Episode 343 | Not Another One - New Rory & MAL

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
No, William, I'm trying to build you up.

Speaker 2 (00:18):
You through those stones back at me. You need that
money and all through being happy, happy y'all too, will
teach yourself conscious by hearty job shave.

Speaker 1 (00:37):
Homies. An't nobody doubt you looked in at me?

Speaker 2 (00:40):
The lady I know the mirror would say, who are
you any way? Who are you any way? Who are
you anyway?

Speaker 1 (00:54):
Are you sure? I'll be mad? I don't recognize avg?

Speaker 3 (00:58):
Who are you want to be?

Speaker 4 (00:59):
Wait?

Speaker 2 (01:01):
Who are you any ways?

Speaker 5 (01:04):
Who are you who anyway?

Speaker 1 (01:11):
Who are the people that you travel with? Those are
the times you used to is? What are those habits
you picked up?

Speaker 2 (01:20):
Nose is made for me?

Speaker 1 (01:22):
Schedule?

Speaker 5 (01:23):
I fucked up with them?

Speaker 2 (01:24):
Days you change and sleep?

Speaker 1 (01:31):
How trying to build you up? You through them stones?

Speaker 2 (01:33):
Backing me? You think that money and loans through being happy,
happy y'all too pretentious, subconscious riding job saved, always done up?
But I doubt you know to me the lady I

(01:56):
know the bedroom would say, who are you anyway?

Speaker 1 (02:02):
Who are you anyway?

Speaker 2 (02:05):
Who are you anyway? Who are you anyway?

Speaker 4 (02:55):
And that was a new tune from the very success
full and popular artist Rory featuring Leon Thomas, Who Are
You Anyways?

Speaker 6 (03:06):
Exactly available now.

Speaker 4 (03:08):
I think I've annoyed you guys between Patreon and all
our other content and promoting the song, but this is
the first time we're talking about it on the actual episode.

Speaker 7 (03:15):
Keep asking you how much trouble are you in with
the label? Is you and Bruno Mars? I don't know
who's in more trouble Bruno Bruno doing.

Speaker 3 (03:24):
Songs with hey body, you know what I'm saying, he
Backway and the Cowboy Hat.

Speaker 4 (03:29):
I had like a backlog on some of my paperwork
to actually get the royalties for songs from the last album,
and because it was delayed, I was like, Oh, was
cool that I left that alone. Now just get a
bigger check because yeah, it's been on backlog that she
was like eleven hundred dollars.

Speaker 7 (03:43):
Yeah, new single available now on your DSPs. Rory feature
in the Talented, the super super talented Leon Thomas Who
Are You Anyway?

Speaker 3 (03:54):
Go?

Speaker 7 (03:54):
Stream that available on all your DSPs right now. Support
Rory while.

Speaker 4 (04:00):
They're listening to this. It already happened, but recording this
on February sixth Leon Thomas is doing Stephen Colbert tonight so,
like you figure, he probably changed his entire set from
Mutt Records. He's just gonna do this just to plug
the right you. Right now he's rehearsing.

Speaker 3 (04:16):
Nobody wants to hear Mutt, even though.

Speaker 4 (04:17):
Nobody it just Hot one hundred.

Speaker 3 (04:21):
Nobody wants to hear that.

Speaker 4 (04:22):
But we were talking about that with DOCI, and I
think that's great with Leon too. I love that the
industry is now realizing that post promotion is so important,
like first week is whatever. Yeah, Muth's been out for
a minute. You just got to keep working a record.
Now it's in the Hot one hundreds as it deserves
to be, absolutely so congrats to Leon for that being there.

Speaker 7 (04:38):
The real song of the year my record, Well, oh,
the year just started, so technically.

Speaker 4 (04:45):
I don't know. I feel like there's probably been what's
come out this year so far?

Speaker 3 (04:48):
Nothing? Nothing really blick some remix? I hate that record?

Speaker 6 (04:52):
What How do you hate that record?

Speaker 3 (04:54):
By my Bad? I don't hate that. I hate that
message blick some.

Speaker 5 (04:57):
If you love me, hit something, if you love me
better not put nobody but ops above passy Princess When
I slide through them, niggas ain't not nothing classy does
that make you.

Speaker 4 (05:06):
An accessory after the fact, Like I do feel like
if a woman sends a man on a dummy mission
because she knows he has a fragile ego and will
kill another man just because she wanted to fuck with
that dude. Now he just wants you to anymore, she
should be involved.

Speaker 6 (05:18):
In the case.

Speaker 4 (05:19):
In my opinion, Oh, she will be.

Speaker 3 (05:20):
Is it a planned assassination.

Speaker 7 (05:22):
It's a rica. Niggas in the hood get assassinated. Let
me know, they get killed. Assassinated and killed are two
totally different things. I can promise you. None of these
blood niggas have been assassinated. Them niggas are killed. It's
a difference. Malcolm X was assassinated, Martin Luther King was assassinated,
Dawskin Jermaine was killed.

Speaker 3 (05:41):
That nigga was just murdered.

Speaker 6 (05:43):
Yes, all right, Tupac.

Speaker 3 (05:47):
After an assassination, he wasn't assassinated.

Speaker 6 (05:50):
I forget it. Ship for what he that was gang
what he stood for. Yes, I see why people would
say Tupac was assassinateed.

Speaker 3 (05:55):
Okay, if he got it was just some gang bag.

Speaker 7 (05:58):
If Pop got killed at the NAACP like he was
giving a speech assassinated.

Speaker 6 (06:03):
Yeah, on the on the strip in Vegas, murdered.

Speaker 5 (06:06):
Yeah, the difference Okay, So I looked up the definitions
of the twos or the difference between the two. Assassination
is a type of murder that involves killing a high
profile target, usually for political or ideological reasons. Murder is
the unlawful killing of another person, so assassination typically involves
a public figure. Murder can be the killing of anyone.
I feel like Tupac was assassinated.

Speaker 4 (06:26):
Yeah, no, no, no, no, no, no, no, no, said, there's no
way a rapper is going to punch me.

Speaker 7 (06:31):
She missed a very important part of the definition for
political or ideological POC was not killed for no political
or ideological gang politics.

Speaker 4 (06:41):
There's no way an active crip is getting punched by
a rapper and living to see the day.

Speaker 5 (06:47):
That's that's politics or your ideals of the ideals of
you can't do this or you can't do that. I
feel like that's I don't know, I'm voting assassination.

Speaker 3 (06:56):
So you believe Tupac was assassinated, Okay, gang politics.

Speaker 5 (07:01):
If you get killed for how you feel, for anything
you say on this podcast, that's an assassination because your
ideals that you're spewing. Other people disagree. That would be
an assassination.

Speaker 3 (07:15):
I think I would have just been killed. Well, I guess,
don't be at my funeral to my I go assassinated.

Speaker 4 (07:19):
It would It would depend your definition of like ideologies,
Like if you spilt a drink on me, my ideologies.
I don't like that. Now you must die.

Speaker 3 (07:26):
No, that's not.

Speaker 7 (07:27):
It's natural order. You spill a drink on me, you
gotta die. You step on my sneakers. That's just that's
that's the universe that was in place before I got here.
So I mean, talk to the people before me, don't
talk to me about it.

Speaker 4 (07:38):
Well, I appreciate that you guys are saying I already
have song of the Year, even though you said that
in just new music is coming out, Like you know,
I also want to plug like my peers too. I
don't want to just make it a selfish thing. A
lot of good music coming out on Friday, Like we
all have to stick together.

Speaker 5 (07:53):
The peers are your mentor, because you definitely copy and
DJ Khaled.

Speaker 4 (07:57):
First of all, Kalin's not coming out today. First and foremost,
he dropped the trailer and DJ Khaled, While I do
appreciate what he has contributed to the music industry, has
not been a mentor of mine. What are you trying
to get at?

Speaker 5 (08:08):
I'm just saying I feel like you to R and
B DJ Khaled allegedly, So I'm not the R and
B D But that's what you're trying to be. You
not singing on that album exactly.

Speaker 3 (08:20):
So that's what DJ Kalen does.

Speaker 7 (08:21):
At least, he writes the ads production were a drop
game at I had the new Roy Mull drop on
the first one that was like one song, it was
the intro.

Speaker 6 (08:31):
Yeah, yeah, I'm not really like the drop guy, Like
I don't.

Speaker 3 (08:34):
Want you don't want to interfere with the art. You
want to just kind of.

Speaker 4 (08:37):
Just I'm going to steal that answer even though it's
not true. I want to make it seem that way,
like I don't want to mess with like have you
like okay? Like you ever see when people put the parents'
advisory ship on a beautiful album cover, like why'd you
do that? That's kind of me with the drops, But Kali,
it didn't start the ship like Clue's been doing this forever.

Speaker 6 (08:53):
He wasn't rapping. He was talking on it.

Speaker 4 (08:54):
Yeah, everything recorded. So even though Khaled has done it
to the highest level, I would say he would be
my mentor in this entire thing, but I should reach
out to my mentor because I think he spent maybe
a quarter million dollars on a trailer that got taken
down the same fucking day. This means does this mean
I win Friday with the compilation album wars Oh? Because

(09:17):
I was nervously when I was trying to put together
my assets for this record that's out today. Then I
saw Kaled put out a trailer with Mark Wahlberg that
was seven minutes long where Kaled is running with a
suitcase full of money.

Speaker 6 (09:30):
I was like, Oh, I'm fucked. It's over now.

Speaker 3 (09:32):
Yeah, you can't compete with that.

Speaker 4 (09:34):
And then finally, after everything this pod has had to
deal with because of Aubrey Drake Graham, he came through
for me and sent the c and D send the
CND through a comment is fucking hilarious, Say you must
mean Drake Bell. For those that don't know, Kalid put
out this amazing trailer for his next album. He was

(09:56):
pitching all of twenty four that it was coming out
clearly it got pushed and he puts this out and
in the little slide show he had the photo of
Drake walking out to the stage and photoshopped himself in
which I'm sure Peach did, which is fucked up, like
who side are you on in this collaboration album? Shit
with a sign saying I have two Drake Records? And

(10:17):
if you guys remember in twenty twenty four he was
following Drake around with that exact same sign, so we
assume he has two Drake.

Speaker 6 (10:23):
Records on the album?

Speaker 7 (10:23):
Was that twenty twenty four? It was his last star
that was twenty three? You are correct?

Speaker 4 (10:30):
Yeah, four, the album in twenty twenty four, so he
just took the date off posted that, and then Drake commented,
must be at Drake Bell. I think it's funny that
he added Drake.

Speaker 5 (10:40):
Bell's poor Drake Bell probably was just enjoying his cereal.

Speaker 4 (10:45):
So then Khaled takes down this quarter of a million
dollar trailer that was incredible fucking if rivera incredible director.
Do we think he took it down because of that
Drake comment? Because I don't see why you would do that,
even if you can't use the two Drake Records. I'm
leaving my Mark Wahlberg seven minute trailer of there. The
trailer's nothing to do with Drake.

Speaker 3 (11:04):
What do you mean you don't.

Speaker 7 (11:05):
The entire program has changed now now you know you
don't have two Drake songs, but.

Speaker 4 (11:09):
I can My album can still come out and I
can still keep my Mark Wahlberg.

Speaker 3 (11:13):
No, it cannot stop it. Bro.

Speaker 7 (11:14):
You know, if you had one of the biggest artists
in the world two songs from them and that was
what you were leading as part as your promo for
your album, and then that artist leaves that comment, your
entire staff is scrambling because you now know those two
songs will not be on the album. And I'm willing
to guess that one of those is probably the single.

Speaker 4 (11:35):
I agree with you. I'm sure one of those out
of the two was the first or second single. But
to take out everything from your role out like I
get everything that photo of you holding that shit up,
but nah, and then even hinting at having Rihanna and
jay Z features.

Speaker 5 (11:51):
So that's why I thought it got taken out, and
I'm like, is that confirmed?

Speaker 7 (11:56):
That's what I was Is anything confirmed now on this album?
That's why I was like, is that confirmed?

Speaker 6 (12:00):
So Drake and the Smurfs stepped on Kalleg's rollout?

Speaker 3 (12:03):
Yeah, and you well, Drake didn't step for he was interrupted.

Speaker 4 (12:07):
I like to think it was really me once he
saw that I was coming with.

Speaker 3 (12:11):
Yeah out for sure, I can promise you it wasn't.

Speaker 4 (12:13):
But it was the Smurf.

Speaker 3 (12:14):
Yeah, it was definitely the Smurfs. They have crazy numbers.

Speaker 4 (12:18):
I mean, I just feel like, as someone that has
been part of albums being pushed back so much, I
feel like you would check in with the artists once
you're ready to go, like, hey, are we still good?

Speaker 3 (12:29):
Especially after everything that happened.

Speaker 6 (12:30):
Two years ago.

Speaker 4 (12:31):
You're saying you have these two Drake records based off
everything that happened in twenty twenty four. I would maybe
just check in with Drake, like, yo, remember those two records, like.

Speaker 6 (12:41):
We're still good?

Speaker 4 (12:41):
To clear though, right before I post this, that leaves
me before before I put together this budget to shoot
Bad Boys ten in fucking Miami.

Speaker 7 (12:50):
That leaves me to think, when was the last time
Caled actually spoke to Drake?

Speaker 3 (12:55):
Are you gonna tell us one me? Yeah? How the
fuck would I know?

Speaker 4 (13:00):
I would speculate they didn't speak in twenty twenty four.

Speaker 3 (13:03):
Okay, so if.

Speaker 6 (13:04):
That's what I'm guessing, so off that speculation.

Speaker 7 (13:06):
If you say you're Kalid and you don't speak to
Drake the entire twenty twenty four, do you roll out
this trailer and say I have two Drake songs?

Speaker 4 (13:14):
I would put the trailer film out, but no way
in that slide show what I put I have two
Drake songs. Okay, I would confirm with that. I'd actually
hold that regardless to like use it as another asset
later down with a role. This trailer stood by itself. Yeah,
I didn't need Kala to hold that sign for me
to be intrigued about what this album is going to be,

(13:34):
especially at this time. Yeah, So I don't know. I
feel like that was one of the wildest mistakes I've
seen in a rollout in quite some time. And I
feel bad because I think Kaled spent a lot of
time and money on that. Yeah, and I'm sure he
was super excited about it and then to have that.

Speaker 3 (13:50):
But what do you need to triple check?

Speaker 6 (13:52):
I agree? Yeah, Like what, I don't know.

Speaker 4 (13:53):
If I'm sitting there, if I'm Drake and I'm in
als Shelly, and I'm watching this shit, like what, I
never agreed to this shit.

Speaker 7 (13:59):
Not only I haven't spoken to you, and god knows
how long if we're going on for that, It's like, yo,
obviously haven't spoken. You put this out in Drake comments
with he Comments's like, okay, clearly they're not in communication
with each other. I just don't know how somebody like
Kaled just makes that mishap of you know, lack lack

(14:19):
of discernment. Let's call it a lack of discernment and
allude to having too. Now, Kalen does have two Drake songs.
I'm positive he has that.

Speaker 4 (14:28):
Probably has fifteen Drake songs.

Speaker 3 (14:30):
Will those Drake songs ever see the light of day?
Will they ever get cleared? Absolutely not?

Speaker 4 (14:34):
Well?

Speaker 5 (14:35):
Why okay, so am I missing something? Is there a
specific reason why?

Speaker 4 (14:40):
I just think so much is messy behind the scenes
with everyone and Drake at the moment that I would
probably triple check when releasing Drake. Even French Montana, who
has a great relationship with Drake Drake, was like, yo,
chill putting out my verse. It's a weird time right now.
So if I'm somebody and we don't know if Kalen
and Drake have spoken, If I have not spoken to

(15:01):
a person over a year and they had the year
that Drake had.

Speaker 6 (15:04):
In twenty twenty four, I'm gonna, matter.

Speaker 4 (15:07):
Of fact, I'm just going to shut the fuck up,
because if I didn't check on you at all throughout
that entire year, that first fucking text of saying, yo,
we still get on those records from twenty twenty three,
I would hope i'd be left on red. That would
be the craziest text message. I told y'all last year, YO,
hope all as well. YO told y'all, I told y'all
last year. Target was closed. And this is what I meant.

(15:28):
I don't think Drake is given the feature to nobody.
I don't think anybody gets a feature from Drake anymore.

Speaker 5 (15:33):
I think DJ Khaled went the it's better to ask
for forgiveness than to ask for permission route because he
knew he knew if he would have text Drake it
would have been a no. So I think he was
hoping that he could just go along with it and
throw it out there and Drake won't say anything.

Speaker 7 (15:47):
I think that was Oh, that's a that's you hoping
on your album released for you hope that it's too Yeah,
you can't go off hope and film that type of trailer.
You gotta know for sure what we're doing, what's happening
with this project trailer.

Speaker 5 (16:04):
Like this trailer's probably been shot for a long time though.

Speaker 7 (16:06):
Yeah, but you drop the trailer along with announcing the
big the big artist that's on it. This is all
promo for the album. But you gotta kal It is
no no rookie. He's been in the industry for years.
He knows how this goes. You gotta make sure, like, Okay,
I haven't spoken to Drake, and I don't know when
he's had a year. You know, last year was it
was it was an insane year for Drake. Let me

(16:28):
at least reach out to him and see, like, are
we still good with these songs? Am I still good
to go with these records? Given everything that happened? I'm
pretty sure you know Drake's stands on a lot of
things that's changed. So to do that and and not
have that conversation with Drake, which we know because he
responded via a comment, Yeah, it's like, I don't know

(16:48):
how Kaled makes that mistake. That's just not That's not
something that I expect him. Kalen is too much of
a veteran to make a lapse in judgment like that.

Speaker 4 (16:56):
Do we think klet is funding a lot of this
himself over the past few years.

Speaker 3 (17:03):
I don't think so. I think this is all label.

Speaker 7 (17:07):
I think the label understands college relationships with some of
the biggest artists in the world. He's been proven to
be able to put some of the biggest artists in
the world together on a project. I think at that point,
when you prove that to labels, I think they open
up the budget for you.

Speaker 6 (17:21):
That's the fact.

Speaker 4 (17:22):
And I've felt that way, especially after the Rihanna and
Bryson record, like That's that's a certified classic record of
the last decade. And I'm sure brought so much money.
And we know for a fact Khaled albums have brought
in money the last three. Do we think have brought
ROI where you can shoot you can even go to

(17:46):
your boss and say, hey, are you guys cool with
clearing a quarter million dollars for a college trailer?

Speaker 3 (17:52):
M M yeah.

Speaker 4 (17:54):
At this point, I think, which is I mean, that's
not a personal coalogy and that's a music business that
I think Kalid has to put up a good amount
of money himself, which I respect and appreciate. You care
that much about your art, put your own money up,
even when you're on a major. I don't know if
Sony is clear in this whole thing. I don't care
if you have Mark Wahlberg, that entire cast doesn't mean
that money is gonna come back with it like that

(18:16):
God did Verse with Jay Z. Incredible love that that
moment happened. Do you think that was a profitable record
based off how big that budget really was.

Speaker 3 (18:26):
I don't think so.

Speaker 4 (18:26):
I don't think it was either. It was an amazing
moment and I love kalied for it. But if I'm
working at Sony, I don't know what the ROI is
with KLi right now because his whole entire thing is
the A lister shit, and I know it's favors, like
no one's really charging Kalid a verse fee or anything
like that. But once you compilation projects are expensive regardless
and even paying out those producers those splits. Even if

(18:47):
Sony owns half the master or all of the master,
I don't know how profitable it's been over the past
few years.

Speaker 6 (18:53):
Yeah, but it's pretty profitable.

Speaker 4 (18:54):
It's Kalid's commercial where he can get brand deals that
he has. I think Khalid is a great business this man.
I think Sony's the one getting fucked in this situation,
which I'm all four Yeah, multifower T.

Speaker 7 (19:06):
If you sit down with Sony and say, hey, I
have two new Drake songs, you think they don't open
up the budget for you.

Speaker 4 (19:12):
I think someone that Sony would say the same exact
things that we are saying in his chairs now, when
was the last time he spoke to him?

Speaker 3 (19:18):
I don't think so.

Speaker 7 (19:20):
I don't think nobody a Sony says actsat I think
people that Sony assumed that him and Drake are in communication.
I don't think nobody has somebody say, yo, when did
the last time he spoke to him? You are you
still speaking to him? I don't think nobody a Sony
says that. I think they trust Khaled that he has
all of that lined up already ready to go. I
think that they when he's coming to them saying I
have two Drake songs. I don't think somebody in the
office saying, do you what was the last time he

(19:42):
spoke to him. I don't think that anybody says that.

Speaker 4 (19:45):
Okay, new theory, just spinning the wheels as this goes.
In twenty twenty three, when he was following Drake with
that sign at his tour, saying, I have two Drake
songs on my album, there may be a world where
that paperwork was done. And that's why Khaled was so
comfort walking around with that sign and why he was
comfortable putting it in his little real shit. Drake may

(20:09):
be on some fuck you type of shit like I'll
fight this to the dat. I don't care that I
signed anything. I'll happily spend as much money as possible
for that not to come out. Even though I did
sign that paperwork.

Speaker 3 (20:18):
I don't think Drake signed anything. I think he gave
him the records, and.

Speaker 4 (20:21):
I'm just still trying to give Kalid the benefit of
the doubt of being so confident in that and Sony
being so confident like, oh, well, we have the paperwork
from twenty twenty three, like we're good, We'll be fine
with that.

Speaker 3 (20:31):
Yeah.

Speaker 2 (20:31):
Nah.

Speaker 7 (20:31):
I think that it was just on good faith. They've
worked together before. He obviously does have the records. I
just thought that I think that Kali just assumed that
when it was time to release the project, that Drake
would you know, sign off and clear everything and they
would be good to go.

Speaker 3 (20:46):
But obviously that's not the case.

Speaker 6 (20:49):
Yeah, I'm just curious.

Speaker 3 (20:51):
I think.

Speaker 4 (20:53):
I think I speak for everyone comfortably in this is
that Kaled does need a bit of a reboot in
how he approaches these projects.

Speaker 3 (21:04):
What type of reboot, like, what does it look like.

Speaker 4 (21:06):
Just grabbing a bunch of A listers isn't really working.

Speaker 3 (21:11):
It's not doing it for you.

Speaker 4 (21:13):
I don't feel like Kaled earlier on used to do
pairings that we were really into, like when you got
like Nas and Scarface I believe together, Like there was
pairings that we were like, oh shit, only Kalen could
do that. And that's dope that his mind came up
with putting these people together. Yeah, Drake and little baby
Drake YACHTI are cool. They do that on their own. Like,

(21:35):
I just think he needs Rihanna and Bryson. I thought
was especially where Bryson was out at that time, was
a fire collapse together. I just don't think Kalid does
that anymore. I think he goes with the way too
obvious a listers keep us your a list. Shit, I'm
not hating on that, but I mean mix it up
a little bit.

Speaker 3 (21:55):
I mean, yeah, but if it's working, But is it working?
I mean he's put.

Speaker 7 (22:01):
Out some albums that had some pretty cool songs from big,
big name artists.

Speaker 5 (22:06):
If we're talking about I mean before yeah, I'm just
talking the last one, the last one, like Major.

Speaker 4 (22:11):
Key is fired. To me, I changed a lot. As
great suffer from success. I love we the best forever,
Like Kalid has great albums. I'm no way sitting here
even a father of a I pronounce his sons last night.

Speaker 3 (22:23):
Inside.

Speaker 4 (22:23):
Yeah, I didn't want to be dispectful. I loved from
Kalid Khalid to God did it started to feel a
little weird. It's just getting too redundant, and he's a
brilliant marketer. So people are going to continue to pay attention,
but it's kind of a waste.

Speaker 7 (22:39):
So do we think that Kaled completely pushes the project back?
Is he trying to scramble to get to replace those
two records?

Speaker 6 (22:49):
I don't think he pushes it back.

Speaker 4 (22:50):
I think Kalid can eat let me decide, I can't speak.
Let me not say.

Speaker 6 (22:55):
Easily replace it.

Speaker 4 (22:56):
But he had two Drake records on God did one
of them he could have kept. It was like an
intro that clearly like was just left on Drake's hard drive,
like you could have just left that that wasn't worth it.
So I'm not saying that these two Drake records that
he thought he had were too smashes, because we've seen
him have two Drake records and one of them was
a fucking waist. And I also didn't like the single,

(23:17):
So I don't know if they're the top tier Drake records.
I don't know what's the flip that he did with
the two short record you mean for free Yeah, for
Freezer smash, No New Friends smash?

Speaker 6 (23:28):
What's the other one?

Speaker 4 (23:29):
When Drake and Forty got a ten but then they
went back to work smashes. Drake and Khaled have fucking
smashes together, but as of recent like No Secret that started,
God did throw Away, Staying Alive, absolute fucking trash. Yeah,
So I don't I'm not that confident that these two
Drake records needed to even be on this project, So

(23:49):
I think Kaled can replace those quickly. I think he
could still be on par Also, this is gonna sound
crazy as a whole venger. I don't know what the
whole feature on the Kalid album does anymore. I'm gonna
run to it. Of course, people always want to hear
jay Z, but it's not that crazy moment that it
was in the past. It's not even getting like now

(24:11):
we know we're getting the Jay shit every single time.
But is that much of a moment for the Kalid
album when they used to have way crazier moments?

Speaker 7 (24:20):
Yeah, but you know, the Kaleit's albums are based on
the names, the features, because now you're trying to guess
or what does that song sound like? He has a
new Jay Verse, what is Jay rapping about? Who else
is on the song with Jay? The solo Jay record?
He has a song with Rihanna? What does that sound like?
She hasn't put out anything, you know, I mean like.

Speaker 6 (24:39):
He gets Rihanna.

Speaker 4 (24:40):
That's a huge moment to me. That's way bigger than anything.
But as we're talking about music that's coming out, Rihanna
just teased that she may be on the Smurf soundtrack.

Speaker 6 (24:51):
I don't know if she's doing.

Speaker 4 (24:52):
I mean, you guys can give you my flowers on
my twenty twenty five predictions. I think Rihanna's gonna tease
music with the Smurfs, give us one record this year
to make it seem like she's back in the music,
and then not give us anything else. I don't know
if she's definitely on the Kalid album and it's gonna
sound like, hey, I promise you it's not. I don't
know if Rihanna's coming back to music for Dj Khaled,
I mean she's I could be completely across my forehead

(25:16):
when that's a smash with Kalad and Rihanna.

Speaker 3 (25:18):
Put hater across. The last time she gave Kalid the record,
was it the Brice record? Yeah, that was a record.

Speaker 5 (25:23):
And the last time she did a song was the
Black Panther to soundtrack.

Speaker 4 (25:29):
I get it with the Smurf thing, and I know
Rock is heavily involved with the soundtrack, Like I see that.
I don't know if she's doubling up on the Calid.
They have a good track record, so I would like
to see it. I'm not sitting here saying like I
don't want Kalid and Rihanna put some shit together.

Speaker 3 (25:45):
So the of Rihanna feature before Calid, Yes, okay, all right.

Speaker 7 (25:50):
Well we'll have to see either way, they all scrambling
over there, and everything has to change as a result
of Drake commenting.

Speaker 3 (25:56):
Must be Drake Bell.

Speaker 7 (25:58):
So now that that one little comment has completely shifted
the entire building.

Speaker 4 (26:02):
Over there, I think he should have leaned into it,
left it up, and then put Drake Bell on the
project lights like Drake could have done the interless.

Speaker 7 (26:10):
I don't know if that hits the same, but I
don't know if cal it was if he felt like
that would be a good replacement.

Speaker 5 (26:15):
But is there a chance that Drake's fucking.

Speaker 3 (26:17):
With him as far as well.

Speaker 5 (26:19):
That like Drake's like, like, is it is it? Is
there a chance that that's a I don't want to
say roll out thing, but that like Drake's just like
fucking with.

Speaker 3 (26:28):
Him, like like I'm just joking ship yeah, fuck though though,
And those songs will not be on the album.

Speaker 5 (26:34):
And that's coming I'm asking is that coming from your
your predictions are insider knowledge?

Speaker 3 (26:38):
I gotta ask. I'm never speaking from inside of knowledge.

Speaker 6 (26:41):
Cool, I have none of that.

Speaker 4 (26:43):
But I think it's pretty sick to assume Drake was
not joking, like that's I don't think this is a
funny rollout. Drake was just on stage with smoke coming
out of his back for a three hour set. I
don't think he's playing. I think he's actually like really upset.

Speaker 3 (26:56):
So that's nobody.

Speaker 4 (26:58):
He had steam coming out of him and it was
even through a smoke machine. That shit comeing out as
bullet pro vests was from it.

Speaker 3 (27:03):
I was really like his steam. That's yeah, he's not furious.

Speaker 7 (27:06):
It's over anybody that thought they was getting the Drake feature,
it's over for that shit.

Speaker 6 (27:11):
I think it's smart too.

Speaker 4 (27:11):
Let's say Kaladin Drake had a good relationship right now,
same thing he did with French. I don't think it's
a good time for this verse. Everything I do right
now is super important. Yeah, just two records I gave
you in twenty twenty two, twenty twenty three. No, you're
not putting those out in twenty twenty five.

Speaker 7 (27:27):
Yeah, but I think that don't you've put up Musically.
I think that anybody in me understands that they know, Like,
if if an artist is completely doing something totally different,
you haven't spoken to him, and I don't know how long.
I just don't understand how you just assume that it's
okay to just say, I have these two records on
my own, like you, I really don't understand how Calen

(27:51):
and his team made that mistake.

Speaker 3 (27:52):
I don't don't. I don't get it.

Speaker 7 (27:53):
I think they was hoping, like I think they knew
going into it, like damn having spoken to him a
little right now he's on tour.

Speaker 3 (28:02):
Fuck it, let me just throw that out there and
see what he says.

Speaker 4 (28:05):
And it was like that one time an artist hadn't
spoken to in a really long time that we did
a record, text me and said, hey, that record we
did a few years ago. I sent it to Justin Bieber.
I said, who, First of all, Hello, how are you?
It's been a long time. No, that's not your song.
You're not gonna impress me with the Justin Bieber drop.
I'm putting that song out and yeah, we have not

(28:26):
smoken at all. What made you think you could.

Speaker 3 (28:28):
Go do that?

Speaker 7 (28:28):
Yeah, it's just it's crazy that people people that are
in the industry. It's crazy that people that in the
industry will make a mistake like that. Though, like they know, because.

Speaker 3 (28:38):
Kalin knows somebody couldn't do that to him. Somebody can.

Speaker 7 (28:41):
Like you all got these two Kalid songs on my
album and what we haven't spoken in I don't know
how long, Like no you don't.

Speaker 6 (28:48):
Yeah, I mean we'll see.

Speaker 4 (28:50):
But outside of having to battle with Khalid for the
King of Compilations, now I gotta I gotta battle with
Kiss today too.

Speaker 5 (28:59):
It's like the Friday Pallations. That's who you should have
linked with Ki Kith. Yeah, they make me.

Speaker 4 (29:05):
They don't even give me the friends and family anymore.
I paid full price.

Speaker 3 (29:08):
Man. Fuck that.

Speaker 4 (29:10):
Shots to Kiff and Ronnie. Congrats on the new location.
That was my favorite, uh, Creighton Barrel. So fuck y'all,
no one was I the only one that this is
too local? I'm sorry. Yeah, they moved Kith to my favorite,
Creighton Berrel. They got Creighton Barrel the fuck out of there.
Which Creighton Barrel and soho it's going. It was the
best one in the in the country. It was the

(29:31):
best one. Yeah.

Speaker 3 (29:33):
Wow.

Speaker 4 (29:34):
And I love that Kith is continuing to prosper and
it's seventeen floors. But like that was that was the
Creighton Barrel. Yeah, but either way, Kith Records launched, which
we saw some press release about that before they put
out their first record, produced by Scott Storch with Fab
in Jadakiss video by Hype Williams. Congrats to Rannie. I

(29:55):
love the record. I think it's fire. I will say
as a music fan, I was a little worried about
what Kith Records was going to be and if this
was just a gimmick to make like merch, which I get,
I'd probably buy it too. Give me some vinyl Kiss shit,
I'm there. But I like the record a lot. You
can't really go wrong with Scott Storch, keys, Fab and Kiss.

Speaker 7 (30:16):
So yeah, there's no that's a beautiful LP. Yeah, that's
an easy, easy call anytime you get Kissing Fab to
just you know, lay some balls on a beat like this,
I mean it's not that not that hard to understand.
And they're talking about just getting fly away and shit
like there's nothing you know that's that's an easy call
for Kissing Fab.

Speaker 6 (30:33):
What do you think the first Kiss album looks like?

Speaker 3 (30:36):
Off Kids Records. I think they lean more into stuff
like this.

Speaker 7 (30:41):
I think they'll probably do some cool shit around like drops,
like different Kiss drops, release a song with the drop,
things like that.

Speaker 3 (30:48):
I think it's pretty cool what they're doing. The creative
team over there.

Speaker 4 (30:51):
Does he stay you know, because Ronnie put like a
whole thing about how the record came together and obviously
his you know, him being from Queens and his tie
to New York, And does he stay in the New
York boom bab shit with Kiff Records or do we think,
like I've seen host Malone in there before. Do you
think his investors are going to be like, maybe we
should go get Chappelle.

Speaker 7 (31:11):
Ron I don't see it. I just don't see h Yeah, Chapel,
I don't see I don't see the.

Speaker 4 (31:17):
Mother nighbor Chappelle.

Speaker 7 (31:18):
I think he keeps it. I think he keeps it
like this. I think he keeps it true to what
Kith is. I don't think that he starts reaching for like,
you know, the super pop acts. I think he keeps it.
I think he keeps it Kith. This feels original. This
feels like original Kiff type of energy. Fab obviously has
a relationship with kiv Jade as well. They've done the

(31:39):
Knicks drops with the Locks. Yeah, full of Kiff stuff
like that. I think that's too well. With the dip set,
it's a little different right now, the era, but it
is a little different.

Speaker 4 (31:48):
Ronnie has enough money to get them back together with
a feature for Mace, all right, because Dip said, we've
we've seen even them post locks battle.

Speaker 7 (31:59):
You mean to tell me you think that Ronnie fig
is gonna get Jim Jones and Cameron on a song
together with.

Speaker 6 (32:07):
Mace and Andrews and shoot it.

Speaker 4 (32:09):
And like, I think he has enough money for them
to agree to do it, because even watching Cam post
versus Jim post versus, they were all not in a
great place for versus be not a great place with things,
and they have said we'll just do this because of
the bread.

Speaker 3 (32:30):
It's different.

Speaker 6 (32:30):
We are business at.

Speaker 4 (32:31):
The end of the day. We can squash the ship
and not we'll be in separate green rooms.

Speaker 3 (32:34):
It's different right now.

Speaker 7 (32:36):
It's extremely different, coming coming out of the verses and
coming out of what they're going through right now, two
totally different energies.

Speaker 5 (32:43):
Yeah.

Speaker 4 (32:43):
Man, I've just seen Jim Jones and Compton.

Speaker 6 (32:45):
I was like, oh, yes, Ronnie, Ronnie get kid.

Speaker 3 (32:49):
What you talk about.

Speaker 7 (32:50):
Ronnie is not going to be the guy that gets
Jim and Cam and Mace on a song.

Speaker 6 (32:54):
I'm not saying it would be Ronnie.

Speaker 4 (32:55):
He would have the amount of money I'm saying the
right number would get them all back to.

Speaker 3 (33:00):
I don't think so. I don't think so. I don't
think so.

Speaker 4 (33:04):
Nah, Jim and Cam are both businessmen that I think
right to the side, for which I think is fine, Like,
all right, look, we a group, we got a legacy,
we could work together for the right price, and most
stay in separate green rooms. Fife and Tip did it
for years? Did it rock the bells for like six
years and hate each other? Yeah, but that's not but
they was dancing.

Speaker 7 (33:24):
But fight and Tip is they never fell out publicly
like Cam and Jim have. Yeah, this this last fallout,
this was like very very personal, Like it's not Michael
Rappaport got a hold of it. It's it's a little
different now. And I don't I'm just saying I don't
think Ronnie is a god that's gonna fix that.

Speaker 4 (33:39):
Would you sign to Kith Records?

Speaker 3 (33:42):
Would I sign the Kith Records?

Speaker 4 (33:43):
If you were an up and coming artist put yourself
in that. She's not mall like a young artist from
New York anywhere. Maybe I'd have to see the infrastructure.

Speaker 7 (33:54):
Yeah, I mean yeah, but who's doing my marketing?

Speaker 3 (33:57):
Yeah?

Speaker 7 (33:57):
But I'm just saying if you're if you're young and
you don't know any better and you just know the
Kith brand. Yeah, And they came and was like, Yo,
we want to sign you want to do it? I
put an album out on you. I could see a
young artist taking that, absolutely.

Speaker 4 (34:09):
I get it.

Speaker 6 (34:09):
But I think every young don't try to pay me
a Kith though, oh you know that.

Speaker 3 (34:12):
Yeah you're not.

Speaker 7 (34:13):
Don't pay me a Kith. Don't give me every drop
before it drops and all that. I don't care about that.

Speaker 4 (34:17):
If they're doing the Kith compilation album, Ronnie, I think
you owe it to Dixon to put him on there.
Shout out to Dixon where he worked at Kith. He
is he won what fucking seven Grammys yesterday? Three like
shout out, shout talented musicians in the industry right now
worked at Kith.

Speaker 6 (34:35):
He better be on.

Speaker 4 (34:36):
That that Kith the compilation. I'm gonna be tight. And
I understand Scott Storge is a legend, But Ronnie, you
need some You need some Dixon beats.

Speaker 3 (34:43):
You might not be able to afford him.

Speaker 5 (34:44):
You got an Album of the Year Grammy.

Speaker 3 (34:47):
He might not be able to afford Dixon, but he
has Scott Storch.

Speaker 4 (34:51):
But Scott like the debt that he's in.

Speaker 7 (34:53):
Scott is like, oh, he talking about something totally different.
I'm not getting people's pockets. I ain't doing that. I
don't know was going over with Scott.

Speaker 4 (35:01):
Scott one of my favorite producers legend. I watched all
his interviews. That's why I know he blew one hundred
and twenty million dollars in six months. Like yeah, he'll.

Speaker 6 (35:11):
Tell you now, just put a camera in front of him.

Speaker 4 (35:13):
You know, I need some money. Love to see that
Scott is sober and doing much better, and he's he
put out some great music with Russ Like Scott Sorts
has quietly been been working. Yeah, I like to see
that we can stay on new music. I don't want
to get mall like two rouled up. You know what,
I'm gonna get rid up with you man. I'd love Wayne,

(35:36):
but I don't think he was right for this Tweaker remix.
It feels lazy.

Speaker 7 (35:40):
I think, why wasn't he It sounds like a fucking
chat GBT Hot Boys record. I've been telling y'all that,
now he does a fucking remix with one of the
original Hot Boys it and it doesn't sound right.

Speaker 6 (35:49):
It would be talking about obvious like, yes it is.

Speaker 4 (35:53):
It would have been cooler with either a younger act
or all the way left legacy like Annelly or someone
like that like Wayne. Features on everyone's ship it's not
that big because Wayne is Wayne and always pops out
the past four years, I feel like he's had the
best features no matter what.

Speaker 3 (36:12):
Okay, So with all that being said, why wouldn't Jello.

Speaker 4 (36:15):
It's just it's too obvious.

Speaker 5 (36:17):
Sometimes obvious ship works for everything.

Speaker 6 (36:20):
This is my fucking opinion. This is my opinion.

Speaker 4 (36:28):
Double is my mother fucking there you go, Demarus, do
help me talking to that that song that Gym and
Wayne wanted to get on the record, and Jello has
seven million dollars to recoup. It's Super Bowl weekend. Everyone's
looking at Wayne for an announcement. He does the fucking trailer. Yes,
it's great. Can I talk as a music fan for

(36:49):
once and not? I know, we just went through the
splits for the past hour with college shit. As a fan,
I would have liked to see some a cooler look
than that than the most obvious ship in the world.

Speaker 3 (36:58):
I would have liked to see Nelly.

Speaker 4 (37:00):
Nelly would have been amazing, but it's weird now because
you know, inauguration and like, but I feel like, uh,
nobody balls Pops voted for Trump for sure. The ball
the Ball household is definitely a Trump household without questions.

Speaker 6 (37:13):
Yello voted for fucking Trump?

Speaker 3 (37:14):
Are you kidding me?

Speaker 4 (37:16):
Yeah?

Speaker 6 (37:16):
Take it back. Nelly was the right.

Speaker 5 (37:17):
One, so has the has the did they drop a
like a sample of it?

Speaker 3 (37:21):
Like did it leak?

Speaker 6 (37:22):
Oh, it's coming up.

Speaker 4 (37:23):
Well when people are listening to this, it's out already,
but as we're recording, it's coming out of it.

Speaker 7 (37:28):
But I just don't understand how you feel like it
just doesn't make sense when I told you that that's
the Hot Boys sound.

Speaker 3 (37:33):
That record sounds like a Hot Boys.

Speaker 4 (37:35):
Record, just the way of how it was viewed, of
how it it was an organic rollout, even if it
really wasn't, Like the snippets started in the back of
a car with a streamer, like it felt like a
really cool organic rollout, like, oh shit, this is actually
kind of good. Like what the fuck? This just feels
like a label here you go. I would have liked
a cooler, more organic way with the remix too.

Speaker 3 (37:57):
So Nelly, instead of a little wing.

Speaker 4 (37:59):
Ye think I would have cool?

Speaker 3 (38:00):
You think that's organic? That could sound like a Nelly record.

Speaker 4 (38:03):
Too, But Nelly doesn't like make music like that anymore.
That's why it would have been cool. I would have
stopped what I was doing.

Speaker 5 (38:09):
It wouldn't have been I think organic is the wrong word.
I think you're looking for it more surprising. That would
have surprised you more.

Speaker 4 (38:14):
The way the way I was like, Damn, I did
not know Jello like could make.

Speaker 7 (38:18):
Music, I can promise you everybody at that label. But
even totally happy with.

Speaker 3 (38:22):
Him getting little Wayne over there, I'm happy too.

Speaker 4 (38:25):
I'm actually really really excited Wayne is gonna smoke that
mm hmm. But I mean I also could have seemed
more of like a young boy or them trying to
go with the younger route than Wayne.

Speaker 3 (38:35):
One of the whyans.

Speaker 4 (38:36):
I mean, I'm not gonna call them that.

Speaker 3 (38:39):
You can't say why in?

Speaker 6 (38:40):
No, you can't do acronyms.

Speaker 5 (38:44):
Like no, why in he can't say that? No, wait
what he can't say the letter why in?

Speaker 3 (38:51):
The letter in? You know what the end stands for?

Speaker 8 (38:53):
Though?

Speaker 3 (38:54):
Yo, fam all right, man.

Speaker 6 (38:55):
It was like the time I didn't want to say this.

Speaker 3 (38:57):
I don't know what the rules already fucking ridiculous.

Speaker 4 (39:01):
It was because you know that there's to be Elliott's nickname,
but not what it stands for. It was yellow and
then that. And I saw mc search call him that
one time, and I was like, you.

Speaker 6 (39:10):
Can do that.

Speaker 3 (39:12):
I think you could say why in?

Speaker 5 (39:14):
No, you will say why in if? Okay, So if
he was to call Elliott why n that makes sense.
Actually I've never called him that. I don't like that,
and I call him.

Speaker 3 (39:22):
Elliott with two teas yo, I just don't know why in.

Speaker 6 (39:28):
It feels like you're getting away with it. You're getting away.

Speaker 3 (39:30):
We'll call it somebody a nigga. Y'all got this ship.
It's very this is out of good. This is the
way too out of here.

Speaker 4 (39:36):
It's worse than to me, in my opinion, of people
of color, because now you're just getting away with saying.

Speaker 6 (39:41):
To me, that's worse you're colop people of color, is way.

Speaker 3 (39:46):
Worse than saying why in?

Speaker 6 (39:48):
But you know what it stands.

Speaker 5 (39:49):
Why why exactly? Why do you know what you're saying?
Why does it why does it not make sense to
people of color?

Speaker 3 (39:55):
Yes?

Speaker 6 (39:55):
Okay, but then where does that go work?

Speaker 7 (39:57):
I might as well go outside and start fucking marching
and with fucking civil rights.

Speaker 3 (40:01):
If somebody to say people of color over.

Speaker 5 (40:03):
There, what No, because people of color doesn't just color
color black people. That's why it colors all of.

Speaker 8 (40:11):
Me.

Speaker 4 (40:11):
Always felt like a cheat code. When people can no
longer say colored people because that is offensive, they would
say people of color.

Speaker 6 (40:16):
You're just like reversing.

Speaker 5 (40:18):
It's still because colored people will used to be referred
to just black people. They to call them colors. That's different.
People of color means you're referring to all of the
people who are not white. So that's a whole array
of people.

Speaker 3 (40:30):
But whyans ain't talking about none of that?

Speaker 4 (40:32):
Ship?

Speaker 5 (40:33):
Whyans literally means young nigga?

Speaker 6 (40:35):
Yeah, but it's not. That's not just a blacks.

Speaker 3 (40:38):
It's not young.

Speaker 5 (40:40):
But it's not about who it's about. It's about nigga.

Speaker 6 (40:43):
So is that what if a.

Speaker 4 (40:45):
White kid came up to you and said what's up
and and you knew what it meant?

Speaker 6 (40:48):
Like, come on, where we draw the line?

Speaker 3 (40:52):
Because that's I'm like, what does that mean? Nigga?

Speaker 5 (40:55):
And he can say nigga, that's what it means.

Speaker 3 (40:58):
Okay.

Speaker 5 (41:00):
Oh, but you also if you understand that you're you
are talking to the person who said that he was
okay with people being called niggas.

Speaker 3 (41:05):
He said that on this podcast. You know where I'm from, Yeah.

Speaker 5 (41:08):
We know up uptown where all the Spanish people say
nigga when they ain't got no big So.

Speaker 7 (41:11):
You cool with that to make it okay? Nothing like
the fuck are we talking about? I was twenty twenty five.
You can be a man and a woman at the
same time, but you can't say why.

Speaker 4 (41:19):
In I don't know how those two things connect.

Speaker 6 (41:22):
The I was talking about why why did this get
brought up again?

Speaker 4 (41:25):
What was I saying? Oh, a younger, a younger gentleman. Uh,
that could have featured d that's crazy to be a
younger gentleman that tends to crash out and kill people.

Speaker 3 (41:38):
Oh my god, this world is fucking crazy.

Speaker 4 (41:42):
Well, yes, I would have liked maybe a younger feature.
Either way, I'm here for it. Congress, you will not have.

Speaker 5 (41:47):
Liked the younger feature because then you wouldn't have listened
to that ship stop.

Speaker 4 (41:50):
You wouldn't have listened to I don't listen to the
Jello shit because I think it's some boombab shit that
I know I like it because of the melody.

Speaker 6 (41:59):
That's what the younger rap.

Speaker 5 (42:00):
Ye. But if he got an NB, a young boy
featuring it, if he got on that ship, it'd be
the greatest in the world. To me, Thug is not
a y n you said, I don't think anyone is.
You say younger? You not listening to one of the
little tiny niggas and him You're not? You would you
wouldn't have ranked, You wouldn't have ranted.

Speaker 4 (42:20):
Okay, is Gunn are considered a younger artist?

Speaker 3 (42:23):
Why did you put the e r? What we doing?

Speaker 9 (42:28):
Man?

Speaker 3 (42:28):
What the sound?

Speaker 4 (42:30):
Proper?

Speaker 1 (42:31):
Dog?

Speaker 6 (42:31):
What I'm saying like, why did you get your gunner? Scout?

Speaker 3 (42:35):
Was crazy? Like what?

Speaker 5 (42:38):
I wouldn't want to hear Gunn on that?

Speaker 3 (42:39):
That's not there?

Speaker 6 (42:40):
You don't think?

Speaker 3 (42:41):
Nah, I wouldn't.

Speaker 6 (42:43):
All right, well, you know what.

Speaker 5 (42:44):
The person who's on it is supposed to be on it.

Speaker 4 (42:47):
I will admit that I am wrong in this entire thing.
And Wayne is Wayne is great.

Speaker 3 (42:51):
Finally I have I have a favorite rapper.

Speaker 6 (42:53):
Ever, No, it's not. I love Wayne. He's not my
favorite rapper.

Speaker 3 (42:56):
He t your top five?

Speaker 4 (42:58):
When have you ever heard me say that? Whene is
in my top five fairite rappers of all time.

Speaker 7 (43:02):
You've never said Wayne was top five to you? No,
that's crazy that he's saying that.

Speaker 3 (43:06):
Who your favorite? Who's your top five?

Speaker 4 (43:11):
J nas fonte.

Speaker 3 (43:14):
X Scarfix.

Speaker 7 (43:17):
Nah, he keep capping Wayne is in his top five.
He capping ball Facing his top five. See, I'm not
twenty twenty five. I'm just I'm here for the lives with.

Speaker 3 (43:25):
Cut the ship.

Speaker 6 (43:26):
Wayne would probably end up in a seven or eight position.

Speaker 3 (43:29):
Man, Wayne is in. You said Wayne was one of
your favorite rappers ever at one point?

Speaker 6 (43:33):
At yeah one point.

Speaker 3 (43:34):
Not of all time?

Speaker 6 (43:35):
Yeah, not of all time.

Speaker 4 (43:36):
When I was in high school, Wayne was definitely in
my top five and it wasn't even close.

Speaker 7 (43:39):
Whenever in your life was scarfacing your top five?

Speaker 8 (43:43):
Uh?

Speaker 4 (43:44):
Probably in high school too, when the Fix? When the
Fix came out? No, may you stop what you want
to tell me about what I listened to him?

Speaker 3 (43:50):
Stopped. I'm not saying what you listen.

Speaker 4 (43:52):
To people on Twitter like you try to tell you listen,
not in your top when the Fix came out?

Speaker 6 (43:58):
He was definitely in my time.

Speaker 3 (43:59):
He was not.

Speaker 7 (44:00):
Man, we capp in we capping right now, that just
sounds good. Scall face was not in your top five.
I've never heard you play a Scarface.

Speaker 6 (44:07):
Song when if you we don't hang out and listen to.

Speaker 7 (44:10):
Me your phone, give me your phone. Let me see
the last time you played Scarface rega.

Speaker 6 (44:13):
It doesn't even show up.

Speaker 7 (44:14):
There I shows it. It shows recently played. Let me scroll
your recently play So.

Speaker 6 (44:17):
I listened to Scarface today.

Speaker 7 (44:18):
No, not today, but it goes back, it goes back
a few weeks. If you ain't playing Scarface in the
last two months, that ain't your.

Speaker 5 (44:25):
Top I don't think that's fair because Rory doesn't really
listen to rap like that.

Speaker 3 (44:28):
Rory listens the more this.

Speaker 4 (44:30):
Is my this is my recent as far back as
it goes with Skallface that time playlist, ABC Kids, Rufus,
dessoulu Hey Now, Kendrick Lamar, Stay Nas DJ Khaled, because
that's why I was looking at Scarface, Chantel May Day
twenty six, Reason, Jay Z, They Lilah, Rory, Frank Ocean, Fonte,
Black Jay electronicas Very Fonte, Okay Fante.

Speaker 6 (44:52):
Is dead, Well Jay is it there?

Speaker 5 (44:53):
And you know Jason's favorite rapper at all times that
kind of mutsha, No Jay's there?

Speaker 3 (44:57):
Oh damn.

Speaker 4 (45:00):
So now he's in there, nas is right. Yeah, damn fuck.

Speaker 5 (45:03):
I'm trying to help you.

Speaker 6 (45:04):
You can keep knowing because I want to be truthful.

Speaker 7 (45:07):
I'm over this shit, and y'all just sitting here sounds
like I'm stupid.

Speaker 3 (45:10):
No.

Speaker 6 (45:10):
No, you have to listen to your top five every day.

Speaker 3 (45:13):
No, I never said that, because my top five I haven't.
I don't listen to every day.

Speaker 4 (45:17):
And by the way, I'm subject to change my top
five all the time.

Speaker 7 (45:19):
So okay, I'm glad you said that. So at one
point you sat here and said Wayne was in your
top five. That's what I'm talking on.

Speaker 4 (45:25):
We were talking about that specific era. I remember this
conversation was coming back from DC right, Yes, that era
when I was in high school, Carter two, to the
Drought mixtapes, to everything he was doing with drama at
that time. Yes, Wayne may have been number one to
me outside of maybe Banks.

Speaker 7 (45:41):
So how could somebody be number one to you at
one point but not in your top five?

Speaker 4 (45:44):
Because I'm thirty four and I've lived somewhat of a
long life.

Speaker 5 (45:47):
Wayne was in my Wayne was probably school was four
years two or three to me at that time, and
he's not in my current top.

Speaker 3 (45:53):
Who's your current top five?

Speaker 5 (45:55):
I won't say top.

Speaker 3 (45:56):
I'll say favorite. I can't say top. Top is this
is all favorite.

Speaker 5 (45:59):
Favorite would have to be uh, jay Z, Fab, J Cole, DMX,
NICKI Minaj.

Speaker 6 (46:12):
I believe her. I don't believe. I don't feel the
need to attack her.

Speaker 3 (46:15):
No, I believe her.

Speaker 4 (46:16):
I don't believe we had three of the same five.
What that means that I should believe you because you
got three. You don't think DMX is one of my
favorite rappers. Don't think DMX.

Speaker 3 (46:28):
You didn't name him just now he named X. He
did his number four. I believe that.

Speaker 4 (46:33):
I believe J's ex fonse. You don't believe out of
those that those four rappers, out of what you know
about number five?

Speaker 7 (46:41):
You number five on your list is shaky. Scar Face
is not one of your top five rappers of all time.
I'm not rolling with that. And I love Scarface, but
he ain't in your top five. I think I think
you would put Drake before Scarface. He gonna put three
niggas before Scarface, Drake, Wayne, and probably Fab.

Speaker 6 (47:01):
Is from New York City.

Speaker 3 (47:02):
What are we doing here?

Speaker 4 (47:03):
I don't know. I probably listen to Fab more because
there's more to pick off.

Speaker 3 (47:10):
Of of course you.

Speaker 4 (47:11):
Do like as much as like, I don't really go
back to ghetto boys like that. Of course the Starface
star Face solo idea.

Speaker 7 (47:21):
Listen, I love Scarface legend, legend, but he's not in yours,
and that's just a special place in my heart.

Speaker 3 (47:28):
Like amazing, project, amazing.

Speaker 7 (47:30):
You won't hear me say anything less, but I'm just
saying in your personal personal top five, I don't believe.

Speaker 4 (47:36):
I'm not mad at the attack, but I do think
there is some nuance between what you listen to consistently
versus what you deem as your your favorite.

Speaker 3 (47:45):
I agree.

Speaker 4 (47:45):
I agree because sometimes other music is just easier to
listen because, like as an adult in lifestyle and like
just moving around, sometimes I can't always have Scarface, like
I can't always have g Old banging, like when I'm
on the train or in the crib. Like some music
is more palatable for everyday lifestyle, like I could throw

(48:08):
in a fab mixtape and go about my day and
be great.

Speaker 6 (48:12):
But that doesn't mean I don't value the fix higher.

Speaker 5 (48:15):
Yeah, X can be a little like X is one
of my favorite. X might be number two, but he's
heavy it's very heavy sometimes, so it's not I'm gonna
listen to Megan thee Stallion. I repeat, I'm gonna listen
to Cardi. I'm repeat, I'm not gonna Actually, I might
put Cardi.

Speaker 3 (48:28):
Be for Nikki.

Speaker 5 (48:30):
I might put Carty with for Nikki. Listen that goals
and changes. But I'm just saying the later half of
Nicki's career, I listen to Cardi way more than I
do Nikki.

Speaker 3 (48:40):
At one point, Nikki was number.

Speaker 4 (48:42):
One, respectfully, I don't even have Cardi and Niki in
the same sentence, but of course not.

Speaker 5 (48:45):
But we're talking about favorite We're talking about favorite songs like.

Speaker 3 (48:50):
That's what we're talking about. Now.

Speaker 4 (48:52):
Who's the better routing her scarface? It's just one project.

Speaker 7 (48:57):
Speaking of Cardi, Cardian Party announced that they are putting
out a new song.

Speaker 3 (49:02):
When does that come out? Is that tonight? Y? It's
called Touda and I'm mad excited? What's up?

Speaker 5 (49:06):
I'm ready ready to tote it? What's what's going on?

Speaker 4 (49:09):
I like it? I like it. Cardi, we've seen has
been struggling a bit to put out a record that connects,
to make it an actual single.

Speaker 6 (49:18):
Go back to the party roots.

Speaker 3 (49:19):
I like it.

Speaker 4 (49:21):
What Dirk and Kanye isn't working? All the big names
are working. Go back to what started your career.

Speaker 3 (49:27):
This record is old though.

Speaker 5 (49:28):
Right, yes, it's actually an eight year record, and Parties
is saying that he's the one dropping it. He like,
get this off my heart dry like I'm dropping it,
YadA YadA. But yeah, it's it's eight years.

Speaker 4 (49:37):
Old, even if it's coming.

Speaker 3 (49:38):
So this record is eight years old. Yes, what was
the name of the party's record?

Speaker 5 (49:42):
It's yeah, it's party record with a card Car.

Speaker 4 (49:45):
There's no way that Atlantic is just letting this go
for a party. This is there a big party rollouts,
you know, whether it's like yeah, letting Lucy go with Cardi.

Speaker 6 (49:53):
This is a record that's eight years old. This is
part of a strategy.

Speaker 4 (49:56):
Yeah, what was the name of the record they had
that was an incredible back backing it up? Backing it
up was fire. If she is not clicking right now,
all right, fine, what was working eight years ago?

Speaker 3 (50:08):
Fam?

Speaker 7 (50:08):
We're not doing this. Why any other artists that would
do this, y'all will be killing them an eight year
old record?

Speaker 4 (50:14):
If she hasn't had a record to connect saying a
nice thing right now, no, I'm just saying, stop.

Speaker 5 (50:21):
Asking for the detoxs y'all been asking for the detox
for fucking four people.

Speaker 3 (50:25):
That's a joke.

Speaker 7 (50:25):
People are not People are not ask people that ask
for No, it's never coming out. That's why they keep
that going. But Atlantic again this this is obviously a
party right correct record. Maybe he has something coming. I
don't see Atlantic using this as a Cardi rollout of
record that's eight years old.

Speaker 4 (50:42):
There's no way anything Cardi B puts out is not
attached to what her rollout is going to be with
her career when she hasn't put music out like that.

Speaker 7 (50:50):
She's put out music for the past how many years
and didn't put an album out.

Speaker 4 (50:52):
One or two records a year, and they just haven't connected.
So you think they'll just be like, yeah for for
parties album, will let Verse Go?

Speaker 3 (50:58):
Didn't connect?

Speaker 4 (50:59):
And video clearly there's a video in the snippet like
this is a thing.

Speaker 3 (51:03):
You know what I'm saying. WAP didn't connect?

Speaker 6 (51:05):
Yeah, of course it did.

Speaker 3 (51:06):
No album came after that.

Speaker 4 (51:07):
Because nothing connected after that. They thought they banked on
that Kanye and Dirk record to be the one Cardi
delivered on it. The rest of them didn't. They banked
on that to be the one. It didn't connect. She
put out some cool freestyles that I liked.

Speaker 5 (51:20):
The one actually up came after WOP if I'm not
mistaking it, Up connected Up.

Speaker 4 (51:24):
Yeah, uped it okay, up with number one, Yeah, okay,
and still no album.

Speaker 5 (51:29):
Well, to be fair, when that was when all of
those were dropping, it was a weird time. That was
during the pandemic. So it was for a Cardio album.
We talked about that pandemic no, but that's when those
songs came out. So it was a weird time for
a Cardi album to drop when people couldn't come outside.

Speaker 3 (51:43):
That was a weird time. That was one of the
best years in music. We talked about that all the time.

Speaker 5 (51:47):
Not for music that makes you shake your ass, No,
it was so like, what like, we.

Speaker 7 (51:53):
Do this all the time, bro, let's cut the shit
they're not putting in a bunch of and that came
out during the pandemic.

Speaker 4 (51:58):
Some of the best music we have I love Freddi
Gibbs put out. It made sense during the pandemic. Atlantic's
not letting Cardi b put out an album in the pandemic.

Speaker 5 (52:07):
No fucking way, and we have had that conversation. Ma's right,
so we can move forward from that.

Speaker 3 (52:11):
All right.

Speaker 5 (52:12):
For example, the glow Rilla and Cardi record, that's incredible
to smoke that.

Speaker 4 (52:17):
She also did a feature with Lotto shortly after that,
when she was doing her feature run. All of that
was connected to a Cardi rollout as well. Atlantic is
not letting videos and versus just go for the fuck
of it for Cardi B. This is part of a
Cardi rollout. Let's get back to the basics. We'll give
it to party so we actually have somewhat of a cushion.
If it doesn't go the way we want, we could

(52:39):
say it was just a feature for parties album. This
is definitely connected to trying to get Cardi B to
put album out. They've had a record that's connected before.
You don't seem satisfied.

Speaker 3 (52:52):
We'll wait to hear it.

Speaker 7 (52:54):
I don't think this has anything to do with a
Cardi album.

Speaker 3 (52:57):
I think it's a part of a rollout for sure.

Speaker 7 (52:59):
What rollout we've seen to have number one songs and
no album came after that. What are y'all talking about
right now? Not only one in here keeping a thousand
right now?

Speaker 4 (53:08):
So why don't you think we've gotten one of them?

Speaker 3 (53:10):
I don't know.

Speaker 7 (53:11):
It ain't because they couldn't roll nothing out of nothing connected.
If your song goes number one, that shit connected.

Speaker 4 (53:16):
You don't think after Up and that momentum and then
the dud that the Kanye Dirk record was didn't start
somewhat of a lower trajectory of what Cardi had been doing,
the momentum shifted, and I feel like the momentum has
been inconsistent since.

Speaker 7 (53:31):
I'm maybe I'm on another fucking planet here. I don't
think Cardi needs any fucking roller. I think Carti is
at a point where if she announces her album is
coming out next week, that people are gonna go listen
to that album and stream that Albut.

Speaker 6 (53:44):
It's too risky.

Speaker 7 (53:45):
She don't made here and she's Cardi B. Her name
once is on DSP's, people are clicking on it. She
don't need no fucking rollout. Let's stop behind this rollout word.

Speaker 5 (53:56):
I think Cardi is scared. I think what of not.

Speaker 6 (54:00):
People like you?

Speaker 3 (54:01):
Yeah, people like me? I want to hear it.

Speaker 4 (54:04):
Got rap album of the Year off your first fucking project.
You had ten number ones off that ship and then
you stop putting out fucking music like that.

Speaker 3 (54:10):
So why she's scared of people like me when I'm saying,
I'm gonna listen.

Speaker 4 (54:13):
Because you rightfully are going to go into this with
crazy expectations and if everything isn't perfect, I'm not rolling
out a Cardi B fucking album if I'm atlantic.

Speaker 3 (54:22):
But what is the perfect rollout? If you've put out
records that win, no.

Speaker 4 (54:25):
Music that we haven't heard yet, you have to have
the momentum plus the music to match.

Speaker 5 (54:30):
Because she put out she put out two records, and
sales wise, as far as what I know, they didn't
do too well. So but that's another thing.

Speaker 7 (54:38):
Cares about sales? Do She's so delimedout with last Week
and that has best rap album? Who gives a fuck
about sales? Even though it is like her brand is
fucking huge, her name is huge.

Speaker 3 (54:49):
She don't need this this perfect rollout to put out
an album.

Speaker 6 (54:53):
What are we talking about comparing and card.

Speaker 7 (54:56):
I'm not comparing. I'm staying who cares about numbers? The
girl that just old eleven thousand her first week just
one best rap album?

Speaker 4 (55:03):
Who gives a fuck about the numbers? You think the
person that's keeping the fucking lights on over there. At
one point, they're going to risk to just put some
shit out for the fact that one.

Speaker 3 (55:12):
Point, there's been how many years since we've had an album.

Speaker 4 (55:15):
You think she could risk a dud if she came
right back with a sophomore album right after the first one,
she'd have some more grace in that situation. It's been
so long, which is why I agree with you. It's
been this fucking long. Where is the music. It has
to be perfect. Her first album was perfect. You wait
five six years. This shit has to be insane.

Speaker 3 (55:33):
Her first album had a perfect rollout.

Speaker 4 (55:36):
I mean it was.

Speaker 3 (55:36):
The momentum was insane.

Speaker 4 (55:37):
Every song is a single. Every song, every song charted.
It was not the way it does on the first
night when everyone's just clicking it.

Speaker 5 (55:45):
It stayed on the charts. It stayed on the charts.
I liked that was on the charts for years, like
it might still be. Yeah, So, Maul, this is what
I'm saying. I'm not arguing, I'm not I agree with you,
But what I'm saying is people might be scared of
putting music out because a lot of people's and securities.
They might be afraid of failure. We all know that
Cardi pays attention to what people says. I can't speak
for her, but I would be fucking terrified and I

(56:07):
would be like very like insecure, and what if they
say this or what if they don't like this? I
don't think that she should be. I don't think that
she should be. But you can't control how people feel.

Speaker 7 (56:15):
I'm not trying to control how anybody feels. What I'm
saying is, or what I would like to say, is,
if you have a brand as big as Cardi does,
I'm cool, you nervous, you want the album be perfect, great,
I get all of that, But I'm saying, if you
keep dropping songs and the songs keep connecting, obviously going
number one, people love it. At some point, it's like,

(56:37):
what exactly, what are they waiting for to put this
project out?

Speaker 3 (56:43):
What do they need to see?

Speaker 7 (56:44):
People are still supporting Cardi, People still are waiting for
to drop an album. That's all you can ask for
as an artist is that people still want to hear
from you and that people still support you. Obviously, when
she puts out a single, if people still listen to
it, it goes number one.

Speaker 6 (56:58):
So what is this perfect role out.

Speaker 5 (57:01):
I'm telling is her last two singles have not charted
like that, They have not gone number one.

Speaker 3 (57:07):
Shit fuck it.

Speaker 7 (57:08):
At some point it's like, so what that means that
I'm never coming down until we get another number one single?

Speaker 4 (57:14):
Welcome to the music visiness.

Speaker 7 (57:15):
You had one and didn't put an album out. Yeah,
so now you don't have one and you still not
put an album out. So I'm asking y'all, what the
fuck is the label doing.

Speaker 4 (57:23):
I think after Up, they thought they had the momentum
because Up did well outside of charts that she was
playing everywhere too.

Speaker 6 (57:29):
It was culturally culturally cool as well.

Speaker 4 (57:32):
Then the Dirk and Kanye should happened and a dud hit,
and I think that stopped a lot of their plans,
and the momentum has been very shaky since where it's
it's up sometimes and it's low, Like she decided.

Speaker 7 (57:45):
This is why I hate the music business when the
business overshadows the music. This is this is why I
hate the music business. Because with somebody as big as
as a brand as Cardi has a bigger fan base
that Carti does. For this, for the label to not
or to miss the opportunity to keep putting out an
album and maybe it's Cardi. Maybe she's not ready. We

(58:05):
know she you know family, she had kids like give Grace.
Did we understand life gets in the way to life
gets in the way of art. We understand that family first.
What I'm saying is as the label. If they're planning
on using this eight year old party record as a
rollout to a Cardi album, I don't I don't think
that makes any not an eight year old record like

(58:28):
the eight years old You know how much is changed
in eight years? You know how much sound has changed.
You know how much music is changed in eight years.

Speaker 4 (58:35):
I mean from the snippet that we heard, it sounds
like a familiar sample with Cardi rapping well that I'm
sure Party had a hand in and we've been wanting
to hear party right for Cardi for quite some time. Okay,
So that so music changed much by familiar samples.

Speaker 3 (58:50):
To ask you, if this doudge, then what?

Speaker 4 (58:52):
Oh? I don't know, And to your point, I agree.
I hate the business as well, but Cardi b is
the music business. I'm not trying to take anything away
from her to I think she has a specific set
of talent that is delivery, personality. Everything about her is
on the record. But let's not say Cardi B is
this musician. She's the music business. She is herself but

(59:13):
very much a product of the business, taking something that
is so organic and authentic and putting it all the
way up here. She's the business, so they have to
go by business rules with her. They don't have the
luxury of just trying some shit out because she's just
some spacey artists that will come back with something new
and innovative.

Speaker 6 (59:30):
She's the business.

Speaker 4 (59:31):
They have to follow the business rules with her because
there's too much on the line. People lose their jobs
when they can't get Cardi B to do something. It's different.
It's the music business. When it comes to Cardi B.
It's not music and then business.

Speaker 5 (59:44):
It sucks because I agree, you know, bringing up the
DOCI point of Okay, you don't sell first week, you
keep post proo and post. Like that song that they
did Bongos with Megan and Carti. It came out, it
wasn't what people expected it to sound like, and I
feel like when it didn't chart or do this whole thing,
it became like, oh, that's just a dud. When it's
like no that y'all spent so much money on that video,

(01:00:06):
and this song has a great concept. Y'all have to
keep pushing that, like you have to keep pushing it.
So I don't know who's in charge, But maybe they
know more than me.

Speaker 3 (01:00:13):
I don't know.

Speaker 7 (01:00:14):
Well, or maybe they don't, which is the problem. They
think they know more than you just because you work
at a label on make you no more than people?

Speaker 3 (01:00:21):
Very true.

Speaker 4 (01:00:22):
I mean, the Grange family is taking over two of three.
They must know something.

Speaker 3 (01:00:28):
Well, we know something that.

Speaker 7 (01:00:30):
Lil Wayne announced that June sixth right Favorite Rapper of
All Times, June six Carter six Greatest Album Series of
All Time.

Speaker 4 (01:00:39):
We are getting the sixth edition Carter six. The Goat
is finally fucking back. Number one, not number two, not
number three, not number four, not number five, not six, seven,
eight nine or ten.

Speaker 7 (01:00:50):
Number one.

Speaker 3 (01:00:51):
You're gonna listen to it?

Speaker 8 (01:00:52):
What?

Speaker 4 (01:00:53):
I'm not even gonna come in and record that day.

Speaker 3 (01:00:55):
He's not listening to that. He didn't listen to the last.

Speaker 4 (01:00:58):
One in a Carter five. Did I go back to it? No?

Speaker 6 (01:01:02):
No, the last album you're saying I did not listen
to the last Long the Lane, the last.

Speaker 3 (01:01:05):
What's the last album he put up? I don't know exactly.
You didn't exactly, so he said.

Speaker 4 (01:01:13):
Your point of saying that Wayne is my favorite rapper,
I don't know the fucking what his last album on.

Speaker 3 (01:01:17):
No, you said he's one of your favorite rappers.

Speaker 6 (01:01:20):
I don't, and I'm saying he's not.

Speaker 7 (01:01:22):
We went to that show at the Apollo because he
was loved it, one of your favorite top five rappers.
You kept yelling in my ear that whole night. That's
what top five looks like.

Speaker 6 (01:01:31):
I left early. You stayed. Yeah, okay that means, but you.

Speaker 7 (01:01:35):
Still was in my ear like this is what top
five looks like.

Speaker 3 (01:01:38):
I'm like, okay, this is what top five looks like.
That he kept yelling all that.

Speaker 4 (01:01:42):
Did anyone see uh skip yesterday post on his Twitter
yet again, a monologue about how Wayne should have been
the halftime performer. Like skip, all of us are past
this conversation. It's okay, so you can move on.

Speaker 3 (01:01:54):
It's all right, we get it.

Speaker 4 (01:01:56):
Well, congrats to Wayne for announcing Carter six. I mean, wait, wait,
he was momentum going into this weekend of something that
didn't pan out the way you wanted with an announcement.

Speaker 3 (01:02:06):
See what is doing smart marketing? You used this weekend
for his own announcement. I'll get it.

Speaker 4 (01:02:13):
Okay. See, I didn't know Funeral was his last album.

Speaker 3 (01:02:19):
He's over here giggling.

Speaker 6 (01:02:21):
I just love how as much more time passes.

Speaker 4 (01:02:23):
I've just proven right that he's not my favorite reprovol
because I would know my.

Speaker 7 (01:02:29):
No, you just said I'm listening to this Carter six. No,
you're not the last album.

Speaker 4 (01:02:35):
I'm trying to remember if I know any of these records.

Speaker 7 (01:02:37):
You didn't listen to it. That's why you don't know it.
We spoke about this in private.

Speaker 3 (01:02:42):
Gonna do nothing?

Speaker 5 (01:02:43):
Is he gonna pull out that laptop and start googling ship?

Speaker 6 (01:02:45):
No, I am.

Speaker 4 (01:02:46):
I'm trying to see because I in my mind I
had part or five as the last one.

Speaker 3 (01:02:51):
Yeah, because five is before six. I see what you did.

Speaker 4 (01:02:53):
No, I was saying his last album he put in
between the Carter series.

Speaker 6 (01:02:58):
He put out other albums. Didn't just go one too before.

Speaker 7 (01:03:00):
I just actually, did you listen to the last I
know you didn't because you said you didn't. Yeah, I
didn't listen because I came here. I was like, Yo,
we're not going to talk about the New Way album.
He was like, I didn't listen to it. I was like, Okay,
did you.

Speaker 5 (01:03:09):
Ever listen to that Chance album that you said you
were never going to listen to?

Speaker 3 (01:03:12):
Yes, No, he didn't.

Speaker 6 (01:03:14):
I came in and gave a full review on it.
That's what people.

Speaker 9 (01:03:16):
I know.

Speaker 4 (01:03:16):
It was a running joke, but yes, I came in
and I actually think y'all were very hard on that album.

Speaker 7 (01:03:21):
Production is on Chances last album. Yeah, I don't really
go back to it, but.

Speaker 5 (01:03:26):
I don't go back to it. It's my favorite disc.

Speaker 6 (01:03:29):
That's not this.

Speaker 3 (01:03:30):
It's real.

Speaker 7 (01:03:31):
I understand that like more than ever now, like because
there's albums that come out. I listened to it and
then it's like five months go past and I didn't
listen to a song off the album. Doesn't mean I
didn't like that album, but it's just like it didn't
really it didn't stay with me, that's all.

Speaker 5 (01:03:44):
Okay, Yeah, I like that it didn't stay with you
didn't stay with me. You guys had a brief encounter.

Speaker 3 (01:03:49):
Yeah, it was like, Okay, went on one date. You
know what I'm saying. It was cool, but it was
like I don't need to see her again. You know
what I'm saying.

Speaker 4 (01:03:57):
It was like, that's cool, But there's a lot of
albums that if I listened to them at this age
that I did ten years ago, probably wouldn't have stuck
with me. But they stuck with me ten years ago.
I just feel like there is also this age gap
that allows you to process so many albums at one time,
and then like when adulthood really hits, it's tough to

(01:04:17):
have that same process, only you could only take a
few albums in a year that are gonna stay with you.
Not only that, I think that a lot of a
million blog era mixtapes stay with me now. If I
was thirty four in the blog era, I don't know
if I could say that all those would have stuck
with me.

Speaker 7 (01:04:31):
Well, that's what I'm That's what I'm getting to is
it is a thing of when you where you're atting
your life, when you listen to certain musics, Yeah, because
it brings you back to that time. So you will
listen to certain songs and albums just because it gives
us that nostalgic, you know, it takes us back to
what we were doing ten years ago, whether it was
in college or high school or my first job got fired.

(01:04:52):
Whatever it was, it just reminds you of a specific time.
As you get older, time means nothing. What day is it?
That's all it is?

Speaker 4 (01:05:01):
Everyone hold the clocks. I did listen to funeral. Oh,
and you know how I know that because hard to
a funeral. Yes, I've been to a few those. Harden
on this album, I ran into the fucking ground. I
didn't go back to any other songs. That was like
vintage Wayne. It's all about James Harden fucking his bitch,

(01:05:22):
but for a soul sample fire.

Speaker 3 (01:05:24):
So you ran the Hardened song into the ground.

Speaker 6 (01:05:25):
I did every one.

Speaker 3 (01:05:26):
That's the one that stuck with you.

Speaker 6 (01:05:27):
Go back and.

Speaker 4 (01:05:28):
Listen to that. That's like old mixtape soulful Wayne. I
loved Tarden a lot. I think I put that on
my ig story a bunch of times, but it was,
you know, pandemic. I was going, it's actually a really
good Wayne underrated Hardened go look it up right now.
I don't think it's better than anything Tommy Richmond's ever
put out there.

Speaker 6 (01:05:45):
Where's my fucking Flowers?

Speaker 4 (01:05:46):
I was right about Rihanna already this can we get
like a graphic and start checking it off of my
twenty twenty five.

Speaker 5 (01:05:52):
Year were gonna talk about it on Patreon. We're gonna
see how you doing.

Speaker 6 (01:05:55):
I'm batting pretty fucking high. I said.

Speaker 4 (01:05:58):
Tommy Richmond was gonna black it up for his next single,
and then he's going to go right to country music.

Speaker 3 (01:06:04):
M HM.

Speaker 6 (01:06:04):
As of now a formula.

Speaker 4 (01:06:08):
Now he has women and doobies at the gas station
to a soldier boy sample.

Speaker 3 (01:06:11):
But he's not a hip hop artist, not solely. Don't
you box him in solely? Solely? Yes, he's more than
just a hip hop artist.

Speaker 4 (01:06:19):
It sounds like I'm hating, but me and Peaged were
off Mike saying that snippet is fire.

Speaker 6 (01:06:24):
That record sounds really good.

Speaker 7 (01:06:25):
It sounds like a good Mountain Dew commercial. Yo, you
a hater, what that's big? You get a Mountain New commercial.

Speaker 3 (01:06:33):
That's major.

Speaker 4 (01:06:33):
Nobody took that as a compliment, and one of us
he would the artists would do you like the song?

Speaker 7 (01:06:40):
The snippets sounded good. I didn't hear the whole song,
but it's not out.

Speaker 3 (01:06:43):
Yet, is it.

Speaker 4 (01:06:44):
Well, when you're listening to this, it will be okay. Yeah,
I heard sound Peach brought to my attention, and I
was a little nervous because P is like he has
a soldier boy flipping there, and I was like, oh God,
here we go again. But whoever produced that amazing flip?
It was a really formula.

Speaker 3 (01:06:58):
I see the formula he's he's sticking to. I get it.
I see what Tommy's doing.

Speaker 4 (01:07:02):
No, I record does sound really really good.

Speaker 3 (01:07:04):
Yeah, it sounds good.

Speaker 4 (01:07:05):
It's just I don't know that snippet with that visual
coming off your tweets.

Speaker 7 (01:07:10):
I mean, he's not.

Speaker 3 (01:07:12):
Solely a hip hop artist, that's all was he.

Speaker 4 (01:07:14):
He told the Grammys he's a rap artist.

Speaker 7 (01:07:17):
That because he didn't want to go to the I
think the Grammys told him he's a rap artist.

Speaker 3 (01:07:22):
He said, no, no, no, this is raps.

Speaker 6 (01:07:23):
Nothing rap about that album.

Speaker 4 (01:07:26):
No, it's because you didn't want to compete with the
pop stars and you thought you could, which I get
get a nomination if you go in the rap category.

Speaker 6 (01:07:31):
Yeah, but come on, man, who do you think.

Speaker 4 (01:07:36):
He sent like maybe the treatment images for what women
he wanted in that video and how he wanted them
to address. Oh that he might as well said said
whyan like, do you think that's his homegirls?

Speaker 3 (01:07:47):
Or yeah, I think that's the homies I like the Homies.

Speaker 6 (01:07:50):
Or do you think that's his mood board.

Speaker 3 (01:07:52):
No, that's the Homies. I don't do that fucking around.

Speaker 4 (01:07:55):
I like Tommy Richmond, and I know he gave him
a lot of shit. This record does sound great, But
I do think he's going to go the quote unquote
urban route, which I'm sure they said in the meeting,
and he's.

Speaker 6 (01:08:06):
Gonna this, and he's gonna he's gonna take a left
and show his range.

Speaker 4 (01:08:10):
You know, he's from Virginia, he has country roots, like
you know, maybe we'll get a shaboozi thing just so
they can check two boxes. But he's he's definitely gonna
take it to outside of the box, as they would say.

Speaker 7 (01:08:22):
Yeah, he'll be in Wyoming next week. He went from
w to Wyoming. You know, niggasupposed to wild Wi shoot
a video. It's like, good, don't try it. That doesn't
mean you tapped in because you have Wiwai shooting the video.

Speaker 4 (01:08:35):
And first of all, sorry to South Jersey. WHI is
the most overrated shit I've ever had. When I got
to college, they was like, yo, you gotta have Wawhi.
We went down the turnpike. I was like, oh, this
is this is actually a gas station sandwich.

Speaker 3 (01:08:46):
Yeah, it takes a gas station.

Speaker 4 (01:08:47):
Yeah. I thought you guys are about to tell me
like Noah, Dot, don't get it fucked up. It's a
gas station. But they got the sandwiches. Now, this is
a gas station sandwich. Why did that?

Speaker 3 (01:08:54):
It's just that deli.

Speaker 6 (01:08:55):
We passed seventeen delies.

Speaker 3 (01:08:57):
But that's what I'm about to say.

Speaker 7 (01:08:57):
When you're from New York City, you can't take nobody
else is like what they say about sandwiches seriously, Like,
if you're from like the DMV, you can't tell me
anything about a sandwich. I'm from New York City. I
grew up in front of the deli. Like, what are
you going? This sandwich is the best sandwich in the
city right here, this one at the gas station, right
next to pump six.

Speaker 3 (01:09:17):
I'm cool. I'm fucking cool.

Speaker 8 (01:09:19):
Man.

Speaker 3 (01:09:20):
You can't tell me about a good sandwich.

Speaker 4 (01:09:21):
And I'm from New York, which I mean, I get
South Jersey. There's not a lot there, but I was
expecting it to be like some crazy shit.

Speaker 3 (01:09:29):
It's cool.

Speaker 6 (01:09:30):
I get it seven to eleven with us to hang
out your space.

Speaker 7 (01:09:33):
To hang out for you know, the high school kids,
college kids. They drive there, park up, listen to some music,
you know, somebody going there and get a beer or something.
You know, let's eat some fucking turkey and cheese sandwiches.

Speaker 4 (01:09:44):
All and listen to Soldier Boy.

Speaker 3 (01:09:45):
Yeah, and shoot a video.

Speaker 4 (01:09:46):
Did anyone watch the Kanye West? I don't know if
I'll call it the mass drunk yard. What are you
even trying to do? It's just drunk shit, drunk shit not.

Speaker 3 (01:09:57):
I'm not even drunk.

Speaker 5 (01:09:58):
I haven't been drinking for a while, but I just
went to She ignored me.

Speaker 3 (01:10:01):
She's going through withdraw handsy, shaky.

Speaker 5 (01:10:05):
I am, I'm doing a damn February, Ma, all you
want to do it with me?

Speaker 3 (01:10:08):
What's damn February? Damp? Well? Now damp roy?

Speaker 6 (01:10:11):
Do you want to do it with me?

Speaker 2 (01:10:12):
No?

Speaker 3 (01:10:12):
What's damp February?

Speaker 5 (01:10:13):
So instead of a dry like how it did dry January,
instead of a dry February, it's damn, which means I
pick one day in February where I get to drink,
So it's.

Speaker 3 (01:10:20):
Not all the way dry. That's Valentine's Dale, but.

Speaker 5 (01:10:22):
One it's gall for my Gallentines gathering with the girl.

Speaker 3 (01:10:26):
That's the thirteenth what is the Galentine's.

Speaker 5 (01:10:28):
Gallentine It doesn't matter. You could do it whenever, but
we're doing it on the fifteenth, the day after.

Speaker 3 (01:10:33):
Yeah.

Speaker 7 (01:10:33):
Oh, y'all want to talk about the niggas that didn't call,
didn't send no flowers, did Yeah, I know.

Speaker 3 (01:10:38):
Or that's just the.

Speaker 5 (01:10:39):
Saturday Sunday two though it's the sixteenth. No, we're gonna
do the fifteenth. But yeah, I'm just that's the only
day this month I'm drinking. Or you want to try
it just one day a month drinking.

Speaker 7 (01:10:50):
No, No, he wants to He wants to pick one
day this month where he doesn't drink.

Speaker 4 (01:10:55):
It's not true. Don't pay me that.

Speaker 3 (01:10:58):
Not a flooded February. Yeah, where was like, okay today
cutting off the hose.

Speaker 4 (01:11:04):
No, it was Amara. I didn't have any moral stance
on drinking less. It was my daughter's up at six
a m. And drinking does not coincide with that. Like,
you can't drink every day and wake up at six am.
You gotta you gotta chill.

Speaker 3 (01:11:18):
You gotta drink some water and go to sleep.

Speaker 4 (01:11:19):
Yeah, absolutely so, No, I won't do that, but uh,
I mean I'll support you.

Speaker 3 (01:11:25):
Thank you.

Speaker 7 (01:11:26):
Jerry wird was easy, but my FaceTime Durren Gallentin's we
ain't never face time.

Speaker 5 (01:11:31):
I'm gonna be with I'm gonna be with Kellen Rocks
Penny like be with the King.

Speaker 7 (01:11:35):
Yeah, but I'm saying I want to I want to
just facetimed ladies and say Happy Gallantine's Day.

Speaker 4 (01:11:39):
Wait, what can mall go to Gallentine's Day?

Speaker 3 (01:11:41):
Is he a galldam? What am I what a galadam?
Are you a gallous?

Speaker 8 (01:11:45):
Oh?

Speaker 3 (01:11:46):
No, I'm not.

Speaker 5 (01:11:47):
Okay, So no, but I mean you can say you
are not anymore anyway.

Speaker 3 (01:11:55):
I like that, not anymore. Yeah, but I.

Speaker 4 (01:11:57):
Mean so they replaced side Chicken d which was the fifteenth,
with Valentine's Day. That's what it is.

Speaker 5 (01:12:03):
Yeah, I mean, side chicks are still going to do
their thing, but none of us are side chicks.

Speaker 4 (01:12:06):
I'm not calling you guys that okay. Teenth used to
be that.

Speaker 5 (01:12:10):
I thought side chicks. There was always the thirteenth, It's
always the friday before Valentine's Day, but side chicks days. Yeah,
so it's the day before Valentine's Day.

Speaker 6 (01:12:21):
That's no.

Speaker 4 (01:12:21):
You have two girlfriends like a side chick, You're not
doing anything for Valentine's Day at all for the day.
If you have to do the thirteenth or the fifteenth,
you have two girlfriends, So.

Speaker 3 (01:12:31):
What was side chicks day?

Speaker 6 (01:12:33):
Side chicks don't see Valentine's Day.

Speaker 3 (01:12:36):
Sadicks just created for some recognition.

Speaker 7 (01:12:39):
I'm not paying those side checks no mind during Valentine's
Day like that. Any the thirteenth to fifteenth or sixteenth,
you know, you get nothing. I'll speak to you super
Bowl Sunday and that's it.

Speaker 3 (01:12:49):
I'll speak to you in my Oh what's happen? Oh
y'all that's rough.

Speaker 7 (01:12:54):
Yeah, it's rough being a side check out here for
a real nigga.

Speaker 3 (01:12:58):
These lames now, they make it easy more.

Speaker 4 (01:12:59):
You have to be in a relationship to episodeject who
you who made that rule up?

Speaker 5 (01:13:04):
So she she gotta be honest with you.

Speaker 3 (01:13:06):
Just something.

Speaker 7 (01:13:08):
On the side of his bed, on the side of me, yeah,
or the left side, you know.

Speaker 3 (01:13:14):
Not by the door.

Speaker 7 (01:13:15):
You get to put them, you know what I'm saying.
By the window, Yeah, that's fuck that putting. You want
to protect windows? Truth, Yeah, because if the intruder comes in,
you know, he kills me first and then he kills her,
So he's not gonna kill me.

Speaker 3 (01:13:26):
Didn't leave. You know he's gonna kill you too. You
can sleep on that side.

Speaker 4 (01:13:30):
If you want to make specific serial killers that only
go after the person the first year.

Speaker 7 (01:13:35):
Whoever sleeping by the door, he gets killed, then another one.
Let us know, we all just keep your mouth shut.
I'm out of here.

Speaker 3 (01:13:39):
You didn't see anything. It doesn't work like that, okay.

Speaker 4 (01:13:43):
Well, gallon times they should be fund Did anyone watch
the Kanye West interview slash episode slash? I don't really
know exactly what to call.

Speaker 3 (01:13:51):
I saw clips of it. I didn't. I didn't didn't
watch the entire episode.

Speaker 6 (01:13:54):
I watched it.

Speaker 4 (01:13:55):
I really liked how it was shot, like they had
the whole projector. It was definitely shot really cool. I
liked how they went in and out of the I
guess interview to certain things Kanye was working on old
clips like. It was definitely put together very well for
that first episode.

Speaker 3 (01:14:10):
I liked it.

Speaker 7 (01:14:10):
It wasn't It didn't feel like it was overly produced.
It felt like it was just like, Yo, let's set
up some right here, you know, just just make your
own rules. Like like, I like that type of vibe
where it doesn't seem like it was too scripted.

Speaker 3 (01:14:22):
You know, we just had a chance to get Yay.

Speaker 7 (01:14:24):
On camera for a few hours, shot a bunch of shit,
and then you know, we put it together.

Speaker 4 (01:14:28):
So I like that they played to Justin le Boy's
strengths where Kanye just talks and then they cut to
old footage or him in the studio. Yeah, and then
the boy's like, oh crazy, and then they cut like,
you know, they played to his strengths.

Speaker 7 (01:14:45):
That was hate, right that you caught that baby, That
was a little shot for Justin, Yo.

Speaker 6 (01:14:48):
What's up with you? That was hate?

Speaker 4 (01:14:50):
Yeah? Can we reverse the footage to when the actual
interview came out?

Speaker 6 (01:14:55):
That was hate.

Speaker 4 (01:14:55):
I was shitting on Justin le Boy the whole time.
That was the worst interview I ever saw in my
fucking life.

Speaker 6 (01:15:00):
This I liked.

Speaker 4 (01:15:02):
I actually really enjoyed what they put together. You didn't
really get much outside of Kanye's.

Speaker 6 (01:15:07):
Stance on AI.

Speaker 4 (01:15:08):
I would say that was probably the biggest thing I
took from it, which we kind of predicted. He views
it the way everyone shitted on samples in the beginning,
and then that became the norm. Everyone shitted on auto tune,
and then that became the norm. He thinks AI is
the same thing. It doesn't want to get left behind,
which we expected from Kanye. I still think there's a

(01:15:28):
drastic difference between it.

Speaker 3 (01:15:30):
It's an incredible drastic difference.

Speaker 4 (01:15:32):
But Kanye is putting it in that same exact category.
And I don't know, when the dust settles in ten
fifteen years, we may look at it that way. I don't.

Speaker 7 (01:15:40):
But this entire Bully album is AI, right, Yeah, yeah,
I'm not jacking it.

Speaker 6 (01:15:46):
Well he didn't.

Speaker 4 (01:15:47):
He didn't outright say that, but you got that idea.

Speaker 3 (01:15:50):
It's AI.

Speaker 4 (01:15:50):
They were even like showing other verses that other people
cut and then yeah, it was like, you know, put
my voice on it, and then it became Kanye.

Speaker 3 (01:15:58):
Yeah. See, that's a dangerous thing to play with.

Speaker 5 (01:16:01):
Man.

Speaker 7 (01:16:02):
When you got an artist as dope as Kanye and
as you know, innovative and creative as Kanye, embracing that
type of technology with the music, it's just it's such
a it's such a dangerous it's such a dangerous tone
for other artists. Because now your argument is THO, shit,
Kanye just did it, and he sold this many he
streamed this and he did Now you can start pointing.

Speaker 4 (01:16:21):
To that the snippets sound right.

Speaker 7 (01:16:22):
Yeah, it's so, it's just a dangerous It's a dangerous
thing for somebody like Kanye to like cos on that.

Speaker 4 (01:16:27):
He says he's by hand cutting every sample himself. He's
producing everything by himself. He says he's gonna bring Mike
Dean back into the mix on the engineering side. But
he did say this is this is Yay on the
NPC cutting everything up. So we get that for the
first time in a while, m H. Which I don't
know if that does that add any credence to it
for you.

Speaker 7 (01:16:45):
No, I mean, I understand that he still has a
hand in the music, but to embrace you know, vocally
and the song, the lyrics, the music, for you to
lean so heavily into the AI thing, I think it's
just dangerous for somebody like artist like Kanye to do
that because again we've seen him create such classic pieces
of music and create such beautiful moments in music to

(01:17:08):
now embrace this technology where essentially it can it can
get to a point where we don't even need the artists.
It would just be a thing where people sign off
on their likeness. You can use my likeness, but you
never step into studio, so we don't get real emotion,
real soul, real like I just I just think that's
a dangerous thing for artists to embrace.

Speaker 4 (01:17:28):
Well, then do we owe old heads and apology? Because
I was even one of the younger people. You know,
we watched prints say, yeah, samples are cool, but when
are we gonna end up having the samples sample the sample,
sample the sample, which clearly has happened. Yeah, but there
were so many people older than me that hated my
favorite era of hip hop production, which is soul samples

(01:17:50):
being chopped up, even to the point that they're extremely
obvious and you're just adding a few snares to a
record that's already been proven. But to me it was amazing.
To them, it was like, this is bullshit, this is
gonna ruin music. Then auto tune came and a shit,
people even three four years older than me thought it
was awful. I was like, yeah, fuck with autotune, Like I.

Speaker 6 (01:18:09):
Think it's cool.

Speaker 3 (01:18:10):
But it's still a difference though.

Speaker 4 (01:18:11):
I know, But did all these changes lead to now
where we're at for AI to be more acceptable? So
maybe these people were right based off like I love
what just Blaze does, but there's so many people that
were older that were like, he's that's someone else's music.
He's chopping that shit up with the fuck. I was like,
you can't see the art and that that is the
first step to getting here.

Speaker 7 (01:18:31):
I think it's different like hearing a Beanie Bean's Beanie
Sigual was gonna use AI on his new music because obviously,
you know, he had such a change in his voice,
his tone, but you know he's just using it to
kind of sound like he did before. Yeah, but he's

(01:18:53):
still writing, he's still actually laying down the vocals. They're
just gonna implement that technology to enhance his audio to
similar to it sounded to what it sounded like before
his voice changed. I'm not mad at it there in
that sense, because he's actually still going in the booth.
He's still right and he's still like laying down bars.

(01:19:13):
But just in the mix, you know, we got to
tweak his voice his vocals a little bit. I'm not
mad at that. When you say this artist didn't step
into booth at all all emotions, and to me, that's
like connection is going on. Yeah, it's like, all right,
so this is we had a problem with posthumous albums,
even though the artists actually laid that song down at

(01:19:34):
one point may not have laid it down to that music.
They may have took those vocals and then put it
on a new track. Yeah, but people hated that this
is beyond that. This is like I mean, he never
even said that. He never even went in the booth
and laid that down. To me, that's a problem. And
somebody thinks if Biggie was alive, right, so to me,

(01:19:54):
go do the duet right? Like to me, somebody like Kanye,
who has influen as he is probably the most influential
artist in music, I just think it's dangerous for him
to embrace that type of technology.

Speaker 4 (01:20:07):
Why I think it's extremely dangerous outside of everything that
you was named, is that it's probably going to be
really good and you probably will feel emotion connected to it.
I think Kanye is going to be really good at
AI the way that we watch some of like the
Weekend stuff and Drake and you know people on Twitter
that we're putting stuff up and we're like, this is
getting close to good what y'all are doing. But we
can still tell. I don't know if we would be

(01:20:30):
able to tell with Kanye's album unless he told us
what he did in this episode, like that's how good.
I think he's going to be at it because Kanye,
we wouldn't say is the most lyrical person ever, but
his bravado and his delivery is what put him up there.
Why he could do Watch the Throne with Jay because
his energy is just like that. I think he's going
to figure out a way to do that with AI

(01:20:50):
and Tricky, and it's going to be so good that
that's why it's going to be accepted, because it's like.

Speaker 6 (01:20:55):
Yo, there's a motion in this shit.

Speaker 4 (01:20:56):
Yeah, this isn't just some straight AI weekend shit.

Speaker 6 (01:20:59):
That's a motion.

Speaker 7 (01:21:00):
It's tricky with with with Kanye too, because he is
actually still involved in the producing of the music. So
technically it is Kanye, like he's still on the MP
he's you know, he's doing those things. So it's like, yeah, no,
it's it's him. But when you start talking about you know,
the lyrics, the vocals and things like that, and that's
just all AI, I'm just yeah, I think this is
where I started listening to country music.

Speaker 4 (01:21:21):
Man, who that's not gonna be AI.

Speaker 7 (01:21:24):
I don't not see that. I think that they keep that.
They they look like they protect their coach a little
more than hip hop does.

Speaker 6 (01:21:30):
Just from Beyonce, no one else.

Speaker 3 (01:21:32):
Boozy didn't get nothing.

Speaker 5 (01:21:34):
Yeah, Booze ain't win none, either of you know, he should.

Speaker 4 (01:21:35):
Have, Okay from black people. I didn't want to be
the one to say.

Speaker 3 (01:21:40):
It, Okay, glad you cleared that one. The fuck up?

Speaker 4 (01:21:44):
Oh man, Yeah, that's the only people they protected from.

Speaker 3 (01:21:47):
Well, Kanye did say he's not bipolar. He said he's autistic.
I think he's a little bit of both. I think, yeah,
I think you know, pick and roll, you need, you
need to screen to get the shot off. I get it.

Speaker 7 (01:21:59):
So are we surprised that he said he's autistic? Do
we believe that he is really autistical? We think this
is Kanye just saying Kanye shit.

Speaker 5 (01:22:07):
I'm not a medical professional. I'm kind of rolling with
the fact that I've said that. I think we've said
before though, we think he had a little bit of theutism.

Speaker 4 (01:22:15):
No, I don't like, I don't. I think that was
only news to Kanye West. Like when he was sitting
there with Justin Woy's like, yeah him. My wife came
up to me and was like, you know, I've seen
bipolar people, but that's not you. I think you might
be autistic. And like you could see the bulb go
up in Kanye's head and I'm like, oh, I was
thirteen when you came out, and I could tell he

(01:22:36):
was autistic. Yeah, this is just news to you. But
I mean, I'm glad he's getting the help that he needs.
And he didn't really touch too much into it. I
did like the point he was bringing up of staying
on medication, but how to balance that without losing your
creativity because you know a lot of autistic or bipolar
people that are super creative need their meds, but that

(01:22:57):
can kind of comatose you and not keep you in
the rights state. So him finding that balance, I thought
was a really important conversation that I hope he talks
more about because there is you know, some of our
greatest creative people are autistic, and in this new world
of big pharma, they're just trying to put everyone on
every medication period. And I'm not saying people don't need that,

(01:23:18):
but you are taking away a lot of the genius
that they have with doing so, so there does need
to be a conversation how to balance that. With creatives.

Speaker 3 (01:23:25):
Has Kanye has he ever taken the toad? He?

Speaker 6 (01:23:29):
I think he lives in the toe bro. I want
to think I don't let to.

Speaker 7 (01:23:32):
See Kanye take the like see him after like a
real like Ayahuasca's experience.

Speaker 4 (01:23:37):
You know, with people that don't have like super ADHD
that adderall makes them more focused and more hyper, and
then people that actually have it adderall can actually calm
them down, because that's what it's supposed to do. I
think the toad would turn Kanye West into a regular
human being. I think he's in the toad every day.
I think he would turn into like a regular guy.

Speaker 3 (01:23:58):
Does he lose all of his superpowers as far as
artistically in music for.

Speaker 4 (01:24:02):
The trip, I think he would. He'd turn into, like,
you know, just a regular guy that works a nine
to five job. He like all the thoughts in his head,
he'd keep to himself because he knows those would be
insane to say out loud.

Speaker 3 (01:24:12):
Right, So, because.

Speaker 7 (01:24:13):
He's built on Kanye's being somebody who's built largely on ego,
I think to be stripped of all ego after Ayahwaska experience.
Would just be interested to see the type of person
Kanye is Yeah.

Speaker 4 (01:24:25):
I would do it. I mean, not to make this
a drake thing. I forgot what interview he was talking about,
which I thought was really interesting that he said he
didn't want to go into therapy because a lot of
what would heal him that he needs to go to
therapy for would take away a lot of the edge
and the creativeness, Like he needs to have that shit

(01:24:46):
that he needs to heal from, Yeah, to stay as
creative as possible, like going up there. I can't heal
that right now. If I heal that, I'll lose a
lot of shit. Which I thought was a really really
interesting point in conversation.

Speaker 7 (01:24:57):
That that's dope that he recognizes that and understands that
though I need I need this thing, this ego thing,
I need this fuels this funds all of this.

Speaker 4 (01:25:06):
Yeah, I just I guess it gets to the point,
and not specifically to those two gentlemen, but the older
you get, that will take a toll on you and
how many years fuck your career?

Speaker 3 (01:25:15):
Like, yeah, how.

Speaker 4 (01:25:16):
Many more years can your body handle that type of shit?
Because I mean, even mental health still affects your physical
health too. If you're constantly having those type of episodes
it's gonna take a toll ony. Yeah, so, I mean,
we'll see and again. My only last takeaway from the
Kanye thing. On the negative side is a lot of

(01:25:37):
the shocking, crazy shit that he was saying. He said
a million times. I think Kanye is gonna have to
find a new strategy of the shock and awe gimmick.
I just said something insane. He didn't say anything that
we haven't heard before. That's why I don't think it
hit the same way that he thought. He used to
do this all the time, and to be insane, we'd
be at the edge of our seat. Kanye is about

(01:25:58):
to say this. He didn't say anything that we hadn't
heard that wasn't shocking. Still, Got's why I feel like
it didn't get in the algorithm the way Kanye usually does.
But either way, I'm here for Bully. I mean, the
snippets sounded really, really good. I'll probably watch the Drewski
reality show before Bully.

Speaker 3 (01:26:15):
But Drew Ski, Uh, I like Drew.

Speaker 6 (01:26:21):
He's so fucking funny.

Speaker 7 (01:26:23):
He has a reality show could have been love Uh,
thank you the flavor flave.

Speaker 4 (01:26:29):
This is all shouts of delicious New York.

Speaker 7 (01:26:32):
Yeah, but I like this man, Drew Ski has leaned
all the way into his character, his persona.

Speaker 3 (01:26:42):
He's entertaining.

Speaker 7 (01:26:43):
He's one of the few dudes that I I probably
would click on their you know, their skits and ship online.
I think that he's genuinely a funny guy. So I'm
looking forward to this to see what he put together
so far.

Speaker 4 (01:26:56):
I mean, the trailer has Kayler from Sunday Conversation, who's hilarious.
Uh be a barstool. If anyone hasn't watched that, I mean,
I'm sure people have at this point. Who else were
some of the bigger names that were in there?

Speaker 5 (01:27:08):
Yeah, I'm seeing Meatball. That's Mall's girl from Baddie.

Speaker 3 (01:27:11):
The Home Meatball.

Speaker 4 (01:27:13):
That's my at the Homie though, that's my home Meatball,
like y'all speak on the regular.

Speaker 7 (01:27:18):
No, we never spoke, but that's hold her down. That's
my that's my nigga, the whole Meatball. That's my nigga.

Speaker 3 (01:27:23):
Real talk.

Speaker 6 (01:27:25):
So she doesn't win love with Drewsky.

Speaker 7 (01:27:28):
I'm running down on Drew Sky. If Jewski kicked her out,
if he don't pick her, Juicsky is beef.

Speaker 4 (01:27:33):
I kind of want young Maid win. I don't think younger.
I don't think she was competing. I think she was like,
she's holding me to judge some of the wa He's.

Speaker 7 (01:27:40):
There to like kind of spy on the women and
figure out who's best for him. Yeah, I think that's
her role in this. I don't think she's like trying
to be who Jukie falls in love with.

Speaker 5 (01:27:49):
I can't wait to see who doctor, what Doctor? Umar
say doctor.

Speaker 3 (01:27:52):
He's just trying to keep him away from the from
the white powder. That's so funny.

Speaker 4 (01:27:55):
Well, in the trailer, that was the conversation she was like,
I'm trying to get you.

Speaker 3 (01:27:59):
To yeah like Doc Gulmore.

Speaker 7 (01:28:02):
I get it, but nah, fam, you ain't seen some
of the white women I've seen, bro, are you tripping?

Speaker 4 (01:28:07):
It was definitely an interesting gas to stay the least.
I don't know if drew Ski has a type per se.

Speaker 3 (01:28:11):
No type man, drewcy just having fun, living life.

Speaker 4 (01:28:15):
Man.

Speaker 3 (01:28:16):
When is this coming out?

Speaker 4 (01:28:18):
I don't know if I saw an exact date, but
I do appreciate, like, in a world where Drewski got
so popular with the ig stuff and like the low budget,
I love that he is actually focusing on putting together
well produced content at this point because I feel like
so many people have lost that now because it's so

(01:28:39):
easy to just turn on a camera and stream that
we've we've lost like really well put together content. And
to me this is like, I know how this must
have taken forever to really put together, and I appreciate that.

Speaker 5 (01:28:50):
And I feel like more people who do get famous
off ig and stuff should I mean, I know not
everybody has worked as long as Drewski has, but find
a way to collab with the these people like to
Be or like Zeus or these production companies where they're
making these like low budget movies and stuff like that.
People say all the time that they want to see
their favorite creators, like oh, I will watch you on
the TV show, Like, come up with it, y'all have

(01:29:11):
the creativity, go pitch these people for the money.

Speaker 4 (01:29:15):
Drew Ski out of that whole vine wave and just
coming out of social media. He is a legitimate, legitimate comedian, Yes,
Drewski is.

Speaker 7 (01:29:24):
So this just dropping the day before Valentine's Day, Grade thirteen.

Speaker 4 (01:29:29):
If this is a paywalk, I pay for it. I
want to binge it is it is weekly.

Speaker 3 (01:29:35):
One day.

Speaker 7 (01:29:36):
I watch all twelve episodes in one day, shout out
to Drewsky though, Man, I'm going forward to.

Speaker 4 (01:29:40):
This and not for nothing.

Speaker 6 (01:29:41):
I love I love Drew.

Speaker 4 (01:29:42):
Ski with white people, Him with THEO Vaughn is fucking hilarious,
Him with a roll Tide, which I'm sure has some
crazy black face Facebook videos that will come out eventually.

Speaker 3 (01:29:52):
Absolutely, but for now, Yeah, well I love him.

Speaker 5 (01:29:55):
Get pissed a boy none but the time exactly.

Speaker 4 (01:29:58):
Him with Caleb when they did their Sunday conversation with hilarious,
So I know their chemistry already is going to be
great for this. Yeah, Drew Skin and white people that
they should do like a buddy cop movie, National.

Speaker 3 (01:30:09):
Security d a long type of thing.

Speaker 6 (01:30:13):
What is with production.

Speaker 4 (01:30:14):
Companies and putting a black guy and white guy together
as cop Partners's gotta be like fifty of them at
this point they all work.

Speaker 7 (01:30:21):
Yeah, but you need that because if we pull over
a white guy, I need a white guy there to
kind of speak white.

Speaker 3 (01:30:26):
If we pull over a black guy, we need a
black guy to condor. You know, we need more of that.

Speaker 4 (01:30:31):
Well, who was the first ever two podcast in Blushi?

Speaker 3 (01:30:35):
Can promise you that was not the first? Yeah? Was
that great?

Speaker 6 (01:30:38):
It was Clint Eastwood and a slave and maybe cut that.

Speaker 3 (01:30:42):
I don't know he would say slave, but not why See.

Speaker 4 (01:30:46):
Well, first of all, slavery happened, and Clint Eastwood is
ninety nine years old, so.

Speaker 3 (01:30:51):
He knows a little bit about it.

Speaker 4 (01:30:54):
To say those two things couldn't exist, oh man huh. Anyways,
not to damn for the mood, per se, but to
celebrate the life of, in my opinion, one of the
greatest an rs of all time, one of the greatest
execs hip hop has ever had or ever seen. I
think the answer to why music has been suffering lately

(01:31:16):
is because we don't have men like IRV Gotti who
are in those offices and in those studios and fighting
for their artists the way he did. Rest in peace
to one of the greatest that we have ever had.
I don't even know where to begin on IRV Gotti's accolades.
He created and had a hand in the soundtrack of
my entire life. This was a big, big, big hit.

(01:31:39):
Condolences to Chris, to Ricky, to Kyle, to his whole family.
Condolences to everyone that was at Deaf Jam with him.
Murder inc. I know everyone is hurting today.

Speaker 3 (01:31:49):
IRV.

Speaker 4 (01:31:50):
What more do you say about someone like IRV Gotti.

Speaker 3 (01:31:53):
Yeah, Irv is he's the prototypical hip hop.

Speaker 7 (01:32:05):
I don't want to say his storian, but he's one
of those guys in our culture that you go back
to the beginning and then you watch the transition and
when hip hop started to become this worldwide phenomenon, and
IRV Gotti has his fingerprints on that moment.

Speaker 6 (01:32:20):
The second wave of deaf Jam.

Speaker 4 (01:32:24):
I mean you start obviously with Rick Rubin and Russell
We don't need to say with that. From the BC Boys,
ll Run created the first real hip hop label. They
were hurting at one point. Once that started to fade in,
and then you had Leor and keV come in, who
are absolute legends as well that deserve every bit of

(01:32:45):
credit that they do get. But if you don't have
IRV Gotti, I don't think def Jam even gets to
twenty ten if you don't have him bringing in Rough
Riders having a huge hand and bringing in Rockefeller and
starting Murder Inc. Right after that, the big three that
kept def Jam and that legacy alive. Yeah, I don't

(01:33:05):
know if def Jam still has the same iconic logo
the way we view it without that wave that IRV Gotti,
I'll almost say damn near single handedly with his vision
of like, no, you need to fuck with rough riders X.
This makes no sense to you. Yeah, I promise you
this will this will work. This depressed drug addict. People
want to hear from this. This will be a monster.

Speaker 7 (01:33:26):
He just was somebody that was always in tune and
you know, had had a fingerprint on the pulse of
what was going on, what was next in hip hop,
legendary songs, legendary albums, legendary artists. Uh, you know, from
the greatest ever to you know, some of the biggest acts.

(01:33:47):
Everybody had a relationship with IRV. Everybody has worked with
IRV at some point or another. And you know, it's
just sad that we lost another one of our giants
in our culture, so so young, say fifty four, I
believe he was.

Speaker 3 (01:34:02):
It's just sad, you know what I mean.

Speaker 7 (01:34:04):
We lost legendary DJ Clark Kent a few months ago,
now we lose Earth Godi.

Speaker 3 (01:34:11):
So yeah, it's just you know, it's a sad time.

Speaker 7 (01:34:13):
But we want to be grateful for everything that Earth
has given us, has left with us, has definitely you know,
pushed us forward as far as us meaning the culture
of hip hop, and you know, we want to send
prayers and condolences to his family, everybody that he worked with,
everybody here he impacted in one way or another. I'm
sure everyone is affected by this. This is a big,

(01:34:36):
big loss in our culture and there will never ever
be another figure as big, as important, as legendary as
earth Gody. So prayers to IRV Gotti, prayers to his family,
and we thank you for everything that you've given us
and left with us in this culture.

Speaker 4 (01:34:55):
Yeah, sounding a conversation with someone last night, like IRV
just based off his personality kind of overtook a lot
of what his accolades were behind the scenes. Like IRV
had that personality where you either love him or hate him,
Like he had that type of bravado shit too. I
don't know if there's been very many execs and music

(01:35:18):
men that have done it at the highest caliber outside
of IRV, and you know, in the hip hop world, IRV,
La Reid, Jermaine Duprie, jay Z, that list is very
short of the people that did exec and producer on

(01:35:38):
the creative side at the highest level on both sides.
IRV is on a very short list in hip hop
and R and B that is a music man and
an executive and funny, huge executives. And then I know,
good music, but you're not a music like. You can't
get in there with a ASR. And if we need
a hit, the CEO is going in to get get

(01:35:58):
us a hit.

Speaker 7 (01:35:59):
No, he's a he's a guy, you know talking about
starting out DJing, you know, and being in those places
around those artists on the come up and being able
to identify the next star.

Speaker 3 (01:36:12):
That takes a certain talent.

Speaker 7 (01:36:13):
That takes a certain gift to be able to identify
somebody that you know is going to be great because
you could all say, oh, this person is amazing just
and then it turns out like I wasn't really what
we thought. But you look at IRV Gotti's track record
of the people that you know he brought to the
labels and produced and worked with and what they've done.

(01:36:36):
Like you said, there's not many on that list that
have done what IRV Gotti was able to accomplish in
such a short time.

Speaker 4 (01:36:43):
So and even you know people from that two thousands era,
a lot of people disappeared. Gott he stayed, got a
whole deal with BT details like he also had a
second run yeah as well and in a whole different department,
which I think just speaks to his creative so yes
and prayers to Jah, like I always loved that through

(01:37:05):
this whole business from the outside looking in, of every
crew that broke up, everyone that had problems with everyone,
John IRV stayed brothers up until yesterday and continued on
like it was always beautiful to see those two no
matter what, we're always moving together, Like that's a very rare,
rare thing.

Speaker 6 (01:37:23):
There's no real up.

Speaker 4 (01:37:24):
There's ups and downs and murder, inc there's ups and
now everyone else John IRV like that was a true
friendship that you could look at.

Speaker 7 (01:37:30):
So unfortunately, the business that you know of hip hop,
it does break a lot of relationships in brotherhood, but
it is, you know, dope to know that him and
Jah always remained what they started as, which was brothers.
I'm pretty sure Joe has had some moments where he
wanted to strangle Godi, like, Yo, what are you doing?

Speaker 6 (01:37:50):
IRV definitely doesn't seem like the easiest person.

Speaker 7 (01:37:52):
Years, but you know, it is it is beautiful to
see that the brotherhood remained intact throughout the years, So
getting rest in peace to the legendary iconic IRV Gotti
prays condolences to his family rest well, for sure.

Speaker 4 (01:38:08):
Do we have voicemails?

Speaker 3 (01:38:10):
You've got mail? You're worried? We got two of them.

Speaker 4 (01:38:13):
Okay, how's how's our Valentine's Day situation going?

Speaker 5 (01:38:17):
I'm collecting them, well, actually Josh is collecting them. He
We're going to see and see how they're coming. But
I want to let a couple of them build up.
You know.

Speaker 4 (01:38:25):
I went back and listened to the one from last episode.
I think I'm always hating once I put the AirPods in, Like,
Homie was kind of talking.

Speaker 3 (01:38:34):
You wanted him to talk to you in your ears? Like, yeah,
he had Homie talking in his ear? Wow, the mix
ride my tongue, sweetness.

Speaker 5 (01:38:42):
What but you guys, So when I thought about it later,
you guys didn't even get the entendre of he was
comparing me to a fine wine. And when you're drinking
wine and really trying to taste it, it does kind
of ride your tongue a little bit. The wine does. So,
like I get where he was going with that.

Speaker 7 (01:38:58):
The marriage that Nigga is going to kill you if
you have a link up with him. He's a serial killer.
Calling into a podcast, I.

Speaker 5 (01:39:05):
Wouldn't say serial serial means you have to kill like
four or five in a row.

Speaker 3 (01:39:08):
Oh you know him? He didn't kill nobody yet.

Speaker 4 (01:39:09):
What if he were his fifth and made him I
wouldn't say, you don't know this, thick, What are you
talking about?

Speaker 5 (01:39:15):
Well, anyway, we'll see. I don't want to scare off anybody.

Speaker 6 (01:39:18):
What if you kill three random people, you're just not serial.
You just kill, you're a serial.

Speaker 5 (01:39:21):
It has to be in a certain amount of time
next to each other.

Speaker 4 (01:39:24):
I feel like, if you randomly kill one person, I
know the definition serial isn't that, but you're by two
you're a serial killer.

Speaker 3 (01:39:31):
No, it has to be three. I think three or more.

Speaker 6 (01:39:34):
And I love the fact that we're like, how many
of he killed?

Speaker 3 (01:39:36):
Nah?

Speaker 4 (01:39:36):
Not so if you randomly kill somebody, to me, that's
serial killer shit.

Speaker 7 (01:39:39):
Ye'ah think that's assassination as well too. According to y'all, No,
he was killed.

Speaker 4 (01:39:45):
Because you sleep closest to the door, you'll be assassinated
and Shorty will.

Speaker 3 (01:39:47):
Live and she'll be killed. Okay, got it all right?

Speaker 9 (01:39:50):
Well let's get to this voicemail, ab D, I think
I think and you should get together.

Speaker 4 (01:39:58):
Fuck it.

Speaker 9 (01:39:59):
I'm not leaving to no spoken word, none of that.
I think you're fired, like when you put the red
hair on it just to do something to a nigga.
But the eyes just crazy. I think your are amazing.
I mean you should just be dating. Like there's a
little round right there. But like me and you, I

(01:40:20):
can really catch your remedy. I'm just trying to vibe.
Like your remedy what you're really about three syllable and
just makes you live and make that as baby.

Speaker 3 (01:40:30):
I miss you, baby, he love you.

Speaker 5 (01:40:33):
What is going?

Speaker 3 (01:40:34):
You know who that is? So he missed you? What
who is that? You know that?

Speaker 7 (01:40:38):
You always don't know when he called into your job
leaving voicemails now you don't know.

Speaker 4 (01:40:44):
Sometimes when you feel like you was together with someone
in a past life, you missed it.

Speaker 3 (01:40:47):
Yeah, that niggas said, Yo, he just trying to catch
a vibe. Laugh, make that ass jiggle, niggas, be horny.

Speaker 6 (01:40:55):
You're calling and leaving a voicemail.

Speaker 4 (01:40:57):
I will say this Valentine's Day special is gonna be
in off the two teasers we had with the poem
and then just the regular Riz voicemail.

Speaker 6 (01:41:04):
Yo, they set the bar pretty high, baby did. He's
what's up, sir?

Speaker 5 (01:41:08):
That's not how you talk to a lady, like.

Speaker 3 (01:41:11):
That's how he gives it up. He said he wants
you to be his remedy. Nigga. He never told you
to be your remedy. Means you sick though, Like.

Speaker 6 (01:41:17):
Yeah, so he's sick. He loves feeling.

Speaker 3 (01:41:20):
I'm not healing no more, niggas.

Speaker 6 (01:41:21):
He loves.

Speaker 3 (01:41:21):
He loves sick. He say he wants you to me
will suck.

Speaker 4 (01:41:24):
How many of you healed?

Speaker 3 (01:41:27):
We'll talk about it.

Speaker 5 (01:41:28):
He baby did, what's up? He said he missed you.
I don't know him now, you don't know, really don't know.
I feel like you my nigga. Now I don't know that,
Like I don't know him, Like.

Speaker 3 (01:41:40):
Stay on my phone. I don't know that nigga.

Speaker 4 (01:41:43):
He lying on last week's voicemail and Yo, can he
get in the car? He remember, we're gonna have a goal. Bro,
I'm gonna have a gun you.

Speaker 7 (01:41:54):
We don't have no choice. He's getting in the car.
If he sees baby d in a car, he's getting in.
He laid the lord down, he's I miss you.

Speaker 3 (01:42:02):
I love you. Yeah, Like he's like, what's up baby?
The plowing pressure y'all? Like when the niggas step up
and your mean you like that?

Speaker 7 (01:42:08):
Right?

Speaker 3 (01:42:08):
I gotta know you.

Speaker 5 (01:42:09):
I feel like my love is blind because I don't
know what any of these people look like.

Speaker 6 (01:42:12):
That's all right, they get engaged in one day.

Speaker 7 (01:42:15):
You should be on This is love is blind. This
is our version of leave a voicemail based on what
he said. I'm like, all right, I'll give him a shot.
I think with this gentleman, you don't have no choice.
You have to give him a shot. Like he's he's
let you know he loves you and he misses you.
He wanted to make that ass jiggle.

Speaker 5 (01:42:31):
And I'm easy to love, though, Like why should I
love you back? That's really the question. It's easy to
love me. You're saying you love me. It's not like,
oh he loves me. Everybody loves me, Like, why should
I love you back?

Speaker 3 (01:42:41):
Gentlemen, sir, what's his name?

Speaker 4 (01:42:43):
You just are gonna let her say she's easy to love.
You're just going to go over there.

Speaker 3 (01:42:47):
You love me, don't you?

Speaker 4 (01:42:48):
Yeah, it's just really difficult.

Speaker 6 (01:42:51):
Yeah I do but that's a lot of experience.

Speaker 4 (01:42:54):
Like your text mess don't do not disturb all the time.

Speaker 6 (01:42:58):
There's no reciprocity, Like.

Speaker 3 (01:43:00):
There's no up.

Speaker 6 (01:43:02):
You don't even text back. It's hard.

Speaker 3 (01:43:04):
I don't mean I don't love you.

Speaker 4 (01:43:05):
It's always confused and speaking different ways.

Speaker 3 (01:43:08):
I don't got to text you back. Well, this gentleman,
you gotta you gotta respond to.

Speaker 6 (01:43:12):
So if you text him back, he's showing up to
your door.

Speaker 3 (01:43:14):
Yeah.

Speaker 4 (01:43:15):
I'm just gonna chalk it up to the game. Like energy,
there is other there are others say that till they
show up on Twitter. They'll be like, Yo, that's so
sexy until he.

Speaker 7 (01:43:24):
At your asking me how my day wasn't come make it? Well,
he's gonna come make your day, y'all. Love they love
good women love getting that off on social media. Stop
asking me what you're doing and come do it. Well,
he's coming to do it.

Speaker 6 (01:43:36):
He's gonna make the cops quota too.

Speaker 3 (01:43:37):
Yeah day, Yeah, he's coming. He's letting you know.

Speaker 5 (01:43:40):
I will see what other entries we have. But thank you,
young man, for.

Speaker 3 (01:43:44):
Having so much older than you. Young man.

Speaker 5 (01:43:48):
Now, he that's a lion. He said, I'm just trying
to catch a vibe for real? He twenty two.

Speaker 7 (01:43:53):
Yeah, that's the nigga that's sitting in and smoking plate
grant theffod all day.

Speaker 3 (01:43:57):
Yeah, and they hope that his paul A.

Speaker 4 (01:43:59):
Hit was my eras version of I'm trying to catch
a vibe.

Speaker 3 (01:44:03):
You would just sending a plate like a playlist music.

Speaker 4 (01:44:07):
That is romantic at least. No, that's better than you.
I'm trying to see you ask jiggle, let's catch a
vibe and smoke that.

Speaker 3 (01:44:15):
It was chill? Yeah, I guess Yeah, before literation, you'll
come through so we can make a liituation.

Speaker 4 (01:44:23):
At the zooviie like it was before, Like Netflix and chill.

Speaker 3 (01:44:27):
What was that?

Speaker 4 (01:44:29):
I forgot what we chilling? Yeah?

Speaker 7 (01:44:33):
My ship she I'm older and we lamping. My ship was, y'all.
I got open crib, open crib. You niggas don't know
when openk mom said she was going out of town
when you were younger. Oh my god, the prudence.

Speaker 4 (01:44:46):
Of girl on Earth would never turn down the I
have the open crib, open girl showing up to I
have the open crib.

Speaker 3 (01:44:52):
My god, I remember open crib.

Speaker 5 (01:44:54):
And then your homies always want to be there kicking it,
move not the.

Speaker 7 (01:44:58):
Homies could come through, but it's like, you know, we
know who we was waiting for the pull up. She
pull up with two of us lit open crib.

Speaker 3 (01:45:07):
That was a time. Boy, M, I can't wait to
tell your mother the next time I see her. My mom,
she know you think my mother don't know about me?

Speaker 4 (01:45:14):
Shit, it wasn't The open crib was cool, but it was.
It was the friend with the cool mom and now
he was in the Bronx. You guys didn't have basements.

Speaker 6 (01:45:24):
The friend with the.

Speaker 4 (01:45:25):
Cool mom or the girl with the cool mom that
had a basement.

Speaker 3 (01:45:28):
You think we would have basements in the Bronx.

Speaker 4 (01:45:29):
Not where you was living. We had definitely like the
fourth foot. No, the basement was where the laundry was
and you could get killed. Like, no, I'm not talking
about that.

Speaker 3 (01:45:36):
Yeah, you know what I say basement.

Speaker 4 (01:45:38):
I'm not even saying like the finished basement. But at
least there was some form of a carpet down there.
You could all kick it in the basement. There was
some somewhat of a TV.

Speaker 3 (01:45:45):
At least. That's why I love Queen's Girls. Growing up.

Speaker 7 (01:45:47):
All these girls had houses. Wait, this is all your
parents don't even come down here.

Speaker 4 (01:45:52):
So when you yeah, no, first of all, First of all,
they live on the third floor. There's tenants on the
second floor. And the basement was that's how it was.
And when you had short had the cool mom, there
was a whole different entrance to that basement. Yeah, you
could come and go as you please. The cool mom
girl was typically a whore. Now she's a loving mother
of six in high school.

Speaker 3 (01:46:12):
Damn, Matt is so accurate. Wow, that's very accurate.

Speaker 7 (01:46:17):
All right, So, baby, d we don't know if if
you're gonna take this young gentleman's offer up and going
to do We don't know.

Speaker 3 (01:46:22):
I have to listen to the other people.

Speaker 6 (01:46:24):
Who are Yeah all the last dude, is he like
number one or hey.

Speaker 3 (01:46:28):
Number two?

Speaker 5 (01:46:28):
I really like Poe gave creativity.

Speaker 7 (01:46:32):
But he told you he's like Yo's he gave you
one bar to kind of roy He said that kind
of rhym a little bit.

Speaker 3 (01:46:36):
So there you go. He got straight to the ship.

Speaker 5 (01:46:38):
Now I could tell that you're not gonna put that
much effort in. You're gonna you think you have a
winning personality. You think your personality is gonna win me over.
That's what he thinks is gonna happen?

Speaker 4 (01:46:46):
Is he a representation of this new generation of men
that think they should be chased? Like, he's not gonna
put any efforts, She'll just come to me type of vibe.

Speaker 3 (01:46:55):
Yes, No, he's not. He's he's he's running down you.
He's not. You don't got to chase this.

Speaker 5 (01:47:00):
He don't look like he running. He's like he gonna
walk down like like, yo, what's up?

Speaker 4 (01:47:03):
Like he high?

Speaker 3 (01:47:05):
Yeah. I don't like that.

Speaker 5 (01:47:08):
I like passion. I like you to be present in
the moment, like not you just sitting up there chilling eyes.

Speaker 3 (01:47:12):
So like you say, you're trying to make your ass jiggle.

Speaker 5 (01:47:14):
Exactly, You're worried about the wrong things. What about, you know,
making the crinkles in my eyes go up when I smile?

Speaker 4 (01:47:20):
What about having her mind jiggle?

Speaker 3 (01:47:23):
That's I feel like.

Speaker 4 (01:47:26):
That actually makes your brain bleed. Yeah, I think it's
the definition of a concussion. That's a that's a seizure.

Speaker 3 (01:47:34):
We don't want we don't want that to happen.

Speaker 5 (01:47:36):
The next episode we'll see who else has submitted. But
do we have another voicemail? You called me off guard
without what I didn't.

Speaker 3 (01:47:42):
Know the whole vibe up yeah good. I was ready
to give some bad advice.

Speaker 7 (01:47:48):
Yo.

Speaker 8 (01:47:49):
What's up Rory Malda marriage page? Keep doing what y'all doing? Man,
y'all killing and y'all doing God's work out here. No
two things I want to say.

Speaker 3 (01:47:57):
So the first one is a question. The second one
is statement.

Speaker 8 (01:48:01):
My question is, make pretend it's your birthday, right, It's
the best night of your life. You got front row,
Madison Square Garden, you, your friends, your family, and the building.
It's it's your night. Everybody's there to celebrate you. You
get to choose three artists to come out that night
and perform in front of it, like everybody. Twenty five

(01:48:22):
songs set. It's thirty songs settings from all of them.
Who's your opener, who's your middleman?

Speaker 2 (01:48:27):
Pause?

Speaker 3 (01:48:28):
Mega pause?

Speaker 8 (01:48:30):
And who's your closer? Who's gonna, you know, like just
finish the night off for you.

Speaker 3 (01:48:38):
That's a good question.

Speaker 7 (01:48:40):
Who's the opener, who's the middle act, and who's the closer?

Speaker 3 (01:48:45):
Twenty five twenty five songs set? Damn, I got mine.

Speaker 4 (01:48:51):
Damn I shoul would have heard this before. It's a
very tough one.

Speaker 3 (01:48:54):
Really, mine is easy.

Speaker 7 (01:48:56):
I'm just basing off the shows that I've actually been
to that. I was like, that was great opener.

Speaker 5 (01:49:06):
Mmmm damn, I'll do mine first and give you guys open.

Speaker 3 (01:49:11):
It could be Usher, Okay, I let Usher be the
opening act.

Speaker 4 (01:49:16):
Do you think Usher is gonna be okay with that?

Speaker 3 (01:49:18):
I mean, it's my it's my night, it's my night.

Speaker 6 (01:49:21):
How are you going to pitch the Usher that he's
the opener?

Speaker 4 (01:49:25):
When people coming in whatever, you can set them like
you can set the tongue because it's tough to it's
tough to follow that Usher the roller skates.

Speaker 7 (01:49:32):
It's tough to follow up the roller skates facts. So
you gon Usher opening act.

Speaker 3 (01:49:37):
Middle. I would.

Speaker 7 (01:49:44):
I probably put Drake as the second act, and I would.

Speaker 3 (01:49:48):
Probably end the night with you. Not picking J is
insane to me.

Speaker 6 (01:50:00):
Come on now close though?

Speaker 3 (01:50:04):
Yeah? That you close the highest, you close on a high.
Actually J would be my closer.

Speaker 7 (01:50:10):
Yeah, as long as he ends with reasonable doubt with
the orchestra.

Speaker 4 (01:50:17):
Okay, I like that.

Speaker 3 (01:50:18):
Three.

Speaker 4 (01:50:19):
I would probably just switch up the order.

Speaker 3 (01:50:22):
Who would open Jay?

Speaker 6 (01:50:24):
I think J would open Drake to Usher, Usher would close.

Speaker 4 (01:50:28):
Yeah.

Speaker 3 (01:50:29):
Oh you're trying to go home with something?

Speaker 4 (01:50:31):
Yeah, reasons not one of my favorite shits ever. You
think I want to end the night with Can I Live?

Speaker 3 (01:50:36):
No, you don't end with you.

Speaker 6 (01:50:40):
Would though like I would.

Speaker 4 (01:50:42):
But it's my night and I want to leave with
something like I think Usher would close that night out
the way I would like to leave the arena and
the vibe of the arena at that time.

Speaker 3 (01:50:50):
So you want to start R and B? Okay? Did
you get it to Drake?

Speaker 7 (01:50:53):
Because he got records all over with R and B
rap Dan get into all of that ship.

Speaker 4 (01:50:58):
That's why j would get us the vibe going. And
then Drake.

Speaker 6 (01:51:01):
Can you at R and B?

Speaker 3 (01:51:02):
Because Jay gonna bring be out.

Speaker 6 (01:51:04):
Wait, we had no stipulations this twenty five songs.

Speaker 3 (01:51:08):
You picked the twenty five songs? Okay?

Speaker 6 (01:51:10):
So I would the Black Tour to open.

Speaker 7 (01:51:14):
No, I'm just saying in that set we would have
Beyonce come out do some of their joints together, you
know what I mean?

Speaker 3 (01:51:20):
Bring maybe bring Mary have her due the joints they got.
I don't think.

Speaker 5 (01:51:24):
I don't know if that's fair. That's a lot, but
I get.

Speaker 3 (01:51:28):
To pick the set. Niggas is crazy if you think
Beyonce and Mary not coming out on that set.

Speaker 6 (01:51:33):
Absolutely, are they free? Like I got to pay them
for that.

Speaker 4 (01:51:38):
No, I mean, like, are they available.

Speaker 3 (01:51:40):
I think I think b will be available that she
make herself free from It's my night on before.

Speaker 4 (01:51:46):
It's funny, it's not even like your birthday. It's just
my night, he said.

Speaker 3 (01:51:49):
Imagine it's your birthday.

Speaker 6 (01:51:50):
Okay.

Speaker 3 (01:51:51):
I thought he was just saying, oh, yeah, my birthday. Yeah,
she gotta come out for that. Of course she's been.

Speaker 5 (01:51:54):
Mine would be Bruno Mars open, beyond say, Beyonce middle
and then no, Bruno Maris opened, Jen and Jackson in
the middle, Beyonce close, but also doing some of her
her Jay features.

Speaker 7 (01:52:14):
I ain't gonna lie while Bruno opening. I'm at the
I'm at the concession stand.

Speaker 5 (01:52:17):
Let me whatever, nigga, it's not your birthday, your birthday,
I gotta go to your birthday party, right ones.

Speaker 3 (01:52:24):
You ain't had no birth I took you. I was
with you one of your birthdays.

Speaker 4 (01:52:28):
The fact.

Speaker 3 (01:52:28):
See maybe yo, stop doing that, yo, because you were
trying to paint me that this nigga that the old funk.
Would you stopped doing that?

Speaker 6 (01:52:34):
Stop doing that for me.

Speaker 3 (01:52:36):
About I never I've been I took you out for
your birthday.

Speaker 5 (01:52:39):
No, no, no, no, no no we were in l A.
Me and Rory went out. You happened to come see
usually like to w that's that is crazy, knowing it
was your birthday.

Speaker 7 (01:52:51):
When going out, I would see my hotel room getting dressed, like, yo,
we're going out for baby these birthdays.

Speaker 3 (01:52:56):
I didn't know. That's crazy.

Speaker 6 (01:53:00):
I was fully involved in that.

Speaker 1 (01:53:01):
That's what you fuck through.

Speaker 2 (01:53:02):
You know.

Speaker 5 (01:53:02):
That was twenty twenty two. Niggas a twenty twenty five.
I'm about to be thirty one this year. Yeah, but
you asked me what I'm doing for my birthday?

Speaker 3 (01:53:09):
No, but you doing for your birthday? Nothing. I don't
have any plans and any friends, so I don't have anything.
You got friends?

Speaker 7 (01:53:13):
You go on to gallentimes we're talking about that's February. Yeah,
but Sevons you have friends.

Speaker 4 (01:53:18):
After Galenti's they they are going to fall out because
that's what women do.

Speaker 7 (01:53:20):
And somebody, somebodys gonna get a boyfriend. Somebody's gonna go
back to the nigga. Y'all said on Galentime's day, do
not go back to that nigga.

Speaker 3 (01:53:27):
Three years later, what you doing?

Speaker 5 (01:53:28):
Girl?

Speaker 3 (01:53:29):
This nigga came over and we went to dinner and
this Nigga, ain't leave. It's been three days. He's still here.

Speaker 6 (01:53:34):
He's a different person though he's he's changed.

Speaker 3 (01:53:37):
He's like he twenty five knew him like in therapy.
You know, believe him.

Speaker 6 (01:53:41):
I believe him, so Bruno, Janet Jackson, Beyonce.

Speaker 4 (01:53:45):
Yeah, I'm a text baby D and ask for the
set list and like what time everyone's coming on and
be like, yo, you want to do a pregame and
then we'll get there for Janet.

Speaker 3 (01:53:53):
Yeah, let's get there for jas Hated.

Speaker 4 (01:53:57):
Let's get dinner before, like you'll get right when he's yeah,
right down the street, Like get dinner minutes before Janet.

Speaker 6 (01:54:07):
No, I was definitely going, of course, absolutely talking all right.

Speaker 4 (01:54:13):
I'm trying not to repeat because I would steal a
lot of what you guys have.

Speaker 3 (01:54:17):
Face scarface opening, scar face, open it, little Wayne.

Speaker 6 (01:54:24):
Wait, did he did he put dead or alive?

Speaker 2 (01:54:26):
Like?

Speaker 6 (01:54:26):
Are we allowed to do dead people?

Speaker 5 (01:54:27):
No?

Speaker 3 (01:54:27):
Dead people? Y'all?

Speaker 4 (01:54:30):
Y'all got Beyonce coming out on Jay set from all
Day and we can't just make a hypothetical, Well, both
of them are still alive. I know at this point
that's a version of hypothetical. So I feel like dead
people should be.

Speaker 5 (01:54:39):
No dead people is a completely different hypothetical.

Speaker 4 (01:54:42):
All right, fine, so Tupac to open hmmm, I would
ye start the night with di'angelo. Okay, set the tone RB,
Yeah hmmm. I would then go fuck you guys, took

(01:55:06):
so many minds, so then do one of.

Speaker 7 (01:55:08):
Ours take another artist we picked. We only picked some
of the greatest artists ever.

Speaker 4 (01:55:13):
I would go Di'angelo. I would put this would be
risky because he'd probably go over his time. Kanye is
a middle could get really risky.

Speaker 3 (01:55:22):
Oh ship, see once you stop putting.

Speaker 4 (01:55:24):
But I don't want him to close the night out
because it fuck up the vibe when he starts ranting,
or it could be like to the girl that I'm
talking to, like it was probably time to leave. He
talked about Facebook and.

Speaker 5 (01:55:33):
Yeah, but I feel like that's I feel like that's
better as an in there, because if you put Kanye
in the middle ranton, that's gonna suck up the vibe.

Speaker 4 (01:55:39):
Yeah, okay. If Beyonce is the closer, I think Kanye
would respect that Beyonce's time was coming and they would
do this summertime ship or what's the record that they
have that cold Andre three thousand.

Speaker 6 (01:56:01):
Uh, we like to put it. Yeah, that would that
would get.

Speaker 4 (01:56:04):
Us into the Beyonce set, and I feel like Kanye
would respect.

Speaker 5 (01:56:07):
Oh, Drunken Love remix. Drunken Love Remix with Kanye is
one of my favorite.

Speaker 2 (01:56:12):
Oh.

Speaker 3 (01:56:12):
I love it so much.

Speaker 4 (01:56:13):
And I would combine that Kanye set. Since you guys
said we could just bring anyone in. It would be
a watch the Throne mash up into the Beyonce set.
Lift off would close it and then we'd get into
some on the run too.

Speaker 3 (01:56:25):
So you said di Angelo Kanye Beyonce.

Speaker 4 (01:56:29):
That would be for like an arena.

Speaker 3 (01:56:33):
Yeah, I'm gonna be at the bathroom when DiAngelo's.

Speaker 4 (01:56:36):
Yo.

Speaker 3 (01:56:37):
Get that out the way. First of all, that line
is gonna be long.

Speaker 4 (01:56:40):
You guys got to bring in all the people affiliated.
If D'Angelo is there, I don't get all the soul aquariums.
He doesn't bring out Badu, he doesn't bring out Maxwell,
he doesn't bring out the roots, he doesn't bring.

Speaker 3 (01:56:49):
Out the opener.

Speaker 5 (01:56:50):
He's not the main act. So no, he's not bringing
out the roots.

Speaker 3 (01:56:53):
And and he only got fifteen minutes.

Speaker 5 (01:56:54):
Yeah, so he had a twenty five song, No you
have it's a total song, so it'll probably be five.

Speaker 3 (01:57:02):
You're give me the Angelo A Medley is crazy.

Speaker 4 (01:57:04):
I don't do that.

Speaker 6 (01:57:07):
See, I'm just what you mean. I'm just saying legends.
I don't like it.

Speaker 7 (01:57:11):
I hate I'm just saying, if you got too minutes, No,
the Angelo's a legend. I'm just saying, if it only
gave him fifteen minutes to do twenty five songs, he
would do uh Medley.

Speaker 4 (01:57:21):
He would just do the really love song off the
last album. I think that I think thirty got songs
twenty five minutes. You think the Angel would be a
cool opener.

Speaker 7 (01:57:31):
Now I'm lying for my open I'm gonna go Alldred
th two thousand, but only New Blue, New Blue Son.

Speaker 3 (01:57:36):
You gotta you gotta perform the Marris.

Speaker 4 (01:57:38):
I'm gonna next you and say, Yo, let's figure out
when Mal's second act is going on?

Speaker 3 (01:57:42):
Yeah, live on Man three stacks, get to open it.
Man me play the play the flute.

Speaker 6 (01:57:46):
Man be out the floor.

Speaker 5 (01:57:47):
I'm gonna tell mam to save me a seat. I'll
be there soon.

Speaker 4 (01:57:49):
I never want to do Andre two thousand. Hey, but
shout out to the Grammys for for fixing their mistake.
You guys, got it right?

Speaker 3 (01:57:55):
What did they do?

Speaker 4 (01:57:56):
Should have never fucking nominated that coddamn album?

Speaker 3 (01:57:58):
Yeah, they were wild. How did they fix that? After
the Grammys though?

Speaker 4 (01:58:01):
They even brought it up. Just let's let's let's brush
that mistake under their rug. Really, there was no Audre
two thousand talk on the red carpet. No one was like,
who do you say? Do we think three Stacks is
gonna win? They just shut up.

Speaker 3 (01:58:13):
So what did they say post the Grammys? Did they
release statement? So why? He said? They cleaned it up?

Speaker 4 (01:58:18):
They talked about everyone that was nominated but him, Oh, yeah,
shouldn't have been nominated. Three Stacks were sitting there like,
huh yeah, the fuck is wrong with y'all?

Speaker 6 (01:58:29):
All right, well super Bowl Sunday is this weekend. I'm
gonna go to New Orleans tomorrow.

Speaker 3 (01:58:34):
My guy, he will be in New Orleans the super Bowl. Yeah.

Speaker 4 (01:58:40):
I tried to budget it, and Leoyon sent me a
very long description.

Speaker 3 (01:58:43):
That this was but for all of them later, you know, anytime,
it's telling to party, hang out, baby d trying to
beat it. That's not true.

Speaker 5 (01:58:52):
I'm not even drinking this month.

Speaker 3 (01:58:54):
You would be drinking if you went to New Orleans.
You think you're talking to you would.

Speaker 4 (01:58:59):
Be you would be, say a in an Airbnb with
me and Jay Electronic?

Speaker 3 (01:59:01):
Got it?

Speaker 8 (01:59:02):
Oh?

Speaker 3 (01:59:03):
I need I need alcohol just to survive predictions. My
heart says the Eagles.

Speaker 7 (01:59:11):
My money is on Kansas City, but I would like
to see Jalen Hurts and Sat Kwan.

Speaker 4 (01:59:16):
Yeah, I'm I'm gonna. I'm gonna lean into the story
book ending.

Speaker 3 (01:59:19):
I'm going with the Eagles, Going with the Eagles. Would
you put your money on the Eagles? Though?

Speaker 5 (01:59:23):
No, God, no, Okay, I would put my money on
the Chiefs. Baby d I'm going with the Eagles, but
I wouldn't put money on it either.

Speaker 3 (01:59:29):
We don't have to ask mister Kansas City himself who
he's going for. Who you are going for?

Speaker 6 (01:59:36):
He said the Eagles get the fuck out of here.

Speaker 3 (01:59:38):
You believe peg if you want to. He ain't gonna
for no fucking Eagles. That's Kansas City through and through
right there? You kidding me?

Speaker 4 (01:59:46):
What type of uh New Orleans activity should I get into?
Should I go full like Ratchet Rory? Or should I
be reserved? What do you guys think?

Speaker 7 (01:59:55):
I think you should do whatever your heart desires. I'm
gonna want to get drunk on Bourbon Street and pass
out in your own vomit.

Speaker 3 (02:00:01):
Go ahead and do that. Ship you got a single
coming out like party? Fuck it.

Speaker 4 (02:00:04):
Nah, I'm gonna be with someone that doesn't want to
be seen. So I think I'm probably flying to New
Orleans to stay in a Airbnb and then flying back
home as if I were still in New Jersey.

Speaker 3 (02:00:11):
Yeah, yeah, good time. Watched the game in the crib.

Speaker 4 (02:00:16):
They'll probably go to the game. I'm watching that game
in the AIRBB.

Speaker 3 (02:00:18):
Yeah, you're gonna get tickets.

Speaker 4 (02:00:21):
I I'm not gonna ask, so I get it if
somebody says, yo, you want to roll. Yeah, I already
have my outfit laid out and picked out. It's iron
and everything, and I even have like the laminate that's
empty with the pass. I just put the pass in there.

Speaker 6 (02:00:37):
It's already there.

Speaker 3 (02:00:38):
Yeah.

Speaker 4 (02:00:38):
But I am gonna play koy on the couch like
oh what do you Oh you're going with Hove and
b oh okay, yeah, hell let me know how ship
like you know, like if they be like, oh there's
a spot like more just like when we go through
like the door, just stay really close to me. Yeah,
I'll have my fit ready.

Speaker 7 (02:00:58):
I did that for It's funny that you said that
I did the same exact thing for All Star Weekend.

Speaker 3 (02:01:07):
I want to say that was two thousand.

Speaker 8 (02:01:11):
One.

Speaker 7 (02:01:13):
Well, the year they was in talk about nine eleven,
whenever it was February of nine eleven, I believe, I
think the year it was in DC.

Speaker 3 (02:01:21):
That's exactly how I got in the game. I literally took.

Speaker 7 (02:01:25):
God bless somebody have been a lea that snuck me yet,
because she was with Dame at the time, and I
like got just walked right next to the lea and
we kind of like just went through security together. I
didn't have a ticket, but like we was all in
DC together and I was They was just like, fuck
are we mobbing? I was like, word, fuck it, I'm young, dumb,
didn't think about your if they stopped me, what I'm
gonna do walk back to the hotel.

Speaker 3 (02:01:46):
Yeah, but we all got in and had a good time. Yeah.

Speaker 4 (02:01:49):
I feel like two thousand and one All Star Weekend
is a things have changed post nine eleven. Yeah, I
don't know with jay Z being a partner with the
f L if I'll be able to finagle just grab
the back of j Electronica shirt. Yeah, I don't know
if it's gonna work at the super Bowl.

Speaker 7 (02:02:09):
I mean it worked all Star weeking for me, but
the Super Bowls is a different, whole, different animal.

Speaker 4 (02:02:14):
I don't want to put Pege on blast though, but
he he's done some photoshop things back in the day,
statute of limitations of some shows he's gotten into. If
I get a quick peek at what that pass looks
like and I hit peage, I might find a little
print shop.

Speaker 3 (02:02:27):
In New Orleans and yeah, swap it out, put a
security vest on. It's so good, old hands on deck.

Speaker 5 (02:02:34):
Julie is gonna come from out of nowhere, tackle your
ass to the ground.

Speaker 3 (02:02:37):
Don't play.

Speaker 6 (02:02:38):
Julius knows me old on.

Speaker 3 (02:02:40):
That's big roar.

Speaker 6 (02:02:42):
I've been I've been indicting with Julius.

Speaker 7 (02:02:44):
Like I thought you about say, I've been indicted with Julius.
I'm about to be like going on what you trying
to throw that out right now?

Speaker 3 (02:02:52):
Like word, okay, that's what's up? That's funny?

Speaker 6 (02:02:56):
Well, yeah, this was fun.

Speaker 4 (02:02:57):
I would be in New Orleans minding my business, yes,
and maybe having some fun. Do you have a Super
Bowl party plans? Where you watching them?

Speaker 7 (02:03:05):
Nah, man, I mean one of the actually one of
my boys does have a super Bowl party at his
house that he's trying to do, but I don't.

Speaker 3 (02:03:12):
I don't know if I'm gonna go yet, but that
that'll probably be the only thing I go to.

Speaker 5 (02:03:15):
It's embarrassed I'm having a party, but so far it's
just me. I only invited me.

Speaker 4 (02:03:19):
Thank God, I'm going.

Speaker 3 (02:03:20):
It's just you, baby?

Speaker 6 (02:03:20):
Did Orleans invited me?

Speaker 3 (02:03:22):
It's just gonna be me watching the game.

Speaker 5 (02:03:24):
I think I'm gonna make some sliders, m or maybe
I should just make one burger, being that it's just me.

Speaker 7 (02:03:29):
Yeah, if it's just you, you don't need nobody else
to slide to just make one big ass burger. Maybe
just stop playing over there playing sliders.

Speaker 3 (02:03:36):
It's just you.

Speaker 7 (02:03:37):
Ain't nobody going back to that trade to get that
other little ass burger. Man take all that they call
that ground by put that ship together one big ass burger, baby,
d fuck it?

Speaker 6 (02:03:47):
I mean shit, what did you guys do last year? Year?
Before we all spent together last night?

Speaker 3 (02:03:52):
Last year?

Speaker 8 (02:03:53):
Was who?

Speaker 3 (02:03:53):
Last year? It was Kansas City?

Speaker 4 (02:03:55):
Right three years ago?

Speaker 3 (02:03:57):
Yeah, Kansas City?

Speaker 6 (02:03:58):
And when did we do it?

Speaker 4 (02:03:59):
At my that was the Doctor Dre Snoop Kendrick.

Speaker 3 (02:04:02):
I was twenty twenty two.

Speaker 4 (02:04:04):
Then it was Usher Rihannah. The years have passed, Yeah,
no idea.

Speaker 5 (02:04:08):
Usher Usher, which was last year I had a super
Bowl party me and Alex did. The year before that
was Rihanna. I was home, and then the year before
that was Doctor Dre and them.

Speaker 3 (02:04:18):
Yeah, so it was Kansas City, San Francisco last.

Speaker 4 (02:04:20):
Year, yea Francisco.

Speaker 3 (02:04:22):
Well everyone, man, and in New Orleans, be safe out there.

Speaker 6 (02:04:27):
I did all start.

Speaker 4 (02:04:27):
We get out there one time. That city's not designed
for these type of weekends like the super Bowl. It's
not on foot. Yeah, no fucking way, you can get anywhere.

Speaker 3 (02:04:37):
We'll be safe out there, a good time. Tell Ja,
I said, hello, sing my.

Speaker 4 (02:04:40):
Love with We're we're not leaving that Airbnb.

Speaker 3 (02:04:43):
No, well, Jay's definitely not.

Speaker 7 (02:04:45):
But anyway, everybody, be safe, be blessed, enjoy each other,
love each other, and just appreciate each other while we
still have each other. Man, because tomorrow is not promised,
and you know, every time we have such a huge
loss in our culture, like Earth God, he is kind
of reminding of that of just enjoying our time together
and and and be legendary. While you're here, try to

(02:05:07):
be legendary because that's exactly what Earth God he was.
So we'll talk to y'all soon. Be safe, be blessed.
I'm that nigga, he's just Ginger Peace

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Episode 343 | Not Another One

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Episode 343 | Not Another One