January 2, 2024 • 44 mins
This week's episode is a re-airing of a Poog classic: The hags reflect on singing—its dangers, its thrills. The uncanny valley. Kate fears mold. Jacqueline soothes her, while struggling with restless legs. The act of playing games is touched upon. Interstellar must be watched—they set up next week's episode as being Poogsteller. Sleeping positions are discussed. Jacqueline seeks Boston recommendations. The horror of a houseguest is explored, specifically sharing a bed.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Hi, I'm Kate Erlance, I'm Jacqueline Novak.
Speaker 2 (00:03):
And this is poog, an ongoing conversation about wellness between
two obsessive, fresh.
Speaker 1 (00:08):
Two untamable intellects. This is our hobby, This is our hell.
Speaker 2 (00:11):
This is our naked desire for free products. This is
poog Today's topics loosely.
Speaker 3 (00:16):
Speaking off gassing Ummy Cube, Boston, SPA.
Speaker 2 (00:23):
Hi, I just wanted to say that I'm living in
Pittsburgh right now, which is a third rainiest city in America.
Speaker 1 (00:30):
That true. Yes, they've been saying that it once.
Speaker 2 (00:33):
It's never cross referenced, but I never accepted it instantly
as doctrine. And right now it's pouring rain, thunder lightning,
and it happens constantly.
Speaker 1 (00:42):
Don't hear a single drop it. It's devastating because it
is one of the most comforting sounds. Why doesn't everyone
have a have a tin roof for the purpose of
hearing it rain, even if it was on top of
another thing. By the way, would you like to hear
one of the most beautiful songs ever? What's rain falls
and angry on the tin roof? Awake and abad wait?
(01:06):
Is that that's I don't know what it is, but
it's the best Edwin McKay.
Speaker 2 (01:15):
It's used in the is It Could It Be?
Speaker 1 (01:17):
Is the lyric love is sad, but it's quite simply
beautiful in anytime anyone's saying it on American Idol, you
feel it. Yeah, it's a beautiful song. And it's also
and like I'll be better when I'm older. I think
it's a really.
Speaker 2 (01:33):
I was about to isolate that line, you isolate sentiment.
Speaker 1 (01:37):
That I've never heard anyone's say.
Speaker 2 (01:40):
I think that's remarkable. The power of music, the danger
of music to bring us into certain moods. I self
mutilate with music.
Speaker 1 (01:47):
I I I'm so I'm stuttering with excitement because a
lot of people don't know this about me. Okay, I've
basically had to cut music out of my life like
many like many cut a cut a drug. Okay. Now,
of course there's some under my audio meditation I have.
I remember it starting in high school with like musicals,
(02:07):
like I remember almost like breaking down in the car,
like because I was like so addicted to but also
exhausted from listening to rent. Okay, it was like it
was it was compulsive, and I don't know, there was
something that was doing in my brain where it was
like I know every word and I'm furious.
Speaker 2 (02:25):
I mean, but you I remember dropping specifically. You we
were in a hotel room in Portland and I was
pining over some fool. Do you remember this. I remember
I had my headphones on and I was like curled
up in the fetal position, listening to like shocking, rare
northern Northern soul tracks, and you were like, you need
to stop doing this, like you need to stop turning
(02:45):
to the music to go deeper into, to go deeper
into the pining, to go deeper in. And that's something
that I do do and the music facilitates the extreme
emotional state and the longing.
Speaker 1 (02:56):
No, it's it's interesting, I mean how I mean, it's
like that's digging at a at a scab right Like there.
I think there is a perhaps O C D element
right in the belief that somehow going further and going
right into the heart of the storm right will provide
some kind of like relief or it's the fear of
(03:19):
the feeling, and so I'm going to go deeper into
the feeling.
Speaker 4 (03:22):
Yeah, which was always I mean, which you know, I
you know, it's it's not it's sort of nice to
hear that story of me saying, you know, don't do that,
because I had times feel guilt because like my depression
book is like me.
Speaker 1 (03:32):
Saying do that. Basically were saying like given, given, yeah,
and I think that's a we're given today given while
reading this book like this, say the point? Yeah, God,
where where where? I mean, like, never is a promise?
What's the apple?
Speaker 2 (03:51):
I don't follow?
Speaker 1 (03:52):
Like that song, No, I never is a promise and
you cut the fold a lie. Sorry, I'm singing the
same Edwin McCain voice.
Speaker 2 (04:02):
I don't know, I don't know, like the full Fiona catalog, No,
I don't know.
Speaker 1 (04:05):
I mean there was like it's an old one. I mean,
I I'm.
Speaker 2 (04:08):
Fiona has an ability to cut through your sternum.
Speaker 1 (04:11):
It's just beautiful. It's like you'll say, don't fear your.
Speaker 2 (04:15):
Jeems, Rember, I was so sick, didn't believe me. Oh
my god, you're good at guess who to carry you?
Speaker 1 (04:30):
Okay, if you had to hated that? Okay, you dropped
into a new body. Okay, this is like a movie,
a magical movie where you dropped into a new body whatever. Okay,
and for whatever reason, thirty type of thing.
Speaker 2 (04:41):
Sorry, I keep going, and.
Speaker 1 (04:42):
For whatever reason, like the task at hand is that,
like you have to become, you have to make yourself
into like a famous pop or just any kind of
musician okay, singer, songwriter, whatever, with your own tunes. Let's
just say.
Speaker 2 (04:54):
Okay.
Speaker 1 (04:54):
And it was like one day in this alternate world
where it's like Kate, if you can make it happen,
and it's not you, so it's not attached to your
own identity or in some obscure other body whatever or
some some parallel universe, but you've been dropped into a
life where they're like tomorrow's your audition, for example. Okay,
tomorrow's the big audition. Okay, even though that's not how
(05:15):
it works, do you know what I'm saying. So the
goal isn't artistic integrity or anything like that or what
you want to be. The goal is like you get
ten million dollars if you can get the record contract
people to sign on. Let's just say, okay, the question
is and you have to go in there right now
and you have to sing are fake an original?
Speaker 2 (05:35):
Okay, what's the song?
Speaker 1 (05:36):
What is it? And let's hear it?
Speaker 2 (05:38):
Fuck?
Speaker 1 (05:39):
Okay, because the thing is like you you can sing.
I imagine like you could sing pretty good, right, but.
Speaker 2 (05:45):
Don't have to be clear. No, but here's my question.
Are you saying it's my voice? Are you saying I
can I can adopt anyone's voice.
Speaker 1 (05:52):
No, No, I'm actually saying, what would you do right now?
It was ten million dollars for you.
Speaker 2 (05:56):
To commit doctor Otis Redding.
Speaker 1 (06:01):
No, I'm saying it has to be an original. They're
like in three two one.
Speaker 2 (06:05):
And right has to be an original that I'm writing.
Speaker 1 (06:07):
And the moment like like you've been shoved into the
room like you're in a dream. So like right here,
I'll give an example. Okay, I'll try to do it,
but not really. Okay, so I have nothing. It cannot
be an existing song and I can't overshoot my voice,
so I don't even know what I'm doing. Okay, I'd
be like like literally like nothing. I'd be liked, be
like okay, They're like go go okay, right see I'm
already winning, and I just have to start and be
(06:28):
like you're really trying any America Because it has to
be a song. There's no lyrics there, Okay, it would
have to be like and I couldn't lean on previous
like things I've written in my life. Nothing, So it's
just like the chairing strong no more. Okay, that's not it,
all right, hold on, all right, it's impossible. Just try try.
It's impossible that.
Speaker 2 (06:47):
No, I actually I refuse.
Speaker 1 (06:48):
It's so scary, I know, but that's why I just
said that chair isn't strong anymore, and like like it
was lay miss, it was horrifying and.
Speaker 2 (06:55):
I'm rainism h. I don't know. I don't like this.
It's actually giving me. I really actually don't like this game.
Speaker 1 (07:02):
It's the worst game. I mean, it's it's a game
I only feel safe for posing because I don't think
i'd be good at it. Do you see what I'm saying?
Speaker 2 (07:10):
Of course, no, if you were to suddenly excel.
Speaker 1 (07:12):
Oh right, what if this was my way of like
dropping an original on you.
Speaker 2 (07:16):
Well, that's what people classically do with singing.
Speaker 1 (07:18):
Singing.
Speaker 2 (07:18):
Singing is often weaponized against the non singing I find
socially well, and there's something that I can't. It's very
difficult because I have I struggle my jealousy over those
who can sing, the ability to sing. If I could sing,
I can't even imagine the person I would be a monster.
I mean, I would be monstrous, and I would be
you know I just to have that power, to have
(07:40):
that power over people is so closest profound.
Speaker 1 (07:45):
I mean, for the instrument that you can sort of
channel like the finest let's say, like melodies and harmonies
and whatever. Right, most let's say, if you have the
instrument in your goddamn throat goallt and diaphragm or whatever, okay,
and you can thus sing the most beautiful things ever
written by the most beautiful whatever, right, Yeah, basically achieving
(08:09):
something beyond human, right, like you're becoming a god.
Speaker 2 (08:13):
Yes, you are becoming a god. But but I have
a hostility toward people that think singing, Like, here's what
the godly status is, the ability to have personality within
the singing voice, within the beauty, right, And that's the
thing that is remarkably rare, and a lot of people mistake.
They think because they can sing in the sense of
a you know, in a peasant's sense, in a bastard sense,
(08:34):
they think somehow they're that the magic's working just because like.
Speaker 1 (08:38):
They're hitting the note.
Speaker 2 (08:38):
People, they're singing like they Okay, this is what I
was hoping for.
Speaker 1 (08:42):
I have to be honest. This is what I was
asking for earlier.
Speaker 2 (08:45):
This is what makes me crazy. It's like usually someone
who's had a cocktail or something and it's like it's
what is it? It's this very it's I hate to gender, right,
but it's usually kind of like some bitch some like
you know, do it like that or just somewhere who's
like it's like like, okay, like watch this. Does this
(09:09):
make me a singer? Okay? I can't think of a
song that way. Fuck gime reason to stay here like that?
Speaker 1 (09:20):
Like what why don't you do the version he said,
I don't want noone to squeeze me. Okay, that's the
better verse what you were giving. You were singing, give
me one reason to stay here. But here's what I think. Kate, Kate, Kate,
Kate wait. I need to say something. The reason the
game came up is because you did something with your
voice earlier and I was reminded of how you have
the ability to do an impression of that kind of
(09:41):
style or variety of styles of singing right, And this
is a big question for me, is if you can
do an impression of a certain style singing, How are
you any different than the singer of themselves? Right? Okay, Now,
it's course, it's the audacity to put the frame around
it and say this is my voice and this is
my art. Right. So, like I sometimes I'm like, could
I like, is the only thing stopping me from being
(10:02):
not an opera singer? Okay? But like like technically, like
is it just the balls to be like long? You
know that, wasn't it? Or like or like the balls
to be like so I'm gonna treat my voice? I
guess I think.
Speaker 2 (10:20):
Yeah, And some people, yeah, some people feel some people
And that's what the mastery of a certain style of
singing does. Sometimes it's like the uncanny valley, right.
Speaker 1 (10:32):
A term I've never fully been able to latch onto.
Speaker 2 (10:34):
So uncanny valley from what I understand, And it was
explained to me by dear friends that that like.
Speaker 1 (10:43):
No, because I had a conversation with about it, I'm sorry.
Speaker 2 (10:44):
No, but but but the idea that the perfect example
is Tom Hanks in the Polar Express, okay, which the
animation is almost human, right, it's almost human, and yet
it's not human? Right? So is this life? Actually? No,
it's animation. It comes right up to the point of
being real, however it's not. And it's exactly in that
(11:07):
space of it almost being real, it being almost so real,
but it being undeniably not real. That's the uncanny value
when something is like almost the thing, but somehow it
being so almost the thing but not the thing pronounces
how deeply it's not the thing. So it's like someone
who can imitate perfectly a certain style. You go, oh,
well cool, yeah, yeah, no, that sounds like that, but
(11:28):
it's fucking you're never you know that, but you're not that.
Speaker 1 (11:32):
You're not.
Speaker 2 (11:32):
Like I can do a Joanna Newsom like that's what
I used to do. See, I'm actually embarrassed to do.
I can't do it because see I'm doing it right now.
I'm trying to pretend, okakay, like like okay, I'm waiste
baking the stall.
Speaker 5 (11:45):
I don't even know the lyrics like I am blue
and done well, made me, made me both black cars,
no no, no no.
Speaker 2 (11:57):
And I think Johanna Newsom is brilliant. I think she
has a prophetic voice, and I think her you know,
she's an incredible lyricist and all of that, and so
me doing that right, huge, this is huge.
Speaker 1 (12:06):
Go on, go on.
Speaker 2 (12:07):
I can barely scream again for a million reasons. Unfortunately,
you're not what I'm not joining a newsome to my
to my sugar.
Speaker 1 (12:14):
And what to your knowledge, you're not to know.
Speaker 2 (12:19):
But but that so I'm like, yeah, the uncanny valley,
that is where a lot of people dwell I think
artistically and creatively, and that's why so much doesn't work.
And that's what that is, like the lightning bolt and
the visceral reaction to something that feels good because you're like,
oh no, that actually is the thing. It's no longer
this like you know, kind of feeling around the dark
to to to be the thing. It just is it?
Speaker 1 (12:42):
No, I have it, I have something to say. Yeah,
but I don't know where we're at. Is it time
for a break?
Speaker 2 (12:47):
No?
Speaker 1 (12:47):
Okay, we got like two minutes. Okay, so no, no,
I'm blown away. And there's I may even this just
goes to show how these things work. I may even
draw a comparison irrelevant metaphor to Tracy Anderson. Okay, And
because I'm doing the workouts daily and so it's amazing
the way it just seeps in. You know what you
put in just stays. But but the thing is right, like,
(13:08):
because a lot of people believe that if they can
do an impression as a singer, that they have somehow
bested them or revealed like this is a Brigsonian notion, right,
that mimic Why is mimicry funny because it reveals that
people are are a set of mechanical plastic Yeah yeah,
a set of mechanical repetitions that if it's repeatable and
(13:28):
recognizable by that thing, it reveals how unconsciously that person's
always doing the thing right. Yeah. Yeah, So but it's like, Jessica,
someone can do an impression of a thing, doesn't devalue
it right correct, like like you're saying, right. So it's
like and yet sometimes they think it can and the
difference is mimicry versus here's I'm sorry, I'm saying this
(13:49):
is like slow and boring, but I have to get
it out, okay, because I've really been sticking sticking in
my crawl resently. It's it's so obvious and yet so
hard to perceive. But the difference between someone making someone's
steps in any sense okay literal or not literal, and
someone okay The perfect sort of sum up would be
this line of don't seek to follow in your master's footsteps,
(14:11):
seek what they sought. Okay, So the you know, it's
like what did Joanna Newsom say to herself when she
wanted to sing. She didn't say, I'm going to try
to sound like this thing, right she's singing, and that
is the cast off of her attempt at singing. There
is a physical cast off, but the voice right. So
then it's like, so if I try to sing, what happens,
like like what gets in the way. It's like, it's
(14:35):
like this thing I read about style, like an art
or whatever being like the thing you do badly. Like
that's like if everyone did the thing perfectly, it'd be
the same style is like oh I actually don't articulate
my words well, or like oh, you know whatever, whatever
it is right anyway, but the intention behind I think
we're wrapping up, but the intention behind the thing. And
(14:55):
this comes up in Tracy Anderson workouts because you are
following her movements, but she wants you to discover them internally.
Speaker 2 (15:01):
At the same time, the failure is doing it like it's.
Speaker 1 (15:04):
The mimicry of the external that you're perceiving versus the
intent mimic, not mimicking, but understanding the intention doing it
and then seeing like what your body, your voice standing
does I don't know. I think it's huge.
Speaker 2 (15:17):
No, I like that. It's true.
Speaker 1 (15:18):
You gotta go to a break though. Okay, let's go
to break just when I've deadened it with abstraction. Some
of the people like it. I am what I am. Folks,
welcome back. I'm sorry, I welcome back.
Speaker 5 (15:36):
Hi.
Speaker 1 (15:36):
Hi? Do I see? This is what I do. I
pick up a piece of metal and I just sort
of drag it across my face.
Speaker 2 (15:43):
I want to say that I am the Pittsburgh sun
blistering my face daily. I did something that caused me
great harm, which is I've been using alpha hydroxy AH
pads on my face and then going into the blistering
sunlight every day for two weeks. The fuck was I thinking?
Face became red. I'm fine, I'm no longer sunburned. But
the point is, I think I may return to Los
(16:05):
Angeles having aged sixty two years. The deep grooves in
the face, I just feel.
Speaker 1 (16:12):
No, this is exciting, you know why?
Speaker 2 (16:14):
You know? What's something that I here? You know, my
greatest year is that's mold. You know, people they go,
it was mold the whole time, up in the ceiling,
in the walls and the air vents. Pittsburgh. It ranged
so consistently, so constantly.
Speaker 1 (16:26):
You've been talking about black mold since sixty three.
Speaker 2 (16:28):
I have, Yeah, okay, I didn't think that.
Speaker 1 (16:30):
Every time I hear anything about black mold, I immediately
hear you in my head being.
Speaker 2 (16:33):
Oh no, because I have a friend I've heard about this.
You know, it's like, oh, the mysterious ailment that lasted
years and it turns out it was mold, and that
like adds a whole. Like I'm looking at this air
event right here, I'm like, so this building that I'm
staying in is like twelve thousand years old, and the
dampness the mold. And then in my trailer there's there's
a little flex of mold on the ceiling and I'm
(16:54):
just ignoring it because what am I going to do?
It be like I need a new trailer, you know.
Speaker 1 (16:58):
No, Yeah, I love this because this is like literally,
you're a you're a Los Angeles actress angry about mold
in your trailer. I'm sensational, Kate. You've done it, Kate,
You've done it. Remember when I told you New York
you can't rotten this basement forever? Okay, when you're gonna
move to la Oh my god, I gotta look at
you now. Another song that anytime it's on American Idol,
I'm so I saw.
Speaker 2 (17:19):
Seen American Idol, not out of some you know.
Speaker 1 (17:23):
I want to watch the first couple of seasons with you.
Speaker 2 (17:25):
What. No, I was gonna say, I haven't seen an American Idol,
not because I somehow you know that that's not like
a damning thing.
Speaker 1 (17:32):
You're above it or something.
Speaker 2 (17:34):
Yeah, I think I'm above it. I only watch I
still watch Charlie Rose interviews. They won't take Charlie away
from me.
Speaker 1 (17:41):
Wait, wait, but I just want to say something. One.
I think you're fine. I really do the mold of
not worried about it. I honestly, a new building, probably
off gas, is more harmful idea, you know, harmful ideas
off I mean, okaying, an old building, an old brick
building like you're in. No, I I think you're as
safe as can be.
Speaker 2 (18:01):
I love that. Okay, thank you. Okay, I'm cured, but
I'm scared because I know when I returned to LA.
I do want to buy a new area rug. And
the off gassing, I mean, what am I supposed to do?
Speaker 1 (18:12):
You hang it outside for two to three months?
Speaker 5 (18:15):
Yeah?
Speaker 2 (18:15):
Exactly? What is what point?
Speaker 1 (18:17):
You know? The bugs take hold?
Speaker 2 (18:19):
And is the off gassing? Is that like the factory
Like It's like whatever happens in the factory is so
toxic and unspeakable.
Speaker 1 (18:24):
I don't know why I'm not that worried about it too.
I mean, no, I know I'm not worried about it
because I'm not worried about anything unless it becomes critical, okay,
which is how most people live. So and off gassing
just has that sound of off gassing, you know, it's
just like okay. But my point is you have a
damn blue air not to make it an ad, but
you have an air filtration unit.
Speaker 2 (18:42):
Right of course, we're fine.
Speaker 1 (18:43):
I think you'll be able to off gas freely. Okay, great,
and you know you just ride it out, okay, love it. God,
there's something. What have I been lusting after?
Speaker 2 (18:53):
Yeah?
Speaker 1 (18:53):
Well, I've been thinking back on you because I always
think about using fucking cox Art. When when your yoga
matt was slipping and you had moved to the wood
in like like in early recording. But I've been thinking
about it because I've been really struggling with kind of
the Matt element in my Tracy Anderson because you got
to do it in sneakers, okay, and you take up
a lot of room. There's a lot. There's a lot
(19:14):
of rolling around and weight shifting, okay, and you just
you I want to try. Oh, by the way, and
I meant to tell oh, I did tell you because
you've you've been screaming about wanting a new ass by
you know, a new ass by June, a new ass
by August. You know, you know, nothing changes except for
the month, right.
Speaker 2 (19:29):
You'll get a new ass by Christmas.
Speaker 1 (19:31):
Exactly there it is new ass by Christmas. Okay, it
was new ass by summer.
Speaker 2 (19:35):
And I Valentine's Day blew through that one.
Speaker 1 (19:38):
I mean, I don't know why you think you need
a new ass, but I respect any project is a
fun time.
Speaker 2 (19:43):
Yeah, you're saying, she will give me the new ass.
Speaker 1 (19:46):
I think. So it's all donkey kicks.
Speaker 2 (19:48):
That might flare up my little ball donkey kicks. Oh
so where is she? Has she reached out?
Speaker 1 (19:52):
I didn't I wouldn't dare ask for anything free? Isn't
that funny?
Speaker 2 (19:55):
Yeah, it is funny considering I'm like, like, she don't
need me, well, she certainly doesn't know she's not like.
Speaker 1 (20:03):
And I feel enough of her, like there's a dedication
to her work that doesn't feel just like some big
business you know where whatever. So it's not as I'm
not like, oh, yeah, this is Unilever. I think I
can ask you Unilever for a product from their child
company that they've bought.
Speaker 2 (20:19):
I'm excited to try out my fend. Fenn sent me
a fend thanks to you, right Respiratory.
Speaker 1 (20:25):
I've got one right here because I literally I'm a jig.
I ordered like three on my own. Okay, I ordered
it for the people who work on my show, so
that we're all protecting each other. I got one for
my dad. He has yet to open it.
Speaker 2 (20:39):
I bought your dad's fish oil. You sent me the
supplement sight of me. What's again, I'm going to start
on that. Hey, guess what, folks, I'm day. I want
to say fifteen, sixteen, perhaps seventeen of athletic grains every
day on empty stomach.
Speaker 1 (20:50):
So this is episode three of Athletic Greens. Yeah, no,
I mean that positively.
Speaker 2 (20:55):
Like and by the way, I paid for it.
Speaker 1 (20:57):
It's like probably episode three of Tracy at this point.
Speaker 2 (20:59):
They haven't said I'm just saying they haven't sent anything.
I'm doing Athletic Greens paid for You're paying for Tracy Anderson.
And that has to stop. And I would hope that
in the next couple of weeks we get we get
someone's reaching out. But I have to But am I
sitting here going, oh my god, my life changed?
Speaker 3 (21:14):
No?
Speaker 2 (21:14):
But do I like it?
Speaker 5 (21:15):
Yeah?
Speaker 2 (21:16):
Sure do?
Speaker 1 (21:16):
Do you have an experienced energy?
Speaker 2 (21:18):
I have to say that. I it's hard because my
hours are wild and I am waking up. I'm getting
much less sleep than I ordinarily do. Oh Kate, I
feel okay.
Speaker 1 (21:26):
Here's my problem. By the worst night of my life,
what with my restless legs. So the only thing that
I was up to like four and just just trying
to sleep in full pigeon and full split okay again,
because pain is better than the feeling of the restless
leg So I'm like, how can I I'm gonna I
think'm gonna have to order like literally sixteen of those
(21:47):
bakshiatsus lay them all down in two rows.
Speaker 2 (21:50):
Are you doing magnesium? Sorry to be so no, Edustrian,
I think we need to get you on a high
dose of magnesium before bed.
Speaker 1 (21:57):
Yeah, I mean, I mean I magnesium comes up our
amount in the in the restless leg syndrome chatter. However,
they tend to say that, you know, magnesium deficiency can
cause it, but it's really a side effect of one
of my antidepressants, and that sucks. Oh fuck, we're not
going off those. And no, so the weed gummies have
been my oh my savior okay, and also a good
(22:22):
time and.
Speaker 2 (22:22):
You're getting blasted off. You're going full thhc oh yeah,
oh yeah, god that's fun and.
Speaker 1 (22:27):
I pop it and sometimes nothing happens, like, I don't know,
it's a brick. My stomach's a brick. I think. I mean,
we're trying to work on that too.
Speaker 2 (22:34):
But I find edibles are like Russian roulette. Sometimes you
take one, yeah, does nothing, and then you take a
light one and you're in outer space for six hour.
Speaker 1 (22:42):
Its humiliating. In front of my mother, we sat down
meet Chris and my mother to play a game of
Rummy Cube okay, which is a game I've learned what
a charming life. I know it's just a gamer like
because we're not a game family. We're not one of
those game families gather around the game board. I'm like
always like shocked and confused by the existence of those families.
Speaker 2 (23:00):
Confusion doesn't begin to describe. But then also, I mean,
I can't fathom the idea of seeing my father or
my mother pick up Die Dice, Die Dice cards. As again,
I've said this before, grew up twelve blocks in my ocean.
I've never seen either of my parents' feet touched sand.
And it sounds like exaggeration, here here's what it is.
(23:22):
I've seen their feet touched sand only because there was
a restaurant we used to go do that was on
the sand. So I've seen their feet touched sand back
on the beach. I believe it's gone now, as most
things are.
Speaker 1 (23:32):
And she would your mother be in a summer sandal,
a perfect summer sandal.
Speaker 2 (23:36):
She would be in a sandal, maybe slip off the
sand to put the feet in. And my father, he
didn't take his shoes off. He was wearing full sneakers
in the sand. His feet I've never seen touch sand,
So just to say, like the beach that wasn't a
part of was a part of my life, but not
of my family life. And similarly, games completely foreign. And
I actually, I'll say it, I detest games. If I
go to someone's house and they're like breaking out the board,
(23:57):
I want to immediately leave.
Speaker 1 (23:59):
I want to family, see okay, because we're so not
Rummy Cube game family. But my mom hasn't gotten into
majong and in her later years. And now Rummy Rummy
Cube and Jim Rummy.
Speaker 2 (24:14):
What am I saying?
Speaker 1 (24:14):
It's related to gin Rummy and it's the same as me,
I only I only know gin rummy is like a
term that like like stuck in the head. I guess
that has a rhythm, h am I right? Why does
gin rummy stick in the head versus you know Texas
hold them My guest does too, But it's like gin Rummy.
I don't know, Like, yeah, I know it too. It's
like a reference. It's exactly the kind of thing that
will fly out of your mouth, you know what I mean? Yeah,
and mine lulled them over whatever, But I was imagining you.
(24:37):
I was like, could Kate play this game for even
one second? Because I was like because rummy cube is
literally like numbers on tiles and you like have to
arrange them. Okay, yeah, and it doesn't imagine you your eyes.
But but but I took a gummy usually takes like
three hours for it to hit way way post rummy
cube with mom. And then my mom's like, Jack, like,
(24:58):
something's wrong with your eyes? Okay? And I was like
and she said that, I was literally like my head
was like rolling. It's like my eyes my eyes were
taking in the remy cube and I was like, oh no,
And I was like, I have to say my gummy
has hit. Oh my god, gummy has hit in front
of the family in a good way. And then she
said I looked like a stone freak the next morning.
(25:20):
Can you believe it?
Speaker 4 (25:21):
Yeah?
Speaker 1 (25:21):
Because my family is also not a met I'm not
a parents who smoke marijuana type family.
Speaker 2 (25:27):
Do they drink? Yeah, yeah, so you've got some social
drinking hard no, no social drinking, fun drinking.
Speaker 1 (25:33):
But they don't get me, but.
Speaker 2 (25:34):
They know they have, like I would take your parents
from what I've I mean, I just need the listeners
to know. I got a gorgeous email from Jacqueline's mother
or on my birthday. Yeah, I told you, And I
feel like I know your parents even though I don't.
And I of course I'm already like your family, John's family.
I'm already you know, being like i'm when I'm the
orphan like you guys are gonna have to trade off
Christmases and stuff.
Speaker 1 (25:56):
No, I know, and I think the listeners do too,
because I think this isn't such an ongoing for you.
Speaker 2 (26:00):
Yeah, I need like a listener spreadsheet.
Speaker 1 (26:02):
The listeners are like, are like, she like, I guess
I shouldn't speak for you people. And excuse the direct address.
It's really important here at POO that we don't do
too much direct address of the audience.
Speaker 2 (26:11):
You know.
Speaker 1 (26:12):
The higher ups tried to They said, hey, you know,
talk to the people, you know, do a segment here there, Okay,
Hey hey guys, it's mailbox bingo, you know. And we said, no,
we talked to.
Speaker 2 (26:22):
You saying the listeners are responsible for my Sorry that
was rude. I didn't mean to say, oh no, I
was just saying, the listeners know. The listeners know your
fear of warphan hood.
Speaker 1 (26:30):
You've like like you've you've gotten it on record a
few times that this fear like like I've I've promised
you on air that you can come to Christmas, and
that I think is sweet because they all know and
I think a lot of listeners would be happy to
invite you as well. Okay, great, I want to tell
you about uh so, yes, I got so. Oh do
you know anything about Delta eight and nine? Not variant
(26:53):
THHD or weed or CBD? Do you know anything about it?
All right, it's hemp, it's legal. I guess there's a
place I buy it around here.
Speaker 2 (27:00):
What's it called?
Speaker 1 (27:01):
Will it do anything for me?
Speaker 2 (27:02):
That's a brand or that's a strain of something?
Speaker 1 (27:05):
For mind? It's just meet me trying to come up
with a solution for my my RLS is boring. Let
me find a notion that's I have a whatever.
Speaker 2 (27:14):
I'm not going to start talking about CBD and weed.
Speaker 1 (27:16):
No, No, let's is it almost time for a break data?
Speaker 2 (27:19):
Yeah?
Speaker 1 (27:19):
All right, so let's pull it together.
Speaker 2 (27:21):
Oh, I know what I want to talk about when
we come back from break.
Speaker 1 (27:23):
Wait, but did you did you get your friend going? Oh?
Speaker 2 (27:26):
No, it's still I have to unbox.
Speaker 1 (27:27):
It, unbox it and get in your nose now.
Speaker 2 (27:29):
I'm going to unbox it tomorrow and start the week.
I have one hundred best inventions of the unbelievable believable?
What are we going to do get the third dose?
Speaker 1 (27:38):
We have to make sure, by the way, well we'll
talk about it later, but we have to make sure
we watch Interstellar before.
Speaker 2 (27:42):
Oh I was actually going to suggest what if? Yeah,
I think Interstellar has to happen.
Speaker 1 (27:46):
It's happening now, folks. Okay, I'm almost going to get
them because there will be spoilers.
Speaker 2 (27:50):
And Jacqueline, I'm almost going to suggest today we're recording
right now not to break not just not to completely
shatter the reality. But it is Saturday right now, Tomorrow Sunday.
I might even boldly suggest we do Interstellar watch tomorrow
night because I'm not gonna be able to watch during
the week. Oh, that's exactly true. I think we should.
We should watch last week.
Speaker 1 (28:10):
You want to have to watch it together?
Speaker 2 (28:11):
No, no, no, we have to watch it separately.
Speaker 1 (28:13):
Speaker discuss on the next pood Okay, yeah, yeah, And
I just want to say I'm anti spoiler, but you
have been warned. Oh yeah, so we will be spoiling
because we have to.
Speaker 2 (28:23):
If you want to watch Interstellar, Poogstellar is going to
be next week's episode.
Speaker 1 (28:27):
Stellar is next week and it'll be spoiler spoiler Central Stellar. Yeah,
and I'm very excited.
Speaker 2 (28:34):
Okay, I love knowing this.
Speaker 1 (28:35):
Maybe we should add Enjoy Luck Club. I'm sorry, Okay,
it's too much.
Speaker 2 (28:38):
No, it's too much. It's too much.
Speaker 1 (28:39):
See, but I need you to watch.
Speaker 2 (28:41):
It's going to be.
Speaker 1 (28:42):
Huge for you. Just trust me, Okay, just trust me.
Speaker 2 (28:44):
I think I found on HBO Max and added it
to my list.
Speaker 1 (28:47):
That's something I remember. You're like, I'll make a note
what about? What about these people have a little notebook
and they write down like, oh oh, that's like, let
me pull up my notebook and put it on the books.
I'd like to read page like that kind of level
of organization.
Speaker 2 (28:57):
I have this new thing where I'm obsessed with getting
a notebook and this could not be more of a
simple thing. But I just really need a list of
things to do, like a notebook where just all of
the horrific admin things that I need to take care of.
Speaker 1 (29:11):
Well, you need one hideous notebook that doesn't we'll talk
about this, we'll get into notebooks, but one hideous notebook
for all the hideous stuff. I love that you gotta
go break all right, we're back, baby checking checks, what's
going on? Where are you?
Speaker 2 (29:31):
I was just making sure we're fine.
Speaker 1 (29:32):
I'm back, just being sure we're fine. Yeah, just me,
We're fine. Okay.
Speaker 2 (29:35):
So I want to say, you know, sometimes you hear
things I stick with you for years. So I heard
I don't remember when this was, but I heard that
Nicole Kidman only sleeps on her back.
Speaker 1 (29:43):
Mmm.
Speaker 2 (29:45):
And that's and like, because I I love being on
my stomach. I just love it. It makes me. It's
really your return to the womb. What do you do?
Speaker 1 (29:54):
One leg up bent, like you're climbing a mountain.
Speaker 2 (29:55):
I'll do one leg up ben my favorite.
Speaker 1 (29:57):
Oh feels so good, all the way up, almost a pigeon.
Speaker 2 (30:01):
But all I'll wrap my I'll wrap my arm under
my leg.
Speaker 1 (30:05):
Heaven, I mean right you you in the crook of
your elbow is the backside of your knee, yes, right, correct?
And you're lifting it like you could lift your own
hip right out.
Speaker 2 (30:14):
Of a sauce.
Speaker 1 (30:15):
So good, and your own leg over your own shoulder.
Speaker 2 (30:17):
Smashing my face into the pillow.
Speaker 1 (30:20):
Yes, wait, smashing it? Do you smash sort of vertically
like a bowl, kind of against it, or do you're
just side of the face classic side of the face vertically?
Speaker 2 (30:28):
What do you mean just nose to the What do
you mean, I've seen it.
Speaker 1 (30:31):
Okay, it's straight down. No, it's almost like the forehead
is sort of in the top of the head is
sort of you know, just like a bull would against
an end of the pillow. It's very interesting.
Speaker 2 (30:42):
No, I do classic kind of sideways smash, but sometimes
I do. I'm like, I'm recognizing, Oh yeah, so my
face is of course smashed right now, and what are
we going to do about that? All right, I'll tell
you because I'll tell you so good. And I do
slip on my back sometimes fall sleep on my back.
I sleep in a million diferent positions, but I feel
so good the face smash. And then I'm thinking about
(31:03):
Nicole Kimmen and her never sleeping on and then my
I have a co star. Here I go again. And
she said that she was shooting a movie and the
makeup artist said, try to sweep on your back while
we're shooting. Yeah, can you fucking believe what I'm here?
But I'm saying to you right.
Speaker 1 (31:17):
Now, it's just big, Okay, I do, and you know
I've gone down this path and have a couple of
things to say to you. I find the best way
to if you want to fall asleep in your back
is you have to treat it like savasana. Okay, yeah,
you have to. I think you have to be fully
straight and thinking of it like you're doing like a
full body meditation. I believe that you have to put
on some kind of full body relaxation like guided meditation.
Speaker 2 (31:40):
So I'm going to say right now the comap I
love it.
Speaker 1 (31:42):
Then you drift off Calm slash poog, Calm dot com.
Speaker 2 (31:45):
Slash pook, Calm dot com slash. By the way, I
think I'm not actually fully paying for Calm at this point,
So can someone from corporate reach out, because why the
hell am I paying for Calm?
Speaker 1 (31:51):
No, it's it's humiliating. We've done.
Speaker 2 (31:53):
I think my free subscription ran out.
Speaker 1 (31:55):
Anything that I've paid for, and then they've offered free
and they and it's like I already an account and
like they can't seem to work that out.
Speaker 2 (32:02):
By the way, Daily Harvest, I'm ready for some free
boxes to Pittsburgh.
Speaker 1 (32:06):
Well generally speaking, yeah, boxes, Yeah.
Speaker 2 (32:08):
I want free stuff from Daily Harvest.
Speaker 1 (32:10):
Oh, I can't believe. I can't believe I haven't saying this.
Speaker 2 (32:12):
The like, where is the stuff? We got something to replenish.
Speaker 1 (32:17):
I'll be four days out of Boston. I have gotten
no res for for SPA, for for food, okay, for
anything in Boston. In Boston from from the people. I mean,
I'm not tickets anymore.
Speaker 2 (32:31):
In Boston SPA. I mean sorry not to listen. Much
love to our Boston listeners, but I just I don't.
I've never gone to Boston to unwind.
Speaker 1 (32:41):
And you know, no, of course, but every city, imagine
if but just to reveal about us that we always like, Oh,
I just need to get away and get to Boston
for a weekend.
Speaker 2 (32:54):
By the way, I actually do have an issue with Boston,
which is clear Americanism. I just in Harbor. I've had,
by the way, I want to see right now, I've
had great shows in Boston. Love those Boston crowds truly,
But in terms of waken up hitting the streets, I
just I've had issues.
Speaker 1 (33:12):
With what the streets, shoes.
Speaker 2 (33:14):
Food restaurants in Boston. I've had issues with oh yeah,
general vibe.
Speaker 1 (33:21):
Of course, I mean Boston, you and Boston is like
is well, actually it's fun, like you and me, and
Boston is almost like fun right to me?
Speaker 2 (33:28):
Anywhere? Yeah, you and me?
Speaker 1 (33:29):
But yes you mean but you me walking into like
a striped wallpapered sort of colonial designed, carpeted.
Speaker 2 (33:37):
Hell yeah, yeah.
Speaker 1 (33:39):
I'm like a mad I'm I've created a restaurant in
my head. Okay, that's like, that's like the worst thing
you can imagine, like would be and like us being
in narrowing in the thrill, you and me, like, I
don't know whatever, it's nothing there. I don't know why.
I'm just talking talking.
Speaker 2 (33:54):
We'll be doing Boston. We'll be doing poog Live in Boston.
I mean, I want to be clear, folks, But as
soon as we get this this Delta variant under control,
I will be we We're gonna pooh Is coming on
the road. We're gonna have you know, wild tours for
the next thirty seven years or.
Speaker 1 (34:12):
Not so or not so. If we do some kind
of you know, digital remote, don't go thinking, well, I
can't buy that because we can always just go to
the live. Okay. You can't tell the people that you're
going to do it every month for thirty seven years.
They need urgency. It's called one night only scarcity.
Speaker 2 (34:30):
Yeah, not really.
Speaker 1 (34:32):
I mean we don't we don't subscribe to that. And
I have a lot of ideas for other ways that
you know, of course or whatever and whatever whatever. I
my father has three separate risks support items.
Speaker 2 (34:43):
Oh bit, oh my god, yes, or the keyboard. Wait,
my father is you know it's never I've never seen
him touch a computer or cell phone.
Speaker 1 (34:52):
It's amazing, very special. Wait. But oh the back, so
so hold on sleeping on the back.
Speaker 2 (34:58):
Okakay.
Speaker 1 (34:58):
So I obviously have gone down this path and as
one element of skincare, and I purchased a pillow that
cradles your head and keeps it from falling to the
right or to the left.
Speaker 2 (35:14):
I just don't immediately shutting down hearing.
Speaker 1 (35:16):
That because you want to be curled.
Speaker 2 (35:18):
Because I want to be curled, because I just don't.
I just it depresses me. It's the aesthetic. It's the aesthetic,
That's what it is. I'm getting trapped in the aesthetic
of a curvature of a geriatric actually has nothing to
do with that. It's just like, I don't.
Speaker 1 (35:33):
It looks medical, yeah, medical and geriatric.
Speaker 2 (35:36):
It looks medical. And this is coming from. This is
coming from the gal who used to have to carry
a tailbone pillow on every plane ride for months and
months due to my fractured tailbone and that hemorrhoid dancing
from the wild dancing. I wore heeled boots on a
steel floor.
Speaker 1 (35:51):
I was just gonna say, a couple of cocktails.
Speaker 2 (35:53):
Went wild, bucking wildly in the night, hurt my tailbone,
hairline fracture nine months. But I had that pillow and
uh yeah, something about it brings up the medical trauma.
Speaker 1 (36:03):
Well, you know what I did with my pillow that
I wrapped it in that gorgeous floral silk plant died.
I mean pillow case that was sent to us and
is featured on poog.
Speaker 2 (36:15):
I have a question for you, sir. Do you struggle
with house guests?
Speaker 4 (36:18):
Does it?
Speaker 2 (36:19):
And does everyone?
Speaker 1 (36:20):
Which sense?
Speaker 2 (36:20):
Okay? So my place right now, I have some friends,
dear friends, staying at my house while I'm gone, while
you're not there, while I'm not there. Trust them completely.
I know they're not doing anything to my home. But
there's some I have this like persistent fear of going back,
smelling the smell of another, the feeling of another, even
a dear friend's body in my bed. Something about it
(36:42):
makes want to burn my bed when I get back.
Speaker 1 (36:43):
Well, yeah, I mean letting other people sleep in your
bed is almost like, you know.
Speaker 2 (36:49):
It's a question, and I feel bad because.
Speaker 1 (36:51):
Because a mattress collects all when we know this, if
you want to wrap your mattress in a true plastic
wrap and then have a setish sheets and a mattress
protector on top of it, then when they leave, you
clean those things, okay, and then I think you're safe
from bed.
Speaker 2 (37:07):
Sleeping in my friend semen for the next twenty years.
And that's fine.
Speaker 1 (37:12):
I don't know. I think I think I think next
time you should just get I mean your couches, not
pull out. I imagine.
Speaker 2 (37:19):
No, you can't have someone say your house and ask
them to not sleep in your bed.
Speaker 1 (37:24):
Oh yes you can. No, yeah you can, Yes you can.
Speaker 2 (37:28):
No, you can't.
Speaker 1 (37:29):
A person can sleep in whatever you goddamn give them. Okay.
You can point to a hammock okay and say, you know,
don't be afraid to piss on the rock or whatever
you you Okay, your bed is not just up for
a grass. Plenty of people when you I've stayed in
people's houses where I'm not necessarily in a couch, but
I'm definitely in some side room or whatever.
Speaker 2 (37:50):
That's because they're in their bed. They're not in Pittsburgh.
Speaker 1 (37:53):
Yeah, they are talking show up and they go you can, yeah,
you sleep.
Speaker 2 (37:56):
In that's ah, that's but that's not a good that's
not right because.
Speaker 1 (38:00):
I don't want to sleep in the master bedroom someone's
master bedroom, right, I don't want to be in the
bed of the.
Speaker 2 (38:05):
People who live there. Think about skin what goes on?
Speaker 1 (38:08):
Okay, think about like the bed of someone that lives
somewhere ew, I mean, who wants to get in that?
Speaker 2 (38:14):
I know, just a skin hammock of like it's like
everything the detritis.
Speaker 1 (38:20):
Yeah, skin hammock for sure. Yeah, you know, it's just
and I'm sorry, but energetically Okay, that's space the energetic
cart scares you.
Speaker 2 (38:28):
Yeah, no, we're fine. Well, by the way, my dear
friends who might be listening, I don't think that you're
somehow poison and disgusting and toxic. And I wouldn't let
anyone stay in my home who I wasn't prepared to absorb. Yeah, no,
I would.
Speaker 1 (38:43):
I also think some people don't want people sleep in
their master bed because it's like they're afraid like oh,
I don't know, like you're gonna see something that is
about how they live that they won't like like, oh,
do they have to clean out their bedside table? Like
that you'll be rooting through mercilessly.
Speaker 2 (38:57):
I cleaned out some drawers. I cleaned out a couple drawers.
Speaker 1 (39:00):
You ever like like staying somewhere or something, and you
have a really high standard at first of how you're
not going to move anything, like and you're gonna just
like it's going to be like you weren't there. And
then you're like, I'll just smooth this over here. Yeah,
and then you're like, oh, remember and I'll put it back.
And then you're like wait where you never do? And
you got to get the hell out of there. House
guest is a major question in life because people are
(39:20):
really into it and they're really into well like like
the people's need of a guest bedroom, Like there are
people are really into that. Like on those house hunting shows,
they're constantly talking about like when the guests and the
family visit right right, like they're obsessed. It's like it's
like it's all about that and it's like, that's not
your day to day life. I basically think a guest
room should not be. If you have an extra room,
(39:43):
do something with it, you know, well, make it something
at least convertible. A Murphy bed comes down.
Speaker 2 (39:49):
I went to a house recently that had altered four
Murphy beds.
Speaker 1 (39:53):
A permanent alter to a potential guest that you walk
by is actually disgusting and disturbed. It's like it's like
it's like a room for a ghost who's angered, you know,
three times a year when someone comes in there, you
know what I mean? Like walking by the bedroom, the
empty made bed, the guest a guest room is really interesting.
Speaker 2 (40:12):
So what are you bringing in?
Speaker 1 (40:14):
If you were going to have a guest room, perfect
guest room that you you know is here. It is
you have a guest room and you get to put
in whatever you can and you can just snap your fingers,
like what would you want in the guest room for
the guest? Like okay, Like I'd be like, okay, a
carafe with like you know.
Speaker 2 (40:28):
You mean, what do you want that nice water bedside table?
Speaker 1 (40:31):
What else would I have in there? An extra toothbrush?
What else? Like? Oh, the guest room.
Speaker 2 (40:35):
Because I do guests. I do love that, and I
do like I dream of having a home one day
with a guest room where there is the craft of
ice water and there is the oh, and I got
some tooth is of course fully stocked. You know, we've
got the gorgeous products in there for you, and there's
some flowers in there and fresh flower. I have to say,
I'll just do a shout out to my mother because
John Early stayed at my house for a couple of
(40:57):
weeks once I was in New York. You stay at
my parents' house in LA and he was working or something,
and then he said he came home one night my
mom had put a bottle of champagne on ice for him.
Speaker 1 (41:06):
Oh my god, that's not.
Speaker 2 (41:07):
The sweetest thing you've ever heard.
Speaker 1 (41:08):
Wow. I just saw a gift my mom got for
someone who there's a little a little boy like toddler,
and then there's like the littler one who was just born.
That's a really weird way of saying. It'll make it.
It'll make sense in a second while I'm saying the way.
And I saw these two gifts come out of her bag, okay,
and one was like this little carrot like stuffed animal,
(41:30):
a little smile and a little like animal.
Speaker 2 (41:33):
Okay.
Speaker 1 (41:33):
And then I think it's a jelly jelly.
Speaker 2 (41:35):
Or whatever, jelly whatever. They're really soft. Yeah.
Speaker 1 (41:37):
And then there was a big carrot and that's for
the big brother.
Speaker 2 (41:41):
Very sweet?
Speaker 1 (41:43):
Is this something really cute about I don't know the
whole thing of getting the gift for the older sitting
he's going to fly to a murderous rage at the
sight of a new baby. Thank God I didn't have
to experience that. That is something I mean, wait, Kate, imagine.
Speaker 2 (41:58):
You Oh, of course, an only child. I used to imagine,
like if some other bitch was here talking to my
mom like they were like, I would think about it
and I would get jealous just imagining another child's tugging
at the hem of my mother's sun dress. God get out.
Speaker 1 (42:15):
I mean, you do have the realization, I think somewhat, Okay,
if you do have the siblings, you do recognize the
truth that someone can love more than one person, Like.
Speaker 2 (42:23):
It's very polly having siblings.
Speaker 1 (42:25):
Right, that's an interesting question if you know, Well, that's
what ever is.
Speaker 2 (42:31):
That's the big thing. They're like, you don't love one
kid more than the other. And by the way, yeah
you do. I think a lot of parents actually do
have a pen every dade.
Speaker 1 (42:40):
I always think it's really funny coming from an only child.
Do you know what I mean? Was like because you
just can't imagine.
Speaker 2 (42:46):
You don't have sex with your kids. So I'm sorry,
stop pretending that love is love. It's like no romantic
love where you're having sex is different. You can't compare
that to the attachment between parents and children. You absolute
psychoa absolute fool. Yeah, what the hell are you talking about?
Speaker 1 (43:02):
Nice? Try go again, Nice, Try try again.
Speaker 2 (43:06):
Yeah, the ease with which parents freely love all their
children equally is not comparable.
Speaker 1 (43:11):
Right, And I think I think the equal got a hobby.
Speaker 2 (43:15):
Sorry, I think the equal you agreed.
Speaker 1 (43:18):
I think the equal actually makes sense in the case
of a parent because each child they love with their
whole heart. Okay, and it sound sounds cheesy, but I
mean like they feel that they are at the capacity,
the top capacity of love for it and to go
to another kN oh my god, I'm at the top
capacity I can possibly have love for this person. Do
how can that be?
Speaker 5 (43:35):
Oh?
Speaker 1 (43:36):
Yeah, it's not just a limited substance. Love's not a.
Speaker 3 (43:39):
Verb love as an industry honey, okay, okay, okay, So
in closing, the rain stopped.
Speaker 1 (43:53):
In closing, I'm thinking of I've been thinking about dropping
on the puginster or on the poog mailing was actually no, Yeah,
you know what people beg. People beg, people beg for
product lists of what we talk about and think, yeah,
on the newsletter, you want them. They're coming in the newsletter.
Speaker 3 (44:07):
Okay, you go in to the poops.
Speaker 1 (44:09):
They're begging. They're great, they're begging. They're just looking at
me like I'm crazy data. This is content.
Speaker 2 (44:13):
Okay, listen to me. Poogstellar is next week. Watch Interstellar
this week?
Speaker 1 (44:16):
Oh yeah, watch Interstellar. Send Boston recommendations. Okay. If I
don't see sixty five poog hag from the audience nightly,
I'm gonna be furious.
Speaker 2 (44:23):
Okay, bye dot com. That was Poog. If you enjoyed Poog,
please subscribe, rate, and review. If not, we will press charges.
Hi, I'm Kate Erlance, I'm Jacqueline Novak.
Speaker 2 (00:03):
And this is poog, an ongoing conversation about wellness between
two obsessive, fresh.
Speaker 1 (00:08):
Two untamable intellects. This is our hobby, This is our hell.
Speaker 2 (00:11):
This is our naked desire for free products. This is
poog Today's topics loosely.
Speaker 3 (00:16):
Speaking off gassing Ummy Cube, Boston, SPA.
Speaker 2 (00:23):
Hi, I just wanted to say that I'm living in
Pittsburgh right now, which is a third rainiest city in America.
Speaker 1 (00:30):
That true. Yes, they've been saying that it once.
Speaker 2 (00:33):
It's never cross referenced, but I never accepted it instantly
as doctrine. And right now it's pouring rain, thunder lightning,
and it happens constantly.
Speaker 1 (00:42):
Don't hear a single drop it. It's devastating because it
is one of the most comforting sounds. Why doesn't everyone
have a have a tin roof for the purpose of
hearing it rain, even if it was on top of
another thing. By the way, would you like to hear
one of the most beautiful songs ever? What's rain falls
and angry on the tin roof? Awake and abad wait?
(01:06):
Is that that's I don't know what it is, but
it's the best Edwin McKay.
Speaker 2 (01:15):
It's used in the is It Could It Be?
Speaker 1 (01:17):
Is the lyric love is sad, but it's quite simply
beautiful in anytime anyone's saying it on American Idol, you
feel it. Yeah, it's a beautiful song. And it's also
and like I'll be better when I'm older. I think
it's a really.
Speaker 2 (01:33):
I was about to isolate that line, you isolate sentiment.
Speaker 1 (01:37):
That I've never heard anyone's say.
Speaker 2 (01:40):
I think that's remarkable. The power of music, the danger
of music to bring us into certain moods. I self
mutilate with music.
Speaker 1 (01:47):
I I I'm so I'm stuttering with excitement because a
lot of people don't know this about me. Okay, I've
basically had to cut music out of my life like
many like many cut a cut a drug. Okay. Now,
of course there's some under my audio meditation I have.
I remember it starting in high school with like musicals,
(02:07):
like I remember almost like breaking down in the car,
like because I was like so addicted to but also
exhausted from listening to rent. Okay, it was like it
was it was compulsive, and I don't know, there was
something that was doing in my brain where it was
like I know every word and I'm furious.
Speaker 2 (02:25):
I mean, but you I remember dropping specifically. You we
were in a hotel room in Portland and I was
pining over some fool. Do you remember this. I remember
I had my headphones on and I was like curled
up in the fetal position, listening to like shocking, rare
northern Northern soul tracks, and you were like, you need
to stop doing this, like you need to stop turning
(02:45):
to the music to go deeper into, to go deeper
into the pining, to go deeper in. And that's something
that I do do and the music facilitates the extreme
emotional state and the longing.
Speaker 1 (02:56):
No, it's it's interesting, I mean how I mean, it's
like that's digging at a at a scab right Like there.
I think there is a perhaps O C D element
right in the belief that somehow going further and going
right into the heart of the storm right will provide
some kind of like relief or it's the fear of
(03:19):
the feeling, and so I'm going to go deeper into
the feeling.
Speaker 4 (03:22):
Yeah, which was always I mean, which you know, I
you know, it's it's not it's sort of nice to
hear that story of me saying, you know, don't do that,
because I had times feel guilt because like my depression
book is like me.
Speaker 1 (03:32):
Saying do that. Basically were saying like given, given, yeah,
and I think that's a we're given today given while
reading this book like this, say the point? Yeah, God,
where where where? I mean, like, never is a promise?
What's the apple?
Speaker 2 (03:51):
I don't follow?
Speaker 1 (03:52):
Like that song, No, I never is a promise and
you cut the fold a lie. Sorry, I'm singing the
same Edwin McCain voice.
Speaker 2 (04:02):
I don't know, I don't know, like the full Fiona catalog, No,
I don't know.
Speaker 1 (04:05):
I mean there was like it's an old one. I mean,
I I'm.
Speaker 2 (04:08):
Fiona has an ability to cut through your sternum.
Speaker 1 (04:11):
It's just beautiful. It's like you'll say, don't fear your.
Speaker 2 (04:15):
Jeems, Rember, I was so sick, didn't believe me. Oh
my god, you're good at guess who to carry you?
Speaker 1 (04:30):
Okay, if you had to hated that? Okay, you dropped
into a new body. Okay, this is like a movie,
a magical movie where you dropped into a new body whatever. Okay,
and for whatever reason, thirty type of thing.
Speaker 2 (04:41):
Sorry, I keep going, and.
Speaker 1 (04:42):
For whatever reason, like the task at hand is that,
like you have to become, you have to make yourself
into like a famous pop or just any kind of
musician okay, singer, songwriter, whatever, with your own tunes. Let's
just say.
Speaker 2 (04:54):
Okay.
Speaker 1 (04:54):
And it was like one day in this alternate world
where it's like Kate, if you can make it happen,
and it's not you, so it's not attached to your
own identity or in some obscure other body whatever or
some some parallel universe, but you've been dropped into a
life where they're like tomorrow's your audition, for example. Okay,
tomorrow's the big audition. Okay, even though that's not how
(05:15):
it works, do you know what I'm saying. So the
goal isn't artistic integrity or anything like that or what
you want to be. The goal is like you get
ten million dollars if you can get the record contract
people to sign on. Let's just say, okay, the question
is and you have to go in there right now
and you have to sing are fake an original?
Speaker 2 (05:35):
Okay, what's the song?
Speaker 1 (05:36):
What is it? And let's hear it?
Speaker 2 (05:38):
Fuck?
Speaker 1 (05:39):
Okay, because the thing is like you you can sing.
I imagine like you could sing pretty good, right, but.
Speaker 2 (05:45):
Don't have to be clear. No, but here's my question.
Are you saying it's my voice? Are you saying I
can I can adopt anyone's voice.
Speaker 1 (05:52):
No, No, I'm actually saying, what would you do right now?
It was ten million dollars for you.
Speaker 2 (05:56):
To commit doctor Otis Redding.
Speaker 1 (06:01):
No, I'm saying it has to be an original. They're
like in three two one.
Speaker 2 (06:05):
And right has to be an original that I'm writing.
Speaker 1 (06:07):
And the moment like like you've been shoved into the
room like you're in a dream. So like right here,
I'll give an example. Okay, I'll try to do it,
but not really. Okay, so I have nothing. It cannot
be an existing song and I can't overshoot my voice,
so I don't even know what I'm doing. Okay, I'd
be like like literally like nothing. I'd be liked, be
like okay, They're like go go okay, right see I'm
already winning, and I just have to start and be
(06:28):
like you're really trying any America Because it has to
be a song. There's no lyrics there, Okay, it would
have to be like and I couldn't lean on previous
like things I've written in my life. Nothing, So it's
just like the chairing strong no more. Okay, that's not it,
all right, hold on, all right, it's impossible. Just try try.
It's impossible that.
Speaker 2 (06:47):
No, I actually I refuse.
Speaker 1 (06:48):
It's so scary, I know, but that's why I just
said that chair isn't strong anymore, and like like it
was lay miss, it was horrifying and.
Speaker 2 (06:55):
I'm rainism h. I don't know. I don't like this.
It's actually giving me. I really actually don't like this game.
Speaker 1 (07:02):
It's the worst game. I mean, it's it's a game
I only feel safe for posing because I don't think
i'd be good at it. Do you see what I'm saying?
Speaker 2 (07:10):
Of course, no, if you were to suddenly excel.
Speaker 1 (07:12):
Oh right, what if this was my way of like
dropping an original on you.
Speaker 2 (07:16):
Well, that's what people classically do with singing.
Speaker 1 (07:18):
Singing.
Speaker 2 (07:18):
Singing is often weaponized against the non singing I find
socially well, and there's something that I can't. It's very
difficult because I have I struggle my jealousy over those
who can sing, the ability to sing. If I could sing,
I can't even imagine the person I would be a monster.
I mean, I would be monstrous, and I would be
you know I just to have that power, to have
(07:40):
that power over people is so closest profound.
Speaker 1 (07:45):
I mean, for the instrument that you can sort of
channel like the finest let's say, like melodies and harmonies
and whatever. Right, most let's say, if you have the
instrument in your goddamn throat goallt and diaphragm or whatever, okay,
and you can thus sing the most beautiful things ever
written by the most beautiful whatever, right, Yeah, basically achieving
(08:09):
something beyond human, right, like you're becoming a god.
Speaker 2 (08:13):
Yes, you are becoming a god. But but I have
a hostility toward people that think singing, Like, here's what
the godly status is, the ability to have personality within
the singing voice, within the beauty, right, And that's the
thing that is remarkably rare, and a lot of people mistake.
They think because they can sing in the sense of
a you know, in a peasant's sense, in a bastard sense,
(08:34):
they think somehow they're that the magic's working just because like.
Speaker 1 (08:38):
They're hitting the note.
Speaker 2 (08:38):
People, they're singing like they Okay, this is what I
was hoping for.
Speaker 1 (08:42):
I have to be honest. This is what I was
asking for earlier.
Speaker 2 (08:45):
This is what makes me crazy. It's like usually someone
who's had a cocktail or something and it's like it's
what is it? It's this very it's I hate to gender, right,
but it's usually kind of like some bitch some like
you know, do it like that or just somewhere who's
like it's like like, okay, like watch this. Does this
(09:09):
make me a singer? Okay? I can't think of a
song that way. Fuck gime reason to stay here like that?
Speaker 1 (09:20):
Like what why don't you do the version he said,
I don't want noone to squeeze me. Okay, that's the
better verse what you were giving. You were singing, give
me one reason to stay here. But here's what I think. Kate, Kate, Kate,
Kate wait. I need to say something. The reason the
game came up is because you did something with your
voice earlier and I was reminded of how you have
the ability to do an impression of that kind of
(09:41):
style or variety of styles of singing right, And this
is a big question for me, is if you can
do an impression of a certain style singing, How are
you any different than the singer of themselves? Right? Okay, Now,
it's course, it's the audacity to put the frame around
it and say this is my voice and this is
my art. Right. So, like I sometimes I'm like, could
I like, is the only thing stopping me from being
(10:02):
not an opera singer? Okay? But like like technically, like
is it just the balls to be like long? You
know that, wasn't it? Or like or like the balls
to be like so I'm gonna treat my voice? I
guess I think.
Speaker 2 (10:20):
Yeah, And some people, yeah, some people feel some people
And that's what the mastery of a certain style of
singing does. Sometimes it's like the uncanny valley, right.
Speaker 1 (10:32):
A term I've never fully been able to latch onto.
Speaker 2 (10:34):
So uncanny valley from what I understand, And it was
explained to me by dear friends that that like.
Speaker 1 (10:43):
No, because I had a conversation with about it, I'm sorry.
Speaker 2 (10:44):
No, but but but the idea that the perfect example
is Tom Hanks in the Polar Express, okay, which the
animation is almost human, right, it's almost human, and yet
it's not human? Right? So is this life? Actually? No,
it's animation. It comes right up to the point of
being real, however it's not. And it's exactly in that
(11:07):
space of it almost being real, it being almost so real,
but it being undeniably not real. That's the uncanny value
when something is like almost the thing, but somehow it
being so almost the thing but not the thing pronounces
how deeply it's not the thing. So it's like someone
who can imitate perfectly a certain style. You go, oh,
well cool, yeah, yeah, no, that sounds like that, but
(11:28):
it's fucking you're never you know that, but you're not that.
Speaker 1 (11:32):
You're not.
Speaker 2 (11:32):
Like I can do a Joanna Newsom like that's what
I used to do. See, I'm actually embarrassed to do.
I can't do it because see I'm doing it right now.
I'm trying to pretend, okakay, like like okay, I'm waiste
baking the stall.
Speaker 5 (11:45):
I don't even know the lyrics like I am blue
and done well, made me, made me both black cars,
no no, no no.
Speaker 2 (11:57):
And I think Johanna Newsom is brilliant. I think she
has a prophetic voice, and I think her you know,
she's an incredible lyricist and all of that, and so
me doing that right, huge, this is huge.
Speaker 1 (12:06):
Go on, go on.
Speaker 2 (12:07):
I can barely scream again for a million reasons. Unfortunately,
you're not what I'm not joining a newsome to my
to my sugar.
Speaker 1 (12:14):
And what to your knowledge, you're not to know.
Speaker 2 (12:19):
But but that so I'm like, yeah, the uncanny valley,
that is where a lot of people dwell I think
artistically and creatively, and that's why so much doesn't work.
And that's what that is, like the lightning bolt and
the visceral reaction to something that feels good because you're like,
oh no, that actually is the thing. It's no longer
this like you know, kind of feeling around the dark
to to to be the thing. It just is it?
Speaker 1 (12:42):
No, I have it, I have something to say. Yeah,
but I don't know where we're at. Is it time
for a break?
Speaker 2 (12:47):
No?
Speaker 1 (12:47):
Okay, we got like two minutes. Okay, so no, no,
I'm blown away. And there's I may even this just
goes to show how these things work. I may even
draw a comparison irrelevant metaphor to Tracy Anderson. Okay, And
because I'm doing the workouts daily and so it's amazing
the way it just seeps in. You know what you
put in just stays. But but the thing is right, like,
(13:08):
because a lot of people believe that if they can
do an impression as a singer, that they have somehow
bested them or revealed like this is a Brigsonian notion, right,
that mimic Why is mimicry funny because it reveals that
people are are a set of mechanical plastic Yeah yeah,
a set of mechanical repetitions that if it's repeatable and
(13:28):
recognizable by that thing, it reveals how unconsciously that person's
always doing the thing right. Yeah. Yeah, So but it's like, Jessica,
someone can do an impression of a thing, doesn't devalue
it right correct, like like you're saying, right. So it's
like and yet sometimes they think it can and the
difference is mimicry versus here's I'm sorry, I'm saying this
(13:49):
is like slow and boring, but I have to get
it out, okay, because I've really been sticking sticking in
my crawl resently. It's it's so obvious and yet so
hard to perceive. But the difference between someone making someone's
steps in any sense okay literal or not literal, and
someone okay The perfect sort of sum up would be
this line of don't seek to follow in your master's footsteps,
(14:11):
seek what they sought. Okay, So the you know, it's
like what did Joanna Newsom say to herself when she
wanted to sing. She didn't say, I'm going to try
to sound like this thing, right she's singing, and that
is the cast off of her attempt at singing. There
is a physical cast off, but the voice right. So
then it's like, so if I try to sing, what happens,
like like what gets in the way. It's like, it's
(14:35):
like this thing I read about style, like an art
or whatever being like the thing you do badly. Like
that's like if everyone did the thing perfectly, it'd be
the same style is like oh I actually don't articulate
my words well, or like oh, you know whatever, whatever
it is right anyway, but the intention behind I think
we're wrapping up, but the intention behind the thing. And
(14:55):
this comes up in Tracy Anderson workouts because you are
following her movements, but she wants you to discover them internally.
Speaker 2 (15:01):
At the same time, the failure is doing it like it's.
Speaker 1 (15:04):
The mimicry of the external that you're perceiving versus the
intent mimic, not mimicking, but understanding the intention doing it
and then seeing like what your body, your voice standing
does I don't know. I think it's huge.
Speaker 2 (15:17):
No, I like that. It's true.
Speaker 1 (15:18):
You gotta go to a break though. Okay, let's go
to break just when I've deadened it with abstraction. Some
of the people like it. I am what I am. Folks,
welcome back. I'm sorry, I welcome back.
Speaker 5 (15:36):
Hi.
Speaker 1 (15:36):
Hi? Do I see? This is what I do. I
pick up a piece of metal and I just sort
of drag it across my face.
Speaker 2 (15:43):
I want to say that I am the Pittsburgh sun
blistering my face daily. I did something that caused me
great harm, which is I've been using alpha hydroxy AH
pads on my face and then going into the blistering
sunlight every day for two weeks. The fuck was I thinking?
Face became red. I'm fine, I'm no longer sunburned. But
the point is, I think I may return to Los
(16:05):
Angeles having aged sixty two years. The deep grooves in
the face, I just feel.
Speaker 1 (16:12):
No, this is exciting, you know why?
Speaker 2 (16:14):
You know? What's something that I here? You know, my
greatest year is that's mold. You know, people they go,
it was mold the whole time, up in the ceiling,
in the walls and the air vents. Pittsburgh. It ranged
so consistently, so constantly.
Speaker 1 (16:26):
You've been talking about black mold since sixty three.
Speaker 2 (16:28):
I have, Yeah, okay, I didn't think that.
Speaker 1 (16:30):
Every time I hear anything about black mold, I immediately
hear you in my head being.
Speaker 2 (16:33):
Oh no, because I have a friend I've heard about this.
You know, it's like, oh, the mysterious ailment that lasted
years and it turns out it was mold, and that
like adds a whole. Like I'm looking at this air
event right here, I'm like, so this building that I'm
staying in is like twelve thousand years old, and the
dampness the mold. And then in my trailer there's there's
a little flex of mold on the ceiling and I'm
(16:54):
just ignoring it because what am I going to do?
It be like I need a new trailer, you know.
Speaker 1 (16:58):
No, Yeah, I love this because this is like literally,
you're a you're a Los Angeles actress angry about mold
in your trailer. I'm sensational, Kate. You've done it, Kate,
You've done it. Remember when I told you New York
you can't rotten this basement forever? Okay, when you're gonna
move to la Oh my god, I gotta look at
you now. Another song that anytime it's on American Idol,
I'm so I saw.
Speaker 2 (17:19):
Seen American Idol, not out of some you know.
Speaker 1 (17:23):
I want to watch the first couple of seasons with you.
Speaker 2 (17:25):
What. No, I was gonna say, I haven't seen an American Idol,
not because I somehow you know that that's not like
a damning thing.
Speaker 1 (17:32):
You're above it or something.
Speaker 2 (17:34):
Yeah, I think I'm above it. I only watch I
still watch Charlie Rose interviews. They won't take Charlie away
from me.
Speaker 1 (17:41):
Wait, wait, but I just want to say something. One.
I think you're fine. I really do the mold of
not worried about it. I honestly, a new building, probably
off gas, is more harmful idea, you know, harmful ideas
off I mean, okaying, an old building, an old brick
building like you're in. No, I I think you're as
safe as can be.
Speaker 2 (18:01):
I love that. Okay, thank you. Okay, I'm cured, but
I'm scared because I know when I returned to LA.
I do want to buy a new area rug. And
the off gassing, I mean, what am I supposed to do?
Speaker 1 (18:12):
You hang it outside for two to three months?
Speaker 5 (18:15):
Yeah?
Speaker 2 (18:15):
Exactly? What is what point?
Speaker 1 (18:17):
You know? The bugs take hold?
Speaker 2 (18:19):
And is the off gassing? Is that like the factory
Like It's like whatever happens in the factory is so
toxic and unspeakable.
Speaker 1 (18:24):
I don't know why I'm not that worried about it too.
I mean, no, I know I'm not worried about it
because I'm not worried about anything unless it becomes critical, okay,
which is how most people live. So and off gassing
just has that sound of off gassing, you know, it's
just like okay. But my point is you have a
damn blue air not to make it an ad, but
you have an air filtration unit.
Speaker 2 (18:42):
Right of course, we're fine.
Speaker 1 (18:43):
I think you'll be able to off gas freely. Okay, great,
and you know you just ride it out, okay, love it. God,
there's something. What have I been lusting after?
Speaker 2 (18:53):
Yeah?
Speaker 1 (18:53):
Well, I've been thinking back on you because I always
think about using fucking cox Art. When when your yoga
matt was slipping and you had moved to the wood
in like like in early recording. But I've been thinking
about it because I've been really struggling with kind of
the Matt element in my Tracy Anderson because you got
to do it in sneakers, okay, and you take up
a lot of room. There's a lot. There's a lot
(19:14):
of rolling around and weight shifting, okay, and you just
you I want to try. Oh, by the way, and
I meant to tell oh, I did tell you because
you've you've been screaming about wanting a new ass by
you know, a new ass by June, a new ass
by August. You know, you know, nothing changes except for
the month, right.
Speaker 2 (19:29):
You'll get a new ass by Christmas.
Speaker 1 (19:31):
Exactly there it is new ass by Christmas. Okay, it
was new ass by summer.
Speaker 2 (19:35):
And I Valentine's Day blew through that one.
Speaker 1 (19:38):
I mean, I don't know why you think you need
a new ass, but I respect any project is a
fun time.
Speaker 2 (19:43):
Yeah, you're saying, she will give me the new ass.
Speaker 1 (19:46):
I think. So it's all donkey kicks.
Speaker 2 (19:48):
That might flare up my little ball donkey kicks. Oh
so where is she? Has she reached out?
Speaker 1 (19:52):
I didn't I wouldn't dare ask for anything free? Isn't
that funny?
Speaker 2 (19:55):
Yeah, it is funny considering I'm like, like, she don't
need me, well, she certainly doesn't know she's not like.
Speaker 1 (20:03):
And I feel enough of her, like there's a dedication
to her work that doesn't feel just like some big
business you know where whatever. So it's not as I'm
not like, oh, yeah, this is Unilever. I think I
can ask you Unilever for a product from their child
company that they've bought.
Speaker 2 (20:19):
I'm excited to try out my fend. Fenn sent me
a fend thanks to you, right Respiratory.
Speaker 1 (20:25):
I've got one right here because I literally I'm a jig.
I ordered like three on my own. Okay, I ordered
it for the people who work on my show, so
that we're all protecting each other. I got one for
my dad. He has yet to open it.
Speaker 2 (20:39):
I bought your dad's fish oil. You sent me the
supplement sight of me. What's again, I'm going to start
on that. Hey, guess what, folks, I'm day. I want
to say fifteen, sixteen, perhaps seventeen of athletic grains every
day on empty stomach.
Speaker 1 (20:50):
So this is episode three of Athletic Greens. Yeah, no,
I mean that positively.
Speaker 2 (20:55):
Like and by the way, I paid for it.
Speaker 1 (20:57):
It's like probably episode three of Tracy at this point.
Speaker 2 (20:59):
They haven't said I'm just saying they haven't sent anything.
I'm doing Athletic Greens paid for You're paying for Tracy Anderson.
And that has to stop. And I would hope that
in the next couple of weeks we get we get
someone's reaching out. But I have to But am I
sitting here going, oh my god, my life changed?
Speaker 3 (21:14):
No?
Speaker 2 (21:14):
But do I like it?
Speaker 5 (21:15):
Yeah?
Speaker 2 (21:16):
Sure do?
Speaker 1 (21:16):
Do you have an experienced energy?
Speaker 2 (21:18):
I have to say that. I it's hard because my
hours are wild and I am waking up. I'm getting
much less sleep than I ordinarily do. Oh Kate, I
feel okay.
Speaker 1 (21:26):
Here's my problem. By the worst night of my life,
what with my restless legs. So the only thing that
I was up to like four and just just trying
to sleep in full pigeon and full split okay again,
because pain is better than the feeling of the restless
leg So I'm like, how can I I'm gonna I
think'm gonna have to order like literally sixteen of those
(21:47):
bakshiatsus lay them all down in two rows.
Speaker 2 (21:50):
Are you doing magnesium? Sorry to be so no, Edustrian,
I think we need to get you on a high
dose of magnesium before bed.
Speaker 1 (21:57):
Yeah, I mean, I mean I magnesium comes up our
amount in the in the restless leg syndrome chatter. However,
they tend to say that, you know, magnesium deficiency can
cause it, but it's really a side effect of one
of my antidepressants, and that sucks. Oh fuck, we're not
going off those. And no, so the weed gummies have
been my oh my savior okay, and also a good
(22:22):
time and.
Speaker 2 (22:22):
You're getting blasted off. You're going full thhc oh yeah,
oh yeah, god that's fun and.
Speaker 1 (22:27):
I pop it and sometimes nothing happens, like, I don't know,
it's a brick. My stomach's a brick. I think. I mean,
we're trying to work on that too.
Speaker 2 (22:34):
But I find edibles are like Russian roulette. Sometimes you
take one, yeah, does nothing, and then you take a
light one and you're in outer space for six hour.
Speaker 1 (22:42):
Its humiliating. In front of my mother, we sat down
meet Chris and my mother to play a game of
Rummy Cube okay, which is a game I've learned what
a charming life. I know it's just a gamer like
because we're not a game family. We're not one of
those game families gather around the game board. I'm like
always like shocked and confused by the existence of those families.
Speaker 2 (23:00):
Confusion doesn't begin to describe. But then also, I mean,
I can't fathom the idea of seeing my father or
my mother pick up Die Dice, Die Dice cards. As again,
I've said this before, grew up twelve blocks in my ocean.
I've never seen either of my parents' feet touched sand.
And it sounds like exaggeration, here here's what it is.
(23:22):
I've seen their feet touched sand only because there was
a restaurant we used to go do that was on
the sand. So I've seen their feet touched sand back
on the beach. I believe it's gone now, as most
things are.
Speaker 1 (23:32):
And she would your mother be in a summer sandal,
a perfect summer sandal.
Speaker 2 (23:36):
She would be in a sandal, maybe slip off the
sand to put the feet in. And my father, he
didn't take his shoes off. He was wearing full sneakers
in the sand. His feet I've never seen touch sand,
So just to say, like the beach that wasn't a
part of was a part of my life, but not
of my family life. And similarly, games completely foreign. And
I actually, I'll say it, I detest games. If I
go to someone's house and they're like breaking out the board,
(23:57):
I want to immediately leave.
Speaker 1 (23:59):
I want to family, see okay, because we're so not
Rummy Cube game family. But my mom hasn't gotten into
majong and in her later years. And now Rummy Rummy
Cube and Jim Rummy.
Speaker 2 (24:14):
What am I saying?
Speaker 1 (24:14):
It's related to gin Rummy and it's the same as me,
I only I only know gin rummy is like a
term that like like stuck in the head. I guess
that has a rhythm, h am I right? Why does
gin rummy stick in the head versus you know Texas
hold them My guest does too, But it's like gin Rummy.
I don't know, Like, yeah, I know it too. It's
like a reference. It's exactly the kind of thing that
will fly out of your mouth, you know what I mean? Yeah,
and mine lulled them over whatever, But I was imagining you.
(24:37):
I was like, could Kate play this game for even
one second? Because I was like because rummy cube is
literally like numbers on tiles and you like have to
arrange them. Okay, yeah, and it doesn't imagine you your eyes.
But but but I took a gummy usually takes like
three hours for it to hit way way post rummy
cube with mom. And then my mom's like, Jack, like,
(24:58):
something's wrong with your eyes? Okay? And I was like
and she said that, I was literally like my head
was like rolling. It's like my eyes my eyes were
taking in the remy cube and I was like, oh no,
And I was like, I have to say my gummy
has hit. Oh my god, gummy has hit in front
of the family in a good way. And then she
said I looked like a stone freak the next morning.
(25:20):
Can you believe it?
Speaker 4 (25:21):
Yeah?
Speaker 1 (25:21):
Because my family is also not a met I'm not
a parents who smoke marijuana type family.
Speaker 2 (25:27):
Do they drink? Yeah, yeah, so you've got some social
drinking hard no, no social drinking, fun drinking.
Speaker 1 (25:33):
But they don't get me, but.
Speaker 2 (25:34):
They know they have, like I would take your parents
from what I've I mean, I just need the listeners
to know. I got a gorgeous email from Jacqueline's mother
or on my birthday. Yeah, I told you, And I
feel like I know your parents even though I don't.
And I of course I'm already like your family, John's family.
I'm already you know, being like i'm when I'm the
orphan like you guys are gonna have to trade off
Christmases and stuff.
Speaker 1 (25:56):
No, I know, and I think the listeners do too,
because I think this isn't such an ongoing for you.
Speaker 2 (26:00):
Yeah, I need like a listener spreadsheet.
Speaker 1 (26:02):
The listeners are like, are like, she like, I guess
I shouldn't speak for you people. And excuse the direct address.
It's really important here at POO that we don't do
too much direct address of the audience.
Speaker 2 (26:11):
You know.
Speaker 1 (26:12):
The higher ups tried to They said, hey, you know,
talk to the people, you know, do a segment here there, Okay,
Hey hey guys, it's mailbox bingo, you know. And we said, no,
we talked to.
Speaker 2 (26:22):
You saying the listeners are responsible for my Sorry that
was rude. I didn't mean to say, oh no, I
was just saying, the listeners know. The listeners know your
fear of warphan hood.
Speaker 1 (26:30):
You've like like you've you've gotten it on record a
few times that this fear like like I've I've promised
you on air that you can come to Christmas, and
that I think is sweet because they all know and
I think a lot of listeners would be happy to
invite you as well. Okay, great, I want to tell
you about uh so, yes, I got so. Oh do
you know anything about Delta eight and nine? Not variant
(26:53):
THHD or weed or CBD? Do you know anything about it?
All right, it's hemp, it's legal. I guess there's a
place I buy it around here.
Speaker 2 (27:00):
What's it called?
Speaker 1 (27:01):
Will it do anything for me?
Speaker 2 (27:02):
That's a brand or that's a strain of something?
Speaker 1 (27:05):
For mind? It's just meet me trying to come up
with a solution for my my RLS is boring. Let
me find a notion that's I have a whatever.
Speaker 2 (27:14):
I'm not going to start talking about CBD and weed.
Speaker 1 (27:16):
No, No, let's is it almost time for a break data?
Speaker 2 (27:19):
Yeah?
Speaker 1 (27:19):
All right, so let's pull it together.
Speaker 2 (27:21):
Oh, I know what I want to talk about when
we come back from break.
Speaker 1 (27:23):
Wait, but did you did you get your friend going? Oh?
Speaker 2 (27:26):
No, it's still I have to unbox.
Speaker 1 (27:27):
It, unbox it and get in your nose now.
Speaker 2 (27:29):
I'm going to unbox it tomorrow and start the week.
I have one hundred best inventions of the unbelievable believable?
What are we going to do get the third dose?
Speaker 1 (27:38):
We have to make sure, by the way, well we'll
talk about it later, but we have to make sure
we watch Interstellar before.
Speaker 2 (27:42):
Oh I was actually going to suggest what if? Yeah,
I think Interstellar has to happen.
Speaker 1 (27:46):
It's happening now, folks. Okay, I'm almost going to get
them because there will be spoilers.
Speaker 2 (27:50):
And Jacqueline, I'm almost going to suggest today we're recording
right now not to break not just not to completely
shatter the reality. But it is Saturday right now, Tomorrow Sunday.
I might even boldly suggest we do Interstellar watch tomorrow
night because I'm not gonna be able to watch during
the week. Oh, that's exactly true. I think we should.
We should watch last week.
Speaker 1 (28:10):
You want to have to watch it together?
Speaker 2 (28:11):
No, no, no, we have to watch it separately.
Speaker 1 (28:13):
Speaker discuss on the next pood Okay, yeah, yeah, And
I just want to say I'm anti spoiler, but you
have been warned. Oh yeah, so we will be spoiling
because we have to.
Speaker 2 (28:23):
If you want to watch Interstellar, Poogstellar is going to
be next week's episode.
Speaker 1 (28:27):
Stellar is next week and it'll be spoiler spoiler Central Stellar. Yeah,
and I'm very excited.
Speaker 2 (28:34):
Okay, I love knowing this.
Speaker 1 (28:35):
Maybe we should add Enjoy Luck Club. I'm sorry, Okay,
it's too much.
Speaker 2 (28:38):
No, it's too much. It's too much.
Speaker 1 (28:39):
See, but I need you to watch.
Speaker 2 (28:41):
It's going to be.
Speaker 1 (28:42):
Huge for you. Just trust me, Okay, just trust me.
Speaker 2 (28:44):
I think I found on HBO Max and added it
to my list.
Speaker 1 (28:47):
That's something I remember. You're like, I'll make a note
what about? What about these people have a little notebook
and they write down like, oh oh, that's like, let
me pull up my notebook and put it on the books.
I'd like to read page like that kind of level
of organization.
Speaker 2 (28:57):
I have this new thing where I'm obsessed with getting
a notebook and this could not be more of a
simple thing. But I just really need a list of
things to do, like a notebook where just all of
the horrific admin things that I need to take care of.
Speaker 1 (29:11):
Well, you need one hideous notebook that doesn't we'll talk
about this, we'll get into notebooks, but one hideous notebook
for all the hideous stuff. I love that you gotta
go break all right, we're back, baby checking checks, what's
going on? Where are you?
Speaker 2 (29:31):
I was just making sure we're fine.
Speaker 1 (29:32):
I'm back, just being sure we're fine. Yeah, just me,
We're fine. Okay.
Speaker 2 (29:35):
So I want to say, you know, sometimes you hear
things I stick with you for years. So I heard
I don't remember when this was, but I heard that
Nicole Kidman only sleeps on her back.
Speaker 1 (29:43):
Mmm.
Speaker 2 (29:45):
And that's and like, because I I love being on
my stomach. I just love it. It makes me. It's
really your return to the womb. What do you do?
Speaker 1 (29:54):
One leg up bent, like you're climbing a mountain.
Speaker 2 (29:55):
I'll do one leg up ben my favorite.
Speaker 1 (29:57):
Oh feels so good, all the way up, almost a pigeon.
Speaker 2 (30:01):
But all I'll wrap my I'll wrap my arm under
my leg.
Speaker 1 (30:05):
Heaven, I mean right you you in the crook of
your elbow is the backside of your knee, yes, right, correct?
And you're lifting it like you could lift your own
hip right out.
Speaker 2 (30:14):
Of a sauce.
Speaker 1 (30:15):
So good, and your own leg over your own shoulder.
Speaker 2 (30:17):
Smashing my face into the pillow.
Speaker 1 (30:20):
Yes, wait, smashing it? Do you smash sort of vertically
like a bowl, kind of against it, or do you're
just side of the face classic side of the face vertically?
Speaker 2 (30:28):
What do you mean just nose to the What do
you mean, I've seen it.
Speaker 1 (30:31):
Okay, it's straight down. No, it's almost like the forehead
is sort of in the top of the head is
sort of you know, just like a bull would against
an end of the pillow. It's very interesting.
Speaker 2 (30:42):
No, I do classic kind of sideways smash, but sometimes
I do. I'm like, I'm recognizing, Oh yeah, so my
face is of course smashed right now, and what are
we going to do about that? All right, I'll tell
you because I'll tell you so good. And I do
slip on my back sometimes fall sleep on my back.
I sleep in a million diferent positions, but I feel
so good the face smash. And then I'm thinking about
(31:03):
Nicole Kimmen and her never sleeping on and then my
I have a co star. Here I go again. And
she said that she was shooting a movie and the
makeup artist said, try to sweep on your back while
we're shooting. Yeah, can you fucking believe what I'm here?
But I'm saying to you right.
Speaker 1 (31:17):
Now, it's just big, Okay, I do, and you know
I've gone down this path and have a couple of
things to say to you. I find the best way
to if you want to fall asleep in your back
is you have to treat it like savasana. Okay, yeah,
you have to. I think you have to be fully
straight and thinking of it like you're doing like a
full body meditation. I believe that you have to put
on some kind of full body relaxation like guided meditation.
Speaker 2 (31:40):
So I'm going to say right now the comap I
love it.
Speaker 1 (31:42):
Then you drift off Calm slash poog, Calm dot com.
Speaker 2 (31:45):
Slash pook, Calm dot com slash. By the way, I
think I'm not actually fully paying for Calm at this point,
So can someone from corporate reach out, because why the
hell am I paying for Calm?
Speaker 1 (31:51):
No, it's it's humiliating. We've done.
Speaker 2 (31:53):
I think my free subscription ran out.
Speaker 1 (31:55):
Anything that I've paid for, and then they've offered free
and they and it's like I already an account and
like they can't seem to work that out.
Speaker 2 (32:02):
By the way, Daily Harvest, I'm ready for some free
boxes to Pittsburgh.
Speaker 1 (32:06):
Well generally speaking, yeah, boxes, Yeah.
Speaker 2 (32:08):
I want free stuff from Daily Harvest.
Speaker 1 (32:10):
Oh, I can't believe. I can't believe I haven't saying this.
Speaker 2 (32:12):
The like, where is the stuff? We got something to replenish.
Speaker 1 (32:17):
I'll be four days out of Boston. I have gotten
no res for for SPA, for for food, okay, for
anything in Boston. In Boston from from the people. I mean,
I'm not tickets anymore.
Speaker 2 (32:31):
In Boston SPA. I mean sorry not to listen. Much
love to our Boston listeners, but I just I don't.
I've never gone to Boston to unwind.
Speaker 1 (32:41):
And you know, no, of course, but every city, imagine
if but just to reveal about us that we always like, Oh,
I just need to get away and get to Boston
for a weekend.
Speaker 2 (32:54):
By the way, I actually do have an issue with Boston,
which is clear Americanism. I just in Harbor. I've had,
by the way, I want to see right now, I've
had great shows in Boston. Love those Boston crowds truly,
But in terms of waken up hitting the streets, I
just I've had issues.
Speaker 1 (33:12):
With what the streets, shoes.
Speaker 2 (33:14):
Food restaurants in Boston. I've had issues with oh yeah,
general vibe.
Speaker 1 (33:21):
Of course, I mean Boston, you and Boston is like
is well, actually it's fun, like you and me, and
Boston is almost like fun right to me?
Speaker 2 (33:28):
Anywhere? Yeah, you and me?
Speaker 1 (33:29):
But yes you mean but you me walking into like
a striped wallpapered sort of colonial designed, carpeted.
Speaker 2 (33:37):
Hell yeah, yeah.
Speaker 1 (33:39):
I'm like a mad I'm I've created a restaurant in
my head. Okay, that's like, that's like the worst thing
you can imagine, like would be and like us being
in narrowing in the thrill, you and me, like, I
don't know whatever, it's nothing there. I don't know why.
I'm just talking talking.
Speaker 2 (33:54):
We'll be doing Boston. We'll be doing poog Live in Boston.
I mean, I want to be clear, folks, But as
soon as we get this this Delta variant under control,
I will be we We're gonna pooh Is coming on
the road. We're gonna have you know, wild tours for
the next thirty seven years or.
Speaker 1 (34:12):
Not so or not so. If we do some kind
of you know, digital remote, don't go thinking, well, I
can't buy that because we can always just go to
the live. Okay. You can't tell the people that you're
going to do it every month for thirty seven years.
They need urgency. It's called one night only scarcity.
Speaker 2 (34:30):
Yeah, not really.
Speaker 1 (34:32):
I mean we don't we don't subscribe to that. And
I have a lot of ideas for other ways that
you know, of course or whatever and whatever whatever. I
my father has three separate risks support items.
Speaker 2 (34:43):
Oh bit, oh my god, yes, or the keyboard. Wait,
my father is you know it's never I've never seen
him touch a computer or cell phone.
Speaker 1 (34:52):
It's amazing, very special. Wait. But oh the back, so
so hold on sleeping on the back.
Speaker 2 (34:58):
Okakay.
Speaker 1 (34:58):
So I obviously have gone down this path and as
one element of skincare, and I purchased a pillow that
cradles your head and keeps it from falling to the
right or to the left.
Speaker 2 (35:14):
I just don't immediately shutting down hearing.
Speaker 1 (35:16):
That because you want to be curled.
Speaker 2 (35:18):
Because I want to be curled, because I just don't.
I just it depresses me. It's the aesthetic. It's the aesthetic,
That's what it is. I'm getting trapped in the aesthetic
of a curvature of a geriatric actually has nothing to
do with that. It's just like, I don't.
Speaker 1 (35:33):
It looks medical, yeah, medical and geriatric.
Speaker 2 (35:36):
It looks medical. And this is coming from. This is
coming from the gal who used to have to carry
a tailbone pillow on every plane ride for months and
months due to my fractured tailbone and that hemorrhoid dancing
from the wild dancing. I wore heeled boots on a
steel floor.
Speaker 1 (35:51):
I was just gonna say, a couple of cocktails.
Speaker 2 (35:53):
Went wild, bucking wildly in the night, hurt my tailbone,
hairline fracture nine months. But I had that pillow and
uh yeah, something about it brings up the medical trauma.
Speaker 1 (36:03):
Well, you know what I did with my pillow that
I wrapped it in that gorgeous floral silk plant died.
I mean pillow case that was sent to us and
is featured on poog.
Speaker 2 (36:15):
I have a question for you, sir. Do you struggle
with house guests?
Speaker 4 (36:18):
Does it?
Speaker 2 (36:19):
And does everyone?
Speaker 1 (36:20):
Which sense?
Speaker 2 (36:20):
Okay? So my place right now, I have some friends,
dear friends, staying at my house while I'm gone, while
you're not there, while I'm not there. Trust them completely.
I know they're not doing anything to my home. But
there's some I have this like persistent fear of going back,
smelling the smell of another, the feeling of another, even
a dear friend's body in my bed. Something about it
(36:42):
makes want to burn my bed when I get back.
Speaker 1 (36:43):
Well, yeah, I mean letting other people sleep in your
bed is almost like, you know.
Speaker 2 (36:49):
It's a question, and I feel bad because.
Speaker 1 (36:51):
Because a mattress collects all when we know this, if
you want to wrap your mattress in a true plastic
wrap and then have a setish sheets and a mattress
protector on top of it, then when they leave, you
clean those things, okay, and then I think you're safe
from bed.
Speaker 2 (37:07):
Sleeping in my friend semen for the next twenty years.
And that's fine.
Speaker 1 (37:12):
I don't know. I think I think I think next
time you should just get I mean your couches, not
pull out. I imagine.
Speaker 2 (37:19):
No, you can't have someone say your house and ask
them to not sleep in your bed.
Speaker 1 (37:24):
Oh yes you can. No, yeah you can, Yes you can.
Speaker 2 (37:28):
No, you can't.
Speaker 1 (37:29):
A person can sleep in whatever you goddamn give them. Okay.
You can point to a hammock okay and say, you know,
don't be afraid to piss on the rock or whatever
you you Okay, your bed is not just up for
a grass. Plenty of people when you I've stayed in
people's houses where I'm not necessarily in a couch, but
I'm definitely in some side room or whatever.
Speaker 2 (37:50):
That's because they're in their bed. They're not in Pittsburgh.
Speaker 1 (37:53):
Yeah, they are talking show up and they go you can, yeah,
you sleep.
Speaker 2 (37:56):
In that's ah, that's but that's not a good that's
not right because.
Speaker 1 (38:00):
I don't want to sleep in the master bedroom someone's
master bedroom, right, I don't want to be in the
bed of the.
Speaker 2 (38:05):
People who live there. Think about skin what goes on?
Speaker 1 (38:08):
Okay, think about like the bed of someone that lives
somewhere ew, I mean, who wants to get in that?
Speaker 2 (38:14):
I know, just a skin hammock of like it's like
everything the detritis.
Speaker 1 (38:20):
Yeah, skin hammock for sure. Yeah, you know, it's just
and I'm sorry, but energetically Okay, that's space the energetic
cart scares you.
Speaker 2 (38:28):
Yeah, no, we're fine. Well, by the way, my dear
friends who might be listening, I don't think that you're
somehow poison and disgusting and toxic. And I wouldn't let
anyone stay in my home who I wasn't prepared to absorb. Yeah, no,
I would.
Speaker 1 (38:43):
I also think some people don't want people sleep in
their master bed because it's like they're afraid like oh,
I don't know, like you're gonna see something that is
about how they live that they won't like like, oh,
do they have to clean out their bedside table? Like
that you'll be rooting through mercilessly.
Speaker 2 (38:57):
I cleaned out some drawers. I cleaned out a couple drawers.
Speaker 1 (39:00):
You ever like like staying somewhere or something, and you
have a really high standard at first of how you're
not going to move anything, like and you're gonna just
like it's going to be like you weren't there. And
then you're like, I'll just smooth this over here. Yeah,
and then you're like, oh, remember and I'll put it back.
And then you're like wait where you never do? And
you got to get the hell out of there. House
guest is a major question in life because people are
(39:20):
really into it and they're really into well like like
the people's need of a guest bedroom, Like there are
people are really into that. Like on those house hunting shows,
they're constantly talking about like when the guests and the
family visit right right, like they're obsessed. It's like it's
like it's all about that and it's like, that's not
your day to day life. I basically think a guest
room should not be. If you have an extra room,
(39:43):
do something with it, you know, well, make it something
at least convertible. A Murphy bed comes down.
Speaker 2 (39:49):
I went to a house recently that had altered four
Murphy beds.
Speaker 1 (39:53):
A permanent alter to a potential guest that you walk
by is actually disgusting and disturbed. It's like it's like
it's like a room for a ghost who's angered, you know,
three times a year when someone comes in there, you
know what I mean? Like walking by the bedroom, the
empty made bed, the guest a guest room is really interesting.
Speaker 2 (40:12):
So what are you bringing in?
Speaker 1 (40:14):
If you were going to have a guest room, perfect
guest room that you you know is here. It is
you have a guest room and you get to put
in whatever you can and you can just snap your fingers,
like what would you want in the guest room for
the guest? Like okay, Like I'd be like, okay, a
carafe with like you know.
Speaker 2 (40:28):
You mean, what do you want that nice water bedside table?
Speaker 1 (40:31):
What else would I have in there? An extra toothbrush?
What else? Like? Oh, the guest room.
Speaker 2 (40:35):
Because I do guests. I do love that, and I
do like I dream of having a home one day
with a guest room where there is the craft of
ice water and there is the oh, and I got
some tooth is of course fully stocked. You know, we've
got the gorgeous products in there for you, and there's
some flowers in there and fresh flower. I have to say,
I'll just do a shout out to my mother because
John Early stayed at my house for a couple of
(40:57):
weeks once I was in New York. You stay at
my parents' house in LA and he was working or something,
and then he said he came home one night my
mom had put a bottle of champagne on ice for him.
Speaker 1 (41:06):
Oh my god, that's not.
Speaker 2 (41:07):
The sweetest thing you've ever heard.
Speaker 1 (41:08):
Wow. I just saw a gift my mom got for
someone who there's a little a little boy like toddler,
and then there's like the littler one who was just born.
That's a really weird way of saying. It'll make it.
It'll make sense in a second while I'm saying the way.
And I saw these two gifts come out of her bag, okay,
and one was like this little carrot like stuffed animal,
(41:30):
a little smile and a little like animal.
Speaker 2 (41:33):
Okay.
Speaker 1 (41:33):
And then I think it's a jelly jelly.
Speaker 2 (41:35):
Or whatever, jelly whatever. They're really soft. Yeah.
Speaker 1 (41:37):
And then there was a big carrot and that's for
the big brother.
Speaker 2 (41:41):
Very sweet?
Speaker 1 (41:43):
Is this something really cute about I don't know the
whole thing of getting the gift for the older sitting
he's going to fly to a murderous rage at the
sight of a new baby. Thank God I didn't have
to experience that. That is something I mean, wait, Kate, imagine.
Speaker 2 (41:58):
You Oh, of course, an only child. I used to imagine,
like if some other bitch was here talking to my
mom like they were like, I would think about it
and I would get jealous just imagining another child's tugging
at the hem of my mother's sun dress. God get out.
Speaker 1 (42:15):
I mean, you do have the realization, I think somewhat, Okay,
if you do have the siblings, you do recognize the
truth that someone can love more than one person, Like.
Speaker 2 (42:23):
It's very polly having siblings.
Speaker 1 (42:25):
Right, that's an interesting question if you know, Well, that's
what ever is.
Speaker 2 (42:31):
That's the big thing. They're like, you don't love one
kid more than the other. And by the way, yeah
you do. I think a lot of parents actually do
have a pen every dade.
Speaker 1 (42:40):
I always think it's really funny coming from an only child.
Do you know what I mean? Was like because you
just can't imagine.
Speaker 2 (42:46):
You don't have sex with your kids. So I'm sorry,
stop pretending that love is love. It's like no romantic
love where you're having sex is different. You can't compare
that to the attachment between parents and children. You absolute
psychoa absolute fool. Yeah, what the hell are you talking about?
Speaker 1 (43:02):
Nice? Try go again, Nice, Try try again.
Speaker 2 (43:06):
Yeah, the ease with which parents freely love all their
children equally is not comparable.
Speaker 1 (43:11):
Right, And I think I think the equal got a hobby.
Speaker 2 (43:15):
Sorry, I think the equal you agreed.
Speaker 1 (43:18):
I think the equal actually makes sense in the case
of a parent because each child they love with their
whole heart. Okay, and it sound sounds cheesy, but I
mean like they feel that they are at the capacity,
the top capacity of love for it and to go
to another kN oh my god, I'm at the top
capacity I can possibly have love for this person. Do
how can that be?
Speaker 5 (43:35):
Oh?
Speaker 1 (43:36):
Yeah, it's not just a limited substance. Love's not a.
Speaker 3 (43:39):
Verb love as an industry honey, okay, okay, okay, So
in closing, the rain stopped.
Speaker 1 (43:53):
In closing, I'm thinking of I've been thinking about dropping
on the puginster or on the poog mailing was actually no, Yeah,
you know what people beg. People beg, people beg for
product lists of what we talk about and think, yeah,
on the newsletter, you want them. They're coming in the newsletter.
Speaker 3 (44:07):
Okay, you go in to the poops.
Speaker 1 (44:09):
They're begging. They're great, they're begging. They're just looking at
me like I'm crazy data. This is content.
Speaker 2 (44:13):
Okay, listen to me. Poogstellar is next week. Watch Interstellar
this week?
Speaker 1 (44:16):
Oh yeah, watch Interstellar. Send Boston recommendations. Okay. If I
don't see sixty five poog hag from the audience nightly,
I'm gonna be furious.
Speaker 2 (44:23):
Okay, bye dot com. That was Poog. If you enjoyed Poog,
please subscribe, rate, and review. If not, we will press charges.
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