Built From The Bottom feat. King Gouch

In this episode of Perspektives, Big Bank and special guest King Gouch explore mental health, personal growth, and the evolving music landscape in Atlanta. Through candid reflections on upbringing and influence, they examine how environment shapes identity, and how intention defines legacy. They touch on the role of women in conflict, the value of action over words, the responsibility of co-signing talent in the industry and they underscore the importance of relationships, accountability, and purpose in both music and life. Tune in and join the conversation in the socials below.

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Episode Transcript

Speaker 1 (00:01):
It gets no better than this. You were now to
respect us with the big bang bang. Let's get straight
to it. The character and your intention determines your legacy.
Always had good character and good intentions working to respect
the bank. Today I got my partner west side, young legend,
young o g King Goots. How you feeling King, I'm

(00:23):
feeling good, King.

Speaker 2 (00:24):
How you doing Bank?

Speaker 3 (00:25):
Well?

Speaker 1 (00:25):
I'm blessed man. Where you're mentally, that's why always that
where you.

Speaker 2 (00:27):
Men my mental to the scott Man, I'm all.

Speaker 1 (00:30):
Good, real for sure? What you do to keep it right? Now? Now?

Speaker 3 (00:34):
I work out a lot Monday through Thursday, so I
deal with a lot in the gym. So I feel
like shit. And then you know we were we work
out where we work out to the screen. We got
to our training like the regular trainer. Yeah, so he
holds you like you gotta be held accountable for what
you're doing in the gym.

Speaker 1 (00:53):
Well, Jim, what gym work?

Speaker 2 (00:54):
We work out their lovely bodies.

Speaker 3 (00:55):
You know what I'm saying? What is it right now?
He moved for forward to industrial to Maria around out
South Cork. So it's like he's he's style of training.
It's like it's different from a lot of trainers, like
boot camp tights shit, probably worse than boot camp car
Yeah yeah, one man. So it's like all in so

(01:16):
it's like it's penalty based basically like the workout. So
I say we're doing kick bats thirty kickbacks, and we
got thirty people in the class. All thirty of us
got to be on the same accord. A pig off.
You're gonna say you off, then pig off.

Speaker 2 (01:38):
By him saying someone off, I might go off, now off,
now even off. You know what I'm saying. They're gonna
say stop two hundred. Shoulder taps.

Speaker 1 (01:46):
Damn.

Speaker 2 (01:47):
So now we're in shoulder taps two hundred.

Speaker 1 (01:50):
It's just like it builds you up, though, yeah, it
builds you up. How you think outside of like just
you know, physical health and mental health? What else do
you think you get from working out?

Speaker 3 (02:03):
Like you said physical men, two of the main two
things for me, Like what I get for working out
physical for.

Speaker 1 (02:13):
People that might not know who you is, who are you,
where you come from, where you're going, how you coming?

Speaker 3 (02:19):
Man, I'm I'm just a kid from going homes already
off Dunneley Hollowell, you know used to be the project
tore down, went to Campton Road and you know, in
my younger year, so you know, some people teasing all
of them say I'm from both sides. I'm only really
from going home. But you know, random Chemicton Road, random

(02:42):
going on Bankhead, been around, you know some of them.
Everybody wish I wouldn't have met lot of motherfuckers.

Speaker 1 (02:51):
My only regret.

Speaker 3 (02:57):
Because it's like, you know me, you know me, some
one of these niggasys, don't you know I amn't be fire?

Speaker 1 (03:03):
What do you mean?

Speaker 2 (03:05):
Like you know, for example, like you meet some of
these niggas and then.

Speaker 1 (03:07):
You feel like you ain't who I thought you would be.

Speaker 3 (03:10):
Even if you is okay, okay, you can be who
I thought you was, right, But for some people, it's
like you would rather see this motherfucker do it than
see me do it.

Speaker 2 (03:22):
You know what I'm saying. So I know you don't
been in a certain situation where you.

Speaker 3 (03:25):
Don't put a call in like hey, I got to
play and then my foo be like I bet and
then it just go in circles with you.

Speaker 2 (03:33):
But then you look over like damn.

Speaker 1 (03:35):
The same moved with the same move right.

Speaker 3 (03:37):
Now, I just tell you about how that make you feel?
Though I don't never feel on top of I just
wish I never met these niggas for real, because I
just look at it ass like, Okay, cool, I see
how it is. Yeah, you know what I'm saying. So
with me now I'm on the same ship, man, I
would they might wish they never met me now, Yeah,

(04:00):
you just move how you move. I'm exactly like a
ship like that used to be in place with nigga
relate relationship with niggas and ship like it's it's just
like if you overlook what I'm trying to do that
I'm gonna overlook these same calls you put me through
for the you know, the little simple ship that you
might need to know.

Speaker 2 (04:18):
I don't know nothing about it. It's just one at
with it.

Speaker 1 (04:22):
So for a minute, you managing artists and you you
fuck with the music ship, right, this ship burnt?

Speaker 2 (04:28):
Man?

Speaker 1 (04:28):
Yeah, I feel the same way. It's like it's like
to me, I can't another person can't be my product, right.
You know what I'm saying. I gotta have a physical
product or be my own product. Right. You know what
I'm saying, I gotta have Like I said, they cooked,
they cook can't got damn get cocky exactly. The motherfucker
can't turn turn, you know what I'm saying. Feel like
I put all the marketing and promotion in this Coup're

(04:51):
gonna sell the shit, you know what I'm saying, and
then you ain't hear them from it.

Speaker 3 (04:56):
Yeah with me though, with it, I just post it
day before your man, I want to try this ship
one more time because I felt like I don't put
so much in it, so much of my own resources,
like realize hustling and just dumping my hustling money run
into it for the you know, got here with about
two niggas, you know what I'm saying, and then it just.

Speaker 2 (05:19):
I'm like, man, fuck it.

Speaker 3 (05:20):
But everybody always say, man, you know my biggest problem
is I just walk away from ship. And that's what
I you know, I feel like, no, that's the best
thing for anybody to do. But why you say that though,
because they getting fustrained, right that's but right on the
other side of that is the glory though. Man, Sometimes
the glory just don't be glory on the other side
because you can stay in that ship for so long

(05:41):
and then it's just like I don't know some situations, situational,
situational with the music ship, you know, bank for sure,
because again to go playing all types of games, you know,
style of music changed up like I just you know,

(06:01):
and then lost shit, I just don't even listen to,
Like I'm an R and B type dude.

Speaker 2 (06:06):
And then they we went with the R and B girl.

Speaker 3 (06:08):
Man, day They and then it's like I'm rolling with him,
and then the ship is stuck seeing out of out
with them, and then I'm I'm right here in the.

Speaker 1 (06:17):
Middle, like yeah, damn, here I go again.

Speaker 2 (06:20):
You know what I'm saying. And this motherfucker making.

Speaker 3 (06:22):
The real quality ship that were send a nigga up
through there for real, like on some usher type ship,
and it just they went to god damn tugging water.
I just like, man, I got to roll with day
they ship. You know this who I came in and with.
I can't say, all right, fuck daddy, I'm gonna stay
with the product, you know, because that was some niggas.

(06:44):
Do I value all my relationships, you feel what I'm saying.
So I just removed myself from it. He removed hisself.
Everybody detached, you know what I'm saying. Then then the
relationship A girl don't too man. Real, she just tasted
us last night. Yeah, the crazy at about it, like
showed me, showed us her brother.

Speaker 1 (07:03):
She was like that.

Speaker 3 (07:04):
Michael always Michael be asking about y'all. You know what
I'm saying. He don't got older. She's gonna be a
lawyer in that year. You know, she ain't doing music
no more. I should have stayed in it though, you
know what I'm saying. She's real, real though.

Speaker 2 (07:16):
Yeah.

Speaker 1 (07:16):
It just hey, man, how you think growing up in
the city of Atlanta, you know what I'm saying, real area,
like the projects, and then moving over there to Camelton
and Ship. How you think that shaped you? Like shaped
your man?

Speaker 3 (07:32):
It's shaped me because I promise you I came from
boring home right where I always say this, This is
my opinion. Tearing the projects down killed Atlanta to me,
so I'm born home. It was just like kids, fine,
you know, the older you know, hustling. But everything was
still trapped in right. It wasn't too much of people dying.

(07:57):
It's just we weren't just seeing it. Somebody might die
every three year.

Speaker 1 (08:00):
A nigga might die there playing, right. Yeah, But nigga,
like your friends ain't really killing your friends friend.

Speaker 2 (08:07):
Yeah, it wasn't. It wasn't like that.

Speaker 3 (08:08):
Yeah, like hustles might die in call wrecks a little simple.
When I moved to Camelton Road and everybody in houses,
so that ship was different.

Speaker 1 (08:19):
Like I always tell a lot of.

Speaker 2 (08:20):
Niggas like them niggas do on camel To Road with
god damn killing no nigga.

Speaker 1 (08:25):
I had to owe my eye to that ship.

Speaker 3 (08:27):
I'm like, damn all these motherfuckers saying the houses we
fifteen sixteen years, Like these mother.

Speaker 1 (08:32):
Fuckers show like crazy.

Speaker 3 (08:34):
So ship I had got damn evolved, Like look, I
went to school. I ain't talking no nigga, no nothing,
because I'm I'm I'm ridly the new kid on the
block anyway. Yeah, so I'm over. I'm just telling myself.
I'm trying to figure it out. I'm like, you have
to shootouts after school? This ship crazy over this way,
like I'm going to going homeway. I ain't doing all this.
So it's just like I just got both worlds.

Speaker 2 (08:58):
In one going back and forth. Sixty six.

Speaker 1 (09:00):
Goddamn. I'm like, I I go over here. I know
what I got to do.

Speaker 3 (09:03):
Over here when I'm going to booms and chilling, kem
tarroll it just like I'm motherfucker down there, war zone
down there.

Speaker 1 (09:10):
I think when they had when we had the projects
and neighborhood and shit, it was more. It was more neighborly,
like family, THEMN there, everybody family like twelve coming to
you running anybody house, anybody house. They more for them
there way if you come this way, you know what
I'm saying, there running in anybody house. This shit done
got different, real different.

Speaker 3 (09:27):
It's like for real, And I think this is like
the biggest fuck up Atlanta just ever, did you know
what I'm saying. And they always complained about what's going
on them and they created it. They created a problem,
you know what I'm saying, because you got to think,
damn there all the way they called waii in there.
Eighty percent of don't play sports, pig we growed up.

(09:52):
Ninety eight percent of us had to play sports.

Speaker 1 (09:56):
Some shape form of fashion.

Speaker 2 (09:57):
You had to do something.

Speaker 1 (09:59):
We're gonna find out what you're good at early.

Speaker 2 (10:01):
Early early on.

Speaker 1 (10:02):
Yo.

Speaker 3 (10:02):
Maybe once you get in high school you can determine
if you want to stay at it, cause niggas really
ain't on you no more how they was when you
were young.

Speaker 1 (10:11):
So I look at it as like they fucked upup.

Speaker 3 (10:13):
They fucked up Atlanta, And they always try to say, oh,
this going on, that going on.

Speaker 1 (10:18):
Shit, y'all created it.

Speaker 3 (10:20):
If y'all love these people in any projects, I promise
you it wouldn't be bad as they look at it.

Speaker 1 (10:26):
What's the first thing come to your mind when you
hear Atlanta? Now, just like Atlanta.

Speaker 3 (10:31):
Shit, first thing come to my mind here Atlanta? Man, shit,
I don't really know. I ain't gonna lie to you.

Speaker 1 (10:38):
Bullshit, damn bullshit.

Speaker 2 (10:41):
Because it's always some bullshit going on.

Speaker 1 (10:43):
Yeah, unexplainable bullshit.

Speaker 3 (10:46):
Undexplainable, always something going on. That's why I answer my phone.
I'll be like, what's wrong. So now all my homework
answered to be like what's wrong? I said the same
shit like my sister tell me last night.

Speaker 1 (10:56):
I love y'all.

Speaker 2 (10:57):
Be safe, be safe you're talking about I'm just saying right,
I'm just going out.

Speaker 1 (11:03):
Yeah for real, they could have been They could have
been from God.

Speaker 2 (11:06):
Yeah, because I wasn't doing it. Now my brother spot
watching the game.

Speaker 3 (11:10):
Yeah, shep what you're doing ship now watching the game
and drew them spot all right, be safe, be safe.

Speaker 1 (11:16):
I got rid up I put on when I went home. Damn,
it's crazy, bro, Like what's the shift? Like what a
shift come from?

Speaker 2 (11:25):
Man? Just so much bullshit happened.

Speaker 3 (11:27):
Because every time your phone, especially when you sleep, you
calls at four five when you sleep.

Speaker 1 (11:32):
Your worst cars. I'm going yeah, yeah, So I.

Speaker 2 (11:35):
Be getting so many of them calls.

Speaker 3 (11:37):
They be niggas just trying to get in the club
though I don't even want to call back in the morning,
you know what I'm saying.

Speaker 1 (11:42):
So they're always some bullshit always.

Speaker 3 (11:45):
And then it's like they just because whatever side you from,
if something happened, they're like, oh.

Speaker 1 (11:52):
Call bang, he probably can do it. He probably can
get it back.

Speaker 2 (11:54):
Like, man, I'm not getting any folks business.

Speaker 1 (11:56):
I'm not. But I don't move myself. Niggas don't even
ain't gonna say bank no, like bank don't know right,
I don't know, no.

Speaker 3 (12:03):
Situation on the wayside. Soon as I get off the
plane straight from New York. But two weeks ago, they
calling me my phone. I don't even know what's going on.
They say, you're on a picture with them. Okay, what
the fuck? I'm still in New York. You know what
I'm saying, don't.

Speaker 1 (12:18):
Like a nigga try to make you you in it, nigga,
because you know these niggas.

Speaker 3 (12:22):
Because you know them, or you can call them, you
can reach them. Even if I can call him, reach them,
it ain't my being in still. Yeah, you know what
I'm saying. Like a shooting heavy down street Grove Paul,
it could be a grove path. This is two miles
from where we where we're from, Andy Gude. You know
who they got shot at. Man, listen, Man, don't call me.
I don't know nothing about that going on on banking.

(12:42):
But you're so far removed.

Speaker 1 (12:44):
Because you're a young nigga. Took a leadership role though
that you didn't even sign up for. Then sign up
for it. But when you start throwing like the big
ass parties and all that shit, you start being the
nigga to go to guy. You know what I'm saying
that the nigga level headed so niggas and you're cool nigga.
So if a nigga calling you nigga feeling really like bro,
you protavated to fish the situation. But it's like that's stressful.

Speaker 2 (13:07):
Man, very stressful.

Speaker 3 (13:08):
You'll be fish your situation and then tell these folks, hey, listen,
you just need to go like this.

Speaker 1 (13:14):
I ain't getting in that how because the nigga ain't
taking that again in the back nothing.

Speaker 3 (13:19):
They not and niggas don't understand that. They just feel
like you you from there. If I was from where
you from and you telling me a nigga. Ryan and
Conor did something. You telling me you just finished do
this and that. No, man, everybody ain't getting in there.
Everybody shit. And I told Sam I was talking to
him on the phone probably.

Speaker 2 (13:36):
Two months ago. I said, I'm a Sivilian bro.

Speaker 1 (13:40):
Me too.

Speaker 2 (13:40):
We were talking about I am Sivilian nigga.

Speaker 1 (13:45):
Yes, damn. Do you think the music slipping away from
Alelan two?

Speaker 3 (13:49):
It's really not you see the yalls. These motherfucking girl
jumped out here with anything. It's just going this ship hard.

Speaker 1 (13:56):
This ain't really anything crazy. That ship really real hard.
But it just seemed like the club scene that ship different.

Speaker 2 (14:09):
Man. The club scene just boring because it's.

Speaker 1 (14:13):
Just Boor started doing tour. You need the other.

Speaker 3 (14:17):
They don't want to spend no money and just do ship.
You need to just want people to come and they
it just ain't no like how crucial core fan based club.
It ain't like that no more. Yeah, you know what
I'm saying, But I don't. I don't really think that.
Like down on the music and ship, who else doing something?
Ain't nobody else doing ship?

Speaker 1 (14:38):
Seem the niggas turned up for me in Texas right.

Speaker 3 (14:41):
Once you put the spotlight on him and saying O meep,
it's got the way, and it died every time they
do that.

Speaker 2 (14:46):
Detroit got the way. Then it just died every time
they did that. Yeah, she just went back down here.
They jaints need folks, man, do it.

Speaker 1 (14:56):
Go down here? Do it just become okay? They got
their mon man.

Speaker 2 (15:00):
No, them niggas lose out. The niggas fall off.

Speaker 1 (15:04):
Damn. Who the All Time Goat from eleventh.

Speaker 3 (15:10):
The All Time Go Future, the All Time Go No line.
I don't know them, no Andre three thousand, you know
what I'm saying, So I can't say that. Yeah, yeah,
but All Time Go is future.

Speaker 1 (15:23):
Himself like seek time right in front our eyes. The
nigga had like three four peaks. Man, that ain't done that.
Ain't never heard of man.

Speaker 3 (15:31):
Man, you know, he just he ain't he ain't he
ain't Chris Brown dancing.

Speaker 2 (15:37):
So they'll never say, like to the world because you
know them dance.

Speaker 1 (15:40):
Niggas always going out that they're those entertainers. They really
entertaining the entertainers. Yeah, where it's the all time his future.
They're gonna say, who are gonna say bigger than that?
They're gonna say undred three thousand, They say Andre three
thousand because.

Speaker 2 (15:59):
They died to put the spotlight on Atleanta.

Speaker 1 (16:02):
They trying to say, but Pluto is a product of
like Dungeon feminine out there, so he can't.

Speaker 3 (16:09):
But it's always ships surpassed. Yeah, he's all times go period.

Speaker 1 (16:14):
Yeah, all along nigga a different round there. But to niggas,
niggas be standing right next to you, like and he's
supposed to be a status and asked me to ask
future song like bro, like huh, bright side yourself like that.
Niggas got a different order, bro. He he know what
he does.

Speaker 2 (16:36):
Yeah, he got all these folk up.

Speaker 3 (16:41):
All you're saying like they don't try what you mean,
they just don't try and period, so you're saying, damn it, Lanta.

Speaker 2 (16:50):
He talked three, he talked three. She might be let
me see.

Speaker 1 (16:54):
Remember how they said the Big three is supposed to
been Kendrick Drake. They said Kendrick Drake and Cold right yeah, man.

Speaker 2 (17:01):
Come on talk to Goo man man Drake.

Speaker 1 (17:05):
Who Drake is?

Speaker 2 (17:06):
We have to give him respect, but man, future is
the one.

Speaker 1 (17:12):
I agree, no, lie, not.

Speaker 3 (17:14):
Just we being from at Lema, I agree. You just
gotta be really all through. Just listen, just out.

Speaker 1 (17:21):
No, because that nigga got a song for every move
in the street, nigga, every move the street nigga go through,
he got a song for it. You can put it
on on your fuck What it is like you that
nigga soundtrack of a nigga life.

Speaker 3 (17:33):
Man, I'm telling you that nigga, that niggay, that nigga
different who the all times slept on from the city,
slept on them. Yeah, that's a whole one all times
in between two people to me, who schooling and Corny.

Speaker 1 (17:51):
I go for that. Yeah, yeah, yeah for sure, yeah
school of that nigga corner. That nigga too, though, is
just different.

Speaker 3 (18:00):
Yeah, he made he made he just he all around
entertainer that.

Speaker 1 (18:06):
By move we man, hell but feel like he the
most slept though. Shout out of the movie.

Speaker 2 (18:12):
He had the time, he had the time and what
you do with your time?

Speaker 3 (18:17):
Though, Yeah, he had the time, and I'm not I
don't you know, I don't he I ain't gonna say
too much because he'll just be down my throat for
no reason because some of them ship he be saying
that be about me, crazy support and all. He be
talking about us, but he'll let us know he's talking
about us though, Like it ain't like.

Speaker 1 (18:38):
He let us talk like we might be behind because
what I.

Speaker 3 (18:43):
Gotta get behind it we be in the parking lot.

Speaker 1 (18:47):
Yeah, he might be like, y'all ne us don't do that.
We be like, hell, you're talking about I'm talking to
you mainly what you want me to do?

Speaker 3 (18:58):
You know all these people you know baby, you know Pete,
what do you want me to do?

Speaker 1 (19:03):
Like, bro, what you want me to do?

Speaker 3 (19:05):
I told you when Win went on bad Hot, go
re record the song because you couldn't find it in
your computer. And now the song just bubbled up and
went crazy. Then before any before Chamanco them doing the dang,
they were just doing the dance. I said, hey, Front
Street was still out stunt. I said, hey, Goury, make
the song. Put the song back out, you know what

(19:27):
I'm saying.

Speaker 1 (19:28):
But I thought they say OJ had a song like
that too.

Speaker 2 (19:32):
They did, see, but both of them niggas songs from
the ancient years though. Yeah, you feel what I'm saying, Like,
that's why they couldn't find the ass see more. B Jesson,
what he do, he'd be djinging everybody, so he'd be
sliding his old shit in, yeah, and so having it
it caught because he'd be doing all them the hole
in the wall clothes. You know what I'm saying.

Speaker 3 (19:52):
They caught, But he only got it on the computer.
You know what I'm saying all the because he got
all the old Defoe l music. He the only one.

Speaker 1 (20:00):
He ain't got the session.

Speaker 3 (20:01):
He ain't got no session him. You know who made
the beat? He don't know nothing. Yeah, So I'm talking
to him and he's so frustrated. I'm like, nigga who
made the beat? I think born, I think what's the name?
Like man, I'm telling you, recall you. Bres Key, Stunt
and Margot just remade the song. He ain't never want
to do it over the year's time. Could have made

(20:21):
some money, didn't make no money off the song iw viral.
The song went boom, you know an the girl come out.
She gave your respect, but then still she's still you
O jay them simple though you know what I'm saying.
So she let you know, Yeah, I got it from here,
but the beat came from here. He's still wanted to
just go crazy man.

Speaker 1 (20:39):
Shouts out the move man crazy. Hey. Let me let
me ask you something. Do you think the DJs is
relevant now?

Speaker 3 (20:46):
No?

Speaker 1 (20:47):
Why not?

Speaker 3 (20:49):
I mean it bit realant if they revent, reinvent themself
like Swamp did with fucking Playboy CARDI yeah, and bring
that style of it, but they on a revenue relevant
playing your song was in the club, yes, but as
until like make you popular?

Speaker 1 (21:03):
No that over So what about like all the like
the DJ runs and ship like taking them nigga eat
how nigga do like when they drop.

Speaker 2 (21:11):
Man, they're doing that ship They just for NEXXI this.
I got a lot of DJ friends.

Speaker 1 (21:15):
I love plub.

Speaker 2 (21:19):
I love, but but that ship over with.

Speaker 3 (21:21):
They got to revent, theyselve and come up with something
else because they DJ runs. Many forgot screaming TikTok Instagram ship.

Speaker 1 (21:30):
They never ain't got to play in the club. Man, different,
It just why do you think the artists stopped stop
letting niggas talk on their tapes? Like God damn, like.

Speaker 3 (21:41):
Because that was an Apple music game came along and
it felt like she was gonna drop on Apple because
it was just like live mixtape, my mix tape. So
now they feel like everything is an album and it
ain't a mixtape no more.

Speaker 1 (21:56):
But I think the mix I think I think me personally,
I think the d J added something to the ship
the way that a lot yeahs were powerful at that time.

Speaker 3 (22:05):
Yeah, So it was just more about like, oh boy,
they got a goddamn DJ drummer mixtape. And because when
we were coming up with Little Christ out of Hall,
but we gotta get a drummer mix tape, you know
what I'm saying. Then when we we had Swamp did
our throat ship during the time when we were on them,
and they were like that was cool, I felt like yeah,

(22:28):
but I felt like yeah, yeah shout.

Speaker 1 (22:31):
I felt like.

Speaker 2 (22:32):
When when they came up with the music, ship took over.

Speaker 3 (22:35):
Yeah, Nigga like man, and they felt like nigga want
to hear nigga yelling and screaming.

Speaker 1 (22:41):
That ship that would getting a nigga through them, niggas
vouching them. Nigga shot niggas out shot the clubs. I
think that, yeah, that ship would work.

Speaker 3 (22:48):
But the crazy part about it. I told Luca that
when he first got out.

Speaker 1 (22:53):
Kept him with that song. That'sh it hard, too hard. Yeah,
he focused, he focused to him.

Speaker 3 (22:57):
He dife got that ship there. You know, there ain't
got damn like a goddamn principal principal man, you know,
the mean principle cool, yeah, holy accountable. Yeah him, they
did like a principal man. They ain't got pat the lawyer.
And then they you know, they can't do this. You

(23:20):
can't do that. You gotta walk this way, you can't
go here, you can't talk to him, you can't take
a picture of that. They only sad so bad they
can't even focus around.

Speaker 1 (23:29):
They got a leg two leg manles on the two
anchor models. Man, they got niggas in that. What a
nigga need though, Yeah, not to say that a nigga
go crashing a nigga do they't need that extra pushed
this way.

Speaker 2 (23:40):
Bro, because they's got to be great. They are trying
to get him to see that.

Speaker 3 (23:43):
You know he boughs over here making some two hundred thousand,
three four hundred thousand mean the show. And I said,
we gotta we gotta go on to get there. I say,
we ain't seen that yet. You know what I'm saying.
So I understand what he telling. You know what I'm saying.

Speaker 1 (23:58):
I did what you think the number one love the man,
that number.

Speaker 3 (24:03):
One club man ain't no number one club He didn't
going everywhere number one clubs.

Speaker 1 (24:10):
Far as younis it steady like the look and ship
like if you're telling nigga like if a nigga like
ship come from, I come my time? Where the go goo?

Speaker 3 (24:21):
Yeah, I'm just gonna say go to Onundons because them
just like I fork with Ellison James and yeah, so
I'm always telling nigga, push the nigga to you're polish spot,
to my people spot. If then I know they're like
a like a I want to go someone to eat
this to miror ship go cop cold. See you got
that make us a couple of celebrities eat good.

Speaker 1 (24:40):
Yeah, yeah go on, Now I push him to places
like that.

Speaker 3 (24:42):
Yeah, but like they're like some bullshit, I don' want
spin on mon like gold the Court, go to Blue Flame,
Blue Flag, a Blue Flame out of town, the Script
club that's called Blue Flames. Why you said that, because
nigga just get on the Spress Way and going there.

Speaker 1 (24:55):
Yea, yea, yea, yeah, they don't they don't know.

Speaker 3 (24:57):
So when you go on Blue Flang, gonna be like
eighty niggas in there. You don't know for real. That's
the out of time spot for real, you know, honest,
you know, that's the the whole Atlanta.

Speaker 1 (25:07):
You You you ever thinking about doing like a boring
home reunion?

Speaker 3 (25:10):
Man, we did it like three years ago. We know,
two years ago. We didn't do it last year. But
I definitely I know for sure we own it this year.

Speaker 1 (25:20):
I think you should do a club Bounce reunion at
the Bank.

Speaker 2 (25:24):
For sure.

Speaker 1 (25:25):
That's hard. Yeah, like nigga dress how we used to
be at the Bounce and ship. Yeah, that that's hard
like them type of artist. Yeah, put some pool tables
and you you were going to the final.

Speaker 2 (25:36):
I ain't never into the bound for.

Speaker 1 (25:39):
Oh yeah, you got spirit got down the palace day damn.
So about three twenty one and all that ship.

Speaker 2 (25:46):
Hell no, I ain't no, I ain't never even seen
that ship.

Speaker 1 (25:50):
Damn. Yeah, I was younger, fuck going myself like nineteen
ship yeah, you know, ship like that. But you hear
about yeah, come hold talking about this hours out?

Speaker 2 (26:00):
Was how born in that era?

Speaker 1 (26:01):
Yeah?

Speaker 2 (26:01):
I was born in the wrong era.

Speaker 1 (26:02):
We have some good ad time? What the name of
the what that three twenty one next apartments right there
on Simpson? Oh well, I don't know the ship in
the back man? Behind that little store that she was
in the back, get your motherfucker head. But back then
it was three twenty one because they had went on
gotb roa and one right there on? Is that m alk?

Speaker 2 (26:20):
So what's what the club being right there about behind
the Westeam?

Speaker 1 (26:23):
That was five five nine yep, five finance was lit
to I've never been in none. That ship used to
be the ship back then. Man, I don't have some
good ad times? So what inspired you to want money?
Like as a young nigga, not besides being fucked up?
What inspired you to want like? I want some flix

(26:46):
and who to go from home? The goat shot a
load of goat shot a load of load of go
He did it. He did it both ways the streets
and your got in the music. Got some money, Yeah,
they may sent.

Speaker 3 (27:01):
The niggas say so, I'm gonna say white boy Keys,
I'm gonna say Fat Steve, some I'm gonna say Dan Tight.
He just depended on who they like. Yeah, but I
say local, that's who I see to do both ways,
low lower the go for shure for sure, that nigga flicks.
I ain't know that nigga of that age career we were.

(27:21):
You ain't know that nigga. That nigga like sixteen seventeen
years Yeah, suburban navigated. That nigga flips earned one.

Speaker 1 (27:31):
Cause that nigga riding And she.

Speaker 3 (27:33):
Say, yeah, I think he staying there.

Speaker 1 (27:36):
Yeah, he's becoming I remember we used to be at the
King Center and the ship playing basketball. That was that nigga.
Go maun, tell me stay we stayed at this apartment
over there. But yeah, man, damn man, man, you make
me bring bring back all the old memory.

Speaker 2 (27:51):
Man, Now, that nigga that was flicks for real.

Speaker 1 (27:55):
Like from being from your side of town, like being
from the west side. Who y'all used to hear about
that one from your side?

Speaker 2 (28:02):
We used to hear about from one outside.

Speaker 1 (28:05):
Like you know, like myths. You get what I'm saying.
Like like, because when we was young, we used to
hear about niggas on the west side east SIDEA be
like we're hearing a certain name, like.

Speaker 2 (28:15):
From what Okay Doing.

Speaker 3 (28:17):
When I was coming up with like from the east side,
we heard bang the Kayla I east Side Jodie.

Speaker 2 (28:25):
Then I like the type I like to hear music.

Speaker 1 (28:28):
They brought that crazy out the end of that do
they brought tight? Somebody? Du't that dick going crazy?

Speaker 3 (28:32):
Now?

Speaker 1 (28:34):
I swear to ask tight anytime we.

Speaker 3 (28:36):
Have some I put tight on it. Oh yeah, player,
I like that song dun't that dick? And the song
what you and him got?

Speaker 1 (28:44):
Oh that me and him and shout yeah all night long? Yeah? Hey,
but get what ship is so crazy? Nigga? Don't even
know that future on don't that dick on the hook?
You didn't know that either, So you east side joy
all right? On? D money yeah?

Speaker 2 (29:06):
D money?

Speaker 1 (29:08):
Yeah?

Speaker 2 (29:08):
And type I like, I like the.

Speaker 1 (29:10):
Type music were about south side niggas south side man.
She I ain't nobody ain't true. But that was when
I was grown though. Oh yeah, yeah, yeah, yea yeah.
You're saying like it's a young nigga, I ain't her
truth older yeah, damn. So if you could change one
thing in the world in the city right now, what

(29:30):
would it be?

Speaker 2 (29:32):
Ship? All the damn beefing? Yeah about it?

Speaker 1 (29:35):
Where you think the beef and ship come from? Music? Internet? What?

Speaker 3 (29:39):
Internet? Definitely Internet, It's definitely Internet. Nigga just can't get along, man.

Speaker 1 (29:45):
She's sad. Bro. We we we kind of had like
a that it ain't run with that get along ship. Bro,
we only look get along run now. I know what
I'm saying. We were doing some specialis like we did
that guy now? Oh yeah, yeah, yeah exactly in the
niggas like that, she was finna do something. I think
what it is the niggas didn't want to fuck each
other hole. So it's like, bro, I can't be cool

(30:07):
with you. I want to suck your bitch.

Speaker 3 (30:08):
There ain't no other way, you know.

Speaker 1 (30:12):
What I'm saying, Like, Nigga, what what problem? We ain't
got no problem. I won't even know you, so you
mad at me?

Speaker 3 (30:17):
I be telling for I don't even know why. I
don't even know these people. That what Nigga be like,
What's I don't even know them. I'm not feeling argued
with nobody. I don't even know first off, and then
like I'm a nigga, I'm me. I ain't give with
that hoop beef. I'm going every well, Yeah, if you
don't like me, but you just don't like me, I ain't.

(30:38):
I don't give it that.

Speaker 1 (30:38):
Yeah, I don't walk about favoring I know. I ain't
did none of no niggas. No, I ain't didding that
to you. I ain't. I ain't no drive by, ain't.

Speaker 3 (30:45):
Finna tell no nigga you read here, I ain't finny
telling him he read I ain't that ain't me.

Speaker 2 (30:49):
That just ain't me. I'm not getting into all that.

Speaker 1 (30:52):
I think it's a lot of pride getting in the
way man.

Speaker 2 (30:54):
Yeah, and getting older. They just don't understand that.

Speaker 1 (30:59):
Because you ask a nigga like what the problem is, nigga,
be just like you. If a niggas ain't fucking it,
be like wow, you be like man, your cub fucking
I ain't even no issue, no issue for real, nigga.
Don't eat Like when you try to get to the
Ruder ship. It never was nothing and it be really
real wars and ship that we don't even know. I

(31:20):
can't even say how it starts. Ja cuse them. Nigga's
on that side of the club, was on this side
of the club or that nigga? Like my whole picture
just it never comes out. What the reason was. Theybout
the girl for sure, facts.

Speaker 3 (31:31):
They bout the girl. You gotta go to the gym,
CD girl from all the side. They don't even be around.

Speaker 1 (31:38):
They don't even know those guys, man. We I swear
to God, pig on to gym. Man.

Speaker 3 (31:43):
We only know about two girls in there that we
just know that weve been knowing. Yeah, the all the
thirty we don't know them. Never seen them in that
lemma for real. I swear they all strangers, but.

Speaker 1 (31:57):
For real, Oh God, yeah, I swear to you. I
know now forget what you know what you got to
see all the niggas in the gym now though, everybody
ye here, Yeah that's a new way, you know man,
That's what I say, Bro went cool nigga everything I
told money of them because they down in the other gym.

Speaker 2 (32:18):
About money. Man, we've been in the gym, y'all knew.

Speaker 1 (32:23):
What the time. Yeah they try to live. Yeah, yeah,
better get in there.

Speaker 2 (32:28):
Yeah.

Speaker 1 (32:29):
Now, I think I think how niggas make we we
certain niggas is just like the innovators, So we gotta
make certain ship cool. So niggatt to make peace cool
niggas seeing certain niggas seeing niggas ain't on that niggas
get off that, I think because.

Speaker 3 (32:45):
I'll be looking at niggas when they just be so
riled up. I'd be like, damn did I used to
like that? I know I didn't, because I swear to
you all my partners, I swear I used to always
ask them in how she's been going on?

Speaker 1 (32:57):
What the fuck happened? Like what's the problem? What is about?

Speaker 3 (33:01):
And they'll tell you like that, Nigga, you're on a
saut shit man, nothing. So I just don't understand what
the reason exactly. And I always asked nigga that I
swear to you of my own what they'll tell you
before I got it. Even if I help the niggas fight,
I'm always asking them, nigga, what happened, like that's my
first question, what the hell happened?

Speaker 1 (33:21):
Like what the hell? No, man, come on, man, let
this ain't about that. Niggas a lie? I heard. I
have seen niggas lie to make you mad with him,
like nigga lying nigga walker, the nigga walk up to
you in the club. You jaking in for them. Nigga
trying us, ain't trying us. I think got here trying.

Speaker 2 (33:43):
Trying us.

Speaker 1 (33:45):
Hell, they trying me ship. I'm right here. This shit crazy.
But these niggatta understand what trying is. These days, nigga
don't understand trying. Ain't a nigga talking trying. Ain't a
nigga The way a nigga looked trying is a nigga
crossing your crossing that line. You know what I'm saying,
like a nigga. God, damn, nigga be like what nigga.
Nigga just tried me telling you? Damn you know what

(34:08):
if you ain't even speaking to y'all, ain't no. I
was just staying away their cliff from y'all.

Speaker 2 (34:13):
Niggas.

Speaker 1 (34:14):
Im trying to live, man.

Speaker 3 (34:16):
I swear to go. I stayed cliff for all of man.
My sister gonna be sending me ship rough ride up.
I told my sister, ma'amn't, I don't even go on
pages like that neither. I ain't you see me that ship?
They should have just sit there. I don't go listen
to what nobody said. No reaction on that.

Speaker 1 (34:34):
Now, what you take in, it's just like even the
foods you eat, whatever you're taking your body, that consume
your as.

Speaker 3 (34:39):
If I'm just passing all the niggas me nigga here
coming outside facts, then I go ahead hit the wall
in my motherfucking truck.

Speaker 2 (34:45):
Be mad as hell.

Speaker 1 (34:46):
Yeah do that ship, I ain't doing so, so we
already cracked the code that what percentage of this ship
you feel like the women play in beefs and killings
and ship. Yeah, I cain say ninety nine point nine
percent because it takes the other percent for the nigga

(35:09):
to go do it. Yeah, the er they wrecked that
telling you, yeah.

Speaker 2 (35:15):
Oh they said you over there with them niggas.

Speaker 1 (35:18):
Them nigga. I know all my problem them nigga. Them
nigga hate me because every time he was like, I look, bit,
why y'all little bitch, you always telling you about niggas.
I bitch, you don't tell me about niggas. Man.

Speaker 2 (35:27):
I ain't ask no girl.

Speaker 3 (35:28):
I'm just saying, like what you don't even want to know?
I sa like I sam that I don't want to
know nothing. I don't care. I don't care. They ain't
evenna tell me. Yeah, I swear to like people out
there I don't deal with They ain't gonna tell me ship.

Speaker 1 (35:48):
Damn they God, damn no, I just don't. I just
don't want to hear. But I swear to God, that
city Vide was a vibe. Bro.

Speaker 3 (35:55):
I went and looked at the damn fight like that
ship was a vibe.

Speaker 1 (36:00):
I fucked with that like it just was the energy
of everybody, with everybody respect.

Speaker 3 (36:04):
Then we're gonna do it another game over over there.
Paid fifteen thousand dollar police bill man ain't doing this.

Speaker 1 (36:13):
Ain't no that she ain't you lose. We're gonna lose.
He don't make no money.

Speaker 3 (36:18):
They ain't gonna understand because like now you you want
to bite certain niggas over here, but then you know
they gonna bring them. Then you wite these niggas over
here the candy, and they need to bring you any Damn.

Speaker 1 (36:27):
It's just like too much going on. So so so
what about movies? You think about sucking the movie?

Speaker 2 (36:33):
I said, I told, I said, I said, I want to.

Speaker 1 (36:34):
Be an What about shooting your own ship? Want shoot?
What you mean? One time? I think I had some
pat for it. But that's a lot of patience. Now
what you do it now, don't see? All you gotta
do is he who made the movie you was in
hey for us? Now you need to do the born
home store. Nobody never did that.

Speaker 2 (36:56):
Ain't.

Speaker 1 (36:58):
They ain't Now we you a bankhead store.

Speaker 3 (37:01):
Yeah, west Side came out that the whole west Side period,
west Side story that we can make some ship like
Power though. Yeah, if if I swear can do we
deffine can do it easy.

Speaker 1 (37:14):
I just had a dude in him the other day
telling me the same ship like he's somebody the South.
We should do ship called the South. But I just
think on some real ship that's the money, bro.

Speaker 2 (37:24):
People pay attention to what goals on in now.

Speaker 1 (37:27):
Yeah.

Speaker 3 (37:27):
So if we could come up with some nigga nigga
play the roles in the mood, learn how to act
all that ship that should.

Speaker 1 (37:34):
Do better than Power, and we can get all the cameos,
all the cameos, all the cameo we got everybody. We
got all the tools right here in our hands.

Speaker 2 (37:43):
You gotta call some of the niggas, we don't want
to know they do it.

Speaker 1 (37:46):
Nigga won't want to know I think I think they
got support it. I think the favors that you call
niggas for is you gotta call niggas for ship the
dane even into you get what I'm saying. You call
a nigga like for a show or something like, Bro,
I don't had a nigga turned down, got damn three minutes.

(38:07):
I'm tied bro a three million.

Speaker 2 (38:10):
Even turning nigga turn down three min i'm'a book that bitch.

Speaker 3 (38:14):
I'm telling I'm gonna book it three million on my
phone and one of y'all nigga who I know, boy,
But y'all ain't gonna got to to get.

Speaker 1 (38:21):
There, man, Nigga Like, bro, on your chilling with the.

Speaker 2 (38:25):
Kids, Hey man, I know you will.

Speaker 1 (38:28):
What kind of money you getting, kid can come on
with him? Nah. But I'm just saying like, but I
look at it right though, it's the type of favorite
that yeah, cause I look at it like this. Niggas
don't know how to say, like, Bro, you saying you
want to book a show, but you don't understand that
I'm a business now, so you're thinking it's just gonna
be like how we do back in the day. I
just now I got a booking ages, I got my manager.

(38:51):
By the time God damn, I get them trying to
get this two million dollars show. Nigga, that shit gonna
be busted down and then the folks gonna be tripping
then me and it might fuck about relationship. But you
call a nigga like brid needs to pull up and
do this gout cameo on the move. You don't that
ship don't take you.

Speaker 3 (39:06):
Talking no manager nombers, you don't like members for folks.

Speaker 2 (39:11):
I know, I don't talk.

Speaker 1 (39:13):
About yeah because them niggas, you gotta think them nigga
trying to secure their spot, no Goot. So if you
bring all these play it's like they make the nigga
look like them Goop. Bringing Goot done brought me niggas
over the count that ship. Goot brought me ten million
in two months. The hell, I gotta give you what
you doing. They started getting like niggas don't managine what
you're doing. So nigga basically try to be like nigga,

(39:34):
take your play like you gotta call the man. Goot
gotta call courting me court and bringing to me like
Goot's got some little shows. Man. They but I don't
know if you're gonna want to do it.

Speaker 3 (39:42):
So I'm already looking like I ain't doing it it.

Speaker 1 (39:47):
Don't it be the nigga? Yeah, that's what I said.
I don't see.

Speaker 3 (39:53):
I ain't like that like for as some men that
they were just talking, I'm gonna say it on then
they say, do just told Luca I want you to co
investing there in the club in Houston with me.

Speaker 1 (40:05):
I said, no, no, no, that's a.

Speaker 3 (40:06):
Disrespectful ast ship your partner, call your artist to invest.
And I thought with Dorset, I said, well that's a
disrespect for ship right there, boy.

Speaker 1 (40:15):
He saying went with the change command.

Speaker 3 (40:16):
Come on, man, ain't no way off in the call
court and say Courtney, I need to invest in it
and me and you Potner though, you're like, come on.

Speaker 1 (40:26):
How have that work?

Speaker 2 (40:27):
Yeah?

Speaker 1 (40:28):
That worked right right now? Now you're right. But but
on the flip side of it, you gotta think what
you say on the flip side of it, you know,
any for person the artist, Now you don't want it.
Guess what I'm saying. You wouldn't want to you wouldn't
you know what You're right? You know what I'm saying.
It's it's because I don't know them, but you're supposed to.

Speaker 3 (40:46):
Though, Man, a nigga from New York, man, you didn't
respect him because of the day they a't Basically, yeah,
Dorset came together.

Speaker 1 (41:00):
But that's your many, your man, so that why you're
looking at But if a.

Speaker 3 (41:04):
Nigga manager from California and were from Atlanta, I'm not
talking to that nigga about nothing nothing.

Speaker 1 (41:10):
Yeah, like man.

Speaker 2 (41:14):
Talking to tell me be like, tell me I ain't
telling me ship.

Speaker 1 (41:18):
You tell me, Yeah, I'm in the call. He saving said.

Speaker 3 (41:26):
No, nigga, you telling them? Yeah, they're telling this a
go like like baby with baby. Baby noticed, I'm not
no manager on nothing Like if I don't know you knew,
no dem you send me an call, I'm talking to
you got rich like I'm not doing that.

Speaker 1 (41:41):
See what? But youga managers think about it. But if
you're a manager, though, you would want them nigga call,
you don't goot so that she never got.

Speaker 3 (41:48):
Her I'm from Atlanta with this nigga were from the
here together, so it's different. But if you're manager from California,
New York, I'm not talking to him even where he's from.

Speaker 1 (42:01):
Mes it from Atlanta. But I ain't talking to him
that up because something me and easy to do. If
you imagine your baby and I called baby, he'd be like, damn, oh.

Speaker 3 (42:14):
That's your partner. I ain't gonna say, oh bank goddamn.

Speaker 1 (42:18):
But I know you're gonna have to handle a business though,
so I'm gonna call you anyway. Man.

Speaker 3 (42:22):
Sometimes you just don't go like that because you't gonna
do them and say all right, sl.

Speaker 2 (42:27):
Like it in Boom.

Speaker 1 (42:29):
You're saying you want the initial from your man and
then we'll go do the business with your make it
helm first making. I'm not talking to on a nigga
from make Man.

Speaker 3 (42:42):
Come on, you know the people nigga man, you right,
you said nig imagine me from far Man. They'll make
in another stake bullshit around. She come on in and
willing men become a manager. He's been hending me that
don't held me being but been knowing, been throwing parties.

Speaker 1 (43:06):
But he been knowing lot to though.

Speaker 3 (43:07):
Right, No, No, that's.

Speaker 1 (43:11):
Different, that's different. I ain't know. I'm just saying that's different.
If I met you threw a nigga.

Speaker 3 (43:16):
I met you throw aga, continued, he always stay like
it was your friend.

Speaker 2 (43:21):
And then like, you know what I'm saying.

Speaker 3 (43:24):
I remember, I remember me I met no that met
my own ship, don't you know? But I knew that
they first, but but I still talk to that. He
was like, Shi, tell Luci, don't tell me straight up
and sad because nigga, I know, Lotiga.

Speaker 1 (43:43):
I remember.

Speaker 3 (43:43):
But when him and Throwing had all that bullshit going
on in b Guineas day, I swear to I told
me in the flame.

Speaker 2 (43:51):
That ship, man, they're gonna for some careers, some careers, and.

Speaker 3 (43:55):
I told that relationships. Yeah, I said that ship is
it's gonna be a lot of bullshit going. No man,
And then they're like, yeah, I don't know. I mean,
you know, you can't say much. You know what I'm
saying cause this is this is an artist. But I'm
telling them, they'll tell you. I always told him, like
let that ship go.

Speaker 2 (44:14):
What the hell is it about the ship going to
get going to be about something? Get too far gone?

Speaker 1 (44:20):
Yeah, no, that's how that ship goes. Started off as nothing.
But then when some ship happened that we can't come
back from this ship a lot. See, I don't see,
I don't know future like that.

Speaker 2 (44:28):
You know what I'm saying. I met him a couple
of times, but.

Speaker 1 (44:31):
Like I wasn't called no, damn man, I'll call you.
See if that's just because that's.

Speaker 3 (44:36):
How I met him through you? Really, you know what
I'm saying. You know what we see nigga through passing and.

Speaker 1 (44:41):
Like, but he's saying, like to get up on a
nigga and be like, oh yeah my man in one
of the other Yeah, they came through you. Yeah.

Speaker 3 (44:47):
God, ain't nobody else ever did that, Like, man, no
through you and get it. While Hey, if I needed
something for future, I wouldn't even call ball because they ain't.

Speaker 1 (45:00):
I met him. I met him through you.

Speaker 2 (45:01):
So my line of communication be through who I met
him through like that.

Speaker 1 (45:05):
But it be you know one thing about it, bro,
I already know, like man, niggas be so fucked on,
but it's like they're not gone regular now they regular.
I'm just saying so far. The number be so far,
Like by the time you it's some team brother niggas
a business, it's a corporate nigga corporation. So it's like
some niggas in the pot. That ship pushed my money away.

(45:27):
So I just sent the ship. I don't even cause it. Hey, ball,
I gotta play whatever y'all. If y'all want to work,
He's gonna do nothing. I ain't trying to make no playoff.
That's just me, bro man.

Speaker 3 (45:37):
They said, God damn, they said, got them on Gred Street,
made a mean of getting the nigga shot phone them.

Speaker 2 (45:46):
My mind been sucked up ever since I heard.

Speaker 3 (45:51):
Yeah, yeah, you telling me that the movie shot was
in what when we were on uh Shazam, Yeah, grasd
Stream made a mean off putting him with the director.

Speaker 1 (46:04):
Now that different. I'm just saying saying, no, he ain't
called no manager. Listen, list I'm saying, if you, if
you would have called me for Pluto right now, I'm
a hit brother, Like, hey, goots, gotta play for you.
I'm my job business.

Speaker 2 (46:18):
We got to play, ain't no.

Speaker 1 (46:20):
I'm saying, if you come back and throw me something,
that's cool, But I'm not.

Speaker 3 (46:23):
It's already gotta be set right there with me and
you on the phone. It got hey listen, I'm going,
but you know it's gotta be understood.

Speaker 1 (46:31):
I don't know. I just I don't know. Mega turn
so much ship down that we don't even want to
be in the middim of Yeah, I ain't got time
with the head.

Speaker 3 (46:40):
It ain't getting out of the middle. Ty, I get
my just due. I'm telling you.

Speaker 1 (46:45):
I swear to God.

Speaker 3 (46:47):
Niggas still be calling me as you think, baby, do
that how much they tell me the number because I
already know the number. I know he never had my number.
So's I swear say you know both numbers. I know
both numbers. I swear to God. Shit man, who I
tell you that gift the curse knowing these niggas.

Speaker 1 (47:08):
Now in fact, sh I just leave everything new toral bro,
because it's being stuck in the middle. Then the nigga
don't show up now that nigga here, Man, I let
the niggas have their own ben because some go south.
They niggain't got the nigga back in. Be like, damn man,
you put me with the fuck nigga brother, and I
have made some money. Now I'm obligated to fix it.
Oh no, That's what I'm saying. But I don't. I
just stay out of it. Like if y'all want to

(47:31):
do it, you want to do it. He folk got
this way.

Speaker 2 (47:32):
But no, the nigga we deal with is to the moon.

Speaker 1 (47:35):
So the money now, not the money then a call
call the money there.

Speaker 3 (47:39):
He needs to be calling all over a miracle trying
to call around us. Cut us out, see that would
be really.

Speaker 2 (47:45):
Going on their call.

Speaker 1 (47:47):
Got damn pig.

Speaker 2 (47:48):
Then they'll call got damn Hall.

Speaker 1 (47:51):
To get to you. Like, come on, because you called
me easy easy told me that ship man me and
off the phone call. It's cold. That's a lot of money.
What the fuck you talking about?

Speaker 3 (48:06):
Yeah, you nigga know me in my phone man, put.

Speaker 1 (48:12):
You out on group tech for me. Put ship man.

Speaker 2 (48:18):
I'm telling, come on, fly to Lea. We're gonna sit
down like that.

Speaker 1 (48:23):
We're finna go find him. We're gonna fly to him.
So would you ever leave the city. I see everybody moving.

Speaker 3 (48:31):
Under Oh my dad right now. I was like, damn,
I move in California. We wanted to move to California.

Speaker 1 (48:37):
New York. I just like New York that I like Miami,
cause that ship right there, I don't really like, it's
just right the closer our flight the same thing in
New York. Yeah, in New York. I don't really fuck
that New York. New York should be moved too much.
I don't rats and shed in the street. I don't
like that. Make some more money in New York. Our
game we got friend had no fine New York eat

(49:00):
on like this, no good ship gun everywhere you go. Man,
we do the world crazy.

Speaker 3 (49:05):
The night work that night, cut a niggass, gotta go
to cut practice, cut into the workout.

Speaker 1 (49:17):
In the workout, working night real. I think we'll we'll
win in New York.

Speaker 3 (49:24):
Copy in these shows how you need to be walking
up on you them niggam big not niggas and ship
nigga is a thing that they always tell me.

Speaker 1 (49:35):
Rich people need people to help solve their problems. Facts,
that's all through New York. We'll go on that and win.

Speaker 3 (49:41):
He even't got the old ass wise, ain't busting none
and god damn ten fifteen years gonna help me with
Come on, I know you to go.

Speaker 1 (49:48):
We know all this. Want to take him to about it?

Speaker 3 (49:52):
Yeah, you flying that on the faith being to me,
take you up riding the corner ride here got what's
the name?

Speaker 1 (49:58):
Get you right? Yeah? Man, you probably think that the
best of your life. A type of ship you get
you in the natural nigga. We're gonna give you no gas,
he said.

Speaker 3 (50:08):
Bro you, he like, because nig be calling me like, hey,
you know a plumber nigga? You know a nigga fe's
a rude you know they cut out of the tree.
They just be asking me so much crazy ship. I
might just get the ship done. Then the nigga see
me like he need to be rynd Scott and being
there helped solve their problems?

Speaker 1 (50:25):
Right?

Speaker 2 (50:26):
How to help them get around them?

Speaker 1 (50:27):
Though?

Speaker 2 (50:28):
Tell me what we make money solving the problem?

Speaker 1 (50:31):
You think? Do you think niggas intentionally try to keep
niggas with ambition out the loop? Yeah? Why them? You
gonna got damn but you're gonna become too powerful. Why
wouldn't a nigga want to know who?

Speaker 3 (50:44):
Just group five they want and cert right there? They
ain't gonna put you in that position.

Speaker 1 (50:51):
You know yourself? What power positions that ain't worth no
more to put you right out? Nah, I don't want
me because I already know I know how these niggas feel. Bro,
You nigga feel like you ain't on they dick, you'll
hate him. I'm trying to y'all know that, right if
some niggas feel like we ain't hate him to ambition

(51:12):
too many ideas and ship.

Speaker 3 (51:14):
Yeah, they think we're gonna take the money and going
all the way and not let them in. Man, this
open door, we all gonna win. We're all from the
same fucking dirt at Georgia dirt. You're not from New
York dirt California. It's all different dirt from dirt and
the Georgia mud. That what they call got clay.

Speaker 1 (51:35):
Yeah, that Georgia mud. They rid clay.

Speaker 3 (51:38):
Man, they don't understand. I'm telling you right. Nigga ambition
is not keep on, keep on, got them kissing.

Speaker 1 (51:49):
I think this ship doesn't turned into especially as an artist.
You do you feel like an artist have to be
vouched in all.

Speaker 3 (51:57):
They don't. They find these are jogger. They wave, they'll
get something going, they'll hit you. Jay, the nigga get
moving around, you know, Ja little post them and it
becomes somebody now.

Speaker 1 (52:12):
But Jay don't really post them niggas today, somebody almost.
She ain't catching them niggas that she's been catching the
early lately, but early early with potential. Yeah, you know
what I'm saying. The niggas already vouch You name a
nigga that she she don't post that with a dirt
bombs posting on dirt. Them niggas already with them their death.
Now she no potential. They still be a dirt bomb,

(52:33):
be folk when they be there though, just don't know
the dirt. Yeah, I'm just saying, but like but he finnah, go,
you can tell when the nigga owned the motherfucking land.
I mean on the what the fact? What she didn't
on the plane laying the script, no no where, Wait
somebody runway the room. Tell when a nigga on that
runway crump nigga and next in line for take all?
You tell what the nigga next line. You know what

(52:54):
I'm saying. Yeah right, I think a nigga have to
be vouch in. I do bro coulse he neiga got
it so fucked up. I heard nigga style gotta be
vouched ye to our style. Yeah you gotta have, you
gotta have. It's like a society. Damn there you gotta

(53:14):
like it is a society in Atlanta. Yeah, get you right.
And I think it music period. It's like other cities
ship ship hey man, name one man, Other cities name one,
New York have a new nigga all the week. Whata
be going? What New York don't go far so they
ain't get vouched. That's what I'm saying.

Speaker 3 (53:36):
In Atlanta, this is the only city where you get
vouched for hard and you go become somebody.

Speaker 1 (53:41):
That's what I'm saying. The other city, them niggas ain't
going because they ain't getting it out. But you got
if Jay got them, y'all, he the next one nigga
had gone right, he could be having a motion. But
if Jay or one of the right niggas be like
a nigga rather behind you, you gone, yeah for sure.

Speaker 2 (53:55):
But I say you gotta be vouched for Atlanta. Ship.

Speaker 1 (53:59):
Look at who we got the head future.

Speaker 3 (54:02):
So she nigga got about you in You've got the
babies the through all that ship.

Speaker 2 (54:07):
They flow up on that ship running run the coach.

Speaker 1 (54:10):
For I'm telling you that won't trying to tell you.
So them niggas ain't really posting you and ship and
shot out the baby man like how you just he'll
take a nigga from nothing. He'll just listen to a
nigga music and ship and then he hit the blog
like baby stamps this dude. You know what I'm saying
like even music, that one thing he gonna do. Even
the dude, uh billy, I see, they don't vouch them in.

(54:30):
You see what I'm saying. They start, I'm putting a
little voucher on. Yeah, he hard though, but what I'm saying,
but it takes that stamp though, Bro, prove like your
peers say you that you're gonna gone and go that
immediately show money.

Speaker 2 (54:41):
Yeah, immediately immediately.

Speaker 1 (54:43):
Even Rob for nine, Rob nine hard as a mother forucker.

Speaker 3 (54:51):
That nigga to the move, he gone, you get you
know what I'm saying, They vouched that nigga to the move.

Speaker 1 (54:56):
He hard. But soon as he started getting them them
ship no shoty you the one, you the one nigga
started saying, you the one your head go.

Speaker 3 (55:03):
Man, you're out of here. You got them every well
they bout that nigga to the moon though.

Speaker 1 (55:09):
He hard though, shout hard and I think it first
it first song he had, he had, not the first one.
But when the song, yeah shot, they shot in the
project that ship, that ship from then on is over.

Speaker 2 (55:20):
Sure, not for real. They they the nigga ran about
you in now for real, for real, you out of here.

Speaker 1 (55:27):
That ain't even gotta do it. Rap, that's what anything.
That's what anything they get vout you in, that's what
anything trying to tell you.

Speaker 2 (55:33):
They got about your own.

Speaker 1 (55:34):
And niggas know they got their power.

Speaker 3 (55:36):
They're gonna wait till you get forty five feet sixty
years old.

Speaker 1 (55:39):
They an'tven do it. Gonna be too late.

Speaker 3 (55:41):
Ain't never too shit on the poor.

Speaker 1 (55:47):
I tell my son and the boy, you gotta go. Boy,
you gotta do something now.

Speaker 3 (55:52):
Yeah.

Speaker 1 (55:52):
I tell you that he's ten years old. That's your
only kid. You got too kid? Yeah yeah, I'm my sister.
You tell them how you're there?

Speaker 2 (56:03):
See to you?

Speaker 1 (56:04):
Okay you do?

Speaker 3 (56:07):
Hey?

Speaker 2 (56:07):
Yeah, hard to start over from there for here.

Speaker 1 (56:13):
Nah. Yeah, I'm glad I got man.

Speaker 3 (56:16):
I have another child to be like a slip off child,
but I'm gonna respect like you.

Speaker 2 (56:22):
My child ain't gonna be a slip off child.

Speaker 1 (56:24):
You ain't playing it now.

Speaker 2 (56:24):
I ain't playing no child. Yeah, I ain't playing no.

Speaker 1 (56:27):
Was there one of your other one playing my two?

Speaker 2 (56:29):
Yeah?

Speaker 1 (56:30):
My two? Regular? Yeah? Like I know what I'm doing
so yeah yeah.

Speaker 2 (56:35):
Yeah, my too. I don't I don't hit nothing wrong.

Speaker 1 (56:40):
Calm strong man, Noah, for real, I'm saying you're strong man.
You get the wrong baby mummy. You know how that goes?
Oh yeah, for sure something men gonna got the wrong
baby mamma. Yeah that ship run your whole life, the whole.

Speaker 2 (56:52):
Life dragged through courts, drama and niggative and every day man. Yeah,
do nothing like that.

Speaker 1 (57:00):
You think relationships a distraction? It is what makes a distraction.

Speaker 3 (57:04):
Could have got a problem with everything and it ain't
dealing with them.

Speaker 2 (57:09):
You feel what I'm saying. So if I'm right here saying,
I'm finna go bank.

Speaker 1 (57:13):
Do this part. CAS's like, Okay, why I ain't going?
Is that where you're going? Why I ain't going with you?

Speaker 3 (57:21):
Now?

Speaker 1 (57:21):
Manter to come with me? Yeah, you ain't got to
go everywhere I go? Yeah, distraction, Yeah.

Speaker 3 (57:27):
Because they don't understand. They think everything is a lie.
You know what I'm saying.

Speaker 1 (57:30):
Yeah, yeah, with you where you're right? Yeah, niggas not
lying everywhere they're going.

Speaker 3 (57:39):
Here, Damn some niggas. Some niggas is I mean, that's
a nigga. You just gotta what they call a mass cheat.
Know what you got? You know what I'm saying. You
don't call a nigga cheating? Thirteen times then you.

Speaker 1 (57:56):
Know what going on. Ye yeah, yeah, you gotta deal
with it.

Speaker 3 (58:01):
But if I'm saying I will go put them on bankery,
I gotta do this podcasting. That what I'm doing because
I you know, mass Cheetah.

Speaker 1 (58:09):
Really want you to call him on Fay time when
you get there. They definitely do might want to meet you. Yeah,
they don't call you in the minute. I'm down there,
done out. Now.

Speaker 2 (58:17):
It's that ship.

Speaker 1 (58:18):
Uh you see you see you see there with you Yeah. Yeah,
Hey that's a word with a word over said a word.
You just say the first thing come to your head.

Speaker 2 (58:32):
Damn you fuke me over there already.

Speaker 1 (58:35):
A vision, sight, dream, thoughts, peace, peace, I'm going right now. Ship, respect, happiness, loneliness, destiny, destiny.

Speaker 3 (58:55):
God, damn boy, I ain't got no word for that one.

Speaker 1 (59:01):
I feel I ain't got no word for that one. Life. Yeah, honor,
you said, honor, salute, Accountability man, you got you got take.

Speaker 3 (59:22):
Your accountability, consistency, respect, lloyd t character, un demeanor, discipline, disciple,
ship God.

Speaker 1 (59:41):
Damn this fucking me over that one too.

Speaker 2 (59:45):
Mm hmmm hmmmmm.

Speaker 1 (59:48):
They they the sure resilience.

Speaker 3 (59:55):
Resilience, man, I'm gonna say Dansier in my home. Very
Asian focus. Focus. You gotta focused life effort, trying discomfort.

Speaker 2 (01:00:12):
This comfort, uh, this comfort? Damn? What's it good for?
This comfort?

Speaker 1 (01:00:20):
H mm hmmm.

Speaker 2 (01:00:24):
This comfort? I pass on that one.

Speaker 1 (01:00:28):
Mm hmm. I'll take you there, this comfort or that
that just that is that bucked me up? To that
pucked me up?

Speaker 2 (01:00:36):
This comfort mm hm uncomfortable.

Speaker 1 (01:00:40):
Victim society action action mm hm ah.

Speaker 2 (01:00:56):
Fuck, I don't see nothing.

Speaker 1 (01:01:06):
I don't action.

Speaker 3 (01:01:08):
Damn, go to another world. We're gonna come back to action. Fear, Yeah, doubt.

Speaker 2 (01:01:17):
Perspective bank.

Speaker 1 (01:01:21):
When you got stuck on I got stuck on action.
Action Damn. They be a lot of action. Action man.
I think, I think. I think that's a good word
because you don't really know nobody to you. You see
their actions like their mouth. They can say anything, got

(01:01:42):
their mouth.

Speaker 2 (01:01:43):
That's why I really couldn't just hit it.

Speaker 1 (01:01:45):
Yeah, right, like Nigga's actions show who they is, right,
the action show your characters definitely character you read in
the books.

Speaker 2 (01:01:52):
I don't read no books.

Speaker 1 (01:01:53):
Why not?

Speaker 2 (01:01:54):
I read one book?

Speaker 1 (01:01:55):
But one damn? I can't you think of that?

Speaker 3 (01:02:01):
It's a book I read in Jeff four months it's
the only book I ever read in my life.

Speaker 1 (01:02:05):
You don't listen to books.

Speaker 2 (01:02:06):
I don't listen to books.

Speaker 1 (01:02:08):
The motherfuckers life change. I'm gonna give you one. Mother
is my favorite book, man, I don't drunk it. Damn coffee.

Speaker 3 (01:02:17):
For coffee looking my damn favorite book.

Speaker 1 (01:02:21):
I will give you one. It's called God Damn the
Four Agreements, Book of the Week. I do the Book
of the Week, just sending his book Four Agreements. Download
that Mother to listen to it in gym goog.

Speaker 3 (01:02:31):
I'm gonna tell you my book though, the only book
I ever read. Really, it's about it's about paying attention
to signs, paying attention to sign Yeah, I'm gonna.

Speaker 2 (01:02:42):
Tell you.

Speaker 1 (01:02:44):
Damn my book.

Speaker 2 (01:02:45):
Yeah.

Speaker 1 (01:02:45):
That on.

Speaker 2 (01:02:51):
The Chemistry call Nobody.

Speaker 1 (01:02:53):
Alchemists, The Alchemist, The Alchemist. Yeah, that's the only book
I ever read. Yeah, The Alchemist. Yeah, no, the alchemis
heard about the dude searching and.

Speaker 3 (01:03:01):
Searching through yeah yeah, yeah to sign, yeah, and there
with like that's how fits to sign and like.

Speaker 1 (01:03:07):
The aco is hard.

Speaker 3 (01:03:08):
That's the only book, the Book of the Week, man,
the Alchemy that it is hard. Go get that motherfucker
my only book.

Speaker 1 (01:03:13):
What you're doing the group on.

Speaker 3 (01:03:17):
I'm saying I might, I might, I might just we
we we got it's still there.

Speaker 2 (01:03:24):
We might just grab something, come on back out. We
might just go there some up make out hard.

Speaker 1 (01:03:31):
So what y'all doing with that weed brand? When I seen?

Speaker 2 (01:03:33):
What the dude? You know that's my people ship?

Speaker 1 (01:03:36):
Okay, So you just supported that's every day Okay, It's
just me.

Speaker 2 (01:03:42):
I ain't every day with Yeah.

Speaker 1 (01:03:44):
You know what I'm saying that you they're supporting like
that's us Okay, okay, okay, yeah, yeah, yea, yeah, yeah yeah, okay,
yeah I seen. That's what I see. Okay.

Speaker 2 (01:03:53):
It's just I just don't be involved. Yeah yeah, because
there be so much eyes on me.

Speaker 1 (01:03:57):
So that ship was smoking too. I just this to myself.

Speaker 2 (01:04:02):
You know what I'm saying. You know they don't like
me downtown like that?

Speaker 1 (01:04:07):
What's next for goot?

Speaker 2 (01:04:08):
Man? What's this for me? Man?

Speaker 3 (01:04:09):
We got those ain't gonna get some multi means for real?
That's that's definitely for me for sure, because it's like
they could be having the visions thoughts putting ship together.
We just got to see it all the way through,
you know what I'm saying, Like what you got going on.
It's hard for for and I respect it.

Speaker 1 (01:04:26):
I appreciate that, but I feel like I feel like
you can't got that.

Speaker 3 (01:04:29):
Because when I was with him, I was like that
nigga bank did not stop.

Speaker 1 (01:04:34):
What I finna say. You can't keep starting to stop.
You gotta keep going and you got you got the
West Side store. You gotta be you the nigga to
tell it. And that ship was hard to interview, hard
to hear y'all doing the niggas over there, like.

Speaker 3 (01:04:48):
Stop, man, why there'd be some whole talk to the
old niggas then the niggas I'm talking about.

Speaker 1 (01:04:56):
Damn, I don't somebody.

Speaker 3 (01:05:02):
Talk to somebody. God, Damn, the nigga just be. Niggas
be from your side, really do be. They don't want
see you go farther than them.

Speaker 1 (01:05:10):
You already following him though.

Speaker 2 (01:05:11):
I'll be trying to explain to On that. I don't
even explain to him. I just shown. But niggas just
be fine in their way, Like it's some niggas over
there that's real, like real respect for real niggas. Oh
gez e all them niggas.

Speaker 3 (01:05:24):
It'll be other niggas like yeah, majority of Brown's like, yeah,
the vibe terrible.

Speaker 1 (01:05:31):
Damn it is for real. I think she should keep going
with the podcast. No, no, no, for sure, I'm gonna start.

Speaker 3 (01:05:37):
I was just talking to vi No about it that
we've been cramped back up because he wanted the new
trails porter the other day and they were really I
just wasn't really.

Speaker 1 (01:05:45):
Use this ship in my therapy, bro, I just be getting.

Speaker 3 (01:05:48):
But no, I told myself, I told you no, I said,
after I do bank, they'm gonna be ready to go
back to talking.

Speaker 1 (01:05:53):
To give them the name of it so they know
what to come watch it and following YouTube. What's the
name of your podcast politically incorrect? Yeah, I'm saying that's
what you know. What I'm saying, you can come talk
some ship. You ain't got it. It can be wrong
a little bit. We're gonna we're gonna discuss it. Yeah,
that's my ship for sure.

Speaker 3 (01:06:11):
What I'm saying. I came up with that name one day.
I was with Judge Gundy when they were doing the
Cassine read thing. I'm like some political ship and I
thought about it in a baby shower and I told
her that she was at the baby shower. Yeah, I'm
gonna do a park. I'm gonna call it politically correct.
She's like, Nah, these folks be politically eating correct. That's
what I'm gonna run with. Yeah, that's how I got

(01:06:34):
the name. She gave me the name.

Speaker 1 (01:06:36):
How many episodes did y'all put out? Man?

Speaker 3 (01:06:38):
I don't put out by six? I probably got four.
Still sitting there, I'm.

Speaker 1 (01:06:44):
Gear back up. I'm like, you chain location. Yeah, I'm
just changing need to, But I'm just now that the
vide the spot brings the energy. You see what I'm saying,
Like when y'all, I know you can't up stand like
oh now, sut down, s chilling. It ain't like a
like you're gonna walk past some niggas. You're gonna walk

(01:07:05):
past all this nigga really tension, you know what I'm saying. No,
you ain't ain't where you rolled from, where you had
to ride like.

Speaker 3 (01:07:12):
You put up to my spot. We ain't a no building,
yea worry about nobody seeing you when you come on
the street. You just pull it righty and we're gonna
get it there. They create the energy, you know what
I'm saying. Be like why but when they come over there,
they might kick it my boy and then play the
game smoke. We before we do everything like that. How
you try to say that by that? But then I like,

(01:07:33):
I want to trouble with it too. Sometimes do ship
because I don't bout all types ship. I ain't got
any type of spens camera overrail.

Speaker 1 (01:07:40):
We should a big fat with the mother. You got
these big mother it's like this, you don't call that,
sing your name them. He'll be like, damn, let's all
this ship out.

Speaker 3 (01:07:48):
No, I'll be known for sure. But even niggas just
thought a spinning.

Speaker 1 (01:07:53):
But that should make you turn turn it around one time.

Speaker 4 (01:07:58):
Look another epic episode of Perspectives with Big Bank. Follow
on Instagram at Big Bank at Yo Yo Yo.

Speaker 1 (01:08:10):
Don't miss an episode of Perspective with Bank. Perspective with
Bank or production of the Black Effect podcast Network and
our executive producers are Dollar Bishop, Chanel Collins and produced
by Aaron A. King Howard What Up Game. For more
podcasts from iHeart Radio, visit the iHeart Radio app, Apple podcast.
Wherever you get your favorite shows, make sure you follow
Big Bank ATL Perspective with Bank with a K. Make
sure you like to strive. Comment to the Big Fat

(01:08:32):
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