September 1, 2025 • 49 mins
In this episode of Perspecktives with Big Bank, special guest Mook B reflects on his journey from humble beginnings in Atlanta to becoming a respected voice in the music industry. He shares insights on the evolution of Atlanta’s music scene, the role of culture and community in shaping its influence, and the challenges of navigating the ever-changing industry. The conversation highlights the impact of key figures in Atlanta’s musical legacy, the shifts in media representation, and the generational differences in how music is experienced and valued today. Mook B emphasizes the importance of love, understanding, and mental well-being within the community, while expressing his hopes for the continued growth and global influence of Atlanta’s music scene. Tune in and join the conversation in the socials below.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
It gets no better than this. You are now in
June to perspectives with big Bang Bang. Let's get straight
to it. No motion better than no motion. Oak meal
better than no meal, Brian, it all costs. Welcome to
perspective A bank. I'm the host big Bank today. I
got a west side og a legend in the building
(00:23):
with me. B what's happening he did with no bank? Well,
you know, y'all. Man, blessed how you feeling? He hey man,
blessed to be here? Man, Finally, finally, they finally, finally, finally, finally,
hey move Before we even get started, I like to
check everybody mental and see what niggas at mentally, spiritucy
(00:43):
where you at with it? Hey man, I'm blessed to
be here. Man.
Speaker 2 (00:46):
I got the best gift in the world today.
Speaker 3 (00:48):
I woke up, man, and then the best part about it,
I mean, my right frame of mind, the limbs work everything.
You know what I'm saying. The mans, you wake up
and lose your mind. This man's waking up like that.
Speaker 2 (01:00):
You come on, man.
Speaker 1 (01:02):
We see it every day.
Speaker 2 (01:03):
Best best gift in the best gift in the world.
Speaker 1 (01:06):
Man. You know what I'm saying, Take us back to
the beginning. Won't be where you're from the beginning, the beginning.
Speaker 3 (01:12):
I'm born home, Harris Home, vic legend, whatever you want
to put on it. Man, you did what I'm saying,
like I'm I'm west side to the coach on't really
like what you said.
Speaker 1 (01:26):
I'm really for every where. You get that crucial that night?
Speaker 3 (01:33):
You know, you know you an alley ball stay. I
never get that out like that. One of the hardest
shit there was, Like that nigga say he from every.
Speaker 1 (01:41):
Any eggs you get off on it? I got it.
Speaker 3 (01:42):
I gotta mind like like an elephant. Man. Please, I'm sorry,
it's it's hot as fucking moment. We might need to
set my bad you know we.
Speaker 1 (01:52):
Hood I got up. You might need to set the okay,
all right? You say you from every ex get off
every man?
Speaker 3 (02:01):
Yeah, good than any hood in the good Perfect is
my purfect perfect? You know I'm I'm you know, my mama,
my big mama when she was in boring home. Uh,
you know like that, that's what's the goal for everybody
who came into practice. Everybody come from the country, you
know what I'm saying. Then they came to Atlanta. You
know they you know, they spread it out and everybody's
goal was to get you know, get a project, get
(02:23):
a job, and get your own house, never to go.
And my big mama one of those about she got
a hot indicator. You know what I'm saying, Beverdelle.
Speaker 1 (02:30):
You know.
Speaker 3 (02:31):
So I'm back and forth from the West Side to
this day. She's ninety six years old. Love you, big mama,
you know what I'm saying. And she's still in the
same house, you know. So you know I used to
catch the bus me and her twenty four Belverdere from
from from Decatur all the way to the West Side
to go to school elementary school, Man Jones and high school.
Speaker 1 (02:51):
You live what I'm saying.
Speaker 3 (02:51):
So I had to maneuver like that, man, and and
that's how it met a lot of people.
Speaker 1 (02:56):
Man, you know what I'm saying. I even know people
you know, wes pup your mama man died there. You
know what I'm saying.
Speaker 3 (03:04):
Yeah, I h p Wells. You know, you know see
this this what this what moot be about. Man, moot
b is about, you know, just going places like I'm
in the hood.
Speaker 1 (03:16):
I'm really in the hood.
Speaker 3 (03:18):
Like you might kill me at Morrison, the DJ at
Morston the little wedding name would one speaking.
Speaker 1 (03:22):
I'm on the mic doing winning Wham.
Speaker 3 (03:24):
Pen up birthday party where they read the Man with
the Wheel Chaill that the Man got the Boston, the Leader,
the Man and the Man in the Wheel Chail. So
so so you know what I'm saying, like, so you
know you got hey man, So you know it's like
that's what I do.
Speaker 1 (03:38):
Man, you know what I'm saying. You know, you know,
you know when.
Speaker 3 (03:41):
The dance floor left the club, I started going to
the club man, because you know, everybody stars too many
vi p You know, the VIP used to be the stage.
Speaker 1 (03:52):
You know what I'm saying, that was the vi P.
You know what I'm saying, niggas. Niggas was was wanting
to be on the stage.
Speaker 3 (03:57):
You know what I'm saying, ain't necessary rapping just you know,
that's that's the start attraction. But now you got VIPs everywhere,
so it's like when you bring the stars in. You
know what I'm saying, it's it's it's like no niggas,
like a nonsen lunt, you know.
Speaker 2 (04:12):
So it's you know when the party left, that what
made me stop.
Speaker 1 (04:16):
You think I see and don't really respect stars like this.
You know everybody's star, right.
Speaker 3 (04:20):
Yeah, everybody because you know it's it's people haven't tapped
until they high your self. If you tap into your
high yourself, you wouldn't matter what nobody think of you.
You know what I'm saying. All this shit is a stage.
Niggas don't got caught up in the acting, you know
what I mean. Niggas trying to win academic Academy award
rolls in this shit and then what I'm saying like
(04:41):
this stage, this shit ain't real man. You know what
I'm saying, Like, what's real is when you go in
your house and open up that door.
Speaker 1 (04:48):
That's real reality.
Speaker 3 (04:49):
All this ship but you just because ain't none of
it come behind no brink truck. I mean when when
you know when you die, none of this ship behind
that motherfucker. Ain't none of it you around it? Even
your chilling, ain't fucking with the shit you going crazy about.
Nigga be at the front of hey, man, let me
know you wanna say your daddy or you did what
I'm saying like that, ain't stunning that ship like you
(05:10):
if you ain't out here living your life.
Speaker 2 (05:12):
And enjoying your life to the fullest.
Speaker 3 (05:15):
I talk about to the fullet putting God on everything
and not enjoying your life to the fullest. Man, you
really just you just caught up in the maids. Man,
you know what I'm saying, Like you caught up in
the block. I mean, you know, everything is a box.
Your phone, your bed, you wonder, you look out, call,
your dry You know what I'm saying, Like you know, niggas,
niggas like you. You everything gotta be in a box
(05:37):
like you. You you know what I mean. You don't
even you You sleep in your bed.
Speaker 1 (05:40):
Like a robot. I sleep like this.
Speaker 2 (05:43):
I sleep in the cop got that I might sleep
at the bottle.
Speaker 3 (05:45):
Then what I'm saying, like you know, everything is a
box like you gotta train your.
Speaker 1 (05:49):
Mind to to to to.
Speaker 3 (05:52):
Go high, higher than it can. And that's what I miss.
A lot of people up. People look at me, this
nigga on the internet complaining that ship got damn you
didn't know what I'm saying. They were if I could
playing the claude. I don't get fad now from the
motherfucker streets you did.
Speaker 1 (06:07):
I ain't let me ask yourself get into that move.
He asked you something when you first talked about the port,
What was your first thing to do when we first
came out of the port.
Speaker 3 (06:15):
When I first I played sports. I always loved the music.
Speaker 1 (06:19):
Man.
Speaker 2 (06:20):
You know my uncle Wolf Magic City you did.
Speaker 3 (06:22):
You know what I'm saying, Like I'm in the Highway,
he was a DJ, So you know, I see like
I enjoyed. I always loved music. Like I had an opportunity.
I was in Washington High Band. Man, if you from
Atlanta back in the eighties and ninety it wasn't a
hot band with like a concert coming to a football guy.
So I was one of them, March and one hund
(06:42):
And if you in Washington High Band, you you guarantee
to go to college. So I had an opportunity to
go to college. You know what I'm saying. So you
know it was it was, It was. I had a
lot going on on this side, but it was the
music that I loved. And when I went to my
first concert, it with ll cool J Shoty performing at
a house game at the after a house game. I
(07:04):
never forget that, never forget it. Shoty had that god
damn pink panther and had I need to beat ain't
he hair rock the bells? Now that he just had
that singer? You know what I'm saying and shoty out
did that nigga? You do know what I'm saying. Like
back in the day, New York, New York ran the city,
New York like nigga Nigga. You go to a club
(07:24):
and the djil say it's New York in the house.
Speaker 2 (07:27):
The whole club and say hell yeah.
Speaker 3 (07:29):
And you got Atlanta nigga saying hell yeah that she
the motherfucker rubbed me so round off that she rubbed me.
So I talked about Atlanta nigga niggas like I'm gonna
say the name. You know what I mean, Like niggas
like Little John, these niggas out of y'all.
Speaker 1 (07:43):
Yeah, nigga, I ain't the nigga know what? Yeah? Like
that New York. Know the DJ that used to be
an old chat New York in the house, the whole
club would say, hey yeah, because New York Nigga, New
York Nigga used to I mean Atlanta. This seemed to
be so bad.
Speaker 3 (08:01):
And this is why I go out like I go
out Atlanta niggas in a in a in a in
an Atlanta club.
Speaker 1 (08:07):
New York niggas had the whole playlist.
Speaker 3 (08:09):
Atlanta may get a twenty minute sit that shits some
bootys shain shit. You did know what I'm saying. Back
in the day, they're telling me Atlanta nigga a twenty
minute sit. New York niggas had the club on smash.
That's why three thousand says the South got something to say,
cause niggas and nigga what I mean, like Atlanta, you
know niggas on that bootis sha shit. Come in now,
(08:30):
you know what I mean? All that old finger while
them all them niggas who dance behind Outcast with Shake
dance at the Silver Fox. They wore throngs with lead
him bullshit. Yeah, nigga know, I'm telling the God damn
I'm in Atlanta to that. I'm I'm hey, hey, it
all came with it. That's a part of my journey.
(08:52):
I used to be at the Silver Fox. DJ Task
and DJ Smooth or or Outcare DJ, what the name smooth?
Speaker 1 (08:59):
You know, yeah, they were the DJ You did know
what I'm saying.
Speaker 3 (09:02):
So I'm trying to wrap so when the scripper nigga
come on all the real niggas go to the front.
Scripper to go to the front of the club. Female, Yeah,
all the female they you know they come from scripper
niggas with thongs on the hot tap books. You did
you know what I'm saying? The fingerwave? Damn shit, you
know what the fuck I'm talking about?
Speaker 1 (09:20):
You did?
Speaker 3 (09:21):
You know what I'm saying. But this shit was real, like
the fox though, it were real. You got real niggas.
We all us we eat on the patio or were
in front of the club. You know, we're getting the
female at they time. How it was, so you know
what I'm saying, Like I want to wrap though, I
tell Tad and put an instrument on, put friends instrument,
do do do? I'm freestyle, I got you know, you
(09:42):
know women like niggas love. So I'm playing chests like
I'm gonna get the mic before these niggas got there.
Speaker 1 (09:47):
Come on, he got damn you know what I'm saying.
Speaker 3 (09:50):
You know I have them holly for a minute, but
goddamn if I'm up there too long. You know, back
back in the day, Nigga to Wrapped nineteen twenty thirty verses,
You did you know what I'm saying, like, so I
pulled a really that got in and got out. But
I'm rapping some lovers over so the bitch ready to
see the bitches got their waters. They ready to got
them see the degrees ass niggas. You die know what
I'm saying. So you know I had to ny the building.
Speaker 1 (10:10):
You didn't.
Speaker 3 (10:11):
No no direspect to y'all. Cat So don't be you
know if telling the Atlanta story you them niggas got
big money black, you ain't rhyd up beat the back
that ship he beauty, but I ain't hurt nobody, but
look real talk up.
Speaker 1 (10:29):
For them, nigga.
Speaker 3 (10:30):
The dad though, Man, what the bitches like niggas love?
That's how That's why I do fun music I do.
I carted to the women even when I DJ. They'll
tell you at the part, nigga, I'm doing this ship
for the bitches, for the women like fuck you niggas
you did. I don't care that about your bank, none
of that ship. When women like niggas love. Now, I
(10:52):
tell artists make music for the women. Niggas want to
make music for the niggas so they can be in
the third the niggas can be in the V I P.
Speaker 1 (11:00):
Tell the niggas into VI. I P.
Speaker 3 (11:01):
All these female danced with each other. Goot had a
god theren R and B party at the little club.
Speaker 1 (11:06):
What do you need to do? I go to Thursday night?
Speaker 3 (11:08):
You know, I'm oh g I'm yeah on christs, you know,
I'm the older nigga in there.
Speaker 1 (11:12):
But got them.
Speaker 3 (11:12):
But they playing that R and B shit and them
God damn brows and that motherfucker just they having a
good time with niggas Into VI, I P fit the deep.
You know what I'm saying, Like, no, just nigga. All
this freak was like you know what I mean? The
dj't get our nigga got to do a touch or brawl.
Tell her anything, Say.
Speaker 1 (11:32):
Nigga, you want to sticky dick in your ears so
she can hear you coming, Tell her anything she doesn't
got there, Tell her the sniffed the sticky dickie your nose,
what his sniff the nut out of her here.
Speaker 3 (11:41):
She gonna go for it at that moment. You know
what I'm saying, It's gonna go for don't go for her. Yeah,
see down. But you know it'd be like niggas will
sit around nigga roll blunts for niggas. Nigga look a
whole backwood and got there pole weed in there path
to it. He might wear tongue kiss a nigga. He
did what I'm saying, like straight up and down, like
(12:02):
it real. It's just real, bro, you know what I mean,
Like you sit back and Jay analyzed shit. I got
the whole west side, west side. Nigga, don't roll blunt
for nigga, no more car all my mix. We had
a block party and I got a drop. I was like, Nigga, nigga, Nigga,
you know I fire the niggas who don't sit around
the road blunts for niggas.
Speaker 1 (12:21):
Patch yourself on the back, nigga. You ge know what
I'm saying.
Speaker 3 (12:23):
So you know they don't want them a drop and Nigga,
I had the whole bankhead laughing at that shit. So
now it's like, give you the win, you the weed,
and motherfucker tell you to roll the weed. Now, nigga,
you give me a butt, roll my own weed. Nigga,
you roll. I ain't no motherfucker weed rolling. Nigga did
what I'm saying, Nigga, a nigga roll to.
Speaker 1 (12:42):
Roll with what you so so you said said that
would scribble era? What were the next era or the
next era?
Speaker 3 (12:52):
Okay, he comes, he comes like I say, we okay,
I said out care in the era.
Speaker 2 (12:57):
Okay, you got the tip, we got the dope bad.
You know what I'm saying.
Speaker 3 (13:01):
I remember when Tip Tip signed to my cubs. You know,
k P mccooks going to pray that my cut my cad.
Speaker 1 (13:07):
Nigga. I love him. That nigga stole my abb and
when we were little man. You know what I'm saying.
Speaker 3 (13:15):
I wasn't been Don Spart right now, Nigga, but he
put KP, brought the money to Eleanta.
Speaker 1 (13:21):
He did. KP the reason why niggas getting paid.
Speaker 3 (13:23):
K P being in TLC video, that Baby Baby video,
Pebbles was out there them, Nigga used to be dancing.
K P used to be dancing Little Crew and they
got damn was out there. They just put up on
the video. Somebody called him and said TLC shooing Baby
Baby video and Pebbles and Kwan.
Speaker 1 (13:41):
She said, you're gonna be uh what.
Speaker 3 (13:43):
The black girl name in the the group the dogskined
girl Chilly.
Speaker 2 (13:47):
He gonna you're gonna beat her boyfriend in the video.
Speaker 1 (13:49):
Look at the video. I tell her that ship with
the talk of the family.
Speaker 3 (13:52):
I remember Theniga at an Oak lead Bayball Jersey, like
they see what the like nigga?
Speaker 1 (13:57):
You know what I'm saying.
Speaker 3 (13:58):
Yeah, he had a relationship with them, and then t
Balls went to school with Rico. So you know it's
like God timing like and and you know, Kawan a
good He's a you. If you know Kawan, you know
he's one of those type niggas that you can invite.
He ain't gonna fuck it up. I'm gonna fuck it up.
You invite me? You did what I'm saying? My lingo,
my lingo, Like I'm a scale you do you know
(14:20):
what I'm saying?
Speaker 1 (14:20):
Like that?
Speaker 2 (14:21):
Why I keep a nigga know how to talk correct
English around me?
Speaker 1 (14:23):
Bro?
Speaker 2 (14:24):
You did you know what I'm saying? Give them dogs?
You know what I'm saying.
Speaker 1 (14:27):
I'mna fuck him up, like I'm gonna have a motherfucker confused,
Like you're not gonna pick me? You did you know
what I'm saying? Like?
Speaker 3 (14:33):
You know how when you talk to a white person,
white person, Hey, how you doing here? You come back?
Speaker 4 (14:37):
Hey?
Speaker 1 (14:37):
How you the now what's haying the player? You know
what I'm saying.
Speaker 3 (14:40):
I ain't no, ain't no control, like i'd be thinking
like a person be like damn. He tried to speak
better correct English than me, and I talked to motherfucker
how to talk?
Speaker 1 (14:49):
How old you? Motherfucker? You did what I'm saying.
Speaker 3 (14:51):
I talked to you how to talk like so you know,
you know you know it's it's it's I'm just like
I said, I just be.
Speaker 2 (14:57):
I don't know, dall, You're blame God, but that's how
I be.
Speaker 1 (15:01):
On mind, bro, I think we skipped the area it was.
It was first it was Booty shape Ship yea. Then
came after the Booty shake Ship, it was dope boy Nah,
it was Sam and Sam now yeah, dope.
Speaker 3 (15:16):
Bohood niggas c MP, oh yeah, m oh yeah. All
of us at the same studio, Tea in this studio,
all of us foe tip now, yeah, you did a
foe tip right, all of us, Me, Sam and Sam,
c CMP, God, damn two eleven, mister big Time Midnight Black,
all of us at Timm, Tim t in this. If
(15:40):
you don't know who Tim Maya, I'm glad you brought
that up. I'm glad damn you brought it up. Thanks
for not skipping the air. But tim studio was the
studio that niggas who don't have no big old bank
can go to. Cause back in the day, studio time
with like four hundred dollars an hour, and we was
caughting on a ax. He did what I'm saying, real
talk like one know, like if like how shit digital,
(16:03):
Like if you got uh, you gotta have three eight
has to record twenty four track. So if a nigga
making the beat and the beat got eight different sounds
in it, he used an eight of the track and
then you gotta sit there to beat four minute long.
Speaker 1 (16:16):
You gotta sit there and.
Speaker 3 (16:17):
Listen to the snap to the whole four minutes.
Speaker 1 (16:21):
So then he did know what I'm saying.
Speaker 3 (16:22):
So those are the how we used to sit in
the studio like wait on a nigga session, like see
him paying that recording. We was in the stud room.
They hit them down the y'all blow. I'm sitting right
on the goddamn side. Were watching these shit put together.
Tom is the bittime midnight in there making beats, boy,
making beats. You know what I'm saying and shouts out
to Tim Mas.
Speaker 1 (16:41):
What about Be's be making? Yeah yeah, Bee were making beat.
Speaker 3 (16:44):
You know what I mean, Little Tim, But Tim put
out damage tea.
Speaker 1 (16:49):
In this you put out, can't get on. The little
boy made the beat?
Speaker 3 (16:52):
Who did everything A shot a load that day knows
and uh, you know what I mean, that's that's my
Pott and the Pott and we together shouts out the
boy and the macla. He made that beat when he
was seventeen at uh. The first crew I was with
with Ghetto Ghetto Records with Ghetto All Star was on
three hundred Walker Street and Tim pulled up right there,
boy and made that beat. We had a studio on
Walker Street. Mike shout out of Mike Kofil.
Speaker 2 (17:14):
You know what I'm saying. So you know it's a
whole story, Yeah, Mike, Mike, Mike.
Speaker 1 (17:20):
We was.
Speaker 3 (17:20):
We had a group called the Ghetto All Stars and
it was me Trifle born two face, my boy Divine
Trifle from Saint Louis. Trifle went on and started being
He made a couple of beats for Wu Tang. Then
he he became Nilly DJ. Like you know what I'm saying.
All through the while that Nildy. That's trife. He was
in the group with us and uh my boy two
(17:41):
face he's still hanging around. So you know Mike, Mike
had went to the figs. He back now he got
a tow truck service and make a key. Hey man,
you know it's just just a blessing, man, you know
what I'm saying.
Speaker 1 (17:51):
What other area you wanna talk about it? After that era?
Let me see, okay, c MP, now that that was
like the first beginning of the streets coming to it
in tip right right right, the Dope boys in the
trap when when the outcare really really pop, our cat pop,
our cat popped out before seeing P two.
Speaker 3 (18:14):
Yeah yeah, O had the uh the r yeah yeah
in the game the ride, Yeah yeah, that's on that.
Speaker 1 (18:24):
So Boutis shape Ship then came out here then can't
seeing P now, I mean that.
Speaker 3 (18:32):
Street, hold on, we ain't even talking about Yeah, that
was saying the greatest, the greatest of them. A Ko
came like and when the Dope game it's like eighty
eighty nine, like and and and and continue to rain.
Speaker 1 (18:45):
Kelo counter in the mix of the Boutis shape Ship.
Speaker 3 (18:48):
Keo was the only nigga rapping breath of them nigga
doing checks.
Speaker 1 (18:52):
Keo was putting lyrics and singing.
Speaker 3 (18:55):
Every rapper in Atlanta got a piece of Kilo, and
they then keep trying.
Speaker 1 (19:00):
First rappers do the singing. Ship ain't nobody cocaine. That's
a white girl in town.
Speaker 3 (19:05):
He put melodies on it, yea putting melodies on rap.
He put melody. Every rapper in that Yeah this, I
mean every rapper in Atlanta got a piece of Kelo.
Dn they I had a debate me plug in a
slim in cahoun when I was doing my radio, and
(19:26):
in that radio, I was like, Kelo in Atlanta, Georgia,
Kelo is bigger than Outcast.
Speaker 1 (19:33):
Now I said that.
Speaker 3 (19:35):
I said that in a sense where you would hear
Kilo music at a club in Atlanta. I ain't talking
about before somebody put on an outcast rapper. You're gonna
hear a nasty damn so you're gonna hear a baby
baby yeah, and they gonna go.
Speaker 1 (19:50):
Up to it. Yeah.
Speaker 3 (19:51):
Every age, every age, Kelo got eighty old fans.
Speaker 1 (19:55):
You did you know what I'm saying?
Speaker 3 (19:56):
Like the man was out, Cocaine was out like an
ate it something eight like you did what I'm saying, like,
so he got fan, he got man.
Speaker 1 (20:04):
The man got my mama Kelo fan and she said
the one So what what air raheem all that area
right now Rahen.
Speaker 3 (20:12):
Before Kelo Right, he came doing the era with Mojo,
first rapper of them all with Mojo, Mojo and Shadi
you got that. We gotta get out of here, man Mojo.
You know what I'm saying, like you're gonna he really
impressive man Mojo or that's that's that was my mentor,
Like he was our music teacher at Kennedy Camp.
Speaker 2 (20:29):
So Mojo, Mojo Jenians man like Mojo didn't know how
to do that shit.
Speaker 3 (20:33):
You did what I'm all the dances at Washington High Band,
Mojo made them up, you know what I mean, Like
he just you know what I mean. It's and him
is shoty and Kujo got a new record, picture took,
they shot the video for it.
Speaker 1 (20:47):
So then came the Dope. But right after that it
was the crunk right before which one of the crunk
was dope, the dope, the dope, then the crunk Dope
Crump snapped right futuristic right Dria. That's how I break
down you broke it down. Which era do you think
fuck the city up the most? Like made the city
(21:09):
go left? Dude, Yeah, we made the city go left
when the money came. So I can say in the
midst of the snap and in all the future, you know,
they were having fun with the future rich, but we didn't.
(21:31):
We didn't.
Speaker 2 (21:32):
We got the money when you't do ship with it
and wan own ship when want own nothing.
Speaker 3 (21:37):
And when it comes to the entertainment, you know what
I mean, Like we still need somebody to walk us
to New York to go sit down with the executive,
you know what I mean.
Speaker 1 (21:48):
And they're not from Atlanta. Oh, we missed the whole
era too, We missed it. They faced them era.
Speaker 3 (21:54):
Oh yeah that before, yeah, yeah, that before. So I
was shorty then, you know our our I would mold
me like, I'm a lyricist. I'm a backpack type rapper.
Like my first like I said, my first concert with
LLL and Shade. But then when run dmc LLL came
(22:14):
to the Omni and who then and all that, I
was like, did what I want to do? Got them niggas?
You see you see a nigga scratching on the turntables
and these nigga rapping. Then you see l got a
whole radio, big ass radio. He come out to take this.
You did what I'm saying, like that was problem. So
that ship was like them nigga was coming out here
four times a year, you know what I'm saying, doing
(22:37):
the same show. But it was like every more exciting,
more exciting. So that was like did what I want
to do? Who you think was your biggest influence? Though,
like like you looked at like damn man, this shit.
Did nigga make me want to do this?
Speaker 1 (22:50):
Ship?
Speaker 3 (22:51):
I just said them guys right there, man, you know
what I mean? You know them because one no cats
in Atlanta ow that, you know what I mean, They
won't you know, like I learned.
Speaker 1 (22:59):
We we were the fans of the game. Like we
didn't have no like how we got we can go
just did and grab rapper, you know what I'm saying.
Speaker 3 (23:07):
We didn't have that like niggas. We had bands like sos,
but you know, you know we had roadshow, but it
wasn't no it wasn't no nobody getting on, no mic rapping.
We had a lot of dance and groups. You know
what I'm saying, and like do walk groups, you know
what I mean. You know, no niggas doing that type
of stuff. But for us, like entertainment, when it come
to that, we were the fans. And that's why our music,
(23:30):
that's why we took over, because we got a little
part of everybody. We got some New York and our
shit some up top, we got some Miami down South Texas,
we got some West Coast and we put it.
Speaker 1 (23:43):
Out in the pot and we just pull our south something.
You know what I mean? Who you think represented the
city that made made the different cities respect.
Speaker 3 (23:54):
Duneon feminine Okay, done Rico wag. They they ain't like
hand down like like hand they did it, you know
what I'm saying.
Speaker 1 (24:07):
They did it.
Speaker 3 (24:08):
They about the biggest crew that put niggas on like
you know what I mean, a list of cats like
still to this day we know about you know what
I'm saying, from that Dungeon family like they done it.
You know what I'm saying, Like they the only they
produce a rock and roll Hall of Fame group from
(24:29):
we Ko Wait ri Ko Wave, Mama House.
Speaker 1 (24:33):
You know what I'm saying.
Speaker 2 (24:34):
In the Dungeon like a rock and roll Hall of
Fame group came from that what what what?
Speaker 1 (24:41):
Who? You think misrepresents misrepresentated the city the worse? Like
what era? What group? Whatever? Like damn man, we shouldn't
let them go out there on our faces like that.
Speaker 2 (24:54):
I think anything that promoted negative.
Speaker 3 (24:57):
Man, he did what I'm saying, that drill thing and
to just put a black eye in the in the
game period, you know what I'm saying.
Speaker 1 (25:04):
Then you know, like you can't fault you can't fault
the cats who own it.
Speaker 3 (25:10):
You gotta fault the powers that be who allow it
to You did what I mean to reach the massive?
You did, know what I'm saying, Like you know you
look at look at pump Rock, look at look at
look a lot of that type stuff.
Speaker 1 (25:23):
It stayed in their lane. It didn't reach the massive.
Speaker 3 (25:26):
You know, like a lot of that stuff, like we
it's a lot of that pump rock stuff that really
racist in a motherfucker but we'll never hear it. But
they got their own fan base that knew it. You did,
you know what I'm saying. So, but when we allow
that type of.
Speaker 1 (25:40):
Music to get mainscreen, it really fucked the You fuck
because I.
Speaker 3 (25:45):
Said, when me DJing like I'm playing some of it.
You know, Uh, Anti play look young Anti, I tell him,
I shouted, shouted, well shouted a superstar. Don't know where
you at now shouted like with that right there, like
IM tell him I do a kids party.
Speaker 1 (26:04):
I'm playing everything but that music, that kind of music.
But can you please play Anti? Can you please? Please?
Can you please? All?
Speaker 3 (26:15):
You know what I mean like I've been I've been
knowing the little boy since he was a baby, little
man man for Simpson. I ain't know this, you know
what I'm saying, like, yall you be on Simpson a
little dug be like I know him knowing.
Speaker 2 (26:25):
And I didn't know this who d I mean? Man,
I played their little boy song man.
Speaker 3 (26:31):
When I tell you, it's like them little kids were
helping the time and you know all they talking about
shoot them up. I talk about they running around like
it's a my pit, wrapping it word for word like
this little Now I'm talking about like you know these
new kid on be here before and they doing it
(26:51):
like they you know, I talk about know what, know it,
know it and it scared me. Brow kid, I'm talking
about they had and this ship scammed me.
Speaker 1 (26:59):
Bro like, man, I can't.
Speaker 3 (27:00):
I can't be the reason like that that right there,
Like I'm fifty fifty four years old and over them
selling I be fifty five. Like the gaps are too
far from me, Like it's a twenty five or thirty
year gap with me when it comes to dealing with
this this generation.
Speaker 1 (27:16):
My older child thirty five. So you know, it's like
the gaps are way too far.
Speaker 3 (27:21):
I don't even go on the script club like the
Blue Flame and got a lot of the little chicks
in that working. But I know when they were child,
they're running it back, you know what I'm saying, Like
you know it's you know, I'm only coming in there
just probably holler at the DJ and get the hell
on where. It's just it's just that type of respect.
That's why Gooch and all the all them old, all
these cats on the West Side about telling about some
(27:44):
of the most dangerous, hardest. I might be the only
one could say, hey man when they when they up there,
you did what I'm saying, Hey man, what you doing?
Speaker 1 (27:54):
You know what I'm saying, Hey man, what you do?
I might be the only one.
Speaker 3 (27:56):
So you know, it's like the gaps are too far
for me when it comes to that right there, and
that right there gave me an hour opening.
Speaker 1 (28:03):
When I seen them.
Speaker 3 (28:03):
Kids, I was like, nah, I can't be doing that, man,
you know what I mean. That's why I DJ a
lot of adults like for the little little thirty before
they old.
Speaker 1 (28:12):
You know what I mean? That's that's that's the music.
You know, I know how to play.
Speaker 2 (28:17):
But hey, man, you know what I'm saying, it's gonna
he's gonna.
Speaker 3 (28:19):
Need our kids. I don't think these kid needs somebody
just listen to him. Stop pointing the finger at him,
and listen to him, even when it don't make no sense.
Hear that ship out your head out, like your head out.
Then put a mirror in front of their face and
showing how they happening, and it goes and that's and
(28:40):
that that that that's why it worked for me.
Speaker 1 (28:43):
Some of them.
Speaker 3 (28:43):
Look some of these little cats that that some of
the hardest little young cats don't fail in my arm crime.
Some of the little cats they need a hug, you
do know what I'm saying. Some of these little cats
didn't get pat it on their back for a good
report card.
Speaker 1 (28:58):
They didn't get no money.
Speaker 3 (28:59):
You know what I'm saying, like you know it, and
it's infected them as an adult, like you know what
I mean.
Speaker 2 (29:05):
So that's why the old man just say, you gotta
love that hell out of them.
Speaker 1 (29:10):
You saying some ship. You know what I'm saying. Yeah,
you got because I did sh outside of my nigga trap,
doctor Barber, right, I did school with him. Man. We
was just talking to some kids at the school, one
of them school Price, I think, and a lot of
them kids like man ain't never had a hook, not
especially not from no man. So we just went to
hugging me on niggas. Like you said, niggas ain't even
(29:31):
never man, never even been embraced, never even So I
love you, bro. You you gotta go down the hard
ship nigga, gotta get out that heart. I tell all
of them, I love you, bro, I love you, nephew,
I love you. Ain't that wrong with that?
Speaker 3 (29:44):
Come on, a nigga, nigga think you so difficult though,
because cause cause I ain't. I don't let nobody run
me like I'm my own man, like gonna run me
Niggasn't you know what I'm saying.
Speaker 1 (29:55):
Can't nobody tell me what to do? With God and
my mama and my bit mama. You know what I'm saying.
Speaker 3 (30:00):
Like, if I'm wrong, check me. I can stand and
check I can stand it. But if I'm right, I'm finished. Boy,
I'm not shutting up. You know what I'm saying.
Speaker 1 (30:10):
If I'm not shutting up the boy I said, you
don't hesitate the boys your Oh no, for what I
don't bite my tongue. You know what I mean?
Speaker 2 (30:19):
Or you if you bite your tongue, you funk around
and and miss something you did.
Speaker 3 (30:25):
You know what I'm saying. Like you are you know,
don't sleep come to a motherfucker person but a dream.
You do know what I'm saying. So you sit around
here and just you see some fucked up sitting around here.
Just you chet the worst city. You chet the worst
of the person who's doing. How you gotta do it?
Say something?
Speaker 1 (30:42):
Say something telling nigga shit stank.
Speaker 3 (30:45):
You know what I'm saying. Tell the nigga got a bogey.
They know he's sitting there talking to you, and the
nigga got to be.
Speaker 1 (30:49):
You know that shit irritates you. You tell that nigga
brush stank. You know what I'm saying. Come on, Joe,
you did. You know what I'm saying. Put it in
my dog. You know you know what I'm saying. You
know what I mean.
Speaker 3 (30:59):
Clean you mup player, You know you know what I'm saying,
Like they ain't not wrong with that, like and the
wrong with a potner. If a nigga get mad, that's
on their head, like nigga, you shit, they had them booging.
You know, nigga should have checked your mud.
Speaker 1 (31:10):
You know what I mean.
Speaker 3 (31:10):
I ain't gonna be sitting in your face and your
breastmell like shit like you don't drunk. The loved couple runoff.
You want me to talk, You want to talk to
me like I don't want to smell that.
Speaker 1 (31:19):
You know what I'm saying. People just getting that got
too sensitive that what's wrong with folk like you? Not
your feelings? Like love, man, it's all about love. It
may be harsh, but it's real.
Speaker 3 (31:31):
Like can't do not I mean, like, what's wrong with
somebody's checking you got that motherfucking the mirror gonna check
you look at that motherfuck in the mirror.
Speaker 1 (31:41):
He gonna tell you the truth and just shut up.
Speaker 3 (31:43):
Gonna be brushing your cheeth trying to look down now,
look at look at that mother in the mirror, and
look at me in the eye there, look at me
in the eyes.
Speaker 1 (31:49):
Shut up here, gonna tell you all the fuck up
shit you're doing. Give me five things that you'll change
about the city if you're good.
Speaker 3 (31:55):
Five things I changed about the city. Let me see
them damn road, them two lane road. How they fucking up?
Speaker 1 (32:05):
God damn.
Speaker 3 (32:06):
You know what I'm saying, Like I let eighteen wheelers
had eighteen wheelers and busses that have their own streets
on Bankhead, you know what I'm saying, Like like but
being real though.
Speaker 2 (32:18):
I wouldn't change that, man, I won't change that.
Speaker 1 (32:23):
I won't change that. Man.
Speaker 2 (32:25):
I talk out because it's it's alright.
Speaker 1 (32:28):
With me, you know what I mean. It ain't it
ain't it ain't the city, it's the people everything. Like like, man,
we come from.
Speaker 3 (32:36):
I come from watching the Braid playing at Floda County
Stadium to them playing that card County. You know how
many niggas we didn't get a chance to see that,
you know, you know what I mean, nigga didn't get
a chance to see their gray hair and nigga trying
to die black. You want to put a sun We
(32:56):
got a sun roof over your head? You want to
God damn put something on top of You're like, you're
trying to hide this this good shit called life.
Speaker 1 (33:03):
You did what I'm saying, like all this good shit?
What going on?
Speaker 3 (33:07):
You seeing transformations of you know what I mean? Like
it's the people because every hundred years, it's new people
come on the planet. Were already at seventy five twenty
five in? So you bout it?
Speaker 1 (33:20):
You know what I mean? By the joint is shit?
Hold up?
Speaker 3 (33:22):
Break there now, it's every one hundred years new people
come on the planet. So what already plant? Were already
at seventy five years? It's seventy five years already in
because it's twenty twenty five. So the person who twenty
five years old was born in two thousand. You did
(33:43):
know what I'm saying. The person who was born in
two thousand, year two thousand is twenty five years old,
either twenty four or twenty five.
Speaker 1 (33:51):
He got twenty five more year?
Speaker 3 (33:52):
Who living one hundred years? How many people on five
finger you know they're living a hundred years?
Speaker 1 (33:58):
Okay, yea yea yeah. Do you know what I'm saying? Yo?
Speaker 3 (34:01):
We're seventy five in. I mean we're twenty five in already.
You ain't got I mean, like I pray I got
another hundred.
Speaker 1 (34:08):
You got what I'm saying. We I mean, like you
understand what I'm saying.
Speaker 3 (34:12):
Yeah, So you're boy, we are the line motherfucker that
was born in the nineteen hundreds. We was on the
earth when people were born in eighteen hundreds, remember motherfucker
to be like, but they were born in eighteen hundred.
Speaker 1 (34:24):
We are them folk.
Speaker 3 (34:25):
Now we don't know if I'm gonna be in two thousand,
but you were born in nineteen.
Speaker 1 (34:32):
What if you tell a young nigga you born in nineteen,
It's like, what, like my big.
Speaker 3 (34:38):
Mama born in nineteen twenty? You know how that that
shit is to my grandson nineteen?
Speaker 4 (34:44):
What?
Speaker 1 (34:44):
You know what I'm saying. So it's like you're right.
We I mean, like nigga, you don't got to enjoy
Like if you don't, why come on? Why? Yeah?
Speaker 3 (34:52):
Hey boy, you hanging with nine broke nigga. You're gonna
be the tenth broke nigga. And they take a cuckle
to make a player, which which line you're gonna stand in?
Speaker 1 (34:58):
Take a sucker to make a player.
Speaker 3 (35:00):
Yeah, which line you're gonna stand in? We need them
take something to make a player. We need them, We
need them to gain. Everything is a balance.
Speaker 1 (35:07):
To run a car.
Speaker 3 (35:08):
You got a positive any negative, you can't run that car.
That God damn that positive, that positive battery, just this
o that big Gotta have some niggas. You gotta be balanced.
I talk about like, you know what I mean. You
gotta have the faith. If you ain't got that kind
of faith in God, excuse me, you.
Speaker 1 (35:25):
Ain't got that kind of faith in God? What I
just do? Stood up and ded what down?
Speaker 3 (35:31):
And I ain't got damn look back to see what
the chair was gonna hold me up, and then I
knew it was gonna hold me up. If you ain't
got that kind of faith, my nigga, get out the way,
especially mine. You know what I'm saying, Because I got
that kind of faith everything I been doing working. You
may have a bigger this and the bigger that, but
I'm I'm all right. I ain't broke, you.
Speaker 1 (35:53):
Know what I'm saying.
Speaker 3 (35:53):
Yeah, my little, my little my little little little little tent,
I got, Hey, man, it's mine.
Speaker 1 (36:00):
Anybody little cars I'm driving it. You know what I'm saying.
Speaker 3 (36:03):
You know my little couple of outfits exactly. You know
what I'm saying, like I'm enjoying my I like cleaning
my shoes. You sit your shit in the clot like
stupid ass nigga. You got five bed, bathroom, all the
motherfucking rooms in your house, and you got damn you
just going in one room to day. You got to
call the plumber every month if comfort fuck with your toilet. Car,
(36:25):
you got ring around that ship car. You don't even
use your bathroom. You got all these fucking room. Won't
evenvite nobody over there to come stay with your car.
You got damn it. Just that kind of motherfucker.
Speaker 2 (36:35):
You just just fucked up, like hicking the rich stupid ass.
Speaker 3 (36:39):
Folk bed roomhouse you in that bit. You just going
in run room every day. You know what I'm saying,
I ain't even going to your other room. Probably ain't
winning winning them rooms all year, got clothes in the
motherfucker shoes knowing folks got damn need that ship.
Speaker 5 (36:53):
You just just just just just just I don't know,
let me ask you something because it's like, well, your
pay I always take your pay laughing, Hey, what what
be making you teak?
Speaker 1 (37:05):
Though? Like? I beat that? Make me give the game away? Man?
That ship did be.
Speaker 3 (37:10):
I see certain ship, then I performed. I had to
perform that ship. I be like, I'm gonna do this ship.
You know what I mean, because you know it's it's
it's it's it's social media, but it's it's game like.
I went from five hundred views of month to three
point nine million views of every thirty day. I'm working
this shit gonna turn into something. He did what I'm saying. Mother,
(37:33):
I gonna be like, hey, move, hey promote.
Speaker 1 (37:37):
Yeah yeah, I'm working like so, I'm gonna turn up however,
any ever, any plain a way to skin a cat?
What you don't like they love? I get more good coming,
then I get hey coming. I'm quitting. Block a nigga quick, No,
I set you up. I let you say some slick shit.
Then I come back and say something you as soon
(37:57):
I see your typing out blocking you mad damn move
while you're blocking nigga. I don't want to hear that.
You know, Hey, I talked, I'm quit. I ain't got
no problem back doing that.
Speaker 3 (38:09):
You know what I'm saying, so you know it's real
with me, brother, like you you know that's why niggas
can't figure You will never figure me out, like you
know what I mean, Like you'll never figure me out
like you will never like playing playing the tops, You'll
never catch me.
Speaker 1 (38:26):
You'll never catch me. You do know what I'm saying.
So yeah, I know niggas be like man that nigga
moved me, most of them than the motherfucker man By
Like when the ship with the wind women, was that
trolling or you just no that right? I didn't not
one time I said them good to no, no, no, no,
you you're talking about like y'all niggas know where this
(38:46):
ship comes from, basically like.
Speaker 3 (38:47):
Talking to the media media, And that's why I was
trying to let niggas know. This is why I be
mad at Atlanta niggas in media. It is not from Atlanta.
Them nigga go far as god damn outside drive and
think they know the whole Atlanta store because the motherfucker
from the city and told them.
Speaker 1 (39:05):
Little it's and pieces and they put their own sit together. Biddy,
you don't know the story or the nigga.
Speaker 3 (39:09):
You did know what I'm saying and then the motherfuckers
and why bank ain't got no show on the radio.
His ship to do numbers way more than the nigga's
on the radio in Atlanta. Now you know what I'm
saying like that, that's but but yeah, but get what.
It ain't the money, you straight.
Speaker 1 (39:28):
They gotta control you too, though we can't be us.
But but get what but get what?
Speaker 3 (39:32):
Get wet though you scraight you you that platform as
an opportunity to pull somebody else in the game. God
lift you up with one hand, so you got another
hand to pull somebody else up. Steege stege stiege job,
learn how to motherfucking listen. He got fired from his
own company and they had to hire him back. He
came back at the strategiest You did what I'm saying, Okay, cool,
(39:56):
you got there, know how to do this? You run
this his It's not Liz only went so far into
making computer. He ain't had no clue of that his
game can turn to a motherfucking god damn iPad iPod.
He didn't know that what he created that and it's
but he had to teach the motherfucker his job better
(40:17):
than him and wasn't jealous when the nigga God damned
learned his game.
Speaker 1 (40:22):
Legendre what's that in? My brother legendary Ray Daniels just
put it here.
Speaker 3 (40:27):
Yeah, yeah, he came in the bank head, Yeah, talking
about I mad with Goop, I mad with Goo. I
never go now youn goo. Oh gee you gotta go
see move b I'm that a bankhead.
Speaker 1 (40:41):
Hey move one more thing, man? What we were talking
about to win usually say about the wind, women and
the wind. Wow yeah man, that one. No one No.
Speaker 3 (40:50):
It was like you know, like I was saying, like media, man,
it's like they day they you know, they only hear
what they hear.
Speaker 1 (40:56):
You don't do the research.
Speaker 3 (40:57):
Like that song fifteen it's teen years old. That song
down there, the little girl was a little girl. That
song is Double D DJ Double D Shots. How the
Double D Coalition DJ I brought a CD to this
man at the American Legion that nigga. I bought him
a Hennison and the Hannigant he did know what I'm saying.
You put it on the headphone while they was that.
(41:19):
Nigga said, boy, I liked them for the play then
now and the rest of history. That how I went
and the song grew legs. The song grew legs on
his own. Derek told t Rock to take that ship off.
I'm in the cut, DEVI got crucial. They're talking about that.
I'm trying to try and work this record. Man, take
that ship out. I come out of cut.
Speaker 2 (41:38):
David, God damn, he couldn't even look me in the eye.
Speaker 1 (41:41):
Did what I'm saying.
Speaker 3 (41:41):
I'm like, damn John, what I mean? So you know
it's it's that record. I worked that record low even Low.
Speaker 1 (41:47):
Was didn't like it. Low scene. God damn boy got
to run with move Hey one more thing. How how
challenging was it to break through with the defoel shit
with the Snapman.
Speaker 3 (41:59):
I mean know that ship was easy because you know,
me and t Rock we we we set this ship off.
Like west Side Wednesday. Everybody on in my open mic said,
west Side Wednesday got a deal. Nobody in Atlanta never
done it, and our music is still playing to this day.
Ketchup niggas, everybody, everybody dfo Well, k Rap Baker, road Boy, blockhead,
(42:21):
motherfucker being here, squad Yola, motherfucker keep on doing and
our music still playing today. All these niggas came and
gave me a CD and got damn it from the
studio and performed on my open mic and their music
and all us got deals, all of us, all of
us got deals.
Speaker 1 (42:38):
Snapped move all us, all us tell us how that
shit started. It was a little rial at first with
with laying them in y'all.
Speaker 3 (42:49):
Remember, oh yeah, you know I put franchise on that
my group. I recorded White t that was my group.
Co Koke Brother co Cooke Brother had Crime on.
Speaker 1 (43:00):
On the radio.
Speaker 3 (43:02):
And got damn my son Front Street Woe remember that song,
Front Street Woe? Nook if your book in white tea
with the hottest on in the pool patter, I don't
give a fuck t I record you play the three
songs t rock got to play on back to back.
So he interviewed Crime up. I don't even know who
they is, but you know what I mean, Cocoke like this,
then my nigga. I finished sposed everybody them right here,
(43:23):
Finn to be real hot. I finished sposed the radio
with this one. This story you told me to go.
I'm been disposed, motherfucker. Anyway, God damn it, he got coke,
he got h what's called down there? Crime interview? I
called a back line coke.
Speaker 1 (43:40):
What's up?
Speaker 3 (43:40):
Let me I let them folk man, tell them folk
man about you know, they got a hot record, you
know what I mean. He let me put me on
the speaker. He said, they hear you. I said, yeah, man,
they move, b man. You know, I just won't tell
y'all man, y'all record nook if your book it's a
bang on bankhead. You know what I'm saying. I got
there my song Front Street Woe.
Speaker 1 (44:00):
I said, three songs that come on in the pool,
pallid white tea, Front Street Woe, and y'all sung the
club go Crags Coco like white tea. You said, moop
b I was saying, oh, West Fullton yesterday. That was
on a Thursday. Now, he said. I took on my
throwback and I had on the white tea.
Speaker 3 (44:16):
Everybody in everybody in the uh in out of thettle
kid kept singing in my white tea.
Speaker 1 (44:21):
That's goosing him.
Speaker 3 (44:22):
That's all them, That's that's all all them going to
wait for They were little boy. You did what I'm
saying in my white tease. How the kid in my
white tea? Like you know who those guys are? I'm like, yeah, break.
Speaker 1 (44:33):
Them down here.
Speaker 3 (44:34):
Now, I went for motherfucking Alan Temple, Simpson Road, the
Hollywood Road. I had a setting the eight dog ram
truck picked them niggas up, going down the radio stations.
Ain't nobody on the bankhead now like we we project
niggas like poet need the more. He did, what I'm
talking about real nigga shit, this real two stir if
um lying my mama's sister. God damn it, tell this
(44:58):
real shit. So we get out now. Cocho said, all right,
we're finna go back to Defoel's studio. We go back
to defoyl studio. Man get a twenty piece of church
chicken and half Thingny Henderson. He said, God damn it,
I want you to record a radio verse, but put
my name in it. And they were trying to think
how they were gonna do it. Probably they were like
Cocho brother and my home team and my wife team,
(45:20):
remember that you need to be on the radio.
Speaker 1 (45:21):
Now. I recorded that. I record that right there. They
recorded it right I recorded, missed it and everything gave
and the CD.
Speaker 2 (45:27):
He sitting in the studio with us. He said, I'm
finna make this song number one.
Speaker 1 (45:32):
Got a hug prayed.
Speaker 3 (45:34):
He said, God that everything gotta come through Moop. The
song get bigger than what he thought he was gonna get.
They get on Birthday Bass. She did what I'm saying,
so Coke. He come to me on some slick shit.
He said, moove in order for me to in order
for it for us to put it on rotation, they
need to be signed to a label. You ain't got
no label. So what we're gonna do. We're gonna run
(45:56):
them through, right heend label. Jed ain't gonna sit down
with nobody. Jim Smoking Bee, he ain't gonna sit all
the nigga run a game. He ain't gonna sit down
with nobody unless goddamn you know what I'm saying. They
signed to a label. So me being happy, you know.
Speaker 1 (46:11):
What I mean. I'm just glad.
Speaker 3 (46:12):
I'm glad somebody from the West Side got some shit
on the radio. You did know what I'm saying, Nigga run.
I don't give a fuck. You did know what I'm saying?
Like they can go through or right? Heint, I don't
give a fuck. Now, I'm just the manager.
Speaker 1 (46:24):
You know what I'm saying. I don't went from them big.
Speaker 3 (46:27):
You know what I mean, I'm just I'm happy to
do this shit come up between men and them, you
know what I mean? You know they know what it was,
and they know they know what's right and what's wrong.
Speaker 2 (46:37):
I get it sed out. It's me out. Folks, get
a deal with universe.
Speaker 1 (46:44):
Nigga.
Speaker 3 (46:44):
Give me, nigga, give me seven hundred dollars check, what's
the name? Give me a thousand out a four hundred something.
Speaker 1 (46:53):
Nigga. Wonder why I got an attitude that happened?
Speaker 3 (47:02):
Why I be on the internet going, motherfucker got damn
what the fucker?
Speaker 1 (47:07):
D money? U two D money? Who's D money? D money?
D money? Where's d Mark Wood? D money? Glen Wood? Yeah?
Well yeah, what money you need on me?
Speaker 3 (47:17):
See O me a million dollar for what dfo hel
D money ain't paying nobody from dfo hel. Y'all signed
the dfo he on the scrint the load. We could
have win and got our own.
Speaker 1 (47:28):
Motherfucker.
Speaker 3 (47:28):
Did them folks that wanted me fae bo and god
damn stunt hold on the money did do so?
Speaker 1 (47:36):
Yeah? I brought him. He ain't even had the upfront
money to give.
Speaker 3 (47:39):
I brought him some ike, brought the shoot box with
some money because we were like, man, we you know,
I'm telling you real ship. I'm keeping this nigga. Wonder
where I got an attitude? Hold on, yeah, I don't
want to get in that day. Yeah for netflick.
Speaker 1 (47:53):
Yeah, well you want to know that story?
Speaker 4 (47:56):
Pay me, Hey, pay me, I'm asking to steal, so
hold on. Yeah, it's on the next So we'll see
y'all over the net.
Speaker 1 (48:07):
So we got so got it. We'll see y'all in
the show. I'll go right hey, man, y'all tell my
nigga wo be man go to the big that network, like.
Speaker 6 (48:16):
Yeah, let me say this, man, I got a new
record out, man k rap Man, probably lack a fan Man,
the hottest record I talking about, like like this, the
nigga who made Laughing Taffy and the nigga who wrapped
on Laughing Taffy came together and made another hot record,
probably lack a fan Man.
Speaker 1 (48:30):
It's on YouTube. Go foruck with me, man, y'all won
a while. You need to whoop me ray, they ain't
need to help me get some money. To let me
get some money.
Speaker 3 (48:39):
That you around and Bentley with bitches niggas come up,
Let me get some money, nigga.
Speaker 1 (48:44):
Rod Russe, shut out. Let me get my hat to
me yo yah yeah yeah y'all yeah, to get my hat.
Let me get my official west side whooped the whoop
shooby doo hat man, everybody all the o g got
one of these on the west side man, so offishing black.
One of these. This is a one timer.
Speaker 6 (49:01):
You put it on one time and if you got
an old school or whatever, you throw it in the
back in the water in the back and you know
the hat you.
Speaker 3 (49:09):
Throw them on back, then you can't put you you
know what I mean, our minds in my leg and
my jag, so you know we got.
Speaker 1 (49:16):
You know what I mean?
Speaker 6 (49:16):
You know we everybody know once you had one of
them in the watering and number the one time now
one time and then throw them in the winter.
Speaker 1 (49:24):
I appreciate you, my brother man. God it good. Another
fic episode of Perspectives with Big Bank. Follow on Instagram
at Big Bank at Yo Yo Yo,
It gets no better than this. You are now in
June to perspectives with big Bang Bang. Let's get straight
to it. No motion better than no motion. Oak meal
better than no meal, Brian, it all costs. Welcome to
perspective A bank. I'm the host big Bank today. I
got a west side og a legend in the building
(00:23):
with me. B what's happening he did with no bank? Well,
you know, y'all. Man, blessed how you feeling? He hey man,
blessed to be here? Man, Finally, finally, they finally, finally, finally, finally,
hey move Before we even get started, I like to
check everybody mental and see what niggas at mentally, spiritucy
(00:43):
where you at with it? Hey man, I'm blessed to
be here. Man.
Speaker 2 (00:46):
I got the best gift in the world today.
Speaker 3 (00:48):
I woke up, man, and then the best part about it,
I mean, my right frame of mind, the limbs work everything.
You know what I'm saying. The mans, you wake up
and lose your mind. This man's waking up like that.
Speaker 2 (01:00):
You come on, man.
Speaker 1 (01:02):
We see it every day.
Speaker 2 (01:03):
Best best gift in the best gift in the world.
Speaker 1 (01:06):
Man. You know what I'm saying, Take us back to
the beginning. Won't be where you're from the beginning, the beginning.
Speaker 3 (01:12):
I'm born home, Harris Home, vic legend, whatever you want
to put on it. Man, you did what I'm saying,
like I'm I'm west side to the coach on't really
like what you said.
Speaker 1 (01:26):
I'm really for every where. You get that crucial that night?
Speaker 3 (01:33):
You know, you know you an alley ball stay. I
never get that out like that. One of the hardest
shit there was, Like that nigga say he from every.
Speaker 1 (01:41):
Any eggs you get off on it? I got it.
Speaker 3 (01:42):
I gotta mind like like an elephant. Man. Please, I'm sorry,
it's it's hot as fucking moment. We might need to
set my bad you know we.
Speaker 1 (01:52):
Hood I got up. You might need to set the okay,
all right? You say you from every ex get off
every man?
Speaker 3 (02:01):
Yeah, good than any hood in the good Perfect is
my purfect perfect? You know I'm I'm you know, my mama,
my big mama when she was in boring home. Uh,
you know like that, that's what's the goal for everybody
who came into practice. Everybody come from the country, you
know what I'm saying. Then they came to Atlanta. You
know they you know, they spread it out and everybody's
goal was to get you know, get a project, get
(02:23):
a job, and get your own house, never to go.
And my big mama one of those about she got
a hot indicator. You know what I'm saying, Beverdelle.
Speaker 1 (02:30):
You know.
Speaker 3 (02:31):
So I'm back and forth from the West Side to
this day. She's ninety six years old. Love you, big mama,
you know what I'm saying. And she's still in the
same house, you know. So you know I used to
catch the bus me and her twenty four Belverdere from
from from Decatur all the way to the West Side
to go to school elementary school, Man Jones and high school.
Speaker 1 (02:51):
You live what I'm saying.
Speaker 3 (02:51):
So I had to maneuver like that, man, and and
that's how it met a lot of people.
Speaker 1 (02:56):
Man, you know what I'm saying. I even know people
you know, wes pup your mama man died there. You
know what I'm saying.
Speaker 3 (03:04):
Yeah, I h p Wells. You know, you know see
this this what this what moot be about. Man, moot
b is about, you know, just going places like I'm
in the hood.
Speaker 1 (03:16):
I'm really in the hood.
Speaker 3 (03:18):
Like you might kill me at Morrison, the DJ at
Morston the little wedding name would one speaking.
Speaker 1 (03:22):
I'm on the mic doing winning Wham.
Speaker 3 (03:24):
Pen up birthday party where they read the Man with
the Wheel Chaill that the Man got the Boston, the Leader,
the Man and the Man in the Wheel Chail. So
so so you know what I'm saying, like, so you
know you got hey man, So you know it's like
that's what I do.
Speaker 1 (03:38):
Man, you know what I'm saying. You know, you know,
you know when.
Speaker 3 (03:41):
The dance floor left the club, I started going to
the club man, because you know, everybody stars too many
vi p You know, the VIP used to be the stage.
Speaker 1 (03:52):
You know what I'm saying, that was the vi P.
You know what I'm saying, niggas. Niggas was was wanting
to be on the stage.
Speaker 3 (03:57):
You know what I'm saying, ain't necessary rapping just you know,
that's that's the start attraction. But now you got VIPs everywhere,
so it's like when you bring the stars in. You
know what I'm saying, it's it's it's like no niggas,
like a nonsen lunt, you know.
Speaker 2 (04:12):
So it's you know when the party left, that what
made me stop.
Speaker 1 (04:16):
You think I see and don't really respect stars like this.
You know everybody's star, right.
Speaker 3 (04:20):
Yeah, everybody because you know it's it's people haven't tapped
until they high your self. If you tap into your
high yourself, you wouldn't matter what nobody think of you.
You know what I'm saying. All this shit is a stage.
Niggas don't got caught up in the acting, you know
what I mean. Niggas trying to win academic Academy award
rolls in this shit and then what I'm saying like
(04:41):
this stage, this shit ain't real man. You know what
I'm saying, Like, what's real is when you go in
your house and open up that door.
Speaker 1 (04:48):
That's real reality.
Speaker 3 (04:49):
All this ship but you just because ain't none of
it come behind no brink truck. I mean when when
you know when you die, none of this ship behind
that motherfucker. Ain't none of it you around it? Even
your chilling, ain't fucking with the shit you going crazy about.
Nigga be at the front of hey, man, let me
know you wanna say your daddy or you did what
I'm saying like that, ain't stunning that ship like you
(05:10):
if you ain't out here living your life.
Speaker 2 (05:12):
And enjoying your life to the fullest.
Speaker 3 (05:15):
I talk about to the fullet putting God on everything
and not enjoying your life to the fullest. Man, you
really just you just caught up in the maids. Man,
you know what I'm saying, Like you caught up in
the block. I mean, you know, everything is a box.
Your phone, your bed, you wonder, you look out, call,
your dry You know what I'm saying, Like you know, niggas,
niggas like you. You everything gotta be in a box
(05:37):
like you. You you know what I mean. You don't
even you You sleep in your bed.
Speaker 1 (05:40):
Like a robot. I sleep like this.
Speaker 2 (05:43):
I sleep in the cop got that I might sleep
at the bottle.
Speaker 3 (05:45):
Then what I'm saying, like you know, everything is a
box like you gotta train your.
Speaker 1 (05:49):
Mind to to to to.
Speaker 3 (05:52):
Go high, higher than it can. And that's what I miss.
A lot of people up. People look at me, this
nigga on the internet complaining that ship got damn you
didn't know what I'm saying. They were if I could
playing the claude. I don't get fad now from the
motherfucker streets you did.
Speaker 1 (06:07):
I ain't let me ask yourself get into that move.
He asked you something when you first talked about the port,
What was your first thing to do when we first
came out of the port.
Speaker 3 (06:15):
When I first I played sports. I always loved the music.
Speaker 1 (06:19):
Man.
Speaker 2 (06:20):
You know my uncle Wolf Magic City you did.
Speaker 3 (06:22):
You know what I'm saying, Like I'm in the Highway,
he was a DJ, So you know, I see like
I enjoyed. I always loved music. Like I had an opportunity.
I was in Washington High Band. Man, if you from
Atlanta back in the eighties and ninety it wasn't a
hot band with like a concert coming to a football guy.
So I was one of them, March and one hund
(06:42):
And if you in Washington High Band, you you guarantee
to go to college. So I had an opportunity to
go to college. You know what I'm saying. So you
know it was it was, It was. I had a
lot going on on this side, but it was the
music that I loved. And when I went to my
first concert, it with ll cool J Shoty performing at
a house game at the after a house game. I
(07:04):
never forget that, never forget it. Shoty had that god
damn pink panther and had I need to beat ain't
he hair rock the bells? Now that he just had
that singer? You know what I'm saying and shoty out
did that nigga? You do know what I'm saying. Like
back in the day, New York, New York ran the city,
New York like nigga Nigga. You go to a club
(07:24):
and the djil say it's New York in the house.
Speaker 2 (07:27):
The whole club and say hell yeah.
Speaker 3 (07:29):
And you got Atlanta nigga saying hell yeah that she
the motherfucker rubbed me so round off that she rubbed me.
So I talked about Atlanta nigga niggas like I'm gonna
say the name. You know what I mean, Like niggas
like Little John, these niggas out of y'all.
Speaker 1 (07:43):
Yeah, nigga, I ain't the nigga know what? Yeah? Like
that New York. Know the DJ that used to be
an old chat New York in the house, the whole
club would say, hey yeah, because New York Nigga, New
York Nigga used to I mean Atlanta. This seemed to
be so bad.
Speaker 3 (08:01):
And this is why I go out like I go
out Atlanta niggas in a in a in a in
an Atlanta club.
Speaker 1 (08:07):
New York niggas had the whole playlist.
Speaker 3 (08:09):
Atlanta may get a twenty minute sit that shits some
bootys shain shit. You did know what I'm saying. Back
in the day, they're telling me Atlanta nigga a twenty
minute sit. New York niggas had the club on smash.
That's why three thousand says the South got something to say,
cause niggas and nigga what I mean, like Atlanta, you
know niggas on that bootis sha shit. Come in now,
(08:30):
you know what I mean? All that old finger while
them all them niggas who dance behind Outcast with Shake
dance at the Silver Fox. They wore throngs with lead
him bullshit. Yeah, nigga know, I'm telling the God damn
I'm in Atlanta to that. I'm I'm hey, hey, it
all came with it. That's a part of my journey.
(08:52):
I used to be at the Silver Fox. DJ Task
and DJ Smooth or or Outcare DJ, what the name smooth?
Speaker 1 (08:59):
You know, yeah, they were the DJ You did know
what I'm saying.
Speaker 3 (09:02):
So I'm trying to wrap so when the scripper nigga
come on all the real niggas go to the front.
Scripper to go to the front of the club. Female, Yeah,
all the female they you know they come from scripper
niggas with thongs on the hot tap books. You did
you know what I'm saying? The fingerwave? Damn shit, you
know what the fuck I'm talking about?
Speaker 1 (09:20):
You did?
Speaker 3 (09:21):
You know what I'm saying. But this shit was real, like
the fox though, it were real. You got real niggas.
We all us we eat on the patio or were
in front of the club. You know, we're getting the
female at they time. How it was, so you know
what I'm saying, Like I want to wrap though, I
tell Tad and put an instrument on, put friends instrument,
do do do? I'm freestyle, I got you know, you
(09:42):
know women like niggas love. So I'm playing chests like
I'm gonna get the mic before these niggas got there.
Speaker 1 (09:47):
Come on, he got damn you know what I'm saying.
Speaker 3 (09:50):
You know I have them holly for a minute, but
goddamn if I'm up there too long. You know, back
back in the day, Nigga to Wrapped nineteen twenty thirty verses,
You did you know what I'm saying, like, so I
pulled a really that got in and got out. But
I'm rapping some lovers over so the bitch ready to
see the bitches got their waters. They ready to got
them see the degrees ass niggas. You die know what
I'm saying. So you know I had to ny the building.
Speaker 1 (10:10):
You didn't.
Speaker 3 (10:11):
No no direspect to y'all. Cat So don't be you
know if telling the Atlanta story you them niggas got
big money black, you ain't rhyd up beat the back
that ship he beauty, but I ain't hurt nobody, but
look real talk up.
Speaker 1 (10:29):
For them, nigga.
Speaker 3 (10:30):
The dad though, Man, what the bitches like niggas love?
That's how That's why I do fun music I do.
I carted to the women even when I DJ. They'll
tell you at the part, nigga, I'm doing this ship
for the bitches, for the women like fuck you niggas
you did. I don't care that about your bank, none
of that ship. When women like niggas love. Now, I
(10:52):
tell artists make music for the women. Niggas want to
make music for the niggas so they can be in
the third the niggas can be in the V I P.
Speaker 1 (11:00):
Tell the niggas into VI. I P.
Speaker 3 (11:01):
All these female danced with each other. Goot had a
god theren R and B party at the little club.
Speaker 1 (11:06):
What do you need to do? I go to Thursday night?
Speaker 3 (11:08):
You know, I'm oh g I'm yeah on christs, you know,
I'm the older nigga in there.
Speaker 1 (11:12):
But got them.
Speaker 3 (11:12):
But they playing that R and B shit and them
God damn brows and that motherfucker just they having a
good time with niggas Into VI, I P fit the deep.
You know what I'm saying, Like, no, just nigga. All
this freak was like you know what I mean? The
dj't get our nigga got to do a touch or brawl.
Tell her anything, Say.
Speaker 1 (11:32):
Nigga, you want to sticky dick in your ears so
she can hear you coming, Tell her anything she doesn't
got there, Tell her the sniffed the sticky dickie your nose,
what his sniff the nut out of her here.
Speaker 3 (11:41):
She gonna go for it at that moment. You know
what I'm saying, It's gonna go for don't go for her. Yeah,
see down. But you know it'd be like niggas will
sit around nigga roll blunts for niggas. Nigga look a
whole backwood and got there pole weed in there path
to it. He might wear tongue kiss a nigga. He
did what I'm saying, like straight up and down, like
(12:02):
it real. It's just real, bro, you know what I mean,
Like you sit back and Jay analyzed shit. I got
the whole west side, west side. Nigga, don't roll blunt
for nigga, no more car all my mix. We had
a block party and I got a drop. I was like, Nigga, nigga, Nigga,
you know I fire the niggas who don't sit around
the road blunts for niggas.
Speaker 1 (12:21):
Patch yourself on the back, nigga. You ge know what
I'm saying.
Speaker 3 (12:23):
So you know they don't want them a drop and Nigga,
I had the whole bankhead laughing at that shit. So
now it's like, give you the win, you the weed,
and motherfucker tell you to roll the weed. Now, nigga,
you give me a butt, roll my own weed. Nigga,
you roll. I ain't no motherfucker weed rolling. Nigga did
what I'm saying, Nigga, a nigga roll to.
Speaker 1 (12:42):
Roll with what you so so you said said that
would scribble era? What were the next era or the
next era?
Speaker 3 (12:52):
Okay, he comes, he comes like I say, we okay,
I said out care in the era.
Speaker 2 (12:57):
Okay, you got the tip, we got the dope bad.
You know what I'm saying.
Speaker 3 (13:01):
I remember when Tip Tip signed to my cubs. You know,
k P mccooks going to pray that my cut my cad.
Speaker 1 (13:07):
Nigga. I love him. That nigga stole my abb and
when we were little man. You know what I'm saying.
Speaker 3 (13:15):
I wasn't been Don Spart right now, Nigga, but he
put KP, brought the money to Eleanta.
Speaker 1 (13:21):
He did. KP the reason why niggas getting paid.
Speaker 3 (13:23):
K P being in TLC video, that Baby Baby video,
Pebbles was out there them, Nigga used to be dancing.
K P used to be dancing Little Crew and they
got damn was out there. They just put up on
the video. Somebody called him and said TLC shooing Baby
Baby video and Pebbles and Kwan.
Speaker 1 (13:41):
She said, you're gonna be uh what.
Speaker 3 (13:43):
The black girl name in the the group the dogskined
girl Chilly.
Speaker 2 (13:47):
He gonna you're gonna beat her boyfriend in the video.
Speaker 1 (13:49):
Look at the video. I tell her that ship with
the talk of the family.
Speaker 3 (13:52):
I remember Theniga at an Oak lead Bayball Jersey, like
they see what the like nigga?
Speaker 1 (13:57):
You know what I'm saying.
Speaker 3 (13:58):
Yeah, he had a relationship with them, and then t
Balls went to school with Rico. So you know it's
like God timing like and and you know, Kawan a
good He's a you. If you know Kawan, you know
he's one of those type niggas that you can invite.
He ain't gonna fuck it up. I'm gonna fuck it up.
You invite me? You did what I'm saying? My lingo,
my lingo, Like I'm a scale you do you know
(14:20):
what I'm saying?
Speaker 1 (14:20):
Like that?
Speaker 2 (14:21):
Why I keep a nigga know how to talk correct
English around me?
Speaker 1 (14:23):
Bro?
Speaker 2 (14:24):
You did you know what I'm saying? Give them dogs?
You know what I'm saying.
Speaker 1 (14:27):
I'mna fuck him up, like I'm gonna have a motherfucker confused,
Like you're not gonna pick me? You did you know
what I'm saying? Like?
Speaker 3 (14:33):
You know how when you talk to a white person,
white person, Hey, how you doing here? You come back?
Speaker 4 (14:37):
Hey?
Speaker 1 (14:37):
How you the now what's haying the player? You know
what I'm saying.
Speaker 3 (14:40):
I ain't no, ain't no control, like i'd be thinking
like a person be like damn. He tried to speak
better correct English than me, and I talked to motherfucker
how to talk?
Speaker 1 (14:49):
How old you? Motherfucker? You did what I'm saying.
Speaker 3 (14:51):
I talked to you how to talk like so you know,
you know you know it's it's it's I'm just like
I said, I just be.
Speaker 2 (14:57):
I don't know, dall, You're blame God, but that's how
I be.
Speaker 1 (15:01):
On mind, bro, I think we skipped the area it was.
It was first it was Booty shape Ship yea. Then
came after the Booty shake Ship, it was dope boy Nah,
it was Sam and Sam now yeah, dope.
Speaker 3 (15:16):
Bohood niggas c MP, oh yeah, m oh yeah. All
of us at the same studio, Tea in this studio,
all of us foe tip now, yeah, you did a
foe tip right, all of us, Me, Sam and Sam,
c CMP, God, damn two eleven, mister big Time Midnight Black,
all of us at Timm, Tim t in this. If
(15:40):
you don't know who Tim Maya, I'm glad you brought
that up. I'm glad damn you brought it up. Thanks
for not skipping the air. But tim studio was the
studio that niggas who don't have no big old bank
can go to. Cause back in the day, studio time
with like four hundred dollars an hour, and we was
caughting on a ax. He did what I'm saying, real
talk like one know, like if like how shit digital,
(16:03):
Like if you got uh, you gotta have three eight
has to record twenty four track. So if a nigga
making the beat and the beat got eight different sounds
in it, he used an eight of the track and
then you gotta sit there to beat four minute long.
Speaker 1 (16:16):
You gotta sit there and.
Speaker 3 (16:17):
Listen to the snap to the whole four minutes.
Speaker 1 (16:21):
So then he did know what I'm saying.
Speaker 3 (16:22):
So those are the how we used to sit in
the studio like wait on a nigga session, like see
him paying that recording. We was in the stud room.
They hit them down the y'all blow. I'm sitting right
on the goddamn side. Were watching these shit put together.
Tom is the bittime midnight in there making beats, boy,
making beats. You know what I'm saying and shouts out
to Tim Mas.
Speaker 1 (16:41):
What about Be's be making? Yeah yeah, Bee were making beat.
Speaker 3 (16:44):
You know what I mean, Little Tim, But Tim put
out damage tea.
Speaker 1 (16:49):
In this you put out, can't get on. The little
boy made the beat?
Speaker 3 (16:52):
Who did everything A shot a load that day knows
and uh, you know what I mean, that's that's my
Pott and the Pott and we together shouts out the
boy and the macla. He made that beat when he
was seventeen at uh. The first crew I was with
with Ghetto Ghetto Records with Ghetto All Star was on
three hundred Walker Street and Tim pulled up right there,
boy and made that beat. We had a studio on
Walker Street. Mike shout out of Mike Kofil.
Speaker 2 (17:14):
You know what I'm saying. So you know it's a
whole story, Yeah, Mike, Mike, Mike.
Speaker 1 (17:20):
We was.
Speaker 3 (17:20):
We had a group called the Ghetto All Stars and
it was me Trifle born two face, my boy Divine
Trifle from Saint Louis. Trifle went on and started being
He made a couple of beats for Wu Tang. Then
he he became Nilly DJ. Like you know what I'm saying.
All through the while that Nildy. That's trife. He was
in the group with us and uh my boy two
(17:41):
face he's still hanging around. So you know Mike, Mike
had went to the figs. He back now he got
a tow truck service and make a key. Hey man,
you know it's just just a blessing, man, you know
what I'm saying.
Speaker 1 (17:51):
What other area you wanna talk about it? After that era?
Let me see, okay, c MP, now that that was
like the first beginning of the streets coming to it
in tip right right right, the Dope boys in the
trap when when the outcare really really pop, our cat pop,
our cat popped out before seeing P two.
Speaker 3 (18:14):
Yeah yeah, O had the uh the r yeah yeah
in the game the ride, Yeah yeah, that's on that.
Speaker 1 (18:24):
So Boutis shape Ship then came out here then can't
seeing P now, I mean that.
Speaker 3 (18:32):
Street, hold on, we ain't even talking about Yeah, that
was saying the greatest, the greatest of them. A Ko
came like and when the Dope game it's like eighty
eighty nine, like and and and and continue to rain.
Speaker 1 (18:45):
Kelo counter in the mix of the Boutis shape Ship.
Speaker 3 (18:48):
Keo was the only nigga rapping breath of them nigga
doing checks.
Speaker 1 (18:52):
Keo was putting lyrics and singing.
Speaker 3 (18:55):
Every rapper in Atlanta got a piece of Kilo, and
they then keep trying.
Speaker 1 (19:00):
First rappers do the singing. Ship ain't nobody cocaine. That's
a white girl in town.
Speaker 3 (19:05):
He put melodies on it, yea putting melodies on rap.
He put melody. Every rapper in that Yeah this, I
mean every rapper in Atlanta got a piece of Kelo.
Dn they I had a debate me plug in a
slim in cahoun when I was doing my radio, and
(19:26):
in that radio, I was like, Kelo in Atlanta, Georgia,
Kelo is bigger than Outcast.
Speaker 1 (19:33):
Now I said that.
Speaker 3 (19:35):
I said that in a sense where you would hear
Kilo music at a club in Atlanta. I ain't talking
about before somebody put on an outcast rapper. You're gonna
hear a nasty damn so you're gonna hear a baby
baby yeah, and they gonna go.
Speaker 1 (19:50):
Up to it. Yeah.
Speaker 3 (19:51):
Every age, every age, Kelo got eighty old fans.
Speaker 1 (19:55):
You did you know what I'm saying?
Speaker 3 (19:56):
Like the man was out, Cocaine was out like an
ate it something eight like you did what I'm saying, like,
so he got fan, he got man.
Speaker 1 (20:04):
The man got my mama Kelo fan and she said
the one So what what air raheem all that area
right now Rahen.
Speaker 3 (20:12):
Before Kelo Right, he came doing the era with Mojo,
first rapper of them all with Mojo, Mojo and Shadi
you got that. We gotta get out of here, man Mojo.
You know what I'm saying, like you're gonna he really
impressive man Mojo or that's that's that was my mentor,
Like he was our music teacher at Kennedy Camp.
Speaker 2 (20:29):
So Mojo, Mojo Jenians man like Mojo didn't know how
to do that shit.
Speaker 3 (20:33):
You did what I'm all the dances at Washington High Band,
Mojo made them up, you know what I mean, Like
he just you know what I mean. It's and him
is shoty and Kujo got a new record, picture took,
they shot the video for it.
Speaker 1 (20:47):
So then came the Dope. But right after that it
was the crunk right before which one of the crunk
was dope, the dope, the dope, then the crunk Dope
Crump snapped right futuristic right Dria. That's how I break
down you broke it down. Which era do you think
fuck the city up the most? Like made the city
(21:09):
go left? Dude, Yeah, we made the city go left
when the money came. So I can say in the
midst of the snap and in all the future, you know,
they were having fun with the future rich, but we didn't.
(21:31):
We didn't.
Speaker 2 (21:32):
We got the money when you't do ship with it
and wan own ship when want own nothing.
Speaker 3 (21:37):
And when it comes to the entertainment, you know what
I mean, Like we still need somebody to walk us
to New York to go sit down with the executive,
you know what I mean.
Speaker 1 (21:48):
And they're not from Atlanta. Oh, we missed the whole
era too, We missed it. They faced them era.
Speaker 3 (21:54):
Oh yeah that before, yeah, yeah, that before. So I
was shorty then, you know our our I would mold
me like, I'm a lyricist. I'm a backpack type rapper.
Like my first like I said, my first concert with
LLL and Shade. But then when run dmc LLL came
(22:14):
to the Omni and who then and all that, I
was like, did what I want to do? Got them niggas?
You see you see a nigga scratching on the turntables
and these nigga rapping. Then you see l got a
whole radio, big ass radio. He come out to take this.
You did what I'm saying, like that was problem. So
that ship was like them nigga was coming out here
four times a year, you know what I'm saying, doing
(22:37):
the same show. But it was like every more exciting,
more exciting. So that was like did what I want
to do? Who you think was your biggest influence? Though,
like like you looked at like damn man, this shit.
Did nigga make me want to do this?
Speaker 1 (22:50):
Ship?
Speaker 3 (22:51):
I just said them guys right there, man, you know
what I mean? You know them because one no cats
in Atlanta ow that, you know what I mean, They
won't you know, like I learned.
Speaker 1 (22:59):
We we were the fans of the game. Like we
didn't have no like how we got we can go
just did and grab rapper, you know what I'm saying.
Speaker 3 (23:07):
We didn't have that like niggas. We had bands like sos,
but you know, you know we had roadshow, but it
wasn't no it wasn't no nobody getting on, no mic rapping.
We had a lot of dance and groups. You know
what I'm saying, and like do walk groups, you know
what I mean. You know, no niggas doing that type
of stuff. But for us, like entertainment, when it come
to that, we were the fans. And that's why our music,
(23:30):
that's why we took over, because we got a little
part of everybody. We got some New York and our
shit some up top, we got some Miami down South Texas,
we got some West Coast and we put it.
Speaker 1 (23:43):
Out in the pot and we just pull our south something.
You know what I mean? Who you think represented the
city that made made the different cities respect.
Speaker 3 (23:54):
Duneon feminine Okay, done Rico wag. They they ain't like
hand down like like hand they did it, you know
what I'm saying.
Speaker 1 (24:07):
They did it.
Speaker 3 (24:08):
They about the biggest crew that put niggas on like
you know what I mean, a list of cats like
still to this day we know about you know what
I'm saying, from that Dungeon family like they done it.
You know what I'm saying, Like they the only they
produce a rock and roll Hall of Fame group from
(24:29):
we Ko Wait ri Ko Wave, Mama House.
Speaker 1 (24:33):
You know what I'm saying.
Speaker 2 (24:34):
In the Dungeon like a rock and roll Hall of
Fame group came from that what what what?
Speaker 1 (24:41):
Who? You think misrepresents misrepresentated the city the worse? Like
what era? What group? Whatever? Like damn man, we shouldn't
let them go out there on our faces like that.
Speaker 2 (24:54):
I think anything that promoted negative.
Speaker 3 (24:57):
Man, he did what I'm saying, that drill thing and
to just put a black eye in the in the
game period, you know what I'm saying.
Speaker 1 (25:04):
Then you know, like you can't fault you can't fault
the cats who own it.
Speaker 3 (25:10):
You gotta fault the powers that be who allow it
to You did what I mean to reach the massive?
You did, know what I'm saying, Like you know you
look at look at pump Rock, look at look at
look a lot of that type stuff.
Speaker 1 (25:23):
It stayed in their lane. It didn't reach the massive.
Speaker 3 (25:26):
You know, like a lot of that stuff, like we
it's a lot of that pump rock stuff that really
racist in a motherfucker but we'll never hear it. But
they got their own fan base that knew it. You did,
you know what I'm saying. So, but when we allow
that type of.
Speaker 1 (25:40):
Music to get mainscreen, it really fucked the You fuck
because I.
Speaker 3 (25:45):
Said, when me DJing like I'm playing some of it.
You know, Uh, Anti play look young Anti, I tell him,
I shouted, shouted, well shouted a superstar. Don't know where
you at now shouted like with that right there, like
IM tell him I do a kids party.
Speaker 1 (26:04):
I'm playing everything but that music, that kind of music.
But can you please play Anti? Can you please? Please?
Can you please? All?
Speaker 3 (26:15):
You know what I mean like I've been I've been
knowing the little boy since he was a baby, little
man man for Simpson. I ain't know this, you know
what I'm saying, like, yall you be on Simpson a
little dug be like I know him knowing.
Speaker 2 (26:25):
And I didn't know this who d I mean? Man,
I played their little boy song man.
Speaker 3 (26:31):
When I tell you, it's like them little kids were
helping the time and you know all they talking about
shoot them up. I talk about they running around like
it's a my pit, wrapping it word for word like
this little Now I'm talking about like you know these
new kid on be here before and they doing it
(26:51):
like they you know, I talk about know what, know it,
know it and it scared me. Brow kid, I'm talking
about they had and this ship scammed me.
Speaker 1 (26:59):
Bro like, man, I can't.
Speaker 3 (27:00):
I can't be the reason like that that right there,
Like I'm fifty fifty four years old and over them
selling I be fifty five. Like the gaps are too
far from me, Like it's a twenty five or thirty
year gap with me when it comes to dealing with
this this generation.
Speaker 1 (27:16):
My older child thirty five. So you know, it's like
the gaps are way too far.
Speaker 3 (27:21):
I don't even go on the script club like the
Blue Flame and got a lot of the little chicks
in that working. But I know when they were child,
they're running it back, you know what I'm saying, Like
you know it's you know, I'm only coming in there
just probably holler at the DJ and get the hell
on where. It's just it's just that type of respect.
That's why Gooch and all the all them old, all
these cats on the West Side about telling about some
(27:44):
of the most dangerous, hardest. I might be the only
one could say, hey man when they when they up there,
you did what I'm saying, Hey man, what you doing?
Speaker 1 (27:54):
You know what I'm saying, Hey man, what you do?
I might be the only one.
Speaker 3 (27:56):
So you know, it's like the gaps are too far
for me when it comes to that right there, and
that right there gave me an hour opening.
Speaker 1 (28:03):
When I seen them.
Speaker 3 (28:03):
Kids, I was like, nah, I can't be doing that, man,
you know what I mean. That's why I DJ a
lot of adults like for the little little thirty before
they old.
Speaker 1 (28:12):
You know what I mean? That's that's that's the music.
You know, I know how to play.
Speaker 2 (28:17):
But hey, man, you know what I'm saying, it's gonna
he's gonna.
Speaker 3 (28:19):
Need our kids. I don't think these kid needs somebody
just listen to him. Stop pointing the finger at him,
and listen to him, even when it don't make no sense.
Hear that ship out your head out, like your head out.
Then put a mirror in front of their face and
showing how they happening, and it goes and that's and
(28:40):
that that that that's why it worked for me.
Speaker 1 (28:43):
Some of them.
Speaker 3 (28:43):
Look some of these little cats that that some of
the hardest little young cats don't fail in my arm crime.
Some of the little cats they need a hug, you
do know what I'm saying. Some of these little cats
didn't get pat it on their back for a good
report card.
Speaker 1 (28:58):
They didn't get no money.
Speaker 3 (28:59):
You know what I'm saying, like you know it, and
it's infected them as an adult, like you know what
I mean.
Speaker 2 (29:05):
So that's why the old man just say, you gotta
love that hell out of them.
Speaker 1 (29:10):
You saying some ship. You know what I'm saying. Yeah,
you got because I did sh outside of my nigga trap,
doctor Barber, right, I did school with him. Man. We
was just talking to some kids at the school, one
of them school Price, I think, and a lot of
them kids like man ain't never had a hook, not
especially not from no man. So we just went to
hugging me on niggas. Like you said, niggas ain't even
(29:31):
never man, never even been embraced, never even So I
love you, bro. You you gotta go down the hard
ship nigga, gotta get out that heart. I tell all
of them, I love you, bro, I love you, nephew,
I love you. Ain't that wrong with that?
Speaker 3 (29:44):
Come on, a nigga, nigga think you so difficult though,
because cause cause I ain't. I don't let nobody run
me like I'm my own man, like gonna run me
Niggasn't you know what I'm saying.
Speaker 1 (29:55):
Can't nobody tell me what to do? With God and
my mama and my bit mama. You know what I'm saying.
Speaker 3 (30:00):
Like, if I'm wrong, check me. I can stand and
check I can stand it. But if I'm right, I'm finished. Boy,
I'm not shutting up. You know what I'm saying.
Speaker 1 (30:10):
If I'm not shutting up the boy I said, you
don't hesitate the boys your Oh no, for what I
don't bite my tongue. You know what I mean?
Speaker 2 (30:19):
Or you if you bite your tongue, you funk around
and and miss something you did.
Speaker 3 (30:25):
You know what I'm saying. Like you are you know,
don't sleep come to a motherfucker person but a dream.
You do know what I'm saying. So you sit around
here and just you see some fucked up sitting around here.
Just you chet the worst city. You chet the worst
of the person who's doing. How you gotta do it?
Say something?
Speaker 1 (30:42):
Say something telling nigga shit stank.
Speaker 3 (30:45):
You know what I'm saying. Tell the nigga got a bogey.
They know he's sitting there talking to you, and the
nigga got to be.
Speaker 1 (30:49):
You know that shit irritates you. You tell that nigga
brush stank. You know what I'm saying. Come on, Joe,
you did. You know what I'm saying. Put it in
my dog. You know you know what I'm saying. You
know what I mean.
Speaker 3 (30:59):
Clean you mup player, You know you know what I'm saying,
Like they ain't not wrong with that, like and the
wrong with a potner. If a nigga get mad, that's
on their head, like nigga, you shit, they had them booging.
You know, nigga should have checked your mud.
Speaker 1 (31:10):
You know what I mean.
Speaker 3 (31:10):
I ain't gonna be sitting in your face and your
breastmell like shit like you don't drunk. The loved couple runoff.
You want me to talk, You want to talk to
me like I don't want to smell that.
Speaker 1 (31:19):
You know what I'm saying. People just getting that got
too sensitive that what's wrong with folk like you? Not
your feelings? Like love, man, it's all about love. It
may be harsh, but it's real.
Speaker 3 (31:31):
Like can't do not I mean, like, what's wrong with
somebody's checking you got that motherfucking the mirror gonna check
you look at that motherfuck in the mirror.
Speaker 1 (31:41):
He gonna tell you the truth and just shut up.
Speaker 3 (31:43):
Gonna be brushing your cheeth trying to look down now,
look at look at that mother in the mirror, and
look at me in the eye there, look at me
in the eyes.
Speaker 1 (31:49):
Shut up here, gonna tell you all the fuck up
shit you're doing. Give me five things that you'll change
about the city if you're good.
Speaker 3 (31:55):
Five things I changed about the city. Let me see
them damn road, them two lane road. How they fucking up?
Speaker 1 (32:05):
God damn.
Speaker 3 (32:06):
You know what I'm saying, Like I let eighteen wheelers
had eighteen wheelers and busses that have their own streets
on Bankhead, you know what I'm saying, Like like but
being real though.
Speaker 2 (32:18):
I wouldn't change that, man, I won't change that.
Speaker 1 (32:23):
I won't change that. Man.
Speaker 2 (32:25):
I talk out because it's it's alright.
Speaker 1 (32:28):
With me, you know what I mean. It ain't it
ain't it ain't the city, it's the people everything. Like like, man,
we come from.
Speaker 3 (32:36):
I come from watching the Braid playing at Floda County
Stadium to them playing that card County. You know how
many niggas we didn't get a chance to see that,
you know, you know what I mean, nigga didn't get
a chance to see their gray hair and nigga trying
to die black. You want to put a sun We
(32:56):
got a sun roof over your head? You want to
God damn put something on top of You're like, you're
trying to hide this this good shit called life.
Speaker 1 (33:03):
You did what I'm saying, like all this good shit?
What going on?
Speaker 3 (33:07):
You seeing transformations of you know what I mean? Like
it's the people because every hundred years, it's new people
come on the planet. Were already at seventy five twenty
five in? So you bout it?
Speaker 1 (33:20):
You know what I mean? By the joint is shit?
Hold up?
Speaker 3 (33:22):
Break there now, it's every one hundred years new people
come on the planet. So what already plant? Were already
at seventy five years? It's seventy five years already in
because it's twenty twenty five. So the person who twenty
five years old was born in two thousand. You did
(33:43):
know what I'm saying. The person who was born in
two thousand, year two thousand is twenty five years old,
either twenty four or twenty five.
Speaker 1 (33:51):
He got twenty five more year?
Speaker 3 (33:52):
Who living one hundred years? How many people on five
finger you know they're living a hundred years?
Speaker 1 (33:58):
Okay, yea yea yeah. Do you know what I'm saying? Yo?
Speaker 3 (34:01):
We're seventy five in. I mean we're twenty five in already.
You ain't got I mean, like I pray I got
another hundred.
Speaker 1 (34:08):
You got what I'm saying. We I mean, like you
understand what I'm saying.
Speaker 3 (34:12):
Yeah, So you're boy, we are the line motherfucker that
was born in the nineteen hundreds. We was on the
earth when people were born in eighteen hundreds, remember motherfucker
to be like, but they were born in eighteen hundred.
Speaker 1 (34:24):
We are them folk.
Speaker 3 (34:25):
Now we don't know if I'm gonna be in two thousand,
but you were born in nineteen.
Speaker 1 (34:32):
What if you tell a young nigga you born in nineteen,
It's like, what, like my big.
Speaker 3 (34:38):
Mama born in nineteen twenty? You know how that that
shit is to my grandson nineteen?
Speaker 4 (34:44):
What?
Speaker 1 (34:44):
You know what I'm saying. So it's like you're right.
We I mean, like nigga, you don't got to enjoy
Like if you don't, why come on? Why? Yeah?
Speaker 3 (34:52):
Hey boy, you hanging with nine broke nigga. You're gonna
be the tenth broke nigga. And they take a cuckle
to make a player, which which line you're gonna stand in?
Speaker 1 (34:58):
Take a sucker to make a player.
Speaker 3 (35:00):
Yeah, which line you're gonna stand in? We need them
take something to make a player. We need them, We
need them to gain. Everything is a balance.
Speaker 1 (35:07):
To run a car.
Speaker 3 (35:08):
You got a positive any negative, you can't run that car.
That God damn that positive, that positive battery, just this
o that big Gotta have some niggas. You gotta be balanced.
I talk about like, you know what I mean. You
gotta have the faith. If you ain't got that kind
of faith in God, excuse me, you.
Speaker 1 (35:25):
Ain't got that kind of faith in God? What I
just do? Stood up and ded what down?
Speaker 3 (35:31):
And I ain't got damn look back to see what
the chair was gonna hold me up, and then I
knew it was gonna hold me up. If you ain't
got that kind of faith, my nigga, get out the way,
especially mine. You know what I'm saying, Because I got
that kind of faith everything I been doing working. You
may have a bigger this and the bigger that, but
I'm I'm all right. I ain't broke, you.
Speaker 1 (35:53):
Know what I'm saying.
Speaker 3 (35:53):
Yeah, my little, my little my little little little little tent,
I got, Hey, man, it's mine.
Speaker 1 (36:00):
Anybody little cars I'm driving it. You know what I'm saying.
Speaker 3 (36:03):
You know my little couple of outfits exactly. You know
what I'm saying, like I'm enjoying my I like cleaning
my shoes. You sit your shit in the clot like
stupid ass nigga. You got five bed, bathroom, all the
motherfucking rooms in your house, and you got damn you
just going in one room to day. You got to
call the plumber every month if comfort fuck with your toilet. Car,
(36:25):
you got ring around that ship car. You don't even
use your bathroom. You got all these fucking room. Won't
evenvite nobody over there to come stay with your car.
You got damn it. Just that kind of motherfucker.
Speaker 2 (36:35):
You just just fucked up, like hicking the rich stupid ass.
Speaker 3 (36:39):
Folk bed roomhouse you in that bit. You just going
in run room every day. You know what I'm saying,
I ain't even going to your other room. Probably ain't
winning winning them rooms all year, got clothes in the
motherfucker shoes knowing folks got damn need that ship.
Speaker 5 (36:53):
You just just just just just just I don't know,
let me ask you something because it's like, well, your
pay I always take your pay laughing, Hey, what what
be making you teak?
Speaker 1 (37:05):
Though? Like? I beat that? Make me give the game away? Man?
That ship did be.
Speaker 3 (37:10):
I see certain ship, then I performed. I had to
perform that ship. I be like, I'm gonna do this ship.
You know what I mean, because you know it's it's
it's it's it's social media, but it's it's game like.
I went from five hundred views of month to three
point nine million views of every thirty day. I'm working
this shit gonna turn into something. He did what I'm saying. Mother,
(37:33):
I gonna be like, hey, move, hey promote.
Speaker 1 (37:37):
Yeah yeah, I'm working like so, I'm gonna turn up however,
any ever, any plain a way to skin a cat?
What you don't like they love? I get more good coming,
then I get hey coming. I'm quitting. Block a nigga quick, No,
I set you up. I let you say some slick shit.
Then I come back and say something you as soon
(37:57):
I see your typing out blocking you mad damn move
while you're blocking nigga. I don't want to hear that.
You know, Hey, I talked, I'm quit. I ain't got
no problem back doing that.
Speaker 3 (38:09):
You know what I'm saying, so you know it's real
with me, brother, like you you know that's why niggas
can't figure You will never figure me out, like you
know what I mean, Like you'll never figure me out
like you will never like playing playing the tops, You'll
never catch me.
Speaker 1 (38:26):
You'll never catch me. You do know what I'm saying.
So yeah, I know niggas be like man that nigga
moved me, most of them than the motherfucker man By
Like when the ship with the wind women, was that
trolling or you just no that right? I didn't not
one time I said them good to no, no, no, no,
you you're talking about like y'all niggas know where this
(38:46):
ship comes from, basically like.
Speaker 3 (38:47):
Talking to the media media, And that's why I was
trying to let niggas know. This is why I be
mad at Atlanta niggas in media. It is not from Atlanta.
Them nigga go far as god damn outside drive and
think they know the whole Atlanta store because the motherfucker
from the city and told them.
Speaker 1 (39:05):
Little it's and pieces and they put their own sit together. Biddy,
you don't know the story or the nigga.
Speaker 3 (39:09):
You did know what I'm saying and then the motherfuckers
and why bank ain't got no show on the radio.
His ship to do numbers way more than the nigga's
on the radio in Atlanta. Now you know what I'm
saying like that, that's but but yeah, but get what.
It ain't the money, you straight.
Speaker 1 (39:28):
They gotta control you too, though we can't be us.
But but get what but get what?
Speaker 3 (39:32):
Get wet though you scraight you you that platform as
an opportunity to pull somebody else in the game. God
lift you up with one hand, so you got another
hand to pull somebody else up. Steege stege stiege job,
learn how to motherfucking listen. He got fired from his
own company and they had to hire him back. He
came back at the strategiest You did what I'm saying, Okay, cool,
(39:56):
you got there, know how to do this? You run
this his It's not Liz only went so far into
making computer. He ain't had no clue of that his
game can turn to a motherfucking god damn iPad iPod.
He didn't know that what he created that and it's
but he had to teach the motherfucker his job better
(40:17):
than him and wasn't jealous when the nigga God damned
learned his game.
Speaker 1 (40:22):
Legendre what's that in? My brother legendary Ray Daniels just
put it here.
Speaker 3 (40:27):
Yeah, yeah, he came in the bank head, Yeah, talking
about I mad with Goop, I mad with Goo. I
never go now youn goo. Oh gee you gotta go
see move b I'm that a bankhead.
Speaker 1 (40:41):
Hey move one more thing, man? What we were talking
about to win usually say about the wind, women and
the wind. Wow yeah man, that one. No one No.
Speaker 3 (40:50):
It was like you know, like I was saying, like media, man,
it's like they day they you know, they only hear
what they hear.
Speaker 1 (40:56):
You don't do the research.
Speaker 3 (40:57):
Like that song fifteen it's teen years old. That song
down there, the little girl was a little girl. That
song is Double D DJ Double D Shots. How the
Double D Coalition DJ I brought a CD to this
man at the American Legion that nigga. I bought him
a Hennison and the Hannigant he did know what I'm saying.
You put it on the headphone while they was that.
(41:19):
Nigga said, boy, I liked them for the play then
now and the rest of history. That how I went
and the song grew legs. The song grew legs on
his own. Derek told t Rock to take that ship off.
I'm in the cut, DEVI got crucial. They're talking about that.
I'm trying to try and work this record. Man, take
that ship out. I come out of cut.
Speaker 2 (41:38):
David, God damn, he couldn't even look me in the eye.
Speaker 1 (41:41):
Did what I'm saying.
Speaker 3 (41:41):
I'm like, damn John, what I mean? So you know
it's it's that record. I worked that record low even Low.
Speaker 1 (41:47):
Was didn't like it. Low scene. God damn boy got
to run with move Hey one more thing. How how
challenging was it to break through with the defoel shit
with the Snapman.
Speaker 3 (41:59):
I mean know that ship was easy because you know,
me and t Rock we we we set this ship off.
Like west Side Wednesday. Everybody on in my open mic said,
west Side Wednesday got a deal. Nobody in Atlanta never
done it, and our music is still playing to this day.
Ketchup niggas, everybody, everybody dfo Well, k Rap Baker, road Boy, blockhead,
(42:21):
motherfucker being here, squad Yola, motherfucker keep on doing and
our music still playing today. All these niggas came and
gave me a CD and got damn it from the
studio and performed on my open mic and their music
and all us got deals, all of us, all of
us got deals.
Speaker 1 (42:38):
Snapped move all us, all us tell us how that
shit started. It was a little rial at first with
with laying them in y'all.
Speaker 3 (42:49):
Remember, oh yeah, you know I put franchise on that
my group. I recorded White t that was my group.
Co Koke Brother co Cooke Brother had Crime on.
Speaker 1 (43:00):
On the radio.
Speaker 3 (43:02):
And got damn my son Front Street Woe remember that song,
Front Street Woe? Nook if your book in white tea
with the hottest on in the pool patter, I don't
give a fuck t I record you play the three
songs t rock got to play on back to back.
So he interviewed Crime up. I don't even know who
they is, but you know what I mean, Cocoke like this,
then my nigga. I finished sposed everybody them right here,
(43:23):
Finn to be real hot. I finished sposed the radio
with this one. This story you told me to go.
I'm been disposed, motherfucker. Anyway, God damn it, he got coke,
he got h what's called down there? Crime interview? I
called a back line coke.
Speaker 1 (43:40):
What's up?
Speaker 3 (43:40):
Let me I let them folk man, tell them folk
man about you know, they got a hot record, you
know what I mean. He let me put me on
the speaker. He said, they hear you. I said, yeah, man,
they move, b man. You know, I just won't tell
y'all man, y'all record nook if your book it's a
bang on bankhead. You know what I'm saying. I got
there my song Front Street Woe.
Speaker 1 (44:00):
I said, three songs that come on in the pool,
pallid white tea, Front Street Woe, and y'all sung the
club go Crags Coco like white tea. You said, moop
b I was saying, oh, West Fullton yesterday. That was
on a Thursday. Now, he said. I took on my
throwback and I had on the white tea.
Speaker 3 (44:16):
Everybody in everybody in the uh in out of thettle
kid kept singing in my white tea.
Speaker 1 (44:21):
That's goosing him.
Speaker 3 (44:22):
That's all them, That's that's all all them going to
wait for They were little boy. You did what I'm
saying in my white tease. How the kid in my
white tea? Like you know who those guys are? I'm like, yeah, break.
Speaker 1 (44:33):
Them down here.
Speaker 3 (44:34):
Now, I went for motherfucking Alan Temple, Simpson Road, the
Hollywood Road. I had a setting the eight dog ram
truck picked them niggas up, going down the radio stations.
Ain't nobody on the bankhead now like we we project
niggas like poet need the more. He did, what I'm
talking about real nigga shit, this real two stir if
um lying my mama's sister. God damn it, tell this
(44:58):
real shit. So we get out now. Cocho said, all right,
we're finna go back to Defoel's studio. We go back
to defoyl studio. Man get a twenty piece of church
chicken and half Thingny Henderson. He said, God damn it,
I want you to record a radio verse, but put
my name in it. And they were trying to think
how they were gonna do it. Probably they were like
Cocho brother and my home team and my wife team,
(45:20):
remember that you need to be on the radio.
Speaker 1 (45:21):
Now. I recorded that. I record that right there. They
recorded it right I recorded, missed it and everything gave
and the CD.
Speaker 2 (45:27):
He sitting in the studio with us. He said, I'm
finna make this song number one.
Speaker 1 (45:32):
Got a hug prayed.
Speaker 3 (45:34):
He said, God that everything gotta come through Moop. The
song get bigger than what he thought he was gonna get.
They get on Birthday Bass. She did what I'm saying,
so Coke. He come to me on some slick shit.
He said, moove in order for me to in order
for it for us to put it on rotation, they
need to be signed to a label. You ain't got
no label. So what we're gonna do. We're gonna run
(45:56):
them through, right heend label. Jed ain't gonna sit down
with nobody. Jim Smoking Bee, he ain't gonna sit all
the nigga run a game. He ain't gonna sit down
with nobody unless goddamn you know what I'm saying. They
signed to a label. So me being happy, you know.
Speaker 1 (46:11):
What I mean. I'm just glad.
Speaker 3 (46:12):
I'm glad somebody from the West Side got some shit
on the radio. You did know what I'm saying, Nigga run.
I don't give a fuck. You did know what I'm saying?
Like they can go through or right? Heint, I don't
give a fuck. Now, I'm just the manager.
Speaker 1 (46:24):
You know what I'm saying. I don't went from them big.
Speaker 3 (46:27):
You know what I mean, I'm just I'm happy to
do this shit come up between men and them, you
know what I mean? You know they know what it was,
and they know they know what's right and what's wrong.
Speaker 2 (46:37):
I get it sed out. It's me out. Folks, get
a deal with universe.
Speaker 1 (46:44):
Nigga.
Speaker 3 (46:44):
Give me, nigga, give me seven hundred dollars check, what's
the name? Give me a thousand out a four hundred something.
Speaker 1 (46:53):
Nigga. Wonder why I got an attitude that happened?
Speaker 3 (47:02):
Why I be on the internet going, motherfucker got damn
what the fucker?
Speaker 1 (47:07):
D money? U two D money? Who's D money? D money?
D money? Where's d Mark Wood? D money? Glen Wood? Yeah?
Well yeah, what money you need on me?
Speaker 3 (47:17):
See O me a million dollar for what dfo hel
D money ain't paying nobody from dfo hel. Y'all signed
the dfo he on the scrint the load. We could
have win and got our own.
Speaker 1 (47:28):
Motherfucker.
Speaker 3 (47:28):
Did them folks that wanted me fae bo and god
damn stunt hold on the money did do so?
Speaker 1 (47:36):
Yeah? I brought him. He ain't even had the upfront
money to give.
Speaker 3 (47:39):
I brought him some ike, brought the shoot box with
some money because we were like, man, we you know,
I'm telling you real ship. I'm keeping this nigga. Wonder
where I got an attitude? Hold on, yeah, I don't
want to get in that day. Yeah for netflick.
Speaker 1 (47:53):
Yeah, well you want to know that story?
Speaker 4 (47:56):
Pay me, Hey, pay me, I'm asking to steal, so
hold on. Yeah, it's on the next So we'll see
y'all over the net.
Speaker 1 (48:07):
So we got so got it. We'll see y'all in
the show. I'll go right hey, man, y'all tell my
nigga wo be man go to the big that network, like.
Speaker 6 (48:16):
Yeah, let me say this, man, I got a new
record out, man k rap Man, probably lack a fan Man,
the hottest record I talking about, like like this, the
nigga who made Laughing Taffy and the nigga who wrapped
on Laughing Taffy came together and made another hot record,
probably lack a fan Man.
Speaker 1 (48:30):
It's on YouTube. Go foruck with me, man, y'all won
a while. You need to whoop me ray, they ain't
need to help me get some money. To let me
get some money.
Speaker 3 (48:39):
That you around and Bentley with bitches niggas come up,
Let me get some money, nigga.
Speaker 1 (48:44):
Rod Russe, shut out. Let me get my hat to
me yo yah yeah yeah y'all yeah, to get my hat.
Let me get my official west side whooped the whoop
shooby doo hat man, everybody all the o g got
one of these on the west side man, so offishing black.
One of these. This is a one timer.
Speaker 6 (49:01):
You put it on one time and if you got
an old school or whatever, you throw it in the
back in the water in the back and you know
the hat you.
Speaker 3 (49:09):
Throw them on back, then you can't put you you
know what I mean, our minds in my leg and
my jag, so you know we got.
Speaker 1 (49:16):
You know what I mean?
Speaker 6 (49:16):
You know we everybody know once you had one of
them in the watering and number the one time now
one time and then throw them in the winter.
Speaker 1 (49:24):
I appreciate you, my brother man. God it good. Another
fic episode of Perspectives with Big Bank. Follow on Instagram
at Big Bank at Yo Yo Yo,
Host
Big Bank
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