prowess, right,
like people who don't understand certain things.

Speaker 3 (38:05):
Here's my thing had not to cut you off.

Speaker 5 (38:07):
If Kendrick again, I've never had a conversation with Kendrick
about any of this shit. But if he feels like
Drake is indeed a pedophile. How long did he feel
like that? How long did he, you know, think Drake
was a pedophile? And why has he done music with
somebody he thinks is a pedophile. Now, I'm not saying,

(38:31):
I'm not saying you're telling you to answer. I would
just say to me, it's just like if we know,
you know, we come from a certain area, we see,
you know, he's a We didn't even play with that
word because where we're from, we know what happens to
those type of people. We see people creating content online
or meeting up with people that's trying to meet up
with kids and have sex, beat them up, you know whatever.

(38:53):
So in this battle to introduce that energy against someone
that you don't know if it's facts or not, you
may just feel like it is for whatever reasons, whatever
conversations you're privy to. My thing is, how long did
you feel like that? I get what you said, you
know what I mean? Like, let me ask ma All
a question. Yeah, Mall is beefing with Joe Budden. What's

(39:15):
off limits? What's off limits? What's off limits?

Speaker 3 (39:19):
What?

Speaker 5 (39:19):
Nothing is off limits? Nothing is off limits? Yeah, So
let's meet up and die. Yeah, okay, so by that
standard then you can't say, well, that goes against my
moral compass, and like you just said, nothing is off limits, right,
So that's what.

Speaker 3 (39:38):
That You're right, and I understand that.

Speaker 5 (39:42):
But when you when it comes to that, and we
both have children, right, so we can we can at
one point in our lives be ready to die and
crash out.

Speaker 3 (39:52):
We'll burn all this shit down.

Speaker 5 (39:54):
But now when we're fathers and we have children, we
don't think the same anymore, we don't speak the same anymore.
We look at life totally different. We're more, you know,
with different versions of what we used to be, because again,
you have children and you understand how sacred that is,
and you know how precious children are. So yeah, we

(40:16):
could be in this situation where we ready to go
all out, but at some point you got to be like, nah,
I ain't doing that.

Speaker 3 (40:24):
Though you just brought up kids. Who brought the kids
up first?

Speaker 5 (40:30):
No, I understand what you're saying. In the timeline of things,
I understand what you're saying.

Speaker 7 (40:33):
So then, but even in that, you don't get the
right to dictate anything beyond that point.

Speaker 5 (40:37):
I'm not trying to dictate shit I'm just saying. At
some point you have to say, all right, what I'm
saying is the worst thing you could say about somebody.
That better be a fact because once you do that,
once you label somebody that. Again, we somebody call somebody

(40:59):
a rat, We know what happened, what can happen. You
just caused mydy snitch coming from cars and coming from
New York, we know what happened. A pedophile is worse
than all of that shit. Okay, So when you label
a man that, I would just think that you would
have to be one thousand percent correcting what you're saying

(41:22):
and have facts on that before you throw it out there.
And I do understand there's no rules. Once you say, oh,
you know, my manager might be my kid's father.

Speaker 3 (41:31):
Cool, disrespectful?

Speaker 7 (41:32):
So no, no, no, not disrespectful. Again, you're trying to mitigate
how one perceives the disrespect. You don't have the privilege
of doing that. If if I tell somebody, if I
walk outside right now and I tell somebody SMD, I
have to be ready for whatever. I can't be like, oh,
I got a kid, and you got a kid. Let's
think about that.

Speaker 5 (41:52):
Oh No, Drake was ready for them. Obviously he's the
one that said so. Then at that point there's no
more discussion. Let's meet up and die.

Speaker 3 (41:58):
I get that, But here the problem is now. The
problem is now.

Speaker 5 (42:02):
When this is a record that you are like grand
standing and this is a message that you are displaying
to the world, like you know what I mean, Like
you got your super Bowl show, and you got the
Amazon show and.

Speaker 3 (42:16):
How you're doing stadiums and.

Speaker 5 (42:18):
Things like that, and this is the record that is
like you know, that's where to me.

Speaker 3 (42:22):
It's like, Okay, I just made a bad record than you.

Speaker 5 (42:26):
If that's the line you want to stand on, cool,
I'm not listening. It's a battle. We pick sides. Who
you think one, who you think lost great. I'm just
saying now that all of that is kind of like
over well.

Speaker 7 (42:37):
Would you feel the same way if family matters became
what not?

Speaker 3 (42:39):
Like us? It is about the line of Dave Free being.

Speaker 7 (42:44):
He performing at the super Bowl claiming that my kids
ain't his kids ain't his.

Speaker 5 (42:48):
But I've said that, I've said I was like, yo,
he better have some information we don't have, because that's
crazy to put on.

Speaker 7 (42:54):
That's not what I ask you. What I asked you is.
Do you feel the same way if family matters becomes
what not like us is?

Speaker 5 (43:01):
Yeah, absolutely all right, No, my moral compasses is set
to where it's set to. It's certain things to me
that I'm just like, all right, Like you're gonna say that,
you got to stand on that. So you being from
where you're from and me being from where I'm from,
we have a certain level of I call it texture,
which I don't necessarily know how to describe it. You

(43:22):
can tell when somebody is not authentically of that texture
because they what texture.

Speaker 7 (43:30):
You come from a certain environment where you operate in
a certain space, old code of conduct for instance. And
I've spoken this like that's why I don't That's why
I conduct myself a certain way. I can't get on
the internet, on the radio, on television and just crash out.
I can't say what I want. That's another gripe I have.
We can get to that later. But I can't just
say whatever I want because I have people that if

(43:50):
certain if certain people call my phone, I have to
answer the phone like there's no, there's no like I
have checks and balances. Because I don't get the freedom
to just say whatever the fuck I want to say,
because I represent too many or certain places and people
and individuals who look to me as a representation of them.
It's not just about me. And so that's a different

(44:13):
level of respect tenfold. There's another thing called and this
is why I mean, I'm not going to I'm not
gonna pick on y'all. But there's two things I which
I talked to Elliott about before. One is called journalistic integrity.
I'm like, I'm a professional broadcast I come from professional broadcasting, right,
so we have to learn journalistic integrity, like Rory Maye,

(44:34):
I know he was joking, but like, yo, we don't
fact check here. That brings up the second point of contention,
which is called libel, which I'm pretty sure like Benner
is familiar with or whatever. Libel is when you say
or do things that are false or disinformation, misinformation that
can lead to you being sued.

Speaker 3 (44:49):
Tasha K Right.

Speaker 7 (44:51):
So I conduct myself in a manner in which I
always have those three things in the back of my
mind at all times. I don't get the luxury of
just freestyl and speech and shit like that. So that
being said, when you look at like your moral compass
is set a certain way mine is set a certain way.
You can look at certain individuals and how they move
throughout the game.

Speaker 3 (45:12):
It doesn't even have to be drag.

Speaker 7 (45:13):
It could be other media personalities or streamers or artists
or whatever. You can tell who never had to go
to the park or never had to catch the frame,
or never had to answer their phone. Absolutely, you can
tell those individuals.

Speaker 3 (45:25):
That's the fact.

Speaker 7 (45:26):
So you can't be like, say, you can't make an
accusation like Rory fathered mass kids and just because my
record wasn't bigger than yours, be like, well, you can't
say that about me on your record.

Speaker 3 (45:37):
No, we're we meet up and we're meeting up and we're.

Speaker 5 (45:40):
He didn't say. He didn't say he followed the kids.
He said I heard he might. I understand that, but
the insinuation is and so yeah, but you know the
difference though, as a journalist you understand, I'm not a.

Speaker 3 (45:49):
Journalist, okay.

Speaker 5 (45:50):
As a broadcaster you had to you had to learn
certain things about what you say. So if I say
I heard that, it might be it's a totally different things.

Speaker 3 (46:01):
When did he call him? Why did he call him
a pdf?

Speaker 5 (46:06):
Okay, say Drake, I heard you like I'm young. You
better not ever go to sell block one fast forward.
Certified love a boy, Certified pedophiles. There's a comma there,
certified lovel boy, certified pedophiles. Who is he talking to?

Speaker 1 (46:24):
You?

Speaker 3 (46:24):
Tell me? Is he talking to the certified lovel boy?
Do you tell me?

Speaker 5 (46:27):
Okay, I'm gonna asking you because this is your record.

Speaker 3 (46:31):
I was just my record. You played this at every party.

Speaker 7 (46:34):
Not every party. I did a corporate event. I didn't
play that. Why not because they wanted like eighty ninety
R and b oh play.

Speaker 5 (46:42):
But if it wasn't. If it wasn't, you would have played.
It's in your set. I don't have a set. I
read the crowd. I'm not lying to you. I've never
prepared to set in twenty years.

Speaker 3 (46:51):
Good. I crowdy.

Speaker 7 (46:52):
That's why radio is so hard for me, because I
can't see people.

Speaker 5 (46:55):
If you have five parties in the week, I'm gonna
play the record out of how many of them parties?
Where you play it depends on the crowd, That's what
I'm telling I'm reading the crowd. If the energy calls
for it, then that's I'm not one of them. DJs
will make it about me. It's not what I want
to hear. It's whatever the crowd is.

Speaker 3 (47:09):
Okay.

Speaker 5 (47:10):
How many times do you play Family Matters where at
a party? Probably once?

Speaker 3 (47:15):
Okay? Maybe do you think it's a party record? No,
that's my point.

Speaker 5 (47:20):
I don't think Drake was trying to make party records
in this movie.

Speaker 4 (47:25):
Family Matters drops the exact same day, Maul, you posted
a red button as well as Drake on his story, Maul,
do you think that Dave Free Bar was the nuke
that Drake thought it was?

Speaker 3 (47:41):
No? I don't think that Drake thought that was a
newke that bar.

Speaker 4 (47:45):
He had set on red button on the Scary Hours
Deluxe with for all the Dogs that he could hit
the red button. Everyone's going to Heaven, So we're all
anticipating that this red button was going to be something
that was going to blow all of our fucking minds.
Do you think that that red button was as effective
as Drake may have thought it was?

Speaker 5 (48:07):
Now, I think you were just attaching that red button
to anything at this point.

Speaker 3 (48:10):
But I think that.

Speaker 5 (48:11):
Because Fall the Dogs came out way before any of
us even transpired, I don't think that the.

Speaker 3 (48:17):
Day Free Bar was.

Speaker 5 (48:21):
A bar that Drake was like hanging on, like, oh,
this is gonna be the one that I don't think
it was that. But if you go back and listen
to Family Matters, I think that to this day, I
still believe that that that's a better record than not
like Us. I believe he wrapped better or not like Us.
I believe the production is better than not like Us.

(48:42):
I think Drake's the only thing I would have done
differently looking back, I would have cut that brick in three.
I wouldn't have released all three of the beat changes
at once. I would have released the first one ended
with the gunshots, wait to see what Kendrick does. If
he takes too long, maybe released the second one. I
would have done that. But if we go back now

(49:05):
that it's all you know, said and done is you know?
And just listen to bars and I was talking to
I've spoken to a lot of rappers and and and
artists that make music at a high level, and without
even bringing it up, they say, like Drake may have
in the perception of people, may have lost the strategy game,

(49:26):
but as far as the better bars and music, not
like Us, it's not better than Family Matters.

Speaker 3 (49:32):
He would you agree with that? He's from he's from Carson.

Speaker 7 (49:37):
He can't, he can't disagree with it, or I just
go outside.

Speaker 4 (49:44):
Okay, well, since this was gonna be a post battle question,
but let's ask it now, since Maul did bring it up.

Speaker 3 (49:52):
Who out rapped too?

Speaker 1 (49:54):
Not?

Speaker 4 (49:55):
Who out impact too? Who had the better strategy? Who
had the better bars? In this entire battle.

Speaker 3 (50:03):
I stay on my side of a line of scrimmage.
He got to he gotta check from the popoffs show.
I don't have to. Yes, you do.

Speaker 5 (50:12):
You can't go against that. I no, you can't go
against Kendrick. You can't do that. And I'm not mad
at you. I fuck with you. I'm not mad at you.
But you can't sit there and objectively say, nah, I
don't think that you know I would if that's what
I thought Drake Drake out rapped him.

Speaker 3 (50:27):
And I'm talking about fuck me saying it.

Speaker 5 (50:29):
Some of the rappers that you've played their records in respect,
I've had conversations with them, and they like, you know,
Kendrick may have got the strategy and the perception of
him dropping right after family matters and all of that.

Speaker 3 (50:39):
Cool.

Speaker 5 (50:40):
But if you just go and listen to bars as
an mc and as a rapper, there's no way you
think Kendrick. I don't even think Kendrick was trying to
really rap on not like Us. I think it was
a song he was trying to get people to dance.
He needed to galvanize the West Coast, get the whole,
the whole California behind this song. This is like our
new anthem, which is I'm not mad at that that strategy.

(51:03):
But we're not gonna say he rapped better than Drake
or not like us versus Family Matters.

Speaker 2 (51:07):
No fucking waka, So mal bringing that up when you're
referencing that and everybody else that you're referring to, are
you talking about just not like us versus Family Matters?
Are you talking about Kendrick versus Drake in the entirety
of all of these songs.

Speaker 4 (51:20):
Because also at this point, Family Matters was really again
to meet the Grahams.

Speaker 5 (51:24):
In that Family Matters and Hart part six, Drake is
rapping better than anything Kendrick put out during that moment.
Just rapping. Absolutely, I aspire to have this level of
He's still on the impact of a song. He's talking
about a song. I'm talking about bars. No, I'm talking
about lyrics. I'm talking about rhyme. I'm talking about rap,
and I like us. The production is not even dope.

Speaker 2 (51:46):
Okay, So Mal you keep bringing up not like Us head,
what do you think that not like Us as Kendrick's
best rapped song in all of this battle? Which one
would you pick out of all of them?

Speaker 3 (51:55):
Euphoria?

Speaker 5 (51:57):
Okay, I don't even remember that song. It's probably just
probably a lot of bars too confusing. No, it's just
it's just like when you open a bag of chips,
it's a lot of the air at the top.

Speaker 3 (52:06):
And it's a few chips in there. Well, we ain't
gonna go back to that.

Speaker 4 (52:11):
Had you being the coast guard and having some relationship
with everybody in that camp and around that camp, what
was everyone's reaction to the Dave free Bar.

Speaker 3 (52:22):
Comedy.

Speaker 7 (52:25):
It was just it was like, that's that's that's that's
the that's the well.

Speaker 3 (52:32):
Actually there was two. There was two reactions.

Speaker 7 (52:34):
One from the music from the front facing standpoint like
that we all had internally it was like, that's why
would that's that's not even a good attempt, Like that's
so sorry, that's like a lazy attempt at something, and
then the second thing was from the hommies.

Speaker 3 (52:55):
What about kendrickson you have a daughter? Yea? That wasn't
a lazy attempt? What about it?

Speaker 5 (53:01):
That was an a lazy attemp from Kendrick saying that
Drake has a daughter that he's hiding.

Speaker 3 (53:05):
I don't know. Do we don't have one? You don't know?

Speaker 5 (53:07):
That was a lazy attemp. I'm actually do you think
that was a lazy attempt? No, you don't.

Speaker 3 (53:12):
Why?

Speaker 5 (53:19):
And do you think Drake is hiding a daughter? Hiding
is a verb? Okay, do you think Drake has a daughter?

Speaker 3 (53:27):
You are hiding your opinions? Yeah? Do you think Drake
has a daughter? I think it's possible. Okay.

Speaker 5 (53:33):
Do you think it's possible that you think that Drake
has a daughter or do you think it's possible Drake
has a daughter?

Speaker 3 (53:37):
I think it's possible as well. Okay.

Speaker 4 (53:40):
I mean, I don't particularly care to get into Kendrick's
personal life with his girl kids and his business partner.
But do you see Mal's point in some degree that
saying Dave Free might be your son's father? I agree
it is lazy, and I thought if that was the
new that's odd because it's not. No one's really going

(54:00):
to believe that, even if for some weird reason it
was true.

Speaker 3 (54:04):
The daughter thing.

Speaker 4 (54:05):
Is that not lazy because Push already did it and
we saw what that did.

Speaker 3 (54:09):
And you're supposed to be.

Speaker 4 (54:11):
Light gears ahead of any rapper right now, and you're
reusing the same strategy off something that can't be proven,
whereas Push did it and it was proven.

Speaker 3 (54:20):
No, I get it. I get that point.

Speaker 7 (54:21):
But you also have to understand, like the way I'm
looking at it, and this is I mean, you're not
gonna believe me, but objectively looking at it, it's a
Floyd Mayweather thing. Like God has been counterpunching the whole time.
He's not aggressed. The only time he aggressed is once
it was already fully on, you know what I'm saying.

Speaker 3 (54:39):
So if you think about it like that he aggressed,
care you talking a mom.

Speaker 7 (54:42):
If you think about it when you say, like the
day free thing came first and family matters correct, and
then there was a response and then the other thing came.
It wasn't like it's like oh okay, boom boom. It
was like a one for one to me.

Speaker 3 (55:00):
Okay, so you are and I'm asking.

Speaker 4 (55:04):
Because we think that the Dave Free line was a
lie that gave Kendrick also a green light to lie
about the doughtor hypothetically because we do not know these
people and their personal lives like that.

Speaker 3 (55:15):
Oh yeah, I mean sure, so it doesn't.

Speaker 4 (55:17):
You don't get a point taken away if you do
a whole third verse about something that's completely unproven and
possibly fed as information to you to give you the
okie dough.

Speaker 7 (55:30):
Well no, even okay, let's do it this way. Let's
take it out. Let's take the whole verse out. Okay,
there's a record still I love. I love the record.
I love. I don't like the record at all on
no level. I've listened to it a total of maybe
five times, and I told him, man, I don't like
the record.

Speaker 3 (55:48):
Well, don't you like about it?

Speaker 7 (55:49):
It's too fucking it's dark, and it makes it makes
me uncomfortable. I'm a I'm a jovial, like I'm a
nerd and I'm like cerebral, but I'm a jovial individually,
have good pose the frequencies.

Speaker 3 (56:00):
I don't like that shit.

Speaker 7 (56:01):
I don't like the depth and dark like shit that
ain't that ain't my bag so I told him that
that's one of my that's like my least favorite record
out of everything.

Speaker 3 (56:11):
Mau.

Speaker 4 (56:11):
Do you think Meet the Grams even based off your
opinion of the record, because even had said he doesn't
really like it like that? Do you feel like it
was effective off Drake's probably best record in this entire beef?

Speaker 3 (56:25):
No. Why.

Speaker 5 (56:28):
I mean, people don't even really talk about Meeting Grams.
It's not even a song that people. I think, like
Head said, I think most people kind of forget that record,
like we get it. He dropped it right after, you know,
and the timing of it when he dropped it was like,
oh shit, you know, everybody who's running back and forth
to YouTube, Kendrick just dropped and it's whatever. But I
think when you go back and listen to it, it's

(56:50):
probably the least favorite for most people.

Speaker 4 (56:52):
Fair But do you think if Family Matters, being the
di record that it is, had more time to breathe,
it would have been more effective in this battle, whereas
Meet the Grams to not Like Us back to back
after I think Drake's best diss record ever Family Matters. Yes,
do you think that that was an effective step on

(57:14):
when it came to Drake's best effort.

Speaker 5 (57:18):
No, I mean, no matter what Kendrick said or put out,
I thought the timing of.

Speaker 3 (57:22):
It was dope.

Speaker 5 (57:24):
It's kind of like, if you know headed, you know,
ahead of you DJing and somebody bump your table and
fuck up your your needle and the record jump, the
energy is completely different in the room at the party.
So I think that's what Kendrick did. He bumped the needle,
the record jumped, and it was kind of like, okay,
people kind of like, you know, but not only the
record jump, my record comes on, you know what I'm saying.

(57:46):
So I thought the time and I thought the strategy
of what Kendrick did to me.

Speaker 3 (57:50):
Was was dope. Like, Okay, I get it.

Speaker 5 (57:52):
But again, I'm going back just as a music head,
as a consumer of hip hop and listening to bars
and raps, And once I listened to that, I don't
care when the record dropped how it dropped. In the moment,
I understand, you know, the impact of that. But now
that I'm just listening to bars and raps, nobody can
convince me that Drake got out wrapped in this thing.

(58:14):
Like there's no fucking way he got out wrapped. Now
I understand what the optics of the record is and
it being big and everything that Kendrick got off of
that the Amazon show and the super Bowl halftime and
things like that.

Speaker 3 (58:26):
I understand that part of it.

Speaker 5 (58:27):
And like I had said earlier, optics is a big
part of it, and perception is a big part of it. Again,
I'm just a consumer of hip hop and rap and
listening to music and then me listening to it. There's
a nobody that can convince me that Drake had the
worst bars in this whole thing.

Speaker 3 (58:43):
Okay, whoaen?

Speaker 4 (58:49):
I want to get off Tailor made pretty quickly, but
I do want to ask both of you. Was it
a mistake for Drake to say in Tailor made call
him a pedal file?

Speaker 3 (59:01):
No? Why?

Speaker 5 (59:05):
Because I think that that was obviously in a battle
you you know what people are going to try to
weaponize against you and say about you. You know, So
you take that and you say, go ahead. I know,
I don't have no skeletons in my closet, like I
know the type of things that you're going to try
to say about me, So.

Speaker 3 (59:23):
Go ahead say it, like, yeah, get it off, say
it now.

Speaker 5 (59:29):
I think the issue came in. I think what the
label did with the record and publishing it and you know,
getting behind it, putting money behind it. I think that's
where the problem came in for I don't think it
was the fact that Kendrick said it. I think it
was the fact that once Drake realized, like, oh, this
is a play, like okay, like and obviously you know,
we're not in Drake's business, but he's in negotiations currently

(59:52):
with the same label. He probably asked for a number
that not many artists have ever been in a position
to even attempt to ask for. So he understood the
deeper thing, like, Okay, this is to try to devalue
me at a time where y'all know the business that
we're sitting around handling or discussing. Kendrick is a new
guy in the block with PG Lane. Y'all are now

(01:00:12):
behind that. Okay, cool, there's nothing, no problem there. But
I see what's happening now. And I think that's where
Drake felt like he didn't lose the battle.

Speaker 3 (01:00:21):
He walked. The battle lost him.

Speaker 5 (01:00:22):
He stepped away from like, oh, this is a play,
y'all are trying to get you know, some some some
some data and some numbers behind this thing, like, Okay,
I get it, Like, all right, I'm.

Speaker 2 (01:00:31):
Done, okay, mam, well, and we'll come back to that
when we get to not like us.

Speaker 3 (01:00:35):
Did you want to respond to that? Do you think
that it was a mistake that he did that? I
don't think. I mean, I think I think every day
he did with Taylor Mane was a mistake. How so.

Speaker 7 (01:00:47):
The like I wouldn't I understand the the like the
whole like an eight mile approach to shit. But that's
also a rap nerds pipe dream. That's not reality, Like
you don't. You don't go into a fight like that.
To me, that tells me that you've never been outside,
like I'm not. I don't go to the park to

(01:01:10):
fight somebody and hand them a weapon, you know what
I mean. That's just not reality to me. That's some
blog rap nerd shit, you know what I'm saying, Like
in the sense of, at this point, you've already escalated things,
so now you should probably understand that we're not It's
not a friendly fade.

Speaker 3 (01:01:26):
Again.

Speaker 7 (01:01:26):
I've explained this that nauseum, a friendly is for someone
who you're friendly with, A friendly fade, a fair one.
We call it a fair one is for it a homie,
Like we have a rapport and we're gonna go we're
gonna go eat, after we're gonna go outside. We're gonna
run a fair win and then we're gonna go eat.
That's reserved for the homie. When you're an op quote
unquote opposition, an enemy, whatever the case may be. Where

(01:01:49):
how we came up, there are no fair ones. You
get immediately viscerated, you get packed we call it maxed
out or packed out. There is no such thing as
a friendly amongst people who are oppositions. So to me,
that like I said, this screams of somebody who's never
had those been in those environments, because I would not
hand somebody your weapon to use against me.

Speaker 3 (01:02:08):
In real in the real world. Right.

Speaker 5 (01:02:11):
The second thing, well, what if it's not a real weapon,
it doesn't matter if it's perceived as one.

Speaker 3 (01:02:17):
The cops is gonna shoot you.

Speaker 7 (01:02:18):
If even if if you have a gun in this
phone case, it don't matter, they're gonna shoot you. It's
a perceived weapon. So we all know we live on
the internet. Perception doesn't matter, I mean, reality doesn't matter
if the perception is fucked up, right, So the second
thing was the AI shit. The song would have just
been a cool It would have been a dope rap
song without the without the act, without the AI shit

(01:02:39):
again screaming of lack of cultural awareness because you don't,
I don't know. Maybe I could ask you, would you
ever use someone's likeness who's currently walking around me?

Speaker 3 (01:02:50):
Yeah? No, why not?

Speaker 5 (01:02:54):
Well, I mean me, I wouldn't, but say that, why
not though? And that because I'm just I don't not
in general?

Speaker 3 (01:03:00):
Why not? I mean?

Speaker 5 (01:03:02):
But I have though, I mean I've We've done skits
and things like that where I've acted like other people
with AI, not with AI, but in the terms of
acting and using somebody's likeness and personality, not necessarily AI.
But with that record, with the Tailor made record, I
thought that it was a It was a clever. First
of all, we've never seen that in that type of situation,

(01:03:24):
bad or not. So I thought it was a clever
play everybody. It wasn't like one of those records where
it was like, oh, he killing them. It was more
so like, oh that was kind of that was clever.

Speaker 7 (01:03:32):
It would have been even more clever without that, because
to me, again, somebody who has respect for elder. I
don't given a fuck if I don't like you as
an artist, I would never because I have respect for
hip hop. I have respect for my elders, even people
who don't like me as an elder in the game,
I would never disrespect them publicly because I respect. Where
was the disrespect to use someone likeness without their permission?

Speaker 3 (01:03:56):
Who's currently breathing? Yeah, but it wasn't.

Speaker 5 (01:04:00):
But see that's where that's where your people lose me
in this because yes, he used a pot Tupac's voice
on with a feel to use snoop. But when we
say all he's using their likeness and this, that and that,
like Drake wasn't using that as a single trying to
get popping and it like that's where I think people

(01:04:20):
was just this was a moment. It was a battle.
It was like, all right, let's have some fun. He's
taking too long to respond. You know, what are some
of the West Coast, you know Mount Rushmore's what would
they say in this moment to Kendrick if they could
speak to him and get him, get him in a room.
I think that was Drake's mindset, like Yo, we're doing
this or not?

Speaker 3 (01:04:37):
Bro?

Speaker 5 (01:04:38):
Like you you know what I'm saying, Like you you
jumped out there with the verse, let's do it like
I'm fresh off tour, I'm in the studio. I'm not
sleeping them up. I'm ready for this moment, Like what
are you doing? And then obviously, you know, the record
came out, somebody made a call to in the state.
The state said take it down, delete the song. Okay, cool,
no problem. Wasn't that serious of a song. I'll deleted
it off my Instagram or whatever it was. It was

(01:04:59):
living that it wasn't that deep. So that's why I
feel like when people are like, oh, he used you know,
Pok's likeness, or he used Snoop's likeness and this that
and the third and it's like, bro, it wasn't that
serious though. He wasn't trying to make He wasn't trying
to make a living off of this song and publish
it and then push it out to the map, like
you understand I'm saying. So when people carry it that heavy,
I'm like, bro, this was a battle. Bro, this was

(01:05:21):
this was like a little and ten like yo, what's up? Fam,
Like I'm here, I'm outside, I'm waiting for you, Like
what you're gonna do like.

Speaker 3 (01:05:26):
I agree with you.

Speaker 7 (01:05:27):
But to me, even your rebuttals screams to me that
you don't understand. That's disrespectful where we come from, where
I'm from, that's disrespectful. It doesn't matter what the use
case is. You don't violate the elders or the ogs.
Where was the violation at though? Why did they tell
him to take it down?

Speaker 5 (01:05:47):
Because he used somebody's likeness and their tone and their
influctions and their voices. So the violation is using someone's
shit without their permission. Yeah, but again you losing me
because I get what you're saying. Yes, he used the
AI the voice to filter.

Speaker 3 (01:06:04):
I get that.

Speaker 5 (01:06:04):
Part, but it's not like he used it and was
disrespecting POC or Snoop.

Speaker 7 (01:06:10):
And that's what I'm telling you. You don't see. The
bigger picture.

Speaker 5 (01:06:13):
Is the bigger picture is those are West Coast artist.
Kendrick is a West Coast artist. And this turned into
California versus Drake, not Kendrick versus Drake. No, that's the
real situation.

Speaker 3 (01:06:24):
No, that's not what happened. That's exactly what Kendrick turned
it into. That's not what happened.

Speaker 5 (01:06:28):
Kendrick didn't turn it into California versus Drake. You DJ
the PopOut show. What are you talking about?

Speaker 3 (01:06:36):
Who used Who's like? So was you in Amazon? Who
used whose likeness?

Speaker 7 (01:06:40):
Drake and Florida? Are are you saying that Dot conspired
to have Dot? I mean you're saying Dot conspired to
have Drake use those two West Coast legends, right. No,
I'm not saying no, no, no, no no, I'm not saying
Dot had anything to do with No, no no, I'm just listen.
You're saying that Dot turned it into California versus Drake.

Speaker 3 (01:07:00):
That's on. But Drake used California first.

Speaker 5 (01:07:04):
He used it in a way of saying, Yo, dog,
you're taking too long to drop your virtu or your
record whatever you're putting out, Like, Yo, what's up?

Speaker 3 (01:07:12):
I'm waiting, Like this.

Speaker 5 (01:07:13):
Is what the ogs would say, or what I think
the old g's would ge.

Speaker 3 (01:07:16):
If they could get to Kendrick.

Speaker 5 (01:07:17):
They're like, Kendrick, we need you West Coast Savior. All
of that Like that was just fun shit. That was
part of the moment. But to since didn't have the state.
Whoever called this state? I don't know who called U state?
Tupaca state, who.

Speaker 3 (01:07:29):
Has to call anybody.

Speaker 7 (01:07:30):
I'm just saying somebody and mall and to do stuff
without your permission all the time to No, that's not
what I'm asking you. Are you cool with people using
Rory and mall Rory? Are you cool with people using
Rory and Mall to just do whatever the fuck they
want to do?

Speaker 3 (01:07:46):
No? Why not?

Speaker 4 (01:07:48):
It depends the light that it's put in. Okay, there's
plenty of stuff that goes on YouTube that will never copyright,
copy strike anything. If you want to use our content,
i'ma there's been times where like homophobic, it was used
in our likeness that we didn't feel was okay. We
go with advertisers and it's different there. But as far
as like someone clipping this exact conversation, nah, I'm fine

(01:08:11):
with that, okay, because it promotes I mean, granted, that
didn't promote Tupacer or snoop, So I see there's not
it wasn't.

Speaker 3 (01:08:18):
I know.

Speaker 4 (01:08:19):
So it's a weird comparison that I think head is asking.

Speaker 3 (01:08:21):
No, No, No, it's not. I'm not I'm not comparing the two.

Speaker 7 (01:08:24):
I'm just simply just asking straight across because he was
bringing up like somebody called the estate. Just straight across business.
You can't even put out your album without getting clearance,
oh for sure.

Speaker 3 (01:08:33):
Yeah.

Speaker 4 (01:08:33):
No, I don't think anyone needed to call Tupac's a state.
They could just hear it.

Speaker 3 (01:08:36):
That's all I'm doing. The lawyer that they have on Rich,
I don't think nobody called Tupac or state. I'll be honest.
I don't know Kendrick no Master. Do you think anybody did.

Speaker 4 (01:08:48):
I think I think somebody probably did. I don't think
they had anything to do with Kendrick, but I'm not
in this debate.

Speaker 3 (01:08:54):
Okay.

Speaker 7 (01:08:55):
So my point is Drake brought California in before Dot
did because he used Snoop and and Po's likeness. It
would have been a cool record without it. Okay, it's
just creatively, you have to have the bandwidth to do
that on your own.

Speaker 3 (01:09:10):
How are you? No, Willian not.

Speaker 2 (01:09:14):
The volume

Speaker 1 (01:09:18):
M hm

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