May 19, 2026 • 45 mins
Drink Champs Network Presents: ROC Solid with Memphis Bleek.
This week on ROC Solid, we tappin’ in with none other than Albee Al — Albee pulls up for a raw and unfiltered conversation about pain, perseverance, loyalty, and survival in the music industry. Known for his emotional storytelling and street-certified bars, Albee opens up about the highs and lows of his journey, from navigating legal troubles and personal setbacks to rebuilding his career and reconnecting with fans who never stopped supporting him.
During the episode, Albee Al reflects on the realities of growing up in New Jersey, the influence of the streets on his music, and the lessons he learned while fighting to stay focused through adversity. The conversation also dives into the current state of hip hop, independent artistry, and the importance of authenticity in an era driven by social media trends.
With honest stories, laughs, and deep moments throughout, this episode of ROC Solid showcases a side of Albee Al that fans rarely get to see. Whether discussing music, fatherhood, or personal growth, Albee keeps it real from start to finish, delivering an inspiring and powerful interview that speaks directly to anyone grinding through life’s obstacles while chasing greatness.
Tap in - history’s being told by the ones who lived it.
This is ROC Solid. 💎 💯
Follow:
ROC Solid
https://www.instagram.com/roc.solidpodcast
https://www.twitter.com/rocsolidpodcast
Memphis Bleek
https://www.instagram.com/memphisbleek
https://www.twitter.com/memphisbleek
Drink Champs
https://www.drinkchamps.com
https://www.instagram.com/drinkchamps
https://www.twitter.com/drinkchamps
https://www.facebook.com/drinkchamps
See omnystudio.com/listener for privacy information.
Listen
Watch
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
What up, y'all? This is your main man, Memphis Bleak
right here.
Speaker 2 (00:02):
Welcome to Rock Solid, a production of iHeart Radio and
the Black Effect Network in partnership with my guys over
at Drink Champs.
Speaker 1 (00:23):
Yeah, y'all, you already know what it is.
Speaker 2 (00:25):
Yours truly back with another exclusive, and this one right
here is as real as it get.
Speaker 1 (00:30):
I got my guy in the building.
Speaker 2 (00:32):
And when you say New Jersey to me, the first
name I thought of was Tretched because he made me
want to be a gangster even more when he came out.
And now my old last trying to be gangster when
I throw his music on. Now, let's welcome to the building,
my g i'l be al New Jersey's finest king of
Jermys hole in the streets down And if you don't
(00:53):
know get it tuned.
Speaker 1 (00:54):
What's upbod Easy or my brother? You know me? Jersey
marrying projects and it's more fun.
Speaker 2 (01:03):
I'm dead ass serious man like Tretch was the first
artist that made me feel like they I gotta work
out and get on some gangster ship with the bitches.
But then you're not listening to your music. You talk
that pain, you talk that real struggle. That like so
almost like through your music, I feel like I'm from
marrying projects with you.
Speaker 1 (01:23):
I could.
Speaker 2 (01:23):
I respect the hustle to struggle and what you're doing
and how you pushing it. So before we get into
the new ship, let's go back speaking of marrying projects
Jersey City in the building. You already know what's up man.
What was it like back then growing up?
Speaker 1 (01:38):
You know what I mean? To give you the what
inspired you to even start this movie?
Speaker 3 (01:42):
Like first of all, that that shit already Like my Pops,
my Pops was like was like a uh was He's
a legend in his own right, you know what I'm saying.
Everybody know that, Like he came up with like Dougie
Fresh and all of those ship so he was running
around with like like Dougie Fresh was to be running
with them. My pops, my pop is like ill MCS
back in the day. I mean, he died when I
(02:03):
was young though, but Popsy he legendary though, like you
know what I'm saying, Like, and it's crazy, I ain't
really know about my pops like that because he dies
as I was so young, you know what I mean?
And tiy like I was going to jail when I
was going to jail. I'm seeing old heads and in
my name, we got the same name. So they like, yo,
they just look at me, they like.
Speaker 1 (02:21):
You ain't albi abi, like a a your pops and
niggas tell.
Speaker 3 (02:24):
Me mad stories about my father, Like I had like
the most, the most respect from all old heads, old
head fiends in the county, all.
Speaker 1 (02:32):
Of that shit.
Speaker 3 (02:33):
Man, they just treated me like yo, man, your pops,
your pops, you feel me, so you know what I mean.
So it was already in me, you know what I mean,
But like when it started coming out, I say, just
the just the atmosphere of being in the hood, man,
like watching and watching the dope boys in the hood
in the parking lot.
Speaker 1 (02:46):
They used to be freestyling off of beats and shit.
Speaker 3 (02:48):
And I used to be a young nigga just sneaking
around listening to them niggas and waiting for my turn.
One time they let me rap me off the head
and I made some shit have it. They was like,
you need to do that, ship you feel me?
Speaker 1 (02:58):
So I just start sucking with it in school, just
and wraps in school, and it just it just it
just became this.
Speaker 3 (03:03):
It took a while to get it or but yeah,
hell yeah, man, you know how you know the grind? Man,
The grind never easy, man, you rind can't sleep, that's right.
Speaker 2 (03:10):
A lot of these kids think you just pick up
the pen tomorrow. You gotta deal.
Speaker 1 (03:14):
They don't know it takes ten years to be an
overnight success. Not for real. And it's expensive. You got
better on yourself. That's a factor in an expense. Don't stop.
Speaker 2 (03:22):
The more you get famous, the more they expense. Absolutely,
you know what I mean?
Speaker 1 (03:26):
Like, shit is real.
Speaker 2 (03:27):
Like do you remember like your first freestyle or joint
that you recorded or released and you was like, man,
hold on this really good work.
Speaker 1 (03:35):
Like no, no doubt, Hell yeah it was.
Speaker 3 (03:38):
We had like mixtapes in my City go Crazy and
I was on my man, my man DJ Simmons, Simmons
from the Hikes DJ Simmons. He was like he used
to have the mixtapes and ship. So yeah, we did
that ship like on a like a microphone and like
a Pentasonic world out like we did that's like on
the microphone and I spied some ship off for Oh
(04:01):
I don't even remember what beat it was, but I
went off that beating it just they start fucking with
that shit in the hood, the projects going with it,
you know what I'm saying. It just became with the
little raps.
Speaker 1 (04:10):
Yo, that's crazy. You bring up the mic and the panas.
Speaker 2 (04:12):
I remember my first mic recording, Nigga had the headphones
the whole the other side so it don't give feedback
and wrap through the other end of the headphones.
Speaker 1 (04:21):
Yeah, the first mic I ever used word up. It's crazy.
That's crazy, but that's dope.
Speaker 2 (04:25):
Like early mixtape movements, like you was definitely on it.
I could say, your independent grind is one of the
things that attracted me to you, right, you know what
I mean.
Speaker 1 (04:34):
They hear you pushing so.
Speaker 2 (04:35):
Hard and dropping classics like everyday June thirtieth, telling them
about that man.
Speaker 3 (04:42):
A day June thirtieth, Like that's like, that's like my uh,
that's my first like mixtape that I ever put out
like that. I put on like a streaming platform, you
know what I mean. And that ended up being like
one of my biggest mixtapes, biggest, like like I got
I start doing series on it. But it just it
stands for like the pain from losing my brother, so
you know what I mean. My brother got killed on
(05:03):
June dirty. If you feel me so, I want some
shit like a day the same day, a day I
feel the same way like, So it's like every day
June dirtyth Like, no matter what it like today, June dirty.
If my me in the day go by without me,
think about my brother and what happened to my brother.
So that's where all the pain with the music and
all of that shit come from.
Speaker 2 (05:20):
That's real, man, that's real. Rest of peace, bro man.
Every day June thirtieth, Classic classic run. If you haven't
tapped in, make sure you tap in, man, classic classic
records like ten Toes Down. Don't compare me became I
don't want to say street anthems, just became trystate bangers.
(05:40):
Everywhere you went out here. It didn't matter at New York,
New Jersey. You heard those records, all the young boys
blasting them. You know what I'm saying. When did you realize,
like it was bigger than just Jersey City.
Speaker 3 (05:54):
When I realized that, I think, I think when I
start traveling, I start traveling, like when I go places,
when I like, I'm like, when I start traveling and
going places and I'm getting recognized and ship and people
seeing me I'm like, oh, ship, you feel me like
every time I go somewhere, I go there again, it's
always different and bigger love. And that'd be the ship
right there, that'd be having me like yo, damn Like
(06:15):
but that ship definitely like it got it got so
bigger than Jersey.
Speaker 1 (06:19):
It's crazy like Jerseys is home pace. You feel me
like you know how that should go. You feel me.
Speaker 3 (06:23):
But when I ship, when I start traveling moving around,
I'm like, oh, I'm like I was in.
Speaker 1 (06:27):
Where the funk I was that one time? Cali? I
was in Cali one time. I'm thinking I'm low.
Speaker 4 (06:32):
I was so not low, Like oh this ship, I'm thinking,
I'm I'm so not love.
Speaker 2 (06:43):
That's a that's a fact. When you think they watching you,
they not. And when you think you low, I swear
like that in the game, people.
Speaker 1 (06:55):
Were sitting there a way for me outside the store,
like ll be out. I'm like my sitting Yeah, I'm like, damn,
why we could do something with this ship.
Speaker 2 (07:03):
This sh could go somewhere in the fact, like coming
coming from the streets, being outside, putting in pain, doing
whatever we had to do to survive.
Speaker 1 (07:11):
You know what I'm saying. That's what I call it
survival tactics. That going from that.
Speaker 2 (07:15):
To this people walking up to you, Yo, I fuck
with your music, Yo, I fuck with you recognizing you.
I know that got to feel like damn, this is
this is what I do this ship for, for the
people to feel my pain. Like, so is that surprising
to you or was that something you was looking for? Nah?
Speaker 3 (07:32):
Like it's always like I'm always like overwhelmed with this ship.
Speaker 1 (07:35):
Like is like that's a that's that shit made me
feel so good?
Speaker 3 (07:39):
Like like I had an overseas overseas tour last year,
Like for me, I had some I supposed to went
to the UK, but they stopped me from going to
the UK.
Speaker 1 (07:47):
They didn't let me in. They started some like started
moving like Canada type shit. No way.
Speaker 3 (07:52):
But I had other stops like in Paris, Amsterdam and
all that shit.
Speaker 1 (07:55):
So I'm in Amsterdam.
Speaker 3 (07:58):
What I mean, Like that ship comes from like the
history books in school. You feel me with with the
so you know, I'm going out there to a stem
like let me see what's going on. I wanna go
to an frank house so we get to like the
Uber we're going. The Uber driver just kept looking back
and ship so I don't know. I mean, I'm no
matter where I'm mad, be trying to be comfortable, but
I still be paranoid because of the movie d I
(08:19):
mean trauma traumatized for watching take it.
Speaker 5 (08:22):
You know, I just watching this.
Speaker 1 (08:33):
So the uber driver is keep looking back and ship.
He just keep looking back and ship. I'm like, sull
with this nigga.
Speaker 3 (08:39):
Show, like, bro, keep looking back this human traffic shit
they working today.
Speaker 1 (08:45):
So he's like yo. So he's just like are you
are you? Are you him? Are you? I'm like He's like,
are you him? Are you him?
Speaker 3 (08:51):
Here?
Speaker 1 (08:51):
Like he listened to like he got my music and
the ship that's fire.
Speaker 3 (08:55):
I'm like, I'm like, yeah, that's me. He's like, you
look just like this guy. You look just like I'm like, yeah,
that's me, that's me.
Speaker 1 (08:59):
He like a way, no way.
Speaker 3 (09:01):
I'm like he's like yo, He's like yo, me and
my wife was looking for you all the time. They
said you was like yo, it was crazy that ship
in Amsterdam, my nigga, Like you know what I mean.
Speaker 1 (09:10):
So it's like this this is how I feel about it.
Speaker 3 (09:12):
Like before all of this ship was going on, Like
I'm like, I like you ever felt like you so close,
but you so far At the same time, of course,
I'm like, yo, I can make it. But because everybody
telling me I can make a niggas believe in me.
And that's and that's what you don't want to followers.
You want to believes you know so. But just to
see that right there now, it makes me feel like
it makes me feel like I fucked this ship up.
(09:34):
You get what I'm saying, Like like, like, Nigga, you here,
you like you you in the game, It's no, it's
no longer you're trying to get on Nigga, you on
your rows.
Speaker 1 (09:43):
You You get what I'm saying. I'm like, yeah, you on.
Speaker 3 (09:46):
So anything that happened from this, like you could call
me stupid, whatever, what the fuck it is?
Speaker 1 (09:50):
I deserve that.
Speaker 3 (09:51):
Before it was like, Nigga, you don't even know, like
when I went to jail last time, man, the fuck
out of here. You don't even know what the fucking
nigga really was going through you type shit. You get
what I'm saying. But this time is like you go
to jail right now, Nigga, you're an idiot. You feel
me your opportunities so they ain't gotta be worth it. It
got to be worth for you, for me. You know,
I ain't talking my tail ever, but it's just like it.
Speaker 2 (10:09):
Gotta be worth it. Though it's like you're not gonna
just jump out the window. I pray you don't. Like,
you know, the opportunity here is greater than it ever been.
Speaker 1 (10:21):
Man.
Speaker 2 (10:22):
Back in my day, doing the things y'all do was
what we dreamed of. We dreamed of having these brands
behind us, these sponsorships at the shows. Remember they didn't
fuck with us. We used to just rock clothes or
reper brand and that was it. You wouldn't see us
in the commercial. Well y'all got that path.
Speaker 1 (10:39):
That's crazy.
Speaker 2 (10:39):
It's like, man, take full advantage of all the.
Speaker 1 (10:43):
Money they want to give it more trust me.
Speaker 2 (10:47):
Like I wanted to say, like your project coming from
maryon it felt bigger than the mixed tape.
Speaker 1 (10:56):
It's like it's like album.
Speaker 2 (10:59):
You know what I'm saying, Like I felt like that
stamped your your impact, your movement, who you are, what
you represent? Like, how did that making that project? What
was that thought process for you?
Speaker 3 (11:11):
I was really in like I was. I was really
an album mode too. I'm glad you peeped at You
Feel Me. I was an our mode. I was just
even like with the intro, the I'm for Marrying intro.
It's just I just wanted to feel like like cause
first of all, it was like for me to name
the album after where I grew up at. I had
to come like that, you know what I'm saying. I
had to put on for the hood. So I was
(11:32):
just an album mode. I just wanted to give them
that ship, like give them my story. It's like when
I'm when I'm putting a project together, it's like it's
like building it.
Speaker 1 (11:38):
It's like a making a robot human. You feel me for.
Speaker 3 (11:42):
Me, so it's like you need the legs, you need,
the arms, need the heart. You feel me, you need
you need, you need to create that ship. So I
don't like to just put like anything in. I try
to have something on it for every aspect of the
you feel Me. Of course I'm gonna give you that
core Albia hardcore ship, pain ship. But I also like
to give them everything because like I'm all around artists,
like so like as far as like I could talk,
(12:03):
I could do shit for the bitches.
Speaker 1 (12:04):
Because the nigga fuck bitches.
Speaker 3 (12:05):
You know what I'm saying. I ain't afraid of like
this pocket myself.
Speaker 1 (12:12):
I could do shit for the bitches.
Speaker 3 (12:13):
I could do shit for the club nigga like partying,
you feel me so, And I could do shit for
the street because I'm really from that.
Speaker 1 (12:19):
You get what I'm saying. So I ain't afraid to
like go all around with this ship. You know what
I mean. I don't like to just stay in like
one lane with that ship. You feel me like? You
know what I mean.
Speaker 2 (12:26):
I'm gonna tell your cheat hold that I found out
about records with women late in life because I used
to look at John and.
Speaker 1 (12:33):
Be like, damn, this nigga killing it. Put it on me.
What would I be without you?
Speaker 2 (12:39):
It wasn't until I got married and I wrote it
and I'm looking at my wife and I'm sitting there
writing a record and I'm like, Oh, this motherfucker yoah cheated.
Oh this nigga being married this whole like he was
just looking at his wife. Yeah, what would that be
without you? Like motherfucker? I called them like nigga. I
got the cheat cold too. I'm all now, I'm gonna
(13:00):
give it to the young You gotta really I feel like,
you gotta really get those records. You gotta really care.
That's why I made records like it's that your big
right right right, I was kicking them out.
Speaker 1 (13:16):
I couldn't make up for it. I didn't know what
that felt. I could relate to that. I understand, I
feel you, I feel you. You know what I'm saying.
Speaker 2 (13:23):
So when you say I'm making the bitch records is
left No, No.
Speaker 3 (13:26):
I feel like because at the same time, like ship
like bitches be like because I make good songs for
the females, like they love when I do that, right,
But so they be like if you need to put
more that shit on your album, like you need to
do more that shit. I'm like, I really ain't got
the emotions like that no more. I'm really like, y'all
bitches like I'm not doing.
Speaker 2 (13:45):
You gotta really care to write those records. Because even
when you look at DMX and he got those records.
Speaker 1 (13:50):
It was really married. He was really married.
Speaker 2 (13:52):
You know what I'm saying, These niggas that be making
those records be they got shorty away.
Speaker 1 (13:56):
You're saying I need to get married.
Speaker 2 (13:57):
Noa noa no, not said jump the broom. That's not
invice something giving life, and when time is right, you
will make the decision.
Speaker 1 (14:10):
Say that ain't right right now, don't you came from Amsterdam.
He took you to the red light. Say that you've
seen that ship out there. It's easy right ship like
by James.
Speaker 2 (14:23):
You won't believe that ship in the window. Let me
get that right there sides And he had a vision
of people that never been there. You know how you
walking in the mall, you know what I'm saying. And
you see that you see manne kinds dressed up, no
is moving, read ready like like.
Speaker 1 (14:38):
Come on, they moving. They looking at you like come
in pain to yeah whatever, you bro whatever. The human
pooring site out telling you waiting to get picture. That's
a fact.
Speaker 3 (14:55):
Some of them got to It's like it's like up stairs, downstairs,
you just walking that ship.
Speaker 1 (14:59):
They say you can't cor you know, I'm from Jersey.
I'm like, oh now, you gotta be careful.
Speaker 5 (15:06):
You know.
Speaker 2 (15:06):
They roughed up like some of my guys from the
rock guy dam and them got some ship out there.
Speaker 1 (15:12):
Dang went yeah bigs, dang.
Speaker 2 (15:15):
It was out there recording the Red Light and the
gangsters was like, yo, turn them cameras off, you know, niggas,
Nigga New York whatever, they rumbled, niggas up, rough niggas up.
I ain't gonna lie because I remember getting the call
niggas was getting stitched up.
Speaker 1 (15:30):
Niggas up out there and the yeah, like the niggas.
It's two worlds in Amsterdam.
Speaker 2 (15:36):
You know at night, right you see in the daytime
is mad your opinions.
Speaker 1 (15:40):
Ain'tbody right right around? Mad? White face is cool when
the sun go down? Who outside? All the Africa? Like yeah,
it looked like taking.
Speaker 2 (15:48):
All the Africans like this without man. What you need
you need smoke, you need director, what you need was
rough out there. But like, yo, don't go out there playing.
They just discuff you.
Speaker 1 (16:01):
It ain't nobody there to help you either. I don't
see no police or nothing.
Speaker 3 (16:05):
Bro.
Speaker 1 (16:06):
No, they don't regulate none of that ship. It's just
free world, man.
Speaker 2 (16:10):
It's like, ahead, do your thing man like and go
to rid of damn. That's one of the reasons I
like Ireland because it's that old school before the pistol gag,
because I feel like pistols we all heybody fighting, that's.
Speaker 1 (16:23):
Real, ya heart.
Speaker 2 (16:24):
You gotta you know what I mean put that rumble
in and then Dublin they're scuff you up to.
Speaker 1 (16:34):
Them. Niggas love the scuffle. What they live for a fight? Yo,
get it back.
Speaker 2 (16:44):
When you started getting looks from platforms like my brother
sway you know what I mean, shout out swaying the morning,
that's my guy, you know what I mean? Ship like that.
Then you got the major distribution through Empire. Did it
feel like the world was finally catching up to you?
Speaker 1 (16:59):
Yeah? Hell yeah, Like.
Speaker 3 (17:02):
It's it's like I'm always been like like like it'd
be glimpse of that ship you feel me? And that
be the weird ship with the industry too, like because
I be seeing like niggas I see like the top
rappers you feel me that like that or top industry
person period and they run it too me and they
just show me mad love and shit and I'd be like, yo,
why that love? So it's like so private, like if
(17:22):
you saying you like like I fuck with your shit
all the time, Like what's going on? Like you know
what I'm saying? Why you ain't you know what I'm saying?
Why would it takes for me to finally run it
to you to say that when all, yeah, bro, that
should be crazy major.
Speaker 1 (17:34):
These industry niggas is that's one thing.
Speaker 2 (17:37):
Like you know, niggas fifty whatever, they say what they say,
but fifty got one of the illest lines. Man. These
rap niggas ain't friends. They know how to protect. That's
one of the illest, illest, truest bards or these rap
niggas that described as industry.
Speaker 1 (17:50):
These niggas know how to PreTect.
Speaker 3 (17:51):
And and want you to know it ain't it ain't
stop though, you get what I'm saying. If it was
going on when you was out there, when you y'all
was moving around, that shits still going on today.
Speaker 1 (17:59):
Yo. That ship these rap niggas is divas, bro. These
niggas is whole. I tell niggas. They just find a
nice way to tell you. Fuck off. Niggas. They'll be
all nice soon as you walk away.
Speaker 2 (18:09):
Nigga, don't change his number, don't answer the phone, put
you in the phone and don't pick up like I.
Speaker 1 (18:15):
Had some one of the ship.
Speaker 3 (18:16):
This rap shit is this Like niggas hit me up
right and they'd be like, Yo, I want you know,
we gotta do something. We gotta do something, and I'll
be like all right, cool, hell y'all. You know, cause
it's to me, it's like it's a it's a swap.
If you the bigger artist, I need your fans, let's
swap it out, come in, come in.
Speaker 1 (18:31):
So nigga be like a nigga.
Speaker 3 (18:33):
Be Yo, send me some records, let me see what
you're working on. And then it's weird ass nigga. I
send these niggas some records. I ain't here from the
nigga nothing. I'm like, Yo, this nigga better be stealing
my ship.
Speaker 2 (18:43):
And that's that. They're not stealing your your ship. What
they're doing is biting right.
Speaker 1 (18:49):
They feel you got the wave.
Speaker 2 (18:51):
If you're sitting in the nigga your music, they figuring
out how I'm gonna get this wave and they're studying
you right now.
Speaker 1 (18:56):
So that's what they're doing.
Speaker 2 (18:57):
If they if you send a niggas some joints and
they don't send them back, trust me, they study it
exactly you the encyclopedia.
Speaker 1 (19:05):
That's a fact. So take it as a compliment too.
In front.
Speaker 2 (19:09):
And plus, you got here without these niggas. I don't
need none of these niggas, Bro. You don't think you
need none of these niggas.
Speaker 1 (19:16):
They need you absolutely. You know what I'm saying.
Speaker 2 (19:18):
Always remember that, bro, Like that's how we came in
this ship straight from Marcie. We ain't care about nobody.
We wasn't trying to be friendly, be down. They ain't
fuck with us from the beginning. So it was like,
we ain't fuck with nobody either.
Speaker 3 (19:30):
That's that's our energy right there. Me and my squad,
we just meet. We walking, we walk in the rooms.
We already feel attention to niggas know, but at the
same time they know real niggas walk.
Speaker 1 (19:39):
Yeah, they don't respect. They're tighten the fuck up.
Speaker 2 (19:44):
They gotta respect it. Like the number one thing. It's
only two kinds of music in this world. My nigga
is good music and it's not good music right right,
And you make good music and once your music get
to the masses and they're gonna have to respect you,
and all the people that fake in front and bullshit,
they gonna come back around and lay down and really
be like, yo, bro, I.
Speaker 1 (20:03):
Need you yo, come through, pull up over here, do this.
I did all that, my gee.
Speaker 2 (20:08):
I just was telling niggas out of all the industry
homies out I'm being around outside of Rockefeller, I probably
only got two real bros that I consider like rap
niggas that are bros.
Speaker 1 (20:20):
Jian Norri Man.
Speaker 2 (20:22):
I could pick up that phone any given time and
them them my dogs, Like that's my bros. Outside of
this rap shit. Everybody else, I feel like we cool.
Speaker 1 (20:31):
But you really my bro.
Speaker 3 (20:33):
It's in nor Let me say we were from Jersey City,
like I'm from Jersey City. We fuck with Norri like,
you know what I'm saying, like like his music really
like like we really like came up off his music,
and a lot of niggas don't know like how fire
Norri was. You know what I'm saying now to get
new people, they know him as like the king podcasting. Nah,
(20:54):
nor you had Nory had the streets where I'm from.
Like I even freestyled off a lot of his beats.
Speaker 1 (20:59):
You know what I'm saying. We can't wait to meet that.
I don't really want to meet that nigga way man,
damn and know stop playing.
Speaker 2 (21:05):
We're gonna pull up the chance man.
Speaker 1 (21:09):
Stop playing. He a drink. He he rady. You know
what I'm saying.
Speaker 2 (21:13):
You know one of my dogs he rady, Yo. But
this current run you on, it feels like a resurgence
run like from the new visuals, the major collaborations you've
been class shot out my dog Freeway. You know that's
my brother to know. I mean, I've been making some
heat everybody. What's most exciting about what you got going
(21:35):
on right now?
Speaker 1 (21:36):
I think I think right now, this is this like.
Speaker 3 (21:40):
Like I was saying, like I'm on right now, but
this is what I'm about to do right now, is
like it's about to.
Speaker 1 (21:46):
It's like it's over. It's like it's.
Speaker 3 (21:49):
Everything because the ship I got coming up, the features
I got, and then my projects that I got coming up.
It's like I'm in my own I'm in my bag
right now where it's like I know where this ship
about to go and is about to go with it
should have been, you feel me, And I'm proud of that.
Speaker 1 (22:03):
I'm proud of what I'm about to do.
Speaker 3 (22:04):
For the rest of this year, you know what I'm saying,
Like it's really about to happen for me, for me,
whereas though like this ship about to rain on these
niggas like all good music, all good like people gonna
see these these connections and ship that I made you
feel me because you know it's like.
Speaker 1 (22:18):
I got a problem networking man, like you gotta get
one of the home. Man.
Speaker 3 (22:27):
So when you see me rocking with a nigga, you
see me with some nigga, you see me doing music
with a person, it's like I genuinely like, like, fuck
with that nigga. We really like or he fucked with
me too, and we just made that ship happen. You
feel me because it's like it's hard. It's hard for
me to like rock with these niggas because I don't know,
I just be I.
Speaker 1 (22:45):
Just fuck with real ship. I'm allergic to fun ship. Bro.
I start sneezing when bringing theirs, Like I feel you,
and I've been that way my whole career.
Speaker 2 (22:59):
Man, Like like I heard you had a joint like
y'all was working.
Speaker 1 (23:03):
I don't know how true it is. I heard through
the streets though that you.
Speaker 2 (23:05):
And Beans, like you know what I'm saying, Broad Street,
that's my bro, you know what I mean? Like you
heard me say outside of Rockefeller, but Rockefeller the crew
that's my family man, all of.
Speaker 1 (23:17):
Them niggas all time. Beans was yo, he made me
nice yause he was super nice. Yeh it first came out,
I'm like, nan ridiculous. I could have a studio set
as well. I just want to be a flood yo,
y'all be bugging off.
Speaker 2 (23:35):
Hours was on some ship. Beans like the studio dark.
Beans want the studio.
Speaker 1 (23:40):
Dark lights like colored.
Speaker 2 (23:42):
Put the red lights on the fact, make this ship
purple like the instance, go put the candles on.
Speaker 1 (23:48):
Niggas rolling up sticks and he just sitting there. Yo am,
I got it? Like what I got it?
Speaker 2 (23:54):
Let's go damn Like now, Beans is different that nigga
go to sleep, bro like literally sleep with the beat plane,
wake up and.
Speaker 1 (24:02):
Be like, Yo, I got the verse. That's crazy crazy,
like yo, I spit it. Let's go.
Speaker 2 (24:09):
Beans was on some different ship. One of the illness
niggas working with. Like besides of course Ja Jay, that
nigga just fucking you be in a limo ride going
to the fucking airport with this nigga. You get to
the airport like, Yo, I got a hook for you?
Like what houck yo? This one yo, just blaze. I
need you to make a beat that go like this?
Speaker 1 (24:28):
Did it?
Speaker 2 (24:29):
He tell niggas the beat nigger thing me, I need
the beat without the beat. You I don't know what
I'm writing. We lost, we got, we don't take some
ship out the air play a beat I got? You
say the type of nigga I tell you make the
beat like this because.
Speaker 1 (24:45):
I wrote the words like this already, right, that's next level.
Speaker 3 (24:48):
Damn.
Speaker 1 (24:50):
It was different with it.
Speaker 3 (24:51):
Were like being with me heavy two, like real real heavy.
You got like a good relationship every time he seen me.
But I was just honored the fact when I see
him and he was like, I'm just I'm coming to
give him his flyers, you know what I'm saying. And
he was just like, nah, nigga, you nigga, you you
the Broad Street Bully right now.
Speaker 2 (25:09):
I'm telling you, man, I ain't gonna lie you my
favorite rapper right now.
Speaker 1 (25:12):
It just show him give me.
Speaker 2 (25:13):
I'm like, what bro when I like and it's all
honest when I when I see you, when I first
see you, and I don't like comparing niggas, but the
vibe you give me is not to one nigga, like,
it's multiple different movements. When I see you, will see
the hunger of beans. I see the grind and the
crew like a true life in them. I see the
pain of a little Dirk in them. You know what
(25:35):
I'm saying, Like, I see, it's a lot of elements
in your whole movement, bro, it's all classic niggas. It's
some fraudulent fruit cups. Your ship is authentically real, my
nigga gonna trust me, like you got records like come
back outside. You know what I'm saying, Like approaching music differently,
(25:56):
what would you say to the younger albe.
Speaker 1 (25:58):
The younger me.
Speaker 3 (26:01):
I feel like if I could talk to the younger
me as far as like making music him, I think
he I think he just should have been outside more,
you know what I'm saying, Because, like you know, I
was just I was just it still is like I
was just. I was just a newspaper, bro. I was
just like a like I was just talking about what's
going on where I'm from and what I'm going through
(26:23):
and with my city going you know what I'm saying
that type of shit. So I didn't understand the fact
that me talking about where I'm from, that the world
would be able to relate to that because they're going
through the same ship. Because the younger me ain't been out,
that wasn't out of that element. I never left the projects.
I never left my.
Speaker 1 (26:38):
City, you know what I'm saying.
Speaker 3 (26:40):
If we if we left the state, Nigga, we went
to Times Square with our bitch, you know what I'm saying,
shit like that.
Speaker 1 (26:46):
So I didn't know this shit could go that far.
Speaker 3 (26:48):
I didn't know if I step outside of my of
my comfort zone, that these niggas right here in New
Orleans would be banging my ship because they going through
the same ship. So that's what I tell myself. I'll
be like, nigga, get the fuck outside you fire like
the world gonna love you. Nigga ain't not just the city,
you know what I'm saying. So that's one thing. And
even these young niggas need to see that too, like,
because a lot of niggas are my projects. Like young
(27:11):
boys is coming up. All they know is the projects too,
you know what I mean. I just took some of
my young boys to Miami, put them on the yacht
just the fuck they bring up. Man, had bitches, the
little niggas, they never been on the airplane before, you.
Speaker 1 (27:21):
Know what I'm saying. Like, so it's just I ain't
been on one to come in age for me.
Speaker 3 (27:26):
So it was just like that that shit motivate them
differently than I mean. So it's like and then one
of the little bros he couldn't go because he was
on the ankle bracelet and they was cutting his ankle
bracelet off at that time he cut You know what
I'm saying, But that shit, that just shows he gonna
learn from that, like because he watching niggas stories like damn,
I could have been there. So if you wasn't out
here doing stupid shit, you wanna be on that bracelet,
(27:48):
you'd have been with the rest.
Speaker 1 (27:48):
Of the bros. So it's a lesson learned from both
of them.
Speaker 3 (27:51):
They had, they had experience, and now he watching like damn,
you feel me so like, damn, I could have been there.
I could have been a part of that if I
wasn't doing dumb shit, you feel me. So I tried
to move my little young niggas the right way rued up.
Speaker 2 (28:01):
And that's a real thing because, like you know, each
I always felt like every artist, no matter if you're
from a different city, different country, different borough in.
Speaker 1 (28:09):
New York, everybody bought their own.
Speaker 2 (28:11):
Story, what the environment was. Nobody's story is the same.
You go from wood to Biggie, the nas, the Jay
to Jo to you to fab me. None of our
stories are the same. When me and Jay live in
the same building, and our story was crazy, you know
what I'm saying. So like, Jersey City always had like
a different grip when back in the day I came
through it, Jersey City was Brooklyn. Shit was different. It
(28:35):
was two ways. You come out that Holly Tunnel. You
go left, grangy, you go right. Grin me, it was
no where.
Speaker 1 (28:41):
To go, you go straight to ninety five you buy
your business.
Speaker 3 (28:44):
Uh huh.
Speaker 2 (28:46):
That shaped a lot of your storytelling and seeing the
city build up, because now Jersey City looked like fucking man,
what the fly over?
Speaker 1 (28:54):
I don't know the difference, y yo, what the So?
Speaker 2 (28:58):
I know that had to inspire you being there watching
the city changes, Like, nigga, do.
Speaker 1 (29:04):
You feel like you evolved just like your city did? Yeah?
Speaker 3 (29:08):
Yeah, yeah, And at some points you feel me most
definitely because I rob do that motherfucker.
Speaker 1 (29:12):
I don't even recognize it, Like what the fuck?
Speaker 3 (29:14):
We were just working the hood last night and sit
pull up on my cousin for his birthday and I'm
just like, the block don't even look like the block,
Like you know what I'm saying, they know, like I
go to my projects. I like, but I grew up
in like two areas in Jersey City. You for me,
So I grew up in the projects, but I also
grew up on a block. So my mom's mom's working
two jobs. She dropped me off from my grandmom's house.
So now I'm on the block.
Speaker 1 (29:34):
You feel me. So I'm up there.
Speaker 3 (29:35):
Yesterday it's like, damn, this shit just looked crazy, like
you feel me, Like, it don't look like you know,
they really like got a ship looking like I mean,
it's that's a good day. It's a beautiful day. They
are cleaning it up and all of that shit. Man,
but like, damn it don't look you know, they knocking
all the projects down and all that ship.
Speaker 1 (29:53):
You feel me. So it's like it just don't look
the same. Bro. You know what my advice to you
would be, grab all that ship up. You can't out there, bro.
Speaker 2 (29:59):
Yeah, most definitely anything any lot, anything you see available,
call me if you don't want.
Speaker 1 (30:04):
To do it.
Speaker 2 (30:05):
League, I see a lot right here. I'm gonna pull up.
We go grab it together up because they're about to
build that whole ship up. I watched them do it.
Speaker 3 (30:15):
It's a house grew up in the house I grew
up in. It's a fucking what you call the brownstone. Yeah,
so back then we didn't even really notice that it
was a brownstone.
Speaker 1 (30:23):
From yeah, the churches on the crib. Yeah for me, man,
that shit worth like ten million now eight.
Speaker 3 (30:29):
It's the house we grew up in. A Park Street, nigga,
google it a park Street, Jersey City. That ship worth
some brand.
Speaker 1 (30:35):
That's how it is.
Speaker 2 (30:36):
In Brooklyn, broke in the same places like I used
to go to Heart Street. Used to be the house
that had you had to put the two wires together
because they bell was broke. You put the wires together
to ring the bell and they bring the weed out there. Yeah, bro,
that crib probably worth fifteen millions.
Speaker 1 (30:49):
Crazy can't even ring the bell and be like, yo,
that's live right. What the fuck is this?
Speaker 3 (30:54):
Yo?
Speaker 2 (30:54):
I'm telling you, bro, Like I look at Hoboken like
that I used to drive through Hoboken was the same ship,
because you know it's all connected. That shit wasn't like
it is now. I'm trying to move in Hoboken. Good luck, Yeah,
for real, good luck, nigga, you got a better chance
I got a call now, Hove, I need you to
co sign on this crib for me. These niggas told
about twenty million, I only got five.
Speaker 1 (31:18):
Now I need helping, yo.
Speaker 2 (31:24):
Hip Hop has always been, like, you know, a turning point,
turning pain in the purpose.
Speaker 1 (31:30):
How has the truth shaped the music of survival for you?
Speaker 2 (31:34):
Like you know a lot of people, a lot of
artists when I'm saying now, I'm saying that, like a
lot of artists always say yah, I'm keeping it real
or you know, I'm one hunted and this. But then
you could get there, you could listen to the music
and see them and know you ain't a youth. You
would come to you, Like I said, everything is authentic.
So what's your advice to the youth that's pushing that
(31:56):
pain for purpose, trying to turn pain in the survive?
Speaker 1 (32:00):
You know what I'm saying. I just think, I think.
Speaker 3 (32:03):
I think it's like it's like everybody, everybody don't get
a chance to like make it out. You feel me,
So with the music, you're gonna, like you you're gonna
go do this ship. Some people gonna make it talking
about what they're going through, and some people gonna make it.
But everybody ain't gonna make it. You like, you ain't
gonna go through that bitch. Clean, someth gonna happen. You
know what I'm saying exactly, You're not gonna You're not
(32:25):
about to go through there or clean. Something gonna happen.
It's either the ship you're rapping about gonna that's a
live the ship you're talking about. You might end up
going to jail for that ship, bro, But then again,
you might get signed by somebody that's gonna and you
be able to change your whole team life, your family life,
and all that shit. Just understand that it's a risk
you're taking, that's right, and with everything, every reward that
(32:48):
you want, it's a risk. You gotta understand that. So
you can't just dank like a why bet why ain't knowing?
Yeah I'm talking, this was going on.
Speaker 1 (32:54):
Yeah you fire, bro, But everybody don't make it. Bro,
Everybody don't make it. But you gotta. You gonna. If
you keep grinding, keep going, you're gonna be further than
where you at. You ain't do shit. So it's like
try nigga, that's right.
Speaker 2 (33:06):
I always tell niggas man, you gotta tell me knowing
another language for me to stop, you know what I'm saying.
And I had homies like when you say that, like
everybody ain't gonna make it, everybody, but at least try it.
Like I feel like that's how my dog, h money
Bags was, you know he was so he like he
reminds you.
Speaker 1 (33:21):
He reminds me of you two.
Speaker 2 (33:23):
Like he's the same nigga, light skinned muslim, hazel eyes
running around on some straight goon shit didn't understand the
meaning of chill the checkers in the mail by g Like, yo,
we just did mind right remix you rhyming right after
whole Yeah, just relaxed.
Speaker 1 (33:42):
Money coming bro. And he didn't understand it. You know
what I mean. In jail cost us a run.
Speaker 2 (33:47):
You know what I'm saying To hear you say that,
it is like that's that's real good advice because I
wish I was smart enough to see it then to
tell him better. But you know, when you were in
the circle, niggas don't listen. They only listen from outside
the circle.
Speaker 3 (34:00):
Like come, I like my last charge before I went
to jail, my last time, Like I think I think
where I'm where I'm at right now? I had to
put the Reach reboot and get the BLUSD Swedading Tears
and keep going again. But before I went to jail,
like I think, I was like I was out of here,
like out of here, like where I'm I'd have been
there where I'm at right now, you know what I'm saying.
(34:20):
Because I had just signed a big deal with Empire
Ghazi and I couldn't miss you get what I'm saying,
Like everything I dropped was just going crazy. And then
that last album I dropped, the ship called king Op.
Speaker 1 (34:32):
That's what. Don't compare me on it. It got that
ship is no skips, and it was it was going crazy.
You know what I'm saying.
Speaker 3 (34:38):
It was going I went to jail the album out,
You feel me, I'm like Billboard, CEO's coming in there.
I to sen your Billboard. I can't even experience that.
I'm facing life. I'm like, Yo, what the fuck you
feel me? And then niggas coming in jail, Yo, your
your new song?
Speaker 1 (34:51):
Going crazy? This?
Speaker 3 (34:52):
Then the third and then I sit in there doing COVID,
locked up, facing life.
Speaker 1 (34:56):
You know what I'm saying.
Speaker 3 (34:57):
Three years in that bitch, I beat my case. God,
you know what I'm saying I beat my case. When
I beat my case, niggas just keep telling me about
don't compare me.
Speaker 1 (35:06):
I didn't. I didn't know what was going on. I
knew the song was fired, but I didn't know. I
come home. I see the views on the ship. I'm like,
I perform and ship it's stupid. I'm telling you. I'm like,
oh man, plastic bro, and I see the growth.
Speaker 2 (35:19):
So I know you you being there being the one me.
I watched it from the out whatever I've been tapped in.
Shout out my guy Poozo Jersey. He was the first
one league. I'm telling you, niggas ain't fucking with I'll
be out like, let me hear it and ever since
that way home, let me study this sh let me
go on his YouTube. That's so when people here, I'll
(35:47):
be out what you want them to associate with your
body of work.
Speaker 3 (35:51):
You know what I mean at that that motherfucker that
ship he on that for real? You feel me he
ain't misguiding him leading. You feel me he really about
this ship and that he stand up individual. You feel
me an honorable man. So when they hear my music,
they know what they about to get into you feel me.
Speaker 1 (36:10):
And I know people that.
Speaker 3 (36:11):
Probably listen, like, oh, I be talking about this shit,
this and the third nigga, this is my life and
shit that I've been through, shit that I witnessed all
of that shit, Like this real life shit, what I'm
going through, I'm gonna give it to you.
Speaker 1 (36:21):
You know what I'm saying.
Speaker 3 (36:21):
I'd have seen this shit, bro, Like a lot of motherfuckers,
a lot of I got friends that died at fourteen
years old.
Speaker 1 (36:27):
You know what I'm saying, Like, Noah, man to this shit.
You feel me, and we still here thugging. We're still
here pushing this, pushing this shit. You feel me.
Speaker 3 (36:34):
So it's like I love that shit. I love when
motherfuckers see me and give me my flowers. I love
motherfuckers see me and tell me to keep going. And
you feel me, you know what I mean. It makes
me feel like I'm doing something right.
Speaker 1 (36:45):
World up.
Speaker 2 (36:46):
That's a fact, bro, Like another piece of advice you
just made me. Like I'm telling you what people be
saying certain things. It triggers certain memories, man, knowing how
real your shit is. Right, Jay always told me this
as a kid.
Speaker 1 (36:59):
Bleak. Only rappers that fall off or the raps get whacked.
Speaker 2 (37:04):
It's been the lives run out, lives, run out rhymes,
run out bleak. When they got it, there's no more
lives to t up. So that's how nigga know this
your life because you can't lie, but.
Speaker 1 (37:17):
You're only gonna do.
Speaker 2 (37:18):
I'm gonna run out of ship if I'm trying to
be biggie, he gonna go on vacase ship. I'm a
miss a week. I don't know what he did.
Speaker 1 (37:24):
That's heard up yo. So Yo, what's next for you?
My g You know what I mean? What does the
future look like from here?
Speaker 3 (37:34):
What?
Speaker 2 (37:34):
What?
Speaker 1 (37:34):
What's the next drop? What's the next toll on these
right ass niggas as? That's right? I see yo, Yeah,
I see you. We've been spraying the raid like these
rad assn exact man.
Speaker 3 (37:46):
You nobody nobody's safe, Yo, that's nobody safe. I don't
care where you from trying to move the No, we
ain't with that man, Your motherfuckers. You motherfucker's been putting
a lot of music out for years. Man, we to
believe it in you niggas. Man, I swear to God.
Bro oh that man, that's that nigga. Gucci Oh Man,
(38:07):
that nigga.
Speaker 1 (38:08):
He gonna get it. You gotta get it, bro. You
know what I mean.
Speaker 3 (38:11):
I used to be down state arguing. That's what I said,
and I said it before. I used to be down
state arguing with niggas from Pattison. Pattison, they love Gucci.
Fetti wop that comes from Gucci. You get what I'm saying,
veddi wop that comes from goot Y. I aint know
that fetti wop comes from Gucci. You want to stand
that Pattison. Niggas love that nigga, bro, And I was
(38:31):
a Jeezy nigga. I used to be about to get
busy with niggas because they fuck with Gucci. I'm fuck
with Jeezy. Who more thorough fight niggas in president over
that ship.
Speaker 1 (38:41):
But these niggas cat just just let us fally to
this bad man.
Speaker 4 (38:48):
Oh man, Yo, these trust me believe these guys doing
brom do it bro.
Speaker 1 (38:56):
It's easy. See the industry.
Speaker 2 (38:57):
One thing I love about the game now today social
media Twitter, the fans is more invested. You can't hide
behind a sauce, interview, a vibe in. If you remember
back in the day, we did that double ex sal
that sauce that vibe. You didn't see y'all hear from
us till we went on one O six. You didn't
know what we was into today you could do all that, nigga.
(39:20):
Like I just seen this nigga at the drive do
he liing? He just was over at McDonald's. I love
that the fans are more invested and can pull this
ship out to get to see who really real and
who not.
Speaker 1 (39:36):
You know what I'm saying, Because it was too much
bro and going on. You gotta people gotta do their
math on this ship.
Speaker 3 (39:43):
How these niggas be talking about from the trenches and
all of that, and they did all of this trenchery ship.
Speaker 1 (39:48):
But like I said, you're not gonna go do this
ship clean. Nope, gonna get scuffed up.
Speaker 3 (39:55):
These niggas clean Like that niggas is clean. Ain't been
doing nothing. You ain't not been in a youth house,
Like what the fuck? Like when is these niggas is
like on?
Speaker 1 (40:03):
Bro?
Speaker 3 (40:04):
Like you like it's like, come on, bro, like you
gotta read between the Stop misleading these kids.
Speaker 1 (40:08):
Man, you feel me for real? Man, Stop misleading these niggas.
But I was a kid you mislet swat with the
jail for you. I was misslad Man, stop misleading.
Speaker 2 (40:26):
We got guys like you that really lived, really been
through it to tell these niggas ain't the path they
need to walk.
Speaker 3 (40:32):
Man, these kids who you were stamp bleak like if not, no,
not your my crew, Yeah, not your crew, Nobody in
your crew, nobody from New York?
Speaker 1 (40:42):
Who you in the industry that you when you were
a whole war y'all was moving around who he.
Speaker 3 (40:47):
Was like, Yo, Nah, this nigga really liked that in
his area. I know you pulled up y'all been on
you had wild tours.
Speaker 2 (40:54):
No, no, we had mad toys. I ain't gonna front.
It's a couple of niggas. I thought was really like that,
Like I don't like kicking niggas when they down. Man,
But ship you asked the question.
Speaker 1 (41:06):
Mister cool was really like that. But I ain't know
he was really like this. I had to figure out
how to answer that. You know what I'm saying. He
was like, dang, I know he was like this Now
(41:28):
because my nigga fifth is doing about Diddy. We gotta do.
We gotta found out with someone, mister bucking the who else?
Who else was like that? I thought was like that
and was like, nah, you ain't who else let me down? Man?
(41:50):
Like heartbreak? Who else?
Speaker 5 (41:51):
Man?
Speaker 2 (41:52):
I ain't really fuck with too many niggas but my crew,
I could say, niggas and my crew let me down.
To see them going out the way they're going all right?
Speaker 1 (42:00):
You know what I mean?
Speaker 2 (42:00):
Like niggas turning into youtubeer. It's views trying to hear
a dirty laundry that you don't even know it is crazy.
Niggas laundry ain't even dirty.
Speaker 1 (42:09):
You just talked about stupid shit like you know some
g ship.
Speaker 3 (42:12):
I don't respect that because it's like like like you
know what I'm saying, Like you like when when you
was running with a niggas.
Speaker 1 (42:18):
Everything was cool.
Speaker 2 (42:19):
Yeah, And that's another thing I would like, if you
go telling nigga dirt, why wait to the fallout if
it was cool when you was down at me?
Speaker 1 (42:29):
You was a dirty nigga too, exactly. It's like that's
like you sitting there nigga leaves the camp, was he
was with you for ten years? As soon as you
leave the camp, man, that nigga puss the salt nigga
you you was with right when he was pushing. Now
you want to sit there.
Speaker 3 (42:42):
You ain't say that for ten years. Fat now the
first the first three months, sin' cool.
Speaker 1 (42:46):
You said the nigga pussy. I don't like that man.
Speaker 2 (42:49):
That man as far as the rappers telling man, I'm
please listen, stop making gangst the music leading the youth
on that you're gonna live his life knowing good and
god damn well, ever since you signed on that dited line,
you ain't lived that life, man, for real, please stop stop.
Like I made the records back of the day I
was a kid, I was really outside. We was really
(43:11):
putting in paid back from the projects. I got niggas
that with the jail loss like I wish, Like that's
what I'm telling you sitting here. I wish my man,
h money bags had the opportunity to like beat the case,
come home and got on the run.
Speaker 1 (43:24):
He didn't. Nigga did twelve years. You know what I'm saying.
He came home. I'm sitting here podcasting like, Hey, I
got a job for you right here, co host with me.
Speaker 2 (43:35):
You know what I'm saying. But niggas didn't have like
we really took them losses. Everything wasn't all good at
Rockefeller As. You see a lot of niggas telling certain
stories that's true, certain stories is not. But everybody got paid,
nobody got rabbed, nobody had a bad deal.
Speaker 1 (43:51):
Notice nobody. Don't never come out and be like, yo,
Jay took my money, Jay raw me get paid.
Speaker 2 (43:59):
These niggas just blew the bag and now mad exactly
like he was supposed to be the account and adding
to see, Yeah.
Speaker 1 (44:06):
That's crazy, that's crazy, that's crazy, that's funked up. The
project Nigga itself like niggas project, and that's just like
they don't realize that Jay really don't give a fuck
no matter what room he walked in hold, but you
know where he came from, straight.
Speaker 2 (44:21):
Up like niggas think he can't like he one of
them super up there niggas that ain't down in tune.
He and two he don't give a fun to respond
to these niggas will even give him a sin.
Speaker 3 (44:32):
Of a like, you gotta be from the project to
really know that from niggas be sitting there put voice
in their pain. You got a really no project niggas man,
All project niggas is the same, that's right. They got
so many similarities any project I met niggas magnoia never
mind you.
Speaker 1 (44:47):
Feel I love I love man and know in Chicago
that's one of two of my favorite cities. No niggas
show love word yo.
Speaker 2 (44:59):
So like go said, man, I'll be out the motherfucking
truth holding it down New Jersey, New York, the movement.
You know what it is, man, when it comes to
that real this is who you tap into. It ain't
no chatty patty over here. It ain't no telling. We
ain't even getting in trouble to tell no more, right,
(45:21):
ain't getting in trouble. It's nothing to tell. What we're
gonna tell you niggas is get money and say solid
my g rock Solid, Appreciate you, appreciate word. For more
podcasts from iHeart Radio, visit iHeartRadio, app, Apple Podcasts, or
(45:44):
wherever you listen to your favorite shows at and you
can follow me on any social media platform under the
name Memphis Bleak.
Speaker 1 (45:51):
You see anybody fraud and flagging
What up, y'all? This is your main man, Memphis Bleak
right here.
Speaker 2 (00:02):
Welcome to Rock Solid, a production of iHeart Radio and
the Black Effect Network in partnership with my guys over
at Drink Champs.
Speaker 1 (00:23):
Yeah, y'all, you already know what it is.
Speaker 2 (00:25):
Yours truly back with another exclusive, and this one right
here is as real as it get.
Speaker 1 (00:30):
I got my guy in the building.
Speaker 2 (00:32):
And when you say New Jersey to me, the first
name I thought of was Tretched because he made me
want to be a gangster even more when he came out.
And now my old last trying to be gangster when
I throw his music on. Now, let's welcome to the building,
my g i'l be al New Jersey's finest king of
Jermys hole in the streets down And if you don't
(00:53):
know get it tuned.
Speaker 1 (00:54):
What's upbod Easy or my brother? You know me? Jersey
marrying projects and it's more fun.
Speaker 2 (01:03):
I'm dead ass serious man like Tretch was the first
artist that made me feel like they I gotta work
out and get on some gangster ship with the bitches.
But then you're not listening to your music. You talk
that pain, you talk that real struggle. That like so
almost like through your music, I feel like I'm from
marrying projects with you.
Speaker 1 (01:23):
I could.
Speaker 2 (01:23):
I respect the hustle to struggle and what you're doing
and how you pushing it. So before we get into
the new ship, let's go back speaking of marrying projects
Jersey City in the building. You already know what's up man.
What was it like back then growing up?
Speaker 1 (01:38):
You know what I mean? To give you the what
inspired you to even start this movie?
Speaker 3 (01:42):
Like first of all, that that shit already Like my Pops,
my Pops was like was like a uh was He's
a legend in his own right, you know what I'm saying.
Everybody know that, Like he came up with like Dougie
Fresh and all of those ship so he was running
around with like like Dougie Fresh was to be running
with them. My pops, my pop is like ill MCS
back in the day. I mean, he died when I
(02:03):
was young though, but Popsy he legendary though, like you
know what I'm saying, Like, and it's crazy, I ain't
really know about my pops like that because he dies
as I was so young, you know what I mean?
And tiy like I was going to jail when I
was going to jail. I'm seeing old heads and in
my name, we got the same name. So they like, yo,
they just look at me, they like.
Speaker 1 (02:21):
You ain't albi abi, like a a your pops and
niggas tell.
Speaker 3 (02:24):
Me mad stories about my father, Like I had like
the most, the most respect from all old heads, old
head fiends in the county, all.
Speaker 1 (02:32):
Of that shit.
Speaker 3 (02:33):
Man, they just treated me like yo, man, your pops,
your pops, you feel me, so you know what I mean.
So it was already in me, you know what I mean,
But like when it started coming out, I say, just
the just the atmosphere of being in the hood, man,
like watching and watching the dope boys in the hood
in the parking lot.
Speaker 1 (02:46):
They used to be freestyling off of beats and shit.
Speaker 3 (02:48):
And I used to be a young nigga just sneaking
around listening to them niggas and waiting for my turn.
One time they let me rap me off the head
and I made some shit have it. They was like,
you need to do that, ship you feel me?
Speaker 1 (02:58):
So I just start sucking with it in school, just
and wraps in school, and it just it just it
just became this.
Speaker 3 (03:03):
It took a while to get it or but yeah,
hell yeah, man, you know how you know the grind? Man,
The grind never easy, man, you rind can't sleep, that's right.
Speaker 2 (03:10):
A lot of these kids think you just pick up
the pen tomorrow. You gotta deal.
Speaker 1 (03:14):
They don't know it takes ten years to be an
overnight success. Not for real. And it's expensive. You got
better on yourself. That's a factor in an expense. Don't stop.
Speaker 2 (03:22):
The more you get famous, the more they expense. Absolutely,
you know what I mean?
Speaker 1 (03:26):
Like, shit is real.
Speaker 2 (03:27):
Like do you remember like your first freestyle or joint
that you recorded or released and you was like, man,
hold on this really good work.
Speaker 1 (03:35):
Like no, no doubt, Hell yeah it was.
Speaker 3 (03:38):
We had like mixtapes in my City go Crazy and
I was on my man, my man DJ Simmons, Simmons
from the Hikes DJ Simmons. He was like he used
to have the mixtapes and ship. So yeah, we did
that ship like on a like a microphone and like
a Pentasonic world out like we did that's like on
the microphone and I spied some ship off for Oh
(04:01):
I don't even remember what beat it was, but I
went off that beating it just they start fucking with
that shit in the hood, the projects going with it,
you know what I'm saying. It just became with the
little raps.
Speaker 1 (04:10):
Yo, that's crazy. You bring up the mic and the panas.
Speaker 2 (04:12):
I remember my first mic recording, Nigga had the headphones
the whole the other side so it don't give feedback
and wrap through the other end of the headphones.
Speaker 1 (04:21):
Yeah, the first mic I ever used word up. It's crazy.
That's crazy, but that's dope.
Speaker 2 (04:25):
Like early mixtape movements, like you was definitely on it.
I could say, your independent grind is one of the
things that attracted me to you, right, you know what
I mean.
Speaker 1 (04:34):
They hear you pushing so.
Speaker 2 (04:35):
Hard and dropping classics like everyday June thirtieth, telling them
about that man.
Speaker 3 (04:42):
A day June thirtieth, Like that's like, that's like my uh,
that's my first like mixtape that I ever put out
like that. I put on like a streaming platform, you
know what I mean. And that ended up being like
one of my biggest mixtapes, biggest, like like I got
I start doing series on it. But it just it
stands for like the pain from losing my brother, so
you know what I mean. My brother got killed on
(05:03):
June dirty. If you feel me so, I want some
shit like a day the same day, a day I
feel the same way like, So it's like every day
June dirtyth Like, no matter what it like today, June dirty.
If my me in the day go by without me,
think about my brother and what happened to my brother.
So that's where all the pain with the music and
all of that shit come from.
Speaker 2 (05:20):
That's real, man, that's real. Rest of peace, bro man.
Every day June thirtieth, Classic classic run. If you haven't
tapped in, make sure you tap in, man, classic classic
records like ten Toes Down. Don't compare me became I
don't want to say street anthems, just became trystate bangers.
(05:40):
Everywhere you went out here. It didn't matter at New York,
New Jersey. You heard those records, all the young boys
blasting them. You know what I'm saying. When did you realize,
like it was bigger than just Jersey City.
Speaker 3 (05:54):
When I realized that, I think, I think when I
start traveling, I start traveling, like when I go places,
when I like, I'm like, when I start traveling and
going places and I'm getting recognized and ship and people
seeing me I'm like, oh, ship, you feel me like
every time I go somewhere, I go there again, it's
always different and bigger love. And that'd be the ship
right there, that'd be having me like yo, damn Like
(06:15):
but that ship definitely like it got it got so
bigger than Jersey.
Speaker 1 (06:19):
It's crazy like Jerseys is home pace. You feel me
like you know how that should go. You feel me.
Speaker 3 (06:23):
But when I ship, when I start traveling moving around,
I'm like, oh, I'm like I was in.
Speaker 1 (06:27):
Where the funk I was that one time? Cali? I
was in Cali one time. I'm thinking I'm low.
Speaker 4 (06:32):
I was so not low, Like oh this ship, I'm thinking,
I'm I'm so not love.
Speaker 2 (06:43):
That's a that's a fact. When you think they watching you,
they not. And when you think you low, I swear
like that in the game, people.
Speaker 1 (06:55):
Were sitting there a way for me outside the store,
like ll be out. I'm like my sitting Yeah, I'm like, damn,
why we could do something with this ship.
Speaker 2 (07:03):
This sh could go somewhere in the fact, like coming
coming from the streets, being outside, putting in pain, doing
whatever we had to do to survive.
Speaker 1 (07:11):
You know what I'm saying. That's what I call it
survival tactics. That going from that.
Speaker 2 (07:15):
To this people walking up to you, Yo, I fuck
with your music, Yo, I fuck with you recognizing you.
I know that got to feel like damn, this is
this is what I do this ship for, for the
people to feel my pain. Like, so is that surprising
to you or was that something you was looking for? Nah?
Speaker 3 (07:32):
Like it's always like I'm always like overwhelmed with this ship.
Speaker 1 (07:35):
Like is like that's a that's that shit made me
feel so good?
Speaker 3 (07:39):
Like like I had an overseas overseas tour last year,
Like for me, I had some I supposed to went
to the UK, but they stopped me from going to
the UK.
Speaker 1 (07:47):
They didn't let me in. They started some like started
moving like Canada type shit. No way.
Speaker 3 (07:52):
But I had other stops like in Paris, Amsterdam and
all that shit.
Speaker 1 (07:55):
So I'm in Amsterdam.
Speaker 3 (07:58):
What I mean, Like that ship comes from like the
history books in school. You feel me with with the
so you know, I'm going out there to a stem
like let me see what's going on. I wanna go
to an frank house so we get to like the
Uber we're going. The Uber driver just kept looking back
and ship so I don't know. I mean, I'm no
matter where I'm mad, be trying to be comfortable, but
I still be paranoid because of the movie d I
(08:19):
mean trauma traumatized for watching take it.
Speaker 5 (08:22):
You know, I just watching this.
Speaker 1 (08:33):
So the uber driver is keep looking back and ship.
He just keep looking back and ship. I'm like, sull
with this nigga.
Speaker 3 (08:39):
Show, like, bro, keep looking back this human traffic shit
they working today.
Speaker 1 (08:45):
So he's like yo. So he's just like are you
are you? Are you him? Are you? I'm like He's like,
are you him? Are you him?
Speaker 3 (08:51):
Here?
Speaker 1 (08:51):
Like he listened to like he got my music and
the ship that's fire.
Speaker 3 (08:55):
I'm like, I'm like, yeah, that's me. He's like, you
look just like this guy. You look just like I'm like, yeah,
that's me, that's me.
Speaker 1 (08:59):
He like a way, no way.
Speaker 3 (09:01):
I'm like he's like yo, He's like yo, me and
my wife was looking for you all the time. They
said you was like yo, it was crazy that ship
in Amsterdam, my nigga, Like you know what I mean.
Speaker 1 (09:10):
So it's like this this is how I feel about it.
Speaker 3 (09:12):
Like before all of this ship was going on, Like
I'm like, I like you ever felt like you so close,
but you so far At the same time, of course,
I'm like, yo, I can make it. But because everybody
telling me I can make a niggas believe in me.
And that's and that's what you don't want to followers.
You want to believes you know so. But just to
see that right there now, it makes me feel like
it makes me feel like I fucked this ship up.
(09:34):
You get what I'm saying, Like like, like, Nigga, you here,
you like you you in the game, It's no, it's
no longer you're trying to get on Nigga, you on
your rows.
Speaker 1 (09:43):
You You get what I'm saying. I'm like, yeah, you on.
Speaker 3 (09:46):
So anything that happened from this, like you could call
me stupid, whatever, what the fuck it is?
Speaker 1 (09:50):
I deserve that.
Speaker 3 (09:51):
Before it was like, Nigga, you don't even know, like
when I went to jail last time, man, the fuck
out of here. You don't even know what the fucking
nigga really was going through you type shit. You get
what I'm saying. But this time is like you go
to jail right now, Nigga, you're an idiot. You feel
me your opportunities so they ain't gotta be worth it. It
got to be worth for you, for me. You know,
I ain't talking my tail ever, but it's just like it.
Speaker 2 (10:09):
Gotta be worth it. Though it's like you're not gonna
just jump out the window. I pray you don't. Like,
you know, the opportunity here is greater than it ever been.
Speaker 1 (10:21):
Man.
Speaker 2 (10:22):
Back in my day, doing the things y'all do was
what we dreamed of. We dreamed of having these brands
behind us, these sponsorships at the shows. Remember they didn't
fuck with us. We used to just rock clothes or
reper brand and that was it. You wouldn't see us
in the commercial. Well y'all got that path.
Speaker 1 (10:39):
That's crazy.
Speaker 2 (10:39):
It's like, man, take full advantage of all the.
Speaker 1 (10:43):
Money they want to give it more trust me.
Speaker 2 (10:47):
Like I wanted to say, like your project coming from
maryon it felt bigger than the mixed tape.
Speaker 1 (10:56):
It's like it's like album.
Speaker 2 (10:59):
You know what I'm saying, Like I felt like that
stamped your your impact, your movement, who you are, what
you represent? Like, how did that making that project? What
was that thought process for you?
Speaker 3 (11:11):
I was really in like I was. I was really
an album mode too. I'm glad you peeped at You
Feel Me. I was an our mode. I was just
even like with the intro, the I'm for Marrying intro.
It's just I just wanted to feel like like cause
first of all, it was like for me to name
the album after where I grew up at. I had
to come like that, you know what I'm saying. I
had to put on for the hood. So I was
(11:32):
just an album mode. I just wanted to give them
that ship, like give them my story. It's like when
I'm when I'm putting a project together, it's like it's
like building it.
Speaker 1 (11:38):
It's like a making a robot human. You feel me for.
Speaker 3 (11:42):
Me, so it's like you need the legs, you need,
the arms, need the heart. You feel me, you need
you need, you need to create that ship. So I
don't like to just put like anything in. I try
to have something on it for every aspect of the
you feel Me. Of course I'm gonna give you that
core Albia hardcore ship, pain ship. But I also like
to give them everything because like I'm all around artists,
like so like as far as like I could talk,
(12:03):
I could do shit for the bitches.
Speaker 1 (12:04):
Because the nigga fuck bitches.
Speaker 3 (12:05):
You know what I'm saying. I ain't afraid of like
this pocket myself.
Speaker 1 (12:12):
I could do shit for the bitches.
Speaker 3 (12:13):
I could do shit for the club nigga like partying,
you feel me so, And I could do shit for
the street because I'm really from that.
Speaker 1 (12:19):
You get what I'm saying. So I ain't afraid to
like go all around with this ship. You know what
I mean. I don't like to just stay in like
one lane with that ship. You feel me like? You
know what I mean.
Speaker 2 (12:26):
I'm gonna tell your cheat hold that I found out
about records with women late in life because I used
to look at John and.
Speaker 1 (12:33):
Be like, damn, this nigga killing it. Put it on me.
What would I be without you?
Speaker 2 (12:39):
It wasn't until I got married and I wrote it
and I'm looking at my wife and I'm sitting there
writing a record and I'm like, Oh, this motherfucker yoah cheated.
Oh this nigga being married this whole like he was
just looking at his wife. Yeah, what would that be
without you? Like motherfucker? I called them like nigga. I
got the cheat cold too. I'm all now, I'm gonna
(13:00):
give it to the young You gotta really I feel like,
you gotta really get those records. You gotta really care.
That's why I made records like it's that your big
right right right, I was kicking them out.
Speaker 1 (13:16):
I couldn't make up for it. I didn't know what
that felt. I could relate to that. I understand, I
feel you, I feel you. You know what I'm saying.
Speaker 2 (13:23):
So when you say I'm making the bitch records is
left No, No.
Speaker 3 (13:26):
I feel like because at the same time, like ship
like bitches be like because I make good songs for
the females, like they love when I do that, right,
But so they be like if you need to put
more that shit on your album, like you need to
do more that shit. I'm like, I really ain't got
the emotions like that no more. I'm really like, y'all
bitches like I'm not doing.
Speaker 2 (13:45):
You gotta really care to write those records. Because even
when you look at DMX and he got those records.
Speaker 1 (13:50):
It was really married. He was really married.
Speaker 2 (13:52):
You know what I'm saying, These niggas that be making
those records be they got shorty away.
Speaker 1 (13:56):
You're saying I need to get married.
Speaker 2 (13:57):
Noa noa no, not said jump the broom. That's not
invice something giving life, and when time is right, you
will make the decision.
Speaker 1 (14:10):
Say that ain't right right now, don't you came from Amsterdam.
He took you to the red light. Say that you've
seen that ship out there. It's easy right ship like
by James.
Speaker 2 (14:23):
You won't believe that ship in the window. Let me
get that right there sides And he had a vision
of people that never been there. You know how you
walking in the mall, you know what I'm saying. And
you see that you see manne kinds dressed up, no
is moving, read ready like like.
Speaker 1 (14:38):
Come on, they moving. They looking at you like come
in pain to yeah whatever, you bro whatever. The human
pooring site out telling you waiting to get picture. That's
a fact.
Speaker 3 (14:55):
Some of them got to It's like it's like up stairs, downstairs,
you just walking that ship.
Speaker 1 (14:59):
They say you can't cor you know, I'm from Jersey.
I'm like, oh now, you gotta be careful.
Speaker 5 (15:06):
You know.
Speaker 2 (15:06):
They roughed up like some of my guys from the
rock guy dam and them got some ship out there.
Speaker 1 (15:12):
Dang went yeah bigs, dang.
Speaker 2 (15:15):
It was out there recording the Red Light and the
gangsters was like, yo, turn them cameras off, you know, niggas,
Nigga New York whatever, they rumbled, niggas up, rough niggas up.
I ain't gonna lie because I remember getting the call
niggas was getting stitched up.
Speaker 1 (15:30):
Niggas up out there and the yeah, like the niggas.
It's two worlds in Amsterdam.
Speaker 2 (15:36):
You know at night, right you see in the daytime
is mad your opinions.
Speaker 1 (15:40):
Ain'tbody right right around? Mad? White face is cool when
the sun go down? Who outside? All the Africa? Like yeah,
it looked like taking.
Speaker 2 (15:48):
All the Africans like this without man. What you need
you need smoke, you need director, what you need was
rough out there. But like, yo, don't go out there playing.
They just discuff you.
Speaker 1 (16:01):
It ain't nobody there to help you either. I don't
see no police or nothing.
Speaker 3 (16:05):
Bro.
Speaker 1 (16:06):
No, they don't regulate none of that ship. It's just
free world, man.
Speaker 2 (16:10):
It's like, ahead, do your thing man like and go
to rid of damn. That's one of the reasons I
like Ireland because it's that old school before the pistol gag,
because I feel like pistols we all heybody fighting, that's.
Speaker 1 (16:23):
Real, ya heart.
Speaker 2 (16:24):
You gotta you know what I mean put that rumble
in and then Dublin they're scuff you up to.
Speaker 1 (16:34):
Them. Niggas love the scuffle. What they live for a fight? Yo,
get it back.
Speaker 2 (16:44):
When you started getting looks from platforms like my brother
sway you know what I mean, shout out swaying the morning,
that's my guy, you know what I mean? Ship like that.
Then you got the major distribution through Empire. Did it
feel like the world was finally catching up to you?
Speaker 1 (16:59):
Yeah? Hell yeah, Like.
Speaker 3 (17:02):
It's it's like I'm always been like like like it'd
be glimpse of that ship you feel me? And that
be the weird ship with the industry too, like because
I be seeing like niggas I see like the top
rappers you feel me that like that or top industry
person period and they run it too me and they
just show me mad love and shit and I'd be like, yo,
why that love? So it's like so private, like if
(17:22):
you saying you like like I fuck with your shit
all the time, Like what's going on? Like you know
what I'm saying? Why you ain't you know what I'm saying?
Why would it takes for me to finally run it
to you to say that when all, yeah, bro, that
should be crazy major.
Speaker 1 (17:34):
These industry niggas is that's one thing.
Speaker 2 (17:37):
Like you know, niggas fifty whatever, they say what they say,
but fifty got one of the illest lines. Man. These
rap niggas ain't friends. They know how to protect. That's
one of the illest, illest, truest bards or these rap
niggas that described as industry.
Speaker 1 (17:50):
These niggas know how to PreTect.
Speaker 3 (17:51):
And and want you to know it ain't it ain't
stop though, you get what I'm saying. If it was
going on when you was out there, when you y'all
was moving around, that shits still going on today.
Speaker 1 (17:59):
Yo. That ship these rap niggas is divas, bro. These
niggas is whole. I tell niggas. They just find a
nice way to tell you. Fuck off. Niggas. They'll be
all nice soon as you walk away.
Speaker 2 (18:09):
Nigga, don't change his number, don't answer the phone, put
you in the phone and don't pick up like I.
Speaker 1 (18:15):
Had some one of the ship.
Speaker 3 (18:16):
This rap shit is this Like niggas hit me up
right and they'd be like, Yo, I want you know,
we gotta do something. We gotta do something, and I'll
be like all right, cool, hell y'all. You know, cause
it's to me, it's like it's a it's a swap.
If you the bigger artist, I need your fans, let's
swap it out, come in, come in.
Speaker 1 (18:31):
So nigga be like a nigga.
Speaker 3 (18:33):
Be Yo, send me some records, let me see what
you're working on. And then it's weird ass nigga. I
send these niggas some records. I ain't here from the
nigga nothing. I'm like, Yo, this nigga better be stealing
my ship.
Speaker 2 (18:43):
And that's that. They're not stealing your your ship. What
they're doing is biting right.
Speaker 1 (18:49):
They feel you got the wave.
Speaker 2 (18:51):
If you're sitting in the nigga your music, they figuring
out how I'm gonna get this wave and they're studying
you right now.
Speaker 1 (18:56):
So that's what they're doing.
Speaker 2 (18:57):
If they if you send a niggas some joints and
they don't send them back, trust me, they study it
exactly you the encyclopedia.
Speaker 1 (19:05):
That's a fact. So take it as a compliment too.
In front.
Speaker 2 (19:09):
And plus, you got here without these niggas. I don't
need none of these niggas, Bro. You don't think you
need none of these niggas.
Speaker 1 (19:16):
They need you absolutely. You know what I'm saying.
Speaker 2 (19:18):
Always remember that, bro, Like that's how we came in
this ship straight from Marcie. We ain't care about nobody.
We wasn't trying to be friendly, be down. They ain't
fuck with us from the beginning. So it was like,
we ain't fuck with nobody either.
Speaker 3 (19:30):
That's that's our energy right there. Me and my squad,
we just meet. We walking, we walk in the rooms.
We already feel attention to niggas know, but at the
same time they know real niggas walk.
Speaker 1 (19:39):
Yeah, they don't respect. They're tighten the fuck up.
Speaker 2 (19:44):
They gotta respect it. Like the number one thing. It's
only two kinds of music in this world. My nigga
is good music and it's not good music right right,
And you make good music and once your music get
to the masses and they're gonna have to respect you,
and all the people that fake in front and bullshit,
they gonna come back around and lay down and really
be like, yo, bro, I.
Speaker 1 (20:03):
Need you yo, come through, pull up over here, do this.
I did all that, my gee.
Speaker 2 (20:08):
I just was telling niggas out of all the industry
homies out I'm being around outside of Rockefeller, I probably
only got two real bros that I consider like rap
niggas that are bros.
Speaker 1 (20:20):
Jian Norri Man.
Speaker 2 (20:22):
I could pick up that phone any given time and
them them my dogs, Like that's my bros. Outside of
this rap shit. Everybody else, I feel like we cool.
Speaker 1 (20:31):
But you really my bro.
Speaker 3 (20:33):
It's in nor Let me say we were from Jersey City,
like I'm from Jersey City. We fuck with Norri like,
you know what I'm saying, like like his music really
like like we really like came up off his music,
and a lot of niggas don't know like how fire
Norri was. You know what I'm saying now to get
new people, they know him as like the king podcasting. Nah,
(20:54):
nor you had Nory had the streets where I'm from.
Like I even freestyled off a lot of his beats.
Speaker 1 (20:59):
You know what I'm saying. We can't wait to meet that.
I don't really want to meet that nigga way man,
damn and know stop playing.
Speaker 2 (21:05):
We're gonna pull up the chance man.
Speaker 1 (21:09):
Stop playing. He a drink. He he rady. You know
what I'm saying.
Speaker 2 (21:13):
You know one of my dogs he rady, Yo. But
this current run you on, it feels like a resurgence
run like from the new visuals, the major collaborations you've
been class shot out my dog Freeway. You know that's
my brother to know. I mean, I've been making some
heat everybody. What's most exciting about what you got going
(21:35):
on right now?
Speaker 1 (21:36):
I think I think right now, this is this like.
Speaker 3 (21:40):
Like I was saying, like I'm on right now, but
this is what I'm about to do right now, is
like it's about to.
Speaker 1 (21:46):
It's like it's over. It's like it's.
Speaker 3 (21:49):
Everything because the ship I got coming up, the features
I got, and then my projects that I got coming up.
It's like I'm in my own I'm in my bag
right now where it's like I know where this ship
about to go and is about to go with it
should have been, you feel me, And I'm proud of that.
Speaker 1 (22:03):
I'm proud of what I'm about to do.
Speaker 3 (22:04):
For the rest of this year, you know what I'm saying,
Like it's really about to happen for me, for me,
whereas though like this ship about to rain on these
niggas like all good music, all good like people gonna
see these these connections and ship that I made you
feel me because you know it's like.
Speaker 1 (22:18):
I got a problem networking man, like you gotta get
one of the home. Man.
Speaker 3 (22:27):
So when you see me rocking with a nigga, you
see me with some nigga, you see me doing music
with a person, it's like I genuinely like, like, fuck
with that nigga. We really like or he fucked with
me too, and we just made that ship happen. You
feel me because it's like it's hard. It's hard for
me to like rock with these niggas because I don't know,
I just be I.
Speaker 1 (22:45):
Just fuck with real ship. I'm allergic to fun ship. Bro.
I start sneezing when bringing theirs, Like I feel you,
and I've been that way my whole career.
Speaker 2 (22:59):
Man, Like like I heard you had a joint like
y'all was working.
Speaker 1 (23:03):
I don't know how true it is. I heard through
the streets though that you.
Speaker 2 (23:05):
And Beans, like you know what I'm saying, Broad Street,
that's my bro, you know what I mean? Like you
heard me say outside of Rockefeller, but Rockefeller the crew
that's my family man, all of.
Speaker 1 (23:17):
Them niggas all time. Beans was yo, he made me
nice yause he was super nice. Yeh it first came out,
I'm like, nan ridiculous. I could have a studio set
as well. I just want to be a flood yo,
y'all be bugging off.
Speaker 2 (23:35):
Hours was on some ship. Beans like the studio dark.
Beans want the studio.
Speaker 1 (23:40):
Dark lights like colored.
Speaker 2 (23:42):
Put the red lights on the fact, make this ship
purple like the instance, go put the candles on.
Speaker 1 (23:48):
Niggas rolling up sticks and he just sitting there. Yo am,
I got it? Like what I got it?
Speaker 2 (23:54):
Let's go damn Like now, Beans is different that nigga
go to sleep, bro like literally sleep with the beat plane,
wake up and.
Speaker 1 (24:02):
Be like, Yo, I got the verse. That's crazy crazy,
like yo, I spit it. Let's go.
Speaker 2 (24:09):
Beans was on some different ship. One of the illness
niggas working with. Like besides of course Ja Jay, that
nigga just fucking you be in a limo ride going
to the fucking airport with this nigga. You get to
the airport like, Yo, I got a hook for you?
Like what houck yo? This one yo, just blaze. I
need you to make a beat that go like this?
Speaker 1 (24:28):
Did it?
Speaker 2 (24:29):
He tell niggas the beat nigger thing me, I need
the beat without the beat. You I don't know what
I'm writing. We lost, we got, we don't take some
ship out the air play a beat I got? You
say the type of nigga I tell you make the
beat like this because.
Speaker 1 (24:45):
I wrote the words like this already, right, that's next level.
Speaker 3 (24:48):
Damn.
Speaker 1 (24:50):
It was different with it.
Speaker 3 (24:51):
Were like being with me heavy two, like real real heavy.
You got like a good relationship every time he seen me.
But I was just honored the fact when I see
him and he was like, I'm just I'm coming to
give him his flyers, you know what I'm saying. And
he was just like, nah, nigga, you nigga, you you
the Broad Street Bully right now.
Speaker 2 (25:09):
I'm telling you, man, I ain't gonna lie you my
favorite rapper right now.
Speaker 1 (25:12):
It just show him give me.
Speaker 2 (25:13):
I'm like, what bro when I like and it's all
honest when I when I see you, when I first
see you, and I don't like comparing niggas, but the
vibe you give me is not to one nigga, like,
it's multiple different movements. When I see you, will see
the hunger of beans. I see the grind and the
crew like a true life in them. I see the
pain of a little Dirk in them. You know what
(25:35):
I'm saying, Like, I see, it's a lot of elements
in your whole movement, bro, it's all classic niggas. It's
some fraudulent fruit cups. Your ship is authentically real, my
nigga gonna trust me, like you got records like come
back outside. You know what I'm saying, Like approaching music differently,
(25:56):
what would you say to the younger albe.
Speaker 1 (25:58):
The younger me.
Speaker 3 (26:01):
I feel like if I could talk to the younger
me as far as like making music him, I think
he I think he just should have been outside more,
you know what I'm saying, Because, like you know, I
was just I was just it still is like I
was just. I was just a newspaper, bro. I was
just like a like I was just talking about what's
going on where I'm from and what I'm going through
(26:23):
and with my city going you know what I'm saying
that type of shit. So I didn't understand the fact
that me talking about where I'm from, that the world
would be able to relate to that because they're going
through the same ship. Because the younger me ain't been out,
that wasn't out of that element. I never left the projects.
I never left my.
Speaker 1 (26:38):
City, you know what I'm saying.
Speaker 3 (26:40):
If we if we left the state, Nigga, we went
to Times Square with our bitch, you know what I'm saying,
shit like that.
Speaker 1 (26:46):
So I didn't know this shit could go that far.
Speaker 3 (26:48):
I didn't know if I step outside of my of
my comfort zone, that these niggas right here in New
Orleans would be banging my ship because they going through
the same ship. So that's what I tell myself. I'll
be like, nigga, get the fuck outside you fire like
the world gonna love you. Nigga ain't not just the city,
you know what I'm saying. So that's one thing. And
even these young niggas need to see that too, like,
because a lot of niggas are my projects. Like young
(27:11):
boys is coming up. All they know is the projects too,
you know what I mean. I just took some of
my young boys to Miami, put them on the yacht
just the fuck they bring up. Man, had bitches, the
little niggas, they never been on the airplane before, you.
Speaker 1 (27:21):
Know what I'm saying. Like, so it's just I ain't
been on one to come in age for me.
Speaker 3 (27:26):
So it was just like that that shit motivate them
differently than I mean. So it's like and then one
of the little bros he couldn't go because he was
on the ankle bracelet and they was cutting his ankle
bracelet off at that time he cut You know what
I'm saying, But that shit, that just shows he gonna
learn from that, like because he watching niggas stories like damn,
I could have been there. So if you wasn't out
here doing stupid shit, you wanna be on that bracelet,
(27:48):
you'd have been with the rest.
Speaker 1 (27:48):
Of the bros. So it's a lesson learned from both
of them.
Speaker 3 (27:51):
They had, they had experience, and now he watching like damn,
you feel me so like, damn, I could have been there.
I could have been a part of that if I
wasn't doing dumb shit, you feel me. So I tried
to move my little young niggas the right way rued up.
Speaker 2 (28:01):
And that's a real thing because, like you know, each
I always felt like every artist, no matter if you're
from a different city, different country, different borough in.
Speaker 1 (28:09):
New York, everybody bought their own.
Speaker 2 (28:11):
Story, what the environment was. Nobody's story is the same.
You go from wood to Biggie, the nas, the Jay
to Jo to you to fab me. None of our
stories are the same. When me and Jay live in
the same building, and our story was crazy, you know
what I'm saying. So like, Jersey City always had like
a different grip when back in the day I came
through it, Jersey City was Brooklyn. Shit was different. It
(28:35):
was two ways. You come out that Holly Tunnel. You
go left, grangy, you go right. Grin me, it was
no where.
Speaker 1 (28:41):
To go, you go straight to ninety five you buy
your business.
Speaker 3 (28:44):
Uh huh.
Speaker 2 (28:46):
That shaped a lot of your storytelling and seeing the
city build up, because now Jersey City looked like fucking man,
what the fly over?
Speaker 1 (28:54):
I don't know the difference, y yo, what the So?
Speaker 2 (28:58):
I know that had to inspire you being there watching
the city changes, Like, nigga, do.
Speaker 1 (29:04):
You feel like you evolved just like your city did? Yeah?
Speaker 3 (29:08):
Yeah, yeah, And at some points you feel me most
definitely because I rob do that motherfucker.
Speaker 1 (29:12):
I don't even recognize it, Like what the fuck?
Speaker 3 (29:14):
We were just working the hood last night and sit
pull up on my cousin for his birthday and I'm
just like, the block don't even look like the block,
Like you know what I'm saying, they know, like I
go to my projects. I like, but I grew up
in like two areas in Jersey City. You for me,
So I grew up in the projects, but I also
grew up on a block. So my mom's mom's working
two jobs. She dropped me off from my grandmom's house.
So now I'm on the block.
Speaker 1 (29:34):
You feel me. So I'm up there.
Speaker 3 (29:35):
Yesterday it's like, damn, this shit just looked crazy, like
you feel me, Like, it don't look like you know,
they really like got a ship looking like I mean,
it's that's a good day. It's a beautiful day. They
are cleaning it up and all of that shit. Man,
but like, damn it don't look you know, they knocking
all the projects down and all that ship.
Speaker 1 (29:53):
You feel me. So it's like it just don't look
the same. Bro. You know what my advice to you
would be, grab all that ship up. You can't out there, bro.
Speaker 2 (29:59):
Yeah, most definitely anything any lot, anything you see available,
call me if you don't want.
Speaker 1 (30:04):
To do it.
Speaker 2 (30:05):
League, I see a lot right here. I'm gonna pull up.
We go grab it together up because they're about to
build that whole ship up. I watched them do it.
Speaker 3 (30:15):
It's a house grew up in the house I grew
up in. It's a fucking what you call the brownstone. Yeah,
so back then we didn't even really notice that it
was a brownstone.
Speaker 1 (30:23):
From yeah, the churches on the crib. Yeah for me, man,
that shit worth like ten million now eight.
Speaker 3 (30:29):
It's the house we grew up in. A Park Street, nigga,
google it a park Street, Jersey City. That ship worth
some brand.
Speaker 1 (30:35):
That's how it is.
Speaker 2 (30:36):
In Brooklyn, broke in the same places like I used
to go to Heart Street. Used to be the house
that had you had to put the two wires together
because they bell was broke. You put the wires together
to ring the bell and they bring the weed out there. Yeah, bro,
that crib probably worth fifteen millions.
Speaker 1 (30:49):
Crazy can't even ring the bell and be like, yo,
that's live right. What the fuck is this?
Speaker 3 (30:54):
Yo?
Speaker 2 (30:54):
I'm telling you, bro, Like I look at Hoboken like
that I used to drive through Hoboken was the same ship,
because you know it's all connected. That shit wasn't like
it is now. I'm trying to move in Hoboken. Good luck, Yeah,
for real, good luck, nigga, you got a better chance
I got a call now, Hove, I need you to
co sign on this crib for me. These niggas told
about twenty million, I only got five.
Speaker 1 (31:18):
Now I need helping, yo.
Speaker 2 (31:24):
Hip Hop has always been, like, you know, a turning point,
turning pain in the purpose.
Speaker 1 (31:30):
How has the truth shaped the music of survival for you?
Speaker 2 (31:34):
Like you know a lot of people, a lot of
artists when I'm saying now, I'm saying that, like a
lot of artists always say yah, I'm keeping it real
or you know, I'm one hunted and this. But then
you could get there, you could listen to the music
and see them and know you ain't a youth. You
would come to you, Like I said, everything is authentic.
So what's your advice to the youth that's pushing that
(31:56):
pain for purpose, trying to turn pain in the survive?
Speaker 1 (32:00):
You know what I'm saying. I just think, I think.
Speaker 3 (32:03):
I think it's like it's like everybody, everybody don't get
a chance to like make it out. You feel me,
So with the music, you're gonna, like you you're gonna
go do this ship. Some people gonna make it talking
about what they're going through, and some people gonna make it.
But everybody ain't gonna make it. You like, you ain't
gonna go through that bitch. Clean, someth gonna happen. You
know what I'm saying exactly, You're not gonna You're not
(32:25):
about to go through there or clean. Something gonna happen.
It's either the ship you're rapping about gonna that's a
live the ship you're talking about. You might end up
going to jail for that ship, bro, But then again,
you might get signed by somebody that's gonna and you
be able to change your whole team life, your family life,
and all that shit. Just understand that it's a risk
you're taking, that's right, and with everything, every reward that
(32:48):
you want, it's a risk. You gotta understand that. So
you can't just dank like a why bet why ain't knowing?
Yeah I'm talking, this was going on.
Speaker 1 (32:54):
Yeah you fire, bro, But everybody don't make it. Bro,
Everybody don't make it. But you gotta. You gonna. If
you keep grinding, keep going, you're gonna be further than
where you at. You ain't do shit. So it's like
try nigga, that's right.
Speaker 2 (33:06):
I always tell niggas man, you gotta tell me knowing
another language for me to stop, you know what I'm saying.
And I had homies like when you say that, like
everybody ain't gonna make it, everybody, but at least try it.
Like I feel like that's how my dog, h money
Bags was, you know he was so he like he
reminds you.
Speaker 1 (33:21):
He reminds me of you two.
Speaker 2 (33:23):
Like he's the same nigga, light skinned muslim, hazel eyes
running around on some straight goon shit didn't understand the
meaning of chill the checkers in the mail by g Like, yo,
we just did mind right remix you rhyming right after
whole Yeah, just relaxed.
Speaker 1 (33:42):
Money coming bro. And he didn't understand it. You know
what I mean. In jail cost us a run.
Speaker 2 (33:47):
You know what I'm saying To hear you say that,
it is like that's that's real good advice because I
wish I was smart enough to see it then to
tell him better. But you know, when you were in
the circle, niggas don't listen. They only listen from outside
the circle.
Speaker 3 (34:00):
Like come, I like my last charge before I went
to jail, my last time, Like I think I think
where I'm where I'm at right now? I had to
put the Reach reboot and get the BLUSD Swedading Tears
and keep going again. But before I went to jail,
like I think, I was like I was out of here,
like out of here, like where I'm I'd have been
there where I'm at right now, you know what I'm saying.
(34:20):
Because I had just signed a big deal with Empire
Ghazi and I couldn't miss you get what I'm saying,
Like everything I dropped was just going crazy. And then
that last album I dropped, the ship called king Op.
Speaker 1 (34:32):
That's what. Don't compare me on it. It got that
ship is no skips, and it was it was going crazy.
You know what I'm saying.
Speaker 3 (34:38):
It was going I went to jail the album out,
You feel me, I'm like Billboard, CEO's coming in there.
I to sen your Billboard. I can't even experience that.
I'm facing life. I'm like, Yo, what the fuck you
feel me? And then niggas coming in jail, Yo, your
your new song?
Speaker 1 (34:51):
Going crazy? This?
Speaker 3 (34:52):
Then the third and then I sit in there doing COVID,
locked up, facing life.
Speaker 1 (34:56):
You know what I'm saying.
Speaker 3 (34:57):
Three years in that bitch, I beat my case. God,
you know what I'm saying I beat my case. When
I beat my case, niggas just keep telling me about
don't compare me.
Speaker 1 (35:06):
I didn't. I didn't know what was going on. I
knew the song was fired, but I didn't know. I
come home. I see the views on the ship. I'm like,
I perform and ship it's stupid. I'm telling you. I'm like,
oh man, plastic bro, and I see the growth.
Speaker 2 (35:19):
So I know you you being there being the one me.
I watched it from the out whatever I've been tapped in.
Shout out my guy Poozo Jersey. He was the first
one league. I'm telling you, niggas ain't fucking with I'll
be out like, let me hear it and ever since
that way home, let me study this sh let me
go on his YouTube. That's so when people here, I'll
(35:47):
be out what you want them to associate with your
body of work.
Speaker 3 (35:51):
You know what I mean at that that motherfucker that
ship he on that for real? You feel me he
ain't misguiding him leading. You feel me he really about
this ship and that he stand up individual. You feel
me an honorable man. So when they hear my music,
they know what they about to get into you feel me.
Speaker 1 (36:10):
And I know people that.
Speaker 3 (36:11):
Probably listen, like, oh, I be talking about this shit,
this and the third nigga, this is my life and
shit that I've been through, shit that I witnessed all
of that shit, Like this real life shit, what I'm
going through, I'm gonna give it to you.
Speaker 1 (36:21):
You know what I'm saying.
Speaker 3 (36:21):
I'd have seen this shit, bro, Like a lot of motherfuckers,
a lot of I got friends that died at fourteen
years old.
Speaker 1 (36:27):
You know what I'm saying, Like, Noah, man to this shit.
You feel me, and we still here thugging. We're still
here pushing this, pushing this shit. You feel me.
Speaker 3 (36:34):
So it's like I love that shit. I love when
motherfuckers see me and give me my flowers. I love
motherfuckers see me and tell me to keep going. And
you feel me, you know what I mean. It makes
me feel like I'm doing something right.
Speaker 1 (36:45):
World up.
Speaker 2 (36:46):
That's a fact, bro, Like another piece of advice you
just made me. Like I'm telling you what people be
saying certain things. It triggers certain memories, man, knowing how
real your shit is. Right, Jay always told me this
as a kid.
Speaker 1 (36:59):
Bleak. Only rappers that fall off or the raps get whacked.
Speaker 2 (37:04):
It's been the lives run out, lives, run out rhymes,
run out bleak. When they got it, there's no more
lives to t up. So that's how nigga know this
your life because you can't lie, but.
Speaker 1 (37:17):
You're only gonna do.
Speaker 2 (37:18):
I'm gonna run out of ship if I'm trying to
be biggie, he gonna go on vacase ship. I'm a
miss a week. I don't know what he did.
Speaker 1 (37:24):
That's heard up yo. So Yo, what's next for you?
My g You know what I mean? What does the
future look like from here?
Speaker 3 (37:34):
What?
Speaker 2 (37:34):
What?
Speaker 1 (37:34):
What's the next drop? What's the next toll on these
right ass niggas as? That's right? I see yo, Yeah,
I see you. We've been spraying the raid like these
rad assn exact man.
Speaker 3 (37:46):
You nobody nobody's safe, Yo, that's nobody safe. I don't
care where you from trying to move the No, we
ain't with that man, Your motherfuckers. You motherfucker's been putting
a lot of music out for years. Man, we to
believe it in you niggas. Man, I swear to God.
Bro oh that man, that's that nigga. Gucci Oh Man,
(38:07):
that nigga.
Speaker 1 (38:08):
He gonna get it. You gotta get it, bro. You
know what I mean.
Speaker 3 (38:11):
I used to be down state arguing. That's what I said,
and I said it before. I used to be down
state arguing with niggas from Pattison. Pattison, they love Gucci.
Fetti wop that comes from Gucci. You get what I'm saying,
veddi wop that comes from goot Y. I aint know
that fetti wop comes from Gucci. You want to stand
that Pattison. Niggas love that nigga, bro, And I was
(38:31):
a Jeezy nigga. I used to be about to get
busy with niggas because they fuck with Gucci. I'm fuck
with Jeezy. Who more thorough fight niggas in president over
that ship.
Speaker 1 (38:41):
But these niggas cat just just let us fally to
this bad man.
Speaker 4 (38:48):
Oh man, Yo, these trust me believe these guys doing
brom do it bro.
Speaker 1 (38:56):
It's easy. See the industry.
Speaker 2 (38:57):
One thing I love about the game now today social
media Twitter, the fans is more invested. You can't hide
behind a sauce, interview, a vibe in. If you remember
back in the day, we did that double ex sal
that sauce that vibe. You didn't see y'all hear from
us till we went on one O six. You didn't
know what we was into today you could do all that, nigga.
(39:20):
Like I just seen this nigga at the drive do
he liing? He just was over at McDonald's. I love
that the fans are more invested and can pull this
ship out to get to see who really real and
who not.
Speaker 1 (39:36):
You know what I'm saying, Because it was too much
bro and going on. You gotta people gotta do their
math on this ship.
Speaker 3 (39:43):
How these niggas be talking about from the trenches and
all of that, and they did all of this trenchery ship.
Speaker 1 (39:48):
But like I said, you're not gonna go do this
ship clean. Nope, gonna get scuffed up.
Speaker 3 (39:55):
These niggas clean Like that niggas is clean. Ain't been
doing nothing. You ain't not been in a youth house,
Like what the fuck? Like when is these niggas is
like on?
Speaker 1 (40:03):
Bro?
Speaker 3 (40:04):
Like you like it's like, come on, bro, like you
gotta read between the Stop misleading these kids.
Speaker 1 (40:08):
Man, you feel me for real? Man, Stop misleading these niggas.
But I was a kid you mislet swat with the
jail for you. I was misslad Man, stop misleading.
Speaker 2 (40:26):
We got guys like you that really lived, really been
through it to tell these niggas ain't the path they
need to walk.
Speaker 3 (40:32):
Man, these kids who you were stamp bleak like if not, no,
not your my crew, Yeah, not your crew, Nobody in
your crew, nobody from New York?
Speaker 1 (40:42):
Who you in the industry that you when you were
a whole war y'all was moving around who he.
Speaker 3 (40:47):
Was like, Yo, Nah, this nigga really liked that in
his area. I know you pulled up y'all been on
you had wild tours.
Speaker 2 (40:54):
No, no, we had mad toys. I ain't gonna front.
It's a couple of niggas. I thought was really like that,
Like I don't like kicking niggas when they down. Man,
But ship you asked the question.
Speaker 1 (41:06):
Mister cool was really like that. But I ain't know
he was really like this. I had to figure out
how to answer that. You know what I'm saying. He
was like, dang, I know he was like this Now
(41:28):
because my nigga fifth is doing about Diddy. We gotta do.
We gotta found out with someone, mister bucking the who else?
Who else was like that? I thought was like that
and was like, nah, you ain't who else let me down? Man?
(41:50):
Like heartbreak? Who else?
Speaker 5 (41:51):
Man?
Speaker 2 (41:52):
I ain't really fuck with too many niggas but my crew,
I could say, niggas and my crew let me down.
To see them going out the way they're going all right?
Speaker 1 (42:00):
You know what I mean?
Speaker 2 (42:00):
Like niggas turning into youtubeer. It's views trying to hear
a dirty laundry that you don't even know it is crazy.
Niggas laundry ain't even dirty.
Speaker 1 (42:09):
You just talked about stupid shit like you know some
g ship.
Speaker 3 (42:12):
I don't respect that because it's like like like you
know what I'm saying, Like you like when when you
was running with a niggas.
Speaker 1 (42:18):
Everything was cool.
Speaker 2 (42:19):
Yeah, And that's another thing I would like, if you
go telling nigga dirt, why wait to the fallout if
it was cool when you was down at me?
Speaker 1 (42:29):
You was a dirty nigga too, exactly. It's like that's
like you sitting there nigga leaves the camp, was he
was with you for ten years? As soon as you
leave the camp, man, that nigga puss the salt nigga
you you was with right when he was pushing. Now
you want to sit there.
Speaker 3 (42:42):
You ain't say that for ten years. Fat now the
first the first three months, sin' cool.
Speaker 1 (42:46):
You said the nigga pussy. I don't like that man.
Speaker 2 (42:49):
That man as far as the rappers telling man, I'm
please listen, stop making gangst the music leading the youth
on that you're gonna live his life knowing good and
god damn well, ever since you signed on that dited line,
you ain't lived that life, man, for real, please stop stop.
Like I made the records back of the day I
was a kid, I was really outside. We was really
(43:11):
putting in paid back from the projects. I got niggas
that with the jail loss like I wish, Like that's
what I'm telling you sitting here. I wish my man,
h money bags had the opportunity to like beat the case,
come home and got on the run.
Speaker 1 (43:24):
He didn't. Nigga did twelve years. You know what I'm saying.
He came home. I'm sitting here podcasting like, Hey, I
got a job for you right here, co host with me.
Speaker 2 (43:35):
You know what I'm saying. But niggas didn't have like
we really took them losses. Everything wasn't all good at
Rockefeller As. You see a lot of niggas telling certain
stories that's true, certain stories is not. But everybody got paid,
nobody got rabbed, nobody had a bad deal.
Speaker 1 (43:51):
Notice nobody. Don't never come out and be like, yo,
Jay took my money, Jay raw me get paid.
Speaker 2 (43:59):
These niggas just blew the bag and now mad exactly
like he was supposed to be the account and adding
to see, Yeah.
Speaker 1 (44:06):
That's crazy, that's crazy, that's crazy, that's funked up. The
project Nigga itself like niggas project, and that's just like
they don't realize that Jay really don't give a fuck
no matter what room he walked in hold, but you
know where he came from, straight.
Speaker 2 (44:21):
Up like niggas think he can't like he one of
them super up there niggas that ain't down in tune.
He and two he don't give a fun to respond
to these niggas will even give him a sin.
Speaker 3 (44:32):
Of a like, you gotta be from the project to
really know that from niggas be sitting there put voice
in their pain. You got a really no project niggas man,
All project niggas is the same, that's right. They got
so many similarities any project I met niggas magnoia never
mind you.
Speaker 1 (44:47):
Feel I love I love man and know in Chicago
that's one of two of my favorite cities. No niggas
show love word yo.
Speaker 2 (44:59):
So like go said, man, I'll be out the motherfucking
truth holding it down New Jersey, New York, the movement.
You know what it is, man, when it comes to
that real this is who you tap into. It ain't
no chatty patty over here. It ain't no telling. We
ain't even getting in trouble to tell no more, right,
(45:21):
ain't getting in trouble. It's nothing to tell. What we're
gonna tell you niggas is get money and say solid
my g rock Solid, Appreciate you, appreciate word. For more
podcasts from iHeart Radio, visit iHeartRadio, app, Apple Podcasts, or
(45:44):
wherever you listen to your favorite shows at and you
can follow me on any social media platform under the
name Memphis Bleak.
Speaker 1 (45:51):
You see anybody fraud and flagging
Popular Podcasts
Hey Jonas!
Hey Jonas! The official Jonas Brothers podcast. Hosted by Kevin, Joe, and Nick Jonas. It’s the Jonas Brothers you know... musicians, actors, and well, yes, brothers. Now, they’re sharing another side of themselves in the playful, intimate, and irreverent way only they can. Spend time with the Jonas Brothers here and stay a little bit longer for deep conversations like never before.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.